The Koreatown Oddity // Little Dominiques Nosebleed 2xLP / TAPE
![God Is War // YAKUZA EP 12" [COLOR]](//cdn.shopify.com/s/files/1/0305/1637/9780/files/a1328788613_16_medium.jpg?v=1685355178)
The Koreatown Oddity // Little Dominiques Nosebleed 2xLP / TAPE
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アメリカ・LAのラッパー／ビートメイカーThe Koreatown Oddityのアルバム「Little Dominiques Nosebleed 」がカセットと2枚組レコードで再発。
コリアタウンで育った経験を題材にしたリリックです。
カセットは8面Jカードと装丁も豪華です。廃盤です。
レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at Tobira.
---------------------------
Artist : The Koreatown Oddity
Label : Stones Throw
アメリカ・LAのラッパー／ビートメイカーThe Koreatown Oddityのアルバム「Little Dominiques Nosebleed 」がカセットと2枚組レコードで再発。
コリアタウンで育った経験を題材にしたリリックです。
カセットは8面Jカードと装丁も豪華です。廃盤です。
レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at Tobira.
---------------------------
Artist : The Koreatown Oddity
Label : Stones Throw
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{"id":7980006867194,"title":"Sam Wilkes \/\/ Wilkes LP","handle":"sam-wilkes-wilkes-lp","description":"\u003cp\u003eアメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1909343724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterview with Sam Wilkes and \u003cmeta charset=\"utf-8\"\u003elabelmate Carlos Niño: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eListening to WILKES numerous times, considering \u003c\/em\u003e\u003cem\u003ewhat I might write about it for a Press Release, (which I \u003c\/em\u003e\u003cem\u003eagreed to do because I'm a fan of his Music and his \u003c\/em\u003e\u003cem\u003ecollaborations with Sam Gendel and Louis Cole \/ Knower,) \u003c\/em\u003e\u003cem\u003eI was growing in enthusiasm, looking forward to my \u003c\/em\u003e\u003cem\u003enext radio show or DJ set including the song \"Today\" \u003c\/em\u003e\u003cem\u003eso I could hear it bump in a nice system. I was hyped \u003c\/em\u003e\u003cem\u003ethe more I took in this 6 song offering. I thought to ask \u003c\/em\u003e\u003cem\u003eSam about his new record and use his answers as aid \u003c\/em\u003e\u003cem\u003eto illustrate some of my feelings, but when I read his \u003c\/em\u003e\u003cem\u003ereply I thought you should too. It's so descriptive \u003c\/em\u003e\u003cem\u003eand visual, perfect to pull from and quote.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e.................................\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eWhat does your last name Wilkes mean?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI actually just found that It means Wolf in Lithuanian. Which is \u003c\/em\u003e\u003cem\u003ecrazy because It was changed from Wolff to Wilkes upon immigration \u003c\/em\u003e\u003cem\u003eto the U.S. due to fear of a Judaic last name inhibiting my\u003cspan class=\"bcTruncateMore\"\u003e families ability to get work here. My heritage is a mix of Romanian, Russian, Polish, Liuthanian, and Austrian\/German I believe.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your last name Wilkes mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt's vast. It provokes a different sentiment in me in different situations. I.e my dad's side of the family is one, while my immediate family is another, and within my musical community in Los Angeles and elsewhere it's also another. The latter is the sentiment \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eI'm really coming from on this record. Myself within the context of my beautiful community. This record does not exist without that community. My friend and collaborator, Sam Gendel calls me Wilkes and our friendship and musical relationship began to take a new form when I started to record him playing these songs of mine. Sam and my other dearest friends beginning to call me \"Wilkes\" (especially with humor) more and more coincided with a new era for me, which was the start of this record\/chapter.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your new record WILKES mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt is the first part of a two part chapter.\u003cbr\u003eIt's the product of realizing that I HAD to make my own art, instead of just working with\/for other projects (as I had done up until this point). Upon jumping into that pool and then swimming on my own for the first time, I realized that I could compose and produce the music that I want to hear; which I got VERY excited about. I have a pretty belligerent need to create and once I began, working on my own music became a daily necessity for fulfillment and to deal with what I was going through at the time.\u003cbr\u003eI expressed this through composition, production, sonics, and creating and curating an environment for Sam Gendel's, Brian Green's, Louis Cole's, and Christian Euman's genius to be heard and featured (i.e featuring personal cornerstones of that community I was talking about.) this, rather than, say, making music for the sake of making a \"bass record\", was the outlet I needed; it wasn't really an option, this was just the vehicle for my observations, experience, philosophy, love . . .\u003cbr\u003eIt's a snapshot, one that I worked so hard on, of who and where I was from 2015-2017.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDo you have visions about how this record may affect people?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI can't really articulate it.\u003cbr\u003eBut:\u003cbr\u003eI think Sam Gendel is the greatest saxophone player alive.\u003cbr\u003eI hope it makes some people feel that way too. This music was made to be played by him.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat were your biggest inspirations while making this record?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJohn Coltrane\u003cbr\u003ePharaoh Sanders\u003cbr\u003eMiles Davis\u003cbr\u003eJoe Zawinul\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eDaniel Lanois\u003cbr\u003eMilton Nascimento\u003cbr\u003eRahsaan Roland Kirk\u003cbr\u003eQuincy Jones\u003cbr\u003eBrian Eno\u003cbr\u003eJames \"J Dilla\" Yancey\u003cbr\u003ePete Rock\u003cbr\u003eRudy Van Gelder\u003cbr\u003eJoseph Campbell\u003cbr\u003eGenevieve Artadi\u003cbr\u003eAlice Coltrane\u003cbr\u003eChanting\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat are your biggest general inspirations?