Cristián Alvear & Tim Olive // Telquan CD

Cristián Alvear & Tim Olive // Telquan CD

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兵庫県神戸市の実験音楽家Tim Oliveのプライベートレーベル845 Audio諸作を一挙入荷しました。リサイクルボール紙ケースです。

レーベルその他作品はこちら /// Click here to see more 845 Audio releases available at Tobira.

-------------------------

Edition of 100.

Text by 845 Audio:

"Cristián Alvear and Tim Olive first played together in October 2016, doing three concerts in Japan. Alvear returned to Japan in October of 2017, and they performed together again, in Kyoto and Osaka, then spent a day recording in Kobe. This single improvised piece is the result of that day. The music is heard as it was recorded, with a few structural edits."

Reviews:

Brian Olewnick:

"Tim Olive has been putting out generally excellent music for some fifteen years now, much of it undeservedly below the radar. Two new ones should alter that a bit. 'telquan', a duo with Cristián Alvear is utterly striking, an intense exploration of single and paired guitar tones, with at once a rigorous structural feel and a welcome allowance for subtle variations. Quite unlike anything else I've heard from Olive (it's an improvisation, but Alvear's influence is clear)--truly riveting and outstanding. 'Charm Point', a brief set with Sound of the Mountain (Elizabeth Millar & Craig Pedersen) sometimes feels AMM-like, sometimes, when the pulse kicks in, like updated Voice Crack--always rich and imaginative. Do take the time to check them out."

Frans de Waard:

"Usually the sparring partners of Tim Olive, magnetic pick-ups player par excellence, are musicians who are also at the edges of radical improvisation, with constructions of their own making, so to see him play in duet with Cristian Alvear is quite a surprise. Alvear is best known as a guitar player and usually to be found in very quiet surroundings. The music they play together is a very fine mix of acoustic sounds and amplification of both the space the guitar is played in and some additional small sounds played by Olive. The sounds produced by Olive are delicate. Towards the even Alvear goes out of shape by gently detuning the strings and thus signalling we are nearing the end of a wonderful forty-one-minute trip. It is something that is both rough and gentle, loud yet quiet and is a great release."

Artist : Cristián Alvear & Tim Olive

Label : 845 Audio

Quantity

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兵庫県神戸市の実験音楽家Tim Oliveのプライベートレーベル845 Audio諸作を一挙入荷しました。リサイクルボール紙ケースです。

レーベルその他作品はこちら /// Click here to see more 845 Audio releases available at Tobira.

-------------------------

Edition of 100.

Text by 845 Audio:

Reviews:

Brian Olewnick:

