Whited Sepulchre Records
クイックビュー
{"id":8572040872186,"title":"Joy Guidry \/\/ Amen LP","handle":"joy-guidry-amen-lp","description":"\u003cp\u003eアメリカ・NYのノンバイナリー／ファゴット奏者Joy Guidryが、2024年6月に同国アンビエントレーベルWhited Sepulchreからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ〜ゴスペル8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/joy-guidry-radical-acceptance-lp-color\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=121409052\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2290598502\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Psalm 138:7 2:36\u003cbr\u003eA2 It's Okay To Let me Go 3:32\u003cbr\u003eA3 Pick And Choose 0:42\u003cbr\u003eA4 Members Don't Get Weary 5:55\u003cbr\u003eB1 Day By Bay 2:47\u003cbr\u003eB2 Angels 7:03\u003cbr\u003eB3 I Will Always Miss You 3:58\u003cbr\u003eB4 Revelations 7:16-17 2:22\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by Whited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"AMEN is the 3rd release by bassoonist \/ composer \/ producer Joy Guidry. Representing a major step up in her ability to fully realize and embody a sound and concept, AMEN moves from rousing, rafter-splitting spiritual jazz and gospel compositions to ambient compositions that create a powerful statement of communal healing and peace. The album features contributions by Niecy Blues, Kalia Vandever, Jillian Grace, and Jessie Cox. \u003cbr\u003e\u003cbr\u003eLove is a verb. It is an action taken, one that must be renewed within the self. It is a process of learning, evolution, and the very nature of what it means to nurture ourselves and others. And few artists know this as intimately as Joy Guidry, the Texas-bred, California-based bassoonist. The fruits of her efforts can be heard through Guidry's latest album, Amen. \u003cbr\u003e\u003cbr\u003e“I hear other artists say, ‘I put my life and soul into this.’ And I could never relate because I have never been in an emotional place where I can just let go and not be afraid of vulnerability,” says Guidry. “But now, I've finally made a project that resonates with me so deeply from beginning to end. I'm so happy where I am in life, and “Amen” truly represents that there was no bullshit as I went into this.” \u003cbr\u003e\u003cbr\u003eBorn and raised in Houston Texas, Guidry first found\u003cspan class=\"bcTruncateMore\"\u003e music through the church. Growing up, if r\u0026amp;b was for cleaning on Saturdays, then gospel, says Guidry, was the standard for Sundays. \u003cbr\u003e\u003cbr\u003eGuidry is a visionary. Her keen understanding of how different genres of music can speak to and meld into one another mimics the intricacies and interwoven elements of life. Her releases include commissioned works as well as her debut full-length Radical Acceptance released in 2022. \u003cbr\u003e\u003cbr\u003eRecognizing her trans identity and embracing the need to make difficult decisions with the people in her life brought forth the heart of Radical Acceptance. “There's nothing wrong with us. There's nothing wrong with any of us, when we look in the mirror, and we see something wrong, that was purely taught,” Guidry says. “I felt like I could never walk into my life. So after releasing Radical Acceptance, it was time for me to truly practice radical acceptance and understanding and practicing radical self love.” \u003cbr\u003e\u003cbr\u003eAmen is the next step forward, one that calls in the power of community when embodying our true selves. “I wanted to give a voice and give power and provide community to the people I love and truly care for on this record by tackling songs and challenging myself,” Guidry says. “I knew I got the right people, the right community to drive it home, to take my ideas and really bring it together.” \u003cbr\u003e\u003cbr\u003eSometimes, we think of change as a settled process, one that marks a beginning, a middle, and an end. But Guidry knows the truth, one that requires each of us to keep digging, keep pushing ourselves beyond the limitations of our comfort zones. And Amen tells the story—in playful genre experimentations and heady ruminations of richly embodied instrumentation. \u003cbr\u003e\u003cbr\u003eIn part, this can be heard in Guidry's sources of inspiration. Her musical origins begin in the South, in the springy rhythms of zydeco and the liberating voices of gospel. \u003cbr\u003e\u003cbr\u003eOther influences find a home in her work, too. If Jazmine Sullivan were to make a bassoon record, it would be this. Piercing and purposeful, raw and real, Guidry’s past and present music permeates with intelligence and openness. Sonically, the meditative pulses of ambient music blended with elements of jazz and soul, forming something new and true. \u003cbr\u003e\u003cbr\u003eBut the most impactful moments were born within Guidry herself. Art manifests in all of life's stages and circumstances, but the most powerful and piercing forms of art—of music—are a manifestation of the creator's greatest truths. “How do you survive? How do I survive? How do my friends survive?” asks Guidry. “The writing process is kind of like therapy in a way. And I really feel like a different person now.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joy Guidry\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-07-26T17:25:49+09:00","created_at":"2024-07-26T17:16:11+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","Whited Sepulchre Records"],"price":394700,"price_min":394700,"price_max":394700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46459474903290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joy Guidry \/\/ Amen LP","public_title":null,"options":["Default Title"],"price":394700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2120037834_16.jpg?v=1721982160","\/\/tobirarecords.com\/cdn\/shop\/files\/0035069458_10.jpg?v=1721982165"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2120037834_16.jpg?v=1721982160","options":["Title"],"media":[{"alt":null,"id":34610006556922,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2120037834_16.jpg?v=1721982160"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2120037834_16.jpg?v=1721982160","width":700},{"alt":null,"id":34610006687994,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035069458_10.jpg?v=1721982165"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035069458_10.jpg?v=1721982165","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのノンバイナリー／ファゴット奏者Joy Guidryが、2024年6月に同国アンビエントレーベルWhited Sepulchreからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ〜ゴスペル8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/joy-guidry-radical-acceptance-lp-color\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=121409052\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2290598502\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=637979315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Psalm 138:7 2:36\u003cbr\u003eA2 It's Okay To Let me Go 3:32\u003cbr\u003eA3 Pick And Choose 0:42\u003cbr\u003eA4 Members Don't Get Weary 5:55\u003cbr\u003eB1 Day By Bay 2:47\u003cbr\u003eB2 Angels 7:03\u003cbr\u003eB3 I Will Always Miss You 3:58\u003cbr\u003eB4 Revelations 7:16-17 2:22\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by Whited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"AMEN is the 3rd release by bassoonist \/ composer \/ producer Joy Guidry. Representing a major step up in her ability to fully realize and embody a sound and concept, AMEN moves from rousing, rafter-splitting spiritual jazz and gospel compositions to ambient compositions that create a powerful statement of communal healing and peace. The album features contributions by Niecy Blues, Kalia Vandever, Jillian Grace, and Jessie Cox. \u003cbr\u003e\u003cbr\u003eLove is a verb. It is an action taken, one that must be renewed within the self. It is a process of learning, evolution, and the very nature of what it means to nurture ourselves and others. And few artists know this as intimately as Joy Guidry, the Texas-bred, California-based bassoonist. The fruits of her efforts can be heard through Guidry's latest album, Amen. \u003cbr\u003e\u003cbr\u003e“I hear other artists say, ‘I put my life and soul into this.’ And I could never relate because I have never been in an emotional place where I can just let go and not be afraid of vulnerability,” says Guidry. “But now, I've finally made a project that resonates with me so deeply from beginning to end. I'm so happy where I am in life, and “Amen” truly represents that there was no bullshit as I went into this.” \u003cbr\u003e\u003cbr\u003eBorn and raised in Houston Texas, Guidry first found\u003cspan class=\"bcTruncateMore\"\u003e music through the church. Growing up, if r\u0026amp;b was for cleaning on Saturdays, then gospel, says Guidry, was the standard for Sundays. \u003cbr\u003e\u003cbr\u003eGuidry is a visionary. Her keen understanding of how different genres of music can speak to and meld into one another mimics the intricacies and interwoven elements of life. Her releases include commissioned works as well as her debut full-length Radical Acceptance released in 2022. \u003cbr\u003e\u003cbr\u003eRecognizing her trans identity and embracing the need to make difficult decisions with the people in her life brought forth the heart of Radical Acceptance. “There's nothing wrong with us. There's nothing wrong with any of us, when we look in the mirror, and we see something wrong, that was purely taught,” Guidry says. “I felt like I could never walk into my life. So after releasing Radical Acceptance, it was time for me to truly practice radical acceptance and understanding and practicing radical self love.” \u003cbr\u003e\u003cbr\u003eAmen is the next step forward, one that calls in the power of community when embodying our true selves. “I wanted to give a voice and give power and provide community to the people I love and truly care for on this record by tackling songs and challenging myself,” Guidry says. “I knew I got the right people, the right community to drive it home, to take my ideas and really bring it together.” \u003cbr\u003e\u003cbr\u003eSometimes, we think of change as a settled process, one that marks a beginning, a middle, and an end. But Guidry knows the truth, one that requires each of us to keep digging, keep pushing ourselves beyond the limitations of our comfort zones. And Amen tells the story—in playful genre experimentations and heady ruminations of richly embodied instrumentation. \u003cbr\u003e\u003cbr\u003eIn part, this can be heard in Guidry's sources of inspiration. Her musical origins begin in the South, in the springy rhythms of zydeco and the liberating voices of gospel. \u003cbr\u003e\u003cbr\u003eOther influences find a home in her work, too. If Jazmine Sullivan were to make a bassoon record, it would be this. Piercing and purposeful, raw and real, Guidry’s past and present music permeates with intelligence and openness. Sonically, the meditative pulses of ambient music blended with elements of jazz and soul, forming something new and true. \u003cbr\u003e\u003cbr\u003eBut the most impactful moments were born within Guidry herself. Art manifests in all of life's stages and circumstances, but the most powerful and piercing forms of art—of music—are a manifestation of the creator's greatest truths. “How do you survive? How do I survive? How do my friends survive?” asks Guidry. “The writing process is kind of like therapy in a way. And I really feel like a different person now.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joy Guidry\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのノンバイナリー／ファゴット奏者Joy Guidryが、2024年6月に同国アンビエントレーベルWhited Sepulchreからリリースしたレコードです。 アンビエント・ジャズ〜スピリチュアル・ジャズ〜ゴスペル8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 前作もオススメです。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records...
¥3,947
クイックビュー
{"id":8094825251066,"title":"Field of Fear \/\/ Beyond the Reach of Light LP","handle":"field-of-fear-beyond-the-reach-of-light-lp-pre-order","description":"\u003cp\u003eアメリカ・オークランドのポストインダストリアル作家Field of Fearが、2023年9月に同国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eノイズ・ドローン〜ドローン・テクノ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2142210134\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3200308970\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2142210134\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Vinyl edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDusk 04:03\u003c\/li\u003e\n\u003cli\u003eShadowed 05:16\u003c\/li\u003e\n\u003cli\u003eDarkness 02:56\u003c\/li\u003e\n\u003cli\u003eCold 02:18\u003c\/li\u003e\n\u003cli\u003eConsumed 04:26\u003c\/li\u003e\n\u003cli\u003eDescent 02:56\u003c\/li\u003e\n\u003cli\u003eFamiliar 02:38\u003c\/li\u003e\n\u003cli\u003eLost 05:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBeyond the Reach of Light is the 4th release from Oakland-based drone musician Field of Fear. The band’s most personal record, Beyond the Reach of Light chronicles the ebbs and flows of depression with harrowing precision. The album is an emotionally raw and sonically varied experience - in a moment changing from aggressive industrial charges in “Darkness” to subdued ambient drone throbs in “Cold.” Album closer “Lost” emparts a sense of someone emotionally spent and yet nowhere near the end of the journey.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWritten under the guidance of New York–based experimentalist David First, Beyond the Reach of Light combines drone underpinnings with industrial guitar riffs, repetitive rhythms, power electronics-inspired synthetic feedback and electronic noise to deliver shortform pieces - out of step with the genre’s tendency toward lengthy track times.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Field of Fear\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-29T07:52:49+09:00","created_at":"2023-11-26T12:37:54+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","noise","techno \/ house","Whited Sepulchre Records"],"price":414500,"price_min":414500,"price_max":414500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44812298879226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Field of Fear \/\/ Beyond the Reach of Light LP","public_title":null,"options":["Default Title"],"price":414500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_bfa7722b-79ae-451a-a8da-4d7ef77b78db.jpg?v=1700969876","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4bac903b-c197-4163-8129-4d6296478d1a.jpg?v=1700969876"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_bfa7722b-79ae-451a-a8da-4d7ef77b78db.jpg?v=1700969876","options":["Title"],"media":[{"alt":null,"id":32747897094394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_bfa7722b-79ae-451a-a8da-4d7ef77b78db.jpg?v=1700969876"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_bfa7722b-79ae-451a-a8da-4d7ef77b78db.jpg?v=1700969876","width":700},{"alt":null,"id":32747897127162,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4bac903b-c197-4163-8129-4d6296478d1a.jpg?v=1700969876"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4bac903b-c197-4163-8129-4d6296478d1a.jpg?v=1700969876","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オークランドのポストインダストリアル作家Field of Fearが、2023年9月に同国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eノイズ・ドローン〜ドローン・テクノ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2142210134\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3200308970\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2142210134\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Vinyl edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDusk 04:03\u003c\/li\u003e\n\u003cli\u003eShadowed 05:16\u003c\/li\u003e\n\u003cli\u003eDarkness 02:56\u003c\/li\u003e\n\u003cli\u003eCold 02:18\u003c\/li\u003e\n\u003cli\u003eConsumed 04:26\u003c\/li\u003e\n\u003cli\u003eDescent 02:56\u003c\/li\u003e\n\u003cli\u003eFamiliar 02:38\u003c\/li\u003e\n\u003cli\u003eLost 05:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBeyond the Reach of Light is the 4th release from Oakland-based drone musician Field of Fear. The band’s most personal record, Beyond the Reach of Light chronicles the ebbs and flows of depression with harrowing precision. The album is an emotionally raw and sonically varied experience - in a moment changing from aggressive industrial charges in “Darkness” to subdued ambient drone throbs in “Cold.” Album closer “Lost” emparts a sense of someone emotionally spent and yet nowhere near the end of the journey.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWritten under the guidance of New York–based experimentalist David First, Beyond the Reach of Light combines drone underpinnings with industrial guitar riffs, repetitive rhythms, power electronics-inspired synthetic feedback and electronic noise to deliver shortform pieces - out of step with the genre’s tendency toward lengthy track times.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Field of Fear\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・オークランドのポストインダストリアル作家Field of Fearが、2023年9月に同国アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたレコードです。 ノイズ・ドローン〜ドローン・テクノ8曲を収録。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records...
