Paul Flaherty / Bill Nace // Touchless 7"
Paul Flaherty / Bill Nace // Touchless 7"
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80年代から活動するアメリカの大御所アルトサックス奏者Paul Flahertyと、同国実験レーベルOpen Mouth主宰Bill Naceが、2011年にリリースした共作7"です。
アルトとギターによるインプロ2曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Open Mouth releases available at Tobira.
----------------------------
Edition of 150.
Paul Flaherty--alto sax
Bill Nace--electric guitar
Artist : Paul Flaherty/Bill Nace
Label : Open Mouth
80年代から活動するアメリカの大御所アルトサックス奏者Paul Flahertyと、同国実験レーベルOpen Mouth主宰Bill Naceが、2011年にリリースした共作7"です。
アルトとギターによるインプロ2曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Open Mouth releases available at Tobira.
----------------------------
Edition of 150.
Paul Flaherty--alto sax
Bill Nace--electric guitar
Artist : Paul Flaherty/Bill Nace
Label : Open Mouth
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{"id":9156140302586,"title":"Bill Nace \/\/ Bill Nace Plays The 2-String Taishogoto LP","handle":"bill-nace-bill-nace-plays-the-2-string-taishogoto-lp-color","description":"\u003cp\u003eアメリカのギタリスト／大正琴奏者Bill Naceが、2026年2月に自身主宰レーベルOpen Mouthから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e2弦の大正琴によるインプロ2曲を収録。版元即完のためこの機会をお見逃しなく。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eJohn Truscinski\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Bill Nace Plays the 2 String Taishogoto』は、私にとって、暗黒時代に向けて灯された松明のようであり、あるいはむしろ、自らを焼き尽くすような犠牲の儀式のように感じられる一枚だ。Naceは、メディア、人々、場所、ドローイング、音、映像、楽器といったあらゆる領域にまたがる創造的な作品群を持つ、アメリカのアンダーグラウンドシーンにおける唯一無二の存在である。私は幸運にも、30年もの間彼を親しい友人と呼べる間柄にある。Billの演奏には独特で言葉では言い表しにくい何かがあるが、私はそれが様々な場面で現れるのを目にしてきた。Billが演奏を始めると、人々は足を止めて耳を傾ける。何か並外れたことが起きているという認識が生まれるのだ。それはギターやバンド、バーという表層を突き破り、目覚めの合図として響き渡る。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作では、Billのソロ演奏での2つの輝かしい側面――それぞれが独自の質を備えた――を堪能できる。A面では炎が軽やかに燃え上がる。螺旋状にループする音が土台となり、金属的で深く心地よい声が様々な形をとりながらうめき、嘆き叫ぶ。Billは、長年にわたるアンプや音響システムの故障からしか得られない熟練の技で、風の馬に乗っている。フィードバックは溢れ出そうと絶えず脅かすが、そのたびに新たな表現を見出す。2本の弦から、表情、色彩、形が美しく、あらゆるバリエーションで浮かび上がる。大音量で聴けば、家の窓が割れてしまうかもしれない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面ではその形式がひっくり返される。一連の音符が繰り返されるが、それは単なるループではない。血が鼓動し、筋肉が痙攣し、身体が動きながらこれらの音を生成している。最初は、その形式にシンプルさと緊張感がある。しかし、私の脳は次第にその音に溶け込み、広がる空間は広大だ。倍音やハーモニクスが広い部屋の壁に反響し、私の時間感覚は変容する。ここでも、2本の弦が奏でる音域は果てしなく美しく広がる。2本の弦、2つの面、異なるけれど互いに繋がっている。Bill本人と同じように、私はこの音楽が存在し、それを目の当たりにできることに感謝している。ぜひ、あなた自身で聴いて確かめてみてほしい。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1934697569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Over\/Under 17:48\u003cbr\u003e2. One for Susan Alcorn 18:47\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eBill Nace Plays the 2 String Taishogoto' is a record that feels to me like a torch set on fire for the dark ages, or maybe more like an immolation. Nace is a singular figure of the American underground with a catalogue of creative output that stretches across mediums, people, places, drawings, sounds, images, instruments. I’ve been lucky enough to call him a close friend for 3 decades now. There’s a quality to Bill’s playing that’s unique and hard to put words to, but I’ve seen it show up in many different settings. When Bill plays people stop and listen up. There’s recognition that something extraordinary is happening. It breaks through the surface of guitars, bands, and bars as a wake-up call. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn this case we’re treated to 2 glorious sides of the solo version of Bill, each with its own quality. The flame is light on side A. A spirally loop sets the ground as a metallic and deeply pleasurable voice moans and wails through different forms. Bill rides the wind horse with expertise that can only come from years of broken amps and sound systems. The feedback continuously threatening to spill over only to find a new expression. A full range of faces, colors, and shapes emerge from the 2 strings beautifully. Play\u003cspan class=\"bcTruncateMore\"\u003e it loud and it might smash the windows in your house.\u003cbr\u003e\u003cbr\u003eThe format is flipped upside down on side B. A single series of notes is repeated, but it’s not a loop. Blood is pumping, muscles are twitching, a body is moving to generate these sounds. There’s simplicity and tension in the form at first. But my brain begins to relax into it and the space that opens up is vast. My sense of time is altered as overtones and harmonics are bouncing off the walls of a large room. Again, the range of the 2 strings is endless and beautiful. 2 strings, 2 sides, different yet connected to each other. Like Bill himself, I’m grateful this music exists and that I’m here to witness it. Light it up for yourself and see.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM88\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 28th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-27T07:50:04+09:00","created_at":"2026-03-26T11:07:49+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","new","noise","open mouth","recommended"],"price":499600,"price_min":499600,"price_max":499600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48540709323002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace \/\/ Bill Nace Plays The 2-String Taishogoto LP","public_title":null,"options":["Default Title"],"price":499600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/taisho_a593732f-410a-43f7-a6c1-cdbe513c499a.jpg?v=1774491273","\/\/tobirarecords.com\/cdn\/shop\/files\/taisho3.jpg?v=1774491273"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/taisho_a593732f-410a-43f7-a6c1-cdbe513c499a.jpg?v=1774491273","options":["Title"],"media":[{"alt":null,"id":38857475260666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/taisho_a593732f-410a-43f7-a6c1-cdbe513c499a.jpg?v=1774491273"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/taisho_a593732f-410a-43f7-a6c1-cdbe513c499a.jpg?v=1774491273","width":350},{"alt":null,"id":38857475293434,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/taisho3.jpg?v=1774491273"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/taisho3.jpg?v=1774491273","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリスト／大正琴奏者Bill Naceが、2026年2月に自身主宰レーベルOpen Mouthから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e2弦の大正琴によるインプロ2曲を収録。版元即完のためこの機会をお見逃しなく。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan class=\"bcTruncateMore\"\u003eJohn Truscinski\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Bill Nace Plays the 2 String Taishogoto』は、私にとって、暗黒時代に向けて灯された松明のようであり、あるいはむしろ、自らを焼き尽くすような犠牲の儀式のように感じられる一枚だ。Naceは、メディア、人々、場所、ドローイング、音、映像、楽器といったあらゆる領域にまたがる創造的な作品群を持つ、アメリカのアンダーグラウンドシーンにおける唯一無二の存在である。私は幸運にも、30年もの間彼を親しい友人と呼べる間柄にある。Billの演奏には独特で言葉では言い表しにくい何かがあるが、私はそれが様々な場面で現れるのを目にしてきた。Billが演奏を始めると、人々は足を止めて耳を傾ける。何か並外れたことが起きているという認識が生まれるのだ。それはギターやバンド、バーという表層を突き破り、目覚めの合図として響き渡る。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作では、Billのソロ演奏での2つの輝かしい側面――それぞれが独自の質を備えた――を堪能できる。A面では炎が軽やかに燃え上がる。螺旋状にループする音が土台となり、金属的で深く心地よい声が様々な形をとりながらうめき、嘆き叫ぶ。Billは、長年にわたるアンプや音響システムの故障からしか得られない熟練の技で、風の馬に乗っている。フィードバックは溢れ出そうと絶えず脅かすが、そのたびに新たな表現を見出す。2本の弦から、表情、色彩、形が美しく、あらゆるバリエーションで浮かび上がる。