royallen // cassette tape TAPE
![Brijean // Angelo LP [COLOR]](//cdn.shopify.com/s/files/1/0305/1637/9780/products/an1_71c2e359-1f19-4875-8c57-7cbd1a916fa0_medium.jpg?v=1680144953)
royallen // cassette tape TAPE
¥1,408
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artist : royallen
label : permanent nostalgia
22本限定です
artist : royallen
label : permanent nostalgia
22本限定です
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{"id":7947029807354,"title":"Steve Gunn \u0026 David Moore \/\/ Reflections Vol. 1: Let the Moon Be a Planet LP","handle":"steve-gunn-david-moore-reflections-vol-1-let-the-moon-be-a-planet-lp","description":"\u003cp\u003eアメリカのギタリストSteve GunnとピアニストDavid Mooreが、2023年3月に同国RVNGからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・フォーク8曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1237969707\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rvng-intl\"\u003ehere\u003c\/a\u003e to see more RVNG Intl. \/ Freedom To Spend releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eRVNG Intl.:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eLet the Moon Be a Planet marks the first volume of Reflections, a new series of contemporary collaborations orchestrated by RVNG Intl., and documents an inspired exchange between guitarist and songwriter Steve Gunn and pianist and composer David Moore of Bing \u0026amp; Ruth. 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{"id":7946473275642,"title":"Jana Horn \/\/ The Window Is The Dream CD \/ LP","handle":"jana-horn-the-window-is-the-dream-cd-lp","description":"\u003cp\u003eアメリカ・テキサスのシンガーソングライターJana Hornが、2023年3月に同国No Quarterからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e彼女が休学中に制作したポエティックなベッドルームフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1521619205\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------- \u003c\/p\u003e\n\u003cp\u003eAvailable on LP or CD. Please ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eJana Horn, January 2023\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Window is the Dream began as a failed poem. I wrote it as I was waking up... the last thing I want in this breath of existence \/ is not to throw myself into it \/ as any bird might stop flying \/ when the window is the dream. I think the original line was \"toad breath.\" My classmates were nice about it, even the teacher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was taking a class on esoteric lit, a fiction workshop, a poetry class. And while the poem wasn't quite... a poem... a song did rise from it, like smoke from a fire put-out. 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I mean that he couldn’t tell me\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e what he was dreaming, and I couldn’t tell him what was real.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI won't bore you with more quotes... but perhaps my idea with this song, and album, was in part to help keep this broader, ongoing conversation in the air, like a beach ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI wrote these songs in the thick of a writing program. I was reading all the time, sometimes five-hundred pages a week or more, there was no music on, for years maybe; my record player broke, the stereo in my car, my laptop’s was on its last speaker and then it started twitching. The feeling of those days was holding on, as though centripetal force alone was keeping everything going. Songs spilled. Days go by \/ they don't have time. 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There’s more of this, I think, a kind of dialogue throughout, between the voices in the room.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jana Horn\u003c\/p\u003e\n\u003cp\u003eLabel : No Quarter \u003c\/p\u003e","published_at":"2023-03-30T14:49:40+09:00","created_at":"2023-03-30T12:02:22+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","no quarter"],"price":228000,"price_min":228000,"price_max":329000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44134953353466,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jana Horn \/\/ The Window Is The Dream CD \/ LP - CD","public_title":"CD","options":["CD"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":44134953386234,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jana Horn \/\/ The Window Is The Dream CD \/ LP - LP","public_title":"LP","options":["LP"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wi1_767ed719-5b7f-4ad4-955c-6b3795ceed33.jpg?v=1680145343"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wi1_767ed719-5b7f-4ad4-955c-6b3795ceed33.jpg?v=1680145343","options":["Format"],"media":[{"alt":null,"id":31752870559994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wi1_767ed719-5b7f-4ad4-955c-6b3795ceed33.jpg?v=1680145343"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wi1_767ed719-5b7f-4ad4-955c-6b3795ceed33.jpg?v=1680145343","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テキサスのシンガーソングライターJana