Artist : Cristián Alvear & Tim Olive

Label : 845 Audio

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クイックビュー {"id":7055041986725,"title":"Tim Olive \u0026 Yan Jun \/\/ Brother of Divinity CD","handle":"tim-olive-yan-jun-brother-of-divinity-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e兵庫県神戸市の実験音楽家Tim Oliveのプライベートレーベル845 Audio諸作を一挙入荷しました。リサイクルボール紙ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=791839528\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003ehere\u003c\/a\u003e to see more 845 Audio releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003ei'd like to say something.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003ebut i have no words at this moment.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewords are something not belong to me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eok, the year of boar is coming.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eenjoy!\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- yan jun, january 8, 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReviews:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRaymond Cummings, The Wire:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"…Brother of DIvinity trades heavily in sine waves scrambled gently or aggressively, with samples snuck into the general surface melee: a Where’s Waldo? approach, with Waldo replaced by a crying kitten or squashed snatch of pop or re-re-regurgitated Morse code guitar. In their questing, Olive and Yan Jun - the former on magnetic pickups, both on electronics - seem determined to draw down on or sharpen some ineffable sensation, like amateur radio enthusiasts straining to lock onto a pirate radio signal halfway around the world. Rubbery, stippling pulses, piercing squeaks and sheets of shivering statics are their (and our) rewards for sonic labours that are anything but plain, anything but anonymous.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eBrian Olewnick, Just Outside:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Olive can always be depended on for an aggressive and imaginative improvisatory use of electronics and in Yan Jun, he's found an excellent collaborator. 'Brother of Divinity' is a single, 26-minute track of high intensity, bristling and sizzling electronic mayhem with a huge range from spiky highs to molten lows, managing to create a fine sense of elasticity between. A kind of kitchen sink approach except without any sense of crowding, more a funnelling of a vast\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e stream of sound into a (semi) coherent flow, bumpy and sharp, acidic and likely painful to the touch, but very alive. Even when it quiets down some, the splintered, muted guitar and radio grabs carry substantial sting. Excellent work.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eMichael Rosenstein, Dusted Magazine:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"Here, one gets the sense of sonic calligraphy built from sparks, static, shadows of melodic fragments and burred and squiggled oscillations. Yan’s electronics meld effortlessly with Olive’s setup and Olive reminisces that “We recorded for two afternoons and got quite a bit of music… While going through the recordings, it occurred to me that two of the pieces might work well together. They were similar in length, so I basically laid them on top of each other, did some very minimal mixing and that was it. The textures are very clear, very open, so they work well together, and I love the inadvertent\/unplanned consonances and dissonances and the matching and mismatching of textures.” \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eListening as the 28-minute piece unfolds, a certain playfulness emerges. One can hear the two probing at the activity of sound creation, something that is certainly central to Yan’s work. But rather than a conceptual exercise in aural cataloging, the two revel at the accrual and juxtaposition of resultant sounds. Radio grabs, quicksilver scratches and scrapes, sputters and pops, flutters and quavering tone sweeps, reworked plucked and fractured melodies, hums and hiss duck in and out with nimble fluency. The variety of timbres, densities and pitch spectrum is striking right up until the final moments of low thrumming pulse, electromagnetic fuzz and the distant chime of church bells. But it is the process of weaving these together into a coruscating aggregate that ultimately stands out. Even without knowing the final mixing process, the overlapped layers which accumulate and then fray apart with variegated intensity and concentration reveal a volatile unfolding structure.