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{"id":9040132473082,"title":"Baited Area Issue #9 MAGAZINE","handle":"baited-area-issue-9-magazine","description":"\u003cp\u003e過去にNostilevoやNo Rentなどから発表しているアメリカのポストインダストリアル作家Cubeがリリースしたアート雑誌です。フルカラー106ページです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrint magazine produced by Cube. \u003cbr\u003e\u003c\/span\u003eFull color, 106 pages.\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eborders, raves, addicition, algorithms,\u003cstrong\u003e \u003c\/strong\u003emarkets, prank calls, painting, prophecy, rap, games, Zapatismo, Ohio, vulgarity, violence, camoflauge, branding, betting, Second Life,\u003cstrong\u003e \u003c\/strong\u003eClipse, Bananafish, Salinger, Letterman, RAID, Steve Miller Band, Alex Trebek, Non Worldwide, magazines, maps, magnesium, urgency, loitering, etc.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e 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"preview_image":{"aspect_ratio":0.75,"height":1333,"width":1000,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ba10_8d30850b-e5ad-43b9-995e-1634416cf224.webp?v=1766711014"},"aspect_ratio":0.75,"height":1333,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ba10_8d30850b-e5ad-43b9-995e-1634416cf224.webp?v=1766711014","width":1000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNostilevoやNo 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過去にNostilevoやNo Rentなどから発表しているアメリカのポストインダストリアル作家Cubeがリリースしたアート雑誌です。フルカラー106ページです。 Print magazine produced by Cube. Full color, 106 pages. "borders, raves, addicition, algorithms,...
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{"id":8788548878586,"title":"Baited Area Issue #7 MAGAZINE","handle":"baited-area-issue-7-magazine","description":"\u003cp\u003e過去にNostilevoやNo Rentなどから発表しているアメリカのポストインダストリアル作家Cubeがリリースしたアート雑誌です。フルカラー140ページ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrint magazine produced by Cube. \u003cbr\u003e\u003c\/span\u003eFull color, 140 pages.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIncludes:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e~Interviews with CF, Carlos Souffront, Cathode TV, NPCC, Mike Itkis.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e~An incomplete oral history of Occasional Detroit.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e~text and images by: Jools Rothblatt, Been Shill, Brandon Avery Joyce, Meg Mccarville, Network Glass, Otto Splotch, Omer Mosseri, Zak M.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2025-05-21T15:45:04+09:00","created_at":"2025-05-19T12:40:29+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","cube"],"price":299600,"price_min":299600,"price_max":299600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47324619866362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Baited Area Issue #7 MAGAZINE","public_title":null,"options":["Default Title"],"price":299600,"weight":500,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5243.jpg?v=1747625968","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5244.jpg?v=1747625968","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5245.jpg?v=1747625968","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5246.jpg?v=1747625968"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5243.jpg?v=1747625968","options":["Title"],"media":[{"alt":null,"id":36051994902778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5243.jpg?v=1747625968"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5243.jpg?v=1747625968","width":3024},{"alt":null,"id":36051994935546,"position":2,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5244.jpg?v=1747625968"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5244.jpg?v=1747625968","width":3024},{"alt":null,"id":36051994968314,"position":3,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5245.jpg?v=1747625968"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5245.jpg?v=1747625968","width":3024},{"alt":null,"id":36051995001082,"position":4,"preview_image":{"aspect_ratio":1.0,"height":2960,"width":2960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5246.jpg?v=1747625968"},"aspect_ratio":1.0,"height":2960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5246.jpg?v=1747625968","width":2960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にNostilevoやNo Rentなどから発表しているアメリカのポストインダストリアル作家Cubeがリリースしたアート雑誌です。フルカラー140ページ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrint magazine produced by Cube. \u003cbr\u003e\u003c\/span\u003eFull color, 140 pages.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIncludes:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e~Interviews with CF, Carlos Souffront, Cathode TV, NPCC, Mike Itkis.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e~An incomplete oral history of Occasional Detroit.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e~text and images by: Jools Rothblatt, Been Shill, Brandon Avery Joyce, Meg Mccarville, Network Glass, Otto Splotch, Omer Mosseri, Zak M.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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{"id":8788549992698,"title":"Baited Area Issue #8 MAGAZINE","handle":"baited-area-issue-8-magazine","description":"\u003cp\u003e過去にNostilevoやNo Rentなどから発表しているアメリカのポストインダストリアル作家Cubeがリリースしたアート雑誌です。フルカラー112ページ仕様です。\u003c\/p\u003e\n\u003cp\u003ePrint magazine produced by Cube.\u003cbr\u003eFull color, 112 pages. \u003c\/p\u003e\n\u003cp\u003eIncludes:\u003c\/p\u003e\n\u003cp\u003eFeatures on Stewart Uoo, COINCELLPRO, Aryan Kaganof, Ariel M, Ephemerisle, Hurricane Helen, Jogja Noise Bombing + art \u0026amp; text by Sam Karugu, Yoshi Yubai, Junwoo Park, Sarah Ferrara, Sarah Cavalieri, Rain Pickell, Meg McCarville, Mimi Luse.\u003c\/p\u003e\n\u003cp class=\"\"\u003e+\u003c\/p\u003e\n\u003cp class=\"\"\u003eDiscusses: Buddhism, DeviantArt, South Africa, Silicon Valley, cognitive warfare, animism, privacy, Merzbow, \u003cem\u003eMortal Kombat\u003c\/em\u003e, \u003cem\u003eCoin Celleil (2023), Sans Solleil (1983),\u003c\/em\u003e New Beat, shitposting, corecore, seasteading, harassment, bodies, 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MAGAZINE","public_title":null,"options":["Default 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Rentなどから発表しているアメリカのポストインダストリアル作家Cubeがリリースしたアート雑誌です。フルカラー112ページ仕様です。\u003c\/p\u003e\n\u003cp\u003ePrint magazine produced by Cube.\u003cbr\u003eFull color, 112 pages. \u003c\/p\u003e\n\u003cp\u003eIncludes:\u003c\/p\u003e\n\u003cp\u003eFeatures on Stewart Uoo, COINCELLPRO, Aryan Kaganof, Ariel M, Ephemerisle, Hurricane Helen, Jogja Noise Bombing + art \u0026amp; text by Sam Karugu, Yoshi Yubai, Junwoo Park, Sarah Ferrara, Sarah Cavalieri, Rain Pickell, Meg McCarville, Mimi Luse.\u003c\/p\u003e\n\u003cp class=\"\"\u003e+\u003c\/p\u003e\n\u003cp class=\"\"\u003eDiscusses: Buddhism, DeviantArt, South Africa, Silicon Valley, cognitive warfare, animism, privacy, Merzbow, \u003cem\u003eMortal Kombat\u003c\/em\u003e, \u003cem\u003eCoin Celleil (2023), Sans Solleil (1983),\u003c\/em\u003e New Beat, shitposting, corecore, seasteading, harassment, bodies, mannequins, institutionalization, \u003cem\u003eTokyo Elegy (1999)\u003c\/em\u003e, \u003cem\u003eSMS Sugar Man (2008)\u003c\/em\u003e, \u003cem\u003eBeyond Ultraviolence (1998)\u003c\/em\u003e, \u003cem\u003eGirl, Interrupted\u003c\/em\u003e \u003cem\u003e(1999)\u003c\/em\u003e, decolonization, possession, corruption, cruelty, frames, labor, etc.\u003c\/p\u003e"}
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過去にNostilevoやNo Rentなどから発表しているアメリカのポストインダストリアル作家Cubeがリリースしたアート雑誌です。フルカラー112ページ仕様です。 Print magazine produced by Cube.Full color, 112 pages. Includes: Features on Stewart...
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{"id":8174286668026,"title":"Fresh Bait \/\/ The Price of Captivity TAPE","handle":"fresh-bait-the-price-of-captivity-tape","description":"\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/volunteer-coroner-antemortem-tape\"\u003e Volunteer Coroner\u003c\/a\u003eや\u003ca href=\"https:\/\/tobirarecords.com\/products\/fentanyl-fantasy-blue-heaven-tape\"\u003eFentanyl Fantasy\u003c\/a\u003e名義でも活動しているアメリカ・コロラドのノイズ作家Fresh Baitが、2022年5月に同国ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eAbhorrent A.D.\u003c\/span\u003eからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e荒々しいハーシュノイズ6曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2954648941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\"\u003ehere\u003c\/a\u003e to see more Abhorrent A.D. releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSide A: Cocoon\/Primordial Stasis\/Life Cycle 13:42\u003c\/li\u003e\n\u003cli\u003eSide B: Metamorphosis\/Unstable Ecosystem\/Metamorphosis II 13:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eAbhorrent A.D.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA solo project by Trust Collective co-owner Preston Weippert (Volunteer Coroner, Fentanyl Fantasy, Of Feather And Bone).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLayers of decayed static and feedback oscillations grow and weave into each other like a swollen cocoon ready to erupt onto a rotting humid jungle floor crawling with deformed radio-active creatures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e*Digital version transferred directly from the physical tape in order to give everyone an equal and authentic listening experience*\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fresh Bait\u003c\/p\u003e\n\u003cp\u003eLabel : Abhorrent A.D. \u003c\/p\u003e","published_at":"2024-02-15T17:51:28+09:00","created_at":"2024-02-14T14:24:19+09:00","vendor":"Tobira Records","type":"","tags":["abhorrent ad","noise","tape"],"price":179000,"price_min":179000,"price_max":179000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45185610055930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fresh Bait \/\/ The Price of Captivity TAPE","public_title":null,"options":["Default Title"],"price":179000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bait1.jpg?v=1707888261","\/\/tobirarecords.com\/cdn\/shop\/files\/bait2.jpg?v=1707888260"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bait1.jpg?v=1707888261","options":["Title"],"media":[{"alt":null,"id":33168817881338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bait1.jpg?v=1707888261"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bait1.jpg?v=1707888261","width":700},{"alt":null,"id":33168817946874,"position":2,"preview_image":{"aspect_ratio":0.651,"height":1200,"width":781,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bait2.jpg?v=1707888260"},"aspect_ratio":0.651,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bait2.jpg?v=1707888260","width":781}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/volunteer-coroner-antemortem-tape\"\u003e Volunteer Coroner\u003c\/a\u003eや\u003ca href=\"https:\/\/tobirarecords.com\/products\/fentanyl-fantasy-blue-heaven-tape\"\u003eFentanyl Fantasy\u003c\/a\u003e名義でも活動しているアメリカ・コロラドのノイズ作家Fresh Baitが、2022年5月に同国ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eAbhorrent A.D.\u003c\/span\u003eからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e荒々しいハーシュノイズ6曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2954648941\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/abhorrent-ad\"\u003ehere\u003c\/a\u003e to see more Abhorrent A.D. releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSide A: Cocoon\/Primordial Stasis\/Life Cycle 13:42\u003c\/li\u003e\n\u003cli\u003eSide B: Metamorphosis\/Unstable Ecosystem\/Metamorphosis II 13:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eAbhorrent A.D.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA solo project by Trust Collective co-owner Preston Weippert (Volunteer Coroner, Fentanyl Fantasy, Of Feather And Bone).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLayers of decayed static and feedback oscillations grow and weave into each other like a swollen cocoon ready to erupt onto a rotting humid jungle floor crawling with deformed radio-active creatures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e*Digital version transferred directly from the physical tape in order to give everyone an equal and authentic listening experience*\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fresh Bait\u003c\/p\u003e\n\u003cp\u003eLabel : Abhorrent A.D. \u003c\/p\u003e"}
