Field Records
クイックビュー
{"id":9374087905530,"title":"Monolake \/\/ Interstate 2x12inch","handle":"monolake-interstate-2x2inch","description":"\u003cp\u003eAbleton Live開発者でもあるドイツ・ベルリンのテクノ作家Robert HenkeとGerhard BehlesによるデュオMonolakeが、2026年6月にオランダのField Recordsからリリースした再発2枚組12\"です。（オリジナルは1999年リリース）\u003c\/p\u003e\n\u003cp\u003eダブテクノ〜IDM8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003eMonolakeの初期の軌跡を忠実に記録し続けてきたField Recordsは、1999年にリリースされた画期的なアルバム『Interstate』の史上初のアナログ盤を誇りを持って発表する。マイクロリズムと絶妙なダイナミズムを帯びたテクスチャが織りなす万華鏡のような格子の中で、ロバート・ヘンケとゲルハルト・ベールスは本作を最後に完全な形で協働し、その過程でエレクトロニカの金字塔を打ち立てた。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eダブテクノの色彩を帯びた初期作品からの進化に伴い、MonolakeはMax\/MSPの探求をさらに深めていった。このデュオはサウンド・パレットの挙動にさらなる複雑さをもたらし、有機的な質感を確立した。その影響は、今日でも実験的電子音楽の多くの分野に永続的な影響を与え続けている。『Interstate』は、8つの異なるサウンドの生態系を構築し、その根幹に優雅なグルーヴを繊細に織り込んだ鮮やかな作品だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Tangent I』と『Tangent II』を牽引する低音域にはハウス的なうねりがあるが、その上に重なる極微細な音のレイヤーは、テクノ・シンセのきらめきから、せせらぎ、うねるディレイの残響、そして針先のようなパーカッションへと移り変わる。『Ginza』を牽引するdnb特有の、紛れもないキレのあるリズミカルな推進力は確かに聴き取れるが、ここではそれが、極めてシャープなデザイナー・パーカッションとダブ色の濃いシンセのさえずりを織りなすための原動力として用いられている。全トラックを通じて、ヘンケとベールスは、グルーヴ感に満ちた直感的な演奏と、その構造を解き明かそうとするだけで永遠の魅力を感じさせる、強力なコンビネーションを披露している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Interstate』のリリース後、ベールスはAbleton Liveの開発に専念するためグループを離れ、ヘンケはモノレイクをよりスリムな――しかし先駆性には変わりない――サウンドへと導いた。Monolakeの作品はどれも独自の文脈とサウンドを持っており、『Interstate』が生まれた状況は二度と再現できないだろう。ミレニアム末期にデジタル音楽制作で成し遂げられた飛躍的な進歩を捉えた本作は、その時代の情報を豊かに記録した作品であり、27年が経った今でも驚くほど未来的な響きを保っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3214147842\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fldrcs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fldrcs\"\u003ehere\u003c\/a\u003e to see more Field Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Abundance 10:22 \u003cbr\u003e2. Gecko 07:19 \u003cbr\u003e3. Tangent I 08:03 \u003cbr\u003e4. Tangent II 09:11 \u003cbr\u003e5. Perpetuum 06:45 \u003cbr\u003e6. Amazon 10:42 \u003cbr\u003e7. Ginza 04:54 \u003cbr\u003e8. Terminal 05:57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eContinuing its faithful documentation of the early years of Monolake, Field Records proudly presents the first-ever vinyl pressing of seminal 1999 album Interstate. In a kaleidoscopic lattice of micro-rhythms and exquisitely dynamic textural work, Robert Henke and Gerhard Behles fully collaborated for the final time on this record — and created an electronica landmark in the process.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMonolake's evolution from their earlier dub-techno-tinted works saw their exploration of Max\/MSP go further out. The duo yielded greater complexity in the behaviour of their sound palette to achieve an organismic quality that remains an enduring influence on so many strands of experimental electronic music today. Interstate is a vivid record that builds up eight different ecosystems of sound and subtly threads elegant grooves through their root structures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere's a house-like undulation to the low-end driving Tangent I and Tangent II, but the infinitesimally detailed layers of sound on top swoon from techno synth shimmers to trickling waters, snaking delay trails and pin prick percussion. You can hear the unmistakable, snappy rhythmic thrust of drum \u0026amp; bass driving Ginza, but here it's used as an engine for the crispest array of designer percussion and dub-soaked synth chirrups. Across every track, Henke\u003cspan class=\"bcTruncateMore\"\u003e and Behles demonstrate a potent combination, both groovily instinctive and eternally fascinating to try and pick apart.