New Arrival
クイックビュー
{"id":8763728986362,"title":"Anonymous Author \/\/ MOR BOOK","handle":"anonymous-author-mor-book","description":"\u003cp\u003eロシアの匿名の人物が綴ったメールや写真を掲載した反戦エッセイです。ロシアがウクライナ侵攻を開始した初年度の様子がえげつない程リアルに描かれています。\u003c\/p\u003e\n\u003cp\u003e142ページ／12 x 20cm ／ソフトカバー\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年3月、私たちMonday Pressは、ほとんど面識のない人物の匿名アカウントから長文のメールを受け取り始めた。その手紙は地下深くから送られてきており、返信しても安全かどうかさえわからないほどだった。その人物は消されようとしている世界の内幕を語った。不安、恐怖、そして目の前から消えていくものへの憧れ。1年かけて、4通の手紙と一連の写真（他人が撮影）が届いた。手紙の作者は現在安全な場所にいるが、匿名を希望している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e________________________________\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの本には、戦争を開始した初年度のロシアのノイズアンダーグラウンドが描かれている。ロシアの内側から書かれた、生々しく、実存的で、親密で、反戦的で破滅的な読み物である\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In March 2022, here at Monday Press, we began receiving long emails from an anonymous account belonging to someone we barely knew. These letters were sent from deep underground—so deep that we weren’t even sure if it was safe to reply. They told an insider’s story of a world in the process of being erased: the anxiety, the fear, and the longing for something that was vanishing right before the author's eyes. Over the course of a year, we received four letters and a series of photographs (taken by someone else). The author of the letters is now in a safe place but prefers to remain anonymous.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e________________________________\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe book describes the Russian noise underground in the first year of the war. It's a devastating read, raw, excessive, hyper-existential, intimate, edge of the world, anti-war, written from the inside.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003ehere\u003c\/a\u003e to see more Staalplaat \/ Staaltape releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist : Anonymous\u003c\/p\u003e\n\u003cp\u003eLabel : Staaltape (Monday Press)\u003c\/p\u003e","published_at":"2025-04-13T15:38:24+09:00","created_at":"2025-04-13T11:39:57+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","new","noise","staaltape"],"price":243000,"price_min":243000,"price_max":243000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47253768995066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anonymous Author \/\/ MOR BOOK","public_title":null,"options":["Default Title"],"price":243000,"weight":380,"compare_at_price":null,"inventory_management":"shopify","barcode":"9788396474049","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mor1_ab3a6a86-e591-4700-9a9b-490ebdda988f.jpg?v=1744526329","\/\/tobirarecords.com\/cdn\/shop\/files\/mor2_59524907-7d22-4657-8cd4-7ec798f386eb.jpg?v=1744511949","\/\/tobirarecords.com\/cdn\/shop\/files\/mor3.jpg?v=1744511949","\/\/tobirarecords.com\/cdn\/shop\/files\/mor4.jpg?v=1744511949","\/\/tobirarecords.com\/cdn\/shop\/files\/mor5.jpg?v=1744511949"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor1_ab3a6a86-e591-4700-9a9b-490ebdda988f.jpg?v=1744526329","options":["Title"],"media":[{"alt":null,"id":35875662594298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor1_ab3a6a86-e591-4700-9a9b-490ebdda988f.jpg?v=1744526329"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor1_ab3a6a86-e591-4700-9a9b-490ebdda988f.jpg?v=1744526329","width":300},{"alt":null,"id":35875662627066,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor2_59524907-7d22-4657-8cd4-7ec798f386eb.jpg?v=1744511949"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor2_59524907-7d22-4657-8cd4-7ec798f386eb.jpg?v=1744511949","width":900},{"alt":null,"id":35875662659834,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor3.jpg?v=1744511949"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor3.jpg?v=1744511949","width":900},{"alt":null,"id":35875662692602,"position":4,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor4.jpg?v=1744511949"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor4.jpg?v=1744511949","width":900},{"alt":null,"id":35875662725370,"position":5,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor5.jpg?v=1744511949"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor5.jpg?v=1744511949","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eロシアの匿名の人物が綴ったメールや写真を掲載した反戦エッセイです。ロシアがウクライナ侵攻を開始した初年度の様子がえげつない程リアルに描かれています。\u003c\/p\u003e\n\u003cp\u003e142ページ／12 x 20cm ／ソフトカバー\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年3月、私たちMonday Pressは、ほとんど面識のない人物の匿名アカウントから長文のメールを受け取り始めた。その手紙は地下深くから送られてきており、返信しても安全かどうかさえわからないほどだった。その人物は消されようとしている世界の内幕を語った。不安、恐怖、そして目の前から消えていくものへの憧れ。1年かけて、4通の手紙と一連の写真（他人が撮影）が届いた。手紙の作者は現在安全な場所にいるが、匿名を希望している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e________________________________\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの本には、戦争を開始した初年度のロシアのノイズアンダーグラウンドが描かれている。ロシアの内側から書かれた、生々しく、実存的で、親密で、反戦的で破滅的な読み物である\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDescription by the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In March 2022, here at Monday Press, we began receiving long emails from an anonymous account belonging to someone we barely knew. These letters were sent from deep underground—so deep that we weren’t even sure if it was safe to reply. They told an insider’s story of a world in the process of being erased: the anxiety, the fear, and the longing for something that was vanishing right before the author's eyes. Over the course of a year, we received four letters and a series of photographs (taken by someone else). The author of the letters is now in a safe place but prefers to remain anonymous.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e________________________________\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe book describes the Russian noise underground in the first year of the war. It's a devastating read, raw, excessive, hyper-existential, intimate, edge of the world, anti-war, written from the inside.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003ehere\u003c\/a\u003e to see more Staalplaat \/ Staaltape releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist : Anonymous\u003c\/p\u003e\n\u003cp\u003eLabel : Staaltape (Monday Press)\u003c\/p\u003e"}
Anonymous Author // MOR BOOK
¥2,430
クイックビュー
{"id":8726113157370,"title":"Logan Heuer \/\/ The Pattern TAPE","handle":"logan-heuer-the-pattern","description":"\u003cp\u003eアメリカ・カンザスの実験エレクトロニック作家Logan Heuerが、2022年に同国実験／アンビエントレーベルFull Spectrumからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ〜コラージュ・ノイズ〜ドローン5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2874570711\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1500820082\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2874570711\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records \/ Rural Situationism \/ Editions Glomar releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Warp me 06:47\u003cbr\u003e2. Found 07:14\u003cbr\u003e3. Eighteenson 08:02\u003cbr\u003e4. Almuhtal 11:11\u003cbr\u003e5. Vessel 12:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFull Spectrum Records is honored to present ‘The Pattern,’ the debut release from Logan Heuer. This long-in-gestation project stands as a towering declaration of Logan’s experimental vision – a deeply idiosyncratic paradigm that bridges the gap between audible and inaudible, physical and ephemeral.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHailing from Kansas City, Logan has been a sonic tinkerer since childhood. ‘The Pattern’ is effectively a collection of tracks that he tried to perfect in his younger years, having since been resampled, remixed, and redeployed here as funhouse mirror versions of themselves. “I wanted to emphasize the sounds that intrigued me when listening to others’ projects,” Logan explains. “Instead of making songs that had a special…sound somewhere in the track, I wanted to make an album that completely washes over [the listener] with these sounds.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile many of these sounds were initially generated years before Logan was consciously aware of what he was making, the songs that comprise ‘The Pattern’ were actually recorded and assembled directly after he moved out on his own in Spring of 2021. Caught unprepared for this major life change, he found himself in a state of deep introspection and struggling to connect with his creative\u003cspan class=\"bcTruncateMore\"\u003e practice. Turning to his collection of old hard drives and found sounds captured years before, Logan found the inspiration he was looking for.\u003cbr\u003e\u003cbr\u003e“I felt compelled to make something new with what I had already made,” Logan says. “This technique…gave the project a specific sound that I was only able to create when I was younger, back in days that I do not remember. I would listen to those sounds I made in my childhood and, by themselves, they had an almost hypnotizing quality to them. I would envision what the track I wanted to make sounded like as well as what other elements it would need to fit this vision.”\u003cbr\u003e\u003cbr\u003eThe end result is a 45-minute meditation on the nature of memory – Logan’s memory, the memory of others, the loss of memories, the creation of memories, and the painful nostalgia that memories can bring. How others remember you and how you might remember them. “Memory has no rule book and is only regulated by the speed and health of one’s brain,” Logan elaborates. “So, in the context of this record, each track is designed to sound like a distant memory. It aims to represent how memory can decay and how we romanticize old memories.”\u003cbr\u003e\u003cbr\u003e‘The Pattern’ exists now as an ocean of sound and a pure spectrum of emotional output. ‘The Pattern’ exists now as an invitation for others to relate, then heal, then flourish. ‘The Pattern’ exists now as a hope that those to come will create something even grander, continuing the cycle.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Logan Heuer\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFS132\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-11T08:15:44+09:00","created_at":"2025-02-18T10:25:59+09:00","vendor":"Tobira Records","type":"","tags":["drone","Full Spectrum Records","monooto","new","noise","tape","techno \/ house"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47136677331194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Logan Heuer \/\/ The Pattern TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/log1.jpg?v=1739841876","\/\/tobirarecords.com\/cdn\/shop\/files\/log2.jpg?v=1739841875"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/log1.jpg?v=1739841876","options":["Title"],"media":[{"alt":null,"id":35588123721978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/log1.jpg?v=1739841876"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/log1.jpg?v=1739841876","width":700},{"alt":null,"id":35588123754746,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/log2.jpg?v=1739841875"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/log2.jpg?v=1739841875","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・カンザスの実験エレクトロニック作家Logan Heuerが、2022年に同国実験／アンビエントレーベルFull Spectrumからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ〜コラージュ・ノイズ〜ドローン5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2874570711\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1500820082\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2874570711\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records \/ Rural Situationism \/ Editions Glomar releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Warp me 06:47\u003cbr\u003e2. Found 07:14\u003cbr\u003e3. Eighteenson 08:02\u003cbr\u003e4. Almuhtal 11:11\u003cbr\u003e5. Vessel 12:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFull Spectrum Records is honored to present ‘The Pattern,’ the debut release from Logan Heuer. This long-in-gestation project stands as a towering declaration of Logan’s experimental vision – a deeply idiosyncratic paradigm that bridges the gap between audible and inaudible, physical and ephemeral.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHailing from Kansas City, Logan has been a sonic tinkerer since childhood. ‘The Pattern’ is effectively a collection of tracks that he tried to perfect in his younger years, having since been resampled, remixed, and redeployed here as funhouse mirror versions of themselves. “I wanted to emphasize the sounds that intrigued me when listening to others’ projects,” Logan explains. “Instead of making songs that had a special…sound somewhere in the track, I wanted to make an album that completely washes over [the listener] with these sounds.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile many of these sounds were initially generated years before Logan was consciously aware of what he was making, the songs that comprise ‘The Pattern’ were actually recorded and assembled directly after he moved out on his own in Spring of 2021. Caught unprepared for this major life change, he found himself in a state of deep introspection and struggling to connect with his creative\u003cspan class=\"bcTruncateMore\"\u003e practice. Turning to his collection of old hard drives and found sounds captured years before, Logan found the inspiration he was looking for.\u003cbr\u003e\u003cbr\u003e“I felt compelled to make something new with what I had already made,” Logan says. “This technique…gave the project a specific sound that I was only able to create when I was younger, back in days that I do not remember. I would listen to those sounds I made in my childhood and, by themselves, they had an almost hypnotizing quality to them. I would envision what the track I wanted to make sounded like as well as what other elements it would need to fit this vision.”\u003cbr\u003e\u003cbr\u003eThe end result is a 45-minute meditation on the nature of memory – Logan’s memory, the memory of others, the loss of memories, the creation of memories, and the painful nostalgia that memories can bring. How others remember you and how you might remember them. “Memory has no rule book and is only regulated by the speed and health of one’s brain,” Logan elaborates. “So, in the context of this record, each track is designed to sound like a distant memory. It aims to represent how memory can decay and how we romanticize old memories.”\u003cbr\u003e\u003cbr\u003e‘The Pattern’ exists now as an ocean of sound and a pure spectrum of emotional output. ‘The Pattern’ exists now as an invitation for others to relate, then heal, then flourish. ‘The Pattern’ exists now as a hope that those to come will create something even grander, continuing the cycle.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Logan Heuer\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFS132\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8726111813882,"title":"Ackerley\/Prymek\/Turner \/\/ All Hope With Sleeping Minds TAPE","handle":"ackerley-prymek-turner-all-hope-with-sleeping-minds-tape","description":"\u003cp\u003e風物詩のギタリストとしても活動しているChaz Prymek aka Lake Maryと、ギタリストJessica AckerleyとNick Turnerによるトリオが、2024年5月に実験／アンビエントレーベルFull Spectrumからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアメリカーナ・アンビエント〜アンビエントドローン7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1119367701\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records \/ Rural Situationism \/ Editions Glomar releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTwo Suns\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePremonition\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWalking the Night\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWorld's Edge\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSilhouettes Surround Us\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSleeping Minds\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eIt's All Different Now\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFull Spectrum Records presents the enveloping debut of a new trio featuring Jessica Ackerley, Nick Turner, and Chaz Prymek: ‘All Hope With Sleeping Minds.’\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘All Hope With Sleeping Minds’ had its genesis during a years-long discussion between Ackerley and Turner, which began in early 2021 as the pandemic continued its forward grind. After discovering one anothers’ music, the pair immediately began workshopping ideas for a conceptual album that would incorporate elements of improvisation and noise. Realizing their mutual connection to Chaz Prymek [AKA Lake Mary and a long-time member of the FS family], they invited him into the fold as the third member of their nascent ensemble.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded remotely across locations in Chicago, Honolulu, and Columbia, Missouri, the group shared files freely amongst themselves and provided feedback over email as the tracks slowly came into focus. Implicitly informed by the tone of world events as they happened alongside the album’s production, the material began to take on life as an imaginary soundtrack to a post-apocalyptic sci-fi saga – a premise the album delivers on with an expansive suite of three-dimensional ambience that exhibits a subtle Americana-inflected sensibility.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is easy, breezy country listenin’ perfectly attuned to the collapse of Western Civilization. Smoke ‘em if you got ‘em, comrades! We’ll see y’all on the other side.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ackerley\/Prymek\/Turner\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFS166\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-11T08:12:00+09:00","created_at":"2025-02-18T10:22:29+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Full Spectrum Records","new","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47136674087162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ackerley\/Prymek\/Turner \/\/ All Hope With Sleeping Minds TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/all1_eddcd452-926b-4364-abe0-43d3822daeb0.jpg?v=1739841661","\/\/tobirarecords.com\/cdn\/shop\/files\/all2_0d8945c6-5959-4261-9345-cf8a7c44a28c.jpg?v=1739841661"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_eddcd452-926b-4364-abe0-43d3822daeb0.jpg?v=1739841661","options":["Title"],"media":[{"alt":null,"id":35588109533434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_eddcd452-926b-4364-abe0-43d3822daeb0.jpg?v=1739841661"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_eddcd452-926b-4364-abe0-43d3822daeb0.jpg?v=1739841661","width":700},{"alt":null,"id":35588109566202,"position":2,"preview_image":{"aspect_ratio":0.646,"height":381,"width":246,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_0d8945c6-5959-4261-9345-cf8a7c44a28c.jpg?v=1739841661"},"aspect_ratio":0.646,"height":381,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_0d8945c6-5959-4261-9345-cf8a7c44a28c.jpg?v=1739841661","width":246}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e風物詩のギタリストとしても活動しているChaz Prymek aka Lake Maryと、ギタリストJessica AckerleyとNick Turnerによるトリオが、2024年5月に実験／アンビエントレーベルFull Spectrumからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアメリカーナ・アンビエント〜アンビエントドローン7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1119367701\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records \/ Rural Situationism \/ Editions Glomar releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTwo Suns\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePremonition\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWalking the Night\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWorld's Edge\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSilhouettes Surround Us\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSleeping Minds\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eIt's All Different Now\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFull Spectrum Records presents the enveloping debut of a new trio featuring Jessica Ackerley, Nick Turner, and Chaz Prymek: ‘All Hope With Sleeping Minds.’\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘All Hope With Sleeping Minds’ had its genesis during a years-long discussion between Ackerley and Turner, which began in early 2021 as the pandemic continued its forward grind. After discovering one anothers’ music, the pair immediately began workshopping ideas for a conceptual album that would incorporate elements of improvisation and noise. Realizing their mutual connection to Chaz Prymek [AKA Lake Mary and a long-time member of the FS family], they invited him into the fold as the third member of their nascent ensemble.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded remotely across locations in Chicago, Honolulu, and Columbia, Missouri, the group shared files freely amongst themselves and provided feedback over email as the tracks slowly came into focus. Implicitly informed by the tone of world events as they happened alongside the album’s production, the material began to take on life as an imaginary soundtrack to a post-apocalyptic sci-fi saga – a premise the album delivers on with an expansive suite of three-dimensional ambience that exhibits a subtle Americana-inflected sensibility.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is easy, breezy country listenin’ perfectly attuned to the collapse of Western Civilization. Smoke ‘em if you got ‘em, comrades! We’ll see y’all on the other side.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ackerley\/Prymek\/Turner\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFS166\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8726113845498,"title":"angel lin \/\/ all of these are in me TAPE","handle":"angel-lin-all-of-these-are-in-me-tape","description":"\u003cp\u003e中国の打楽器奏者angel linが、2024年にアメリカの実験／アンビエントレーベルFull Spectrumからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003e自作楽器やゴング、ドラム、シンバルによる物音ドローン〜ストレンジビーツ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3320414827\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records \/ Rural Situationism \/ Editions Glomar releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. mists and moon 05:20\u003cbr\u003e2. rivers and tides 05:47\u003cbr\u003e3. forests and water 06:46\u003cbr\u003e4. wind and clouds 02:01\u003cbr\u003e5. lake and stars 05:08\u003cbr\u003e6. rain and lightning 10:09\u003cbr\u003e7. rocks and shadows 05:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFull Spectrum Records presents the full-length debut from percussionist and sound sculpture artist Angel Lin: ‘all of these are in me.’\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn intricate latticework of an album, ‘all of these are in me’ showcases a suite of performances that showcase Lin’s extensive range as a percussionist, incorporating sculptures, mallets, and homemade instruments sourced from tree branches, driftwood, and found recycled materials. Recorded with minimal resources on a single handheld field recorder, the sessions were conducted almost ritualistically, with elements of spiritual ceremony and spellcasting merging with Lin’s resonant explorations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTaken at face value, one could assert that ‘all of these are in me’ is an album about reconnecting with oneself. Indeed, Lin burned out of music school and nearly quit music entirely several years ago. This album is their first attempt at ‘de-formalizing’ their practice, abandoning the rules and values of the so-called professional music world in an effort to bring the work back to something perhaps more personal. It also represents Lin’s efforts at engaging with their Chinese heritage via esoteric taoism, buddhism, and eastern spirituality, albeit with a few broad flourishes from their ongoing\u003cspan class=\"bcTruncateMore\"\u003e interest in occult studies, ceremonial magic, and western esotericism worming their way into the mix.\u003cbr\u003e\u003cbr\u003eThere is always more going on under the surface, however. Drawn by the artist, the album’s cover art features a fu talisman, a symbol taken from the powerful ancient practice of Chinese spellcasting. “The entire album can be thought of as a spell invoking the power within oneself to choose hope and life in the midst of the darkest despair,” elaborates Lin. “Each piece comprising the album explores the different emotions and internal dreamscapes one must travel through while navigating deep grief and loneliness, with the hope of emerging on the other side with one’s humanity and courage to continue living still intact.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : angel lin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eFull Spectrum Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFS174\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-11T08:19:24+09:00","created_at":"2025-02-18T10:28:34+09:00","vendor":"Tobira Records","type":"","tags":["drone","Full Spectrum Records","monooto","new","strange beats","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47136680837370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"angel lin \/\/ all of these are in me TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_2c3d30f6-3b2c-4073-8bc7-ba744773ce54.jpg?v=1739842041","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_3661e2b9-b157-45b5-8c53-1e03b827da7c.jpg?v=1739842041"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_2c3d30f6-3b2c-4073-8bc7-ba744773ce54.jpg?v=1739842041","options":["Title"],"media":[{"alt":null,"id":35588133552378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_2c3d30f6-3b2c-4073-8bc7-ba744773ce54.jpg?v=1739842041"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_2c3d30f6-3b2c-4073-8bc7-ba744773ce54.jpg?v=1739842041","width":700},{"alt":null,"id":35588133585146,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_3661e2b9-b157-45b5-8c53-1e03b827da7c.jpg?v=1739842041"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_3661e2b9-b157-45b5-8c53-1e03b827da7c.jpg?v=1739842041","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国の打楽器奏者angel linが、2024年にアメリカの実験／アンビエントレーベルFull Spectrumからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003e自作楽器やゴング、ドラム、シンバルによる物音ドローン〜ストレンジビーツ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3320414827\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records \/ Rural Situationism \/ Editions Glomar releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. mists and moon 05:20\u003cbr\u003e2. rivers and tides 05:47\u003cbr\u003e3. forests and water 06:46\u003cbr\u003e4. wind and clouds 02:01\u003cbr\u003e5. lake and stars 05:08\u003cbr\u003e6. rain and lightning 10:09\u003cbr\u003e7. rocks and shadows 05:32\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFull Spectrum Records presents the full-length debut from percussionist and sound sculpture artist Angel Lin: ‘all of these are in me.’\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn intricate latticework of an album, ‘all of these are in me’ showcases a suite of performances that showcase Lin’s extensive range as a percussionist, incorporating sculptures, mallets, and homemade instruments sourced from tree branches, driftwood, and found recycled materials. Recorded with minimal resources on a single handheld field recorder, the sessions were conducted almost ritualistically, with elements of spiritual ceremony and spellcasting merging with Lin’s resonant explorations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTaken at face value, one could assert that ‘all of these are in me’ is an album about reconnecting with oneself. Indeed, Lin burned out of music school and nearly quit music entirely several years ago. This album is their first attempt at ‘de-formalizing’ their practice, abandoning the rules and values of the so-called professional music world in an effort to bring the work back to something perhaps more personal. It also represents Lin’s efforts at engaging with their Chinese heritage via esoteric taoism, buddhism, and eastern spirituality, albeit with a few broad flourishes from their ongoing\u003cspan class=\"bcTruncateMore\"\u003e interest in occult studies, ceremonial magic, and western esotericism worming their way into the mix.\u003cbr\u003e\u003cbr\u003eThere is always more going on under the surface, however. Drawn by the artist, the album’s cover art features a fu talisman, a symbol taken from the powerful ancient practice of Chinese spellcasting. “The entire album can be thought of as a spell invoking the power within oneself to choose hope and life in the midst of the darkest despair,” elaborates Lin. “Each piece comprising the album explores the different emotions and internal dreamscapes one must travel through while navigating deep grief and loneliness, with the hope of emerging on the other side with one’s humanity and courage to continue living still intact.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : angel lin\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eFull Spectrum Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFS174\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8726115057914,"title":"Onions \/\/ Layers: 1975-2004 2xCD","handle":"onions-layers-1975-2004-2xcd","description":"\u003cp\u003eアメリカ・テキサスの実験集団Onionsが、2024年10月に同国実験レーベルFull Spectrumからリリースした2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート25曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4182309900\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records \/ Rural Situationism \/ Editions Glomar releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2 x CD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dark Loops 06:49\u003cbr\u003e2. Root Beer on My Carpet 05:06\u003cbr\u003e3. Sickest Choir 07:02\u003cbr\u003e4. Is God a Clown? 04:40\u003cbr\u003e5. Bike Spoke Straw 05:23\u003cbr\u003e6. El Warpd 08:50\u003cbr\u003e7. I Should Crave Nothing 07:47\u003cbr\u003e8. Dog-A-Tronics 01:48\u003cbr\u003e9. What Are We To Do? 06:37\u003cbr\u003e10. Roach 09:21\u003cbr\u003e11. Smashing Sax 04:04\u003cbr\u003e12. Buffalo Lake 07:52\u003cbr\u003e13. Glass In My Pants 03:53\u003cbr\u003e14. The First Five 05:42\u003cbr\u003e15. Twinkling 05:19\u003cbr\u003e16. Opening 05:03\u003cbr\u003e17. We Are Going 03:07\u003cbr\u003e18. Holiday in Bangkok 03:26\u003cbr\u003e19. M.F. Rolling 03:17\u003cbr\u003e20. Opera and Frogism 05:33\u003cbr\u003e21. Orchestral Piece 06:31\u003cbr\u003e22. Organ Quartet 07:03\u003cbr\u003e23. Winding Up 07:56\u003cbr\u003e24. Organized 09:02\u003cbr\u003e25. America As It Seems Part 2 12:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt is a sincere honor and a privilege for Full Spectrum Records to announce the release of ‘Layers: 1975-2004,’ a retrospective collection of recordings from Texas abstract music legends Onions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn unsung and mostly hidden collective who paved the way for so much of Texas’ sprawling free and experimental music lineages, Onions is the ‘nom de guerre’ of a network of musicians and artists centered around its primary exponent, Dan Clark AKA Lienad Kralc and his musical partner Greg Cain aka Gerg Niac. Initially conceived in 1969 as a collaborative vehicle for Clark and his childhood friend Robert Fuentes – whose early electronic recordings with homemade oscillators and electronic musical instruments served as a critical formative influence for the young man’s mind – this version of the project would sadly never come to pass, as Fuentes passed away in November 1970 under strange and tragic circumstances. The next month, however, Clark would begin recording his early explorations with one of Fuentes’ constructions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSoon,in the early seventies, a mutual friend named Greg Cain would join Clark in a shed behind his mother’s house, diving deeper into these sessions, exploiting homemade instruments, tape machines, and all manner of noise makers. The circle continued to\u003cspan class=\"bcTruncateMore\"\u003e expand in the decades following, with pianist Lindall Cain and Keith Montgomery joining the fold, as well as lead guitarist Blackie Leopold, Jody Detton, and James Hatfield. It was Keith that came up with the name Onions and everyone in the group reversed their names. In the ‘90s, their ranks would expand again with the addition of August Smith’s arsenal of computer-based electronics, and guest performers Mike Kimbrough on keys, Danny Miracle on drums, and the artists Tom Boberg and Carli Scales.\u003cbr\u003e\u003cbr\u003eTogether, in various configurations they would develop a system of playing with no leaders or rules. The players were able to explore their sonic terrain unrestrained by convention. Dedicated to their ‘no overdubs’ philosophy, Onions would construct elaborate musical structures via live improvisation and alter those structures to create tension and dynamic shifts, ultimately driving to a climax at the conclusion of each session.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Onions\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFS171\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-11T08:27:24+09:00","created_at":"2025-02-18T10:31:47+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","Full Spectrum Records","monooto","new","noise"],"price":274300,"price_min":274300,"price_max":274300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47136686506234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Onions \/\/ Layers: 1975-2004 2xCD","public_title":null,"options":["Default Title"],"price":274300,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/onion1.jpg?v=1739842183","\/\/tobirarecords.com\/cdn\/shop\/files\/onion2.jpg?v=1739842183"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/onion1.jpg?v=1739842183","options":["Title"],"media":[{"alt":null,"id":35588144496890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/onion1.jpg?v=1739842183"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/onion1.jpg?v=1739842183","width":700},{"alt":null,"id":35588144529658,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/onion2.jpg?v=1739842183"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/onion2.jpg?v=1739842183","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テキサスの実験集団Onionsが、2024年10月に同国実験レーベルFull Spectrumからリリースした2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート25曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4182309900\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records \/ Rural Situationism \/ Editions Glomar releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2 x CD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dark Loops 06:49\u003cbr\u003e2. Root Beer on My Carpet 05:06\u003cbr\u003e3. Sickest Choir 07:02\u003cbr\u003e4. Is God a Clown? 04:40\u003cbr\u003e5. Bike Spoke Straw 05:23\u003cbr\u003e6. El Warpd 08:50\u003cbr\u003e7. I Should Crave Nothing 07:47\u003cbr\u003e8. Dog-A-Tronics 01:48\u003cbr\u003e9. What Are We To Do? 06:37\u003cbr\u003e10. Roach 09:21\u003cbr\u003e11. Smashing Sax 04:04\u003cbr\u003e12. Buffalo Lake 07:52\u003cbr\u003e13. Glass In My Pants 03:53\u003cbr\u003e14. The First Five 05:42\u003cbr\u003e15. Twinkling 05:19\u003cbr\u003e16. Opening 05:03\u003cbr\u003e17. We Are Going 03:07\u003cbr\u003e18. Holiday in Bangkok 03:26\u003cbr\u003e19. M.F. Rolling 03:17\u003cbr\u003e20. Opera and Frogism 05:33\u003cbr\u003e21. Orchestral Piece 06:31\u003cbr\u003e22. Organ Quartet 07:03\u003cbr\u003e23. Winding Up 07:56\u003cbr\u003e24. Organized 09:02\u003cbr\u003e25. America As It Seems Part 2 12:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt is a sincere honor and a privilege for Full Spectrum Records to announce the release of ‘Layers: 1975-2004,’ a retrospective collection of recordings from Texas abstract music legends Onions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn unsung and mostly hidden collective who paved the way for so much of Texas’ sprawling free and experimental music lineages, Onions is the ‘nom de guerre’ of a network of musicians and artists centered around its primary exponent, Dan Clark AKA Lienad Kralc and his musical partner Greg Cain aka Gerg Niac. Initially conceived in 1969 as a collaborative vehicle for Clark and his childhood friend Robert Fuentes – whose early electronic recordings with homemade oscillators and electronic musical instruments served as a critical formative influence for the young man’s mind – this version of the project would sadly never come to pass, as Fuentes passed away in November 1970 under strange and tragic circumstances. The next month, however, Clark would begin recording his early explorations with one of Fuentes’ constructions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSoon,in the early seventies, a mutual friend named Greg Cain would join Clark in a shed behind his mother’s house, diving deeper into these sessions, exploiting homemade instruments, tape machines, and all manner of noise makers. The circle continued to\u003cspan class=\"bcTruncateMore\"\u003e expand in the decades following, with pianist Lindall Cain and Keith Montgomery joining the fold, as well as lead guitarist Blackie Leopold, Jody Detton, and James Hatfield. It was Keith that came up with the name Onions and everyone in the group reversed their names. In the ‘90s, their ranks would expand again with the addition of August Smith’s arsenal of computer-based electronics, and guest performers Mike Kimbrough on keys, Danny Miracle on drums, and the artists Tom Boberg and Carli Scales.\u003cbr\u003e\u003cbr\u003eTogether, in various configurations they would develop a system of playing with no leaders or rules. The players were able to explore their sonic terrain unrestrained by convention. Dedicated to their ‘no overdubs’ philosophy, Onions would construct elaborate musical structures via live improvisation and alter those structures to create tension and dynamic shifts, ultimately driving to a climax at the conclusion of each session.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Onions\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFS171\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8783379103994,"title":"Jogging House \/\/ Names TAPE","handle":"jogging-house-names-tape","description":"\u003cp\u003eドイツ・フランクフルトのアンビエントレーベルSeil Records主宰Jogging Houseが、\u003cspan data-mce-fragment=\"1\"\u003e2025年5月にアメリカ・ラスベガスのアンビエントレーベルMystery Circlesから25本限定でリリースした再発カセット\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。（オリジナルは2019年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカセットに直接録音した、清涼感のあるドリーミーなシンセ・アンビエント9曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2740997718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003ehere\u003c\/a\u003e to see more Mystery Circles releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 25. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Place 03:52\u003cbr\u003e2. Ago 03:57\u003cbr\u003e3. Blue 03:32\u003cbr\u003e4. Left 04:06\u003cbr\u003e5. Scent 05:10\u003cbr\u003e6. Route 06:13\u003cbr\u003e7. Grounds 04:24\u003cbr\u003e8. Hopes 04:16\u003cbr\u003e9. Could 05:42 \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eJogging House:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Names is about trying to remember and hoping to forget.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis album was made with an Empress Effects ZOIA and a Teenage Engineering OP-1. Recorded to cassette in single takes with a Marantz PMD430.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jogging House\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Mystery Circles\u003c\/p\u003e","published_at":"2025-05-11T07:46:18+09:00","created_at":"2025-05-11T07:45:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Mystery Circles","new","recommended","tape"],"price":184800,"price_min":184800,"price_max":184800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47308017598714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jogging House \/\/ Names TAPE","public_title":null,"options":["Default Title"],"price":184800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1464892079_16.jpg?v=1723166364","\/\/tobirarecords.com\/cdn\/shop\/files\/0036691466_36.jpg?v=1723166365"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1464892079_16.jpg?v=1723166364","options":["Title"],"media":[{"alt":null,"id":34683519172858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1464892079_16.jpg?v=1723166364"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1464892079_16.jpg?v=1723166364","width":700},{"alt":null,"id":34683519271162,"position":2,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036691466_36.jpg?v=1723166365"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036691466_36.jpg?v=1723166365","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・フランクフルトのアンビエントレーベルSeil Records主宰Jogging Houseが、\u003cspan data-mce-fragment=\"1\"\u003e2025年5月にアメリカ・ラスベガスのアンビエントレーベルMystery Circlesから25本限定でリリースした再発カセット\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。（オリジナルは2019年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカセットに直接録音した、清涼感のあるドリーミーなシンセ・アンビエント9曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2740997718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003ehere\u003c\/a\u003e to see more Mystery Circles releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 25. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Place 03:52\u003cbr\u003e2. Ago 03:57\u003cbr\u003e3. Blue 03:32\u003cbr\u003e4. Left 04:06\u003cbr\u003e5. Scent 05:10\u003cbr\u003e6. Route 06:13\u003cbr\u003e7. Grounds 04:24\u003cbr\u003e8. Hopes 04:16\u003cbr\u003e9. Could 05:42 \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eJogging House:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Names is about trying to remember and hoping to forget.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis album was made with an Empress Effects ZOIA and a Teenage Engineering OP-1. Recorded to cassette in single takes with a Marantz PMD430.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jogging House\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Mystery Circles\u003c\/p\u003e"}
Jogging House // Names TAPE
¥1,848
クイックビュー
{"id":8781949862138,"title":"Opéra Mort \/\/ Film Works LP","handle":"opera-mort-film-works-lp","description":"\u003cp\u003eフランスの実験レーベル\u003cspan\u003etanzprocesz主宰者Jo Tanzと、Elg aka Laurent GerardによるデュオOpéra Mortが、2017年にベルギーの実験レーベルB.A.A.D.M.からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e「実験映画の夜」というフェスティバルでのライブ音源です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad Beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3684425399\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eB.A.A.D.M. releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Potted Psalm 16:46\u003cbr\u003e2. Dream Work 09:32\u003cbr\u003e3. The Potted Work 03:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eB.A.A.D.M.:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eAs part of the 2016 festival Night of the Experimental Film, French duo Opéra Mort (= Èlg + Fusiller) performed a live soundtrack for two films that centre on the paradoxical symbiosis of love and death: ‘The Potted Psalm’ by Sidney Peterson and James Broughton, and ‘Dream Work’ by Peter Tscherkassky. Both films convey love and death as both direct opposites and kindred concepts, turning to cryptic surrealism, poetic hallucinations and flickering alternations between flesh and ecstatic abstraction. Opéra Mort’s sonic accompaniment is a squirming contradiction, fraught with micro-harmonic friction and bleeps of electronic alarm. Is the soundscape melding into a solitary whole or blowing itself apart?\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith ‘Film Works’, the duo have adapted their soundtrack into a standalone recorded work. Synthesisers flicker like computers trapped inside calculative loops. Flailing organs knot into tendrils of microphone feedback. Occasionally it’s possible to identify traces of body and voice within the wretched lattice – resting-state heartbeats, regulatory beeps of life support – which are only ever faintly present within Opéra Mort’s transcendent elsewhere, like echoes humming through the membrane between the corporeal world and the heights of ecstasy. Just like the films that inspired it, ‘Film Works’ enacts the strange disputation that defines the climactic extremes of human experience: to love and death, the body is both the fundamental vessel and the husk that is left behind.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Opéra Mort\u003c\/p\u003e\n\u003cp\u003eLabel : B.A.A.D.M.\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eB.A.A.D.M. 004\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-11T07:51:54+09:00","created_at":"2025-05-09T08:03:58+09:00","vendor":"Tobira Records","type":"","tags":["B.A.A.D.M","drone","lp","new","noise"],"price":348500,"price_min":348500,"price_max":348500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304454766842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Opéra Mort \/\/ Film Works LP","public_title":null,"options":["Default Title"],"price":348500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/film1_98d3b865-88af-4629-9122-2e708020553e.jpg?v=1746745553","\/\/tobirarecords.com\/cdn\/shop\/files\/film2_f8a4c45d-cea2-4dba-b44c-c4d2d651b657.jpg?v=1746745553"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/film1_98d3b865-88af-4629-9122-2e708020553e.jpg?v=1746745553","options":["Title"],"media":[{"alt":null,"id":35999394627834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/film1_98d3b865-88af-4629-9122-2e708020553e.jpg?v=1746745553"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/film1_98d3b865-88af-4629-9122-2e708020553e.jpg?v=1746745553","width":700},{"alt":null,"id":35999394660602,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/film2_f8a4c45d-cea2-4dba-b44c-c4d2d651b657.jpg?v=1746745553"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/film2_f8a4c45d-cea2-4dba-b44c-c4d2d651b657.jpg?v=1746745553","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験レーベル\u003cspan\u003etanzprocesz主宰者Jo Tanzと、Elg aka Laurent GerardによるデュオOpéra Mortが、2017年にベルギーの実験レーベルB.A.A.D.M.からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e「実験映画の夜」というフェスティバルでのライブ音源です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad Beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3684425399\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eB.A.A.D.M. releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Potted Psalm 16:46\u003cbr\u003e2. Dream Work 09:32\u003cbr\u003e3. The Potted Work 03:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eB.A.A.D.M.:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eAs part of the 2016 festival Night of the Experimental Film, French duo Opéra Mort (= Èlg + Fusiller) performed a live soundtrack for two films that centre on the paradoxical symbiosis of love and death: ‘The Potted Psalm’ by Sidney Peterson and James Broughton, and ‘Dream Work’ by Peter Tscherkassky. Both films convey love and death as both direct opposites and kindred concepts, turning to cryptic surrealism, poetic hallucinations and flickering alternations between flesh and ecstatic abstraction. Opéra Mort’s sonic accompaniment is a squirming contradiction, fraught with micro-harmonic friction and bleeps of electronic alarm. Is the soundscape melding into a solitary whole or blowing itself apart?\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith ‘Film Works’, the duo have adapted their soundtrack into a standalone recorded work. Synthesisers flicker like computers trapped inside calculative loops. Flailing organs knot into tendrils of microphone feedback. Occasionally it’s possible to identify traces of body and voice within the wretched lattice – resting-state heartbeats, regulatory beeps of life support – which are only ever faintly present within Opéra Mort’s transcendent elsewhere, like echoes humming through the membrane between the corporeal world and the heights of ecstasy. Just like the films that inspired it, ‘Film Works’ enacts the strange disputation that defines the climactic extremes of human experience: to love and death, the body is both the fundamental vessel and the husk that is left behind.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Opéra Mort\u003c\/p\u003e\n\u003cp\u003eLabel : B.A.A.D.M.\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eB.A.A.D.M. 004\u003c\/span\u003e\u003c\/p\u003e"}