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{"id":8017850663162,"title":"Sivion \u0026 Malex \/\/ Str8 Shot LP [COLOR]","handle":"simas","description":"\u003cp\u003eアメリカのMC SivionとビートメイカーMalexが、2023年9月に同国シアトルの老舗ヒップホップレーベルIllectから250部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eB面にはインストが収録。クリア赤盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1w1wj7Zh_OQ?si=_jfihJ2OK3xUOhZF\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=884946133\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" translucent red vinyl. Edition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavy Gunner 04:00\u003c\/li\u003e\n\u003cli\u003eWhat It Is (feat. Lady) 04:28\u003c\/li\u003e\n\u003cli\u003eCome Through Me (feat. Braille \u0026amp; Infored) 03:46\u003c\/li\u003e\n\u003cli\u003eNew York Chill (feat. Oktober1st) 04:06\u003c\/li\u003e\n\u003cli\u003eStraight Cool (feat. Mokah Soulfly \u0026amp; Nigel Rivers) 04:13\u003c\/li\u003e\n\u003cli\u003ePulling Strings 03:45\u003c\/li\u003e\n\u003cli\u003eUnderstanding (feat. Nigel Rivers) 04:04\u003c\/li\u003e\n\u003cli\u003eBlaze Runner 03:43\u003c\/li\u003e\n\u003cli\u003eHeavy Gunner (Instrumental) 04:00\u003c\/li\u003e\n\u003cli\u003eWhat It Is (Instrumental) 04:28\u003c\/li\u003e\n\u003cli\u003eCome Through Me (Instrumental) 03:46\u003c\/li\u003e\n\u003cli\u003eNew York Chill (Instrumental) 04:05\u003c\/li\u003e\n\u003cli\u003eStraight Cool (Instrumental) 04:13\u003c\/li\u003e\n\u003cli\u003ePulling Strings (Instrumental) 03:45\u003c\/li\u003e\n\u003cli\u003eUnderstanding (Instrumental) 04:04\u003c\/li\u003e\n\u003cli\u003eBlaze Runner (Instrumental) 03:43\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eIllect Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe pendulum of life swings from simple to complicated and swoops across everything in between. If the devil is in the details, the true meaning is in the grey areas. Whilst the quest for nuance is noble, sometimes, it pays to be intentional with your target and get to the point.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor their first collaborative project, Str8 Shot, Gary \"Sivion\" Watson and Maurice \"MALEX\" Alexander aim, fire and spit with a barrage of hard-hitting Hip Hop that will inspire new and old heads alike. Across the beats and rhymes, the duo showcases kin-like chemistry, which extracts depth from simplicity. The opening salvo on Str8 Shot is like a special ops assignment meets manifesto. Heavy Gunner introduces MALEX's spaced-out Blade Runner-esque bounce, where Sivion shoots for the stars while swinging \"a hot sword of the spirit\". The experimental production and Sivion's staccato style sound like a chauffeur-driven ride in the Delorean from Back To The Future. Sivion then links up with long-time collaborator Braille and the Dallas freestyle king, Infored, on the latest single, Come Through Me. All three pilots plot a flight course to a higher level of mental liberation. MALEX's mischievous bleeps and blips encapsulate push-and-pull energy. The cheeky bop, in turn, opens up Sivion, Braille and Infored to go all the way in with a call and response flows while calling out pretentious folks prone to take the bait of what this world supposedly has to offer. The firing squad take a breather to reload their bullets on Straight Cool featuring Mokah Soulfly. Sivion, Malex and their fellow gunners shoot the breeze straight to the milky way and write bars on Mars. With live bass from the masterful Nigel Rivers (Erykah Badu, Royce Da 5'9\" and Eric Roberson), sonically, the track converges with genuine reflections of their come-ups, tinges of otherworldliness and dashes of a five-star resort turn-down service.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith eight tracks, Str8 Shot is a short, sharp, stirring experience that puts peps in steps and batteries in backs. Headshots and head nods abound as Sivion and MALEX revel in their sharpshooter roles and excellently execute the mission with Bret Hart precision.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sivion \u0026amp; Malex\u003c\/p\u003e\n\u003cp\u003eLabel : Illect Records\u003c\/p\u003e","published_at":"2023-09-14T16:56:03+09:00","created_at":"2023-09-14T16:21:13+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","lp"],"price":421500,"price_min":421500,"price_max":421500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44562001625338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sivion \u0026 Malex \/\/ Str8 Shot LP [COLOR]","public_title":null,"options":["Default Title"],"price":421500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mal1_3fb63b57-7565-4732-9239-f71e94db2016.jpg?v=1694676075","\/\/tobirarecords.com\/cdn\/shop\/files\/mal2_59b292e5-111d-469f-a599-cb8cb03849c9.jpg?v=1694676075"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mal1_3fb63b57-7565-4732-9239-f71e94db2016.jpg?v=1694676075","options":["Title"],"media":[{"alt":null,"id":32449277460730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mal1_3fb63b57-7565-4732-9239-f71e94db2016.jpg?v=1694676075"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mal1_3fb63b57-7565-4732-9239-f71e94db2016.jpg?v=1694676075","width":700},{"alt":null,"id":32449277493498,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mal2_59b292e5-111d-469f-a599-cb8cb03849c9.jpg?v=1694676075"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mal2_59b292e5-111d-469f-a599-cb8cb03849c9.jpg?v=1694676075","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのMC SivionとビートメイカーMalexが、2023年9月に同国シアトルの老舗ヒップホップレーベルIllectから250部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eB面にはインストが収録。クリア赤盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1w1wj7Zh_OQ?si=_jfihJ2OK3xUOhZF\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=884946133\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" translucent red vinyl. Edition of 250. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavy Gunner 04:00\u003c\/li\u003e\n\u003cli\u003eWhat It Is (feat. Lady) 04:28\u003c\/li\u003e\n\u003cli\u003eCome Through Me (feat. Braille \u0026amp; Infored) 03:46\u003c\/li\u003e\n\u003cli\u003eNew York Chill (feat. Oktober1st) 04:06\u003c\/li\u003e\n\u003cli\u003eStraight Cool (feat. Mokah Soulfly \u0026amp; Nigel Rivers) 04:13\u003c\/li\u003e\n\u003cli\u003ePulling Strings 03:45\u003c\/li\u003e\n\u003cli\u003eUnderstanding (feat. Nigel Rivers) 04:04\u003c\/li\u003e\n\u003cli\u003eBlaze Runner 03:43\u003c\/li\u003e\n\u003cli\u003eHeavy Gunner (Instrumental) 04:00\u003c\/li\u003e\n\u003cli\u003eWhat It Is (Instrumental) 04:28\u003c\/li\u003e\n\u003cli\u003eCome Through Me (Instrumental) 03:46\u003c\/li\u003e\n\u003cli\u003eNew York Chill (Instrumental) 04:05\u003c\/li\u003e\n\u003cli\u003eStraight Cool (Instrumental) 04:13\u003c\/li\u003e\n\u003cli\u003ePulling Strings (Instrumental) 03:45\u003c\/li\u003e\n\u003cli\u003eUnderstanding (Instrumental) 04:04\u003c\/li\u003e\n\u003cli\u003eBlaze Runner (Instrumental) 03:43\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eIllect Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe pendulum of life swings from simple to complicated and swoops across everything in between. If the devil is in the details, the true meaning is in the grey areas. Whilst the quest for nuance is noble, sometimes, it pays to be intentional with your target and get to the point.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor their first collaborative project, Str8 Shot, Gary \"Sivion\" Watson and Maurice \"MALEX\" Alexander aim, fire and spit with a barrage of hard-hitting Hip Hop that will inspire new and old heads alike. Across the beats and rhymes, the duo showcases kin-like chemistry, which extracts depth from simplicity. The opening salvo on Str8 Shot is like a special ops assignment meets manifesto. Heavy Gunner introduces MALEX's spaced-out Blade Runner-esque bounce, where Sivion shoots for the stars while swinging \"a hot sword of the spirit\". The experimental production and Sivion's staccato style sound like a chauffeur-driven ride in the Delorean from Back To The Future. Sivion then links up with long-time collaborator Braille and the Dallas freestyle king, Infored, on the latest single, Come Through Me. All three pilots plot a flight course to a higher level of mental liberation. MALEX's mischievous bleeps and blips encapsulate push-and-pull energy. The cheeky bop, in turn, opens up Sivion, Braille and Infored to go all the way in with a call and response flows while calling out pretentious folks prone to take the bait of what this world supposedly has to offer. The firing squad take a breather to reload their bullets on Straight Cool featuring Mokah Soulfly. Sivion, Malex and their fellow gunners shoot the breeze straight to the milky way and write bars on Mars. With live bass from the masterful Nigel Rivers (Erykah Badu, Royce Da 5'9\" and Eric Roberson), sonically, the track converges with genuine reflections of their come-ups, tinges of otherworldliness and dashes of a five-star resort turn-down service.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith eight tracks, Str8 Shot is a short, sharp, stirring experience that puts peps in steps and batteries in backs. Headshots and head nods abound as Sivion and MALEX revel in their sharpshooter roles and excellently execute the mission with Bret Hart precision.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sivion \u0026amp; Malex\u003c\/p\u003e\n\u003cp\u003eLabel : Illect Records\u003c\/p\u003e"}
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アメリカのMC SivionとビートメイカーMalexが、2023年9月に同国シアトルの老舗ヒップホップレーベルIllectから250部限定でリリースした共作レコードです。 B面にはインストが収録。クリア赤盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします ------------------------------------ 12" translucent red vinyl. Edition of 250. Tracklist: Heavy...
