contemporary / sound poetry
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{"id":5830691061925,"title":"Tori Kudo \/\/ Live at Kochi CDR","handle":"tori-kudo-kochi-cdr","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e工藤冬里2019年８月17日高知Equivqlent でのライブ音源です。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e全4トラック57分収録されています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTori Kudo's live recording. 4 tracks, 57 mins.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844246114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/torikudo.bandcamp.com\/album\/kochi\"\u003ekochi by tori kudo\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2020-10-25T09:33:04+09:00","created_at":"2020-10-25T09:33:02+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","contemporary \/ sound poetry"],"price":150700,"price_min":150700,"price_max":150700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36882189451429,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tori Kudo \/\/ Live at Kochi CDR","public_title":null,"options":["Default Title"],"price":150700,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2228142222_16.jpg?v=1603585984"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2228142222_16.jpg?v=1603585984","options":["Title"],"media":[{"alt":null,"id":12787625033893,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2228142222_16.jpg?v=1603585984"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2228142222_16.jpg?v=1603585984","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e工藤冬里2019年８月17日高知Equivqlent でのライブ音源です。\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e全4トラック57分収録されています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTori Kudo's live recording. 4 tracks, 57 mins.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3844246114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/torikudo.bandcamp.com\/album\/kochi\"\u003ekochi by tori kudo\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}
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工藤冬里2019年８月17日高知Equivqlent でのライブ音源です。全4トラック57分収録されています。
Tori Kudo's live recording. 4 tracks, 57 mins.
kochi by tori kudo
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{"id":5830613958821,"title":"Kayo Makino \/\/ Ein Traum fur Dich mix CDR","handle":"kayo-makino-ein-traum-fur-dich-mix-cdr","description":"\u003cp\u003e東京アンダーグラウンドシーンで活躍するKayo MakinoのミックスCDRを入荷しました。本作は2018年に行われた石橋英子氏のリリースイベントのために制作されました。工藤冬里氏のピアノに環境音などが交わります。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDJ Kayo Makino who has been active in the Tokyo underground scene has released her 1st mix CDR. This mix was played at Eiko Ishibashi's release show in 2018.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/541504269\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003eartist : Kayo Makino\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003elabel : self-released\u003c\/div\u003e","published_at":"2020-10-25T08:50:16+09:00","created_at":"2020-10-25T08:50:15+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","contemporary \/ sound poetry","monooto","self-released"],"price":100100,"price_min":100100,"price_max":100100,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36881863671973,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kayo Makino \/\/ Ein Traum fur Dich mix CDR","public_title":null,"options":["Default Title"],"price":100100,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-258.49.43.png?v=1603583418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-258.49.43.png?v=1603583418","options":["Title"],"media":[{"alt":null,"id":12785307484325,"position":1,"preview_image":{"aspect_ratio":1.006,"height":670,"width":674,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-258.49.43.png?v=1603583418"},"aspect_ratio":1.006,"height":670,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-258.49.43.png?v=1603583418","width":674}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京アンダーグラウンドシーンで活躍するKayo MakinoのミックスCDRを入荷しました。本作は2018年に行われた石橋英子氏のリリースイベントのために制作されました。工藤冬里氏のピアノに環境音などが交わります。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDJ Kayo Makino who has been active in the Tokyo underground scene has released her 1st mix CDR. This mix was played at Eiko Ishibashi's release show in 2018.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/541504269\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003eartist : Kayo Makino\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003elabel : self-released\u003c\/div\u003e"}
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東京アンダーグラウンドシーンで活躍するKayo MakinoのミックスCDRを入荷しました。本作は2018年に行われた石橋英子氏のリリースイベントのために制作されました。工藤冬里氏のピアノに環境音などが交わります。 DJ Kayo Makino who has been active in the Tokyo underground scene...
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{"id":5828711481509,"title":"Enzo Minarelli \/\/ Phonosensitivity CD","handle":"enzo-minarelli-phonosensitivity-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3Vitre主宰のイタリア人音響詩人作家Enzo Minarelliの1979年-1987年に制作された作品をコンパイルしPogusがリリース。エンターテイメント性溢れる一枚。落ち込んだときに元気が出そうです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3373690492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhonosensitivity is a neologism I found in a visual text probably written in the late Sixties, but issued only in 1996, by Emilio Villa, a great Italian scholar and artist. The sensibility of the sound, the sensibility of the phonemes, the sensibility of the words - all perfectly fit my works of those years when I was moving my own way among the already marked lines of historical sound poetry.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll the pieces are unpublished; they belong to the decade—end of the Seventies to the end of the Eighties—when analogical recording systems still ruled.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the early 1970s, Enzo Minarelli has been developing his multiple activities, starting from the written word, which will become related to orality, visuality, performance and television. He has been active in the field of linear and visual poetry, creating several one-man shows and also editing records, CDs and DVDs. He is the theorist of Polypoetry (his manifesto came out in Valencia in 1987), stating the spectacular event of sound poetry; he has been performing\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003enationally and abroad. He was the publisher of the vinyl series 3ViTre Records, producing about twenty records both as 45s and LPs, and founding the 3ViTre Archive of Polypoetry which has been collecting verbo-voco-visual materials. A scholar and researcher about orality and poetry, his essays and books are well-known reference sources. His sound and visual works are gathered in the collections of museum, libraries and archives. As a video-poet, he has produced many video-poems since the early 1980s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eartist : Enzo Minarelli \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003elabel : Pogus\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-24T16:43:07+09:00","created_at":"2020-10-24T16:43:06+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","xi records"],"price":206800,"price_min":206800,"price_max":206800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36872566341797,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Enzo Minarelli \/\/ Phonosensitivity CD","public_title":null,"options":["Default Title"],"price":206800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2349914904_16.jpg?v=1603525388"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2349914904_16.jpg?v=1603525388","options":["Title"],"media":[{"alt":null,"id":12736612630693,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2349914904_16.jpg?v=1603525388"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2349914904_16.jpg?v=1603525388","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3Vitre主宰のイタリア人音響詩人作家Enzo Minarelliの1979年-1987年に制作された作品をコンパイルしPogusがリリース。エンターテイメント性溢れる一枚。落ち込んだときに元気が出そうです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3373690492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhonosensitivity is a neologism I found in a visual text probably written in the late Sixties, but issued only in 1996, by Emilio Villa, a great Italian scholar and artist. The sensibility of the sound, the sensibility of the phonemes, the sensibility of the words - all perfectly fit my works of those years when I was moving my own way among the already marked lines of historical sound poetry.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll the pieces are unpublished; they belong to the decade—end of the Seventies to the end of the Eighties—when analogical recording systems still ruled.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the early 1970s, Enzo Minarelli has been developing his multiple activities, starting from the written word, which will become related to orality, visuality, performance and television. He has been active in the field of linear and visual poetry, creating several one-man shows and also editing records, CDs and DVDs. He is the theorist of Polypoetry (his manifesto came out in Valencia in 1987), stating the spectacular event of sound poetry; he has been performing\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003enationally and abroad. He was the publisher of the vinyl series 3ViTre Records, producing about twenty records both as 45s and LPs, and founding the 3ViTre Archive of Polypoetry which has been collecting verbo-voco-visual materials. A scholar and researcher about orality and poetry, his essays and books are well-known reference sources. His sound and visual works are gathered in the collections of museum, libraries and archives. As a video-poet, he has produced many video-poems since the early 1980s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eartist : Enzo Minarelli \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003elabel : Pogus\u003c\/span\u003e\u003c\/p\u003e"}
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3Vitre主宰のイタリア人音響詩人作家Enzo Minarelliの1979年-1987年に制作された作品をコンパイルしPogusがリリース。エンターテイメント性溢れる一枚。落ち込んだときに元気が出そうです。 Xi Records / Pogusその他作品はこちら /// Click here to see more Xi Records/Pogus releases available at...
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{"id":5828699717797,"title":"Leo Kupper \/\/ Digital Voices CD","handle":"leo-kupper-digital-voices-cd","description":"\u003cp\u003eベルギーの音響詩人家 Leo Kupperの21曲入りアルバム。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eOf the six works presented on this CD, five involve the human voice. Sung by Barbara Zanichelli, Anna Maria Kieffer, and Nicholas Isherwood, their microphone recordings were integrated into Kupper's digital computer sessions - hence the title Digital Voices. The remaining work is for the santur.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eAll the songs on this recording are abstract, which allows both composer and singer a certain artistic liberty. Kupper's stated goal in this recording of digital songs is \"to encourage the internationalization of spirituality through a musical language that accepts both sung and instrumental world sonorities that can be mixed with electronic sounds derived from the voices of the singers.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eartist : Leo Kupper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : Pogus\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-24T16:37:41+09:00","created_at":"2020-10-24T16:37:39+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","xi records"],"price":173800,"price_min":173800,"price_max":173800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36872523841701,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Leo Kupper \/\/ Digital Voices CD","public_title":null,"options":["Default Title"],"price":173800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a4234181807_16.jpg?v=1603525063"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4234181807_16.jpg?v=1603525063","options":["Title"],"media":[{"alt":null,"id":12736418906277,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4234181807_16.jpg?v=1603525063"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4234181807_16.jpg?v=1603525063","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーの音響詩人家 Leo Kupperの21曲入りアルバム。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eOf the six works presented on this CD, five involve the human voice. Sung by Barbara Zanichelli, Anna Maria Kieffer, and Nicholas Isherwood, their microphone recordings were integrated into Kupper's digital computer sessions - hence the title Digital Voices. The remaining work is for the santur.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eAll the songs on this recording are abstract, which allows both composer and singer a certain artistic liberty. Kupper's stated goal in this recording of digital songs is \"to encourage the internationalization of spirituality through a musical language that accepts both sung and instrumental world sonorities that can be mixed with electronic sounds derived from the voices of the singers.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eartist : Leo Kupper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : Pogus\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギーの音響詩人家 Leo Kupperの21曲入りアルバム。 Xi Records / Pogusその他作品はこちら /// Click here to see more Xi Records/Pogus releases available at...
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{"id":5828674093221,"title":"David Rosenboom \/\/ Zones of Influence 2xCD","handle":"david-rosenboom-zones-of-influence-2xcd","description":"\u003cp\u003e David Rosenboomが1984年から1985年にかけて制作した作品。当時MIDIが誕生しておらず、Touchéというコンピュータアルゴリズムを開発・使用して打楽器に当て込み制作されました。2枚組の大ボリューム、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : David Rosenboom\u003c\/p\u003e\n\u003cp\u003elabel : Pogus\u003c\/p\u003e","published_at":"2020-10-24T16:21:02+09:00","created_at":"2020-10-24T16:21:00+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","strange beats","xi records"],"price":261800,"price_min":261800,"price_max":261800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36872429011109,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Rosenboom \/\/ Zones of Influence 2xCD","public_title":null,"options":["Default Title"],"price":261800,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Zones_CD_Cover.jpg?v=1603524062"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Zones_CD_Cover.jpg?v=1603524062","options":["Title"],"media":[{"alt":null,"id":12735879315621,"position":1,"preview_image":{"aspect_ratio":1.0,"height":464,"width":464,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Zones_CD_Cover.jpg?v=1603524062"},"aspect_ratio":1.0,"height":464,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Zones_CD_Cover.jpg?v=1603524062","width":464}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e David Rosenboomが1984年から1985年にかけて制作した作品。当時MIDIが誕生しておらず、Touchéというコンピュータアルゴリズムを開発・使用して打楽器に当て込み制作されました。2枚組の大ボリューム、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : David Rosenboom\u003c\/p\u003e\n\u003cp\u003elabel : Pogus\u003c\/p\u003e"}
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{"id":5828582965413,"title":"Alvin Lucier \/\/ Almost New York 2CD","handle":"alvin-lucier-almost-new-york-2xcd","description":"\u003cp\u003eAlvin Lucierが2000年初期に制作した楽曲をNY Pogusがリリース。Twoningsでは2つの異なるチューニングシステムがぶつかり合い、Coda Variationsではわずかな音程の変化が時系列ごとに聴こえてきます。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAlmost New York employs slow sweep pure wave oscillators, Broken Line, flute glissandi. In Twonings two different tuning systems collide and in Coda Variations slight variations in pitch are heard chronologically.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded by Charles Curtis, Joseph Kubera, Robert Dick, Danny Tunick, and Robin Hayward - some of the leading new music performers of our era, these works are essential additions to the Alvin Lucier oeuvre, as well as satisfying anyone interested in great experimental music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003elabel : pogus\u003c\/p\u003e","published_at":"2020-10-24T15:31:00+09:00","created_at":"2020-10-24T15:30:58+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","xi records"],"price":250800,"price_min":250800,"price_max":250800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36872166113445,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Lucier \/\/ Almost New York 2CD","public_title":null,"options":["Default Title"],"price":250800,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529533_jpeg.jpg?v=1603521061","\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529586_jpeg.jpg?v=1603521061"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529533_jpeg.jpg?v=1603521061","options":["Title"],"media":[{"alt":null,"id":12733235953829,"position":1,"preview_image":{"aspect_ratio":1.011,"height":473,"width":478,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529533_jpeg.jpg?v=1603521061"},"aspect_ratio":1.011,"height":473,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529533_jpeg.jpg?v=1603521061","width":478},{"alt":null,"id":12733235986597,"position":2,"preview_image":{"aspect_ratio":1.268,"height":473,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529586_jpeg.jpg?v=1603521061"},"aspect_ratio":1.268,"height":473,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529586_jpeg.jpg?v=1603521061","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAlvin Lucierが2000年初期に制作した楽曲をNY Pogusがリリース。Twoningsでは2つの異なるチューニングシステムがぶつかり合い、Coda Variationsではわずかな音程の変化が時系列ごとに聴こえてきます。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAlmost New York employs slow sweep pure wave oscillators, Broken Line, flute glissandi. In Twonings two different tuning systems collide and in Coda Variations slight variations in pitch are heard chronologically.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded by Charles Curtis, Joseph Kubera, Robert Dick, Danny Tunick, and Robin Hayward - some of the leading new music performers of our era, these works are essential additions to the Alvin Lucier oeuvre, as well as satisfying anyone interested in great experimental music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003elabel : pogus\u003c\/p\u003e"}
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{"id":5826483716261,"title":"Teresa Rampazzi \/\/ Immagini Per Diana Baylon LP ","handle":"teresa-rampazzi-immagini-per-diana-baylon-lp","description":"\u003cp\u003eJohn Cageの影響下、電子音楽とコンピュータ音楽の先駆者の一人として地位を確率したイタリア人作家Teresa Rampazzi が、1972年にフィレンツェの現代美術ギャラリー「Il Fiore」で開催されたDiana Baylon展覧会のために作曲した楽曲を同国Die Schachtelが発掘プレス化しました。15分前後の楽曲2曲を収録。Giuseppe Ielashiマスタリング。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/264531693\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eDie Schachtel releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eartist : Teresa Rampazzi \u003c\/p\u003e\n\u003cp\u003elabel : Die Schachtel \u003c\/p\u003e","published_at":"2020-10-24T04:06:06+09:00","created_at":"2020-10-24T04:06:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","Die Schachtel","lp"],"price":360800,"price_min":360800,"price_max":360800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36866225078437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Teresa Rampazzi \/\/ Immagini Per Diana Baylon LP ","public_title":null,"options":["Default Title"],"price":360800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968","\/\/tobirarecords.com\/cdn\/shop\/products\/c6f4b26859b90fccf278b1c4a5e83b1a.jpg?v=1603479968"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968","options":["Title"],"media":[{"alt":null,"id":12697594036389,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968","width":600},{"alt":null,"id":12697594069157,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/c6f4b26859b90fccf278b1c4a5e83b1a.jpg?v=1603479968"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/c6f4b26859b90fccf278b1c4a5e83b1a.jpg?v=1603479968","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eJohn Cageの影響下、電子音楽とコンピュータ音楽の先駆者の一人として地位を確率したイタリア人作家Teresa Rampazzi が、1972年にフィレンツェの現代美術ギャラリー「Il Fiore」で開催されたDiana Baylon展覧会のために作曲した楽曲を同国Die Schachtelが発掘プレス化しました。15分前後の楽曲2曲を収録。Giuseppe Ielashiマスタリング。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/264531693\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eDie Schachtel releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eartist : Teresa Rampazzi \u003c\/p\u003e\n\u003cp\u003elabel : Die Schachtel \u003c\/p\u003e"}
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{"id":5817541918885,"title":"Alvin Lucier \/\/ Vespers LP","handle":"alvin-lucier-vespers-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e演奏者とその空間という2つの対等な存在によって生み出された作品で、\u003cmeta charset=\"utf-8\"\u003e短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eイタリア\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eDie Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。\u003c\/span\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2132599228\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/editionsblume.bandcamp.com\/album\/vespers\"\u003eVespers by Alvin Lucier\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eSince its advent within the broader of movement of modernism during the early years of the 20th century, avant-garde music has almost always struggled to reach the audience for which it was conceived. It is a diverse creative territory, forward thinking and radical by nature, that pursues the unknown, attempting to create new forms of organized sound that are more democratic, accessible, and open than those of the past. Emerging during the late 1950s and across the 1960s, the second generation of the post-war avant-garde can be regarded as a representational return to the ideologies that define the practice. As a result, they collectively created what is arguably the most revolutionary body of thought and action within 20th century music. Despite the persistence of the definitions and perceptions cemented by their predecessors, these artists and their work —Éliane Radigue, Pauline Oliveros, Alvin Curran, Takehisa Kosugi, Frederic Rzewski, David Behrman, Terry Riley, Robert Ashley, Steve Reich, La Monte Young, Tony Conrad, Gordon Mumma, and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecountless others have yielded unparalleled influence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the most important, influential, and radical of this generation is Alvin Lucier, a towering figure in the field. Already active on the scene for a number of years, Lucier’s entrance into the public and creative consciousness occurred in 1966 at the now legendary ONCE Festival, in Ann Arbor, Michigan, where, as a member of the newly formed Sonic Arts Union, a collective founded with fellow composers, David Behrman, Gordon Mumma, and Robert Ashley, he performed his groundbreaking work, Music for a Solo Performer, composed the year before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Vespers\" (1969) and \"Chambers\" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn. First released as Lucier's contribution to the Sonic Arts Union's lone LP, Electronic Sound, in 1972, \"Vespers\" is a work generated by two equal actors —the performers and the space that they occupy. Conceived following a chance encounter with hand-held echolocation technology —the Sondol™, a pulse oscillator that emits short, sharp pulses at variable repetition speeds, producing echoes from the reflecting walls of a space to register relative location and orientation— it stands as one of the first works in history within which the decisions made during the performance are solely based on acoustics, allowing sound to be equally the content and structural determiner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten as a poetic \"prose score\", for the realization of \"Vespers\", each performer is equipped with a Sondol™ and asked to move blindfolded within a defined space, moving from one point to the next using only echolocation, taking what Lucier describes as \"sound photographs\" that reveal discrete details of the given area. As the recording unfolds, the aptitude of this image becomes increasingly clear. While an aesthetic relationship to the movement of musical minimalism, embarked upon by a number of his peers, has often presented itself within Lucier's work, of all of them this is arguably most present within \"Vespers\". Despite the radical leap it presented within the history of the sonic arts, \"Vespers\" was not the first of Lucier's works that began to specifically address the relation between sound, perception, and space. Notably \"Chambers\", composed the year before in 1968 and embedded with the wry humor which lingers below much of the composer’s output, explored the theme on a brilliantly miniature scale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a total work, \"Chambers\" contends with the relationship between the knowing and understanding of what we hear, our perception of the source of a sound, and its relation to space. When viewed in the immediate context of \"Vespers\", as it is here, it presents as an unexpected inversion of what was to come. While it plays on the relation of sight and the sonic actor, here what is seen and unseen takes on a dynamically different role. Equally, there is not one space to perceive, but many. For the realization of \"Chambers\", battery-operated radios, tape recorders, and various kinds of electric toys are hidden in paper bags, shoes, kettles, a suitcase, and other small resonant spaces, which not only limit the perception of these object to their sounds alone, but take on the role of acoustic actors on the sounds within, each space becoming as individual and distinct as the object it contains. Taking it one step further, rather than being static, these \"\"Chambers\"\" are carried by performers into larger ones —those in which the work is performed— further altering the sounds which occupy them, drawing the ear, once again, to the action of that which contains a body of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBecause the works of Alvin Lucier have occupied a seminal place in the landscape of avant-garde sound for more than half a century, their materiality forming the bedrock on which so many have subsequently built, there can be a natural tendency to focus on their immediate forms, each springing from a radical and forward thinking approach to the generation of sound —what the sounds are and what makes them, rather than how they operate and why they were made. This, at least in some part, underscores the importance of this reissue of the two works before us now. Like most of Lucier's efforts from the 1960s, there is a purity to discover them in recorded form that draws the ear toward the remarkable territories of conceptualism and ideology that lay at their core. Not only are they a crucial window into Lucier's early years and less acknowledged efforts, but they activate a more dynamic awareness, philosophically, of the broad creative paradigm and context in which he has continuously worked. These are works which belong to a movement which sought to rejoin the avant-garde with the society it was conceived to serve. A human music of expanded consciousness, to be occupied, tapping the fundamental need to communicate and understand through sound.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Lucier\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : \u003c\/span\u003e\u003c\/div\u003e","published_at":"2020-10-22T11:12:21+09:00","created_at":"2020-10-22T11:12:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Die Schachtel","lp","monooto","strange beats"],"price":327800,"price_min":327800,"price_max":327800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36834620539045,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Lucier \/\/ Vespers LP","public_title":null,"options":["Default Title"],"price":327800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734","options":["Title"],"media":[{"alt":null,"id":12562984599717,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e演奏者とその空間という2つの対等な存在によって生み出された作品で、\u003cmeta charset=\"utf-8\"\u003e短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eイタリア\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eDie Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。\u003c\/span\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2132599228\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/editionsblume.bandcamp.com\/album\/vespers\"\u003eVespers by Alvin Lucier\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eSince its advent within the broader of movement of modernism during the early years of the 20th century, avant-garde music has almost always struggled to reach the audience for which it was conceived. It is a diverse creative territory, forward thinking and radical by nature, that pursues the unknown, attempting to create new forms of organized sound that are more democratic, accessible, and open than those of the past. Emerging during the late 1950s and across the 1960s, the second generation of the post-war avant-garde can be regarded as a representational return to the ideologies that define the practice. As a result, they collectively created what is arguably the most revolutionary body of thought and action within 20th century music. Despite the persistence of the definitions and perceptions cemented by their predecessors, these artists and their work —Éliane Radigue, Pauline Oliveros, Alvin Curran, Takehisa Kosugi, Frederic Rzewski, David Behrman, Terry Riley, Robert Ashley, Steve Reich, La Monte Young, Tony Conrad, Gordon Mumma, and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecountless others have yielded unparalleled influence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the most important, influential, and radical of this generation is Alvin Lucier, a towering figure in the field. Already active on the scene for a number of years, Lucier’s entrance into the public and creative consciousness occurred in 1966 at the now legendary ONCE Festival, in Ann Arbor, Michigan, where, as a member of the newly formed Sonic Arts Union, a collective founded with fellow composers, David Behrman, Gordon Mumma, and Robert Ashley, he performed his groundbreaking work, Music for a Solo Performer, composed the year before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Vespers\" (1969) and \"Chambers\" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn. First released as Lucier's contribution to the Sonic Arts Union's lone LP, Electronic Sound, in 1972, \"Vespers\" is a work generated by two equal actors —the performers and the space that they occupy. Conceived following a chance encounter with hand-held echolocation technology —the Sondol™, a pulse oscillator that emits short, sharp pulses at variable repetition speeds, producing echoes from the reflecting walls of a space to register relative location and orientation— it stands as one of the first works in history within which the decisions made during the performance are solely based on acoustics, allowing sound to be equally the content and structural determiner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten as a poetic \"prose score\", for the realization of \"Vespers\", each performer is equipped with a Sondol™ and asked to move blindfolded within a defined space, moving from one point to the next using only echolocation, taking what Lucier describes as \"sound photographs\" that reveal discrete details of the given area. As the recording unfolds, the aptitude of this image becomes increasingly clear. While an aesthetic relationship to the movement of musical minimalism, embarked upon by a number of his peers, has often presented itself within Lucier's work, of all of them this is arguably most present within \"Vespers\". Despite the radical leap it presented within the history of the sonic arts, \"Vespers\" was not the first of Lucier's works that began to specifically address the relation between sound, perception, and space. Notably \"Chambers\", composed the year before in 1968 and embedded with the wry humor which lingers below much of the composer’s output, explored the theme on a brilliantly miniature scale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a total work, \"Chambers\" contends with the relationship between the knowing and understanding of what we hear, our perception of the source of a sound, and its relation to space. When viewed in the immediate context of \"Vespers\", as it is here, it presents as an unexpected inversion of what was to come. While it plays on the relation of sight and the sonic actor, here what is seen and unseen takes on a dynamically different role. Equally, there is not one space to perceive, but many. For the realization of \"Chambers\", battery-operated radios, tape recorders, and various kinds of electric toys are hidden in paper bags, shoes, kettles, a suitcase, and other small resonant spaces, which not only limit the perception of these object to their sounds alone, but take on the role of acoustic actors on the sounds within, each space becoming as individual and distinct as the object it contains. Taking it one step further, rather than being static, these \"\"Chambers\"\" are carried by performers into larger ones —those in which the work is performed— further altering the sounds which occupy them, drawing the ear, once again, to the action of that which contains a body of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBecause the works of Alvin Lucier have occupied a seminal place in the landscape of avant-garde sound for more than half a century, their materiality forming the bedrock on which so many have subsequently built, there can be a natural tendency to focus on their immediate forms, each springing from a radical and forward thinking approach to the generation of sound —what the sounds are and what makes them, rather than how they operate and why they were made. This, at least in some part, underscores the importance of this reissue of the two works before us now. Like most of Lucier's efforts from the 1960s, there is a purity to discover them in recorded form that draws the ear toward the remarkable territories of conceptualism and ideology that lay at their core. Not only are they a crucial window into Lucier's early years and less acknowledged efforts, but they activate a more dynamic awareness, philosophically, of the broad creative paradigm and context in which he has continuously worked. These are works which belong to a movement which sought to rejoin the avant-garde with the society it was conceived to serve. A human music of expanded consciousness, to be occupied, tapping the fundamental need to communicate and understand through sound.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Lucier\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : \u003c\/span\u003e\u003c\/div\u003e"}
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1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、 演奏者とその空間という2つの対等な存在によって生み出された作品で、短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。 イタリア Die Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。Vespers by Alvin Lucier Since its advent within the...
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{"id":5817500729509,"title":"Alvin Curran \/\/ Canti Illuminati LP","handle":"alvin-curran-canti-illuminati-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eイタリア\u003cmeta charset=\"utf-8\"\u003eDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。\u003c\/span\u003eGiuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eAn occupant of the present and thread to the past - a rare juncture between diverse polarities of experimental practice, from free improvisation and modern classical composition, to primitivism, electronic music, and extended techniques, for more than half a century Alvin Curran has stood as beacon in the landscape of organized sound. From his efforts within Musica Elettronica Viva, the collective which he helped found in 1966 with Frederic Rzewski and Richard Teitelbaum, to those as a solo-performer and composer, his sounds and ideas have effected immeasurable change. Canti Illuminati, composed and recorded between 1973 and 1977, stands as one of the great documents from the golden era of Curran's singular brand of creative radicalism - combining a deep sense of social and political consciousness, with creative humanism and visionary compositional ideas. Blume Editions is proud to present the first ever vinyl reissue of this seminal master-stoke by one of the most important composers working today.\u003cbr data-mce-fragment=\"1\"\u003eA bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. Necessity stripped to the elemental, while challenging, endlessly surprising, and complex. A crucial component in Curran's life long musical quest for something deeply human and fundamentally representative - that elusive thing which connects us all. Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Curran\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Blume\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2196746030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/andrewweathers.bandcamp.com\/album\/under-the-tree\"\u003eUnder the Tree by Andrew Weathers\u003c\/a\u003e\u003c\/iframe\u003e","published_at":"2020-10-22T10:58:53+09:00","created_at":"2020-10-22T10:58:44+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Die Schachtel","drone","lp"],"price":327800,"price_min":327800,"price_max":327800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36834473607333,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Curran \/\/ Canti Illuminati LP","public_title":null,"options":["Default Title"],"price":327800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925","options":["Title"],"media":[{"alt":null,"id":12562188468389,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eイタリア\u003cmeta charset=\"utf-8\"\u003eDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。\u003c\/span\u003eGiuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eAn occupant of the present and thread to the past - a rare juncture between diverse polarities of experimental practice, from free improvisation and modern classical composition, to primitivism, electronic music, and extended techniques, for more than half a century Alvin Curran has stood as beacon in the landscape of organized sound. From his efforts within Musica Elettronica Viva, the collective which he helped found in 1966 with Frederic Rzewski and Richard Teitelbaum, to those as a solo-performer and composer, his sounds and ideas have effected immeasurable change. Canti Illuminati, composed and recorded between 1973 and 1977, stands as one of the great documents from the golden era of Curran's singular brand of creative radicalism - combining a deep sense of social and political consciousness, with creative humanism and visionary compositional ideas. Blume Editions is proud to present the first ever vinyl reissue of this seminal master-stoke by one of the most important composers working today.\u003cbr data-mce-fragment=\"1\"\u003eA bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. Necessity stripped to the elemental, while challenging, endlessly surprising, and complex. A crucial component in Curran's life long musical quest for something deeply human and fundamentally representative - that elusive thing which connects us all. Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Curran\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Blume\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2196746030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/andrewweathers.bandcamp.com\/album\/under-the-tree\"\u003eUnder the Tree by Andrew Weathers\u003c\/a\u003e\u003c\/iframe\u003e"}
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イタリアDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。Giuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。 An occupant of the present and thread to the...
