Robohands // Green LP

¥3,890

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イギリスのマルチ奏者Robohandsが2018年にリリースしたデビューアルバムが、2021年8月に早くもレコードで再発。

ヒップホップ調のドラムにピアノとサックスが絡み合うアンビエントジャズ〜モダンジャズ10曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Village Live Records releases available at Tobira.

-------------------------------------

Green’ is a 10 track LP of smooth, ambient jazz by Robohands (Andy Baxter)

Artist : Robohands

Label : Village Live

イギリスのマルチ奏者Robohandsが2018年にリリースしたデビューアルバムが、2021年8月に早くもレコードで再発。

ヒップホップ調のドラムにピアノとサックスが絡み合うアンビエントジャズ〜モダンジャズ10曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Village Live Records releases available at Tobira.

-------------------------------------

Green’ is a 10 track LP of smooth, ambient jazz by Robohands (Andy Baxter)

Artist : Robohands

Label : Village Live

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Ston Elaióna\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. Gecko Pads\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA3. Hailstorm\u003cbr\u003e\u003c\/span\u003eA4. A Handful of Olives\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA5. Sacred House\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB1. Seikilos Epitaph\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2. First Lament\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB3. Oracle\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB4. Easter Daydream\u003cbr\u003e\u003c\/span\u003eB5. Lonely Melody\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by John Also Bennett:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSton Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInitially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV \u0026amp; JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. 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Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides.\u003cbr\u003e\u003cbr\u003eFollowing two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 \u0026amp; 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. 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Ston Elaióna\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. Gecko Pads\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA3. Hailstorm\u003cbr\u003e\u003c\/span\u003eA4. A Handful of Olives\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA5. Sacred House\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB1. 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The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInitially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV \u0026amp; JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. 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The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Στον Ελαιώνα (Ston Elaióna)’s two sides...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP162lp-c1\u003c\/span\u003e\u003c\/p\u003e"}

アメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、2025年7月にフランスの実験レーベルShelter Pressからリリースしたレコードです。アンビエント・ジャズドローン9曲を収録。真珠色盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...

