Master Grave Services // Mausoleum CD
Master Grave Services // Mausoleum CD
¥2,290
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J.D. Evans (Confounder)とK. Geiger (Dead Door Unit)によるノイズデュオMaster Grave Servicesが、2025年9月にイギリスのノイズレーベルInput ErrorからリリースしたデビューCDです。
ポストハーシュノイズ7曲を収録。4面デジパック、シュリンク仕様です。
CDのみでの発表となります。
レーベルその他作品はこちら /// Click here to see more Input Error releases available at Tobira.
-------------------------------
CD in digipack.
Tracklist:
1. Excavation
2. Familiar Homes
3. Repeated Haunting
4. Will There Be Smoke?
5. There Will Be Smoke
6. Marked In A Hole
7. The New Funerals
Debut CD from the duo of J.D. Evans (Confounder) and K. Geiger (Dead Door Unit). Featuring additional track contributions from John Olson and Joe Roemer.
Artist : Master Grave Services
Label : Input Error
J.D. Evans (Confounder)とK. Geiger (Dead Door Unit)によるノイズデュオMaster Grave Servicesが、2025年9月にイギリスのノイズレーベルInput ErrorからリリースしたデビューCDです。
ポストハーシュノイズ7曲を収録。4面デジパック、シュリンク仕様です。
CDのみでの発表となります。
レーベルその他作品はこちら /// Click here to see more Input Error releases available at Tobira.
-------------------------------
CD in digipack.
Tracklist:
1. Excavation
2. Familiar Homes
3. Repeated Haunting
4. Will There Be Smoke?
5. There Will Be Smoke
6. Marked In A Hole
7. The New Funerals
Debut CD from the duo of J.D. Evans (Confounder) and K. Geiger (Dead Door Unit). Featuring additional track contributions from John Olson and Joe Roemer.
Artist : Master Grave Services
Label : Input Error
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{"id":8949956804858,"title":"Oberlin \/\/ The Gold Pit Sessions Vol. 1 CDr","handle":"oberlin-the-gold-pit-sessions-vol-1-cd","description":"\u003cp\u003e\u003cspan\u003eドイツのアンビエント作家\u003c\/span\u003e\u003cspan\u003eOberlin aka \u003c\/span\u003eAlexander Holtzが、2025年9月に同国ネオクラシカルレーベルOscarsonから52部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエントドローン4曲を収録。ハンドメイドのカードストックゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/oberlin-the-softest-lace-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3853562416\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCDr in cardstock gatefold sleeve.\u003cbr\u003eEdition of 52.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Thought I Heard Somebody Call My Name 12:40\u003cbr\u003e2. A Sense Of Longing 04:59\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. A Garden Of Tangles 08:34\u003cbr\u003e\u003c\/span\u003e4. Sleepward Ho 08:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded by Alexander Holtz in his Gold-Pit-home studio in Koblenz, Germany in September 2022.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsed instruments were a 9HE Eurorack, a Moog Grandmother and an Ibanez Custom guitar.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks to G. Sahbaz for paving the way, to E. Stoffel for welcome and introduction, to H. Piesch for nearness from the distance and to my family for patience and understanding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks also for J. Plackties for checking the frequencies.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVery special thanks to M. Rehling for his beautiful care about this release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oberlin\u003c\/p\u003e\n\u003cp\u003eLabel : Oscarson\u003c\/p\u003e\n\u003cp\u003ecat no : Lc29\u003c\/p\u003e","published_at":"2025-10-09T09:36:43+09:00","created_at":"2025-10-08T09:57:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","oscarson"],"price":184000,"price_min":184000,"price_max":184000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47802706395386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Oberlin \/\/ The Gold Pit Sessions Vol. 1 CDr","public_title":null,"options":["Default Title"],"price":184000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_874cc9fc-a1b7-44b7-a57e-5f4dd0f3cd81.jpg?v=1759884909","\/\/tobirarecords.com\/cdn\/shop\/files\/gol2_aed9a20d-d1eb-4a7c-b406-68be0b0824d9.jpg?v=1759884909","\/\/tobirarecords.com\/cdn\/shop\/files\/gol3.jpg?v=1759884909"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_874cc9fc-a1b7-44b7-a57e-5f4dd0f3cd81.jpg?v=1759884909","options":["Title"],"media":[{"alt":null,"id":37033826451706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_874cc9fc-a1b7-44b7-a57e-5f4dd0f3cd81.jpg?v=1759884909"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol1_874cc9fc-a1b7-44b7-a57e-5f4dd0f3cd81.jpg?v=1759884909","width":700},{"alt":null,"id":37033826484474,"position":2,"preview_image":{"aspect_ratio":1.474,"height":814,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol2_aed9a20d-d1eb-4a7c-b406-68be0b0824d9.jpg?v=1759884909"},"aspect_ratio":1.474,"height":814,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol2_aed9a20d-d1eb-4a7c-b406-68be0b0824d9.jpg?v=1759884909","width":1200},{"alt":null,"id":37033826517242,"position":3,"preview_image":{"aspect_ratio":1.671,"height":718,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol3.jpg?v=1759884909"},"aspect_ratio":1.671,"height":718,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gol3.jpg?v=1759884909","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eドイツのアンビエント作家\u003c\/span\u003e\u003cspan\u003eOberlin aka \u003c\/span\u003eAlexander Holtzが、2025年9月に同国ネオクラシカルレーベルOscarsonから52部限定でリリースしたCDrです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエントドローン4曲を収録。ハンドメイドのカードストックゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/oberlin-the-softest-lace-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3853562416\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eCDr in cardstock gatefold sleeve.\u003cbr\u003eEdition of 52.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Thought I Heard Somebody Call My Name 12:40\u003cbr\u003e2. A Sense Of Longing 04:59\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. A Garden Of Tangles 08:34\u003cbr\u003e\u003c\/span\u003e4. Sleepward Ho 08:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded by Alexander Holtz in his Gold-Pit-home studio in Koblenz, Germany in September 2022.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsed instruments were a 9HE Eurorack, a Moog Grandmother and an Ibanez Custom guitar.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks to G. Sahbaz for paving the way, to E. Stoffel for welcome and introduction, to H. Piesch for nearness from the distance and to my family for patience and understanding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks also for J. Plackties for checking the frequencies.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVery special thanks to M. Rehling for his beautiful care about this release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oberlin\u003c\/p\u003e\n\u003cp\u003eLabel : Oscarson\u003c\/p\u003e\n\u003cp\u003ecat no : Lc29\u003c\/p\u003e"}
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ドイツのアンビエント作家Oberlin aka Alexander Holtzが、2025年9月に同国ネオクラシカルレーベルOscarsonから52部限定でリリースしたCDrです。 アンビエント〜アンビエントドローン4曲を収録。ハンドメイドのカードストックゲートフォルド仕様です。 前作もオススメです。 レーベルその他作品はこちら /// Click here to see more Oscarson releases available at...
¥1,840
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{"id":8949197046010,"title":"Tortoise \/\/ Touch CD","handle":"tortoise-touch-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10\/18のリスニングイベントで販売開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRelease date : October 18th\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e","published_at":"2025-10-07T14:44:39+09:00","created_at":"2025-10-07T14:42:00+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","new","recommended"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47800418107642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tortoise \/\/ Touch CD","public_title":null,"options":["Default Title"],"price":278000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993995875","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","\/\/tobirarecords.com\/cdn\/shop\/files\/0040943642_10.jpg?v=1759815828"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","options":["Title"],"media":[{"alt":null,"id":37025637204218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","width":1200},{"alt":null,"id":37025760346362,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040943642_10.jpg?v=1759815828"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040943642_10.jpg?v=1759815828","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10\/18のリスニングイベントで販売開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRelease date : October 18th\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e"}
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※10/18のリスニングイベントで販売開始します アメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。デジパック、シュリンク仕様です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now...
¥2,780
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{"id":8949159002362,"title":"SML \/\/ How You Been CD","handle":"sml-how-you-been-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11\/7リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRelease date : November 7th\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e","published_at":"2025-10-07T14:09:47+09:00","created_at":"2025-10-07T14:08:07+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","new","recommended"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47800317542650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SML \/\/ How You Been CD","public_title":null,"options":["Default Title"],"price":278000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457224766","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","options":["Title"],"media":[{"alt":null,"id":37025344487674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11\/7リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRelease date : November 7th\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e"}
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※11/7リリースです アメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more International...