大音量で聴けば、家の窓が割れてしまうかもしれない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面ではその形式がひっくり返される。一連の音符が繰り返されるが、それは単なるループではない。血が鼓動し、筋肉が痙攣し、身体が動きながらこれらの音を生成している。最初は、その形式にシンプルさと緊張感がある。しかし、私の脳は次第にその音に溶け込み、広がる空間は広大だ。倍音やハーモニクスが広い部屋の壁に反響し、私の時間感覚は変容する。ここでも、2本の弦が奏でる音域は果てしなく美しく広がる。2本の弦、2つの面、異なるけれど互いに繋がっている。Bill本人と同じように、私はこの音楽が存在し、それを目の当たりにできることに感謝している。ぜひ、あなた自身で聴いて確かめてみてほしい。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1934697569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Over\/Under 17:48\u003cbr\u003e2. One for Susan Alcorn 18:47\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eBill Nace Plays the 2 String Taishogoto' is a record that feels to me like a torch set on fire for the dark ages, or maybe more like an immolation. Nace is a singular figure of the American underground with a catalogue of creative output that stretches across mediums, people, places, drawings, sounds, images, instruments. I’ve been lucky enough to call him a close friend for 3 decades now. There’s a quality to Bill’s playing that’s unique and hard to put words to, but I’ve seen it show up in many different settings. When Bill plays people stop and listen up. There’s recognition that something extraordinary is happening. It breaks through the surface of guitars, bands, and bars as a wake-up call. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn this case we’re treated to 2 glorious sides of the solo version of Bill, each with its own quality. The flame is light on side A. A spirally loop sets the ground as a metallic and deeply pleasurable voice moans and wails through different forms. Bill rides the wind horse with expertise that can only come from years of broken amps and sound systems. The feedback continuously threatening to spill over only to find a new expression. A full range of faces, colors, and shapes emerge from the 2 strings beautifully. Play\u003cspan class=\"bcTruncateMore\"\u003e it loud and it might smash the windows in your house.\u003cbr\u003e\u003cbr\u003eThe format is flipped upside down on side B. A single series of notes is repeated, but it’s not a loop. Blood is pumping, muscles are twitching, a body is moving to generate these sounds. There’s simplicity and tension in the form at first. But my brain begins to relax into it and the space that opens up is vast. My sense of time is altered as overtones and harmonics are bouncing off the walls of a large room. Again, the range of the 2 strings is endless and beautiful. 2 strings, 2 sides, different yet connected to each other. Like Bill himself, I’m grateful this music exists and that I’m here to witness it. Light it up for yourself and see.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM88\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 28th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのギタリスト／大正琴奏者Bill Naceが、2026年2月に自身主宰レーベルOpen Mouthから100部限定でリリースしたレコードです。 2弦の大正琴によるインプロ2曲を収録。版元即完のためこの機会をお見逃しなく。 以下、John Truscinskiによる解説です。 『Bill Nace Plays the 2 String Taishogoto』は、私にとって、暗黒時代に向けて灯された松明のようであり、あるいはむしろ、自らを焼き尽くすような犠牲の儀式のように感じられる一枚だ。Naceは、メディア、人々、場所、ドローイング、音、映像、楽器といったあらゆる領域にまたがる創造的な作品群を持つ、アメリカのアンダーグラウンドシーンにおける唯一無二の存在である。私は幸運にも、30年もの間彼を親しい友人と呼べる間柄にある。Billの演奏には独特で言葉では言い表しにくい何かがあるが、私はそれが様々な場面で現れるのを目にしてきた。Billが演奏を始めると、人々は足を止めて耳を傾ける。何か並外れたことが起きているという認識が生まれるのだ。それはギターやバンド、バーという表層を突き破り、目覚めの合図として響き渡る。 本作では、Billのソロ演奏での2つの輝かしい側面――それぞれが独自の質を備えた――を堪能できる。A面では炎が軽やかに燃え上がる。螺旋状にループする音が土台となり、金属的で深く心地よい声が様々な形をとりながらうめき、嘆き叫ぶ。Billは、長年にわたるアンプや音響システムの故障からしか得られない熟練の技で、風の馬に乗っている。フィードバックは溢れ出そうと絶えず脅かすが、そのたびに新たな表現を見出す。2本の弦から、表情、色彩、形が美しく、あらゆるバリエーションで浮かび上がる。大音量で聴けば、家の窓が割れてしまうかもしれない。...