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{"id":7977791521018,"title":"Jason Doell \/\/ becoming in shadows ~ of being touched LP","handle":"jason-doell-becoming-in-shadows-of-being-touched-lp","description":"\u003cp\u003eカナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756546338\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, and buildings. Similarly, one of the most beguiling aspects of Doell's music here is the friction that builds up between its organic surface and the elusive, unruly quality that permeates just about everything else. Piano is audibly the album's lone instrument, but even with that anchor of familiarity, one still finds themselves confronted with something disorienting, but utterly captivating—tangled layers, meandering forms, subtle idiosyncratic manipulations. Doell's performance brims with improvisatory warmth and bears the unmistakable physicality of a human interacting with an instrument however there's another far less comprehensible force at play—a mystifying undertow that pulls the ear toward murky sonic depths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process that birthed this album—his vinyl\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e debut—unquestionably plays a key role in establishing the feverish liminal space it inhabits. While in a winter residency at the Banff Centre, Doell began each day limbering up with some freeform playing at the piano that had been provided to him. The instrument offered the perfect tool for such open-ended forays —as a guitarist primarily, it liberated him from his internalized technical vocabulary, and yet as a seasoned composer he also had enough keyboard facility to get lost in his own spontaneous playing. From the outset, these daily sessions were recorded, just in case they yielded raw compositional material. Yet, as he captured more of these improvisations the motivation behind the exercise shifted from warm-up to explicitly accumulating piano recordings. This culminated in him digging out a dilapidated piano that had been buried in a snow bank expressly to record it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt wasn't until he returned home that he discovered just what to do with all the raw footage he had collected. Doell had been developing an algorithmic compositional tool for himself that would generate music based on a user-defined catalogue of sounds and various parameters. Each of the three pieces found on Becoming In Shadows ~ Of Being Touched was spawned through exploring this very software. Yet in spite of them being produced through this process, Doell seems to have little interest in making this about the technology. Instead, he lets the distinctly alien character of computerized decision-making imprint itself upon the material to spellbinding effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is due for release April 21, 2023 with noted American imprint Whited Sepulchre, home to music from Joy Guidry, Endlings (the duo of Pulitzer Prize-winner Raven Chacon and John Dieterich), Lake Mary, and claire rousay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, Jason Doell has become an integral member of Canada's experimental and contemporary music community. Though he remains an active participant among strictly musical circles, his areas of interests distinguish him given their tendency toward the interdisciplinary, including site\/context-specific works, live coding, and signal chain manipulation. These preoccupations have yielded a number of major projects such as beneath a landscape, a 30-minute open-instrumentation work commissioned by Toronto's INTERsection festival and unveiled in a subway station, the sprawling online interactive work TURNONANDBENOTALONE presented by the Music Gallery, and the algorithmic piece to be talking about something that is unlikely to happen which debuted at MaerzMusik in Berlin. He is a member of the duo Invisible Out alongside multidisciplinary artist Xuan Ye (who provide this album's cover art) and the trio Nidus with writer\/ sound artist Marc Couroux and Matthew Ramolo (AKA Constellation Records' Khôra). Doell has also worked with several notable ensembles and performer such as Quatuor Bozzini, contaQt, Continuum, Thin Edge New Music Collective, junctQín, Yang Chen and Cheryl Duvall. In 2014 he was the winner of both Toronto Emerging Composer award in and NonClassical's International Composers’ Competition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jason Doell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel :Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-23T15:49:36+09:00","created_at":"2023-05-22T14:41:14+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","Whited Sepulchre Records"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247316300026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jason Doell \/\/ becoming in shadows ~ of being touched LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","options":["Title"],"media":[{"alt":null,"id":32002125824250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_12b9c00c-419f-4c28-86f1-1607d4e1d207.jpg?v=1684734076","width":700},{"alt":null,"id":32002125857018,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_6894c67e-7354-4cbe-8b88-41e749e4b1fe.jpg?v=1684734076","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3756546338\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, and buildings. Similarly, one of the most beguiling aspects of Doell's music here is the friction that builds up between its organic surface and the elusive, unruly quality that permeates just about everything else. Piano is audibly the album's lone instrument, but even with that anchor of familiarity, one still finds themselves confronted with something disorienting, but utterly captivating—tangled layers, meandering forms, subtle idiosyncratic manipulations. Doell's performance brims with improvisatory warmth and bears the unmistakable physicality of a human interacting with an instrument however there's another far less comprehensible force at play—a mystifying undertow that pulls the ear toward murky sonic depths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe process that birthed this album—his vinyl\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e debut—unquestionably plays a key role in establishing the feverish liminal space it inhabits. While in a winter residency at the Banff Centre, Doell began each day limbering up with some freeform playing at the piano that had been provided to him. The instrument offered the perfect tool for such open-ended forays —as a guitarist primarily, it liberated him from his internalized technical vocabulary, and yet as a seasoned composer he also had enough keyboard facility to get lost in his own spontaneous playing. From the outset, these daily sessions were recorded, just in case they yielded raw compositional material. Yet, as he captured more of these improvisations the motivation behind the exercise shifted from warm-up to explicitly accumulating piano recordings. This culminated in him digging out a dilapidated piano that had been buried in a snow bank expressly to record it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt wasn't until he returned home that he discovered just what to do with all the raw footage he had collected. Doell had been developing an algorithmic compositional tool for himself that would generate music based on a user-defined catalogue of sounds and various parameters. Each of the three pieces found on Becoming In Shadows ~ Of Being Touched was spawned through exploring this very software. Yet in spite of them being produced through this process, Doell seems to have little interest in making this about the technology. Instead, he lets the distinctly alien character of computerized decision-making imprint itself upon the material to spellbinding effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is due for release April 21, 2023 with noted American imprint Whited Sepulchre, home to music from Joy Guidry, Endlings (the duo of Pulitzer Prize-winner Raven Chacon and John Dieterich), Lake Mary, and claire rousay.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past 15 years, Jason Doell has become an integral member of Canada's experimental and contemporary music community. Though he remains an active participant among strictly musical circles, his areas of interests distinguish him given their tendency toward the interdisciplinary, including site\/context-specific works, live coding, and signal chain manipulation. These preoccupations have yielded a number of major projects such as beneath a landscape, a 30-minute open-instrumentation work commissioned by Toronto's INTERsection festival and unveiled in a subway station, the sprawling online interactive work TURNONANDBENOTALONE presented by the Music Gallery, and the algorithmic piece to be talking about something that is unlikely to happen which debuted at MaerzMusik in Berlin. He is a member of the duo Invisible Out alongside multidisciplinary artist Xuan Ye (who provide this album's cover art) and the trio Nidus with writer\/ sound artist Marc Couroux and Matthew Ramolo (AKA Constellation Records' Khôra). Doell has also worked with several notable ensembles and performer such as Quatuor Bozzini, contaQt, Continuum, Thin Edge New Music Collective, junctQín, Yang Chen and Cheryl Duvall. In 2014 he was the winner of both Toronto Emerging Composer award in and NonClassical's International Composers’ Competition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jason Doell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel :Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・トロントの実験音楽家Jason Doellが、2023年4月にアメリカ・オハイオの実験／アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたデビューレコードです。 ピアノとコンピューターによるエレクトロアコースティック〜ドローン3曲を収録。DLコード付属。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases...
¥3,780
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{"id":7947706269946,"title":"Bailey Miller \/\/ love is a dying TAPE","handle":"bailey-miller-love-is-a-dying-tape","description":"\u003cp\u003eアメリカ・オハイオのシンガーソングライターBailey Millerが、2023年2月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコギを主体としたミニマルなベッドルームフォーク11曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマスタリングはSean McCannが担当しています。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1427987293\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3924419983\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhile producer, singer, and multi-instrumentalist Bailey Miller’s debut full-length, Still Water, found great depth in the juxtaposition and interweaving of tactile instruments with otherworldly sounds, Miller’s\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efollow-up love is a dying follows a considerably more direct path to intention and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot unlike Richard Youngs, Miller explores minimalist, meditative songwriting to great effect and in a way that seems to proceed as economically as possible from each song’s emotional germination. One has the sense that the work is necessary, that these songs serve fundamentally to process the realities of life and loss, that in the playing, Miller finds comfort and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMany of the songs on love is a dying are in fact first takes, recorded spontaneously in the very earliest stages of development. The record itself is therefore both seed and blossom. Miller says that these songs\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“resisted being re-recorded” and that “once a song seemed to work its magic and help me to process an event or an emotion, I let that song be done.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom one song to the next, Miller trades instruments. On “cul-de-sac,” she turns careful phrases over and over on an electric baritone guitar (which makes multiple appearances throughout\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the record). “You’re so\u003cbr data-mce-fragment=\"1\"\u003eclose \/ and I should be too \/ but nothing’s getting through to you.” There is a sense of emotional frustration but also an opening through acceptance: “But I’m out of hope \/ for being seen. \/ How do you\u003cbr data-mce-fragment=\"1\"\u003enot see me? \/ The car pulls up to the cul-de-sac \/ and then it fades to black \/ then it fades to black.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNot only are most of the songs on love is a dying first takes, but the record is sequenced in the order that the songs were written. It is a story emerging. The title, Miller says, is meant to express a powerful\u003cbr data-mce-fragment=\"1\"\u003edichotomy. Love is a kind of dying whether that love is a successful, loving relationship or if it means heartbreak and grief. In the former case, one experiences a dying of oneself and expectations of another,\u003cbr data-mce-fragment=\"1\"\u003ewhile the latter brings painful loss.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs on her previous work, the focus here is Miller’s voice, spare and clear. It is a voice that disarms and communicates intensity largely through a power withheld, implied. Fans of Tiny Vipers and Cross\u003cbr data-mce-fragment=\"1\"\u003eRecord and Sybille Baer will find this quality familiar and easy to love, while all of Miller’s work and processes are shot through with a spiritual charge reminiscent of David Åhlen. Miller counts philosopher\u003cbr data-mce-fragment=\"1\"\u003eSimone Weil among her most crucial influences and discerning listeners will certainly understand that Miller’s preoccupations with mortality and transfiguration are complex, even theological.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “goldfinch,” Miller accompanies her crystal clear singing with only a gentle, looped recording of frogs singing and the effect is one of profound timelessness like Shirley Collins’ Crowlink or Elephant\u003cbr data-mce-fragment=\"1\"\u003eMicah’s Genericana. And here “timelinessnes”s means not only having qualities from some time now past, but from any distant human future to come, including perhaps the very moment when one is hearing\u003cbr data-mce-fragment=\"1\"\u003ethis music for the first time. Miller’s depth and directness, her ability and willingness to experiment with processes sees to it that her musings will feel shimmeringly potent and intimate wherever and whenever there is a mind to wonder.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bailey Miller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-05T07:27:59+09:00","created_at":"2023-04-01T11:40:27+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","tape","Whited Sepulchre Records"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44139530354938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bailey Miller \/\/ love is a dying TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828","\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_21aeaf28-3931-491b-9bfd-4189aa42b0b4.jpg?v=1680316829"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828","options":["Title"],"media":[{"alt":null,"id":31763900039418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo1_cb3e15a7-12bb-453b-a388-aa81a37c14d3.jpg?v=1680316828","width":700},{"alt":null,"id":31763900072186,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_21aeaf28-3931-491b-9bfd-4189aa42b0b4.jpg?v=1680316829"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lo2_21aeaf28-3931-491b-9bfd-4189aa42b0b4.jpg?v=1680316829","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オハイオのシンガーソングライターBailey Millerが、2023年2月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアコギを主体としたミニマルなベッドルームフォーク11曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマスタリングはSean McCannが担当しています。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1427987293\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3648544352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3924419983\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhile producer, singer, and multi-instrumentalist Bailey Miller’s debut full-length, Still Water, found great depth in the juxtaposition and interweaving of tactile instruments with otherworldly sounds, Miller’s\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efollow-up love is a dying follows a considerably more direct path to intention and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot unlike Richard Youngs, Miller explores minimalist, meditative songwriting to great effect and in a way that seems to proceed as economically as possible from each song’s emotional germination. One has the sense that the work is necessary, that these songs serve fundamentally to process the realities of life and loss, that in the playing, Miller finds comfort and meaning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMany of the songs on love is a dying are in fact first takes, recorded spontaneously in the very earliest stages of development. The record itself is therefore both seed and blossom. Miller says that these songs\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“resisted being re-recorded” and that “once a song seemed to work its magic and help me to process an event or an emotion, I let that song be done.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrom one song to the next, Miller trades instruments. On “cul-de-sac,” she turns careful phrases over and over on an electric baritone guitar (which makes multiple appearances throughout\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the record). “You’re so\u003cbr data-mce-fragment=\"1\"\u003eclose \/ and I should be too \/ but nothing’s getting through to you.” There is a sense of emotional frustration but also an opening through acceptance: “But I’m out of hope \/ for being seen. \/ How do you\u003cbr data-mce-fragment=\"1\"\u003enot see me? \/ The car pulls up to the cul-de-sac \/ and then it fades to black \/ then it fades to black.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNot only are most of the songs on love is a dying first takes, but the record is sequenced in the order that the songs were written. It is a story emerging. The title, Miller says, is meant to express a powerful\u003cbr data-mce-fragment=\"1\"\u003edichotomy. Love is a kind of dying whether that love is a successful, loving relationship or if it means heartbreak and grief. In the former case, one experiences a dying of oneself and expectations of another,\u003cbr data-mce-fragment=\"1\"\u003ewhile the latter brings painful loss.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs on her previous work, the focus here is Miller’s voice, spare and clear. It is a voice that disarms and communicates intensity largely through a power withheld, implied. Fans of Tiny Vipers and Cross\u003cbr data-mce-fragment=\"1\"\u003eRecord and Sybille Baer will find this quality familiar and easy to love, while all of Miller’s work and processes are shot through with a spiritual charge reminiscent of David Åhlen. Miller counts philosopher\u003cbr data-mce-fragment=\"1\"\u003eSimone Weil among her most crucial influences and discerning listeners will certainly understand that Miller’s preoccupations with mortality and transfiguration are complex, even theological.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “goldfinch,” Miller accompanies her crystal clear singing with only a gentle, looped recording of frogs singing and the effect is one of profound timelessness like Shirley Collins’ Crowlink or Elephant\u003cbr data-mce-fragment=\"1\"\u003eMicah’s Genericana. And here “timelinessnes”s means not only having qualities from some time now past, but from any distant human future to come, including perhaps the very moment when one is hearing\u003cbr data-mce-fragment=\"1\"\u003ethis music for the first time. Miller’s depth and directness, her ability and willingness to experiment with processes sees to it that her musings will feel shimmeringly potent and intimate wherever and whenever there is a mind to wonder.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bailey Miller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・オハイオのシンガーソングライターBailey Millerが、2023年2月に同国アンビエント〜ポップレーベルWhited Sepulchreから100本限定でリリースしたカセットです。 アコギを主体としたミニマルなベッドルームフォーク11曲を収録。DLコード付属。 マスタリングはSean McCannが担当しています。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records...