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis is infinite but, a short list:\u003cbr\u003eMy parents\u003cbr\u003eMy whole family\u003cbr\u003eHerman Hesse\u003cbr\u003ePatrice Rushen\u003cbr\u003eNdugu Chancler\u003cbr\u003eAlphonso Johnson\u003cbr\u003eJohn Daversa\u003cbr\u003eMichael Jordan\u003cbr\u003eDaniel Lanois\u003cbr\u003eQuincy Jones\u003cbr\u003eRay Brown\u003cbr\u003eStefan Sagmeister\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eBrian Green\u003cbr\u003eMythology\u003cbr\u003eJackson Pollack\u003cbr\u003eErnst Barlach\u003cbr\u003eWilliam Shakespeare\u003cbr\u003eRainer Maria Rilke\u003cbr\u003e\u003cbr\u003eand From my childhood -\u003cbr\u003ePhish\u003cbr\u003eThe Grateful Dead\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHow would you describe the sound of your Bass, what do you see \/ envision when you're playing?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI would describe the sound of my bass as: Sam Wilkes.\u003cbr\u003eFor seeing and envisioning, It depends on the feeling I'm trying to express. Sometimes it's just colors or an image, but something I've gone back to a bit for whatever reason in some sessions as of late is the feeling of seeing fireworks and having a hot dog on the fourth of July as a kid, knowing that I didn't have to go to school the next day because it was summer and I was free, and just being happy and excited and full of love for my family and my best friends (kind of like that scene in that movie \"The Sandlot\"), and the feeling of knowing that I could go home and play or listen to CDs in my room and dance.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records \/ Stones Throw\u003c\/p\u003e","published_at":"2023-05-29T20:11:32+09:00","created_at":"2023-05-29T20:09:57+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","leaving records","lp","new","recommended"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258686861562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sam Wilkes \/\/ Wilkes LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3565543305_16.jpg?v=1685358710","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0014404780_10.jpg?v=1685358711"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3565543305_16.jpg?v=1685358710","options":["Title"],"media":[{"alt":null,"id":32033123860730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3565543305_16.jpg?v=1685358710"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3565543305_16.jpg?v=1685358710","width":700},{"alt":null,"id":32033123893498,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0014404780_10.jpg?v=1685358711"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0014404780_10.jpg?v=1685358711","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1909343724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterview with Sam Wilkes and \u003cmeta charset=\"utf-8\"\u003elabelmate Carlos Niño: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eListening to WILKES numerous times, considering \u003c\/em\u003e\u003cem\u003ewhat I might write about it for a Press Release, (which I \u003c\/em\u003e\u003cem\u003eagreed to do because I'm a fan of his Music and his \u003c\/em\u003e\u003cem\u003ecollaborations with Sam Gendel and Louis Cole \/ Knower,) \u003c\/em\u003e\u003cem\u003eI was growing in enthusiasm, looking forward to my \u003c\/em\u003e\u003cem\u003enext radio show or DJ set including the song \"Today\" \u003c\/em\u003e\u003cem\u003eso I could hear it bump in a nice system. I was hyped \u003c\/em\u003e\u003cem\u003ethe more I took in this 6 song offering. I thought to ask \u003c\/em\u003e\u003cem\u003eSam about his new record and use his answers as aid \u003c\/em\u003e\u003cem\u003eto illustrate some of my feelings, but when I read his \u003c\/em\u003e\u003cem\u003ereply I thought you should too. It's so descriptive \u003c\/em\u003e\u003cem\u003eand visual, perfect to pull from and quote.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e.................................\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eWhat does your last name Wilkes mean?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI actually just found that It means Wolf in Lithuanian. Which is \u003c\/em\u003e\u003cem\u003ecrazy because It was changed from Wolff to Wilkes upon immigration \u003c\/em\u003e\u003cem\u003eto the U.S. due to fear of a Judaic last name inhibiting my\u003cspan class=\"bcTruncateMore\"\u003e families ability to get work here. My heritage is a mix of Romanian, Russian, Polish, Liuthanian, and Austrian\/German I believe.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your last name Wilkes mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt's vast. It provokes a different sentiment in me in different situations. I.e my dad's side of the family is one, while my immediate family is another, and within my musical community in Los Angeles and elsewhere it's also another. The latter is the sentiment \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eI'm really coming from on this record. Myself within the context of my beautiful community. This record does not exist without that community. My friend and collaborator, Sam Gendel calls me Wilkes and our friendship and musical relationship began to take a new form when I started to record him playing these songs of mine. Sam and my other dearest friends beginning to call me \"Wilkes\" (especially with humor) more and more coincided with a new era for me, which was the start of this record\/chapter.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your new record WILKES mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt is the first part of a two part chapter.\u003cbr\u003eIt's the product of realizing that I HAD to make my own art, instead of just working with\/for other projects (as I had done up until this point). Upon jumping into that pool and then swimming on my own for the first time, I realized that I could compose and produce the music that I want to hear; which I got VERY excited about. I have a pretty belligerent need to create and once I began, working on my own music became a daily necessity for fulfillment and to deal with what I was going through at the time.