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tim Olive \u0026amp; Yan Jun\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-21T08:34:03+09:00","created_at":"2021-09-20T10:25:19+09:00","vendor":"Tobira Records","type":"","tags":["845 audio","cd","monooto"],"price":111000,"price_min":111000,"price_max":111000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40843995938981,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tim Olive \u0026 Yan Jun \/\/ Brother of Divinity CD","public_title":null,"options":["Default Title"],"price":111000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/br1_8d46db5d-327b-46b7-9141-c04c41010f93.jpg?v=1632101121","\/\/tobirarecords.com\/cdn\/shop\/products\/br2_8a830c28-fb82-44ed-a6d5-73161946e2ca.jpg?v=1632101121","\/\/tobirarecords.com\/cdn\/shop\/products\/br3.jpg?v=1632101121"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/br1_8d46db5d-327b-46b7-9141-c04c41010f93.jpg?v=1632101121","options":["Title"],"media":[{"alt":null,"id":23766870655141,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/br1_8d46db5d-327b-46b7-9141-c04c41010f93.jpg?v=1632101121"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/br1_8d46db5d-327b-46b7-9141-c04c41010f93.jpg?v=1632101121","width":700},{"alt":null,"id":23766870687909,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/br2_8a830c28-fb82-44ed-a6d5-73161946e2ca.jpg?v=1632101121"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/br2_8a830c28-fb82-44ed-a6d5-73161946e2ca.jpg?v=1632101121","width":900},{"alt":null,"id":23766870720677,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/br3.jpg?v=1632101121"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/br3.jpg?v=1632101121","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e兵庫県神戸市の実験音楽家Tim Oliveのプライベートレーベル845 Audio諸作を一挙入荷しました。リサイクルボール紙ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=791839528\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003ehere\u003c\/a\u003e to see more 845 Audio releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003ei'd like to say something.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003ebut i have no words at this moment.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewords are something not belong to me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eok, the year of boar is coming.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eenjoy!\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- yan jun, january 8, 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReviews:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRaymond Cummings, The Wire:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"…Brother of DIvinity trades heavily in sine waves scrambled gently or aggressively, with samples snuck into the general surface melee: a Where’s Waldo? approach, with Waldo replaced by a crying kitten or squashed snatch of pop or re-re-regurgitated Morse code guitar. In their questing, Olive and Yan Jun - the former on magnetic pickups, both on electronics - seem determined to draw down on or sharpen some ineffable sensation, like amateur radio enthusiasts straining to lock onto a pirate radio signal halfway around the world. Rubbery, stippling pulses, piercing squeaks and sheets of shivering statics are their (and our) rewards for sonic labours that are anything but plain, anything but anonymous.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eBrian Olewnick, Just Outside:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Olive can always be depended on for an aggressive and imaginative improvisatory use of electronics and in Yan Jun, he's found an excellent collaborator. 'Brother of Divinity' is a single, 26-minute track of high intensity, bristling and sizzling electronic mayhem with a huge range from spiky highs to molten lows, managing to create a fine sense of elasticity between. A kind of kitchen sink approach except without any sense of crowding, more a funnelling of a vast\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e stream of sound into a (semi) coherent flow, bumpy and sharp, acidic and likely painful to the touch, but very alive. Even when it quiets down some, the splintered, muted guitar and radio grabs carry substantial sting. Excellent work.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eMichael Rosenstein, Dusted Magazine:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"Here, one gets the sense of sonic calligraphy built from sparks, static, shadows of melodic fragments and burred and squiggled oscillations. Yan’s electronics meld effortlessly with Olive’s setup and Olive reminisces that “We recorded for two afternoons and got quite a bit of music… While going through the recordings, it occurred to me that two of the pieces might work well together. They were similar in length, so I basically laid them on top of each other, did some very minimal mixing and that was it. The textures are very clear, very open, so they work well together, and I love the inadvertent\/unplanned consonances and dissonances and the matching and mismatching of textures.” \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eListening as the 28-minute piece unfolds, a certain playfulness emerges. One can hear the two probing at the activity of sound creation, something that is certainly central to Yan’s work. But rather than a conceptual exercise in aural cataloging, the two revel at the accrual and juxtaposition of resultant sounds. Radio grabs, quicksilver scratches and scrapes, sputters and pops, flutters and quavering tone sweeps, reworked plucked and fractured melodies, hums and hiss duck in and out with nimble fluency. The variety of timbres, densities and pitch spectrum is striking right up until the final moments of low thrumming pulse, electromagnetic fuzz and the distant chime of church bells. But it is the process of weaving these together into a coruscating aggregate that ultimately stands out. Even without knowing the final mixing process, the overlapped layers which accumulate and then fray apart with variegated intensity and concentration reveal a volatile unfolding structure.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tim Olive \u0026amp; Yan Jun\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio \u003c\/span\u003e\u003c\/p\u003e"}

