Matt Atkins // Rotations TAPE

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イギリスの物音作家Matt Atkinsが、2021年8月にComplex Holidayから30本限定でリリースしたカセットです。

ミニマルなパーカッション・ループ10曲を収録。DLコード付属。廃盤です。

Edition of 30.

Complex Holiday:

"Matt Atkins is a percussionist and artist from London, UK. He runs the label Minimal Resource Management (MRM).

ᕯ

The loop is the root. Recognition, patterns, repetition, rotations. But also variation and playfulness when diverting from its structure.

It is within this duality that Atkins, a veteran of the UK lowercase and experimental music scene, places his percussive loops and electronic cycles creating an album of small but exquisite gestures captured in time."

Artist : Matt Atkins

Label : Complex Holiday

イギリスの物音作家Matt Atkinsが、2021年8月にComplex Holidayから30本限定でリリースしたカセットです。

ミニマルなパーカッション・ループ10曲を収録。DLコード付属。廃盤です。

Edition of 30.

Complex Holiday:

Artist : Matt Atkins

Label : Complex Holiday

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I wasn't particularly compelled to release anything. I kept making field recordings and collecting 'useful' records for years, without going back to them. Eventually, I sat down and started listening through.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe inevitable followed. I started cutting, altering and weaving the sounds together: sine waves from a test record were transformed into drones that cleaned the dust off my speakers, the recorded pendulum of a grandfather clock tuned into another rhythm, water sounds from a television library record (previously belonging to the Belgian state broadcaster and picked up at a jumble sale) all found their place in the mix.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEvery sound effortlessly suggested another. 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I wasn't particularly compelled to release anything. I kept making field recordings and collecting 'useful' records for years, without going back to them. Eventually, I sat down and started listening through.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe inevitable followed. I started cutting, altering and weaving the sounds together: sine waves from a test record were transformed into drones that cleaned the dust off my speakers, the recorded pendulum of a grandfather clock tuned into another rhythm, water sounds from a television library record (previously belonging to the Belgian state broadcaster and picked up at a jumble sale) all found their place in the mix.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEvery sound effortlessly suggested another. Time looped to time, backwards.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI hope you enjoy it as much as I enjoyed making it and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e, especially, as much as it enjoyed making itself\".\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kurt Buttigieg\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eComplex Holiday\u003c\/span\u003e\u003c\/p\u003e"}

マルタ共和国の実験レーベルComplex Holiday主宰Kurt Buttigiegが、2020年にリリースしたカセットをデッドストック入荷しました。 Lo-Fiコラージュアンビエント4曲を収録。DLコード付属。廃盤です。レーベルその他作品はこちら /// Click here to see more Complex Holiday releases available at Tobira. ...