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![Joy Guidry // Radical Acceptance LP [COLOR]](http://tobirarecords.com/cdn/shop/products/ac1_100a9f1c-cec1-474c-acb9-4c0632421d88_medium.jpg?v=1676094220)
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{"id":7915800658170,"title":"Joy Guidry \/\/ Radical Acceptance LP [COLOR]","handle":"joy-guidry-radical-acceptance-lp-color","description":"\u003cp\u003eアメリカの実験ジャズ作家Joy Guidryが、2022年2月に同国アンビエントレーベルWhited Sepulchreからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e黒人でノンバイナリーという自身のアイデンティティをあるがままに表現した実験フリージャズ〜ドローン9曲を収録。DLコード付属。180g重量紫盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家自身による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラディカル・アクセプタンスは、この1年間で私の人生において進化した個人的な実践方法です。まだつらい時期がないわけではありませんが、最近は温かく快適な時期がずっと続いています。過去や自分を傷つけたものを変えることはできませんが、自分で創り出した平和で美しい人生の中で生きていくことはできます。私が自分自身に教えなければならなかった最も重要なことは、私の身体や脳には何の問題もないということです。私の体は太っているし、毎日精神衛生に苦しんでいますが、そのどちらも私を人間でなくするものではありません。黒人で、太っていて、クィアで、二元的でない私の身体は、あらゆる点で有効であることを私は知っています。無条件に自分を愛することを学ぶことは生涯の旅になるでしょうが、私は今ここにいることがとても幸せです。これが私のラディカル・アクセプタンスです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3608651103\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePressed on 12\" \u003cmeta charset=\"utf-8\"\u003e180 gram lavender vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Marshall Trammell:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Somewhere it is written that the American author James Baldwin said that the English language is the enemy of Black people. Indeed, the straight-jacket of systemic limitations needs to be perceived to be overcome. I hear Guidry’s vernacular as a cultural methodology relevant to addressing the roles of artists making an impact on society today. Their tempered and hybrid phonics renders revelations of beauty, revelations of possibility, validation, self-awareness, creative problem solving, balance of openness with structure and other virtues of Improvisation, as stated by long-time Houston-based, music educator and Improviser David Dove in “Music is the Pedagogy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmbient electronic tracks wait for you like light pools of warmth and resonance. Their placement in a timeline of the album designates them as unique transformative portals and democratic spaces within the narrative. Synthesizing Chela Sandoval’s five technologies of the Methodologies of the Oppressed which incorporates how we see the world (semiotics), make sense of it (deconstruction), relate it to history (meta-ideologizing), formulate new modalities of action (differential movement) to, finally, erect, defend and maintain democratic spaces (democratics). The journey of Radical Acceptance opens\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e your eyes to move beyond sense-making into the creation of knowledge itself and our social environment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRadical Acceptance sounds like tactical media quilt code from the Underground Railroad. Imagine next to the concrete examples of the “North Star,” the “Log Cabin, the Drunkard’s Path,'' and now we have “Radical Acceptance.” The album is a community informatic and liberatory tool for your emancipation and self-determination travel kit from a cultural archive of a disciplined, mind tempest. I believe the album is a conduit distributing the listener into a resonant real or imagined geography. With tracks as appendages, the recording moves on its own: auto-motive. Its own power embodies statements, scars and wisdom, offering a modality for when navigating community accountability. Entropic tracks like “Inner child,” “Why Is Toxicity So Yummy” and “How To Breathe While Dying” are sweetly deceptive and agile transgressions of common arcs in narrative formations of collective performance amidst layered solo versatility adds a nuanced blend of vernacular wisdom.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe poetics of the archival sounding material in “72 Hours,” each feels like an environmental sound design installation reminiscent of Leroy Jones’ (Amiri Baraka, of course) Blues People when he addresses the ownership and limitations of the recording technologies in shaping Black Music today. “Down In The Valley '' and “Voices Of The Ancestors' ' utilize uncommodifiable cultural weaponry that impossible to copyright, like Kente cloth, anchored in transformative tensegrity invoking a limitless healing rooted in African Diasporic indigeneity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRadical Acceptance is a radical geography that defies the status quo of everyday harm that speaks straight to the senses and emotions of the listener. The organizations of sounds, tracks, rapid fingering and figures of soul-piercing resonance bring our bodies, feelings, and intuition to an evocation of a powerful relationship with those who we’re performing alongside, and those who are listening to us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWave after wave of sonic blasts fuel my descent into an afrological discipline of unique technologies. The album is welcoming intoning agency, social necessity, personality, difference and community accountability, in recognition of a strong relationship to sonic popular, experimental folk cultures. I have been hungry to hear a voice of a Creative musician speaking directly to listeners communicating critical information. Their words are not ambiguous.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI chased down references while driving. In the tracks I hear a timeline archived moving back and forth between the different layers of technologies and cultural methodologies amidst their musical consciousness in the interpretation, creation and transmission of self-determination in a historical continuum. Radical Acceptance is an interpersonal healing narrative carrying the ethos of a warrior that is responsive and inspiring community accountability. Radical Acceptance presents both the warrior and their ecology of a disciplined, mind tempest.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI urge listeners to get Radical Acceptance into your soul. Get it under your fingertips. Throughout the moving landscape of the recording I hear familiar colloquial blends of disciplines contributing a dialect erected from the need to describe and control one's circumstances, to confront life and outwit death, and, finally, as a proof of power. Hybridity-smacking, creole statements ring out as manifestation of a tight cultural and familial background suggests places and conditions of the Southern US, and simultaneously a legacy of sonorous defiance in NYC.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist statement by Joy Guidry:\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\"Radical Acceptance is a personal practice that has evolved in my life over the past year. This doesn't mean there aren't still tough times, but times of warmth and comfort are much more present these days. I will never be able to change my past, the things that hurt me, but I can live in a peaceful and beautiful life of my own creation. The most important thing I've had to teach myself is that there is nothing wrong with my body or my brain. My body is fat, and I struggle with my mental health daily, and neither of those things make me any less of a human being. I know that my Black, Fat, Queer and Non binary body is valid in every way. Learning to love my whole self unconditionally will be a lifelong journey, but I am just so happy to be where I am today. This is my radical acceptance. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joy Guidry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-02-13T07:58:34+09:00","created_at":"2023-02-11T14:43:38+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","Whited Sepulchre Records"],"price":378800,"price_min":378800,"price_max":378800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979995054330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joy Guidry \/\/ Radical Acceptance LP [COLOR]","public_title":null,"options":["Default Title"],"price":378800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_100a9f1c-cec1-474c-acb9-4c0632421d88.jpg?v=1676094220","\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_57f2518d-a579-4583-9e0c-80854a566f38.jpg?v=1676094221"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_100a9f1c-cec1-474c-acb9-4c0632421d88.jpg?v=1676094220","options":["Title"],"media":[{"alt":null,"id":31510529900794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_100a9f1c-cec1-474c-acb9-4c0632421d88.jpg?v=1676094220"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_100a9f1c-cec1-474c-acb9-4c0632421d88.jpg?v=1676094220","width":700},{"alt":null,"id":31510529933562,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_57f2518d-a579-4583-9e0c-80854a566f38.jpg?v=1676094221"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_57f2518d-a579-4583-9e0c-80854a566f38.jpg?v=1676094221","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験ジャズ作家Joy Guidryが、2022年2月に同国アンビエントレーベルWhited Sepulchreからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e黒人でノンバイナリーという自身のアイデンティティをあるがままに表現した実験フリージャズ〜ドローン9曲を収録。DLコード付属。180g重量紫盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家自身による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eラディカル・アクセプタンスは、この1年間で私の人生において進化した個人的な実践方法です。まだつらい時期がないわけではありませんが、最近は温かく快適な時期がずっと続いています。過去や自分を傷つけたものを変えることはできませんが、自分で創り出した平和で美しい人生の中で生きていくことはできます。私が自分自身に教えなければならなかった最も重要なことは、私の身体や脳には何の問題もないということです。私の体は太っているし、毎日精神衛生に苦しんでいますが、そのどちらも私を人間でなくするものではありません。黒人で、太っていて、クィアで、二元的でない私の身体は、あらゆる点で有効であることを私は知っています。無条件に自分を愛することを学ぶことは生涯の旅になるでしょうが、私は今ここにいることがとても幸せです。これが私のラディカル・アクセプタンスです。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3608651103\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePressed on 12\" \u003cmeta charset=\"utf-8\"\u003e180 gram lavender vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Marshall Trammell:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Somewhere it is written that the American author James Baldwin said that the English language is the enemy of Black people. Indeed, the straight-jacket of systemic limitations needs to be perceived to be overcome. I hear Guidry’s vernacular as a cultural methodology relevant to addressing the roles of artists making an impact on society today. Their tempered and hybrid phonics renders revelations of beauty, revelations of possibility, validation, self-awareness, creative problem solving, balance of openness with structure and other virtues of Improvisation, as stated by long-time Houston-based, music educator and Improviser David Dove in “Music is the Pedagogy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmbient electronic tracks wait for you like light pools of warmth and resonance. Their placement in a timeline of the album designates them as unique transformative portals and democratic spaces within the narrative. Synthesizing Chela Sandoval’s five technologies of the Methodologies of the Oppressed which incorporates how we see the world (semiotics), make sense of it (deconstruction), relate it to history (meta-ideologizing), formulate new modalities of action (differential movement) to, finally, erect, defend and maintain democratic spaces (democratics). The journey of Radical Acceptance opens\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e your eyes to move beyond sense-making into the creation of knowledge itself and our social environment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRadical Acceptance sounds like tactical media quilt code from the Underground Railroad. Imagine next to the concrete examples of the “North Star,” the “Log Cabin, the Drunkard’s Path,'' and now we have “Radical Acceptance.” The album is a community informatic and liberatory tool for your emancipation and self-determination travel kit from a cultural archive of a disciplined, mind tempest. I believe the album is a conduit distributing the listener into a resonant real or imagined geography. With tracks as appendages, the recording moves on its own: auto-motive. Its own power embodies statements, scars and wisdom, offering a modality for when navigating community accountability. Entropic tracks like “Inner child,” “Why Is Toxicity So Yummy” and “How To Breathe While Dying” are sweetly deceptive and agile transgressions of common arcs in narrative formations of collective performance amidst layered solo versatility adds a nuanced blend of vernacular wisdom.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe poetics of the archival sounding material in “72 Hours,” each feels like an environmental sound design installation reminiscent of Leroy Jones’ (Amiri Baraka, of course) Blues People when he addresses the ownership and limitations of the recording technologies in shaping Black Music today. “Down In The Valley '' and “Voices Of The Ancestors' ' utilize uncommodifiable cultural weaponry that impossible to copyright, like Kente cloth, anchored in transformative tensegrity invoking a limitless healing rooted in African Diasporic indigeneity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRadical Acceptance is a radical geography that defies the status quo of everyday harm that speaks straight to the senses and emotions of the listener. The organizations of sounds, tracks, rapid fingering and figures of soul-piercing resonance bring our bodies, feelings, and intuition to an evocation of a powerful relationship with those who we’re performing alongside, and those who are listening to us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWave after wave of sonic blasts fuel my descent into an afrological discipline of unique technologies. The album is welcoming intoning agency, social necessity, personality, difference and community accountability, in recognition of a strong relationship to sonic popular, experimental folk cultures. I have been hungry to hear a voice of a Creative musician speaking directly to listeners communicating critical information. Their words are not ambiguous.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI chased down references while driving. In the tracks I hear a timeline archived moving back and forth between the different layers of technologies and cultural methodologies amidst their musical consciousness in the interpretation, creation and transmission of self-determination in a historical continuum. Radical Acceptance is an interpersonal healing narrative carrying the ethos of a warrior that is responsive and inspiring community accountability. Radical Acceptance presents both the warrior and their ecology of a disciplined, mind tempest.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI urge listeners to get Radical Acceptance into your soul. Get it under your fingertips. Throughout the moving landscape of the recording I hear familiar colloquial blends of disciplines contributing a dialect erected from the need to describe and control one's circumstances, to confront life and outwit death, and, finally, as a proof of power. Hybridity-smacking, creole statements ring out as manifestation of a tight cultural and familial background suggests places and conditions of the Southern US, and simultaneously a legacy of sonorous defiance in NYC.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist statement by Joy Guidry:\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\"Radical Acceptance is a personal practice that has evolved in my life over the past year. This doesn't mean there aren't still tough times, but times of warmth and comfort are much more present these days. I will never be able to change my past, the things that hurt me, but I can live in a peaceful and beautiful life of my own creation. The most important thing I've had to teach myself is that there is nothing wrong with my body or my brain. My body is fat, and I struggle with my mental health daily, and neither of those things make me any less of a human being. I know that my Black, Fat, Queer and Non binary body is valid in every way. Learning to love my whole self unconditionally will be a lifelong journey, but I am just so happy to be where I am today. This is my radical acceptance. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joy Guidry\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験ジャズ作家Joy Guidryが、2022年2月に同国アンビエントレーベルWhited Sepulchreからリリースしたデビューレコードです。 黒人でノンバイナリーという自身のアイデンティティをあるがままに表現した実験フリージャズ〜ドローン9曲を収録。DLコード付属。180g重量紫盤です。 以下、作家自身による解説です。 ラディカル・アクセプタンスは、この1年間で私の人生において進化した個人的な実践方法です。まだつらい時期がないわけではありませんが、最近は温かく快適な時期がずっと続いています。過去や自分を傷つけたものを変えることはできませんが、自分で創り出した平和で美しい人生の中で生きていくことはできます。私が自分自身に教えなければならなかった最も重要なことは、私の身体や脳には何の問題もないということです。私の体は太っているし、毎日精神衛生に苦しんでいますが、そのどちらも私を人間でなくするものではありません。黒人で、太っていて、クィアで、二元的でない私の身体は、あらゆる点で有効であることを私は知っています。無条件に自分を愛することを学ぶことは生涯の旅になるでしょうが、私は今ここにいることがとても幸せです。これが私のラディカル・アクセプタンスです。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases...