兵庫県神戸市の実験音楽家Tim Oliveのプライベートレーベル845 Audio諸作を一挙入荷しました。リサイクルボール紙ケースです。レーベルその他作品はこちら /// Click here to see more 845 Audio releases available at Tobira. -------------------------...

¥1,110

クイックビュー {"id":7055040872613,"title":"Phil Maguire \u0026 Tim Olive \/\/ Invoer CD","handle":"phil-maguire-tim-olive-invoer-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e兵庫県神戸市の実験音楽家Tim Oliveのプライベートレーベル845 Audio諸作を一挙入荷しました。リサイクルボール紙ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592430167\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003ehere\u003c\/a\u003e to see more 845 Audio releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTim Olive’s planned May 2020 tour of the UK, which was to include a number of performances with Phil Maguire, was cancelled due to Covid-19, so here they present the recorded results of a long-distance meld. The two agreed to record a number of 10-minute solo pieces with no discussion of anything other than length. These solo pieces were overlaid, minimally edited, and mixed to create the four “distant duo” pieces which comprise this release, the first collaboration between London-based Scot Phil Maguire and Kobe-based Canadian Tim Olive.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eReviews:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eMark Wharton, Idwal Fisher:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eWithin Invoer’s four tracks you will find subtle machine drones and faint pulses, tensed strings that vibrate on but the softest of breezes, gentle perambulations where the vague whiff of shortwave catches your nose unseen like pipe smoke. These are long-distance collaborations that should have taken place here in the UK but were cancelled because of you-know-what. London-based Maguire works with synthesizer and computers which no doubt contributed to the throbbing nature of most of this and Olive as ever prizing his sounds from magnetic pick-ups. Its a well-matched release and one of 845 Audio’s best.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eFrans de Waard, Vital Weekly:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Phil Maguire is originally from Scotland, now based in London, and works with computers, synthesizers and tape equipment. Olive is working with his trusted magnetic pickups and electronics. Individually they recorded four times ten minutes of solo pieces, which would be stuck together and mixed by Tim Olive. It is a match that works very well. In each of the four pieces, there is an excellent balance between both players and the way they use their sounds. There are moments of silence and there are moments of unrest\u003cspan class=\"bcTruncateMore\"\u003e. Maguire's synthesizers are minimal yet full of tension and attention. Olive's contribution is percussive, scratching, hissing and buzzing. There is quite a bit of repetition, not necessarily in the form of rhythm, but as in longer loops of sound that repeat. None of that is on a strict course, so with all the unevenness you hardly notice this, but at one point you can think: I heard that bit of sound before. I enjoyed this release a lot!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eArtist : Phil Maguire \u0026amp; Tim Olive\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-21T08:33:30+09:00","created_at":"2021-09-20T10:22:53+09:00","vendor":"Tobira Records","type":"","tags":["845 audio","cd","monooto"],"price":111000,"price_min":111000,"price_max":111000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40843992596645,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Phil Maguire \u0026 Tim Olive \/\/ Invoer CD","public_title":null,"options":["Default Title"],"price":111000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_210f4ea5-cae8-4cc4-8bdc-3e6ae3413157.jpg?v=1632100975","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_07d3409e-e54a-45bd-b360-2f6f616df771.jpg?v=1632100975","\/\/tobirarecords.com\/cdn\/shop\/products\/in3_b527f1a1-8948-45b7-8068-2fbc37676c1d.jpg?v=1632100976"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_210f4ea5-cae8-4cc4-8bdc-3e6ae3413157.jpg?v=1632100975","options":["Title"],"media":[{"alt":null,"id":23766858399909,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_210f4ea5-cae8-4cc4-8bdc-3e6ae3413157.jpg?v=1632100975"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_210f4ea5-cae8-4cc4-8bdc-3e6ae3413157.jpg?v=1632100975","width":700},{"alt":null,"id":23766858432677,"position":2,"preview_image":{"aspect_ratio":0.751,"height":1200,"width":901,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_07d3409e-e54a-45bd-b360-2f6f616df771.jpg?v=1632100975"},"aspect_ratio":0.751,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_07d3409e-e54a-45bd-b360-2f6f616df771.jpg?v=1632100975","width":901},{"alt":null,"id":23766858465445,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_b527f1a1-8948-45b7-8068-2fbc37676c1d.jpg?v=1632100976"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_b527f1a1-8948-45b7-8068-2fbc37676c1d.jpg?v=1632100976","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e兵庫県神戸市の実験音楽家Tim Oliveのプライベートレーベル845 Audio諸作を一挙入荷しました。リサイクルボール紙ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592430167\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003ehere\u003c\/a\u003e to see more 845 Audio releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTim Olive’s planned May 2020 tour of the UK, which was to include a number of performances with Phil Maguire, was cancelled due to Covid-19, so here they present the recorded results of a long-distance meld. The two agreed to record a number of 10-minute solo pieces with no discussion of anything other than length. These solo pieces were overlaid, minimally edited, and mixed to create the four “distant duo” pieces which comprise this release, the first collaboration between London-based Scot Phil Maguire and Kobe-based Canadian Tim Olive.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eReviews:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eMark Wharton, Idwal Fisher:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eWithin Invoer’s four tracks you will find subtle machine drones and faint pulses, tensed strings that vibrate on but the softest of breezes, gentle perambulations where the vague whiff of shortwave catches your nose unseen like pipe smoke. These are long-distance collaborations that should have taken place here in the UK but were cancelled because of you-know-what. London-based Maguire works with synthesizer and computers which no doubt contributed to the throbbing nature of most of this and Olive as ever prizing his sounds from magnetic pick-ups. Its a well-matched release and one of 845 Audio’s best.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eFrans de Waard, Vital Weekly:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Phil Maguire is originally from Scotland, now based in London, and works with computers, synthesizers and tape equipment. Olive is working with his trusted magnetic pickups and electronics. Individually they recorded four times ten minutes of solo pieces, which would be stuck together and mixed by Tim Olive. It is a match that works very well. In each of the four pieces, there is an excellent balance between both players and the way they use their sounds. There are moments of silence and there are moments of unrest\u003cspan class=\"bcTruncateMore\"\u003e. Maguire's synthesizers are minimal yet full of tension and attention. Olive's contribution is percussive, scratching, hissing and buzzing. There is quite a bit of repetition, not necessarily in the form of rhythm, but as in longer loops of sound that repeat. None of that is on a strict course, so with all the unevenness you hardly notice this, but at one point you can think: I heard that bit of sound before. I enjoyed this release a lot!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eArtist : Phil Maguire \u0026amp; Tim Olive\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio\u003c\/span\u003e\u003c\/p\u003e"}

