Robin Fox // Threnody To Now TAPE

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過去にEditions Megoなどから発表しているオーストラリアの音響作家Robin Foxが、2021年12月に同国メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。モジュラーによるドローン2曲を収録。以下、作家本人による解説です。

誰もが、自分だけの黙示録を生きているようだ。それは避けられないことです。

私たちが地球上で生きている間に、私たちが知っているような世界の終わりがすぐそこまで来ているという、避けられない感覚が組み込まれているのです。それは、人間の意識の各単位が、それがすべての中心であると思い込んでいることの一部であり、一部なのだ。破滅的な思考を避けようとすると、恐怖と不安の感覚が忍び寄り、今まさに私の心の中に入り込んできているのですが、それはこの作品にも現れています。

このリリースに収録されている2つのトラックは、私のスタジオのユーロラックモジュラーシステムで録音されたリニアテイクです。この2曲はそれぞれ別の日に別のパッチで録音されたものですが、関連性が感じられます。どちらのセッションも、忍耐強くハーモニック・シリーズを探求し、何か広大なものを作りたいという思いから始まりました。その時、街と私の心を襲った悲しみと断絶を表現したような、2つの壮大な作品が生まれた。

光が変化している時にこれらのトラックを聴いてみてください。夜明けや夕暮れ、あるいは太陽が暗い雲の後ろから顔を出す瞬間など、境界線上の時間帯に。スレノディは嘆きである一方、高まるハーモニーのフレーズには希望もある。私たちは、この時代から、以前よりも良くなっているかもしれないという感覚があるのです。私たちは以前より良くならなければならない。いつも。

レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira.

----------------------------

Artist statement by Robin Fox:

"Everybody, it seems, lives their own personal apocalypse. It’s inevitable.

Built into the arc of our mortal time on earth is the inescapable feeling that we live right on the edge of the end of the world as we know it. It is all part and parcel of each unit of human consciousness assuming it is the centre of everything. Try as I might to avoid catastrophic thinking there is a creeping sense of dread and unease making its way into my mind right now and it made it’s way into these pieces too.

Both tracks on this release are linear takes recorded on my studio eurorack modular system. They are different patches on different days - but they feel related. Both sessions started with a desire to explore the harmonic series with patience and make something vast. What emerged where two epic pieces that seemed to tap into a sadness and disconnection that was gripping the city and my mind at that time.

Listen to these tracks at a time when the light is changing. The liminal times of dawn and dusk or that moment when the sun emerges from behind a bank of dark clouds. While a threnody is a lament there is hope in the rising harmonic phrases too. A sense that we may yet emerge from this period better than we were. We must be better than we were. Always."

Artist : Robin Fox

Label : Room40

レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira.

----------------------------

Artist : Robin Fox

Label : Room40

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Cassette in cardstock case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Heliosheath 23:50\u003cbr\u003e2. Passage 25:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBeacon Sound:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eThe music I’ve heard feels a bit like watching the birth of humanity from space.' This is how the artist Joey Veltkamp described the first music that Emily Pothast and David Golightly released under the name Midday Veil in 2009. At the time, the duo was recording at home, primarily using vintage analog synthesizers and richly textured, often wordless vocals to weave shimmering, slow-building sonic tapestries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Midday Veil morphed into a rock band, Pothast and Golightly continued to work as a duo, performing long-form improvised soundscapes and creating immersive audiovisual installations under the name Hair and Space Museum. During its first decade, HaSM organized sleepover concerts, performed in a planetarium with a live laser artist, and shared stages with Hans-Joachim Roedelius, Norm Chambers, and Laraaji. Their recorded output, however, has thus far remained elusive.\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two side-long tracks on Human Presence were recorded in Seattle in 2012, the year we were promised the world would end, but it didn’t. Each was recorded in a single take with no overdubs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first track, “Heliosheath,” was produced just as the Voyager 1 space probe became the first manmade object to pass\u003cspan class=\"bcTruncateMore\"\u003e beyond the outermost region of the solar system. The music conjures a sense of rapturous awe tinged with melancholy, both for the otherworldly aspirations embodied in this lonely little object and the equally profound misguidedness of the military-industrial culture that launched it — the irony of yearning for extraterrestrial contact while subjecting the miraculous richness of life on Earth to extractive violence in the same gesture. 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アメリカ・シアトルのアンビエントデュオHair and Space Museumが、2024年9月に同国エレクトロニックレーベルBeacon Soundから100本限定でリリースしたカセットです。ロングフォームなアンビエントドローン2曲を収録。特殊紙ケース仕様です。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Beacon Sound releases...

