DJ Narciso // Capítulo Experimental LP

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ポストガル・リスボンのクドゥーロ作家DJ Narcisoが、2025年7月に同国Príncipeからリリースしたレコードです。

バティダ〜タラッソ10曲を収録。

一枚一枚手描きのアートワーク仕様です。

前作もオススメです。

※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ

以下、レーベルによる解説の抜粋です。

"DJ Narcisoによるこの新たな「実験的な章」は、本当に驚くようなものではない。彼の音楽は、紛れもない(逃れられない？)伝統の枠組みの中で、自律的に進化を続けている。一歩一歩、音をねじり、曲げながら、Narcisoは確実にダンスフロアと接し続け、独特で直線的でないメロディーとパターンを通して、常に必要とされる超越を提供する。このアーティストは、身体の動きとの直接的なつながりを追求しているが、クラブカルチャーが大きく宣伝されているような、期待され、制度化された方法ではほとんどない。

これは挑戦的なダンスミュージックであり、誇り高き違いの表明である。Narcisoの前作は「Diferenciado」。今回の「Dificuldades 」は、どこか奇妙であることの重みと、人生の難しさを同時に感じさせるトラックだ。ピアノがどのように発散し、フリースタイルで、感情を伝え、そしてループにはまり込んでいくかをチェックしてほしい。そして別のレイヤー。まるで直接的なスピーチのようだ。

アーティストたちの出自には、共通の誇りがある。ゲットーという場所は、その固有の困難さゆえに、いかなる変革もより大きな力を発揮する場所なのだ。ナルシソは、他の人々（彼自身を含む）が多かれ少なかれ明白な方法で行っているように、「私はゲットーから来た」（「Não Sabes」）と明言している。2倍の価値。少なくとも。このアルバムのほとんどすべての音楽が、重く感情的な響きに終始しており、ポルトガル音楽のよく知られた特徴であろう、メランコリーを再確認させている。"

レーベルその他作品はこちら /// Click here to see more Príncipe releases available at Tobira.

----------------------------

Ask us for digital files.
12" black vinyl.
Edition of 600.

Tracklist:

1. Teleguio 02:55
2. Sunset 02:46
3. Não Sabes 02:24
4. Dificuldades 02:47
5. Ultra 02:30
6. Não Quero 02:40
7. Só Vai 03:16
8. Dor de Barriga 03:01
9. Livra-me Desta 02:35
10. BOB 03:03

Príncipe:

" This new "Experimental Chapter" by DJ Narciso comes as no surprise, really. Autonomous in the motorization of his music, pushing for progress within the framework of an undeniable (inescapable?) heritage. Twisting and bending sound every step of the way, Narciso definitely keeps in touch with the dancefloor, offering the always much needed transcendence through distinctive, non-linear melodies and patterns. The artist pursues a direct link with bodies in motion but seldom in the expected, institutionalized way club culture is being largely promoted.

This is challenging dance music, proud statements of difference. Narciso's previous record was named "Diferenciado". Now we get "Dificuldades", a track that simultaneously carries the weight of being somewhat odd and the difficulties of life. Check how the piano is venting, freestyle, communicating a feeling, and then lets itself get stuck in a loop, but that's exactly when the groove really starts flowing. And then another layer. It's like direct speech.

A common assertion of pride is found in the origin of the artists. The ghetto as a place where any transformation projects more power precisely because of... inherent difficulties. As others (including himself) did in more or less obvious ways, Narciso clearly states "I come from the ghetto" ( "Não Sabes" ). Twice the value. At least. Almost every segment of music in this album ends up sounding heavily emotional, reaffirming what may be - perversely - a well-known characteristic of Portuguese music: melancholy.