¥4,996
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{"id":9045942632698,"title":"Bill Nace\/Graham Lambkin \/\/ THE DISHWASHERS LP","handle":"bill-nace-graham-lambkin-the-dishwashers-lp","description":"\u003cp\u003eアメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Bill NaceとGraham Lambkinが2020年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロ〜ドローン8曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950052529\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Awaker \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Purrum \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 The Snake \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 Egg Shell Moon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 With Us \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Kentucky Raincloud \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Horse to Grin \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Street Metals\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBill Nace and Graham Lambkin first played together in Fall 2018, in Kentucky, behind plastic. In that performance, they sometimes played the same instrument at the same time. Time passed, then they recorded this album in Fall 2019, in London. I was told that an acoustic guitar, a cymbal and tapes were used in the recording and I have no reason to doubt that. There are also voices, birds, a room, the outside world...; a bow is used. Bill \u0026amp; Graham both deal in different kinds of tension \u0026amp; discomfort and while this album is both like \u0026amp; unlike what I've heard from either of them, it is somewhat remarkably laid-back. Though there are separate and distinct tracks, they flow into each other organically. Not without some jagged interruptions - in fact, many of the tracks *announce* themselves with a sudden cough, squeak or scrape - but the field recording aspects (passing cars, a siren, some banter) act as a leitmotif holding things together, adding a casual ambiance that *almost* invites a casual listen. But it is deceptive in that way. It is not a hermetic recording. As much as it doesn't exclude the sounds of the outside world, it also lies open to interpretation. Themes recur just enough to create a connective tissue that frames some of the more seemingly disparate elements. Brief fragments of conversation invite the mind to try to understand and create its own narrative; a pizzicato, modal folksong played on guitar, then played back on tape at the end of Side A has a reprise midway through Side B; hints of ancient music are bowed or chanted... This is not a tapestry without thread, but you've also got to bring some of your own. --\u003cspan class=\"il\"\u003eGreg\u003c\/span\u003e \u003cspan class=\"il\"\u003eKelley\u003c\/span\u003e Somerville MA 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Bill Nace\/Graham Lambkin\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-04T05:52:34+09:00","created_at":"2026-01-04T05:51:48+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","open mouth"],"price":428800,"price_min":428800,"price_max":428800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48183163420922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace\/Graham Lambkin \/\/ THE DISHWASHERS LP","public_title":null,"options":["Default Title"],"price":428800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","options":["Title"],"media":[{"alt":null,"id":11598697824421,"position":1,"preview_image":{"aspect_ratio":1.0,"height":640,"width":640,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670"},"aspect_ratio":1.0,"height":640,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","width":640},{"alt":null,"id":11598697857189,"position":2,"preview_image":{"aspect_ratio":0.995,"height":602,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670"},"aspect_ratio":0.995,"height":602,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Bill NaceとGraham Lambkinが2020年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロ〜ドローン8曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950052529\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Awaker \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Purrum \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 The Snake \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 Egg Shell Moon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 With Us \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Kentucky Raincloud \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Horse to Grin \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Street Metals\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBill Nace and Graham Lambkin first played together in Fall 2018, in Kentucky, behind