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Plates 06:39\u003cbr\u003e2. Good Days Quiet 04:27\u003cbr\u003e3. Ears And Things That Are Not Ears 04:33\u003cbr\u003e4. New Topographics 04:04\u003cbr\u003e5. Kvitbrygga 02:40\u003cbr\u003e6. Monochrome Head 10:10\u003cbr\u003e7. Minus 14 05:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLasse Marhaug has for 35 years been one of Norway’s most prolific and active sound and visual artists. As a producer, studio engineer, curator, photographer, designer, filmmaker, composer, improviser, self-publisher and writer Marhaug has worked across a wide range of formats. Collaborators include artists like Joe McPhee, Merzbow, Jenny Hval, Okkyung Lee, Jim O’Rourke, Paal Nilssen-Love, Kevin Drumm and many more. Despite being involved in hundreds of releases Marhaug’s solo albums are more rare efforts, and ‘Provoke’ marks the fifth album on Smalltown Supersound, a 25 year long collaboration that started in the late 1990s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Provoke’ is the follow up to 2021’s ‘Context', and is the first solo recordings Marhaug has recorded since he moved back to his native home in the Arctic, northern Norway. Marhaug states that moving north again has given him a sharper focus and that the album could be seen as a meditation on how growing up in this rural environment shaped his aesthetics and approach to sound, music and form. While it can be a harsh and cold climate, northern Norway also offers, he says, an ever-changing palette of light and is an incredible landscape. While the music is largely electroni, ‘Provoke’ also features sounds recorded outside in the winter, which the final track’s\u003cspan class=\"bcTruncateMore\"\u003e ‘Minus 14’ title is perhaps a giveaway. The album took a year to record and was mixed during the two-month’s Polar night season, a time where the sun does not cross the horizon.\u003cbr\u003e\u003cbr\u003eThe title ‘Provoke’ is like ‘Context’ an ambiguous word play. It means everything and nothing at the same time. Does noise music provoke anymore? Did it ever? What are its subversive qualities? One reference is the 1970’s Japanese photography magazine of the same name, an experimental small-press publication that with artists like Koji Taki, Daido Moriyama and Yutaka Takanashi at the forefront set out to subvert and find a new language for photography. The difference between photography in Tokyo in 1970 and electronic music the Arctic in 2024 is of course huge, but the radical attitude to form certainly shares common ground. Marhaug still does not consider himself a musician, but rather a visual artist that got sidetracked by the possibilities of sound.\u003cbr\u003e\u003cbr\u003eMusically ‘Provoke’ follows up where ‘Context’ left off, with an elegant mix of angular electronic juxtapositions and horizontal lines. Marhaug is now working with a stronger emphasis on pulse and rhythmic constructions, as well as more tonal and (almost) melodic elements. This clarity and sense of design makes the music come across as more defined and luminous. The music is less of a dense layer of fog, yet Marhaug manages to create a feeling of great depth and three-dimensional space. ‘Provoke’ is a journey through the elements, rippling time space and displacing gravity, but also grounded and earthbound. Music both as architecture and landscape, sound that describes light.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lasse Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003eCAT No : STSLJN432LP\u003c\/p\u003e","published_at":"2024-11-24T14:08:01+09:00","created_at":"2024-11-22T18:24:03+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","smalltown supersound","techno \/ house"],"price":464000,"price_min":464000,"price_max":464000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883535716602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lasse Marhaug \/\/ Provoke LP","public_title":null,"options":["Default