\u003cbr\u003e\u003cbr\u003eAfter Interstate, Behles departed to focus entirely on the development of Ableton Live and Henke steered Monolake towards a leaner — but no less pioneering — sound. Every Monolake record has its own unique context and sound, and the circumstances of Interstate could never be repeated. Capturing the leaps in progress that were being made in digital music production at the end of the millennium, it's an information-rich document of a moment in time that still sounds wildly futuristic 27 years later.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monolake\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eField 39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 19th June 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-08-17T06:30:43+09:00","created_at":"2026-08-16T17:47:31+09:00","vendor":"Tobira Records","type":"","tags":["field records","house","lp","new","recommended","techno \/ house"],"price":698000,"price_min":698000,"price_max":698000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50079782109434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Monolake \/\/ Interstate 2x12inch","public_title":null,"options":["Default Title"],"price":698000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101496707","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_c1d034ad-cee2-4815-8ba6-515fad7f6453.jpg?v=1786869973","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_4b76801d-c535-47b7-b4b3-320a32e93622.jpg?v=1786869973"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_c1d034ad-cee2-4815-8ba6-515fad7f6453.jpg?v=1786869973","options":["Title"],"media":[{"alt":null,"id":40613897076986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_c1d034ad-cee2-4815-8ba6-515fad7f6453.jpg?v=1786869973"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_c1d034ad-cee2-4815-8ba6-515fad7f6453.jpg?v=1786869973","width":350},{"alt":null,"id":40613897109754,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_4b76801d-c535-47b7-b4b3-320a32e93622.jpg?v=1786869973"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_4b76801d-c535-47b7-b4b3-320a32e93622.jpg?v=1786869973","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAbleton Live開発者でもあるドイツ・ベルリンのテクノ作家Robert HenkeとGerhard BehlesによるデュオMonolakeが、2026年6月にオランダのField Recordsからリリースした再発2枚組12\"です。（オリジナルは1999年リリース）\u003c\/p\u003e\n\u003cp\u003eダブテクノ〜IDM8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003eMonolakeの初期の軌跡を忠実に記録し続けてきたField Recordsは、1999年にリリースされた画期的なアルバム『Interstate』の史上初のアナログ盤を誇りを持って発表する。マイクロリズムと絶妙なダイナミズムを帯びたテクスチャが織りなす万華鏡のような格子の中で、ロバート・ヘンケとゲルハルト・ベールスは本作を最後に完全な形で協働し、その過程でエレクトロニカの金字塔を打ち立てた。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eダブテクノの色彩を帯びた初期作品からの進化に伴い、MonolakeはMax\/MSPの探求をさらに深めていった。このデュオはサウンド・パレットの挙動にさらなる複雑さをもたらし、有機的な質感を確立した。その影響は、今日でも実験的電子音楽の多くの分野に永続的な影響を与え続けている。『Interstate』は、8つの異なるサウンドの生態系を構築し、その根幹に優雅なグルーヴを繊細に織り込んだ鮮やかな作品だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Tangent I』と『Tangent II』を牽引する低音域にはハウス的なうねりがあるが、その上に重なる極微細な音のレイヤーは、テクノ・シンセのきらめきから、せせらぎ、うねるディレイの残響、そして針先のようなパーカッションへと移り変わる。『Ginza』を牽引するdnb特有の、紛れもないキレのあるリズミカルな推進力は確かに聴き取れるが、ここではそれが、極めてシャープなデザイナー・パーカッションとダブ色の濃いシンセのさえずりを織りなすための原動力として用いられている。全トラックを通じて、ヘンケとベールスは、グルーヴ感に満ちた直感的な演奏と、その構造を解き明かそうとするだけで永遠の魅力を感じさせる、強力なコンビネーションを披露している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Interstate』のリリース後、ベールスはAbleton Liveの開発に専念するためグループを離れ、ヘンケはモノレイクをよりスリムな――しかし先駆性には変わりない――サウンドへと導いた。Monolakeの作品はどれも独自の文脈とサウンドを持っており、『Interstate』が生まれた状況は二度と再現できないだろう。