plastic. In that performance, they sometimes played the same instrument at the same time. Time passed, then they recorded this album in Fall 2019, in London. I was told that an acoustic guitar, a cymbal and tapes were used in the recording and I have no reason to doubt that. There are also voices, birds, a room, the outside world...; a bow is used. Bill \u0026amp; Graham both deal in different kinds of tension \u0026amp; discomfort and while this album is both like \u0026amp; unlike what I've heard from either of them, it is somewhat remarkably laid-back. Though there are separate and distinct tracks, they flow into each other organically. Not without some jagged interruptions - in fact, many of the tracks *announce* themselves with a sudden cough, squeak or scrape - but the field recording aspects (passing cars, a siren, some banter) act as a leitmotif holding things together, adding a casual ambiance that *almost* invites a casual listen. But it is deceptive in that way. It is not a hermetic recording. As much as it doesn't exclude the sounds of the outside world, it also lies open to interpretation. Themes recur just enough to create a connective tissue that frames some of the more seemingly disparate elements. Brief fragments of conversation invite the mind to try to understand and create its own narrative; a pizzicato, modal folksong played on guitar, then played back on tape at the end of Side A has a reprise midway through Side B; hints of ancient music are bowed or chanted... This is not a tapestry without thread, but you've also got to bring some of your own. --\u003cspan class=\"il\"\u003eGreg\u003c\/span\u003e \u003cspan class=\"il\"\u003eKelley\u003c\/span\u003e Somerville MA 2020\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Bill Nace\/Graham Lambkin\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。 本作は、Bill NaceとGraham Lambkinが2020年にリリースした共作レコードです。 インプロ〜ドローン8曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases...
¥4,288
クイックビュー
{"id":8988459598074,"title":"Sakina Abdou\/Bill Nace \/\/ Rinse Cycle LP","handle":"sakina-abdou-bill-nace-rinse-cycle","description":"\u003cp\u003eフランスのサックス奏者Sakina Abdouとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年10月にBill Nace主宰レーベルOpen Mouthから150部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるガチンコフリージャズ4曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=576560277\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vented 08:15\u003cbr\u003e2. All in One (in two parts) 06:44\u003cbr\u003e3. Mega Capacity 11:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Perfect Steam 06:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt written by Clifford Allen, August 2025\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Over the course of more than two decades, Philadelphia musician Bill Nace (guitar, taishogoto) has carved out unique collaborations across a wide range of contemporary improvisational practices, and though these range from solos to small groups, there’s a keen ear toward the immediate, stark tug of duets. Some of these meetings are one-offs for now (saxophonists Evan Parker and Masayo Koketsu), while others are regular partnerships that have evolved across continual play and refinement (violinist Samara Lubelski and saxophonists Paul Flaherty and Steve Baczkowski). Many of these recordings have been released via Open Mouth, the label that Nace founded in 2004 which documents not only his work, but also that of fellow travelers in the worlds of experimental rock, noise, free improvisation, electronic music, and spectral folk in more or less limited editions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRinse Cycle is the first recorded encounter between Nace and French saxophonist Sakina Abdou, whose searing and personally declarative solo CD, Goodbye Ground, was released by Relative Pitch at the close of 2022. From Lille, Abdou has participated in collectives for many years, but recent solo work has garnered her more attention (especially Stateside) and offers a clear and focused explication of her language. Having a defined unaccompanied approach allows\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e for powerful duo situations to emerge––after all, figures like Evan Parker, Lubelski, and Flaherty have significant solo practices, and the development of a strict vocabulary on one’s own offers more conversational resilience. It’s as if isolation opens one up to deep and nuanced listening and the focus on structure and vocabulary grants a bevy of resources for the expanded field. That said, as a player Nace is less like a Derek Bailey or Masayuki Takayanagi in terms of directing the conversation (though he can) and more akin to Sunny Murray, providing a distinct carpet of sound (to quote Sunny Murray in April\/May 1969’s Jazz \u0026amp; Pop, “the continuous cracking of glass”) that acts to both ratchet up tension incrementally and, in sparser moments, creates a complex, shifting surface on which one’s feet are en pointe. [..