"Não Quero" begins side B as a march maybe more significant than a thousand words, such is the ominous tone of its texture. Next track is another lunar tarraxo, pulling down the shades. Then, "Dor de Barriga" lets things loose again, steering clearly off road, shouting this way and that until a peaceful resolution comes. In "Livra-me Desta", vocal snippets blend into synth snippets, disembodied voices abandon all traces of humanity and finally mutate into different entities that, towards the end, again sound vaguely human but now we find ourselves doubting. Closer "Bob" is a rather classic percussion track with plenty of echo, reverb and an unconscious nod to dodecaphonic music. Unlikely? No, the structural DNA of this music is made up of elements western and eastern, southern and northern. To say all-over-the-place is usually not flattering but in this case the expression translates as wonder, surprise, The Unexpected, and reveals Narciso perfectly at ease inside the nucleus of creation."

Artist : DJ Narciso

Label : Príncipe

cat no : P060

Quantity

+ -

ポストガル・リスボンのクドゥーロ作家DJ Narcisoが、2025年7月に同国Príncipeからリリースしたレコードです。

バティダ〜タラッソ10曲を収録。

一枚一枚手描きのアートワーク仕様です。

前作もオススメです。

※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ

以下、レーベルによる解説の抜粋です。

レーベルその他作品はこちら /// Click here to see more Príncipe releases available at Tobira.

----------------------------

Ask us for digital files.
12" black vinyl.
Edition of 600.

Tracklist:

1. Teleguio 02:55
2. Sunset 02:46
3. Não Sabes 02:24
4. Dificuldades 02:47
5. Ultra 02:30
6. Não Quero 02:40
7. Só Vai 03:16
8. Dor de Barriga 03:01
9. Livra-me Desta 02:35
10. BOB 03:03

Príncipe:

Artist : DJ Narciso

Label : Príncipe

cat no : P060

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アメリカ・LAのインディーポップ作家Toro y Moiが、2024年9月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。インディーポップ〜コンテンポラリーR&B13曲を収録。クリアスモークブルー盤です。レーベルその他作品はこちら /// Click here to see more Dead Oceans...