Title"],"price":464000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lass1.jpg?v=1732267366","\/\/tobirarecords.com\/cdn\/shop\/files\/lass2.jpg?v=1732267366"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lass1.jpg?v=1732267366","options":["Title"],"media":[{"alt":null,"id":35217659265274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lass1.jpg?v=1732267366"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lass1.jpg?v=1732267366","width":700},{"alt":null,"id":35217659298042,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lass2.jpg?v=1732267366"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lass2.jpg?v=1732267366","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eノルウェー・オスロのテクノ作家Lasse Marhaugが、2024年11月に同国実験レーベルSmalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系実験ドローン・テクノ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813126920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813126920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=366085453\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3813126920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2523267013\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Plates 06:39\u003cbr\u003e2. Good Days Quiet 04:27\u003cbr\u003e3. Ears And Things That Are Not Ears 04:33\u003cbr\u003e4. New Topographics 04:04\u003cbr\u003e5. Kvitbrygga 02:40\u003cbr\u003e6. Monochrome Head 10:10\u003cbr\u003e7. Minus 14 05:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLasse Marhaug has for 35 years been one of Norway’s most prolific and active sound and visual artists. As a producer, studio engineer, curator, photographer, designer, filmmaker, composer, improviser, self-publisher and writer Marhaug has worked across a wide range of formats. Collaborators include artists like Joe McPhee, Merzbow, Jenny Hval, Okkyung Lee, Jim O’Rourke, Paal Nilssen-Love, Kevin Drumm and many more. Despite being involved in hundreds of releases Marhaug’s solo albums are more rare efforts, and ‘Provoke’ marks the fifth album on Smalltown Supersound, a 25 year long collaboration that started in the late 1990s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Provoke’ is the follow up to 2021’s ‘Context', and is the first solo recordings Marhaug has recorded since he moved back to his native home in the Arctic, northern Norway. Marhaug states that moving north again has given him a sharper focus and that the album could be seen as a meditation on how growing up in this rural environment shaped his aesthetics and approach to sound, music and form. While it can be a harsh and cold climate, northern Norway also offers, he says, an ever-changing palette of light and is an incredible landscape. While the music is largely electroni, ‘Provoke’ also features sounds recorded outside in the winter, which the final track’s\u003cspan class=\"bcTruncateMore\"\u003e ‘Minus 14’ title is perhaps a giveaway. The album took a year to record and was mixed during the two-month’s Polar night season, a time where the sun does not cross the horizon.\u003cbr\u003e\u003cbr\u003eThe title ‘Provoke’ is like ‘Context’ an ambiguous word play. It means everything and nothing at the same time. Does noise music provoke anymore? Did it ever? What are its subversive qualities? One reference is the 1970’s Japanese photography magazine of the same name, an experimental small-press publication that with artists like Koji Taki, Daido Moriyama and Yutaka Takanashi at the forefront set out to subvert and find a new language for photography. The difference between photography in Tokyo in 1970 and electronic music the Arctic in 2024 is of course huge, but the radical attitude to form certainly shares common ground. Marhaug still does not consider himself a musician, but rather a visual artist that got sidetracked by the possibilities of sound.\u003cbr\u003e\u003cbr\u003eMusically ‘Provoke’ follows up where ‘Context’ left off, with an elegant mix of angular electronic juxtapositions and horizontal lines. Marhaug is now working with a stronger emphasis on pulse and rhythmic constructions, as well as more tonal and (almost) melodic elements. This clarity and sense of design makes the music come across as more defined and luminous. The music is less of a dense layer of fog, yet Marhaug manages to create a feeling of great depth and three-dimensional space. ‘Provoke’ is a journey through the elements, rippling time space and displacing gravity, but also grounded and earthbound. Music both as architecture and landscape, sound that describes light.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lasse Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003eCAT No : STSLJN432LP\u003c\/p\u003e"}

