Búho Ermitaño // Implosiones LP

¥3,980

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ペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。

本作は、リマのサイケデリックバンドBúho Ermitañoが、2023年6月にリリースしたレコードです。

サイケデリックロック7曲を収録。

レーベルその他作品はこちら /// Click here to see more Buh Records releases available at Tobira.

----------------------

12" black vinyl.

Tracklist:

1. Herbie 06:00
2. Explosiones 06:15
3. Preludio 02:44
4. Ingravita 06:12
5. Buarabino 08:35
6. Entre los cerros 03:52
7. Renacer 07:28

Buh Records:

"Implosiones is the second album by Búho Ermitaño, Peruvian psych explorers. With references to kraut rock and the Andean folk of groups like El Polen, the sound of Búho Ermitaño is immersed in hypnotic instrumental explorations, melodic passages and in bursts of cosmic rock. Implosiones is a renovating sound synthesis that places the band as one of the new referents of psychedelic rock in Peru.

Formed in Lima in 2008 by Franz Núñez (guitar) and Diego Pando (guitar), they began as a jam band. With the addition of Irving Fuentes (charango) and Leo Pando (synthesizers), the group's sound began to have its own colour, which found its final formation with the inclusion in 2014 of Ale Borea (percussion) and Juan Camba (drums). Since then, they have been an active band in the underground circuit of Lima, alternating with psychedelic rock bands and experimental music artists (several members of Búho Ermitaño play at the same time in various sound experimentation musical projects). It is with this formation that the group has recorded Implosiones, incorporating a wide range of instruments that includes guitars, bass, drums, synthesizers, theremin, electronic loops, bongos, flutes, djembes, charango, among others.

All of this is reflected in songs like “Herbie” with a marked percussion base, or in “Explosiones”, and their high-energy neopsychedelia, unlike their first album, the inclusion of vocals in song format is now present, opening up a new creative path. Implosiones also includes some of the group's classic songs such as “Buarabino”, a drift of psychedelic folk, but also new compositions such as “Entre los cerros”, where synthesizers set a course for space rock."

Artist : Búho Ermitaño

Label : Buh Records

CAT No: BR177

Quantity

+ -

ペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。

本作は、リマのサイケデリックバンドBúho Ermitañoが、2023年6月にリリースしたレコードです。

サイケデリックロック7曲を収録。

レーベルその他作品はこちら /// Click here to see more Buh Records releases available at Tobira.

----------------------

12" black vinyl.

Tracklist:

1. Herbie 06:00
2. Explosiones 06:15
3. Preludio 02:44
4. Ingravita 06:12
5. Buarabino 08:35
6. Entre los cerros 03:52
7. Renacer 07:28

Buh Records:

Artist : Búho Ermitaño

Label : Buh Records

CAT No: BR177

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Although Relikte aus der Zukunft feels like a journey to the unknown, with constantly changing moods, all of the recordings were done in a small and improvised home studio in Schebler's living room in Wiesbaden, Germany, using mostly a single midi-keyboard for recording.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe tracks are full of color and amazement, detailed\u003cspan class=\"bcTruncateMore\"\u003e and thorough when evoking the setting and conjuring the experience. They can be playful and bright, or suspenseful and ominous, until bursting into ritual and hallucination. The gloomiest soundscapes can jump into a ship fueled by retro sci-fi arpeggios, the solemn can turn to rejoice, and a star can shrink into a fireplace.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Baldruin\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR169\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-12T10:28:45+09:00","created_at":"2024-05-10T18:23:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","buh","buh records","lp","new","strange beats"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45901039534330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Baldruin \/\/ Relikte aus der Zukunft LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/der1.jpg?v=1715332995","\/\/tobirarecords.com\/cdn\/shop\/files\/der2.jpg?v=1715332995"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/der1.jpg?v=1715332995","options":["Title"],"media":[{"alt":null,"id":33987585638650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/der1.jpg?v=1715332995"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/der1.jpg?v=1715332995","width":700},{"alt":null,"id":33987585671418,"position":2,"preview_image":{"aspect_ratio":1.487,"height":807,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/der2.jpg?v=1715332995"},"aspect_ratio":1.487,"height":807,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/der2.jpg?v=1715332995","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、UTONとのコラージュデュオGryke Pyjeとしても活動しているドイツの実験音楽家Baldruinが、2023年6月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験アンビエント〜ストレンジビーツ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7UcqYocD-k4?si=DeXic5n2_qzFJpO5\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003ehere\u003c\/a\u003e to see more Buh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hintenherum 02:02\u003cbr\u003e2. Wurzeltrank 03:02\u003cbr\u003e3. Relikte aus der Zukunft 02:54\u003cbr\u003e4. Ritt auf der Silberechse 04:14\u003cbr\u003e5. Wilde Reise 03:26\u003cbr\u003e6. Verwirrt 02:38\u003cbr\u003e7. Köder 02:34\u003cbr\u003e8. Durchsichtiger Freund 01:48\u003cbr\u003e9. Insel der Hoffnung 02:54\u003cbr\u003e10. Vorherbestimmt 02:16\u003cbr\u003e11. Rätselhafte Anziehung 02:37\u003cbr\u003e12. Verführt 02:06\u003cbr\u003e13. Zurückgelassen 03:41\u003cbr\u003e14. Der feinfühlige Geist 01:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBuh Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRelikte aus der Zukunft [Relics from the future] is a new album by experimental German artist Baldruin. Growing up in a small Bavarian village rectory around 10 meters beside the church and serving as an altar boy; organ music, church bells, and spiritual chanting were very much present in Johannes Schebler's ears during his childhood years. This experience was probably the basis for his ongoing interest in transcendental and mysterious atmospheres, he recalls. Schebler started making music as Baldruin back in 2009 with DIY experimentations which were first released on tape, a CD-R 3\" and later on several LPs all over Europe (Ireland, Spain, Portugal, Poland, Finland, Netherlands, Slovakia), as well as in the USA and Japan.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile in the beginning Baldruin's tracks were mostly created with acoustic instruments, later synthesizers and other electronic sound sources joined, expanding the sound palette and letting primordial and futuristic worlds merge organically into each other. Although Relikte aus der Zukunft feels like a journey to the unknown, with constantly changing moods, all of the recordings were done in a small and improvised home studio in Schebler's living room in Wiesbaden, Germany, using mostly a single midi-keyboard for recording.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe tracks are full of color and amazement, detailed\u003cspan class=\"bcTruncateMore\"\u003e and thorough when evoking the setting and conjuring the experience. They can be playful and bright, or suspenseful and ominous, until bursting into ritual and hallucination. The gloomiest soundscapes can jump into a ship fueled by retro sci-fi arpeggios, the solemn can turn to rejoice, and a star can shrink into a fireplace.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Baldruin\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR169\u003c\/span\u003e\u003c\/p\u003e"}

ペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。本作は、UTONとのコラージュデュオGryke Pyjeとしても活動しているドイツの実験音楽家Baldruinが、2023年6月にリリースしたレコードです。実験アンビエント〜ストレンジビーツ14曲を収録。レーベルその他作品はこちら /// Click here to see more Buh Records...

