Shabason, Krgovich, Sage // Shabason, Krgovich, Sage LP[BLACK/COLOR] / TAPE / CD

Shabason, Krgovich, Sage // Shabason, Krgovich, Sage LP[BLACK/COLOR] / TAPE / CD

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カナダとアメリカのアンビエント・ポップトリオShabason, Krgovich, Sageが、2024年3月にカナダのインディーポップレーベルIdeé Fixe Recordsからリリースした共作アルバムです。

アンビエント・ポップ〜スムース・ジャズ8曲を収録。DLコード付属。

Ideé Fixe Recordsその他作品はこちら /// Click here to see more Ideé Fixe Records releases available at Tobira.

Artist : Shabason, Krgovich, Sage

Label : Ideé Fixe Records

Cat. Number : IF045LP, IF045CS, IF045SP, IF045CD

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アンビエント・ポップ〜スムース・ジャズ8曲を収録。DLコード付属。

Ideé Fixe Recordsその他作品はこちら /// Click here to see more Ideé Fixe Records releases available at Tobira.

Artist : Shabason, Krgovich, Sage

Label : Ideé Fixe Records

Cat. Number : IF045LP, IF045CS, IF045SP, IF045CD

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Shabason, Krgovich & Harris // Philadelphia LP

クイックビュー {"id":8716137300218,"title":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","handle":"shabason-krgovich-harris-philadelphia","description":"\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-07T12:27:30+09:00","created_at":"2025-02-07T12:26:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","Ideé Fixe Records","lp","new"],"price":458000,"price_min":458000,"price_max":458000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47108897603834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason, Krgovich \u0026 Harris \/\/ Philadelphia LP","public_title":null,"options":["Default Title"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"195081976235","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","options":["Title"],"media":[{"alt":null,"id":32265786556666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil1_3f3684ee-d6b4-44b3-bbe1-a2ffd584f4d0.jpg?v=1690331192","width":700},{"alt":null,"id":32265786589434,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/phil2_5fc71c8a-a2e3-4c5f-9657-e6dc84aa712c.jpg?v=1690331192","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1689141205\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3179110998\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2355159331\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=328083779\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2583637458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1314029656\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdée Fixe Records \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The protagonist of Icelandic writer Halldór Laxness’s 1969 novel, World Light, gives a tearful goodbye to the grains and knots of his attic ceiling when he leaves after years spent staring up at them, bedridden. On their album Philadelphia, Nicholas Krgovich, Joseph Shabason, and Chris Harris chase a similar kind of romance toward the mundane and miniscule details made more visible by the world’s newfound relationship with the Great Indoors. The three musicians, who convened on a shared love of New Age music, create a space of sonic refuge out of softly electrified textures, burbling live instrumentation, and Shabason’s lacquered synth work, all of which support Krgovich’s koan-like poetry about showers before bed, dusty minivans, sips of gatorade, and the modern minutiae rendered beautiful by mere observation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrasting the forced trend of remote collaborations, Philadelphia was recorded across three days of sessions in Toronto, pre-COVID. “Somewhere back in 2018 we started to pass demos back and forth over email and we quickly got about eight song sketches together,” explains Shabason. “Then in fall of 2019 we all realised that if we didn’t get into the same room together we were never gonna finish this album.” The trio’s physical proximity while recording\u003cspan class=\"bcTruncateMore\"\u003e underwrites the hushed tones that pervade the album, which itself reads like the kind of quiet, personal conversation that can only happen in close quarters lest it be washed away in the din of public life. Philadelphia establishes this immediately with “Osouji”, a track whose gentle intro of balmy synth and crickets suggests a sunrise and sunset equally. Bathed in calm light, Krgovich sets a scene not unfamiliar in this day and age: “Garden pebbles underfoot \/ the wet bamboo \/ been inside all the day \/ deep cleaning room to room.” Krgovich wrote the album’s lyrics under the self-imposed philosophy of “first thought, best thought” admittedly avoiding the well-trodden subjects of romance, love, and heartbreak. He chooses instead to reveal the romanticism of the world hidden in plain sight while Harris and Shabason deepen the sentiment with reflective, instrumental excursions. Whispered, conversational synthesizers fill out “Tuesday Afternoon” over a backdrop of birdsong, and vocals make only brief appearances near the track’s beginning and end. Conversely, “Friday Afternoon” is lyrically driven, and delivers an anthemic refrain that constitutes one of the most emotional moments of Philadelphia. After a postcard-like recounting of seeing a roadside stranger experience car trouble, Krgovich repeats the hushed mantra “wrap your loving arms around it”, almost as a call-to-action for embracing the present moment as it is instead of as it ought to be. “I Don’t See the Moon” is a lighter mood by comparison. With its jazz-tinged interplay of piano and guitar, complete with a gliding electric bass line, the song provides levity, but is no less introspective than the rest of the collection. “Waltz” serves similar ends without much interjection from the drums-- the beat is instead implied by the rhythm of Krgovich’s vocals that bear a subtle smooth RnB influence as he paints a picture of his residential surroundings: “and all the cactus gardens growing right on through the fences \/ and the flowers over high walls \/ and the houses all the way \/ down, down, down.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich \u0026amp; Harris\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e"}