アメリカ・LAのトロンボーン奏者Mattie Barbierが、2024年11月に同国LAの実験レーベルDinzu Artefactsからリリースしたカセットです。プリペアード・ユーフォニアムによるミニマルなドローン2曲、1時間を収録。DLコード付属。レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available at Tobira....

¥2,138

クイックビュー {"id":8669105324282,"title":"Alma Laprida \/\/ Pitch Dark and Trembling TAPE","handle":"alma-laprida-pitch-dark-and-trembling-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンの音響作家Alma Lapridaが、2024年10月にアメリカ・ワシントンDCの実験レーベルOutside Timeから150本限定リリースしたカセットです。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージ・ドローン4曲を収録\u003c\/span\u003e。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3368529060\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A Thick Event 06:39\u003cbr\u003e2. Trembling 09:21\u003cbr\u003e3. Vibra 10:42\u003cbr\u003e4. Trust Me 03:56\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eOutside Time:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlma Laprida is a seeker. When she touches the bow to her tromba marina (an instrument with origins in medieval Europe), Laprida uses its two strings to clear a path through a thicket of indefinite musical possibilities. Before moving to Washington, DC, the Argentinian improvisor and sound artist was a central figure in the tight-knit avant-garde scene of Buenos Aires, where she became enamored with the possibilities of nontraditional instruments and everyday soundmakers. With a simple set of tools, she creates spontaneous music that at first seems austere, but with examination reveals intricately aligned fields of inquiry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince relocating to the U.S., Laprida has developed a distinctive, methodical style of improvisation on the tromba marina that uses amplification and subtle electronic processing to expand the textural possibilities of the instrument. Pitch Dark and Trembling extends that practice. Recorded live at Bard College in June of 2023, the album documents a pivotal moment in an ongoing exploration of low frequencies and vibrational phenomena. By modulating her instrument’s signal with a cranked 18-inch subwoofer and an array of effects pedals, the typically light sound of the tromba marina becomes massive and unwieldy, laden with roars of\u003cspan class=\"bcTruncateMore\"\u003e feedback and ghostly wisps of rumbling bass. Shaken to its core, the room itself becomes audible, as the walls vibrate sympathetically with each expulsion of sound.\u003cbr\u003e\u003cbr\u003eAfter feeling the way in which the speaker’s low frequencies interacted with objects in their direct vicinity, Laprida was reminded of a traumatic experience of a late night earthquake in Bolivia a decade and a half prior. She recalled the fear and confusion of being woken up, the oncoming roll of sound that preceded the shaking of her room, and the clattering of her belongings while she remained in bed, frozen in place. She leaned into that association, collecting exciters from deconstructed speakers and placing them inside boxes and trash cans where they would audibly shake as she played through the subwoofer. We hear the quiver of these exciters on “Trembling,” its title highlighting not only the sounds’ effects on the objects, but also the feeling they elicit. Following the live performance documented on Pitch Dark and Trembling, several listeners approached Laprida to express the strange mixture of unease and enthrallment they felt as they became enveloped by the vibrations.\u003cbr\u003e\u003cbr\u003eFear and attentiveness come hand in hand, often accompanied by a strange sense of wonderment. As Laprida processes the sounds of an instrument she holds close to her chest through the unpredictable swells of the subwoofer, she works through the terror of the world’s volatility. There are no easy answers here, and only ambiguous resolutions. Pitch Dark and Trembling requires a recalibration of the listener’s ear, and at times a dash of imagination. Laprida points to the cacophony of oncoming trains and the boom of faraway thunder as everyday reference points for the work on this release. Billowing, groaning, and at times even whispering, the album probes at the margins of disquiet, always curious and never certain. If music is a way of processing the mysterious nature of existence, Laprida lets the enigma ride.