Vanessa Rossetto // Legends of American Theatre TAPE

¥1,980

Write a review

Item no:
Availability:

イギリス・ストックポートの実験レーベルRegional Bearsの2021年6月最新作を本邦初入荷しました。

本作は、No Rentから今年リリースした7"も素晴らしかった、KyeやAnother Timbreなどから発表しているアメリカ人実験音楽家Vanessa Rossettoの最新作です。物音コラージュスケープ45分を収録。DLコード付属。廃盤です。

last copies!

artist : Vanessa Rossetto

label : Regional Bears

イギリス・ストックポートの実験レーベルRegional Bearsの2021年6月最新作を本邦初入荷しました。

last copies!

artist : Vanessa Rossetto

label : Regional Bears

Related Products

クイックビュー {"id":9249727021306,"title":"No Rent Records \/\/ ROCKER - ISSUE #13, JUNE 2026","handle":"no-rent-records-rocker-issue-13-june-2026","description":"\u003cp\u003eアメリカ・ペンシルベニアの実験／ノイズレーベルNo Rentが、2026年6月にリリースしたZINEです。\u003c\/p\u003e\n\u003cp\u003eノイズ、アンビエント、コンクレート、ドローン、エレクトロアコースティック、テープ音楽、コンピューター音楽、フィールドレコーディングにフォーカスした124ページフルカラーです。\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e124 page DOUBLE ISSUE!\u003cbr\u003e\u003cbr\u003eOn the cover:\u003cspan\u003e \u003c\/span\u003eRelay For Death\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003cbr\u003eNetwork Glass + Obie Feldi \u003ci\u003e“convomaxxing”\u003cbr\u003e\u003c\/i\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOroboros, erotic short fiction by Bee Traverse\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eEnde Tymes 16 photo gallery by John Cates\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eInterviews\u003c\/strong\u003e:\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRelay For Death\u003cbr\u003eTom Grimley\u003cbr\u003eDrumloop\u003cbr\u003eMolasses Industries\u003cbr\u003eBob Bellerue\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFull color \/ 124 pages. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eABOUT THE MAGAZINE (text via No Rent Records) ----\u0026gt;\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cb\u003eROCKER\u003c\/b\u003e is a new bimonthly digest printed and published in the great city of Philadelphia, PA, USA. It focuses on harsh noise, ambient, musique concrète, electroacoustic, drone, tape music, wall noise, experimental, unclassifiable, concept works, computer music, field recording, indeterminate electronic, narrative, ecological, text-based, religious, song, acoustic ensemble, gorenoise, power electronics, and sound design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePublishes Feb, April, June, August, October, December\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach issue contains lengthy artist interviews delving into unusual subjects for the genre, several recurring columns, art page(s), how to's, histories of and guest columns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eROCKER reviews all applicable material, referencing an era where you could get at least a one-sentence review in every zine. There is an up to date list of reviewers along with their tastes (broadly) on page 74. Once a writer agrees to review your material you can expect it to be published within the next 2-3 issues. Positive reviews are not guaranteed, but the review itself is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany interviews are conducted anonymously, with no byline, in order for the paper to speak as one voice. Reviewers reveal their biases in the review guidelines as a service to the artists sending review material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDespite a pronounced editorial stance, we strive for journalistic integrity, separating advertising and editorial content when copy editing while presenting the subjects spaciously in their own light.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003ehere\u003c\/a\u003e to see more No Rent Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eLabel : No Rent\u003c\/p\u003e","published_at":"2026-06-07T06:15:57+09:00","created_at":"2026-06-05T10:39:33+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","drone","field recording","monooto","new","no rent","noise"],"price":326600,"price_min":326600,"price_max":326600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48967970291962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"No Rent Records \/\/ ROCKER - ISSUE #13, JUNE 2026","public_title":null,"options":["Default