Opéra Mort // Film Works LP
¥3,485
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{"id":8781949403386,"title":"Mattias Gustafsson \/\/ Frånvarande LP","handle":"mattias-gustafsson-franvarande-lp","description":"\u003cp\u003e\u003cspan\u003eスウェーデンのアンビエント作家Mattias Gustafssonが、2019年にベルギーの実験レーベルB.A.A.D.M.からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eオープンリールによるLo-Fiコラージュ・ネオクラシカルアンビエント5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1958298439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eB.A.A.D.M. releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/matgus\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/matgus\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eMattias Gustafsson releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------ \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Isolation of the Instruments 20:33\u003cbr\u003e2. 1st movement: Frånvarande 04:03\u003cbr\u003e3. 2nd movement: Rening 05:08\u003cbr\u003e4. 3rd movement: Avflagnandets tid kommer 04:29\u003cbr\u003e5. 4th movement: Allt som andades har tystnat 04:09\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eB.A.A.D.M.:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Frånvarande acts as both the prelude and epilogue to Mattias Gustafsson’s 2017 record Nattmusik, forming a temporal cradle around his B.A.A.D.M. debut. Side A was recorded back in 2012 and originally released under his Ornaments alias, manifesting as the withered, rain-eroded memory of a majestic orchestral lament, with bowed cymbals singing through layers of rust and the sound of children floating in through an open window. It was this 20-minute piece that inspired us to present Gustafsson with the conceptual framework for Nattmusik, through which he explored the cyclical symbiosis of humanity and nature. The four movements of side B were captured in winter 2018 as an elaboration on these themes, with pianos and loops tumbling into thickets of crumpled, perishing cassette. As a collection, these pieces frame Nattmusik as an absent point of origin; its reverberations are smeared across both the future and the past, yet the source sound is palpably missing. Just as the process of decay strands the object between the pre-degraded form and the eventual dissipation into the void, Frånvarande is a record that both clasps at moments passed and those yet to manifest, rendered nomadic and thirsting by the absence of its conceptual centre.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mattias Gustafsson\u003c\/p\u003e\n\u003cp\u003eLabel : B.A.A.D.M.\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eB.A.A.D.M. 006\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-11T07:56:32+09:00","created_at":"2025-05-09T08:01:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","B.A.A.D.M","lp","mattias gustafsson","monooto","neo classical","new"],"price":348500,"price_min":348500,"price_max":348500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304454242554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mattias Gustafsson \/\/ Frånvarande LP","public_title":null,"options":["Default Title"],"price":348500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gu1_8a692706-f6df-4a7d-85e8-5b1e62991a0c.jpg?v=1746745314","\/\/tobirarecords.com\/cdn\/shop\/files\/gu2_52e74029-dccf-4e7f-9d11-05dd3658c09b.jpg?v=1746745314"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gu1_8a692706-f6df-4a7d-85e8-5b1e62991a0c.jpg?v=1746745314","options":["Title"],"media":[{"alt":null,"id":35999392235770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gu1_8a692706-f6df-4a7d-85e8-5b1e62991a0c.jpg?v=1746745314"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gu1_8a692706-f6df-4a7d-85e8-5b1e62991a0c.jpg?v=1746745314","width":700},{"alt":null,"id":35999392268538,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gu2_52e74029-dccf-4e7f-9d11-05dd3658c09b.jpg?v=1746745314"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gu2_52e74029-dccf-4e7f-9d11-05dd3658c09b.jpg?v=1746745314","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eスウェーデンのアンビエント作家Mattias Gustafssonが、2019年にベルギーの実験レーベルB.A.A.D.M.からリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eオープンリールによるLo-Fiコラージュ・ネオクラシカルアンビエント5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1958298439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eB.A.A.D.M. releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/matgus\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/matgus\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eMattias Gustafsson releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------ \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Isolation of the Instruments 20:33\u003cbr\u003e2. 1st movement: Frånvarande 04:03\u003cbr\u003e3. 2nd movement: Rening 05:08\u003cbr\u003e4. 3rd movement: Avflagnandets tid kommer 04:29\u003cbr\u003e5. 4th movement: Allt som andades har tystnat 04:09\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eB.A.A.D.M.:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Frånvarande acts as both the prelude and epilogue to Mattias Gustafsson’s 2017 record Nattmusik, forming a temporal cradle around his B.A.A.D.M. debut. Side A was recorded back in 2012 and originally released under his Ornaments alias, manifesting as the withered, rain-eroded memory of a majestic orchestral lament, with bowed cymbals singing through layers of rust and the sound of children floating in through an open window. It was this 20-minute piece that inspired us to present Gustafsson with the conceptual framework for Nattmusik, through which he explored the cyclical symbiosis of humanity and nature. The four movements of side B were captured in winter 2018 as an elaboration on these themes, with pianos and loops tumbling into thickets of crumpled, perishing cassette. As a collection, these pieces frame Nattmusik as an absent point of origin; its reverberations are smeared across both the future and the past, yet the source sound is palpably missing. Just as the process of decay strands the object between the pre-degraded form and the eventual dissipation into the void, Frånvarande is a record that both clasps at moments passed and those yet to manifest, rendered nomadic and thirsting by the absence of its conceptual centre.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mattias Gustafsson\u003c\/p\u003e\n\u003cp\u003eLabel : B.A.A.D.M.\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eB.A.A.D.M. 006\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8766441947386,"title":"Priori \/\/ Pareidolia Remixed 12inch","handle":"priori-pareidolia-remixed-12inch","description":"\u003cp\u003eカナダ・モントリオールのテクノ作家Prioriが、2025年4月にドイツ・ベルリンのテクノレーベルMidgarからリリースしたリミックス12\"です。\u003c\/p\u003e\n\u003cp\u003ePrioriの作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/priori-pareidolia-12\"\u003ePareidolia\u003c\/a\u003eをForest Drive West、Maara、Notte Infinita、upsammyがリミックスしています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2005248664\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/midgar_records\" title=\"Midgar\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eMidgar\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/midgar_records\/sets\/pareidolia_remixed\" title=\"Priori - Pareidolia Remixed\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003ePriori - Pareidolia Remixed\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/midgar\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/midgar\"\u003ehere\u003c\/a\u003e to see more Midgar Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in full color sleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A1. Hazard (Forest Drive West 85 Remix) 07:33\u003cbr\u003e2. A2. Hazard (Forest Drive West Slowmo Remix) 07:17\u003cbr\u003e3. B1. Memory Palace (Maara Remix) 07:14\u003cbr\u003e4. B2. Pareidolia (Notte Infinita Hi-Tech Roller) 07:26\u003cbr\u003e5. B3. Glass Shards (upsammy Remix) 05:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Priori\u003c\/p\u003e\n\u003cp\u003eLabel : Midgar Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMDG021X\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-17T14:32:10+09:00","created_at":"2025-04-17T07:28:59+09:00","vendor":"Tobira Records","type":"","tags":["lp","midgar records","new","techno \/ house"],"price":286000,"price_min":286000,"price_max":286000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47260735176954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Priori \/\/ Pareidolia Remixed 12inch","public_title":null,"options":["Default Title"],"price":286000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/parei1.jpg?v=1744842454","\/\/tobirarecords.com\/cdn\/shop\/files\/parei2.jpg?v=1744842454"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/parei1.jpg?v=1744842454","options":["Title"],"media":[{"alt":null,"id":35892792557818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parei1.jpg?v=1744842454"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parei1.jpg?v=1744842454","width":700},{"alt":null,"id":35892792590586,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parei2.jpg?v=1744842454"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/parei2.jpg?v=1744842454","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのテクノ作家Prioriが、2025年4月にドイツ・ベルリンのテクノレーベルMidgarからリリースしたリミックス12\"です。\u003c\/p\u003e\n\u003cp\u003ePrioriの作品\u003ca href=\"https:\/\/tobirarecords.com\/products\/priori-pareidolia-12\"\u003ePareidolia\u003c\/a\u003eをForest Drive West、Maara、Notte Infinita、upsammyがリミックスしています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"450\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/2005248664\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/midgar_records\" title=\"Midgar\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eMidgar\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/midgar_records\/sets\/pareidolia_remixed\" title=\"Priori - Pareidolia Remixed\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003ePriori - Pareidolia Remixed\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/midgar\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/midgar\"\u003ehere\u003c\/a\u003e to see more Midgar Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in full color sleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A1. Hazard (Forest Drive West 85 Remix) 07:33\u003cbr\u003e2. A2. Hazard (Forest Drive West Slowmo Remix) 07:17\u003cbr\u003e3. B1. Memory Palace (Maara Remix) 07:14\u003cbr\u003e4. B2. Pareidolia (Notte Infinita Hi-Tech Roller) 07:26\u003cbr\u003e5. B3. Glass Shards (upsammy Remix) 05:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Priori\u003c\/p\u003e\n\u003cp\u003eLabel : Midgar Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMDG021X\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8749709918458,"title":"a.hop \/\/ a tape TAPE","handle":"a-hop-a-tape-tape","description":"\u003cp\u003e国際女性物音集団a.hopが、2025年2月にカナダ・モントリオールの物音レーベルpresses précairesから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュスケープ2曲、約30分を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年11月、\u003cspan class=\"bcTruncateMore\"\u003e Verónica CerrottaとAnne-F Jacques\u003c\/span\u003eは、チリのバルパライソで開催されたツォナミフェスティバルのアーティストレジデンスに参加し、都市ラジオ放送、展覧会、非公式のラジオインタビュー、そして2人のアーティストによるコンサートを含む一連の活動を行った。個々のコンサートを除き、その他の活動は、世界各地から集まった9人で構成されたバンドグループa.hopによって行われた。今回、直接会ったのは\u003cspan class=\"bcTruncateMore\"\u003eAnne\u003c\/span\u003eと\u003cspan class=\"bcTruncateMore\"\u003eVerónica\u003c\/span\u003eだけだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eバルパライソから、a.hopのメンバーの間で、集合的に想像される場所を構築するための一連の文通が始まった。バルパライソの街を歩きながら、街の音やイメージ、不完全な描写の断片を集め、他のメンバーに送った。離れた場所にいるメンバーは、受け取った素材への思索的な反応を通してバルパライソの音を生み出し、その不可能な場所で演奏するために楽譜を書いた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの楽譜はバルパライソで演奏された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムには、この交流の中で生まれたすべての素材が、コラージュの形で少しまとめられている。また、a.hopの各メンバーがそれぞれの居住都市で録音したフィールドレコーディングの断片も含まれている。これらの録音は当初、「9 mañanas」（9つの朝）というラジオ番組の一部を構成する予定だったが、まだ放送されていない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1113096838\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prepre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prepre\"\u003ehere\u003c\/a\u003e to see more Presses Précaires releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eC32 cassette in hand-stamped cardstock slipcase. \u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A side 15:40\u003cbr\u003e2. B side 15:41\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePresses Précaires:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIn November 2023, Verónica Cerrotta and Anne-F Jacques met in Valparaíso, Chile, to participate in an artistic residency within the framework of the Tsonami Festival, which culminated in a series of actions, including an urban radio broadcast, an exhibition, an informal radio interview and a concert by each of the two artists. With the exception of the individual concerts, the other activities were carried out by a.hop, a band, collective, group, made up of 9 people from different parts of the world. Anne and Verónica were the only two, on this occasion, who met in person.\u003cbr\u003e\u003cbr\u003eFrom Valparaíso, a series of correspondence began between the members of a.hop, to build a collectively imagined place. From walks in the city, fragments of sounds, images and incomplete descriptions of the city were collected and sent to the others. The members who were at a distance generated sounds of Valparaíso through speculative responses to the material received and wrote scores to perform in that impossible place.\u003cbr\u003e\u003cbr\u003eThese scores were performed in Valparaíso.\u003cbr\u003e\u003cbr\u003eThis album brings together, in collage form, a bit of all the material generated during this exchange. It also includes fragments of field recordings made by each of the members of a.hop in their cities of residence. These recordings were initially to form part of a radio program called “9 mañanas” (9 mornings), which has not yet been broadcast.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : a.hop\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003ePresses Précaires\u003c\/p\u003e","published_at":"2025-03-23T13:36:46+09:00","created_at":"2025-03-23T10:37:42+09:00","vendor":"Tobira Records","type":"","tags":["monooto","new","presses précaires","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47210102751482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"a.hop \/\/ a tape TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hop1_ae317a5a-d762-4acb-9ad8-f0162a5d79ad.jpg?v=1742693781","\/\/tobirarecords.com\/cdn\/shop\/files\/hop.jpg?v=1742693781"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hop1_ae317a5a-d762-4acb-9ad8-f0162a5d79ad.jpg?v=1742693781","options":["Title"],"media":[{"alt":null,"id":35782622970106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hop1_ae317a5a-d762-4acb-9ad8-f0162a5d79ad.jpg?v=1742693781"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hop1_ae317a5a-d762-4acb-9ad8-f0162a5d79ad.jpg?v=1742693781","width":700},{"alt":null,"id":35782622937338,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hop.jpg?v=1742693781"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hop.jpg?v=1742693781","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e国際女性物音集団a.hopが、2025年2月にカナダ・モントリオールの物音レーベルpresses précairesから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュスケープ2曲、約30分を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年11月、\u003cspan class=\"bcTruncateMore\"\u003e Verónica CerrottaとAnne-F Jacques\u003c\/span\u003eは、チリのバルパライソで開催されたツォナミフェスティバルのアーティストレジデンスに参加し、都市ラジオ放送、展覧会、非公式のラジオインタビュー、そして2人のアーティストによるコンサートを含む一連の活動を行った。個々のコンサートを除き、その他の活動は、世界各地から集まった9人で構成されたバンドグループa.hopによって行われた。今回、直接会ったのは\u003cspan class=\"bcTruncateMore\"\u003eAnne\u003c\/span\u003eと\u003cspan class=\"bcTruncateMore\"\u003eVerónica\u003c\/span\u003eだけだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eバルパライソから、a.hopのメンバーの間で、集合的に想像される場所を構築するための一連の文通が始まった。バルパライソの街を歩きながら、街の音やイメージ、不完全な描写の断片を集め、他のメンバーに送った。離れた場所にいるメンバーは、受け取った素材への思索的な反応を通してバルパライソの音を生み出し、その不可能な場所で演奏するために楽譜を書いた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの楽譜はバルパライソで演奏された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムには、この交流の中で生まれたすべての素材が、コラージュの形で少しまとめられている。また、a.hopの各メンバーがそれぞれの居住都市で録音したフィールドレコーディングの断片も含まれている。これらの録音は当初、「9 mañanas」（9つの朝）というラジオ番組の一部を構成する予定だったが、まだ放送されていない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1113096838\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/prepre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/prepre\"\u003ehere\u003c\/a\u003e to see more Presses Précaires releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eC32 cassette in hand-stamped cardstock slipcase. \u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A side 15:40\u003cbr\u003e2. B side 15:41\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePresses Précaires:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIn November 2023, Verónica Cerrotta and Anne-F Jacques met in Valparaíso, Chile, to participate in an artistic residency within the framework of the Tsonami Festival, which culminated in a series of actions, including an urban radio broadcast, an exhibition, an informal radio interview and a concert by each of the two artists. With the exception of the individual concerts, the other activities were carried out by a.hop, a band, collective, group, made up of 9 people from different parts of the world. Anne and Verónica were the only two, on this occasion, who met in person.\u003cbr\u003e\u003cbr\u003eFrom Valparaíso, a series of correspondence began between the members of a.hop, to build a collectively imagined place. From walks in the city, fragments of sounds, images and incomplete descriptions of the city were collected and sent to the others. The members who were at a distance generated sounds of Valparaíso through speculative responses to the material received and wrote scores to perform in that impossible place.\u003cbr\u003e\u003cbr\u003eThese scores were performed in Valparaíso.\u003cbr\u003e\u003cbr\u003eThis album brings together, in collage form, a bit of all the material generated during this exchange. It also includes fragments of field recordings made by each of the members of a.hop in their cities of residence. These recordings were initially to form part of a radio program called “9 mañanas” (9 mornings), which has not yet been broadcast.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : a.hop\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003ePresses Précaires\u003c\/p\u003e"}
a.hop // a tape TAPE
¥1,780
![Scotch Rolex, Shackleton & Omutaba // The Three Hands of Doom 12inch [COLOR]](http://tobirarecords.com/cdn/shop/files/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c_125x.jpg?v=1731738023)
クイックビュー
{"id":8666363625722,"title":"Scotch Rolex, Shackleton \u0026 Omutaba \/\/ The Three Hands of Doom 12inch [COLOR]","handle":"scotch-rolex-shackleton-omutaba-the-three-hands-of-doom-12inch-color","description":"\u003cp\u003eストレンジビーツ作家Scotch Rolex, Shackleton \u0026amp; Omutaba\u003cspan data-mce-fragment=\"1\"\u003eが、2024年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから200部限定でリリースした12\"です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜リチュアリスティック・テクノ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=790186388\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ring Dirt 05:40\u003cbr\u003e2. Insect Vibration 08:44\u003cbr\u003e3. Burnt Earth 10:20\u003cbr\u003e4. The Three Hands of Doom 07:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHeavy, heavy, heavyyyyy rhythmic madness from Shackleton, Scotch Rolex and Omutaba, invoking new rhythmic traditions on an enchanted debut album for Nyege Nyege Tapes, twisting galvanic rhythms from HHY \u0026amp; The Kampala Unit's Omutaba into sozzled, psychedelic peregrinations. Dubby, kinetic and viciously mind-bending, it's peak gear if you're into anything from African Head Charge to Mark Ernestus' Ndagga Rhythm Force.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeading on from Shackleton and Scotch Rolex’s maiden merger, ‘Death by Tickling’ in 2023, the duo pull in the dextrous limbs of Omutaba - known from his work with STILL, Metal Preyers and HHY \u0026amp; The Kampala Unit - for a dervishing session of dubbed-out and tumbling polyrhythms and psychoactive vibes as Three Hands of Doom. Shackleton’s hand on the tiller is patently apparent but, as with his recent works with Heather Leigh and Wacław Zimpel, he proves a mutable collaborator and porous to the shared spirits of fellow electronic music journeymen Scotch Rolex and Uganda’s Omutaba in four swingeing sections defined by their joint ability to diffract the flow between rolling and irregular grooves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Ring Dirt’ opens the session with a limber display\u003cspan class=\"bcTruncateMore\"\u003e of monotone strings and suspenseful synth work that calls to mind Can sent economy class to the equator for ritual teachings. Enlightened, they proceed thru the lush, whorling metric calculations of ‘Insect Vibration’, layering shivering incantations and worm-charming subs with a frisson of field recordings. At this point fully attuned to each other, Omutaba’s Ugandan drumming is felt most powerfully meshed into the 10 minute matrix of rug-pulling and thunderous detonations to ‘Burnt Earth’, before they all buckle into the outright dread of a standout eponymous title tune that appears to follow rhythms from the Congo thru West Africa, to Haiti, via Japan and Berlin, and back to Uganda.\u003cbr\u003e\u003cbr\u003eBoth Shackleton and Ishihara have been on blistering form in the last couple of years, and 'Three Hands of Doom' feels like both a continuation and an extension of last year's 'Death By Tickling', weaponizing Omutaba's exhilarating playing into something that feels much, much more than the sum of its parts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scotch Rolex, Shackleton \u0026amp; Omutaba\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-11-16T18:37:51+09:00","created_at":"2024-11-16T15:21:45+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":445800,"price_min":445800,"price_max":445800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864885678330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scotch Rolex, Shackleton \u0026 Omutaba \/\/ The Three Hands of Doom 12inch [COLOR]","public_title":null,"options":["Default Title"],"price":445800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023","\/\/tobirarecords.com\/cdn\/shop\/files\/doom2_ac026970-3859-422d-871f-c4119e8a41e8.jpg?v=1731738023","\/\/tobirarecords.com\/cdn\/shop\/files\/doom3.jpg?v=1731738023"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023","options":["Title"],"media":[{"alt":null,"id":35195273052410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom1_994e4245-8edd-48bd-a428-d2ba6f544f4c.jpg?v=1731738023","width":700},{"alt":null,"id":35195273085178,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom2_ac026970-3859-422d-871f-c4119e8a41e8.jpg?v=1731738023"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom2_ac026970-3859-422d-871f-c4119e8a41e8.jpg?v=1731738023","width":1200},{"alt":null,"id":35195273117946,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom3.jpg?v=1731738023"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doom3.jpg?v=1731738023","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eストレンジビーツ作家Scotch Rolex, Shackleton \u0026amp; Omutaba\u003cspan data-mce-fragment=\"1\"\u003eが、2024年1月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyege Tapesから200部限定でリリースした12\"です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックなストレンジビーツ〜リチュアリスティック・テクノ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=790186388\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ring Dirt 05:40\u003cbr\u003e2. Insect Vibration 08:44\u003cbr\u003e3. Burnt Earth 10:20\u003cbr\u003e4. The Three Hands of Doom 07:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHeavy, heavy, heavyyyyy rhythmic madness from Shackleton, Scotch Rolex and Omutaba, invoking new rhythmic traditions on an enchanted debut album for Nyege Nyege Tapes, twisting galvanic rhythms from HHY \u0026amp; The Kampala Unit's Omutaba into sozzled, psychedelic peregrinations. Dubby, kinetic and viciously mind-bending, it's peak gear if you're into anything from African Head Charge to Mark Ernestus' Ndagga Rhythm Force.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeading on from Shackleton and Scotch Rolex’s maiden merger, ‘Death by Tickling’ in 2023, the duo pull in the dextrous limbs of Omutaba - known from his work with STILL, Metal Preyers and HHY \u0026amp; The Kampala Unit - for a dervishing session of dubbed-out and tumbling polyrhythms and psychoactive vibes as Three Hands of Doom. Shackleton’s hand on the tiller is patently apparent but, as with his recent works with Heather Leigh and Wacław Zimpel, he proves a mutable collaborator and porous to the shared spirits of fellow electronic music journeymen Scotch Rolex and Uganda’s Omutaba in four swingeing sections defined by their joint ability to diffract the flow between rolling and irregular grooves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Ring Dirt’ opens the session with a limber display\u003cspan class=\"bcTruncateMore\"\u003e of monotone strings and suspenseful synth work that calls to mind Can sent economy class to the equator for ritual teachings. Enlightened, they proceed thru the lush, whorling metric calculations of ‘Insect Vibration’, layering shivering incantations and worm-charming subs with a frisson of field recordings. At this point fully attuned to each other, Omutaba’s Ugandan drumming is felt most powerfully meshed into the 10 minute matrix of rug-pulling and thunderous detonations to ‘Burnt Earth’, before they all buckle into the outright dread of a standout eponymous title tune that appears to follow rhythms from the Congo thru West Africa, to Haiti, via Japan and Berlin, and back to Uganda.\u003cbr\u003e\u003cbr\u003eBoth Shackleton and Ishihara have been on blistering form in the last couple of years, and 'Three Hands of Doom' feels like both a continuation and an extension of last year's 'Death By Tickling', weaponizing Omutaba's exhilarating playing into something that feels much, much more than the sum of its parts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scotch Rolex, Shackleton \u0026amp; Omutaba\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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{"id":8690171773178,"title":"Goodbye Press \/\/ Flat Earth TOTE","handle":"goodbye-press-flat-earth-tote","description":"\u003cp\u003eアメリカ・シカゴのアパレルブランドGoodbye Pressが、2024年12月にリリースしたトートバッグです。\u003c\/p\u003e\n\u003cp\u003eBeige 2-sided print on large blue tote. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gdbypr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gdbypr\"\u003ehere\u003c\/a\u003e to see more Goodbye Press releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eLabel : Goodbye Press\u003c\/p\u003e","published_at":"2025-05-09T15:35:44+09:00","created_at":"2024-12-28T13:10:38+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","goodbye press","new"],"price":563700,"price_min":563700,"price_max":563700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46988832735482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Goodbye Press \/\/ Flat Earth TOTE","public_title":null,"options":["Default Title"],"price":563700,"weight":400,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/2024-12-276.08.58.png?v=1746772476","\/\/tobirarecords.com\/cdn\/shop\/files\/2024-12-276.09.07.png?v=1746772476","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_1247.jpg?v=1746772476","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_1246.jpg?v=1746772461"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-12-276.08.58.png?v=1746772476","options":["Title"],"media":[{"alt":null,"id":35357824450810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1314,"width":1314,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-12-276.08.58.png?v=1746772476"},"aspect_ratio":1.0,"height":1314,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-12-276.08.58.png?v=1746772476","width":1314},{"alt":null,"id":35357824483578,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1308,"width":1308,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-12-276.09.07.png?v=1746772476"},"aspect_ratio":1.0,"height":1308,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-12-276.09.07.png?v=1746772476","width":1308},{"alt":null,"id":36000279789818,"position":3,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_1247.jpg?v=1746772476"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_1247.jpg?v=1746772476","width":3024},{"alt":null,"id":36000279822586,"position":4,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_1246.jpg?v=1746772461"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_1246.jpg?v=1746772461","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのアパレルブランドGoodbye Pressが、2024年12月にリリースしたトートバッグです。\u003c\/p\u003e\n\u003cp\u003eBeige 2-sided print on large blue tote. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gdbypr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gdbypr\"\u003ehere\u003c\/a\u003e to see more Goodbye Press releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eLabel : Goodbye Press\u003c\/p\u003e"}
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{"id":8623446524154,"title":"Leiras \/\/ Vael Method 12inch","handle":"leiras-vael-method-12","description":"\u003cp\u003eスペインのテクノ作家Leirasが、2024年9月に自身主宰レーベルOwnlifeからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eヒプノティック・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tRJwHkWdzPo?si=bzYb6WElKukJob2k\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pdyq4G-Pr5A?si=gbQO5yadAkeMeBkD\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w7XTsOKq7Gs?si=TuSHBjLM6dPflrKb\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/a4_RumwjSPk?si=xJteggs79HJ5XI-O\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/21SOhBxne44?si=_89xQJ_WFvjkvFLE\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vael Method 05:11\u003cbr\u003e2. Routine Procedure 05:15\u003cbr\u003e3. Self Hitting Anvil 04:27\u003cbr\u003e4. Atavism 04:28\u003cbr\u003e5. Luminous Angle 04:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Leiras\u003c\/p\u003e\n\u003cp\u003eLabel : Ownlife\u003c\/p\u003e\n\u003cp\u003eCAT No : OWN020\u003c\/p\u003e","published_at":"2024-09-19T10:01:31+09:00","created_at":"2024-09-18T14:34:19+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","techno \/ house"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46665793863930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Leiras \/\/ Vael Method 12inch","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/vael1.jpg?v=1726637517","\/\/tobirarecords.com\/cdn\/shop\/files\/vael2.jpg?v=1726637517"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/vael1.jpg?v=1726637517","options":["Title"],"media":[{"alt":null,"id":34898822267130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vael1.jpg?v=1726637517"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vael1.jpg?v=1726637517","width":700},{"alt":null,"id":34898822299898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vael2.jpg?v=1726637517"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vael2.jpg?v=1726637517","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペインのテクノ作家Leirasが、2024年9月に自身主宰レーベルOwnlifeからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eヒプノティック・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tRJwHkWdzPo?si=bzYb6WElKukJob2k\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pdyq4G-Pr5A?si=gbQO5yadAkeMeBkD\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w7XTsOKq7Gs?si=TuSHBjLM6dPflrKb\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/a4_RumwjSPk?si=xJteggs79HJ5XI-O\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/21SOhBxne44?si=_89xQJ_WFvjkvFLE\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vael Method 05:11\u003cbr\u003e2. Routine Procedure 05:15\u003cbr\u003e3. Self Hitting Anvil 04:27\u003cbr\u003e4. Atavism 04:28\u003cbr\u003e5. Luminous Angle 04:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Leiras\u003c\/p\u003e\n\u003cp\u003eLabel : Ownlife\u003c\/p\u003e\n\u003cp\u003eCAT No : OWN020\u003c\/p\u003e"}
Leiras // Vael Method 12inch
¥2,890
クイックビュー
{"id":8174253015290,"title":"Kipp Stone \/\/ 66689 BLVD Prequel LP","handle":"kipp-stone-66689-blvd-prequel-lp","description":"\u003cp\u003eアメリカ・オハイオのヒップホップ作家Kipp Stoneが、2024年1月に同国シカゴのヒップホップレーベルClosed Sessionsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e内省的なヒップホップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \"このアルバムは、最終的に最高の自分になることをテーマにしている。このアルバムは、私の人生における人物のケーススタディを使って、私がその人物やその人特有の特徴を崇拝するところから始まる。アルバムが進むにつれて、私は内側に向かい、彼らと自分を比較する。電話は、私の旅路をリスナーに報告するために、アルバム中に散りばめられたミニ \"非公式 \"セラピー・セッションだ。最終的に、私は自分自身を削っていくうちに、自分の問題の根源を明らかにし始め、アルバムの終わりには、その人たちを「殺す」ことになる。殺す というのは、その人たちの有益な特性を実行に移し、多くのネガティブな要素を取り除くことを学ぶという意味だ。私は、これらの人々を私を完成させるためのパズルのピースとして使いながら、より良い自分へと一歩ずつ近づいていくのだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e66689はOTW（On The Way）と訳される。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBLVD（Breathe.Love.Vibrate.Die）は、いつか私のキャリアの別の段階でのステージネームになるだろう。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは前奏曲であり、シリーズ3枚のうちの1枚目でもある。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムの制作は、これまで私が手がけてきたどのアルバムとも違っていた。ほとんどがフリースタイルで、アルバム全体をひとりでレコーディングしたんだ。文字通り孤立して、このアルバム全体をほぼ秘密裏に作ったんだ。ダイエット・ウィード（CBD）を吸って、ビートに身を任せて、ただ流れに身を任せた。また、スタジオが閉まってから、一度に15時間くらい一人でスタジオに籠ることもあった。\"アルバムの内容を考えると、それが適切だったように思う。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ABsqg3mVxso?si=38qNGiaPkBzGmX3M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBLVD Intro 03:14\u003c\/li\u003e\n\u003cli\u003eLakeshore 03:21\u003c\/li\u003e\n\u003cli\u003e18 The Hard Way 04:07\u003c\/li\u003e\n\u003cli\u003ePetrichor 04:19\u003c\/li\u003e\n\u003cli\u003ePassivist Prayer 04:53\u003c\/li\u003e\n\u003cli\u003eAmbigram Theory 03:25\u003c\/li\u003e\n\u003cli\u003eHive Mind 03:40\u003c\/li\u003e\n\u003cli\u003eThe Sun is Medicine 03:42\u003c\/li\u003e\n\u003cli\u003eVanderhall Venice 04:15\u003c\/li\u003e\n\u003cli\u003eKill The Father (Freestyle) 0\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Kipp Stone:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis album is about finally becoming the best version of myself. Using case studies of people in my life to help guide me, the album starts with me idolizing these people and their specific traits. As the album progresses, I go inward and compare myself to them. The phone calls are mini “unofficial” therapy sessions spread throughout the album to update the listener on my journey. Ultimately, as I chip away at myself, I start to uncover the root of my problems and by the end of the album I “kill” those people. By “kill”, I mean I learn to implement the helpful attributes of these people and do away with a lot of the negative. I take a step closer to this better version of myself almost using these people as puzzle pieces to complete me.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e66689 translates to OTW (On The Way).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBLVD (Breathe. Love. Vibrate. Die) which will one day be my stage name for another phase of my career.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis album is a prelude and the first of 3 albums in the series.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWorking on this album was different from any other album I’ve done. Most of it was freestyled, and I recorded the entire album by myself. I literally isolated myself and made this entire album damn near secretly. I would smoke some diet weed (CBD), let the beat play and just let it flow. Other times I would hit the studio after it closed and just lock in by myself for 15 hours at a time, given the content of the album it seemed appropriate.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kipp Stone\u003c\/p\u003e\n\u003cp\u003eLabel : Closed Sessions\u003c\/p\u003e","published_at":"2024-02-15T14:21:02+09:00","created_at":"2024-02-14T13:45:43+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","lp","new"],"price":445000,"price_min":445000,"price_max":445000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45185497923834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kipp Stone \/\/ 66689 BLVD Prequel LP","public_title":null,"options":["Default Title"],"price":445000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/blvd1.jpg?v=1707885945","\/\/tobirarecords.com\/cdn\/shop\/files\/blvd2.jpg?v=1707885945"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/blvd1.jpg?v=1707885945","options":["Title"],"media":[{"alt":null,"id":33168673865978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blvd1.jpg?v=1707885945"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blvd1.jpg?v=1707885945","width":700},{"alt":null,"id":33168673898746,"position":2,"preview_image":{"aspect_ratio":1.463,"height":820,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blvd2.jpg?v=1707885945"},"aspect_ratio":1.463,"height":820,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blvd2.jpg?v=1707885945","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オハイオのヒップホップ作家Kipp Stoneが、2024年1月に同国シカゴのヒップホップレーベルClosed Sessionsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e内省的なヒップホップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \"このアルバムは、最終的に最高の自分になることをテーマにしている。このアルバムは、私の人生における人物のケーススタディを使って、私がその人物やその人特有の特徴を崇拝するところから始まる。アルバムが進むにつれて、私は内側に向かい、彼らと自分を比較する。電話は、私の旅路をリスナーに報告するために、アルバム中に散りばめられたミニ \"非公式 \"セラピー・セッションだ。最終的に、私は自分自身を削っていくうちに、自分の問題の根源を明らかにし始め、アルバムの終わりには、その人たちを「殺す」ことになる。殺す というのは、その人たちの有益な特性を実行に移し、多くのネガティブな要素を取り除くことを学ぶという意味だ。私は、これらの人々を私を完成させるためのパズルのピースとして使いながら、より良い自分へと一歩ずつ近づいていくのだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e66689はOTW（On The Way）と訳される。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBLVD（Breathe.Love.Vibrate.Die）は、いつか私のキャリアの別の段階でのステージネームになるだろう。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムは前奏曲であり、シリーズ3枚のうちの1枚目でもある。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムの制作は、これまで私が手がけてきたどのアルバムとも違っていた。ほとんどがフリースタイルで、アルバム全体をひとりでレコーディングしたんだ。文字通り孤立して、このアルバム全体をほぼ秘密裏に作ったんだ。ダイエット・ウィード（CBD）を吸って、ビートに身を任せて、ただ流れに身を任せた。また、スタジオが閉まってから、一度に15時間くらい一人でスタジオに籠ることもあった。\"アルバムの内容を考えると、それが適切だったように思う。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ABsqg3mVxso?si=38qNGiaPkBzGmX3M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBLVD Intro 03:14\u003c\/li\u003e\n\u003cli\u003eLakeshore 03:21\u003c\/li\u003e\n\u003cli\u003e18 The Hard Way 04:07\u003c\/li\u003e\n\u003cli\u003ePetrichor 04:19\u003c\/li\u003e\n\u003cli\u003ePassivist Prayer 04:53\u003c\/li\u003e\n\u003cli\u003eAmbigram Theory 03:25\u003c\/li\u003e\n\u003cli\u003eHive Mind 03:40\u003c\/li\u003e\n\u003cli\u003eThe Sun is Medicine 03:42\u003c\/li\u003e\n\u003cli\u003eVanderhall Venice 04:15\u003c\/li\u003e\n\u003cli\u003eKill The Father (Freestyle) 0\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Kipp Stone:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThis album is about finally becoming the best version of myself. Using case studies of people in my life to help guide me, the album starts with me idolizing these people and their specific traits. As the album progresses, I go inward and compare myself to them. The phone calls are mini “unofficial” therapy sessions spread throughout the album to update the listener on my journey. Ultimately, as I chip away at myself, I start to uncover the root of my problems and by the end of the album I “kill” those people. By “kill”, I mean I learn to implement the helpful attributes of these people and do away with a lot of the negative. I take a step closer to this better version of myself almost using these people as puzzle pieces to complete me.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e66689 translates to OTW (On The Way).\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBLVD (Breathe. Love. Vibrate. Die) which will one day be my stage name for another phase of my career.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis album is a prelude and the first of 3 albums in the series.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWorking on this album was different from any other album I’ve done. Most of it was freestyled, and I recorded the entire album by myself. I literally isolated myself and made this entire album damn near secretly. I would smoke some diet weed (CBD), let the beat play and just let it flow. Other times I would hit the studio after it closed and just lock in by myself for 15 hours at a time, given the content of the album it seemed appropriate.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kipp Stone\u003c\/p\u003e\n\u003cp\u003eLabel : Closed Sessions\u003c\/p\u003e"}
クイックビュー