¥4,215
クイックビュー
{"id":9380025434362,"title":"Push For Night \/\/ That Porous Line CD","handle":"push-for-night-that-porous-line-cd","description":"\u003cp\u003e\u003cspan\u003eアメリカ・NYの実験デュオ\u003c\/span\u003e\u003cspan\u003ePush For Nightが、2026年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエレクトロアコースティック〜インプロ\u003c\/span\u003e\u003cspan\u003e7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、メンバーJames Elliottによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e『Lapsed Gasps』の不穏な深みから抜け出すのに少し時間がかかった（あのミキシング・セッションは本当に過酷だった！）。オリバーと私は、その次のアルバムには少し光を差し込ませたいと思っていた。あまり多くの光ではないが、『Push For Night』が好んで潜む暗がりを、これまでとは違った角度から照らすのに十分な光だ。そこで、PFNという概念を収める石棺の部屋の、概念的な入り口を覆う石板をほんの少しだけずらしてみると、部屋の中の薄明かりが変わった。影の振る舞いも、響きも変わった。私たちの奇妙な空間の質感、大きさ、形、そして音響が変化したのだ。今回は、影の歌と踊りをどのように異なる視点で解釈できるだろうか。こうした知覚の微妙な変化の中には、探求すべきもの、覗き込むべきもの、恐れるべきもの、興奮すべきものが豊富に潜んでいる……とはいえ、私たちの作曲プロセスには、あまり計画的な言葉のやり取りは含まれていない。互いにアイデアを投げ合い始めると、必然的に道が開けてくるのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今回の場合、『That Porous Line』への道のりが開けたのは、長年の音楽的同志であるデヴィッド・ダニエルの貢献が少なからずあったからだ。オリバーと私がデヴィッドと共に制作した2曲は、このアルバムとなるセッションの中で最も初期のものだ。彼は、他に適切な言葉が見つからないが、ある種の「美しさ」――穏やかで有機的な美しさ――をもたらし、それが最終的にPFNを、メロディックさと即興性という方向へと再定位させた。我々は、シーケンスのプログラミングやジェネレーティブ・パッチ、そして過度な処理によるあらゆる音源の細分化から距離を置いた。暗さを少し和らげたのだ。素朴に聞こえるかもしれないが、我々は再び楽器に触れた。ギターやベース、キーボード、パーカッションを演奏し、金属の弦や木に指を走らせた。完璧とは程遠いリアルタイムの演奏を楽しみ、ありのままを記録した。そこにはある種の軽やかさがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誤解しないでほしい。『That Porous Line』は紛れもなく、コラージュ的で、ちらつき、混沌とした、エレクトロアコースティックな作品だ。何しろ、このプロジェクトはプロジェクトなのだから。私たちの「墓のような部屋」は完全に密閉されているわけではない（そんなものがあるだろうか？）が、そこはPFNがいつまでも居続ける場所だと私は思う。謎のない、過度に明るい現実へと完全に逃避することには、少なくとも私たちにとっては、あまり魅力がないのだ。内部は個人的な空間であり、過度な光から守られている。奇妙な幽霊や特異な影が棲む暗いテラリウムであり、それらを召喚し、操って、我々の好みに合うように暴れ回らせ、咆哮させるのにうってつけだ。あるいは少なくとも、彼らが歌う声を聞き取れるほど近くに寄り添うこと。それが動機だ。我々は洞窟を飾り立て、幽霊たちを招き入れてメッセージを明かさせ、何かを捉えようとするのだ。その内部で、この異質な空間の半闇に包まれながら、私たちは、これらの移ろいやすく、キメラのような、隠された音の影を解釈しようと頭を悩ませる。ここは一体どれほど広いのか？ あとどれほど深くまで下りられるのか？ あそこの隅で何かが動いたか？ それは私たちに触れることができるのか？ 私たちはそれを捕まえられるのか？ そこに恐怖がある。そこに楽しみがある。だからこそ、私たちは耳を澄ますのだ。だからこそ、私たちは演奏するのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4101589106\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matt laminate embossed sleeve, with insert card.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. A Good Hosing Down 09:44 \u003cbr\u003e2. Fang Vendor 06:33 \u003cbr\u003e3. It’s Sure To Be Dark If You Shut Your Eyes 08:44 \u003cbr\u003e4. Idler’s Reward 08:15 \u003cbr\u003e5. Bait Is Lowered 05:50\u003cbr\u003e6. Turned Slowly And Slowly Turned 03:16 \u003cbr\u003e7. That Porous Line 05:26\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the artists:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShaking off the uneasy depths of Lapsed Gasps took a minute (those mix sessions were intense!). Oliver and I knew we’d like the record that followed to let in some light. Not much light, but enough to differently illuminate the darkened corners Push For Night prefers to inhabit. So we shifted the stone slab covering the conceptual entrance to the sarcophagal room that contains the idea of PFN, just a little, and the crepuscular light inside the room changed. The shadows behaved differently, sounded differently. The textures, sizes, shapes, and acoustics of our weird space altered. How can we interpret the shadows’ song and dance differently this time? In these subtle changes in perception there lies a wealth of things to investigate, to peer into, to be afraid of, to be excited by… That said, our writing process doesn’t involve too much premeditated verbal back and forth. We tend to start lobbing sessions at each other and a path inevitably clears.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn this case, and in no small part, the clearing of the path of That Porous Line begins with the contributions of my longtime sonic comrade David Daniell. The two pieces Oliver and I made with David are the earliest in the sessions that would become\u003cspan class=\"bcTruncateMore\"\u003e this record. He brought, for lack of a better word, a beauty - a gentle, organic beauty - that ultimately reoriented PFN toward a sense of the melodic and of spontaneity. We moved away from programming sequences, generative patches, and atomizing every sound source via heavy processing. We lightened the gloom a bit. It might sound naive, but we touched instruments again; we played guitars and basses and keyboards and percussion, fingers on metal wire and wood. We reveled in less-than-perfect real time performance, and documented it as such. There is a certain lightness to that.\u003cbr\u003e\u003cbr\u003eDon’t get me wrong, That Porous Line is absolutely a collaged, flickering, chaotic, electro-acoustic record. The project is the project after all. Although our tomb-room isn’t fully hermetic (what is?), I think it is a place PFN will always reside. A total escape outside into harshly lit reality without mystery is fairly unappealing, for us anyway. Inside is personal, guarded from too much light; a dark terrarium of weird ghosts and peculiar shadows ripe for conjuring and harnessing in order to make them kick and howl in a way pleasing to us. Or at least be near enough to them to try and hear what they sing. That’s the motive. We decorate the cave, invite the specters to reveal a message, and try to capture something. Inside, cocooned in the semi-dark of our uncommon space, we bang our heads against the act of interpreting these shifty, chimeric, hidden sonic shadows. How big is it in here? How much further down can we go? Did something move in that corner over there? Can it touch us? Can we catch it? That’s where the fear is. That’s where the fun happens. That’s why we listen. That’s why we play.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Push For Night\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRM4272\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 26th June 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-08-20T14:21:21+09:00","created_at":"2026-08-20T11:10:40+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","jazz","monooto","new","room40"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50139418394874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Push For Night \/\/ That Porous Line CD","public_title":null,"options":["Default Title"],"price":248000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/po1_7f4d661c-c24f-4e8c-b415-d6729a37d707.jpg?v=1787191777","\/\/tobirarecords.com\/cdn\/shop\/files\/po2_18d696dd-0735-435c-980c-7197046bd610.jpg?v=1787191777"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_7f4d661c-c24f-4e8c-b415-d6729a37d707.jpg?v=1787191777","options":["Title"],"media":[{"alt":null,"id":40665574736122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_7f4d661c-c24f-4e8c-b415-d6729a37d707.jpg?v=1787191777"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_7f4d661c-c24f-4e8c-b415-d6729a37d707.jpg?v=1787191777","width":350},{"alt":null,"id":40665574768890,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_18d696dd-0735-435c-980c-7197046bd610.jpg?v=1787191777"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_18d696dd-0735-435c-980c-7197046bd610.jpg?v=1787191777","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・NYの実験デュオ\u003c\/span\u003e\u003cspan\u003ePush For Nightが、2026年6月にオーストラリア・ブリスベンの実験レーベルRoom40からリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエレクトロアコースティック〜インプロ\u003c\/span\u003e\u003cspan\u003e7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、メンバーJames Elliottによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e『Lapsed Gasps』の不穏な深みから抜け出すのに少し時間がかかった（あのミキシング・セッションは本当に過酷だった！）。オリバーと私は、その次のアルバムには少し光を差し込ませたいと思っていた。あまり多くの光ではないが、『Push For Night』が好んで潜む暗がりを、これまでとは違った角度から照らすのに十分な光だ。そこで、PFNという概念を収める石棺の部屋の、概念的な入り口を覆う石板をほんの少しだけずらしてみると、部屋の中の薄明かりが変わった。影の振る舞いも、響きも変わった。私たちの奇妙な空間の質感、大きさ、形、そして音響が変化したのだ。今回は、影の歌と踊りをどのように異なる視点で解釈できるだろうか。こうした知覚の微妙な変化の中には、探求すべきもの、覗き込むべきもの、恐れるべきもの、興奮すべきものが豊富に潜んでいる……とはいえ、私たちの作曲プロセスには、あまり計画的な言葉のやり取りは含まれていない。互いにアイデアを投げ合い始めると、必然的に道が開けてくるのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今回の場合、『That Porous Line』への道のりが開けたのは、長年の音楽的同志であるデヴィッド・ダニエルの貢献が少なからずあったからだ。オリバーと私がデヴィッドと共に制作した2曲は、このアルバムとなるセッションの中で最も初期のものだ。彼は、他に適切な言葉が見つからないが、ある種の「美しさ」――穏やかで有機的な美しさ――をもたらし、それが最終的にPFNを、メロディックさと即興性という方向へと再定位させた。我々は、シーケンスのプログラミングやジェネレーティブ・パッチ、そして過度な処理によるあらゆる音源の細分化から距離を置いた。暗さを少し和らげたのだ。素朴に聞こえるかもしれないが、我々は再び楽器に触れた。ギターやベース、キーボード、パーカッションを演奏し、金属の弦や木に指を走らせた。完璧とは程遠いリアルタイムの演奏を楽しみ、ありのままを記録した。そこにはある種の軽やかさがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e誤解しないでほしい。『That Porous Line』は紛れもなく、コラージュ的で、ちらつき、混沌とした、エレクトロアコースティックな作品だ。何しろ、このプロジェクトはプロジェクトなのだから。私たちの「墓のような部屋」は完全に密閉されているわけではない（そんなものがあるだろうか？）が、そこはPFNがいつまでも居続ける場所だと私は思う。謎のない、過度に明るい現実へと完全に逃避することには、少なくとも私たちにとっては、あまり魅力がないのだ。内部は個人的な空間であり、過度な光から守られている。奇妙な幽霊や特異な影が棲む暗いテラリウムであり、それらを召喚し、操って、我々の好みに合うように暴れ回らせ、咆哮させるのにうってつけだ。あるいは少なくとも、彼らが歌う声を聞き取れるほど近くに寄り添うこと。それが動機だ。我々は洞窟を飾り立て、幽霊たちを招き入れてメッセージを明かさせ、何かを捉えようとするのだ。その内部で、この異質な空間の半闇に包まれながら、私たちは、これらの移ろいやすく、キメラのような、隠された音の影を解釈しようと頭を悩ませる。ここは一体どれほど広いのか？ あとどれほど深くまで下りられるのか？ あそこの隅で何かが動いたか？ それは私たちに触れることができるのか？ 私たちはそれを捕まえられるのか？ そこに恐怖がある。そこに楽しみがある。だからこそ、私たちは耳を澄ますのだ。だからこそ、私たちは演奏するのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4101589106\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matt laminate embossed sleeve, with insert card.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. A Good Hosing Down 09:44 \u003cbr\u003e2. Fang Vendor 06:33 \u003cbr\u003e3. It’s Sure To Be Dark If You Shut Your Eyes 08:44 \u003cbr\u003e4. Idler’s Reward 08:15 \u003cbr\u003e5. Bait Is Lowered 05:50\u003cbr\u003e6. Turned Slowly And Slowly Turned 03:16 \u003cbr\u003e7. That Porous Line 05:26\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the artists:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShaking off the uneasy depths of Lapsed Gasps took a minute (those mix sessions were intense!). Oliver and I knew we’d like the record that followed to let in some light. Not much light, but enough to differently illuminate the darkened corners Push For Night prefers to inhabit. So we shifted the stone slab covering the conceptual entrance to the sarcophagal room that contains the idea of PFN, just a little, and the crepuscular light inside the room changed. The shadows behaved differently, sounded differently. The textures, sizes, shapes, and acoustics of our weird space altered. How can we interpret the shadows’ song and dance differently this time? In these subtle changes in perception there lies a wealth of things to investigate, to peer into, to be afraid of, to be excited by… That said, our writing process doesn’t involve too much premeditated verbal back and forth. We tend to start lobbing sessions at each other and a path inevitably clears.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn this case, and in no small part, the clearing of the path of That Porous Line begins with the contributions of my longtime sonic comrade David Daniell. The two pieces Oliver and I made with David are the earliest in the sessions that would become\u003cspan class=\"bcTruncateMore\"\u003e this record. He brought, for lack of a better word, a beauty - a gentle, organic beauty - that ultimately reoriented PFN toward a sense of the melodic and of spontaneity. We moved away from programming sequences, generative patches, and atomizing every sound source via heavy processing. We lightened the gloom a bit. It might sound naive, but we touched instruments again; we played guitars and basses and keyboards and percussion, fingers on metal wire and wood. We reveled in less-than-perfect real time performance, and documented it as such. There is a certain lightness to that.