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{"id":5777189666981,"title":"Brant • Scelsi • Wolpe • Xenakis • Cage • Glass • Feldman \/\/ ST","handle":"pre-order-brant-scelsi-wolpe-xenakis-cage-glass-feldman-st","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3263121055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 Henry Brant (1913-) QUOMBEX\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Carl Fischer, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, June 3, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 Giacinto Scelsi (1905-1988) ANAHIT\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: G. Schirmer, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at the Oberlin Conservatory of Music, October 8, 1973\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 Stefan Wolpe (1902-1972) SECOND PIECE FOR VIOLIN ALONE\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Josef Marx\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 Iannis Xenakis (1922-) MIKKA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5 Iannis Xenakis (1922-) MIKKA \"S\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Editions Salabert\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Big Apple Recording Studio, New York City\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJune 29, 1976\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6 John Cage (1912-1992) NOCTURNE\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: C.F. Peters\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 Philip Glass (1937-) STRUNG OUT\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Dunvagen Music Publishers, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Big Apple Recording Studio, New York City, June 29, 1976\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8 Morton Feldman (1926-1987) VERTICAL THOUGHTS II\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: C.F. Peters\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-12T11:00:40+09:00","created_at":"2020-10-12T11:00:39+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36679524221093,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Brant • Scelsi • Wolpe • Xenakis • Cage • Glass • Feldman \/\/ ST","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2547396163_16.jpg?v=1602468040"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2547396163_16.jpg?v=1602468040","options":["Title"],"media":[{"alt":null,"id":12171351097509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2547396163_16.jpg?v=1602468040"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2547396163_16.jpg?v=1602468040","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3263121055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 Henry Brant (1913-) QUOMBEX\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Carl Fischer, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, June 3, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 Giacinto Scelsi (1905-1988) ANAHIT\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: G. Schirmer, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at the Oberlin Conservatory of Music, October 8, 1973\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 Stefan Wolpe (1902-1972) SECOND PIECE FOR VIOLIN ALONE\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Josef Marx\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 Iannis Xenakis (1922-) MIKKA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5 Iannis Xenakis (1922-) MIKKA \"S\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Editions Salabert\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Big Apple Recording Studio, New York City\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJune 29, 1976\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6 John Cage (1912-1992) NOCTURNE\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: C.F. Peters\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 Philip Glass (1937-) STRUNG OUT\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Dunvagen Music Publishers, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Big Apple Recording Studio, New York City, June 29, 1976\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8 Morton Feldman (1926-1987) VERTICAL THOUGHTS II\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: C.F. Peters\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972.\u003c\/span\u003e\u003c\/p\u003e"}
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70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。 レーベルその他作品はこちら /// Click here to see more cp2 releases available at Tobira. ------------------------------- 1...
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{"id":5777161781413,"title":"Milton Babbitt \/ Morton Feldman \/\/ Septet But Equal; Fourplay \/ Instruments 1; Three Clarinets, Cello and Piano CD","handle":"pre-order-milton-babbitt-morton-feldman-septet-but-equal-fourplay-instruments-1-three-clarinets-cello-and-piano-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3924163475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/milton-babbitt-septet-but-equal-fourplay-morton-feldman-instruments-1-three-clarinets-cello-and-piano\"\u003eMilton Babbitt: Septet But Equal; Fourplay; Morton Feldman: Instruments 1; Three Clarinets, Cello and Piano by PAUL ZUKOFSKY, conductor; COMPOSERS ENSEMBLE\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMilton Babbitt: (1916- )\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSEPTET BUT EQUAL\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFOURPLAY\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher for both works: C.F. Peters Corporation\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMorton Feldman: (1926-1987)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eINSTRUMENTS\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHREE CLARINETS, CELLO AND PIANO\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher for both works: Universal Edition\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll works recorded at Studio 2, BBC Maida Vale, Delaware Rd., London, W9, July 20-21, 1997.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCo-produced by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBBC Radio 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Milton Babbitt \/ Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-12T10:50:29+09:00","created_at":"2020-10-12T10:50:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36679411663013,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Milton Babbitt \/ Morton Feldman \/\/ Septet But Equal; Fourplay \/ Instruments 1; Three Clarinets, Cello and Piano CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3288311555_16.jpg?v=1602467429"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3288311555_16.jpg?v=1602467429","options":["Title"],"media":[{"alt":null,"id":12170832740517,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3288311555_16.jpg?v=1602467429"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3288311555_16.jpg?v=1602467429","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3924163475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/milton-babbitt-septet-but-equal-fourplay-morton-feldman-instruments-1-three-clarinets-cello-and-piano\"\u003eMilton Babbitt: Septet But Equal; Fourplay; Morton Feldman: Instruments 1; Three Clarinets, Cello and Piano by PAUL ZUKOFSKY, conductor; COMPOSERS ENSEMBLE\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMilton Babbitt: (1916- )\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSEPTET BUT EQUAL\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFOURPLAY\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher for both works: C.F. Peters Corporation\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMorton Feldman: (1926-1987)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eINSTRUMENTS\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHREE CLARINETS, CELLO AND PIANO\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher for both works: Universal Edition\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll works recorded at Studio 2, BBC Maida Vale, Delaware Rd., London, W9, July 20-21, 1997.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCo-produced by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBBC Radio 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Milton Babbitt \/ Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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{"id":5777138122917,"title":"Ives, Hauer, Stravinsky, Pepples, Satie \/\/ In Memoriam Paul Zukofsky CD","handle":"pre-order-ives-hauer-stravinsky-pepples-satie-in-memoriam-paul-zukofsky-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4116389482\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThis album presents the last music program designed by the late violinist\/conductor Paul Zukofsky. Both Monkeys At Play and Josef Hauer’s Zwölftonspiel (April 1956)* are first recordings. The program served as his New York memorial concert in 2017 played by pianists Aaron Likness and Andrew Zhou.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll recordings were made at Oktaven Audio in Mount Vernon, NY on August 22-24, 2019, recorded and edited by Ryan Streber, mastered by Ian Turner.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eartist : \u003c\/p\u003e","published_at":"2020-10-12T10:41:16+09:00","created_at":"2020-10-12T10:41:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36679346258085,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ives, Hauer, Stravinsky, Pepples, Satie \/\/ In Memoriam Paul Zukofsky CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2887647828_16.jpg?v=1602466875"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2887647828_16.jpg?v=1602466875","options":["Title"],"media":[{"alt":null,"id":12170360717477,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2887647828_16.jpg?v=1602466875"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2887647828_16.jpg?v=1602466875","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4116389482\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThis album presents the last music program designed by the late violinist\/conductor Paul Zukofsky. Both Monkeys At Play and Josef Hauer’s Zwölftonspiel (April 1956)* are first recordings. The program served as his New York memorial concert in 2017 played by pianists Aaron Likness and Andrew Zhou.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll recordings were made at Oktaven Audio in Mount Vernon, NY on August 22-24, 2019, recorded and edited by Ryan Streber, mastered by Ian Turner.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eartist : \u003c\/p\u003e"}
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{"id":5777125441701,"title":"Artur Schnabel \/\/ Dance and Secret \u0026 Joy and Peace; Sonata for Solo Violin CD","handle":"pre-order-artur-schnabel-dance-and-secret-joy-and-peace-sonata-for-solo-violin-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086736213\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Artur Schnabel \u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-12T10:35:16+09:00","created_at":"2020-10-12T10:35:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36679315128485,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Artur Schnabel \/\/ Dance and Secret \u0026 Joy and Peace; Sonata for Solo Violin CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2575915788_16.jpg?v=1602466516"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2575915788_16.jpg?v=1602466516","options":["Title"],"media":[{"alt":null,"id":12170101817509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2575915788_16.jpg?v=1602466516"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2575915788_16.jpg?v=1602466516","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086736213\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Artur Schnabel \u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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{"id":5773616939173,"title":"Morton Feldman \/\/ For John Cage CD","handle":"morton-feldman-for-john-cage-cd","description":"\u003cp\u003e\u003cspan\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1833588411\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/morton-feldman-for-john-cage\"\u003eMorton Feldman: For John Cage by PAUL ZUKOFSKY, violin; MARIANNE SCHROEDER, piano\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis recording was supported in part by public funds from the New York State Council on the Arts.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe generous support of Betty Freeman and Paul Sacher is gratefully acknowledged.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor John Cage was recorded April 7, 1984 at SONOGRAPHIC AG, Schlieren, Switzerland. Recording Engineer: W.A. Wettler; Montage: Elite Recordings, NYC; Publisher: Universal Edition, Ltd., London.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-11T12:00:26+09:00","created_at":"2020-10-11T12:00:25+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36667077984421,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Morton Feldman \/\/ For John Cage CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0711098832_16.jpg?v=1602385227"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0711098832_16.jpg?v=1602385227","options":["Title"],"media":[{"alt":null,"id":12114155405477,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0711098832_16.jpg?v=1602385227"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0711098832_16.jpg?v=1602385227","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1833588411\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/morton-feldman-for-john-cage\"\u003eMorton Feldman: For John Cage by PAUL ZUKOFSKY, violin; MARIANNE SCHROEDER, piano\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis recording was supported in part by public funds from the New York State Council on the Arts.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe generous support of Betty Freeman and Paul Sacher is gratefully acknowledged.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor John Cage was recorded April 7, 1984 at SONOGRAPHIC AG, Schlieren, Switzerland. Recording Engineer: W.A. Wettler; Montage: Elite Recordings, NYC; Publisher: Universal Edition, Ltd., London.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。 Morton Feldman: For John Cage by PAUL ZUKOFSKY, violin; MARIANNE SCHROEDER, piano...
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{"id":5773584302245,"title":"Jo Kondo \/\/ Hagoromo CD","handle":"jo-kondo-hagoromo-cd","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2936849554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eJo Kondo: (1947--- ) HAGOROMO\u003c\/p\u003e\n\u003cp\u003ewritten under commission from the Maggio Musicale Fiorentino, and premiered there June 13, 1994\u003cbr\u003ePublisher: University of York Music Press (U.K.)\u003c\/p\u003e\n\u003cp\u003eRecorded March 25, 2002 at Abbey Road Studio 2, London, England\u003cbr\u003eProduced and engineered by Paul Zinman\u003cbr\u003eAssistant engineers: Roland Heap, Chris Clark\u003c\/p\u003e\n\u003cp\u003eEdited, mixed and mastered by Paul Zinman at SoundByte Productions, Inc., NYC\u003c\/p\u003e\n\u003cp\u003eAll edit choices: Paul Zukofsky\u003cbr\u003ePre and Post-production supervision: Paul Zukofsky\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-11T11:44:29+09:00","created_at":"2020-10-11T11:44:28+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","drone","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36666952155301,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jo Kondo \/\/ Hagoromo CD","public_title":null,"options":["Default Title"],"price":217800,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1541305210_16.jpg?v=1602384269"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1541305210_16.jpg?v=1602384269","options":["Title"],"media":[{"alt":null,"id":12113340858533,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1541305210_16.jpg?v=1602384269"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1541305210_16.jpg?v=1602384269","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2936849554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eJo Kondo: (1947--- ) HAGOROMO\u003c\/p\u003e\n\u003cp\u003ewritten under commission from the Maggio Musicale Fiorentino, and premiered there June 13, 1994\u003cbr\u003ePublisher: University of York Music Press (U.K.)\u003c\/p\u003e\n\u003cp\u003eRecorded March 25, 2002 at Abbey Road Studio 2, London, England\u003cbr\u003eProduced and engineered by Paul Zinman\u003cbr\u003eAssistant engineers: Roland Heap, Chris Clark\u003c\/p\u003e\n\u003cp\u003eEdited, mixed and mastered by Paul Zinman at SoundByte Productions, Inc., NYC\u003c\/p\u003e\n\u003cp\u003eAll edit choices: Paul Zukofsky\u003cbr\u003ePre and Post-production supervision: Paul Zukofsky\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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{"id":5773574144165,"title":"Jo Kondo \/\/ Mulberry; In the Woods; In Summer; Under the Umbrella CD","handle":"jo-kondo-mulberry-in-the-woods-in-summer-under-the-umbrella-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3456212834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJo Kondo: (1947--)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: University of York Music Press (U.K.)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMulberry, In the Woods, and In Summer are edited versions (also including some rehearsal takes) of the \"Jo Kondo Composer's Portrait Concert\" of October 7, 2004, held in Suntory Hall, Tokyo, Japan.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: Yukio Kojima\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited and mastered by Paul Zinman at SoundByte Productions, Inc., NYC\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll edit choices: Paul Zukofsky\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll Pre and Post-production supervision: Paul Zukofsky\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnder the Umbrella was recorded August 18, 1980, in the Norland, Ontario, Canada, geodesic-dome home of John Wyre. Each movement was recorded in one take, without edits. The recording was made using one microphone, Nexus having constructed a pentagonal rack, from each section of which hung each player's five \"almglocken\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: Tim Clark\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal Mastering (for LP CP2 #11: Robert C. Ludwig (Masterdisk Corp.))\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2006, the recording was remixed and re-mastered by Paul Zinman at Soundbyte Productions, Inc., NYC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-11T11:40:07+09:00","created_at":"2020-10-11T11:40:06+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","drone","recommended","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36666904314021,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jo Kondo \/\/ Mulberry; In the Woods; In Summer; Under the Umbrella CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3211580262_16.jpg?v=1602384008"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3211580262_16.jpg?v=1602384008","options":["Title"],"media":[{"alt":null,"id":12113105584293,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3211580262_16.jpg?v=1602384008"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3211580262_16.jpg?v=1602384008","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3456212834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJo Kondo: (1947--)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: University of York Music Press (U.K.)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMulberry, In the Woods, and In Summer are edited versions (also including some rehearsal takes) of the \"Jo Kondo Composer's Portrait Concert\" of October 7, 2004, held in Suntory Hall, Tokyo, Japan.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: Yukio Kojima\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited and mastered by Paul Zinman at SoundByte Productions, Inc., NYC\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll edit choices: Paul Zukofsky\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll Pre and Post-production supervision: Paul Zukofsky\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnder the Umbrella was recorded August 18, 1980, in the Norland, Ontario, Canada, geodesic-dome home of John Wyre. Each movement was recorded in one take, without edits. The recording was made using one microphone, Nexus having constructed a pentagonal rack, from each section of which hung each player's five \"almglocken\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: Tim Clark\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal Mastering (for LP CP2 #11: Robert C. Ludwig (Masterdisk Corp.))\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2006, the recording was remixed and re-mastered by Paul Zinman at Soundbyte Productions, Inc., NYC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。 レーベルその他作品はこちら /// Click here to see more cp2 releases available at Tobira. ------------------------------- Jo Kondo:...
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{"id":5773560250533,"title":"Jo Kondo, Craig Pepples \/\/ Syzygia, Pine Cones Fall, Snow's Falling CD","handle":"jo-kondo-craig-pepples-syzygia-pine-cones-fall-snows-falling","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=930772959\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo, Craig Pepples\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-11T11:36:08+09:00","created_at":"2020-10-11T11:36:06+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36666871218341,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jo Kondo, Craig Pepples \/\/ Syzygia, Pine Cones Fall, Snow's Falling CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2626332736_16.jpg?v=1602383768"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2626332736_16.jpg?v=1602383768","options":["Title"],"media":[{"alt":null,"id":12112898982053,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2626332736_16.jpg?v=1602383768"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2626332736_16.jpg?v=1602383768","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=930772959\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo, Craig Pepples\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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{"id":5773512442021,"title":"J.S.Bach \/\/ 3 Sonatas and 3 Partitas, BWV 1001-1006 2CD","handle":"j-s-bach-3-sonatas-and-3-partitas-bwv-1001-1006-2cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2288981335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/j-s-bach-3-sonatas-and-3-partitas-bwv-1001-1006\"\u003eJ.S.Bach: 3 Sonatas and 3 Partitas, BWV 1001-1006 by PAUL ZUKOFSKY, Violin\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAUL ZUKOFSKY, violin; 2-disc set\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : J.S.Bach\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : cp2\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-11T11:24:29+09:00","created_at":"2020-10-11T11:24:28+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":316800,"price_min":316800,"price_max":316800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36666773012645,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"J.S.Bach \/\/ 3 Sonatas and 3 Partitas, BWV 1001-1006 2CD","public_title":null,"options":["Default Title"],"price":316800,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3030149194_16.jpg?v=1602383070"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3030149194_16.jpg?v=1602383070","options":["Title"],"media":[{"alt":null,"id":12112227303589,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3030149194_16.jpg?v=1602383070"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3030149194_16.jpg?v=1602383070","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2288981335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/j-s-bach-3-sonatas-and-3-partitas-bwv-1001-1006\"\u003eJ.S.Bach: 3 Sonatas and 3 Partitas, BWV 1001-1006 by PAUL ZUKOFSKY, Violin\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAUL ZUKOFSKY, violin; 2-disc set\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : J.S.Bach\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : cp2\u003c\/span\u003e\u003c\/p\u003e"}
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Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。 J.S.Bach: 3 Sonatas and 3 Partitas, BWV 1001-1006 by PAUL ZUKOFSKY, Violin...
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{"id":5768831140005,"title":"Kiera Mulhern \/\/ De ossibus 20 LP","handle":"pre-order-kiera-mulhern-de-ossibus-20-lp","description":"\u003cp\u003e2020年NYから突如現れた女性サウンドポエトリー作家Kiera Mulhernの新譜がSean McCann主宰Recitalより2020年10月リリース。彼女の母が他界した直後に制作されたアルバムです。リリース前に既に廃盤ですのでお早めに。12ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1109866094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/de-ossibus-20\"\u003eDe ossibus 20 by Kiera Mulhern\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDe ossibus 20 is the debut LP by sound artist and poet Kiera Mulhern (b.1992). Bridging classic sound poetry elements with micro studies of the artist’s body and environment. Burying a microphone in a book, this LP picks up fragments of words and memories, humming the rustles of parchment. It reminds me of Henri Chopin at times, busy mouth clusters bang against the air. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKiera made this album as a means of organizing loss after her mother’s death. Recordings of her maternal grandfather and the inside of Mulhern’s throat explore parallel means of investigating family and what gets passed on. The particularities of her family, psychiatry \u0026amp; medicine, became ghosts she followed into the writings of Galen, whose notes on dissection and animal anatomy wind through the text of the LP. Archaeological notes and scraps from the myth of Syrinx blow through the ending of De ossibus 20, as distant pan pipes and flutes fold into each-other.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Sean McCann, Sept. 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : \u003c\/p\u003e","published_at":"2020-10-10T07:05:01+09:00","created_at":"2020-10-10T07:04:59+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","recital","sound poetry"],"price":404800,"price_min":404800,"price_max":404800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36650288611493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kiera Mulhern \/\/ De ossibus 20 LP","public_title":null,"options":["Default Title"],"price":404800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0100412142_10.jpg?v=1602281149"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0100412142_10.jpg?v=1602281149","options":["Title"],"media":[{"alt":null,"id":12030985240741,"position":1,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0100412142_10.jpg?v=1602281149"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0100412142_10.jpg?v=1602281149","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2020年NYから突如現れた女性サウンドポエトリー作家Kiera Mulhernの新譜がSean McCann主宰Recitalより2020年10月リリース。彼女の母が他界した直後に制作されたアルバムです。リリース前に既に廃盤ですのでお早めに。12ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1109866094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/de-ossibus-20\"\u003eDe ossibus 20 by Kiera Mulhern\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDe ossibus 20 is the debut LP by sound artist and poet Kiera Mulhern (b.1992). Bridging classic sound poetry elements with micro studies of the artist’s body and environment. Burying a microphone in a book, this LP picks up fragments of words and memories, humming the rustles of parchment. It reminds me of Henri Chopin at times, busy mouth clusters bang against the air. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKiera made this album as a means of organizing loss after her mother’s death. Recordings of her maternal grandfather and the inside of Mulhern’s throat explore parallel means of investigating family and what gets passed on. The particularities of her family, psychiatry \u0026amp; medicine, became ghosts she followed into the writings of Galen, whose notes on dissection and animal anatomy wind through the text of the LP. Archaeological notes and scraps from the myth of Syrinx blow through the ending of De ossibus 20, as distant pan pipes and flutes fold into each-other.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Sean McCann, Sept. 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : \u003c\/p\u003e"}
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2020年NYから突如現れた女性サウンドポエトリー作家Kiera Mulhernの新譜がSean McCann主宰Recitalより2020年10月リリース。彼女の母が他界した直後に制作されたアルバムです。リリース前に既に廃盤ですのでお早めに。12ページのブックレット付属。 De ossibus 20 by Kiera Mulhern De ossibus 20 is the...
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{"id":5768676966565,"title":"Derek Baron \/\/ Curtain LP","handle":"pre-order-derek-baron-curtain-lp","description":"\u003cp\u003eDerek Baronの新作がSean McCann主宰Recitalより150部限定でリリース。過去作とは異なり、本作は日記のような作風で、断片的なメロディやフレーズが現れては消えていきます。それらの書き留められた楽譜やメモが16ページのブックレットにイラスト付きで掲載されています。2020年8月出版、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657682245\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/curtain\"\u003eCurtain by Derek Baron\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDerek Baron is a composer, musician, and artist. Curtain is a diary. Both in musical and non-musical situations, they attribute a filmic quality to their journal-like aural self-documentation. Dreams turn real then dissolve. Single phrases and events arrive and leave, abruptly. Yet, the overall sense of place that Baron creates is understood.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOpening Curtain is the eponymous piece. A 21-minute live chamber work for quintet recorded in 2018. A musical assemblage of glued-together fragments and scraps of sheet music from Baron’s past. Compositions wrote in the small margins and folds of paper; illustrated in the art booklet included with the LP. The flute, violin, guitar, keyboard, and bass clarinet phrases saunter at a pre-sleep pace, until a subdued, yet ecstatic Mass theme ushers in periodically. Delivering the warmth of life… it is a slow beauty. It brings me such happiness listening to this piece. Its continuity is cut with scissors and pasted about oddly… all soaked in a certain malaise; a resigned grace.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe next piece and other side of the LP, “Chancel,” is rather different. An audio journal flipped through, dropped on the ground, picked up and opened to another page. A confusing montage of world-ized musical snatches: car radios, church choirs emanating to\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe streets, moldy organs, domestic piano recordings. Similarly, machine vibrations, bodega conversations, and other environmental observations segue the harmony and disharmony of this listening experience. I’ll finish with some of Derek’s notes from the booklet: “Co-opting new achievements \/ Thank you for this incredible demonstration \/ This theatre of procedures \/ This consoling play of recognitions \/ No theatre but “what’s that”, \/ Nowhere for the silver ball to roll to. \/ How are we so in love.”\u003cbr\u003e\u003cbr\u003e-Sean McCann (July 2020)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-10T06:10:50+09:00","created_at":"2020-10-10T06:10:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","monooto","neo classical","recital","sound poetry"],"price":371800,"price_min":371800,"price_max":371800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36649838739621,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Derek Baron \/\/ Curtain LP","public_title":null,"options":["Default Title"],"price":371800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850","\/\/tobirarecords.com\/cdn\/shop\/products\/0021026584_10.jpg?v=1602277850"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850","options":["Title"],"media":[{"alt":null,"id":12028918792357,"position":1,"preview_image":{"aspect_ratio":1.005,"height":1019,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850"},"aspect_ratio":1.005,"height":1019,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850","width":1024},{"alt":null,"id":12028918825125,"position":2,"preview_image":{"aspect_ratio":1.255,"height":956,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021026584_10.jpg?v=1602277850"},"aspect_ratio":1.255,"height":956,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021026584_10.jpg?v=1602277850","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eDerek Baronの新作がSean McCann主宰Recitalより150部限定でリリース。過去作とは異なり、本作は日記のような作風で、断片的なメロディやフレーズが現れては消えていきます。それらの書き留められた楽譜やメモが16ページのブックレットにイラスト付きで掲載されています。2020年8月出版、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657682245\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/curtain\"\u003eCurtain by Derek Baron\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDerek Baron is a composer, musician, and artist. Curtain is a diary. Both in musical and non-musical situations, they attribute a filmic quality to their journal-like aural self-documentation. Dreams turn real then dissolve. Single phrases and events arrive and leave, abruptly. Yet, the overall sense of place that Baron creates is understood.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOpening Curtain is the eponymous piece. A 21-minute live chamber work for quintet recorded in 2018. A musical assemblage of glued-together fragments and scraps of sheet music from Baron’s past. Compositions wrote in the small margins and folds of paper; illustrated in the art booklet included with the LP. The flute, violin, guitar, keyboard, and bass clarinet phrases saunter at a pre-sleep pace, until a subdued, yet ecstatic Mass theme ushers in periodically. Delivering the warmth of life… it is a slow beauty. It brings me such happiness listening to this piece. Its continuity is cut with scissors and pasted about oddly… all soaked in a certain malaise; a resigned grace.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe next piece and other side of the LP, “Chancel,” is rather different. An audio journal flipped through, dropped on the ground, picked up and opened to another page. A confusing montage of world-ized musical snatches: car radios, church choirs emanating to\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe streets, moldy organs, domestic piano recordings. Similarly, machine vibrations, bodega conversations, and other environmental observations segue the harmony and disharmony of this listening experience. I’ll finish with some of Derek’s notes from the booklet: “Co-opting new achievements \/ Thank you for this incredible demonstration \/ This theatre of procedures \/ This consoling play of recognitions \/ No theatre but “what’s that”, \/ Nowhere for the silver ball to roll to. \/ How are we so in love.”\u003cbr\u003e\u003cbr\u003e-Sean McCann (July 2020)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e"}
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{"id":5765709627557,"title":"I am just a pupil \/\/ The White Album TAPE","handle":"i-am-just-a-pupil-the-white-album-tape","description":"\u003cp\u003e今では珍しいコメディー作品。スタンドアップコメディをレコードで聴いていた時代もありましたね。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263377052\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/crashsymbols.bandcamp.com\/album\/the-white-album\"\u003eThe White Album by I am just a pupil\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eartist : I am just a pupil\u003c\/p\u003e\n\u003cp\u003elabel : crash symbols\u003c\/p\u003e","published_at":"2020-10-09T13:13:49+09:00","created_at":"2020-10-09T13:13:47+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","crash symbols","folk \/ left-field pop","folk \/ vocal \/ band","sound poetry","tape"],"price":129800,"price_min":129800,"price_max":129800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36639187992741,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"I am just a pupil \/\/ The White Album TAPE","public_title":null,"options":["Default Title"],"price":129800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3263381156_16_1.jpg?v=1602236301","\/\/tobirarecords.com\/cdn\/shop\/products\/0013076203_10.jpg?v=1602236301"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3263381156_16_1.jpg?v=1602236301","options":["Title"],"media":[{"alt":null,"id":11993375309989,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3263381156_16_1.jpg?v=1602236301"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3263381156_16_1.jpg?v=1602236301","width":700},{"alt":null,"id":11993375244453,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0013076203_10.jpg?v=1602236301"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0013076203_10.jpg?v=1602236301","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e今では珍しいコメディー作品。スタンドアップコメディをレコードで聴いていた時代もありましたね。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263377052\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/crashsymbols.bandcamp.com\/album\/the-white-album\"\u003eThe White Album by I am just a pupil\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eartist : I am just a pupil\u003c\/p\u003e\n\u003cp\u003elabel : crash symbols\u003c\/p\u003e"}
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{"id":5696354058405,"title":"Takehisa Kosugi \/\/ New York, August 14, 1991 LP","handle":"takehisa-kosugi-new-york-august-14-1991-lp","description":"\u003cp\u003e1994年にオリジナル盤がリリースされ、2019年にSlowscanが再発した小杉武久のライブ音源。350部限定、廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/916960067\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Tkpreview\" href=\"https:\/\/soundcloud.com\/user-198195096\/tkpreview\" target=\"_blank\"\u003eTkpreview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn March 24, 1938; passed away October 12, 2018. Takehisa Kosugi created mixed-media sound performances and installations, making use of daily materials and electronic technology, realizing the multiplicity of sounds in space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEdition of 350 copies. Originally released as part of the Fluxus Anthology box set (Slowscan Vol. 10) in 1994.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takehisa Kosugi\u003c\/p\u003e\n\u003cp\u003eLabel : Slowscan\u003c\/p\u003e","published_at":"2020-09-27T09:30:24+09:00","created_at":"2020-09-26T11:24:19+09:00","vendor":"Tobira Records","type":"","tags":["asia","contemporary \/ sound poetry","lp","monooto","noise","Slowscan"],"price":459800,"price_min":459800,"price_max":459800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36390877397157,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Takehisa Kosugi \/\/ New York, August 14, 1991 LP","public_title":null,"options":["Default Title"],"price":459800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/takehisa.jpg?v=1601087060"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/takehisa.jpg?v=1601087060","options":["Title"],"media":[{"alt":null,"id":11442049056933,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/takehisa.jpg?v=1601087060"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/takehisa.jpg?v=1601087060","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1994年にオリジナル盤がリリースされ、2019年にSlowscanが再発した小杉武久のライブ音源。350部限定、廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/916960067\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Tkpreview\" href=\"https:\/\/soundcloud.com\/user-198195096\/tkpreview\" target=\"_blank\"\u003eTkpreview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn March 24, 1938; passed away October 12, 2018. Takehisa Kosugi created mixed-media sound performances and installations, making use of daily materials and electronic technology, realizing the multiplicity of sounds in space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEdition of 350 copies. Originally released as part of the Fluxus Anthology box set (Slowscan Vol. 10) in 1994.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takehisa Kosugi\u003c\/p\u003e\n\u003cp\u003eLabel : Slowscan\u003c\/p\u003e"}
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1994年にオリジナル盤がリリースされ、2019年にSlowscanが再発した小杉武久のライブ音源。350部限定、廃盤です。 tobirarecs · Tkpreview Born March 24, 1938; passed away October 12, 2018. Takehisa...