\u003cbr\u003eI expressed this through composition, production, sonics, and creating and curating an environment for Sam Gendel's, Brian Green's, Louis Cole's, and Christian Euman's genius to be heard and featured (i.e featuring personal cornerstones of that community I was talking about.) this, rather than, say, making music for the sake of making a \"bass record\", was the outlet I needed; it wasn't really an option, this was just the vehicle for my observations, experience, philosophy, love . . .\u003cbr\u003eIt's a snapshot, one that I worked so hard on, of who and where I was from 2015-2017.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDo you have visions about how this record may affect people?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI can't really articulate it.\u003cbr\u003eBut:\u003cbr\u003eI think Sam Gendel is the greatest saxophone player alive.\u003cbr\u003eI hope it makes some people feel that way too. This music was made to be played by him.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat were your biggest inspirations while making this record?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJohn Coltrane\u003cbr\u003ePharaoh Sanders\u003cbr\u003eMiles Davis\u003cbr\u003eJoe Zawinul\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eDaniel Lanois\u003cbr\u003eMilton Nascimento\u003cbr\u003eRahsaan Roland Kirk\u003cbr\u003eQuincy Jones\u003cbr\u003eBrian Eno\u003cbr\u003eJames \"J Dilla\" Yancey\u003cbr\u003ePete Rock\u003cbr\u003eRudy Van Gelder\u003cbr\u003eJoseph Campbell\u003cbr\u003eGenevieve Artadi\u003cbr\u003eAlice Coltrane\u003cbr\u003eChanting\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat are your biggest general inspirations?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis is infinite but, a short list:\u003cbr\u003eMy parents\u003cbr\u003eMy whole family\u003cbr\u003eHerman Hesse\u003cbr\u003ePatrice Rushen\u003cbr\u003eNdugu Chancler\u003cbr\u003eAlphonso Johnson\u003cbr\u003eJohn Daversa\u003cbr\u003eMichael Jordan\u003cbr\u003eDaniel Lanois\u003cbr\u003eQuincy Jones\u003cbr\u003eRay Brown\u003cbr\u003eStefan Sagmeister\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eBrian Green\u003cbr\u003eMythology\u003cbr\u003eJackson Pollack\u003cbr\u003eErnst Barlach\u003cbr\u003eWilliam Shakespeare\u003cbr\u003eRainer Maria Rilke\u003cbr\u003e\u003cbr\u003eand From my childhood -\u003cbr\u003ePhish\u003cbr\u003eThe Grateful Dead\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHow would you describe the sound of your Bass, what do you see \/ envision when you're playing?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI would describe the sound of my bass as: Sam Wilkes.\u003cbr\u003eFor seeing and envisioning, It depends on the feeling I'm trying to express. Sometimes it's just colors or an image, but something I've gone back to a bit for whatever reason in some sessions as of late is the feeling of seeing fireworks and having a hot dog on the fourth of July as a kid, knowing that I didn't have to go to school the next day because it was summer and I was free, and just being happy and excited and full of love for my family and my best friends (kind of like that scene in that movie \"The Sandlot\"), and the feeling of knowing that I could go home and play or listen to CDs in my room and dance.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records \/ Stones Throw\u003c\/p\u003e"}
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アメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース） スピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。 Edition of 500. Interview with Sam Wilkes and labelmate Carlos...
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![God Is War // YAKUZA EP 12" [COLOR]](http://cdn.shopify.com/s/files/1/0305/1637/9780/files/a1328788613_16_medium.jpg?v=1685355178)
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{"id":7979994448122,"title":"God Is War \/\/ YAKUZA EP 12\" [COLOR]","handle":"god-is-war-yakuza-ep-12","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのポストインダストリアル作家God Is War\u003c\/span\u003eが、2023年5月にイギリスの実験／ノイズレーベルIndutrial Coastからリリースした再発12\"です。（オリジナルは2020年にカセットリリース）\u003c\/p\u003e\n\u003cp\u003eヘビーなノイズ・ダブ〜リズミック・ノイズ4曲を収録。インサートとポストカードが付属。白盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4032391020\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eThe White Series - White Vinyl, White Label, White Sleeve. Single stamp to sleeve, individual artwork specific to each release on a single insert\u003cbr\u003e\u003cbr\u003eAll sleeves hand stamped with GIW logo. A4 'Yakuza Boss' insert. Postcard 'yakuza hands'\u003c\/p\u003e\n\u003cp\u003eArtist : God Is War\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e","published_at":"2023-05-29T19:08:24+09:00","created_at":"2023-05-29T19:08:24+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","industrial coast","lp","new","noise","recommended","techno \/ house"],"price":329000,"price_min":329000,"price_max":329000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258626306298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"God Is War \/\/ YAKUZA EP 12\" [COLOR]","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1328788613_16.jpg?v=1685355178"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1328788613_16.jpg?v=1685355178","options":["Title"],"media":[{"alt":null,"id":32033028505850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1328788613_16.jpg?v=1685355178"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1328788613_16.jpg?v=1685355178","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのポストインダストリアル作家God Is War\u003c\/span\u003eが、2023年5月にイギリスの実験／ノイズレーベルIndutrial Coastからリリースした再発12\"です。（オリジナルは2020年にカセットリリース）\u003c\/p\u003e\n\u003cp\u003eヘビーなノイズ・ダブ〜リズミック・ノイズ4曲を収録。インサートとポストカードが付属。白盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4032391020\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eThe White Series - White Vinyl, White Label, White Sleeve. Single stamp to sleeve, individual artwork specific to each release on a single insert\u003cbr\u003e\u003cbr\u003eAll sleeves hand stamped with GIW logo. A4 'Yakuza Boss' insert. Postcard 'yakuza hands'\u003c\/p\u003e\n\u003cp\u003eArtist : God Is War\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e"}
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アメリカのポストインダストリアル作家God Is Warが、2023年5月にイギリスの実験／ノイズレーベルIndutrial Coastからリリースした再発12"です。（オリジナルは2020年にカセットリリース） ヘビーなノイズ・ダブ〜リズミック・ノイズ4曲を収録。インサートとポストカードが付属。白盤です。 レーベルその他作品はこちら /// Click here to see more Industrial Coast releases available at...