カナダ・トロントのアンビエント〜ベッドルームポップ作家Nicholas Krgovichと Joseph Shabason、Chris Harrisが、2023年7月にトロントのポップレーベルIdeé Fixe Recordsからリリースした再発レコードです（オリジナルは2020年リリース）ポップというジャンルで取り上げられがちなロマンスや愛、失恋などは一切排除し、寝る前のシャワーや埃まみれのミニバン、一口のゲータレード、ご近所との何気ない会話など、日常に宿る些細な美しさや豊かな情緒を、やさしく手のひらで包み込み、そっと差し出す珠玉のアンビエント・ポップ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Idée Fixe...

¥4,580

クイックビュー {"id":8716136284410,"title":"Shabason \u0026 Krgovich \/\/ At Scaramouche TAPE","handle":"shabason-krgovich-at-scaramouche-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/shabason-krgovich-sage-shabason-krgovich-sage-lpblack-color-tape\/\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2585902156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette tape.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe musical partnership of Joseph Shabason and Nicholas Krgovich orbits around a shared center of earnestness, slice-of-life poeticism, and the subtle everyday banality that becomes beautiful, even absurd, under their slight redirection. Where 2020’s Philadelphia placed domestic interiors under a microscope, documenting the indoor minutiae society was forced to examine mid-pandemic, At Scaramouche steps out into the sunlight squinting groggily and happily at the new day ahead-- and particularly the night that follows. One evening after a recording session and some aimless ambling that included a visit to the house where the 1974 movie “Black Christmas” was filmed, Krgovich and fellow vocalist Chris A. Cummings found themselves misplaced at the Toronto restaurant from which At Scaramouche takes its name, gawking with amusement at its concocted air of luxury. “The layout hinted at its MCM glory, and there was a panoramic view of the city,” Krgovich illustrates, “but it was full mid 2000s, dated Sex In The City re-run decor, ‘opulence’ for rich people with bad taste. I loved it! Chris loved it!”. On At Scaramouche, Krgovich and Shabason demonstrate a mutually uncanny ability to transmute this kind of cultural wariness into amused majesty, poking fun and bowing in reverence all at once. Their spotless\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esmooth-jazz tonality, lyrical literalism, and even cover artist Jake Longstreth’s humorously sober depiction of an actual old Taco Bell building all point to the duo’s low-key-gonzo subversion of Adult Contemporary tropes into something unexpectedly transcendent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first glassy keyboard hits of “Soli” indicate this sentiment before Krgovich even steps forward as the album’s host, and when he does, he immediately gets to work setting the scene of a weary parking lot stroll on a cool, street-lit evening after work-- just one of so many unremarkable moments that become utopic under Krgovich’s poetic care. “Clocking out at five PM, don’t give it another thought, feel the evening coming in,” he sings. “When it’s dark before supper, and the rain on the house… happy for no reason.” Glimmering pianos and brushy percussion calmly converse with fretless bass as a diffuse light spreads across this little world that’s being created. But where the duo’s previous effort Philadelphia would’ve camped permanently in the stillness, At Scaramouche lunges into the upbeat stroller “In the Middle of the Day”. Though no less exemplary of the album’s quiet everyday magic, it sets a brisker pace with its head-nodding drum break and coolly interjecting bassline. Other moments on the album reiterate the spryness, like the nearly-erratic “Soli II”, and the lively pop centerpiece “I Am So Happy With My Little Dog”. On the latter, Krgovich leads a tight-knit ensemble that comes as close to krautrock here as they ever might, where a driving drumbeat politely urges the elements forward; trumpet harmonies, chanting vocals, and bubbling synths, all crowned by a chorus-laden, perfectly askew solo from guitarist Thom Gill . “This record was very much a band effort. Me and Nick were at the helm but we called on the amazing crew of musicians that I play with here in Toronto to really help flesh things out,” Shabason emphasizes. “The last record was a real exercise in minimalism and quietness, and to me this record feels much more robust, and occasionally bombastic by comparison.