{"id":8159332925690,"title":"Itsï Ramirez \/\/ New Animals CD","handle":"itsi-ramirez-new-animals-cd","description":"\u003cp\u003eアメリカ・シカゴの実験音楽家Itsï Ramirezが、2024年1月に同国ペンシルベニアの実験／ノイズレーベルNo Rentから100部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e実験アンビエント〜コラージュ・ドローン5曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGlyn Maierが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、実験音楽家\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eBret Schneiderによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"エレクトロニック・ミュージックの退廃と、その結果としての精神の神秘化と感覚の誇大化という競争の日々において、その最も美しい側面のひとつである「神秘化」を忘れがちである。私たちがエレクトロニクスの音楽への押しつけを愛してやまない理由のひとつは、エレクトロニクスには裸の部分があるからだ。ほとんど恥ずかしげもなく。神聖な調性が地上にもたらされ、解剖される。一般的にエレクトロニック・ミュージックの「黄金時代」と考えられているものは、今日に比べればむしろ労働的で、完全な魂のための音楽というよりは教育的な参考資料だった。そのため、この解剖台の音楽は、恥ずかしそうに、あるいは誇らしげに、傷跡を見せることが多く、また医師の魅惑的な冷静さを反映している。しかし、私たちの主題である音楽を理解しようとする試みが、遊び心にも満ちていたとしたらどうだろう？マッドサイエンティストたちが音楽現象の真相に迫ろうとする試みに、明るさと喜びがあったとしたら？もし、その対象が儚い儚さ以上のものであり、これまでも、そしてこれからもあり得ないということを、解き放つプロセスを通して受け入れることができたとしたら？もし21世紀のクリエイターが、「音」をさらに理解しようとは思わず、むしろ「音」は再定義された幻影であり、決して理解されることはなく、それでもなお一層愛される呼び起こしに過ぎないことをすでに理解しているとしたら？もし、私たちの解き放つ試みが、私たち自身が作り出したエーテルの中を渦を巻いて切り裂くようなものでしかなかったとしたら？その音楽はどのように聞こえるだろうか？\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eItsï Ramirezは、最新のスペクトル分析ツールを使って、このゲイ・ポスト・サイエンス・オブ・サウンドを取り上げる。音色は、きちんとビンや帯域に分けられ、分解され、分離され、真夜中の空気に撒き散らされ、蛾のように飛び回り、変身後の熱狂の中で光に向かって飛んでいく。Ramirezは、好奇心を示す一つの内省的なジェスチャーで、トーンを鱗翅目（りんしもく）の群雲に分ける。過剰な技術的血統主義や、説得力のない音楽的気取りの大群から一線を画すRamirezは、軽やかさ、儚さ、手軽さを追求する。Ramirezが追求するのは、軽やかさであり、輝きのある拡散である。このような明るい調性は、憂鬱から解き放たれ、外耳道の最高高度を飛び交い、神経受容体をくすぐり、シナプスの川の上を新たな白鳥が舞う。捕らえどころのない動物たち！自由で、捕まえることができない。しかし同時に、追いかける者に恋をしているのだろう。そしてまた、不安で短命でもある。私たちは捕まえること、家畜化すること、解剖すること、展示することがあまりにも上手だからだ。それを掴もうとした瞬間、それらは細切れになり、煌めきとなり、運が良ければ一瞬だけ存在したものの残像を残すかもしれない。そして、一瞬とは何なのか、考えさせられる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの新しい不安な動物たちは、まるで逃げるために作られたかのように、軽やかで、生き生きとしている。音：パンドラの箱のようなもので、私たちが決してつかむことのできないものだが、私たちの不規則な行動の周囲に渦巻いている。この現象を飼いならすことができるのは、繰り返されるテクニックで閉ざされた世界を持つ飼いならされた動物だろうか？そして私たちは、逃げ出した悪魔を追いかけるのが大好きなのではないだろうか！檻に入れるには気体すぎる動物たち。デリケートな生き物だ。しかし、騙されてはいけない。デリケート＝脆さではない。いや、むしろ、波打つ空気の中をきらめくアラベスクを自由に描くのに十分な強さ、調性の秘密の儚さを知っている確かな個性は、立つことができないし、立つ必要もない。逃げ惑う波と言った方がいい！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2068222203\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more No Rent Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. CDr in digipack. Edition of 100. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJosephine 03:36\u003c\/li\u003e\n\u003cli\u003eA Wink ; A Blemish 03:56\u003c\/li\u003e\n\u003cli\u003eLepidoptera 07:16\u003c\/li\u003e\n\u003cli\u003eBisou 04:27\u003c\/li\u003e\n\u003cli\u003eMouthpool 16:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by No Rent Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003e[...] \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eItsi Ramirez takes up this gay post-science of sound, with her modern spectral analysis tools, a just-born-yet dying breed of infant scientists dancing with their psychoacoustic scalpels, slicing at the air \u0026amp; shaping evanescent acoustic citadels. Tonality separated neatly into bins \u0026amp; bands, decomposed, segregated, splayed out for all to hear in the midnight air, flittering like moths, subject of the light they fly towards in post-transformation frenzy. With one introspective gesture of curiosity, Ramirez divides the tone into a swarming cloud of lepidoptera, not a single one of which is a singular animal. Distinguishing itself from the decaying glut of overwrought technical pedigree \u0026amp; cavalcades of unconvincing musical affectations, Ramirez pursues the light, the ephemeral, the easy. It is lightness, manifest in radiant diffusion. Such bright tonality — unfettered from gloom — that flits through the highest altitudes of your ear canal, tickling the neuroreceptors, new swans dancing upon the river of your synapses [...]\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Itsï Ramirez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : No Rent Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-01-31T15:06:32+09:00","created_at":"2024-01-29T15:05:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","monooto","new","no rent"],"price":198800,"price_min":198800,"price_max":198800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45111672832250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Itsï Ramirez \/\/ New Animals CD","public_title":null,"options":["Default Title"],"price":198800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/new1_b0c20bd8-ab50-45fa-8d4b-25b8b7bfd032.jpg?v=1706508333","\/\/tobirarecords.com\/cdn\/shop\/files\/new2_3a3bea66-9bb3-4fb4-8d4e-890f2219c2de.jpg?v=1706508332"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_b0c20bd8-ab50-45fa-8d4b-25b8b7bfd032.jpg?v=1706508333","options":["Title"],"media":[{"alt":null,"id":33076392460538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_b0c20bd8-ab50-45fa-8d4b-25b8b7bfd032.jpg?v=1706508333"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_b0c20bd8-ab50-45fa-8d4b-25b8b7bfd032.jpg?v=1706508333","width":700},{"alt":null,"id":33076392493306,"position":2,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new2_3a3bea66-9bb3-4fb4-8d4e-890f2219c2de.jpg?v=1706508332"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new2_3a3bea66-9bb3-4fb4-8d4e-890f2219c2de.jpg?v=1706508332","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴの実験音楽家Itsï Ramirezが、2024年1月に同国ペンシルベニアの実験／ノイズレーベルNo Rentから100部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e実験アンビエント〜コラージュ・ドローン5曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGlyn Maierが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、実験音楽家\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eBret Schneiderによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"エレクトロニック・ミュージックの退廃と、その結果としての精神の神秘化と感覚の誇大化という競争の日々において、その最も美しい側面のひとつである「神秘化」を忘れがちである。私たちがエレクトロニクスの音楽への押しつけを愛してやまない理由のひとつは、エレクトロニクスには裸の部分があるからだ。ほとんど恥ずかしげもなく。神聖な調性が地上にもたらされ、解剖される。一般的にエレクトロニック・ミュージックの「黄金時代」と考えられているものは、今日に比べればむしろ労働的で、完全な魂のための音楽というよりは教育的な参考資料だった。そのため、この解剖台の音楽は、恥ずかしそうに、あるいは誇らしげに、傷跡を見せることが多く、また医師の魅惑的な冷静さを反映している。しかし、私たちの主題である音楽を理解しようとする試みが、遊び心にも満ちていたとしたらどうだろう？マッドサイエンティストたちが音楽現象の真相に迫ろうとする試みに、明るさと喜びがあったとしたら？もし、その対象が儚い儚さ以上のものであり、これまでも、そしてこれからもあり得ないということを、解き放つプロセスを通して受け入れることができたとしたら？もし21世紀のクリエイターが、「音」をさらに理解しようとは思わず、むしろ「音」は再定義された幻影であり、決して理解されることはなく、それでもなお一層愛される呼び起こしに過ぎないことをすでに理解しているとしたら？もし、私たちの解き放つ試みが、私たち自身が作り出したエーテルの中を渦を巻いて切り裂くようなものでしかなかったとしたら？その音楽はどのように聞こえるだろうか？\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eItsï Ramirezは、最新のスペクトル分析ツールを使って、このゲイ・ポスト・サイエンス・オブ・サウンドを取り上げる。音色は、きちんとビンや帯域に分けられ、分解され、分離され、真夜中の空気に撒き散らされ、蛾のように飛び回り、変身後の熱狂の中で光に向かって飛んでいく。Ramirezは、好奇心を示す一つの内省的なジェスチャーで、トーンを鱗翅目（りんしもく）の群雲に分ける。過剰な技術的血統主義や、説得力のない音楽的気取りの大群から一線を画すRamirezは、軽やかさ、儚さ、手軽さを追求する。Ramirezが追求するのは、軽やかさであり、輝きのある拡散である。このような明るい調性は、憂鬱から解き放たれ、外耳道の最高高度を飛び交い、神経受容体をくすぐり、シナプスの川の上を新たな白鳥が舞う。捕らえどころのない動物たち！自由で、捕まえることができない。しかし同時に、追いかける者に恋をしているのだろう。そしてまた、不安で短命でもある。私たちは捕まえること、家畜化すること、解剖すること、展示することがあまりにも上手だからだ。それを掴もうとした瞬間、それらは細切れになり、煌めきとなり、運が良ければ一瞬だけ存在したものの残像を残すかもしれない。そして、一瞬とは何なのか、考えさせられる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの新しい不安な動物たちは、まるで逃げるために作られたかのように、軽やかで、生き生きとしている。音：パンドラの箱のようなもので、私たちが決してつかむことのできないものだが、私たちの不規則な行動の周囲に渦巻いている。この現象を飼いならすことができるのは、繰り返されるテクニックで閉ざされた世界を持つ飼いならされた動物だろうか？そして私たちは、逃げ出した悪魔を追いかけるのが大好きなのではないだろうか！檻に入れるには気体すぎる動物たち。デリケートな生き物だ。しかし、騙されてはいけない。デリケート＝脆さではない。いや、むしろ、波打つ空気の中をきらめくアラベスクを自由に描くのに十分な強さ、調性の秘密の儚さを知っている確かな個性は、立つことができないし、立つ必要もない。逃げ惑う波と言った方がいい！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2068222203\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more No Rent Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. CDr in digipack. Edition of 100. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJosephine 03:36\u003c\/li\u003e\n\u003cli\u003eA Wink ; A Blemish 03:56\u003c\/li\u003e\n\u003cli\u003eLepidoptera 07:16\u003c\/li\u003e\n\u003cli\u003eBisou 04:27\u003c\/li\u003e\n\u003cli\u003eMouthpool 16:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by No Rent Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003e[...] \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eItsi Ramirez takes up this gay post-science of sound, with her modern spectral analysis tools, a just-born-yet dying breed of infant scientists dancing with their psychoacoustic scalpels, slicing at the air \u0026amp; shaping evanescent acoustic citadels. Tonality separated neatly into bins \u0026amp; bands, decomposed, segregated, splayed out for all to hear in the midnight air, flittering like moths, subject of the light they fly towards in post-transformation frenzy. With one introspective gesture of curiosity, Ramirez divides the tone into a swarming cloud of lepidoptera, not a single one of which is a singular animal. Distinguishing itself from the decaying glut of overwrought technical pedigree \u0026amp; cavalcades of unconvincing musical affectations, Ramirez pursues the light, the ephemeral, the easy. It is lightness, manifest in radiant diffusion. Such bright tonality — unfettered from gloom — that flits through the highest altitudes of your ear canal, tickling the neuroreceptors, new swans dancing upon the river of your synapses [...]\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Itsï Ramirez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : No Rent Records\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8781746307322,"title":"Joshua Bonnetta \/\/ The Pines 4xCD","handle":"joshua-bonnetta-the-pines-4xcd-pre-order","description":"\u003cp\u003eカナダのサウンドアーティストJoshua Bonnettaが、2025年2月にフランスの実験レーベルShelter Pressからリリースした4枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003e一本の松の木にマイクを仕掛け1年かけて録音したフィールドレコーディング4曲を収録。エッセイが付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"サウンドアーティストで映像作家のJoshua Bonnettaは、人間のリスナーがある風景から出たときに何が起こるかを知りたがっている。サウンドスケープはどう違うのか？私たちの存在は録音にどのような影響を与えているのだろうか？シェルター・プレスとディム・コーストから2025年2月28日にリリースされる彼の野心的な長編作品『The Pines I-IV』は、こうした疑問のいくつかを問うもので、ニューヨーク州北部にある一本の松の木の音の一生を、遠隔録音によって1年かけてとらえ、高名なネイチャーライター、ロバート・マクファーレンのエッセイとキュレーターのジェイク・ムーアが序文を寄せた4枚組CDとしてリリースされる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマクファーレンの光り輝くエッセイは、このプロジェクトが、森の中の木が誰もいないところで音を出しているのかという疑問に対する答えを提供するものだと提唱している。Bonnettaはこの疑問を覆し、周囲の環境と絡めて、人間の聞き手がいないときに木や他の動植物がどのような音を出すのかを問いかけ、私たちがフレームから一歩外に出たときにどのような音が前面に出てくるのか、また、マイクロフォンがどのような形で環境における私たちの聞き方を変えるのかを問うている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイオガ郡にある木の幹の10フィート（約1.5メートル）上に取り付けられたマイクによって、合計8760時間の音声がキャプチャーされた。天候や野生動物の声、コヨーテやフクロウの鳴き声、雪や氷の重みによる枝のきしみなど、すべてが人間のいないこの場所の音への窓として機能する。使用されたマイクや編集方法は、保全生物音響学やパッシブ音響モニタリングの技術を借用したもので、Bonnettaに通常のフィールドレコーディングよりもはるかに深く関わる方法を提供した...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464895804\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x CD in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eoversized digisleeves w\/ hardcover \u003c\/span\u003e\u003cspan\u003eslipcase.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e12page booklet with original text by Robert Macfarlane and foreward by jake moore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spring 59:38\u003cbr\u003e2. Summer 59:41\u003cbr\u003e3. Autumn 59:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Winter 59:40\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSound artist and filmmaker Joshua Bonnetta wants to know what happens when a human listener exits a landscape. How might the soundscape differ? How is our presence affecting the recording? His ambitious long-form work The Pines I-IV, released on February 28, 2025 via Shelter Press and The Dim Coast, looks to interrogate some of these questions, capturing the sonic life of a single pine tree in upstate New York over the course of a year via remote recordings, edited into four hours of audio which will be released as a 4CD set with essay by acclaimed nature writer Robert Macfarlane and a foreword by curator jake moore, who suggests the forest knows when it is being listened to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMacfarlane’s luminous essay proposes that this project offers an answer to the question of whether a tree in a forest makes any sound at all if nobody is there to hear it. Bonnetta turns that question around – entangling it in the surrounding environment, to ask what sort of noise it and other plants and animals make when there is no human listener; asking what sounds come to the fore when we step out of the frame, and in what ways a microphone might alter the way we listen in the environment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA total of 8760 hours of audio were captured by a\u003cspan class=\"bcTruncateMore\"\u003e microphone strapped 10ft up a tree’s trunk in Tioga County, which was then reworked into a single hour of sound for each season, each of which captured events in and around the tree’s branches and immediate environment. We hear weather and wildlife; coyotes and owls; the creaking of branches under the weight of snow and ice – all act as a window into the sound of this place absent of humans; a time lapse of the audible world around the circumference of a single tree. The microphones used, and the methods of editing, are tech borrowed from conservation bioacoustics and passive acoustic monitoring, which offered Bonnetta a way to engage much more deeply than any standard field recording would...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : joshua bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP157cd\u003c\/p\u003e","published_at":"2025-05-09T11:50:54+09:00","created_at":"2025-05-08T19:06:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","new","shelter press"],"price":573000,"price_min":573000,"price_max":573000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47303764410618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joshua Bonnetta \/\/ The Pines 4xCD","public_title":null,"options":["Default Title"],"price":573000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411435","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn2.jpg?v=1746698611","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn3.jpg?v=1746698611","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn4.jpg?v=1746698610","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn5.jpg?v=1746698610"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611","options":["Title"],"media":[{"alt":null,"id":35997820059898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611","width":700},{"alt":null,"id":35997820092666,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn2.jpg?v=1746698611"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn2.jpg?v=1746698611","width":1200},{"alt":null,"id":35997820125434,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn3.jpg?v=1746698611"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn3.jpg?v=1746698611","width":1200},{"alt":null,"id":35997820158202,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn4.jpg?v=1746698610"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn4.jpg?v=1746698610","width":1200},{"alt":null,"id":35997820190970,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn5.jpg?v=1746698610"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn5.jpg?v=1746698610","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダのサウンドアーティストJoshua Bonnettaが、2025年2月にフランスの実験レーベルShelter Pressからリリースした4枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003e一本の松の木にマイクを仕掛け1年かけて録音したフィールドレコーディング4曲を収録。エッセイが付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"サウンドアーティストで映像作家のJoshua Bonnettaは、人間のリスナーがある風景から出たときに何が起こるかを知りたがっている。サウンドスケープはどう違うのか？私たちの存在は録音にどのような影響を与えているのだろうか？シェルター・プレスとディム・コーストから2025年2月28日にリリースされる彼の野心的な長編作品『The Pines I-IV』は、こうした疑問のいくつかを問うもので、ニューヨーク州北部にある一本の松の木の音の一生を、遠隔録音によって1年かけてとらえ、高名なネイチャーライター、ロバート・マクファーレンのエッセイとキュレーターのジェイク・ムーアが序文を寄せた4枚組CDとしてリリースされる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマクファーレンの光り輝くエッセイは、このプロジェクトが、森の中の木が誰もいないところで音を出しているのかという疑問に対する答えを提供するものだと提唱している。Bonnettaはこの疑問を覆し、周囲の環境と絡めて、人間の聞き手がいないときに木や他の動植物がどのような音を出すのかを問いかけ、私たちがフレームから一歩外に出たときにどのような音が前面に出てくるのか、また、マイクロフォンがどのような形で環境における私たちの聞き方を変えるのかを問うている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイオガ郡にある木の幹の10フィート（約1.5メートル）上に取り付けられたマイクによって、合計8760時間の音声がキャプチャーされた。天候や野生動物の声、コヨーテやフクロウの鳴き声、雪や氷の重みによる枝のきしみなど、すべてが人間のいないこの場所の音への窓として機能する。使用されたマイクや編集方法は、保全生物音響学やパッシブ音響モニタリングの技術を借用したもので、Bonnettaに通常のフィールドレコーディングよりもはるかに深く関わる方法を提供した...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464895804\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x CD in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eoversized digisleeves w\/ hardcover \u003c\/span\u003e\u003cspan\u003eslipcase.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e12page booklet with original text by Robert Macfarlane and foreward by jake moore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spring 59:38\u003cbr\u003e2. Summer 59:41\u003cbr\u003e3. Autumn 59:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Winter 59:40\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSound artist and filmmaker Joshua Bonnetta wants to know what happens when a human listener exits a landscape. How might the soundscape differ? How is our presence affecting the recording? His ambitious long-form work The Pines I-IV, released on February 28, 2025 via Shelter Press and The Dim Coast, looks to interrogate some of these questions, capturing the sonic life of a single pine tree in upstate New York over the course of a year via remote recordings, edited into four hours of audio which will be released as a 4CD set with essay by acclaimed nature writer Robert Macfarlane and a foreword by curator jake moore, who suggests the forest knows when it is being listened to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMacfarlane’s luminous essay proposes that this project offers an answer to the question of whether a tree in a forest makes any sound at all if nobody is there to hear it. Bonnetta turns that question around – entangling it in the surrounding environment, to ask what sort of noise it and other plants and animals make when there is no human listener; asking what sounds come to the fore when we step out of the frame, and in what ways a microphone might alter the way we listen in the environment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA total of 8760 hours of audio were captured by a\u003cspan class=\"bcTruncateMore\"\u003e microphone strapped 10ft up a tree’s trunk in Tioga County, which was then reworked into a single hour of sound for each season, each of which captured events in and around the tree’s branches and immediate environment. We hear weather and wildlife; coyotes and owls; the creaking of branches under the weight of snow and ice – all act as a window into the sound of this place absent of humans; a time lapse of the audible world around the circumference of a single tree. The microphones used, and the methods of editing, are tech borrowed from conservation bioacoustics and passive acoustic monitoring, which offered Bonnetta a way to engage much more deeply than any standard field recording would...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : joshua bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP157cd\u003c\/p\u003e"}
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{"id":8736832356602,"title":"Charles Stepney \/\/ Step on Step CD","handle":"charles-stepney-step-on-step-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555 \/ Classic black double vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2025-03-03T06:16:11+09:00","created_at":"2025-03-03T06:15:06+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","new"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47166709465338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charles Stepney \/\/ Step on Step CD","public_title":null,"options":["Default Title"],"price":248000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","\/\/tobirarecords.com\/cdn\/shop\/files\/0030056542_10.jpg?v=1701205291"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","options":["Title"],"media":[{"alt":null,"id":30364035514618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","width":700},{"alt":null,"id":32763944534266,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030056542_10.jpg?v=1701205291"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030056542_10.jpg?v=1701205291","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555 \/ Classic black double vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
クイックビュー
{"id":8724367311098,"title":"Winfried Ritsch \/\/ Mono Metal Space LP","handle":"winfried-ritsch-mono-metal-space-lp","description":"\u003cp\u003eオーストリアの実験音楽家／グラーツ国立音楽大学教授Winfried Ritsch が、2018年に同国実験／コンテンポラリーレーベルGODからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e巨大金属板による冷たいドローン2曲を収録。 \u003cbr\u003e\u003cbr\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"スタンドやフレームに吊るされた2x1mの金属板は、強力なトランスデューサーとして使用されるアンプ駆動の改造モーターによって刺激され、ピックアップによって感知される。コンピューター制御のフィードバックは、デジタルフィルターとダイナミクスエフェクトを信号処理として使用し、それぞれの倍音内でプレートを共鳴させようとする。これらの再生可能なフィードバックフィルターは、音符の構成周波数付近で増減する音を再生することで、音符として制御され、選択された素材に典型的な幅広い周波数の音声や「歌のような」音楽フレーズを呼び起こす。この配置の結果、通常はほとんど検出されない共鳴が音楽空間に生じ、金属的な響きを持つ多音クラスターが形成される。これにより、シフト間のフォルマントやノイズの形成により、サウンドプレートから速いフレーズや極端に遅いポリフォニックな和音が現れる。最初は混沌とした動きのように見えるが、やがて構造化された反復パターンとして体験できるようになる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/447949608\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/godrec\" title=\"GOD Records\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/godrec\/god-49-winfried-ritsch-mono-metal-space-excerpts\" title=\"GOD 49 - Winfried Ritsch - mono metal space, excerpts\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD 49 - Winfried Ritsch - mono metal space, excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMessing\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEisen\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eArtist statement excerpt by Winfried Ritsch, via the label: \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\"\u003cem\u003e..a 2x1m metal plate hung on a stand or frame is stimulated by amplifier driven modified motors used as strong transducers, and sensored by \u003c\/em\u003e\u003cem\u003epickups. The computer controlled feedback uses digital filters and dynamics \u003c\/em\u003e\u003cem\u003eeffects as signal processing to try to resonate the plates within their individual \u003c\/em\u003e\u003cem\u003eovertones. These playable feedback filters are controlled as notes by playing \u003c\/em\u003e\u003cem\u003eincreasing and decreasing sounds near the composed frequencies of the notes \u003c\/em\u003e\u003cem\u003ewhich evokes speech and “singing-like” musical phrases in a wide range of \u003c\/em\u003e\u003cem\u003efrequencies typical of the chosen material. As a result of this arrangement, \u003c\/em\u003e\u003cem\u003enormally barely detectable resonances are produced in the musical space and \u003c\/em\u003e\u003cem\u003ecreate metallic-sounding multi-tonal clusters, whereby, due to the formation of \u003c\/em\u003e\u003cem\u003eformants and noise between the shifts, fast phrases and extremely slow \u003c\/em\u003e\u003cem\u003epolyphonic chords emerge from the sound plate. What initially appears as chaotic \u003c\/em\u003e\u003cem\u003emovements can soon be experienced as structured recurring patterns...\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Winfried Ritsch\u003c\/p\u003e\n\u003cp\u003eLabel : God Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGOD 49\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-16T06:20:21+09:00","created_at":"2025-02-16T06:19:41+09:00","vendor":"Tobira Records","type":"","tags":["drone","god records","lp","monooto","new"],"price":348600,"price_min":348600,"price_max":348600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47132114813178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Winfried Ritsch \/\/ Mono Metal Space LP","public_title":null,"options":["Default Title"],"price":348600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_63e51f7a-13b5-469c-a341-b913d1fb179b.jpg?v=1725953935","\/\/tobirarecords.com\/cdn\/shop\/files\/mono2_de4622ec-ab2b-4cdc-ba24-6b1449a6fa98.jpg?v=1725953935","\/\/tobirarecords.com\/cdn\/shop\/files\/mono3_f1680dc8-6187-4fff-9f66-faae8c65d85e.jpg?v=1725953935","\/\/tobirarecords.com\/cdn\/shop\/files\/mono4_a33a00ca-485d-4f3d-8104-26fc2581f0d3.jpg?v=1725953935"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_63e51f7a-13b5-469c-a341-b913d1fb179b.jpg?v=1725953935","options":["Title"],"media":[{"alt":null,"id":34862749352186,"position":1,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_63e51f7a-13b5-469c-a341-b913d1fb179b.jpg?v=1725953935"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_63e51f7a-13b5-469c-a341-b913d1fb179b.jpg?v=1725953935","width":600},{"alt":null,"id":34862749384954,"position":2,"preview_image":{"aspect_ratio":0.988,"height":600,"width":593,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono2_de4622ec-ab2b-4cdc-ba24-6b1449a6fa98.jpg?v=1725953935"},"aspect_ratio":0.988,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono2_de4622ec-ab2b-4cdc-ba24-6b1449a6fa98.jpg?v=1725953935","width":593},{"alt":null,"id":34862749450490,"position":3,"preview_image":{"aspect_ratio":0.982,"height":600,"width":589,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono3_f1680dc8-6187-4fff-9f66-faae8c65d85e.jpg?v=1725953935"},"aspect_ratio":0.982,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono3_f1680dc8-6187-4fff-9f66-faae8c65d85e.jpg?v=1725953935","width":589},{"alt":null,"id":34862749483258,"position":4,"preview_image":{"aspect_ratio":1.07,"height":561,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono4_a33a00ca-485d-4f3d-8104-26fc2581f0d3.jpg?v=1725953935"},"aspect_ratio":1.07,"height":561,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono4_a33a00ca-485d-4f3d-8104-26fc2581f0d3.jpg?v=1725953935","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリアの実験音楽家／グラーツ国立音楽大学教授Winfried Ritsch が、2018年に同国実験／コンテンポラリーレーベルGODからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e巨大金属板による冷たいドローン2曲を収録。 \u003cbr\u003e\u003cbr\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"スタンドやフレームに吊るされた2x1mの金属板は、強力なトランスデューサーとして使用されるアンプ駆動の改造モーターによって刺激され、ピックアップによって感知される。コンピューター制御のフィードバックは、デジタルフィルターとダイナミクスエフェクトを信号処理として使用し、それぞれの倍音内でプレートを共鳴させようとする。これらの再生可能なフィードバックフィルターは、音符の構成周波数付近で増減する音を再生することで、音符として制御され、選択された素材に典型的な幅広い周波数の音声や「歌のような」音楽フレーズを呼び起こす。この配置の結果、通常はほとんど検出されない共鳴が音楽空間に生じ、金属的な響きを持つ多音クラスターが形成される。これにより、シフト間のフォルマントやノイズの形成により、サウンドプレートから速いフレーズや極端に遅いポリフォニックな和音が現れる。最初は混沌とした動きのように見えるが、やがて構造化された反復パターンとして体験できるようになる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/447949608\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/godrec\" title=\"GOD Records\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/godrec\/god-49-winfried-ritsch-mono-metal-space-excerpts\" title=\"GOD 49 - Winfried Ritsch - mono metal space, excerpts\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD 49 - Winfried Ritsch - mono metal space, excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMessing\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEisen\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003eArtist statement excerpt by Winfried Ritsch, via the label: \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\"\u003cem\u003e..a 2x1m metal plate hung on a stand or frame is stimulated by amplifier driven modified motors used as strong transducers, and sensored by \u003c\/em\u003e\u003cem\u003epickups. The computer controlled feedback uses digital filters and dynamics \u003c\/em\u003e\u003cem\u003eeffects as signal processing to try to resonate the plates within their individual \u003c\/em\u003e\u003cem\u003eovertones. These playable feedback filters are controlled as notes by playing \u003c\/em\u003e\u003cem\u003eincreasing and decreasing sounds near the composed frequencies of the notes \u003c\/em\u003e\u003cem\u003ewhich evokes speech and “singing-like” musical phrases in a wide range of \u003c\/em\u003e\u003cem\u003efrequencies typical of the chosen material. As a result of this arrangement, \u003c\/em\u003e\u003cem\u003enormally barely detectable resonances are produced in the musical space and \u003c\/em\u003e\u003cem\u003ecreate metallic-sounding multi-tonal clusters, whereby, due to the formation of \u003c\/em\u003e\u003cem\u003eformants and noise between the shifts, fast phrases and extremely slow \u003c\/em\u003e\u003cem\u003epolyphonic chords emerge from the sound plate. What initially appears as chaotic \u003c\/em\u003e\u003cem\u003emovements can soon be experienced as structured recurring patterns...\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Winfried Ritsch\u003c\/p\u003e\n\u003cp\u003eLabel : God Records\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGOD 49\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8724366754042,"title":"Winfried Ritsch \/\/ Woodscratcher LP","handle":"winfried-ritsch-woodscratcher-lp","description":"\u003cp\u003eオーストリアの実験音楽家／グラーツ国立音楽大学教授Winfried Ritsch が、2012年に同国実験／コンテンポラリーレーベルGODからリリースしたピクチャー盤レコードです。\u003c\/p\u003e\n\u003cp\u003e題の通り木を擦る物音2曲を収録。 \u003cbr\u003e\u003cbr\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/69745612\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/godrec\" title=\"GOD Records\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/godrec\/god-10-winfried-ritsch\" title=\"GOD 10 - Winfried Ritsch - Woodscratcher, excerpt\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD 10 - Winfried Ritsch - Woodscratcher, excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1 Eiche 20:14\u003cbr\u003eB1 Lärche 19:06\u003c\/p\u003e\n\u003cp\u003eArtist : Winfried Ritsch\u003c\/p\u003e\n\u003cp\u003eLabel : GOD Records\u003c\/p\u003e","published_at":"2025-02-16T06:18:31+09:00","created_at":"2025-02-16T06:17:25+09:00","vendor":"Tobira Records","type":"","tags":["god records","lp","monooto","new"],"price":348600,"price_min":348600,"price_max":348600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47132113371386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Winfried Ritsch \/\/ Woodscratcher LP","public_title":null,"options":["Default Title"],"price":348600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-01-22at12.22.48pm.png?v=1705893844"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-01-22at12.22.48pm.png?v=1705893844","options":["Title"],"media":[{"alt":null,"id":33024744390906,"position":1,"preview_image":{"aspect_ratio":1.004,"height":498,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-01-22at12.22.48pm.png?v=1705893844"},"aspect_ratio":1.004,"height":498,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-01-22at12.22.48pm.png?v=1705893844","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリアの実験音楽家／グラーツ国立音楽大学教授Winfried Ritsch が、2012年に同国実験／コンテンポラリーレーベルGODからリリースしたピクチャー盤レコードです。\u003c\/p\u003e\n\u003cp\u003e題の通り木を擦る物音2曲を収録。 \u003cbr\u003e\u003cbr\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/69745612\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/godrec\" title=\"GOD Records\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/godrec\/god-10-winfried-ritsch\" title=\"GOD 10 - Winfried Ritsch - Woodscratcher, excerpt\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD 10 - Winfried Ritsch - Woodscratcher, excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1 Eiche 20:14\u003cbr\u003eB1 Lärche 19:06\u003c\/p\u003e\n\u003cp\u003eArtist : Winfried Ritsch\u003c\/p\u003e\n\u003cp\u003eLabel : GOD Records\u003c\/p\u003e"}
クイックビュー
{"id":8781684277498,"title":"Rashad Becker \/\/ the incident 2xLP","handle":"rashad-becker-the-incident-2xlp","description":"\u003cp\u003eドイツ・ベルリンのマスタリングエンジニア／実験音楽家Rashad Beckerが、2025年5月に自身が立ち上げたレーベルClunkの第一弾としてリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン〜実験テクノ〜ストレンジビーツ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『the incident』は、迷路のように入り組んだストーリー仕立ての疑似ミュージカル であり、コミカルな音のタッチと、びっくりするような特異な抽象表現を使って、この時代の不条理を反映した、音の紙芝居として構想されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e4つの章に分かれた第1部（「let the record show」）では、情報時代の終わりについて考える。私たちは裏付けと相互目撃の時代につまずき、観察し、認め、変換し、投げ返す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e一方、アルバムの第2幕である「緊急の瞬間の通貨」は、このデータの氾濫を4つの異なる視点から観察している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e濃密で圧倒されるようなドラマチックなもの、気まぐれで繊細なもの、装飾的で帯電したもの、そして錯乱したもの。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e第3幕の「反響」は、増幅された無気力状態に身を委ねる--「コミカルな悪魔払い」として。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最後の作品「what really happened」は、一連の出来事を音楽的に可能な限り忠実に再現した「多数の人々によるドキュメント・フィクション」である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、音楽ドキュメンタリーのコンセプトをさらに探求する「based on a true story」と題された一連の作品の先駆けとして意図されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのレコードはまた、レーベルclunkからの最初のリリースでもある。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1818981069\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2266162913\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1818981069\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=670356058\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. busy ready what, corroborators 05:06\u003cbr\u003e2. a supposition darkly 04:14\u003cbr\u003e3. of permanent advent 04:21\u003cbr\u003e4. all you need to know about confusion 04:03\u003cbr\u003e5. zero hour 03:42\u003cbr\u003e6. l'heure H 03:36\u003cbr\u003e7. stunde null 04:11\u003cbr\u003e8. sāʿatu alṣṣufri 06:08\u003cbr\u003e9. a puttering purgation 03:35\u003cbr\u003e10. deadlock 13:19\u003cbr\u003e11. what really happened 18:39 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eClunk:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"'the incident' is conceived as a sonic storyboard, a labyrinthine, narrative-driven 'pseudo musical' - using comical sonic touches and startling, idiosyncratic abstractions to reflect the era's flustering absurdity. \u003cbr\u003e\u003cbr\u003edivided into 4 chapters, the first part ('let the record show'), ponders upon the end of the information age - as we stumble on to an age of corroboration and mutual witnessing...observe, acknowledge, transform, throw back - and reality getting replaced by its representation. \u003cbr\u003e\u003cbr\u003e'the currency of an urgent moment' meanwhile, the album's second act, observes this data deluge from four different vantage points, each with the same title in a different language. \u003cbr\u003ereflecting upon how both language and place inform our understanding, each piece takes a radically different approach to the subject: dense, overpowering and dramatic, whimsical and delicate, ornate, charged and delirious - music as a model of transfer between exposure and experience. \u003cbr\u003e\u003cbr\u003ethe third act, 'repercussions', surrenders to a state of amplified apathy - as a 'comical exorcism' \u003cbr\u003e\u003cbr\u003ethe final piece - 'what really happened' - sets the story straight with \"a docu-fiction piece by the multitude\" that details the whole string of events as musically true as possible to what -really- happened \u003cbr\u003e\u003cbr\u003ethe album is meant as a precursor to a series of works titled 'based on a true story' which further explore the concept of musical documentaries - under the premise that the invocation of 'document' has to be considered impossible - or at least fraudulent. \u003cbr\u003e\u003cbr\u003ethe record also marks the initial release on the label clunk.\u003cspan\u003e \u003c\/span\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rashad Becker\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Clunk\u003c\/p\u003e\n\u003cp\u003ecat no : Clunk001\u003c\/p\u003e","published_at":"2025-05-08T17:37:18+09:00","created_at":"2025-05-08T17:25:25+09:00","vendor":"Tobira Records","type":"","tags":["clunk","drone","lp","monooto","new","recommended","strange beats","techno \/ house"],"price":598000,"price_min":598000,"price_max":598000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47303595393274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rashad Becker \/\/ the incident 2xLP","public_title":null,"options":["Default Title"],"price":598000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0237929655_10.jpg?v=1746693168"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0237929655_10.jpg?v=1746693168","options":["Title"],"media":[{"alt":null,"id":35997361897722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0237929655_10.jpg?v=1746693168"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0237929655_10.jpg?v=1746693168","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのマスタリングエンジニア／実験音楽家Rashad Beckerが、2025年5月に自身が立ち上げたレーベルClunkの第一弾としてリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン〜実験テクノ〜ストレンジビーツ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『the incident』は、迷路のように入り組んだストーリー仕立ての疑似ミュージカル であり、コミカルな音のタッチと、びっくりするような特異な抽象表現を使って、この時代の不条理を反映した、音の紙芝居として構想されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e4つの章に分かれた第1部（「let the record show」）では、情報時代の終わりについて考える。私たちは裏付けと相互目撃の時代につまずき、観察し、認め、変換し、投げ返す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e一方、アルバムの第2幕である「緊急の瞬間の通貨」は、このデータの氾濫を4つの異なる視点から観察している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e濃密で圧倒されるようなドラマチックなもの、気まぐれで繊細なもの、装飾的で帯電したもの、そして錯乱したもの。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e第3幕の「反響」は、増幅された無気力状態に身を委ねる--「コミカルな悪魔払い」として。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e最後の作品「what really happened」は、一連の出来事を音楽的に可能な限り忠実に再現した「多数の人々によるドキュメント・フィクション」である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、音楽ドキュメンタリーのコンセプトをさらに探求する「based on a true story」と題された一連の作品の先駆けとして意図されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのレコードはまた、レーベルclunkからの最初のリリースでもある。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1818981069\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2266162913\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1818981069\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=670356058\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. busy ready what, corroborators 05:06\u003cbr\u003e2. a supposition darkly 04:14\u003cbr\u003e3. of permanent advent 04:21\u003cbr\u003e4. all you need to know about confusion 04:03\u003cbr\u003e5. zero hour 03:42\u003cbr\u003e6. l'heure H 03:36\u003cbr\u003e7. stunde null 04:11\u003cbr\u003e8. sāʿatu alṣṣufri 06:08\u003cbr\u003e9. a puttering purgation 03:35\u003cbr\u003e10. deadlock 13:19\u003cbr\u003e11. what really happened 18:39 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eClunk:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"'the incident' is conceived as a sonic storyboard, a labyrinthine, narrative-driven 'pseudo musical' - using comical sonic touches and startling, idiosyncratic abstractions to reflect the era's flustering absurdity. \u003cbr\u003e\u003cbr\u003edivided into 4 chapters, the first part ('let the record show'), ponders upon the end of the information age - as we stumble on to an age of corroboration and mutual witnessing...observe, acknowledge, transform, throw back - and reality getting replaced by its representation. \u003cbr\u003e\u003cbr\u003e'the currency of an urgent moment' meanwhile, the album's second act, observes this data deluge from four different vantage points, each with the same title in a different language. \u003cbr\u003ereflecting upon how both language and place inform our understanding, each piece takes a radically different approach to the subject: dense, overpowering and dramatic, whimsical and delicate, ornate, charged and delirious - music as a model of transfer between exposure and experience. \u003cbr\u003e\u003cbr\u003ethe third act, 'repercussions', surrenders to a state of amplified apathy - as a 'comical exorcism' \u003cbr\u003e\u003cbr\u003ethe final piece - 'what really happened' - sets the story straight with \"a docu-fiction piece by the multitude\" that details the whole string of events as musically true as possible to what -really- happened \u003cbr\u003e\u003cbr\u003ethe album is meant as a precursor to a series of works titled 'based on a true story' which further explore the concept of musical documentaries - under the premise that the invocation of 'document' has to be considered impossible - or at least fraudulent. \u003cbr\u003e\u003cbr\u003ethe record also marks the initial release on the label clunk.\u003cspan\u003e \u003c\/span\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rashad Becker\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Clunk\u003c\/p\u003e\n\u003cp\u003ecat no : Clunk001\u003c\/p\u003e"}
クイックビュー
{"id":8783379693818,"title":"Tatsuro Murakami \/\/ Mita Koyama-cho TAPE","handle":"tatsuro-murakami-mita-koyama-cho-tape","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e東京出身静岡在住のギタリストTatsuro Murakamiが、2025年5月にアメリカ・ラスベガスのアンビエントレーベルMystery Circlesからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ10曲を収録。DLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ブラジルの音大卒という異色の経歴を持つギタリストで、現在は日本が60年代より誇る実験音楽のパイオニアグループ「タージマハル旅行団(現Stone Music)」のメインギタリストを務めるTatsuro Murakamiによる新作レコード。ブラジルの音楽院にてショーロギターやジャズ・ポピュラー理論を専門に勉強した彼は「理論や技術に囚われない音楽的反抗」として、2018年頃よりアンビエント・ドローン作品を制作開始し、今までに4枚目のソロアルバムをUKのWhitelabrecsやItalyのLontano Series等のアンビエント名門レーベルからリリースしてきた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作はそんな彼が原点に戻るという意味で、よりアコースティックなサウンドを取り入れ、かつアンビエント音楽から培った実験的なサウンドプロセスを基調としながら、ブラジル音楽やジャズで見られる複雑なコード進行や変拍子、サックスや70sプログレッシヴロックで使用されたメロトロンを駆使し、自身の音楽的なルーツをまとめて一つの作品へ昇華させたコンセプトアルバム。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eYamaha DX7とフレットレスベース、また岡田拓郎の新譜にも参加したサックスプレイヤーのHikaru Yamada氏を迎えた1は、ジャズの要素とAmbeint\u0026amp;New Ageが見事にミックスしたシングル曲。ブラジル音楽やショーロで使われる特徴的なコード進行と7\/4の変拍子、そして初期キングクリムゾンのアコースティック曲を連想させる壮大なメロトロンが印象的な3や5、ジャズギターと複雑なシンセサイザーが絡み合う8や9など、バリエーションに富んだ音作りで聴く者を飽きさせない。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e再開発により失われた港区三田地区へのオマージュとして制作されており、戦前は貧しい地域として知られていた一帯で、自身の祖父母と母の育ったその地への想いを記録する意味で制作されたコンセプトアルバム。失われつつある東京の景色を音とヴィジュアルアートの形で記録した2025年アンビエント注目作。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2285334860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2285334860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2987667831\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003ehere\u003c\/a\u003e to see more Mystery Circles releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1 · 1-11-5 Mita, Minato-ku, Tokyo\u003cbr\u003e2 · Transitioning\u003cbr\u003e3 · Stunning Fragility\u003cbr\u003e4 · From the oblivion, the self wishing for that person...\u003cbr\u003e5 · Of all the things you left behind, I chose only to keep impermanence\u003cbr\u003e6 · #105\u003cbr\u003e7 · ...I still want to see\u003cbr\u003e8 · Unnoticed Stagnation\u003cbr\u003e9 · All about circles and borders\u003cbr\u003e10 · Imminence of a closure\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Tatsuro Murakami\u003c\/p\u003e\n\u003cp\u003eLabel : Mystery Circles\u003c\/p\u003e","published_at":"2025-05-11T07:48:11+09:00","created_at":"2025-05-11T07:46:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","Mystery Circles","new","recommended","tape"],"price":184800,"price_min":184800,"price_max":184800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47308023693562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tatsuro Murakami \/\/ Mita Koyama-cho TAPE","public_title":null,"options":["Default Title"],"price":184800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-04-28at12.03.34pm.png?v=1745805869","\/\/tobirarecords.com\/cdn\/shop\/files\/0039468900_10.jpg?v=1746917247"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-04-28at12.03.34pm.png?v=1745805869","options":["Title"],"media":[{"alt":null,"id":35953086693626,"position":1,"preview_image":{"aspect_ratio":0.992,"height":511,"width":507,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-04-28at12.03.34pm.png?v=1745805869"},"aspect_ratio":0.992,"height":511,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-04-28at12.03.34pm.png?v=1745805869","width":507},{"alt":null,"id":36007590691066,"position":2,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039468900_10.jpg?v=1746917247"},"aspect_ratio":1.432,"height":838,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039468900_10.jpg?v=1746917247","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e東京出身静岡在住のギタリストTatsuro Murakamiが、2025年5月にアメリカ・ラスベガスのアンビエントレーベルMystery Circlesからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ10曲を収録。DLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ブラジルの音大卒という異色の経歴を持つギタリストで、現在は日本が60年代より誇る実験音楽のパイオニアグループ「タージマハル旅行団(現Stone Music)」のメインギタリストを務めるTatsuro Murakamiによる新作レコード。ブラジルの音楽院にてショーロギターやジャズ・ポピュラー理論を専門に勉強した彼は「理論や技術に囚われない音楽的反抗」として、2018年頃よりアンビエント・ドローン作品を制作開始し、今までに4枚目のソロアルバムをUKのWhitelabrecsやItalyのLontano Series等のアンビエント名門レーベルからリリースしてきた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作はそんな彼が原点に戻るという意味で、よりアコースティックなサウンドを取り入れ、かつアンビエント音楽から培った実験的なサウンドプロセスを基調としながら、ブラジル音楽やジャズで見られる複雑なコード進行や変拍子、サックスや70sプログレッシヴロックで使用されたメロトロンを駆使し、自身の音楽的なルーツをまとめて一つの作品へ昇華させたコンセプトアルバム。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eYamaha DX7とフレットレスベース、また岡田拓郎の新譜にも参加したサックスプレイヤーのHikaru Yamada氏を迎えた1は、ジャズの要素とAmbeint\u0026amp;New Ageが見事にミックスしたシングル曲。ブラジル音楽やショーロで使われる特徴的なコード進行と7\/4の変拍子、そして初期キングクリムゾンのアコースティック曲を連想させる壮大なメロトロンが印象的な3や5、ジャズギターと複雑なシンセサイザーが絡み合う8や9など、バリエーションに富んだ音作りで聴く者を飽きさせない。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e再開発により失われた港区三田地区へのオマージュとして制作されており、戦前は貧しい地域として知られていた一帯で、自身の祖父母と母の育ったその地への想いを記録する意味で制作されたコンセプトアルバム。失われつつある東京の景色を音とヴィジュアルアートの形で記録した2025年アンビエント注目作。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2285334860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2285334860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2987667831\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003ehere\u003c\/a\u003e to see more Mystery Circles releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1 · 1-11-5 Mita, Minato-ku, Tokyo\u003cbr\u003e2 · Transitioning\u003cbr\u003e3 · Stunning Fragility\u003cbr\u003e4 · From the oblivion, the self wishing for that person...\u003cbr\u003e5 · Of all the things you left behind, I chose only to keep impermanence\u003cbr\u003e6 · #105\u003cbr\u003e7 · ...I still want to see\u003cbr\u003e8 · Unnoticed Stagnation\u003cbr\u003e9 · All about circles and borders\u003cbr\u003e10 · Imminence of a closure\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Tatsuro Murakami\u003c\/p\u003e\n\u003cp\u003eLabel : Mystery Circles\u003c\/p\u003e"}
クイックビュー
{"id":8781949370618,"title":"Panos Alexiadis \/\/ Cestrum Nocturnum LP","handle":"panos-alexiadis-cestrum-nocturnum-lp","description":"\u003cp\u003eギリシャ・アテネの実験音楽家Panos Alexiadisが、2025年5月に\u003cspan\u003eベルギー実験レーベルB.A.A.D.Mから\u003c\/span\u003e300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやフィールドレコーディング、スポークンワードによるコラージュ・アンビエント6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Panos Alexiadisはギリシャのアテネを拠点に活動するサウンド・アーティストで、コンテンポラリー・エレクトロアコースティックのフィールドで活動している。テープレーベルThalamosを設立し共同キュレーターを務める。『Cestrum Nocturnum』は、回想と再生のアルバムである。サンプリングしたピアノ、断片化された声、フィールドレコーディング、過渡的なデジタル・トレースの格子を通して、Alexiadisは温かみのある空間、儚いもので織られたエレクトロニック・タペストリーを作曲している。6つの作品を通して、音は記憶のように展開する。幾重にも重なり、テクスチャーが施され、端から溶けていきながらも、痕跡を残す。存在の循環的な性質と、最も暗い時間にも静かに持続する、しばしば気づかれない美しさについての瞑想。Cestrum Nocturnumはシェルターであり、シグナルでもある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64538070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=891666428\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64538070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4281495614\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64538070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eB.A.A.D.M. releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eToutes âmes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:27\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFollower 5:28\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBut One 5:54\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eCestrum Nocturnum\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e9:08\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSaved\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:41\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBreak\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBAADM :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Panos Alexiadis is a sound artist based in Athens, Greece, active in the field of contemporary electro-acoustic music. He founded and co-curated the tape label Thalamos, a home for exploratory sounds, where some of his own works also found their place. Marking a return after a period of (sonic) reflection, Cestrum Nocturnum is an album of remembrance and renewal. Through a lattice of self-sampled piano, fragmented voices, field recordings, and transient digital traces, Alexiadis composes a space of warmth—an electronic tapestry woven from the ephemeral. Across six pieces, sound unfolds like memory: layered, textured, dissolving at the edges yet leaving an imprint. A meditation on the cyclical nature of being and the often unnoticed beauty that quietly persists, even in the darkest hours. Cestrum Nocturnum is both a shelter and a signal.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Panos Alexiadis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eB.A.A.D.M.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eB.A.A.D.M. 018\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-10T15:13:00+09:00","created_at":"2025-05-09T08:00:37+09:00","vendor":"Tobira Records","type":"","tags":["ambient","B.A.A.D.M","lp","monooto","neo classical","new","recommended"],"price":412400,"price_min":412400,"price_max":412400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304454144250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Panos Alexiadis \/\/ Cestrum Nocturnum LP","public_title":null,"options":["Default Title"],"price":412400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_11ac11b4-f0c3-4d05-9bbc-7e4439e3bdb6.jpg?v=1746745166"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_11ac11b4-f0c3-4d05-9bbc-7e4439e3bdb6.jpg?v=1746745166","options":["Title"],"media":[{"alt":null,"id":35999391023354,"position":1,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_11ac11b4-f0c3-4d05-9bbc-7e4439e3bdb6.jpg?v=1746745166"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pan1_11ac11b4-f0c3-4d05-9bbc-7e4439e3bdb6.jpg?v=1746745166","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャ・アテネの実験音楽家Panos Alexiadisが、2025年5月に\u003cspan\u003eベルギー実験レーベルB.A.A.D.Mから\u003c\/span\u003e300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやフィールドレコーディング、スポークンワードによるコラージュ・アンビエント6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Panos Alexiadisはギリシャのアテネを拠点に活動するサウンド・アーティストで、コンテンポラリー・エレクトロアコースティックのフィールドで活動している。テープレーベルThalamosを設立し共同キュレーターを務める。『Cestrum Nocturnum』は、回想と再生のアルバムである。サンプリングしたピアノ、断片化された声、フィールドレコーディング、過渡的なデジタル・トレースの格子を通して、Alexiadisは温かみのある空間、儚いもので織られたエレクトロニック・タペストリーを作曲している。6つの作品を通して、音は記憶のように展開する。幾重にも重なり、テクスチャーが施され、端から溶けていきながらも、痕跡を残す。存在の循環的な性質と、最も暗い時間にも静かに持続する、しばしば気づかれない美しさについての瞑想。Cestrum Nocturnumはシェルターであり、シグナルでもある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64538070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=891666428\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64538070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4281495614\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64538070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/baadm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eB.A.A.D.M. releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eToutes âmes\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:27\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFollower 5:28\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBut One 5:54\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eCestrum Nocturnum\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e9:08\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSaved\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:41\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBreak\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBAADM :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Panos Alexiadis is a sound artist based in Athens, Greece, active in the field of contemporary electro-acoustic music. He founded and co-curated the tape label Thalamos, a home for exploratory sounds, where some of his own works also found their place. Marking a return after a period of (sonic) reflection, Cestrum Nocturnum is an album of remembrance and renewal. Through a lattice of self-sampled piano, fragmented voices, field recordings, and transient digital traces, Alexiadis composes a space of warmth—an electronic tapestry woven from the ephemeral. Across six pieces, sound unfolds like memory: layered, textured, dissolving at the edges yet leaving an imprint. A meditation on the cyclical nature of being and the often unnoticed beauty that quietly persists, even in the darkest hours. Cestrum Nocturnum is both a shelter and a signal.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Panos Alexiadis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eB.A.A.D.M.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eB.A.A.D.M. 018\u003c\/span\u003e\u003c\/p\u003e"}
![Ivan The Tolerable // Magic Smoke Chords LP [COLOR]](http://tobirarecords.com/cdn/shop/files/mag1_81a27869-7595-4b7e-988f-da6f1dbce047_125x.jpg?v=1746829112)