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{"id":7979947491578,"title":"Lionmilk \/\/ Intergalactic Warp Terminal 222 2xLP \/ TAPE","handle":"copy-of-lionmilk-intergalactic-warp-terminal-222-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eアメリカ・LAのジャズピアニストLionmilkが、2023年5月にLAのLeaving Recordsからリリースした2枚組レコードです。（カセットは3月にリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・ジャズ〜コンテンポラリーR\u0026amp;B26曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ロサンゼルスのミュージシャン／コンポーザー／プロデューサーである\u003cmeta charset=\"utf-8\"\u003eMoki Kawaguchiの主要なソロ・プロジェクトであるLionmilkは、ここしばらくの間、明らかに治療的なモードで活動しています。2021年の『I Hope You Are Well』は、パンデミックが始まった時期に自主制作されたもので、\u003cmeta charset=\"utf-8\"\u003eKawaguchiはゲリラ的なケアキャンペーンとして、愛する人の郵便受けに手渡しでカセットを届け、封鎖初期の突然の深い疎外感を緩和するためのささやかな試みでした。その後、LionmilkとLeaving Recordsがコラボレートして『I Hope You Are Well』を正式にリリースすると、このささやかなプロジェクトの影響力は飛躍的に高まり、Lionmilkの内輪の温かさと美しさを、新旧問わず無数のファンが知ることができるようになりました。『Intergalactic Warp Terminal 222』は、リスナーに深い宇宙的な癒しの機会を再び提供するものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eKawaguchiはLionmilkについて語るとき、セルフケアとしての音楽制作の絶対的な必要性を常々説いています。まず第一に、彼は自分にとって少しでも慰めになるような音や曲を制作しています。\"気分が悪くならないような音楽 \"です。彼が地球上で最後の一人であったとしても、今やっていることを（今やっている方法で）やっているような気がします。しかし、彼はそうではありません。そして実際、Lionmilkの主要な関心事の1つは、トラックタイトルや、彼のリリースに散りばめられた歌や話し言葉から明らかなように、コミュニティ、より具体的には、彼のコミュニティに存在し行動することの意味です。この『Intergalactic Warp Terminal 222』は、『I Hope You Are Well』で効果的に追求されたパラドックスに深く踏み込んでいます。 私たちは音楽を通じてどのように、そしてどの程度まで孤独を伝えることができるでしょうか？孤独を共有することは、どのような音や感覚なのでしょうか。そして、この取引の文脈で、レコーディング・アーティストとリスナーの間にどんな新しい関係が生まれるのでしょうか。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのレコードは、Lionmilkの天空の内部空間の深部からの無線通信で始まります。「どなたかいらっしゃいませんか？こちらはLionmilkです。あなたは銀河系ワープターミナル222にチューニングされています。スタンバイしてください。放送を開始します」というレトロなSF映画のモチーフが、『Intergalactic Warp Terminal 222』の全26曲を通して繰り返されています。しかし、この宇宙旅行は、深い魂の作業や、自分自身の意識の広大な未知の世界を旅することのメタファーとしてより機能しているのです。その後に続くのは、親密で日記的な歌の組合せであり、日々の侮辱の猛攻撃の中で、心を生き生きと開き続けるための闘いに根ざしています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003edaily i dream、lover's theme」、hopeful i can changeなどの曲は、希望が突然、不可解なまでに絶望を打ち消す瞬間についての簡潔なインストルメンタル瞑想として機能します。ソウルフルなtreat yourself like a friendは、現在のLionmilkの神髄とも言える歌詞を含んでいます： \"...I get up \/ to pee and drink water \/ treating myself a little bit softer \/ you do your best \/ today will be better \/ I'll do my best \/ I'll do my best \/ I promise.\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eループ、スケッチ、即興、ボイスメモを1本のカセットテープに直接録音して構成された『Intergalactic Warp Terminal 222』は、ひらひらとワープし、軽快に流れます。1時間のLo-Fiでジャジーな慈悲の賛歌は、明らかにアンビエントを意識しているが、Lionmilkのこれまでの音楽の中で最も政治的関与と活力を感じさせるものとなっていいます。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=606679078\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=606679078\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=482222518\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable on cassette (1st edition of 200) \u003c\/span\u003e\u003cspan\u003eor 2x12\" black vinyl (1st edition of 400). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLionmilk, the primary solo project of Los Angeles musician\/composer\/producer, Moki Kawaguchi, for some time now, operates in an explicitly therapeutic mode. 2021’s I Hope You Are Well was originally self-released during the onset of the pandemic as a limited run of home-dubbed cassettes, which Kawaguchi hand-delivered to loved ones’ mailboxes in a sort of guerrilla care campaign—a modest attempt to mitigate the sudden, profound alienation that prevailed during those early lockdown months. When Lionmilk and Leaving Records later collaborated on an official release for I Hope You Are Well, this once humble project’s impact grew exponentially, with countless fans (old and new alike) granted access to the warmth and beauty of Lionmilk’s inner circle. Intergalactic Warp Terminal 222, out March 17, 2023 on Leaving, presents the listener with yet another opportunity for deep cosmic healing.