¥3,788
クイックビュー
{"id":7855832367354,"title":"Bailey Miller \/\/ Still Water TAPE","handle":"bailey-miller-still-water-tape","description":"\u003cp\u003eアメリカ・オハイオのネオクラシカルポップ作家Bailey Millerが、2022年9月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハープやバンジョー、バイオリンなどを用いたネオクラシカル・アンビエント〜ポストロック12曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1124091800\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eTo say that something invokes the uncanny is to describe an experience of something familiar, or even something secret, encountered in an unfamiliar context. The uncanny is effectively a kind of tension between recognition and its absence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eProducer, singer, and multi-instrumentalist Bailey Miller’s debut full length, Still Water, relies on just such a tension, and therefore achieves a sense of the uncanny in a languid hypnogogia. Over the course of nearly an hour, Miller’s clear voice gently and starkly plays against a spectrum of sounds: harp, violin, banjo, autoharp, software synths, pulsing drum machine –– all performed by Miller and often meticulously placed, never too densely layered. In certain cases, one version of Miller’s voice plays against another; the more intimate version appearing like fine, familiar stitching through a lush fabric of reverberant harmony. Miller’s singing is at times direct, declarative, with a lucidity that makes it feel almost spoken, recalling contemporaries like Karima Walker and Cross Record. When Miller sings: “my shrink sent me to the cemetery on assignment \/ she said gently, time to stop living in confinement,” there is a\u003cspan class=\"bcTruncateMore\"\u003e thoughtful, earthy directness. But a moment later, the scene is, however briefly, punctuated with a swell of lush,\u003cbr\u003ereverberant voices.\u003cbr\u003e\u003cbr\u003eThe shuffling and juxtaposing of tactile instruments with otherworldly sounds finds a resonance with Shirley Collins’ recent Crowlink while the sheer height of that otherworldliness reaches places where\u003cbr\u003eone finds Ian William Craig or Ana Roxanne. But like Roxanne, though Miller flirts continually with the cosmos, it is through a sense of close proximity that these songs are ultimately transmitted. Miller made\u003cbr\u003ethis work over three years, in five different homes, while undergoing one after another major upheaval. She joined and left an intentional community, started and stopped graduate programs three times, lived\u003cbr\u003ethrough SSRI withdrawal and multiple career pivots, and suffered what she terms “a spiritual crisis.” This period of searching was perhaps sparked by a five-day silent retreat, after which Miller says that any word she uttered seemed to fall short. And during this time, Miller’s understanding of the role of music underwent upheaval too. The result was that “every song came from a place of great surrender.” This is\u003cbr\u003emusic born from a giving-over to the silent ground beneath everything, and however dream-laden it might sound, Miller herself is remarkably present.\u003cbr\u003e\u003cbr\u003eA perennial resident of Ohio, it is perhaps no wonder that Miller’s songs rely on such tender directness, for though Still Water is shot through with reverberant swells and wistful spirals of sonic mist, the songs themselves are delivered with the kind of plaintiveness one learns while playing house shows in middle America. But that’s no trivialization. Such intimate spaces are just the place for self-reflection and heavy conversations about the biggest of things: mortality, God, existence itself. In those spaces, one might even feel pursued by such questions. Among her most crucial influences, Miller counts philosopher Simone Weil, whose work thrived on a similar tension between the worldly and the beyond. “Through the clouds,” Millers sings, “an opening \/ I didn’t see coming \/ unfurling \/ a swirling \/ and something \/ growing \/ over and over \/ again.” Bailey Miller’s Still Water is a record made over many places and through many changes, and it is all the more for this fact that it is an act of recognition –– of the familiar, the secret –– of what’s to be found uncannily within.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bailey Miller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-12-06T15:21:25+09:00","created_at":"2022-12-01T15:45:01+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","tape","Whited Sepulchre Records"],"price":208000,"price_min":208000,"price_max":208000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43720381628666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bailey Miller \/\/ Still Water TAPE","public_title":null,"options":["Default Title"],"price":208000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_52766d8a-7153-48c7-9141-c5bf2943054b.jpg?v=1669877102","\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_937ae6bc-eaf2-45a7-97ac-e5ffad6b487c.jpg?v=1669877103"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_52766d8a-7153-48c7-9141-c5bf2943054b.jpg?v=1669877102","options":["Title"],"media":[{"alt":null,"id":31119190262010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_52766d8a-7153-48c7-9141-c5bf2943054b.jpg?v=1669877102"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba1_52766d8a-7153-48c7-9141-c5bf2943054b.jpg?v=1669877102","width":700},{"alt":null,"id":31119190294778,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_937ae6bc-eaf2-45a7-97ac-e5ffad6b487c.jpg?v=1669877103"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ba2_937ae6bc-eaf2-45a7-97ac-e5ffad6b487c.jpg?v=1669877103","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オハイオのネオクラシカルポップ作家Bailey Millerが、2022年9月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハープやバンジョー、バイオリンなどを用いたネオクラシカル・アンビエント〜ポストロック12曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1124091800\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 100.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eTo say that something invokes the uncanny is to describe an experience of something familiar, or even something secret, encountered in an unfamiliar context. The uncanny is effectively a kind of tension between recognition and its absence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eProducer, singer, and multi-instrumentalist Bailey Miller’s debut full length, Still Water, relies on just such a tension, and therefore achieves a sense of the uncanny in a languid hypnogogia. Over the course of nearly an hour, Miller’s clear voice gently and starkly plays against a spectrum of sounds: harp, violin, banjo, autoharp, software synths, pulsing drum machine –– all performed by Miller and often meticulously placed, never too densely layered. In certain cases, one version of Miller’s voice plays against another; the more intimate version appearing like fine, familiar stitching through a lush fabric of reverberant harmony. Miller’s singing is at times direct, declarative, with a lucidity that makes it feel almost spoken, recalling contemporaries like Karima Walker and Cross Record. When Miller sings: “my shrink sent me to the cemetery on assignment \/ she said gently, time to stop living in confinement,” there is a\u003cspan class=\"bcTruncateMore\"\u003e thoughtful, earthy directness. But a moment later, the scene is, however briefly, punctuated with a swell of lush,\u003cbr\u003ereverberant voices.\u003cbr\u003e\u003cbr\u003eThe shuffling and juxtaposing of tactile instruments with otherworldly sounds finds a resonance with Shirley Collins’ recent Crowlink while the sheer height of that otherworldliness reaches places where\u003cbr\u003eone finds Ian William Craig or Ana Roxanne. But like Roxanne, though Miller flirts continually with the cosmos, it is through a sense of close proximity that these songs are ultimately transmitted. Miller made\u003cbr\u003ethis work over three years, in five different homes, while undergoing one after another major upheaval. She joined and left an intentional community, started and stopped graduate programs three times, lived\u003cbr\u003ethrough SSRI withdrawal and multiple career pivots, and suffered what she terms “a spiritual crisis.” This period of searching was perhaps sparked by a five-day silent retreat, after which Miller says that any word she uttered seemed to fall short. And during this time, Miller’s understanding of the role of music underwent upheaval too. The result was that “every song came from a place of great surrender.” This is\u003cbr\u003emusic born from a giving-over to the silent ground beneath everything, and however dream-laden it might sound, Miller herself is remarkably present.\u003cbr\u003e\u003cbr\u003eA perennial resident of Ohio, it is perhaps no wonder that Miller’s songs rely on such tender directness, for though Still Water is shot through with reverberant swells and wistful spirals of sonic mist, the songs themselves are delivered with the kind of plaintiveness one learns while playing house shows in middle America. But that’s no trivialization. Such intimate spaces are just the place for self-reflection and heavy conversations about the biggest of things: mortality, God, existence itself. In those spaces, one might even feel pursued by such questions. Among her most crucial influences, Miller counts philosopher Simone Weil, whose work thrived on a similar tension between the worldly and the beyond. “Through the clouds,” Millers sings, “an opening \/ I didn’t see coming \/ unfurling \/ a swirling \/ and something \/ growing \/ over and over \/ again.” Bailey Miller’s Still Water is a record made over many places and through many changes, and it is all the more for this fact that it is an act of recognition –– of the familiar, the secret –– of what’s to be found uncannily within.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Bailey Miller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・オハイオのネオクラシカルポップ作家Bailey Millerが、2022年9月に同国アンビエント〜ポップレーベルWhited Sepulchreから100本限定でリリースしたデビューカセットです。 ハープやバンジョー、バイオリンなどを用いたネオクラシカル・アンビエント〜ポストロック12曲を収録。DLコード付属。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases available...
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{"id":7855831548154,"title":"airport people \/\/ from nine mornings TAPE","handle":"airport-people-from-nine-mornings-tape","description":"\u003cp\u003eアメリカ・インディアナポリスのマルチ奏者airport peopleが、2022年8月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノを主体としたネオクラシカル・アンビエント〜ポストロック10曲を収録。DLコード付属。\u003c\/span\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4174651807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Comes with DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLeon Johnson has spent his share of time in airports. Growing up in a veritable Civil Rights dynasty, the now Indianapolis-based multi-instrumentalist and composer traveled frequently as a child, accompanying his family all over the U.S. and Africa where his grandfather organized against apartheid. Being so often on the move, Johnson took solace in sitting and people-watching at airports where, as Johnson puts it, “we’re in between where we’re going and where we were and we don’t have much to say.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn From Nine Mornings, his debut full-length as Airport People, Johnson conjures a sense of ease and order, a kind of effortless harmonic precision that sounds, perhaps, like a reaction to the disjointedness of being dragged along from place to place.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike Eno’s Music for Aiports or Satie’s musique d'ameublement, From Nine Mornings seems to invite projection and interpretation. It is music which can be used this way or that; generous music. There is a spaciousness that recalls Keith Jarrett’s The Köln Concert but also a deeply memorable, hummable character, like William Tyler or Paul Bley’s “Ida Lupino.” From Nine Mornings is sparse but supportive; melodies don’t drift, they ride, if ever so gently.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEach of the tracks on From Nine Mornings proceeds from\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e a melody that, in fact, emerged each on a respective morning in 2020. Johnson had recently lost his job, recently moved, and was once again seeking to exploit the more freeing aspects of the liminal. What is there to hear when we’re in between where we were and where we’re going and we don’t have much to say?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter that period of emergent morning melodies, Johnson reviewed and culled. By chance, nine stood out––and so we have nine (and a prelude), each from its own morning. Piano, essentially, but also violin, upright bass, guitar, drums, field recordings, and manipulated orchestral samples bolster these melodies, careful but buoyant. Fans of John Carroll Kirby and Nils Frahm and H. Takahashi will undoubtedly find much to love in these pieces, but Johnson’s love of The Bad Plus and Pat Metheny are here too, just beneath the surface, as is Johnson’s classical training. The songs are simple but sophisticated just the same, cinematic or perhaps televisionistic, a kind of gentle drama fit for the subliminal, the periphery––this is a mode not entirely unlike the Rachel’s Selenography.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMuch of what happens on From Nine Mornings is precise, but none of it is proscriptive. The title, and the spirit implied, ensures an openness. These are nine pieces of music from nine mornings. But as for what they are for or where they are going, this is left to the listener.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : airport people\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-12-06T14:59:42+09:00","created_at":"2022-12-01T15:42:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","neo classical","tape","Whited Sepulchre Records"],"price":208000,"price_min":208000,"price_max":208000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43720378450170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"airport people \/\/ from nine mornings TAPE","public_title":null,"options":["Default Title"],"price":208000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_f09adcfe-d4b0-4b5c-8f6d-4bec07c19d8c.jpg?v=1669876973","\/\/tobirarecords.com\/cdn\/shop\/products\/ai2_87d72dd1-d916-466f-afdf-e9dbfa28952b.jpg?v=1669876973"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_f09adcfe-d4b0-4b5c-8f6d-4bec07c19d8c.jpg?v=1669876973","options":["Title"],"media":[{"alt":null,"id":31119182823674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_f09adcfe-d4b0-4b5c-8f6d-4bec07c19d8c.jpg?v=1669876973"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_f09adcfe-d4b0-4b5c-8f6d-4bec07c19d8c.jpg?v=1669876973","width":700},{"alt":null,"id":31119182856442,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai2_87d72dd1-d916-466f-afdf-e9dbfa28952b.jpg?v=1669876973"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai2_87d72dd1-d916-466f-afdf-e9dbfa28952b.jpg?v=1669876973","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・インディアナポリスのマルチ奏者airport peopleが、2022年8月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノを主体としたネオクラシカル・アンビエント〜ポストロック10曲を収録。DLコード付属。\u003c\/span\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4174651807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Comes with DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLeon Johnson has spent his share of time in airports. Growing up in a veritable Civil Rights dynasty, the now Indianapolis-based multi-instrumentalist and composer traveled frequently as a child, accompanying his family all over the U.S. and Africa where his grandfather organized against apartheid. Being so often on the move, Johnson took solace in sitting and people-watching at airports where, as Johnson puts it, “we’re in between where we’re going and where we were and we don’t have much to say.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn From Nine Mornings, his debut full-length as Airport People, Johnson conjures a sense of ease and order, a kind of effortless harmonic precision that sounds, perhaps, like a reaction to the disjointedness of being dragged along from place to place.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike Eno’s Music for Aiports or Satie’s musique d'ameublement, From Nine Mornings seems to invite projection and interpretation. It is music which can be used this way or that; generous music. There is a spaciousness that recalls Keith Jarrett’s The Köln Concert but also a deeply memorable, hummable character, like William Tyler or Paul Bley’s “Ida Lupino.” From Nine Mornings is sparse but supportive; melodies don’t drift, they ride, if ever so gently.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEach of the tracks on From Nine Mornings proceeds from\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e a melody that, in fact, emerged each on a respective morning in 2020. Johnson had recently lost his job, recently moved, and was once again seeking to exploit the more freeing aspects of the liminal. What is there to hear when we’re in between where we were and where we’re going and we don’t have much to say?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter that period of emergent morning melodies, Johnson reviewed and culled. By chance, nine stood out––and so we have nine (and a prelude), each from its own morning. Piano, essentially, but also violin, upright bass, guitar, drums, field recordings, and manipulated orchestral samples bolster these melodies, careful but buoyant. Fans of John Carroll Kirby and Nils Frahm and H. Takahashi will undoubtedly find much to love in these pieces, but Johnson’s love of The Bad Plus and Pat Metheny are here too, just beneath the surface, as is Johnson’s classical training. The songs are simple but sophisticated just the same, cinematic or perhaps televisionistic, a kind of gentle drama fit for the subliminal, the periphery––this is a mode not entirely unlike the Rachel’s Selenography.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMuch of what happens on From Nine Mornings is precise, but none of it is proscriptive. The title, and the spirit implied, ensures an openness. These are nine pieces of music from nine mornings. But as for what they are for or where they are going, this is left to the listener.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : airport people\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・インディアナポリスのマルチ奏者airport peopleが、2022年8月に同国アンビエント〜ポップレーベルWhited Sepulchreから100本限定でリリースしたデビューカセットです。 ピアノを主体としたネオクラシカル・アンビエント〜ポストロック10曲を収録。DLコード付属。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases available...
¥2,080
クイックビュー
{"id":7549436526842,"title":"Desert Liminal \/\/ Glass Fate LP","handle":"desert-liminal-glass-fate-lp","description":"\u003cp\u003eアメリカ・シカゴのシューゲイズバンドDesert Liminalが、2021年11月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから150部限定でリリースした最新レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eシューゲイズ〜ドリームポップ9曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uvDWtZjcisE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=922502717\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eLimited edition black vinyl. \u003c\/p\u003e\n\u003cp\u003eText by Whited Sepulchre:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eI don’t need no southbound highway sign to tell me HELL IS REAL.'\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis opening line from the debut single “New Tongue” launches us into the sophomore album Glass Fate by the Chicago based Desert Liminal. Glass Fate takes us through a Lost Highway trip into the subconscious of Sarah Jane Quillin’s year while writing this record. The songs form a collective meditation on Quillin’s hope and grief while processing the loss of a parent, the end of a beloved band Heavy Dreams (a collaboration with DEHD’s Emily Kempf), and witnessing the surreal near-death experience of her best friend, Desert Liminal’s drummer Rob Logan, during one of their shows. Channeling this heaviness into soaring and simmering experimental indie rock, Desert Liminal’s sound is marked by Quillin’s spectral vocal melodies layered over warm, looping walls of vintage synthesizer and violin filtered through a distortion pedal array. Rob Logan’s drumming ranges from driving post-punk drum grooves to thoughtful, held back polyrhythms that serve and elevate the record.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCompleting this subverted power trio, violinist and prolific noise artist Mallory Linehan (Chelsea Bridge) joined in 2019, perfecting the trio’s sound with spacious strings and tape loops that blend into the warm wash of resonating reverb and delay. A first\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e listen of Glass Fate reveals a band with an astute ear for creating warm, engaging art-pop that entwines Quillin’s eliding delivery around smart hooks and introspective, bordering on melancholy, melodies. The further these songs move from the source they begin slipping into headier terrain creating neck-craning audio fields of droning violins and looped voice that recall Tony Conrad at his most accessible and Haley Fohr’s experimentations with voice and breath. These sounds cohabitate in the liminal space where meaning and reference slowly fade into Jungian archetype and back again through the trio’s strong grasp on solid, reality-affirming songwriting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA fixture in the deep field of Chicago D.I.Y Desert Liminal has shared bills with varied notable acts like Caroline Polachek, Molly Nilsson, Eyedress, Mary Ocher, The Hecks, Living Hour, and Weeping Icon. The band has been featured in The Chicago Tribune, Indie Shuffle, BIRP!, Various Small Flames and more .\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Desert Liminal\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e","published_at":"2022-02-24T15:15:56+09:00","created_at":"2022-02-24T13:09:10+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","Whited Sepulchre Records"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42460908421370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Desert Liminal \/\/ Glass Fate LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_8219c6f0-01db-4fd1-aeff-7c628934f480.jpg?v=1645675755","\/\/tobirarecords.com\/cdn\/shop\/products\/fa2_414b84e3-4787-4a02-bccf-2460766ef95f.jpg?v=1645675752"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_8219c6f0-01db-4fd1-aeff-7c628934f480.jpg?v=1645675755","options":["Title"],"media":[{"alt":null,"id":29200255156474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_8219c6f0-01db-4fd1-aeff-7c628934f480.jpg?v=1645675755"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_8219c6f0-01db-4fd1-aeff-7c628934f480.jpg?v=1645675755","width":700},{"alt":null,"id":29200255189242,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa2_414b84e3-4787-4a02-bccf-2460766ef95f.jpg?v=1645675752"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa2_414b84e3-4787-4a02-bccf-2460766ef95f.jpg?v=1645675752","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのシューゲイズバンドDesert Liminalが、2021年11月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから150部限定でリリースした最新レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eシューゲイズ〜ドリームポップ9曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uvDWtZjcisE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=922502717\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eLimited edition black vinyl. \u003c\/p\u003e\n\u003cp\u003eText by Whited Sepulchre:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eI don’t need no southbound highway sign to tell me HELL IS REAL.'\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis opening line from the debut single “New Tongue” launches us into the sophomore album Glass Fate by the Chicago based Desert Liminal. Glass Fate takes us through a Lost Highway trip into the subconscious of Sarah Jane Quillin’s year while writing this record. The songs form a collective meditation on Quillin’s hope and grief while processing the loss of a parent, the end of a beloved band Heavy Dreams (a collaboration with DEHD’s Emily Kempf), and witnessing the surreal near-death experience of her best friend, Desert Liminal’s drummer Rob Logan, during one of their shows. Channeling this heaviness into soaring and simmering experimental indie rock, Desert Liminal’s sound is marked by Quillin’s spectral vocal melodies layered over warm, looping walls of vintage synthesizer and violin filtered through a distortion pedal array. Rob Logan’s drumming ranges from driving post-punk drum grooves to thoughtful, held back polyrhythms that serve and elevate the record.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCompleting this subverted power trio, violinist and prolific noise artist Mallory Linehan (Chelsea Bridge) joined in 2019, perfecting the trio’s sound with spacious strings and tape loops that blend into the warm wash of resonating reverb and delay. A first\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e listen of Glass Fate reveals a band with an astute ear for creating warm, engaging art-pop that entwines Quillin’s eliding delivery around smart hooks and introspective, bordering on melancholy, melodies. The further these songs move from the source they begin slipping into headier terrain creating neck-craning audio fields of droning violins and looped voice that recall Tony Conrad at his most accessible and Haley Fohr’s experimentations with voice and breath. These sounds cohabitate in the liminal space where meaning and reference slowly fade into Jungian archetype and back again through the trio’s strong grasp on solid, reality-affirming songwriting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA fixture in the deep field of Chicago D.I.Y Desert Liminal has shared bills with varied notable acts like Caroline Polachek, Molly Nilsson, Eyedress, Mary Ocher, The Hecks, Living Hour, and Weeping Icon. The band has been featured in The Chicago Tribune, Indie Shuffle, BIRP!, Various Small Flames and more .\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Desert Liminal\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e"}
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アメリカ・シカゴのシューゲイズバンドDesert Liminalが、2021年11月に同国Whited Sepulchreから150部限定でリリースした最新レコードです。 シューゲイズ〜ドリームポップ9曲を収録。DLコード付属。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases available...