¥3,980

クイックビュー {"id":8429022609658,"title":"Jorge Eduardo Eielson \/\/ Audiopinturas: Estructuras verbales para voz (1972) LP","handle":"jorge-eduardo-eielson-audiopinturas-estructuras-verbales-para-voz-1972-lp","description":"\u003cp\u003eペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ペルーの音響詩人Jorge Eduardo Eielson(19724-2006)が、2019年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1972年に発表した作品を収録。ライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jorge Eduardo Eielsonの映像詩と音響詩の分野での仕事は、これらの分野に関連する国際的なアンソロジーから目立って姿を消している。この不在の理由のひとつは、詩人でありビジュアルアーティストでもある彼の幅広く複雑な作品のうち、この分野での流通が限られていることだろう。しかし、ここ数年で、彼の作品のこの側面はよく知られるようになり、実験詩の発展への貴重な貢献として、それ自体で見られるようになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJorge Eduardo Eielsonは、「発声構造」あるいは「オーディオ・ペインティング」と呼ばれる発声詩の実験を行った。1972年から1977年までの5年間に行われたこれらの実験のうち、ただひとつだけが残され、その作者は、録音された形でもライブパフォーマンスでも、公私にわたって何度か発表している。Colores[Colors]と呼ばれる作品で、赤、黄、緑、青といった色を表す言葉の繰り返しが基になっている。それぞれの単語は異なる調性を持っている。Coloresは、4つの語調の順列から導き出され、直列主義作曲とコンセプチュアリズムの両方からインスピレーションを得た作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオーディオペインティング『Verbal Structures for Voice』（1972年）は、『Colores』のフルヴァージョンを初めてレコード化し、1998年に演奏された作品のライヴ録音を加えたものである。また、ルイス・アルバラドによる広範なライナーノーツが掲載されたブックレットが付属し、Eielsonとサウンドポエトリーとの様々な関係についての情報が掲載されている。このアルバムは、ビジュアルアートとサウンドの境界で活動するペルーの基本的な作品を紹介するコレクションを開発するために協力したProyecto AMILの支援により、Buh Recordsより出版された。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=878562118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003ehere\u003c\/a\u003e to see more Buh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Colores (1972) 08:52\u003cbr\u003e2. Colores (Live, 1998) 05:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBuh Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe work of Jorge Eduardo Eielson (Lima 1924 - Milán 2006) in the fields of visual and sound poetry has been conspicuously absent from the international anthologies pertaining to these disciplines. One of the reasons of this absence may be the limited circulation of this side of his broad and complex output as a poet and visual artist. In the past few years, though, this aspect of his work has become better known, and can now be seen, in its own right, as a valuable contribution to the development of experimental poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJorge Eduardo Eielson called “vocal structures” or “audio paintings” his experiments in vocal poetry, which were all based on combinatorial analysis and permutations. Of these experiments carried out over a period of five years (1972-1977), only one has remained, and its author has presented it on several public and private occasions, both in its recorded form as well as in live performances. It is the piece called Colores [Colors], which is based on the repetition of words that name colors: red, yellow, green, blue. And each word has a different tonality. Colores is derived from the permutation of four word-tones, a work inspired by both serialist composition and conceptualism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAudio paintings: Verbal Structures for Voice (1972) presents for the first time in vinyl format the full version of Colores and adds a live recording of the piece performed in 1998. The publication also includes a booklet with extensive liner notes by Luis Alvarado, with information on several dimensions of Eielson's relationship with sound poetry, thus becoming a reference album for scholars and collections on the art of voice and sound poetry. This album is published by Buh Records with the support of Proyecto AMIL, who have joined efforts to develop a collection dedicated to presenting fundamental Peruvian works that operate at the borders of visual arts and sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jorge Eduardo Eielson\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR117\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-12T08:42:06+09:00","created_at":"2024-05-10T18:18:14+09:00","vendor":"Tobira Records","type":"","tags":["buh","contemporary \/ sound poetry","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45901007519994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jorge Eduardo Eielson \/\/ Audiopinturas: Estructuras verbales para voz (1972) LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/au1.jpg?v=1715332695","\/\/tobirarecords.com\/cdn\/shop\/files\/au2_030b95ce-0455-43ca-b8aa-55923fc3ca97.jpg?v=1715332696"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1.jpg?v=1715332695","options":["Title"],"media":[{"alt":null,"id":33987569746170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1.jpg?v=1715332695"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1.jpg?v=1715332695","width":700},{"alt":null,"id":33987569778938,"position":2,"preview_image":{"aspect_ratio":1.594,"height":753,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au2_030b95ce-0455-43ca-b8aa-55923fc3ca97.jpg?v=1715332696"},"aspect_ratio":1.594,"height":753,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au2_030b95ce-0455-43ca-b8aa-55923fc3ca97.jpg?v=1715332696","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ペルーの音響詩人Jorge Eduardo Eielson(19724-2006)が、2019年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1972年に発表した作品を収録。ライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jorge Eduardo Eielsonの映像詩と音響詩の分野での仕事は、これらの分野に関連する国際的なアンソロジーから目立って姿を消している。この不在の理由のひとつは、詩人でありビジュアルアーティストでもある彼の幅広く複雑な作品のうち、この分野での流通が限られていることだろう。しかし、ここ数年で、彼の作品のこの側面はよく知られるようになり、実験詩の発展への貴重な貢献として、それ自体で見られるようになった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJorge Eduardo Eielsonは、「発声構造」あるいは「オーディオ・ペインティング」と呼ばれる発声詩の実験を行った。1972年から1977年までの5年間に行われたこれらの実験のうち、ただひとつだけが残され、その作者は、録音された形でもライブパフォーマンスでも、公私にわたって何度か発表している。Colores[Colors]と呼ばれる作品で、赤、黄、緑、青といった色を表す言葉の繰り返しが基になっている。それぞれの単語は異なる調性を持っている。Coloresは、4つの語調の順列から導き出され、直列主義作曲とコンセプチュアリズムの両方からインスピレーションを得た作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオーディオペインティング『Verbal Structures for Voice』（1972年）は、『Colores』のフルヴァージョンを初めてレコード化し、1998年に演奏された作品のライヴ録音を加えたものである。また、ルイス・アルバラドによる広範なライナーノーツが掲載されたブックレットが付属し、Eielsonとサウンドポエトリーとの様々な関係についての情報が掲載されている。このアルバムは、ビジュアルアートとサウンドの境界で活動するペルーの基本的な作品を紹介するコレクションを開発するために協力したProyecto AMILの支援により、Buh Recordsより出版された。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=878562118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003ehere\u003c\/a\u003e to see more Buh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Colores (1972) 08:52\u003cbr\u003e2. Colores (Live, 1998) 05:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBuh Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe work of Jorge Eduardo Eielson (Lima 1924 - Milán 2006) in the fields of visual and sound poetry has been conspicuously absent from the international anthologies pertaining to these disciplines. One of the reasons of this absence may be the limited circulation of this side of his broad and complex output as a poet and visual artist. In the past few years, though, this aspect of his work has become better known, and can now be seen, in its own right, as a valuable contribution to the development of experimental poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJorge Eduardo Eielson called “vocal structures” or “audio paintings” his experiments in vocal poetry, which were all based on combinatorial analysis and permutations. Of these experiments carried out over a period of five years (1972-1977), only one has remained, and its author has presented it on several public and private occasions, both in its recorded form as well as in live performances. It is the piece called Colores [Colors], which is based on the repetition of words that name colors: red, yellow, green, blue. And each word has a different tonality. Colores is derived from the permutation of four word-tones, a work inspired by both serialist composition and conceptualism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAudio paintings: Verbal Structures for Voice (1972) presents for the first time in vinyl format the full version of Colores and adds a live recording of the piece performed in 1998. The publication also includes a booklet with extensive liner notes by Luis Alvarado, with information on several dimensions of Eielson's relationship with sound poetry, thus becoming a reference album for scholars and collections on the art of voice and sound poetry. This album is published by Buh Records with the support of Proyecto AMIL, who have joined efforts to develop a collection dedicated to presenting fundamental Peruvian works that operate at the borders of visual arts and sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jorge Eduardo Eielson\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR117\u003c\/span\u003e\u003c\/p\u003e"}

ペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。本作は、ペルーの音響詩人Jorge Eduardo Eielson(19724-2006)が、2019年にリリースしたレコードです。 1972年に発表した作品を収録。ライナーノート付属。 "Jorge Eduardo Eielsonの映像詩と音響詩の分野での仕事は、これらの分野に関連する国際的なアンソロジーから目立って姿を消している。この不在の理由のひとつは、詩人でありビジュアルアーティストでもある彼の幅広く複雑な作品のうち、この分野での流通が限られていることだろう。しかし、ここ数年で、彼の作品のこの側面はよく知られるようになり、実験詩の発展への貴重な貢献として、それ自体で見られるようになった。 Jorge Eduardo Eielsonは、「発声構造」あるいは「オーディオ・ペインティング」と呼ばれる発声詩の実験を行った。1972年から1977年までの5年間に行われたこれらの実験のうち、ただひとつだけが残され、その作者は、録音された形でもライブパフォーマンスでも、公私にわたって何度か発表している。Colores[Colors]と呼ばれる作品で、赤、黄、緑、青といった色を表す言葉の繰り返しが基になっている。それぞれの単語は異なる調性を持っている。Coloresは、4つの語調の順列から導き出され、直列主義作曲とコンセプチュアリズムの両方からインスピレーションを得た作品である。オーディオペインティング『Verbal...