¥4,125

クイックビュー {"id":8879086534906,"title":"Shabason, Krgovich, Tenniscoats \/\/ Wao LP","handle":"shabason-krgovich-tenniscoats-wao-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※8\/29リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eShabason, Krgovich, Tenniscoatsが、2025年8月にアメリカの老舗レーベルWestern Vinylからリリースする共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・フォーク〜インディーフォーク8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2122371159\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\" title=\"Western Vinyl\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWestern Vinyl\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\/shabason-krgovich-tenniscoats-our-detour\" title='\"Shabason, Krgovich, Tenniscoats\" - Our Detour' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003e\"Shabason, Krgovich, Tenniscoats\" - Our Detour\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2138306568\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\" title=\"Western Vinyl\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWestern Vinyl\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\/shabason-krgovich-tenniscoats-lose-my-breath\" title='Shabason, Krgovich, Tenniscoats - \"Lose My Breath\"' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eShabason, Krgovich, Tenniscoats - \"Lose My Breath\"\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 29th August 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes double sided insert. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Departed Bird\u003cbr\u003e2. A Fish Called Wanda\u003cbr\u003e3. Shioya Collection\u003cbr\u003e4. Our Detour 04:54\u003cbr\u003e5. At Guggenheim\u003cbr\u003e6. Ode to Jos'\u003cbr\u003e7. Look Look Look\u003cbr\u003e8. Lose My Breath 04:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In April 2024, Joseph Shabason and Nicholas Krgovich set off on a two-week tour of Japan, their first time performing in the country as Shabason \u0026amp; Krgovich. In an act of well-coordinated serendipity, Koji Saito of 7e.p. records enlisted Saya and Ueno of Tenniscoats, the revered Japanese duo, to tour with and perform backing band duties throughout their stops in Matsumoto, Nagoya, Kobe, Kyoto, and Tokyo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe four could only rehearse twice, but it was all they needed. Their connection was immediate and felt in the music; their shows fluid, elastic, and just the right amount of unpredictable. Saito had anticipated this simpatico and arranged for recording engineers to meet them in Kobe, where they had a two-day stay at the famed Guggenheim House, a 117-year-old colonial-style residence that had been converted into an artist residency.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no songs prepared, they began to play with melodies, improvising and pulling pieces from that spontaneity into wholes. Saya and Krgovich soon realized the closeness in their approach to lyric writing. From sharing Japanese nicknames for clouds while looking at the sky above a rest stop (fishscale cloud, dragon cloud, sardine cloud, sleep cloud, sheep cloud), searching\u003cspan class=\"bcTruncateMore\"\u003e for matching socks in a bin at a clothing store, to an ode to Tan Tan, a beloved panda who had recently died of old age at the Kobe Oji Zoo — they both seek out and sing to the magic in the everyday.\u003cbr\u003e\u003cbr\u003eThat’s what this experience came to feel like: magic, every day. As the group worked, they watched the Pacific Ocean advance and recede from the windows of the Guggenheim House. Over those two days, they’d compose and record eight songs, listed in order of creation, on the album that came to be called Wao.\u003cbr\u003e\u003cbr\u003e\"What is also cool about the album is that the house is very much not a recording studio so it sounds super live and because it's also right on the train tracks you can often hear the train in the recordings as it drives by. To me it adds so much charm and personality,\" Joseph describes. \"The whole thing felt like a dream and was over so quickly so I kinda forgot about it until a few weeks after I got home. When I opened up the sessions is was really clear that we had done something special.\"\u003cbr\u003e\u003cbr\u003eIt all happened so quickly, an enchanting whirl. Dreamlike, they had fallen into and out of it. Only when the recordings arrived in the mail a few weeks later did that dreamy state sharpen into a memory and a moment that you can now revisit, over and over again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich, Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV284lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-06T06:55:24+09:00","created_at":"2025-08-05T18:34:42+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","recommended","western vinyl"],"price":375000,"price_min":375000,"price_max":375000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47584581943546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason, Krgovich, Tenniscoats \/\/ Wao LP","public_title":null,"options":["Default