\u003cbr\u003e\u003cbr\u003eDon’t get me wrong, That Porous Line is absolutely a collaged, flickering, chaotic, electro-acoustic record. The project is the project after all. Although our tomb-room isn’t fully hermetic (what is?), I think it is a place PFN will always reside. A total escape outside into harshly lit reality without mystery is fairly unappealing, for us anyway. Inside is personal, guarded from too much light; a dark terrarium of weird ghosts and peculiar shadows ripe for conjuring and harnessing in order to make them kick and howl in a way pleasing to us. Or at least be near enough to them to try and hear what they sing. That’s the motive. We decorate the cave, invite the specters to reveal a message, and try to capture something. Inside, cocooned in the semi-dark of our uncommon space, we bang our heads against the act of interpreting these shifty, chimeric, hidden sonic shadows. How big is it in here? How much further down can we go? Did something move in that corner over there? Can it touch us? Can we catch it? That’s where the fear is. That’s where the fun happens. That’s why we listen. That’s why we play.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Push For Night\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRM4272\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 26th June 2026\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":9395801686266,"title":"Antioch Arrow \/\/ Your Hearts Belong To Us LP [BLACK]","handle":"antioch-arrow-your-hearts-belong-to-us-lp-black","description":"\u003cp\u003eアメリカのスクリーモバンドAntioch Arrowが、2026年9月に同国Numeroからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003eGravityから発表した全作品と未発表アウトテイク、ライブ録音23曲を収録。歌詞、写真、フライヤー、解説が掲載されたゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"サンディエゴの「ホワイト・ベルト」の先駆者たちによる、野性味あふれるファースト・ウェーブのスクリーモ。この39分のLPには、アンティオック・アローの『Gravity』レーベルからの全作品が初めて一挙収録されている。これには、LP『In Love With Jetts』（未発表アウトテイク2曲を含む）、12インチ『The Lady Is A Cat』、キャンドルとのスプリット盤、そして5人組が最もハイテンションだった時期にチェ・カフェで収録されたライブ音源2曲が含まれる。腐食したDATからリマスターされた23曲にはトニー・レットマンによる解説が添えられ、歌詞、写真、フライヤーも収録。これらすべてが、マクラードの怒りを最大限に煽る見事なゲートフォールド・ジャケットに収められている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mNF-_KFfC78?si=U4g9iktE78Y42oXq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XFEY1kR1hX4?si=VTvJHTPrbID--4xL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003ehere\u003c\/a\u003e to see more Numero Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"artist\"\u003eA1. Angels Lawn\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA2. The Puppy Love\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA3. Chaos vs Cosmos\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"artist\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA4. Space Age \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA5. This Great Wall\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA6. Somba\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA7. Antioch Gold For You\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA8. The Blessed Test\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA9. Suspicious Uzi\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA10. Picnic Pants (Live at Che Cafe)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA11. Antioch Gold For You (Live at Che Cafe)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA12. The Suspicious Uzi (Unreleased Recording)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA13. This Great Wall (Unreleased Recording)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB1. Conspiring The Go-Go\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB2. Lightning Bolt\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB3. Ain’t My Day\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"artist\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB4. The Fixed Orbit\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB5. The Guardian Angel\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"artist\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB6. Kluts On Broadway \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB7. Teenage Debutaunt And The Debutaunt Ball\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"artist\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB8. Stilts\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB9. Times Square\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"artist\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB10. The Fixed Orbit (7” Version)\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Savage first-wave screamo from San Diego’s white belt progenitors. Collected for the first time on this 39-minute LP are Antioch Arrow’s complete Gravity recordings, including In Love With Jetts LP (+ a pair of previously unissued outtakes), The Lady Is A Cat 12”, Candle split, and two live Che Cafe tracks captured at the quintet’s spazzy peak. 23 tracks remastered from corroded DATs and annotated by Tony Rettman, plus lyrics, photos, and flyers, all housed in a stunning gatefold jacket for maximum McClard rage-baiting.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Antioch Arrow\u003c\/p\u003e\n\u003cp\u003eLabel : Numero Group\u003c\/p\u003e\n\u003cp\u003ecat no : NUM222lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 18th September 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-09-06T07:08:50+09:00","created_at":"2026-09-01T09:26:21+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","noise","numero group"],"price":495000,"price_min":495000,"price_max":495000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50207280627962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antioch Arrow \/\/ Your Hearts Belong To Us LP [BLACK]","public_title":null,"options":["Default Title"],"price":495000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"825764122214","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/an1_59794bec-d8ce-452c-9771-23f1e4ee66eb.jpg?v=1788222172","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-09-01at9.20.42am.png?v=1788222173"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_59794bec-d8ce-452c-9771-23f1e4ee66eb.jpg?v=1788222172","options":["Title"],"media":[{"alt":null,"id":40826433470714,"position":1,"preview_image":{"aspect_ratio":0.99,"height":600,"width":594,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_59794bec-d8ce-452c-9771-23f1e4ee66eb.jpg?v=1788222172"},"aspect_ratio":0.99,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/an1_59794bec-d8ce-452c-9771-23f1e4ee66eb.jpg?v=1788222172","width":594},{"alt":null,"id":40826433536250,"position":2,"preview_image":{"aspect_ratio":1.096,"height":429,"width":470,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-09-01at9.20.42am.png?v=1788222173"},"aspect_ratio":1.096,"height":429,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-09-01at9.20.42am.png?v=1788222173","width":470}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのスクリーモバンドAntioch Arrowが、2026年9月に同国Numeroからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003eGravityから発表した全作品と未発表アウトテイク、ライブ録音23曲を収録。歌詞、写真、フライヤー、解説が掲載されたゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"サンディエゴの「ホワイト・ベルト」の先駆者たちによる、野性味あふれるファースト・ウェーブのスクリーモ。この39分のLPには、アンティオック・アローの『Gravity』レーベルからの全作品が初めて一挙収録されている。これには、LP『In Love With Jetts』（未発表アウトテイク2曲を含む）、12インチ『The Lady Is A Cat』、キャンドルとのスプリット盤、そして5人組が最もハイテンションだった時期にチェ・カフェで収録されたライブ音源2曲が含まれる。腐食したDATからリマスターされた23曲にはトニー・レットマンによる解説が添えられ、歌詞、写真、フライヤーも収録。これらすべてが、マクラードの怒りを最大限に煽る見事なゲートフォールド・ジャケットに収められている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mNF-_KFfC78?si=U4g9iktE78Y42oXq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XFEY1kR1hX4?si=VTvJHTPrbID--4xL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003ehere\u003c\/a\u003e to see more Numero Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"artist\"\u003eA1. Angels Lawn\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA2. The Puppy Love\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA3. Chaos vs Cosmos\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"artist\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA4. Space Age \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA5. This Great Wall\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA6. Somba\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA7. Antioch Gold For You\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA8. The Blessed Test\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA9. Suspicious Uzi\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA10. Picnic Pants (Live at Che Cafe)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA11. Antioch Gold For You (Live at Che Cafe)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA12. The Suspicious Uzi (Unreleased Recording)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA13. This Great Wall (Unreleased Recording)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB1. Conspiring The Go-Go\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB2. Lightning Bolt\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"title\"\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB3. Ain’t My Day\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"artist\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB4. The Fixed Orbit\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB5. The Guardian Angel\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"artist\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB6. Kluts On Broadway \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB7. Teenage Debutaunt And The Debutaunt Ball\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"artist\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB8. Stilts\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB9. Times Square\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"artist\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB10. The Fixed Orbit (7” Version)\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Savage first-wave screamo from San Diego’s white belt progenitors. Collected for the first time on this 39-minute LP are Antioch Arrow’s complete Gravity recordings, including In Love With Jetts LP (+ a pair of previously unissued outtakes), The Lady Is A Cat 12”, Candle split, and two live Che Cafe tracks captured at the quintet’s spazzy peak. 23 tracks remastered from corroded DATs and annotated by Tony Rettman, plus lyrics, photos, and flyers, all housed in a stunning gatefold jacket for maximum McClard rage-baiting.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Antioch Arrow\u003c\/p\u003e\n\u003cp\u003eLabel : Numero Group\u003c\/p\u003e\n\u003cp\u003ecat no : NUM222lp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 18th September 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのスクリーモバンドAntioch Arrowが、2026年9月に同国Numeroからリリースした再発レコードです。 Gravityから発表した全作品と未発表アウトテイク、ライブ録音23曲を収録。歌詞、写真、フライヤー、解説が掲載されたゲートフォルド仕様です。 以下、レーベルによる解説です。 "サンディエゴの「ホワイト・ベルト」の先駆者たちによる、野性味あふれるファースト・ウェーブのスクリーモ。この39分のLPには、アンティオック・アローの『Gravity』レーベルからの全作品が初めて一挙収録されている。これには、LP『In Love With Jetts』（未発表アウトテイク2曲を含む）、12インチ『The Lady Is A Cat』、キャンドルとのスプリット盤、そして5人組が最もハイテンションだった時期にチェ・カフェで収録されたライブ音源2曲が含まれる。腐食したDATからリマスターされた23曲にはトニー・レットマンによる解説が添えられ、歌詞、写真、フライヤーも収録。これらすべてが、マクラードの怒りを最大限に煽る見事なゲートフォールド・ジャケットに収められている。" レーベルその他作品はこちら /// Click here to...