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{"id":5654381592741,"title":"Henning Christiansen \/\/ Op.201 L´ESSERE UMANO ERRABANDO LA VOCA ERRABANDO LP","handle":"henning-christiansen-op-201-l-essere-umano-errabando-la-voca-errabando-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansenの作品再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの第3弾は1991年の声楽家のための未発表作品。Giuseppe Ielashiマスタリング。ブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/p7DQXu1t9pA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe third release on the Henning Christiansen Archive features a previously unreleased work from 1991. The Wandering Human Being – The Wandering Voice, as the title suggest is a piece for voice and featurues Carlo Quartucci, Carla Tatò, Ursula Reuter Christiansen and Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUrsula and Henning met the couple Carlo Quartucci and Carla Tatò through the curator Johannes Gachnang on a visit to Genazzano in Italy 1983 and became close friends, collaborating on a variety of projects, most notably on Carlo and Carla’s epic adaptation of Heinrich von Kleist’s play Penthesilea (forthcoming on The Henning Christiansen archive).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wandering Human Being – The Wandering Voice came about from a conversation between the four of them whilst on a beach on the island of Møn in the eastern sea in Denmark, looking south. Here they all laughed at the realisation that on the other ide of Europe in this direction was Sicily where Carlo and Carla lived. The island Sicily, The island Møn. As Henning says “The human-being was wandering from sea to sea”. Henning saw no difference in their way over life ‘over there’ and mused on the means of which we cross over oceans and move around facilitating awareness of the same family of human being. People from islands meet people from islands and they can all look across vast waters and laugh together.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHuman-basic-technology\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis conversation and collective realisation of the simplicity of it all lead to this work which is one of the finest in Henning’s vast catalogue. L´essere Umano Errabando La Voce Errabando is a mantra for four voices, the sound of the ocean, a pvc tube, effects and wind instument. The piece moves in an organic hypnotic fashion lulling and rolling, ebbing and flowing over the two sides of the record. Rudimentary phrases in various languages interlope and weave a mystical music, as primitive as it is ‘contemporary’.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wind, The Stars, etc are repeated over in random untrained fashion. The two couples from different countries weave voices, words and language into a common sonic fabric which eradicates identity, the idea of ‘national’, the idea of country, the idea of difference.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnlike anything else in Henning’s output L´essere Umano Errabando La Voce Errabando is a calm and meditative work which rolls along two sides wrapping the listener in a random melancholic meditative mantra. Only Henning Christiansen could summon such haunting, beautiful, gothic music carved from political hope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist: Henning Christiansen\u003c\/p\u003e\n\u003cp\u003elabel : Henning Christiansen Archive\u003c\/p\u003e","published_at":"2020-09-15T18:33:41+09:00","created_at":"2020-09-15T18:33:39+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","sound poetry","strange beats","The Henning Christiansen Archive"],"price":371800,"price_min":371800,"price_max":371800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36183527293093,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Henning Christiansen \/\/ Op.201 L´ESSERE UMANO ERRABANDO LA VOCA ERRABANDO LP","public_title":null,"options":["Default Title"],"price":371800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420","\/\/tobirarecords.com\/cdn\/shop\/products\/0021490077_10.jpg?v=1600162421"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420","options":["Title"],"media":[{"alt":null,"id":11154447892645,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420","width":700},{"alt":null,"id":11154447925413,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021490077_10.jpg?v=1600162421"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021490077_10.jpg?v=1600162421","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansenの作品再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの第3弾は1991年の声楽家のための未発表作品。Giuseppe Ielashiマスタリング。ブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/p7DQXu1t9pA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe third release on the Henning Christiansen Archive features a previously unreleased work from 1991. The Wandering Human Being – The Wandering Voice, as the title suggest is a piece for voice and featurues Carlo Quartucci, Carla Tatò, Ursula Reuter Christiansen and Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUrsula and Henning met the couple Carlo Quartucci and Carla Tatò through the curator Johannes Gachnang on a visit to Genazzano in Italy 1983 and became close friends, collaborating on a variety of projects, most notably on Carlo and Carla’s epic adaptation of Heinrich von Kleist’s play Penthesilea (forthcoming on The Henning Christiansen archive).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wandering Human Being – The Wandering Voice came about from a conversation between the four of them whilst on a beach on the island of Møn in the eastern sea in Denmark, looking south. Here they all laughed at the realisation that on the other ide of Europe in this direction was Sicily where Carlo and Carla lived. The island Sicily, The island Møn. As Henning says “The human-being was wandering from sea to sea”. Henning saw no difference in their way over life ‘over there’ and mused on the means of which we cross over oceans and move around facilitating awareness of the same family of human being. People from islands meet people from islands and they can all look across vast waters and laugh together.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHuman-basic-technology\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis conversation and collective realisation of the simplicity of it all lead to this work which is one of the finest in Henning’s vast catalogue. L´essere Umano Errabando La Voce Errabando is a mantra for four voices, the sound of the ocean, a pvc tube, effects and wind instument. The piece moves in an organic hypnotic fashion lulling and rolling, ebbing and flowing over the two sides of the record. Rudimentary phrases in various languages interlope and weave a mystical music, as primitive as it is ‘contemporary’.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wind, The Stars, etc are repeated over in random untrained fashion. The two couples from different countries weave voices, words and language into a common sonic fabric which eradicates identity, the idea of ‘national’, the idea of country, the idea of difference.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnlike anything else in Henning’s output L´essere Umano Errabando La Voce Errabando is a calm and meditative work which rolls along two sides wrapping the listener in a random melancholic meditative mantra. Only Henning Christiansen could summon such haunting, beautiful, gothic music carved from political hope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist: Henning Christiansen\u003c\/p\u003e\n\u003cp\u003elabel : Henning Christiansen Archive\u003c\/p\u003e"}
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デンマークのフルクサス作家Henning Christiansenの作品再発レーベルHenning Christiansen Archiveからの第3弾は1991年の声楽家のための未発表作品。Giuseppe Ielashiマスタリング。ブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Henning Christiansen Archive releases available at...
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{"id":5654345351333,"title":"VA \/\/ SAVE THE NATURE —– USE FLUXUS, The Box parking lot, Los Angeles 2LP","handle":"hca1","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家\u003c\/span\u003e\u003cspan\u003eHenning Christiansen(1932-2008)の楽曲を7名の作家が演奏したライブ音源。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2019年ロサンゼルスThe Box galleryにて開催されたHenning Christiansen \/ Ursula Reuter Christiansen展 「THEY WON'T SURVIVE WITHOUT THE BIRD SONGS」の一環として、ギャラリー駐車場にて6時間のパフォーマンスが行われました。本２枚組LPはその演奏のハイライトを編集したもの。\u003c\/p\u003e\n\u003cp\u003e個展のカタログやポスターなど付属品も豪華。今回限りの入荷です、お見逃しなく。マスタリングはSean McCann。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/829942081\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Penultimate Press\" href=\"https:\/\/soundcloud.com\/quockenzocker\" target=\"_blank\"\u003ePenultimate Press\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\" href=\"https:\/\/soundcloud.com\/quockenzocker\/save-the-nature-use-fluxus-the-box-gallery-parking-lot-los-angeles\" target=\"_blank\"\u003eSAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/M_IimA2boN8?start=1166\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn November 17, 2019 a six hour performance was undertaken in the car park of The Box gallery in Los Angeles as a part of the Henning Christiansen \/ Ursula Reuter Christiansen exhibition THEY WON’T SURVIVE WITHOUT THE BIRD SONGS\u2028. Thorbjørn Reuter Christiansen, son of Ursula and Henning, developed a timeline for the performance which was essentially designed to encompass a contemporary community of like minded artists that spans generations and continents harnessing and continuing the work instigated by Henning during his lifetime. The resulting performance included archival recordings taken from the H.C. Archive, which houses a vast collection of compositions, scores and correspondence of the late Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis limited edition 2LP collects edited highlights from the day capturing the unique and somewhat unsettling atmosphere provoked by a diverse range of performances.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThorbjørn Reuter Christiansen developed a new action where he performed a sound piece on iconic instruments of Henning’s alongside recorded sounds of his father. Father and son re-united again in performance. The New Sound of the Living Dead.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBjørn Nørgaard presented two new iterations of some of his historical actions; Homage to Henning and Joseph, Manresa, a piece he first collaborated on with Henning Christiansen and Joseph Beuys at Galerieleri Schmela in Düsseldorf in 1966, and The Cake, a live construction of a monolithic yet impermanent sculpture meant to decay over time. Mai Dengsøe Hansen performed EURASIENSTAB fluxorum organum op. 39, a piece for organ that Henning scored and used as the soundtrack for the film Eurasienstab, with Beuys.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe BOX gallery founder Mara McCarthy, along with her father Paul McCarthy and Chiara Giovando performed Knock Harder, a 20 min. improvisation that loosely recalls Knocking, a sound scape Henning used repeatedly throughout many of his own compositions. Chiara and Mara can be heard singing and playing a selection of small instruments, while Paul methodically slammed the back door of the gallery with a piece of scrap 2×4 pinewood – a kind of dedication to the monotony of Fluxus.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMark Harwood, the founder of the expansive experimental independent label Penultimate Press performed an improvised musical protest incorporating fire, rhythm and chaos alongside field recordings of the civil unrest in Chile that he collected occurred just prior to the opening of this exhibition. Harwood’s contribution speaks to Hennings political activism and dedication.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout SAVE THE NATURE —- USE FLUXUS all came together to celebrate these great artists and to embody the same spirit of communal collaboration that has so thoroughly been a part of both Ursula and Henning’s lifelong endeavors.\u003c\/em\u003e\u003cem\u003eThis is a co-release between the Henning Christiansen Archive (Europe) and The Box (USA)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Various Artists\u003c\/p\u003e\n\u003cp\u003elabel : The Henning Christiansen Archive\u003c\/p\u003e","published_at":"2020-09-15T17:59:58+09:00","created_at":"2020-09-15T17:59:56+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","sound poetry","strange beats","The Henning Christiansen Archive"],"price":568000,"price_min":568000,"price_max":568000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36183109992613,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"VA \/\/ SAVE THE NATURE —– USE FLUXUS, The Box parking lot, Los Angeles 2LP","public_title":null,"options":["Default Title"],"price":568000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532281-5644_jpeg.jpg?v=1600160398","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596851037-6943_jpeg.jpg?v=1600160398"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398","options":["Title"],"media":[{"alt":null,"id":11154100715685,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398","width":600},{"alt":null,"id":11154100748453,"position":2,"preview_image":{"aspect_ratio":1.415,"height":424,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532281-5644_jpeg.jpg?v=1600160398"},"aspect_ratio":1.415,"height":424,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532281-5644_jpeg.jpg?v=1600160398","width":600},{"alt":null,"id":11154100781221,"position":3,"preview_image":{"aspect_ratio":0.983,"height":300,"width":295,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596851037-6943_jpeg.jpg?v=1600160398"},"aspect_ratio":0.983,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596851037-6943_jpeg.jpg?v=1600160398","width":295}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家\u003c\/span\u003e\u003cspan\u003eHenning Christiansen(1932-2008)の楽曲を7名の作家が演奏したライブ音源。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2019年ロサンゼルスThe Box galleryにて開催されたHenning Christiansen \/ Ursula Reuter Christiansen展 「THEY WON'T SURVIVE WITHOUT THE BIRD SONGS」の一環として、ギャラリー駐車場にて6時間のパフォーマンスが行われました。本２枚組LPはその演奏のハイライトを編集したもの。\u003c\/p\u003e\n\u003cp\u003e個展のカタログやポスターなど付属品も豪華。今回限りの入荷です、お見逃しなく。マスタリングはSean McCann。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/829942081\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Penultimate Press\" href=\"https:\/\/soundcloud.com\/quockenzocker\" target=\"_blank\"\u003ePenultimate Press\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\" href=\"https:\/\/soundcloud.com\/quockenzocker\/save-the-nature-use-fluxus-the-box-gallery-parking-lot-los-angeles\" target=\"_blank\"\u003eSAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/M_IimA2boN8?start=1166\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn November 17, 2019 a six hour performance was undertaken in the car park of The Box gallery in Los Angeles as a part of the Henning Christiansen \/ Ursula Reuter Christiansen exhibition THEY WON’T SURVIVE WITHOUT THE BIRD SONGS\u2028. Thorbjørn Reuter Christiansen, son of Ursula and Henning, developed a timeline for the performance which was essentially designed to encompass a contemporary community of like minded artists that spans generations and continents harnessing and continuing the work instigated by Henning during his lifetime. The resulting performance included archival recordings taken from the H.C. Archive, which houses a vast collection of compositions, scores and correspondence of the late Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis limited edition 2LP collects edited highlights from the day capturing the unique and somewhat unsettling atmosphere provoked by a diverse range of performances.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThorbjørn Reuter Christiansen developed a new action where he performed a sound piece on iconic instruments of Henning’s alongside recorded sounds of his father. Father and son re-united again in performance. The New Sound of the Living Dead.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBjørn Nørgaard presented two new iterations of some of his historical actions; Homage to Henning and Joseph, Manresa, a piece he first collaborated on with Henning Christiansen and Joseph Beuys at Galerieleri Schmela in Düsseldorf in 1966, and The Cake, a live construction of a monolithic yet impermanent sculpture meant to decay over time. Mai Dengsøe Hansen performed EURASIENSTAB fluxorum organum op. 39, a piece for organ that Henning scored and used as the soundtrack for the film Eurasienstab, with Beuys.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe BOX gallery founder Mara McCarthy, along with her father Paul McCarthy and Chiara Giovando performed Knock Harder, a 20 min. improvisation that loosely recalls Knocking, a sound scape Henning used repeatedly throughout many of his own compositions. Chiara and Mara can be heard singing and playing a selection of small instruments, while Paul methodically slammed the back door of the gallery with a piece of scrap 2×4 pinewood – a kind of dedication to the monotony of Fluxus.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMark Harwood, the founder of the expansive experimental independent label Penultimate Press performed an improvised musical protest incorporating fire, rhythm and chaos alongside field recordings of the civil unrest in Chile that he collected occurred just prior to the opening of this exhibition. Harwood’s contribution speaks to Hennings political activism and dedication.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout SAVE THE NATURE —- USE FLUXUS all came together to celebrate these great artists and to embody the same spirit of communal collaboration that has so thoroughly been a part of both Ursula and Henning’s lifelong endeavors.\u003c\/em\u003e\u003cem\u003eThis is a co-release between the Henning Christiansen Archive (Europe) and The Box (USA)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Various Artists\u003c\/p\u003e\n\u003cp\u003elabel : The Henning Christiansen Archive\u003c\/p\u003e"}
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デンマークのフルクサス作家Henning Christiansen(1932-2008)の楽曲を7名の作家が演奏したライブ音源。 2019年ロサンゼルスThe Box galleryにて開催されたHenning Christiansen / Ursula Reuter Christiansen展 「THEY WON'T SURVIVE WITHOUT...
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{"id":5622688088229,"title":"Peter Fengler \/\/ Ping Pong TAPE","handle":"peter-fengler-ping-pong-tape","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e過去にUltra EczemaからもリリースしているPeter Fenglerが個性派レーベルBeartownから発表したカセット。聴いてると無性に卓球がやりたくなります。廃盤です。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/691703734\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/beartown\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/beartown\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/beartown\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/beartown\"\u003ehere\u003c\/a\u003e to see more Beartown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A dérive into the clouded mind of Peter Fengler. Two players face each other, the arena gleams in the half light. The ball launched, the heavy whoosh of the paddle through the cool air, the echoing hollow cluck of ball against bat - pure bliss.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTwo sides of the artist as gladiator - the grunt, the struggle, the endless forward backward of the dancing satellite. Over 30 minutes of restless energy hanging loosely in the collapsing cosmos... and obviously Ping Pong.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTape comes with DOUBLE SIDED pro-printed j-card (for the connoisseurs) which features live Ping Pong aktion on reverse. Black and white is alright.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e-\u003c\/em\u003e Beartown Records\u003c\/p\u003e\n\u003cp\u003eArtist : Peter Fengler\u003c\/p\u003e\n\u003cp\u003eLabel : Beartown Records\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2020-09-06T11:47:31+09:00","created_at":"2020-09-06T11:47:30+09:00","vendor":"Tobira Records","type":"","tags":["Beartown","contemporary \/ sound poetry","monooto","sound poetry","tape"],"price":140800,"price_min":140800,"price_max":140800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36033238466725,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Peter Fengler \/\/ Ping Pong TAPE","public_title":null,"options":["Default Title"],"price":140800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/peterfengler.jpg?v=1599360452"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/peterfengler.jpg?v=1599360452","options":["Title"],"media":[{"alt":null,"id":11012433543333,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/peterfengler.jpg?v=1599360452"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/peterfengler.jpg?v=1599360452","width":1000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e過去にUltra EczemaからもリリースしているPeter Fenglerが個性派レーベルBeartownから発表したカセット。聴いてると無性に卓球がやりたくなります。廃盤です。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/691703734\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/beartown\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/beartown\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/beartown\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/beartown\"\u003ehere\u003c\/a\u003e to see more Beartown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A dérive into the clouded mind of Peter Fengler. Two players face each other, the arena gleams in the half light. The ball launched, the heavy whoosh of the paddle through the cool air, the echoing hollow cluck of ball against bat - pure bliss.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTwo sides of the artist as gladiator - the grunt, the struggle, the endless forward backward of the dancing satellite. Over 30 minutes of restless energy hanging loosely in the collapsing cosmos... and obviously Ping Pong.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTape comes with DOUBLE SIDED pro-printed j-card (for the connoisseurs) which features live Ping Pong aktion on reverse. Black and white is alright.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e-\u003c\/em\u003e Beartown Records\u003c\/p\u003e\n\u003cp\u003eArtist : Peter Fengler\u003c\/p\u003e\n\u003cp\u003eLabel : Beartown Records\u003c\/p\u003e\n\u003c\/div\u003e"}
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{"id":4878225506436,"title":"Sean McCann \/\/ Puck LP","handle":"sean-mccann-puck-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Sean McCann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5WWccvo6nYU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003ePuck is here.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMusic for Public Ensemble, my previous album, was released three years ago.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnd three years before that was Private Ensemble.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003ePuck is both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad plucked guitar piece. A marbled blend of new chamber works and older, boisterous recordings from the late-2000s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe first side is subtitled “Folded Portraits” – a three part suite: Nightfall, Broth, and Damals: German for “back then…” (or Remember When: the lowest form of conversation).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe spine of it is an informal rehearsal session of Portraits of Friars (2018).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRecorded at the fabled Fylkingen in Stockholm, the 10-person text and chamber piece grows and shrinks.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eFalse starts and stops and tests are outlined with the black ink of editing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLittle moments become big moments.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNailed above that spine is Folded Rose (2018), a piece for piano and humming.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA dainty march out of context, immersed in recordings of me gagging and yowling in my car.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eSound artist Lia Mazzari shared the titular spoken piece with me. “Puck,” a duet for dialogue about eggs and jewelry, premiered at Café OTO in 2018.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI recorded my text in a dark bathtub in Toronto on my 30th birthday last year.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe text is a mold growing on top of a quintet I wrote called Vilon (2017), sweetly performed by the Russian Kymatic Ensemble.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eJackson Graham, skilled American percussionist, is a rod bolted through the album. He commissioned a work by me called Violet Fat (2017), which is spliced across both sides, hammered and bent to fit in place.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eA fusion of jubilation and gut clenching, Puck balances on the rooftop, tipping side to side in the fog.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 500\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e12-page “Puck” pamphlet\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003ci\u003eTwo art cards with program notes\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2020-04-26T07:05:05+09:00","created_at":"2020-04-26T07:46:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","neo classical","Recital","recommended","sound poetry"],"price":316800,"price_min":316800,"price_max":316800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33563807154308,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sean McCann \/\/ Puck LP","public_title":null,"options":["Default Title"],"price":316800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806","options":["Title"],"media":[{"alt":null,"id":7816559329412,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Sean McCann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5WWccvo6nYU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003ePuck is here.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMusic for Public Ensemble, my previous album, was released three years ago.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnd three years before that was Private Ensemble.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003ePuck is both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad plucked guitar piece. A marbled blend of new chamber works and older, boisterous recordings from the late-2000s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe first side is subtitled “Folded Portraits” – a three part suite: Nightfall, Broth, and Damals: German for “back then…” (or Remember When: the lowest form of conversation).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe spine of it is an informal rehearsal session of Portraits of Friars (2018).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRecorded at the fabled Fylkingen in Stockholm, the 10-person text and chamber piece grows and shrinks.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eFalse starts and stops and tests are outlined with the black ink of editing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLittle moments become big moments.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNailed above that spine is Folded Rose (2018), a piece for piano and humming.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA dainty march out of context, immersed in recordings of me gagging and yowling in my car.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eSound artist Lia Mazzari shared the titular spoken piece with me. “Puck,” a duet for dialogue about eggs and jewelry, premiered at Café OTO in 2018.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI recorded my text in a dark bathtub in Toronto on my 30th birthday last year.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe text is a mold growing on top of a quintet I wrote called Vilon (2017), sweetly performed by the Russian Kymatic Ensemble.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eJackson Graham, skilled American percussionist, is a rod bolted through the album. He commissioned a work by me called Violet Fat (2017), which is spliced across both sides, hammered and bent to fit in place.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eA fusion of jubilation and gut clenching, Puck balances on the rooftop, tipping side to side in the fog.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 500\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e12-page “Puck” pamphlet\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003ci\u003eTwo art cards with program notes\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e"}
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artist : Sean McCannlabel : Recital レーベルその他作品はこちら /// Click here to see more Recital releases available at...
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{"id":4878189035652,"title":"Daniel Schmidt \/\/ Abies Firma CD","handle":"daniel-schmidt-abies-firma-lp","description":"\u003cp\u003eアメリカのガムラン奏者Daniel Schmidtが、2019年にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eガムランやバイオリンによるエキゾチック・アンビエント10曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=710372385\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=966270246\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eRecital:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\"The second album by the American Gamelan composer and instrument builder, Daniel Schmidt, following In My Arms, Many Flowers, his majestic debut on Recital.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAbies Firma lies next chronologically, collecting works from 1976 to 1991, considered the second phase of his compositional form.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e“We were like children playing with new toys,” Daniel recalls of the early days of American Gamelan music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Though, as we moved into the 1980s, I moved away from Javanese traditional formalism completely, no longer using a constant stream of notes.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel became a father twice over in the early 80s, transforming his compositional voice, finding himself open to new affects.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNotably, the Sierra fir species, ‘abies firma’ … “These trees gave me a sense of rising and rising, all their branches reaching toward sun and sky.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLooking at them across open spaces, I felt myself part of their upward striving.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe tall mountain trees became rising themes and arpeggios, sometimes even sweeping across the six octaves of the gamelan.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThis album holds a variety of recordings including an especially immersive tape-delay piece for the rebab, a bowed Javanese instrument.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA sort of Eastern Frippertronics weaving the stereo field.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnother standout is a semi-improvised flute and gamelan work, ebbing in slowly like a night’s wind.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Accumulation” and “Abies Magnifica,” the spirited opening pieces, exemplify the precision and dexterity of Daniel’s group, The Berkeley Gamelan, who at this time were constantly performing around North America.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eTwo pieces on the album were co-composed by Schmidt and the late Lou Harrison, who helped conceive of the American style of gamelan and enjoyed a similarly long and varied musical career.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Unempins to Sociseknum” is based on arranging Harrison’s social security number against Schmidt’s unemployment insurance number.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA window into the cooperative spirit and experimentation of the late 70s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eWith each LP comes a CD including the addition of “One White Crow,” a three-part tapestry of melodic fragments which epitomizes the second phase of Schmidt’s composing; a divergence from both Javanese and European music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel states, “William James once said that one white crow would suffice to overturn science’s assertion that all crows are black.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI felt myself to be ‘one white crow’ amidst the prominent, established musical styles.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 1000\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003eComplimentary CD version with additional 20-minute suite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eartist : Daniel Schmidt\u003c\/p\u003e\n\u003cp\u003elabel : Recital \u003c\/p\u003e","published_at":"2020-04-26T07:05:05+09:00","created_at":"2020-04-26T07:27:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","Recital","sound poetry"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33563702231172,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Schmidt \/\/ Abies Firma CD","public_title":null,"options":["Default Title"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677","options":["Title"],"media":[{"alt":null,"id":7816394834052,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのガムラン奏者Daniel Schmidtが、2019年にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eガムランやバイオリンによるエキゾチック・アンビエント10曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=710372385\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=966270246\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eRecital:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\"The second album by the American Gamelan composer and instrument builder, Daniel Schmidt, following In My Arms, Many Flowers, his majestic debut on Recital.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAbies Firma lies next chronologically, collecting works from 1976 to 1991, considered the second phase of his compositional form.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e“We were like children playing with new toys,” Daniel recalls of the early days of American Gamelan music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Though, as we moved into the 1980s, I moved away from Javanese traditional formalism completely, no longer using a constant stream of notes.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel became a father twice over in the early 80s, transforming his compositional voice, finding himself open to new affects.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNotably, the Sierra fir species, ‘abies firma’ … “These trees gave me a sense of rising and rising, all their branches reaching toward sun and sky.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLooking at them across open spaces, I felt myself part of their upward striving.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe tall mountain trees became rising themes and arpeggios, sometimes even sweeping across the six octaves of the gamelan.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThis album holds a variety of recordings including an especially immersive tape-delay piece for the rebab, a bowed Javanese instrument.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA sort of Eastern Frippertronics weaving the stereo field.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnother standout is a semi-improvised flute and gamelan work, ebbing in slowly like a night’s wind.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Accumulation” and “Abies Magnifica,” the spirited opening pieces, exemplify the precision and dexterity of Daniel’s group, The Berkeley Gamelan, who at this time were constantly performing around North America.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eTwo pieces on the album were co-composed by Schmidt and the late Lou Harrison, who helped conceive of the American style of gamelan and enjoyed a similarly long and varied musical career.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Unempins to Sociseknum” is based on arranging Harrison’s social security number against Schmidt’s unemployment insurance number.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA window into the cooperative spirit and experimentation of the late 70s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eWith each LP comes a CD including the addition of “One White Crow,” a three-part tapestry of melodic fragments which epitomizes the second phase of Schmidt’s composing; a divergence from both Javanese and European music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel states, “William James once said that one white crow would suffice to overturn science’s assertion that all crows are black.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI felt myself to be ‘one white crow’ amidst the prominent, established musical styles.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 1000\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003eComplimentary CD version with additional 20-minute suite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eartist : Daniel Schmidt\u003c\/p\u003e\n\u003cp\u003elabel : Recital \u003c\/p\u003e"}
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アメリカのガムラン奏者Daniel Schmidtが、2019年にリリースしたCDです。 ガムランやバイオリンによるエキゾチック・アンビエント10曲を収録。廃盤です。 Recital: "The second album by the American Gamelan composer and instrument...