Title"],"price":375000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563170069","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303","\/\/tobirarecords.com\/cdn\/shop\/files\/wao2.jpg?v=1754386303"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303","options":["Title"],"media":[{"alt":null,"id":36480400326906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303","width":700},{"alt":null,"id":36480400359674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao2.jpg?v=1754386303"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao2.jpg?v=1754386303","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※8\/29リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eShabason, Krgovich, Tenniscoatsが、2025年8月にアメリカの老舗レーベルWestern Vinylからリリースする共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・フォーク〜インディーフォーク8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2122371159\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\" title=\"Western Vinyl\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWestern Vinyl\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\/shabason-krgovich-tenniscoats-our-detour\" title='\"Shabason, Krgovich, Tenniscoats\" - Our Detour' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003e\"Shabason, Krgovich, Tenniscoats\" - Our Detour\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2138306568\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\" title=\"Western Vinyl\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWestern Vinyl\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\/shabason-krgovich-tenniscoats-lose-my-breath\" title='Shabason, Krgovich, Tenniscoats - \"Lose My Breath\"' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eShabason, Krgovich, Tenniscoats - \"Lose My Breath\"\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 29th August 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes double sided insert. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Departed Bird\u003cbr\u003e2. A Fish Called Wanda\u003cbr\u003e3. Shioya Collection\u003cbr\u003e4. Our Detour 04:54\u003cbr\u003e5. At Guggenheim\u003cbr\u003e6. Ode to Jos'\u003cbr\u003e7. Look Look Look\u003cbr\u003e8. Lose My Breath 04:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In April 2024, Joseph Shabason and Nicholas Krgovich set off on a two-week tour of Japan, their first time performing in the country as Shabason \u0026amp; Krgovich. In an act of well-coordinated serendipity, Koji Saito of 7e.p. records enlisted Saya and Ueno of Tenniscoats, the revered Japanese duo, to tour with and perform backing band duties throughout their stops in Matsumoto, Nagoya, Kobe, Kyoto, and Tokyo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe four could only rehearse twice, but it was all they needed. Their connection was immediate and felt in the music; their shows fluid, elastic, and just the right amount of unpredictable. Saito had anticipated this simpatico and arranged for recording engineers to meet them in Kobe, where they had a two-day stay at the famed Guggenheim House, a 117-year-old colonial-style residence that had been converted into an artist residency.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no songs prepared, they began to play with melodies, improvising and pulling pieces from that spontaneity into wholes. Saya and Krgovich soon realized the closeness in their approach to lyric writing. From sharing Japanese nicknames for clouds while looking at the sky above a rest stop (fishscale cloud, dragon cloud, sardine cloud, sleep cloud, sheep cloud), searching\u003cspan class=\"bcTruncateMore\"\u003e for matching socks in a bin at a clothing store, to an ode to Tan Tan, a beloved panda who had recently died of old age at the Kobe Oji Zoo — they both seek out and sing to the magic in the everyday.\u003cbr\u003e\u003cbr\u003eThat’s what this experience came to feel like: magic, every day. As the group worked, they watched the Pacific Ocean advance and recede from the windows of the Guggenheim House. Over those two days, they’d compose and record eight songs, listed in order of creation, on the album that came to be called Wao.\u003cbr\u003e\u003cbr\u003e\"What is also cool about the album is that the house is very much not a recording studio so it sounds super live and because it's also right on the train tracks you can often hear the train in the recordings as it drives by. To me it adds so much charm and personality,\" Joseph describes. \"The whole thing felt like a dream and was over so quickly so I kinda forgot about it until a few weeks after I got home. When I opened up the sessions is was really clear that we had done something special.\"\u003cbr\u003e\u003cbr\u003eIt all happened so quickly, an enchanting whirl. Dreamlike, they had fallen into and out of it. Only when the recordings arrived in the mail a few weeks later did that dreamy state sharpen into a memory and a moment that you can now revisit, over and over again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich, Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV284lp\u003c\/span\u003e\u003c\/p\u003e"}