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{"id":9002435182842,"title":"Ben Bennett \/\/ ANSWERS LP","handle":"ben-bennett-answers-lp","description":"\u003cp\u003eアメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜ドローン7曲を収録。帯付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2210925249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. What a normal day is like 06:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. How you sound when you’re criticizing me 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Me when I was incredibly small 06:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Toroid - like a bagel or a donut 05:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. How I walk when I’m downtown 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6. What my dog would sound like if I had one 05:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Me when I’m having some work done 03:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Pfeffer, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I often think about a video that Ben made in the mid-2000s, shot in profile with his shadow cast on a dimly lit Ohio punk house wall. In the video, Ben emits, intones, and then barks “yeah” relentlessly for an uninterrupted fifteen minutes. He pushes his reedy, anonymous voice—which in conversation conveys a kind of gentle bemusement—into guttural terrain that flirts with overtone singing (or screeching). The gesture feels raw and spontaneous, suspended in a vacuum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe video has echoes of late ’60s and early ’70s American performance art—Bruce Nauman’s Lip Sync, Paul McCarthy’s Ma Bell—but Ben is not building a persona or engaging in clever language games. He pushes straight into the realm of pure sound, teasing out subtle variations from a barebones fragment of reckless affirmation—or maybe sarcasm—using democratic tools: his voice and a single, quintessentially American interjection that barely qualifies as language. It is obvious how much pleasure Ben takes in the act of listening. He punctuates the performance with silences, burrowing into the room’s resonance, which seems to surprise and delight him. Distilled to its simplest form, Ben transforms the utterance into an act of destructive glee that carries no trace of angst. Over time, his unwavering commitment to a stupid and very human\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e endeavor becomes a devotional ritual that collides with the divine, without relying on a religious object.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ANSWERS (all-caps notwithstanding), Ben modestly continues to offer profound “answers” to questions about survival in the empty field. The actions it contains are not extreme; it operates at a relatively low dynamic, neither at the edge of inaudibility nor at the volume of inflammatory rage-bait. Microscopic but still visible, the sounds suggest the early stirrings of new, dumb lifeforms. ANSWERS is provocative in its lack of ornament—born of the post-industrial and natural worlds, hovering above quotidian realities. Ben continues to operate on the edge of not being aesthetic at all—subject dissolving into object—plumbing the nature of reality with his homespun spring-steel idiophone and coffee-can aerophone, until it verges on bathroom drainage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a percussionist, Ben has a lithe touch, moving seamlessly between sticks and his bare hands. Like Toshi Makihara and Sean Meehan, Ben is concerned with friction, yet his work is closer in spirit to Kieran Daly’s slowly unfolding monophonic MIDI investigations, which balance formal rigor, a cultivated openness to “dumbness,” and an abstract connection to the jazz tradition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy favorite moments on Answers are when the boundary between music and non-music becomes unstable, and when Ben abandons the drums and “music” entirely—\"How you sound when you’re criticizing me,” “Me when I’m having some work done,” and “Toroid – like a bagel or a donut”—where the album’s harsh plainness gives way to austere beauty, as if the vacuum momentarily ruptured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eANSWERS feels as though it unfolds in isolation, yet the faintest vapors of the detritus, dust, and rubble of recognizable worlds drift in, giving rise to sounds that evoke goose honks, rapier blades, and field recordings from a Home Depot loading dock. Ben displays extraordinary sensitivity to vibrations that bloom briefly, then vanish. The record closes with twenty seconds of silence, a quiet void where everything disappears. It simply ends, draining back into the big ol’ cosmic sewer from which we were all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003econjured.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-18T13:06:28+09:00","created_at":"2025-11-17T10:29:45+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lobby art","lp","new","strange beats"],"price":465000,"price_min":465000,"price_max":465000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47966605410554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Bennett \/\/ ANSWERS LP","public_title":null,"options":["Default Title"],"price":465000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","options":["Title"],"media":[{"alt":null,"id":37529691259130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","width":700},{"alt":null,"id":37529691291898,"position":2,"preview_image":{"aspect_ratio":1.506,"height":797,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825"},"aspect_ratio":1.506,"height":797,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜ドローン7曲を収録。帯付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2210925249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. What a normal day is like 06:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. How you sound when you’re criticizing me 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Me when I was incredibly small 06:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Toroid - like a bagel or a donut 05:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. How I walk when I’m downtown 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6. What my dog would sound like if I had one 05:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Me when I’m having some work done 03:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Pfeffer, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I often think about a video that Ben made in the mid-2000s, shot in profile with his shadow cast on a dimly lit Ohio punk house wall. In the video, Ben emits, intones, and then barks “yeah” relentlessly for an uninterrupted fifteen minutes. He pushes his reedy, anonymous voice—which in conversation conveys a kind of gentle bemusement—into guttural terrain that flirts with overtone singing (or screeching). The gesture feels raw and spontaneous, suspended in a vacuum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe video has echoes of late ’60s and early ’70s American performance art—Bruce Nauman’s Lip Sync, Paul McCarthy’s Ma Bell—but Ben is not building a persona or engaging in clever language games. He pushes straight into the realm of pure sound, teasing out subtle variations from a barebones fragment of reckless affirmation—or maybe sarcasm—using democratic tools: his voice and a single, quintessentially American interjection that barely qualifies as language. It is obvious how much pleasure Ben takes in the act of listening. He punctuates the performance with silences, burrowing into the room’s resonance, which seems to surprise and delight him. Distilled to its simplest form, Ben transforms the utterance into an act of destructive glee that carries no trace of angst. Over time, his unwavering commitment to a stupid and very human\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e endeavor becomes a devotional ritual that collides with the divine, without relying on a religious object.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ANSWERS (all-caps notwithstanding), Ben modestly continues to offer profound “answers” to questions about survival in the empty field. The actions it contains are not extreme; it operates at a relatively low dynamic, neither at the edge of inaudibility nor at the volume of inflammatory rage-bait. Microscopic but still visible, the sounds suggest the early stirrings of new, dumb lifeforms. ANSWERS is provocative in its lack of ornament—born of the post-industrial and natural worlds, hovering above quotidian realities. Ben continues to operate on the edge of not being aesthetic at all—subject dissolving into object—plumbing the nature of reality with his homespun spring-steel idiophone and coffee-can aerophone, until it verges on bathroom drainage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a percussionist, Ben has a lithe touch, moving seamlessly between sticks and his bare hands. Like Toshi Makihara and Sean Meehan, Ben is concerned with friction, yet his work is closer in spirit to Kieran Daly’s slowly unfolding monophonic MIDI investigations, which balance formal rigor, a cultivated openness to “dumbness,” and an abstract connection to the jazz tradition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy favorite moments on Answers are when the boundary between music and non-music becomes unstable, and when Ben abandons the drums and “music” entirely—\"How you sound when you’re criticizing me,” “Me when I’m having some work done,” and “Toroid – like a bagel or a donut”—where the album’s harsh plainness gives way to austere beauty, as if the vacuum momentarily ruptured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eANSWERS feels as though it unfolds in isolation, yet the faintest vapors of the detritus, dust, and rubble of recognizable worlds drift in, giving rise to sounds that evoke goose honks, rapier blades, and field recordings from a Home Depot loading dock. Ben displays extraordinary sensitivity to vibrations that bloom briefly, then vanish. The record closes with twenty seconds of silence, a quiet void where everything disappears. It simply ends, draining back into the big ol’ cosmic sewer from which we were all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003econjured.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA023\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家Post Moves主宰レーベルLobby Artからリリースしたレコードです。 インプロ〜ドローン7曲を収録。帯付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Lobby Art releases available...