¥3,280
クイックビュー
{"id":6951937802405,"title":"Mark Trecka \/\/ Acknowledgment LP","handle":"mark-trecka-acknowledgment-lp","description":"\u003cp\u003eJoan of ArcやPillars And Tonguesといったバンドでドラマーとして活躍したMark Treckaがソロ名義でレコードを2021年5月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsからリリース。声とピアノ、手製のカセットループのみで制作したネオクラシカル・アンビエント6曲を収録。インサート、DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3886032139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded using only voice, piano, and handmade cassette loops, Acknowledgment was conceived of and is presented as an intertextual document reflecting on 15 years of dialogue between the personal and political. “Acknowledgment” according to Trecka is presented here not as some kind of moral high ground, but rather an elusive action that runs “somehow deeper than recognition.” How do we acknowledge our deep interdependence upon one another when faced with the ever increasing atomization of modern life? It is through Acknowledgment’s existence as an intertextual and intermedial piece of art that Trecka explores this fascia connecting us all, despite the designed invisibility of certain communities – stateless persons, incarcerated persons, houseless individuals. This record is about heavy things, but it is certainly not about the burden of interdependence or the void left by nature’s dispassion. Rather, it is about the utter joy that may be found through the acknowledgement of these things. Compassion – a word that gets close to acknowledgement’s aims – allows us to share in the pain and joy of our common existence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlthough this album is sparse and some ways abstract, the intertextual elements provide excellent entry points\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e into the work itself. Musically, Mark Trecka offers a few oblique references. Listen deeply to hear the clanging rhythm and idiosyncratic timing of John Cage’s Sonatas and Interludes, the minimalist drama of Haley Fohr or Nico’s The Marble Index the floating and commanding vocals of Mark Hollis, or Robert Wyatt’s hopeful but utterly wild solo work. It should come as no surprise that Acknowledgment’s closing track, “Hood in Wind” builds off of Public Enemy’s “Revolutionary Generation '' while Trecka’s impressionistic liner notes quote from prison abolitionist and poet Jackie Wang. The album’s cover itself features a quote from Mexican author Yuri Herrera’s “A Silent Fury” which is about a mining disaster and the criminal response of the mine’s owners. This story echoes in Trecka’s own exploration of a remote desert cemetery which provides the cornerstone for the album’s inserted essay \/ reflection.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSongs on Acknowledgement often drift between the political and the personal. On “Wave Games” an anxious piano line provides the backbone for Trecka’s reflection on visiting the ocean with his child and, while watching him play in the waves, reflecting on the multivalence of bodies of water – as connectors, dividers of land masses and the struggles of those who cross them in search of better material conditions. Ships literally passing in the night as supertankers valet the refined natural goods of several countries reduced to a supply chain. “A Sea of Tents” reflects on statelessness and unreasonable responses to unreasonable situations over an impressionistic piano composition punctuated by brash bass notes and distressed tape loops that signal like a lighthouse fading from sight. The only instrumental track on the album, the album’s title track opens up caverns between piano notes that are wide enough to cast our worried thoughts into and never hear them hit the bottom. There is a lift, however, towards a cacophonous conclusion that finds joy in making very, very loud sounds over and over.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Trecka\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e","published_at":"2021-08-03T10:51:40+09:00","created_at":"2021-08-03T09:25:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","neo classical","Whited Sepulchre Records"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40495350087845,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mark Trecka \/\/ Acknowledgment LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_202600f3-aea1-4165-926f-fd0bf0641d6c.jpg?v=1627950305","\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_155ef91e-1dc6-4380-bf32-b496da164415.jpg?v=1627950306"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_202600f3-aea1-4165-926f-fd0bf0641d6c.jpg?v=1627950305","options":["Title"],"media":[{"alt":null,"id":23182849474725,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_202600f3-aea1-4165-926f-fd0bf0641d6c.jpg?v=1627950305"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_202600f3-aea1-4165-926f-fd0bf0641d6c.jpg?v=1627950305","width":700},{"alt":null,"id":23182849507493,"position":2,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_155ef91e-1dc6-4380-bf32-b496da164415.jpg?v=1627950306"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_155ef91e-1dc6-4380-bf32-b496da164415.jpg?v=1627950306","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eJoan of ArcやPillars And Tonguesといったバンドでドラマーとして活躍したMark Treckaがソロ名義でレコードを2021年5月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsからリリース。声とピアノ、手製のカセットループのみで制作したネオクラシカル・アンビエント6曲を収録。インサート、DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3886032139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded using only voice, piano, and handmade cassette loops, Acknowledgment was conceived of and is presented as an intertextual document reflecting on 15 years of dialogue between the personal and political. “Acknowledgment” according to Trecka is presented here not as some kind of moral high ground, but rather an elusive action that runs “somehow deeper than recognition.” How do we acknowledge our deep interdependence upon one another when faced with the ever increasing atomization of modern life? It is through Acknowledgment’s existence as an intertextual and intermedial piece of art that Trecka explores this fascia connecting us all, despite the designed invisibility of certain communities – stateless persons, incarcerated persons, houseless individuals. This record is about heavy things, but it is certainly not about the burden of interdependence or the void left by nature’s dispassion. Rather, it is about the utter joy that may be found through the acknowledgement of these things. Compassion – a word that gets close to acknowledgement’s aims – allows us to share in the pain and joy of our common existence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlthough this album is sparse and some ways abstract, the intertextual elements provide excellent entry points\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e into the work itself. Musically, Mark Trecka offers a few oblique references. Listen deeply to hear the clanging rhythm and idiosyncratic timing of John Cage’s Sonatas and Interludes, the minimalist drama of Haley Fohr or Nico’s The Marble Index the floating and commanding vocals of Mark Hollis, or Robert Wyatt’s hopeful but utterly wild solo work. It should come as no surprise that Acknowledgment’s closing track, “Hood in Wind” builds off of Public Enemy’s “Revolutionary Generation '' while Trecka’s impressionistic liner notes quote from prison abolitionist and poet Jackie Wang. The album’s cover itself features a quote from Mexican author Yuri Herrera’s “A Silent Fury” which is about a mining disaster and the criminal response of the mine’s owners. This story echoes in Trecka’s own exploration of a remote desert cemetery which provides the cornerstone for the album’s inserted essay \/ reflection.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSongs on Acknowledgement often drift between the political and the personal. On “Wave Games” an anxious piano line provides the backbone for Trecka’s reflection on visiting the ocean with his child and, while watching him play in the waves, reflecting on the multivalence of bodies of water – as connectors, dividers of land masses and the struggles of those who cross them in search of better material conditions. Ships literally passing in the night as supertankers valet the refined natural goods of several countries reduced to a supply chain. “A Sea of Tents” reflects on statelessness and unreasonable responses to unreasonable situations over an impressionistic piano composition punctuated by brash bass notes and distressed tape loops that signal like a lighthouse fading from sight. The only instrumental track on the album, the album’s title track opens up caverns between piano notes that are wide enough to cast our worried thoughts into and never hear them hit the bottom. There is a lift, however, towards a cacophonous conclusion that finds joy in making very, very loud sounds over and over.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Trecka\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e"}
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Joan of ArcやPillars And Tonguesといったバンドでドラマーとして活躍したMark Treckaがソロ名義でレコードを2021年5月にWhited Sepulchre Recordsからリリース。声とピアノ、手製のカセットループのみで制作したネオクラシカル・アンビエント6曲を収録。インサート、DLコード付属。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited...
¥2,980
クイックビュー
{"id":6694526714021,"title":"Endlings \/\/ Human Form LP","handle":"endlings-human-form-lp","description":"\u003cp\u003e大御所バンドDeerhoofのギタリスト\u003cmeta charset=\"utf-8\"\u003eJohn DieterichとアリゾナのサウンドアーティストRaven ChaconによるデュオEndlingsが、2021年3月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュからレフトフィールドポップまで幅広い9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=856857328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=117456050\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=856857328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1712499624\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=856857328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=165248119\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEndlings is a duo comprised of Deerhoof guitarist John Dieterich and composer and artist Raven Chacon. On Human Form, the duo expand upon the haunted abstraction of their 2017 self-titled debut. Four years on, Human Form offers a distillation of a collaborative and improvisatory relationship that began with a performance 10 years ago at the Albuquerque Experimental Music Festival. On Human Form, they are joined on three songs by virtuoso percussionist Marshall Trammell and Iranian artist Babak Shahsiah provided cover art for the LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHuman Form moves from short-wave music box transmissions piped in from The Overlook’s Grand Ballroom (“In Us Confide,”), to tension-filled percussive tracks (“Pre-Bird,” “Indictor”), to ambitious long-form compositions that seem to be interpolating between multiple grooves while simultaneously building up and breaking down brackish melodies, surging drones and crushing electronics with laser-guided intensity (“Save and Hold Fantasy Threats,” “Primordial Forms”). Scattered throughout are moments of heavily weighted beauty that permeate the record, from the sun-lit microtonal ascendance of “Cither” to the joyful cacophony of “Frágil”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is a pervasive sense of awe and reverence\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e for the music Chacon and Dieterich are cultivating on Human Form. These sounds, created by two veteran noise-makers and collaborators, have a way of attaching themselves to you long after the needle has lifted – a ghostly aura refracted in sunlight, revealing impossible yet immediately recognizable worlds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaven Chacon is a Berlin Prize winning Diné composer, visual and sound artist and Southwest noise legend. Chacon has collaborated with the Kronos Quartet, Laura Ortman and many more. John Dieterich is a guitarist, composer and producer based in Albuquerque, NM. He plays in the band Deerhoof and collaborates on a variety of musical and artistic projects.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Endlings\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e","published_at":"2021-04-26T18:44:46+09:00","created_at":"2021-04-26T10:22:10+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","monooto","strange beats","Whited Sepulchre Records"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39720004223141,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Endlings \/\/ Human Form LP","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_91f9dbc2-e857-4adc-8484-43e2eaecb7f7.jpg?v=1619400132","\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_021a37be-fe78-4275-9346-85855d0e8a57.jpg?v=1619400132"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_91f9dbc2-e857-4adc-8484-43e2eaecb7f7.jpg?v=1619400132","options":["Title"],"media":[{"alt":null,"id":21839660941477,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_91f9dbc2-e857-4adc-8484-43e2eaecb7f7.jpg?v=1619400132"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu1_91f9dbc2-e857-4adc-8484-43e2eaecb7f7.jpg?v=1619400132","width":700},{"alt":null,"id":21839660974245,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_021a37be-fe78-4275-9346-85855d0e8a57.jpg?v=1619400132"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hu2_021a37be-fe78-4275-9346-85855d0e8a57.jpg?v=1619400132","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大御所バンドDeerhoofのギタリスト\u003cmeta charset=\"utf-8\"\u003eJohn DieterichとアリゾナのサウンドアーティストRaven ChaconによるデュオEndlingsが、2021年3月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュからレフトフィールドポップまで幅広い9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=856857328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=117456050\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=856857328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1712499624\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=856857328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=165248119\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEndlings is a duo comprised of Deerhoof guitarist John Dieterich and composer and artist Raven Chacon. On Human Form, the duo expand upon the haunted abstraction of their 2017 self-titled debut. Four years on, Human Form offers a distillation of a collaborative and improvisatory relationship that began with a performance 10 years ago at the Albuquerque Experimental Music Festival. On Human Form, they are joined on three songs by virtuoso percussionist Marshall Trammell and Iranian artist Babak Shahsiah provided cover art for the LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHuman Form moves from short-wave music box transmissions piped in from The Overlook’s Grand Ballroom (“In Us Confide,”), to tension-filled percussive tracks (“Pre-Bird,” “Indictor”), to ambitious long-form compositions that seem to be interpolating between multiple grooves while simultaneously building up and breaking down brackish melodies, surging drones and crushing electronics with laser-guided intensity (“Save and Hold Fantasy Threats,” “Primordial Forms”). Scattered throughout are moments of heavily weighted beauty that permeate the record, from the sun-lit microtonal ascendance of “Cither” to the joyful cacophony of “Frágil”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is a pervasive sense of awe and reverence\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e for the music Chacon and Dieterich are cultivating on Human Form. These sounds, created by two veteran noise-makers and collaborators, have a way of attaching themselves to you long after the needle has lifted – a ghostly aura refracted in sunlight, revealing impossible yet immediately recognizable worlds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaven Chacon is a Berlin Prize winning Diné composer, visual and sound artist and Southwest noise legend. Chacon has collaborated with the Kronos Quartet, Laura Ortman and many more. John Dieterich is a guitarist, composer and producer based in Albuquerque, NM. He plays in the band Deerhoof and collaborates on a variety of musical and artistic projects.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Endlings\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e"}
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¥2,780
クイックビュー
{"id":5981003874469,"title":"Laura Luna Castillo \/\/ Tuberose TAPE","handle":"laura-luna-castillo-tuberose-tape","description":"\u003cp\u003eLongform Editionsからも作品を発表しているメキシコ・プエブロの写真家 \/ 映像作家 \/ 音楽家Laura Luna Castilloの新作が米国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreより2020年11月リリース。心象風景を想起させるシンセアンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3335860367\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLaura Luna Castillo is a multi-disciplinary artist and musician currently residing in Puebla, Mexico. Through these convergences of time-based media, music, sculpture and narrative languages, she explores the mechanisms of memories, imagination and the perception of inhabited spaces through multiple angles and temporalities. Laura's main concern is to investigate the ways in which we experience and think of the places that we inhabit and reclaim as well as the objects that surround us. Thus, time-based installations and kinetic interventions form one of the core components in her practice.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e- \u003c\/em\u003eWhited Sepulchre Records\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003cem\u003e\"I was inspired by the book “The art of perfumery, and method of obtaining the odors of plants” by G.W. Septimus Piesse from 1857 in combination with the exploration of the study of time, memory loops, ephemeral and elusive memories.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe fascination with the art of perfumery comes from the analogy of time and sound as being ephemeral and volatile, fragments of terror and wonderment are interwoven, treated like fragrances of memories that are extracted as an attempt against entropy. Each track is made as if constructing a perfume or a smell, with their titles referencing ingredients and processes used in the extraction and entrapment of essences, sometimes paradoxically violent and\u003cspan class=\"bcTruncateMore\"\u003e beautiful.\u003cbr\u003e\u003cbr\u003eTime would feel suspended and unreal, and in a way, perhaps the closest we come to trapping memories and time is through the art of trapping smells, it could be though of as a way of time-traveling.\u003cbr\u003e\u003cbr\u003eAs with my previous albums, I have thought of a narrative that is entwined across the album, each track is like a character made up of extremely volatile memories, a futile pledge against entropy capturing imagined narrative essences. \"\u003c\/span\u003e \u003cbr\u003e- \u003c\/em\u003eLaura Luna Castillo\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eArtist : Laura Luna Castillo\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre\u003c\/p\u003e","published_at":"2020-12-07T15:47:22+09:00","created_at":"2020-12-07T12:55:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","tape","Whited Sepulchre Records"],"price":138000,"price_min":138000,"price_max":138000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37369751273637,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Laura Luna Castillo \/\/ Tuberose TAPE","public_title":null,"options":["Default Title"],"price":138000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/tub2.jpg?v=1607313354","\/\/tobirarecords.com\/cdn\/shop\/products\/tub3.jpg?v=1607313354"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/tub2.jpg?v=1607313354","options":["Title"],"media":[{"alt":null,"id":14982597574821,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tub2.jpg?v=1607313354"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tub2.jpg?v=1607313354","width":700},{"alt":null,"id":14982597673125,"position":2,"preview_image":{"aspect_ratio":1.471,"height":816,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tub3.jpg?v=1607313354"},"aspect_ratio":1.471,"height":816,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tub3.jpg?v=1607313354","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLongform Editionsからも作品を発表しているメキシコ・プエブロの写真家 \/ 映像作家 \/ 音楽家Laura Luna Castilloの新作が米国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreより2020年11月リリース。心象風景を想起させるシンセアンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3335860367\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLaura Luna Castillo is a multi-disciplinary artist and musician currently residing in Puebla, Mexico. Through these convergences of time-based media, music, sculpture and narrative languages, she explores the mechanisms of memories, imagination and the perception of inhabited spaces through multiple angles and temporalities. Laura's main concern is to investigate the ways in which we experience and think of the places that we inhabit and reclaim as well as the objects that surround us. Thus, time-based installations and kinetic interventions form one of the core components in her practice.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e- \u003c\/em\u003eWhited Sepulchre Records\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003cem\u003e\"I was inspired by the book “The art of perfumery, and method of obtaining the odors of plants” by G.W. Septimus Piesse from 1857 in combination with the exploration of the study of time, memory loops, ephemeral and elusive memories.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe fascination with the art of perfumery comes from the analogy of time and sound as being ephemeral and volatile, fragments of terror and wonderment are interwoven, treated like fragrances of memories that are extracted as an attempt against entropy. Each track is made as if constructing a perfume or a smell, with their titles referencing ingredients and processes used in the extraction and entrapment of essences, sometimes paradoxically violent and\u003cspan class=\"bcTruncateMore\"\u003e beautiful.\u003cbr\u003e\u003cbr\u003eTime would feel suspended and unreal, and in a way, perhaps the closest we come to trapping memories and time is through the art of trapping smells, it could be though of as a way of time-traveling.\u003cbr\u003e\u003cbr\u003eAs with my previous albums, I have thought of a narrative that is entwined across the album, each track is like a character made up of extremely volatile memories, a futile pledge against entropy capturing imagined narrative essences. \"\u003c\/span\u003e \u003cbr\u003e- \u003c\/em\u003eLaura Luna Castillo\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eArtist : Laura Luna Castillo\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre\u003c\/p\u003e"}
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Longform Editionsからも作品を発表しているメキシコ・プエブロの写真家 / 映像作家 / 音楽家Laura Luna Castilloの新作が米国アンビエントレーベルWhited Sepulchreより2020年11月リリース。心象風景を想起させるシンセアンビエント6曲を収録。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see...