※8/29リリースです Shabason, Krgovich, Tenniscoatsが、2025年8月にアメリカの老舗レーベルWestern Vinylからリリースする共作レコードです。アンビエント・フォーク〜インディーフォーク8曲を収録。インサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Western Vinyl · "Shabason, Krgovich, Tenniscoats" -...

¥3,750

クイックビュー {"id":8878832484602,"title":"Kristen Roos \/\/ Universal Synthesizer Interface Vol III LP","handle":"kristen-roos-universal-synthesizer-interface-vol-iii-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダ・バンクーバーのIDM作家Kristen Roosが\u003c\/span\u003e、2024年11月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987年にリリースされたドラムマシンUpbeatを用いて制作した、ポリリズム溢れるトライバル・テクノ〜IDM〜ストレンジビーツ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1984年、ジョエル・チャダベはインテリジェント・ミュージックとして知られるインテリジェント・コンピュータ・ミュージック・システムズ社を設立した。チャダベはミュージシャンであり教育者であり、インタラクティブなコンピュータ音楽と作曲の初期のチャンピオンだった。1986年から1990年という短い期間に、インテリジェント・ミュージックは一連のMIDIシーケンス・ソフトウェア・タイトルを発表し、音楽界全体に波紋を広げることになる。これらのプログラムは、コンピュータアルゴリズムが作曲している間に、ユーザーが音楽の側面を調整できるインテリジェントなアルゴリズム・ツールを作りたいというチャダベの願望を反映したものだった（M、Jam Factory、UpBeat、MidiDraw、Ovaltune、Realtime、そしてミラー・パケットのMaxの未発表の最初のバージョン）。コンピュータのためのインテリジェントな作曲ツールは、メインフレームのコンピュータ・ラボ（特にベル研究所のマックス・マシューズとローリー・スピーゲルの研究）で何十年も前から存在していたが、学術機関や企業の研究所で働く人々しか利用できなかった。インテリジェント・ミュージックの誕生により、これらのツールはホームスタジオを持つ誰もが利用できるようになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの時代のパーソナルコンピューターは、より安価になり、より身近になるにつれて、処理能力も知能も飛躍的に向上した。多くの人が、機械が意識を持つ日もそう遠くないのではないかと考えた。この時代の音楽報道では、アルゴリズムによるコンピューター・システムを説明するのに、スマートとインテリジェントという同じ2つの言葉が何度も使われている。このような記事の論調は、AIとアルゴリズム制御が私たちの技術の多くを支えている今日の基準からすれば古めかしく思えるかもしれないが、機械の知性に対する疑問は依然として残っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『Universal Synthesizer Interface』第3巻は、初期のパソコン用MIDIシーケンサー・ソフトウェアに関する私の研究の続きである。IntelligentMusicのソフトウェアの中で最も無名なもの、UpBeatに焦点を当てている： 1987年にリリースされたインテリジェント・リズム・シーケンサーだ。当時のレビュアーに「世界最高のドラムマシン」と賞賛されたアップビートは、MIDI互換のハードウェアをプリセット・デバイスとして保存し、ソフトウェア・インターフェースで個々のトラックとして呼び出すことができた。しかし、アップビートが本当にユニークだったのは、ループするMIDIパターンをドラムマシンに送信し、ユーザーがその場でリアルタイムに調整しながら永久にループを再生できる機能だった。今日のデジタル・オーディオ・ワークステーションでは一般的であるが、アップビートのリリース当時は、これは本当に斬新なことであった。これに加えて、このプログラムは個々のドラムサウンドをインテリジェントにコントロールし、ユーザーが音の密度、タイミング、アーティキュレーション、ベロシティをアルゴリズムで変更できるようにした。このような機能は使用する喜びであり、このポリリズムのトラックコレクションを作る上で重要な要素であった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、故ジョエル・チャダベのインスピレーションとアイデアに捧げる。デビッド・ジカレリ、エリック・アメレス、アントニー・ウィドフ、そして特にジョン・オッフェンハーツに心から感謝する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054589869\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Feight 06:27\u003cbr\u003e2. Bouton\u003cbr\u003e3. Samb\u003cbr\u003e4. Zimba\u003cbr\u003e5. Bok 05:04\u003cbr\u003e6. Nova\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1984, Joel Chadabe founded Intelligent Computer Music Systems Inc, known simply as Intelligent Music. Chadabe was a musician and educator, and an early champion of interactive computer music and composition. In a short period of time (1986-1990) Intelligent Music published a series of MIDI sequencing software titles that would have rippling effects throughout the music world. These programs were a reflection of Chadabe’s desire to create intelligent, algorithmic tools that allowed users to adjust aspects of their music while a computer algorithm was composing it (M, Jam Factory, UpBeat, MidiDraw, Ovaltune, Realtime, as well as an unreleased first version of Miller Puckette’s Max). Intelligent compositional tools for computers had been floating around for decades in mainframe computer labs (particularly in the work of Max Mathews and Laurie Spiegel at Bell Labs), but they had largely only been accessible to people working in academic or corporate laboratories. With the birth of Intelligent Music, these tools became available to anyone with a home studio.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the personal computers of this era had become less expensive and more accessible, they had also grown exponentially in processing power and seeming intelligence. Many wondered if machine consciousness couldn’t be far behind. In the music press\u003cspan class=\"bcTruncateMore\"\u003e from this time, we find the same two words used again and again to describe algorithmic computer systems: smart and intelligent. The tone of such articles may seem quaint by today’s standards, when AI and algorithmic control underpin so much of our technology, but the question of machine intelligence remains.