Hornが、2023年3月に同国No Quarterからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e彼女が休学中に制作したポエティックなベッドルームフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1521619205\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------- \u003c\/p\u003e\n\u003cp\u003eAvailable on LP or CD. Please ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eJana Horn, January 2023\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Window is the Dream began as a failed poem. I wrote it as I was waking up... the last thing I want in this breath of existence \/ is not to throw myself into it \/ as any bird might stop flying \/ when the window is the dream. I think the original line was \"toad breath.\" My classmates were nice about it, even the teacher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was taking a class on esoteric lit, a fiction workshop, a poetry class. And while the poem wasn't quite... a poem... a song did rise from it, like smoke from a fire put-out. The song is called The Dream, which maybe the album is pointing toward. These recurring lines which depict the image of a bird hitting a window, though not out of oblivion, but because the bird knows something we don't.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***What if birds aren't singing, they're screaming? (Aldous Harding)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***What if nightmares were cries from hell? What if nightmares literally took place in hell? Why not? Everything is so strange, even this is possible. (Jorge Luis Borges)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think of a line from a favorite story of mine, \"Car Crash While Hitchhiking,\" in which a man is observing someone badly hurt, and about to go: And therefore I looked down into the great pity of a person’s life on this earth. I don’t mean that we all end up dead, that’s not the great pity. I mean that he couldn’t tell me\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e what he was dreaming, and I couldn’t tell him what was real.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI won't bore you with more quotes... but perhaps my idea with this song, and album, was in part to help keep this broader, ongoing conversation in the air, like a beach ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI wrote these songs in the thick of a writing program. I was reading all the time, sometimes five-hundred pages a week or more, there was no music on, for years maybe; my record player broke, the stereo in my car, my laptop’s was on its last speaker and then it started twitching. The feeling of those days was holding on, as though centripetal force alone was keeping everything going. Songs spilled. Days go by \/ they don't have time. Even the walks I took were circular, around the cemetery and back.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album was recorded in the breaths I could take away from school, over about a year. Once I had a number of songs, I drove to upstate New York where my friends Sarah and Jared warned me we could make something beautiful. I think I was the first, or one of them, to record in their barn, which is now a bonafide studio. The whole thing was a family affair. Jonathon, one of the guitarists, and I even have the same last name. I like the songs that we play together, how his guitar and my voice sound like they’re having a conversation, or arguing, or trust-falling into one another. There’s more of this, I think, a kind of dialogue throughout, between the voices in the room.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jana Horn\u003c\/p\u003e\n\u003cp\u003eLabel : No Quarter \u003c\/p\u003e"}
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¥2,280
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{"id":7946470916346,"title":"Jacqueline Humbert \u0026 David Rosenboom \/\/ Daytime Viewing 2xLP","handle":"jacqueline-humbert-david-rosenboom-daytime-viewing-2xlp","description":"\u003cp\u003eアメリカの歌手Jacqueline Humbertと実験音楽家David Rosenboomが、2023年3月に同国NYのUnseen Worldsからリリースした再発2枚組レコードです。（オリジナルは1983年にカセットでリリース）\u003c\/p\u003e\n\u003cp\u003eキャッチーなエレクトロニック・ポップ9曲を収録。16ページのブックレットとDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904975454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e16-page booklet with lyrics and additional artwork. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis project was originally recorded in 1982 in analog form at the Center for Contemporary Music Recording Studio at Mills College, Oakland, CA and released as a private cassette in 1983. First re-released in 2013 by Unseen Worlds (UW10), it was re-mastered again in 2021 by Stephan Mathieu.