\u003c\/em\u003e\u003cem\u003e.]\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sakina Abdou\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2025-11-10T15:11:00+09:00","created_at":"2025-11-10T11:21:12+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","noise","open mouth","recommended"],"price":598000,"price_min":598000,"price_max":598000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47929590644986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sakina Abdou\/Bill Nace \/\/ Rinse Cycle LP","public_title":null,"options":["Default Title"],"price":598000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902","\/\/tobirarecords.com\/cdn\/shop\/files\/rin2.jpg?v=1762740902"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902","options":["Title"],"media":[{"alt":null,"id":37447567180026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin1.jpg?v=1762740902","width":700},{"alt":null,"id":37447567212794,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin2.jpg?v=1762740902"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rin2.jpg?v=1762740902","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのサックス奏者Sakina Abdouとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年10月にBill Nace主宰レーベルOpen Mouthから150部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるガチンコフリージャズ4曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=576560277\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vented 08:15\u003cbr\u003e2. All in One (in two parts) 06:44\u003cbr\u003e3. Mega Capacity 11:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Perfect Steam 06:13\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt written by Clifford Allen, August 2025\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Over the course of more than two decades, Philadelphia musician Bill Nace (guitar, taishogoto) has carved out unique collaborations across a wide range of contemporary improvisational practices, and though these range from solos to small groups, there’s a keen ear toward the immediate, stark tug of duets. Some of these meetings are one-offs for now (saxophonists Evan Parker and Masayo Koketsu), while others are regular partnerships that have evolved across continual play and refinement (violinist Samara Lubelski and saxophonists Paul Flaherty and Steve Baczkowski). Many of these recordings have been released via Open Mouth, the label that Nace founded in 2004 which documents not only his work, but also that of fellow travelers in the worlds of experimental rock, noise, free improvisation, electronic music, and spectral folk in more or less limited editions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRinse Cycle is the first recorded encounter between Nace and French saxophonist Sakina Abdou, whose searing and personally declarative solo CD, Goodbye Ground, was released by Relative Pitch at the close of 2022. From Lille, Abdou has participated in collectives for many years, but recent solo work has garnered her more attention (especially Stateside) and offers a clear and focused explication of her language. Having a defined unaccompanied approach allows\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e for powerful duo situations to emerge––after all, figures like Evan Parker, Lubelski, and Flaherty have significant solo practices, and the development of a strict vocabulary on one’s own offers more conversational resilience. It’s as if isolation opens one up to deep and nuanced listening and the focus on structure and vocabulary grants a bevy of resources for the expanded field. That said, as a player Nace is less like a Derek Bailey or Masayuki Takayanagi in terms of directing the conversation (though he can) and more akin to Sunny Murray, providing a distinct carpet of sound (to quote Sunny Murray in April\/May 1969’s Jazz \u0026amp; Pop, “the continuous cracking of glass”) that acts to both ratchet up tension incrementally and, in sparser moments, creates a complex, shifting surface on which one’s feet are en pointe. [..\u003c\/em\u003e\u003cem\u003e.]\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sakina Abdou\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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フランスのサックス奏者Sakina Abdouとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年10月にBill Nace主宰レーベルOpen Mouthから150部限定でリリースした共作レコードです。 サックスと大正琴によるガチンコフリージャズ4曲を収録。版元即完のため最初で最後の入荷となります。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases available...