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoseph Shabason grew up in small-town Ontario, throwing punk and emo shows in garages and church basements as an alternative to “playing hockey or doing drugs,” as he states it. At the same time Nicholas Krgovich was 4,000 kilometers away in Vancouver, BC living the kind of suburban life that can, by necessity, imbue someone with romanticism toward the things downtown-dwellers might not bat an eye at, like the fluorescent glow of commercial lighting after-hours, or the overlooked poignancy of a rundown strip mall, and all the many thousands of tiny commonplace miracles that At Scaramouche is made of. “Childhood McDonald’s gone, there used to be some woods there,” Krgovich hums prosaically over a bed of soft drum machine and Dorothea Paas’s soft supporting vocals. “The cemetery was small,” he elaborates while noticing just how far and how fast the past has receded, “now the high rises around the mall that aren’t done yet…” Where much nostalgia can slip down the slopes into something melancholy that puts the past on an impossible pedestal, album-ender “Drinks at Scaramouche” proves that Krgovich is just as in love with the present, allowing history and future to bring out the sacred in one another. “Finding all the little blips, in-betweens, now with deepening meaning,” he sings, “what little light goes slow, heartening to know that nothing really goes away.” Like so much that Shabason \u0026amp; Krgovich put their fingerprints on, At Scaramouche presents a familiar palette with just enough inflected weirdness to prompt double takes, turning folk art into outsider art with an almost imperceptible sleight of hand.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCat No : IF038LP IF038CS\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-07T12:22:47+09:00","created_at":"2025-02-07T12:22:05+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Ideé Fixe Records","lp","new","recommended","tape"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47108893835514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason \u0026 Krgovich \/\/ At Scaramouche TAPE","public_title":null,"options":["Default Title"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","\/\/tobirarecords.com\/cdn\/shop\/files\/0029483565_10_91529e94-56b4-4b75-b620-b5d535511fe2.jpg?v=1707602175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","options":["Title"],"media":[{"alt":null,"id":32091894153466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","width":700},{"alt":null,"id":32091894251770,"position":2,"preview_image":{"aspect_ratio":1.556,"height":771,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029483565_10_91529e94-56b4-4b75-b620-b5d535511fe2.jpg?v=1707602175"},"aspect_ratio":1.556,"height":771,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029483565_10_91529e94-56b4-4b75-b620-b5d535511fe2.jpg?v=1707602175","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/shabason-krgovich-sage-shabason-krgovich-sage-lpblack-color-tape\/\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2585902156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette tape.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe musical partnership of Joseph Shabason and Nicholas Krgovich orbits around a shared center of earnestness, slice-of-life poeticism, and the subtle everyday banality that becomes beautiful, even absurd, under their slight redirection. Where 2020’s Philadelphia placed domestic interiors under a microscope, documenting the indoor minutiae society was forced to examine mid-pandemic, At Scaramouche steps out into the sunlight squinting groggily and happily at the new day ahead-- and particularly the night that follows. One evening after a recording session and some aimless ambling that included a visit to the house where the 1974 movie “Black Christmas” was filmed, Krgovich and fellow vocalist Chris A. Cummings found themselves misplaced at the Toronto restaurant from which At Scaramouche takes its name, gawking with amusement at its concocted air of luxury. “The layout hinted at its MCM glory, and there was a panoramic view of the city,” Krgovich illustrates, “but it was full mid 2000s, dated Sex In The City re-run decor, ‘opulence’ for rich people with bad taste. I loved it! Chris loved it!”