\u003cbr\u003e\u003cbr\u003eThe recording was based on the original performance-art version of Daytime Viewing, which included music, text, theater, projections, fashion\/costume designs, and video, created in 1979-80 and performed at the Music Gallery, Toronto; 80 Langton St., San Francisco; Kunsthalle, Basel; Festival International de Musique Électronique, Video et Computer Art, Brussels; and Macy's San Francisco as part of the J. Jasmine Review on the New Music America Festival 1981.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e40th Anniversary Edition - newly remastered from the master tapes, with an additional bonus LP of instrumentals and the previously unreleased “Narration Theme.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDaytime Viewing (1979-80) is an extended narrative song, based on a casual analysis of daytime television drama and the audience phenomena such programming addresses. The piece explores the use of fantasy as a survival mechanism against loneliness, illustrating the human compulsion to inflate the mundane to mythological proportions. A central female character weaves tales, using threads of personal experience and the idea of TV as friend, as mantra, and as transformational window between imagined spectacle and the pedestrian plane.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released as a private cassette edition [recorded, 1982; Chez Hum-Boom release, 1983] documenting the collaborative performance piece of the same name by Jacqueline Humbert \u0026amp; David Rosenboom. This heady, thoroughly enjoyable work was first made available on CD and LP in 2013 by Unseen Worlds. Jacqueline Humbert (aka J. Jasmine) is a songwriter of brains and wit on par with Robert Ashley, with whom she's worked extensively. David Rosenboom's complex, harmonic electronic\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e arrangements are accentuated brilliantly by percussion from William Winant. Daytime Viewing can happily be added to a small but significant group of work that, through lesser-known paths, engaged in an equally revelatory reexamination of the Great American Songbook as Minimalism did with 20th Century composition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jacqueline Humbert \u0026amp; David Rosenboom\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e","published_at":"2023-03-30T13:55:31+09:00","created_at":"2023-03-30T11:59:05+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","unseen worlds"],"price":559000,"price_min":559000,"price_max":559000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44134943424762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jacqueline Humbert \u0026 David Rosenboom \/\/ Daytime Viewing 2xLP","public_title":null,"options":["Default Title"],"price":559000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_df0f7625-6adb-42e7-acfd-faf1f851067e.jpg?v=1680145147"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147","options":["Title"],"media":[{"alt":null,"id":31752861286650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1_d4218b38-88cf-4b5b-be99-7078b030cd2b.jpg?v=1680145147","width":700},{"alt":null,"id":31752861319418,"position":2,"preview_image":{"aspect_ratio":1.626,"height":738,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_df0f7625-6adb-42e7-acfd-faf1f851067e.jpg?v=1680145147"},"aspect_ratio":1.626,"height":738,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da2_df0f7625-6adb-42e7-acfd-faf1f851067e.jpg?v=1680145147","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの歌手Jacqueline Humbertと実験音楽家David Rosenboomが、2023年3月に同国NYのUnseen Worldsからリリースした再発2枚組レコードです。（オリジナルは1983年にカセットでリリース）\u003c\/p\u003e\n\u003cp\u003eキャッチーなエレクトロニック・ポップ9曲を収録。16ページのブックレットとDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1904975454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e16-page booklet with lyrics and additional artwork. Includes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis project was originally recorded in 1982 in analog form at the Center for Contemporary Music Recording Studio at Mills College, Oakland, CA and released as a private cassette in 1983. First re-released in 2013 by Unseen Worlds (UW10), it was re-mastered again in 2021 by Stephan Mathieu.\u003cbr\u003e\u003cbr\u003eThe recording was based on the original performance-art version of Daytime Viewing, which included music, text, theater, projections, fashion\/costume designs, and video, created in 1979-80 and performed at the Music Gallery, Toronto; 80 Langton St., San Francisco; Kunsthalle, Basel; Festival International de Musique Électronique, Video et Computer Art, Brussels; and Macy's San Francisco as part of the J. Jasmine Review on the New Music America Festival 1981.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e40th Anniversary Edition - newly remastered from the master tapes, with an additional bonus LP of instrumentals and the previously unreleased “Narration Theme.