Title"],"price":326600,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_641635e3-6148-492a-8c6a-df01de3210bc.webp?v=1780623912","\/\/tobirarecords.com\/cdn\/shop\/files\/rock2_d2cf39a6-cad5-424e-928c-e87d737c7270.webp?v=1780623895"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_641635e3-6148-492a-8c6a-df01de3210bc.webp?v=1780623912","options":["Title"],"media":[{"alt":null,"id":39586278408442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_641635e3-6148-492a-8c6a-df01de3210bc.webp?v=1780623912"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock1_641635e3-6148-492a-8c6a-df01de3210bc.webp?v=1780623912","width":800},{"alt":null,"id":39586278441210,"position":2,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock2_d2cf39a6-cad5-424e-928c-e87d737c7270.webp?v=1780623895"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rock2_d2cf39a6-cad5-424e-928c-e87d737c7270.webp?v=1780623895","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアの実験／ノイズレーベルNo Rentが、2026年6月にリリースしたZINEです。\u003c\/p\u003e\n\u003cp\u003eノイズ、アンビエント、コンクレート、ドローン、エレクトロアコースティック、テープ音楽、コンピューター音楽、フィールドレコーディングにフォーカスした124ページフルカラーです。\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e124 page DOUBLE ISSUE!\u003cbr\u003e\u003cbr\u003eOn the cover:\u003cspan\u003e \u003c\/span\u003eRelay For Death\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003cbr\u003eNetwork Glass + Obie Feldi \u003ci\u003e“convomaxxing”\u003cbr\u003e\u003c\/i\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOroboros, erotic short fiction by Bee Traverse\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eEnde Tymes 16 photo gallery by John Cates\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eInterviews\u003c\/strong\u003e:\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRelay For Death\u003cbr\u003eTom Grimley\u003cbr\u003eDrumloop\u003cbr\u003eMolasses Industries\u003cbr\u003eBob Bellerue\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFull color \/ 124 pages. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eABOUT THE MAGAZINE (text via No Rent Records) ----\u0026gt;\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cb\u003eROCKER\u003c\/b\u003e is a new bimonthly digest printed and published in the great city of Philadelphia, PA, USA. It focuses on harsh noise, ambient, musique concrète, electroacoustic, drone, tape music, wall noise, experimental, unclassifiable, concept works, computer music, field recording, indeterminate electronic, narrative, ecological, text-based, religious, song, acoustic ensemble, gorenoise, power electronics, and sound design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePublishes Feb, April, June, August, October, December\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach issue contains lengthy artist interviews delving into unusual subjects for the genre, several recurring columns, art page(s), how to's, histories of and guest columns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eROCKER reviews all applicable material, referencing an era where you could get at least a one-sentence review in every zine. There is an up to date list of reviewers along with their tastes (broadly) on page 74. Once a writer agrees to review your material you can expect it to be published within the next 2-3 issues. Positive reviews are not guaranteed, but the review itself is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany interviews are conducted anonymously, with no byline, in order for the paper to speak as one voice. Reviewers reveal their biases in the review guidelines as a service to the artists sending review material.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDespite a pronounced editorial stance, we strive for journalistic integrity, separating advertising and editorial content when copy editing while presenting the subjects spaciously in their own light.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nore\"\u003ehere\u003c\/a\u003e to see more No Rent Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eLabel : No Rent\u003c\/p\u003e"}

アメリカ・ペンシルベニアの実験／ノイズレーベルNo Rentが、2026年6月にリリースしたZINEです。ノイズ、アンビエント、コンクレート、ドローン、エレクトロアコースティック、テープ音楽、コンピューター音楽、フィールドレコーディングにフォーカスした124ページフルカラーです。 ------------------------------------------------------------------------------- 124 page DOUBLE ISSUE!On the cover: Relay For Death Features:Network Glass...

