| RG | // Observer TAPE

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アンビエントテクノ作家RGが、2020年12月にイギリス・ロンドンの実験レーベルSagomeから70本限定でリリースしたカセットです。

ディープリスニング系のアンビエントテクノ〜アンビエントドローン9曲を収録。

Giuseppe Ielasiがマスタリングを担当しています。DLコード付属。

-----------------------

Edition of 70.

Sagome:

"We wake up, and everything looks the same as yesterday.
We make coffee, the builders next door are breaking the bricks, we hear the children laughing loud from the other side of our wall.
The day goes on. And then it’s dark.
During the night, we imagine being somewhere else. We are still in bed, but our closed eyes roll quickly. It’s cold, then hot.
We are somewhere else. We forget the anxiety while we run across a red prairie, the sky is blue like a shiny candy wrapper."

Artist : | RG |

Label : Sagome

アンビエントテクノ作家RGが、2020年12月にイギリス・ロンドンの実験レーベルSagomeから70本限定でリリースしたカセットです。

ディープリスニング系のアンビエントテクノ〜アンビエントドローン9曲を収録。

Giuseppe Ielasiがマスタリングを担当しています。DLコード付属。

-----------------------

Edition of 70.

Sagome:

Artist : | RG |

Label : Sagome

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His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of connections being made between geographically disparate artists as a result of the (still relatively nascent) internet. Back then Carlos would play his laptop like a pinball machine, in contrast to the static stage presence of most laptop performers, and his solo music, like many others’ at that time, expressed a less dark and dour vision of the implications of harsh noise. By the close of the 2000s, he had stopped doing the festival, switched gears musically to playing the lighter No Fun Acid sets, and moved to LA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow he has re-emerged in a big way with Dream Walker, his first full-length since 2018’s Vain (and only his second since 2010). Inspired by the masterful performances and diffusions he heard at the February 2023 GRM electronic music festival in Paris, particularly sets by old friends Lasse Marhaug, Jim O’Rourke, and Eiko Ishibashi\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, he began conceptualizing new music of his own in response, turning to synthesizers and other hardware to produce a work more firmly in the tradition of European electronic music than anything else he’s done. Intended as a late night listen that evokes the edge of consciousness, with Carlos getting as close as possible to a trance state during the actual recording and mixing, each of the eleven tracks transition into one another rather than being standalone discrete pieces, forming two side-long suites that proceed like stages of a dream...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Giffoni\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No: SOMA053lp\u003c\/p\u003e"}