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDaytime Viewing (1979-80) is an extended narrative song, based on a casual analysis of daytime television drama and the audience phenomena such programming addresses. The piece explores the use of fantasy as a survival mechanism against loneliness, illustrating the human compulsion to inflate the mundane to mythological proportions. A central female character weaves tales, using threads of personal experience and the idea of TV as friend, as mantra, and as transformational window between imagined spectacle and the pedestrian plane.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released as a private cassette edition [recorded, 1982; Chez Hum-Boom release, 1983] documenting the collaborative performance piece of the same name by Jacqueline Humbert \u0026amp; David Rosenboom. This heady, thoroughly enjoyable work was first made available on CD and LP in 2013 by Unseen Worlds. Jacqueline Humbert (aka J. Jasmine) is a songwriter of brains and wit on par with Robert Ashley, with whom she's worked extensively. David Rosenboom's complex, harmonic electronic\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e arrangements are accentuated brilliantly by percussion from William Winant. Daytime Viewing can happily be added to a small but significant group of work that, through lesser-known paths, engaged in an equally revelatory reexamination of the Great American Songbook as Minimalism did with 20th Century composition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jacqueline Humbert \u0026amp; David Rosenboom\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e"}
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アメリカの歌手Jacqueline Humbertと実験音楽家David Rosenboomが、2023年3月に同国NYのUnseen Worldsからリリースした再発2枚組レコードです。（オリジナルは1983年にカセットでリリース） キャッチーなエレクトロニック・ポップ9曲を収録。16ページのブックレットとDLコード付属。 レーベルその他作品はこちら /// Click here to see more Unseen Worlds releases available at...
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{"id":7946469507322,"title":"Brijean \/\/ Angelo LP [COLOR]","handle":"brijean-angelo-lp-color","description":"\u003cp\u003eアメリカ・LAのエレクトロニック・ポップデュオBrijeanが、2023年3月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eディスコハウス・ポップ9曲を収録。ピンクブルー盤です。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3201079726\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003ePressed on 12\" pink and blue vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Angelo is an EP, named after a car, featuring nine songs Brijean have crafted and carried with them through a period of profound change, loss, and relocation. It finds percussionist\/singer Brijean Murphy and multi-instrumentalist\/producer Doug Stuart processing the impossible the only way they know how: through rhythm and movement. The months surrounding the acclaimed release of Feelings, their full-length Ghostly International debut in 2021 which celebrated tender self-reflection and new possibilities, rang bittersweet with the absence of touring and the sudden passing of Murphy’s father and both of Stuart’s parents. In a haze of heartache, the duo left the Bay Area to be near family, resetting in four cities in under two years. Their to-go rig became their traveling studio and these tracks, along with Angelo, became their few constants. Whereas Feelings formed over collaborative jams with friends, Angelo’s sessions presented Murphy and Stuart a chance to record at their most intimate, “to get us out of our grief and into our bodies,” says Murphy. They explored new moods and styles, reaching for effervescent dance tempos and technicolor backdrops, vibrant hues in contrast to their more somber human experiences. Angelo beams with positivity and creative renewal — a resourceful, collective answer to “what\u003cspan class=\"bcTruncateMore\"\u003e happens now?”\u003cbr\u003e\u003cbr\u003eAngelo the car is a 1981 Toyota Celica they got off Craigslist during their first stint in Los Angeles, where Murphy and Stuart have since settled. “Such a bro-y, ‘80s dude car, it’s been super fun to drive around in a new town,” Murphy says. “He’s older than us, he’s a classic, he’s got a story.” It is a spiritual vehicle with a cinematic appeal, first dropping them off in an alleyway for the scene-setting intro, “Which Way To The Club.” The question is quickly resolved by “Take A Trip” as a cruising bassline mingles with crowd sounds, hand-claps, cuíca hiccups, whip-cracks, even a horse neigh. Brijean have found some club on this cross-dimensional trip — the kind of imagined space or chamber within one’s self capable of “shifting a fraction of who you are,” says Murphy. They wrote the track with the simple intention to be “as free as we could be,” adds Stuart, likening the flip on the B section to a realm unlocked: ”What if the world changed completely? You open the door to a new room.”