\u003cbr\u003e\u003cbr\u003eThis third volume of Universal Synthesizer Interface continues with my research into early MIDI sequencing software for personal computers. Focusing exclusively on the most obscure of Intelligent Music’s software creations - UpBeat: The Intelligent Rhythm Sequencer, released in 1987. Hailed by reviewers of the time as ‘the world’s best drum machine,’ UpBeat allowed MIDI compatible hardware to be saved as preset devices that could then be called up as individual tracks in its software interface. What made it truly unique however was its ability to send looping MIDI patterns to drum machines that could then play the loops in perpetuity while the user made real time adjustments on the fly. While common in today’s digital audio workstations, this was a true novelty at the time of UpBeat’s release. In addition to this, the program also offered intelligent control over each individual drum sound, allowing users to make algorithmic changes in note density, timing, articulation, and velocity. Such features have been a joy to use, and a crucial component in the creation of this collection of poly-rhythmic tracks.\u003cbr\u003e\u003cbr\u003eThis album is dedicated to the inspiration and ideas of the late Joel Chadabe. My sincere thanks to David Zicarelli, and Eric Ameres for their correspondence and help, Antony Widoff, and especially John Offenhartz for whom there wouldn’t be an Upbeat to create with.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristen Roos\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWABB-193\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-05T10:23:12+09:00","created_at":"2025-08-05T10:22:39+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new","strange beats","techno \/ house","we are busy bodies"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47583494078714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kristen Roos \/\/ Universal Synthesizer Interface Vol III LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457190597","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/uni1.jpg?v=1731469594","\/\/tobirarecords.com\/cdn\/shop\/files\/uni2.jpg?v=1731469594"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/uni1.jpg?v=1731469594","options":["Title"],"media":[{"alt":null,"id":35181694353658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uni1.jpg?v=1731469594"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uni1.jpg?v=1731469594","width":700},{"alt":null,"id":35181694419194,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uni2.jpg?v=1731469594"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uni2.jpg?v=1731469594","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダ・バンクーバーのIDM作家Kristen Roosが\u003c\/span\u003e、2024年11月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987年にリリースされたドラムマシンUpbeatを用いて制作した、ポリリズム溢れるトライバル・テクノ〜IDM〜ストレンジビーツ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1984年、ジョエル・チャダベはインテリジェント・ミュージックとして知られるインテリジェント・コンピュータ・ミュージック・システムズ社を設立した。チャダベはミュージシャンであり教育者であり、インタラクティブなコンピュータ音楽と作曲の初期のチャンピオンだった。1986年から1990年という短い期間に、インテリジェント・ミュージックは一連のMIDIシーケンス・ソフトウェア・タイトルを発表し、音楽界全体に波紋を広げることになる。これらのプログラムは、コンピュータアルゴリズムが作曲している間に、ユーザーが音楽の側面を調整できるインテリジェントなアルゴリズム・ツールを作りたいというチャダベの願望を反映したものだった（M、Jam Factory、UpBeat、MidiDraw、Ovaltune、Realtime、そしてミラー・パケットのMaxの未発表の最初のバージョン）。コンピュータのためのインテリジェントな作曲ツールは、メインフレームのコンピュータ・ラボ（特にベル研究所のマックス・マシューズとローリー・スピーゲルの研究）で何十年も前から存在していたが、学術機関や企業の研究所で働く人々しか利用できなかった。インテリジェント・ミュージックの誕生により、これらのツールはホームスタジオを持つ誰もが利用できるようになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの時代のパーソナルコンピューターは、より安価になり、より身近になるにつれて、処理能力も知能も飛躍的に向上した。多くの人が、機械が意識を持つ日もそう遠くないのではないかと考えた。この時代の音楽報道では、アルゴリズムによるコンピューター・システムを説明するのに、スマートとインテリジェントという同じ2つの言葉が何度も使われている。このような記事の論調は、AIとアルゴリズム制御が私たちの技術の多くを支えている今日の基準からすれば古めかしく思えるかもしれないが、機械の知性に対する疑問は依然として残っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『Universal Synthesizer Interface』第3巻は、初期のパソコン用MIDIシーケンサー・ソフトウェアに関する私の研究の続きである。IntelligentMusicのソフトウェアの中で最も無名なもの、UpBeatに焦点を当てている： 1987年にリリースされたインテリジェント・リズム・シーケンサーだ。