クイックビュー
{"id":8782642675962,"title":"Ivan The Tolerable \/\/ Magic Smoke Chords LP [COLOR]","handle":"ivan-the-tolerable-magic-smoke-chords-lp-color","description":"\u003cp\u003eイギリス・ミドルズブラの異端音楽家Ivan The Tolerableが、2025年4月に同国実験／ノイズレーベルIndustrial Coastから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミックステープのようにシームレスに展開します。グレーマーブル盤です。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1195867588\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" grey marble vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAssembled and recorded to tape in 2011 by Oli Heffernan, and remastered for vinyl in 2024. \u003cbr\u003e\u003c\/span\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bandaged Spires 22:32\u003cbr\u003e2. Nine Cards of Vistas 20:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Ivan The Tolerable\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e","published_at":"2025-05-10T15:24:30+09:00","created_at":"2025-05-10T07:20:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","industrial coast","jazz","lp","monooto","new","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47305954656506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ivan The Tolerable \/\/ Magic Smoke Chords LP [COLOR]","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mag1_81a27869-7595-4b7e-988f-da6f1dbce047.jpg?v=1746829112","\/\/tobirarecords.com\/cdn\/shop\/files\/mag2_04a71f54-ef07-4f96-951b-9c8658958504.jpg?v=1746829112"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag1_81a27869-7595-4b7e-988f-da6f1dbce047.jpg?v=1746829112","options":["Title"],"media":[{"alt":null,"id":36002419704058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag1_81a27869-7595-4b7e-988f-da6f1dbce047.jpg?v=1746829112"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag1_81a27869-7595-4b7e-988f-da6f1dbce047.jpg?v=1746829112","width":700},{"alt":null,"id":36002419736826,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag2_04a71f54-ef07-4f96-951b-9c8658958504.jpg?v=1746829112"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag2_04a71f54-ef07-4f96-951b-9c8658958504.jpg?v=1746829112","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ミドルズブラの異端音楽家Ivan The Tolerableが、2025年4月に同国実験／ノイズレーベルIndustrial Coastから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミックステープのようにシームレスに展開します。グレーマーブル盤です。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1195867588\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" grey marble vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAssembled and recorded to tape in 2011 by Oli Heffernan, and remastered for vinyl in 2024. \u003cbr\u003e\u003c\/span\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bandaged Spires 22:32\u003cbr\u003e2. Nine Cards of Vistas 20:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Ivan The Tolerable\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e"}
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{"id":8777403465978,"title":"Jeff Parker ETA IVtet \/\/ The Way Out of Easy 2xLP","handle":"jeff-parker-eta-ivtet-the-way-out-of-easy-2xlp","description":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2024年11月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。ゲートフォルド仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年1月2日。ロサンゼルスのETAでは、ギタリストのジェフ・パーカーが、サックス奏者のジョシュ・ジョンソン、ベーシストのアンナ・バタース、ドラマーのジェイ・ベローズとともにETA IVtetを結成し、2016年から月曜日の定期ギグを開催していた。当時は、それがETAが営業する昨年最初のギグだとは誰も知らなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eパーカーのETAアンサンブルは、そのレジデンスを7年間続けるうちに、主にスタンダードを演奏するバンドから、グルーヴ志向、絵画的、ポリリズム、ミニマル、マントラ即興音楽など、革新的でしばしば未知の領域への超越的で長大な（時には45分以上に及ぶ）旅で知られるグループへと進化した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのような音楽的成長とともに、ETAでのパーカーと彼のバンドの観客も年々増えていった。当初は、平日の夜に酒を飲む人、友人、家族、シカゴの外国人（パーカーが00年代から10年代初頭にかけてローダンで創り上げていた雰囲気を懐かしむためにやってくる）などがまばらに集まっていたのが、今ではロサンゼルスのナイトライフの定番となり、ライブのたびに満員の客席とブロック下まで続く列ができるまでになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIVtetは毎週、スタンダード曲や一曲でライヴを終えるのが慣例となっていた。パーカーも、長い夜を創造的な肢体で駆け抜けた観客に、何か温かく親しみのあるものを持ち帰ってもらいたいと、この習慣を受け入れていた。バート・バカラックの 「This Guy's In Love With You」、エディ・ハリスの 「1974 Blues」、ホレス・シルヴァーの 「Peace 」などが、パーカーがよく演奏した曲である。このセットでは、IVtetはおなじみの曲ではなく、ダブ／レゲエ・グルーヴ（パーカーがポストで 「Chrome Dome 」と命名）という形でおなじみのサウンドで締めくくっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年12月初旬、ETAの共同経営者であるライアン・ジュリオは、年末に同会場を永久閉鎖するという突然の発表を余儀なくされた。12月23日、パーカーとバンドはETAで最後の演奏を行った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年7月22日、ETA IVtetはロサンゼルスのZebulonで、数百人のソールドアウトした聴衆（その中には笑顔のライアン・ジュリオもいた）のために演奏し、それ以来初めて一緒に演奏するために集まった。ゴンザレスはその場にいて、ステージ上のバンドのすぐ後ろでコンパクトなアナログ・セットアップを使って録音していた。スペースはなくなっても、その精神は生き続け、音楽は新たな器へと前進する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=501070633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 2 x 12\" black viny in reverse-board sleeve w\/ OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Freakadelic\u003cbr\u003e2. Late Autumn \u003cbr\u003e3. Easy Way Out\u003cbr\u003e4. Chrome Dome \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cem\u003e January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOver seven years of holding down that residency, Parker’s ETA ensemble evolved from a band that played mostly standards into a group known for its transcendent, long-form (sometimes stretching out for 45 minutes or more) journeys into innovative, often uncharted territories of groove-oriented, painterly, polyrhythmic, minimalist and mantric improvised music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith that musical growth, the crowds for Parker and his band at ETA grew across the years too. What started as a sparse gathering of weeknight drinkers, friends, family, and Chicago expats (coming to get a shot of nostalgia for the atmospheres Parker used to create at Rodan across the ‘00s and early ‘10s) grew into a Los Angeles nightlife staple with a packed house and a line of down the block for every show. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIt had become customary for the IVtet to end their shows every week with a standard or a tune – a practice that Parker embraced for wanting to give the audience something warm and familiar to take home after a long night of taking them out on creative limbs. Some of Parker’s more common calls were “This Guy’s In Love With You” by Burt Bacharach, “1974 Blues” by Eddie Harris, or “Peace” by Horace Silver. In this set, the IVtet closes not with a familiar song, but a familiar sound in the form of a dub\/reggae groove (given the name “Chrome Dome” by Parker in post), developing spontaneously out of lyrical ad libs by Johnson on solo saxophone. \u003cbr\u003e\u003cbr\u003eIn early December of 2023, ETA co-owner Ryan Julio was forced to make a sudden announcement that the venue would permanently shutter at the end of the year. On December 23rd, Parker and the band played at ETA for the last time. \u003cbr\u003e\u003cbr\u003eOn July 22nd, 2024, the ETA IVtet gathered to perform together for the first time since then, playing for a sold-out crowd of several hundred listeners – a smiling Ryan Julio among them – at Zebulon in Los Angeles. Gonzales was there, recording with his compact analog setup just behind the band on stage. The space may be gone but its spirit lives and the music moves forward into new vessels.\u003c\/span\u003e \"\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0089\u003c\/p\u003e","published_at":"2025-05-03T06:16:05+09:00","created_at":"2025-05-03T06:15:20+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":568000,"price_min":568000,"price_max":568000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47290728415482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker ETA IVtet \/\/ The Way Out of Easy 2xLP","public_title":null,"options":["Default Title"],"price":568000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597897876","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747","\/\/tobirarecords.com\/cdn\/shop\/files\/0037406710_10.jpg?v=1730329750"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747","options":["Title"],"media":[{"alt":null,"id":35131059273978,"position":1,"preview_image":{"aspect_ratio":0.99,"height":3756,"width":3720,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747"},"aspect_ratio":0.99,"height":3756,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/05-IARC0089_Coverart_DavidHaskell.jpg?v=1730329747","width":3720},{"alt":null,"id":35131059437818,"position":2,"preview_image":{"aspect_ratio":1.316,"height":912,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037406710_10.jpg?v=1730329750"},"aspect_ratio":1.316,"height":912,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037406710_10.jpg?v=1730329750","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2024年11月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。ゲートフォルド仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年1月2日。ロサンゼルスのETAでは、ギタリストのジェフ・パーカーが、サックス奏者のジョシュ・ジョンソン、ベーシストのアンナ・バタース、ドラマーのジェイ・ベローズとともにETA IVtetを結成し、2016年から月曜日の定期ギグを開催していた。当時は、それがETAが営業する昨年最初のギグだとは誰も知らなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eパーカーのETAアンサンブルは、そのレジデンスを7年間続けるうちに、主にスタンダードを演奏するバンドから、グルーヴ志向、絵画的、ポリリズム、ミニマル、マントラ即興音楽など、革新的でしばしば未知の領域への超越的で長大な（時には45分以上に及ぶ）旅で知られるグループへと進化した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのような音楽的成長とともに、ETAでのパーカーと彼のバンドの観客も年々増えていった。当初は、平日の夜に酒を飲む人、友人、家族、シカゴの外国人（パーカーが00年代から10年代初頭にかけてローダンで創り上げていた雰囲気を懐かしむためにやってくる）などがまばらに集まっていたのが、今ではロサンゼルスのナイトライフの定番となり、ライブのたびに満員の客席とブロック下まで続く列ができるまでになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIVtetは毎週、スタンダード曲や一曲でライヴを終えるのが慣例となっていた。パーカーも、長い夜を創造的な肢体で駆け抜けた観客に、何か温かく親しみのあるものを持ち帰ってもらいたいと、この習慣を受け入れていた。バート・バカラックの 「This Guy's In Love With You」、エディ・ハリスの 「1974 Blues」、ホレス・シルヴァーの 「Peace 」などが、パーカーがよく演奏した曲である。このセットでは、IVtetはおなじみの曲ではなく、ダブ／レゲエ・グルーヴ（パーカーがポストで 「Chrome Dome 」と命名）という形でおなじみのサウンドで締めくくっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年12月初旬、ETAの共同経営者であるライアン・ジュリオは、年末に同会場を永久閉鎖するという突然の発表を余儀なくされた。12月23日、パーカーとバンドはETAで最後の演奏を行った。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年7月22日、ETA IVtetはロサンゼルスのZebulonで、数百人のソールドアウトした聴衆（その中には笑顔のライアン・ジュリオもいた）のために演奏し、それ以来初めて一緒に演奏するために集まった。ゴンザレスはその場にいて、ステージ上のバンドのすぐ後ろでコンパクトなアナログ・セットアップを使って録音していた。スペースはなくなっても、その精神は生き続け、音楽は新たな器へと前進する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=501070633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 2 x 12\" black viny in reverse-board sleeve w\/ OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Freakadelic\u003cbr\u003e2. Late Autumn \u003cbr\u003e3. Easy Way Out\u003cbr\u003e4. Chrome Dome \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cem\u003e January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOver seven years of holding down that residency, Parker’s ETA ensemble evolved from a band that played mostly standards into a group known for its transcendent, long-form (sometimes stretching out for 45 minutes or more) journeys into innovative, often uncharted territories of groove-oriented, painterly, polyrhythmic, minimalist and mantric improvised music.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith that musical growth, the crowds for Parker and his band at ETA grew across the years too. What started as a sparse gathering of weeknight drinkers, friends, family, and Chicago expats (coming to get a shot of nostalgia for the atmospheres Parker used to create at Rodan across the ‘00s and early ‘10s) grew into a Los Angeles nightlife staple with a packed house and a line of down the block for every show. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIt had become customary for the IVtet to end their shows every week with a standard or a tune – a practice that Parker embraced for wanting to give the audience something warm and familiar to take home after a long night of taking them out on creative limbs. Some of Parker’s more common calls were “This Guy’s In Love With You” by Burt Bacharach, “1974 Blues” by Eddie Harris, or “Peace” by Horace Silver. In this set, the IVtet closes not with a familiar song, but a familiar sound in the form of a dub\/reggae groove (given the name “Chrome Dome” by Parker in post), developing spontaneously out of lyrical ad libs by Johnson on solo saxophone. \u003cbr\u003e\u003cbr\u003eIn early December of 2023, ETA co-owner Ryan Julio was forced to make a sudden announcement that the venue would permanently shutter at the end of the year. On December 23rd, Parker and the band played at ETA for the last time. \u003cbr\u003e\u003cbr\u003eOn July 22nd, 2024, the ETA IVtet gathered to perform together for the first time since then, playing for a sold-out crowd of several hundred listeners – a smiling Ryan Julio among them – at Zebulon in Los Angeles. Gonzales was there, recording with his compact analog setup just behind the band on stage. The space may be gone but its spirit lives and the music moves forward into new vessels.\u003c\/span\u003e \"\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0089\u003c\/p\u003e"}
クイックビュー
{"id":8782642774266,"title":"BRAK\/LOUSE split TAPE","handle":"brak-louse-s-t-tape","description":"\u003cp\u003eイギリスの実験ロックバンドBRAKとLOUSEが、2025年4月に同国実験／ノイズレーベルIndustrial Coastから30本限定でリリースしたスプリットカセットです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiスカム・ロックンロール3曲を収録。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3251283340\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=126778150\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3251283340\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eEdition of 30. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. BRAK - Maximal Damage\/Rat Park 05:36\u003cbr\u003e2. Louse - Space Race 04:32\u003cbr\u003e3. Idiot 2024 03:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : BRAK\/LOUSE\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e","published_at":"2025-05-10T15:27:42+09:00","created_at":"2025-05-10T07:22:40+09:00","vendor":"Tobira Records","type":"","tags":["industrial coast","new","noise","tape"],"price":196600,"price_min":196600,"price_max":196600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47305954754810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"BRAK\/LOUSE split TAPE","public_title":null,"options":["Default Title"],"price":196600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_2ad41cc1-1084-484e-b99a-4c2e5bb96371.jpg?v=1746829281"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_2ad41cc1-1084-484e-b99a-4c2e5bb96371.jpg?v=1746829281","options":["Title"],"media":[{"alt":null,"id":36002427306234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_2ad41cc1-1084-484e-b99a-4c2e5bb96371.jpg?v=1746829281"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_2ad41cc1-1084-484e-b99a-4c2e5bb96371.jpg?v=1746829281","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験ロックバンドBRAKとLOUSEが、2025年4月に同国実験／ノイズレーベルIndustrial Coastから30本限定でリリースしたスプリットカセットです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiスカム・ロックンロール3曲を収録。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3251283340\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=126778150\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3251283340\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eEdition of 30. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. BRAK - Maximal Damage\/Rat Park 05:36\u003cbr\u003e2. Louse - Space Race 04:32\u003cbr\u003e3. Idiot 2024 03:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : BRAK\/LOUSE\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e"}
BRAK/LOUSE split TAPE
¥1,966
クイックビュー
{"id":8782225998074,"title":"Ash Fure \/\/ Animal LP","handle":"ash-fure-animal-lp","description":"\u003cp\u003eアメリカの実験音楽家／ダートマス大学教授Ash Fureが、2025年4月にノルウェー・オスロのオールジャンルレーベル\u003cspan\u003eSmalltown Supersoundからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験テクノ〜ノイズ・ドローン6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの10年間、実験的作曲家のAsh Fureは、作曲や記譜の慣習を排し、音が彫刻され、投げられ、感じられる直感的な音響体験を好む音楽活動を洗練させてきた。「言語がなければ、音楽は抽象的なものだと思われがちです。本当に具体的で物理的な現象として感じるのです」。ハーバード大学で作曲の博士号を取得し、ダートマス大学でソニック・アーツの教授、実験的オペラ・カンパニー「ザ・インダストリー」の共同芸術監督を務めるFureは、音の本質を探求する作品を創作し、研究を行なっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼女はしばしば、摩擦、振動、スピーカーのコーン、そしてそれらが建築の共鳴を活性化させる方法といった、最も基本的な音の要素に自分の作曲を重ね合わせる。「私が求めているのは、生命の厚みから浮かび上がるパターンの感覚であり、活力のある録音、あるいはエネルギーの背後にある目に見えないインフラが見え始めるような雑味のある録音なのです」と彼女は語る。『The Force Of Things: An Opera For Air』（2014 - 2022）では、32個のサブウーファーが10.67ヘルツで振動する。これは人間の聴覚よりわずかに低い周波数だが、スピーカーコーンの振動が目に見えるほどゆっくりで、インスタレーション全体を震わせる。パートナーである建築家のシャビ・アギーレや、弟のアダム・フレと密接に、そして頻繁に協力しながら、アーティストの作品は、音の物質的エネルギーを中心とした広大なインスタレーションの世界を作り出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「私は身体的な反応を引き起こす音に興味があります」とAsh Fureは説明する。これは、CTMフェスティバルのためにベルクハインで初演された『Hive Rise』（2020年）でも明らかだ。14人のパフォーマーが3Dプリンターで作られたアコースティックホーンで声を出し、パフォーマンス空間を活性化させる。野心的な範囲ではあるが、パフォーマンスと楽器編成に対するAsh Fureのユニークなアプローチは、常に彼女のサウンドに身体を取り込むことに向けられている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCovid-19の大流行時でさえ、アパートに引きこもっていたAsh Fureは、内省と閉所恐怖症の瞬間に、全身を使ったリスニング体験をもたらす方法を模索していた。Interior Listening Protocol 01は、リスナーを指揮者に見立てた参加型リスニング・スコアで、両耳にかぶせた2つのメイソンジャーの共鳴空洞を利用して、電子作曲とそれを聴く空間の音響環境との相互作用を生み出す。同時期にAsh Fureはラップトップ・パーカッション作品を開発し、マックブックのスピーカーから増幅されるパーカッシブなリズムを自分の手で形作り、演出した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e国内の隔離された空間で行われたこの実験から、『ANIMAL』へと発展するアイデアが生まれた。パフォーマンスであり、彫刻的な音響作品でもある『ANIMAL』では、Ash Fureは以前の作品のサブウーファーをひっくり返したリグに戻り、大きなポリカーボネートのシートで12インチのスピーカーコーンを鳴らしている。建築家シャビ・アギーレとともに「リスニング・ジム」として初めて上演されたこのプロジェクトは、音のエクササイズ・マシンのカスタム・ジムを備えた「感覚サーキット・ワークアウト」として構築され、観客が動物的な感覚能力を発揮できるよう、音の能動的な体現を可能にした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAsh Fureは、ポリカーボネートを反射面として、また音と光を同時にリアルタイムでフィルタリングするソースとして使用する。この半透明の素材によって、彼女は楽器リグに組み込まれた照明と相互作用し、反射した音と光を彼女がいる建築物に正確に照射することができる。サブベース、ソナー・クリック、ホワイトノイズのサイコアコースティックの集合体として脈動するANIMALは、聴くというより感じるといったほうがいいかもしれない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「この素材がそれぞれの建築物や観客にどのように適応するのか、それを見極めながら演奏しているんです」とAsh Fureは言う。この作品は、ラスター・ノトーン、池田亮司、テクノ、そして現代クラシックやアメリカのアヴァンギャルドの影響を受けており、Ash Fureがベルリンとデトロイトのクラブで体験したことにインスパイアされている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれはまた、エレクトロニック・ミュージックに着実に忍び寄るジェネレイティブAIへの具体的な取り組みでもある。「この作品を作っていたのは、AIのヒステリーが激しくなっていた時期だった」とAsh Fureは振り返る。「私が興味を持ったのは、AIがミュージシャンに取って代わるということよりも、こうしたAIシステムの合理的な優位性が、人間の例外性という感覚に何をもたらすかということでした。突然、私たちがヒエラルキーの頂点に立ち続けることができなくなるのです。」このように、彼女はANIMALを 「我々の動物的知性の再発見であり、AIに直面した我々と動物の世界との再調整である 」と考えている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「私たちは音楽を聴くことができ、感覚と身体を持っていて、AIが真似できないような知性と情報を引き寄せる方法があるのです」と彼女は続ける。音の物理的な方向づけとフィルタリングを作品の中心に据えることで、パフォーマンスが終わるたびに汗びっしょりになるほどの運動能力を発揮する。あるいは、Ash Fureが簡潔に挑戦しているように： 「このクソアルゴリズムを、あえてあなたに」\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1581952707\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/928805565?h=08bb631c3f\" width=\"640\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 1\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 2\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 3\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 4\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 5\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 6\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Ash Fure\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTSLJN442\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-10T14:54:58+09:00","created_at":"2025-05-09T18:09:05+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","noise","smalltown supersound","techno \/ house"],"price":533700,"price_min":533700,"price_max":533700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47305042329850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ash Fure \/\/ Animal LP","public_title":null,"options":["Default Title"],"price":533700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"7072822 442101","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-05-09at7.08.35pm.png?v=1746781728"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-05-09at7.08.35pm.png?v=1746781728","options":["Title"],"media":[{"alt":null,"id":36000504774906,"position":1,"preview_image":{"aspect_ratio":1.049,"height":427,"width":448,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-05-09at7.08.35pm.png?v=1746781728"},"aspect_ratio":1.049,"height":427,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-05-09at7.08.35pm.png?v=1746781728","width":448}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家／ダートマス大学教授Ash Fureが、2025年4月にノルウェー・オスロのオールジャンルレーベル\u003cspan\u003eSmalltown Supersoundからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験テクノ〜ノイズ・ドローン6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの10年間、実験的作曲家のAsh Fureは、作曲や記譜の慣習を排し、音が彫刻され、投げられ、感じられる直感的な音響体験を好む音楽活動を洗練させてきた。「言語がなければ、音楽は抽象的なものだと思われがちです。本当に具体的で物理的な現象として感じるのです」。ハーバード大学で作曲の博士号を取得し、ダートマス大学でソニック・アーツの教授、実験的オペラ・カンパニー「ザ・インダストリー」の共同芸術監督を務めるFureは、音の本質を探求する作品を創作し、研究を行なっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼女はしばしば、摩擦、振動、スピーカーのコーン、そしてそれらが建築の共鳴を活性化させる方法といった、最も基本的な音の要素に自分の作曲を重ね合わせる。「私が求めているのは、生命の厚みから浮かび上がるパターンの感覚であり、活力のある録音、あるいはエネルギーの背後にある目に見えないインフラが見え始めるような雑味のある録音なのです」と彼女は語る。『The Force Of Things: An Opera For Air』（2014 - 2022）では、32個のサブウーファーが10.67ヘルツで振動する。これは人間の聴覚よりわずかに低い周波数だが、スピーカーコーンの振動が目に見えるほどゆっくりで、インスタレーション全体を震わせる。パートナーである建築家のシャビ・アギーレや、弟のアダム・フレと密接に、そして頻繁に協力しながら、アーティストの作品は、音の物質的エネルギーを中心とした広大なインスタレーションの世界を作り出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「私は身体的な反応を引き起こす音に興味があります」とAsh Fureは説明する。これは、CTMフェスティバルのためにベルクハインで初演された『Hive Rise』（2020年）でも明らかだ。14人のパフォーマーが3Dプリンターで作られたアコースティックホーンで声を出し、パフォーマンス空間を活性化させる。野心的な範囲ではあるが、パフォーマンスと楽器編成に対するAsh Fureのユニークなアプローチは、常に彼女のサウンドに身体を取り込むことに向けられている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCovid-19の大流行時でさえ、アパートに引きこもっていたAsh Fureは、内省と閉所恐怖症の瞬間に、全身を使ったリスニング体験をもたらす方法を模索していた。Interior Listening Protocol 01は、リスナーを指揮者に見立てた参加型リスニング・スコアで、両耳にかぶせた2つのメイソンジャーの共鳴空洞を利用して、電子作曲とそれを聴く空間の音響環境との相互作用を生み出す。同時期にAsh Fureはラップトップ・パーカッション作品を開発し、マックブックのスピーカーから増幅されるパーカッシブなリズムを自分の手で形作り、演出した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e国内の隔離された空間で行われたこの実験から、『ANIMAL』へと発展するアイデアが生まれた。パフォーマンスであり、彫刻的な音響作品でもある『ANIMAL』では、Ash Fureは以前の作品のサブウーファーをひっくり返したリグに戻り、大きなポリカーボネートのシートで12インチのスピーカーコーンを鳴らしている。建築家シャビ・アギーレとともに「リスニング・ジム」として初めて上演されたこのプロジェクトは、音のエクササイズ・マシンのカスタム・ジムを備えた「感覚サーキット・ワークアウト」として構築され、観客が動物的な感覚能力を発揮できるよう、音の能動的な体現を可能にした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAsh Fureは、ポリカーボネートを反射面として、また音と光を同時にリアルタイムでフィルタリングするソースとして使用する。この半透明の素材によって、彼女は楽器リグに組み込まれた照明と相互作用し、反射した音と光を彼女がいる建築物に正確に照射することができる。サブベース、ソナー・クリック、ホワイトノイズのサイコアコースティックの集合体として脈動するANIMALは、聴くというより感じるといったほうがいいかもしれない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「この素材がそれぞれの建築物や観客にどのように適応するのか、それを見極めながら演奏しているんです」とAsh Fureは言う。この作品は、ラスター・ノトーン、池田亮司、テクノ、そして現代クラシックやアメリカのアヴァンギャルドの影響を受けており、Ash Fureがベルリンとデトロイトのクラブで体験したことにインスパイアされている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれはまた、エレクトロニック・ミュージックに着実に忍び寄るジェネレイティブAIへの具体的な取り組みでもある。「この作品を作っていたのは、AIのヒステリーが激しくなっていた時期だった」とAsh Fureは振り返る。「私が興味を持ったのは、AIがミュージシャンに取って代わるということよりも、こうしたAIシステムの合理的な優位性が、人間の例外性という感覚に何をもたらすかということでした。突然、私たちがヒエラルキーの頂点に立ち続けることができなくなるのです。」このように、彼女はANIMALを 「我々の動物的知性の再発見であり、AIに直面した我々と動物の世界との再調整である 」と考えている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「私たちは音楽を聴くことができ、感覚と身体を持っていて、AIが真似できないような知性と情報を引き寄せる方法があるのです」と彼女は続ける。音の物理的な方向づけとフィルタリングを作品の中心に据えることで、パフォーマンスが終わるたびに汗びっしょりになるほどの運動能力を発揮する。あるいは、Ash Fureが簡潔に挑戦しているように： 「このクソアルゴリズムを、あえてあなたに」\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1581952707\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"vimeo-player\" src=\"https:\/\/player.vimeo.com\/video\/928805565?h=08bb631c3f\" width=\"640\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 1\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 2\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 3\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 4\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 5\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAnimal 6\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Ash Fure\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTSLJN442\u003c\/span\u003e\u003c\/p\u003e"}
Ash Fure // Animal LP
¥5,337
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{"id":8774331334906,"title":"Tatsuro Murakami \/\/ Mita Koyama-cho LP [COLOR]","handle":"tatsuro-murakami-mita-koyama-cho-lp","description":"\u003cp\u003e東京出身静岡在住のギタリストTatsuro Murakamiが、2025年5月にアメリカ・ラスベガスのアンビエントレーベルMystery Circlesからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ10曲を収録。DLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ブラジルの音大卒という異色の経歴を持つギタリストで、現在は日本が60年代より誇る実験音楽のパイオニアグループ「タージマハル旅行団(現Stone Music)」のメインギタリストを務めるTatsuro Murakamiによる新作レコード。ブラジルの音楽院にてショーロギターやジャズ・ポピュラー理論を専門に勉強した彼は「理論や技術に囚われない音楽的反抗」として、2018年頃よりアンビエント・ドローン作品を制作開始し、今までに4枚目のソロアルバムをUKのWhitelabrecsやItalyのLontano Series等のアンビエント名門レーベルからリリースしてきた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作はそんな彼が原点に戻るという意味で、よりアコースティックなサウンドを取り入れ、かつアンビエント音楽から培った実験的なサウンドプロセスを基調としながら、ブラジル音楽やジャズで見られる複雑なコード進行や変拍子、サックスや70sプログレッシヴロックで使用されたメロトロンを駆使し、自身の音楽的なルーツをまとめて一つの作品へ昇華させたコンセプトアルバム。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eYamaha DX7とフレットレスベース、また岡田拓郎の新譜にも参加したサックスプレイヤーのHikaru Yamada氏を迎えた1は、ジャズの要素とAmbeint\u0026amp;New Ageが見事にミックスしたシングル曲。ブラジル音楽やショーロで使われる特徴的なコード進行と7\/4の変拍子、そして初期キングクリムゾンのアコースティック曲を連想させる壮大なメロトロンが印象的な3や5、ジャズギターと複雑なシンセサイザーが絡み合う8や9など、バリエーションに富んだ音作りで聴く者を飽きさせない。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e再開発により失われた港区三田地区へのオマージュとして制作されており、戦前は貧しい地域として知られていた一帯で、自身の祖父母と母の育ったその地への想いを記録する意味で制作されたコンセプトアルバム。失われつつある東京の景色を音とヴィジュアルアートの形で記録した2025年アンビエント注目作。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2285334860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2285334860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2987667831\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003ehere\u003c\/a\u003e to see more Mystery Circles releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" white vinyl.\u003cbr\u003eIncludes OBI and insert. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1 · 1-11-5 Mita, Minato-ku, Tokyo\u003cbr\u003e2 · Transitioning\u003cbr\u003e3 · Stunning Fragility\u003cbr\u003e4 · From the oblivion, the self wishing for that person...\u003cbr\u003e5 · Of all the things you left behind, I chose only to keep impermanence\u003cbr\u003e6 · #105\u003cbr\u003e7 · ...I still want to see\u003cbr\u003e8 · Unnoticed Stagnation\u003cbr\u003e9 · All about circles and borders\u003cbr\u003e10 · Imminence of a closure\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Tatsuro Murakami\u003c\/p\u003e\n\u003cp\u003eLabel : Mystery Circles\u003c\/p\u003e","published_at":"2025-05-10T14:19:30+09:00","created_at":"2025-04-28T11:06:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","Mystery Circles","new","recommended"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47282081726714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tatsuro Murakami \/\/ Mita Koyama-cho LP [COLOR]","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-04-28at12.03.34pm.png?v=1745805869","\/\/tobirarecords.com\/cdn\/shop\/files\/0039508498_10.jpg?v=1746854214"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-04-28at12.03.34pm.png?v=1745805869","options":["Title"],"media":[{"alt":null,"id":35953086693626,"position":1,"preview_image":{"aspect_ratio":0.992,"height":511,"width":507,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-04-28at12.03.34pm.png?v=1745805869"},"aspect_ratio":0.992,"height":511,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-04-28at12.03.34pm.png?v=1745805869","width":507},{"alt":null,"id":36003476373754,"position":2,"preview_image":{"aspect_ratio":1.034,"height":1160,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039508498_10.jpg?v=1746854214"},"aspect_ratio":1.034,"height":1160,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039508498_10.jpg?v=1746854214","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京出身静岡在住のギタリストTatsuro Murakamiが、2025年5月にアメリカ・ラスベガスのアンビエントレーベルMystery Circlesからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ10曲を収録。DLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ブラジルの音大卒という異色の経歴を持つギタリストで、現在は日本が60年代より誇る実験音楽のパイオニアグループ「タージマハル旅行団(現Stone Music)」のメインギタリストを務めるTatsuro Murakamiによる新作レコード。ブラジルの音楽院にてショーロギターやジャズ・ポピュラー理論を専門に勉強した彼は「理論や技術に囚われない音楽的反抗」として、2018年頃よりアンビエント・ドローン作品を制作開始し、今までに4枚目のソロアルバムをUKのWhitelabrecsやItalyのLontano Series等のアンビエント名門レーベルからリリースしてきた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作はそんな彼が原点に戻るという意味で、よりアコースティックなサウンドを取り入れ、かつアンビエント音楽から培った実験的なサウンドプロセスを基調としながら、ブラジル音楽やジャズで見られる複雑なコード進行や変拍子、サックスや70sプログレッシヴロックで使用されたメロトロンを駆使し、自身の音楽的なルーツをまとめて一つの作品へ昇華させたコンセプトアルバム。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eYamaha DX7とフレットレスベース、また岡田拓郎の新譜にも参加したサックスプレイヤーのHikaru Yamada氏を迎えた1は、ジャズの要素とAmbeint\u0026amp;New Ageが見事にミックスしたシングル曲。ブラジル音楽やショーロで使われる特徴的なコード進行と7\/4の変拍子、そして初期キングクリムゾンのアコースティック曲を連想させる壮大なメロトロンが印象的な3や5、ジャズギターと複雑なシンセサイザーが絡み合う8や9など、バリエーションに富んだ音作りで聴く者を飽きさせない。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e再開発により失われた港区三田地区へのオマージュとして制作されており、戦前は貧しい地域として知られていた一帯で、自身の祖父母と母の育ったその地への想いを記録する意味で制作されたコンセプトアルバム。失われつつある東京の景色を音とヴィジュアルアートの形で記録した2025年アンビエント注目作。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2285334860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2285334860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2987667831\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003ehere\u003c\/a\u003e to see more Mystery Circles releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" white vinyl.\u003cbr\u003eIncludes OBI and insert. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1 · 1-11-5 Mita, Minato-ku, Tokyo\u003cbr\u003e2 · Transitioning\u003cbr\u003e3 · Stunning Fragility\u003cbr\u003e4 · From the oblivion, the self wishing for that person...\u003cbr\u003e5 · Of all the things you left behind, I chose only to keep impermanence\u003cbr\u003e6 · #105\u003cbr\u003e7 · ...I still want to see\u003cbr\u003e8 · Unnoticed Stagnation\u003cbr\u003e9 · All about circles and borders\u003cbr\u003e10 · Imminence of a closure\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Tatsuro Murakami\u003c\/p\u003e\n\u003cp\u003eLabel : Mystery Circles\u003c\/p\u003e"}
![Surprise Chef // Superb LP [COLOR] [PRE-ORDER]](http://tobirarecords.com/cdn/shop/files/chef1_773604c9-bc5e-46a9-aaaf-b89abc4b197e_125x.jpg?v=1745539553)
クイックビュー
{"id":8771852599546,"title":"Surprise Chef \/\/ Superb LP [COLOR] [PRE-ORDER]","handle":"surprise-chef-superb-lp-color-pre-order","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/16リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eオーストラリアのファンク集団Surprise Chefが、2025年5月にアメリカ・NYのソウルレーベルBig Crownからリリースしたアルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eマフィア・ファンク〜ラウンジ11曲を収録。タンジェリン盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IDe7-rq_mM4?si=aMHLoCst1z6ITops\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XywwSKDx8m8?si=3OTvOySRL653GN5z\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/E0DUwgMZzAE?si=YUdHqwJCpdRuxuoL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gZSwdr4aoE0?si=pwlU5YbJSI3dptCA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases May 16, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" translucent tangerine vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sleep Dreams\u003cbr\u003e2. Bully Ball 03:23\u003cbr\u003e3. Body Slam\u003cbr\u003e4. Consulate Case 03:27\u003cbr\u003e5. Dangerous 02:28\u003cbr\u003e6. Websites\u003cbr\u003e7. Fare Evader 02:45\u003cbr\u003e8. Tag Dag\u003cbr\u003e9. Plumb Tuckered\u003cbr\u003e10. Dreamer's Disease\u003cbr\u003e11. Slippery Dip\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBig Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAustralia’s world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlbum opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound\u003cspan class=\"bcTruncateMore\"\u003e like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.\u003cbr\u003e\u003cbr\u003eWith their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Surprise Chef\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003ecat no : BCR183lp-C2\u003c\/p\u003e","published_at":"2025-04-26T14:23:17+09:00","created_at":"2025-04-25T09:05:32+09:00","vendor":"Tobira Records","type":"","tags":["big crown records","hiphop \/ funk","jazz","lp","new"],"price":363000,"price_min":363000,"price_max":363000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275274010874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Surprise Chef \/\/ Superb LP [COLOR] [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":363000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"349223018363","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/chef1_773604c9-bc5e-46a9-aaaf-b89abc4b197e.jpg?v=1745539553"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/chef1_773604c9-bc5e-46a9-aaaf-b89abc4b197e.jpg?v=1745539553","options":["Title"],"media":[{"alt":null,"id":35933350166778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chef1_773604c9-bc5e-46a9-aaaf-b89abc4b197e.jpg?v=1745539553"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chef1_773604c9-bc5e-46a9-aaaf-b89abc4b197e.jpg?v=1745539553","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/16リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eオーストラリアのファンク集団Surprise Chefが、2025年5月にアメリカ・NYのソウルレーベルBig Crownからリリースしたアルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eマフィア・ファンク〜ラウンジ11曲を収録。タンジェリン盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IDe7-rq_mM4?si=aMHLoCst1z6ITops\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XywwSKDx8m8?si=3OTvOySRL653GN5z\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/E0DUwgMZzAE?si=YUdHqwJCpdRuxuoL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gZSwdr4aoE0?si=pwlU5YbJSI3dptCA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases May 16, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" translucent tangerine vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sleep Dreams\u003cbr\u003e2. Bully Ball 03:23\u003cbr\u003e3. Body Slam\u003cbr\u003e4. Consulate Case 03:27\u003cbr\u003e5. Dangerous 02:28\u003cbr\u003e6. Websites\u003cbr\u003e7. Fare Evader 02:45\u003cbr\u003e8. Tag Dag\u003cbr\u003e9. Plumb Tuckered\u003cbr\u003e10. Dreamer's Disease\u003cbr\u003e11. Slippery Dip\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBig Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAustralia’s world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlbum opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound\u003cspan class=\"bcTruncateMore\"\u003e like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.\u003cbr\u003e\u003cbr\u003eWith their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Surprise Chef\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003ecat no : BCR183lp-C2\u003c\/p\u003e"}
クイックビュー
{"id":8749229211898,"title":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","handle":"shabason-krgovich-harris-philadelphia-lp","description":"\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-22T07:18:25+09:00","created_at":"2025-03-22T07:17:15+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","Ideé Fixe Records","lp","new"],"price":458000,"price_min":458000,"price_max":458000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47208261976314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","public_title":null,"options":["Default Title"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"195081976235","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","options":["Title"],"media":[{"alt":null,"id":32265786556666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","width":700},{"alt":null,"id":32265786589434,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8716136284410,"title":"Shabason \u0026 Krgovich \/\/ At Scaramouche TAPE","handle":"shabason-krgovich-at-scaramouche-tape","description":"\u003cp\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/shabason-krgovich-sage-shabason-krgovich-sage-lpblack-color-tape\/\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2585902156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette tape.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe musical partnership of Joseph Shabason and Nicholas Krgovich orbits around a shared center of earnestness, slice-of-life poeticism, and the subtle everyday banality that becomes beautiful, even absurd, under their slight redirection. Where 2020’s Philadelphia placed domestic interiors under a microscope, documenting the indoor minutiae society was forced to examine mid-pandemic, At Scaramouche steps out into the sunlight squinting groggily and happily at the new day ahead-- and particularly the night that follows. One evening after a recording session and some aimless ambling that included a visit to the house where the 1974 movie “Black Christmas” was filmed, Krgovich and fellow vocalist Chris A. Cummings found themselves misplaced at the Toronto restaurant from which At Scaramouche takes its name, gawking with amusement at its concocted air of luxury. “The layout hinted at its MCM glory, and there was a panoramic view of the city,” Krgovich illustrates, “but it was full mid 2000s, dated Sex In The City re-run decor, ‘opulence’ for rich people with bad taste. I loved it! Chris loved it!”. On At Scaramouche, Krgovich and Shabason demonstrate a mutually uncanny ability to transmute this kind of cultural wariness into amused majesty, poking fun and bowing in reverence all at once. Their spotless\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003esmooth-jazz tonality, lyrical literalism, and even cover artist Jake Longstreth’s humorously sober depiction of an actual old Taco Bell building all point to the duo’s low-key-gonzo subversion of Adult Contemporary tropes into something unexpectedly transcendent.\u003cbr\u003e\u003cbr\u003eThe first glassy keyboard hits of “Soli” indicate this sentiment before Krgovich even steps forward as the album’s host, and when he does, he immediately gets to work setting the scene of a weary parking lot stroll on a cool, street-lit evening after work-- just one of so many unremarkable moments that become utopic under Krgovich’s poetic care. “Clocking out at five PM, don’t give it another thought, feel the evening coming in,” he sings. “When it’s dark before supper, and the rain on the house… happy for no reason.” Glimmering pianos and brushy percussion calmly converse with fretless bass as a diffuse light spreads across this little world that’s being created. But where the duo’s previous effort Philadelphia would’ve camped permanently in the stillness, At Scaramouche lunges into the upbeat stroller “In the Middle of the Day”. Though no less exemplary of the album’s quiet everyday magic, it sets a brisker pace with its head-nodding drum break and coolly interjecting bassline. Other moments on the album reiterate the spryness, like the nearly-erratic “Soli II”, and the lively pop centerpiece “I Am So Happy With My Little Dog”. On the latter, Krgovich leads a tight-knit ensemble that comes as close to krautrock here as they ever might, where a driving drumbeat politely urges the elements forward; trumpet harmonies, chanting vocals, and bubbling synths, all crowned by a chorus-laden, perfectly askew solo from guitarist Thom Gill . “This record was very much a band effort. Me and Nick were at the helm but we called on the amazing crew of musicians that I play with here in Toronto to really help flesh things out,” Shabason emphasizes. “The last record was a real exercise in minimalism and quietness, and to me this record feels much more robust, and occasionally bombastic by comparison.”\u003cbr\u003e\u003cbr\u003eJoseph Shabason grew up in small-town Ontario, throwing punk and emo shows in garages and church basements as an alternative to “playing hockey or doing drugs,” as he states it. At the same time Nicholas Krgovich was 4,000 kilometers away in Vancouver, BC living the kind of suburban life that can, by necessity, imbue someone with romanticism toward the things downtown-dwellers might not bat an eye at, like the fluorescent glow of commercial lighting after-hours, or the overlooked poignancy of a rundown strip mall, and all the many thousands of tiny commonplace miracles that At Scaramouche is made of. “Childhood McDonald’s gone, there used to be some woods there,” Krgovich hums prosaically over a bed of soft drum machine and Dorothea Paas’s soft supporting vocals. “The cemetery was small,” he elaborates while noticing just how far and how fast the past has receded, “now the high rises around the mall that aren’t done yet…” Where much nostalgia can slip down the slopes into something melancholy that puts the past on an impossible pedestal, album-ender “Drinks at Scaramouche” proves that Krgovich is just as in love with the present, allowing history and future to bring out the sacred in one another. “Finding all the little blips, in-betweens, now with deepening meaning,” he sings, “what little light goes slow, heartening to know that nothing really goes away.” Like so much that Shabason \u0026amp; Krgovich put their fingerprints on, At Scaramouche presents a familiar palette with just enough inflected weirdness to prompt double takes, turning folk art into outsider art with an almost imperceptible sleight of hand.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IF038LP IF038CS\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-07T12:22:47+09:00","created_at":"2025-02-07T12:22:05+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Ideé Fixe Records","lp","new","recommended","tape"],"price":245000,"price_min":245000,"price_max":245000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47108893835514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason \u0026 Krgovich \/\/ At Scaramouche TAPE","public_title":null,"options":["Default Title"],"price":245000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","\/\/tobirarecords.com\/cdn\/shop\/files\/0029483565_10_91529e94-56b4-4b75-b620-b5d535511fe2.jpg?v=1707602175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","options":["Title"],"media":[{"alt":null,"id":32091894153466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","width":700},{"alt":null,"id":32091894251770,"position":2,"preview_image":{"aspect_ratio":1.556,"height":771,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029483565_10_91529e94-56b4-4b75-b620-b5d535511fe2.jpg?v=1707602175"},"aspect_ratio":1.556,"height":771,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029483565_10_91529e94-56b4-4b75-b620-b5d535511fe2.jpg?v=1707602175","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/shabason-krgovich-sage-shabason-krgovich-sage-lpblack-color-tape\/\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2585902156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette tape.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe musical partnership of Joseph Shabason and Nicholas Krgovich orbits around a shared center of earnestness, slice-of-life poeticism, and the subtle everyday banality that becomes beautiful, even absurd, under their slight redirection. Where 2020’s Philadelphia placed domestic interiors under a microscope, documenting the indoor minutiae society was forced to examine mid-pandemic, At Scaramouche steps out into the sunlight squinting groggily and happily at the new day ahead-- and particularly the night that follows. One evening after a recording session and some aimless ambling that included a visit to the house where the 1974 movie “Black Christmas” was filmed, Krgovich and fellow vocalist Chris A. Cummings found themselves misplaced at the Toronto restaurant from which At Scaramouche takes its name, gawking with amusement at its concocted air of luxury. “The layout hinted at its MCM glory, and there was a panoramic view of the city,” Krgovich illustrates, “but it was full mid 2000s, dated Sex In The City re-run decor, ‘opulence’ for rich people with bad taste. I loved it! Chris loved it!”. On At Scaramouche, Krgovich and Shabason demonstrate a mutually uncanny ability to transmute this kind of cultural wariness into amused majesty, poking fun and bowing in reverence all at once. Their spotless\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003esmooth-jazz tonality, lyrical literalism, and even cover artist Jake Longstreth’s humorously sober depiction of an actual old Taco Bell building all point to the duo’s low-key-gonzo subversion of Adult Contemporary tropes into something unexpectedly transcendent.\u003cbr\u003e\u003cbr\u003eThe first glassy keyboard hits of “Soli” indicate this sentiment before Krgovich even steps forward as the album’s host, and when he does, he immediately gets to work setting the scene of a weary parking lot stroll on a cool, street-lit evening after work-- just one of so many unremarkable moments that become utopic under Krgovich’s poetic care. “Clocking out at five PM, don’t give it another thought, feel the evening coming in,” he sings. “When it’s dark before supper, and the rain on the house… happy for no reason.” Glimmering pianos and brushy percussion calmly converse with fretless bass as a diffuse light spreads across this little world that’s being created. But where the duo’s previous effort Philadelphia would’ve camped permanently in the stillness, At Scaramouche lunges into the upbeat stroller “In the Middle of the Day”. Though no less exemplary of the album’s quiet everyday magic, it sets a brisker pace with its head-nodding drum break and coolly interjecting bassline. Other moments on the album reiterate the spryness, like the nearly-erratic “Soli II”, and the lively pop centerpiece “I Am So Happy With My Little Dog”. On the latter, Krgovich leads a tight-knit ensemble that comes as close to krautrock here as they ever might, where a driving drumbeat politely urges the elements forward; trumpet harmonies, chanting vocals, and bubbling synths, all crowned by a chorus-laden, perfectly askew solo from guitarist Thom Gill . “This record was very much a band effort. Me and Nick were at the helm but we called on the amazing crew of musicians that I play with here in Toronto to really help flesh things out,” Shabason emphasizes. “The last record was a real exercise in minimalism and quietness, and to me this record feels much more robust, and occasionally bombastic by comparison.”\u003cbr\u003e\u003cbr\u003eJoseph Shabason grew up in small-town Ontario, throwing punk and emo shows in garages and church basements as an alternative to “playing hockey or doing drugs,” as he states it. At the same time Nicholas Krgovich was 4,000 kilometers away in Vancouver, BC living the kind of suburban life that can, by necessity, imbue someone with romanticism toward the things downtown-dwellers might not bat an eye at, like the fluorescent glow of commercial lighting after-hours, or the overlooked poignancy of a rundown strip mall, and all the many thousands of tiny commonplace miracles that At Scaramouche is made of. “Childhood McDonald’s gone, there used to be some woods there,” Krgovich hums prosaically over a bed of soft drum machine and Dorothea Paas’s soft supporting vocals. “The cemetery was small,” he elaborates while noticing just how far and how fast the past has receded, “now the high rises around the mall that aren’t done yet…” Where much nostalgia can slip down the slopes into something melancholy that puts the past on an impossible pedestal, album-ender “Drinks at Scaramouche” proves that Krgovich is just as in love with the present, allowing history and future to bring out the sacred in one another. “Finding all the little blips, in-betweens, now with deepening meaning,” he sings, “what little light goes slow, heartening to know that nothing really goes away.” Like so much that Shabason \u0026amp; Krgovich put their fingerprints on, At Scaramouche presents a familiar palette with just enough inflected weirdness to prompt double takes, turning folk art into outsider art with an almost imperceptible sleight of hand.