\u003cbr\u003e\u003cbr\u003eNext is \"Shy Guy,\" a motivational anthem for the wallflowers among us. Murphy sets up the daydream: “We are in junior high, we’re on the dance floor, what’s going down, who is dancing, who is not, how are we gonna make them dance?” The narrator, the MC, hypes up the room as conga-driven rhythms bounce between languid synth and guitar lines. “Show me how to move…I feel something…I know you feel it too,” Murphy sings sweetly, calling back to the opening lines of Feelings, and this time the audience chants it back. It is easy to picture Brijean performing this one — something they only got to do a handful of times until more recently, opening shows for Khruangbin and Washed Out, an experience they found informative. Murphy explains, “It was inspiring to be out there and let loose more. To see how people can expand their expression on stage gave me more liberty with how I viewed my musicianship. My role for so long was to be a backup percussionist, so why would I ever leave the drums, you know? But then after playing all these runs, you see these artists and realize you can, you have permission.”\u003cbr\u003e\u003cbr\u003e“Angelo” and \"Ooo La La\" deliver the danciest stretch in Brijean’s catalog to date. The title track adopts a deep house pulse replete with strings, hi-hats, and kicks. The latter opts for a funkier groove that foregoes verses in favor of warbled hums and extended breakdowns. What follows is perhaps the duo’s dreamiest run, a comedown initiated with the honey-hued interlude “Colors” drifting into “Where Do We Go?”, a tropicália reverie where Murphy contemplates the passage of time and space.\u003cbr\u003e\u0026amp;nbsp;\u003cbr\u003eIt all culminates in \"Caldwell's Way,\" a fond farewell to their Bay Area community — “a part of my life that I knew couldn’t come back,” says Murphy. Above shimmering organ sounds, lush strings, and the birdcall of their former neighborhood, she wistfully articulates the uncertainty of moving on by remembering the characters dear to them. There’s the wisdom of their neighbor, Santos, who refused payment when helping them move out: “I’d rather have 100 friends than 100 dollars.” And the song’s namesake, Benjamin Caldwell Brown, a friend and club night cohort for many years. “I’m only miles away, maybe I’m just feeling lonely,” the line resigns to warm nostalgia, and “Nostalgia” runs the closing credits to this healing and transportive collection.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brijean\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International \u003c\/p\u003e","published_at":"2023-03-30T13:25:21+09:00","created_at":"2023-03-30T11:55:51+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","ghostly international","house","lp","new"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44134936674554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Brijean \/\/ Angelo LP [COLOR]","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an1_71c2e359-1f19-4875-8c57-7cbd1a916fa0.jpg?v=1680144953","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an2_70ae1654-778b-4a18-aa6c-c390df05b388.jpg?v=1680144953"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an1_71c2e359-1f19-4875-8c57-7cbd1a916fa0.jpg?v=1680144953","options":["Title"],"media":[{"alt":null,"id":31752852275450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an1_71c2e359-1f19-4875-8c57-7cbd1a916fa0.jpg?v=1680144953"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an1_71c2e359-1f19-4875-8c57-7cbd1a916fa0.jpg?v=1680144953","width":700},{"alt":null,"id":31752852308218,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an2_70ae1654-778b-4a18-aa6c-c390df05b388.jpg?v=1680144953"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an2_70ae1654-778b-4a18-aa6c-c390df05b388.jpg?v=1680144953","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのエレクトロニック・ポップデュオBrijeanが、2023年3月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eディスコハウス・ポップ9曲を収録。ピンクブルー盤です。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3201079726\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003ePressed on 12\" pink and blue vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Angelo is an EP, named after a car, featuring nine songs Brijean have crafted and carried with them through a period of profound change, loss, and relocation. It finds percussionist\/singer Brijean Murphy and multi-instrumentalist\/producer Doug Stuart processing the impossible the only way they know how: through rhythm and movement. The months surrounding the acclaimed release of Feelings, their full-length Ghostly International debut in 2021 which celebrated tender self-reflection and new possibilities, rang bittersweet