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alma Laprida\u003c\/p\u003e\n\u003cp\u003eLabel : Outside Time\u003c\/p\u003e","published_at":"2024-11-23T13:04:27+09:00","created_at":"2024-11-22T17:21:00+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","new","tape"],"price":239400,"price_min":239400,"price_max":239400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883397402874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alma Laprida \/\/ Pitch Dark and Trembling TAPE","public_title":null,"options":["Default Title"],"price":239400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dark1_ae943238-562a-4e7c-b852-43a808d6b5ce.jpg?v=1732263562","\/\/tobirarecords.com\/cdn\/shop\/files\/alma1.jpg?v=1732263562"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dark1_ae943238-562a-4e7c-b852-43a808d6b5ce.jpg?v=1732263562","options":["Title"],"media":[{"alt":null,"id":35217469767930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dark1_ae943238-562a-4e7c-b852-43a808d6b5ce.jpg?v=1732263562"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dark1_ae943238-562a-4e7c-b852-43a808d6b5ce.jpg?v=1732263562","width":700},{"alt":null,"id":35217469735162,"position":2,"preview_image":{"aspect_ratio":0.928,"height":1200,"width":1114,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alma1.jpg?v=1732263562"},"aspect_ratio":0.928,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alma1.jpg?v=1732263562","width":1114}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンの音響作家Alma Lapridaが、2024年10月にアメリカ・ワシントンDCの実験レーベルOutside Timeから150本限定リリースしたカセットです。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージ・ドローン4曲を収録\u003c\/span\u003e。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3368529060\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A Thick Event 06:39\u003cbr\u003e2. Trembling 09:21\u003cbr\u003e3. Vibra 10:42\u003cbr\u003e4. Trust Me 03:56\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eOutside Time:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlma Laprida is a seeker. When she touches the bow to her tromba marina (an instrument with origins in medieval Europe), Laprida uses its two strings to clear a path through a thicket of indefinite musical possibilities. Before moving to Washington, DC, the Argentinian improvisor and sound artist was a central figure in the tight-knit avant-garde scene of Buenos Aires, where she became enamored with the possibilities of nontraditional instruments and everyday soundmakers. With a simple set of tools, she creates spontaneous music that at first seems austere, but with examination reveals intricately aligned fields of inquiry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince relocating to the U.S., Laprida has developed a distinctive, methodical style of improvisation on the tromba marina that uses amplification and subtle electronic processing to expand the textural possibilities of the instrument. Pitch Dark and Trembling extends that practice. Recorded live at Bard College in June of 2023, the album documents a pivotal moment in an ongoing exploration of low frequencies and vibrational phenomena. By modulating her instrument’s signal with a cranked 18-inch subwoofer and an array of effects pedals, the typically light sound of the tromba marina becomes massive and unwieldy, laden with roars of\u003cspan class=\"bcTruncateMore\"\u003e feedback and ghostly wisps of rumbling bass. Shaken to its core, the room itself becomes audible, as the walls vibrate sympathetically with each expulsion of sound.\u003cbr\u003e\u003cbr\u003eAfter feeling the way in which the speaker’s low frequencies interacted with objects in their direct vicinity, Laprida was reminded of a traumatic experience of a late night earthquake in Bolivia a decade and a half prior. She recalled the fear and confusion of being woken up, the oncoming roll of sound that preceded the shaking of her room, and the clattering of her belongings while she remained in bed, frozen in place. She leaned into that association, collecting exciters from deconstructed speakers and placing them inside boxes and trash cans where they would audibly shake as she played through the subwoofer. We hear the quiver of these exciters on “Trembling,” its title highlighting not only the sounds’ effects on the objects, but also the feeling they elicit. Following the live performance documented on Pitch Dark and Trembling, several listeners approached Laprida to express the strange mixture of unease and enthrallment they felt as they became enveloped by the vibrations.\u003cbr\u003e\u003cbr\u003eFear and attentiveness come hand in hand, often accompanied by a strange sense of wonderment. As Laprida processes the sounds of an instrument she holds close to her chest through the unpredictable swells of the subwoofer, she works through the terror of the world’s volatility. There are no easy answers here, and only ambiguous resolutions. Pitch Dark and Trembling requires a recalibration of the listener’s ear, and at times a dash of imagination. Laprida points to the cacophony of oncoming trains and the boom of faraway thunder as everyday reference points for the work on this release. Billowing, groaning, and at times even whispering, the album probes at the margins of disquiet, always curious and never certain. If music is a way of processing the mysterious nature of existence, Laprida lets the enigma ride.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alma Laprida\u003c\/p\u003e\n\u003cp\u003eLabel : Outside Time\u003c\/p\u003e"}