¥1,380
クイックビュー
{"id":5980976185509,"title":"Fritz Pape \/\/ Ouroboros Patching TAPE","handle":"fritz-pape-ouroboros-patching-tape","description":"\u003cp\u003eオハイオのシンセアンビエント作家Fritz Papeの新作が\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsより2020年11月に100部限定リリース。アルペジオやドローンなど表情豊かなシンセサウンド5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=124314156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe trajectory of Fritz Pape’s music is a constant embrace of extremity in musical expression. Under Zijnzijn Zijnzijn! Pape created impenetrable walls of swelling guitar noise that recalled the minimalist sonic attacks of Swans or The Boredoms, organized large guitar ensembles and explored the limits of collective volume and repetition and is known for playing marathon drone sets. With a CV of limit-testing experiments, the Cincinnati-based artist has created a gorgeously executed and fully realized album that explores carefully constructed chance connections.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eAccording to Fritz, \"Most of this music happened on it's own accord, after some careful (and some not so careful) construction of circular connections between sound-making and sound-altering systems, with some gentle human coercing along the way. These recordings are observations of those systems getting to know themselves.\"\u003c\/em\u003e\u003cbr\u003e- Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fritz Pape\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e","published_at":"2020-12-07T15:18:28+09:00","created_at":"2020-12-07T12:45:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","tape","Whited Sepulchre Records"],"price":138000,"price_min":138000,"price_max":138000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37369664667813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fritz Pape \/\/ Ouroboros Patching TAPE","public_title":null,"options":["Default Title"],"price":138000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pape1.jpg?v=1607312735","\/\/tobirarecords.com\/cdn\/shop\/products\/pape2.jpg?v=1607312735"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pape1.jpg?v=1607312735","options":["Title"],"media":[{"alt":null,"id":14982085640357,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pape1.jpg?v=1607312735"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pape1.jpg?v=1607312735","width":700},{"alt":null,"id":14982085673125,"position":2,"preview_image":{"aspect_ratio":1.471,"height":816,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pape2.jpg?v=1607312735"},"aspect_ratio":1.471,"height":816,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pape2.jpg?v=1607312735","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオハイオのシンセアンビエント作家Fritz Papeの新作が\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsより2020年11月に100部限定リリース。アルペジオやドローンなど表情豊かなシンセサウンド5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=124314156\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe trajectory of Fritz Pape’s music is a constant embrace of extremity in musical expression. Under Zijnzijn Zijnzijn! Pape created impenetrable walls of swelling guitar noise that recalled the minimalist sonic attacks of Swans or The Boredoms, organized large guitar ensembles and explored the limits of collective volume and repetition and is known for playing marathon drone sets. With a CV of limit-testing experiments, the Cincinnati-based artist has created a gorgeously executed and fully realized album that explores carefully constructed chance connections.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eAccording to Fritz, \"Most of this music happened on it's own accord, after some careful (and some not so careful) construction of circular connections between sound-making and sound-altering systems, with some gentle human coercing along the way. These recordings are observations of those systems getting to know themselves.\"\u003c\/em\u003e\u003cbr\u003e- Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fritz Pape\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e"}
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¥1,380
クイックビュー
{"id":5917773004965,"title":"Animal Hospital \/\/ Fatigue LP","handle":"animal-hospital-fatigue-lp","description":"\u003cp\u003e2000年代初期にポストロックアルバムをいくつか発表していたAnimal Hospitalが10年ぶりとなるアルバムをリリース。ギターをメインソースとしていますが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストロック要素はほぼ皆無で\u003c\/span\u003e実験色の強い作品に仕上がっています。4曲ともそれぞれ異なるアプローチで楽しめます。180g重量盤、James Plotkinがマスタリングを担当。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2635541247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKevin Micka has returned with his first full-length since 2009's Memory, Fatigue is a chronicle and culmination of the past 10 years of Micka creating live music for large ensembles. In his return to the recorded format, Micka collapses his exploded-view approach to composing and has created four laser-guided and utterly distinct pieces of music composed with vinyl’s inherent limitations in mind. Mastered by James Plotkin, Fatigue dives deep into layered microtonal passages and ping-ponging guitar samples and field recordings on “Framework” while album opener “Conditions” is a dense study of sustained tones that contain worlds of sound within its boundaries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“No Pressure” and the B-Side spanning “Absolute” bear resemblance to 2009’s Memory in their form. “No Pressure” is a stunning drone-blues composition that lets each passage hang heavy in the humid air before another riff rends a fresh hole in the stereo. “Absolute is a Kraut-inspired longplayer that recalls Cluster and LFZ in its patient but persistent build and neuron-rearranging guitar leads that swell, dissolve and reassemble as layers of oscillating tonal passages.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePerhaps with the format’s eventual demise on the horizon, Animal Hospital has created a listening experience that pushes back and celebrates our relationship to the LP.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Animal Hospital\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e","published_at":"2020-11-23T09:15:36+09:00","created_at":"2020-11-20T12:31:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","strange beats","Whited Sepulchre Records"],"price":250800,"price_min":250800,"price_max":250800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37191536443557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Animal Hospital \/\/ Fatigue LP","public_title":null,"options":["Default Title"],"price":250800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fat1.jpg?v=1605843087","\/\/tobirarecords.com\/cdn\/shop\/products\/fat2.jpg?v=1605843087"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fat1.jpg?v=1605843087","options":["Title"],"media":[{"alt":null,"id":13819396554917,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fat1.jpg?v=1605843087"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fat1.jpg?v=1605843087","width":700},{"alt":null,"id":13819396653221,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fat2.jpg?v=1605843087"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fat2.jpg?v=1605843087","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2000年代初期にポストロックアルバムをいくつか発表していたAnimal Hospitalが10年ぶりとなるアルバムをリリース。ギターをメインソースとしていますが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストロック要素はほぼ皆無で\u003c\/span\u003e実験色の強い作品に仕上がっています。4曲ともそれぞれ異なるアプローチで楽しめます。180g重量盤、James Plotkinがマスタリングを担当。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2635541247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eKevin Micka has returned with his first full-length since 2009's Memory, Fatigue is a chronicle and culmination of the past 10 years of Micka creating live music for large ensembles. In his return to the recorded format, Micka collapses his exploded-view approach to composing and has created four laser-guided and utterly distinct pieces of music composed with vinyl’s inherent limitations in mind. Mastered by James Plotkin, Fatigue dives deep into layered microtonal passages and ping-ponging guitar samples and field recordings on “Framework” while album opener “Conditions” is a dense study of sustained tones that contain worlds of sound within its boundaries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“No Pressure” and the B-Side spanning “Absolute” bear resemblance to 2009’s Memory in their form. “No Pressure” is a stunning drone-blues composition that lets each passage hang heavy in the humid air before another riff rends a fresh hole in the stereo. “Absolute is a Kraut-inspired longplayer that recalls Cluster and LFZ in its patient but persistent build and neuron-rearranging guitar leads that swell, dissolve and reassemble as layers of oscillating tonal passages.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePerhaps with the format’s eventual demise on the horizon, Animal Hospital has created a listening experience that pushes back and celebrates our relationship to the LP.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Animal Hospital\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e"}
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2000年代初期にポストロックアルバムをいくつか発表していたAnimal Hospitalが10年ぶりとなるアルバムをリリース。ギターをメインソースとしていますが、ポストロック要素はほぼ皆無で実験色の強い作品に仕上がっています。4曲ともそれぞれ異なるアプローチで楽しめます。180g重量盤、James Plotkinがマスタリングを担当。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases available at...
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{"id":8094494195962,"title":"Lake Mary \/\/ Slow Grass LP","handle":"lake-mary-slow-grass-lp","description":"\u003cp\u003e当店でおなじみのアンビエント・フォークバンドFuubutsushiのギター担当しても活動しているアメリカ・ミズーリ州のアンビエント作家Lake Maryが、2022年12月に同国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・フォーク〜アメリカンプリミティブ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFuubutsushiメンバーも参加しています。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eChaz Prymek - guitars\u003cbr\u003ePatrick Shiroishi - Saxaphones, Clarinets, Vocals, Percussion\u003cbr\u003eChris Jusell - Violins\u003cbr\u003ePaul DeHaven - Synths\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=61872181\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Edition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eChaz Prymek’s oeuvre is staggering. At the age of 35, the Missouri-based guitarist \/ multi-instrumentalist, composer and improvisor has released nearly two dozen recordings under the name Lake Mary, either solo or in collaboration. And over the course of 2020 and 2021, as part of the Fuubutsushi quartet, he released an acclaimed suite of four seasonal ambient jazz records. There is a spectrum of styles, influences, and effects in the Lake Mary catalogue, but all of it can be characterized by patience and a kind of measured beauty. Often longform, the music of Lake Mary moves within the rather open bounds of what might be called organic ambient or extended studies of American Primitive music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd so it is the case with the utterly graceful Slow Grass. Comprised of one long piece of music totaling 40 minutes, separated into a few movements and split over two sides, this latest offering under the Lake Mary banner prominently features Prymek’s often fingerpicked acoustic guitar. His playing is spare but not without energy, and it moves through billows of violin, saxophone, nearly-transparent synthesizers, field recordings and the sirenic singing of Patrick Shiroishi, who is best known as one of the busiest and most versatile saxophone players in the contemporary American\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e avant garde. (Indeed he also contributes saxophone here.) Somehow both modest and masterful, Shiroishi’s evocative singing calls out from and interweaves with a medium distance, not unlike Richard Youngs on his gentle epic, Sapphie or Sarah Davachi on “Play the Ghost.” Prymek meanwhile occasionally switches to playing with a slide or hammering his guitar like a dulcimer, experimenting, gently and masterfully, not only with the timbre of the guitar, but its narrative effect. The results are pastoral and achingly beautiful.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFans of Bonnie “Prince” Billy and Mick Turner’s Get On Jolly or Kath Bloom’s work with Loren Connors will find much to love in this music. But Slow Grass is not merely a reflection of records that have come before it. Everything that happens on Slow Grass feels informed by relationships and vivid presence –– presence of mind, presence of memories, sonic presence. The fact that Prymek plays so often and so generously with so many different players is itself a framework for hearing the music. This music is nothing if not generous, open, and warm. It is music that proceeds from and returns to tenderness. In fact, it is an elegy. Prymek wrote Slow Grass while his beloved dog Favorite’s health was declining throughout 2019 and 2020, and the work is named for the moments toward the very end of Favorite’s life when she became immobile, and Prymek and she would simply lay and watch the grass grow. “Life is full of pain,” says the late John Berger. “Tenderness is in part a response to that. But it is also something else. In the face of what is so often surrounding us, tenderness is an almost defiant act of freedom.” Slow Grass is like this. It is tender to the extent that it feels defiant, like shelter is defiant. Prymek says that his playing on the second movement is “an older style of playing,” similar to how he played guitar at that time, 14 years ago, when he first got Favorite. “It's important,” he says, “to remember your origin stories.” This is perhaps the key to Slow Grass. Though we cannot undo the pain of loss, we can defy it by sheltering what and how we have loved. Slow Grass may be born of heartache, but it is not mourning music. To treat memories –– even painful ones –– with tenderness; to treat collaborators with tenderness; to treat instruments with tenderness is to defy callousness. Slow Grass does all of this to a staggering effect.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lake Mary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-26T06:04:55+09:00","created_at":"2023-11-26T06:04:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new","recommended","Whited Sepulchre Records"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44811553177850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lake Mary \/\/ Slow Grass LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_3a2cf8a8-9504-4b24-9dcf-796c49749f19.jpg?v=1700946262","\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_2e76d567-bd16-40de-a847-3d2874205ece.jpg?v=1700946262"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_3a2cf8a8-9504-4b24-9dcf-796c49749f19.jpg?v=1700946262","options":["Title"],"media":[{"alt":null,"id":32746670817530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_3a2cf8a8-9504-4b24-9dcf-796c49749f19.jpg?v=1700946262"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1_3a2cf8a8-9504-4b24-9dcf-796c49749f19.jpg?v=1700946262","width":700},{"alt":null,"id":32746670850298,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_2e76d567-bd16-40de-a847-3d2874205ece.jpg?v=1700946262"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2_2e76d567-bd16-40de-a847-3d2874205ece.jpg?v=1700946262","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店でおなじみのアンビエント・フォークバンドFuubutsushiのギター担当しても活動しているアメリカ・ミズーリ州のアンビエント作家Lake Maryが、2022年12月に同国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・フォーク〜アメリカンプリミティブ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFuubutsushiメンバーも参加しています。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eChaz Prymek - guitars\u003cbr\u003ePatrick Shiroishi - Saxaphones, Clarinets, Vocals, Percussion\u003cbr\u003eChris Jusell - Violins\u003cbr\u003ePaul DeHaven - Synths\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=61872181\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Edition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eChaz Prymek’s oeuvre is staggering. At the age of 35, the Missouri-based guitarist \/ multi-instrumentalist, composer and improvisor has released nearly two dozen recordings under the name Lake Mary, either solo or in collaboration. And over the course of 2020 and 2021, as part of the Fuubutsushi quartet, he released an acclaimed suite of four seasonal ambient jazz records. There is a spectrum of styles, influences, and effects in the Lake Mary catalogue, but all of it can be characterized by patience and a kind of measured beauty. Often longform, the music of Lake Mary moves within the rather open bounds of what might be called organic ambient or extended studies of American Primitive music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd so it is the case with the utterly graceful Slow Grass. Comprised of one long piece of music totaling 40 minutes, separated into a few movements and split over two sides, this latest offering under the Lake Mary banner prominently features Prymek’s often fingerpicked acoustic guitar. His playing is spare but not without energy, and it moves through billows of violin, saxophone, nearly-transparent synthesizers, field recordings and the sirenic singing of Patrick Shiroishi, who is best known as one of the busiest and most versatile saxophone players in the contemporary American\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e avant garde. (Indeed he also contributes saxophone here.) Somehow both modest and masterful, Shiroishi’s evocative singing calls out from and interweaves with a medium distance, not unlike Richard Youngs on his gentle epic, Sapphie or Sarah Davachi on “Play the Ghost.” Prymek meanwhile occasionally switches to playing with a slide or hammering his guitar like a dulcimer, experimenting, gently and masterfully, not only with the timbre of the guitar, but its narrative effect. The results are pastoral and achingly beautiful.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFans of Bonnie “Prince” Billy and Mick Turner’s Get On Jolly or Kath Bloom’s work with Loren Connors will find much to love in this music. But Slow Grass is not merely a reflection of records that have come before it. Everything that happens on Slow Grass feels informed by relationships and vivid presence –– presence of mind, presence of memories, sonic presence. The fact that Prymek plays so often and so generously with so many different players is itself a framework for hearing the music. This music is nothing if not generous, open, and warm. It is music that proceeds from and returns to tenderness. In fact, it is an elegy. Prymek wrote Slow Grass while his beloved dog Favorite’s health was declining throughout 2019 and 2020, and the work is named for the moments toward the very end of Favorite’s life when she became immobile, and Prymek and she would simply lay and watch the grass grow. “Life is full of pain,” says the late John Berger. “Tenderness is in part a response to that. But it is also something else. In the face of what is so often surrounding us, tenderness is an almost defiant act of freedom.” Slow Grass is like this. It is tender to the extent that it feels defiant, like shelter is defiant. Prymek says that his playing on the second movement is “an older style of playing,” similar to how he played guitar at that time, 14 years ago, when he first got Favorite. “It's important,” he says, “to remember your origin stories.” This is perhaps the key to Slow Grass. Though we cannot undo the pain of loss, we can defy it by sheltering what and how we have loved. Slow Grass may be born of heartache, but it is not mourning music. To treat memories –– even painful ones –– with tenderness; to treat collaborators with tenderness; to treat instruments with tenderness is to defy callousness. Slow Grass does all of this to a staggering effect.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lake Mary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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当店でおなじみのアンビエント・フォークバンドFuubutsushiのギター担当しても活動しているアメリカ・ミズーリ州のアンビエント作家Lake Maryが、2022年12月に同国アンビエントレーベルWhited Sepulchre Recordsから300部限定でリリースしたレコードです。 牧歌的なアンビエント・フォーク〜アメリカンプリミティブ2曲を収録。 Fuubutsushiメンバーも参加しています。DLコード付属。 Chaz Prymek - guitarsPatrick Shiroishi - Saxaphones, Clarinets,...