with the absence of touring and the sudden passing of Murphy’s father and both of Stuart’s parents. In a haze of heartache, the duo left the Bay Area to be near family, resetting in four cities in under two years. Their to-go rig became their traveling studio and these tracks, along with Angelo, became their few constants. Whereas Feelings formed over collaborative jams with friends, Angelo’s sessions presented Murphy and Stuart a chance to record at their most intimate, “to get us out of our grief and into our bodies,” says Murphy. They explored new moods and styles, reaching for effervescent dance tempos and technicolor backdrops, vibrant hues in contrast to their more somber human experiences. Angelo beams with positivity and creative renewal — a resourceful, collective answer to “what\u003cspan class=\"bcTruncateMore\"\u003e happens now?”\u003cbr\u003e\u003cbr\u003eAngelo the car is a 1981 Toyota Celica they got off Craigslist during their first stint in Los Angeles, where Murphy and Stuart have since settled. “Such a bro-y, ‘80s dude car, it’s been super fun to drive around in a new town,” Murphy says. “He’s older than us, he’s a classic, he’s got a story.” It is a spiritual vehicle with a cinematic appeal, first dropping them off in an alleyway for the scene-setting intro, “Which Way To The Club.” The question is quickly resolved by “Take A Trip” as a cruising bassline mingles with crowd sounds, hand-claps, cuíca hiccups, whip-cracks, even a horse neigh. Brijean have found some club on this cross-dimensional trip — the kind of imagined space or chamber within one’s self capable of “shifting a fraction of who you are,” says Murphy. They wrote the track with the simple intention to be “as free as we could be,” adds Stuart, likening the flip on the B section to a realm unlocked: ”What if the world changed completely? You open the door to a new room.”\u003cbr\u003e\u003cbr\u003eNext is \"Shy Guy,\" a motivational anthem for the wallflowers among us. Murphy sets up the daydream: “We are in junior high, we’re on the dance floor, what’s going down, who is dancing, who is not, how are we gonna make them dance?” The narrator, the MC, hypes up the room as conga-driven rhythms bounce between languid synth and guitar lines. “Show me how to move…I feel something…I know you feel it too,” Murphy sings sweetly, calling back to the opening lines of Feelings, and this time the audience chants it back. It is easy to picture Brijean performing this one — something they only got to do a handful of times until more recently, opening shows for Khruangbin and Washed Out, an experience they found informative. Murphy explains, “It was inspiring to be out there and let loose more. To see how people can expand their expression on stage gave me more liberty with how I viewed my musicianship. My role for so long was to be a backup percussionist, so why would I ever leave the drums, you know? But then after playing all these runs, you see these artists and realize you can, you have permission.”\u003cbr\u003e\u003cbr\u003e“Angelo” and \"Ooo La La\" deliver the danciest stretch in Brijean’s catalog to date. The title track adopts a deep house pulse replete with strings, hi-hats, and kicks. The latter opts for a funkier groove that foregoes verses in favor of warbled hums and extended breakdowns. What follows is perhaps the duo’s dreamiest run, a comedown initiated with the honey-hued interlude “Colors” drifting into “Where Do We Go?”, a tropicália reverie where Murphy contemplates the passage of time and space.\u003cbr\u003e\u0026amp;nbsp;\u003cbr\u003eIt all culminates in \"Caldwell's Way,\" a fond farewell to their Bay Area community — “a part of my life that I knew couldn’t come back,” says Murphy. Above shimmering organ sounds, lush strings, and the birdcall of their former neighborhood, she wistfully articulates the uncertainty of moving on by remembering the characters dear to them. There’s the wisdom of their neighbor, Santos, who refused payment when helping them move out: “I’d rather have 100 friends than 100 dollars.” And the song’s namesake, Benjamin Caldwell Brown, a friend and club night cohort for many years. “I’m only miles away, maybe I’m just feeling lonely,” the line resigns to warm nostalgia, and “Nostalgia” runs the closing credits to this healing and transportive collection.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Brijean\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International \u003c\/p\u003e"}
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アメリカ・LAのエレクトロニック・ポップデュオBrijeanが、2023年3月に同国Ghostly Internationalからリリースしたレコードです。 ディスコハウス・ポップ9曲を収録。ピンクブルー盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Ghostly International releases available at Tobira. ----------------------...
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