. On At Scaramouche, Krgovich and Shabason demonstrate a mutually uncanny ability to transmute this kind of cultural wariness into amused majesty, poking fun and bowing in reverence all at once. Their spotless\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esmooth-jazz tonality, lyrical literalism, and even cover artist Jake Longstreth’s humorously sober depiction of an actual old Taco Bell building all point to the duo’s low-key-gonzo subversion of Adult Contemporary tropes into something unexpectedly transcendent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first glassy keyboard hits of “Soli” indicate this sentiment before Krgovich even steps forward as the album’s host, and when he does, he immediately gets to work setting the scene of a weary parking lot stroll on a cool, street-lit evening after work-- just one of so many unremarkable moments that become utopic under Krgovich’s poetic care. “Clocking out at five PM, don’t give it another thought, feel the evening coming in,” he sings. “When it’s dark before supper, and the rain on the house… happy for no reason.” Glimmering pianos and brushy percussion calmly converse with fretless bass as a diffuse light spreads across this little world that’s being created. But where the duo’s previous effort Philadelphia would’ve camped permanently in the stillness, At Scaramouche lunges into the upbeat stroller “In the Middle of the Day”. Though no less exemplary of the album’s quiet everyday magic, it sets a brisker pace with its head-nodding drum break and coolly interjecting bassline. Other moments on the album reiterate the spryness, like the nearly-erratic “Soli II”, and the lively pop centerpiece “I Am So Happy With My Little Dog”. On the latter, Krgovich leads a tight-knit ensemble that comes as close to krautrock here as they ever might, where a driving drumbeat politely urges the elements forward; trumpet harmonies, chanting vocals, and bubbling synths, all crowned by a chorus-laden, perfectly askew solo from guitarist Thom Gill . “This record was very much a band effort. Me and Nick were at the helm but we called on the amazing crew of musicians that I play with here in Toronto to really help flesh things out,” Shabason emphasizes. “The last record was a real exercise in minimalism and quietness, and to me this record feels much more robust, and occasionally bombastic by comparison.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoseph Shabason grew up in small-town Ontario, throwing punk and emo shows in garages and church basements as an alternative to “playing hockey or doing drugs,” as he states it. At the same time Nicholas Krgovich was 4,000 kilometers away in Vancouver, BC living the kind of suburban life that can, by necessity, imbue someone with romanticism toward the things downtown-dwellers might not bat an eye at, like the fluorescent glow of commercial lighting after-hours, or the overlooked poignancy of a rundown strip mall, and all the many thousands of tiny commonplace miracles that At Scaramouche is made of. “Childhood McDonald’s gone, there used to be some woods there,” Krgovich hums prosaically over a bed of soft drum machine and Dorothea Paas’s soft supporting vocals. “The cemetery was small,” he elaborates while noticing just how far and how fast the past has receded, “now the high rises around the mall that aren’t done yet…” Where much nostalgia can slip down the slopes into something melancholy that puts the past on an impossible pedestal, album-ender “Drinks at Scaramouche” proves that Krgovich is just as in love with the present, allowing history and future to bring out the sacred in one another. “Finding all the little blips, in-betweens, now with deepening meaning,” he sings, “what little light goes slow, heartening to know that nothing really goes away.” Like so much that Shabason \u0026amp; Krgovich put their fingerprints on, At Scaramouche presents a familiar palette with just enough inflected weirdness to prompt double takes, turning folk art into outsider art with an almost imperceptible sleight of hand.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCat No : IF038LP IF038CS\u003c\/span\u003e\u003c\/p\u003e"}