ミレニアム末期にデジタル音楽制作で成し遂げられた飛躍的な進歩を捉えた本作は、その時代の情報を豊かに記録した作品であり、27年が経った今でも驚くほど未来的な響きを保っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3214147842\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fldrcs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fldrcs\"\u003ehere\u003c\/a\u003e to see more Field Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Abundance 10:22 \u003cbr\u003e2. Gecko 07:19 \u003cbr\u003e3. Tangent I 08:03 \u003cbr\u003e4. Tangent II 09:11 \u003cbr\u003e5. Perpetuum 06:45 \u003cbr\u003e6. Amazon 10:42 \u003cbr\u003e7. Ginza 04:54 \u003cbr\u003e8. Terminal 05:57\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eContinuing its faithful documentation of the early years of Monolake, Field Records proudly presents the first-ever vinyl pressing of seminal 1999 album Interstate. In a kaleidoscopic lattice of micro-rhythms and exquisitely dynamic textural work, Robert Henke and Gerhard Behles fully collaborated for the final time on this record — and created an electronica landmark in the process.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMonolake's evolution from their earlier dub-techno-tinted works saw their exploration of Max\/MSP go further out. The duo yielded greater complexity in the behaviour of their sound palette to achieve an organismic quality that remains an enduring influence on so many strands of experimental electronic music today. Interstate is a vivid record that builds up eight different ecosystems of sound and subtly threads elegant grooves through their root structures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere's a house-like undulation to the low-end driving Tangent I and Tangent II, but the infinitesimally detailed layers of sound on top swoon from techno synth shimmers to trickling waters, snaking delay trails and pin prick percussion. You can hear the unmistakable, snappy rhythmic thrust of drum \u0026amp; bass driving Ginza, but here it's used as an engine for the crispest array of designer percussion and dub-soaked synth chirrups. Across every track, Henke\u003cspan class=\"bcTruncateMore\"\u003e and Behles demonstrate a potent combination, both groovily instinctive and eternally fascinating to try and pick apart.\u003cbr\u003e\u003cbr\u003eAfter Interstate, Behles departed to focus entirely on the development of Ableton Live and Henke steered Monolake towards a leaner — but no less pioneering — sound. Every Monolake record has its own unique context and sound, and the circumstances of Interstate could never be repeated. Capturing the leaps in progress that were being made in digital music production at the end of the millennium, it's an information-rich document of a moment in time that still sounds wildly futuristic 27 years later.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monolake\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eField 39\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 19th June 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
Ableton Live開発者でもあるドイツ・ベルリンのテクノ作家Robert HenkeとGerhard BehlesによるデュオMonolakeが、2026年6月にオランダのField Recordsからリリースした再発2枚組12"です。（オリジナルは1999年リリース） ダブテクノ〜IDM8曲を収録。 以下、レーベルによる解説です。 "Monolakeの初期の軌跡を忠実に記録し続けてきたField Recordsは、1999年にリリースされた画期的なアルバム『Interstate』の史上初のアナログ盤を誇りを持って発表する。マイクロリズムと絶妙なダイナミズムを帯びたテクスチャが織りなす万華鏡のような格子の中で、ロバート・ヘンケとゲルハルト・ベールスは本作を最後に完全な形で協働し、その過程でエレクトロニカの金字塔を打ち立てた。 ダブテクノの色彩を帯びた初期作品からの進化に伴い、MonolakeはMax/MSPの探求をさらに深めていった。このデュオはサウンド・パレットの挙動にさらなる複雑さをもたらし、有機的な質感を確立した。その影響は、今日でも実験的電子音楽の多くの分野に永続的な影響を与え続けている。『Interstate』は、8つの異なるサウンドの生態系を構築し、その根幹に優雅なグルーヴを繊細に織り込んだ鮮やかな作品だ。 『Tangent I』と『Tangent II』を牽引する低音域にはハウス的なうねりがあるが、その上に重なる極微細な音のレイヤーは、テクノ・シンセのきらめきから、せせらぎ、うねるディレイの残響、そして針先のようなパーカッションへと移り変わる。『Ginza』を牽引するdnb特有の、紛れもないキレのあるリズミカルな推進力は確かに聴き取れるが、ここではそれが、極めてシャープなデザイナー・パーカッションとダブ色の濃いシンセのさえずりを織りなすための原動力として用いられている。全トラックを通じて、ヘンケとベールスは、グルーヴ感に満ちた直感的な演奏と、その構造を解き明かそうとするだけで永遠の魅力を感じさせる、強力なコンビネーションを披露している。 『Interstate』のリリース後、ベールスはAbleton...
¥6,980
クイックビュー