¥3,266

クイックビュー {"id":9249063338234,"title":"NNIS \/\/ Deepblue TAPE","handle":"nnis-deepblue-tape","description":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたドイツの実験音楽家NNISが、2025年6月に同国stststからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜物音ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2220997142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=888026420\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2220997142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case with foldable art print. \u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Deepblue 04:02 \u003cbr\u003e2. Pont Neuf 08:38 \u003cbr\u003e3. Perseverance 04:08 \u003cbr\u003e4. Dialogue 06:11 \u003cbr\u003e5. No Need To Know 05:22 \u003cbr\u003e6. Golden Happiness 05:15\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Deepblue, Jakob Sinn, aka NNIS, dives into the space where structure meets intuition. These six tracks grow out of a delicate dance between control and spontaneity — a musical process that's part careful construction, part happy accident. Synths, percussion, and everyday sounds blend into pieces that slowly unfold in subtle shifts, always guided by an invisible inner logic. The music feels like an endless, evolving tapestry of sound, stretching out and revealing new details as it moves. The title Deepblue suggests a kind of depth — spatial, emotional, and conceptual — an invitation to sink into layers of texture, movement, and sound. It also hints at those moments when systems start running on their own, opening up new realms of possibility — in music, or, like the legendary chess computer Deep Blue, in the thrilling space where calculation meets surprise.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : NNIS\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eststst\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th June 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-08T19:28:50+09:00","created_at":"2026-06-04T09:16:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","monooto","new","tape"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48964359291130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"NNIS \/\/ Deepblue TAPE","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_e78a10cb-8289-4e7d-9b88-cfd7bfaaa319.jpg?v=1780532092","\/\/tobirarecords.com\/cdn\/shop\/files\/deep2_0b8e5e98-2ead-4ac2-b3a6-268018859720.jpg?v=1780532092","\/\/tobirarecords.com\/cdn\/shop\/files\/deep3.jpg?v=1780532092"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_e78a10cb-8289-4e7d-9b88-cfd7bfaaa319.jpg?v=1780532092","options":["Title"],"media":[{"alt":null,"id":39577467551994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_e78a10cb-8289-4e7d-9b88-cfd7bfaaa319.jpg?v=1780532092"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep1_e78a10cb-8289-4e7d-9b88-cfd7bfaaa319.jpg?v=1780532092","width":350},{"alt":null,"id":39577467584762,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep2_0b8e5e98-2ead-4ac2-b3a6-268018859720.jpg?v=1780532092"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep2_0b8e5e98-2ead-4ac2-b3a6-268018859720.jpg?v=1780532092","width":960},{"alt":null,"id":39577467617530,"position":3,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep3.jpg?v=1780532092"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/deep3.jpg?v=1780532092","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたドイツの実験音楽家NNISが、2025年6月に同国stststからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜物音ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2220997142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=888026420\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2220997142\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case with foldable art print. \u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Deepblue 04:02 \u003cbr\u003e2. Pont Neuf 08:38 \u003cbr\u003e3. Perseverance 04:08 \u003cbr\u003e4. Dialogue 06:11 \u003cbr\u003e5. No Need To Know 05:22 \u003cbr\u003e6. Golden Happiness 05:15\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Deepblue, Jakob Sinn, aka NNIS, dives into the space where structure meets intuition. These six tracks grow out of a delicate dance between control and spontaneity — a musical process that's part careful construction, part happy accident. Synths, percussion, and everyday sounds blend into pieces that slowly unfold in subtle shifts, always guided by an invisible inner logic. The music feels like an endless, evolving tapestry of sound, stretching out and revealing new details as it moves. The title Deepblue suggests a kind of depth — spatial, emotional, and conceptual — an invitation to sink into layers of texture, movement, and sound. It also hints at those moments when systems start running on their own, opening up new realms of possibility — in music, or, like the legendary chess computer Deep Blue, in the thrilling space where calculation meets surprise.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : NNIS\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eststst\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th June 2025\u003c\/span\u003e\u003c\/p\u003e"}

アメリカの実験音楽家Robert TurmanとJohn Wieseが、2024年にJohn Wiese主宰レーベルHelicopterからリリースした共作CDです。コラージュ・ノイズ〜ドローン2曲を収録。レーベルその他作品はこちら /// Click here to see more Helicopter releases available at Tobira. ...