¥4,650
クイックビュー
{"id":8980399948026,"title":"Autoreverse \/\/ Autotunes LP","handle":"autoreverse-autotunes-lp","description":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたNina GarciaとArnaud RivièreによるデュオAutoreverseが、2025年6月にフランス・パリの実験レーベルからEditions Gravatsリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターとエレクトロニクスによるノイズ〜インプロ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_qpXmrUbTdg?si=ZlqiDBLUNaJqz02Z\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/c1wimsWo8hQ?si=ikkQ5PK1URiecX3t\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8N8D6fQ6tOs?si=lc6JPiW-4OzTHXIY\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A1. HI-SPEED DUB indicator 05:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. A2. HI-SPEED DUB switch 14:18\u003cbr\u003e\u003c\/span\u003e3. B1. SKIP-BLANK stack 16:59\u003c\/p\u003e\n\u003cp\u003eEditions Gravats:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAutoreverse brings together Arnaud Rivière (prepared turntable - we should say damaged or destroyed), a kingpin of the French noise underground as a programmer at Instants Chavirés and Sonic Protest, team player with Otomo Yoshihide, Erik M, and a hundred others, ; and Nina Garcia (guitar \u0026amp; feedback), recently recruited by Stephen O'Malley's Ideologic Organ label after giving the whole of the Paris region a taste for noise guitar solos with her Mariachi project (\"Guitar, pedal. That's all’, as his Discogs puts it. What he doesn't say is that it's EVERYTHING - a world, a cosmos in itself) – culminating in a self-titled album and instant classic (Mariachi, No Lagos, 2018), and various collaborations (Maria Bertel, Mamiedaragon).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir music, already been featured in two live cassettes, stems from assiduous concert practice. Autotunes is something like the duo's core in fission. They throw themselves into improvisation with little patience for detours : the position is clean-cut hardcore – less over-the-top clatter and more about finding the cutting edge, with an insistence on fine-tuning the limits of the instruments, attacking the raw and the gritty with maximum precision: the result is an irradiating flow of rare metals and certified\u003cspan class=\"bcTruncateMore\"\u003e toxins.\u003cbr\u003e\u003cbr\u003eIn one of the record's many climaxes, bleeps extruded from who knows where battle with the strumming of white-hot guitar strings. But there's a whole host of distinct techniques and sonorities at work here: seamless attacks, amplified scrap metal, just-caught feedbacks, provoked chances, melodies that invite themselves in but don't stay for dinner, rhythmic sketches and glimpsed zones of beauty, built-up and cracked materials, expected and unexpected counterpoints. The intensities vary from start to finish: howling, eruptive bursts of harsh noise microswitchs, shapeless feedback whining and growling, but also more meditative harmonics and resonances.\u003cbr\u003e\u003cbr\u003eThis is reinforced by the didactic and generous structure of the record, which first methodically exposes the takes played in the studio through ‘horizontal’ sequencing (A1), before repeating the same material ‘vertically’ in a meticulous work of hollowing out and elisions. Autotunes manifests a distinctive ability to maintain an astonishing dynamic in the depths of the post-industrial cavern left by Throbbing Gristle (‘Slug Bait’ period), Maurizio Bianchi and all.\u003cbr\u003e\u003cbr\u003eWith Autoreverse, it's no longer time to marvel at our various abilities and tactics, but to tighten the mesh. In the way it coolly reviews the possibilities, in its peaceful radicalism, in its attitude of less noise, more impact, this record helps us to conceive what a comrade called once ‘an ethic of our violence’.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Autoreverse\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEditions Gravats\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eGRVTS025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-01T11:14:11+09:00","created_at":"2025-11-01T10:54:35+09:00","vendor":"Tobira Records","type":"","tags":["editions gravats","jazz","lp","new","noise"],"price":423400,"price_min":423400,"price_max":423400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47890509660410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Autoreverse \/\/ Autotunes LP","public_title":null,"options":["Default Title"],"price":423400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/au1_cc3d0e6f-3dc9-421d-9e0c-43c1e1fc0352.jpg?v=1761961941"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_cc3d0e6f-3dc9-421d-9e0c-43c1e1fc0352.jpg?v=1761961941","options":["Title"],"media":[{"alt":null,"id":37358967423226,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_cc3d0e6f-3dc9-421d-9e0c-43c1e1fc0352.jpg?v=1761961941"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_cc3d0e6f-3dc9-421d-9e0c-43c1e1fc0352.jpg?v=1761961941","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたNina GarciaとArnaud RivièreによるデュオAutoreverseが、2025年6月にフランス・パリの実験レーベルからEditions Gravatsリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターとエレクトロニクスによるノイズ〜インプロ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_qpXmrUbTdg?si=ZlqiDBLUNaJqz02Z\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/c1wimsWo8hQ?si=ikkQ5PK1URiecX3t\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8N8D6fQ6tOs?si=lc6JPiW-4OzTHXIY\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A1. HI-SPEED DUB indicator 05:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. A2. HI-SPEED DUB switch 14:18\u003cbr\u003e\u003c\/span\u003e3. B1. SKIP-BLANK stack 16:59\u003c\/p\u003e\n\u003cp\u003eEditions Gravats:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAutoreverse brings together Arnaud Rivière (prepared turntable - we should say damaged or destroyed), a kingpin of the French noise underground as a programmer at Instants Chavirés and Sonic Protest, team player with Otomo Yoshihide, Erik M, and a hundred others, ; and Nina Garcia (guitar \u0026amp; feedback), recently recruited by Stephen O'Malley's Ideologic Organ label after giving the whole of the Paris region a taste for noise guitar solos with her Mariachi project (\"Guitar, pedal. That's all’, as his Discogs puts it. What he doesn't say is that it's EVERYTHING - a world, a cosmos in itself) – culminating in a self-titled album and instant classic (Mariachi, No Lagos, 2018), and various collaborations (Maria Bertel, Mamiedaragon).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir music, already been featured in two live cassettes, stems from assiduous concert practice. Autotunes is something like the duo's core in fission. They throw themselves into improvisation with little patience for detours : the position is clean-cut hardcore – less over-the-top clatter and more about finding the cutting edge, with an insistence on fine-tuning the limits of the instruments, attacking the raw and the gritty with maximum precision: the result is an irradiating flow of rare metals and certified\u003cspan class=\"bcTruncateMore\"\u003e toxins.\u003cbr\u003e\u003cbr\u003eIn one of the record's many climaxes, bleeps extruded from who knows where battle with the strumming of white-hot guitar strings. But there's a whole host of distinct techniques and sonorities at work here: seamless attacks, amplified scrap metal, just-caught feedbacks, provoked chances, melodies that invite themselves in but don't stay for dinner, rhythmic sketches and glimpsed zones of beauty, built-up and cracked materials, expected and unexpected counterpoints. The intensities vary from start to finish: howling, eruptive bursts of harsh noise microswitchs, shapeless feedback whining and growling, but also more meditative harmonics and resonances.\u003cbr\u003e\u003cbr\u003eThis is reinforced by the didactic and generous structure of the record, which first methodically exposes the takes played in the studio through ‘horizontal’ sequencing (A1), before repeating the same material ‘vertically’ in a meticulous work of hollowing out and elisions. Autotunes manifests a distinctive ability to maintain an astonishing dynamic in the depths of the post-industrial cavern left by Throbbing Gristle (‘Slug Bait’ period), Maurizio Bianchi and all.\u003cbr\u003e\u003cbr\u003eWith Autoreverse, it's no longer time to marvel at our various abilities and tactics, but to tighten the mesh. In the way it coolly reviews the possibilities, in its peaceful radicalism, in its attitude of less noise, more impact, this record helps us to conceive what a comrade called once ‘an ethic of our violence’.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Autoreverse\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEditions Gravats\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eGRVTS025\u003c\/span\u003e\u003c\/p\u003e"}
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Tobiraインストアショーケースでも素晴らしいライブを披露してくれたNina GarciaとArnaud RivièreによるデュオAutoreverseが、2025年6月にフランス・パリの実験レーベルからEditions Gravatsリリースしたレコードです。 ギターとエレクトロニクスによるノイズ〜インプロ3曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ---------------------------------------------- Ask us for digital files. 12" black vinyl....
¥4,234
クイックビュー
{"id":8631483203834,"title":"Callahan \u0026 Witscher \/\/ Think Differently LP","handle":"callahan-witscher-think-differently-lp","description":"\u003cp\u003eアメリカの実験音楽家Jack CallahanとJeff Witscherが、2024年8月に同国実験レーベルPost Present Mediumからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e実験要素は皆無のインディーロック9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1043832337\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. Includes insert. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eI Love Music\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWon't Let You Go\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBoiler Room\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eParticipation Trophy\u003cbr\u003eA5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLong Drive\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWho Knows Where The Time Goes\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eHate The Player\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Value Of Music\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eColumbus\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePost Present Medium:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e‘Think Differently’ is the debut LP by the duo of Callahan \u0026amp; Witscher. Jeff Witscher has been one of the most daring voices in underground American music for two decades, highlighted by releases on Pan and NNA Tapes. Jack Callahan’s focused, uncompromising approach to sound caught the attention of both Demdike Stare’s DDS label and Swiss composer Jürg Frey, who took Callahan on as his first composition student. Fans of their individual work might expect opacity, disruption, or rhythmic irregularity from their collaboration, but ‘Think Differently’ sounds like a pitbull in a convertible, a sand-kicking beach party, the dopamine hit you get from 311 or Smash Mouth. It’s a punchy, crunchy, highly infectious record. How did Callahan \u0026amp; Witscher cut the path from the ghostly margins of avant garde musics to the gutters of post-grunge American hard rock? In the words of Callahan, “at some point, you start to need a stronger drug.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe most potent characteristic of this stronger drug is the guitar. And not just any guitar, but a sassy, contagious, blithe guitar. Its presence is a drastic shift for two guys who’ve combined to make dozens of records over the years, not a single one of which has a recognizable guitar sound on it. Alongside the cool breezes\u003cspan class=\"bcTruncateMore\"\u003e and hyperactive fretwork of Callahan’s guitar playing, the songs are backboned by strutting, groove-happy vocals: all bark, all bite. Every song is a careful collage, light but dense, ornate with gang choruses, soulful femme vocals, autotune and whisper scratches. 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In spite of overdraft fees, in spite of bad art, in spite of self-doubt.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Callahan \u0026amp; Witscher\u003c\/p\u003e\n\u003cp\u003eLabel : Post Present Medium\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePPM099\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-09-30T15:20:32+09:00","created_at":"2024-09-29T14:07:57+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","post present medium"],"price":377000,"price_min":377000,"price_max":377000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46698773512442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Callahan \u0026 Witscher \/\/ Think Differently LP","public_title":null,"options":["Default Title"],"price":377000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/think1.jpg?v=1727586337","\/\/tobirarecords.com\/cdn\/shop\/files\/think2.jpg?v=1727586337"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/think1.jpg?v=1727586337","options":["Title"],"media":[{"alt":null,"id":34954553622778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/think1.jpg?v=1727586337"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/think1.jpg?v=1727586337","width":600},{"alt":null,"id":34954553655546,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/think2.jpg?v=1727586337"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/think2.jpg?v=1727586337","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Jack CallahanとJeff Witscherが、2024年8月に同国実験レーベルPost Present Mediumからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e実験要素は皆無のインディーロック9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1043832337\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. Includes insert. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eI Love Music\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWon't Let You Go\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBoiler Room\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eParticipation Trophy\u003cbr\u003eA5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLong Drive\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWho Knows Where The Time Goes\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eHate The Player\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Value Of Music\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eColumbus\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePost Present Medium:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e‘Think Differently’ is the debut LP by the duo of Callahan \u0026amp; Witscher. Jeff Witscher has been one of the most daring voices in underground American music for two decades, highlighted by releases on Pan and NNA Tapes. Jack Callahan’s focused, uncompromising approach to sound caught the attention of both Demdike Stare’s DDS label and Swiss composer Jürg Frey, who took Callahan on as his first composition student. Fans of their individual work might expect opacity, disruption, or rhythmic irregularity from their collaboration, but ‘Think Differently’ sounds like a pitbull in a convertible, a sand-kicking beach party, the dopamine hit you get from 311 or Smash Mouth. It’s a punchy, crunchy, highly infectious record. How did Callahan \u0026amp; Witscher cut the path from the ghostly margins of avant garde musics to the gutters of post-grunge American hard rock? 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In spite of overdraft fees, in spite of bad art, in spite of self-doubt.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Callahan \u0026amp; Witscher\u003c\/p\u003e\n\u003cp\u003eLabel : Post Present Medium\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePPM099\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Jack CallahanとJeff Witscherが、2024年8月に同国実験レーベルPost Present Mediumからリリースしたレコードです。 実験要素は皆無のインディーロック9曲を収録。 レーベルその他作品はこちら /// Click here to see more Post Present Medium releases...