クイックビュー {"id":7055038742693,"title":"Tim Olive \u0026 Ben Owen \/\/ 63-66 CD","handle":"tim-olive-ben-owen-63-66-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e兵庫県神戸市の実験音楽家Tim Oliveのプライベートレーベル845 Audio諸作を一挙入荷しました。リサイクルボール紙ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=676996908\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003ehere\u003c\/a\u003e to see more 845 Audio releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eReview by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLucas Schleicher, Dusted Magazine:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"63-66 operates on a continuum of color, light, and weight, from bright streaks of white and grey that hover in the middle distance to hard flashes of opaque yellow and scrambled red, sounds that cut or fall inward or swallow up space. It’s a delicate, but still powerful effect achieved with a minimum of inputs: Olive with magnetic pickups and Owen with shortwave radios, oscillators, and paper.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e63-66 begins with a stunning 20-minute assemblage of amplifier hum and metallic percussion so thin it registers as translucent film warping the light that passes through it. “63” admits solid objects too — the hard patter of plastic and steel against wood, thick bass frequencies — but folds and fades them behind a soft fog of white and silver. The effect is isolating. Color, weight, density, and texture are all presented without reference to an external body. Percussive elements snap into a void, apparent field recordings that might introduce depth level out into walls of interference, and the quiet murmur of electricity stretches out toward nothing at all; not a studio, not a garage, not another person. It’s all flashes of heat and radiation against a flat mist. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaybe that’s why the album plays so well with a stereo — the music is hungry for that third dimension. Headphones will\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e work too, of course, but there’s something satisfying about hearing this music unfold into a room, especially as “64” turns up the intensity with a glowing sine tone. Alone, it burns through nearly every perturbation it crosses, but Olive and Owen support it with mechanical noises and a curious buzzing anomaly that could pass for a persistent bee or a mosquito. It’s enough to make one think of flight, of the high tones as an upper limit to air travel and the low ones as the ground moving beneath, compressed to an image of geometry and imagined environments. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eThe final two pieces commit to a feeling of heaviness absent in the first two, with Ben and Tim’s colors and lights thickening into qualities of shape and direction, and almost into solid objects. The frayed wires and radio signals of “66,” combined with a healthy background of white noise, turn the implied intensity of “64” into a corporeal sensation, into an impression not just of shifts in audible and visual stimuli, but into bodily agitation and kinesthetic turbulence. It makes for a jittery, nervous ending intense enough to induce stress. It also provides an excellent contrast to the album’s pleasant beginning, not because it is a jarring counter-example, but because Olive and Owen show how that vigor and energy, embodied or otherwise, is implicit in color and light.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tim Olive \u0026amp; Ben Owen\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-21T08:32:22+09:00","created_at":"2021-09-20T10:18:07+09:00","vendor":"Tobira Records","type":"","tags":["845 audio","cd","monooto"],"price":111000,"price_min":111000,"price_max":111000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40843981914277,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tim Olive \u0026 Ben Owen \/\/ 63-66 CD","public_title":null,"options":["Default