カナダのベッドルーム・インディーポップデュオShabason & Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。ポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。最新作もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Ideé Fixe Recordsその他作品はこちら /// Click here to see more...

¥2,280

クイックビュー {"id":8716135596282,"title":"Shabason \u0026 Krgovich \/\/ At Scaramouche LP [COLOR]","handle":"shabason-krgovich-at-scaramouche-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。水色盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/shabason-krgovich-sage-shabason-krgovich-sage-lpblack-color-tape\/\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2585902156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" sea blue vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe musical partnership of Joseph Shabason and Nicholas Krgovich orbits around a shared center of earnestness, slice-of-life poeticism, and the subtle everyday banality that becomes beautiful, even absurd, under their slight redirection. Where 2020’s Philadelphia placed domestic interiors under a microscope, documenting the indoor minutiae society was forced to examine mid-pandemic, At Scaramouche steps out into the sunlight squinting groggily and happily at the new day ahead-- and particularly the night that follows. One evening after a recording session and some aimless ambling that included a visit to the house where the 1974 movie “Black Christmas” was filmed, Krgovich and fellow vocalist Chris A. Cummings found themselves misplaced at the Toronto restaurant from which At Scaramouche takes its name, gawking with amusement at its concocted air of luxury. “The layout hinted at its MCM glory, and there was a panoramic view of the city,” Krgovich illustrates, “but it was full mid 2000s, dated Sex In The City re-run decor, ‘opulence’ for rich people with bad taste. I loved it! Chris loved it!”. On At Scaramouche, Krgovich and Shabason demonstrate a mutually uncanny ability to transmute this kind of cultural wariness into amused majesty, poking fun and bowing in reverence all at once. Their spotless\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esmooth-jazz tonality, lyrical literalism, and even cover artist Jake Longstreth’s humorously sober depiction of an actual old Taco Bell building all point to the duo’s low-key-gonzo subversion of Adult Contemporary tropes into something unexpectedly transcendent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first glassy keyboard hits of “Soli” indicate this sentiment before Krgovich even steps forward as the album’s host, and when he does, he immediately gets to work setting the scene of a weary parking lot stroll on a cool, street-lit evening after work-- just one of so many unremarkable moments that become utopic under Krgovich’s poetic care. “Clocking out at five PM, don’t give it another thought, feel the evening coming in,” he sings. “When it’s dark before supper, and the rain on the house… happy for no reason.” Glimmering pianos and brushy percussion calmly converse with fretless bass as a diffuse light spreads across this little world that’s being created. But where the duo’s previous effort Philadelphia would’ve camped permanently in the stillness, At Scaramouche lunges into the upbeat stroller “In the Middle of the Day”. Though no less exemplary of the album’s quiet everyday magic, it sets a brisker pace with its head-nodding drum break and coolly interjecting bassline. Other moments on the album reiterate the spryness, like the nearly-erratic “Soli II”, and the lively pop centerpiece “I Am So Happy With My Little Dog”. On the latter, Krgovich leads a tight-knit ensemble that comes as close to krautrock here as they ever might, where a driving drumbeat politely urges the elements forward; trumpet harmonies, chanting vocals, and bubbling synths, all crowned by a chorus-laden, perfectly askew solo from guitarist Thom Gill . “This record was very much a band effort. Me and Nick were at the helm but we called on the amazing crew of musicians that I play with here in Toronto to really help flesh things out,” Shabason emphasizes. “The last record was a real exercise in minimalism and quietness, and to me this record feels much more robust, and occasionally bombastic by comparison.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoseph Shabason grew up in small-town Ontario, throwing punk and emo shows in garages and church basements as an alternative to “playing hockey or doing drugs,” as he states it. At the same time Nicholas Krgovich was 4,000 kilometers away in Vancouver, BC living the kind of suburban life that can, by necessity, imbue someone with romanticism toward the things downtown-dwellers might not bat an eye at, like the fluorescent glow of commercial lighting after-hours, or the overlooked poignancy of a rundown strip mall, and all the many thousands of tiny commonplace miracles that At Scaramouche is made of. “Childhood McDonald’s gone, there used to be some woods there,” Krgovich hums prosaically over a bed of soft drum machine and Dorothea Paas’s soft supporting vocals. “The cemetery was small,” he elaborates while noticing just how far and how fast the past has receded, “now the high rises around the mall that aren’t done yet…” Where much nostalgia can slip down the slopes into something melancholy that puts the past on an impossible pedestal, album-ender “Drinks at Scaramouche” proves that Krgovich is just as in love with the present, allowing history and future to bring out the sacred in one another. “Finding all the little blips, in-betweens, now with deepening meaning,” he sings, “what little light goes slow, heartening to know that nothing really goes away.” Like so much that Shabason \u0026amp; Krgovich put their fingerprints on, At Scaramouche presents a familiar palette with just enough inflected weirdness to prompt double takes, turning folk art into outsider art with an almost imperceptible sleight of hand.