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{"id":8009505276154,"title":"Lula Asplund and Kyle Bates \/\/ A Matinee LP","handle":"lula-asplund-and-kyle-bates-a-matinee-12","description":"\u003cp\u003eアメリカの実験音楽家Lula AsplundとKyle Batesが、2023年5月に同国実験／アンビエントレーベルWhited Sepulchre Recordsから500部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンによるミニマルドローン〜アコースティックギターによる実験アンビエントフォーク2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1178413115\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrocken Spectre 13:42\u003c\/li\u003e\n\u003cli\u003eVisitor 17:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA Matinee is the first collaborative full-length from Kyle Bates and Lula Asplund. All at once intimate and expansive, dense and diaphanous, it is perhaps best thought of in terms of pilgrimage.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn August, 2021 Bates and Asplund trekked to the Unknown, the famed destination church-turned-studio in Anacortes, WA co-owned by Phil Elverum (The Microphones \/ Mt. Eerie) and engineer Nich Wilbur. With Wilbur at the controls, Bates and Asplund executed A Matinee in one afternoon, using an array of instruments and devices ranging from a Casio SK-1 and a homemade Glockenspiel to computer programs and niche modular synthesizers like the Buchla Easel.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBates and Asplund first met as students at the Mills College Center for Contemporary Music (fka the San Francisco Tape Music Center) where they studied with avant-garde luminaries Pauline Oliveros, Laetitia Sonami, James Fei, Zeena Parkins, Meredith Monk, and Christopher Davidson. It is from this milieu that the duo proceeds, and fans of any of these artists will appreciate A Matinee, as will anyone previously hypnotized by Asplund’s phantasmagoric solo works for processed voice. But just as crucial to the sonic character of this record is the homespun spirit of the Pacific Northwest\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and its rich history of DIY projects. Bates’s granular computer processing of Asplund’s voice nods to the aesthetics of that Mills College lineage; but by layering in the unmistakably lo-fi Casio SK-1 sampling, Bates and Asplund nod to the home recording warmth of early Smog, Mirah or any number of K Records artists. And Bates himself, with his Drowse project, has often experimented with such high \/ low blending, to great effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is a wide variety of sounds employed here, but it is in the service of a singular spirit, a unified sound brought to life by the hallowed cornices of that church-turned-studio. Asplund, in fact, conceives of A Matinee’s execution as capturing the air of the space upon projecting sounds into it. Far from incidental, the space of the studio itself was the very means for interpreting and intermingling these otherwise divergent fidelities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of this is present on A Matinee not only in layers, but as a kind of path as well. While the record’s first half is dedicated to the dense and rippling drone of “Brocken Spectre” –– something that will appeal to fans of Sarah Davachi, Kali Malone, or Éliane Radigue –– the second half, “Visitor,” gently picks its way through a variety of sounds to arrive at a plaintive and intimate duet for two slightly off-tuned acoustic guitars and clean, close vocals. The sounds themselves, it seems, have embarked on a kind of pilgrimage, the ultimate site of which is a place where the personal, even the vulnerable, is elevated.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lula Asplund and Kyle Bates\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-29T13:53:07+09:00","created_at":"2023-08-22T15:36:09+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","folk \/ left-field pop","lp","new","Whited Sepulchre Records"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44507975778554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lula Asplund and Kyle Bates \/\/ A Matinee LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mat1_86fceb03-f018-41e6-b7f8-c944b2e87803.jpg?v=1692686172","\/\/tobirarecords.com\/cdn\/shop\/files\/mat2_2d838b8a-01d8-4047-8e1e-2b016b5a5bb9.jpg?v=1692686171"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat1_86fceb03-f018-41e6-b7f8-c944b2e87803.jpg?v=1692686172","options":["Title"],"media":[{"alt":null,"id":32359315636474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat1_86fceb03-f018-41e6-b7f8-c944b2e87803.jpg?v=1692686172"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat1_86fceb03-f018-41e6-b7f8-c944b2e87803.jpg?v=1692686172","width":700},{"alt":null,"id":32359315669242,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat2_2d838b8a-01d8-4047-8e1e-2b016b5a5bb9.jpg?v=1692686171"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mat2_2d838b8a-01d8-4047-8e1e-2b016b5a5bb9.jpg?v=1692686171","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Lula AsplundとKyle Batesが、2023年5月に同国実験／アンビエントレーベルWhited Sepulchre Recordsから500部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eオルガンによるミニマルドローン〜アコースティックギターによる実験アンビエントフォーク2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1178413115\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Edition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrocken Spectre 13:42\u003c\/li\u003e\n\u003cli\u003eVisitor 17:16\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA Matinee is the first collaborative full-length from Kyle Bates and Lula Asplund. All at once intimate and expansive, dense and diaphanous, it is perhaps best thought of in terms of pilgrimage.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn August, 2021 Bates and Asplund trekked to the Unknown, the famed destination church-turned-studio in Anacortes, WA co-owned by Phil Elverum (The Microphones \/ Mt. Eerie) and engineer Nich Wilbur. With Wilbur at the controls, Bates and Asplund executed A Matinee in one afternoon, using an array of instruments and devices ranging from a Casio SK-1 and a homemade Glockenspiel to computer programs and niche modular synthesizers like the Buchla Easel.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBates and Asplund first met as students at the Mills College Center for Contemporary Music (fka the San Francisco Tape Music Center) where they studied with avant-garde luminaries Pauline Oliveros, Laetitia Sonami, James Fei, Zeena Parkins, Meredith Monk, and Christopher Davidson. It is from this milieu that the duo proceeds, and fans of any of these artists will appreciate A Matinee, as will anyone previously hypnotized by Asplund’s phantasmagoric solo works for processed voice. But just as crucial to the sonic character of this record is the homespun spirit of the Pacific Northwest\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and its rich history of DIY projects. Bates’s granular computer processing of Asplund’s voice nods to the aesthetics of that Mills College lineage; but by layering in the unmistakably lo-fi Casio SK-1 sampling, Bates and Asplund nod to the home recording warmth of early Smog, Mirah or any number of K Records artists. And Bates himself, with his Drowse project, has often experimented with such high \/ low blending, to great effect.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is a wide variety of sounds employed here, but it is in the service of a singular spirit, a unified sound brought to life by the hallowed cornices of that church-turned-studio. Asplund, in fact, conceives of A Matinee’s execution as capturing the air of the space upon projecting sounds into it. Far from incidental, the space of the studio itself was the very means for interpreting and intermingling these otherwise divergent fidelities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of this is present on A Matinee not only in layers, but as a kind of path as well. While the record’s first half is dedicated to the dense and rippling drone of “Brocken Spectre” –– something that will appeal to fans of Sarah Davachi, Kali Malone, or Éliane Radigue –– the second half, “Visitor,” gently picks its way through a variety of sounds to arrive at a plaintive and intimate duet for two slightly off-tuned acoustic guitars and clean, close vocals. The sounds themselves, it seems, have embarked on a kind of pilgrimage, the ultimate site of which is a place where the personal, even the vulnerable, is elevated.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Lula Asplund and Kyle Bates\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Lula AsplundとKyle Batesが、2023年5月に同国実験／アンビエントレーベルWhited Sepulchre Recordsから500部限定でリリースした共作レコードです。 オルガンによるミニマルドローン〜アコースティックギターによる実験アンビエントフォーク2曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre...
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{"id":7978080862458,"title":"Forest Management \/\/ Passageways LP","handle":"forest-management-passageways-lp","description":"\u003cp\u003econstellation tatsuやVAAGNARなどのアンビエントレーベルから多数の作品を発表している米国シカゴのアンビエント作家Forest Managementが、2019年に同国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhite Sepulchreから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、彼が幼少期から住んでいた家から引っ越す際に制作した、場所や時間についての感傷的な感覚を表現したパーソナルなアンビエントドローン5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=724653423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Passageways is John Daniel's most personal work to date. An ode to his childhood home - a secluded apartment complex in Cleveland that his parents managed - \"Passageways\" refer to the various connecting hallways running between rooms as much as it refers to the way the passing of time overtakes our perception of spaces that seemed to be endless corridors into discovery and imagination. Passageways is full of submerged melodies, gentle pulls of surging tonal shifts that arc, shimmer and fade into the dark purple hue of the album's shifting overtones. The album rides the line of decaying drones that recall the best of Basinksi or Belong's October Language.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 200. \u003c\/p\u003e\n\u003cp\u003eArtist : Forest Management\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e","published_at":"2023-05-23T15:09:50+09:00","created_at":"2023-05-23T15:09:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","Whited Sepulchre Records"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44249140691194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Forest Management \/\/ Passageways LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pass1_773493a3-b7da-4bd2-8047-f47f7cf16798.jpg?v=1684822160","\/\/tobirarecords.com\/cdn\/shop\/files\/pass2_9e512139-4334-416c-a82d-c4cdcd0b8fdf.jpg?v=1684822160"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pass1_773493a3-b7da-4bd2-8047-f47f7cf16798.jpg?v=1684822160","options":["Title"],"media":[{"alt":null,"id":32007237566714,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pass1_773493a3-b7da-4bd2-8047-f47f7cf16798.jpg?v=1684822160"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pass1_773493a3-b7da-4bd2-8047-f47f7cf16798.jpg?v=1684822160","width":700},{"alt":null,"id":32007237599482,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pass2_9e512139-4334-416c-a82d-c4cdcd0b8fdf.jpg?v=1684822160"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pass2_9e512139-4334-416c-a82d-c4cdcd0b8fdf.jpg?v=1684822160","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003econstellation tatsuやVAAGNARなどのアンビエントレーベルから多数の作品を発表している米国シカゴのアンビエント作家Forest Managementが、2019年に同国アンビエントレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhite Sepulchreから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、彼が幼少期から住んでいた家から引っ越す際に制作した、場所や時間についての感傷的な感覚を表現したパーソナルなアンビエントドローン5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=724653423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Passageways is John Daniel's most personal work to date. An ode to his childhood home - a secluded apartment complex in Cleveland that his parents managed - \"Passageways\" refer to the various connecting hallways running between rooms as much as it refers to the way the passing of time overtakes our perception of spaces that seemed to be endless corridors into discovery and imagination. Passageways is full of submerged melodies, gentle pulls of surging tonal shifts that arc, shimmer and fade into the dark purple hue of the album's shifting overtones. The album rides the line of decaying drones that recall the best of Basinksi or Belong's October Language.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 200. \u003c\/p\u003e\n\u003cp\u003eArtist : Forest Management\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e"}
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constellation tatsuやVAAGNARなどのアンビエントレーベルから多数の作品を発表している米国シカゴのアンビエント作家Forest Managementが、2019年に同国アンビエントレーベルWhite Sepulchreから200部限定でリリースしたレコードです。 本作は、彼が幼少期から住んでいた家から引っ越す際に制作した、場所や時間についての感傷的な感覚を表現したパーソナルなアンビエントドローン5曲を収録。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases...