¥2,490

クイックビュー {"id":9244816212218,"title":"Drew Wesely \/ Laura Cocks \/ Camilo Ángeles \/ Lester St. Louis \/ Carlo Costa \/\/ A Fine Chance for Permanence LP [COLOR]","handle":"drew-wesely-laura-cocks-camilo-angeles-lester-st-louis-carlo-costa-a-fine-chance-for-permanence-lp-color","description":"\u003cp\u003e即興演奏者Drew Wesely \/ Laura Cocks \/ Camilo Ángeles \/ Lester St. Louis \/ Carlo Costaが、2026年6月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから200限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eフルート、チェロ、ギター、パーカッションによるインプロ7曲を収録。DLコード付属。ピンク盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、Nate Wooleyによる解説の抜粋です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e即興演奏者たちは、世代ごとに、自発的な音楽の詩を書き直すという行為の中で、自然かつ一貫して結束していく。生きた経験に誠実だと感じられる順序で言葉／音／イメージを組み立てる必要性は、すべての創造的な人間に生来備わっているものであり、ミュージシャンたちが共同で新しい音楽的構文を築いてきた歴史は、1960年代に歌の形式から脱却したジャズから、ここ20年の還元主義的あるいはローワーケース運動における沈黙への依存に至るまで多岐にわたる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e録音物、文献、議論へのアクセスが容易になった今、今日の即興演奏家たちが、無数の無関係な語彙へと分断されるのをどう防ぐかという問いは、現実的な課題となっている。世界的につながったコミュニティという約束は、これまでのところ、疎外へと向かっていることが証明されている。それゆえ、今日の即興演奏家たちが、デジタル情報の氾濫を利用して、複数の進化的に隔絶された言語へと分散することを選ぶのではなく、ディファランス（différance）の共有された音楽、あるいは具体化されたイデオロギー的演奏実践に抗う「両方とも／そして」という思考様式を創造しようとしているように見えるのは、心強いことだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『A Fine Chance for Permanence』は、この新しい運動がインターネット時代とその可能性を受け入れたことを示す歴史的記録となるかもしれない。ここでの音楽は、直線的な物語として展開するのではなく、データセットのように広がっていく。それは、一連の美的ルールの中で静止したイメージを技巧的に再現するのではなく、絶えず変化する時間感覚の中で、複数の関係性の生成と解消の上に築かれている。非対称的なパルスがリズムに取って代わり、周波数やため息が音高に取って代わり、浮遊する音色が厳格な対位法に取って代わる。しかし、このレコードに収録された即興演奏は、音楽の構成要素が放つオーロラを舞う一方で、新しい音楽の素材として、具体的なもの――つまり、予想されるものとしての歴史的要素――を臆することなく掴み取っている。『A Fine Chance』は、私たちが「音楽」と言うときに何を意味しているのかを意図的に解体したものであり、時間の中に凍結された音楽のディファランス（differance）の単一の循環である……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1970457807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" electric pink vinyl.\u003cbr\u003ePink vinyl edition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. A \u003cbr\u003e2. Fine \u003cbr\u003e3. Chance \u003cbr\u003e4. for \u003cbr\u003e5. Per \u003cbr\u003e6. ma \u003cbr\u003e7. nence\u003c\/p\u003e\n\u003cp\u003eText excerpt written by Nate Wooley, via the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEach generation of improvisors gathers itself—naturally and consistently—in the act of rewriting the poetry of spontaneous music. The need to group words\/sounds\/images in an order that feels honest to lived experience is innate in all creative humans, and the history of musicians collectively building new musical syntax ranges from jazz freeing itself from the song form in the 1960s to the reliance on silence during the reductionist or lowercase movements of the last twenty years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWith easier access to recordings, writings, and discussion, the question of how today’s cohort can keep themselves from splintering off into thousands of unconnected vocabularies is a real one. The promise of a globally connected community has proven, so far, to be moving toward alienation. It is heartening to see, then, that today’s improvisers seem to be using the digital glut of information to create a shared music of différance, or a “both\/and” kind of thinking that defies a concretized ideological performance practice), rather than choosing to disperse into multiple, evolutionarily barricaded\u003cspan class=\"bcTruncateMore\"\u003e languages.