¥3,770
クイックビュー
{"id":9104516874490,"title":"Delta-Sleep-Inducing Peptide \/\/ L-Tryptophan \/ Somnosections \/ Pre-Natal 3xCD BOX","handle":"delta-sleep-inducing-peptide-l-tryptophan-somnosections-pre-natal-3xcd-box","description":"\u003cp\u003e\u003cspan\u003eドイツの実験音楽家Siegmar Fricke (Bestattungsinstitut)とDieter Mauson (Nostalgie Eternelle)によるオブスキュアデュオDelta-Sleep-Inducing-Peptideが、2026年1月にポルトガルの実験レーベルHoluzamからリリースした再発3枚組CD BOXです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLo-Fi実験アンビエント〜ドローン〜ストレンジビーツ19曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/delta-sleep-inducing-peptide-abduction-of-mind-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1989年から1994年にかけて、ディーター・マウソンとジークマール・フリッケはDelta-Sleep-Inducing Peptide（DSIP）の名の下、未踏の音響領域へと踏み込んだ。彼らの作品は意識と眠りの境界を探求し、睡眠の段階そのものを映し出す音の物語を紡ぎ出した。この期間、DSIPは国際的なレーベルを通じて25作以上のカセットアルバムをリリース。それぞれがアナログな夢の世界の断片であり、ドイツ各地の自宅スタジオで録音された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今回初めて、彼らの代表作3作——『Somnosections』（1990年）、 『L-Tryptophan』（1991年）、『Pre-Natal』（1994年）の3作品がボックスセットとして初収録され、デュオの画期的な1990年代の活動期（2013年から2018年に再結成）を再訪する。これらの録音は、マルチトラック・テープマシン、アナログシンセサイザー、サンプラー、ドラムマシン、ディクタフォンを用いて、触覚的な精度で収録された創造的直感の時代を超越した記録である。地元のラジオやテレビの断片が音響素材として再利用され、これらの作品に織り込まれ、DSIPのサウンドワールドを特徴づける独特の構造を形成している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDSIPの音楽を卓越させるのは、その有機的な流れの深い感覚である。重厚な電子音楽の起源を持ちながらも、奇妙な、ほとんど無意識的な生命力と、知的分析を超越した透明感をもって息づいている。理解を求めるのではなく、感じられるものだ。聴き手は単なる雰囲気を超越した体験へと引き込まれる。没入的で幻覚的、そして深く精神的な体験である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e各録音はDSIPの世界へと通じる異なる扉を表している。「Somnosections」は神秘的で魅惑的であり、暗くリンチ的な雰囲気と力強いリズムパターンを往復する。「L-Tryptophan」は展開する旅路であり、44分間にわたる没入感あふれる、意識を拡張する波形の至福だ。「Pre-Natal」はさらに深淵へと踏み込み、催眠的なアルペジオとテクスチャーをループさせ、ハウントロジーの初期ビジョンへと紡ぎ出す。The Caretakerという存在すら存在しなかった時代の、夢幻的な音響である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2時間半に及ぶ異質で異世界の音の旅を通じて、DSIPは自らの音楽がこの世界に属さず、属そうともしないことを明らかにする。それは超自然的であると同時に自然である。直感と感情、そして覚醒と夢の境界領域によって形作られた音響の風景だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2657028144\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e3 x CD in individual sleeves + outer box. \u003cbr\u003eEdition of 150 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. La Nuit Blanche (La Mente En Negro) PT. 1 06:14\u003cbr\u003e2. La Nuit Blanche (La Mente En Negro) PT. 2 04:33\u003cbr\u003e3. La Nuit Blanche (La Mente En Negro) PT. 3 03:40\u003cbr\u003e4. La Nuit Blanche (La Mente En Negro) PT. 4 01:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. La Nuit Blanche (La Mente En Negro) PT. 5 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. L-Tryptophan 21:39\u003cbr\u003e\u003c\/span\u003e7. Somnosections (2,1 mg Flunitrazepam i. v. n=12) 22:53\u003cbr\u003e8. Konkrete Utopie (Arousal-Mix) 03:45\u003cbr\u003e9. Gone (NREM-Version) 06:27\u003cbr\u003e10. Somnosections: La Mente En Blanco (Pavor Nocturnus) 13:49\u003cbr\u003e11. Pre-Natal 14:36\u003cbr\u003e12. Pre-Natal 07:10\u003cbr\u003e13. Pre-Natal 08:24\u003cbr\u003e14. Pre-Natal 05:24\u003cbr\u003e15. Pre-Natal 04:40\u003cbr\u003e16. Pre-Natal 05:12\u003cbr\u003e17. Pre-Natal 04:18\u003cbr\u003e18. Pre-Natal 04:28\u003cbr\u003e19. Pre-Natal 06:05\u003c\/p\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBetween 1989 and 1994, Dieter Mauson and Siegmar Fricke ventured into uncharted sonic territory under the name Delta-Sleep-Inducing Peptide (DSIP). Their work explored the boundaries between consciousness and slumber, sculpting sound narratives that mirrored the stages of sleep itself. During this period, DSIP released over 25 cassette albums across international labels, each one a fragment of their analogue dreamscape, recorded in various home studios around Germany.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow, for the first time, three of their seminal works, “Somnosections” (1990), “L-Tryptophan” (1991), and “Pre-Natal” (1994), are brought together in a box set, revisiting the duo’s groundbreaking 1990s period (the duo regrouped in 2013-2018). These recordings stand as timeless documents of creative intuition, recorded with tactile precision on multi-track tape machines, analog synthesizers, samplers, drum units, and Dictaphones. Local radio and television fragments, repurposed as sonic material, weave through these pieces to form the distinct fabric of the DSIP sound world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat makes DSIP’s music exceptional is its profound sense of organic flow. Despite its heavily electronic origins, it breathes with a strange, almost subconscious vitality, a transparency\u003cspan class=\"bcTruncateMore\"\u003e that goes beyond intellectual analysis. It doesn’t ask to be understood, it is felt. Listeners are drawn into an experience that transcends mere ambience. It is immersive, hallucinatory, and deeply psychic.\u003cbr\u003e\u003cbr\u003eEach recording represents a different portal into DSIP’s universe. “Somnosections” is mystical and seductive, shifting between dark, Lynchian atmospheres and driving rhythmic patterns. “L-Tryptophan” is an unfolding journey, 44 minutes of immersive, mind-expanding waveform bliss. Pre-Natal ventures deeper still, looping hypnotic arpeggios and textures into an early vision of hauntology, dreamlike sound before the term or The Caretaker even existed.\u003cbr\u003e\u003cbr\u003eAcross two and a half hours of alien, otherworldly sound, DSIP reveal that their music neither belongs to this world nor seeks to. It is as natural as it is supernatural. A sonic landscape shaped by intuition, emotion, and the liminal space between waking and dreaming.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Delta-Sleep-Inducing Peptide\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZAM044.1.2.3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th January 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-24T19:06:10+09:00","created_at":"2026-02-24T18:22:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","holuzam","new","strange beats"],"price":658400,"price_min":658400,"price_max":658400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48372182843642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Delta-Sleep-Inducing Peptide \/\/ L-Tryptophan \/ Somnosections \/ Pre-Natal 3xCD BOX","public_title":null,"options":["Default Title"],"price":658400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/del1_4d9d8278-c22b-4a6e-8003-971335b1687c.jpg?v=1771924796","\/\/tobirarecords.com\/cdn\/shop\/files\/del2_9fd2c164-7941-4e30-bb64-90d7eb3cb209.jpg?v=1771924796"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_4d9d8278-c22b-4a6e-8003-971335b1687c.jpg?v=1771924796","options":["Title"],"media":[{"alt":null,"id":38463032754426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_4d9d8278-c22b-4a6e-8003-971335b1687c.jpg?v=1771924796"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_4d9d8278-c22b-4a6e-8003-971335b1687c.jpg?v=1771924796","width":700},{"alt":null,"id":38463032787194,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_9fd2c164-7941-4e30-bb64-90d7eb3cb209.jpg?v=1771924796"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_9fd2c164-7941-4e30-bb64-90d7eb3cb209.jpg?v=1771924796","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eドイツの実験音楽家Siegmar Fricke (Bestattungsinstitut)とDieter Mauson (Nostalgie Eternelle)によるオブスキュアデュオDelta-Sleep-Inducing-Peptideが、2026年1月にポルトガルの実験レーベルHoluzamからリリースした再発3枚組CD BOXです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLo-Fi実験アンビエント〜ドローン〜ストレンジビーツ19曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/delta-sleep-inducing-peptide-abduction-of-mind-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1989年から1994年にかけて、ディーター・マウソンとジークマール・フリッケはDelta-Sleep-Inducing Peptide（DSIP）の名の下、未踏の音響領域へと踏み込んだ。彼らの作品は意識と眠りの境界を探求し、睡眠の段階そのものを映し出す音の物語を紡ぎ出した。この期間、DSIPは国際的なレーベルを通じて25作以上のカセットアルバムをリリース。それぞれがアナログな夢の世界の断片であり、ドイツ各地の自宅スタジオで録音された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今回初めて、彼らの代表作3作——『Somnosections』（1990年）、 『L-Tryptophan』（1991年）、『Pre-Natal』（1994年）の3作品がボックスセットとして初収録され、デュオの画期的な1990年代の活動期（2013年から2018年に再結成）を再訪する。これらの録音は、マルチトラック・テープマシン、アナログシンセサイザー、サンプラー、ドラムマシン、ディクタフォンを用いて、触覚的な精度で収録された創造的直感の時代を超越した記録である。地元のラジオやテレビの断片が音響素材として再利用され、これらの作品に織り込まれ、DSIPのサウンドワールドを特徴づける独特の構造を形成している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDSIPの音楽を卓越させるのは、その有機的な流れの深い感覚である。重厚な電子音楽の起源を持ちながらも、奇妙な、ほとんど無意識的な生命力と、知的分析を超越した透明感をもって息づいている。理解を求めるのではなく、感じられるものだ。聴き手は単なる雰囲気を超越した体験へと引き込まれる。没入的で幻覚的、そして深く精神的な体験である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e各録音はDSIPの世界へと通じる異なる扉を表している。「Somnosections」は神秘的で魅惑的であり、暗くリンチ的な雰囲気と力強いリズムパターンを往復する。「L-Tryptophan」は展開する旅路であり、44分間にわたる没入感あふれる、意識を拡張する波形の至福だ。「Pre-Natal」はさらに深淵へと踏み込み、催眠的なアルペジオとテクスチャーをループさせ、ハウントロジーの初期ビジョンへと紡ぎ出す。The Caretakerという存在すら存在しなかった時代の、夢幻的な音響である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2時間半に及ぶ異質で異世界の音の旅を通じて、DSIPは自らの音楽がこの世界に属さず、属そうともしないことを明らかにする。それは超自然的であると同時に自然である。直感と感情、そして覚醒と夢の境界領域によって形作られた音響の風景だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2657028144\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e3 x CD in individual sleeves + outer box. \u003cbr\u003eEdition of 150 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. La Nuit Blanche (La Mente En Negro) PT. 1 06:14\u003cbr\u003e2. La Nuit Blanche (La Mente En Negro) PT. 2 04:33\u003cbr\u003e3. La Nuit Blanche (La Mente En Negro) PT. 3 03:40\u003cbr\u003e4. La Nuit Blanche (La Mente En Negro) PT. 4 01:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. La Nuit Blanche (La Mente En Negro) PT. 5 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. L-Tryptophan 21:39\u003cbr\u003e\u003c\/span\u003e7. Somnosections (2,1 mg Flunitrazepam i. v. n=12) 22:53\u003cbr\u003e8. Konkrete Utopie (Arousal-Mix) 03:45\u003cbr\u003e9. Gone (NREM-Version) 06:27\u003cbr\u003e10. Somnosections: La Mente En Blanco (Pavor Nocturnus) 13:49\u003cbr\u003e11. Pre-Natal 14:36\u003cbr\u003e12. Pre-Natal 07:10\u003cbr\u003e13. Pre-Natal 08:24\u003cbr\u003e14. Pre-Natal 05:24\u003cbr\u003e15. Pre-Natal 04:40\u003cbr\u003e16. Pre-Natal 05:12\u003cbr\u003e17. Pre-Natal 04:18\u003cbr\u003e18. Pre-Natal 04:28\u003cbr\u003e19. Pre-Natal 06:05\u003c\/p\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBetween 1989 and 1994, Dieter Mauson and Siegmar Fricke ventured into uncharted sonic territory under the name Delta-Sleep-Inducing Peptide (DSIP). Their work explored the boundaries between consciousness and slumber, sculpting sound narratives that mirrored the stages of sleep itself. During this period, DSIP released over 25 cassette albums across international labels, each one a fragment of their analogue dreamscape, recorded in various home studios around Germany.