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{"id":4849216356484,"title":"Simple Affections \/\/ Simple Affections LP","handle":"simple-affections-simple-affections-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : \u003c\/span\u003e\u003cspan\u003eSimple Affections\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=494820930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=343692677\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/simple-affections\"\u003eSimple Affections by Simple Affections\u003c\/a\u003e\u003c\/iframe\u003e\n","published_at":"2020-04-20T13:37:16+09:00","created_at":"2020-04-20T13:49:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","monooto","Recital","sound poetry"],"price":272800,"price_min":272800,"price_max":272800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33461837660292,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Simple Affections \/\/ Simple Affections LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197","options":["Title"],"media":[{"alt":null,"id":7717469716612,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : \u003c\/span\u003e\u003cspan\u003eSimple Affections\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=494820930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=343692677\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/simple-affections\"\u003eSimple Affections by Simple Affections\u003c\/a\u003e\u003c\/iframe\u003e\n"}
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artist : Simple Affectionslabel : Recital
Simple Affections by Simple Affections
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{"id":8640223772922,"title":"Cop Tears \/\/ Theodor Adorno: Piano Works LP","handle":"cop-tears-theodor-adorno-piano-works-lp","description":"\u003cp\u003e過去にRecitalやPentimentsなどから発表しているアメリカ・NYの実験音楽家Derek Baron主宰レーベルReading Group諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ドイツの社会学者／哲学家／作曲家Theodor Adornoが書き残したピアノ作品を、NYのジャズバンドCop Tearsがカバーしたレコードです。2018年冬にNYのDerekの自宅でレコーディングしたそうです。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Andrew Wilhite-Hannisdal (double bass)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDerek Baron (flute)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCameron Kapoor (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Welsh (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5aG0FoQgIjw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eSide A\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eKlavierstück (1921)\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933) 3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003eDrei kurze Klavierstücke (1934, 1945), 1\u003cbr\u003eDrei Klavierstücke (1927, 1945), 2. Die böhmischen Terzen\u003cbr\u003eDrei Klavierstücke (1927, 1945), 1. Adagietto. Hommage à Bizet\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933):\u003cbr\u003e1. Klein-Gavlin kann nur “Ich auch” sagen\u003cbr\u003e2. Ich bin das hüpfende Kleinpferd, ich bin das Hottepferd mit Knopf im Ohr\u003cbr\u003e4. Klein-Gitty und Klein-Gavlin (Variationen aus ihrem Leben),\u003cbr\u003evar. 1 (…und auf dem Bauch)\u003cbr\u003evar. 2 (Ländler)\u003cbr\u003evar. 3 (Gitty und Gavlin als Tristan und Isolde)\u003cbr\u003evar. 4 (Auch Brahms besucht das P.K.B.)\u003cbr\u003evar. 5 Molto vivace e capricioso (quasi\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ePresto) (Bewegte Gruppenszene)\u003cbr\u003e3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003evar. 6 Kleines Feuerwerk zu Ehren Debussys\u003cbr\u003evar. 7 Herztöne\u003cbr\u003evar. 8 Etwas feuerlich (Kanon des Friedens im P.K.B.)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003e******************\u003cbr\u003e\u003cem\u003e\"Cop Tears recorded selections from Theodor Adorno's piano works in Derek's apartment in New York during the winter of 2018.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCop Tears is John Andrew Wilhite-Hannisdal (double bass), Derek Baron (flute), Cameron Kapoor (guitar), and John Welsh (guitar).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered by Matt Bachmann.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLiner notes on the vinyl LP by Kylie and Coop.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Cop Tears\u003c\/p\u003e\n\u003cp\u003elabel : Reading Group\u003c\/p\u003e","published_at":"2024-10-11T15:16:41+09:00","created_at":"2024-10-11T15:15:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","new","reading group"],"price":323000,"price_min":323000,"price_max":323000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46739651068154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cop Tears \/\/ Theodor Adorno: Piano Works LP","public_title":null,"options":["Default Title"],"price":323000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178","options":["Title"],"media":[{"alt":null,"id":22137351307429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にRecitalやPentimentsなどから発表しているアメリカ・NYの実験音楽家Derek Baron主宰レーベルReading Group諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ドイツの社会学者／哲学家／作曲家Theodor Adornoが書き残したピアノ作品を、NYのジャズバンドCop Tearsがカバーしたレコードです。2018年冬にNYのDerekの自宅でレコーディングしたそうです。ライナーノーツとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Andrew Wilhite-Hannisdal (double bass)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDerek Baron (flute)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCameron Kapoor (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Welsh (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5aG0FoQgIjw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eSide A\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eKlavierstück (1921)\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933) 3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003eDrei kurze Klavierstücke (1934, 1945), 1\u003cbr\u003eDrei Klavierstücke (1927, 1945), 2. Die böhmischen Terzen\u003cbr\u003eDrei Klavierstücke (1927, 1945), 1. Adagietto. Hommage à Bizet\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933):\u003cbr\u003e1. Klein-Gavlin kann nur “Ich auch” sagen\u003cbr\u003e2. Ich bin das hüpfende Kleinpferd, ich bin das Hottepferd mit Knopf im Ohr\u003cbr\u003e4. Klein-Gitty und Klein-Gavlin (Variationen aus ihrem Leben),\u003cbr\u003evar. 1 (…und auf dem Bauch)\u003cbr\u003evar. 2 (Ländler)\u003cbr\u003evar. 3 (Gitty und Gavlin als Tristan und Isolde)\u003cbr\u003evar. 4 (Auch Brahms besucht das P.K.B.)\u003cbr\u003evar. 5 Molto vivace e capricioso (quasi\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ePresto) (Bewegte Gruppenszene)\u003cbr\u003e3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003evar. 6 Kleines Feuerwerk zu Ehren Debussys\u003cbr\u003evar. 7 Herztöne\u003cbr\u003evar. 8 Etwas feuerlich (Kanon des Friedens im P.K.B.)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003e******************\u003cbr\u003e\u003cem\u003e\"Cop Tears recorded selections from Theodor Adorno's piano works in Derek's apartment in New York during the winter of 2018.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCop Tears is John Andrew Wilhite-Hannisdal (double bass), Derek Baron (flute), Cameron Kapoor (guitar), and John Welsh (guitar).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered by Matt Bachmann.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLiner notes on the vinyl LP by Kylie and Coop.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Cop Tears\u003c\/p\u003e\n\u003cp\u003elabel : Reading Group\u003c\/p\u003e"}
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{"id":8639255970042,"title":"Li Tavor \/\/ Polyphonie Anarchiste TAPE","handle":"li-tavor-polyphonie-anarchiste-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e毎度マニアックなリリースを美しい装丁で展開するイギリス／ポルトガルのオブスキュアレーベルPurge最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、スイス・チューリッヒの映画音楽家Li Tavorが、2024年9月に50本限定でリリースしたカセット\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eスイス西部ジュラ地方の時計工場で働くアナーキストの労働者を描いたCyril Schäublin監督の長編映画『Unrest』(2022年)のサウンドトラック作品です。スクリーンプリント写真3枚付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1397499535\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Li Tavor\" href=\"https:\/\/soundcloud.com\/li-tavor\" target=\"_blank\"\u003eLi Tavor\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Polyphonie Anarchiste\" href=\"https:\/\/soundcloud.com\/li-tavor\/polyphonie-anarchiste\" target=\"_blank\"\u003ePolyphonie Anarchiste\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Y4xhNrJwga4?si=lXlmaAufMP3lwrct\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003ehere\u003c\/a\u003e to see more Purge releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003enumbered + handmade in an edition of 30 copies with on-body screen print and eco-x slip; each copy contains three riso-printed cigarette cards and a separate tri-fold insert with lyrics printed in full in their French original, alongside German and English translations.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003eTAPE ONLY - no digital. \u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eAudio is sample only - full audio only available on tape. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e++\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePurge:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"LI TAVOR’s Polyphonie Anarchiste from the film Unrest by CYRIL SCHÄUBLIN. Occupies the A-side and the B-side cause it’s that good.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Li Tavor\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e\n\u003cp\u003eCAT No : purrrrrj037\u003c\/p\u003e","published_at":"2024-10-09T15:04:03+09:00","created_at":"2024-10-09T14:52:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","new","purge","recommended","tape"],"price":289300,"price_min":289300,"price_max":289300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46730987471098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Li Tavor \/\/ Polyphonie Anarchiste TAPE","public_title":null,"options":["Default Title"],"price":289300,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1189583236_16.jpg?v=1728453832","\/\/tobirarecords.com\/cdn\/shop\/files\/0037005196_10.jpg?v=1728453260","\/\/tobirarecords.com\/cdn\/shop\/files\/0037005195_10.jpg?v=1728453262","\/\/tobirarecords.com\/cdn\/shop\/files\/0037005194_10.jpg?v=1728453263","\/\/tobirarecords.com\/cdn\/shop\/files\/0037005193_10.jpg?v=1728453264"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1189583236_16.jpg?v=1728453832","options":["Title"],"media":[{"alt":null,"id":35021130006778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1189583236_16.jpg?v=1728453832"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1189583236_16.jpg?v=1728453832","width":700},{"alt":null,"id":35021107396858,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037005196_10.jpg?v=1728453260"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037005196_10.jpg?v=1728453260","width":1200},{"alt":null,"id":35021107429626,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037005195_10.jpg?v=1728453262"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037005195_10.jpg?v=1728453262","width":1200},{"alt":null,"id":35021107495162,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037005194_10.jpg?v=1728453263"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037005194_10.jpg?v=1728453263","width":1200},{"alt":null,"id":35021107527930,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037005193_10.jpg?v=1728453264"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037005193_10.jpg?v=1728453264","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e毎度マニアックなリリースを美しい装丁で展開するイギリス／ポルトガルのオブスキュアレーベルPurge最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、スイス・チューリッヒの映画音楽家Li Tavorが、2024年9月に50本限定でリリースしたカセット\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eスイス西部ジュラ地方の時計工場で働くアナーキストの労働者を描いたCyril Schäublin監督の長編映画『Unrest』(2022年)のサウンドトラック作品です。スクリーンプリント写真3枚付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1397499535\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Li Tavor\" href=\"https:\/\/soundcloud.com\/li-tavor\" target=\"_blank\"\u003eLi Tavor\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Polyphonie Anarchiste\" href=\"https:\/\/soundcloud.com\/li-tavor\/polyphonie-anarchiste\" target=\"_blank\"\u003ePolyphonie Anarchiste\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Y4xhNrJwga4?si=lXlmaAufMP3lwrct\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003ehere\u003c\/a\u003e to see more Purge releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003enumbered + handmade in an edition of 30 copies with on-body screen print and eco-x slip; each copy contains three riso-printed cigarette cards and a separate tri-fold insert with lyrics printed in full in their French original, alongside German and English translations.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003eTAPE ONLY - no digital. \u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eAudio is sample only - full audio only available on tape. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e++\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePurge:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"LI TAVOR’s Polyphonie Anarchiste from the film Unrest by CYRIL SCHÄUBLIN. Occupies the A-side and the B-side cause it’s that good.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Li Tavor\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e\n\u003cp\u003eCAT No : purrrrrj037\u003c\/p\u003e"}
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※10月下旬再入荷後発送します 毎度マニアックなリリースを美しい装丁で展開するイギリス／ポルトガルのオブスキュアレーベルPurge最新作を入荷しました。 本作は、スイス・チューリッヒの映画音楽家Li Tavorが、2024年9月に50本限定でリリースしたカセットです。 スイス西部ジュラ地方の時計工場で働くアナーキストの労働者を描いたCyril Schäublin監督の長編映画『Unrest』(2022年)のサウンドトラック作品です。スクリーンプリント写真3枚付属。 カセットのみでの発表となります。 Li Tavor · Polyphonie Anarchiste レーベルその他作品はこちら /// Click here to...
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{"id":8639247745274,"title":"Keira Fox, Sophie Sleigh-Johnson, Vindicatrix \/\/ COLLAPSE TAPE","handle":"keira-fox-sophie-sleigh-johnson-vindicatrix-collapse-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e毎度マニアックなリリースを美しい装丁で展開するイギリス／ポルトガルのオブスキュアレーベルPurge最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスの振付師Keira FoxとライターSophie Sleigh-Johnson、実験音楽家Vindicatrixが、2024年9月に50本限定でリリースした共作カセット\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e実験演劇作品『Collapse』のサウンドトラック作品です。スクリーンプリント写真5枚付属。廃盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"KEIRA FOX、SOPHIE SLEIGH-JOHNSON、VINDICATRIXのコラボレーションによる新作『Collapse』は、複数のタイムライン（紀元前、産業、商品化）をまたいでエスカレートする3幕の劇のサウンドトラック。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品は、カーザ・デッレ・ドンネが歴史的な女性精神病院を占拠したことから、フィアット工場や60年代の労働者のストライキ、1970年代の殺人的なショッピング・デパート、ガレージの失望に至るまで、都市崩壊の時空を超えた現場を合体させている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4084598645\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4084598645\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3198354263\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003ehere\u003c\/a\u003e to see more Purge releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003enumbered + handmade in an edition of 50 copies with on-body \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003escreen print and eco-x slip; each copy contains three riso-printed\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e cigarette cards.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003eTAPE ONLY - no digital. \u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eAudio is sample only - full audio only available on tape. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e++\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePurge:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"KEIRA FOX, SOPHIE SLEIGH-JOHNSON and VINDICATRIX present a new collaboration in Collapse: the soundtrack to an escalating 3-act play set across multiple timelines (BC, industrial, merchandised), drawing on a site-specific project originally commissioned by Cripta 747 Torino and presented at Saint Pietro in Vincoli Cemetery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘The piece coalesces trans-temporal sites of city collapse from The Casa Delle Donne’s occupation of a historic women’s mental asylum, the Fiat Factory and the workers strikes of the 60s, to murderous 1970s shopping departments, and garage disappointments.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keira Fox, Sophie Sleigh-Johnson, Vindicatrix\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e\n\u003cp\u003eCAT No : purrrrrj038\u003c\/p\u003e","published_at":"2024-10-09T14:31:34+09:00","created_at":"2024-10-09T14:25:11+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","monooto","new","purge","recommended","tape"],"price":289300,"price_min":289300,"price_max":289300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46730924654842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Keira Fox, Sophie Sleigh-Johnson, Vindicatrix \/\/ COLLAPSE TAPE","public_title":null,"options":["Default Title"],"price":289300,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1415203020_16.jpg?v=1728453011","\/\/tobirarecords.com\/cdn\/shop\/files\/0037004941_10.jpg?v=1728451644","\/\/tobirarecords.com\/cdn\/shop\/files\/0037004950_10.jpg?v=1728451640","\/\/tobirarecords.com\/cdn\/shop\/files\/0037004944_10.jpg?v=1728451641","\/\/tobirarecords.com\/cdn\/shop\/files\/0037004943_10.jpg?v=1728451642"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1415203020_16.jpg?v=1728453011","options":["Title"],"media":[{"alt":null,"id":35021096124666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1415203020_16.jpg?v=1728453011"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1415203020_16.jpg?v=1728453011","width":700},{"alt":null,"id":35021018923258,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037004941_10.jpg?v=1728451644"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037004941_10.jpg?v=1728451644","width":1200},{"alt":null,"id":35021018398970,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037004950_10.jpg?v=1728451640"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037004950_10.jpg?v=1728451640","width":1200},{"alt":null,"id":35021018464506,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037004944_10.jpg?v=1728451641"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037004944_10.jpg?v=1728451641","width":1200},{"alt":null,"id":35021018824954,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037004943_10.jpg?v=1728451642"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037004943_10.jpg?v=1728451642","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※11月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e毎度マニアックなリリースを美しい装丁で展開するイギリス／ポルトガルのオブスキュアレーベルPurge最新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリスの振付師Keira FoxとライターSophie Sleigh-Johnson、実験音楽家Vindicatrixが、2024年9月に50本限定でリリースした共作カセット\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e実験演劇作品『Collapse』のサウンドトラック作品です。スクリーンプリント写真5枚付属。廃盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"KEIRA FOX、SOPHIE SLEIGH-JOHNSON、VINDICATRIXのコラボレーションによる新作『Collapse』は、複数のタイムライン（紀元前、産業、商品化）をまたいでエスカレートする3幕の劇のサウンドトラック。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品は、カーザ・デッレ・ドンネが歴史的な女性精神病院を占拠したことから、フィアット工場や60年代の労働者のストライキ、1970年代の殺人的なショッピング・デパート、ガレージの失望に至るまで、都市崩壊の時空を超えた現場を合体させている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4084598645\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4084598645\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3198354263\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/purge\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/purge\"\u003ehere\u003c\/a\u003e to see more Purge releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003enumbered + handmade in an edition of 50 copies with on-body \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003escreen print and eco-x slip; each copy contains three riso-printed\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e cigarette cards.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003eTAPE ONLY - no digital. \u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eAudio is sample only - full audio only available on tape. \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003e++\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePurge:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"KEIRA FOX, SOPHIE SLEIGH-JOHNSON and VINDICATRIX present a new collaboration in Collapse: the soundtrack to an escalating 3-act play set across multiple timelines (BC, industrial, merchandised), drawing on a site-specific project originally commissioned by Cripta 747 Torino and presented at Saint Pietro in Vincoli Cemetery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘The piece coalesces trans-temporal sites of city collapse from The Casa Delle Donne’s occupation of a historic women’s mental asylum, the Fiat Factory and the workers strikes of the 60s, to murderous 1970s shopping departments, and garage disappointments.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keira Fox, Sophie Sleigh-Johnson, Vindicatrix\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Purge\u003c\/p\u003e\n\u003cp\u003eCAT No : purrrrrj038\u003c\/p\u003e"}
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※11月上旬再入荷後発送します 毎度マニアックなリリースを美しい装丁で展開するイギリス／ポルトガルのオブスキュアレーベルPurge最新作を入荷しました。 本作は、イギリスの振付師Keira FoxとライターSophie Sleigh-Johnson、実験音楽家Vindicatrixが、2024年9月に50本限定でリリースした共作カセットです。 実験演劇作品『Collapse』のサウンドトラック作品です。スクリーンプリント写真5枚付属。廃盤です。 カセットのみでの発表となります。 以下、レーベルによる解説です。 "KEIRA FOX、SOPHIE SLEIGH-JOHNSON、VINDICATRIXのコラボレーションによる新作『Collapse』は、複数のタイムライン（紀元前、産業、商品化）をまたいでエスカレートする3幕の劇のサウンドトラック。 この作品は、カーザ・デッレ・ドンネが歴史的な女性精神病院を占拠したことから、フィアット工場や60年代の労働者のストライキ、1970年代の殺人的なショッピング・デパート、ガレージの失望に至るまで、都市崩壊の時空を超えた現場を合体させている。" レーベルその他作品はこちら /// Click here to...
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{"id":8638402134266,"title":"Félicia Atkinson \/\/ Space As An Instrument LP \/ CD","handle":"felicia-atkinson-space-as-an-instrument-lp-cd","description":"\u003cp\u003eフランスのアンビエント作家Felicia Atkinsonが、2024年10月に自身主宰レーベルShelter Pressからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eピアノやフィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"地球での生活で普遍的な体験のひとつは、首をかしげながら宇宙を見つめることだ。自分の内的生活の広大さと宇宙の広大さが出会い、その瞬間、それらの視点は驚きと好奇心の中で融合する。フランスのアーティストであり音楽家でもあるFélicia Atkinsonのニューアルバム『Space as an instrument』は、リスナーを、心が開放的で環境に対して受容的であるとき、そのような変容的な出会いの中で生まれる幻想的な風景へと誘う。夜空の広大さに吸い込まれるように、この音楽はイマジネーションを膨らませ、計り知れない神秘の中に心地よく身を置く手助けをしてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eエレクトロニクスのささくれや、発音された子音など、音楽の端々にある音と絡み合いながら、抑制された反復的なメロディーによって語られる。これらはAtkinsonの携帯電話で録音されたもので、鍵盤の横や背後に置かれ、部屋の音が滲んで、出会いの場所と時間を感じさせる。彼女はこれらのセッションを、彼女とピアノが交わり、渦巻くようなフレーズや茫漠とした不協和音を刻一刻と共創していく会議だと表現している。このダイナミズムを複雑にしているのは、ダイオードとLEDディスプレイという超現実的な空間に存在するデジタルピアノの存在である。デジタルピアノは、ダイオードとLEDディスプレイの超現実的な空間に存在し、3次元のピアノのアバターとして機能する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれでも、人、水、風の住む世界は、楽器として『Space』全体を通して聴くことができる。多くの場合、これらの録音はエレクトロニクスの背景と一体化し、あるいは物理的な形態が不明瞭な動きの音に還元される。『Sorry 』では力強い突風にマイクが緊張し、『Pensées Magiques 』では目に見えない地形を横切るリズミカルな足音。これらのフィールドレコーディングは、私たちを共感覚的体験の瀬戸際へと誘い、想像力の地形を耳で垣間見ることを可能にしてくれる。しかし、Atkinsonの音楽は、このシーンに対する特異な視点や明確な結論に抵抗する。「それは何も説明しない」と彼女は言う。しかし、それは私がそれを知覚する方法を、どうにかして翻訳する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xsUh-PasZQY?si=5Tipfngg8CgHOqby\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PAx9LTSZTpA?si=ohGmmhIlaxp_wV5u\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The healing 04:04\u003cbr\u003e2. This was her reply\u003cbr\u003e3. Thinking iceberg 12:50\u003cbr\u003e4. La pluie\u003cbr\u003e5. Sorry\u003cbr\u003e6. Shall I return to you\u003cbr\u003e7. Pensées magiques\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOne of the universal experiences of life on Earth is staring, neck craned, at the cosmos. The vastness of one’s internal life meets the vastness of space, and in that moment those perspectives fuse in a state of wonder and curiosity. Space as an instrument, the new album by French artist and musician Félicia Atkinson, invites listeners to explore the phantasmic landscapes created in such transformative encounters, when the mind is open and receptive to its environment. Like being absorbed by the immensity of the night sky, this music dilates the imagination and helps us to sit comfortably in the mystery of the ineffable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are guided through Space as an instrument by the piano, its alinear story told through restrained, iterative melodies that become entwined with the sounds at the music’s margins - a wisp of electronics, a pinprick of an enunciated consonant. They were recorded on Atkinson’s phone, which was placed next to the keys, or behind her, with the sound of the room bleeding through to give a sense of the place and time of the encounter. She describes these sessions as meetings where she and the piano commune to co-create these spiraling phrases and vaporous dissonances moment by moment. Complicating this dynamic is the presence of\u003cspan class=\"bcTruncateMore\"\u003e digital pianos, which exist in the surreal space of diodes and LED displays. They act as avatars of their three-dimensional counterparts: nowhere and everywhere simultaneously.\u003cbr\u003e\u003cbr\u003eStill, the inhabited world of people, water, and wind can be heard throughout Space as an instrument. Often these recordings are integrated into the backdrop of electronics, or reduced to the sound of movements whose physical forms are obscured: the microphone straining against a forceful gust on “Sorry,” arhythmic footsteps traversing an invisible terrain on “Pensées Magiques.” These field recordings take us to the brink of synesthetic experience, allowing us to glimpse with our ear the topography of the imagination. But Atkinson’s music resists any kind of singular perspective on the scene, or any distinct conclusion. “It doesn’t explain anything,” she says, “but it translates the way I perceive it, somehow.”...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP155\u003c\/p\u003e\n\u003cp\u003eBARCODE : 788362411343 \/ 788362411305\u003c\/p\u003e","published_at":"2024-10-08T18:32:23+09:00","created_at":"2024-10-08T16:46:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","lp","neo classical","new","shelter press"],"price":228000,"price_min":228000,"price_max":357000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46726884884730,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42415198503162,"product_id":8638402134266,"position":2,"created_at":"2024-10-08T16:43:47+09:00","updated_at":"2024-10-08T16:43:48+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428","variant_ids":[46726884884730]},"available":false,"name":"Félicia Atkinson \/\/ Space As An Instrument LP \/ CD - LP","public_title":"LP","options":["LP"],"price":357000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411305","featured_media":{"alt":null,"id":35015554892026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46726884917498,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42415198535930,"product_id":8638402134266,"position":3,"created_at":"2024-10-08T16:43:47+09:00","updated_at":"2024-10-08T16:43:48+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428","variant_ids":[46726884917498]},"available":false,"name":"Félicia Atkinson \/\/ Space As An Instrument LP \/ CD - CD","public_title":"CD","options":["CD"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411343","featured_media":{"alt":null,"id":35015554957562,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428","\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428","options":["Format"],"media":[{"alt":null,"id":35015554859258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428","width":700},{"alt":null,"id":35015554892026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428","width":1200},{"alt":null,"id":35015554957562,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのアンビエント作家Felicia Atkinsonが、2024年10月に自身主宰レーベルShelter Pressからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eピアノやフィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"地球での生活で普遍的な体験のひとつは、首をかしげながら宇宙を見つめることだ。自分の内的生活の広大さと宇宙の広大さが出会い、その瞬間、それらの視点は驚きと好奇心の中で融合する。フランスのアーティストであり音楽家でもあるFélicia Atkinsonのニューアルバム『Space as an instrument』は、リスナーを、心が開放的で環境に対して受容的であるとき、そのような変容的な出会いの中で生まれる幻想的な風景へと誘う。夜空の広大さに吸い込まれるように、この音楽はイマジネーションを膨らませ、計り知れない神秘の中に心地よく身を置く手助けをしてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eエレクトロニクスのささくれや、発音された子音など、音楽の端々にある音と絡み合いながら、抑制された反復的なメロディーによって語られる。これらはAtkinsonの携帯電話で録音されたもので、鍵盤の横や背後に置かれ、部屋の音が滲んで、出会いの場所と時間を感じさせる。彼女はこれらのセッションを、彼女とピアノが交わり、渦巻くようなフレーズや茫漠とした不協和音を刻一刻と共創していく会議だと表現している。このダイナミズムを複雑にしているのは、ダイオードとLEDディスプレイという超現実的な空間に存在するデジタルピアノの存在である。デジタルピアノは、ダイオードとLEDディスプレイの超現実的な空間に存在し、3次元のピアノのアバターとして機能する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれでも、人、水、風の住む世界は、楽器として『Space』全体を通して聴くことができる。多くの場合、これらの録音はエレクトロニクスの背景と一体化し、あるいは物理的な形態が不明瞭な動きの音に還元される。『Sorry 』では力強い突風にマイクが緊張し、『Pensées Magiques 』では目に見えない地形を横切るリズミカルな足音。これらのフィールドレコーディングは、私たちを共感覚的体験の瀬戸際へと誘い、想像力の地形を耳で垣間見ることを可能にしてくれる。しかし、Atkinsonの音楽は、このシーンに対する特異な視点や明確な結論に抵抗する。「それは何も説明しない」と彼女は言う。しかし、それは私がそれを知覚する方法を、どうにかして翻訳する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xsUh-PasZQY?si=5Tipfngg8CgHOqby\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PAx9LTSZTpA?si=ohGmmhIlaxp_wV5u\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The healing 04:04\u003cbr\u003e2. This was her reply\u003cbr\u003e3. Thinking iceberg 12:50\u003cbr\u003e4. La pluie\u003cbr\u003e5. Sorry\u003cbr\u003e6. Shall I return to you\u003cbr\u003e7. Pensées magiques\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOne of the universal experiences of life on Earth is staring, neck craned, at the cosmos. The vastness of one’s internal life meets the vastness of space, and in that moment those perspectives fuse in a state of wonder and curiosity. Space as an instrument, the new album by French artist and musician Félicia Atkinson, invites listeners to explore the phantasmic landscapes created in such transformative encounters, when the mind is open and receptive to its environment. Like being absorbed by the immensity of the night sky, this music dilates the imagination and helps us to sit comfortably in the mystery of the ineffable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are guided through Space as an instrument by the piano, its alinear story told through restrained, iterative melodies that become entwined with the sounds at the music’s margins - a wisp of electronics, a pinprick of an enunciated consonant. They were recorded on Atkinson’s phone, which was placed next to the keys, or behind her, with the sound of the room bleeding through to give a sense of the place and time of the encounter. She describes these sessions as meetings where she and the piano commune to co-create these spiraling phrases and vaporous dissonances moment by moment. Complicating this dynamic is the presence of\u003cspan class=\"bcTruncateMore\"\u003e digital pianos, which exist in the surreal space of diodes and LED displays. They act as avatars of their three-dimensional counterparts: nowhere and everywhere simultaneously.\u003cbr\u003e\u003cbr\u003eStill, the inhabited world of people, water, and wind can be heard throughout Space as an instrument. Often these recordings are integrated into the backdrop of electronics, or reduced to the sound of movements whose physical forms are obscured: the microphone straining against a forceful gust on “Sorry,” arhythmic footsteps traversing an invisible terrain on “Pensées Magiques.” These field recordings take us to the brink of synesthetic experience, allowing us to glimpse with our ear the topography of the imagination. But Atkinson’s music resists any kind of singular perspective on the scene, or any distinct conclusion. “It doesn’t explain anything,” she says, “but it translates the way I perceive it, somehow.”...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP155\u003c\/p\u003e\n\u003cp\u003eBARCODE : 788362411343 \/ 788362411305\u003c\/p\u003e"}
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フランスのアンビエント作家Felicia Atkinsonが、2024年10月に自身主宰レーベルShelter Pressからリリースしたアルバムです。 ピアノやフィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント7曲を収録。 以下、レーベルによる解説です。 "地球での生活で普遍的な体験のひとつは、首をかしげながら宇宙を見つめることだ。自分の内的生活の広大さと宇宙の広大さが出会い、その瞬間、それらの視点は驚きと好奇心の中で融合する。フランスのアーティストであり音楽家でもあるFélicia Atkinsonのニューアルバム『Space as an instrument』は、リスナーを、心が開放的で環境に対して受容的であるとき、そのような変容的な出会いの中で生まれる幻想的な風景へと誘う。夜空の広大さに吸い込まれるように、この音楽はイマジネーションを膨らませ、計り知れない神秘の中に心地よく身を置く手助けをしてくれる。 エレクトロニクスのささくれや、発音された子音など、音楽の端々にある音と絡み合いながら、抑制された反復的なメロディーによって語られる。これらはAtkinsonの携帯電話で録音されたもので、鍵盤の横や背後に置かれ、部屋の音が滲んで、出会いの場所と時間を感じさせる。彼女はこれらのセッションを、彼女とピアノが交わり、渦巻くようなフレーズや茫漠とした不協和音を刻一刻と共創していく会議だと表現している。このダイナミズムを複雑にしているのは、ダイオードとLEDディスプレイという超現実的な空間に存在するデジタルピアノの存在である。デジタルピアノは、ダイオードとLEDディスプレイの超現実的な空間に存在し、3次元のピアノのアバターとして機能する。 それでも、人、水、風の住む世界は、楽器として『Space』全体を通して聴くことができる。多くの場合、これらの録音はエレクトロニクスの背景と一体化し、あるいは物理的な形態が不明瞭な動きの音に還元される。『Sorry 』では力強い突風にマイクが緊張し、『Pensées Magiques...