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IF038LP IF038CS\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8716134842618,"title":"Shabason \u0026 Krgovich \/\/ At Scaramouche LP","handle":"shabason-krgovich-at-scaramouche-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/shabason-krgovich-sage-shabason-krgovich-sage-lpblack-color-tape\/\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2585902156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe musical partnership of Joseph Shabason and Nicholas Krgovich orbits around a shared center of earnestness, slice-of-life poeticism, and the subtle everyday banality that becomes beautiful, even absurd, under their slight redirection. Where 2020’s Philadelphia placed domestic interiors under a microscope, documenting the indoor minutiae society was forced to examine mid-pandemic, At Scaramouche steps out into the sunlight squinting groggily and happily at the new day ahead-- and particularly the night that follows. One evening after a recording session and some aimless ambling that included a visit to the house where the 1974 movie “Black Christmas” was filmed, Krgovich and fellow vocalist Chris A. Cummings found themselves misplaced at the Toronto restaurant from which At Scaramouche takes its name, gawking with amusement at its concocted air of luxury. “The layout hinted at its MCM glory, and there was a panoramic view of the city,” Krgovich illustrates, “but it was full mid 2000s, dated Sex In The City re-run decor, ‘opulence’ for rich people with bad taste. I loved it! Chris loved it!”. On At Scaramouche, Krgovich and Shabason demonstrate a mutually uncanny ability to transmute this kind of cultural wariness into amused majesty, poking fun and bowing in reverence all at once. Their spotless\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esmooth-jazz tonality, lyrical literalism, and even cover artist Jake Longstreth’s humorously sober depiction of an actual old Taco Bell building all point to the duo’s low-key-gonzo subversion of Adult Contemporary tropes into something unexpectedly transcendent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first glassy keyboard hits of “Soli” indicate this sentiment before Krgovich even steps forward as the album’s host, and when he does, he immediately gets to work setting the scene of a weary parking lot stroll on a cool, street-lit evening after work-- just one of so many unremarkable moments that become utopic under Krgovich’s poetic care. “Clocking out at five PM, don’t give it another thought, feel the evening coming in,” he sings. “When it’s dark before supper, and the rain on the house… happy for no reason.” Glimmering pianos and brushy percussion calmly converse with fretless bass as a diffuse light spreads across this little world that’s being created. But where the duo’s previous effort Philadelphia would’ve camped permanently in the stillness, At Scaramouche lunges into the upbeat stroller “In the Middle of the Day”. Though no less exemplary of the album’s quiet everyday magic, it sets a brisker pace with its head-nodding drum break and coolly interjecting bassline. Other moments on the album reiterate the spryness, like the nearly-erratic “Soli II”, and the lively pop centerpiece “I Am So Happy With My Little Dog”. On the latter, Krgovich leads a tight-knit ensemble that comes as close to krautrock here as they ever might, where a driving drumbeat politely urges the elements forward; trumpet harmonies, chanting vocals, and bubbling synths, all crowned by a chorus-laden, perfectly askew solo from guitarist Thom Gill . “This record was very much a band effort. Me and Nick were at the helm but we called on the amazing crew of musicians that I play with here in Toronto to really help flesh things out,” Shabason emphasizes. “The last record was a real exercise in minimalism and quietness, and to me this record feels much more robust, and occasionally bombastic by comparison.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoseph Shabason grew up in small-town Ontario, throwing punk and emo shows in garages and church basements as an alternative to “playing hockey or doing drugs,” as he states it. At the same time Nicholas Krgovich was 4,000 kilometers away in Vancouver, BC living the kind of suburban life that can, by necessity, imbue someone with romanticism toward the things downtown-dwellers might not bat an eye at, like the fluorescent glow of commercial lighting after-hours, or the overlooked poignancy of a rundown strip mall, and all the many thousands of tiny commonplace miracles that At Scaramouche is made of. “Childhood McDonald’s gone, there used to be some woods there,” Krgovich hums prosaically over a bed of soft drum machine and Dorothea Paas’s soft supporting vocals. “The cemetery was small,” he elaborates while noticing just how far and how fast the past has receded, “now the high rises around the mall that aren’t done yet…” Where much nostalgia can slip down the slopes into something melancholy that puts the past on an impossible pedestal, album-ender “Drinks at Scaramouche” proves that Krgovich is just as in love with the present, allowing history and future to bring out the sacred in one another. “Finding all the little blips, in-betweens, now with deepening meaning,” he sings, “what little light goes slow, heartening to know that nothing really goes away.” Like so much that Shabason \u0026amp; Krgovich put their fingerprints on, At Scaramouche presents a familiar palette with just enough inflected weirdness to prompt double takes, turning folk art into outsider art with an almost imperceptible sleight of hand.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCat No : IF038LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-07T12:16:39+09:00","created_at":"2025-02-07T12:16:15+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Ideé Fixe Records","lp","new","recommended"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47108889575674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason \u0026 Krgovich \/\/ At Scaramouche LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"0061297790326","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","\/\/tobirarecords.com\/cdn\/shop\/files\/0029483526_10_9dd75f4a-280a-4be7-a9a3-5d09239f0db6.jpg?v=1686207680"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","options":["Title"],"media":[{"alt":null,"id":32091894153466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","width":700},{"alt":null,"id":32091894219002,"position":2,"preview_image":{"aspect_ratio":1.556,"height":771,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029483526_10_9dd75f4a-280a-4be7-a9a3-5d09239f0db6.jpg?v=1686207680"},"aspect_ratio":1.556,"height":771,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029483526_10_9dd75f4a-280a-4be7-a9a3-5d09239f0db6.jpg?v=1686207680","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/shabason-krgovich-sage-shabason-krgovich-sage-lpblack-color-tape\/\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2585902156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe musical partnership of Joseph Shabason and Nicholas Krgovich orbits around a shared center of earnestness, slice-of-life poeticism, and the subtle everyday banality that becomes beautiful, even absurd, under their slight redirection. Where 2020’s Philadelphia placed domestic interiors under a microscope, documenting the indoor minutiae society was forced to examine mid-pandemic, At Scaramouche steps out into the sunlight squinting groggily and happily at the new day ahead-- and particularly the night that follows. One evening after a recording session and some aimless ambling that included a visit to the house where the 1974 movie “Black Christmas” was filmed, Krgovich and fellow vocalist Chris A. Cummings found themselves misplaced at the Toronto restaurant from which At Scaramouche takes its name, gawking with amusement at its concocted air of luxury. “The layout hinted at its MCM glory, and there was a panoramic view of the city,” Krgovich illustrates, “but it was full mid 2000s, dated Sex In The City re-run decor, ‘opulence’ for rich people with bad taste. I loved it! Chris loved it!”. On At Scaramouche, Krgovich and Shabason demonstrate a mutually uncanny ability to transmute this kind of cultural wariness into amused majesty, poking fun and bowing in reverence all at once. Their spotless\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esmooth-jazz tonality, lyrical literalism, and even cover artist Jake Longstreth’s humorously sober depiction of an actual old Taco Bell building all point to the duo’s low-key-gonzo subversion of Adult Contemporary tropes into something unexpectedly transcendent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first glassy keyboard hits of “Soli” indicate this sentiment before Krgovich even steps forward as the album’s host, and when he does, he immediately gets to work setting the scene of a weary parking lot stroll on a cool, street-lit evening after work-- just one of so many unremarkable moments that become utopic under Krgovich’s poetic care. “Clocking out at five PM, don’t give it another thought, feel the evening coming in,” he sings. “When it’s dark before supper, and the rain on the house… happy for no reason.” Glimmering pianos and brushy percussion calmly converse with fretless bass as a diffuse light spreads across this little world that’s being created. But where the duo’s previous effort Philadelphia would’ve camped permanently in the stillness, At Scaramouche lunges into the upbeat stroller “In the Middle of the Day”. Though no less exemplary of the album’s quiet everyday magic, it sets a brisker pace with its head-nodding drum break and coolly interjecting bassline. Other moments on the album reiterate the spryness, like the nearly-erratic “Soli II”, and the lively pop centerpiece “I Am So Happy With My Little Dog”. On the latter, Krgovich leads a tight-knit ensemble that comes as close to krautrock here as they ever might, where a driving drumbeat politely urges the elements forward; trumpet harmonies, chanting vocals, and bubbling synths, all crowned by a chorus-laden, perfectly askew solo from guitarist Thom Gill . “This record was very much a band effort. Me and Nick were at the helm but we called on the amazing crew of musicians that I play with here in Toronto to really help flesh things out,” Shabason emphasizes. “The last record was a real exercise in minimalism and quietness, and to me this record feels much more robust, and occasionally bombastic by comparison.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoseph Shabason grew up in small-town Ontario, throwing punk and emo shows in garages and church basements as an alternative to “playing hockey or doing drugs,” as he states it. At the same time Nicholas Krgovich was 4,000 kilometers away in Vancouver, BC living the kind of suburban life that can, by necessity, imbue someone with romanticism toward the things downtown-dwellers might not bat an eye at, like the fluorescent glow of commercial lighting after-hours, or the overlooked poignancy of a rundown strip mall, and all the many thousands of tiny commonplace miracles that At Scaramouche is made of. “Childhood McDonald’s gone, there used to be some woods there,” Krgovich hums prosaically over a bed of soft drum machine and Dorothea Paas’s soft supporting vocals. “The cemetery was small,” he elaborates while noticing just how far and how fast the past has receded, “now the high rises around the mall that aren’t done yet…” Where much nostalgia can slip down the slopes into something melancholy that puts the past on an impossible pedestal, album-ender “Drinks at Scaramouche” proves that Krgovich is just as in love with the present, allowing history and future to bring out the sacred in one another. “Finding all the little blips, in-betweens, now with deepening meaning,” he sings, “what little light goes slow, heartening to know that nothing really goes away.” Like so much that Shabason \u0026amp; Krgovich put their fingerprints on, At Scaramouche presents a familiar palette with just enough inflected weirdness to prompt double takes, turning folk art into outsider art with an almost imperceptible sleight of hand.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCat No : IF038LP\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8716135596282,"title":"Shabason \u0026 Krgovich \/\/ At Scaramouche LP [COLOR]","handle":"shabason-krgovich-at-scaramouche-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。水色盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/shabason-krgovich-sage-shabason-krgovich-sage-lpblack-color-tape\/\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2585902156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" sea blue vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe musical partnership of Joseph Shabason and Nicholas Krgovich orbits around a shared center of earnestness, slice-of-life poeticism, and the subtle everyday banality that becomes beautiful, even absurd, under their slight redirection. Where 2020’s Philadelphia placed domestic interiors under a microscope, documenting the indoor minutiae society was forced to examine mid-pandemic, At Scaramouche steps out into the sunlight squinting groggily and happily at the new day ahead-- and particularly the night that follows. One evening after a recording session and some aimless ambling that included a visit to the house where the 1974 movie “Black Christmas” was filmed, Krgovich and fellow vocalist Chris A. Cummings found themselves misplaced at the Toronto restaurant from which At Scaramouche takes its name, gawking with amusement at its concocted air of luxury. “The layout hinted at its MCM glory, and there was a panoramic view of the city,” Krgovich illustrates, “but it was full mid 2000s, dated Sex In The City re-run decor, ‘opulence’ for rich people with bad taste. I loved it! Chris loved it!”. On At Scaramouche, Krgovich and Shabason demonstrate a mutually uncanny ability to transmute this kind of cultural wariness into amused majesty, poking fun and bowing in reverence all at once. Their spotless\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003esmooth-jazz tonality, lyrical literalism, and even cover artist Jake Longstreth’s humorously sober depiction of an actual old Taco Bell building all point to the duo’s low-key-gonzo subversion of Adult Contemporary tropes into something unexpectedly transcendent.\u003cbr\u003e\u003cbr\u003eThe first glassy keyboard hits of “Soli” indicate this sentiment before Krgovich even steps forward as the album’s host, and when he does, he immediately gets to work setting the scene of a weary parking lot stroll on a cool, street-lit evening after work-- just one of so many unremarkable moments that become utopic under Krgovich’s poetic care. “Clocking out at five PM, don’t give it another thought, feel the evening coming in,” he sings. “When it’s dark before supper, and the rain on the house… happy for no reason.” Glimmering pianos and brushy percussion calmly converse with fretless bass as a diffuse light spreads across this little world that’s being created. But where the duo’s previous effort Philadelphia would’ve camped permanently in the stillness, At Scaramouche lunges into the upbeat stroller “In the Middle of the Day”. Though no less exemplary of the album’s quiet everyday magic, it sets a brisker pace with its head-nodding drum break and coolly interjecting bassline. Other moments on the album reiterate the spryness, like the nearly-erratic “Soli II”, and the lively pop centerpiece “I Am So Happy With My Little Dog”. On the latter, Krgovich leads a tight-knit ensemble that comes as close to krautrock here as they ever might, where a driving drumbeat politely urges the elements forward; trumpet harmonies, chanting vocals, and bubbling synths, all crowned by a chorus-laden, perfectly askew solo from guitarist Thom Gill . “This record was very much a band effort. Me and Nick were at the helm but we called on the amazing crew of musicians that I play with here in Toronto to really help flesh things out,” Shabason emphasizes. “The last record was a real exercise in minimalism and quietness, and to me this record feels much more robust, and occasionally bombastic by comparison.”\u003cbr\u003e\u003cbr\u003eJoseph Shabason grew up in small-town Ontario, throwing punk and emo shows in garages and church basements as an alternative to “playing hockey or doing drugs,” as he states it. At the same time Nicholas Krgovich was 4,000 kilometers away in Vancouver, BC living the kind of suburban life that can, by necessity, imbue someone with romanticism toward the things downtown-dwellers might not bat an eye at, like the fluorescent glow of commercial lighting after-hours, or the overlooked poignancy of a rundown strip mall, and all the many thousands of tiny commonplace miracles that At Scaramouche is made of. “Childhood McDonald’s gone, there used to be some woods there,” Krgovich hums prosaically over a bed of soft drum machine and Dorothea Paas’s soft supporting vocals. “The cemetery was small,” he elaborates while noticing just how far and how fast the past has receded, “now the high rises around the mall that aren’t done yet…” Where much nostalgia can slip down the slopes into something melancholy that puts the past on an impossible pedestal, album-ender “Drinks at Scaramouche” proves that Krgovich is just as in love with the present, allowing history and future to bring out the sacred in one another. “Finding all the little blips, in-betweens, now with deepening meaning,” he sings, “what little light goes slow, heartening to know that nothing really goes away.” Like so much that Shabason \u0026amp; Krgovich put their fingerprints on, At Scaramouche presents a familiar palette with just enough inflected weirdness to prompt double takes, turning folk art into outsider art with an almost imperceptible sleight of hand.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IF038LP IF038CS\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-07T12:21:01+09:00","created_at":"2025-02-07T12:19:18+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Ideé Fixe Records","lp","new","recommended"],"price":438000,"price_min":438000,"price_max":438000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47108890919162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason \u0026 Krgovich \/\/ At Scaramouche LP [COLOR]","public_title":null,"options":["Default Title"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"061297790326","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","\/\/tobirarecords.com\/cdn\/shop\/files\/0029483502_10.jpg?v=1707602175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","options":["Title"],"media":[{"alt":null,"id":32091894153466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","width":700},{"alt":null,"id":33152823132410,"position":2,"preview_image":{"aspect_ratio":1.556,"height":771,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029483502_10.jpg?v=1707602175"},"aspect_ratio":1.556,"height":771,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029483502_10.jpg?v=1707602175","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。水色盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/shabason-krgovich-sage-shabason-krgovich-sage-lpblack-color-tape\/\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2585902156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" sea blue vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe musical partnership of Joseph Shabason and Nicholas Krgovich orbits around a shared center of earnestness, slice-of-life poeticism, and the subtle everyday banality that becomes beautiful, even absurd, under their slight redirection. Where 2020’s Philadelphia placed domestic interiors under a microscope, documenting the indoor minutiae society was forced to examine mid-pandemic, At Scaramouche steps out into the sunlight squinting groggily and happily at the new day ahead-- and particularly the night that follows. One evening after a recording session and some aimless ambling that included a visit to the house where the 1974 movie “Black Christmas” was filmed, Krgovich and fellow vocalist Chris A. Cummings found themselves misplaced at the Toronto restaurant from which At Scaramouche takes its name, gawking with amusement at its concocted air of luxury. “The layout hinted at its MCM glory, and there was a panoramic view of the city,” Krgovich illustrates, “but it was full mid 2000s, dated Sex In The City re-run decor, ‘opulence’ for rich people with bad taste. I loved it! Chris loved it!”. On At Scaramouche, Krgovich and Shabason demonstrate a mutually uncanny ability to transmute this kind of cultural wariness into amused majesty, poking fun and bowing in reverence all at once. Their spotless\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003esmooth-jazz tonality, lyrical literalism, and even cover artist Jake Longstreth’s humorously sober depiction of an actual old Taco Bell building all point to the duo’s low-key-gonzo subversion of Adult Contemporary tropes into something unexpectedly transcendent.\u003cbr\u003e\u003cbr\u003eThe first glassy keyboard hits of “Soli” indicate this sentiment before Krgovich even steps forward as the album’s host, and when he does, he immediately gets to work setting the scene of a weary parking lot stroll on a cool, street-lit evening after work-- just one of so many unremarkable moments that become utopic under Krgovich’s poetic care. “Clocking out at five PM, don’t give it another thought, feel the evening coming in,” he sings. “When it’s dark before supper, and the rain on the house… happy for no reason.” Glimmering pianos and brushy percussion calmly converse with fretless bass as a diffuse light spreads across this little world that’s being created. But where the duo’s previous effort Philadelphia would’ve camped permanently in the stillness, At Scaramouche lunges into the upbeat stroller “In the Middle of the Day”. Though no less exemplary of the album’s quiet everyday magic, it sets a brisker pace with its head-nodding drum break and coolly interjecting bassline. Other moments on the album reiterate the spryness, like the nearly-erratic “Soli II”, and the lively pop centerpiece “I Am So Happy With My Little Dog”. On the latter, Krgovich leads a tight-knit ensemble that comes as close to krautrock here as they ever might, where a driving drumbeat politely urges the elements forward; trumpet harmonies, chanting vocals, and bubbling synths, all crowned by a chorus-laden, perfectly askew solo from guitarist Thom Gill . “This record was very much a band effort. Me and Nick were at the helm but we called on the amazing crew of musicians that I play with here in Toronto to really help flesh things out,” Shabason emphasizes. “The last record was a real exercise in minimalism and quietness, and to me this record feels much more robust, and occasionally bombastic by comparison.”\u003cbr\u003e\u003cbr\u003eJoseph Shabason grew up in small-town Ontario, throwing punk and emo shows in garages and church basements as an alternative to “playing hockey or doing drugs,” as he states it. At the same time Nicholas Krgovich was 4,000 kilometers away in Vancouver, BC living the kind of suburban life that can, by necessity, imbue someone with romanticism toward the things downtown-dwellers might not bat an eye at, like the fluorescent glow of commercial lighting after-hours, or the overlooked poignancy of a rundown strip mall, and all the many thousands of tiny commonplace miracles that At Scaramouche is made of. “Childhood McDonald’s gone, there used to be some woods there,” Krgovich hums prosaically over a bed of soft drum machine and Dorothea Paas’s soft supporting vocals. “The cemetery was small,” he elaborates while noticing just how far and how fast the past has receded, “now the high rises around the mall that aren’t done yet…” Where much nostalgia can slip down the slopes into something melancholy that puts the past on an impossible pedestal, album-ender “Drinks at Scaramouche” proves that Krgovich is just as in love with the present, allowing history and future to bring out the sacred in one another. “Finding all the little blips, in-betweens, now with deepening meaning,” he sings, “what little light goes slow, heartening to know that nothing really goes away.” Like so much that Shabason \u0026amp; Krgovich put their fingerprints on, At Scaramouche presents a familiar palette with just enough inflected weirdness to prompt double takes, turning folk art into outsider art with an almost imperceptible sleight of hand.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IF038LP IF038CS\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8782171865338,"title":"Spool s\/t LP","handle":"spool-s-t-lp","description":"\u003cp\u003eドイツのアンビエント作家Angel R aka Florian T M Zeisigと調香師Angel ParadiseによるデュオSpoolが、2025年4月にスコットランド・グラスゴーのアンビエントレーベルSomewhere Pressからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eメランコリックでロマンチックなアンビエント〜アンビエントドローン9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Spoolは、ミュージシャンでプロデューサーのFlorian T M Zeisigと、アーティストで調香師のAngel Paradiseによる多分野にわたるコラボレーションプロジェクトである。このプロジェクトは、両アーティストがバイエルン・アルプスの小さな農村ヒナンに住んでいたときに生まれた。この作品は、孤独、内省、個人的な覚醒の時期を体現している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFlorian T M Zeisigは、重さを感じさせない、しかし深く喚起されるような作曲を編み出す独特の才能を持っている。彼の音楽には深遠な優しさ、つまり最も結晶的なサウンドスケープでさえも余韻を残すソウルフルな存在感がある。Spoolでは、不明瞭な素材からループを紡ぎ出し、ロマンチックな雰囲気の霞んだタペストリーに仕上げている。これらの作品には、過去と未来、現在と記憶の両方の周波数が含まれている。ポップな遺物の断片、揺らめくピアノ、そして狭間の世界の響きがエーテルに溶け込み、その共鳴がほろ苦い幸福感、バラ色のメランコリーをかき立てる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpoolは、両者にとって、激しい変容の時期から生まれた。それは、Zeisigにとっても、この音楽がいかに感情的に響くものであるかを説明する一助となる。当時の彼のスタジオからは、果てしなく続く山林が見渡せ、そのシルエットの上を雲が雄大に滑空していた。それは、山の精霊を呼び起こす幽玄なヴォーカル・ドローン、森の雑木林に棲む生き物のようにざわめく抽象化されたサンプル、そして山の頂に響く自然のエコーのように余韻を残すコードに聴こえる。Zeisigは、過ぎ去った断片の香ばしいコアを蘇らせ、長い年月を経た響きに磨きをかけ、その魂が霧の中に消えていく前に、最後の一呼吸をするために戻ってくる。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3521575055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sopr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sopr\"\u003ehere\u003c\/a\u003e to see more Somewhere Press \/ Blush Editions releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black viny.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. One (Runaway) 04:23\u003cbr\u003e2. Oneandhalf 04:13\u003cbr\u003e3. Threeandhalf 02:38\u003cbr\u003e4. Angels 04:15\u003cbr\u003e5. Four 02:47\u003cbr\u003e6. Fiveandhalf 03:12\u003cbr\u003e7. Alright 02:21\u003cbr\u003e8. Plus 04:28\u003cbr\u003e9. Yea 04:20 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSomewhere Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Spool is a multi-disciplinary, collaborative project by musician and producer Florian TM Zeisig and artist and perfumer Angel Paradise. The project came about when both artists were living in Hinang, a small farming village in the Bavarian Alps. The work embodies a period of isolation, reflection and personal awakening. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlorian TM Zeisig has a distinctive ability to weave compositions that feel weightless yet deeply evocative. His music carries a profound tenderness—a soulful presence that lingers in even the most crystalline soundscapes. On Spool, he weaves loops from obscured material into a hazy tapestry of romantic atmospheres. These pieces hold the frequencies of both past and future—present and remembered. Fragments of pop relics, flickering piano, and the echoes of an in-between world dissolve into aether, their resonance stirring a bittersweet euphoria—a rose-tinted melancholy. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpool was born out of a time of intense transformation for both Zeisig and Angel Paradise; their epic surroundings were a vessel through which to see life at a different scale. That goes some way to explaining how emotionally resonant this music is, even for Zeisig. His studio at the time looked onto endless mountain forests, wisps of cloud gliding majestically across their silhouettes. It’s\u003cspan class=\"bcTruncateMore\"\u003e heard in the ethereal vocal drones that evoke mountain spirits, the samples crunched into abstraction that rustle, like creatures in the forest overgrowth, and the reverberating chords that linger on like natural echoes over mountain tops. Zeisig resurfaces the redolent core of bygone fragments, honing into long-gone echoes, their spirits returning for one final breath before fading into the mist.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Spool\u003c\/p\u003e\n\u003cp\u003eLabel : Somewhere Press\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cspan\u003eSP05\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-09T15:10:53+09:00","created_at":"2025-05-09T14:56:45+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","recommended","somewhere press"],"price":488000,"price_min":488000,"price_max":488000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304902279418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Spool s\/t LP","public_title":null,"options":["Default Title"],"price":488000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3825159851_10.jpg?v=1746771235","\/\/tobirarecords.com\/cdn\/shop\/files\/0039510840_10.jpg?v=1746771235"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3825159851_10.jpg?v=1746771235","options":["Title"],"media":[{"alt":null,"id":36000228737274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3825159851_10.jpg?v=1746771235"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3825159851_10.jpg?v=1746771235","width":1200},{"alt":null,"id":36000228507898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039510840_10.jpg?v=1746771235"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039510840_10.jpg?v=1746771235","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのアンビエント作家Angel R aka Florian T M Zeisigと調香師Angel ParadiseによるデュオSpoolが、2025年4月にスコットランド・グラスゴーのアンビエントレーベルSomewhere Pressからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eメランコリックでロマンチックなアンビエント〜アンビエントドローン9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Spoolは、ミュージシャンでプロデューサーのFlorian T M Zeisigと、アーティストで調香師のAngel Paradiseによる多分野にわたるコラボレーションプロジェクトである。このプロジェクトは、両アーティストがバイエルン・アルプスの小さな農村ヒナンに住んでいたときに生まれた。この作品は、孤独、内省、個人的な覚醒の時期を体現している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFlorian T M Zeisigは、重さを感じさせない、しかし深く喚起されるような作曲を編み出す独特の才能を持っている。彼の音楽には深遠な優しさ、つまり最も結晶的なサウンドスケープでさえも余韻を残すソウルフルな存在感がある。Spoolでは、不明瞭な素材からループを紡ぎ出し、ロマンチックな雰囲気の霞んだタペストリーに仕上げている。これらの作品には、過去と未来、現在と記憶の両方の周波数が含まれている。ポップな遺物の断片、揺らめくピアノ、そして狭間の世界の響きがエーテルに溶け込み、その共鳴がほろ苦い幸福感、バラ色のメランコリーをかき立てる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSpoolは、両者にとって、激しい変容の時期から生まれた。それは、Zeisigにとっても、この音楽がいかに感情的に響くものであるかを説明する一助となる。当時の彼のスタジオからは、果てしなく続く山林が見渡せ、そのシルエットの上を雲が雄大に滑空していた。それは、山の精霊を呼び起こす幽玄なヴォーカル・ドローン、森の雑木林に棲む生き物のようにざわめく抽象化されたサンプル、そして山の頂に響く自然のエコーのように余韻を残すコードに聴こえる。Zeisigは、過ぎ去った断片の香ばしいコアを蘇らせ、長い年月を経た響きに磨きをかけ、その魂が霧の中に消えていく前に、最後の一呼吸をするために戻ってくる。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3521575055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sopr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sopr\"\u003ehere\u003c\/a\u003e to see more Somewhere Press \/ Blush Editions releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black viny.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. One (Runaway) 04:23\u003cbr\u003e2. Oneandhalf 04:13\u003cbr\u003e3. Threeandhalf 02:38\u003cbr\u003e4. Angels 04:15\u003cbr\u003e5. Four 02:47\u003cbr\u003e6. Fiveandhalf 03:12\u003cbr\u003e7. Alright 02:21\u003cbr\u003e8. Plus 04:28\u003cbr\u003e9. Yea 04:20 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSomewhere Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Spool is a multi-disciplinary, collaborative project by musician and producer Florian TM Zeisig and artist and perfumer Angel Paradise. The project came about when both artists were living in Hinang, a small farming village in the Bavarian Alps. The work embodies a period of isolation, reflection and personal awakening. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFlorian TM Zeisig has a distinctive ability to weave compositions that feel weightless yet deeply evocative. His music carries a profound tenderness—a soulful presence that lingers in even the most crystalline soundscapes. On Spool, he weaves loops from obscured material into a hazy tapestry of romantic atmospheres. These pieces hold the frequencies of both past and future—present and remembered. Fragments of pop relics, flickering piano, and the echoes of an in-between world dissolve into aether, their resonance stirring a bittersweet euphoria—a rose-tinted melancholy. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpool was born out of a time of intense transformation for both Zeisig and Angel Paradise; their epic surroundings were a vessel through which to see life at a different scale. That goes some way to explaining how emotionally resonant this music is, even for Zeisig. His studio at the time looked onto endless mountain forests, wisps of cloud gliding majestically across their silhouettes. It’s\u003cspan class=\"bcTruncateMore\"\u003e heard in the ethereal vocal drones that evoke mountain spirits, the samples crunched into abstraction that rustle, like creatures in the forest overgrowth, and the reverberating chords that linger on like natural echoes over mountain tops. Zeisig resurfaces the redolent core of bygone fragments, honing into long-gone echoes, their spirits returning for one final breath before fading into the mist.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Spool\u003c\/p\u003e\n\u003cp\u003eLabel : Somewhere Press\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cspan\u003eSP05\u003c\/span\u003e\u003c\/p\u003e"}
Spool s/t LP
¥4,880
クイックビュー
{"id":8026766213370,"title":"Connor Camburn \/\/ 00U0U_akhnQkunEcw_0CI0pI_600x450 CD+BOOKLET","handle":"connor-camburn-00u0u_akhnqkunecw_0ci0pi_600x450-cd-booklet","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAの実験音楽家Connor Camburnが、2023年9月に同国シカゴの実験レーベルPentimentsから100部限定でリリースしたブックレット付きCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eメロディほぼ皆無のコラージュ・ドローン7曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e12ページのカラーブックレットには、住宅建設の災害イメージと、アメリカの機械工学者\u003cmeta charset=\"utf-8\"\u003eHans Moravecが1980年に発表したロボット工学の論文「Obstacle Avoidance and Navigation in the Real World by a Seeing Robot Rover」によって構成されたコラージュが掲載されています。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/cca\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Pentimentsは、新しくロサンゼルスに拠点を移したアーティストであり、親友でもあるConnor Camburnのオーディオおよびビジュアル作品のセレクションで、CDプライマリーの領域に初めて踏み込んだ。このディスクに収録されているのは、アカデミックな電子音響音楽の騒々しい端っこを占める、より辛辣で妥協のない声（ケント・タンクレッドの膨大なジェネレイティヴ・パレット、 ケント・タンクレッドのヴォリュームのあるジェネレイティブ・パレット、ベンジャミン・ティッペンの焦げた音の機能不全、ローランド・ケインのサイバネティック・システムの異質な出力など）が思い浮かぶが、Connorの作品には、前述したような遍歴的な性質を避け、より恒常的なモードを好む、細胞のむき出しの反復への傾向も見られる。付属のブックレットは、主に住宅建設の災害のイメージに基づいた作品と、ハンス・モラヴェックが1980年に発表したロボット工学の論文「Obstacle Avoidance and Navigation in the Real World by a Seeing Robot Rover」によって構成されている。その結果、アルゴリズミックかつ図式的な危機が展示され、計算メカニズムが感覚と知性の産物を解析しようとする試みによって生じる異化された擬似効果を、美的な抱擁によって強調している。迫り来る「技術的特異点」に対する峻厳で饒舌な反論が醜悪な頭をもたげ、人はそのコードに誤作動の偶発的な壮大さを見出すよう促される。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1113701370\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e CD \u003cmeta charset=\"utf-8\"\u003ewith 12-page 8x10\" full color booklet. Edition of 100. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e01082016 03:50\u003c\/li\u003e\n\u003cli\u003e12312021 06:02\u003c\/li\u003e\n\u003cli\u003e01022021 03:19\u003c\/li\u003e\n\u003cli\u003e08112020 04:40\u003c\/li\u003e\n\u003cli\u003e08292021 05:42\u003c\/li\u003e\n\u003cli\u003e08242021 03:53\u003c\/li\u003e\n\u003cli\u003e12312021 05:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePentiments:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ePentiments takes its first leap into CD-primary territory with a selection of audio and visual works by newly relocated Los Angeles artist and good friend Connor Camburn. Contained on the disc are seven formidable studies of a kind with some of the more barbed and uncompromising voices that occupy the noisier margins of academic electroacoustic music (the voluminous generative palettes of Kent Tankred, the charred sonic dysfunctions of Benjamin Thigpen and the alien outputs of Roland Kayn’s cybernetic systems all come to mind), although Connor’s work also displays a proclivity for the bare repetition of cells that eschews the itinerant natures of the aforementioned in favor of more homeostatic modes. The accompanying booklet consists mostly of works based on images of home construction disasters and Hans Moravec’s 1980 robotics thesis Obstacle Avoidance and Navigation in the Real World by a Seeing Robot Rover visually mangled by what is suspected to have been erring optical character recognition during its conversion into a PDF file. The result is an exhibit of algorithmic and diagrammatic crises that emphasize by means of aesthetic embrace the dissimulated pseudo-affects engendered by a computational mechanism’s attempt to parse products of sentience and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e intellect. A stark and laconic argument against the oncoming “technological singularity” rears its ugly head and one is encouraged to find in its code the incidental grandeur of malfunction.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Connor Camburn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-02T19:18:47+09:00","created_at":"2023-10-02T13:21:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","noise","Pentiments","recommended"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44597355282682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Connor Camburn \/\/ 00U0U_akhnQkunEcw_0CI0pI_600x450 CD+BOOKLET","public_title":null,"options":["Default Title"],"price":228000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_8f712c58-d022-4493-b2f9-dc2b83ef362c.jpg?v=1696220479","\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_e93fae6a-e1ea-47d9-b03a-d38c6616a261.jpg?v=1696220480","\/\/tobirarecords.com\/cdn\/shop\/files\/oo3.jpg?v=1696220479"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_8f712c58-d022-4493-b2f9-dc2b83ef362c.jpg?v=1696220479","options":["Title"],"media":[{"alt":null,"id":32516883710202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_8f712c58-d022-4493-b2f9-dc2b83ef362c.jpg?v=1696220479"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo1_8f712c58-d022-4493-b2f9-dc2b83ef362c.jpg?v=1696220479","width":700},{"alt":null,"id":32516883742970,"position":2,"preview_image":{"aspect_ratio":0.848,"height":1200,"width":1018,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_e93fae6a-e1ea-47d9-b03a-d38c6616a261.jpg?v=1696220480"},"aspect_ratio":0.848,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo2_e93fae6a-e1ea-47d9-b03a-d38c6616a261.jpg?v=1696220480","width":1018},{"alt":null,"id":32516883775738,"position":3,"preview_image":{"aspect_ratio":0.785,"height":1200,"width":942,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo3.jpg?v=1696220479"},"aspect_ratio":0.785,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oo3.jpg?v=1696220479","width":942}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAの実験音楽家Connor Camburnが、2023年9月に同国シカゴの実験レーベルPentimentsから100部限定でリリースしたブックレット付きCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eメロディほぼ皆無のコラージュ・ドローン7曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e12ページのカラーブックレットには、住宅建設の災害イメージと、アメリカの機械工学者\u003cmeta charset=\"utf-8\"\u003eHans Moravecが1980年に発表したロボット工学の論文「Obstacle Avoidance and Navigation in the Real World by a Seeing Robot Rover」によって構成されたコラージュが掲載されています。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/cca\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Pentimentsは、新しくロサンゼルスに拠点を移したアーティストであり、親友でもあるConnor Camburnのオーディオおよびビジュアル作品のセレクションで、CDプライマリーの領域に初めて踏み込んだ。このディスクに収録されているのは、アカデミックな電子音響音楽の騒々しい端っこを占める、より辛辣で妥協のない声（ケント・タンクレッドの膨大なジェネレイティヴ・パレット、 ケント・タンクレッドのヴォリュームのあるジェネレイティブ・パレット、ベンジャミン・ティッペンの焦げた音の機能不全、ローランド・ケインのサイバネティック・システムの異質な出力など）が思い浮かぶが、Connorの作品には、前述したような遍歴的な性質を避け、より恒常的なモードを好む、細胞のむき出しの反復への傾向も見られる。付属のブックレットは、主に住宅建設の災害のイメージに基づいた作品と、ハンス・モラヴェックが1980年に発表したロボット工学の論文「Obstacle Avoidance and Navigation in the Real World by a Seeing Robot Rover」によって構成されている。その結果、アルゴリズミックかつ図式的な危機が展示され、計算メカニズムが感覚と知性の産物を解析しようとする試みによって生じる異化された擬似効果を、美的な抱擁によって強調している。迫り来る「技術的特異点」に対する峻厳で饒舌な反論が醜悪な頭をもたげ、人はそのコードに誤作動の偶発的な壮大さを見出すよう促される。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1113701370\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e CD \u003cmeta charset=\"utf-8\"\u003ewith 12-page 8x10\" full color booklet. Edition of 100. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e01082016 03:50\u003c\/li\u003e\n\u003cli\u003e12312021 06:02\u003c\/li\u003e\n\u003cli\u003e01022021 03:19\u003c\/li\u003e\n\u003cli\u003e08112020 04:40\u003c\/li\u003e\n\u003cli\u003e08292021 05:42\u003c\/li\u003e\n\u003cli\u003e08242021 03:53\u003c\/li\u003e\n\u003cli\u003e12312021 05:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePentiments:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ePentiments takes its first leap into CD-primary territory with a selection of audio and visual works by newly relocated Los Angeles artist and good friend Connor Camburn. Contained on the disc are seven formidable studies of a kind with some of the more barbed and uncompromising voices that occupy the noisier margins of academic electroacoustic music (the voluminous generative palettes of Kent Tankred, the charred sonic dysfunctions of Benjamin Thigpen and the alien outputs of Roland Kayn’s cybernetic systems all come to mind), although Connor’s work also displays a proclivity for the bare repetition of cells that eschews the itinerant natures of the aforementioned in favor of more homeostatic modes. The accompanying booklet consists mostly of works based on images of home construction disasters and Hans Moravec’s 1980 robotics thesis Obstacle Avoidance and Navigation in the Real World by a Seeing Robot Rover visually mangled by what is suspected to have been erring optical character recognition during its conversion into a PDF file. The result is an exhibit of algorithmic and diagrammatic crises that emphasize by means of aesthetic embrace the dissimulated pseudo-affects engendered by a computational mechanism’s attempt to parse products of sentience and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e intellect. A stark and laconic argument against the oncoming “technological singularity” rears its ugly head and one is encouraged to find in its code the incidental grandeur of malfunction.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Connor Camburn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8043313561850,"title":"Henry Birdsey \/\/ Two Harmonicas in the Jeweler's Court LP","handle":"henry-birdsey-two-harmonicas-in-the-jewelers-court-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・コネチカットのペダススチール奏者Henry Birdsey(Old Saw、Tongue Depressor)\u003c\/span\u003eが、2023年10月に同国実験レーベルPOOLEからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e魔改造した倍音ハーモニカによるハードコア・アコースティックドローン5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eAndrew Weathersがマスタリングを担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003e過去作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Henry Birdseyは二面性の達人だ。基本的でありながら複雑、静謐でありながら激しい、コンセプチュアルでありながら親しみやすい音楽を書く。彼の音楽はしばしば、故郷バーモント州の広大で孤立した地域と、その広大な自然の素晴らしさを反映している。また、友人たちと、あるいはひとりで、純粋に自然発生的に音を創り出すことだけをテーマにしていることも多い。とはいえ、『Two Harmonicas in the Jeweler's Court』について考えるとき、彼の地質学への愛と関心が最も顕著に感じられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e『Two Harmonicas in the Jeweler's Court』は、濃密な層、神秘的なプロポーション、そして地質学的な時間の作品である。ハーモニカの録音というよりは、堆積盆の側面を眺めているような絶対的な音楽である。各楽章を通して、呼吸によって刻まれながらも、音と音の間の空気、揺らめくハーモニクス、たゆたうコンビネーション・トーンによって支えられている、時間が宙に浮いているように感じられる。半音クラスターの鋭い歯と、全音の煌めきが上へ上へと押し上げ、しばしば和音の下端でより広い音程によって補強される。上昇し、拡散し、ゆがみ、ひび割れ、屈折する音楽である。チューニングの始まりは、掃除中に誤ってダイアトニック・ハーモニカのリード板をめくってしまったことから、それまで不可能だった音程の配列が発見されたことだった。通常、楽器はリードの半分だけを吹き出して鳴らし、残りの半分は空気を吸い込んで鳴らす構造になっている。ダイアトニック・ハーモニカでは、これによって従来のハーモニーやメロディーを意図しない不協和音を発生させることなく演奏することができるのだが、バードジーはこのプレートの1枚を裏返すことで、空気が一方向に進むだけですべての音を同時に出すことができる、歪んで鼓動する継子のようなハーモニカをうっかり作り出してしまったのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2710354782\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/poole\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/poole\"\u003ehere\u003c\/a\u003e to see more Poole Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSeriya Limb 08:08\u003c\/li\u003e\n\u003cli\u003eBent Reed 04:26\u003c\/li\u003e\n\u003cli\u003eSeriya 37 07:02\u003c\/li\u003e\n\u003cli\u003eSeriya 17 07:53\u003c\/li\u003e\n\u003cli\u003eComb Drift 08:39\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eLiam Herb, 2023, via the label\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eHenry Birdsey is a master of dualities. He writes music that is both fundamental and complex, tranquil and fierce, and conceptual yet familiar all at once. His music often reflects the expansive and isolated regions of his home state of Vermont with its vast natural splendor, both lush and harsh, haunting and entrancing. It is also often about nothing more than the pure spontaneous creation of sound with friends or alone by himself. This all being said, when thinking of Two Harmonicas in the Jeweler’s Court, his love and interest in geology is what felt most notable.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTwo Harmonicas in the Jeweler’s Court is a work of dense layers, mysterious proportions, and geological time. It is an absolute music that feels more like gazing at the side of a sedimentary basin than a harmonica recording. Time feels suspended throughout each of the movements — marked by breaths but sustained by the air between the sounds, shimmering harmonics, and fluttering combination tones. The sharp teeth of semitone clusters and the glimmers of the wholetone relationships push upward, often bolstered by wider intervals in the lower end of the chords. It is a music of rising, diffusing, warping, cracking, and refracting. The tuning began with a mistake — accidentally flipping the reed plate of a diatonic\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e harmonica while cleaning led to the discovery of a previously impossible arrangement of pitches. Ordinarily, the instrument is constructed so that only half of the reeds can be sounded by blowing out, the other half by drawing air in. In a diatonic harmonica, this allows for conventional harmonies and melodies to be played without unintended dissonances, but by flipping one of these plates, Birdsey inadvertently created a warped and beating stepchild of a harmonica that could produce all of its sound simultaneously with the air traveling in one direction...\u003c\/em\u003e\"\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henry Birdsey\u003c\/p\u003e\n\u003cp\u003eLabel : Poole Music\u003c\/p\u003e","published_at":"2023-10-22T08:11:51+09:00","created_at":"2023-10-21T13:31:48+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","poole music","recommended"],"price":376300,"price_min":376300,"price_max":376300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44663121641722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"Henry Birdsey \/\/ Two Harmonicas in the Jeweler's Court LP","public_title":null,"options":["Default Title"],"price":376300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/har1.jpg?v=1697862710","\/\/tobirarecords.com\/cdn\/shop\/files\/har2_30c3689b-269b-4e40-9d5d-ea8dadf709fc.jpg?v=1697862710","\/\/tobirarecords.com\/cdn\/shop\/files\/har3_41181f19-9fae-410b-a65d-846d279ea961.jpg?v=1697862711"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/har1.jpg?v=1697862710","options":["Title"],"media":[{"alt":null,"id":32585092694266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har1.jpg?v=1697862710"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har1.jpg?v=1697862710","width":700},{"alt":null,"id":32585092727034,"position":2,"preview_image":{"aspect_ratio":1.004,"height":1195,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har2_30c3689b-269b-4e40-9d5d-ea8dadf709fc.jpg?v=1697862710"},"aspect_ratio":1.004,"height":1195,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har2_30c3689b-269b-4e40-9d5d-ea8dadf709fc.jpg?v=1697862710","width":1200},{"alt":null,"id":32585092759802,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har3_41181f19-9fae-410b-a65d-846d279ea961.jpg?v=1697862711"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/har3_41181f19-9fae-410b-a65d-846d279ea961.jpg?v=1697862711","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・コネチカットのペダススチール奏者Henry Birdsey(Old Saw、Tongue Depressor)\u003c\/span\u003eが、2023年10月に同国実験レーベルPOOLEからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e魔改造した倍音ハーモニカによるハードコア・アコースティックドローン5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eAndrew Weathersがマスタリングを担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003e過去作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Henry Birdseyは二面性の達人だ。基本的でありながら複雑、静謐でありながら激しい、コンセプチュアルでありながら親しみやすい音楽を書く。彼の音楽はしばしば、故郷バーモント州の広大で孤立した地域と、その広大な自然の素晴らしさを反映している。また、友人たちと、あるいはひとりで、純粋に自然発生的に音を創り出すことだけをテーマにしていることも多い。とはいえ、『Two Harmonicas in the Jeweler's Court』について考えるとき、彼の地質学への愛と関心が最も顕著に感じられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003e『Two Harmonicas in the Jeweler's Court』は、濃密な層、神秘的なプロポーション、そして地質学的な時間の作品である。ハーモニカの録音というよりは、堆積盆の側面を眺めているような絶対的な音楽である。各楽章を通して、呼吸によって刻まれながらも、音と音の間の空気、揺らめくハーモニクス、たゆたうコンビネーション・トーンによって支えられている、時間が宙に浮いているように感じられる。半音クラスターの鋭い歯と、全音の煌めきが上へ上へと押し上げ、しばしば和音の下端でより広い音程によって補強される。上昇し、拡散し、ゆがみ、ひび割れ、屈折する音楽である。チューニングの始まりは、掃除中に誤ってダイアトニック・ハーモニカのリード板をめくってしまったことから、それまで不可能だった音程の配列が発見されたことだった。通常、楽器はリードの半分だけを吹き出して鳴らし、残りの半分は空気を吸い込んで鳴らす構造になっている。ダイアトニック・ハーモニカでは、これによって従来のハーモニーやメロディーを意図しない不協和音を発生させることなく演奏することができるのだが、バードジーはこのプレートの1枚を裏返すことで、空気が一方向に進むだけですべての音を同時に出すことができる、歪んで鼓動する継子のようなハーモニカをうっかり作り出してしまったのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2710354782\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/poole\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/poole\"\u003ehere\u003c\/a\u003e to see more Poole Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSeriya Limb 08:08\u003c\/li\u003e\n\u003cli\u003eBent Reed 04:26\u003c\/li\u003e\n\u003cli\u003eSeriya 37 07:02\u003c\/li\u003e\n\u003cli\u003eSeriya 17 07:53\u003c\/li\u003e\n\u003cli\u003eComb Drift 08:39\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eLiam Herb, 2023, via the label\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eHenry Birdsey is a master of dualities. He writes music that is both fundamental and complex, tranquil and fierce, and conceptual yet familiar all at once. His music often reflects the expansive and isolated regions of his home state of Vermont with its vast natural splendor, both lush and harsh, haunting and entrancing. It is also often about nothing more than the pure spontaneous creation of sound with friends or alone by himself. This all being said, when thinking of Two Harmonicas in the Jeweler’s Court, his love and interest in geology is what felt most notable.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTwo Harmonicas in the Jeweler’s Court is a work of dense layers, mysterious proportions, and geological time. It is an absolute music that feels more like gazing at the side of a sedimentary basin than a harmonica recording. Time feels suspended throughout each of the movements — marked by breaths but sustained by the air between the sounds, shimmering harmonics, and fluttering combination tones. The sharp teeth of semitone clusters and the glimmers of the wholetone relationships push upward, often bolstered by wider intervals in the lower end of the chords. It is a music of rising, diffusing, warping, cracking, and refracting. The tuning began with a mistake — accidentally flipping the reed plate of a diatonic\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e harmonica while cleaning led to the discovery of a previously impossible arrangement of pitches. Ordinarily, the instrument is constructed so that only half of the reeds can be sounded by blowing out, the other half by drawing air in. In a diatonic harmonica, this allows for conventional harmonies and melodies to be played without unintended dissonances, but by flipping one of these plates, Birdsey inadvertently created a warped and beating stepchild of a harmonica that could produce all of its sound simultaneously with the air traveling in one direction...\u003c\/em\u003e\"\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henry Birdsey\u003c\/p\u003e\n\u003cp\u003eLabel : Poole Music\u003c\/p\u003e"}