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen discussing Lionmilk, Kawaguchi regularly foregrounds the absolute necessity of music-making as a form of self-care. First and foremost, he produces sounds and songs that provide him with some modicum of solace — “music to feel less whack to.” One gets the sense that he’d be doing exactly what he’s doing (exactly the way he’s doing it) even if he was the last man on earth. But he\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eisn’t. And, in fact, one of Lionmilk’s primary concerns—evident across track titles, as well as the sung and spoken words that dot his releases—is community, or more specifically, what it means to exist and act in his community. Intergalactic Warp Terminal 222 ventures deeper into the paradoxes explored to great effect on I Hope You Are Well. How might we transmit our solitudes via music and to what extent? What does a shared solitude sound and feel like? And, in the context of this transaction, what novel relationships arise between the recording artist and the listener?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe record begins with a radio transmission from the depths of Lionmilk’s celestial innerspace— “Hello. Is anybody out there? This is Lionmilk speaking, and you are tuned into the Intergalactic Warp Terminal 222. Standby. We are commencing broadcast” — a retro sci-fi movie motif that recurs throughout Intergalactic Warp Terminal 222’s 26 tracks. But space travel here functions more-so as a metaphor for deep soul work, for journeying inward, through the vast unknowns of one’s own consciousness. What follows is an intimate, diaristic song suite, grounded in the struggle to keep our hearts alive and open amidst an onslaught of daily indignities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracks like “daily i dream,” “lover’s theme,” and “hopeful i can change,” function as brief, instrumental meditations on those moments when hope suddenly, inexplicably eclipses despair. The soulful standout “treat yourself like a friend” contains perhaps the lyrical apotheosis of Lionmilk’s current iteration: “...I get up \/ to pee and drink water \/ treating myself a little bit softer \/ you do your best \/ today will be better \/ I’ll do my best \/ I’ll do my best \/ I promise.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComposed of loops, sketches, improvizations, and voice memos recorded directly to a single cassette tape, Intergalactic Warp Terminal 222 flutters, warbles, and lilts along seamlessly — an hour-long, lo-fi and jazzy paean to compassion, while clearly indebted to the ambient idiom, nevertheless constitutes some of the most politically engaged and energizing music yet from Lionmilk.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist :Lionmilk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-29T15:32:34+09:00","created_at":"2023-05-29T13:39:39+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hiphop \/ funk","jazz","leaving records","lp","new","recommended","tape"],"price":198000,"price_min":198000,"price_max":398000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258477998330,"title":"2xLP","option1":"2xLP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39421273800954,"product_id":7979947491578,"position":2,"created_at":"2023-05-29T13:40:03+09:00","updated_at":"2023-05-29T18:05:42+09:00","alt":null,"width":1200,"height":800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in2_d18a81b0-4855-4339-818f-ec848eabb081.jpg?v=1685351142","variant_ids":[44258477998330]},"available":true,"name":"Lionmilk \/\/ Intergalactic Warp Terminal 222 2xLP \/ TAPE - 2xLP","public_title":"2xLP","options":["2xLP"],"price":398000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32032160350458,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in2_d18a81b0-4855-4339-818f-ec848eabb081.jpg?v=1685351142"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":44258478031098,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39421268558074,"product_id":7979947491578,"position":3,"created_at":"2023-05-29T13:39:42+09:00","updated_at":"2023-05-29T18:05:42+09:00","alt":null,"width":1200,"height":800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0031101001_10_8e918a3e-6e89-4154-8b96-8e6811c145df.jpg?v=1685351142","variant_ids":[44258478031098]},"available":true,"name":"Lionmilk \/\/ Intergalactic Warp Terminal 222 