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{"id":8637861134586,"title":"Jordan Deal \/\/ Seas of Triple Consciousness LP","handle":"jordan-deal-seas-of-triple-consciousness-lp","description":"\u003cp\u003eアメリカ・フィラデルフィアのマルチメディア作家／音響詩人Jordan Dealが、2024年9月にイギリス・ロンドンの実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e自身のルーツである黒人霊歌やゴスペル、アフリカ系アメリカ人フリージャズ、ブラックパンク、黒人の宗教儀式からヒントを得たスポークンワード〜コンテンポラリー・ブルース〜実験ジャズ11曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/jordan-deal-gogo-underworld-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jordan Dealの2022年のデビュー作『GOGO Underworld』（Cor Ardens）は、映画、彫刻、サウンド、パフォーマンスなど、様々な分野にまたがる彼らの活動を私たちに教えてくれた。そして今、私たちはJordan Dealの記録された遺産の次の章を紹介できることを誇りに思う。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Seas of Triple Consciousness』は、フランスの田舎の修道院と教会、そしてフィラデルフィアのJordan Dealの自宅の間で録音された。ゴスペル、ブルース、フォークの伝統や前衛的な作曲技法からヒントを得ている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e基本的にはグランドピアノを中心に、時折パーカッション、ハーモニカ、フィールドレコーディング、ギターが入るソングスイートで、アルバムは世界が崩壊するところから始まり、Jordan Dealが一連のペルソナを操り、抑圧的な力の犠牲者が住む超現実的な風景を横断する想像上の未来をリスナーに提示する。反抗、ノスタルジア、希望を、平明で、ソウルフルで、儚げに表現したJordan Dealの作品は、親しみやすさと同時に、心を揺さぶる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470730235\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1293949842\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470730235\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=654321906\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470730235\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470730235\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=388777971\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. when the sun dies 01:35\u003cbr\u003e2. and the sea dries 02:03\u003cbr\u003e3. horn of the beetles 04:14\u003cbr\u003e4. desert blues 08:03\u003cbr\u003e5. celebrate the madness 04:57\u003cbr\u003e6. metzu zombie dance 03:33\u003cbr\u003e7. mothers dance 04:09\u003cbr\u003e8. i will still love you 01:00\u003cbr\u003e9. at sight of first kiss 03:44\u003cbr\u003e10. the symphony of the black sun rises 02:55\u003cbr\u003e11. therefore to be swallowed by eternal blackness 04:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJordan Deal’s 2022 debut GOGO Underworld (Cor Ardens) hipped us to their multidisciplinary practice which shapeshifts across film, sculpture, sound \u0026amp; performance. Now we are proud to present the next chapter in Jordan’s recorded legacy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSeas of Triple Consciousness was recorded between monasteries \u0026amp; churches in rural France and Jordan’s home in Philadelphia. It takes cues from the gospel, blues and folk traditions as well as avant-garde composition techniques.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEssentially a song-suite, centred around grand piano with occasional percussion, harmonica, field recordings and guitar, the album starts with a world collapsing before presenting the listener with an imagined future where Jordan channels a series of personae traversing a surreal landscape inhabited by the victims of oppressive forces. With plaintive, soulful and fragile expressions of defiance, nostalgia and hope Jordan’s jaw-dropping creation is as mind-bending as it is familiar, For comparisons try Nina Simone, Moor Mother, \u0026amp; Julius\u003cspan class=\"bcTruncateMore\"\u003e Eastman.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jordan Deal\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e","published_at":"2024-10-09T10:35:55+09:00","created_at":"2024-10-07T22:20:37+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","horn of plenty","jazz","lp","new"],"price":456300,"price_min":456300,"price_max":456300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46723804528890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jordan Deal \/\/ Seas of Triple Consciousness LP","public_title":null,"options":["Default Title"],"price":456300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"HOP27","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/con_04533106-1d46-4b7f-a673-bc0302260e18.jpg?v=1728307118","\/\/tobirarecords.com\/cdn\/shop\/files\/con2_3b4137cb-26e9-45cd-aaf4-8ce16e4db6f3.jpg?v=1728307118"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/con_04533106-1d46-4b7f-a673-bc0302260e18.jpg?v=1728307118","options":["Title"],"media":[{"alt":null,"id":35009369735418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con_04533106-1d46-4b7f-a673-bc0302260e18.jpg?v=1728307118"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con_04533106-1d46-4b7f-a673-bc0302260e18.jpg?v=1728307118","width":700},{"alt":null,"id":35009369768186,"position":2,"preview_image":{"aspect_ratio":1.415,"height":848,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_3b4137cb-26e9-45cd-aaf4-8ce16e4db6f3.jpg?v=1728307118"},"aspect_ratio":1.415,"height":848,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_3b4137cb-26e9-45cd-aaf4-8ce16e4db6f3.jpg?v=1728307118","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フィラデルフィアのマルチメディア作家／音響詩人Jordan Dealが、2024年9月にイギリス・ロンドンの実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e自身のルーツである黒人霊歌やゴスペル、アフリカ系アメリカ人フリージャズ、ブラックパンク、黒人の宗教儀式からヒントを得たスポークンワード〜コンテンポラリー・ブルース〜実験ジャズ11曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/jordan-deal-gogo-underworld-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jordan Dealの2022年のデビュー作『GOGO Underworld』（Cor Ardens）は、映画、彫刻、サウンド、パフォーマンスなど、様々な分野にまたがる彼らの活動を私たちに教えてくれた。そして今、私たちはJordan Dealの記録された遺産の次の章を紹介できることを誇りに思う。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Seas of Triple Consciousness』は、フランスの田舎の修道院と教会、そしてフィラデルフィアのJordan Dealの自宅の間で録音された。ゴスペル、ブルース、フォークの伝統や前衛的な作曲技法からヒントを得ている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e基本的にはグランドピアノを中心に、時折パーカッション、ハーモニカ、フィールドレコーディング、ギターが入るソングスイートで、アルバムは世界が崩壊するところから始まり、Jordan Dealが一連のペルソナを操り、抑圧的な力の犠牲者が住む超現実的な風景を横断する想像上の未来をリスナーに提示する。反抗、ノスタルジア、希望を、平明で、ソウルフルで、儚げに表現したJordan Dealの作品は、親しみやすさと同時に、心を揺さぶる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470730235\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1293949842\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470730235\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=654321906\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470730235\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470730235\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=388777971\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. when the sun dies 01:35\u003cbr\u003e2. and the sea dries 02:03\u003cbr\u003e3. horn of the beetles 04:14\u003cbr\u003e4. desert blues 08:03\u003cbr\u003e5. celebrate the madness 04:57\u003cbr\u003e6. metzu zombie dance 03:33\u003cbr\u003e7. mothers dance 04:09\u003cbr\u003e8. i will still love you 01:00\u003cbr\u003e9. at sight of first kiss 03:44\u003cbr\u003e10. the symphony of the black sun rises 02:55\u003cbr\u003e11. therefore to be swallowed by eternal blackness 04:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJordan Deal’s 2022 debut GOGO Underworld (Cor Ardens) hipped us to their multidisciplinary practice which shapeshifts across film, sculpture, sound \u0026amp; performance. Now we are proud to present the next chapter in Jordan’s recorded legacy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSeas of Triple Consciousness was recorded between monasteries \u0026amp; churches in rural France and Jordan’s home in Philadelphia. It takes cues from the gospel, blues and folk traditions as well as avant-garde composition techniques.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEssentially a song-suite, centred around grand piano with occasional percussion, harmonica, field recordings and guitar, the album starts with a world collapsing before presenting the listener with an imagined future where Jordan channels a series of personae traversing a surreal landscape inhabited by the victims of oppressive forces. With plaintive, soulful and fragile expressions of defiance, nostalgia and hope Jordan’s jaw-dropping creation is as mind-bending as it is familiar, For comparisons try Nina Simone, Moor Mother, \u0026amp; Julius\u003cspan class=\"bcTruncateMore\"\u003e Eastman.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jordan Deal\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e"}
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アメリカ・フィラデルフィアのマルチメディア作家／音響詩人Jordan Dealが、2024年9月にイギリス・ロンドンの実験レーベルHorn of Plentyからリリースしたレコードです。 自身のルーツである黒人霊歌やゴスペル、アフリカ系アメリカ人フリージャズ、ブラックパンク、黒人の宗教儀式からヒントを得たスポークンワード〜コンテンポラリー・ブルース〜実験ジャズ11曲を収録。 前作もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Jordan Dealの2022年のデビュー作『GOGO Underworld』（Cor Ardens）は、映画、彫刻、サウンド、パフォーマンスなど、様々な分野にまたがる彼らの活動を私たちに教えてくれた。そして今、私たちはJordan Dealの記録された遺産の次の章を紹介できることを誇りに思う。 『Seas of...
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{"id":8632046813434,"title":"Marco Baldini \/\/ Fuochi TAPE","handle":"marco-baldini-fuochi-tape","description":"\u003cp\u003e過去にAnother Timbre等から発表しているイタリア・フィレンツェの作曲家Marco Baldiniが、2024年9月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eパイプオルガンとチェロ、フルート、コントラバスによるロングフォームなアコースティック・ドローン2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/marco-baldini-apartment-house-maniera-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"サン・マルティーナ・ア・マイアーノ教会（1885年）のパイプオルガンを使用し、ヴィンチェンツォ・ガリレイの『フロニモ』（1581年）に由来する楽材を用いたこれらの作品は、持続音と低音テシトゥーラの喚起的な可能性を明確にしている。これらの骨格構造の長大な持続時間は、みずみずしく、しばしば予期せぬ和声進行を前景化し、それぞれの瞬間が微妙な神秘とドラマの世界を現出させる。\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2926266446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ombra con coda 20:24\u003cbr\u003e2. Fuochi 17:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFeaturing the 1885 pipe organ of Chiesa di San Martina a Maiano and using musical materials derived from Vincenzo Galilei's Fronimo (1581), these pieces articulate the evocative possibilities of sustained tones and low tessituras. The protracted durations of these skeletal structures foreground their lush and often unexpected harmonic progressions, each moment revealing a world of subtle mystery and drama.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMarco Baldini\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eI had gotten close to the pipe organ while working, with Daniela Fantechi and Luisa Santacesaria, on writing Parva Lumina (2017), a piece that we later recorded in 2018 on a beautiful 19th-century Tronci organ in the church of San Giusto a Ema, in the countryside near Florence, and featured in Anabasi (Kohlhaas 2020), the fourth record by our ensemble Blutwurst.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThese two pieces were recorded in the summer of 2020 in the Church of San Martino a Maiano, in the green hills looming over Florence, very close to the village of Fiesole.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn San Martino there is an organ built in 1885 by Demetrio Bruschi, a carpenter and organ builder originally from Loro Ciuffenna, in the middle valley of the Arno River.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe organ is located in the choir loft on the back wall of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the apse.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMechanically transmitted, it has 16 stops and a mellifluous and opaque but powerful sound that gives its best in the lower register.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFuochi's pieces remained buried in my hard disk for almost four years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI liked them very much, despite their raw and somewhat monolithic nature, but the overabundance of pipe organ records in the field of modern composition, some that have since become iconic, and a chronic insecurity of mine had put me off proposing them earlier.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDark timbres and low tones are favored in these pieces, and the hands of Luisa Santacesaria, who plays the organ in both pieces, rarely exceed the lower half of the instrument's keyboard, while often the sound descends into the very deep notes produced with the pedals.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhile 'Fuochi' is a solo piece for pipe organ in 'Ombra con coda' Luisa is joined by Ensemble Schallfeld member Elisa Azzarà on bass flute, Niccolò Curradi on cello and Blutwurst member Maurizio Costantini on double bass.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey are both skeletal studies on stasis and slowness as well as the evocative and emotional possibility of sustained sounds and low tessituras, some concepts that have been quite central to my musical research in recent years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBoth pieces are based on excerpts from lute pieces by Vincenzo Galilei from his famous treatise 'Fronimo' (1581).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marco Baldini\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT No : Dinzu 105\u003c\/p\u003e","published_at":"2024-09-30T18:13:31+09:00","created_at":"2024-09-30T16:04:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","dinzu artefacts","drone","new","recommended","tape"],"price":197800,"price_min":197800,"price_max":197800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46701012189434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Marco Baldini \/\/ Fuochi TAPE","public_title":null,"options":["Default Title"],"price":197800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fuo1.jpg?v=1727679806","\/\/tobirarecords.com\/cdn\/shop\/files\/fuo2.jpg?v=1727679806"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fuo1.jpg?v=1727679806","options":["Title"],"media":[{"alt":null,"id":34959185477882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fuo1.jpg?v=1727679806"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fuo1.jpg?v=1727679806","width":700},{"alt":null,"id":34959185510650,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fuo2.jpg?v=1727679806"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fuo2.jpg?v=1727679806","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にAnother Timbre等から発表しているイタリア・フィレンツェの作曲家Marco Baldiniが、2024年9月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eパイプオルガンとチェロ、フルート、コントラバスによるロングフォームなアコースティック・ドローン2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/marco-baldini-apartment-house-maniera-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"サン・マルティーナ・ア・マイアーノ教会（1885年）のパイプオルガンを使用し、ヴィンチェンツォ・ガリレイの『フロニモ』（1581年）に由来する楽材を用いたこれらの作品は、持続音と低音テシトゥーラの喚起的な可能性を明確にしている。これらの骨格構造の長大な持続時間は、みずみずしく、しばしば予期せぬ和声進行を前景化し、それぞれの瞬間が微妙な神秘とドラマの世界を現出させる。\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2926266446\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ombra con coda 20:24\u003cbr\u003e2. Fuochi 17:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFeaturing the 1885 pipe organ of Chiesa di San Martina a Maiano and using musical materials derived from Vincenzo Galilei's Fronimo (1581), these pieces articulate the evocative possibilities of sustained tones and low tessituras. The protracted durations of these skeletal structures foreground their lush and often unexpected harmonic progressions, each moment revealing a world of subtle mystery and drama.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMarco Baldini\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eI had gotten close to the pipe organ while working, with Daniela Fantechi and Luisa Santacesaria, on writing Parva Lumina (2017), a piece that we later recorded in 2018 on a beautiful 19th-century Tronci organ in the church of San Giusto a Ema, in the countryside near Florence, and featured in Anabasi (Kohlhaas 2020), the fourth record by our ensemble Blutwurst.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThese two pieces were recorded in the summer of 2020 in the Church of San Martino a Maiano, in the green hills looming over Florence, very close to the village of Fiesole.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn San Martino there is an organ built in 1885 by Demetrio Bruschi, a carpenter and organ builder originally from Loro Ciuffenna, in the middle valley of the Arno River.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe organ is located in the choir loft on the back wall of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the apse.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMechanically transmitted, it has 16 stops and a mellifluous and opaque but powerful sound that gives its best in the lower register.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFuochi's pieces remained buried in my hard disk for almost four years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI liked them very much, despite their raw and somewhat monolithic nature, but the overabundance of pipe organ records in the field of modern composition, some that have since become iconic, and a chronic insecurity of mine had put me off proposing them earlier.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDark timbres and low tones are favored in these pieces, and the hands of Luisa Santacesaria, who plays the organ in both pieces, rarely exceed the lower half of the instrument's keyboard, while often the sound descends into the very deep notes produced with the pedals.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhile 'Fuochi' is a solo piece for pipe organ in 'Ombra con coda' Luisa is joined by Ensemble Schallfeld member Elisa Azzarà on bass flute, Niccolò Curradi on cello and Blutwurst member Maurizio Costantini on double bass.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThey are both skeletal studies on stasis and slowness as well as the evocative and emotional possibility of sustained sounds and low tessituras, some concepts that have been quite central to my musical research in recent years.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBoth pieces are based on excerpts from lute pieces by Vincenzo Galilei from his famous treatise 'Fronimo' (1581).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marco Baldini\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT No : Dinzu 105\u003c\/p\u003e"}
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過去にAnother Timbre等から発表しているイタリア・フィレンツェの作曲家Marco Baldiniが、2024年9月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたカセットです。 パイプオルガンとチェロ、フルート、コントラバスによるロングフォームなアコースティック・ドローン2曲を収録。DLコード付属。 前作もオススメです。 以下、レーベルによる解説です。 "サン・マルティーナ・ア・マイアーノ教会（1885年）のパイプオルガンを使用し、ヴィンチェンツォ・ガリレイの『フロニモ』（1581年）に由来する楽材を用いたこれらの作品は、持続音と低音テシトゥーラの喚起的な可能性を明確にしている。これらの骨格構造の長大な持続時間は、みずみずしく、しばしば予期せぬ和声進行を前景化し、それぞれの瞬間が微妙な神秘とドラマの世界を現出させる。" レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts...
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{"id":8629757575418,"title":"Kenneth Kirschner \/\/ June 7, 2013 CD","handle":"kenneth-kirschner-june-7-2013-cd","description":"\u003cp\u003eアメリカ・NYのピアニストKenneth Kirschnerが、2024年6月にギリシャの実験レーベルGranny Recordsから100部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e時間の流れを止める静謐なコンテンポラリー\u003cspan data-mce-fragment=\"1\"\u003e作品です。カードストック・ゲートフォルド仕様です。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2536715805\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/granny\"\u003ehere\u003c\/a\u003e to see more Granny Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock gatefold sleeve. Edition of 100. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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{"id":8604988539130,"title":"Willem de Ridder \/\/ All Chemix Radio 2xLP","handle":"willem-de-ridder-all-chemix-radio-2xlp","description":"\u003cp\u003eフルクサス創設者の一人としても知られているオランダの実験音楽家Willem de Ridderが、2020年に同国実験レーベルslowscanからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlvin Curranも参加しています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレコードのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/916953176\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSlowscan\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSlowscan releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1 Two More Days For Gabriel\u003cbr\u003eElectronics – Stefan Weisser\u003cbr\u003eElectronics, Voice, Engineer – Andrew McKenzie\u003cbr\u003eMusician – Hessel Veldman\u003cbr\u003eVoice, Noises – Cora Emens\u003c\/p\u003e\n\u003cp\u003eB1 Go For It \u0026amp; Kill All Memory\u003cbr\u003eElectronics, Engineer – Hessel Veldman\u003cbr\u003eNoises – Nick Nicole \u003cbr\u003eSynthesizer – Julia Romanov\u003cbr\u003eVoice – William Levy \u003cbr\u003eVoice, Noises – Cora Emens\u003c\/p\u003e\n\u003cp\u003eC1 Zombie In The Closet\u003cbr\u003eElectronics, Engineer – Alvin Curran\u003cbr\u003eVoice – Annie Sprinkle, Cora Emens\u003c\/p\u003e\n\u003cp\u003eD1 This Is Not true\u003cbr\u003eVoice, Electronics, Noises – Hessel Veldman\u003cbr\u003eVoice, Noises – Cora Emens, Nick Nicole \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFluxus artist, Magazinemaker, Dutch Radiomaker, Storyteller, Spychologist, born in s'Hertogenbosch on the 14th of October 1939.\u003c\/p\u003e\n\u003cp\u003eArtist : Willem de Ridder\u003c\/p\u003e\n\u003cp\u003eLabel : Slowscan\u003c\/p\u003e","published_at":"2024-08-23T10:02:43+09:00","created_at":"2024-08-23T10:02:04+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","new","Slowscan"],"price":674000,"price_min":674000,"price_max":674000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46597515608314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Willem de Ridder \/\/ All Chemix Radio 2xLP","public_title":null,"options":["Default Title"],"price":674000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/willem.jpg?v=1601087406"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/willem.jpg?v=1601087406","options":["Title"],"media":[{"alt":null,"id":11442105974949,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/willem.jpg?v=1601087406"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/willem.jpg?v=1601087406","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフルクサス創設者の一人としても知られているオランダの実験音楽家Willem de Ridderが、2020年に同国実験レーベルslowscanからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlvin Curranも参加しています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレコードのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/916953176\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSlowscan\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSlowscan releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1 Two More Days For Gabriel\u003cbr\u003eElectronics – Stefan Weisser\u003cbr\u003eElectronics, Voice, Engineer – Andrew McKenzie\u003cbr\u003eMusician – Hessel Veldman\u003cbr\u003eVoice, Noises – Cora Emens\u003c\/p\u003e\n\u003cp\u003eB1 Go For It \u0026amp; Kill All Memory\u003cbr\u003eElectronics, Engineer – Hessel Veldman\u003cbr\u003eNoises – Nick Nicole \u003cbr\u003eSynthesizer – Julia Romanov\u003cbr\u003eVoice – William Levy \u003cbr\u003eVoice, Noises – Cora Emens\u003c\/p\u003e\n\u003cp\u003eC1 Zombie In The Closet\u003cbr\u003eElectronics, Engineer – Alvin Curran\u003cbr\u003eVoice – Annie Sprinkle, Cora Emens\u003c\/p\u003e\n\u003cp\u003eD1 This Is Not true\u003cbr\u003eVoice, Electronics, Noises – Hessel Veldman\u003cbr\u003eVoice, Noises – Cora Emens, Nick Nicole \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFluxus artist, Magazinemaker, Dutch Radiomaker, Storyteller, Spychologist, born in s'Hertogenbosch on the 14th of October 1939.\u003c\/p\u003e\n\u003cp\u003eArtist : Willem de Ridder\u003c\/p\u003e\n\u003cp\u003eLabel : Slowscan\u003c\/p\u003e"}
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フルクサス創設者の一人としても知られているオランダの実験音楽家Willem de Ridderが、2020年に同国実験レーベルslowscanからリリースした2枚組レコードです。 Alvin Curranも参加しています。 レコードのみでの発表となります。 Slowscanその他作品はこちら /// Click here to see more Slowscan releases available at Tobira. ...
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{"id":8604194930938,"title":"Mads Emil Nielsen + V.A. \/\/ Framework 2 2x10\"+ PRINTS","handle":"mads-emil-nielsen-v-a-framework-2","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eデンマークの実験音楽家Mads Emil Nielsen主宰レーベルArbitrary諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、Madsによる\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e手書きのグラフィックスコアをもとに演奏するFrameworkシリーズ第2弾です。グラフィックスコアプリントとDLコード付属。クリア盤です。45rpmです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAndrea Neumann、Jan Jelinek、Hideki Umezawaも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2446258392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 2 x 10\" vinyl, \u003cspan data-mce-fragment=\"1\"\u003e45 rpm, white + transparent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDanish musician\/composer Mads Emil Nielsen continues his Framework series; a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen’s own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations – in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFramework 2 consists of printed scores and recordings, released on 2 x 10” vinyl + DL. Circles (Disc1: side A) is a dense, 03:45 collage of synthesizer recordings made during a residency at EMS (Elektronmusikstudion), Stockholm. The first graphic score is an illustration in three parts, based on sketches and drawings made intuitively while listening during and after the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e recording process.\u003cbr data-mce-fragment=\"1\"\u003eFramework Fragments (Disc1: side B) created in collaboration with Andrea Neumann is derived from live recordings made with electronics and inside piano, and is based on the second score. The piece was made by the two musicians improvising from the seven graphic score fragments, sequenced using individual timecodes and then edited by Nielsen into a more complex collage, following closely the structure of the original recording. Originally a 4-channel composition, Framework Fragments was presented as part of the two artists’ “Creepage Current” sound installation in Berlin, Copenhagen and Milan, 2018 \u0026amp; 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNielsen then invited two artists to interpret the notation \u0026amp; score – electronic musician Jan Jelinek and sound artist Hideki Umezawa. These recordings are included on Disc 2 (on transparent vinyl). Jelinek chose to focus on the second part of the Circles score – following its structure \/ timeline and translating the elements into three separated loops blending in and out, one after another, surrounded by additional sounds and random textures.\u003cbr data-mce-fragment=\"1\"\u003eUmezawa interpreted the Framework Fragments score. Various recordings based on his improvisations made with the Serge synthesizer – once again during a residency at EMS (2019) – were organised to ensure the sound material correspond to each element \/ score fragment. Finally, the material was re-arranged in detail and edited into the 9 min. composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 - Mads Emil Nielsen: Circles\u003cbr data-mce-fragment=\"1\"\u003e2 - Mads Emil Nielsen + Andrea Neumann: Framework Fragments\u003cbr data-mce-fragment=\"1\"\u003e3 - Jan Jelinek: Circles - 2\u003cbr data-mce-fragment=\"1\"\u003e4 - Hideki Umezawa: Framework Fragments - 2\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen, Andrea Neumann, Jan Jelinek, Hideki Umezawa \u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e","published_at":"2024-08-22T16:53:29+09:00","created_at":"2024-08-22T16:52:36+09:00","vendor":"Tobira Records","type":"","tags":["arbitrary","books \/ clothing \/ others","contemporary \/ sound poetry","lp","monooto","new"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46594301427962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mads Emil Nielsen + V.A. \/\/ Framework 2 2x10\"+ PRINTS","public_title":null,"options":["Default Title"],"price":298000,"weight":550,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706","\/\/tobirarecords.com\/cdn\/shop\/products\/me2.jpg?v=1612576707","\/\/tobirarecords.com\/cdn\/shop\/products\/me3.jpg?v=1612576707","\/\/tobirarecords.com\/cdn\/shop\/products\/me4.jpg?v=1612576707","\/\/tobirarecords.com\/cdn\/shop\/products\/me5.jpg?v=1612576707"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706","options":["Title"],"media":[{"alt":null,"id":16378912768165,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706","width":700},{"alt":null,"id":16378912800933,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2.jpg?v=1612576707","width":1200},{"alt":null,"id":16378912833701,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me3.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me3.jpg?v=1612576707","width":1200},{"alt":null,"id":16378912866469,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me4.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me4.jpg?v=1612576707","width":1200},{"alt":null,"id":16378912899237,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me5.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me5.jpg?v=1612576707","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eデンマークの実験音楽家Mads Emil Nielsen主宰レーベルArbitrary諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、Madsによる\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e手書きのグラフィックスコアをもとに演奏するFrameworkシリーズ第2弾です。グラフィックスコアプリントとDLコード付属。クリア盤です。45rpmです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAndrea Neumann、Jan Jelinek、Hideki Umezawaも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2446258392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 2 x 10\" vinyl, \u003cspan data-mce-fragment=\"1\"\u003e45 rpm, white + transparent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDanish musician\/composer Mads Emil Nielsen continues his Framework series; a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen’s own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations – in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFramework 2 consists of printed scores and recordings, released on 2 x 10” vinyl + DL. Circles (Disc1: side A) is a dense, 03:45 collage of synthesizer recordings made during a residency at EMS (Elektronmusikstudion), Stockholm. The first graphic score is an illustration in three parts, based on sketches and drawings made intuitively while listening during and after the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e recording process.\u003cbr data-mce-fragment=\"1\"\u003eFramework Fragments (Disc1: side B) created in collaboration with Andrea Neumann is derived from live recordings made with electronics and inside piano, and is based on the second score. The piece was made by the two musicians improvising from the seven graphic score fragments, sequenced using individual timecodes and then edited by Nielsen into a more complex collage, following closely the structure of the original recording. Originally a 4-channel composition, Framework Fragments was presented as part of the two artists’ “Creepage Current” sound installation in Berlin, Copenhagen and Milan, 2018 \u0026amp; 2019.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNielsen then invited two artists to interpret the notation \u0026amp; score – electronic musician Jan Jelinek and sound artist Hideki Umezawa. These recordings are included on Disc 2 (on transparent vinyl). Jelinek chose to focus on the second part of the Circles score – following its structure \/ timeline and translating the elements into three separated loops blending in and out, one after another, surrounded by additional sounds and random textures.\u003cbr data-mce-fragment=\"1\"\u003eUmezawa interpreted the Framework Fragments score. Various recordings based on his improvisations made with the Serge synthesizer – once again during a residency at EMS (2019) – were organised to ensure the sound material correspond to each element \/ score fragment. Finally, the material was re-arranged in detail and edited into the 9 min. composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e1 - Mads Emil Nielsen: Circles\u003cbr data-mce-fragment=\"1\"\u003e2 - Mads Emil Nielsen + Andrea Neumann: Framework Fragments\u003cbr data-mce-fragment=\"1\"\u003e3 - Jan Jelinek: Circles - 2\u003cbr data-mce-fragment=\"1\"\u003e4 - Hideki Umezawa: Framework Fragments - 2\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen, Andrea Neumann, Jan Jelinek, Hideki Umezawa \u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e"}
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デンマークの実験音楽家Mads Emil Nielsen主宰レーベルArbitrary諸作を入荷しました。 本作は、Madsによる手書きのグラフィックスコアをもとに演奏するFrameworkシリーズ第2弾です。グラフィックスコアプリントとDLコード付属。クリア盤です。45rpmです。 Andrea Neumann、Jan Jelinek、Hideki Umezawaも参加しています。 レーベルその他作品はこちら /// Click here to see more Arbitrary...