\u003cbr\u003eA Fine Chance for Permanence may become a historical document of this new movement’s embrace of the internet age and its possibilities. The music here spreads itself out like a data set rather than unfolding into a linear narrative. It builds upon the creation and dissolution of multiple relationships within an ever-shifting sense of time rather than a virtuosic reproduction of hanging images within a set of aesthetic rules. Asymmetrical pulses replace rhythms; frequencies and sighs supplant pitches; floating timbres are substituted for strict counterpoint. But while the improvisations on this record dance around the aurorae of music’s building blocks, they are not afraid to grasp at the concrete—the historical as the expected—as a source material for new music. A Fine Chance is a conscious deconstruction of what we mean when we mean music; it is a single cycle of music differánce frozen in time...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Drew Wesely \/ Laura Cocks \/ Camilo Ángeles \/ Lester St. Louis \/ Carlo Costa\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eRelease date : 5th June 2026\u003c\/p\u003e","published_at":"2026-06-07T06:35:31+09:00","created_at":"2026-06-02T10:19:11+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","jazz","lp","new"],"price":534000,"price_min":534000,"price_max":534000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48951234101498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Drew Wesely \/ Laura Cocks \/ Camilo Ángeles \/ Lester St. Louis \/ Carlo Costa \/\/ A Fine Chance for Permanence LP [COLOR]","public_title":null,"options":["Default Title"],"price":534000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/chan1_33d21621-c75c-483c-9402-8924edbfef88.jpg?v=1780363185","\/\/tobirarecords.com\/cdn\/shop\/files\/chan3_c3883ac8-047e-42e2-9336-0a42b6485561.jpg?v=1780363184"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/chan1_33d21621-c75c-483c-9402-8924edbfef88.jpg?v=1780363185","options":["Title"],"media":[{"alt":null,"id":39547835547898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chan1_33d21621-c75c-483c-9402-8924edbfef88.jpg?v=1780363185"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chan1_33d21621-c75c-483c-9402-8924edbfef88.jpg?v=1780363185","width":350},{"alt":null,"id":39547835580666,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chan3_c3883ac8-047e-42e2-9336-0a42b6485561.jpg?v=1780363184"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chan3_c3883ac8-047e-42e2-9336-0a42b6485561.jpg?v=1780363184","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e即興演奏者Drew Wesely \/ Laura Cocks \/ Camilo Ángeles \/ Lester St. Louis \/ Carlo Costaが、2026年6月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから200限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eフルート、チェロ、ギター、パーカッションによるインプロ7曲を収録。DLコード付属。ピンク盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、Nate Wooleyによる解説の抜粋です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e即興演奏者たちは、世代ごとに、自発的な音楽の詩を書き直すという行為の中で、自然かつ一貫して結束していく。生きた経験に誠実だと感じられる順序で言葉／音／イメージを組み立てる必要性は、すべての創造的な人間に生来備わっているものであり、ミュージシャンたちが共同で新しい音楽的構文を築いてきた歴史は、1960年代に歌の形式から脱却したジャズから、ここ20年の還元主義的あるいはローワーケース運動における沈黙への依存に至るまで多岐にわたる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e録音物、文献、議論へのアクセスが容易になった今、今日の即興演奏家たちが、無数の無関係な語彙へと分断されるのをどう防ぐかという問いは、現実的な課題となっている。世界的につながったコミュニティという約束は、これまでのところ、疎外へと向かっていることが証明されている。それゆえ、今日の即興演奏家たちが、デジタル情報の氾濫を利用して、複数の進化的に隔絶された言語へと分散することを選ぶのではなく、ディファランス（différance）の共有された音楽、あるいは具体化されたイデオロギー的演奏実践に抗う「両方とも／そして」という思考様式を創造しようとしているように見えるのは、心強いことだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『A Fine Chance for Permanence』は、この新しい運動がインターネット時代とその可能性を受け入れたことを示す歴史的記録となるかもしれない。ここでの音楽は、直線的な物語として展開するのではなく、データセットのように広がっていく。それは、一連の美的ルールの中で静止したイメージを技巧的に再現するのではなく、絶えず変化する時間感覚の中で、複数の関係性の生成と解消の上に築かれている。