{"id":8847987933434,"title":"Yui Onodera \/\/ Kiso Three Rivers LP","handle":"yui-onodera-kiso-three-rivers-lp","description":"\u003cp\u003e東京のアンビエント作家Yui Onoderaが、2025年5月にドイツのアンビエントレーベルField Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエント・フォーク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3672157716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4025409968\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3672157716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e壱\u003c\/span\u003e \/ Kodama 1 01:36\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e弐\u003c\/span\u003e \/ Kodama 2 02:33\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e参\u003c\/span\u003e \/ Kodama 3 03:19\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e四\u003c\/span\u003e \/ Kodama 4 02:44\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e伍\u003c\/span\u003e \/ Kodama 5 04:06\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e陸\u003c\/span\u003e \/ Kodama 6 01:18\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e水鞠\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e其の一\u003c\/span\u003e \/ Mizumari (Part 1) 07:42\u003cbr\u003e8. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e水鞠\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e其の二\u003c\/span\u003e \/ Mizumari (Part 2) 09:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExploring the water engineering relationship between Japan and the Netherlands across a trilogy of experimental releases, the third and final part of Field Records' Waterworks series is courtesy of Yui Onodera. Pairing delicate synthesis and instrumentation with field recordings and negative space, the accomplished artist and sound architect examines the impact of water engineering on Japan's Kiso Three Rivers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe location refers to the confluence of the Kiso, Nagara and Ibi rivers on the Nōbi plain in Gifu prefecture. In the late 19th century, Japanese authorities collaborated with Dutch engineer Johannes de Rijke to separate the three rivers at the lower part of the Kiso delta. These extensive improvements, which were finalised in 1912, successfully shielded the city of Nagoya from regular flooding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnodera's minimalist palette and detailed approach to spatial sound design balances microscopic field recordings and tonally-rich traditional instruments, which he applies with stark focus to the subject of the Kiso Three Rivers across eight extended pieces of music arranged into two distinct parts. The A-side's shorter tracks are delicately sculpted miniatures interweaving chiming bell tones, treated guitar impressions and hushed pads. The B-side's two longer suites are more overtly minimal in nature, emphasising sampled water sources accented with patient brush strokes of synthesis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yui Onodera\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e\n\u003cp\u003ecat no : Field 36\u003c\/p\u003e","published_at":"2025-07-09T12:16:33+09:00","created_at":"2025-07-02T09:44:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","field records","lp","new"],"price":489500,"price_min":489500,"price_max":489500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47466443866362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Yui Onodera \/\/ Kiso Three Rivers LP","public_title":null,"options":["Default