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{"id":8592007463162,"title":"Siri Austeen \/\/ Tides and Wanderings TAPE","handle":"siri-austeen-tides-and-wanderings-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eノルウェー・オスロの実験音楽家Siri Austeenが、2024年5月にオスロの実験レーベルBreton Cassetteから30本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜アコースティック・ドローン5曲を収録。手製バッグとカラビナ、写真、テキスト、DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Siri Austeenの芸術活動は、調査的なフィールドレコーディングや長期的なプロジェクトに基づくことが多く、個人、集団、生態系構造の相互作用に関連するテーマに取り組んでいる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサウンドインスタレーション、テキスト、パフォーマンス、パブリックアートを通して、これらのつながりを探求している。80年代初頭から、自身の活動の一環としてさまざまな音楽プロジェクトにも携わっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Tides and Wanderings』では、移動、航海、共存、ポリフォニーといった概念を、自身の歌詞、フィールドレコーディング、ヴォーカル、ピアノ、自作ベース、そして彼女の代表的な楽器であるサックスとトランペットの使用を通してテーマ化している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=977396979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2033210146\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=977396979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003ehere\u003c\/a\u003e to see more Breton Cassette releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003eCassette in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ea handmade bag made from parachute silk with leather laces and a carabine. The bag holds a printed cassette, a text on blue paper folded as a paper bag to bring when collecting seeds from nature, and a photo by the artist printed on a card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 30. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ship O` hoi 02:51\u003cbr\u003e2. Natural Navigator 07:16\u003cbr\u003e3. Who is coming? 04:10\u003cbr\u003e4. Buskagitasjon 07:58\u003cbr\u003e5. The leafes 08:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBreton Cassette:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSiri Austeen`s artistic practice is often based on investigative field recordings and long-term projects addressing themes related to the interplay of individual, collective and ecological structures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShe explores these connections through sound installations, text, performance and public art commissions. Since the early 80s, she has also been involved in various musical projects as part of her practice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith Tides and Wanderings Austeen reflects on concepts such as movement, navigation, coexistence and polyphony, thematized through her own lyrics, field recordings, vocal as well as the use of piano, a self-built bass and her signature instrument the saxopet.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Siri Austeen\u003c\/p\u003e\n\u003cp\u003eLabel : Breton Cassette\u003c\/p\u003e","published_at":"2024-08-19T09:23:25+09:00","created_at":"2024-08-12T12:09:41+09:00","vendor":"Tobira Records","type":"","tags":["Breton Cassette","contemporary \/ sound poetry","drone","new","tape"],"price":297200,"price_min":297200,"price_max":297200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46542259486970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Siri Austeen \/\/ Tides and Wanderings TAPE","public_title":null,"options":["Default Title"],"price":297200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/siri1.jpg?v=1723432078","\/\/tobirarecords.com\/cdn\/shop\/files\/siri2.jpg?v=1723432078","\/\/tobirarecords.com\/cdn\/shop\/files\/siri3.jpg?v=1723432078"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/siri1.jpg?v=1723432078","options":["Title"],"media":[{"alt":null,"id":34695993622778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/siri1.jpg?v=1723432078"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/siri1.jpg?v=1723432078","width":700},{"alt":null,"id":34695993655546,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/siri2.jpg?v=1723432078"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/siri2.jpg?v=1723432078","width":1200},{"alt":null,"id":34695993688314,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/siri3.jpg?v=1723432078"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/siri3.jpg?v=1723432078","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eノルウェー・オスロの実験音楽家Siri Austeenが、2024年5月にオスロの実験レーベルBreton Cassetteから30本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜アコースティック・ドローン5曲を収録。手製バッグとカラビナ、写真、テキスト、DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Siri Austeenの芸術活動は、調査的なフィールドレコーディングや長期的なプロジェクトに基づくことが多く、個人、集団、生態系構造の相互作用に関連するテーマに取り組んでいる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサウンドインスタレーション、テキスト、パフォーマンス、パブリックアートを通して、これらのつながりを探求している。80年代初頭から、自身の活動の一環としてさまざまな音楽プロジェクトにも携わっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Tides and Wanderings』では、移動、航海、共存、ポリフォニーといった概念を、自身の歌詞、フィールドレコーディング、ヴォーカル、ピアノ、自作ベース、そして彼女の代表的な楽器であるサックスとトランペットの使用を通してテーマ化している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=977396979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2033210146\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=977396979\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003ehere\u003c\/a\u003e to see more Breton Cassette releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003eCassette in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ea handmade bag made from parachute silk with leather laces and a carabine. The bag holds a printed cassette, a text on blue paper folded as a paper bag to bring when collecting seeds from nature, and a photo by the artist printed on a card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 30. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ship O` hoi 02:51\u003cbr\u003e2. Natural Navigator 07:16\u003cbr\u003e3. Who is coming? 04:10\u003cbr\u003e4. Buskagitasjon 07:58\u003cbr\u003e5. The leafes 08:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBreton Cassette:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSiri Austeen`s artistic practice is often based on investigative field recordings and long-term projects addressing themes related to the interplay of individual, collective and ecological structures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShe explores these connections through sound installations, text, performance and public art commissions. Since the early 80s, she has also been involved in various musical projects as part of her practice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith Tides and Wanderings Austeen reflects on concepts such as movement, navigation, coexistence and polyphony, thematized through her own lyrics, field recordings, vocal as well as the use of piano, a self-built bass and her signature instrument the saxopet.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Siri Austeen\u003c\/p\u003e\n\u003cp\u003eLabel : Breton Cassette\u003c\/p\u003e"}
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ノルウェー・オスロの実験音楽家Siri Austeenが、2024年5月にオスロの実験レーベルBreton Cassetteから30本限定でリリースしたカセットです。 サウンドポエトリー〜アコースティック・ドローン5曲を収録。手製バッグとカラビナ、写真、テキスト、DLコード付属。 以下、レーベルによる解説です。 "Siri Austeenの芸術活動は、調査的なフィールドレコーディングや長期的なプロジェクトに基づくことが多く、個人、集団、生態系構造の相互作用に関連するテーマに取り組んでいる。 サウンドインスタレーション、テキスト、パフォーマンス、パブリックアートを通して、これらのつながりを探求している。80年代初頭から、自身の活動の一環としてさまざまな音楽プロジェクトにも携わっている。 『Tides and Wanderings』では、移動、航海、共存、ポリフォニーといった概念を、自身の歌詞、フィールドレコーディング、ヴォーカル、ピアノ、自作ベース、そして彼女の代表的な楽器であるサックスとトランペットの使用を通してテーマ化している。" レーベルその他作品はこちら /// Click here to see...
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{"id":8590352449786,"title":"Derek Baron\/Luke Martin \/\/ Distinct and Concealed TAPE","handle":"derek-baron-luke-martin-distinct-and-concealed-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカの実験音楽家Derek BaronとLuke Martinが、2024年6月に同国NYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eピアノとNo inputミキサー、カセットによるコラージュ〜ミュージックコンクレート2曲、1時間以上を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ミニマルでプロセス指向の音楽を実践する2人の思慮深い実践者の出会いが成功したのは、それが機知に富んでいるからではなく、その身振りが明晰だからである。几帳面かつ冷静で、定期的に立ち上がっては道具を選び、集中して作業を続け、足音や衣服のざわめきが聞こえる。作品のタイトルである \"Distinct \"と \"Concealed \"は、公的な自己顕示と私的な自己認識の間の緊張を示唆しているが、これらの録音はライブで行われ、部屋の音やプレーヤーの活動や動きは、両極を複雑にする演劇性を示唆している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Distinct」は、友人同士のキャッチボールのようなもので、真剣さが定期的に現れ、やがて積極的でガラスのようなコミュニケーションに変わる。「Distinct」がキャッチアップだとすれば、「Concealed」は緊迫した2度目のミーティングのようだ。ピアノを中心に、話し言葉のループや長いポーズがあり、やがて満足のいく均衡に陥る。無入力ミキシングのかろうじてコントロールできる性質が、エレクトロニクスやテープの扱いやすい要素と対峙し、キーボードがその関係を複雑にしている。バロンとマーティンの手にかかると、ミニマリズムは常に能動的な探求となる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259957719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Distinct 32:01\u003cbr\u003e2. Concealed 31:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis meet-up between two thoughtful practitioners of minimal and process-oriented music succeeds not because it is resourceful but because its gestures are clearheaded. Disciplined and exploratory, it is like observing someone fixing a watch: methodical and calm, periodically getting up and selecting a tool, working for stretches of full concentration, and hearing the footsteps and rustle of clothing. The titles of the pieces – “Distinct” and “Concealed” – suggest tensions between public self-presentation and private self-knowledge, and yet these recordings were made live, with sounds of the room and the activity and movements of the players suggesting a theatricality that complicates both poles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Distinct” plays like a long-delayed catch-up session between friends, seriousness arising periodically before resolving into active and glassy communication. If “Distinct” is a catch-up, “Concealed” plays as a tense second meeting: piano-led, with zipped spoken-word loops and long stretches of pause, eventually falling into a satisfying equilibrium. The barely controlled nature of no-input mixing confronts the more manageable elements of electronics and tape, with keyboards complicating the relationship. In the hands of Baron and Martin, minimalism is a constant and active search.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Derek Baron\/Luke Martin\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003eCAT No : NTR085\u003c\/p\u003e","published_at":"2024-08-10T14:21:51+09:00","created_at":"2024-08-09T14:41:34+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","jazz","monooto","new","notice recordings","tape"],"price":187800,"price_min":187800,"price_max":187800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46534006964474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Derek Baron\/Luke Martin \/\/ Distinct and Concealed TAPE","public_title":null,"options":["Default Title"],"price":187800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/con1_b0bf9252-d7da-48dd-adc4-12be6e15b735.jpg?v=1723181989","\/\/tobirarecords.com\/cdn\/shop\/files\/con2_42b76edd-57d8-4261-9607-128861cc85b5.jpg?v=1723181989"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_b0bf9252-d7da-48dd-adc4-12be6e15b735.jpg?v=1723181989","options":["Title"],"media":[{"alt":null,"id":34684280242426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_b0bf9252-d7da-48dd-adc4-12be6e15b735.jpg?v=1723181989"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_b0bf9252-d7da-48dd-adc4-12be6e15b735.jpg?v=1723181989","width":700},{"alt":null,"id":34684280275194,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_42b76edd-57d8-4261-9607-128861cc85b5.jpg?v=1723181989"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_42b76edd-57d8-4261-9607-128861cc85b5.jpg?v=1723181989","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカの実験音楽家Derek BaronとLuke Martinが、2024年6月に同国NYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eピアノとNo inputミキサー、カセットによるコラージュ〜ミュージックコンクレート2曲、1時間以上を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ミニマルでプロセス指向の音楽を実践する2人の思慮深い実践者の出会いが成功したのは、それが機知に富んでいるからではなく、その身振りが明晰だからである。几帳面かつ冷静で、定期的に立ち上がっては道具を選び、集中して作業を続け、足音や衣服のざわめきが聞こえる。作品のタイトルである \"Distinct \"と \"Concealed \"は、公的な自己顕示と私的な自己認識の間の緊張を示唆しているが、これらの録音はライブで行われ、部屋の音やプレーヤーの活動や動きは、両極を複雑にする演劇性を示唆している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Distinct」は、友人同士のキャッチボールのようなもので、真剣さが定期的に現れ、やがて積極的でガラスのようなコミュニケーションに変わる。「Distinct」がキャッチアップだとすれば、「Concealed」は緊迫した2度目のミーティングのようだ。ピアノを中心に、話し言葉のループや長いポーズがあり、やがて満足のいく均衡に陥る。無入力ミキシングのかろうじてコントロールできる性質が、エレクトロニクスやテープの扱いやすい要素と対峙し、キーボードがその関係を複雑にしている。バロンとマーティンの手にかかると、ミニマリズムは常に能動的な探求となる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259957719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Distinct 32:01\u003cbr\u003e2. Concealed 31:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis meet-up between two thoughtful practitioners of minimal and process-oriented music succeeds not because it is resourceful but because its gestures are clearheaded. Disciplined and exploratory, it is like observing someone fixing a watch: methodical and calm, periodically getting up and selecting a tool, working for stretches of full concentration, and hearing the footsteps and rustle of clothing. The titles of the pieces – “Distinct” and “Concealed” – suggest tensions between public self-presentation and private self-knowledge, and yet these recordings were made live, with sounds of the room and the activity and movements of the players suggesting a theatricality that complicates both poles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Distinct” plays like a long-delayed catch-up session between friends, seriousness arising periodically before resolving into active and glassy communication. If “Distinct” is a catch-up, “Concealed” plays as a tense second meeting: piano-led, with zipped spoken-word loops and long stretches of pause, eventually falling into a satisfying equilibrium. The barely controlled nature of no-input mixing confronts the more manageable elements of electronics and tape, with keyboards complicating the relationship. In the hands of Baron and Martin, minimalism is a constant and active search.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Derek Baron\/Luke Martin\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003eCAT No : NTR085\u003c\/p\u003e"}
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アメリカの実験音楽家Derek BaronとLuke Martinが、2024年6月に同国NYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。 ピアノとNo inputミキサー、カセットによるコラージュ〜ミュージックコンクレート2曲、1時間以上を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "ミニマルでプロセス指向の音楽を実践する2人の思慮深い実践者の出会いが成功したのは、それが機知に富んでいるからではなく、その身振りが明晰だからである。几帳面かつ冷静で、定期的に立ち上がっては道具を選び、集中して作業を続け、足音や衣服のざわめきが聞こえる。作品のタイトルである "Distinct "と "Concealed "は、公的な自己顕示と私的な自己認識の間の緊張を示唆しているが、これらの録音はライブで行われ、部屋の音やプレーヤーの活動や動きは、両極を複雑にする演劇性を示唆している。 「Distinct」は、友人同士のキャッチボールのようなもので、真剣さが定期的に現れ、やがて積極的でガラスのようなコミュニケーションに変わる。「Distinct」がキャッチアップだとすれば、「Concealed」は緊迫した2度目のミーティングのようだ。ピアノを中心に、話し言葉のループや長いポーズがあり、やがて満足のいく均衡に陥る。無入力ミキシングのかろうじてコントロールできる性質が、エレクトロニクスやテープの扱いやすい要素と対峙し、キーボードがその関係を複雑にしている。バロンとマーティンの手にかかると、ミニマリズムは常に能動的な探求となる。"...
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![Lisa Ullén // Heirloom LP [COLOR]](http://tobirarecords.com/cdn/shop/files/he1_9390a980-fa0f-4585-848a-2f9bf029308f_medium.jpg?v=1719224282)
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{"id":8527348596986,"title":"Lisa Ullén \/\/ Heirloom LP [COLOR]","handle":"lisa-ullen-heirloom-lp-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eスウェーデン／韓国のピアニストLisa Ullénが、2024年2月に同国実験レーベル\u003cspan\u003efönstretからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eピアノのインプロ独奏6曲を収録。クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3775470513\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl. Edition of 300. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e1. Heirloom (6 June 2023) 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e2. Fragrance (6 June 2023) 05:55\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e3. After Sun (6 June 2023) 13:00\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e4. Heirloom (8 June 2023) 04:43\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e5. Fragrance (8 June 2023) 04:47\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e6. After Sun (8 June 2023) 14:52\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efönstret:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHeirloom is the first Lisa Ullén solo recording to appear on LP and exploits the two-sided nature of the physical format with two variations of the same three-part suite, exploring what it means to be ‘in between’ — be it genre, method or identity. The combination of Ullén’s deft control, patience and unconventional technique makes ‘Heirloom’ a sublime, ravishing listen.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Ullén\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efönstret\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-06-26T16:14:22+09:00","created_at":"2024-06-24T19:19:52+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","fönstret","jazz","lp","new"],"price":395000,"price_min":395000,"price_max":395000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46276522803450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lisa Ullén \/\/ Heirloom LP [COLOR]","public_title":null,"options":["Default Title"],"price":395000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/he1_9390a980-fa0f-4585-848a-2f9bf029308f.jpg?v=1719224282","\/\/tobirarecords.com\/cdn\/shop\/files\/he2_e9c7cec3-b4d8-4ecc-bce8-2170e9f18d39.jpg?v=1719224282"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_9390a980-fa0f-4585-848a-2f9bf029308f.jpg?v=1719224282","options":["Title"],"media":[{"alt":null,"id":34391349985530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_9390a980-fa0f-4585-848a-2f9bf029308f.jpg?v=1719224282"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_9390a980-fa0f-4585-848a-2f9bf029308f.jpg?v=1719224282","width":700},{"alt":null,"id":34391350018298,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_e9c7cec3-b4d8-4ecc-bce8-2170e9f18d39.jpg?v=1719224282"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_e9c7cec3-b4d8-4ecc-bce8-2170e9f18d39.jpg?v=1719224282","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eスウェーデン／韓国のピアニストLisa Ullénが、2024年2月に同国実験レーベル\u003cspan\u003efönstretからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eピアノのインプロ独奏6曲を収録。クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3775470513\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl. Edition of 300. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e1. Heirloom (6 June 2023) 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e2. Fragrance (6 June 2023) 05:55\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e3. After Sun (6 June 2023) 13:00\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e4. Heirloom (8 June 2023) 04:43\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e5. Fragrance (8 June 2023) 04:47\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"mso-ansi-language: EN-US;\" data-mce-style=\"mso-ansi-language: EN-US;\"\u003e6. After Sun (8 June 2023) 14:52\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efönstret:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHeirloom is the first Lisa Ullén solo recording to appear on LP and exploits the two-sided nature of the physical format with two variations of the same three-part suite, exploring what it means to be ‘in between’ — be it genre, method or identity. The combination of Ullén’s deft control, patience and unconventional technique makes ‘Heirloom’ a sublime, ravishing listen.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Ullén\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efönstret\u003c\/span\u003e\u003c\/p\u003e"}
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スウェーデン／韓国のピアニストLisa Ullénが、2024年2月に同国実験レーベルfönstretからリリースしたレコードです。 ピアノのインプロ独奏6曲を収録。クリア盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ---------------------------------------- 12" clear vinyl. Edition of 300. Ask us for...
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{"id":8526704214266,"title":"William Burroughs \/\/ Ali's Smile LP","handle":"william-burroughs-alis-smile-lp","description":"\u003cp\u003eビートジェネレーションを代表する作家の一人William Burroughsが1971年に99部限定でひっそりとプライベートリリースしたレコードがこの度再発されました。\u003c\/p\u003e\n\u003cp\u003eA面「Ali's Smile」は、イギリス・ブライトンにある「ユニコーン・ブックショップ」でのみ販売されていた幻の作品です。\u003c\/p\u003e\n\u003cp\u003eB面は、フリーランスのジャーナリストが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBurroughsに送った\u003c\/span\u003e様々な質問に彼が答えた33分のオーディオテープです。彼の朗読や思考を詳細に記録したものとしては、最も古いものの一つと言えます。\u003c\/p\u003e\n\u003cp\u003eナンバリング、スリーブノート付属、1000枚限定。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1064000260\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec\" href=\"https:\/\/soundcloud.com\/user-785703111\" target=\"_blank\"\u003etobirec\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"burroughs_excerpt\" href=\"https:\/\/soundcloud.com\/user-785703111\/burroughs_excerpt\" target=\"_blank\"\u003eburroughs_excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cem\u003eThis record is divided into 2 sections. The first part is the title track and takes up most of side 1. Ali’s Smile was first published in 1971 and was privately released as a one sided LP, in an edition of 99 copies. It came in a plain sleeve with a hardback copy of the spoken text, and was sold exclusively through Unicorn Bookshop in Brighton, UK. Bill Butler, the bookshop owner, was still paying off a viciously punitive fine and associated court costs imposed in 1968 after a guilty verdict in an obscenity trial. Burroughs, a ‘fellow American’, was only too happy to help out by letting him have the rights to the recording. Rumours abound as to how many copies of the LP actually sold and how many were damaged after having been left on a heater, but, whatever the facts, this magnanimous gesture would still have been very handy. This is the first official reissue of this lost audio recording. A tale of revenge, heartless cruelty and amulet power, muddied with frequent recourse to Scientological references.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eThe rest of the LP is taken up with 30 minutes of audio tape supplied by Burroughs in answer to various questions mailed to him by a freelance journalist. It also includes several readings from material he was working on at the time. The recordings date from 1963, which places them as some of (if not the), earliest in depth recordings of his readings and thoughts. As this material dates from just before the publication of Nova Express, much of it serves as a useful companion and commentary on his Nova mythology. In the end only about 10 minutes of this material ever got broadcast, and was used as part of an illustrated talk on the BBC’s Third Programme.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eReleased in an edition of 1000 with sleeve notes on a numbered insert.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003eartist : William Burroughs\u003c\/div\u003e\n\u003cdiv\u003elabel : Paradigm Discs\u003c\/div\u003e","published_at":"2024-06-24T11:15:17+09:00","created_at":"2024-06-24T11:14:40+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","new","Paradigm Discs"],"price":429000,"price_min":429000,"price_max":429000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46274025554170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"William Burroughs \/\/ Ali's Smile LP","public_title":null,"options":["Default Title"],"price":429000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/william-s-burroughs-alis-smile-lp_1024x1024_8830267f-3eb8-48d2-ac1c-72a4b90949ae.jpg?v=1623114723"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/william-s-burroughs-alis-smile-lp_1024x1024_8830267f-3eb8-48d2-ac1c-72a4b90949ae.jpg?v=1623114723","options":["Title"],"media":[{"alt":null,"id":22421121695909,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/william-s-burroughs-alis-smile-lp_1024x1024_8830267f-3eb8-48d2-ac1c-72a4b90949ae.jpg?v=1623114723"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/william-s-burroughs-alis-smile-lp_1024x1024_8830267f-3eb8-48d2-ac1c-72a4b90949ae.jpg?v=1623114723","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eビートジェネレーションを代表する作家の一人William Burroughsが1971年に99部限定でひっそりとプライベートリリースしたレコードがこの度再発されました。\u003c\/p\u003e\n\u003cp\u003eA面「Ali's Smile」は、イギリス・ブライトンにある「ユニコーン・ブックショップ」でのみ販売されていた幻の作品です。\u003c\/p\u003e\n\u003cp\u003eB面は、フリーランスのジャーナリストが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBurroughsに送った\u003c\/span\u003e様々な質問に彼が答えた33分のオーディオテープです。彼の朗読や思考を詳細に記録したものとしては、最も古いものの一つと言えます。\u003c\/p\u003e\n\u003cp\u003eナンバリング、スリーブノート付属、1000枚限定。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1064000260\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec\" href=\"https:\/\/soundcloud.com\/user-785703111\" target=\"_blank\"\u003etobirec\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"burroughs_excerpt\" href=\"https:\/\/soundcloud.com\/user-785703111\/burroughs_excerpt\" target=\"_blank\"\u003eburroughs_excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cem\u003eThis record is divided into 2 sections. The first part is the title track and takes up most of side 1. Ali’s Smile was first published in 1971 and was privately released as a one sided LP, in an edition of 99 copies. It came in a plain sleeve with a hardback copy of the spoken text, and was sold exclusively through Unicorn Bookshop in Brighton, UK. Bill Butler, the bookshop owner, was still paying off a viciously punitive fine and associated court costs imposed in 1968 after a guilty verdict in an obscenity trial. Burroughs, a ‘fellow American’, was only too happy to help out by letting him have the rights to the recording. Rumours abound as to how many copies of the LP actually sold and how many were damaged after having been left on a heater, but, whatever the facts, this magnanimous gesture would still have been very handy. This is the first official reissue of this lost audio recording. A tale of revenge, heartless cruelty and amulet power, muddied with frequent recourse to Scientological references.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eThe rest of the LP is taken up with 30 minutes of audio tape supplied by Burroughs in answer to various questions mailed to him by a freelance journalist. It also includes several readings from material he was working on at the time. The recordings date from 1963, which places them as some of (if not the), earliest in depth recordings of his readings and thoughts. As this material dates from just before the publication of Nova Express, much of it serves as a useful companion and commentary on his Nova mythology. In the end only about 10 minutes of this material ever got broadcast, and was used as part of an illustrated talk on the BBC’s Third Programme.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003eReleased in an edition of 1000 with sleeve notes on a numbered insert.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv\u003eartist : William Burroughs\u003c\/div\u003e\n\u003cdiv\u003elabel : Paradigm Discs\u003c\/div\u003e"}
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ビートジェネレーションを代表する作家の一人William Burroughsが1971年に99部限定でひっそりとプライベートリリースしたレコードがこの度再発されました。 A面「Ali's Smile」は、イギリス・ブライトンにある「ユニコーン・ブックショップ」でのみ販売されていた幻の作品です。 B面は、フリーランスのジャーナリストがBurroughsに送った様々な質問に彼が答えた33分のオーディオテープです。彼の朗読や思考を詳細に記録したものとしては、最も古いものの一つと言えます。 ナンバリング、スリーブノート付属、1000枚限定。 tobirec · burroughs_excerpt This record is divided...