¥3,980

クイックビュー {"id":8429016154362,"title":"Various Artists (Buh Records) \/\/ Viva el sábado: Hits de disco pop peruano (1978-1989) LP","handle":"various-artists-viva-el-sabado-hits-de-disco-pop-peruano-1978-1989-lp","description":"\u003cp\u003eペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1978年から1989年までに制作しれたペルー産ディスコポップの発掘音源集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zk9D1lTBw4Y?si=tMUe6ljUGr_oBEzB\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003ehere\u003c\/a\u003e to see more Buh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rollets - Patinando (1980) 04:34\u003cbr\u003e2. Grupo Cremolada - Amazonas (1982) 04:08\u003cbr\u003e3. Santodomingo Kid - Caminito (1978) 04:03\u003cbr\u003e4. Grupo Swing - Bosque solitario (1982) 03:41\u003cbr\u003e5. Grupo San Francisco - Sin ti (1985) 04:14\u003cbr\u003e6. Pepo Rok - Te lo dije (1986) 04:02\u003cbr\u003e7. Los Roller's de Tarapoto - Amor cibernético (1985) 04:19\u003cbr\u003e8. Jaque Mate - Abrígame (1989) 03:46\u003cbr\u003e9. Grupo América - Amo a Susana (1986) 04:09\u003cbr\u003e10. Annie - Jungla de Cemento (1989) 05:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBuh Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis compilation brings together for the first time diverse Peruvian musical groups that immersed themselves in dance music following the codes brought by the disco revolution. As a phenomenon of a new culture, the global dissemination of disco music had various variations and reformulations. The way it took root in Peru constitutes a fascinating yet underexplored history, despite the numerous recordings that came to light, mainly in the 1980s, running parallel to the boom of Peruvian tropical music, the emergence of a new pop rock scene, and the widespread use of synthesizers and electronic drums. And even though the groups were eclectic and moved across various musical genres, their dance music hits have now become cult pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom Lima to Trujillo, from Iquitos to Tarapoto, this compilation presents a wide range of sounds designed for the dance floor: unrestrained, eclectic, and high-energy. From pioneering groups with brief yet foundational trajectories like Rollets (composed of members from the rock group Laghonia) or Santodomingo Kid (led by experimental musician Luis David Aguilar), who range from boogie to soul disco with electrifying synthesizer sounds\u003cspan class=\"bcTruncateMore\"\u003e. But also, the exotic arrangements of Grupo América and Grupo Cremolada, to the tropical disco pop sound of Grupo San Francisco or Los Roller's de Tarapoto. From the space disco ventures of Grupo Swing to the synthesized pop sound of Pepo Rok, Jaque Mate, or Annie.\u003cbr\u003e\u003cbr\u003e\"Viva el sábado: Hits de disco pop peruano (1978-1989)\" constitutes a fabulous and unique document to delve into Peruvian dance music and initiates a new series at Buh Records that will present in various volumes some of the treasures of disco music in Peru.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR171\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-05-12T10:33:31+09:00","created_at":"2024-05-10T18:14:36+09:00","vendor":"Tobira Records","type":"","tags":["buh records","field recording","folk \/ left-field pop","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45900980715770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Buh Records) \/\/ Viva el sábado: Hits de disco pop peruano (1978-1989) LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/viva1.jpg?v=1715332478","\/\/tobirarecords.com\/cdn\/shop\/files\/viva2.jpg?v=1715332478"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/viva1.jpg?v=1715332478","options":["Title"],"media":[{"alt":null,"id":33987556475130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/viva1.jpg?v=1715332478"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/viva1.jpg?v=1715332478","width":700},{"alt":null,"id":33987556507898,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/viva2.jpg?v=1715332478"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/viva2.jpg?v=1715332478","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1978年から1989年までに制作しれたペルー産ディスコポップの発掘音源集です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zk9D1lTBw4Y?si=tMUe6ljUGr_oBEzB\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003ehere\u003c\/a\u003e to see more Buh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rollets - Patinando (1980) 04:34\u003cbr\u003e2. Grupo Cremolada - Amazonas (1982) 04:08\u003cbr\u003e3. Santodomingo Kid - Caminito (1978) 04:03\u003cbr\u003e4. Grupo Swing - Bosque solitario (1982) 03:41\u003cbr\u003e5. Grupo San Francisco - Sin ti (1985) 04:14\u003cbr\u003e6. Pepo Rok - Te lo dije (1986) 04:02\u003cbr\u003e7. Los Roller's de Tarapoto - Amor cibernético (1985) 04:19\u003cbr\u003e8. Jaque Mate - Abrígame (1989) 03:46\u003cbr\u003e9. Grupo América - Amo a Susana (1986) 04:09\u003cbr\u003e10. Annie - Jungla de Cemento (1989) 05:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBuh Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis compilation brings together for the first time diverse Peruvian musical groups that immersed themselves in dance music following the codes brought by the disco revolution. As a phenomenon of a new culture, the global dissemination of disco music had various variations and reformulations. The way it took root in Peru constitutes a fascinating yet underexplored history, despite the numerous recordings that came to light, mainly in the 1980s, running parallel to the boom of Peruvian tropical music, the emergence of a new pop rock scene, and the widespread use of synthesizers and electronic drums. And even though the groups were eclectic and moved across various musical genres, their dance music hits have now become cult pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom Lima to Trujillo, from Iquitos to Tarapoto, this compilation presents a wide range of sounds designed for the dance floor: unrestrained, eclectic, and high-energy. From pioneering groups with brief yet foundational trajectories like Rollets (composed of members from the rock group Laghonia) or Santodomingo Kid (led by experimental musician Luis David Aguilar), who range from boogie to soul disco with electrifying synthesizer sounds\u003cspan class=\"bcTruncateMore\"\u003e. But also, the exotic arrangements of Grupo América and Grupo Cremolada, to the tropical disco pop sound of Grupo San Francisco or Los Roller's de Tarapoto. From the space disco ventures of Grupo Swing to the synthesized pop sound of Pepo Rok, Jaque Mate, or Annie.\u003cbr\u003e\u003cbr\u003e\"Viva el sábado: Hits de disco pop peruano (1978-1989)\" constitutes a fabulous and unique document to delve into Peruvian dance music and initiates a new series at Buh Records that will present in various volumes some of the treasures of disco music in Peru.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBR171\u003c\/span\u003e\u003c\/p\u003e"}