Title"],"price":489500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101481680","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kiso1.jpg?v=1751416965","\/\/tobirarecords.com\/cdn\/shop\/files\/kiso2.jpg?v=1751416965"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kiso1.jpg?v=1751416965","options":["Title"],"media":[{"alt":null,"id":36305059152122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kiso1.jpg?v=1751416965"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kiso1.jpg?v=1751416965","width":700},{"alt":null,"id":36305059184890,"position":2,"preview_image":{"aspect_ratio":1.133,"height":1059,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kiso2.jpg?v=1751416965"},"aspect_ratio":1.133,"height":1059,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kiso2.jpg?v=1751416965","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のアンビエント作家Yui Onoderaが、2025年5月にドイツのアンビエントレーベルField Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエント・フォーク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3672157716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4025409968\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3672157716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e壱\u003c\/span\u003e \/ Kodama 1 01:36\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e弐\u003c\/span\u003e \/ Kodama 2 02:33\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e参\u003c\/span\u003e \/ Kodama 3 03:19\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e四\u003c\/span\u003e \/ Kodama 4 02:44\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e伍\u003c\/span\u003e \/ Kodama 5 04:06\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e木霊\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e陸\u003c\/span\u003e \/ Kodama 6 01:18\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e水鞠\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e其の一\u003c\/span\u003e \/ Mizumari (Part 1) 07:42\u003cbr\u003e8. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e水鞠\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e其の二\u003c\/span\u003e \/ Mizumari (Part 2) 09:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExploring the water engineering relationship between Japan and the Netherlands across a trilogy of experimental releases, the third and final part of Field Records' Waterworks series is courtesy of Yui Onodera. Pairing delicate synthesis and instrumentation with field recordings and negative space, the accomplished artist and sound architect examines the impact of water engineering on Japan's Kiso Three Rivers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe location refers to the confluence of the Kiso, Nagara and Ibi rivers on the Nōbi plain in Gifu prefecture. In the late 19th century, Japanese authorities collaborated with Dutch engineer Johannes de Rijke to separate the three rivers at the lower part of the Kiso delta. These extensive improvements, which were finalised in 1912, successfully shielded the city of Nagoya from regular flooding.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnodera's minimalist palette and detailed approach to spatial sound design balances microscopic field recordings and tonally-rich traditional instruments, which he applies with stark focus to the subject of the Kiso Three Rivers across eight extended pieces of music arranged into two distinct parts. The A-side's shorter tracks are delicately sculpted miniatures interweaving chiming bell tones, treated guitar impressions and hushed pads. The B-side's two longer suites are more overtly minimal in nature, emphasising sampled water sources accented with patient brush strokes of synthesis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yui Onodera\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e\n\u003cp\u003ecat no : Field 36\u003c\/p\u003e"}
You may also like:
東京のアンビエント作家Yui Onoderaが、2025年5月にドイツのアンビエントレーベルField Recordsからリリースしたレコードです。 アンビエント〜アンビエント・フォーク8曲を収録。 -------------------------------------------------- 12" black vinyl. Tracklist: 1. 木霊 壱 / Kodama...