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{"id":8510594941178,"title":"claire rousay \/\/ it was always worth it \/ ilysm TAPE","handle":"claire-rousay-it-was-always-worth-it-ilysm-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・LAのアンビエント作家claire rousayが、2021年に同国シカゴのオールジャンルレーベルAmerican Dreams\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなコラージュ・アンビエント〜サウンドポエトリー2曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDerek BaronやMore Eaze、Alex Cunninghamが参加しており、マスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA. It Was Always Worth It\u003cbr\u003eText By – Samantha Abney\u003cbr\u003eViolin – Alex Cunningham\u003cbr\u003eWritten By, Recorded By – Claire Rousay\u003c\/p\u003e\n\u003cp\u003eB. ILYSM\u003cbr\u003eField Recording, Synth, Edited By – Claire Rousay\u003cbr\u003eFlute – Derek Baron\u003cbr\u003eViolin – More Eaze\u003cbr\u003eVoice – Michael Schoeffel, Ryan Walker, Sabrina Ghieuw, roche\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XzkV-Zreb3k?si=VKUsPi0AgZnFPuu-\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2369610541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=2030\/tracklist=false\/artwork=none\/track=2446862225\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003ehere\u003c\/a\u003e to see more American Dreams releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. it was always worth it 20:12\u003cbr\u003e2. ilysm 20:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : claire rousay\u003c\/p\u003e\n\u003cp\u003eLabel : Mended Dreams Records (American Dreams)\u003c\/p\u003e\n\u003cp\u003eCAT No : 4 MDR\u003c\/p\u003e","published_at":"2024-06-12T19:01:52+09:00","created_at":"2024-06-12T15:14:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","american dreams","monooto","neo classical","new","sound poetry","tape"],"price":214000,"price_min":214000,"price_max":214000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46222457274618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"claire rousay \/\/ it was always worth it \/ ilysm TAPE","public_title":null,"options":["Default Title"],"price":214000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/was1_291f4dae-71ba-4e14-8808-af2ca1bfc12e.jpg?v=1718172657","\/\/tobirarecords.com\/cdn\/shop\/files\/R-21417934-1639992514-7203.jpg?v=1718186879","\/\/tobirarecords.com\/cdn\/shop\/files\/was2_98035c26-3a32-47e8-b97f-e94b6b9bcef2.jpg?v=1718172657"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/was1_291f4dae-71ba-4e14-8808-af2ca1bfc12e.jpg?v=1718172657","options":["Title"],"media":[{"alt":null,"id":34312184529146,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/was1_291f4dae-71ba-4e14-8808-af2ca1bfc12e.jpg?v=1718172657"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/was1_291f4dae-71ba-4e14-8808-af2ca1bfc12e.jpg?v=1718172657","width":700},{"alt":null,"id":34313091612922,"position":2,"preview_image":{"aspect_ratio":1.222,"height":490,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21417934-1639992514-7203.jpg?v=1718186879"},"aspect_ratio":1.222,"height":490,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21417934-1639992514-7203.jpg?v=1718186879","width":599},{"alt":null,"id":34312184561914,"position":3,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/was2_98035c26-3a32-47e8-b97f-e94b6b9bcef2.jpg?v=1718172657"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/was2_98035c26-3a32-47e8-b97f-e94b6b9bcef2.jpg?v=1718172657","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・LAのアンビエント作家claire rousayが、2021年に同国シカゴのオールジャンルレーベルAmerican Dreams\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなコラージュ・アンビエント〜サウンドポエトリー2曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDerek BaronやMore Eaze、Alex Cunninghamが参加しており、マスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA. It Was Always Worth It\u003cbr\u003eText By – Samantha Abney\u003cbr\u003eViolin – Alex Cunningham\u003cbr\u003eWritten By, Recorded By – Claire Rousay\u003c\/p\u003e\n\u003cp\u003eB. ILYSM\u003cbr\u003eField Recording, Synth, Edited By – Claire Rousay\u003cbr\u003eFlute – Derek Baron\u003cbr\u003eViolin – More Eaze\u003cbr\u003eVoice – Michael Schoeffel, Ryan Walker, Sabrina Ghieuw, roche\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XzkV-Zreb3k?si=VKUsPi0AgZnFPuu-\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2369610541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=2030\/tracklist=false\/artwork=none\/track=2446862225\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003ehere\u003c\/a\u003e to see more American Dreams releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. it was always worth it 20:12\u003cbr\u003e2. ilysm 20:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : claire rousay\u003c\/p\u003e\n\u003cp\u003eLabel : Mended Dreams Records (American Dreams)\u003c\/p\u003e\n\u003cp\u003eCAT No : 4 MDR\u003c\/p\u003e"}
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{"id":8510497816826,"title":"Natalia Beylis \/\/ Lost - For Annie TAPE","handle":"natalia-beylis-lost-for-annie-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアイルランドの実験音楽家／フィールドレコーディング作家Natalia Beylisが、2024年6月にアメリカ・ワシントンDCの実験レーベルOutside Timeから50本限定リリースしたカセットです。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング〜物音コラージュ〜スポークンワードを織り交ぜた、社会生態学的なアプローチの音響ドキュメンタリー4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e1900年代アイルランドで盛んに行われたSweathouse（アイルランド式サウナ）関連プロジェクトへのインタビューも収録。マスタリングはAndrew Weathersが担当しています。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/natalia-beylis-library-of-sticks-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Natalia Beylisの音楽の中心にあるのは、リスニングとクリエイションの絡み合った実践である。彼女は定期的にフィールドレコーディングと拾った楽器の両方を前面に出し、出会った不思議な音の周りに世界を構築し、再文脈化のプロセスに任せて、予期せぬ出会いから意味を生み出す。そこから浮かび上がってくるのは、人間の共同体であれ、彼女を取り巻く人間以外の広大な生命世界であれ、彼女が環境と深いつながりをもっているという姿だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのようなつながりの感覚は、アイルランドのNatalia Beylisの広範なコミュニティで様々な媒体を使って活動するアーティストたちとともに制作されたレコーディング集『Lost - For Annie』を貫いている。彼女は18年間リートリムに住み、その音に耳を澄ませ、自分の周りで変化する音を記録してきた。『Lost - For Annie』は、エコロジー活動、コミュニティへの参加、芸術的表現の特異な記録であり、人間やその他の民衆が生態学的・社会学的変化をどのように理解し、対処するかという疑問を優雅に暗示している。Natalia Beylisの音源は、自然発生的なグループヴォーカルの即興演奏からドキュメンタリースタイルのインタビュー録音、孤独な楽器演奏から鳥の鳴き声のサンプリングまで多岐にわたる。これらのサウンドは、Natalia Beylisが自分の故郷（そしてそこに共に暮らす他の人々）をより深く知るためのものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e19分を超えるタイトル曲は、コレクションのA面全体を占め、ヴィジュアルアーティストのアニー・ホッグのインスタレーションに合わせて書かれた。2023年に初公開されたホッグのインスタレーションは、大規模な商業的農業がもたらす環境破壊を探求するもので、Natalia Beylisは工業的で単一文化的な森林に囲まれて暮らす中で、この現象を身をもって体験している。『Lost - For Annie』は、Natalia Beylisが自宅周辺で録音し、皮肉にも石油多国籍企業がリリースしたLPからサンプリングした鳥のさえずりに溢れている。瑞々しいエレクトロニクスと馴染みのあるさえずりで始まるこの曲は、最近伐採されたばかりの森を歩くNatalia Beylisの録音が延々と続く。鳥のさえずりが再び現れると、それは電子的に操作され、逆再生され、ゆがんだ不安な音になっている。Natalia Beylisがライナーノーツに書いているように、「このリストに載っている鳥たちがいなくなったとき、私たちが彼らの声を思い出すことができるのは、こうした録音を通してだけだろう。今は、ドラムナダバーの若い森に鳥たちが戻ってくるのを心待ちにしている。\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2022年半ば、Natalia Beylisはアーティストのローラ・ギャラガーとケイト・マータ・シェリダンと共に、「モニュメンタル・ヒーリング」と題したマルチメディア作品を共同制作した。 この作品集の第2面に収録されている3つの作品は、その試みの一環として制作されたもので、リートリムの人口密集地帯の周辺に点在する多くの隠された（そして現在は廃墟となっている）サウナの起源と用途を理解しようとする試みである。何世代も前に使われなくなったこれらの癒しと回復の場所に対する目を見張るような魅力は、アンネア・ロックウッドの『ドナウのサウンドマップ』と呼応する『リートリムサウナプロジェクト参加者へのインタビュー』に収められている。マータグ・シェリダンが製作し演奏した陶器のオブジェの音響特性を聴く間奏曲の後、「The Roots of the Mountain Ash Embrace the Stone（山の灰の根が石を抱く）」の盛り上がるオルガンのドローンが聴く者を包み込む。この作品は、このような古代に近い建造物の中に入ったときに感じられる、孤独と一体感という深遠で謎めいた感覚を再現している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNatalia Beylisの作品は場所と視点に根ざしており、彼女の耳は周囲の環境に同調し、音のタペストリーの中での独自の位置を意識している。本作では、環境と観察者の間のそれぞれの接点を、繊細さと思いやりをもって辿っている。そこには、リスナーとしてこれらの音に身を委ねるとき、その音を共同創造している私たちの役割をより深く理解できるようになるという穏やかな主張がある。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=746125665\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=746125665\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2748017978\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. 2nd edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lost - For Annie 19:12\u003cbr\u003e2. Interviews with Participants of The Leitrim Sweathouse Project. 12:30\u003cbr\u003e3. Kate's Ceramic 00:32\u003cbr\u003e4. The Roots of the Mountain Ash Embrace the Stone (excerpt) 06:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Outside Time:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003e 'Lost - For Annie' is a singular document of ecological activism, community engagement, and artistic expression that gracefully implies questions of how folk – human and otherwise – understand and cope with ecological and sociological changes. Beylis’ source material ranges from spontaneous group vocal improvisation to documentary-style interview recordings, from solitary instrumental performance to sampled birdcall. These are the sounds of Beylis coming to know her home (and the others\u003cspan class=\"bcTruncateMore\"\u003e that live there alongside her) more deeply.\u003cbr\u003e\u003cbr\u003eThe titular piece, stretching out to over 19 minutes, occupies the entirety of the collection’s first side and was written to accompany an installation by visual artist Annie Hogg. Hogg’s installation, first shown in 2023, explores the environmental destruction brought on by large-scale commercial farming, a phenomenon Beylis has experienced firsthand living surrounded by an industrial, monocultural forest. “Lost - For Annie” is abundant with birdsong – recorded by Beylis around her home and sampled from LPs released, ironically, by oil multinationals – until it isn’t. What begins with lush electronics and familiar chirping descends into an extended recording of Beylis walking through the recently clear-felled forest notable for the absence of any sound except that of her feet trudging through soil and detritus. When the birdsong reappears, it’s been electronically manipulated, thrown into reverse, sounding warbled and uneasy. As Beylis writes in the liner notes, “When the birds on this list are gone, it will only be through these types of recordings that we will remember their voices. For now, we eagerly await the imminent return of the birds to the young woodland at Drumnadubber.”\u003cbr\u003e\u003cbr\u003eIn mid-2022, Beylis, alongside artists Laura Gallagher and Kate Murtagh Sheridan, collaborated on a multimedia work titled 'Monumental Healing,' which itself was conceived in conjunction with a wider group of volunteers comprising The Leitrim Sweathouse Project. The three pieces on the second side of this collection were created as a part of that endeavor, an attempt to understand the origins and uses of the many hidden (and now defunct) sweathouses scattered around the margins of populated zones in Leitrim. The wide-eyed fascination with these sites of healing and recovery, which fell out of use generations ago, is captured on “Interviews with Participants of The Leitrim Sweathouse Project,” which echoes Annea Lockwood’s Sound Map of the Danube. After an interlude where we hear the sonic properties of a ceramic object made and played by Murtagh Sheridan, the heaving organ drones of “The Roots of the Mountain Ash Embrace the Stone '' enfold the listener. The piece echoes the profound, enigmatic sense of solitude and unity that can be felt when inside one of these near-ancient structures – the past and the present melt together into one continuous cycle of rupture and repair.\u003cbr\u003e\u003cbr\u003eBeylis’ work is rooted in place and perspective, her ears attuned to their surroundings and aware of their unique position within the sonic tapestry. 'Lost - For Annie' sees her tracing each point of connection between environment and observer with sensitivity and compassion. There’s a gentle insistence that when we, as listeners, give ourselves over to these sounds, we gain a greater understanding of the role we play in co-creating them.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Natalia Beylis\u003c\/p\u003e\n\u003cp\u003eLabel : Outside Time\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOUT002\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-06-13T20:39:13+09:00","created_at":"2024-06-12T13:01:19+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","field recording","monooto","new","Outside Time","tape"],"price":229400,"price_min":229400,"price_max":229400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46222239432954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Natalia Beylis \/\/ Lost - For Annie TAPE","public_title":null,"options":["Default Title"],"price":229400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bey1.jpg?v=1718164730","\/\/tobirarecords.com\/cdn\/shop\/files\/bey2.jpg?v=1718164730"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bey1.jpg?v=1718164730","options":["Title"],"media":[{"alt":null,"id":34311561707770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bey1.jpg?v=1718164730"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bey1.jpg?v=1718164730","width":700},{"alt":null,"id":34311561740538,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bey2.jpg?v=1718164730"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bey2.jpg?v=1718164730","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアイルランドの実験音楽家／フィールドレコーディング作家Natalia Beylisが、2024年6月にアメリカ・ワシントンDCの実験レーベルOutside Timeから50本限定リリースしたカセットです。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング〜物音コラージュ〜スポークンワードを織り交ぜた、社会生態学的なアプローチの音響ドキュメンタリー4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e1900年代アイルランドで盛んに行われたSweathouse（アイルランド式サウナ）関連プロジェクトへのインタビューも収録。マスタリングはAndrew Weathersが担当しています。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/natalia-beylis-library-of-sticks-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Natalia Beylisの音楽の中心にあるのは、リスニングとクリエイションの絡み合った実践である。彼女は定期的にフィールドレコーディングと拾った楽器の両方を前面に出し、出会った不思議な音の周りに世界を構築し、再文脈化のプロセスに任せて、予期せぬ出会いから意味を生み出す。そこから浮かび上がってくるのは、人間の共同体であれ、彼女を取り巻く人間以外の広大な生命世界であれ、彼女が環境と深いつながりをもっているという姿だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのようなつながりの感覚は、アイルランドのNatalia Beylisの広範なコミュニティで様々な媒体を使って活動するアーティストたちとともに制作されたレコーディング集『Lost - For Annie』を貫いている。彼女は18年間リートリムに住み、その音に耳を澄ませ、自分の周りで変化する音を記録してきた。『Lost - For Annie』は、エコロジー活動、コミュニティへの参加、芸術的表現の特異な記録であり、人間やその他の民衆が生態学的・社会学的変化をどのように理解し、対処するかという疑問を優雅に暗示している。Natalia Beylisの音源は、自然発生的なグループヴォーカルの即興演奏からドキュメンタリースタイルのインタビュー録音、孤独な楽器演奏から鳥の鳴き声のサンプリングまで多岐にわたる。これらのサウンドは、Natalia Beylisが自分の故郷（そしてそこに共に暮らす他の人々）をより深く知るためのものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e19分を超えるタイトル曲は、コレクションのA面全体を占め、ヴィジュアルアーティストのアニー・ホッグのインスタレーションに合わせて書かれた。2023年に初公開されたホッグのインスタレーションは、大規模な商業的農業がもたらす環境破壊を探求するもので、Natalia Beylisは工業的で単一文化的な森林に囲まれて暮らす中で、この現象を身をもって体験している。『Lost - For Annie』は、Natalia Beylisが自宅周辺で録音し、皮肉にも石油多国籍企業がリリースしたLPからサンプリングした鳥のさえずりに溢れている。瑞々しいエレクトロニクスと馴染みのあるさえずりで始まるこの曲は、最近伐採されたばかりの森を歩くNatalia Beylisの録音が延々と続く。鳥のさえずりが再び現れると、それは電子的に操作され、逆再生され、ゆがんだ不安な音になっている。Natalia Beylisがライナーノーツに書いているように、「このリストに載っている鳥たちがいなくなったとき、私たちが彼らの声を思い出すことができるのは、こうした録音を通してだけだろう。今は、ドラムナダバーの若い森に鳥たちが戻ってくるのを心待ちにしている。\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2022年半ば、Natalia Beylisはアーティストのローラ・ギャラガーとケイト・マータ・シェリダンと共に、「モニュメンタル・ヒーリング」と題したマルチメディア作品を共同制作した。 この作品集の第2面に収録されている3つの作品は、その試みの一環として制作されたもので、リートリムの人口密集地帯の周辺に点在する多くの隠された（そして現在は廃墟となっている）サウナの起源と用途を理解しようとする試みである。何世代も前に使われなくなったこれらの癒しと回復の場所に対する目を見張るような魅力は、アンネア・ロックウッドの『ドナウのサウンドマップ』と呼応する『リートリムサウナプロジェクト参加者へのインタビュー』に収められている。マータグ・シェリダンが製作し演奏した陶器のオブジェの音響特性を聴く間奏曲の後、「The Roots of the Mountain Ash Embrace the Stone（山の灰の根が石を抱く）」の盛り上がるオルガンのドローンが聴く者を包み込む。この作品は、このような古代に近い建造物の中に入ったときに感じられる、孤独と一体感という深遠で謎めいた感覚を再現している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNatalia Beylisの作品は場所と視点に根ざしており、彼女の耳は周囲の環境に同調し、音のタペストリーの中での独自の位置を意識している。本作では、環境と観察者の間のそれぞれの接点を、繊細さと思いやりをもって辿っている。そこには、リスナーとしてこれらの音に身を委ねるとき、その音を共同創造している私たちの役割をより深く理解できるようになるという穏やかな主張がある。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=746125665\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=746125665\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2748017978\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. 2nd edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Lost - For Annie 19:12\u003cbr\u003e2. Interviews with Participants of The Leitrim Sweathouse Project. 12:30\u003cbr\u003e3. Kate's Ceramic 00:32\u003cbr\u003e4. The Roots of the Mountain Ash Embrace the Stone (excerpt) 06:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Outside Time:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003e 'Lost - For Annie' is a singular document of ecological activism, community engagement, and artistic expression that gracefully implies questions of how folk – human and otherwise – understand and cope with ecological and sociological changes. Beylis’ source material ranges from spontaneous group vocal improvisation to documentary-style interview recordings, from solitary instrumental performance to sampled birdcall. These are the sounds of Beylis coming to know her home (and the others\u003cspan class=\"bcTruncateMore\"\u003e that live there alongside her) more deeply.\u003cbr\u003e\u003cbr\u003eThe titular piece, stretching out to over 19 minutes, occupies the entirety of the collection’s first side and was written to accompany an installation by visual artist Annie Hogg. Hogg’s installation, first shown in 2023, explores the environmental destruction brought on by large-scale commercial farming, a phenomenon Beylis has experienced firsthand living surrounded by an industrial, monocultural forest. “Lost - For Annie” is abundant with birdsong – recorded by Beylis around her home and sampled from LPs released, ironically, by oil multinationals – until it isn’t. What begins with lush electronics and familiar chirping descends into an extended recording of Beylis walking through the recently clear-felled forest notable for the absence of any sound except that of her feet trudging through soil and detritus. When the birdsong reappears, it’s been electronically manipulated, thrown into reverse, sounding warbled and uneasy. As Beylis writes in the liner notes, “When the birds on this list are gone, it will only be through these types of recordings that we will remember their voices. For now, we eagerly await the imminent return of the birds to the young woodland at Drumnadubber.”\u003cbr\u003e\u003cbr\u003eIn mid-2022, Beylis, alongside artists Laura Gallagher and Kate Murtagh Sheridan, collaborated on a multimedia work titled 'Monumental Healing,' which itself was conceived in conjunction with a wider group of volunteers comprising The Leitrim Sweathouse Project. The three pieces on the second side of this collection were created as a part of that endeavor, an attempt to understand the origins and uses of the many hidden (and now defunct) sweathouses scattered around the margins of populated zones in Leitrim. The wide-eyed fascination with these sites of healing and recovery, which fell out of use generations ago, is captured on “Interviews with Participants of The Leitrim Sweathouse Project,” which echoes Annea Lockwood’s Sound Map of the Danube. After an interlude where we hear the sonic properties of a ceramic object made and played by Murtagh Sheridan, the heaving organ drones of “The Roots of the Mountain Ash Embrace the Stone '' enfold the listener. The piece echoes the profound, enigmatic sense of solitude and unity that can be felt when inside one of these near-ancient structures – the past and the present melt together into one continuous cycle of rupture and repair.\u003cbr\u003e\u003cbr\u003eBeylis’ work is rooted in place and perspective, her ears attuned to their surroundings and aware of their unique position within the sonic tapestry. 'Lost - For Annie' sees her tracing each point of connection between environment and observer with sensitivity and compassion. There’s a gentle insistence that when we, as listeners, give ourselves over to these sounds, we gain a greater understanding of the role we play in co-creating them.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Natalia Beylis\u003c\/p\u003e\n\u003cp\u003eLabel : Outside Time\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOUT002\u003c\/span\u003e\u003c\/p\u003e"}
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アイルランドの実験音楽家／フィールドレコーディング作家Natalia Beylisが、2024年6月にアメリカ・ワシントンDCの実験レーベルOutside Timeから50本限定リリースしたカセットです。 フィールドレコーディング〜物音コラージュ〜スポークンワードを織り交ぜた、社会生態学的なアプローチの音響ドキュメンタリー4曲を収録。DLコード付属。 1900年代アイルランドで盛んに行われたSweathouse（アイルランド式サウナ）関連プロジェクトへのインタビューも収録。マスタリングはAndrew Weathersが担当しています。 前作もオススメです。 以下、レーベルによる解説です。 "Natalia Beylisの音楽の中心にあるのは、リスニングとクリエイションの絡み合った実践である。彼女は定期的にフィールドレコーディングと拾った楽器の両方を前面に出し、出会った不思議な音の周りに世界を構築し、再文脈化のプロセスに任せて、予期せぬ出会いから意味を生み出す。そこから浮かび上がってくるのは、人間の共同体であれ、彼女を取り巻く人間以外の広大な生命世界であれ、彼女が環境と深いつながりをもっているという姿だ。 このようなつながりの感覚は、アイルランドのNatalia Beylisの広範なコミュニティで様々な媒体を使って活動するアーティストたちとともに制作されたレコーディング集『Lost - For...
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{"id":8489033957626,"title":"SMET Studio Di Musica Elettronica Di Torino \/\/ Musica Elettronica \/ Computer Music 1966-1972 LP","handle":"smet-studio-di-musica-elettronica-di-torino-musica-elettronica-computer-music-1966-1972-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの実験音楽家Enore Zaffiri率いるSMET Studio Di Musica Elettronica Di Torinoが、2024年5月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースした再発レコードです。（オリジナルは1971年リリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e未発表音源3曲含む計9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SMET - Studio di Musica Elettronicaは1964年、Enore Zaffiriのアイデアからトリノで誕生した。当初、スタジオは初歩的な機材を使用し、会議やオーディションを通じてこの前衛的な音楽分野の知識を広めると同時に、独自のサウンド体験を開発することを目的としていた。新しい機器へのアプローチは、構造主義的アプローチによる厳格な研究手法に従ったもので、「スタジオ・ディ・インフォルマツィオーネ・エステティカ」（美的情報スタジオ）を中心とした視覚的オペレーターとの密接な関係があった。1966年、音楽実験に興味を持つ若い音楽家や大学生のために、実験的な電子音楽コースが開設された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1968年、イタリア教育省は、トリノの \"G.ヴェルディ \"音楽院に電子音楽の実験的コースを設立することを承認した。1970\/71年、シンセサイザーの登場とともに、方法論的、思想的に急激な変化が起こった。シンセサイザーは、電子音楽と過去の音楽芸術との理想的な架け橋となる楽器となった。エレン・カッペルの協力のもと、電子的に処理されない声が、最も古い楽器と最も現代的な楽器の融合を促進した。その活動は、コンサート、ミュージカル劇場、バレエ、映画、ビデオテープなど、さまざまな分野で展開された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの（今では超レアな）レコードが出版された年は、イタリアにおけるエレクトロニックミュージックの進化のターニングポイントだった。1972年、アルマンド・ジェンティルッチによる『電子音楽入門』が、有名な出版社フェルトリネッリから出版されたのである。この時期、ピエトロ・グロッシ、エノーレ・ザフィリ、テレサ・ランパッツィは、最も重要な作曲経験を積む機会を得た。彼らは、作品の交換、互いのコラボレーション、巡回展への参加、旅行、執筆、放送の企画など、さまざまな活動に従事し、このレコード盤のリリースは、イタリアにおける電子音楽の進化の転機となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eZaffiriとSMETが共有したイデオロギーは、『Musica Elettronica \/ Computer Music 1966-1972』に明確に集約されている。音と形式を緻密にコントロールする電子音楽は、伝統的な作曲法や楽器の熟練という制約から解放される唯一の方法である。それは、探究心と共同作業によってのみ達成できる実験的な試みである。1972年に発表された『Musica Elettronica \/ Computer Music』は、象徴的なEMS VCS3シンセサイザーの紛れもないサウンドと、IBM 360コンピューターで生成された音色をフィーチャーしたもので、フォニット・セトラ・スタジオで数枚だけプライベートプレスされた。この見事な作品は、やがて当時のイタリアン・アヴァンギャルド・エレクトロニックLPの中で最も希少で人気の高い作品のひとつとなった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1148260328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\" black vinyl. Edition of 210. Comes in d\u003cspan\u003eeluxe cover with handmade silver foil printed on 450g paper. Includes 3 bonus tracks and a 30x30cm double-sided insert with detailed notes and a SMET \/ Enore Zaffiri exhaustive chronology.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. EL.25 02:48\u003cbr\u003e2. C12 01:10\u003cbr\u003e3. SP\/Z 14 a.b 03:00\u003cbr\u003e4. Immigrati 06:27\u003cbr\u003e5. Fawn 07:54\u003cbr\u003e6. Ex Tempore Cantus 03:47\u003cbr\u003e7. Living Synthi n.7 05:33\u003cbr\u003e8. Wake in Progress 10:22\u003cbr\u003e9. Ordinali Ordinati 04:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Die Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe SMET - Studio di Musica Elettronica was born in Turin in 1964, from an idea by Enore Zaffiri. In the beginning the Studio worked with rudimentary equipment, aiming to disseminate knowledge of this avant-garde musical sector through conferences and auditions and, at the same time , developing its own sound experiences. The approach to the new equipment followed a rigorous research method with a structuralist approach, in close relationship with visual operators orbiting around the “Studio di Informazione Estetica” (Aesthetic Information Studio). In 1966 an experimental Electronic Music course was opened for young musicians and university students interested in musical experimentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 1968 the Italian Ministry of Education approved the establishment of an experimental course in Electronic Music at the “G. Verdi” Conservatory in Turin. In 1970\/71, with the advent of the synthesizer, a radical methodological and ideological change occurred. After rigorous structuralism, the live concert was introduced: the synthesizer became the instrument with which to build an ideal bridge between electronic music and the musical art of the past. With the collaboration of Ellen Kappel, the voice, not treated electronically, favoured the union between the oldest instrument and\u003cspan class=\"bcTruncateMore\"\u003e the most modern one. The activity developed in various sectors: concerts, musical theatre, ballet, films, video tapes.\u003cbr\u003e\u003cbr\u003eThe year of this (nowadays super rare) vinyl's publication was a turning point in the evolution of electronic music in Italy. 1972 saw the publication of “Introduction to Electronic Music” by Armando Gentilucci, the first volume written by an Italian, in Italian, to examine technological advancements, by the renowned publishing house Feltrinelli. During this period, Pietro Grossi, Enore Zaffiri, and Teresa Rampazzi had the opportunity to develop their most significant compositional experiences. They engaged in a variety of activities, and this vinyl release marked a turning point in the evolution of electronic music in Italy, such as exchanging works, collaborating with each other, participating in itinerant exhibitions, traveling, writing, and organizing broadcasts.\u003cbr\u003e\u003cbr\u003eZaffiri and SMET's shared ideology is clearly summed up on “Musica Elettronica \/ Computer Music 1966-1972”: electronic music, with its meticulous control over sound and form, is the only way to break free from the constraints of traditional compositional methods and instrumental mastery. It is an experimental endeavor that can only be achieved through a spirit of exploration and collaboration. Originally issued in 1972, and featuring the unmistakeable sound of the iconic EMS VCS3 synthesizer along with tones generated on a IBM 360 computer, “Musica Elettronica \/ Computer Music” was privately pressed in a handful of copies at the Fonit Cetra studios. This stunning artefact soon turned into one of the most rare and sought after Italian avant-garde electronic LPs of its era.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : SMET Studio Di Musica Elettronica Di Torino\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT No : DS45\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-06-04T15:24:43+09:00","created_at":"2024-06-04T11:46:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Die Schachtel","drone","lp","monooto","new","recommended"],"price":448800,"price_min":448800,"price_max":448800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46173768384762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"SMET Studio Di Musica Elettronica Di Torino \/\/ Musica Elettronica \/ Computer Music 1966-1972 LP","public_title":null,"options":["Default Title"],"price":448800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/el1_53d7104a-d507-40a8-9aa2-2c58b499c2c8.jpg?v=1717468928","\/\/tobirarecords.com\/cdn\/shop\/files\/el2.jpg?v=1717468928"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_53d7104a-d507-40a8-9aa2-2c58b499c2c8.jpg?v=1717468928","options":["Title"],"media":[{"alt":null,"id":34238423466234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_53d7104a-d507-40a8-9aa2-2c58b499c2c8.jpg?v=1717468928"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_53d7104a-d507-40a8-9aa2-2c58b499c2c8.jpg?v=1717468928","width":700},{"alt":null,"id":34238423499002,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2.jpg?v=1717468928"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2.jpg?v=1717468928","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの実験音楽家Enore Zaffiri率いるSMET Studio Di Musica Elettronica Di Torinoが、2024年5月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースした再発レコードです。（オリジナルは1971年リリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e未発表音源3曲含む計9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SMET - Studio di Musica Elettronicaは1964年、Enore Zaffiriのアイデアからトリノで誕生した。当初、スタジオは初歩的な機材を使用し、会議やオーディションを通じてこの前衛的な音楽分野の知識を広めると同時に、独自のサウンド体験を開発することを目的としていた。新しい機器へのアプローチは、構造主義的アプローチによる厳格な研究手法に従ったもので、「スタジオ・ディ・インフォルマツィオーネ・エステティカ」（美的情報スタジオ）を中心とした視覚的オペレーターとの密接な関係があった。1966年、音楽実験に興味を持つ若い音楽家や大学生のために、実験的な電子音楽コースが開設された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1968年、イタリア教育省は、トリノの \"G.ヴェルディ \"音楽院に電子音楽の実験的コースを設立することを承認した。1970\/71年、シンセサイザーの登場とともに、方法論的、思想的に急激な変化が起こった。シンセサイザーは、電子音楽と過去の音楽芸術との理想的な架け橋となる楽器となった。エレン・カッペルの協力のもと、電子的に処理されない声が、最も古い楽器と最も現代的な楽器の融合を促進した。その活動は、コンサート、ミュージカル劇場、バレエ、映画、ビデオテープなど、さまざまな分野で展開された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの（今では超レアな）レコードが出版された年は、イタリアにおけるエレクトロニックミュージックの進化のターニングポイントだった。1972年、アルマンド・ジェンティルッチによる『電子音楽入門』が、有名な出版社フェルトリネッリから出版されたのである。この時期、ピエトロ・グロッシ、エノーレ・ザフィリ、テレサ・ランパッツィは、最も重要な作曲経験を積む機会を得た。彼らは、作品の交換、互いのコラボレーション、巡回展への参加、旅行、執筆、放送の企画など、さまざまな活動に従事し、このレコード盤のリリースは、イタリアにおける電子音楽の進化の転機となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eZaffiriとSMETが共有したイデオロギーは、『Musica Elettronica \/ Computer Music 1966-1972』に明確に集約されている。音と形式を緻密にコントロールする電子音楽は、伝統的な作曲法や楽器の熟練という制約から解放される唯一の方法である。それは、探究心と共同作業によってのみ達成できる実験的な試みである。1972年に発表された『Musica Elettronica \/ Computer Music』は、象徴的なEMS VCS3シンセサイザーの紛れもないサウンドと、IBM 360コンピューターで生成された音色をフィーチャーしたもので、フォニット・セトラ・スタジオで数枚だけプライベートプレスされた。この見事な作品は、やがて当時のイタリアン・アヴァンギャルド・エレクトロニックLPの中で最も希少で人気の高い作品のひとつとなった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1148260328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\" black vinyl. Edition of 210. Comes in d\u003cspan\u003eeluxe cover with handmade silver foil printed on 450g paper. Includes 3 bonus tracks and a 30x30cm double-sided insert with detailed notes and a SMET \/ Enore Zaffiri exhaustive chronology.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. EL.25 02:48\u003cbr\u003e2. C12 01:10\u003cbr\u003e3. SP\/Z 14 a.b 03:00\u003cbr\u003e4. Immigrati 06:27\u003cbr\u003e5. Fawn 07:54\u003cbr\u003e6. Ex Tempore Cantus 03:47\u003cbr\u003e7. Living Synthi n.7 05:33\u003cbr\u003e8. Wake in Progress 10:22\u003cbr\u003e9. Ordinali Ordinati 04:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Die Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe SMET - Studio di Musica Elettronica was born in Turin in 1964, from an idea by Enore Zaffiri. In the beginning the Studio worked with rudimentary equipment, aiming to disseminate knowledge of this avant-garde musical sector through conferences and auditions and, at the same time , developing its own sound experiences. The approach to the new equipment followed a rigorous research method with a structuralist approach, in close relationship with visual operators orbiting around the “Studio di Informazione Estetica” (Aesthetic Information Studio). In 1966 an experimental Electronic Music course was opened for young musicians and university students interested in musical experimentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 1968 the Italian Ministry of Education approved the establishment of an experimental course in Electronic Music at the “G. Verdi” Conservatory in Turin. In 1970\/71, with the advent of the synthesizer, a radical methodological and ideological change occurred. After rigorous structuralism, the live concert was introduced: the synthesizer became the instrument with which to build an ideal bridge between electronic music and the musical art of the past. With the collaboration of Ellen Kappel, the voice, not treated electronically, favoured the union between the oldest instrument and\u003cspan class=\"bcTruncateMore\"\u003e the most modern one. The activity developed in various sectors: concerts, musical theatre, ballet, films, video tapes.\u003cbr\u003e\u003cbr\u003eThe year of this (nowadays super rare) vinyl's publication was a turning point in the evolution of electronic music in Italy. 1972 saw the publication of “Introduction to Electronic Music” by Armando Gentilucci, the first volume written by an Italian, in Italian, to examine technological advancements, by the renowned publishing house Feltrinelli. During this period, Pietro Grossi, Enore Zaffiri, and Teresa Rampazzi had the opportunity to develop their most significant compositional experiences. They engaged in a variety of activities, and this vinyl release marked a turning point in the evolution of electronic music in Italy, such as exchanging works, collaborating with each other, participating in itinerant exhibitions, traveling, writing, and organizing broadcasts.\u003cbr\u003e\u003cbr\u003eZaffiri and SMET's shared ideology is clearly summed up on “Musica Elettronica \/ Computer Music 1966-1972”: electronic music, with its meticulous control over sound and form, is the only way to break free from the constraints of traditional compositional methods and instrumental mastery. It is an experimental endeavor that can only be achieved through a spirit of exploration and collaboration. Originally issued in 1972, and featuring the unmistakeable sound of the iconic EMS VCS3 synthesizer along with tones generated on a IBM 360 computer, “Musica Elettronica \/ Computer Music” was privately pressed in a handful of copies at the Fonit Cetra studios. This stunning artefact soon turned into one of the most rare and sought after Italian avant-garde electronic LPs of its era.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : SMET Studio Di Musica Elettronica Di Torino\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT No : DS45\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験音楽家Enore Zaffiri率いるSMET Studio Di Musica Elettronica Di Torinoが、2024年5月に同国実験レーベルDie Schachtelからリリースした再発レコードです。（オリジナルは1971年リリース） 未発表音源3曲含む計9曲を収録。 以下、レーベルによる解説です。 "SMET - Studio...