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{"id":8949081080058,"title":"Tim Linghaus \/\/ Yurusu 2 DELUXE CD","handle":"tim-linghaus-yurusu-2-deluxe-cdr","description":"\u003cp\u003eドイツのピアニストTim Linghausが、2024年6月に同国アンビエント〜フォークレーベルOscarsonから28部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eソロピアノによるネオクラシカル・アンビエント10曲を収録。ハンドメイドデラックスブックエディション、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003eRobert Haighが好きな方におすすめします。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=121146854\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eDeluxe CDr in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ea handmade deluxe book edition includes booklet with credits, liner notes, photo, and \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_1\"\u003eillustrations. \u003c\/span\u003e\u003cbr\u003eNumbered edition of 28. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Memory Book (Variation) 02:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Somersault (IO) 03:19\u003cbr\u003e\u003c\/span\u003e3. Internat In Den Bergen 02:35\u003cbr\u003e4. Road To Rennahau Manor 03:44\u003cbr\u003e5. Koike In The Rain 01:21\u003cbr\u003e6. Wondrous Iwamoto 02:29\u003cbr\u003e7. Maybe Next Year 03:09\u003cbr\u003e8. Between Amends And Lavender 03:02\u003cbr\u003e9. Drawing A Fish For Iwamoto's Retirement 02:20\u003cbr\u003e10. Poplars In Your Eyeball 03:17\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDear listener,\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYurusu 二 is the second part of the Yurusu records and\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eexplores the matter of forgiveness from\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eten perspectives, ten solo piano silhouettes, once again.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe heart of this album is set around a year at Rennahau Manor\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- a fictional boarding school in the Alps.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThank you for buying this vinyl record.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt means so much to me.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLove,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTim\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tim Linghaus\u003c\/p\u003e\n\u003cp\u003eLabel : Oscarson\u003c\/p\u003e\n\u003cp\u003ecat no : Lc25\u003c\/p\u003e","published_at":"2025-10-08T14:28:02+09:00","created_at":"2025-10-07T10:18:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","neo classical","new","oscarson"],"price":443000,"price_min":443000,"price_max":443000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47800071815418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tim Linghaus \/\/ Yurusu 2 DELUXE CD","public_title":null,"options":["Default Title"],"price":443000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tim1_5cb77c54-bee8-4b78-8340-ab6c8c75c23a.jpg?v=1759799725","\/\/tobirarecords.com\/cdn\/shop\/files\/tim3_e0d8dd0f-050b-42ca-b69b-47cd03fb83e8.jpg?v=1759799725","\/\/tobirarecords.com\/cdn\/shop\/files\/tim4.jpg?v=1759799725"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim1_5cb77c54-bee8-4b78-8340-ab6c8c75c23a.jpg?v=1759799725","options":["Title"],"media":[{"alt":null,"id":37024794575098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim1_5cb77c54-bee8-4b78-8340-ab6c8c75c23a.jpg?v=1759799725"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim1_5cb77c54-bee8-4b78-8340-ab6c8c75c23a.jpg?v=1759799725","width":700},{"alt":null,"id":37024794640634,"position":2,"preview_image":{"aspect_ratio":0.543,"height":1200,"width":651,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim3_e0d8dd0f-050b-42ca-b69b-47cd03fb83e8.jpg?v=1759799725"},"aspect_ratio":0.543,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim3_e0d8dd0f-050b-42ca-b69b-47cd03fb83e8.jpg?v=1759799725","width":651},{"alt":null,"id":37024794673402,"position":3,"preview_image":{"aspect_ratio":1.997,"height":601,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim4.jpg?v=1759799725"},"aspect_ratio":1.997,"height":601,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tim4.jpg?v=1759799725","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのピアニストTim Linghausが、2024年6月に同国アンビエント〜フォークレーベルOscarsonから28部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eソロピアノによるネオクラシカル・アンビエント10曲を収録。ハンドメイドデラックスブックエディション、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003eRobert Haighが好きな方におすすめします。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=121146854\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eDeluxe CDr in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ea handmade deluxe book edition includes booklet with credits, liner notes, photo, and \u003c\/span\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_1\"\u003eillustrations. \u003c\/span\u003e\u003cbr\u003eNumbered edition of 28. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Memory Book (Variation) 02:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Somersault (IO) 03:19\u003cbr\u003e\u003c\/span\u003e3. Internat In Den Bergen 02:35\u003cbr\u003e4. Road To Rennahau Manor 03:44\u003cbr\u003e5. Koike In The Rain 01:21\u003cbr\u003e6. Wondrous Iwamoto 02:29\u003cbr\u003e7. Maybe Next Year 03:09\u003cbr\u003e8. Between Amends And Lavender 03:02\u003cbr\u003e9. Drawing A Fish For Iwamoto's Retirement 02:20\u003cbr\u003e10. Poplars In Your Eyeball 03:17\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDear listener,\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYurusu 二 is the second part of the Yurusu records and\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eexplores the matter of forgiveness from\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eten perspectives, ten solo piano silhouettes, once again.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe heart of this album is set around a year at Rennahau Manor\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e- a fictional boarding school in the Alps.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThank you for buying this vinyl record.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt means so much to me.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLove,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTim\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tim Linghaus\u003c\/p\u003e\n\u003cp\u003eLabel : Oscarson\u003c\/p\u003e\n\u003cp\u003ecat no : Lc25\u003c\/p\u003e"}
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ドイツのピアニストTim Linghausが、2024年6月に同国アンビエント〜フォークレーベルOscarsonから28部限定でリリースしたCDです。 ソロピアノによるネオクラシカル・アンビエント10曲を収録。ハンドメイドデラックスブックエディション、ブックレット付属。 Robert Haighが好きな方におすすめします。 レーベルその他作品はこちら /// Click here to see more Oscarson releases available at Tobira....
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