クイックビュー
{"id":8034439397626,"title":"Professor Creepshow \/\/ 32 Bit Breaks (Vol. 4) TAPE","handle":"professor-creepshow-32-bit-breaks-vol-4-tape","description":"\u003cp\u003eアメリカの常夏ビート集団Jazz PlayazメンバーProfessor Creepshowが、2023年10月に同国地下ラウンジ・ヒップホップレーベルSIC Recordsから80本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eヴェイパーウェーブ・ヒップホップ〜ラウンジ・ヒップホップ20曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1386472795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sic-records\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sic-records\"\u003ehere\u003c\/a\u003e to see more SIC RECORDS releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 80. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHigh Speed Serenade 02:25\u003c\/li\u003e\n\u003cli\u003eGameplay Groove 02:36\u003c\/li\u003e\n\u003cli\u003eMultiplayer Madness 03:16\u003c\/li\u003e\n\u003cli\u003eBeach Level (feat. Tommy Martini) 02:31\u003c\/li\u003e\n\u003cli\u003e8-Bit Bliss (feat. Mackjunt.) 02:08\u003c\/li\u003e\n\u003cli\u003eMemory Overwrite 02:49\u003c\/li\u003e\n\u003cli\u003eEasy Mode 03:02\u003c\/li\u003e\n\u003cli\u003eReset \/\/ Reload 01:56\u003c\/li\u003e\n\u003cli\u003eLost Galaxy 02:45\u003c\/li\u003e\n\u003cli\u003eDecor Stage (feat. Mackjunt.) 02:48\u003c\/li\u003e\n\u003cli\u003eDune Buggy Escape (feat. Bonnaz) 01:43\u003c\/li\u003e\n\u003cli\u003eComplete In Box 02:59\u003c\/li\u003e\n\u003cli\u003eBlue Lines 02:23\u003c\/li\u003e\n\u003cli\u003e4 Games In 1 02:24\u003c\/li\u003e\n\u003cli\u003eDaytime Level (feat. St.Izik) 02:01\u003c\/li\u003e\n\u003cli\u003eKiosk Demo 01:53\u003c\/li\u003e\n\u003cli\u003eThird Echelon (feat. Mackjunt.) 02:21\u003c\/li\u003e\n\u003cli\u003eNetwork Zone 02:11\u003c\/li\u003e\n\u003cli\u003eMissing Manual 02:12\u003c\/li\u003e\n\u003cli\u003eDisc Error 01:46\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSIC RECORDS:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIntroducing Volume Four from the popular series \"32 Bit Breaks\" By Professor Creepshow - crafted with meticulous care for Lofi Beat enthusiasts and gamers who cherish video game soundtracks. Dedicated to those that relive the joy and escapism found in racing, rpgs and fighting games.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Professor Creepshow\u003c\/p\u003e\n\u003cp\u003eLabel : SIC RECORDS\u003c\/p\u003e","published_at":"2023-10-21T09:37:09+09:00","created_at":"2023-10-15T14:06:01+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","new","sic records","tape"],"price":229000,"price_min":229000,"price_max":229000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44637455843578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Professor Creepshow \/\/ 32 Bit Breaks (Vol. 4) TAPE","public_title":null,"options":["Default Title"],"price":229000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bit1_07bd1fa6-e674-4b83-b34f-5b13ffab81f9.jpg?v=1697346363","\/\/tobirarecords.com\/cdn\/shop\/files\/bit2_09b2581b-8283-4e26-b659-04c0aa091b61.jpg?v=1697346363"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bit1_07bd1fa6-e674-4b83-b34f-5b13ffab81f9.jpg?v=1697346363","options":["Title"],"media":[{"alt":null,"id":32559901802746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bit1_07bd1fa6-e674-4b83-b34f-5b13ffab81f9.jpg?v=1697346363"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bit1_07bd1fa6-e674-4b83-b34f-5b13ffab81f9.jpg?v=1697346363","width":700},{"alt":null,"id":32559901835514,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bit2_09b2581b-8283-4e26-b659-04c0aa091b61.jpg?v=1697346363"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bit2_09b2581b-8283-4e26-b659-04c0aa091b61.jpg?v=1697346363","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの常夏ビート集団Jazz PlayazメンバーProfessor Creepshowが、2023年10月に同国地下ラウンジ・ヒップホップレーベルSIC Recordsから80本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eヴェイパーウェーブ・ヒップホップ〜ラウンジ・ヒップホップ20曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1386472795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sic-records\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sic-records\"\u003ehere\u003c\/a\u003e to see more SIC RECORDS releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 80. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHigh Speed Serenade 02:25\u003c\/li\u003e\n\u003cli\u003eGameplay Groove 02:36\u003c\/li\u003e\n\u003cli\u003eMultiplayer Madness 03:16\u003c\/li\u003e\n\u003cli\u003eBeach Level (feat. Tommy Martini) 02:31\u003c\/li\u003e\n\u003cli\u003e8-Bit Bliss (feat. Mackjunt.) 02:08\u003c\/li\u003e\n\u003cli\u003eMemory Overwrite 02:49\u003c\/li\u003e\n\u003cli\u003eEasy Mode 03:02\u003c\/li\u003e\n\u003cli\u003eReset \/\/ Reload 01:56\u003c\/li\u003e\n\u003cli\u003eLost Galaxy 02:45\u003c\/li\u003e\n\u003cli\u003eDecor Stage (feat. Mackjunt.) 02:48\u003c\/li\u003e\n\u003cli\u003eDune Buggy Escape (feat. Bonnaz) 01:43\u003c\/li\u003e\n\u003cli\u003eComplete In Box 02:59\u003c\/li\u003e\n\u003cli\u003eBlue Lines 02:23\u003c\/li\u003e\n\u003cli\u003e4 Games In 1 02:24\u003c\/li\u003e\n\u003cli\u003eDaytime Level (feat. St.Izik) 02:01\u003c\/li\u003e\n\u003cli\u003eKiosk Demo 01:53\u003c\/li\u003e\n\u003cli\u003eThird Echelon (feat. Mackjunt.) 02:21\u003c\/li\u003e\n\u003cli\u003eNetwork Zone 02:11\u003c\/li\u003e\n\u003cli\u003eMissing Manual 02:12\u003c\/li\u003e\n\u003cli\u003eDisc Error 01:46\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eSIC RECORDS:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIntroducing Volume Four from the popular series \"32 Bit Breaks\" By Professor Creepshow - crafted with meticulous care for Lofi Beat enthusiasts and gamers who cherish video game soundtracks. Dedicated to those that relive the joy and escapism found in racing, rpgs and fighting games.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Professor Creepshow\u003c\/p\u003e\n\u003cp\u003eLabel : SIC RECORDS\u003c\/p\u003e"}
クイックビュー
{"id":8034451685626,"title":"Dressing \/\/ Dressing CD","handle":"dressing-dressing-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアイルランド・ダブリンのノイズ作家Dressing\u003c\/span\u003eが、2022年4月に同国コークの実験／ノイズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKrim Kram\u003c\/span\u003eからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e2021年に15本限定でリリースした2本のカセットの再発盤です。4面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/dressing-from-the-body-to-the-door-cd\"\u003e最新作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=43060075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003ehere\u003c\/a\u003e to see more Krim Kram releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack. Reissue of two cassettes originally self-released in editions of 15 in 2021\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKnotted Thought 10:01\u003c\/li\u003e\n\u003cli\u003eEnduring Mercy \/ Warm Routine 09:50\u003c\/li\u003e\n\u003cli\u003eBegging Fumes 10:00\u003c\/li\u003e\n\u003cli\u003eCreasing Interest 09:56\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eKrim Kram:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDressing is the experimental noise project of Dublin based artist Kevin Kirwan. Active in visual arts for the past decade or so, Kirwan has recently begun recording noise using field recordings, found objects, feedback and tape manipulation. His noise is restrained and textural with occasional melodic undercurrents. He recently performed live as Dressing for the first time at the closing of Aleana Egan's exhibition 'Sampler' at Void Gallery, Derry.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis CD is a reissue of two cassettes originally self-released in editions of 15 in 2021. A CD of new material is due later this year on the excellent L.A. based harsh noise label, Oxen Records.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dressing\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Krim Kram\u003c\/p\u003e","published_at":"2023-10-16T07:58:02+09:00","created_at":"2023-10-15T15:08:49+09:00","vendor":"Tobira Records","type":"","tags":["cd","krim kram","new","noise"],"price":219300,"price_min":219300,"price_max":219300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44637538124026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dressing \/\/ Dressing CD","public_title":null,"options":["Default Title"],"price":219300,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dre1.jpg?v=1697350131","\/\/tobirarecords.com\/cdn\/shop\/files\/dre2.jpg?v=1697350132"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dre1.jpg?v=1697350131","options":["Title"],"media":[{"alt":null,"id":32560170664186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dre1.jpg?v=1697350131"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dre1.jpg?v=1697350131","width":700},{"alt":null,"id":32560170696954,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dre2.jpg?v=1697350132"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dre2.jpg?v=1697350132","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアイルランド・ダブリンのノイズ作家Dressing\u003c\/span\u003eが、2022年4月に同国コークの実験／ノイズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKrim Kram\u003c\/span\u003eからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e2021年に15本限定でリリースした2本のカセットの再発盤です。4面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/dressing-from-the-body-to-the-door-cd\"\u003e最新作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=43060075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/krmkrm\"\u003ehere\u003c\/a\u003e to see more Krim Kram releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack. Reissue of two cassettes originally self-released in editions of 15 in 2021\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eKnotted Thought 10:01\u003c\/li\u003e\n\u003cli\u003eEnduring Mercy \/ Warm Routine 09:50\u003c\/li\u003e\n\u003cli\u003eBegging Fumes 10:00\u003c\/li\u003e\n\u003cli\u003eCreasing Interest 09:56\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eKrim Kram:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDressing is the experimental noise project of Dublin based artist Kevin Kirwan. Active in visual arts for the past decade or so, Kirwan has recently begun recording noise using field recordings, found objects, feedback and tape manipulation. His noise is restrained and textural with occasional melodic undercurrents. He recently performed live as Dressing for the first time at the closing of Aleana Egan's exhibition 'Sampler' at Void Gallery, Derry.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis CD is a reissue of two cassettes originally self-released in editions of 15 in 2021. A CD of new material is due later this year on the excellent L.A. based harsh noise label, Oxen Records.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dressing\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Krim Kram\u003c\/p\u003e"}
Dressing // Dressing CD
¥2,193
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{"id":8774310822138,"title":"Henry Cyer \/\/ Roots of Empathy LP","handle":"henry-cyer-roots-of-empathy-lp-pre-order","description":"\u003cp\u003eイギリス・ロンドンの実験音楽家Henry Cyerが、2025年5月に自身主宰レーベルThe Hotelの第一弾としてリリースした再発レコードです。（オリジナルは2023年CDリリース）\u003c\/p\u003e\n\u003cp\u003e終始低空飛行のリチュアリスティック・ダークアンビエント〜ノイズ・ドローン7曲を収録。8ページの写真ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4288946362\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes 8-page booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. London Fields 04:45\u003cbr\u003e2. Age of Decay 04:44\u003cbr\u003e3. Roots of Empathy 04:58\u003cbr\u003e4. Love World 05:44\u003cbr\u003e5. Tunnel 02:05\u003cbr\u003e6. Gaia One 05:11\u003cbr\u003e7. White Hotel 05:07\u003cbr\u003e8. Harm Ending 04:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThe Hotel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Hotel is proud to present its first release – Roots of Empathy, the debut album from London artist Henry Cyer.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWritten and recorded over the span of four years, the project manifests itself as an album of songs, a collection of photographs and a series of music videos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRoots of Empathy explores fear as an entity – both personal and impersonal, alien and familiar, real and dreamlike.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album pulls the listener into a mystical otherworld, where the self is dissolved and projected through a multitude of voices and perspectives.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henry Cyer\u003c\/p\u003e\n\u003cp\u003eLabel : The Hotel\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTH01\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-09T12:09:57+09:00","created_at":"2025-04-28T10:26:41+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","noise","strange beats"],"price":449700,"price_min":449700,"price_max":449700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47282032345338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Henry Cyer \/\/ Roots of Empathy LP","public_title":null,"options":["Default Title"],"price":449700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/em1_76b2e3a3-bb1f-420a-bdde-f2c8b6fb88ef.jpg?v=1745803494","\/\/tobirarecords.com\/cdn\/shop\/files\/em2_5e77ff05-79f2-4dd5-a9d4-35b179e619f5.jpg?v=1745803494"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_76b2e3a3-bb1f-420a-bdde-f2c8b6fb88ef.jpg?v=1745803494","options":["Title"],"media":[{"alt":null,"id":35953042587898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_76b2e3a3-bb1f-420a-bdde-f2c8b6fb88ef.jpg?v=1745803494"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em1_76b2e3a3-bb1f-420a-bdde-f2c8b6fb88ef.jpg?v=1745803494","width":700},{"alt":null,"id":35953042620666,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em2_5e77ff05-79f2-4dd5-a9d4-35b179e619f5.jpg?v=1745803494"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/em2_5e77ff05-79f2-4dd5-a9d4-35b179e619f5.jpg?v=1745803494","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンの実験音楽家Henry Cyerが、2025年5月に自身主宰レーベルThe Hotelの第一弾としてリリースした再発レコードです。（オリジナルは2023年CDリリース）\u003c\/p\u003e\n\u003cp\u003e終始低空飛行のリチュアリスティック・ダークアンビエント〜ノイズ・ドローン7曲を収録。8ページの写真ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4288946362\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes 8-page booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. London Fields 04:45\u003cbr\u003e2. Age of Decay 04:44\u003cbr\u003e3. Roots of Empathy 04:58\u003cbr\u003e4. Love World 05:44\u003cbr\u003e5. Tunnel 02:05\u003cbr\u003e6. Gaia One 05:11\u003cbr\u003e7. White Hotel 05:07\u003cbr\u003e8. Harm Ending 04:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThe Hotel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Hotel is proud to present its first release – Roots of Empathy, the debut album from London artist Henry Cyer.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWritten and recorded over the span of four years, the project manifests itself as an album of songs, a collection of photographs and a series of music videos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRoots of Empathy explores fear as an entity – both personal and impersonal, alien and familiar, real and dreamlike.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album pulls the listener into a mystical otherworld, where the self is dissolved and projected through a multitude of voices and perspectives.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Henry Cyer\u003c\/p\u003e\n\u003cp\u003eLabel : The Hotel\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTH01\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8781750468858,"title":"Michelle Helene Mackenzie \u0026 Stefan Maier \/ Olivia Block \/\/ Orchid Mantis \/ Breach LP","handle":"michelle-helene-mackenzie-stefan-maier-olivia-block-orchid-mantis-breach-lp","description":"\u003cp\u003e実験音楽家Michelle Helene Mackenzie \u0026amp; Stefan MaierとOlivia Blockが、\u003cspan\u003e2025年5月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1617880926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Michelle Helene Mackenzie \u0026amp; Stefan Maier - Orchid Mantis\u003cbr\u003e2. Olivia Block - Breach\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOrchid Mantis, by Michelle Helene Mackenzie and Stefan Maier, is a work that draws its inspiration from the history of the Sanzhi Pod City, in northern Taiwan. Sanzhi Pod City was built from 1978 onwards, made up of buildings constructed from assemblages of ‘pods’ inspired by the futuro houses of Finnish architect Matti Suuronen. The project was abandoned in 1980, following a number of accidents during construction and persistent rumours that the site was haunted. However, this wasteland of a city has allowed insects to proliferate, in particular five species of orchid mantis. It is this strange environment, made up of utopian buildings, proliferating insects and vegetation reclaiming the site, that serves as the imaginary space for Michelle Helene Mackenzie and Stefan Maier’s music, a music of carefully designed pace and progression, drawing, through resonance and stridulation, subtle sonic materials that guide and accompany us into multiple worlds with admirable ease and grace. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBreach, by American composer Olivia Block, engages in a dialogue between field recordings and synthesised sounds, creating a vibrant plea for wild spaces that face an ever-growing threat to their survival from human activities. The work is based on recordings\u003cspan class=\"bcTruncateMore\"\u003e collected in the San Ignacio lagoon in the Mexican part of Southern California. This lagoon is known as a breeding ground for eastern Pacific grey whales. With the help of precise electronics, the music unfolds like a drift, depicting the subjective soundscape of whales caught up in the noise of the Anthropocene. The composer uses otoacoustic emissions in particular, representing the sound saturation caused by humans in the habitat of these large marine mammals. Going beyond a merely descriptive dimension, Olivia Block manages to transcend her subject to offer a fascinating musical form that engages the listener in a constantly renewed way.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michelle Helene Mackenzie \u0026amp; Stefan Maier \/ Olivia Block\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Shelter Press sublabel)\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM013lp\u003c\/p\u003e","published_at":"2025-05-09T11:56:42+09:00","created_at":"2025-05-08T19:11:29+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","shelter press"],"price":327000,"price_min":327000,"price_max":327000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47303769227514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Michelle Helene Mackenzie \u0026 Stefan Maier \/ Olivia Block \/\/ Orchid Mantis \/ Breach LP","public_title":null,"options":["Default Title"],"price":327000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411732","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/br1_aaa5c631-7772-415f-8323-de19bb6a6fd5.jpg?v=1746698996","\/\/tobirarecords.com\/cdn\/shop\/files\/br2_8b07e6dc-21b3-4a9d-86f3-5081f00a462b.jpg?v=1746698996"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/br1_aaa5c631-7772-415f-8323-de19bb6a6fd5.jpg?v=1746698996","options":["Title"],"media":[{"alt":null,"id":35997852336378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br1_aaa5c631-7772-415f-8323-de19bb6a6fd5.jpg?v=1746698996"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br1_aaa5c631-7772-415f-8323-de19bb6a6fd5.jpg?v=1746698996","width":700},{"alt":null,"id":35997852369146,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br2_8b07e6dc-21b3-4a9d-86f3-5081f00a462b.jpg?v=1746698996"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br2_8b07e6dc-21b3-4a9d-86f3-5081f00a462b.jpg?v=1746698996","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験音楽家Michelle Helene Mackenzie \u0026amp; Stefan MaierとOlivia Blockが、\u003cspan\u003e2025年5月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1617880926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Michelle Helene Mackenzie \u0026amp; Stefan Maier - Orchid Mantis\u003cbr\u003e2. Olivia Block - Breach\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOrchid Mantis, by Michelle Helene Mackenzie and Stefan Maier, is a work that draws its inspiration from the history of the Sanzhi Pod City, in northern Taiwan. Sanzhi Pod City was built from 1978 onwards, made up of buildings constructed from assemblages of ‘pods’ inspired by the futuro houses of Finnish architect Matti Suuronen. The project was abandoned in 1980, following a number of accidents during construction and persistent rumours that the site was haunted. However, this wasteland of a city has allowed insects to proliferate, in particular five species of orchid mantis. It is this strange environment, made up of utopian buildings, proliferating insects and vegetation reclaiming the site, that serves as the imaginary space for Michelle Helene Mackenzie and Stefan Maier’s music, a music of carefully designed pace and progression, drawing, through resonance and stridulation, subtle sonic materials that guide and accompany us into multiple worlds with admirable ease and grace. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBreach, by American composer Olivia Block, engages in a dialogue between field recordings and synthesised sounds, creating a vibrant plea for wild spaces that face an ever-growing threat to their survival from human activities. The work is based on recordings\u003cspan class=\"bcTruncateMore\"\u003e collected in the San Ignacio lagoon in the Mexican part of Southern California. This lagoon is known as a breeding ground for eastern Pacific grey whales. With the help of precise electronics, the music unfolds like a drift, depicting the subjective soundscape of whales caught up in the noise of the Anthropocene. The composer uses otoacoustic emissions in particular, representing the sound saturation caused by humans in the habitat of these large marine mammals. Going beyond a merely descriptive dimension, Olivia Block manages to transcend her subject to offer a fascinating musical form that engages the listener in a constantly renewed way.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michelle Helene Mackenzie \u0026amp; Stefan Maier \/ Olivia Block\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Shelter Press sublabel)\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM013lp\u003c\/p\u003e"}
クイックビュー
{"id":8781954908410,"title":"The Growth Eternal \/\/ Live At Susan's TAPE","handle":"the-growth-eternal-live-at-susans-tape","description":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのジャズベーシスト／R\u0026amp;B作家The Growth Eternalが、2025年3月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records主宰の一人Divaの誕生日会で演奏したライブセッション9\u003c\/span\u003e\u003cspan\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1184724654\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNo digital - tape only.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 150. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. i. intro 00:59\u003cbr\u003e2. ii. colors of the rainbow 00:59\u003cbr\u003e3. iii. tribal dance 00:59\u003cbr\u003e4. iv. dream tree 04:11\u003cbr\u003e5. v. juju 00:59\u003cbr\u003e6. vi. close to you 00:59\u003cbr\u003e7. vii. huntress 00:59\u003cbr\u003e8. viii. love : paranoia 00:59\u003cbr\u003e9. ix. visions of a new world 00:59\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eArtist : The Growth Eternal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-09T11:38:17+09:00","created_at":"2025-05-09T08:23:16+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","leaving records","new","tape"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304467087610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Growth Eternal \/\/ Live At Susan's TAPE","public_title":null,"options":["Default Title"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/et1_ee7136bd-e24b-44cc-ab69-bc56660df50d.jpg?v=1746746524","\/\/tobirarecords.com\/cdn\/shop\/files\/et2_ebd0de28-354e-489c-b718-c2832a74fb1a.jpg?v=1746746524"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/et1_ee7136bd-e24b-44cc-ab69-bc56660df50d.jpg?v=1746746524","options":["Title"],"media":[{"alt":null,"id":35999427657978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/et1_ee7136bd-e24b-44cc-ab69-bc56660df50d.jpg?v=1746746524"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/et1_ee7136bd-e24b-44cc-ab69-bc56660df50d.jpg?v=1746746524","width":700},{"alt":null,"id":35999427690746,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/et2_ebd0de28-354e-489c-b718-c2832a74fb1a.jpg?v=1746746524"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/et2_ebd0de28-354e-489c-b718-c2832a74fb1a.jpg?v=1746746524","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのジャズベーシスト／R\u0026amp;B作家The Growth Eternalが、2025年3月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records主宰の一人Divaの誕生日会で演奏したライブセッション9\u003c\/span\u003e\u003cspan\u003e曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1184724654\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNo digital - tape only.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 150. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. i. intro 00:59\u003cbr\u003e2. ii. colors of the rainbow 00:59\u003cbr\u003e3. iii. tribal dance 00:59\u003cbr\u003e4. iv. dream tree 04:11\u003cbr\u003e5. v. juju 00:59\u003cbr\u003e6. vi. close to you 00:59\u003cbr\u003e7. vii. huntress 00:59\u003cbr\u003e8. viii. love : paranoia 00:59\u003cbr\u003e9. ix. visions of a new world 00:59\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eArtist : The Growth Eternal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8781947601146,"title":"Kim Hiorthøy \/\/ Ghost Note LP","handle":"kim-hiorthoy-ghost-note-lp","description":"\u003cp\u003eノルウェーのベテランアンビエント作家Kim Hiorthøyが、2025年3月に\u003cspan\u003eベルギー・ヘントのアンビエントレーベルdauw傘下Blickwinkel\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e内省的なアンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前作から10年以上を経て、Kim HiorthøyがベルギーのレーベルBlickwinkelから『Ghost Note』を3月21日にリリースする。彼の音楽は、コンテンポラリーダンス、映画、演劇を形成する背景としてひっそりと存在してきたが、このアルバムによって再び注目されるようになった。『Ghost Note』は、存在と不在の境界線上にある音の探求であり、構築的でありながら有機的な架空の世界である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eほとんどデジタル技術を駆使して、Kim Hiorthøyは実在する楽器を作り出した--音が聞こえ、音色があり、響きがある。例えば、パーカッションは安物のスクラップ・メタル・ドラムのように聞こえる。しかし、それらは本物なのか？存在するのだろうか？Kim Hiorthøyは知覚と戯れ、何が現実で何が記憶のように感じられるかに挑戦する。そうすることで、 本作は、不確かさと定義不可能性を受け入れることへの招待状となる\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3037788080\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e to see more Dauw releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wish Walk 02:34\u003cbr\u003e2. Double Sword 03:20\u003cbr\u003e3. Slump Wave 02:58\u003cbr\u003e4. Melody Set 04:48\u003cbr\u003e5. Computer Music 05:48\u003cbr\u003e6. Lost Leave 03:36\u003cbr\u003e7. Smell Shirt 01:24\u003cbr\u003e8. Yellow Minute 04:26\u003cbr\u003e9. Failure List 01:50\u003cbr\u003e10. Book Legs 03:38\u003cbr\u003e11. Wax Mat 02:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlickwinckel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore than a decade after his last full album, Kim Hiorthøy returns with Ghost Note, out on March 21 via the Belgian label Blickwinkel. Though his music has quietly existed in the background—shaping contemporary dance, film, and theatre—this album brings it into focus once more. Ghost Note is an exploration of sound on the edge of presence and absence, a fictional world that is both constructed and organic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing mostly digital technology, Hiorthøy created a set of instruments that are real—you can hear them, they have tone, timbre, and resonance—but also not. The percussion, for instance, sounds like cheap scrap metal drums. But are they real? Do they exist? Hiorthøy plays with perception, challenging what feels real and what feels like a memory. In doing so, Ghost Note becomes an invitation to embrace uncertainty and indefinability.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kim Hiorthøy\u003c\/p\u003e\n\u003cp\u003eLabel : Blickwinckel (Dauw)\u003c\/p\u003e","published_at":"2025-05-09T09:12:43+09:00","created_at":"2025-05-09T07:52:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","dauw","jazz","lp","new","recommended"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304449720570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kim Hiorthøy \/\/ Ghost Note LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_b2fd820e-9806-48d1-a20e-c03c19739160.jpg?v=1746744655","\/\/tobirarecords.com\/cdn\/shop\/files\/kim2.jpg?v=1746744655"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_b2fd820e-9806-48d1-a20e-c03c19739160.jpg?v=1746744655","options":["Title"],"media":[{"alt":null,"id":35999385551098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_b2fd820e-9806-48d1-a20e-c03c19739160.jpg?v=1746744655"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim1_b2fd820e-9806-48d1-a20e-c03c19739160.jpg?v=1746744655","width":700},{"alt":null,"id":35999385583866,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim2.jpg?v=1746744655"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kim2.jpg?v=1746744655","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェーのベテランアンビエント作家Kim Hiorthøyが、2025年3月に\u003cspan\u003eベルギー・ヘントのアンビエントレーベルdauw傘下Blickwinkel\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e内省的なアンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前作から10年以上を経て、Kim HiorthøyがベルギーのレーベルBlickwinkelから『Ghost Note』を3月21日にリリースする。彼の音楽は、コンテンポラリーダンス、映画、演劇を形成する背景としてひっそりと存在してきたが、このアルバムによって再び注目されるようになった。『Ghost Note』は、存在と不在の境界線上にある音の探求であり、構築的でありながら有機的な架空の世界である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eほとんどデジタル技術を駆使して、Kim Hiorthøyは実在する楽器を作り出した--音が聞こえ、音色があり、響きがある。例えば、パーカッションは安物のスクラップ・メタル・ドラムのように聞こえる。しかし、それらは本物なのか？存在するのだろうか？Kim Hiorthøyは知覚と戯れ、何が現実で何が記憶のように感じられるかに挑戦する。そうすることで、 本作は、不確かさと定義不可能性を受け入れることへの招待状となる\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3037788080\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e to see more Dauw releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wish Walk 02:34\u003cbr\u003e2. Double Sword 03:20\u003cbr\u003e3. Slump Wave 02:58\u003cbr\u003e4. Melody Set 04:48\u003cbr\u003e5. Computer Music 05:48\u003cbr\u003e6. Lost Leave 03:36\u003cbr\u003e7. Smell Shirt 01:24\u003cbr\u003e8. Yellow Minute 04:26\u003cbr\u003e9. Failure List 01:50\u003cbr\u003e10. Book Legs 03:38\u003cbr\u003e11. Wax Mat 02:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlickwinckel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore than a decade after his last full album, Kim Hiorthøy returns with Ghost Note, out on March 21 via the Belgian label Blickwinkel. Though his music has quietly existed in the background—shaping contemporary dance, film, and theatre—this album brings it into focus once more. Ghost Note is an exploration of sound on the edge of presence and absence, a fictional world that is both constructed and organic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing mostly digital technology, Hiorthøy created a set of instruments that are real—you can hear them, they have tone, timbre, and resonance—but also not. The percussion, for instance, sounds like cheap scrap metal drums. But are they real? Do they exist? Hiorthøy plays with perception, challenging what feels real and what feels like a memory. In doing so, Ghost Note becomes an invitation to embrace uncertainty and indefinability.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kim Hiorthøy\u003c\/p\u003e\n\u003cp\u003eLabel : Blickwinckel (Dauw)\u003c\/p\u003e"}
クイックビュー
{"id":8781945667834,"title":"Chaka Chawasarira \/\/ Useza LP","handle":"chaka-chawasarira-useza-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/12発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eジンバブエのマテぺ名手Chaka Chawasariraが、2025年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eショナ族の儀式音楽6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"英語では、ショナ語の 「Useza 」は、偉大な技術、細心の注意、正確さを持つ人を意味し、Chaka Chawasariraの生涯の練習を完璧に照らし出している。ジンバブエの著名なアーティストであり教育者である彼は、マテペの最後の名手の一人である。マテペは、親指と人差し指の両方で演奏するムビラスタイルの大型楽器で、リズムの複雑さを広げるために演奏される。Usezaでは、1970年に民族音楽学者のアンドリュー・トレイシーが「カレイドフォニック（万華鏡のような）」と評した、変幻自在の和声進行を引き起こす催眠術のようなシーケンスをオーバーダビングし、マテペの幻想的な可能性を存分に発揮している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eジンバブエ北東部のショナ族の文化に古くから伝わる芸術であるマテペは、伝統的に地元の儀式に使われてきた。その曖昧な音響心理学的蜃気楼は、祖先の霊とのコミュニケーションを助けるトランス状態を呼び起こす。ほんの半世紀前までは、セナ・トンガ族やコレ・コレ族の儀式には6人以上の音楽家が参加し、それぞれが連動したポリリズムを演奏していた。2025年、この音楽は絶滅の危機に瀕している。儀式を魔術と結びつけるジンバブエの福音派教会やペンテコステ派教会からの数十年にわたる誹謗中傷の結果、マスターミュージシャンは10人も残っていない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e作曲家のキース・ゴダードから 「ムビラのモーツァルト 」と呼ばれる83歳のチャワサリラは、若い頃からこの楽器との関係を深めてきた。カトリックの伝道施設で育った彼は教会に献身し、自ら聖歌隊を創設したが、ジンバブエの伝統的なリズムを研究することで、ジンバブエ文化とのつながりを保っていた。チャワサリラの父親は有名なドラマーで、チャワサリラが大きくなってミッションスクールで教師として働くようになると、彼は地元のムビラ・アンサンブルを見学に出かけ、やがて精霊の儀式に定期的に参加するようになった。チャワサリラの教会での仕事と伝統的な儀式音楽への関心との間には緊張関係があったが、1960年代にはカトリックの礼拝にドラムを導入したり、カリンバのためのミサ曲を作曲したりと、不安定なバランスを取ることに成功した。チャワサリラの名声は着実に高まり、1990年代にはジンバブエを代表する現代作曲フェスティバルにルースヴィル大学に招かれ、彼の青少年アンサンブルは国内のみならず世界中にショナ・ムビラ音楽を広めた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、今日の福音派はカトリック教会ほど寛容ではなく、原理主義的な説教者たちはムビラ音楽をあらゆる悲劇の原因だと非難している。チトゥングウィザに住むチャワサリラは、マテペやカリンバを作り、子供たちの家庭教師をしている。「Useza」は、彼の長年の経験を称えるものであり、マエストロが後世にレパートリーを残すための手段でもある。真夜中に録音されたこのアルバムは、ショナ族の儀式の魅惑的なサウンドを再現している。チャワサリラは一人で、重みのないポリリズムの上で詠唱し、聴き手に多角的な視点を提供する音楽的イリュージョンを作り出す。チャワサリラは、カレイドフォニーを巧みに立証し、ジンバブエの遺産を守りながら、その源流に真っ向から取り組んでいる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1613892982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hurombo 05:02\u003cbr\u003e2. Kuvachenjedza\u003cbr\u003e3. Wako Ndiwako\u003cbr\u003e4. Ndonda\u003cbr\u003e5. Msengu\u003cbr\u003e6. Marume Azere Dare\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn English, the Shona word \"Useza\" means someone of great skill, meticulousness, and precision, and it perfectly illuminates Sekuru Chaka Chawasarira's lifelong practice. The eminent Zimbabwean artist and educator is among the last remaining masters of the matepe, a large mbira-style instrument that's played with both thumbs and index fingers to expand its rhythmelodic complexity. And on 'Useza', he fully demonstrates the matepe's illusory potential, overdubbing hypnotic sequences to provoke shifting harmonic progressions that ethnomusicologist Andrew Tracey labeled \"kaleidophonic\" back in 1970.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn ancient art within North-Eastern Zimbabwe's Shona culture, the matepe is traditionally used in local rituals, where its ambiguous psychoacoustic mirages evoke trance states to aid communication with ancestral spirits. Only half a century ago, ceremonies amongst the Sena Tonga and Kore-Kore peoples might easily involve six or more musicians, each playing interlocking polyrhythmic sequences. In 2025, the music is threatened with extinction; following decades of vilification from Zimbabwe's evangelical and pentecostal churches, who associate the rituals with witchcraft, there are fewer than ten master\u003cspan class=\"bcTruncateMore\"\u003e musicians left.\u003cbr\u003e\u003cbr\u003eCalled the \"Mozart of mbira\" by composer Keith Goddard, 83-year-old Chawasarira has been developing his relationship with the instrument since he was just a young man. He grew up in a Catholic mission and was dedicated to the church, founding his own choir, but he maintained his connection to Zimbabwean culture by studying the region's traditional rhythms. Chawasarira's father had been a well-known drummer, and when Chawasarira was older, working as a teacher at the mission school, he ventured out to observe local mbira ensembles, eventually participating regularly in spirit ceremonies. And although there were tensions between Chawasarira's work with the church and his interest in traditional ceremonial music, he managed to strike a precarious balance, introducing drums to his Catholic services in the 1960s and even composing a mass for karimba. Chawasarira's reputation grew steadily; he was invited to Lousville University in the 1990s to represent Zimbabwe at a contemporary composition festival, and his youth ensembles helped popularize Shona mbira music not just at home, but around the world.\u003cbr\u003e\u003cbr\u003eToday's evangelicals are less tolerant than the Catholic church however, with fundamentalist preachers blaming mbira music for all manner of tragedy. Chawasarira remains undeterred; living in Chitungwiza, he builds matepes and karimbas and tutors children, and 'Useza' is a celebration of his years of experience, a way for the maestro to preserve his repertoire for future generations. Recorded at the dead of night, the rest of the township sound asleep, the album reproduces the mesmerizing sound of a Shona ritual by overlaying discrete fractal sequences filled with haunting overtones and buzzing rhythms. Chawasarira works alone, chanting over the weightless polyrhythms to create musical illusions that offer multiple perspectives for listening. It's a technique that's been approached by various minimalist composers and avant-garde explorers in the 20th century and beyond, and Chawasarira goes straight to the source, skillfully substantiating kaleidophony and safeguarding Zimbabwe's heritage.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chaka Chawasarira\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT074\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-09T08:50:38+09:00","created_at":"2025-05-09T07:40:49+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","nyege nyege tapes","recommended"],"price":435500,"price_min":435500,"price_max":435500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304442020090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chaka Chawasarira \/\/ Useza LP","public_title":null,"options":["Default Title"],"price":435500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934","\/\/tobirarecords.com\/cdn\/shop\/files\/cha2_ebe979b7-32f7-44d6-a3f4-7567477866ba.jpg?v=1746743934"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934","options":["Title"],"media":[{"alt":null,"id":35999368446202,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha1_6b5c6402-0778-4c5a-9b7b-00232c418007.jpg?v=1746743934","width":700},{"alt":null,"id":35999368478970,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha2_ebe979b7-32f7-44d6-a3f4-7567477866ba.jpg?v=1746743934"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cha2_ebe979b7-32f7-44d6-a3f4-7567477866ba.jpg?v=1746743934","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/12発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eジンバブエのマテぺ名手Chaka Chawasariraが、2025年5月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eショナ族の儀式音楽6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"英語では、ショナ語の 「Useza 」は、偉大な技術、細心の注意、正確さを持つ人を意味し、Chaka Chawasariraの生涯の練習を完璧に照らし出している。ジンバブエの著名なアーティストであり教育者である彼は、マテペの最後の名手の一人である。マテペは、親指と人差し指の両方で演奏するムビラスタイルの大型楽器で、リズムの複雑さを広げるために演奏される。Usezaでは、1970年に民族音楽学者のアンドリュー・トレイシーが「カレイドフォニック（万華鏡のような）」と評した、変幻自在の和声進行を引き起こす催眠術のようなシーケンスをオーバーダビングし、マテペの幻想的な可能性を存分に発揮している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eジンバブエ北東部のショナ族の文化に古くから伝わる芸術であるマテペは、伝統的に地元の儀式に使われてきた。その曖昧な音響心理学的蜃気楼は、祖先の霊とのコミュニケーションを助けるトランス状態を呼び起こす。ほんの半世紀前までは、セナ・トンガ族やコレ・コレ族の儀式には6人以上の音楽家が参加し、それぞれが連動したポリリズムを演奏していた。2025年、この音楽は絶滅の危機に瀕している。儀式を魔術と結びつけるジンバブエの福音派教会やペンテコステ派教会からの数十年にわたる誹謗中傷の結果、マスターミュージシャンは10人も残っていない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e作曲家のキース・ゴダードから 「ムビラのモーツァルト 」と呼ばれる83歳のチャワサリラは、若い頃からこの楽器との関係を深めてきた。カトリックの伝道施設で育った彼は教会に献身し、自ら聖歌隊を創設したが、ジンバブエの伝統的なリズムを研究することで、ジンバブエ文化とのつながりを保っていた。チャワサリラの父親は有名なドラマーで、チャワサリラが大きくなってミッションスクールで教師として働くようになると、彼は地元のムビラ・アンサンブルを見学に出かけ、やがて精霊の儀式に定期的に参加するようになった。チャワサリラの教会での仕事と伝統的な儀式音楽への関心との間には緊張関係があったが、1960年代にはカトリックの礼拝にドラムを導入したり、カリンバのためのミサ曲を作曲したりと、不安定なバランスを取ることに成功した。チャワサリラの名声は着実に高まり、1990年代にはジンバブエを代表する現代作曲フェスティバルにルースヴィル大学に招かれ、彼の青少年アンサンブルは国内のみならず世界中にショナ・ムビラ音楽を広めた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、今日の福音派はカトリック教会ほど寛容ではなく、原理主義的な説教者たちはムビラ音楽をあらゆる悲劇の原因だと非難している。チトゥングウィザに住むチャワサリラは、マテペやカリンバを作り、子供たちの家庭教師をしている。「Useza」は、彼の長年の経験を称えるものであり、マエストロが後世にレパートリーを残すための手段でもある。真夜中に録音されたこのアルバムは、ショナ族の儀式の魅惑的なサウンドを再現している。チャワサリラは一人で、重みのないポリリズムの上で詠唱し、聴き手に多角的な視点を提供する音楽的イリュージョンを作り出す。チャワサリラは、カレイドフォニーを巧みに立証し、ジンバブエの遺産を守りながら、その源流に真っ向から取り組んでいる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1613892982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hurombo 05:02\u003cbr\u003e2. Kuvachenjedza\u003cbr\u003e3. Wako Ndiwako\u003cbr\u003e4. Ndonda\u003cbr\u003e5. Msengu\u003cbr\u003e6. Marume Azere Dare\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn English, the Shona word \"Useza\" means someone of great skill, meticulousness, and precision, and it perfectly illuminates Sekuru Chaka Chawasarira's lifelong practice. The eminent Zimbabwean artist and educator is among the last remaining masters of the matepe, a large mbira-style instrument that's played with both thumbs and index fingers to expand its rhythmelodic complexity. And on 'Useza', he fully demonstrates the matepe's illusory potential, overdubbing hypnotic sequences to provoke shifting harmonic progressions that ethnomusicologist Andrew Tracey labeled \"kaleidophonic\" back in 1970.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn ancient art within North-Eastern Zimbabwe's Shona culture, the matepe is traditionally used in local rituals, where its ambiguous psychoacoustic mirages evoke trance states to aid communication with ancestral spirits. Only half a century ago, ceremonies amongst the Sena Tonga and Kore-Kore peoples might easily involve six or more musicians, each playing interlocking polyrhythmic sequences. In 2025, the music is threatened with extinction; following decades of vilification from Zimbabwe's evangelical and pentecostal churches, who associate the rituals with witchcraft, there are fewer than ten master\u003cspan class=\"bcTruncateMore\"\u003e musicians left.\u003cbr\u003e\u003cbr\u003eCalled the \"Mozart of mbira\" by composer Keith Goddard, 83-year-old Chawasarira has been developing his relationship with the instrument since he was just a young man. He grew up in a Catholic mission and was dedicated to the church, founding his own choir, but he maintained his connection to Zimbabwean culture by studying the region's traditional rhythms. Chawasarira's father had been a well-known drummer, and when Chawasarira was older, working as a teacher at the mission school, he ventured out to observe local mbira ensembles, eventually participating regularly in spirit ceremonies. And although there were tensions between Chawasarira's work with the church and his interest in traditional ceremonial music, he managed to strike a precarious balance, introducing drums to his Catholic services in the 1960s and even composing a mass for karimba. Chawasarira's reputation grew steadily; he was invited to Lousville University in the 1990s to represent Zimbabwe at a contemporary composition festival, and his youth ensembles helped popularize Shona mbira music not just at home, but around the world.\u003cbr\u003e\u003cbr\u003eToday's evangelicals are less tolerant than the Catholic church however, with fundamentalist preachers blaming mbira music for all manner of tragedy. Chawasarira remains undeterred; living in Chitungwiza, he builds matepes and karimbas and tutors children, and 'Useza' is a celebration of his years of experience, a way for the maestro to preserve his repertoire for future generations. Recorded at the dead of night, the rest of the township sound asleep, the album reproduces the mesmerizing sound of a Shona ritual by overlaying discrete fractal sequences filled with haunting overtones and buzzing rhythms. Chawasarira works alone, chanting over the weightless polyrhythms to create musical illusions that offer multiple perspectives for listening. It's a technique that's been approached by various minimalist composers and avant-garde explorers in the 20th century and beyond, and Chawasarira goes straight to the source, skillfully substantiating kaleidophony and safeguarding Zimbabwe's heritage.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Chaka Chawasarira\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT074\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