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{"id":7947705942266,"title":"Midwife \/ Planning for Burial \/\/ Split 7\"","handle":"midwife-planning-for-burial-split-7","description":"\u003cp\u003eアメリカのスローコア作家Planning for BurialとMidwifeが、2022年8月に同国アンビエント〜ポップレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreからリリースしたスプリット7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e切ないLo-Fiスローコア2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2009613884\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3226809279\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2009613884\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eThis split 7\" is a reissue of the long sold out companion cassette originally released under the name Sister Grotto \u0026amp; Tucker Theodore as a part of Midwife's debut LP \"Like Author, Like Daughter\" on Whited Sepulchre Records.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Midwife\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-01T13:57:01+09:00","created_at":"2023-04-01T11:38:31+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","Whited Sepulchre Records"],"price":219000,"price_min":219000,"price_max":219000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44139529961722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Midwife \/ Planning for Burial \/\/ Split 7\"","public_title":null,"options":["Default Title"],"price":219000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_a053ec22-1a08-4fad-822f-a735b9c51fb1.jpg?v=1680316712","\/\/tobirarecords.com\/cdn\/shop\/products\/bu2_ab81d05a-245e-4c3c-84fb-4166cb010f38.jpg?v=1680316712"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_a053ec22-1a08-4fad-822f-a735b9c51fb1.jpg?v=1680316712","options":["Title"],"media":[{"alt":null,"id":31763894337786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_a053ec22-1a08-4fad-822f-a735b9c51fb1.jpg?v=1680316712"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_a053ec22-1a08-4fad-822f-a735b9c51fb1.jpg?v=1680316712","width":700},{"alt":null,"id":31763894370554,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu2_ab81d05a-245e-4c3c-84fb-4166cb010f38.jpg?v=1680316712"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu2_ab81d05a-245e-4c3c-84fb-4166cb010f38.jpg?v=1680316712","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのスローコア作家Planning for BurialとMidwifeが、2022年8月に同国アンビエント〜ポップレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreからリリースしたスプリット7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e切ないLo-Fiスローコア2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2009613884\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3226809279\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2009613884\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhited Sepulchre:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eThis split 7\" is a reissue of the long sold out companion cassette originally released under the name Sister Grotto \u0026amp; Tucker Theodore as a part of Midwife's debut LP \"Like Author, Like Daughter\" on Whited Sepulchre Records.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Midwife\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのスローコア作家Planning for BurialとMidwifeが、2022年8月に同国アンビエント〜ポップレーベルWhited Sepulchreからリリースしたスプリット7"です。 切ないLo-Fiスローコア2曲を収録。DLコード付属。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases...
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{"id":7503679291642,"title":"Allison Lorenzen \/\/ Tender LP","handle":"allison-lorenzen-tender-lp","description":"\u003cp\u003eアメリカ・コロラド新人ドリームポップ作家Allison Lorenzenが、2021年11月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから150部限定でリリースしたデビューアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシューゲイズ〜ドリームポップ〜スローコア8曲を収録。歌詞インサートとDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3808435777\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1385935460\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3808435777\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStill reeling from the gut-punch of the distortion filled lead single “Vale” released earlier this year, many of us wondered what a full-length LP by the Denver based artist would sound like. Using the dystopian fever-dream of the aforementioned Midwife collaboration as a noise floor, the 8 songs on Tender spiral upwards like worried smoke against a low cloud ceiling, reaching towards the light but always within sight of the loamy earth surface. Shepherding lush, heavy compositions by way of synths, keys, guitars and subtle percussion, Tender finds Allison Lorenzen at her most vulnerable. Nursing old wounds from the end of a relationship and her musical project School Dance, Tender is also filled a renewed sense of heartbreak-made-triumphant that comes after the wisdom of solitude, allowing oneself to be taken care of by family and friends and, finally, documenting the way through.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe way through figures heavily on Tender. Imagery of passages through liminal spaces are replete. “Vales” occur as emotional valleys as well as McCarthy-inspired end times, “Mirrors” are portals into deep self-reflection, “Tentacles” keep pulling us back into old patterns, old memories. Musically, this non-linear approach to healing is explored through songs that move from light to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e dark and back again, often within the same song, if not within the same phrase.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLorenzen’s voice has an uncanny choral quality to it. Taking a phrase that would have sounded quite beautiful sung straight in her smoky, ephemeral delivery, Lorenzen frequently raises the stakes by taking a single word through several octave changes within the same breath. Treading similar musical paths to Beach House in her penchant for writing quiet, world-shifting crescendos, the nocturnal, Styx-guiding Dream Pop of Julee Cruise and the heavy, distortion filled guitars and world-weary vocals of Miserable and frequent Tender collaborator Midwife, Lorenzen’s work comes alive in its own cinematic universe.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded in Colorado, Tender is Allison Lorenzen’s debut full length. Originally intended to come out this summer, an unprecedented supply chain disruption has caused the album’s release date to be moved back to November 2021. Whited Sepulchre Records will be releasing a new single every month prior to the album’s release date.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Allison Lorenzen\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-12-29T17:48:03+09:00","created_at":"2021-12-28T14:45:25+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","Whited Sepulchre Records"],"price":278000,"price_min":278000,"price_max":278000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42252675318010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Allison Lorenzen \/\/ Tender LP","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1_80810d87-5559-46b7-bc33-1a7a27a4c10b.jpg?v=1640670327","\/\/tobirarecords.com\/cdn\/shop\/products\/te2_7d60592d-b2e5-45d8-ad9c-130188081196.jpg?v=1640670327"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_80810d87-5559-46b7-bc33-1a7a27a4c10b.jpg?v=1640670327","options":["Title"],"media":[{"alt":null,"id":28932394451194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_80810d87-5559-46b7-bc33-1a7a27a4c10b.jpg?v=1640670327"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_80810d87-5559-46b7-bc33-1a7a27a4c10b.jpg?v=1640670327","width":700},{"alt":null,"id":28932394483962,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_7d60592d-b2e5-45d8-ad9c-130188081196.jpg?v=1640670327"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te2_7d60592d-b2e5-45d8-ad9c-130188081196.jpg?v=1640670327","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・コロラド新人ドリームポップ作家Allison Lorenzenが、2021年11月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから150部限定でリリースしたデビューアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシューゲイズ〜ドリームポップ〜スローコア8曲を収録。歌詞インサートとDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3808435777\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1385935460\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3808435777\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------\u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStill reeling from the gut-punch of the distortion filled lead single “Vale” released earlier this year, many of us wondered what a full-length LP by the Denver based artist would sound like. Using the dystopian fever-dream of the aforementioned Midwife collaboration as a noise floor, the 8 songs on Tender spiral upwards like worried smoke against a low cloud ceiling, reaching towards the light but always within sight of the loamy earth surface. Shepherding lush, heavy compositions by way of synths, keys, guitars and subtle percussion, Tender finds Allison Lorenzen at her most vulnerable. Nursing old wounds from the end of a relationship and her musical project School Dance, Tender is also filled a renewed sense of heartbreak-made-triumphant that comes after the wisdom of solitude, allowing oneself to be taken care of by family and friends and, finally, documenting the way through.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe way through figures heavily on Tender. Imagery of passages through liminal spaces are replete. “Vales” occur as emotional valleys as well as McCarthy-inspired end times, “Mirrors” are portals into deep self-reflection, “Tentacles” keep pulling us back into old patterns, old memories. Musically, this non-linear approach to healing is explored through songs that move from light to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e dark and back again, often within the same song, if not within the same phrase.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLorenzen’s voice has an uncanny choral quality to it. Taking a phrase that would have sounded quite beautiful sung straight in her smoky, ephemeral delivery, Lorenzen frequently raises the stakes by taking a single word through several octave changes within the same breath. Treading similar musical paths to Beach House in her penchant for writing quiet, world-shifting crescendos, the nocturnal, Styx-guiding Dream Pop of Julee Cruise and the heavy, distortion filled guitars and world-weary vocals of Miserable and frequent Tender collaborator Midwife, Lorenzen’s work comes alive in its own cinematic universe.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded in Colorado, Tender is Allison Lorenzen’s debut full length. Originally intended to come out this summer, an unprecedented supply chain disruption has caused the album’s release date to be moved back to November 2021. Whited Sepulchre Records will be releasing a new single every month prior to the album’s release date.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Allison Lorenzen\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・コロラド新人ドリームポップ作家Allison Lorenzenが、2021年11月に同国Whited Sepulchreから150部限定でリリースしたデビューアルバムです。 シューゲイズ〜ドリームポップ〜スローコア8曲を収録。歌詞インサートとDLコード付属。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases available...
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{"id":5980988702885,"title":"Stephen Molyneux \/\/ Green Grass Eats the Buffalo TAPE","handle":"stephen-molyneux-green-grass-eats-the-buffalo-tape","description":"\u003cp\u003eNo King主宰の一人Stephen Molyneuxの新作が米国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsより2020年11月に100部限定リリース。アコギやオルガン、ピアノを用いたポストフォーク〜アンビエントアルバム。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStephen Molyneux performs stirring, classically inspired folk music with both feet planted firmly in the American Avant-Garde tradition. Formerly a stalwart of the Nashville and Denver D.I.Y scene, Stephen resides in Ho Chi Minh City, Vietnam. Molyneux's expansive post-folk takes cues from Scott Tuma, Daniel Lanois, Susan Alcorn and Sibylle Baier. \"Green Grass Eats the Buffalo\" shifts effortless between sparse piano melodies to delicately strummed acoustic guitar - often sounding haunted by more than weary fingers on a fretboard and ample amounts of natural reverb. \u003cbr\u003e- \u003c\/em\u003eWhited Sepulchre Records\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen Molyneux\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e","published_at":"2020-12-07T15:06:37+09:00","created_at":"2020-12-07T12:50:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","neo classical","tape","Whited Sepulchre Records"],"price":142000,"price_min":142000,"price_max":142000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37369699008677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Stephen Molyneux \/\/ Green Grass Eats the Buffalo TAPE","public_title":null,"options":["Default Title"],"price":142000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/green1.jpg?v=1607313018","\/\/tobirarecords.com\/cdn\/shop\/products\/green2.jpg?v=1607313018"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/green1.jpg?v=1607313018","options":["Title"],"media":[{"alt":null,"id":14982314492069,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/green1.jpg?v=1607313018"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/green1.jpg?v=1607313018","width":700},{"alt":null,"id":14982314557605,"position":2,"preview_image":{"aspect_ratio":1.471,"height":816,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/green2.jpg?v=1607313018"},"aspect_ratio":1.471,"height":816,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/green2.jpg?v=1607313018","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eNo King主宰の一人Stephen Molyneuxの新作が米国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchre Recordsより2020年11月に100部限定リリース。アコギやオルガン、ピアノを用いたポストフォーク〜アンビエントアルバム。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStephen Molyneux performs stirring, classically inspired folk music with both feet planted firmly in the American Avant-Garde tradition. Formerly a stalwart of the Nashville and Denver D.I.Y scene, Stephen resides in Ho Chi Minh City, Vietnam. Molyneux's expansive post-folk takes cues from Scott Tuma, Daniel Lanois, Susan Alcorn and Sibylle Baier. \"Green Grass Eats the Buffalo\" shifts effortless between sparse piano melodies to delicately strummed acoustic guitar - often sounding haunted by more than weary fingers on a fretboard and ample amounts of natural reverb. \u003cbr\u003e- \u003c\/em\u003eWhited Sepulchre Records\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen Molyneux\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e"}
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No King主宰の一人Stephen Molyneuxの新作が米国Whited Sepulchre Recordsより2020年11月に100部限定リリース。アコギやオルガン、ピアノを用いたポストフォーク〜アンビエントアルバム。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records...
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{"id":5917763666085,"title":"Ant'lrd \/\/ Sleep Drive LP","handle":"antlrd-sleep-drive-lp","description":"\u003cp\u003eDigitalisやMuzan Editions、Moss Archiveなどから作品を発表してきた米国ポートランドの作家Ant'lrdが2016年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhite Sepulchreより\u003c\/span\u003eリリースしたLP。歪みを効かせたアンビエントシューゲイズ3曲を収録。クリアヴァイナル仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2540320699\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eArtist : Ant'lrd\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e","published_at":"2020-11-22T04:50:38+09:00","created_at":"2020-11-20T12:28:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","folk \/ left-field pop","lp","strange beats","Whited Sepulchre Records"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37191492337829,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ant'lrd \/\/ Sleep Drive LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sleep1.jpg?v=1605842889","\/\/tobirarecords.com\/cdn\/shop\/products\/sleep2.jpg?v=1605842889"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sleep1.jpg?v=1605842889","options":["Title"],"media":[{"alt":null,"id":13819166720165,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sleep1.jpg?v=1605842889"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sleep1.jpg?v=1605842889","width":700},{"alt":null,"id":13819166752933,"position":2,"preview_image":{"aspect_ratio":1.31,"height":916,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sleep2.jpg?v=1605842889"},"aspect_ratio":1.31,"height":916,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sleep2.jpg?v=1605842889","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eDigitalisやMuzan Editions、Moss Archiveなどから作品を発表してきた米国ポートランドの作家Ant'lrdが2016年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhite Sepulchreより\u003c\/span\u003eリリースしたLP。歪みを効かせたアンビエントシューゲイズ3曲を収録。クリアヴァイナル仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2540320699\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eArtist : Ant'lrd\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e"}
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DigitalisやMuzan Editions、Moss Archiveなどから作品を発表してきた米国ポートランドの作家Ant'lrdが2016年にWhite SepulchreよりリリースしたLP。歪みを効かせたアンビエントシューゲイズ3曲を収録。クリアヴァイナル仕様です。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases available...
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{"id":5917753868453,"title":"Ezra Feinberg \u0026 John Kolodij \/\/ Ezra Feinberg \u0026 John Kolodij LP","handle":"ezra-feinberg-john-kolodij-ezra-feinberg-john-kolodij-lp","description":"\u003cp\u003eImportant RecordsからもリリースしているEzra FeinbergとTypeからもリリースしているJohn KolodijによるNY作家スプリット。A面Ezraサイドは十八番であるギターとピアノを主としたアンビエントを、B面Johnサイドは吹奏楽器や鍵盤をはじめ多種多様な楽器を用いた楽曲を提供。2020年8月リリース。180g重量盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=778655512\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Split between NYC guitarist and composer Ezra Feinberg and multi-instrumentalist John Kolodij. Traveling deep blue highways of the mind, their split LP opens up the stunning vistas that link these two artists in sound and texture. Their compositions offer an immersive headphone record that pairs rich guitar work – thick with droning overtones or riding heavy with in-the-red distortion – with bucolic woodwinds, brass, piano, strings and electronic processing. An album that finds both artists at peak form.\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ezra Feinberg \u0026amp; John Kolodij\u003c\/p\u003e\n\u003cp\u003eLabel : Whited Sepulchre Records\u003c\/p\u003e","published_at":"2020-11-22T04:23:12+09:00","created_at":"2020-11-20T12:24:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","post newage","Whited Sepulchre Records"],"price":252000,"price_min":252000,"price_max":252000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37191452393637,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ezra Feinberg \u0026 John Kolodij \/\/ Ezra Feinberg \u0026 John Kolodij LP","public_title":null,"options":["Default Title"],"price":252000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ezra1.jpg?v=1605842668","\/\/tobirarecords.com\/cdn\/shop\/products\/ezra2.jpg?v=1605842669"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ezra1.jpg?v=1605842668","options":["Title"],"media":[{"alt":null,"id":13818906509477,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ezra1.jpg?v=1605842668"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ezra1.jpg?v=1605842668","width":700},{"alt":null,"id":13818906607781,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ezra2.jpg?v=1605842669"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ezra2.jpg?v=1605842669","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eImportant RecordsからもリリースしているEzra FeinbergとTypeからもリリースしているJohn KolodijによるNY作家スプリット。A面Ezraサイドは十八番であるギターとピアノを主としたアンビエントを、B面Johnサイドは吹奏楽器や鍵盤をはじめ多種多様な楽器を用いた楽曲を提供。2020年8月リリース。180g重量盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=778655512\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhited Sepulchre Recordsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eWhited Sepulchre Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Split between NYC guitarist and composer Ezra Feinberg and multi-instrumentalist John Kolodij. 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