Sold Out
クイックビュー
{"id":8853258895610,"title":"Monolake \/\/ Gravity 2x12inch","handle":"monolake-gravity-2x12inch","description":"\u003cp\u003eドイツのテクノ作家Monolakeが、2025年4月に同国アンビエントレーベルField Recordsからリリースした再発2枚組12\"です。（オリジナルは2001年にCDリリース）\u003c\/p\u003e\n\u003cp\u003eダブテクノ〜IDM8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2440274256\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in printed sleeve.\u003cbr\u003eFirst ever vinyl reissue - originally released on CD in 2001\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mobile 07:59\u003cbr\u003e2. Ice 08:29\u003cbr\u003e3. Frost 06:50\u003cbr\u003e4. Static 09:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Zero Gravity 05:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Fragile 12:00\u003cbr\u003e\u003c\/span\u003e7. Aviation 07:49\u003cbr\u003e8. Nucleus 09:17\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwenty-four years on from its original release, Monolake's seminal Gravity receives its first vinyl pressing courtesy of Field Records. Occupying its own space at the intersection of dub techno, minimal and electronica, it's an ageless album of staggering vision and technological prowess which has matured into an all-time pillar of electronic music. This edition, remastered by the album's key architect Robert Henke, follows on from the recent reissue of Monolake's first album, Hongkong.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eArriving just after the turn of the millennium, Gravity marked a turning point for Monolake. With co-founder Gerhard Behles moving on to other ventures, Henke produced most of the album solo and journeyed deeper into spatial exploration and the dub-informed principles that underpinned their project from the start. Minimalism and negative space run through the whole record, from the keen slithers of percussion pinging through lattices of delay to the hypnotising pulse of subliminal basslines anchoring the tracks. Gravity is a record which hangs on techno's linearity as a form of meditation, but the crystalline clarity of the mix allows every micro-fluctuation in rhythm and sound to cut through.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompared to a lot of overly sterile digital music\u003cspan class=\"bcTruncateMore\"\u003e released in the early 2000s, Gravity endures thanks to the warmth and texture Henke elicited from his processes — even when leaning into none-more-digital effects like bit reduction. He described the ninth-floor view over Berlin from his studio at night as a key influence on the sound of the record, but the space Gravity shapes out feels thrillingly implacable. Unbound by the standard conventions of time and space, Gravity stands proud as a true original and finally gets the ceremonious vinyl pressing it so richly deserves.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monolake\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e\n\u003cp\u003ecat no : Field 37\u003c\/p\u003e","published_at":"2025-07-09T12:07:22+09:00","created_at":"2025-07-07T10:10:12+09:00","vendor":"Tobira Records","type":"","tags":["field records","house","lp","new","techno \/ house"],"price":598300,"price_min":598300,"price_max":598300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47484164079866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Monolake \/\/ Gravity 2x12inch","public_title":null,"options":["Default Title"],"price":598300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101480157","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_33d69142-6537-46e0-b292-f45d1404510e.jpg?v=1751850468","\/\/tobirarecords.com\/cdn\/shop\/files\/mono2_3c0682eb-a96d-4e63-a6c2-c5109c1c5cf1.jpg?v=1751850469"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_33d69142-6537-46e0-b292-f45d1404510e.jpg?v=1751850468","options":["Title"],"media":[{"alt":null,"id":36329573646586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_33d69142-6537-46e0-b292-f45d1404510e.jpg?v=1751850468"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1_33d69142-6537-46e0-b292-f45d1404510e.jpg?v=1751850468","width":700},{"alt":null,"id":36329573679354,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono2_3c0682eb-a96d-4e63-a6c2-c5109c1c5cf1.jpg?v=1751850469"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono2_3c0682eb-a96d-4e63-a6c2-c5109c1c5cf1.jpg?v=1751850469","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのテクノ作家Monolakeが、2025年4月に同国アンビエントレーベルField Recordsからリリースした再発2枚組12\"です。（オリジナルは2001年にCDリリース）\u003c\/p\u003e\n\u003cp\u003eダブテクノ〜IDM8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2440274256\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in printed sleeve.\u003cbr\u003eFirst ever vinyl reissue - originally released on CD in 2001\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mobile 07:59\u003cbr\u003e2. Ice 08:29\u003cbr\u003e3. Frost 06:50\u003cbr\u003e4. Static 09:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Zero Gravity 05:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Fragile 12:00\u003cbr\u003e\u003c\/span\u003e7. Aviation 07:49\u003cbr\u003e8. Nucleus 09:17\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwenty-four years on from its original release, Monolake's seminal Gravity receives its first vinyl pressing courtesy of Field Records. Occupying its own space at the intersection of dub techno, minimal and electronica, it's an ageless album of staggering vision and technological prowess which has matured into an all-time pillar of electronic music. This edition, remastered by the album's key architect Robert Henke, follows on from the recent reissue of Monolake's first album, Hongkong.