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{"id":8781757022458,"title":"Le Motel \/\/ Odd Numbers \/ Số Lẻ LP","handle":"le-motel-odd-numbers-số-lẻ-lp","description":"\u003cp\u003e\u003cspan\u003eベルギー・ブリュッセルのベース作家Le Motelが、\u003c\/span\u003e2025年2月にスペイン・バルセロナのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベトナムで録音したフィールドレコーディングを随所に散りばめたバレアリック・ダウンテンポ〜エレクトロニック・アンビエント〜IDM15曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3581426841\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elithographic 4-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Cried Like a Child of Three \/ Tôi đã khóc như một đứa trẻ lên ba (feat. Yvonne Quỳnh-Lan Dương, Bui Thi Oanh, Chi chi, Ma Ma Chi and Are Ro) 04:42\u003cbr\u003e2. Xăm Hường 02:47\u003cbr\u003e3. Early Night with Fa and the Dang Brothers \/ Đầu hôm với Fa và anh em nhà họ Đặng (feat. Long Dang) 02:43\u003cbr\u003e4. La Palanche \/ Đòn gánh 03:38\u003cbr\u003e5. The Universe Is a Rabid Creature \/ Vũ trụ là con thú điên (feat. Yvonne Quỳnh-Lan Dương, Phapxa Chan and Bui Thi Oanh) 03:37\u003cbr\u003e6. Hanoi - The Motorcycle Empire \/ Hà Nội - Đế chế Xe ôm (feat. Gretar Ingi Gunnlaugsson and Dung Tran Quoc) 02:58 video\u003cbr\u003e7. A Conversation Under the Night Sky \/ Cuộc chuyện dưới trời đêm 02:26\u003cbr\u003e8. Altar \/ Bàn thờ 02:46\u003cbr\u003e9. Roóng Poọc (feat. Giáy) 02:19\u003cbr\u003e10. Chàm Islands (feat. Hoàng Tuấn) 02:35\u003cbr\u003e11. Lục bát 03:32\u003cbr\u003e12. The Perfume River \/ Sông Hương (feat. Truong Phu) 01:33\u003cbr\u003e13. Tuj Lub (feat. Lander Gyselinck) 04:11\u003cbr\u003e14. Đông Ba Market (feat. Hoàng Tuấn and Yvonne Quỳnh-Lan Dương) 02:31\u003cbr\u003e15. Home Is a Fire \/ Nhà là một ngọn lửa 02:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt took a village to create Le Motel’s Odd Numbers \/ Số Lẻ. Beneath its pulsing, shimmering tones, the record is alive with the sounds of everyday life—purring mopeds, idle whistling, the din of kitchens and whisper of rain, voices joyful and contemplative, scenes of bustling cities and domestic intimacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLe Motel—who runs the Brussels-based record label Maloca—gathered sounds, photographs, and videos while traveling in Vietnam in 2023. From Hanoi he ventured to Hmong communities in the mountains near the border with China, building out a network of contacts gathered from friends and friends of friends. But Odd Numbers \/ Số Lẻ—which takes its title from traditional Vietnamese numerological beliefs and customs—is wholly unlike the extractive product typical of exploitative modes of Western tourism; the album’s final shape was deeply dependent upon the participation of the people the artist met in Vietnam.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Brussels after his travels, as Le Motel began working with his materials, he sent early drafts to his contacts, inviting their input. This back-and-forth eventually yielded a dynamic collective effort in which nine of the album’s 15 tracks feature multiple composer credits. Among the album’s diverse collaborators\u003cspan class=\"bcTruncateMore\"\u003e are Yvonne Quỳnh-Lan Dương, an educator and ethnomusicologist; Chi Chi, the daughter of a Hmong shaman; and Phapxa Chan, who contributes three poems inspired by landscape and Le Motel’s own music (and, in one case, psychedelics).\u003cbr\u003e\u003cbr\u003eThe result is an album that is not about making sound, broadcasting it as a one-way communication, but instead about the empathic practice of listening—about listening as an integral and even ethical part of musical creation, even (especially!) when that music is created on a computer, rather than conjured by a group of players sharing space in real time. It’s an album that adopts many of the traditional trappings of ambient music while reminding us of the importance of intentional modes of creation. Brian Eno famously said that ambient music must be as ignorable as it is interesting, but Le Motel’s Odd Numbers \/ Số Lẻ suggests, to the contrary, the richness of experience available to us should we make the effort to open our ears.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBALMAT15\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-09T09:02:34+09:00","created_at":"2025-05-08T19:19:07+09:00","vendor":"Tobira Records","type":"","tags":["balmat","house","lp","new","techno \/ house"],"price":474000,"price_min":474000,"price_max":474000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47303777714426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Le Motel \/\/ Odd Numbers \/ Số Lẻ LP","public_title":null,"options":["Default Title"],"price":474000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427","\/\/tobirarecords.com\/cdn\/shop\/files\/odd2_1c20159d-aab0-48ab-a4f8-8dd85c41574d.jpg?v=1746699427"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427","options":["Title"],"media":[{"alt":null,"id":35997869015290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd1_9ba8e742-dd10-42b7-8a2f-5b87a4380a7c.jpg?v=1746699427","width":700},{"alt":null,"id":35997869048058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd2_1c20159d-aab0-48ab-a4f8-8dd85c41574d.jpg?v=1746699427"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/odd2_1c20159d-aab0-48ab-a4f8-8dd85c41574d.jpg?v=1746699427","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eベルギー・ブリュッセルのベース作家Le Motelが、\u003c\/span\u003e2025年2月にスペイン・バルセロナのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eベトナムで録音したフィールドレコーディングを随所に散りばめたバレアリック・ダウンテンポ〜エレクトロニック・アンビエント〜IDM15曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3581426841\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003elithographic 4-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Cried Like a Child of Three \/ Tôi đã khóc như một đứa trẻ lên ba (feat. Yvonne Quỳnh-Lan Dương, Bui Thi Oanh, Chi chi, Ma Ma Chi and Are Ro) 04:42\u003cbr\u003e2. Xăm Hường 02:47\u003cbr\u003e3. Early Night with Fa and the Dang Brothers \/ Đầu hôm với Fa và anh em nhà họ Đặng (feat. Long Dang) 02:43\u003cbr\u003e4. La Palanche \/ Đòn gánh 03:38\u003cbr\u003e5. The Universe Is a Rabid Creature \/ Vũ trụ là con thú điên (feat. Yvonne Quỳnh-Lan Dương, Phapxa Chan and Bui Thi Oanh) 03:37\u003cbr\u003e6. Hanoi - The Motorcycle Empire \/ Hà Nội - Đế chế Xe ôm (feat. Gretar Ingi Gunnlaugsson and Dung Tran Quoc) 02:58 video\u003cbr\u003e7. A Conversation Under the Night Sky \/ Cuộc chuyện dưới trời đêm 02:26\u003cbr\u003e8. Altar \/ Bàn thờ 02:46\u003cbr\u003e9. Roóng Poọc (feat. Giáy) 02:19\u003cbr\u003e10. Chàm Islands (feat. Hoàng Tuấn) 02:35\u003cbr\u003e11. Lục bát 03:32\u003cbr\u003e12. The Perfume River \/ Sông Hương (feat. Truong Phu) 01:33\u003cbr\u003e13. Tuj Lub (feat. Lander Gyselinck) 04:11\u003cbr\u003e14. Đông Ba Market (feat. Hoàng Tuấn and Yvonne Quỳnh-Lan Dương) 02:31\u003cbr\u003e15. Home Is a Fire \/ Nhà là một ngọn lửa 02:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIt took a village to create Le Motel’s Odd Numbers \/ Số Lẻ. Beneath its pulsing, shimmering tones, the record is alive with the sounds of everyday life—purring mopeds, idle whistling, the din of kitchens and whisper of rain, voices joyful and contemplative, scenes of bustling cities and domestic intimacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLe Motel—who runs the Brussels-based record label Maloca—gathered sounds, photographs, and videos while traveling in Vietnam in 2023. From Hanoi he ventured to Hmong communities in the mountains near the border with China, building out a network of contacts gathered from friends and friends of friends. But Odd Numbers \/ Số Lẻ—which takes its title from traditional Vietnamese numerological beliefs and customs—is wholly unlike the extractive product typical of exploitative modes of Western tourism; the album’s final shape was deeply dependent upon the participation of the people the artist met in Vietnam.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Brussels after his travels, as Le Motel began working with his materials, he sent early drafts to his contacts, inviting their input. This back-and-forth eventually yielded a dynamic collective effort in which nine of the album’s 15 tracks feature multiple composer credits. Among the album’s diverse collaborators\u003cspan class=\"bcTruncateMore\"\u003e are Yvonne Quỳnh-Lan Dương, an educator and ethnomusicologist; Chi Chi, the daughter of a Hmong shaman; and Phapxa Chan, who contributes three poems inspired by landscape and Le Motel’s own music (and, in one case, psychedelics).\u003cbr\u003e\u003cbr\u003eThe result is an album that is not about making sound, broadcasting it as a one-way communication, but instead about the empathic practice of listening—about listening as an integral and even ethical part of musical creation, even (especially!) when that music is created on a computer, rather than conjured by a group of players sharing space in real time. It’s an album that adopts many of the traditional trappings of ambient music while reminding us of the importance of intentional modes of creation. Brian Eno famously said that ambient music must be as ignorable as it is interesting, but Le Motel’s Odd Numbers \/ Số Lẻ suggests, to the contrary, the richness of experience available to us should we make the effort to open our ears.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Le Motel\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBALMAT15\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8781758103802,"title":"DOVS \/\/ Psychic Geography LP","handle":"dovs-psychic-geography-lp","description":"\u003cp\u003e\u003cspan\u003eオーストリア／アメリカのアンビエントデュオDOVSが、\u003c\/span\u003e2025年1月にスペイン・バルセロナのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eシンセによる躍動感のあるエレクトロニック・アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3946661802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Verona Walls 06:48\u003cbr\u003e2. Psychic Geography 07:04\u003cbr\u003e3. Frames 04:27\u003cbr\u003e4. Vernal Fall 03:43\u003cbr\u003e5. Plants 03:38\u003cbr\u003e6. Ancient Rivers 04:17\u003cbr\u003e7. Monsoon Reason 04:23\u003cbr\u003e8. Rumi Nation 02:57\u003cbr\u003e9. Rooftop Blues 07:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDOVS are the duo of Vienna’s Johannes Auvinen, aka Tin Man, and Mexico City’s Gabo Barranco, aka AAAA. Psychic Geography is their second album together, but it differs considerably from both their respective solo work and their 2019 debut LP together, Silent Cities: Where that album’s hardware-based acid kept its gaze focused squarely on the dancefloor, Psychic Geography is a strictly ambient affair.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album has its roots in a trio of beatless tracks that peppered Silent Cities; this time, the duo decided to try making an entire album with no drums. “It opened up the chance to make a different, more narrative style of music with more complex structures,” Auvinen says. Ambiguity and uncertainty are key watchwords for their music, which moves with eerie, liquid grace. Untethered from 4\/4 kicks, their music drifts and morphs; familiar acid sequences give way to surprising shifts in tone and mood. And with no drums to distract the ear, the seeming simplicity of their silvery synth lines opens up to reveal remarkable depth and dynamism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBarranco and Auvinen recorded the album together in the studio utilizing machines like the Roland TB-303, Juno G, Prophet 5, Elektron Octatrack MKII, Make Noise DPO and René\u003cspan class=\"bcTruncateMore\"\u003e, Mutable Clouds, Roland SH-101, Behringer TD3, and Sherman Filterbank. Listen on good speakers or headphones, and you can tell: Their gear yields a tonal richness that recalls the ambient and cosmic music of decades earlier. You can practically feel the heat from their circuits warming the air.\u003cbr\u003e\u003cbr\u003eThe meaning behind the name DOVS is as ambiguous as the duo’s music. (Dig, if you will, the picture of Picasso’s dove of peace—or, perhaps, the outline of a bird pressed into a small white pill.) But Psychic Geography needs little explanation. DOVS’ album is a collection of mental maps of imaginary places. Set your coordinates for the mirage on the horizon and prepare to dissolve.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DOVS\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBALMAT14\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-09T09:05:41+09:00","created_at":"2025-05-08T19:21:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","balmat","lp","new"],"price":412000,"price_min":412000,"price_max":412000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47303781941498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DOVS \/\/ Psychic Geography LP","public_title":null,"options":["Default Title"],"price":412000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/geo1_03581a10-c1b9-4417-a4a1-df621a438237.jpg?v=1746699629","\/\/tobirarecords.com\/cdn\/shop\/files\/geo2_6b814f2e-0f3a-4582-ae13-b8f14ef08698.jpg?v=1746699629"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/geo1_03581a10-c1b9-4417-a4a1-df621a438237.jpg?v=1746699629","options":["Title"],"media":[{"alt":null,"id":35997879632122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/geo1_03581a10-c1b9-4417-a4a1-df621a438237.jpg?v=1746699629"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/geo1_03581a10-c1b9-4417-a4a1-df621a438237.jpg?v=1746699629","width":700},{"alt":null,"id":35997879664890,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/geo2_6b814f2e-0f3a-4582-ae13-b8f14ef08698.jpg?v=1746699629"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/geo2_6b814f2e-0f3a-4582-ae13-b8f14ef08698.jpg?v=1746699629","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eオーストリア／アメリカのアンビエントデュオDOVSが、\u003c\/span\u003e2025年1月にスペイン・バルセロナのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eシンセによる躍動感のあるエレクトロニック・アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3946661802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Verona Walls 06:48\u003cbr\u003e2. Psychic Geography 07:04\u003cbr\u003e3. Frames 04:27\u003cbr\u003e4. Vernal Fall 03:43\u003cbr\u003e5. Plants 03:38\u003cbr\u003e6. Ancient Rivers 04:17\u003cbr\u003e7. Monsoon Reason 04:23\u003cbr\u003e8. Rumi Nation 02:57\u003cbr\u003e9. Rooftop Blues 07:31\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDOVS are the duo of Vienna’s Johannes Auvinen, aka Tin Man, and Mexico City’s Gabo Barranco, aka AAAA. Psychic Geography is their second album together, but it differs considerably from both their respective solo work and their 2019 debut LP together, Silent Cities: Where that album’s hardware-based acid kept its gaze focused squarely on the dancefloor, Psychic Geography is a strictly ambient affair.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album has its roots in a trio of beatless tracks that peppered Silent Cities; this time, the duo decided to try making an entire album with no drums. “It opened up the chance to make a different, more narrative style of music with more complex structures,” Auvinen says. Ambiguity and uncertainty are key watchwords for their music, which moves with eerie, liquid grace. Untethered from 4\/4 kicks, their music drifts and morphs; familiar acid sequences give way to surprising shifts in tone and mood. And with no drums to distract the ear, the seeming simplicity of their silvery synth lines opens up to reveal remarkable depth and dynamism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBarranco and Auvinen recorded the album together in the studio utilizing machines like the Roland TB-303, Juno G, Prophet 5, Elektron Octatrack MKII, Make Noise DPO and René\u003cspan class=\"bcTruncateMore\"\u003e, Mutable Clouds, Roland SH-101, Behringer TD3, and Sherman Filterbank. Listen on good speakers or headphones, and you can tell: Their gear yields a tonal richness that recalls the ambient and cosmic music of decades earlier. You can practically feel the heat from their circuits warming the air.\u003cbr\u003e\u003cbr\u003eThe meaning behind the name DOVS is as ambiguous as the duo’s music. (Dig, if you will, the picture of Picasso’s dove of peace—or, perhaps, the outline of a bird pressed into a small white pill.) But Psychic Geography needs little explanation. DOVS’ album is a collection of mental maps of imaginary places. Set your coordinates for the mirage on the horizon and prepare to dissolve.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DOVS\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBALMAT14\u003c\/span\u003e\u003c\/p\u003e"}
DOVS // Psychic Geography LP
¥4,120
クイックビュー
{"id":8746056614138,"title":"Pierre Bastien \u0026 Louis Laurain \/\/ C(or)N(e)T LP","handle":"pierre-bastien-louis-laurain-cornet-lp","description":"\u003cp\u003eフランスのトランペット奏者／自作楽器演奏家Pierre BastienとLouis Laurainが、2025年3月にRose Hill Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e自作楽器によるフリージャズ・テクノ〜ストレンジビーツ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"C(or)N(e)Tの催眠術のような音の世界へ。コルネット奏者であり、発明家であり、音楽の魔術師であるPierre BastienとLouis Laurainの新しいコラボレーション。2023年にローズ・ヒル・スタジオでレコーディングされたこの全くユニークなアルバムは、一種のエレクトロ・アコースティック・フィエスタである！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e時にオーガニックなテクノとフリージャズが融合し、機械化されたジャングルの風景を堪能できる愉快な列車に乗っているようだ。オートマトンのコルネット・ミュート、水中トランペット、回転する木製フルート、コートハンガー・ハープ、コンタクトマイク・ドラムの上で回転しながら「ブラシ」を演奏する絵筆のヘッドなど、彼らのセットアップは創造的で、改造されたオブジェでいっぱいだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=870510621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sea \u0026amp; Tea\u003cbr\u003e2. Serenity\u003cbr\u003e3. See an E.T.\u003cbr\u003e4. Seen in T...\u003cbr\u003e5. Sin Ti\u003cbr\u003e6. Sea Shanty\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRose Hill Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEnter the hypnotic sound-world of C(or)N(e)T - the new collaboration between cornet players, inventors and virtuoso musical wizards Pierre Bastien \u0026amp; Louis Laurain. Recorded in residence at The Rose Hill studios in 2023 this utterly unique album is a kind of electro-acoustic Fiesta!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt times it’s a combination of organic techno and free jazz, like a joyful train ride through a mechanised junglescape.. Their set up is wildly creative and full of modified objects: automaton cornet mutes, underwater trumpets, revolving wooden flutes, coat hanger harps and paintbrush heads that rotate and play ‘brushes’ on contact-mic-drums to name a few.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e***\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePierre Bastien is one of a kind, known for creating his own army of sonic contraptions and automatons. He has a vast array of previous collaborators: notably fashion designer Issey Miyake, singer and composer Robert Wyatt and Aphex Twin (who released three\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eof his albums on his label Rephlex), and is one of the most influential experimental musicians working in the field.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“A Mad Musical Scientist!” - The Guardian\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLouis Laurain is a french virtuoso trumpet player. His\u003cspan class=\"bcTruncateMore\"\u003e work lies at the borders of experimental music, electro-acoustics, Jazz, traditional music, visual and performative arts. He has collaborated with Eliane Radigue, Stephen O’Malley and zombie zombie amongst others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pierre Bastien \u0026amp; Louis Laurain\u003c\/p\u003e\n\u003cp\u003eLabel : Rose Hill Records\u003c\/p\u003e","published_at":"2025-03-18T07:05:25+09:00","created_at":"2025-03-17T11:59:30+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","rose hill records","strange beats","techno \/ house"],"price":476800,"price_min":476800,"price_max":476800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47196391080186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pierre Bastien \u0026 Louis Laurain \/\/ C(or)N(e)T LP","public_title":null,"options":["Default Title"],"price":476800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bas1_25814b77-2721-4485-9ba4-d19e43547d5e.jpg?v=1742180146","\/\/tobirarecords.com\/cdn\/shop\/files\/bas2_f309a050-fe01-4e45-bd92-dea485ecd6c9.jpg?v=1742180146"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bas1_25814b77-2721-4485-9ba4-d19e43547d5e.jpg?v=1742180146","options":["Title"],"media":[{"alt":null,"id":35752373584122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bas1_25814b77-2721-4485-9ba4-d19e43547d5e.jpg?v=1742180146"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bas1_25814b77-2721-4485-9ba4-d19e43547d5e.jpg?v=1742180146","width":700},{"alt":null,"id":35752373616890,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bas2_f309a050-fe01-4e45-bd92-dea485ecd6c9.jpg?v=1742180146"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bas2_f309a050-fe01-4e45-bd92-dea485ecd6c9.jpg?v=1742180146","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのトランペット奏者／自作楽器演奏家Pierre BastienとLouis Laurainが、2025年3月にRose Hill Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e自作楽器によるフリージャズ・テクノ〜ストレンジビーツ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"C(or)N(e)Tの催眠術のような音の世界へ。コルネット奏者であり、発明家であり、音楽の魔術師であるPierre BastienとLouis Laurainの新しいコラボレーション。2023年にローズ・ヒル・スタジオでレコーディングされたこの全くユニークなアルバムは、一種のエレクトロ・アコースティック・フィエスタである！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e時にオーガニックなテクノとフリージャズが融合し、機械化されたジャングルの風景を堪能できる愉快な列車に乗っているようだ。オートマトンのコルネット・ミュート、水中トランペット、回転する木製フルート、コートハンガー・ハープ、コンタクトマイク・ドラムの上で回転しながら「ブラシ」を演奏する絵筆のヘッドなど、彼らのセットアップは創造的で、改造されたオブジェでいっぱいだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=870510621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sea \u0026amp; Tea\u003cbr\u003e2. Serenity\u003cbr\u003e3. See an E.T.\u003cbr\u003e4. Seen in T...\u003cbr\u003e5. Sin Ti\u003cbr\u003e6. Sea Shanty\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRose Hill Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEnter the hypnotic sound-world of C(or)N(e)T - the new collaboration between cornet players, inventors and virtuoso musical wizards Pierre Bastien \u0026amp; Louis Laurain. Recorded in residence at The Rose Hill studios in 2023 this utterly unique album is a kind of electro-acoustic Fiesta!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt times it’s a combination of organic techno and free jazz, like a joyful train ride through a mechanised junglescape.. Their set up is wildly creative and full of modified objects: automaton cornet mutes, underwater trumpets, revolving wooden flutes, coat hanger harps and paintbrush heads that rotate and play ‘brushes’ on contact-mic-drums to name a few.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e***\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePierre Bastien is one of a kind, known for creating his own army of sonic contraptions and automatons. He has a vast array of previous collaborators: notably fashion designer Issey Miyake, singer and composer Robert Wyatt and Aphex Twin (who released three\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eof his albums on his label Rephlex), and is one of the most influential experimental musicians working in the field.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e“A Mad Musical Scientist!” - The Guardian\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLouis Laurain is a french virtuoso trumpet player. His\u003cspan class=\"bcTruncateMore\"\u003e work lies at the borders of experimental music, electro-acoustics, Jazz, traditional music, visual and performative arts. He has collaborated with Eliane Radigue, Stephen O’Malley and zombie zombie amongst others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pierre Bastien \u0026amp; Louis Laurain\u003c\/p\u003e\n\u003cp\u003eLabel : Rose Hill Records\u003c\/p\u003e"}
クイックビュー
{"id":8774308430074,"title":"O Yuki Conjugate \/\/ 1983 Unearthed LP","handle":"o-yuki-conjugate-1983-unearthed-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e1982年から活動しているイギリスのポストインダストリアルバンドO Yuki Conjugateが、2025年5月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1983年に制作した幻のデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"未発表のこれらのトラックは、バンドの『Untitled 10\"』とLP『Scene In Mirage』の間にあるミッシング・リンクである。ノッティンガムの19歳のグループが、エレクトロニカを取り入れつつもアンビエントへと向かう、サウンドを見つけるまでの内幕が描かれている。時に素朴だが、常にチャーミング。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの発掘は、彼らのアーカイヴの様々なカセットやマスターテープを深く掘り下げることに基づいている。OYCは『Ambiguism』のボックスセットで初期を十分に記録したつもりだったが、すぐにその作業が不完全であることが明らかになった。彼らは、以前は取るに足らない、価値のないものと考えていた未発表曲の数々を再評価した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『1983 Unearthed』は、『Scene in Mirage』の前身とも言える作品で、対照的な2面という同じフォーマットを共有している。U面（トラック1～6）は未発表のビート主体のカセットテープからコンパイルされ、Y面（トラック7～10）は主に初期の未発表版ビデオ『Peripheral Vision』のアンビエントサウンドトラックから構成されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e根本的に異なるアプローチにもかかわらず、このレコードは、1983年がバンドにとって、自分たちのサウンドを見つけようと努力した決定的な年であったことを示している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2336291060\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContains unreleased OYC early years.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hour and Hour\u003cbr\u003e2. Lazarus\u003cbr\u003e3. Foundation\u003cbr\u003e4. Plagiarism\u003cbr\u003e5. London Unreal\u003cbr\u003e6. The Phoenix Program\u003cbr\u003e7. Twoflute Dreaming\u003cbr\u003e8. Wind on Wheels\u003cbr\u003e9. Gibbon Theory\u003cbr\u003e10. Transcontinental Levitation\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFinal Image:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePreviously unreleased, these tracks are the missing link between the band's Untitled 10\" and Scene In Mirage LP. A shadow album to their debut, it shows the inner workings of a group of Nottingham 19 year olds finding thier sound, embracing electronica but moving towards ambient. At times naive but always charming.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis excavation is based on a very deep dive into the various cassettes and master tapes of their archive. While OYC had thought they'd documented their early years sufficiently with the Ambiguism box set, it soon became obvious the task was incomplete. They reassessed many unreleased tracks they had previously thought insignificant and of no value, and were surprised to discover that wasn’t the case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1983 Unearthed can be seen as a forerunner to Scene in Mirage, sharing the same format of two opposed and contrasting sides. The U side (tracks 1-6) is compiled from unreleased beat-driven cassettes, while the Y side (tracks 7-10) is primarily from the ambient soundtrack to an early unreleased version of their Peripheral Vision video.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDespite the radically different approaches, this record shows that 1983 was a defining year for the band as they strove to\u003cspan class=\"bcTruncateMore\"\u003e find their sound.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : O Yuki Conjugate\u003c\/p\u003e\n\u003cp\u003eLabel : Final Image\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efin2\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-29T06:31:03+09:00","created_at":"2025-04-28T10:09:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","strange beats"],"price":398600,"price_min":398600,"price_max":398600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47282027757818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"O Yuki Conjugate \/\/ 1983 Unearthed LP","public_title":null,"options":["Default Title"],"price":398600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oyu1.jpg?v=1745802366","\/\/tobirarecords.com\/cdn\/shop\/files\/oyu2.jpg?v=1745802367"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oyu1.jpg?v=1745802366","options":["Title"],"media":[{"alt":null,"id":35953026695418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oyu1.jpg?v=1745802366"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oyu1.jpg?v=1745802366","width":700},{"alt":null,"id":35953026728186,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oyu2.jpg?v=1745802367"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oyu2.jpg?v=1745802367","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e1982年から活動しているイギリスのポストインダストリアルバンドO Yuki Conjugateが、2025年5月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1983年に制作した幻のデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"未発表のこれらのトラックは、バンドの『Untitled 10\"』とLP『Scene In Mirage』の間にあるミッシング・リンクである。ノッティンガムの19歳のグループが、エレクトロニカを取り入れつつもアンビエントへと向かう、サウンドを見つけるまでの内幕が描かれている。時に素朴だが、常にチャーミング。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの発掘は、彼らのアーカイヴの様々なカセットやマスターテープを深く掘り下げることに基づいている。OYCは『Ambiguism』のボックスセットで初期を十分に記録したつもりだったが、すぐにその作業が不完全であることが明らかになった。彼らは、以前は取るに足らない、価値のないものと考えていた未発表曲の数々を再評価した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『1983 Unearthed』は、『Scene in Mirage』の前身とも言える作品で、対照的な2面という同じフォーマットを共有している。U面（トラック1～6）は未発表のビート主体のカセットテープからコンパイルされ、Y面（トラック7～10）は主に初期の未発表版ビデオ『Peripheral Vision』のアンビエントサウンドトラックから構成されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e根本的に異なるアプローチにもかかわらず、このレコードは、1983年がバンドにとって、自分たちのサウンドを見つけようと努力した決定的な年であったことを示している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2336291060\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContains unreleased OYC early years.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hour and Hour\u003cbr\u003e2. Lazarus\u003cbr\u003e3. Foundation\u003cbr\u003e4. Plagiarism\u003cbr\u003e5. London Unreal\u003cbr\u003e6. The Phoenix Program\u003cbr\u003e7. Twoflute Dreaming\u003cbr\u003e8. Wind on Wheels\u003cbr\u003e9. Gibbon Theory\u003cbr\u003e10. Transcontinental Levitation\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFinal Image:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePreviously unreleased, these tracks are the missing link between the band's Untitled 10\" and Scene In Mirage LP. A shadow album to their debut, it shows the inner workings of a group of Nottingham 19 year olds finding thier sound, embracing electronica but moving towards ambient. At times naive but always charming.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis excavation is based on a very deep dive into the various cassettes and master tapes of their archive. While OYC had thought they'd documented their early years sufficiently with the Ambiguism box set, it soon became obvious the task was incomplete. They reassessed many unreleased tracks they had previously thought insignificant and of no value, and were surprised to discover that wasn’t the case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1983 Unearthed can be seen as a forerunner to Scene in Mirage, sharing the same format of two opposed and contrasting sides. The U side (tracks 1-6) is compiled from unreleased beat-driven cassettes, while the Y side (tracks 7-10) is primarily from the ambient soundtrack to an early unreleased version of their Peripheral Vision video.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDespite the radically different approaches, this record shows that 1983 was a defining year for the band as they strove to\u003cspan class=\"bcTruncateMore\"\u003e find their sound.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : O Yuki Conjugate\u003c\/p\u003e\n\u003cp\u003eLabel : Final Image\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efin2\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8086798172410,"title":"Morton Feldman, Lenio Liatsou \/\/ For Bunita Marcus 2xLP","handle":"morton-feldman-lenio-liatsou-for-bunita-marcus-2xlp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのピアニストMorton Feldman（1926-1987)が、晩年に弟子Bunita Marcusのために書いた作品を、ギリシャのピアニストLenio Liatsouが演奏した作品です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/180696450\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/godrec\" title=\"GOD Records\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/godrec\/god-27-morton-feldman-for-bunita-marcus-lenio-liatsou-piano-excerpt\" title=\"GOD 27 - Morton Feldman - For Bunita Marcus (Lenio Liatsou, piano), excerpt\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD 27 - Morton Feldman - For Bunita Marcus (Lenio Liatsou, piano), excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Part I 27:25\u003cbr\u003eB Part II 26:37\u003cbr\u003eC Part III 24:35\u003c\/p\u003e\n\u003cp\u003eArtist : Morton Feldman, Lenio Liatsou\u003c\/p\u003e\n\u003cp\u003eLabel : God Records\u003c\/p\u003e","published_at":"2023-11-19T19:30:04+09:00","created_at":"2023-11-19T15:17:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","god records","lp","new"],"price":597600,"price_min":597600,"price_max":597600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44786184225018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Morton Feldman, Lenio Liatsou \/\/ For Bunita Marcus 2xLP","public_title":null,"options":["Default Title"],"price":597600,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mor1.jpg?v=1700374664","\/\/tobirarecords.com\/cdn\/shop\/files\/mor2.jpg?v=1700374664"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor1.jpg?v=1700374664","options":["Title"],"media":[{"alt":null,"id":32712497365242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor1.jpg?v=1700374664"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor1.jpg?v=1700374664","width":600},{"alt":null,"id":32712497398010,"position":2,"preview_image":{"aspect_ratio":1.494,"height":401,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor2.jpg?v=1700374664"},"aspect_ratio":1.494,"height":401,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mor2.jpg?v=1700374664","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのピアニストMorton Feldman（1926-1987)が、晩年に弟子Bunita Marcusのために書いた作品を、ギリシャのピアニストLenio Liatsouが演奏した作品です。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/180696450\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/godrec\" title=\"GOD Records\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/godrec\/god-27-morton-feldman-for-bunita-marcus-lenio-liatsou-piano-excerpt\" title=\"GOD 27 - Morton Feldman - For Bunita Marcus (Lenio Liatsou, piano), excerpt\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGOD 27 - Morton Feldman - For Bunita Marcus (Lenio Liatsou, piano), excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Part I 27:25\u003cbr\u003eB Part II 26:37\u003cbr\u003eC Part III 24:35\u003c\/p\u003e\n\u003cp\u003eArtist : Morton Feldman, Lenio Liatsou\u003c\/p\u003e\n\u003cp\u003eLabel : God Records\u003c\/p\u003e"}
クイックビュー
{"id":8777135522042,"title":"Various Artists \/\/ Staying: Leaving Records Aid to Artists Impacted by the Los Angeles Wildfires 2xLP","handle":"various-aritsts-staying-leaving-records-aid-to-artists-impacted-by-the-los-angeles-wildfires-2xlp","description":"\u003cp\u003eアメリカ・LAのオールジャンルレーベルLeaving Recordsが、2025年5月にリリースしたコンピレーション2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e豪華ラインナップによる怒涛の26曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源（98曲）を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003eによるエッセイです。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"すべてが変わり、今も変わり続けている。2025年の初頭（アメリカの政治的な地平線が暗くなりつつあることを考えると、この年はすでに危険な年である）、ロサンゼルスと呼ばれる土地に、想像を絶する破壊がもたらされた。1月7日（火）の朝から始まった山火事は、その規模と激しさにおいて、自然災害であれ人災であれ、ロサンゼルスの記憶にないものである。数千棟の家屋が倒壊した。本稿執筆時点で24人の命が失われ（この数はほぼ間違いなく増えるだろう）、無数の人生が永遠に変わってしまった。壊滅的な被害は突如として訪れ、衝撃的で超現実的な1週間を過ごした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e寝ないで朝を迎える。空気の質をチェックする。みんなでインストールしたアプリで火事の進捗状況を確認する（市の警報システムは誤作動を繰り返している）。ゴーバッグに写真を追加する。「8％封じ込め」とは一体どういう意味なのか、避難勧告が数分後に発令されたとき、「準備完了」と「完了」の違いは何なのか。警告が命令に変わったらどうなるのか。私たちは避難する。時間があれば、「保険のため 」に家の中を歩き回り、各部屋を記録し、すべての持ち物を説明する。時間がなければ、ただ避難する。安全な...より安全な？息を吐く。また警報。再び避難。バッグのチャックも開けていない。電話する。電話に出ない。たぶん大丈夫なんだろうけど、なんで出ないんだろう。おそらくあなたが出ないのと同じ理由だろう。時間がないし、考えることもできない。携帯電話が爆発している。親戚や友人がニュースを見ている。「どこまで近づいた？」 近すぎる。火事が続いているから、近くにいなくても近くにいるんだ。ケネス 「夕焼け」 風は変わり続けている。車はすべて道路に駐車され、鍵はすべてなくなっている。悪夢のようだ。逃げられない。それはここにあり、どこにでもある。そして、あまりに多くの人々にとって、この苦悩のサイクルは、想像を絶することがすでに起こった後にも繰り返され続けている： 家を失う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの出来事の展開を明確に説明するのは難しい。前年の冬に未曾有の大雨に見舞われ、それ以来数ヶ月間、前例のないほど乾燥した状況が続いているため、この地域は現在、大火災に対して他に類を見ないほど脆弱な状態にある。イートン火災とパリセーズ火災は、すでに市の歴史上最も破壊的な2つの火災と推定され、徐々に鎮火に向かっているが、サンタアナの風は再び吹くと予想されている。それに伴い、さらなる恐怖と不安が待ち受けている。私たちは必死の思いで、古代の方法で雨乞いをする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誰もが疲れ果て、激怒し（いつもの容疑者たちは、よく言えば肩をすくめ、悪く言えば分断を縫い、儲け主義者たちはすでに唾を飲んでいる）、程度の差こそあれ、喪失感に呆然とし、悲しみに病み、それでもどうにかして、集団で行動する勇気とエネルギーを奮い立たせ、生命を守るために、どんな形であれ貢献しようとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは壊滅的な打撃と行動の狭間で立ち往生している。。残されたものを守り、失ったものを取り戻すために。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの瞬間に影響を受けた個人やコミュニティは数多く、多岐にわたるが、ロサンゼルスの音楽コミュニティが根底から覆されたことは事実である。パリセーズ火災はマリブやトパンガ・キャニオンの古い地域にまで及び、イートン火災はアルタデナを事実上消滅させたが、ロサンゼルスで唯一、現役のミュージシャンが少しでも快適に暮らせる地域に影響を与えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にアルタデナについて簡単に： 近年、アルタデナはあらゆるアーティストの豊かで活気ある拠点となっている。サン・ガブリエル山脈の下に位置するこの地域は、20世紀後半に人口動態が変化し、レッドライニング（人種差別撤廃）の歴史、その法的停止、そしてその後の白人逃亡が大きな要因となり、ロサンゼルスの中でも繁栄する黒人の飛び地となった。かつての住民には、オクタヴィア・バトラー（その『種まく人のたとえ』は、今となっては恐ろしいほど予言的である）やシドニー・ポワチエがいる。アルタディナが、ロサンゼルスでも数少ない、労働者家族やあらゆる分野のアーティストが家を所有できる地域であり続けているのは、偶然ではない。数え切れないほどの世代の住宅や歴史的な黒人経営のビジネスが破壊された。本稿執筆時点で失われたことが確認されている多様な施設のなかには、マッドリブの遺産、神智学協会のアーカイブ、バニー博物館だったキッチュで健全な祭壇などがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にLeaving Recordsはアルタデナに深く根付いている。レーベル創設者のマシュー・デイヴィッドは、この界隈の自宅でJカードを印刷する仕事を始め、無数のLeaving Recordsがこの地域に住んでいる。これらのアーティストの多くは、決定的に家を失ったか、現在その運命を知るのを待っているところだ。再建への道筋（どれだけの時間がかかるのか、どれだけの費用がかかるのか、実現可能なのかどうか）はひどく不透明なままだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、できることをする、自分たちのベストを尽くすという精神に基づき、Leaving Recordsは、提携アーティストと広く支援者（その多くは本当にすべてを失っている）からなるベネフィット・コンピレーションをリリースするために、あらゆる手段を尽くした。数多くのGoFundMesや、現在復興活動を後押ししている、深く、しばしば悲惨な相互扶助の行為を補うために、また、第三者機関への寄付の代わりに、全収益は影響を受けた個人に直接寄付される。その50%は、ロサンゼルスのアーティストや音楽仲間で困っている人たちに、可能な限り公平に配分される。私たちは、私たちの身近なコミュニティで被災した人々の簡潔な内部リストとともに、すでに流通している既存の音楽コミュニティ支援のスプレッドシート／文書を参照する予定である。残りの50％は、やはり可能な限り公平に、火災の影響を受けた黒人の避難家族やコミュニティに割り当てられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個人的・集団的な癒し、生態系の回復、精神的超越、急進的な共同性--こうした関心事は、Leaving Recordsのカタログに織り込まれている。レーベルの歴史の中で、これらの原則を称え、実行することがこれほど求められたことはない。希望が何であるかはまだわからないかもしれないが、私たちはどこかにそれを見出している。それは連帯の中にあり、音楽の中にある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2111986195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003eVinyl edition of 100. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003eBaths \u0026amp; Rachika Nayar - Dried Apricot 03:14\u003cbr\u003eTotal Blue - Astral Mud 04:24\u003cbr\u003eCelia Hollander \u0026amp; Photay - Live at LTMOITDUAT 10.14.23 04:45\u003cbr\u003eAsa Tone \u0026amp; Ariel Kalma - A Gentle Upward Spiral 04:04\u003cbr\u003eAlia - Lullaby For A Sea Nymph 01:55\u003cbr\u003eBotany - Diode Congregation 02:54\u003cbr\u003eM.A. Tiesenga - A Clearing 02:40\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eV.C.R - Charlene's Mantra 02:12\u003cbr\u003eOhma - Live at LTMOITDUAT 10.14.23 04:26\u003cbr\u003eSharada Shashidhar \/ Caleb Buchanan - Ghostly 02:30\u003cbr\u003eDiego Gaeta - Earthseed 02:00\u003cbr\u003eCaural - Radiant Everything 03:37\u003cbr\u003eSurya Botofasina - Our Cottage To Across The Stream (Carlos Niño \u0026amp; Friends Remix featuring Steve Spacek with Miles Spilsbury, Dntel, and J Rocc) 03:35\u003cbr\u003eJulia Holter - Turn The Light On (Live at the Leaving Records 10-Year Anniversary) 04:23\u003cbr\u003eAnenon - Matters Of Time 04:00\u003c\/p\u003e\n\u003cp\u003eSide C\u003cbr\u003eJon Makes Beats - The Mountain 03:14\u003cbr\u003eEMV - On The One Hand 02:46\u003cbr\u003eKenny Segal - Sablefish 02:27\u003cbr\u003eSam Wilkes - Culebra 03:30\u003cbr\u003eSamiyam - Water 04:10\u003cbr\u003e Daedelus - Making The Beat Scene 01:48\u003cbr\u003eChakram featuring Miguel Atwood-Ferguson - Mirror Image Neurons 02:50\u003cbr\u003eTru - Skyscrapers 02:10\u003c\/p\u003e\n\u003cp\u003eSide D\u003cbr\u003eLaraaji - Joyous Dance '82 06:20\u003cbr\u003eArushi Jain - California 06:43\u003cbr\u003eAndré 3000 - \"This is Where my room used to be.\" (featuring Carlos Niño, Alex Cline, and Pablo Calogero) 08:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eEssay written by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker for Leaving Records, January 13, 2025, ~10:30pm:\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Everything has changed, and it is changing still. The early days of 2025 (an already baleful year, vis-a-vis America’s darkening political horizon) have wrought heretofore unimaginable destruction in the land we now call Los Angeles. The wildfires that began on the morning of Tuesday, January 7th—and which are still raging—are, in scope and intensity, unlike any other disaster, natural or manmade, in the city’s living memory. Thousands of homes destroyed. Twenty four lives lost at the time of writing (that number will almost certainly rise), and innumerable lives forever altered. The devastation arrived suddenly, and has persisted over the course of a punishing and surreal week. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe rise in the morning after not sleeping. We check the air quality. We check the fires’ progress on the same app we’ve all installed (the City’s alert system keeps misfiring). We add another photo to the go bag. We wonder what the fuck the phrase “8% containment actually means,” or what distinguishes “ready” from “set” when the evacuation warnings are fired off within mere minutes of one another. And what happens when warnings turn to orders. We evacuate. If we have time, we walk through our homes, recording each room, narrating all our possessions, for “insurance purposes.” If we don’t have time we just go. We arrive somewhere…safe…safer? We\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e exhale. Another alert. We evacuate again. Hadn’t even unzipped the go bag. We text. We call. They’re not answering. They’re probably fine but why aren’t they answering. Probably the same reason you’re not answering. There’s no time and you can’t think. Your phone is exploding. Relatives and friends are watching the news. “How close are you?” You are too close. You are close even if you’re not close because the fires keep starting.” Kenneth.” “Sunset.” The winds keep shifting. The cars are all parked in the road and all the keys are gone. It is like a nightmare. You can’t get away. It is here and it is everywhere. And for all too many this agonizing cycle keeps on repeating after the unthinkable has already occurred: The loss of home. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe unfoldingness of this event is hard to articulate. Having experienced unprecedented rainfall the previous winter, and unprecedentedly dry conditions in the months since, the region is, at present, uniquely vulnerable to catastrophic fires. The Eaton and Palisades Fires, already estimated to be the two most destructive fires in the City’s history, are slowly being contained, but the Santa Ana winds are expected to return. With them, more fear and uncertainty. We pray for rain in a desperate and ancient way. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEveryone is exhausted, enraged (the usual suspects are at best shrugging and at worst sewing division; the profiteers are already salivating), to varying degrees stunned by loss and sick with grief, and still, somehow, mustering the courage and energy to act collectively, to contribute, however they might, towards the preservation of life. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are stuck between (propelled by?) devastation and action. The impulse to simply break down, and the knowledge that there is tremendous work to be done, now and in the future. To preserve what remains, and to regain what we’ve lost. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe individuals and communities affected in this moment are numerous and varied, but it is the case that Los Angeles’s musical community has been absolutely upended. The Palisades fire, with its reach into older parts of Malibu and Topanga Canyon, and the Eaton fire, in its virtual erasure of Altadena, have affected some of the only areas in Los Angeles where working musicians could live with a modicum of comfort—Though, as we are all too aware in this moment, precarity has always been part of the bargain here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA brief word on Altadena in particular: In recent years, Altadena has become a rich and vibrant hub for artists of all kinds. Nestled below the San Gabriel mountains, the region’s demography shifted in the latter half of the twentieth century—due in large part to a history of redlining, that practice’s legal cessation, and subsequent white flight—to become a thriving Black enclave within Los Angeles. Former residents include no less than Octavia Butler (whose Parable of the Sower rings now as terribly prophetic) and Sydney Poitier. That Altadena has remained one of the few areas within Los Angeles where home ownership is feasible for working families and artists of all stripes is no coincidence. Countless generational homes and historic Black-owned businesses have been destroyed. Among the diverse institutions confirmed to have been lost at the time of writing are Madlib’s estate, the Theosophical Society’s archives, and the altar of kitsch and wholesomeness that was The Bunny Museum. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeaving Records in particular has deep roots in Altadena. Label founder MatthewDavid cut his teeth printing J cards at a home operation in the neighborhood, and countless Leaving artists reside in the area. Many of these artists have either definitively lost their homes, or are currently waiting to learn their fate. The path to rebuilding (how long it will take, what it will cost, whether it is even feasible) remains terribly unclear. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut, in the spirit of doing what we can, and doing what we do best, Leaving has pulled out all the proverbial stops to release a benefit compilation consisting of affiliated artists and supporters far and wide (many of whom have indeed lost everything). Seeking to supplement the numerous GoFundMes and the profound, often harrowing acts of mutual aid that are currently buoying recovery efforts, and in lieu of donating to a third party organization, all proceeds will be donated directly to impacted individuals. 50% will be meticulously, manually allocated to Los Angeles artists and music colleagues in need, as equitably as possible. We will be referencing existing music community aid spreadsheets \/ documents already circulating, alongside a succinct internal list of those affected in our immediate community. The other 50% of funds will be allocated to displaced Black families and community impacted by the fires, again, as equitably as possible.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePersonal and collective healing, ecological recuperation, spiritual transcendence, radical communality — these concerns are woven into Leaving’s roster and catalog. Never in the label’s history has it been so called upon to celebrate and implement these principles. Though we may not even know what “hope” constitutes yet, we know we’ve got it somewhere. We know it’s in solidarity, and we know it’s in the music. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Aritsts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Staying (Leaving Records)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-03T08:57:04+09:00","created_at":"2025-05-02T08:38:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","hiphop \/ funk","house","jazz","leaving records","lp","new","recommended"],"price":552500,"price_min":552500,"price_max":552500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47289824379130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Staying: Leaving Records Aid to Artists Impacted by the Los Angeles Wildfires 2xLP","public_title":null,"options":["Default Title"],"price":552500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/le1_843f3fd9-3a26-444a-b29c-a23a8590a11a.jpg?v=1746142357","\/\/tobirarecords.com\/cdn\/shop\/files\/le2_5178d990-9515-4207-b597-acbc98222291.jpg?v=1746142357"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_843f3fd9-3a26-444a-b29c-a23a8590a11a.jpg?v=1746142357","options":["Title"],"media":[{"alt":null,"id":35970930245882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_843f3fd9-3a26-444a-b29c-a23a8590a11a.jpg?v=1746142357"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_843f3fd9-3a26-444a-b29c-a23a8590a11a.jpg?v=1746142357","width":700},{"alt":null,"id":35970930278650,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_5178d990-9515-4207-b597-acbc98222291.jpg?v=1746142357"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_5178d990-9515-4207-b597-acbc98222291.jpg?v=1746142357","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのオールジャンルレーベルLeaving Recordsが、2025年5月にリリースしたコンピレーション2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e豪華ラインナップによる怒涛の26曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源（98曲）を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003eによるエッセイです。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"すべてが変わり、今も変わり続けている。2025年の初頭（アメリカの政治的な地平線が暗くなりつつあることを考えると、この年はすでに危険な年である）、ロサンゼルスと呼ばれる土地に、想像を絶する破壊がもたらされた。1月7日（火）の朝から始まった山火事は、その規模と激しさにおいて、自然災害であれ人災であれ、ロサンゼルスの記憶にないものである。数千棟の家屋が倒壊した。本稿執筆時点で24人の命が失われ（この数はほぼ間違いなく増えるだろう）、無数の人生が永遠に変わってしまった。壊滅的な被害は突如として訪れ、衝撃的で超現実的な1週間を過ごした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e寝ないで朝を迎える。空気の質をチェックする。みんなでインストールしたアプリで火事の進捗状況を確認する（市の警報システムは誤作動を繰り返している）。ゴーバッグに写真を追加する。「8％封じ込め」とは一体どういう意味なのか、避難勧告が数分後に発令されたとき、「準備完了」と「完了」の違いは何なのか。警告が命令に変わったらどうなるのか。私たちは避難する。時間があれば、「保険のため 」に家の中を歩き回り、各部屋を記録し、すべての持ち物を説明する。時間がなければ、ただ避難する。安全な...より安全な？息を吐く。また警報。再び避難。バッグのチャックも開けていない。電話する。電話に出ない。たぶん大丈夫なんだろうけど、なんで出ないんだろう。おそらくあなたが出ないのと同じ理由だろう。時間がないし、考えることもできない。携帯電話が爆発している。親戚や友人がニュースを見ている。「どこまで近づいた？」 近すぎる。火事が続いているから、近くにいなくても近くにいるんだ。ケネス 「夕焼け」 風は変わり続けている。車はすべて道路に駐車され、鍵はすべてなくなっている。悪夢のようだ。逃げられない。それはここにあり、どこにでもある。そして、あまりに多くの人々にとって、この苦悩のサイクルは、想像を絶することがすでに起こった後にも繰り返され続けている： 家を失う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの出来事の展開を明確に説明するのは難しい。前年の冬に未曾有の大雨に見舞われ、それ以来数ヶ月間、前例のないほど乾燥した状況が続いているため、この地域は現在、大火災に対して他に類を見ないほど脆弱な状態にある。イートン火災とパリセーズ火災は、すでに市の歴史上最も破壊的な2つの火災と推定され、徐々に鎮火に向かっているが、サンタアナの風は再び吹くと予想されている。それに伴い、さらなる恐怖と不安が待ち受けている。私たちは必死の思いで、古代の方法で雨乞いをする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誰もが疲れ果て、激怒し（いつもの容疑者たちは、よく言えば肩をすくめ、悪く言えば分断を縫い、儲け主義者たちはすでに唾を飲んでいる）、程度の差こそあれ、喪失感に呆然とし、悲しみに病み、それでもどうにかして、集団で行動する勇気とエネルギーを奮い立たせ、生命を守るために、どんな形であれ貢献しようとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは壊滅的な打撃と行動の狭間で立ち往生している。。残されたものを守り、失ったものを取り戻すために。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの瞬間に影響を受けた個人やコミュニティは数多く、多岐にわたるが、ロサンゼルスの音楽コミュニティが根底から覆されたことは事実である。パリセーズ火災はマリブやトパンガ・キャニオンの古い地域にまで及び、イートン火災はアルタデナを事実上消滅させたが、ロサンゼルスで唯一、現役のミュージシャンが少しでも快適に暮らせる地域に影響を与えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にアルタデナについて簡単に： 近年、アルタデナはあらゆるアーティストの豊かで活気ある拠点となっている。サン・ガブリエル山脈の下に位置するこの地域は、20世紀後半に人口動態が変化し、レッドライニング（人種差別撤廃）の歴史、その法的停止、そしてその後の白人逃亡が大きな要因となり、ロサンゼルスの中でも繁栄する黒人の飛び地となった。かつての住民には、オクタヴィア・バトラー（その『種まく人のたとえ』は、今となっては恐ろしいほど予言的である）やシドニー・ポワチエがいる。アルタディナが、ロサンゼルスでも数少ない、労働者家族やあらゆる分野のアーティストが家を所有できる地域であり続けているのは、偶然ではない。数え切れないほどの世代の住宅や歴史的な黒人経営のビジネスが破壊された。本稿執筆時点で失われたことが確認されている多様な施設のなかには、マッドリブの遺産、神智学協会のアーカイブ、バニー博物館だったキッチュで健全な祭壇などがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にLeaving Recordsはアルタデナに深く根付いている。レーベル創設者のマシュー・デイヴィッドは、この界隈の自宅でJカードを印刷する仕事を始め、無数のLeaving Recordsがこの地域に住んでいる。これらのアーティストの多くは、決定的に家を失ったか、現在その運命を知るのを待っているところだ。再建への道筋（どれだけの時間がかかるのか、どれだけの費用がかかるのか、実現可能なのかどうか）はひどく不透明なままだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、できることをする、自分たちのベストを尽くすという精神に基づき、Leaving Recordsは、提携アーティストと広く支援者（その多くは本当にすべてを失っている）からなるベネフィット・コンピレーションをリリースするために、あらゆる手段を尽くした。数多くのGoFundMesや、現在復興活動を後押ししている、深く、しばしば悲惨な相互扶助の行為を補うために、また、第三者機関への寄付の代わりに、全収益は影響を受けた個人に直接寄付される。その50%は、ロサンゼルスのアーティストや音楽仲間で困っている人たちに、可能な限り公平に配分される。私たちは、私たちの身近なコミュニティで被災した人々の簡潔な内部リストとともに、すでに流通している既存の音楽コミュニティ支援のスプレッドシート／文書を参照する予定である。残りの50％は、やはり可能な限り公平に、火災の影響を受けた黒人の避難家族やコミュニティに割り当てられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個人的・集団的な癒し、生態系の回復、精神的超越、急進的な共同性--こうした関心事は、Leaving Recordsのカタログに織り込まれている。レーベルの歴史の中で、これらの原則を称え、実行することがこれほど求められたことはない。希望が何であるかはまだわからないかもしれないが、私たちはどこかにそれを見出している。それは連帯の中にあり、音楽の中にある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2111986195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003eVinyl edition of 100. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003eBaths \u0026amp; Rachika Nayar - Dried Apricot 03:14\u003cbr\u003eTotal Blue - Astral Mud 04:24\u003cbr\u003eCelia Hollander \u0026amp; Photay - Live at LTMOITDUAT 10.14.23 04:45\u003cbr\u003eAsa Tone \u0026amp; Ariel Kalma - A Gentle Upward Spiral 04:04\u003cbr\u003eAlia - Lullaby For A Sea Nymph 01:55\u003cbr\u003eBotany - Diode Congregation 02:54\u003cbr\u003eM.A. Tiesenga - A Clearing 02:40\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eV.C.R - Charlene's Mantra 02:12\u003cbr\u003eOhma - Live at LTMOITDUAT 10.14.23 04:26\u003cbr\u003eSharada Shashidhar \/ Caleb Buchanan - Ghostly 02:30\u003cbr\u003eDiego Gaeta - Earthseed 02:00\u003cbr\u003eCaural - Radiant Everything 03:37\u003cbr\u003eSurya Botofasina - Our Cottage To Across The Stream (Carlos Niño \u0026amp; Friends Remix featuring Steve Spacek with Miles Spilsbury, Dntel, and J Rocc) 03:35\u003cbr\u003eJulia Holter - Turn The Light On (Live at the Leaving Records 10-Year Anniversary) 04:23\u003cbr\u003eAnenon - Matters Of Time 04:00\u003c\/p\u003e\n\u003cp\u003eSide C\u003cbr\u003eJon Makes Beats - The Mountain 03:14\u003cbr\u003eEMV - On The One Hand 02:46\u003cbr\u003eKenny Segal - Sablefish 02:27\u003cbr\u003eSam Wilkes - Culebra 03:30\u003cbr\u003eSamiyam - Water 04:10\u003cbr\u003e Daedelus - Making The Beat Scene 01:48\u003cbr\u003eChakram featuring Miguel Atwood-Ferguson - Mirror Image Neurons 02:50\u003cbr\u003eTru - Skyscrapers 02:10\u003c\/p\u003e\n\u003cp\u003eSide D\u003cbr\u003eLaraaji - Joyous Dance '82 06:20\u003cbr\u003eArushi Jain - California 06:43\u003cbr\u003eAndré 3000 - \"This is Where my room used to be.\" (featuring Carlos Niño, Alex Cline, and Pablo Calogero) 08:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eEssay written by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker for Leaving Records, January 13, 2025, ~10:30pm:\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Everything has changed, and it is changing still. The early days of 2025 (an already baleful year, vis-a-vis America’s darkening political horizon) have wrought heretofore unimaginable destruction in the land we now call Los Angeles. The wildfires that began on the morning of Tuesday, January 7th—and which are still raging—are, in scope and intensity, unlike any other disaster, natural or manmade, in the city’s living memory. Thousands of homes destroyed. Twenty four lives lost at the time of writing (that number will almost certainly rise), and innumerable lives forever altered. The devastation arrived suddenly, and has persisted over the course of a punishing and surreal week. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe rise in the morning after not sleeping. We check the air quality. We check the fires’ progress on the same app we’ve all installed (the City’s alert system keeps misfiring). We add another photo to the go bag. We wonder what the fuck the phrase “8% containment actually means,” or what distinguishes “ready” from “set” when the evacuation warnings are fired off within mere minutes of one another. And what happens when warnings turn to orders. We evacuate. If we have time, we walk through our homes, recording each room, narrating all our possessions, for “insurance purposes.” If we don’t have time we just go. We arrive somewhere…safe…safer? We\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e exhale. Another alert. We evacuate again. Hadn’t even unzipped the go bag. We text. We call. They’re not answering. They’re probably fine but why aren’t they answering. Probably the same reason you’re not answering. There’s no time and you can’t think. Your phone is exploding. Relatives and friends are watching the news. “How close are you?” You are too close. You are close even if you’re not close because the fires keep starting.” Kenneth.” “Sunset.” The winds keep shifting. The cars are all parked in the road and all the keys are gone. It is like a nightmare. You can’t get away. It is here and it is everywhere. And for all too many this agonizing cycle keeps on repeating after the unthinkable has already occurred: The loss of home. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe unfoldingness of this event is hard to articulate. Having experienced unprecedented rainfall the previous winter, and unprecedentedly dry conditions in the months since, the region is, at present, uniquely vulnerable to catastrophic fires. The Eaton and Palisades Fires, already estimated to be the two most destructive fires in the City’s history, are slowly being contained, but the Santa Ana winds are expected to return. With them, more fear and uncertainty. We pray for rain in a desperate and ancient way. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEveryone is exhausted, enraged (the usual suspects are at best shrugging and at worst sewing division; the profiteers are already salivating), to varying degrees stunned by loss and sick with grief, and still, somehow, mustering the courage and energy to act collectively, to contribute, however they might, towards the preservation of life. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are stuck between (propelled by?) devastation and action. The impulse to simply break down, and the knowledge that there is tremendous work to be done, now and in the future. To preserve what remains, and to regain what we’ve lost. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe individuals and communities affected in this moment are numerous and varied, but it is the case that Los Angeles’s musical community has been absolutely upended. The Palisades fire, with its reach into older parts of Malibu and Topanga Canyon, and the Eaton fire, in its virtual erasure of Altadena, have affected some of the only areas in Los Angeles where working musicians could live with a modicum of comfort—Though, as we are all too aware in this moment, precarity has always been part of the bargain here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA brief word on Altadena in particular: In recent years, Altadena has become a rich and vibrant hub for artists of all kinds. Nestled below the San Gabriel mountains, the region’s demography shifted in the latter half of the twentieth century—due in large part to a history of redlining, that practice’s legal cessation, and subsequent white flight—to become a thriving Black enclave within Los Angeles. Former residents include no less than Octavia Butler (whose Parable of the Sower rings now as terribly prophetic) and Sydney Poitier. That Altadena has remained one of the few areas within Los Angeles where home ownership is feasible for working families and artists of all stripes is no coincidence. Countless generational homes and historic Black-owned businesses have been destroyed. Among the diverse institutions confirmed to have been lost at the time of writing are Madlib’s estate, the Theosophical Society’s archives, and the altar of kitsch and wholesomeness that was The Bunny Museum. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeaving Records in particular has deep roots in Altadena. Label founder MatthewDavid cut his teeth printing J cards at a home operation in the neighborhood, and countless Leaving artists reside in the area. Many of these artists have either definitively lost their homes, or are currently waiting to learn their fate. The path to rebuilding (how long it will take, what it will cost, whether it is even feasible) remains terribly unclear. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut, in the spirit of doing what we can, and doing what we do best, Leaving has pulled out all the proverbial stops to release a benefit compilation consisting of affiliated artists and supporters far and wide (many of whom have indeed lost everything). Seeking to supplement the numerous GoFundMes and the profound, often harrowing acts of mutual aid that are currently buoying recovery efforts, and in lieu of donating to a third party organization, all proceeds will be donated directly to impacted individuals. 50% will be meticulously, manually allocated to Los Angeles artists and music colleagues in need, as equitably as possible. We will be referencing existing music community aid spreadsheets \/ documents already circulating, alongside a succinct internal list of those affected in our immediate community. The other 50% of funds will be allocated to displaced Black families and community impacted by the fires, again, as equitably as possible.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePersonal and collective healing, ecological recuperation, spiritual transcendence, radical communality — these concerns are woven into Leaving’s roster and catalog. Never in the label’s history has it been so called upon to celebrate and implement these principles. Though we may not even know what “hope” constitutes yet, we know we’ve got it somewhere. We know it’s in solidarity, and we know it’s in the music. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Aritsts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Staying (Leaving Records)\u003c\/span\u003e\u003c\/p\u003e"}
クイックビュー
{"id":8777135718650,"title":"Various Artists \/\/ Staying: Leaving Records Aid to Artists Impacted by the Los Angeles Wildfires 3xTAPE","handle":"various-artists-staying-leaving-records-aid-to-artists-impacted-by-the-los-angeles-wildfires-3xtape","description":"\u003cp\u003eアメリカ・LAのオールジャンルレーベルLeaving Recordsが、2025年5月にリリースしたコンピレーション3本組カセットです。\u003c\/p\u003e\n\u003cp\u003e豪華ラインナップによる怒涛の65曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源（98曲）を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003eによるエッセイです。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"すべてが変わり、今も変わり続けている。2025年の初頭（アメリカの政治的な地平線が暗くなりつつあることを考えると、この年はすでに危険な年である）、ロサンゼルスと呼ばれる土地に、想像を絶する破壊がもたらされた。1月7日（火）の朝から始まった山火事は、その規模と激しさにおいて、自然災害であれ人災であれ、ロサンゼルスの記憶にないものである。数千棟の家屋が倒壊した。本稿執筆時点で24人の命が失われ（この数はほぼ間違いなく増えるだろう）、無数の人生が永遠に変わってしまった。壊滅的な被害は突如として訪れ、衝撃的で超現実的な1週間を過ごした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e寝ないで朝を迎える。空気の質をチェックする。みんなでインストールしたアプリで火事の進捗状況を確認する（市の警報システムは誤作動を繰り返している）。ゴーバッグに写真を追加する。「8％封じ込め」とは一体どういう意味なのか、避難勧告が数分後に発令されたとき、「準備完了」と「完了」の違いは何なのか。警告が命令に変わったらどうなるのか。私たちは避難する。時間があれば、「保険のため 」に家の中を歩き回り、各部屋を記録し、すべての持ち物を説明する。時間がなければ、ただ避難する。安全な...より安全な？息を吐く。また警報。再び避難。バッグのチャックも開けていない。電話する。電話に出ない。たぶん大丈夫なんだろうけど、なんで出ないんだろう。おそらくあなたが出ないのと同じ理由だろう。時間がないし、考えることもできない。携帯電話が爆発している。親戚や友人がニュースを見ている。「どこまで近づいた？」 近すぎる。火事が続いているから、近くにいなくても近くにいるんだ。ケネス 「夕焼け」 風は変わり続けている。車はすべて道路に駐車され、鍵はすべてなくなっている。悪夢のようだ。逃げられない。それはここにあり、どこにでもある。そして、あまりに多くの人々にとって、この苦悩のサイクルは、想像を絶することがすでに起こった後にも繰り返され続けている： 家を失う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの出来事の展開を明確に説明するのは難しい。前年の冬に未曾有の大雨に見舞われ、それ以来数ヶ月間、前例のないほど乾燥した状況が続いているため、この地域は現在、大火災に対して他に類を見ないほど脆弱な状態にある。イートン火災とパリセーズ火災は、すでに市の歴史上最も破壊的な2つの火災と推定され、徐々に鎮火に向かっているが、サンタアナの風は再び吹くと予想されている。それに伴い、さらなる恐怖と不安が待ち受けている。私たちは必死の思いで、古代の方法で雨乞いをする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誰もが疲れ果て、激怒し（いつもの容疑者たちは、よく言えば肩をすくめ、悪く言えば分断を縫い、儲け主義者たちはすでに唾を飲んでいる）、程度の差こそあれ、喪失感に呆然とし、悲しみに病み、それでもどうにかして、集団で行動する勇気とエネルギーを奮い立たせ、生命を守るために、どんな形であれ貢献しようとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは壊滅的な打撃と行動の狭間で立ち往生している。。残されたものを守り、失ったものを取り戻すために。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの瞬間に影響を受けた個人やコミュニティは数多く、多岐にわたるが、ロサンゼルスの音楽コミュニティが根底から覆されたことは事実である。パリセーズ火災はマリブやトパンガ・キャニオンの古い地域にまで及び、イートン火災はアルタデナを事実上消滅させたが、ロサンゼルスで唯一、現役のミュージシャンが少しでも快適に暮らせる地域に影響を与えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にアルタデナについて簡単に： 近年、アルタデナはあらゆるアーティストの豊かで活気ある拠点となっている。サン・ガブリエル山脈の下に位置するこの地域は、20世紀後半に人口動態が変化し、レッドライニング（人種差別撤廃）の歴史、その法的停止、そしてその後の白人逃亡が大きな要因となり、ロサンゼルスの中でも繁栄する黒人の飛び地となった。かつての住民には、オクタヴィア・バトラー（その『種まく人のたとえ』は、今となっては恐ろしいほど予言的である）やシドニー・ポワチエがいる。アルタディナが、ロサンゼルスでも数少ない、労働者家族やあらゆる分野のアーティストが家を所有できる地域であり続けているのは、偶然ではない。数え切れないほどの世代の住宅や歴史的な黒人経営のビジネスが破壊された。本稿執筆時点で失われたことが確認されている多様な施設のなかには、マッドリブの遺産、神智学協会のアーカイブ、バニー博物館だったキッチュで健全な祭壇などがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にLeaving Recordsはアルタデナに深く根付いている。レーベル創設者のマシュー・デイヴィッドは、この界隈の自宅でJカードを印刷する仕事を始め、無数のLeaving Recordsがこの地域に住んでいる。これらのアーティストの多くは、決定的に家を失ったか、現在その運命を知るのを待っているところだ。再建への道筋（どれだけの時間がかかるのか、どれだけの費用がかかるのか、実現可能なのかどうか）はひどく不透明なままだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、できることをする、自分たちのベストを尽くすという精神に基づき、Leaving Recordsは、提携アーティストと広く支援者（その多くは本当にすべてを失っている）からなるベネフィット・コンピレーションをリリースするために、あらゆる手段を尽くした。数多くのGoFundMesや、現在復興活動を後押ししている、深く、しばしば悲惨な相互扶助の行為を補うために、また、第三者機関への寄付の代わりに、全収益は影響を受けた個人に直接寄付される。その50%は、ロサンゼルスのアーティストや音楽仲間で困っている人たちに、可能な限り公平に配分される。私たちは、私たちの身近なコミュニティで被災した人々の簡潔な内部リストとともに、すでに流通している既存の音楽コミュニティ支援のスプレッドシート／文書を参照する予定である。残りの50％は、やはり可能な限り公平に、火災の影響を受けた黒人の避難家族やコミュニティに割り当てられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個人的・集団的な癒し、生態系の回復、精神的超越、急進的な共同性--こうした関心事は、Leaving Recordsのカタログに織り込まれている。レーベルの歴史の中で、これらの原則を称え、実行することがこれほど求められたことはない。希望が何であるかはまだわからないかもしれないが、私たちはどこかにそれを見出している。それは連帯の中にあり、音楽の中にある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2111986195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e3 x cassette in long norelco case + OBI. \u003cbr\u003eCassette edition of 500. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003eBaths \u0026amp; Rachika Nayar - Dried Apricot 03:14\u003cbr\u003eTotal Blue - Astral Mud 04:24\u003cbr\u003eCelia Hollander \u0026amp; Photay - Live at LTMOITDUAT 10.14.23 04:45\u003cbr\u003eAsa Tone \u0026amp; Ariel Kalma - A Gentle Upward Spiral 04:04\u003cbr\u003eAlia - Lullaby For A Sea Nymph 01:55\u003cbr\u003eBotany - Diode Congregation 02:54\u003cbr\u003eM.A. Tiesenga - A Clearing 02:40\u003cbr\u003etstewart - Splendid 03:06\u003cbr\u003eBlack Taffy - Setting Sun Shines Gold 05:08\u003cbr\u003eKMRU - Visions 03:00\u003cbr\u003eYama Fela Harmon Koh \u0026amp; Grandfather. - On The Other Side Of Fear And Complacency 05:07\u003cbr\u003eMore Eaze - Point Dume 03:10\u003cbr\u003eNailah Hunter - Rest Here (demo) 01:57\u003cbr\u003eTate EC - Wings 02:45\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eV.C.R - Charlene's Mantra 02:12\u003cbr\u003eOhma - Live at LTMOITDUAT 10.14.23 04:26\u003cbr\u003eSharada Shashidhar \/ Caleb Buchanan - Ghostly 02:30\u003cbr\u003eDiego Gaeta - Earthseed 02:00\u003cbr\u003eCaural - Radiant Everything 03:37\u003cbr\u003eSurya Botofasina - Our Cottage To Across The Stream (Carlos Niño \u0026amp; Friends Remix featuring Steve Spacek with Miles Spilsbury, Dntel, and J Rocc) 03:35\u003cbr\u003eJulia Holter - Turn The Light On (Live at the Leaving Records 10-Year Anniversary) 04:23\u003cbr\u003eAnenon - Matters Of Time 04:00\u003cbr\u003eHundred Waters - Pliocene 02:45\u003cbr\u003eCole Pulice - A Prayer In My Pocket 03:43\u003cbr\u003eEddie Chacon - Fate 02:55\u003cbr\u003eSpencer Zahn, Dave Scalia, Jon Natchez - Peaches \u0026amp; Apricots 04:19\u003cbr\u003eNate Mercereau - Juniper's Theme (Live in Twentynine Palms 121524) - Excerpt, with Aaron Shaw and Andres Renteria 04:13\u003c\/p\u003e\n\u003cp\u003eSide C\u003cbr\u003eJohn Carroll Kirby - Nucleo (Live) featuring Logan Hone, Benny Bock, John Paul Maramba, Tamir Barzilay 15:22\u003cbr\u003eAisha Mars - Song For My Father 03:12\u003cbr\u003eMuwosi \u0026amp; Lionmilk - The Rite Way 05:20\u003cbr\u003eMndsgn - Her Radiance Was Uncanny 07:27\u003cbr\u003eDiva \u0026amp; The Pearly Gates - Heartbeat (demo) 02:57\u003cbr\u003eVinyl Williams - Sunlight 03:50\u003cbr\u003eCarlos Niño \u0026amp; Friends - Tribute to Ahmad, Dilla and Dove (featuring Nate Mercereau, Devin Daniels, Photay, and V.C.R) 04:10\u003c\/p\u003e\n\u003cp\u003eSide D\u003cbr\u003eJon Makes Beats - The Mountain 03:14\u003cbr\u003eEMV - On The One Hand 02:46\u003cbr\u003eKenny Segal - Sablefish 02:27\u003cbr\u003eSam Wilkes - Culebra 03:30\u003cbr\u003eSamiyam - Water 04:10\u003cbr\u003e Daedelus - Making The Beat Scene 01:48\u003cbr\u003eChakram featuring Miguel Atwood-Ferguson - Mirror Image Neurons 02:50\u003cbr\u003eTru - Skyscrapers 02:10\u003cbr\u003eDef Sound - I Been (Contour Remix) 04:14\u003cbr\u003eCreme - Tear Drop 01:24\u003cbr\u003eKutmah - Ease Your Mind 03:02\u003cbr\u003eRyan York - Processional 02:42\u003cbr\u003eAhnnu - Red05 03:13\u003cbr\u003eGlia - Gaal RDM 01:37\u003cbr\u003eBrin - Lonely 02:38\u003cbr\u003eCafe Ale - 60 W Palm 04:32\u003c\/p\u003e\n\u003cp\u003eSide E\u003cbr\u003eN Kramer - What Now? 04:27\u003cbr\u003eDavid Moses x Tristan de Liege - Contour 02:45\u003cbr\u003eDani Derks - Slopes 03:21\u003cbr\u003eRaays + Andrew CS - Rain In Los Angeles 04:58\u003cbr\u003eEmily Sprague - Symbiosis 06:23\u003cbr\u003eCool Maritime - Freshet 06:16\u003cbr\u003eFumitake Tamura - Ma to Sa 04:05\u003cbr\u003eTehn - averroes ii (antimatter) 03:56\u003cbr\u003eyuk. - Hopeblanket 04:10\u003cbr\u003eXyla - Adjust 04:56\u003c\/p\u003e\n\u003cp\u003eSide F\u003cbr\u003eLaraaji - Joyous Dance '82 06:20\u003cbr\u003eArushi Jain - California 06:43\u003cbr\u003eSteve Roach - FOR THE ANGELS 08:41\u003cbr\u003eMIZU - The Course Of Empire 15:29\u003cbr\u003eAndré 3000 - \"This is Where my room used to be.\" (featuring Carlos Niño, Alex Cline, and Pablo Calogero) 08:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eEssay written by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker for Leaving Records, January 13, 2025, ~10:30pm:\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Everything has changed, and it is changing still. The early days of 2025 (an already baleful year, vis-a-vis America’s darkening political horizon) have wrought heretofore unimaginable destruction in the land we now call Los Angeles. The wildfires that began on the morning of Tuesday, January 7th—and which are still raging—are, in scope and intensity, unlike any other disaster, natural or manmade, in the city’s living memory. Thousands of homes destroyed. Twenty four lives lost at the time of writing (that number will almost certainly rise), and innumerable lives forever altered. The devastation arrived suddenly, and has persisted over the course of a punishing and surreal week. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe rise in the morning after not sleeping. We check the air quality. We check the fires’ progress on the same app we’ve all installed (the City’s alert system keeps misfiring). We add another photo to the go bag. We wonder what the fuck the phrase “8% containment actually means,” or what distinguishes “ready” from “set” when the evacuation warnings are fired off within mere minutes of one another. And what happens when warnings turn to orders. We evacuate. If we have time, we walk through our homes, recording each room, narrating all our possessions, for “insurance purposes.” If we don’t have time we just go. We arrive somewhere…safe…safer? We\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e exhale. Another alert. We evacuate again. Hadn’t even unzipped the go bag. We text. We call. They’re not answering. They’re probably fine but why aren’t they answering. Probably the same reason you’re not answering. There’s no time and you can’t think. Your phone is exploding. Relatives and friends are watching the news. “How close are you?” You are too close. You are close even if you’re not close because the fires keep starting.” Kenneth.” “Sunset.” The winds keep shifting. The cars are all parked in the road and all the keys are gone. It is like a nightmare. You can’t get away. It is here and it is everywhere. And for all too many this agonizing cycle keeps on repeating after the unthinkable has already occurred: The loss of home. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe unfoldingness of this event is hard to articulate. Having experienced unprecedented rainfall the previous winter, and unprecedentedly dry conditions in the months since, the region is, at present, uniquely vulnerable to catastrophic fires. The Eaton and Palisades Fires, already estimated to be the two most destructive fires in the City’s history, are slowly being contained, but the Santa Ana winds are expected to return. With them, more fear and uncertainty. We pray for rain in a desperate and ancient way. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEveryone is exhausted, enraged (the usual suspects are at best shrugging and at worst sewing division; the profiteers are already salivating), to varying degrees stunned by loss and sick with grief, and still, somehow, mustering the courage and energy to act collectively, to contribute, however they might, towards the preservation of life. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are stuck between (propelled by?) devastation and action. The impulse to simply break down, and the knowledge that there is tremendous work to be done, now and in the future. To preserve what remains, and to regain what we’ve lost. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe individuals and communities affected in this moment are numerous and varied, but it is the case that Los Angeles’s musical community has been absolutely upended. The Palisades fire, with its reach into older parts of Malibu and Topanga Canyon, and the Eaton fire, in its virtual erasure of Altadena, have affected some of the only areas in Los Angeles where working musicians could live with a modicum of comfort—Though, as we are all too aware in this moment, precarity has always been part of the bargain here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA brief word on Altadena in particular: In recent years, Altadena has become a rich and vibrant hub for artists of all kinds. Nestled below the San Gabriel mountains, the region’s demography shifted in the latter half of the twentieth century—due in large part to a history of redlining, that practice’s legal cessation, and subsequent white flight—to become a thriving Black enclave within Los Angeles. Former residents include no less than Octavia Butler (whose Parable of the Sower rings now as terribly prophetic) and Sydney Poitier. That Altadena has remained one of the few areas within Los Angeles where home ownership is feasible for working families and artists of all stripes is no coincidence. Countless generational homes and historic Black-owned businesses have been destroyed. Among the diverse institutions confirmed to have been lost at the time of writing are Madlib’s estate, the Theosophical Society’s archives, and the altar of kitsch and wholesomeness that was The Bunny Museum. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeaving Records in particular has deep roots in Altadena. Label founder MatthewDavid cut his teeth printing J cards at a home operation in the neighborhood, and countless Leaving artists reside in the area. Many of these artists have either definitively lost their homes, or are currently waiting to learn their fate. The path to rebuilding (how long it will take, what it will cost, whether it is even feasible) remains terribly unclear. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut, in the spirit of doing what we can, and doing what we do best, Leaving has pulled out all the proverbial stops to release a benefit compilation consisting of affiliated artists and supporters far and wide (many of whom have indeed lost everything). Seeking to supplement the numerous GoFundMes and the profound, often harrowing acts of mutual aid that are currently buoying recovery efforts, and in lieu of donating to a third party organization, all proceeds will be donated directly to impacted individuals. 50% will be meticulously, manually allocated to Los Angeles artists and music colleagues in need, as equitably as possible. We will be referencing existing music community aid spreadsheets \/ documents already circulating, alongside a succinct internal list of those affected in our immediate community. The other 50% of funds will be allocated to displaced Black families and community impacted by the fires, again, as equitably as possible.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePersonal and collective healing, ecological recuperation, spiritual transcendence, radical communality — these concerns are woven into Leaving’s roster and catalog. Never in the label’s history has it been so called upon to celebrate and implement these principles. Though we may not even know what “hope” constitutes yet, we know we’ve got it somewhere. We know it’s in solidarity, and we know it’s in the music. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Aritsts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Staying (Leaving Records)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-03T08:58:28+09:00","created_at":"2025-05-02T08:39:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","hiphop \/ funk","house","jazz","leaving records","new","recommended","tape"],"price":458300,"price_min":458300,"price_max":458300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47289825362170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists \/\/ Staying: Leaving Records Aid to Artists Impacted by the Los Angeles Wildfires 3xTAPE","public_title":null,"options":["Default Title"],"price":458300,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/le1_b2ade7f4-5fb3-4718-8008-b54e06f34c00.jpg?v=1746142829","\/\/tobirarecords.com\/cdn\/shop\/files\/le3.jpg?v=1746142829"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_b2ade7f4-5fb3-4718-8008-b54e06f34c00.jpg?v=1746142829","options":["Title"],"media":[{"alt":null,"id":35970944270586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_b2ade7f4-5fb3-4718-8008-b54e06f34c00.jpg?v=1746142829"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_b2ade7f4-5fb3-4718-8008-b54e06f34c00.jpg?v=1746142829","width":700},{"alt":null,"id":35970944303354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le3.jpg?v=1746142829"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le3.jpg?v=1746142829","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのオールジャンルレーベルLeaving Recordsが、2025年5月にリリースしたコンピレーション3本組カセットです。\u003c\/p\u003e\n\u003cp\u003e豪華ラインナップによる怒涛の65曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源（98曲）を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003eによるエッセイです。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"すべてが変わり、今も変わり続けている。2025年の初頭（アメリカの政治的な地平線が暗くなりつつあることを考えると、この年はすでに危険な年である）、ロサンゼルスと呼ばれる土地に、想像を絶する破壊がもたらされた。1月7日（火）の朝から始まった山火事は、その規模と激しさにおいて、自然災害であれ人災であれ、ロサンゼルスの記憶にないものである。数千棟の家屋が倒壊した。本稿執筆時点で24人の命が失われ（この数はほぼ間違いなく増えるだろう）、無数の人生が永遠に変わってしまった。壊滅的な被害は突如として訪れ、衝撃的で超現実的な1週間を過ごした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e寝ないで朝を迎える。空気の質をチェックする。みんなでインストールしたアプリで火事の進捗状況を確認する（市の警報システムは誤作動を繰り返している）。ゴーバッグに写真を追加する。「8％封じ込め」とは一体どういう意味なのか、避難勧告が数分後に発令されたとき、「準備完了」と「完了」の違いは何なのか。警告が命令に変わったらどうなるのか。私たちは避難する。時間があれば、「保険のため 」に家の中を歩き回り、各部屋を記録し、すべての持ち物を説明する。時間がなければ、ただ避難する。安全な...より安全な？息を吐く。また警報。再び避難。バッグのチャックも開けていない。電話する。電話に出ない。たぶん大丈夫なんだろうけど、なんで出ないんだろう。おそらくあなたが出ないのと同じ理由だろう。時間がないし、考えることもできない。携帯電話が爆発している。親戚や友人がニュースを見ている。「どこまで近づいた？」 近すぎる。火事が続いているから、近くにいなくても近くにいるんだ。ケネス 「夕焼け」 風は変わり続けている。車はすべて道路に駐車され、鍵はすべてなくなっている。悪夢のようだ。逃げられない。それはここにあり、どこにでもある。そして、あまりに多くの人々にとって、この苦悩のサイクルは、想像を絶することがすでに起こった後にも繰り返され続けている： 家を失う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの出来事の展開を明確に説明するのは難しい。前年の冬に未曾有の大雨に見舞われ、それ以来数ヶ月間、前例のないほど乾燥した状況が続いているため、この地域は現在、大火災に対して他に類を見ないほど脆弱な状態にある。イートン火災とパリセーズ火災は、すでに市の歴史上最も破壊的な2つの火災と推定され、徐々に鎮火に向かっているが、サンタアナの風は再び吹くと予想されている。それに伴い、さらなる恐怖と不安が待ち受けている。私たちは必死の思いで、古代の方法で雨乞いをする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誰もが疲れ果て、激怒し（いつもの容疑者たちは、よく言えば肩をすくめ、悪く言えば分断を縫い、儲け主義者たちはすでに唾を飲んでいる）、程度の差こそあれ、喪失感に呆然とし、悲しみに病み、それでもどうにかして、集団で行動する勇気とエネルギーを奮い立たせ、生命を守るために、どんな形であれ貢献しようとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちは壊滅的な打撃と行動の狭間で立ち往生している。。残されたものを守り、失ったものを取り戻すために。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの瞬間に影響を受けた個人やコミュニティは数多く、多岐にわたるが、ロサンゼルスの音楽コミュニティが根底から覆されたことは事実である。パリセーズ火災はマリブやトパンガ・キャニオンの古い地域にまで及び、イートン火災はアルタデナを事実上消滅させたが、ロサンゼルスで唯一、現役のミュージシャンが少しでも快適に暮らせる地域に影響を与えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にアルタデナについて簡単に： 近年、アルタデナはあらゆるアーティストの豊かで活気ある拠点となっている。サン・ガブリエル山脈の下に位置するこの地域は、20世紀後半に人口動態が変化し、レッドライニング（人種差別撤廃）の歴史、その法的停止、そしてその後の白人逃亡が大きな要因となり、ロサンゼルスの中でも繁栄する黒人の飛び地となった。かつての住民には、オクタヴィア・バトラー（その『種まく人のたとえ』は、今となっては恐ろしいほど予言的である）やシドニー・ポワチエがいる。アルタディナが、ロサンゼルスでも数少ない、労働者家族やあらゆる分野のアーティストが家を所有できる地域であり続けているのは、偶然ではない。数え切れないほどの世代の住宅や歴史的な黒人経営のビジネスが破壊された。本稿執筆時点で失われたことが確認されている多様な施設のなかには、マッドリブの遺産、神智学協会のアーカイブ、バニー博物館だったキッチュで健全な祭壇などがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特にLeaving Recordsはアルタデナに深く根付いている。レーベル創設者のマシュー・デイヴィッドは、この界隈の自宅でJカードを印刷する仕事を始め、無数のLeaving Recordsがこの地域に住んでいる。これらのアーティストの多くは、決定的に家を失ったか、現在その運命を知るのを待っているところだ。再建への道筋（どれだけの時間がかかるのか、どれだけの費用がかかるのか、実現可能なのかどうか）はひどく不透明なままだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、できることをする、自分たちのベストを尽くすという精神に基づき、Leaving Recordsは、提携アーティストと広く支援者（その多くは本当にすべてを失っている）からなるベネフィット・コンピレーションをリリースするために、あらゆる手段を尽くした。数多くのGoFundMesや、現在復興活動を後押ししている、深く、しばしば悲惨な相互扶助の行為を補うために、また、第三者機関への寄付の代わりに、全収益は影響を受けた個人に直接寄付される。その50%は、ロサンゼルスのアーティストや音楽仲間で困っている人たちに、可能な限り公平に配分される。私たちは、私たちの身近なコミュニティで被災した人々の簡潔な内部リストとともに、すでに流通している既存の音楽コミュニティ支援のスプレッドシート／文書を参照する予定である。残りの50％は、やはり可能な限り公平に、火災の影響を受けた黒人の避難家族やコミュニティに割り当てられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個人的・集団的な癒し、生態系の回復、精神的超越、急進的な共同性--こうした関心事は、Leaving Recordsのカタログに織り込まれている。レーベルの歴史の中で、これらの原則を称え、実行することがこれほど求められたことはない。希望が何であるかはまだわからないかもしれないが、私たちはどこかにそれを見出している。それは連帯の中にあり、音楽の中にある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2111986195\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e3 x cassette in long norelco case + OBI. \u003cbr\u003eCassette edition of 500. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSide A\u003cbr\u003eBaths \u0026amp; Rachika Nayar - Dried Apricot 03:14\u003cbr\u003eTotal Blue - Astral Mud 04:24\u003cbr\u003eCelia Hollander \u0026amp; Photay - Live at LTMOITDUAT 10.14.23 04:45\u003cbr\u003eAsa Tone \u0026amp; Ariel Kalma - A Gentle Upward Spiral 04:04\u003cbr\u003eAlia - Lullaby For A Sea Nymph 01:55\u003cbr\u003eBotany - Diode Congregation 02:54\u003cbr\u003eM.A. Tiesenga - A Clearing 02:40\u003cbr\u003etstewart - Splendid 03:06\u003cbr\u003eBlack Taffy - Setting Sun Shines Gold 05:08\u003cbr\u003eKMRU - Visions 03:00\u003cbr\u003eYama Fela Harmon Koh \u0026amp; Grandfather. - On The Other Side Of Fear And Complacency 05:07\u003cbr\u003eMore Eaze - Point Dume 03:10\u003cbr\u003eNailah Hunter - Rest Here (demo) 01:57\u003cbr\u003eTate EC - Wings 02:45\u003c\/p\u003e\n\u003cp\u003eSide B\u003cbr\u003eV.C.R - Charlene's Mantra 02:12\u003cbr\u003eOhma - Live at LTMOITDUAT 10.14.23 04:26\u003cbr\u003eSharada Shashidhar \/ Caleb Buchanan - Ghostly 02:30\u003cbr\u003eDiego Gaeta - Earthseed 02:00\u003cbr\u003eCaural - Radiant Everything 03:37\u003cbr\u003eSurya Botofasina - Our Cottage To Across The Stream (Carlos Niño \u0026amp; Friends Remix featuring Steve Spacek with Miles Spilsbury, Dntel, and J Rocc) 03:35\u003cbr\u003eJulia Holter - Turn The Light On (Live at the Leaving Records 10-Year Anniversary) 04:23\u003cbr\u003eAnenon - Matters Of Time 04:00\u003cbr\u003eHundred Waters - Pliocene 02:45\u003cbr\u003eCole Pulice - A Prayer In My Pocket 03:43\u003cbr\u003eEddie Chacon - Fate 02:55\u003cbr\u003eSpencer Zahn, Dave Scalia, Jon Natchez - Peaches \u0026amp; Apricots 04:19\u003cbr\u003eNate Mercereau - Juniper's Theme (Live in Twentynine Palms 121524) - Excerpt, with Aaron Shaw and Andres Renteria 04:13\u003c\/p\u003e\n\u003cp\u003eSide C\u003cbr\u003eJohn Carroll Kirby - Nucleo (Live) featuring Logan Hone, Benny Bock, John Paul Maramba, Tamir Barzilay 15:22\u003cbr\u003eAisha Mars - Song For My Father 03:12\u003cbr\u003eMuwosi \u0026amp; Lionmilk - The Rite Way 05:20\u003cbr\u003eMndsgn - Her Radiance Was Uncanny 07:27\u003cbr\u003eDiva \u0026amp; The Pearly Gates - Heartbeat (demo) 02:57\u003cbr\u003eVinyl Williams - Sunlight 03:50\u003cbr\u003eCarlos Niño \u0026amp; Friends - Tribute to Ahmad, Dilla and Dove (featuring Nate Mercereau, Devin Daniels, Photay, and V.C.R) 04:10\u003c\/p\u003e\n\u003cp\u003eSide D\u003cbr\u003eJon Makes Beats - The Mountain 03:14\u003cbr\u003eEMV - On The One Hand 02:46\u003cbr\u003eKenny Segal - Sablefish 02:27\u003cbr\u003eSam Wilkes - Culebra 03:30\u003cbr\u003eSamiyam - Water 04:10\u003cbr\u003e Daedelus - Making The Beat Scene 01:48\u003cbr\u003eChakram featuring Miguel Atwood-Ferguson - Mirror Image Neurons 02:50\u003cbr\u003eTru - Skyscrapers 02:10\u003cbr\u003eDef Sound - I Been (Contour Remix) 04:14\u003cbr\u003eCreme - Tear Drop 01:24\u003cbr\u003eKutmah - Ease Your Mind 03:02\u003cbr\u003eRyan York - Processional 02:42\u003cbr\u003eAhnnu - Red05 03:13\u003cbr\u003eGlia - Gaal RDM 01:37\u003cbr\u003eBrin - Lonely 02:38\u003cbr\u003eCafe Ale - 60 W Palm 04:32\u003c\/p\u003e\n\u003cp\u003eSide E\u003cbr\u003eN Kramer - What Now? 04:27\u003cbr\u003eDavid Moses x Tristan de Liege - Contour 02:45\u003cbr\u003eDani Derks - Slopes 03:21\u003cbr\u003eRaays + Andrew CS - Rain In Los Angeles 04:58\u003cbr\u003eEmily Sprague - Symbiosis 06:23\u003cbr\u003eCool Maritime - Freshet 06:16\u003cbr\u003eFumitake Tamura - Ma to Sa 04:05\u003cbr\u003eTehn - averroes ii (antimatter) 03:56\u003cbr\u003eyuk. - Hopeblanket 04:10\u003cbr\u003eXyla - Adjust 04:56\u003c\/p\u003e\n\u003cp\u003eSide F\u003cbr\u003eLaraaji - Joyous Dance '82 06:20\u003cbr\u003eArushi Jain - California 06:43\u003cbr\u003eSteve Roach - FOR THE ANGELS 08:41\u003cbr\u003eMIZU - The Course Of Empire 15:29\u003cbr\u003eAndré 3000 - \"This is Where my room used to be.\" (featuring Carlos Niño, Alex Cline, and Pablo Calogero) 08:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eEssay written by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker for Leaving Records, January 13, 2025, ~10:30pm:\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Everything has changed, and it is changing still. The early days of 2025 (an already baleful year, vis-a-vis America’s darkening political horizon) have wrought heretofore unimaginable destruction in the land we now call Los Angeles. The wildfires that began on the morning of Tuesday, January 7th—and which are still raging—are, in scope and intensity, unlike any other disaster, natural or manmade, in the city’s living memory. Thousands of homes destroyed. Twenty four lives lost at the time of writing (that number will almost certainly rise), and innumerable lives forever altered. The devastation arrived suddenly, and has persisted over the course of a punishing and surreal week. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe rise in the morning after not sleeping. We check the air quality. We check the fires’ progress on the same app we’ve all installed (the City’s alert system keeps misfiring). We add another photo to the go bag. We wonder what the fuck the phrase “8% containment actually means,” or what distinguishes “ready” from “set” when the evacuation warnings are fired off within mere minutes of one another. And what happens when warnings turn to orders. We evacuate. If we have time, we walk through our homes, recording each room, narrating all our possessions, for “insurance purposes.” If we don’t have time we just go. We arrive somewhere…safe…safer? We\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e exhale. Another alert. We evacuate again. Hadn’t even unzipped the go bag. We text. We call. They’re not answering. They’re probably fine but why aren’t they answering. Probably the same reason you’re not answering. There’s no time and you can’t think. Your phone is exploding. Relatives and friends are watching the news. “How close are you?” You are too close. You are close even if you’re not close because the fires keep starting.” Kenneth.” “Sunset.” The winds keep shifting. The cars are all parked in the road and all the keys are gone. It is like a nightmare. You can’t get away. It is here and it is everywhere. And for all too many this agonizing cycle keeps on repeating after the unthinkable has already occurred: The loss of home. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe unfoldingness of this event is hard to articulate. Having experienced unprecedented rainfall the previous winter, and unprecedentedly dry conditions in the months since, the region is, at present, uniquely vulnerable to catastrophic fires. The Eaton and Palisades Fires, already estimated to be the two most destructive fires in the City’s history, are slowly being contained, but the Santa Ana winds are expected to return. With them, more fear and uncertainty. We pray for rain in a desperate and ancient way. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEveryone is exhausted, enraged (the usual suspects are at best shrugging and at worst sewing division; the profiteers are already salivating), to varying degrees stunned by loss and sick with grief, and still, somehow, mustering the courage and energy to act collectively, to contribute, however they might, towards the preservation of life. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are stuck between (propelled by?) devastation and action. The impulse to simply break down, and the knowledge that there is tremendous work to be done, now and in the future. To preserve what remains, and to regain what we’ve lost. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe individuals and communities affected in this moment are numerous and varied, but it is the case that Los Angeles’s musical community has been absolutely upended. The Palisades fire, with its reach into older parts of Malibu and Topanga Canyon, and the Eaton fire, in its virtual erasure of Altadena, have affected some of the only areas in Los Angeles where working musicians could live with a modicum of comfort—Though, as we are all too aware in this moment, precarity has always been part of the bargain here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA brief word on Altadena in particular: In recent years, Altadena has become a rich and vibrant hub for artists of all kinds. Nestled below the San Gabriel mountains, the region’s demography shifted in the latter half of the twentieth century—due in large part to a history of redlining, that practice’s legal cessation, and subsequent white flight—to become a thriving Black enclave within Los Angeles. Former residents include no less than Octavia Butler (whose Parable of the Sower rings now as terribly prophetic) and Sydney Poitier. That Altadena has remained one of the few areas within Los Angeles where home ownership is feasible for working families and artists of all stripes is no coincidence. Countless generational homes and historic Black-owned businesses have been destroyed. Among the diverse institutions confirmed to have been lost at the time of writing are Madlib’s estate, the Theosophical Society’s archives, and the altar of kitsch and wholesomeness that was The Bunny Museum. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLeaving Records in particular has deep roots in Altadena. Label founder MatthewDavid cut his teeth printing J cards at a home operation in the neighborhood, and countless Leaving artists reside in the area. Many of these artists have either definitively lost their homes, or are currently waiting to learn their fate. The path to rebuilding (how long it will take, what it will cost, whether it is even feasible) remains terribly unclear. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut, in the spirit of doing what we can, and doing what we do best, Leaving has pulled out all the proverbial stops to release a benefit compilation consisting of affiliated artists and supporters far and wide (many of whom have indeed lost everything). Seeking to supplement the numerous GoFundMes and the profound, often harrowing acts of mutual aid that are currently buoying recovery efforts, and in lieu of donating to a third party organization, all proceeds will be donated directly to impacted individuals. 50% will be meticulously, manually allocated to Los Angeles artists and music colleagues in need, as equitably as possible. We will be referencing existing music community aid spreadsheets \/ documents already circulating, alongside a succinct internal list of those affected in our immediate community. The other 50% of funds will be allocated to displaced Black families and community impacted by the fires, again, as equitably as possible.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePersonal and collective healing, ecological recuperation, spiritual transcendence, radical communality — these concerns are woven into Leaving’s roster and catalog. Never in the label’s history has it been so called upon to celebrate and implement these principles. Though we may not even know what “hope” constitutes yet, we know we’ve got it somewhere. We know it’s in solidarity, and we know it’s in the music. \"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various Aritsts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Staying (Leaving Records)\u003c\/span\u003e\u003c\/p\u003e"}