当時のレビュアーに「世界最高のドラムマシン」と賞賛されたアップビートは、MIDI互換のハードウェアをプリセット・デバイスとして保存し、ソフトウェア・インターフェースで個々のトラックとして呼び出すことができた。しかし、アップビートが本当にユニークだったのは、ループするMIDIパターンをドラムマシンに送信し、ユーザーがその場でリアルタイムに調整しながら永久にループを再生できる機能だった。今日のデジタル・オーディオ・ワークステーションでは一般的であるが、アップビートのリリース当時は、これは本当に斬新なことであった。これに加えて、このプログラムは個々のドラムサウンドをインテリジェントにコントロールし、ユーザーが音の密度、タイミング、アーティキュレーション、ベロシティをアルゴリズムで変更できるようにした。このような機能は使用する喜びであり、このポリリズムのトラックコレクションを作る上で重要な要素であった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、故ジョエル・チャダベのインスピレーションとアイデアに捧げる。デビッド・ジカレリ、エリック・アメレス、アントニー・ウィドフ、そして特にジョン・オッフェンハーツに心から感謝する。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2054589869\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Feight 06:27\u003cbr\u003e2. Bouton\u003cbr\u003e3. Samb\u003cbr\u003e4. Zimba\u003cbr\u003e5. Bok 05:04\u003cbr\u003e6. Nova\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1984, Joel Chadabe founded Intelligent Computer Music Systems Inc, known simply as Intelligent Music. Chadabe was a musician and educator, and an early champion of interactive computer music and composition. In a short period of time (1986-1990) Intelligent Music published a series of MIDI sequencing software titles that would have rippling effects throughout the music world. These programs were a reflection of Chadabe’s desire to create intelligent, algorithmic tools that allowed users to adjust aspects of their music while a computer algorithm was composing it (M, Jam Factory, UpBeat, MidiDraw, Ovaltune, Realtime, as well as an unreleased first version of Miller Puckette’s Max). Intelligent compositional tools for computers had been floating around for decades in mainframe computer labs (particularly in the work of Max Mathews and Laurie Spiegel at Bell Labs), but they had largely only been accessible to people working in academic or corporate laboratories. With the birth of Intelligent Music, these tools became available to anyone with a home studio.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs the personal computers of this era had become less expensive and more accessible, they had also grown exponentially in processing power and seeming intelligence. Many wondered if machine consciousness couldn’t be far behind. In the music press\u003cspan class=\"bcTruncateMore\"\u003e from this time, we find the same two words used again and again to describe algorithmic computer systems: smart and intelligent. The tone of such articles may seem quaint by today’s standards, when AI and algorithmic control underpin so much of our technology, but the question of machine intelligence remains.\u003cbr\u003e\u003cbr\u003eThis third volume of Universal Synthesizer Interface continues with my research into early MIDI sequencing software for personal computers. Focusing exclusively on the most obscure of Intelligent Music’s software creations - UpBeat: The Intelligent Rhythm Sequencer, released in 1987. Hailed by reviewers of the time as ‘the world’s best drum machine,’ UpBeat allowed MIDI compatible hardware to be saved as preset devices that could then be called up as individual tracks in its software interface. What made it truly unique however was its ability to send looping MIDI patterns to drum machines that could then play the loops in perpetuity while the user made real time adjustments on the fly. While common in today’s digital audio workstations, this was a true novelty at the time of UpBeat’s release. In addition to this, the program also offered intelligent control over each individual drum sound, allowing users to make algorithmic changes in note density, timing, articulation, and velocity. Such features have been a joy to use, and a crucial component in the creation of this collection of poly-rhythmic tracks.\u003cbr\u003e\u003cbr\u003eThis album is dedicated to the inspiration and ideas of the late Joel Chadabe. My sincere thanks to David Zicarelli, and Eric Ameres for their correspondence and help, Antony Widoff, and especially John Offenhartz for whom there wouldn’t be an Upbeat to create with.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristen Roos\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWABB-193\u003c\/span\u003e\u003c\/p\u003e"}