非対称的なパルスがリズムに取って代わり、周波数やため息が音高に取って代わり、浮遊する音色が厳格な対位法に取って代わる。しかし、このレコードに収録された即興演奏は、音楽の構成要素が放つオーロラを舞う一方で、新しい音楽の素材として、具体的なもの――つまり、予想されるものとしての歴史的要素――を臆することなく掴み取っている。『A Fine Chance』は、私たちが「音楽」と言うときに何を意味しているのかを意図的に解体したものであり、時間の中に凍結された音楽のディファランス（differance）の単一の循環である……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1970457807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" electric pink vinyl.\u003cbr\u003ePink vinyl edition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. A \u003cbr\u003e2. Fine \u003cbr\u003e3. Chance \u003cbr\u003e4. for \u003cbr\u003e5. Per \u003cbr\u003e6. ma \u003cbr\u003e7. nence\u003c\/p\u003e\n\u003cp\u003eText excerpt written by Nate Wooley, via the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEach generation of improvisors gathers itself—naturally and consistently—in the act of rewriting the poetry of spontaneous music. The need to group words\/sounds\/images in an order that feels honest to lived experience is innate in all creative humans, and the history of musicians collectively building new musical syntax ranges from jazz freeing itself from the song form in the 1960s to the reliance on silence during the reductionist or lowercase movements of the last twenty years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWith easier access to recordings, writings, and discussion, the question of how today’s cohort can keep themselves from splintering off into thousands of unconnected vocabularies is a real one. The promise of a globally connected community has proven, so far, to be moving toward alienation. It is heartening to see, then, that today’s improvisers seem to be using the digital glut of information to create a shared music of différance, or a “both\/and” kind of thinking that defies a concretized ideological performance practice), rather than choosing to disperse into multiple, evolutionarily barricaded\u003cspan class=\"bcTruncateMore\"\u003e languages.\u003cbr\u003eA Fine Chance for Permanence may become a historical document of this new movement’s embrace of the internet age and its possibilities. The music here spreads itself out like a data set rather than unfolding into a linear narrative. It builds upon the creation and dissolution of multiple relationships within an ever-shifting sense of time rather than a virtuosic reproduction of hanging images within a set of aesthetic rules. Asymmetrical pulses replace rhythms; frequencies and sighs supplant pitches; floating timbres are substituted for strict counterpoint. But while the improvisations on this record dance around the aurorae of music’s building blocks, they are not afraid to grasp at the concrete—the historical as the expected—as a source material for new music. A Fine Chance is a conscious deconstruction of what we mean when we mean music; it is a single cycle of music differánce frozen in time...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Drew Wesely \/ Laura Cocks \/ Camilo Ángeles \/ Lester St. Louis \/ Carlo Costa\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eRelease date : 5th June 2026\u003c\/p\u003e"}

Vanessa Rossetto // Legends of American Theatre TAPE

Related Products

Recently Viewed

Info

BLOG

Vanessa Rossetto // Legends of American Theatre TAPE

Related Products

You may also like:

No Rent Records // ROCKER - ISSUE #13, JUNE 2026

You may also like:

NNIS // Deepblue TAPE

You may also like:

Robert Turman John Wiese // Past Present Future CD

You may also like:

Drew Wesely / Laura Cocks / Camilo Ángeles / Lester St. Louis / Carlo Costa // A Fine Chance for Permanence LP [COLOR]

Recently Viewed