Title"],"price":111000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/be1_60a9c72c-0c02-4fb9-b30b-04e57f9db011.jpg?v=1632100689","\/\/tobirarecords.com\/cdn\/shop\/products\/be2_aafcba72-e5fd-4c3f-a8b2-ffb931f9e989.jpg?v=1632100689","\/\/tobirarecords.com\/cdn\/shop\/products\/be3_d39c6dee-142f-48c9-b064-395422796929.jpg?v=1632100689"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_60a9c72c-0c02-4fb9-b30b-04e57f9db011.jpg?v=1632100689","options":["Title"],"media":[{"alt":null,"id":23766824321189,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_60a9c72c-0c02-4fb9-b30b-04e57f9db011.jpg?v=1632100689"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_60a9c72c-0c02-4fb9-b30b-04e57f9db011.jpg?v=1632100689","width":700},{"alt":null,"id":23766824353957,"position":2,"preview_image":{"aspect_ratio":1.054,"height":1139,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_aafcba72-e5fd-4c3f-a8b2-ffb931f9e989.jpg?v=1632100689"},"aspect_ratio":1.054,"height":1139,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_aafcba72-e5fd-4c3f-a8b2-ffb931f9e989.jpg?v=1632100689","width":1200},{"alt":null,"id":23766824386725,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be3_d39c6dee-142f-48c9-b064-395422796929.jpg?v=1632100689"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be3_d39c6dee-142f-48c9-b064-395422796929.jpg?v=1632100689","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e兵庫県神戸市の実験音楽家Tim Oliveのプライベートレーベル845 Audio諸作を一挙入荷しました。リサイクルボール紙ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=676996908\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003ehere\u003c\/a\u003e to see more 845 Audio releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eReview by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLucas Schleicher, Dusted Magazine:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"63-66 operates on a continuum of color, light, and weight, from bright streaks of white and grey that hover in the middle distance to hard flashes of opaque yellow and scrambled red, sounds that cut or fall inward or swallow up space. It’s a delicate, but still powerful effect achieved with a minimum of inputs: Olive with magnetic pickups and Owen with shortwave radios, oscillators, and paper.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e63-66 begins with a stunning 20-minute assemblage of amplifier hum and metallic percussion so thin it registers as translucent film warping the light that passes through it. “63” admits solid objects too — the hard patter of plastic and steel against wood, thick bass frequencies — but folds and fades them behind a soft fog of white and silver. The effect is isolating. Color, weight, density, and texture are all presented without reference to an external body. Percussive elements snap into a void, apparent field recordings that might introduce depth level out into walls of interference, and the quiet murmur of electricity stretches out toward nothing at all; not a studio, not a garage, not another person. It’s all flashes of heat and radiation against a flat mist. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMaybe that’s why the album plays so well with a stereo — the music is hungry for that third dimension. Headphones will\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e work too, of course, but there’s something satisfying about hearing this music unfold into a room, especially as “64” turns up the intensity with a glowing sine tone. Alone, it burns through nearly every perturbation it crosses, but Olive and Owen support it with mechanical noises and a curious buzzing anomaly that could pass for a persistent bee or a mosquito. It’s enough to make one think of flight, of the high tones as an upper limit to air travel and the low ones as the ground moving beneath, compressed to an image of geometry and imagined environments. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eThe final two pieces commit to a feeling of heaviness absent in the first two, with Ben and Tim’s colors and lights thickening into qualities of shape and direction, and almost into solid objects. The frayed wires and radio signals of “66,” combined with a healthy background of white noise, turn the implied intensity of “64” into a corporeal sensation, into an impression not just of shifts in audible and visual stimuli, but into bodily agitation and kinesthetic turbulence. It makes for a jittery, nervous ending intense enough to induce stress. It also provides an excellent contrast to the album’s pleasant beginning, not because it is a jarring counter-example, but because Olive and Owen show how that vigor and energy, embodied or otherwise, is implicit in color and light.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tim Olive \u0026amp; Ben Owen\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio\u003c\/span\u003e\u003c\/p\u003e"}