¥5,980
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{"id":8789395669242,"title":"Evan Parker\/Bill Nace \/\/ Branches (Live at Cafe OTO) LP","handle":"evan-parker-bill-nace-branches-live-at-cafe-oto-lp","description":"\u003cp\u003eイギリスのサックス奏者Evan Parkerとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年5月にBill Nace主宰レーベルOpen Mouthからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるサイケデリックなフリージャズ2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1003178254\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE A (20:02)\u003cbr\u003e2. SIDE B\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eThurston Moore, London, 2025, via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"They had never played together before.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey had never even met each other before this springtime 2024 concert at London’s Café Oto.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEvan Parker, circular breathing maestro of the saxophone, a legend in the universe that is Free Improvisation since the late 1960s and Bill Nace, one of the most intriguing experimental “noise” guitarists of the 1990s\/2000s underground scene.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor those of us who have been enamored by the live and documented work of both these gents, this Café Oto duo was a must-hear event. It could have gone anywhere musically and that would have been totally fine. Particularly with Evan having a history of being thrown into a variety of challenging collaborations throughout his career, employing the learned elegance of trust in his own sensitivity to listening, responding, leading, following, sparring, intertwining, dialoguing, creating in the instant and, essentially, dignifying the non-hierarchical grace of chance.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe aesthetics of socialist consideration in Evan Parker’s playing, in his community of expanded and personal technique, for a younger player such as Bill Nace, strikes an exemplary model. This notion of respect would be entirely the reason Nace, when offered a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e residency at the most critical “new music” room in England, would request to play in duo with Parker.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBill Nace came to prominence mostly during the apex of experimental music activity in and around Western Massachusetts in the early days of the aughts, with a focus on visual art and free improvisation guitar action. He could be found in the daytime hours, his head hanging down over a notepad, penning fine-tuned illustrations and abstract line drawings, while in the evenings he’d be attending any number of basement noise gigs, many of which he’d be participating in. His guitar style came across as being informed as much as by the physicality of his writing utensils in friction to the page as it was to his hearing and redefining of radical recordings ranging anywhere from the Black Unity Group to Black Flag.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUtilizing various metal files and other small cylindrical objects Bill would allow his guitar and amplifier to be in tandem with the improvisatory movements of his body as the instrument balanced, intentionally and, at times, precariously, upon his lap. The performances came across thrilling and daring and they would be mostly in the context of venues nothing more than a low-ceilinged damp and dank New England basement, a clutch of people hanging onto rusty pipes or sitting up on dilapidated washer\/dryer machines, the shards of Bill’s “file guitar” sounds ringing out like the most alive music on Earth.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBy the time Bill reached Café Oto in early 2024 he had relocated to Philadelphia all the while releasing a succession of collaborative LPs on his Open Mouth label to present his developing progression of solo and collaborative work. He also would find himself considerably engaged with playing the electric taishōgoto, a keyboard-activated string instrument from Japan which can exist as a one, two, four, five, or six string oblong sound object. Bill’s approach to the taishōgoto would not be too unlike his approach to the traditional electric guitar, though no outboard implements such as files, sticks, and rocks are utilized. The similarity would lie wholly with Bill’s full immersion of high velocity action-playing where, with the taishōgoto, an electric drone beauty occurs. The flurry of sonics and resultant harmonics emanating from the amplifier (which Bill opts to dial into with borderline loud-as fuck volume settings) furthers the meta-mantra properties of the instrument in an astounding display of drone dynamism.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis sound world of Bill’s two-stringed taishōgoto on this Café Oto night worked beautifully with Evan Parker’s improvisatory saxophone conceptions. The duology achieved instant lift off at ground zero only to find it’s eventual finale as if it were organically ordained. Time seemingly morphed from its ancient human construct of control, rendered inconsequential to the torrential transcendence of the room wildly activated by the magic resonance of the multi-directional pan-spatial sonance of the music as if it were some beatific blessing. It was one of those nights where art as a liberating force of spirit gifted the listeners with an offering of exaltation and joy. It was entirely mystical and mind blowing. A night of Total Music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Evan Parker\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth Records x Otoroku\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM86 \/ \u003cmeta charset=\"utf-8\"\u003eOTO43\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-05-21T16:20:32+09:00","created_at":"2025-05-20T11:17:22+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","noise","open mouth","recommended"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47328863846650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Evan Parker\/Bill Nace \/\/ Branches (Live at Cafe OTO) LP","public_title":null,"options":["Default