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCat No : IF038LP IF038CS\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-07T12:21:01+09:00","created_at":"2025-02-07T12:19:18+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Ideé Fixe Records","lp","new","recommended"],"price":438000,"price_min":438000,"price_max":438000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47108890919162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason \u0026 Krgovich \/\/ At Scaramouche LP [COLOR]","public_title":null,"options":["Default Title"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"061297790326","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","\/\/tobirarecords.com\/cdn\/shop\/files\/0029483502_10.jpg?v=1707602175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","options":["Title"],"media":[{"alt":null,"id":32091894153466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0314757924_16_9e7de15c-4d43-4f91-b39a-ce884c05ece2.jpg?v=1686207680","width":700},{"alt":null,"id":33152823132410,"position":2,"preview_image":{"aspect_ratio":1.556,"height":771,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029483502_10.jpg?v=1707602175"},"aspect_ratio":1.556,"height":771,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029483502_10.jpg?v=1707602175","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eカナダのベッドルーム・\u003c\/span\u003e\u003cspan\u003eインディーポップデュオShabason \u0026amp; Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。水色盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/shabason-krgovich-sage-shabason-krgovich-sage-lpblack-color-tape\/\"\u003e最新作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2585902156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" sea blue vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe musical partnership of Joseph Shabason and Nicholas Krgovich orbits around a shared center of earnestness, slice-of-life poeticism, and the subtle everyday banality that becomes beautiful, even absurd, under their slight redirection. Where 2020’s Philadelphia placed domestic interiors under a microscope, documenting the indoor minutiae society was forced to examine mid-pandemic, At Scaramouche steps out into the sunlight squinting groggily and happily at the new day ahead-- and particularly the night that follows. One evening after a recording session and some aimless ambling that included a visit to the house where the 1974 movie “Black Christmas” was filmed, Krgovich and fellow vocalist Chris A. Cummings found themselves misplaced at the Toronto restaurant from which At Scaramouche takes its name, gawking with amusement at its concocted air of luxury. “The layout hinted at its MCM glory, and there was a panoramic view of the city,” Krgovich illustrates, “but it was full mid 2000s, dated Sex In The City re-run decor, ‘opulence’ for rich people with bad taste. I loved it! Chris loved it!”. On At Scaramouche, Krgovich and Shabason demonstrate a mutually uncanny ability to transmute this kind of cultural wariness into amused majesty, poking fun and bowing in reverence all at once. Their spotless\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003esmooth-jazz tonality, lyrical literalism, and even cover artist Jake Longstreth’s humorously sober depiction of an actual old Taco Bell building all point to the duo’s low-key-gonzo subversion of Adult Contemporary tropes into something unexpectedly transcendent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first glassy keyboard hits of “Soli” indicate this sentiment before Krgovich even steps forward as the album’s host, and when he does, he immediately gets to work setting the scene of a weary parking lot stroll on a cool, street-lit evening after work-- just one of so many unremarkable moments that become utopic under Krgovich’s poetic care. “Clocking out at five PM, don’t give it another thought, feel the evening coming in,” he sings. “When it’s dark before supper, and the rain on the house… happy for no reason.” Glimmering pianos and brushy percussion calmly converse with fretless bass as a diffuse light spreads across this little world that’s being created. But where the duo’s previous effort Philadelphia would’ve camped permanently in the stillness, At Scaramouche lunges into the upbeat stroller “In the Middle of the Day”. Though no less exemplary of the album’s quiet everyday magic, it sets a brisker pace with its head-nodding drum break and coolly interjecting bassline. Other moments on the album reiterate the spryness, like the nearly-erratic “Soli II”, and the lively pop centerpiece “I Am So Happy With My Little Dog”. On the latter, Krgovich leads a tight-knit ensemble that comes as close to krautrock here as they ever might, where a driving drumbeat politely urges the elements forward; trumpet harmonies, chanting vocals, and bubbling synths, all crowned by a chorus-laden, perfectly askew solo from guitarist Thom Gill . “This record was very much a band effort. Me and Nick were at the helm but we called on the amazing crew of musicians that I play with here in Toronto to really help flesh things out,” Shabason emphasizes. “The last record was a real exercise in minimalism and quietness, and to me this record feels much more robust, and occasionally bombastic by comparison.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoseph Shabason grew up in small-town Ontario, throwing punk and emo shows in garages and church basements as an alternative to “playing hockey or doing drugs,” as he states it. At the same time Nicholas Krgovich was 4,000 kilometers away in Vancouver, BC living the kind of suburban life that can, by necessity, imbue someone with romanticism toward the things downtown-dwellers might not bat an eye at, like the fluorescent glow of commercial lighting after-hours, or the overlooked poignancy of a rundown strip mall, and all the many thousands of tiny commonplace miracles that At Scaramouche is made of. “Childhood McDonald’s gone, there used to be some woods there,” Krgovich hums prosaically over a bed of soft drum machine and Dorothea Paas’s soft supporting vocals. “The cemetery was small,” he elaborates while noticing just how far and how fast the past has receded, “now the high rises around the mall that aren’t done yet…” Where much nostalgia can slip down the slopes into something melancholy that puts the past on an impossible pedestal, album-ender “Drinks at Scaramouche” proves that Krgovich is just as in love with the present, allowing history and future to bring out the sacred in one another. “Finding all the little blips, in-betweens, now with deepening meaning,” he sings, “what little light goes slow, heartening to know that nothing really goes away.” Like so much that Shabason \u0026amp; Krgovich put their fingerprints on, At Scaramouche presents a familiar palette with just enough inflected weirdness to prompt double takes, turning folk art into outsider art with an almost imperceptible sleight of hand.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e.”\u003cbr\u003e- Idee Fixe Records\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason \u0026amp; Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCat No : IF038LP IF038CS\u003c\/span\u003e\u003c\/p\u003e"}