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow, for the first time, three of their seminal works, “Somnosections” (1990), “L-Tryptophan” (1991), and “Pre-Natal” (1994), are brought together in a box set, revisiting the duo’s groundbreaking 1990s period (the duo regrouped in 2013-2018). These recordings stand as timeless documents of creative intuition, recorded with tactile precision on multi-track tape machines, analog synthesizers, samplers, drum units, and Dictaphones. Local radio and television fragments, repurposed as sonic material, weave through these pieces to form the distinct fabric of the DSIP sound world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat makes DSIP’s music exceptional is its profound sense of organic flow. Despite its heavily electronic origins, it breathes with a strange, almost subconscious vitality, a transparency\u003cspan class=\"bcTruncateMore\"\u003e that goes beyond intellectual analysis. It doesn’t ask to be understood, it is felt. Listeners are drawn into an experience that transcends mere ambience. It is immersive, hallucinatory, and deeply psychic.\u003cbr\u003e\u003cbr\u003eEach recording represents a different portal into DSIP’s universe. “Somnosections” is mystical and seductive, shifting between dark, Lynchian atmospheres and driving rhythmic patterns. “L-Tryptophan” is an unfolding journey, 44 minutes of immersive, mind-expanding waveform bliss. Pre-Natal ventures deeper still, looping hypnotic arpeggios and textures into an early vision of hauntology, dreamlike sound before the term or The Caretaker even existed.\u003cbr\u003e\u003cbr\u003eAcross two and a half hours of alien, otherworldly sound, DSIP reveal that their music neither belongs to this world nor seeks to. It is as natural as it is supernatural. A sonic landscape shaped by intuition, emotion, and the liminal space between waking and dreaming.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Delta-Sleep-Inducing Peptide\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZAM044.1.2.3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th January 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツの実験音楽家Siegmar Fricke (Bestattungsinstitut)とDieter Mauson (Nostalgie Eternelle)によるオブスキュアデュオDelta-Sleep-Inducing-Peptideが、2026年1月にポルトガルの実験レーベルHoluzamからリリースした再発3枚組CD BOXです。 Lo-Fi実験アンビエント〜ドローン〜ストレンジビーツ19曲を収録。 前作もオススメです。 以下、レーベルによる解説です。 "1989年から1994年にかけて、ディーター・マウソンとジークマール・フリッケはDelta-Sleep-Inducing Peptide（DSIP）の名の下、未踏の音響領域へと踏み込んだ。彼らの作品は意識と眠りの境界を探求し、睡眠の段階そのものを映し出す音の物語を紡ぎ出した。この期間、DSIPは国際的なレーベルを通じて25作以上のカセットアルバムをリリース。それぞれがアナログな夢の世界の断片であり、ドイツ各地の自宅スタジオで録音された。 今回初めて、彼らの代表作3作——『Somnosections』（1990年）、 『L-Tryptophan』（1991年）、『Pre-Natal』（1994年）の3作品がボックスセットとして初収録され、デュオの画期的な1990年代の活動期（2013年から2018年に再結成）を再訪する。これらの録音は、マルチトラック・テープマシン、アナログシンセサイザー、サンプラー、ドラムマシン、ディクタフォンを用いて、触覚的な精度で収録された創造的直感の時代を超越した記録である。地元のラジオやテレビの断片が音響素材として再利用され、これらの作品に織り込まれ、DSIPのサウンドワールドを特徴づける独特の構造を形成している。...
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{"id":8001283358970,"title":"Christoph De Babalon \/\/ Grim Zenith EP 12\"","handle":"christoph-de-babalon-grim-zenith-ep-12","description":"\u003cp\u003eドイツ・ベルリンのdnb作家Christoph De Babalon\u003cspan data-mce-fragment=\"1\"\u003eが、2021年に同国\u003c\/span\u003eハンブルクの実験／ダンスレーベルVISからリリースした再発12\"です。\u003c\/p\u003e\n\u003cp\u003eダークなdnb4曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Zz4WgGJ69k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CK9I-iZViv8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LEU1hvs2zlc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vis\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/vis\"\u003ehere\u003c\/a\u003e to see more V I S releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. 2020 repress (originally released in 2017). Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Could We Be?\u003cbr\u003eA2 Pure Dirge\u003cbr\u003eB1 How Long From Now?\u003cbr\u003eB2 Luxury Of Sadness\u003c\/p\u003e\n\u003cp\u003eV I S:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe brooding cycles of Christoph De Babalon's work have never readily leant themselves to the customs of genre and function. And the shadowy mechanics of his breakbeat turbulence altogether contradict the promise that rhythm's accents resolutely sustain. Rather than winding us in along its patterned coil, setting us down in a spiral motion with the bait-and-switch of a drop, his version of hardcore is pure fight-or-flight response. Its hardest edge is its sober presentation of distress in the familiar, the totalising anguish of perceiving a threat in everything you always welcomed. This is swing as recoil.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eChristoph De Babalon's discography reads like a program for decoding the physiological darkside to the inhuman speed\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-test that \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003ehardcore first found the keys for. Set against the aching bellow of an orchestral, and almost floral, sensibility for windswept duration and exacting drone-tactics, there's no sleep for the raver and no mantle for the chin-stroker.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Grim Zenith' cuts a sharp figure in Christoph De Babalon's oeuvre. With a menacing propulsion, there's a certain pace across his new EP that keeps the cryptic, rapid-fire detail in a fractal constellation of fallout. High definition despair arcs through high-tensile ambient passages, and swarming synthetic platforms gather around the agitated strings that close each side of the record.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eReleased in a numbered edition of 300 copies, this fifth record from V I S is a crucial dose from one of the most unrelenting practices to have been founded in the rarely shared vessel between experimental music and hardcore. That this nexus should elicit such a gothic poetics is singularly Christoph De Babalon's program.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christoph De Babalon\u003c\/p\u003e\n\u003cp\u003eLabel : V I S\u003c\/p\u003e","published_at":"2023-08-07T07:28:22+09:00","created_at":"2023-08-03T13:15:43+09:00","vendor":"Tobira Records","type":"","tags":["lp","techno \/ house","vis"],"price":225000,"price_min":225000,"price_max":225000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44417577943290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christoph De Babalon \/\/ Grim Zenith EP 12\"","public_title":null,"options":["Default Title"],"price":225000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/zen1_6b21ce66-c00e-4d28-9664-01b976f92fa7.jpg?v=1691036145","\/\/tobirarecords.com\/cdn\/shop\/files\/zen2.jpg?v=1691036145"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/zen1_6b21ce66-c00e-4d28-9664-01b976f92fa7.jpg?v=1691036145","options":["Title"],"media":[{"alt":null,"id":32292478058746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zen1_6b21ce66-c00e-4d28-9664-01b976f92fa7.jpg?v=1691036145"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zen1_6b21ce66-c00e-4d28-9664-01b976f92fa7.jpg?v=1691036145","width":700},{"alt":null,"id":32292478091514,"position":2,"preview_image":{"aspect_ratio":0.982,"height":1200,"width":1178,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zen2.jpg?v=1691036145"},"aspect_ratio":0.982,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zen2.jpg?v=1691036145","width":1178}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのdnb作家Christoph De Babalon\u003cspan data-mce-fragment=\"1\"\u003eが、2021年に同国\u003c\/span\u003eハンブルクの実験／ダンスレーベルVISからリリースした再発12\"です。\u003c\/p\u003e\n\u003cp\u003eダークなdnb4曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Zz4WgGJ69k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CK9I-iZViv8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LEU1hvs2zlc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vis\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/vis\"\u003ehere\u003c\/a\u003e to see more V I S releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. 2020 repress (originally released in 2017). Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Could We Be?\u003cbr\u003eA2 Pure Dirge\u003cbr\u003eB1 How Long From Now?\u003cbr\u003eB2 Luxury Of Sadness\u003c\/p\u003e\n\u003cp\u003eV I S:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe brooding cycles of Christoph De Babalon's work have never readily leant themselves to the customs of genre and function. And the shadowy mechanics of his breakbeat turbulence altogether contradict the promise that rhythm's accents resolutely sustain. Rather than winding us in along its patterned coil, setting us down in a spiral motion with the bait-and-switch of a drop, his version of hardcore is pure fight-or-flight response. Its hardest edge is its sober presentation of distress in the familiar, the totalising anguish of perceiving a threat in everything you always welcomed. This is swing as recoil.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eChristoph De Babalon's discography reads like a program for decoding the physiological darkside to the inhuman speed\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-test that \u003cspan id=\"package_description_0\" class=\"peekaboo-text\" data-mce-fragment=\"1\"\u003ehardcore first found the keys for. Set against the aching bellow of an orchestral, and almost floral, sensibility for windswept duration and exacting drone-tactics, there's no sleep for the raver and no mantle for the chin-stroker.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Grim Zenith' cuts a sharp figure in Christoph De Babalon's oeuvre. With a menacing propulsion, there's a certain pace across his new EP that keeps the cryptic, rapid-fire detail in a fractal constellation of fallout. High definition despair arcs through high-tensile ambient passages, and swarming synthetic platforms gather around the agitated strings that close each side of the record.\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"lightweightBreak\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eReleased in a numbered edition of 300 copies, this fifth record from V I S is a crucial dose from one of the most unrelenting practices to have been founded in the rarely shared vessel between experimental music and hardcore. That this nexus should elicit such a gothic poetics is singularly Christoph De Babalon's program.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christoph De Babalon\u003c\/p\u003e\n\u003cp\u003eLabel : V I S\u003c\/p\u003e"}
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ドイツ・ベルリンのdnb作家Christoph De Babalonが、2021年に同国ハンブルクの実験／ダンスレーベルVISからリリースした再発12"です。 ダークなdnb4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more V I S releases available at...
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