2xLP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32032155599098,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0031101001_10_8e918a3e-6e89-4154-8b96-8e6811c145df.jpg?v=1685351142"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3187297749_16_9a855420-3355-40b8-8825-662ac9504b4a.jpg?v=1685335182","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in2_d18a81b0-4855-4339-818f-ec848eabb081.jpg?v=1685351142","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0031101001_10_8e918a3e-6e89-4154-8b96-8e6811c145df.jpg?v=1685351142"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3187297749_16_9a855420-3355-40b8-8825-662ac9504b4a.jpg?v=1685335182","options":["Format"],"media":[{"alt":null,"id":32032155566330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3187297749_16_9a855420-3355-40b8-8825-662ac9504b4a.jpg?v=1685335182"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3187297749_16_9a855420-3355-40b8-8825-662ac9504b4a.jpg?v=1685335182","width":700},{"alt":null,"id":32032160350458,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in2_d18a81b0-4855-4339-818f-ec848eabb081.jpg?v=1685351142"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in2_d18a81b0-4855-4339-818f-ec848eabb081.jpg?v=1685351142","width":1200},{"alt":null,"id":32032155599098,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0031101001_10_8e918a3e-6e89-4154-8b96-8e6811c145df.jpg?v=1685351142"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0031101001_10_8e918a3e-6e89-4154-8b96-8e6811c145df.jpg?v=1685351142","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eアメリカ・LAのジャズピアニストLionmilkが、2023年5月にLAのLeaving Recordsからリリースした2枚組レコードです。（カセットは3月にリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・ジャズ〜コンテンポラリーR\u0026amp;B26曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ロサンゼルスのミュージシャン／コンポーザー／プロデューサーである\u003cmeta charset=\"utf-8\"\u003eMoki Kawaguchiの主要なソロ・プロジェクトであるLionmilkは、ここしばらくの間、明らかに治療的なモードで活動しています。2021年の『I Hope You Are Well』は、パンデミックが始まった時期に自主制作されたもので、\u003cmeta charset=\"utf-8\"\u003eKawaguchiはゲリラ的なケアキャンペーンとして、愛する人の郵便受けに手渡しでカセットを届け、封鎖初期の突然の深い疎外感を緩和するためのささやかな試みでした。その後、LionmilkとLeaving Recordsがコラボレートして『I Hope You Are Well』を正式にリリースすると、このささやかなプロジェクトの影響力は飛躍的に高まり、Lionmilkの内輪の温かさと美しさを、新旧問わず無数のファンが知ることができるようになりました。『Intergalactic Warp Terminal 222』は、リスナーに深い宇宙的な癒しの機会を再び提供するものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eKawaguchiはLionmilkについて語るとき、セルフケアとしての音楽制作の絶対的な必要性を常々説いています。まず第一に、彼は自分にとって少しでも慰めになるような音や曲を制作しています。\"気分が悪くならないような音楽 \"です。彼が地球上で最後の一人であったとしても、今やっていることを（今やっている方法で）やっているような気がします。しかし、彼はそうではありません。そして実際、Lionmilkの主要な関心事の1つは、トラックタイトルや、彼のリリースに散りばめられた歌や話し言葉から明らかなように、コミュニティ、より具体的には、彼のコミュニティに存在し行動することの意味です。この『Intergalactic Warp Terminal 222』は、『I Hope You Are Well』で効果的に追求されたパラドックスに深く踏み込んでいます。 私たちは音楽を通じてどのように、そしてどの程度まで孤独を伝えることができるでしょうか？孤独を共有することは、どのような音や感覚なのでしょうか。そして、この取引の文脈で、レコーディング・アーティストとリスナーの間にどんな新しい関係が生まれるのでしょうか。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのレコードは、Lionmilkの天空の内部空間の深部からの無線通信で始まります。「どなたかいらっしゃいませんか？こちらはLionmilkです。あなたは銀河系ワープターミナル222にチューニングされています。スタンバイしてください。放送を開始します」というレトロなSF映画のモチーフが、『Intergalactic Warp Terminal 222』の全26曲を通して繰り返されています。しかし、この宇宙旅行は、深い魂の作業や、自分自身の意識の広大な未知の世界を旅することのメタファーとしてより機能しているのです。その後に続くのは、親密で日記的な歌の組合せであり、日々の侮辱の猛攻撃の中で、心を生き生きと開き続けるための闘いに根ざしています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003edaily i dream、lover's theme」、hopeful i can changeなどの曲は、希望が突然、不可解なまでに絶望を打ち消す瞬間についての簡潔なインストルメンタル瞑想として機能します。ソウルフルなtreat yourself like a friendは、現在のLionmilkの神髄とも言える歌詞を含んでいます： \"...I get up \/ to pee and drink water \/ treating myself a little bit softer \/ you do your best \/ today will be better \/ I'll do my best \/ I'll do my best \/ I promise.\".\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eループ、スケッチ、即興、ボイスメモを1本のカセットテープに直接録音して構成された『Intergalactic Warp Terminal 222』は、ひらひらとワープし、軽快に流れます。1時間のLo-Fiでジャジーな慈悲の賛歌は、明らかにアンビエントを意識しているが、Lionmilkのこれまでの音楽の中で最も政治的関与と活力を感じさせるものとなっていいます。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=606679078\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=606679078\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=482222518\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable on cassette (1st edition of 200) \u003c\/span\u003e\u003cspan\u003eor 2x12\" black vinyl (1st edition of 400). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLionmilk, the primary solo project of Los Angeles musician\/composer\/producer, Moki Kawaguchi, for some time now, operates in an explicitly therapeutic mode. 2021’s I Hope You Are Well was originally self-released during the onset of the pandemic as a limited run of home-dubbed cassettes, which Kawaguchi hand-delivered to loved ones’ mailboxes in a sort of guerrilla care campaign—a modest attempt to mitigate the sudden, profound alienation that prevailed during those early lockdown months. When Lionmilk and Leaving Records later collaborated on an official release for I Hope You Are Well, this once humble project’s impact grew exponentially, with countless fans (old and new alike) granted access to the warmth and beauty of Lionmilk’s inner circle. Intergalactic Warp Terminal 222, out March 17, 2023 on Leaving, presents the listener with yet another opportunity for deep cosmic healing.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen discussing Lionmilk, Kawaguchi regularly foregrounds the absolute necessity of music-making as a form of self-care. First and foremost, he produces sounds and songs that provide him with some modicum of solace — “music to feel less whack to.” One gets the sense that he’d be doing exactly what he’s doing (exactly the way he’s doing it) even if he was the last man on earth. But he\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eisn’t. And, in fact, one of Lionmilk’s primary concerns—evident across track titles, as well as the sung and spoken words that dot his releases—is community, or more specifically, what it means to exist and act in his community. Intergalactic Warp Terminal 222 ventures deeper into the paradoxes explored to great effect on I Hope You Are Well. How might we transmit our solitudes via music and to what extent? What does a shared solitude sound and feel like? And, in the context of this transaction, what novel relationships arise between the recording artist and the listener?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe record begins with a radio transmission from the depths of Lionmilk’s celestial innerspace— “Hello. Is anybody out there? This is Lionmilk speaking, and you are tuned into the Intergalactic Warp Terminal 222. Standby. We are commencing broadcast” — a retro sci-fi movie motif that recurs throughout Intergalactic Warp Terminal 222’s 26 tracks. But space travel here functions more-so as a metaphor for deep soul work, for journeying inward, through the vast unknowns of one’s own consciousness. What follows is an intimate, diaristic song suite, grounded in the struggle to keep our hearts alive and open amidst an onslaught of daily indignities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTracks like “daily i dream,” “lover’s theme,” and “hopeful i can change,” function as brief, instrumental meditations on those moments when hope suddenly, inexplicably eclipses despair. The soulful standout “treat yourself like a friend” contains perhaps the lyrical apotheosis of Lionmilk’s current iteration: “...I get up \/ to pee and drink water \/ treating myself a little bit softer \/ you do your best \/ today will be better \/ I’ll do my best \/ I’ll do my best \/ I promise.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComposed of loops, sketches, improvizations, and voice memos recorded directly to a single cassette tape, Intergalactic Warp Terminal 222 flutters, warbles, and lilts along seamlessly — an hour-long, lo-fi and jazzy paean to compassion, while clearly indebted to the ambient idiom, nevertheless constitutes some of the most politically engaged and energizing music yet from Lionmilk.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist :Lionmilk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのジャズピアニストLionmilkが、2023年5月にLAのLeaving Recordsからリリースした2枚組レコードです。（カセットは3月にリリース） アンビエント・ジャズ〜コンテンポラリーR&B26曲を収録。DLコード付属。 "ロサンゼルスのミュージシャン／コンポーザー／プロデューサーであるMoki Kawaguchiの主要なソロ・プロジェクトであるLionmilkは、ここしばらくの間、明らかに治療的なモードで活動しています。2021年の『I Hope You Are Well』は、パンデミックが始まった時期に自主制作されたもので、Kawaguchiはゲリラ的なケアキャンペーンとして、愛する人の郵便受けに手渡しでカセットを届け、封鎖初期の突然の深い疎外感を緩和するためのささやかな試みでした。その後、LionmilkとLeaving Recordsがコラボレートして『I Hope You Are...