カナダのベッドルーム・インディーポップデュオShabason & Krgovichが、2022年10月に同国インディーポップレーベルIdeé Fixe Recordsからリリースしたアルバムです。ポップというジャンルで取り上げられるロマンスや愛、失恋などは一切排除し、「仕事終わりの夕暮れの駐車場」や「営業時間外の看板の蛍光灯の光」、「古びたショッピングモールの見過ごされた切なさ」など、日常に潜む些細な事を豊かな情緒で捉え、やさしく手のひらで包み込み、そっと差し出す珠玉の9曲を収録。水色盤です。最新作もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Ideé Fixe Recordsその他作品はこちら /// Click here to see more...

¥4,380

クイックビュー {"id":8522991337722,"title":"ROY \/\/ Spoons for the World LP","handle":"roy-spoons-for-the-world-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eカナダ・トロントのフォーク作家ROYが、2024年4月にトロントの\u003cspan data-mce-fragment=\"1\"\u003eポップレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdée Fixeからリリースしたレコードです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eオルタナカントリー8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/e_EtcylxFeY?si=S2SCPUuF6KA7ganB\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Q8-qbsEVeL0?si=6NA_Nxv0XH5EIhDS\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2A-NQMhdFAM?si=-Iggqw2dqZzCL6B1\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bzs2-0gPTPo?si=Q5lB-IHNrGhBD7vW\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fx6wdDmRhsc?si=seVWonGxfCuUS1hL\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c21Dr9NVM3E?si=LJKaRFnfw3RqS3id\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ndz6k2n6pIM?si=jOjoqvDpHljcuH6x\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes DL code. 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spoons For The World 04:16\u003cbr\u003e2. I Ride The Highway 04:12\u003cbr\u003e3. Little More Time 04:45\u003cbr\u003e4. Now You Know 03:24\u003cbr\u003e5. Cold Water In My Tea 03:28\u003cbr\u003e6. Message From The Other Side 05:15\u003cbr\u003e7. The Dreamer Knows 04:15\u003cbr\u003e8. Let The Light In 03:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWho is ROY? ROY is the alias of Patrick Lefler; undoubtedly one of Toronto’s most vital musical fulcrums. As an in-demand musical collaborator, producer and recordist, Patrick has played a role in virtually every record that has emerged from downtown Toronto’s ongoing psychedelic renaissance. An actual polymath at work whether producing, writing, or playing, you can hear his indelible sonic signature on the latest records by Possum, Bart, The Royal Family, Hieronymus Harry, and others. ROY is Patrick’s solo outlet and Spoons for the World is his 5th full length, 3rd for Idée Fixe, and a return to a physical format following up his deeply conceptualized digital manifesto, Capitalism. Roy’s Garage (Patrick’s previous release for Idée Fixe) was widely celebrated with four star reviews in Mojo, Record Collector, and Shindig (whose Camilla Aisa declared Roy’s Garage “An impeccable modern compendium of lysergic ’60’s charms”) while stateside Raven Sings The Blues’ musical documentarian Andy French declared “Patrick Lefler packs Roy’s Garage with the finer points of a deep dive into the 45 pile of an avid psych-pop sound bath.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThree years on from Roy’s Garage, Spoons for the World feels like a new chapter in the book of ROY. The album heralds a\u003cspan class=\"bcTruncateMore\"\u003e lyrical style that moves away from the paranoid commentary of the external to a newfound focus on the relationships to the people and places that comprise Patrick’s personal world. An album chock full of contributions from some of Toronto’s most skilled session players, Spoons is a revelation at every turn and Patrick’s most mature record to date. Opening with the abundantly optimistic Spoons For The World, the album’s namesake is a rolling kitchen jammer featuring Kali Horse’s Des and Sam’s homespun harmonies that help punctuate the song’s message of the promise to be found in each new day. What follows is I Ride The Highway which introduces ROY the piano balladeer and, paired with Side A closer and lead single Now You Know, shows the stunning depth of Patrick’s songcraft. Sweetening sessions of strings and vibraphone at the behest and direction of collaborator Jeff McMurrich, paired with ROY’s sonic compliment, recall the golden age of studio sessions with nods to Tim Buckley, Fred Neil and Lee Hazelwood. Gorgeous and emotional reflections that can’t help but leave one stirred.\u003cbr\u003e\u003cbr\u003eSide B is a classic deep cut affair with opener Cold Water In My Tea most closely resembling ROY’s previous work. With acoustics still at the record’s center, the tune stands at the precipice of early folk rock, replete with flute and electric leads. One can imagine the tune plucked straight from a night spent soundtracking The Matrix club, or perhaps a Mime Troupe benefit long before the Acid Tests truly went mainstream. What follows is the loner psych folk of A Message From The Other Side and the the swung, psychedelic and reverberated ode to astral traveling Dreamer Knows. Closer Let The Light In is a tribute to a cul de sac home that acts as a metaphor and, perhaps, as a new personal mantra, thereby perfectly bookending the album’s message of optimism. No matter how you found your way to ROY, there is a treasure trove of music to be discovered and, with certainty, there is much more to come.