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eArriving just after the turn of the millennium, Gravity marked a turning point for Monolake. With co-founder Gerhard Behles moving on to other ventures, Henke produced most of the album solo and journeyed deeper into spatial exploration and the dub-informed principles that underpinned their project from the start. Minimalism and negative space run through the whole record, from the keen slithers of percussion pinging through lattices of delay to the hypnotising pulse of subliminal basslines anchoring the tracks. Gravity is a record which hangs on techno's linearity as a form of meditation, but the crystalline clarity of the mix allows every micro-fluctuation in rhythm and sound to cut through.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompared to a lot of overly sterile digital music\u003cspan class=\"bcTruncateMore\"\u003e released in the early 2000s, Gravity endures thanks to the warmth and texture Henke elicited from his processes — even when leaning into none-more-digital effects like bit reduction. He described the ninth-floor view over Berlin from his studio at night as a key influence on the sound of the record, but the space Gravity shapes out feels thrillingly implacable. Unbound by the standard conventions of time and space, Gravity stands proud as a true original and finally gets the ceremonious vinyl pressing it so richly deserves.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monolake\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e\n\u003cp\u003ecat no : Field 37\u003c\/p\u003e"}
You may also like:
ドイツのテクノ作家Monolakeが、2025年4月に同国アンビエントレーベルField Recordsからリリースした再発2枚組12"です。（オリジナルは2001年にCDリリース） ダブテクノ〜IDM8曲を収録。 --------------------------------------------- 2 x 12" black vinyl in printed sleeve.First ever vinyl...
Sold Out
クイックビュー
{"id":7983599616250,"title":"Monolake \/\/ Hongkong 2x12\"","handle":"monolake-hongkong-2x12","description":"\u003cp\u003eAbleton Live開発者でもあるドイツ・ベルリンのテクノデュオMonolakeが、2023年5月にオランダのField Recordsからリリースした再発2枚組12\"です。（オリジナルは1997年にBasic Channnel傘下Chain Reactionからリリース）\u003c\/p\u003e\n\u003cp\u003eダブテクノ〜IDM〜アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1856090930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eField Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside groundbreaking works from the likes of Porter Ricks and Vladislav Delay.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe tracks that make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max\/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRemastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.” \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecredits\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monolake\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e","published_at":"2023-06-13T09:29:28+09:00","created_at":"2023-06-10T13:58:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","field records","lp","techno \/ house"],"price":528000,"price_min":528000,"price_max":528000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44274699206906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Monolake \/\/ Hongkong 2x12\"","public_title":null,"options":["Default Title"],"price":528000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mono1.jpg?v=1686373085","\/\/tobirarecords.com\/cdn\/shop\/files\/mono2.jpg?v=1686373085"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1.jpg?v=1686373085","options":["Title"],"media":[{"alt":null,"id":32100313039098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1.jpg?v=1686373085"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono1.jpg?v=1686373085","width":700},{"alt":null,"id":32100313071866,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono2.jpg?v=1686373085"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mono2.jpg?v=1686373085","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAbleton Live開発者でもあるドイツ・ベルリンのテクノデュオMonolakeが、2023年5月にオランダのField Recordsからリリースした再発2枚組12\"です。（オリジナルは1997年にBasic Channnel傘下Chain Reactionからリリース）\u003c\/p\u003e\n\u003cp\u003eダブテクノ〜IDM〜アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1856090930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eField Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside groundbreaking works from the likes of Porter Ricks and Vladislav Delay.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe tracks that make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max\/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRemastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.” \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecredits\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Monolake\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e"}
You may also like:
Ableton Live開発者でもあるドイツ・ベルリンのテクノデュオMonolakeが、2023年5月にオランダのField Recordsからリリースした再発2枚組12"です。（オリジナルは1997年にBasic Channnel傘下Chain Reactionからリリース） ダブテクノ〜IDM〜アンビエント7曲を収録。 ----------------------------------------- 2x12" black vinyl. Field Records: "Field Records...
Sold Out