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{"id":7979891851514,"title":"Sam Wilkes \u0026 Jacob Mann \/\/ Perform The Compositions of Sam Wilkes \u0026 Jacob Mann LP","handle":"sam-wilkes-jacob-mann-perform-the-compositions-of-sam-wilkes-jacob-mann-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eアメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eヒップホップやハウスリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2805983379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eOf all the things that can and should and will be said of Sam Wilkes’ \u0026amp; Jacob Mann’s Perform the Compositions of Sam Wilkes \u0026amp; Jacob Mann, let’s begin at the beginning and acknowledge that it is an aptly named record indeed. An ideal collaborative effort (which is to say, greater than the sum of its parts), here we have two longtime friends, two luminaries of the New Weird Los Angeles — the experimental, genre-encompassing underground—who have, at last, devoted a full-length record to their signature musical admixture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince their meeting as USC music students (Wilkes studied bass, and Mann, jazz\/piano), the two have, with a kind of ceaseless abandon, chased the music to the ends the earth — oftentimes quite literally; travel is a recurrent theme in Compositions’ track titles (Pre-board, Soft Landing, and Around the Horn), and the record’s second track, Jakarta, was sketched out in a hotel room in the city of the same name, where Wilkes and Mann were performing at a jazz festival in 2019. Having initially bonded over a mutual and abiding appreciation for the Soulquarians, the two have spent over a decade playing and traveling, together and separately, their styles coevolving all the while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAcross its thirteen tracks, Compositions captures the relaxed creative flow of two consummate musicians. Most of the record’s sessions (“four-to-five-day summits” in an apartment studio, occasioned by “blasts of inspiration”) began with casual improvisation, and, indeed, roughly half of the final material was composed in this manner: Wilkes and Mann squaring off, a Yamaha DX7 facing a Roland Juno 106, alternating leads, two co-pilots with no set course. And though the songs are polished to a shine, there are artifacts of the intimacy of these sessions. Yes It Is concludes with a snippet of just-intelligible studio chatter: “…A flat minor, then A major.” A figuring-it-out-as-we-go moment that briefly renders explicit the warmth, friendship, and creative freedom that is the album’s heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe duo has quipped that Compositions is Mann’s most “serious” project, while simultaneously being Wilkes’ most “light-hearted” — somewhat tongue-in-cheek, but there are certainly two distinct sensibilities at play across Compositions. Their aesthetics collide, coalesce, and diverge, often in a single song. Then the process starts anew. The album begins with the whimsical (exuberant, even!) glitched-out Cricket Club and ends on a note of quiet contentment with Wichita Wilkes, an Earth, Wind, and Fire x shoegaze fever dream.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Compositions coheres as well as it does is a testament to Wilkes’ and Mann’s shared vernacular. Both have expressed a tendency to communicate their musical ideas linguistically, posing questions like “what would the woodwinds be doing here?” Though only the two musicians are credited, the ensemble conjured by their combined imaginary feels infinite.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes \u0026amp; Jacob Mann\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2023-05-29T08:07:46+09:00","created_at":"2023-05-29T08:07:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","house","jazz","leaving records","lp","new","recommended"],"price":339000,"price_min":339000,"price_max":339000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258104836346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sam Wilkes \u0026 Jacob Mann \/\/ Perform The Compositions of Sam Wilkes \u0026 Jacob Mann LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0029607205_10.jpg?v=1685315662","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0029607207_10.jpg?v=1685315663"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","options":["Title"],"media":[{"alt":null,"id":32031311266042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","width":700},{"alt":null,"id":32031323226362,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0029607205_10.jpg?v=1685315662"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0029607205_10.jpg?v=1685315662","width":1200},{"alt":null,"id":32031323324666,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0029607207_10.jpg?v=1685315663"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0029607207_10.jpg?v=1685315663","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eアメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eヒップホップやハウスリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2805983379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eOf all the things that can and should and will be said of Sam Wilkes’ \u0026amp; Jacob Mann’s Perform the Compositions of Sam Wilkes \u0026amp; Jacob Mann, let’s begin at the beginning and acknowledge that it is an aptly named record indeed. An ideal collaborative effort (which is to say, greater than the sum of its parts), here we have two longtime friends, two luminaries of the New Weird Los Angeles — the experimental, genre-encompassing underground—who have, at last, devoted a full-length record to their signature musical admixture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince their meeting as USC music students (Wilkes studied bass, and Mann, jazz\/piano), the two have, with a kind of ceaseless abandon, chased the music to the ends the earth — oftentimes quite literally; travel is a recurrent theme in Compositions’ track titles (Pre-board, Soft Landing, and Around the Horn), and the record’s second track, Jakarta, was sketched out in a hotel room in the city of the same name, where Wilkes and Mann were performing at a jazz festival in 2019. Having initially bonded over a mutual and abiding appreciation for the Soulquarians, the two have spent over a decade playing and traveling, together and separately, their styles coevolving all the while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAcross its thirteen tracks, Compositions captures the relaxed creative flow of two consummate musicians. Most of the record’s sessions (“four-to-five-day summits” in an apartment studio, occasioned by “blasts of inspiration”) began with casual improvisation, and, indeed, roughly half of the final material was composed in this manner: Wilkes and Mann squaring off, a Yamaha DX7 facing a Roland Juno 106, alternating leads, two co-pilots with no set course. And though the songs are polished to a shine, there are artifacts of the intimacy of these sessions. Yes It Is concludes with a snippet of just-intelligible studio chatter: “…A flat minor, then A major.” A figuring-it-out-as-we-go moment that briefly renders explicit the warmth, friendship, and creative freedom that is the album’s heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe duo has quipped that Compositions is Mann’s most “serious” project, while simultaneously being Wilkes’ most “light-hearted” — somewhat tongue-in-cheek, but there are certainly two distinct sensibilities at play across Compositions. Their aesthetics collide, coalesce, and diverge, often in a single song. Then the process starts anew. The album begins with the whimsical (exuberant, even!) glitched-out Cricket Club and ends on a note of quiet contentment with Wichita Wilkes, an Earth, Wind, and Fire x shoegaze fever dream.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Compositions coheres as well as it does is a testament to Wilkes’ and Mann’s shared vernacular. Both have expressed a tendency to communicate their musical ideas linguistically, posing questions like “what would the woodwinds be doing here?” Though only the two musicians are credited, the ensemble conjured by their combined imaginary feels infinite.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes \u0026amp; Jacob Mann\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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アメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。 レイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。 ヒップホップやハウスリスナーにもおすすめします。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases...
¥3,390