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : ROY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-06-22T14:47:12+09:00","created_at":"2024-06-19T18:39:44+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Ideé Fixe Records","lp","new"],"price":423400,"price_min":423400,"price_max":423400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46257225236730,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"ROY \/\/ Spoons for the World LP","public_title":null,"options":["Default Title"],"price":423400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/spoon1.jpg?v=1718789748","\/\/tobirarecords.com\/cdn\/shop\/files\/spoon2.jpg?v=1718789748"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/spoon1.jpg?v=1718789748","options":["Title"],"media":[{"alt":null,"id":34364060008698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spoon1.jpg?v=1718789748"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spoon1.jpg?v=1718789748","width":700},{"alt":null,"id":34364060041466,"position":2,"preview_image":{"aspect_ratio":1.556,"height":771,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spoon2.jpg?v=1718789748"},"aspect_ratio":1.556,"height":771,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spoon2.jpg?v=1718789748","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eカナダ・トロントのフォーク作家ROYが、2024年4月にトロントの\u003cspan data-mce-fragment=\"1\"\u003eポップレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdée Fixeからリリースしたレコードです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eオルタナカントリー8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/e_EtcylxFeY?si=S2SCPUuF6KA7ganB\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Q8-qbsEVeL0?si=6NA_Nxv0XH5EIhDS\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2A-NQMhdFAM?si=-Iggqw2dqZzCL6B1\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bzs2-0gPTPo?si=Q5lB-IHNrGhBD7vW\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fx6wdDmRhsc?si=seVWonGxfCuUS1hL\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c21Dr9NVM3E?si=LJKaRFnfw3RqS3id\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ndz6k2n6pIM?si=jOjoqvDpHljcuH6x\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeé Fixe Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/idfi\"\u003e \u003c\/a\u003eto see more \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes DL code. 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spoons For The World 04:16\u003cbr\u003e2. I Ride The Highway 04:12\u003cbr\u003e3. Little More Time 04:45\u003cbr\u003e4. Now You Know 03:24\u003cbr\u003e5. Cold Water In My Tea 03:28\u003cbr\u003e6. Message From The Other Side 05:15\u003cbr\u003e7. The Dreamer Knows 04:15\u003cbr\u003e8. Let The Light In 03:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWho is ROY? ROY is the alias of Patrick Lefler; undoubtedly one of Toronto’s most vital musical fulcrums. As an in-demand musical collaborator, producer and recordist, Patrick has played a role in virtually every record that has emerged from downtown Toronto’s ongoing psychedelic renaissance. An actual polymath at work whether producing, writing, or playing, you can hear his indelible sonic signature on the latest records by Possum, Bart, The Royal Family, Hieronymus Harry, and others. ROY is Patrick’s solo outlet and Spoons for the World is his 5th full length, 3rd for Idée Fixe, and a return to a physical format following up his deeply conceptualized digital manifesto, Capitalism. Roy’s Garage (Patrick’s previous release for Idée Fixe) was widely celebrated with four star reviews in Mojo, Record Collector, and Shindig (whose Camilla Aisa declared Roy’s Garage “An impeccable modern compendium of lysergic ’60’s charms”) while stateside Raven Sings The Blues’ musical documentarian Andy French declared “Patrick Lefler packs Roy’s Garage with the finer points of a deep dive into the 45 pile of an avid psych-pop sound bath.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThree years on from Roy’s Garage, Spoons for the World feels like a new chapter in the book of ROY. The album heralds a\u003cspan class=\"bcTruncateMore\"\u003e lyrical style that moves away from the paranoid commentary of the external to a newfound focus on the relationships to the people and places that comprise Patrick’s personal world. An album chock full of contributions from some of Toronto’s most skilled session players, Spoons is a revelation at every turn and Patrick’s most mature record to date. Opening with the abundantly optimistic Spoons For The World, the album’s namesake is a rolling kitchen jammer featuring Kali Horse’s Des and Sam’s homespun harmonies that help punctuate the song’s message of the promise to be found in each new day. What follows is I Ride The Highway which introduces ROY the piano balladeer and, paired with Side A closer and lead single Now You Know, shows the stunning depth of Patrick’s songcraft. Sweetening sessions of strings and vibraphone at the behest and direction of collaborator Jeff McMurrich, paired with ROY’s sonic compliment, recall the golden age of studio sessions with nods to Tim Buckley, Fred Neil and Lee Hazelwood. Gorgeous and emotional reflections that can’t help but leave one stirred.\u003cbr\u003e\u003cbr\u003eSide B is a classic deep cut affair with opener Cold Water In My Tea most closely resembling ROY’s previous work. With acoustics still at the record’s center, the tune stands at the precipice of early folk rock, replete with flute and electric leads. One can imagine the tune plucked straight from a night spent soundtracking The Matrix club, or perhaps a Mime Troupe benefit long before the Acid Tests truly went mainstream. What follows is the loner psych folk of A Message From The Other Side and the the swung, psychedelic and reverberated ode to astral traveling Dreamer Knows. Closer Let The Light In is a tribute to a cul de sac home that acts as a metaphor and, perhaps, as a new personal mantra, thereby perfectly bookending the album’s message of optimism. No matter how you found your way to ROY, there is a treasure trove of music to be discovered and, with certainty, there is much more to come.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : ROY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eIdeé Fixe Records\u003c\/span\u003e\u003c\/p\u003e"}