クイックビュー {"id":7055037464741,"title":"Tim Olive \u0026 Martin Tétreault \/\/ Faune CD","handle":"tim-olive-martin-tetreault-faune-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e兵庫県神戸市の実験音楽家Tim Oliveのプライベートレーベル845 Audio諸作を一挙入荷しました。リサイクルボール紙ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3661340903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003ehere\u003c\/a\u003e to see more 845 Audio releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTétreault and Olive have played together sporadically across three decades. This is their first release, recorded on a lovely afternoon in Montreal, minimally edited.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eReviews:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStuart Broomer, Musicworks:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Faune, with Martin Tétreault on turntables and electronics, was recorded in Montreal in 2013. Separated into four segments, it begins with crackling sounds and a ratcheting undercurrent, the crackling soon giving way to the shifting pitch of oscillators; the second segment concentrates on what sounds like a human voice, though it eludes absolute identification, creating a kind of eerie aria. Some sounds establish a kind of continuous state, often a gritty drone, which gradually mutate into or are simply displaced by other sounds, while brief episodes of static and skittering bits of sonic grit establish a foreground and a keen sense of spatial structure.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrans de Waard, Vital Weekly:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eIn 2013, Olive did a recording with the well-known turntablist Martin Tétreault. Again we find Olive on the magnetic pickups. Although they have worked together before, \"across three decades\", this is their first release together. Music made with the use of turntables is somehow always inclined to have some rhythmic cadences to it and this is no different. The rotating surfaces, which may not necessarily be pieces of vinyl, of course, are scanned by needles and perhaps other amplified objects, to which Olive adds his own blends of\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e electric sounds, currents being pick up from the various apparatus in use and as such, I can imagine Tétreault has something to choose from. The music ranges from 'considerably quiet' to 'pleasantly present' or even 'nice noise' and in each of the four pieces, they seem to be moving along those lines, with fine, intelligent conversation. A fine meeting this is of improvised music, electro-acoustic and musique concrete and at thirty-six minutes it seems the right length; not too much, just enough to get it right.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eMark Wharton, Idwal Fisher:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"These two releases on Tim Olive’s 845 Audio label are recent and still available via Bandcamp and hopefully in hard copy. I urge you to investigate but only if you have the time and patience. Yes, yes, yes, I know, shut up with the patience thing. We know we’re not here for a beery sing-a-long. This time around Olive collaborates with Martin Tétreault and Doreen Girard, or vice-versa if you prefer. Tétreault working with turntables and electronics and Girard on prepared tsymbaly, that's a dulcimer in case you were wondering [I was].\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOn Boro’s single 26-minute track this results in a wash of scraping, droning, twanging, frotting, tink and howl as Girard tugs, shoves and maybe for all I know breathes across her strings creating a crumbling world of zings and crashes. Faune [recorded in 2013] is full of skree, tiny machine sounds, throbbing drone. Loops from Tétreault’s turntables speed up and slow down, gentle knocks and rumbles and through all this Olive works his magnetic pickups, strings are pulled through guitar strings, tiny wire brushes are deployed, coils, violin bows, tuning forks maybe circuit boards from dusty PC towers were crushed between weighted palms? All marvellous.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tim Olive \u0026amp; Martin Tétreault\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-21T08:31:41+09:00","created_at":"2021-09-20T10:15:34+09:00","vendor":"Tobira Records","type":"","tags":["845 audio","cd","monooto"],"price":111000,"price_min":111000,"price_max":111000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40843975917733,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tim Olive \u0026 Martin Tétreault \/\/ Faune CD","public_title":null,"options":["Default