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Last Minute Guitar 06:22\u003cbr\u003e2. Piece 2 at 77BPM 05:16\u003cbr\u003e3. Rhythmic Rhodes 06:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. #6 06:08\u003cbr\u003e\u003c\/span\u003e5. Rasun112 04:56\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. First Improv 06:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. New Prepared Guitar 04:58\u003cbr\u003e\u003c\/span\u003e8. Mrphgtrs1 08:30\u003c\/p\u003e\n\u003cp\u003eText excerpt by Lapsus:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eVitiello’s trio first collaborated on First, a 17-minute piece released on the Longform Editions label in 2023. Second picks up where the freeform drift of First left off, channeling the trio’s exploratory energies into more intentionally structured tracks and—in a real first for Balmat—some almost shockingly muscular grooves.\u003cbr\u003e\u003cbr\u003e“Sometimes my projects are more conceptually driven,” Vitiello says, “but I think this was more musically geared. I just wanted to open up the references and bring in an incredible drummer, bring in some melodies, and I’m sort of the center.” But his collaborators, he stresses, are “vastly creative in making anything I might suggest better.”\u003cbr\u003e\u003cbr\u003eLike its predecessor, Second took shape in phases, shifting between improvisation and collage. Vitiello laid down the skeleton of the music at home, sketching out initial ideas on Rhodes keyboard and acoustic and electric guitar; he then fed the parts through samplers and his modular system, recording 10- or 20-minute jams. Once he had edited them into more structured forms, he hit the studio with Canty, who added not just drums but also bass and piano; finally, Vitiello took the results of those sessions to Rowe, who played violin, viola, electric bass, and 12-string acoustic and bowed electric guitar, and assisted in some of the final structuring and mixdown.\u003cbr\u003e\u003cbr\u003eA few more surprises along the way: Reanimator’s Don Godwin, the studio engineer where Vitiello recorded with Canty, contributed what he calls “resonant dustpan”; and none other than Animal Collective’s Geologist, who just happened to be in the studio that day, sits in on hurdy gurdy on “Mrphgtrs1,” the album’s gorgeous, stunningly atmospheric drone closer. “I love these chance encounters,” Vitiello says. “Somebody I admire, a group I admire—that was an unexpected gift.”\u003cbr\u003e\u003cbr\u003eAn unexpected gift is a great way of describing Second as a whole: three veteran musicians venturing outside their usual zones and finding a new collaborative language together. The results can’t be neatly slotted into any given genre; they belong not to any given category, but to the spirit of conversation itself.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen Vitiello, Brendan Canty, Hahn Rowe\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBalmat 16\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-30T15:53:24+09:00","created_at":"2025-10-30T10:18:00+09:00","vendor":"Tobira Records","type":"","tags":["balmat","jazz","lp","new","strange beats"],"price":457000,"price_min":457000,"price_max":457000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47882786308346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Stephen Vitiello, Brendan Canty, Hahn Rowe \/\/ Second LP","public_title":null,"options":["Default Title"],"price":457000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548110388","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_70b05dbc-1337-49c0-86b8-f9849593c1d9.jpg?v=1761786921","\/\/tobirarecords.com\/cdn\/shop\/files\/sec2_ab619695-b7bd-4874-9dca-a0b2d9c33f1f.jpg?v=1761786921"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_70b05dbc-1337-49c0-86b8-f9849593c1d9.jpg?v=1761786921","options":["Title"],"media":[{"alt":null,"id":37328426270970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_70b05dbc-1337-49c0-86b8-f9849593c1d9.jpg?v=1761786921"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_70b05dbc-1337-49c0-86b8-f9849593c1d9.jpg?v=1761786921","width":700},{"alt":null,"id":37328426303738,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec2_ab619695-b7bd-4874-9dca-a0b2d9c33f1f.jpg?v=1761786921"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec2_ab619695-b7bd-4874-9dca-a0b2d9c33f1f.jpg?v=1761786921","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eStephen Vitiello, Brendan Canty, Hahn Roweが、2025年6月にスペインのIDMレーベルLapsus傘下Balmatからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eポストロック〜クラウトロック8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2709298622\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Last Minute Guitar 06:22\u003cbr\u003e2. Piece 2 at 77BPM 05:16\u003cbr\u003e3. Rhythmic Rhodes 06:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. #6 06:08\u003cbr\u003e\u003c\/span\u003e5. Rasun112 04:56\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. First Improv 06:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. New Prepared Guitar 04:58\u003cbr\u003e\u003c\/span\u003e8. Mrphgtrs1 08:30\u003c\/p\u003e\n\u003cp\u003eText excerpt by Lapsus:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eVitiello’s trio first collaborated on First, a 17-minute piece released on the Longform Editions label in 2023. Second picks up where the freeform drift of First left off, channeling the trio’s exploratory energies into more intentionally structured tracks and—in a real first for Balmat—some almost shockingly muscular grooves.\u003cbr\u003e\u003cbr\u003e“Sometimes my projects are more conceptually driven,” Vitiello says, “but I think this was more musically geared. I just wanted to open up the references and bring in an incredible drummer, bring in some melodies, and I’m sort of the center.” But his collaborators, he stresses, are “vastly creative in making anything I might suggest better.”\u003cbr\u003e\u003cbr\u003eLike its predecessor, Second took shape in phases, shifting between improvisation and collage. Vitiello laid down the skeleton of the music at home, sketching out initial ideas on Rhodes keyboard and acoustic and electric guitar; he then fed the parts through samplers and his modular system, recording 10- or 20-minute jams. Once he had edited them into more structured forms, he hit the studio with Canty, who added not just drums but also bass and piano; finally, Vitiello took the results of those sessions to Rowe, who played violin, viola, electric bass, and 12-string acoustic and bowed electric guitar, and assisted in some of the final structuring and mixdown.\u003cbr\u003e\u003cbr\u003eA few more surprises along the way: Reanimator’s Don Godwin, the studio engineer where Vitiello recorded with Canty, contributed what he calls “resonant dustpan”; and none other than Animal Collective’s Geologist, who just happened to be in the studio that day, sits in on hurdy gurdy on “Mrphgtrs1,” the album’s gorgeous, stunningly atmospheric drone closer. “I love these chance encounters,” Vitiello says. “Somebody I admire, a group I admire—that was an unexpected gift.”\u003cbr\u003e\u003cbr\u003eAn unexpected gift is a great way of describing Second as a whole: three veteran musicians venturing outside their usual zones and finding a new collaborative language together. The results can’t be neatly slotted into any given genre; they belong not to any given category, but to the spirit of conversation itself.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen Vitiello, Brendan Canty, Hahn Rowe\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBalmat 16\u003c\/span\u003e\u003c\/p\u003e"}