Title"],"price":548000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311","\/\/tobirarecords.com\/cdn\/shop\/files\/evan2.jpg?v=1747707310"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311","options":["Title"],"media":[{"alt":null,"id":36058351436026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan1.jpg?v=1747707311","width":700},{"alt":null,"id":36058351468794,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan2.jpg?v=1747707310"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/evan2.jpg?v=1747707310","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのサックス奏者Evan Parkerとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年5月にBill Nace主宰レーベルOpen Mouthからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスと大正琴によるサイケデリックなフリージャズ2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1003178254\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE A (20:02)\u003cbr\u003e2. SIDE B\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eThurston Moore, London, 2025, via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"They had never played together before.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey had never even met each other before this springtime 2024 concert at London’s Café Oto.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEvan Parker, circular breathing maestro of the saxophone, a legend in the universe that is Free Improvisation since the late 1960s and Bill Nace, one of the most intriguing experimental “noise” guitarists of the 1990s\/2000s underground scene.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor those of us who have been enamored by the live and documented work of both these gents, this Café Oto duo was a must-hear event. It could have gone anywhere musically and that would have been totally fine. Particularly with Evan having a history of being thrown into a variety of challenging collaborations throughout his career, employing the learned elegance of trust in his own sensitivity to listening, responding, leading, following, sparring, intertwining, dialoguing, creating in the instant and, essentially, dignifying the non-hierarchical grace of chance.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe aesthetics of socialist consideration in Evan Parker’s playing, in his community of expanded and personal technique, for a younger player such as Bill Nace, strikes an exemplary model. This notion of respect would be entirely the reason Nace, when offered a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e residency at the most critical “new music” room in England, would request to play in duo with Parker.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBill Nace came to prominence mostly during the apex of experimental music activity in and around Western Massachusetts in the early days of the aughts, with a focus on visual art and free improvisation guitar action. He could be found in the daytime hours, his head hanging down over a notepad, penning fine-tuned illustrations and abstract line drawings, while in the evenings he’d be attending any number of basement noise gigs, many of which he’d be participating in. His guitar style came across as being informed as much as by the physicality of his writing utensils in friction to the page as it was to his hearing and redefining of radical recordings ranging anywhere from the Black Unity Group to Black Flag.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eUtilizing various metal files and other small cylindrical objects Bill would allow his guitar and amplifier to be in tandem with the improvisatory movements of his body as the instrument balanced, intentionally and, at times, precariously, upon his lap. The performances came across thrilling and daring and they would be mostly in the context of venues nothing more than a low-ceilinged damp and dank New England basement, a clutch of people hanging onto rusty pipes or sitting up on dilapidated washer\/dryer machines, the shards of Bill’s “file guitar” sounds ringing out like the most alive music on Earth.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBy the time Bill reached Café Oto in early 2024 he had relocated to Philadelphia all the while releasing a succession of collaborative LPs on his Open Mouth label to present his developing progression of solo and collaborative work. He also would find himself considerably engaged with playing the electric taishōgoto, a keyboard-activated string instrument from Japan which can exist as a one, two, four, five, or six string oblong sound object. Bill’s approach to the taishōgoto would not be too unlike his approach to the traditional electric guitar, though no outboard implements such as files, sticks, and rocks are utilized. The similarity would lie wholly with Bill’s full immersion of high velocity action-playing where, with the taishōgoto, an electric drone beauty occurs. The flurry of sonics and resultant harmonics emanating from the amplifier (which Bill opts to dial into with borderline loud-as fuck volume settings) furthers the meta-mantra properties of the instrument in an astounding display of drone dynamism.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis sound world of Bill’s two-stringed taishōgoto on this Café Oto night worked beautifully with Evan Parker’s improvisatory saxophone conceptions. The duology achieved instant lift off at ground zero only to find it’s eventual finale as if it were organically ordained. Time seemingly morphed from its ancient human construct of control, rendered inconsequential to the torrential transcendence of the room wildly activated by the magic resonance of the multi-directional pan-spatial sonance of the music as if it were some beatific blessing. It was one of those nights where art as a liberating force of spirit gifted the listeners with an offering of exaltation and joy. It was entirely mystical and mind blowing. A night of Total Music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Evan Parker\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth Records x Otoroku\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM86 \/ \u003cmeta charset=\"utf-8\"\u003eOTO43\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのサックス奏者Evan Parkerとアメリカのギタリスト／大正琴奏者Bill Naceが、2025年5月にBill Nace主宰レーベルOpen Mouthからリリースした共作レコードです。 サックスと大正琴によるサイケデリックなフリージャズ2曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases available...
¥5,480