Title"],"price":111000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_d7946a6c-29f8-4d8c-aa88-0beee3bfa38e.jpg?v=1632100536","\/\/tobirarecords.com\/cdn\/shop\/products\/fa2_133306ab-b590-4d66-9843-71bb6ea5386b.jpg?v=1632100536","\/\/tobirarecords.com\/cdn\/shop\/products\/fa3_648d89c3-86c1-40ce-80a4-4d4bd7fd0ec9.jpg?v=1632100537"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_d7946a6c-29f8-4d8c-aa88-0beee3bfa38e.jpg?v=1632100536","options":["Title"],"media":[{"alt":null,"id":23766805545125,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_d7946a6c-29f8-4d8c-aa88-0beee3bfa38e.jpg?v=1632100536"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_d7946a6c-29f8-4d8c-aa88-0beee3bfa38e.jpg?v=1632100536","width":700},{"alt":null,"id":23766805577893,"position":2,"preview_image":{"aspect_ratio":0.838,"height":1200,"width":1006,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa2_133306ab-b590-4d66-9843-71bb6ea5386b.jpg?v=1632100536"},"aspect_ratio":0.838,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa2_133306ab-b590-4d66-9843-71bb6ea5386b.jpg?v=1632100536","width":1006},{"alt":null,"id":23766805610661,"position":3,"preview_image":{"aspect_ratio":0.749,"height":1200,"width":899,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa3_648d89c3-86c1-40ce-80a4-4d4bd7fd0ec9.jpg?v=1632100537"},"aspect_ratio":0.749,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa3_648d89c3-86c1-40ce-80a4-4d4bd7fd0ec9.jpg?v=1632100537","width":899}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e兵庫県神戸市の実験音楽家Tim Oliveのプライベートレーベル845 Audio諸作を一挙入荷しました。リサイクルボール紙ケースです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3661340903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/845\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/845\"\u003ehere\u003c\/a\u003e to see more 845 Audio releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTétreault and Olive have played together sporadically across three decades. This is their first release, recorded on a lovely afternoon in Montreal, minimally edited.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eReviews:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStuart Broomer, Musicworks:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Faune, with Martin Tétreault on turntables and electronics, was recorded in Montreal in 2013. Separated into four segments, it begins with crackling sounds and a ratcheting undercurrent, the crackling soon giving way to the shifting pitch of oscillators; the second segment concentrates on what sounds like a human voice, though it eludes absolute identification, creating a kind of eerie aria. Some sounds establish a kind of continuous state, often a gritty drone, which gradually mutate into or are simply displaced by other sounds, while brief episodes of static and skittering bits of sonic grit establish a foreground and a keen sense of spatial structure.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrans de Waard, Vital Weekly:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eIn 2013, Olive did a recording with the well-known turntablist Martin Tétreault. Again we find Olive on the magnetic pickups. Although they have worked together before, \"across three decades\", this is their first release together. Music made with the use of turntables is somehow always inclined to have some rhythmic cadences to it and this is no different. The rotating surfaces, which may not necessarily be pieces of vinyl, of course, are scanned by needles and perhaps other amplified objects, to which Olive adds his own blends of\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e electric sounds, currents being pick up from the various apparatus in use and as such, I can imagine Tétreault has something to choose from. The music ranges from 'considerably quiet' to 'pleasantly present' or even 'nice noise' and in each of the four pieces, they seem to be moving along those lines, with fine, intelligent conversation. A fine meeting this is of improvised music, electro-acoustic and musique concrete and at thirty-six minutes it seems the right length; not too much, just enough to get it right.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eMark Wharton, Idwal Fisher:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"These two releases on Tim Olive’s 845 Audio label are recent and still available via Bandcamp and hopefully in hard copy. I urge you to investigate but only if you have the time and patience. Yes, yes, yes, I know, shut up with the patience thing. We know we’re not here for a beery sing-a-long. This time around Olive collaborates with Martin Tétreault and Doreen Girard, or vice-versa if you prefer. Tétreault working with turntables and electronics and Girard on prepared tsymbaly, that's a dulcimer in case you were wondering [I was].\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOn Boro’s single 26-minute track this results in a wash of scraping, droning, twanging, frotting, tink and howl as Girard tugs, shoves and maybe for all I know breathes across her strings creating a crumbling world of zings and crashes. Faune [recorded in 2013] is full of skree, tiny machine sounds, throbbing drone. Loops from Tétreault’s turntables speed up and slow down, gentle knocks and rumbles and through all this Olive works his magnetic pickups, strings are pulled through guitar strings, tiny wire brushes are deployed, coils, violin bows, tuning forks maybe circuit boards from dusty PC towers were crushed between weighted palms? All marvellous.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tim Olive \u0026amp; Martin Tétreault\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e845 Audio\u003c\/span\u003e\u003c\/p\u003e"}