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{"id":8431421915386,"title":"Various Artists (Buh Records) \/\/ La Materia Verbal - Antología de la Poesía Sonora Peruana LP","handle":"various-artists-la-materia-verbal-antologia-de-la-poesia-sonora-peruana-lp","description":"\u003cp\u003eペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、サウンドポエトリー22曲を収録したコンピレーションレコードです。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=914937309\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003ehere\u003c\/a\u003e to see more Buh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes 4-page insert with liner notes in Spanish and English. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mario Montalbetti - Música para quince grullas atadas de las patas (2008) 01:39\u003cbr\u003e2. Jorge Eduardo Eielson - Colores (1972) 01:08\u003cbr\u003e3. Francisco Mariotti - Manifiesto Dadá 1918 Reordenado 1985 (1985) 01:58\u003cbr\u003e4. Carlos Germán Belli - Expansión Sonora Biliar (1960\/1990) 00:29\u003cbr\u003e5. Eduardo Chirinos - Ol-ki-ol (El lamento del Guerba) (1981\/2010) 01:04\u003cbr\u003e6. Omar Aramayo - Homenaje a Marcela Castro (2009) 05:03\u003cbr\u003e7. Enrique Verástegui - Lectura Sensual Arquitectura: Música Persistente (1975-2021) 02:14\u003cbr\u003e8. Virginia Benavides - Resonancia Magnética Nuclear (2021) 01:24\u003cbr\u003e9. Florentino Díaz Ahumada - Poema viento (2011) 05:21\u003cbr\u003e10. Luisa Fernanda Lindo - Estado de emergencia (Lugar común) (2011) 02:09\u003cbr\u003e11. Carlos Estela - uncu erpo (2009) 02:04\u003cbr\u003e12. Frido Martin - Socos (2021) 01:59\u003cbr\u003e13. Macri Cáceres - pers.pec.ti.va (2021) 01:58\u003cbr\u003e14. Paola Torres Núñez del Prado - Cae el cuadro de (2021) 01:45\u003cbr\u003e15. Peru Saizprez - Huayno Europeo (2021) 02:25\u003cbr\u003e16. Tilsa Otta - (auto) Configuración de voz de una máquina inteligente (2010) 01:16\u003cbr\u003e17. Rodrigo Vera Cubas - La otra mitad (2012) 01:22\u003cbr\u003e18. Giancarlo Huapaya\/Omar Córdova - Pop es cía (2011) 03:32\u003cbr\u003e19. Sandra Suazo - Carteles (2021) 01:01\u003cbr\u003e20. Michael Prado - Es To No (2017) 01:32\u003cbr\u003e21. Lisa Carrasco - Na na na na na na na (2021) 02:11\u003cbr\u003e22. Luis Alvarado - Hipercomunicación (2021) 01:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eBuh Records:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis compilation brings together 22 sound poems, including both pioneering and current pieces, and constitutes itself as the first great overview of sound poetry from Peru. It continues a cycle that began in 2009 with the appearance of a CD called Inventar la voz: Nuevas tradiciones orales [To Invent the Voice: New Oral Traditions] and was followed up in 2011 with another one called Irse de lengua [To Let It Slip], both of which contributed to articulate diverse manifestations of poetry that used technological means, also in the context of intense activity in the local scenes of experimental music and sound art that opened spaces for interdisciplinary dialogues.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat we know as sound poetry is the product of a technological revolution associated with the appearance of various means of recording, transmission and amplification of the voice. A long process that took shape in the 20th century, until it became a discipline, articulated as an international movement which, based on phonetic research, expanded into a universe of oral\/vocal artistic practices as part of a new technological context.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe recordings gathered here comprise a time frame that\u003cspan class=\"bcTruncateMore\"\u003e goes from 1972 to 2021. We find poems that work with montage techniques, either because they explore simultaneity or juxtaposition, such as those by Mario Montalbetti, Frido Martín, Florentino Díaz, Carlos Estela, Luisa Fernanda Lindo, Macri Cáceres, Rodrigo Vera Cubas, Tilsa Otta, Giancarlo Huapaya\/Omar Córdova, Virginia Benavides, Lisa Carrasco and Luis Alvarado. Others emphasize vocal\/oral performance: we find the phonetic poems of Carlos Germán Belli and Eduardo Chirinos, as well as the concrete conceptual poems of Michael Prado, Sandra Suazo, Peru Saizprez, and the oral\/guttural poem of Omar Aramayo. Finally, we find another group of pieces where the poem starts with the creation of a computational parameter or algorithm, as is the case with the pieces by Jorge Eduardo Eielson and Enrique Verástegui, eventually reaching the use of Artificial Intelligence as in the poems by Francisco Mariotti and Paola Torres Núñez del Prado.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: BR158\u003c\/p\u003e","published_at":"2024-07-14T06:43:43+09:00","created_at":"2024-05-12T11:17:05+09:00","vendor":"Tobira Records","type":"","tags":["buh","buh records","contemporary \/ sound poetry","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45919665160442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists (Buh Records) \/\/ La Materia Verbal - Antología de la Poesía Sonora Peruana LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/la1_8e939dc9-fe3d-4bd2-83f3-f10c0a85f0a5.jpg?v=1715480227","\/\/tobirarecords.com\/cdn\/shop\/files\/la2_6b5ff20a-aed0-4aef-9bf7-ea492dac607c.jpg?v=1715480227"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_8e939dc9-fe3d-4bd2-83f3-f10c0a85f0a5.jpg?v=1715480227","options":["Title"],"media":[{"alt":null,"id":34000877781242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_8e939dc9-fe3d-4bd2-83f3-f10c0a85f0a5.jpg?v=1715480227"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_8e939dc9-fe3d-4bd2-83f3-f10c0a85f0a5.jpg?v=1715480227","width":700},{"alt":null,"id":34000877814010,"position":2,"preview_image":{"aspect_ratio":1.548,"height":775,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_6b5ff20a-aed0-4aef-9bf7-ea492dac607c.jpg?v=1715480227"},"aspect_ratio":1.548,"height":775,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_6b5ff20a-aed0-4aef-9bf7-ea492dac607c.jpg?v=1715480227","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、サウンドポエトリー22曲を収録したコンピレーションレコードです。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=914937309\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/buh\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/buh\"\u003ehere\u003c\/a\u003e to see more Buh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes 4-page insert with liner notes in Spanish and English. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mario Montalbetti - Música para quince grullas atadas de las patas (2008) 01:39\u003cbr\u003e2. Jorge Eduardo Eielson - Colores (1972) 01:08\u003cbr\u003e3. Francisco Mariotti - Manifiesto Dadá 1918 Reordenado 1985 (1985) 01:58\u003cbr\u003e4. Carlos Germán Belli - Expansión Sonora Biliar (1960\/1990) 00:29\u003cbr\u003e5. Eduardo Chirinos - Ol-ki-ol (El lamento del Guerba) (1981\/2010) 01:04\u003cbr\u003e6. Omar Aramayo - Homenaje a Marcela Castro (2009) 05:03\u003cbr\u003e7. Enrique Verástegui - Lectura Sensual Arquitectura: Música Persistente (1975-2021) 02:14\u003cbr\u003e8. Virginia Benavides - Resonancia Magnética Nuclear (2021) 01:24\u003cbr\u003e9. Florentino Díaz Ahumada - Poema viento (2011) 05:21\u003cbr\u003e10. Luisa Fernanda Lindo - Estado de emergencia (Lugar común) (2011) 02:09\u003cbr\u003e11. Carlos Estela - uncu erpo (2009) 02:04\u003cbr\u003e12. Frido Martin - Socos (2021) 01:59\u003cbr\u003e13. Macri Cáceres - pers.pec.ti.va (2021) 01:58\u003cbr\u003e14. Paola Torres Núñez del Prado - Cae el cuadro de (2021) 01:45\u003cbr\u003e15. Peru Saizprez - Huayno Europeo (2021) 02:25\u003cbr\u003e16. Tilsa Otta - (auto) Configuración de voz de una máquina inteligente (2010) 01:16\u003cbr\u003e17. Rodrigo Vera Cubas - La otra mitad (2012) 01:22\u003cbr\u003e18. Giancarlo Huapaya\/Omar Córdova - Pop es cía (2011) 03:32\u003cbr\u003e19. Sandra Suazo - Carteles (2021) 01:01\u003cbr\u003e20. Michael Prado - Es To No (2017) 01:32\u003cbr\u003e21. Lisa Carrasco - Na na na na na na na (2021) 02:11\u003cbr\u003e22. Luis Alvarado - Hipercomunicación (2021) 01:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eBuh Records:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eThis compilation brings together 22 sound poems, including both pioneering and current pieces, and constitutes itself as the first great overview of sound poetry from Peru. It continues a cycle that began in 2009 with the appearance of a CD called Inventar la voz: Nuevas tradiciones orales [To Invent the Voice: New Oral Traditions] and was followed up in 2011 with another one called Irse de lengua [To Let It Slip], both of which contributed to articulate diverse manifestations of poetry that used technological means, also in the context of intense activity in the local scenes of experimental music and sound art that opened spaces for interdisciplinary dialogues.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat we know as sound poetry is the product of a technological revolution associated with the appearance of various means of recording, transmission and amplification of the voice. A long process that took shape in the 20th century, until it became a discipline, articulated as an international movement which, based on phonetic research, expanded into a universe of oral\/vocal artistic practices as part of a new technological context.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe recordings gathered here comprise a time frame that\u003cspan class=\"bcTruncateMore\"\u003e goes from 1972 to 2021. We find poems that work with montage techniques, either because they explore simultaneity or juxtaposition, such as those by Mario Montalbetti, Frido Martín, Florentino Díaz, Carlos Estela, Luisa Fernanda Lindo, Macri Cáceres, Rodrigo Vera Cubas, Tilsa Otta, Giancarlo Huapaya\/Omar Córdova, Virginia Benavides, Lisa Carrasco and Luis Alvarado. Others emphasize vocal\/oral performance: we find the phonetic poems of Carlos Germán Belli and Eduardo Chirinos, as well as the concrete conceptual poems of Michael Prado, Sandra Suazo, Peru Saizprez, and the oral\/guttural poem of Omar Aramayo. Finally, we find another group of pieces where the poem starts with the creation of a computational parameter or algorithm, as is the case with the pieces by Jorge Eduardo Eielson and Enrique Verástegui, eventually reaching the use of Artificial Intelligence as in the poems by Francisco Mariotti and Paola Torres Núñez del Prado.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Buh Records\u003c\/p\u003e\n\u003cp\u003eCAT No: BR158\u003c\/p\u003e"}
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ペルー・リマの中南米専門実験レーベルBuh Records諸作を入荷しました。 本作は、サウンドポエトリー22曲を収録したコンピレーションレコードです。ブックレット付属。 レーベルその他作品はこちら /// Click here to see more Buh Records releases available...
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{"id":8428334809338,"title":"Andrea Neumann \/ Mads Emil Nielsen \/\/ Refound 10\"","handle":"andrea-neumann-mads-emil-nielsen-refound-10","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eデンマークの実験音楽家Mads Emil Nielsenが主宰するプライベートレーベルArbitrary諸作を一挙入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、ピアノ内部奏法を得意とするAndrea Neumannとの共作で、グラフィックスコアに基づいて演奏した10曲を収録。45rpmクリア盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=284990064\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3737523677\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 10\" vinyl, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e45 rpm. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Andrea Neumann and Mads Emil Nielsen’s collaboration was initiated in 2014 with a common focus on creating music combining graphic scores, open improvisations and remixing. This led to their “Deconstruction” series and a graphic score (Framework) interpretation. In 2018 Neumann and Nielsen produced a 4-channel composition and they now release a 10” vinyl.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe starting points for these ten short pieces are selected parts of recorded improvisations made with electronics and inside piano, which were remixed by both musicians. Different musical aspects such as tactility, three-dimensionality, repetition, rhythmical elements and transparency are explored by the two musicians as the ambiguous characters of the original improvisations are transformed into ten new compositions.\"\u003cbr\u003e\u003c\/em\u003e- \u003cmeta charset=\"utf-8\"\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrea Neumann \/ Mads Emil Nielsen\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e","published_at":"2024-05-10T09:01:52+09:00","created_at":"2024-05-10T09:00:55+09:00","vendor":"Tobira Records","type":"","tags":["arbitrary","contemporary \/ sound poetry","drone","lp","monooto","new","strange beats"],"price":239000,"price_min":239000,"price_max":239000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45896829632762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Andrea Neumann \/ Mads Emil Nielsen \/\/ Refound 10\"","public_title":null,"options":["Default Title"],"price":239000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260","\/\/tobirarecords.com\/cdn\/shop\/files\/re2.jpg?v=1715299260"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260","options":["Title"],"media":[{"alt":null,"id":33983880495354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260","width":700},{"alt":null,"id":33983880528122,"position":2,"preview_image":{"aspect_ratio":1.361,"height":882,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2.jpg?v=1715299260"},"aspect_ratio":1.361,"height":882,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2.jpg?v=1715299260","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eデンマークの実験音楽家Mads Emil Nielsenが主宰するプライベートレーベルArbitrary諸作を一挙入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、ピアノ内部奏法を得意とするAndrea Neumannとの共作で、グラフィックスコアに基づいて演奏した10曲を収録。45rpmクリア盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=284990064\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3737523677\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 10\" vinyl, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e45 rpm. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Andrea Neumann and Mads Emil Nielsen’s collaboration was initiated in 2014 with a common focus on creating music combining graphic scores, open improvisations and remixing. This led to their “Deconstruction” series and a graphic score (Framework) interpretation. In 2018 Neumann and Nielsen produced a 4-channel composition and they now release a 10” vinyl.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe starting points for these ten short pieces are selected parts of recorded improvisations made with electronics and inside piano, which were remixed by both musicians. Different musical aspects such as tactility, three-dimensionality, repetition, rhythmical elements and transparency are explored by the two musicians as the ambiguous characters of the original improvisations are transformed into ten new compositions.\"\u003cbr\u003e\u003c\/em\u003e- \u003cmeta charset=\"utf-8\"\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrea Neumann \/ Mads Emil Nielsen\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e"}
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{"id":8414445175034,"title":"Johannes Bjork \/\/ Johannes Bjork LP","handle":"johannes-bjork-johannes-bjork-lp","description":"\u003cp\u003eスウェーデン・ヨーテボリのアンビエント作家Johannes Björkが、2023年11月にイギリスの実験レーベルInfinite Expanseからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスケッチのようなアンビエント・フォーク〜アンビエントドローン〜サウンドポエトリー9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Johannes Björkはヨーテボリを拠点に活動するミュージシャン、文芸評論家。彼の音楽は、ドローン、ポップメロディー、フィールドレコーディングを組み合わせ、完全に形成された曲というよりは、洗練されたスケッチを生み出す。もともとは、今年初めにストックホルムで行われたライヴのために12枚のミニエディションでリリースされたものだが、今回は2曲を追加し、さらに2曲を再録音した拡大版LPとしてリリースされる。Siri Ahmed Backström、Johan Jönson、Johanna Sköldbäck Martellなど、スウェーデンの著名な作家や新進気鋭の作家が部分的に参加している。このアルバムは、ヨーテボリ・シーンの勃興期の雰囲気をある程度共有しているが、ソングライティングは、ローファイな要素をサウンドスケープの一部として扱うプロダクションを物語っている。Johannes Björkはソロデビューアルバムで、脈打つドローンが完璧なメロディーの背景を形成し、フィールドレコーディングとノイズがハーモニーの二重奏と共存し、迫り来る悲劇から救われるような啓示が流れ出るような風景を切り開いた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3127859428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1672020224\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3127859428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEn Dag Av Allt\u003c\/li\u003e\n\u003cli\u003eSaltholmen\u003c\/li\u003e\n\u003cli\u003eAlice \u0026amp; Julia (Som Människor) 05:34\u003c\/li\u003e\n\u003cli\u003eBorgerlig Skymning\u003c\/li\u003e\n\u003cli\u003eTornseglare 02:45\u003c\/li\u003e\n\u003cli\u003eAsterisker\u003c\/li\u003e\n\u003cli\u003eFluffiga Små Moln 02:12\u003c\/li\u003e\n\u003cli\u003eNévrose Eccléastique\u003c\/li\u003e\n\u003cli\u003eSolnamotets Harar\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJohannes Björk is a musician and literary critic based in Gothenburg. His music combines drones, pop melodies and field recordings to produce refined sketches rather than fully formed songs – resembling slowly refurnished interiors, rather than scenes with a clearly discernible subject. Originally released in a mini-edition of 12 copies for a show in Stockholm earlier on in the year, it is now presented in an expanded LP form with two tracks added in, and another two re-recorded. Accompanied in parts by renowned and emerging Swedish writers – such as Siri Ahmed Backström, Johan Jönson and Johanna Sköldbäck Martell – the music offers an electro-acoustic shelter, which houses both luminous and gloomy textures. Whilst the album shares an atmosphere with the emerging years of the Gothenburg scene to some extent, the songwriting bears witness to a production that treats lo-fi elements as integrated parts of the soundscape, though not in a way that overpowers the recording. For his debut solo album, Johannes carves out a landscape where pulsating drones form the background for the perfect melody, where field recordings and noise co-exist with harmonical dyads, and the feeling of an assuasive epiphany flow out of an ever-looming tragedy.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Johannes Björk\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e","published_at":"2024-05-04T06:27:36+09:00","created_at":"2024-05-04T06:27:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","folk \/ left-field pop","Infinite Expanse","lp","new"],"price":448600,"price_min":448600,"price_max":448600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45847751065850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Johannes Bjork \/\/ Johannes Bjork LP","public_title":null,"options":["Default Title"],"price":448600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_d0709c0c-0f92-4143-be2c-31acecd6e90d.jpg?v=1714771627","\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_20b52cb3-d02d-4e56-a630-af39b2ec7046.jpg?v=1714771627"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_d0709c0c-0f92-4143-be2c-31acecd6e90d.jpg?v=1714771627","options":["Title"],"media":[{"alt":null,"id":33932348948730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_d0709c0c-0f92-4143-be2c-31acecd6e90d.jpg?v=1714771627"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_d0709c0c-0f92-4143-be2c-31acecd6e90d.jpg?v=1714771627","width":700},{"alt":null,"id":33932348981498,"position":2,"preview_image":{"aspect_ratio":1.085,"height":1106,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_20b52cb3-d02d-4e56-a630-af39b2ec7046.jpg?v=1714771627"},"aspect_ratio":1.085,"height":1106,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_20b52cb3-d02d-4e56-a630-af39b2ec7046.jpg?v=1714771627","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ヨーテボリのアンビエント作家Johannes Björkが、2023年11月にイギリスの実験レーベルInfinite Expanseからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスケッチのようなアンビエント・フォーク〜アンビエントドローン〜サウンドポエトリー9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Johannes Björkはヨーテボリを拠点に活動するミュージシャン、文芸評論家。彼の音楽は、ドローン、ポップメロディー、フィールドレコーディングを組み合わせ、完全に形成された曲というよりは、洗練されたスケッチを生み出す。もともとは、今年初めにストックホルムで行われたライヴのために12枚のミニエディションでリリースされたものだが、今回は2曲を追加し、さらに2曲を再録音した拡大版LPとしてリリースされる。Siri Ahmed Backström、Johan Jönson、Johanna Sköldbäck Martellなど、スウェーデンの著名な作家や新進気鋭の作家が部分的に参加している。このアルバムは、ヨーテボリ・シーンの勃興期の雰囲気をある程度共有しているが、ソングライティングは、ローファイな要素をサウンドスケープの一部として扱うプロダクションを物語っている。Johannes Björkはソロデビューアルバムで、脈打つドローンが完璧なメロディーの背景を形成し、フィールドレコーディングとノイズがハーモニーの二重奏と共存し、迫り来る悲劇から救われるような啓示が流れ出るような風景を切り開いた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3127859428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1672020224\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3127859428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEn Dag Av Allt\u003c\/li\u003e\n\u003cli\u003eSaltholmen\u003c\/li\u003e\n\u003cli\u003eAlice \u0026amp; Julia (Som Människor) 05:34\u003c\/li\u003e\n\u003cli\u003eBorgerlig Skymning\u003c\/li\u003e\n\u003cli\u003eTornseglare 02:45\u003c\/li\u003e\n\u003cli\u003eAsterisker\u003c\/li\u003e\n\u003cli\u003eFluffiga Små Moln 02:12\u003c\/li\u003e\n\u003cli\u003eNévrose Eccléastique\u003c\/li\u003e\n\u003cli\u003eSolnamotets Harar\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eInfinite Expanse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJohannes Björk is a musician and literary critic based in Gothenburg. His music combines drones, pop melodies and field recordings to produce refined sketches rather than fully formed songs – resembling slowly refurnished interiors, rather than scenes with a clearly discernible subject. Originally released in a mini-edition of 12 copies for a show in Stockholm earlier on in the year, it is now presented in an expanded LP form with two tracks added in, and another two re-recorded. Accompanied in parts by renowned and emerging Swedish writers – such as Siri Ahmed Backström, Johan Jönson and Johanna Sköldbäck Martell – the music offers an electro-acoustic shelter, which houses both luminous and gloomy textures. Whilst the album shares an atmosphere with the emerging years of the Gothenburg scene to some extent, the songwriting bears witness to a production that treats lo-fi elements as integrated parts of the soundscape, though not in a way that overpowers the recording. For his debut solo album, Johannes carves out a landscape where pulsating drones form the background for the perfect melody, where field recordings and noise co-exist with harmonical dyads, and the feeling of an assuasive epiphany flow out of an ever-looming tragedy.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Johannes Björk\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e"}
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スウェーデン・ヨーテボリのアンビエント作家Johannes Björkが、2023年11月にイギリスの実験レーベルInfinite Expanseからリリースしたレコードです。 スケッチのようなアンビエント・フォーク〜アンビエントドローン〜サウンドポエトリー9曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "Johannes Björkはヨーテボリを拠点に活動するミュージシャン、文芸評論家。彼の音楽は、ドローン、ポップメロディー、フィールドレコーディングを組み合わせ、完全に形成された曲というよりは、洗練されたスケッチを生み出す。もともとは、今年初めにストックホルムで行われたライヴのために12枚のミニエディションでリリースされたものだが、今回は2曲を追加し、さらに2曲を再録音した拡大版LPとしてリリースされる。Siri Ahmed Backström、Johan Jönson、Johanna Sköldbäck Martellなど、スウェーデンの著名な作家や新進気鋭の作家が部分的に参加している。このアルバムは、ヨーテボリ・シーンの勃興期の雰囲気をある程度共有しているが、ソングライティングは、ローファイな要素をサウンドスケープの一部として扱うプロダクションを物語っている。Johannes Björkはソロデビューアルバムで、脈打つドローンが完璧なメロディーの背景を形成し、フィールドレコーディングとノイズがハーモニーの二重奏と共存し、迫り来る悲劇から救われるような啓示が流れ出るような風景を切り開いた。"...
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{"id":8411294073082,"title":"Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamoto \/\/ TREATMENTS 2xLP","handle":"giovanni-di-domenico-eiko-ishibashi-jim-orourke-joe-talia-tatsuhisa-yamamoto-treatments","description":"\u003cp\u003e過去に\u003ca href=\"https:\/\/tobirarecords.com\/products\/giovanni-di-domenico-isasolo-cd\"\u003eCanti Magnetici\u003c\/a\u003e や \u003ca href=\"https:\/\/tobirarecords.com\/products\/giovanni-di-domenico-linutile-tape\"\u003etsss tapes\u003c\/a\u003e などから作品を発表しているイタリア人ピアニストGiovanni Di Domenicoが、2021年4月にベルギーMatiere Memoireからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼がEiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamotoそれぞれの作家とコラボレーションした音源20分以上を4曲収録。300部限定です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3008190862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2708652074\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3008190862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1554774366\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eall music by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eG. Di Domenico (SIAE\/SABAM)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eE. Ishibashi (Jasrac\/Space Shower Network)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. O’Rourke (Field Code Music\/BMI)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. TaliA (APRA)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eT. Yamamoto\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded in studio W (Brussels)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAtelier Eiko, Steamroom\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCompletamente TAZ (Tokyo)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGood Mixture (Berlin)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emixed by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJim O’Rourke at Steamroom (side A \u0026amp; B)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoe Talia at Good Mixture (side C)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTatsuhisa Yamamoto at Completamente TAZ (side D)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emastering \u0026amp; cut by Frédéric Alstadt\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAT Ångström MASTERING, Brussels\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover photo by François Moret\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e«Between Deauville and La Rochelle»\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCourtesy Of Spazio Nobile Gallery, Brussels\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGraphics \u0026amp; layout by Cedric D’hondt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamoto\u003c\/p\u003e\n\u003cp\u003elabel : Matiere Memoire\u003c\/p\u003e","published_at":"2024-04-30T14:38:20+09:00","created_at":"2024-04-30T14:37:38+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","contemporary \/ sound poetry","drone","lp","Matiere Memoire","monooto","new"],"price":564400,"price_min":564400,"price_max":564400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45833675669754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamoto \/\/ TREATMENTS 2xLP","public_title":null,"options":["Default Title"],"price":564400,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1738787619_16.jpg?v=1714455461"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1738787619_16.jpg?v=1714455461","options":["Title"],"media":[{"alt":null,"id":33910460416250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1738787619_16.jpg?v=1714455461"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1738787619_16.jpg?v=1714455461","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去に\u003ca href=\"https:\/\/tobirarecords.com\/products\/giovanni-di-domenico-isasolo-cd\"\u003eCanti Magnetici\u003c\/a\u003e や \u003ca href=\"https:\/\/tobirarecords.com\/products\/giovanni-di-domenico-linutile-tape\"\u003etsss tapes\u003c\/a\u003e などから作品を発表しているイタリア人ピアニストGiovanni Di Domenicoが、2021年4月にベルギーMatiere Memoireからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼がEiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamotoそれぞれの作家とコラボレーションした音源20分以上を4曲収録。300部限定です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3008190862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2708652074\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3008190862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1554774366\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eall music by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eG. Di Domenico (SIAE\/SABAM)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eE. Ishibashi (Jasrac\/Space Shower Network)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. O’Rourke (Field Code Music\/BMI)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. TaliA (APRA)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eT. Yamamoto\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded in studio W (Brussels)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAtelier Eiko, Steamroom\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCompletamente TAZ (Tokyo)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGood Mixture (Berlin)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emixed by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJim O’Rourke at Steamroom (side A \u0026amp; B)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoe Talia at Good Mixture (side C)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTatsuhisa Yamamoto at Completamente TAZ (side D)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emastering \u0026amp; cut by Frédéric Alstadt\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAT Ångström MASTERING, Brussels\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover photo by François Moret\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e«Between Deauville and La Rochelle»\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCourtesy Of Spazio Nobile Gallery, Brussels\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGraphics \u0026amp; layout by Cedric D’hondt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamoto\u003c\/p\u003e\n\u003cp\u003elabel : Matiere Memoire\u003c\/p\u003e"}
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Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamoto // TREATMENTS 2xLP
過去にCanti Magnetici や tsss tapes などから作品を発表しているイタリア人ピアニストGiovanni Di Domenicoが、2021年4月にベルギーMatiere Memoireからリリースした2枚組レコードです。 彼がEiko Ishibashi, Jim O'Rourke, Joe Talia,...
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