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They have time on their hands, and they are getting creative. This is resulting in an explosion of new releases and labels. One new label that is really exciting to me is Complex Holiday. Run by Kurt Buttigieg and Robert Farrugia they have so far put out four\u003cspan class=\"bcTruncateMore\"\u003e cassettes and a 12” since June 2020. The first two releases were strong. Ayn II Widen’s ‘How to Remain in Perpetual Contact with Your Surroundings’ was a piece of wonderful ambient electroacoustic experimental pop and Robert Farrugia’s ‘Worn’ was filled with a glorious drone after drone. While all the releases created independently of each other, they all exhibit similar motifs and themes. Their forays into sound collage, drone and musique concrete and help to create the labels voice.\u003cbr\u003e\u003cbr\u003eWhile listening to Complex Holiday’s recent releases I am taken away to worlds with lurid landscapes. There is a wonderful woozy sway to ‘Confiance en Toi’, on Kurt Buttigieg’s ‘Unfolding’. The outro feels like a mixture of feedback, static and white noise. It is a fitting end to a song that is brought to mind what Woking looks like after the red weed has taken over in HG Wells’ ‘War of the Worlds’. It is utterly enchanting but there is a feeling of unease that creeps up your neck from the moment it starts and never quite leaves you. It’s wonderful.\u003cbr\u003e\u003cbr\u003eIf ‘Unfolding’ was about taking you out of reality, then ‘Morbig’ by Guilhem All and ‘The Interior’ by Peter Sant are all about keeping you grounded with sounds you know but can’t quite place. The opening of ‘Gimmie Amen’ sounds like vinyl crackling. Or is that a fire burning, clock cogs moving, or plastic being crunched up, either way, it gets your attention from the offset. As ‘Gimmie Amen’ progresses rhythmic beats, for want of a better term, appear. As they become more pronounced the song moves into a techno loop. We’re not talking a big room banger here, more of minimal lo-fi fare. It works incredibly well. There are massive choral sounding pieces that come from nowhere and vanish almost as soon as they’ve begun, this gives the song a strangely religious vibe, but given the name, this isn’t that surprising. What is surprising is how playable ‘Gimmie Amen’ is. It flies joyously out of the speakers. Two-thirds of the way through the motifs from the opening is repeated. This gives the song the feeling of a never-ending round. ‘The Interior’ opens with a hiss of the faint sound of traffic. A slowly the sound of birds starts to appear. Pigeons, chickens, parrots, and other avian noises start to fly from the speakers. As ‘Scene One’ progresses the birdsong gets more frantic and reaches a crescendo before gently fading out. ‘Dust on the Ivories’ is effectively one elegant drone. 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They have time on their hands, and they are getting creative. This is resulting in an explosion of new releases and labels. One new label that is really exciting to me is Complex Holiday. Run by Kurt Buttigieg and Robert Farrugia they have so far put out four\u003cspan class=\"bcTruncateMore\"\u003e cassettes and a 12” since June 2020. The first two releases were strong. Ayn II Widen’s ‘How to Remain in Perpetual Contact with Your Surroundings’ was a piece of wonderful ambient electroacoustic experimental pop and Robert Farrugia’s ‘Worn’ was filled with a glorious drone after drone. While all the releases created independently of each other, they all exhibit similar motifs and themes. Their forays into sound collage, drone and musique concrete and help to create the labels voice.\u003cbr\u003e\u003cbr\u003eWhile listening to Complex Holiday’s recent releases I am taken away to worlds with lurid landscapes. There is a wonderful woozy sway to ‘Confiance en Toi’, on Kurt Buttigieg’s ‘Unfolding’. The outro feels like a mixture of feedback, static and white noise. It is a fitting end to a song that is brought to mind what Woking looks like after the red weed has taken over in HG Wells’ ‘War of the Worlds’. It is utterly enchanting but there is a feeling of unease that creeps up your neck from the moment it starts and never quite leaves you. It’s wonderful.\u003cbr\u003e\u003cbr\u003eIf ‘Unfolding’ was about taking you out of reality, then ‘Morbig’ by Guilhem All and ‘The Interior’ by Peter Sant are all about keeping you grounded with sounds you know but can’t quite place. The opening of ‘Gimmie Amen’ sounds like vinyl crackling. Or is that a fire burning, clock cogs moving, or plastic being crunched up, either way, it gets your attention from the offset. As ‘Gimmie Amen’ progresses rhythmic beats, for want of a better term, appear. As they become more pronounced the song moves into a techno loop. We’re not talking a big room banger here, more of minimal lo-fi fare. It works incredibly well. There are massive choral sounding pieces that come from nowhere and vanish almost as soon as they’ve begun, this gives the song a strangely religious vibe, but given the name, this isn’t that surprising. What is surprising is how playable ‘Gimmie Amen’ is. It flies joyously out of the speakers. Two-thirds of the way through the motifs from the opening is repeated. This gives the song the feeling of a never-ending round. ‘The Interior’ opens with a hiss of the faint sound of traffic. A slowly the sound of birds starts to appear. Pigeons, chickens, parrots, and other avian noises start to fly from the speakers. As ‘Scene One’ progresses the birdsong gets more frantic and reaches a crescendo before gently fading out. ‘Dust on the Ivories’ is effectively one elegant drone. It starts of serene but as it goes on it becomes more aggressive until a minute from the end it reaches a peak and just stays there.\u003cbr\u003e\u003cbr\u003eWhat makes these releases, and the previous two, so exciting is the mystery to them. What are these field recordings of? Where were they recorded and why? As there are no defined answers it is let to us, the listener, to try and piece it all together. This is where the enjoyment comes from. You hear a noise, and it reminds you of an old flat you lived in around 2006. A moment later there is a deep bassline that skews into an operatic section that reminds you of going to church as a child. But the soundscapes are abstract and it’s hard to come to conclusions that justify their brilliance. These releases show that Complex Holiday has a very bright future as long as it continues to release forward-thinking music like this. The complexity of the compositions is fantastic, as is the musician’s ability to make them incredibly captivating and playable.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Peter Sant\u003c\/p\u003e\n\u003cp\u003eLabel : Complex Holiday\u003c\/p\u003e"}

ベルギーの実験レーベルComplex Holidayを本邦初入荷しました。本作は、オーストラリアの映像作家Peter Santが2020年12月に30本限定でリリースしたカセットです。フィールドレコーディング〜物音ドローン7曲を収録。DLコード付属。廃盤です。レーベルその他作品はこちら /// Click here to see more Complex Holiday releases available at...

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Quickview {"id":8237051150586,"title":"Robert Farrugia \/\/ Worn LP","handle":"robert-farrugia-worn-lp","description":"\u003cp\u003e過去にArchivesやwhitelabrecなどから発表しているマルタ共和国のアンビエント作家Robert Farrugiaが、自身主宰レーベルComplex Holidayから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント〜アンビエントドローン7曲を収録。青盤です。\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=11663538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1913701583\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=11663538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1253934754\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=11663538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2037192645\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\"\u003ehere\u003c\/a\u003e to see more Complex Holiday releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eLtd. 200. Blue vinyl.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e~'Worn' was written in the summer of 2019 and was recorded using a Yamaha MT3X multitrack cassette recorder.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe cassette tape itself was an old cassette tape which I used to record voice memos on when I was little.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe recording process involved the recording of several sketches, which I then revisited and overdubbed every week over the course of 2019's summer.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn many ways, this album has been turning in my head since 2015, when my studies took me to Finland.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDuring this period, my roommate and I found this dead fox in the snow, taking this photograph.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSince then I've found myself thinking about the grass and the fox, and the dead fox and the grass, and how beautiful their colours both were. Sometimes it seems to me that life's a process of wearing and of being worn, and, just like the tape, in many ways\u003cspan class=\"bcTruncateMore\"\u003e my process began back then, with the fox and its colours.\u003cbr\u003eI'd like to thank my girlfriend, my family, my friends, who've helped me be better.\u003cbr\u003e-Robert\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eartist : Robert Farrugia\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003elabel : complex holiday\u003c\/span\u003e\u003c\/div\u003e","published_at":"2024-03-24T14:01:47+09:00","created_at":"2024-03-24T14:01:17+09:00","vendor":"Tobira Records","type":"","tags":["ambient","complex holiday","lp","new"],"price":311000,"price_min":311000,"price_max":311000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45391038120186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Robert Farrugia \/\/ Worn LP","public_title":null,"options":["Default Title"],"price":311000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1569040879_16.jpg?v=1711256482","\/\/tobirarecords.com\/cdn\/shop\/files\/0020750011_10.jpg?v=1711256482","\/\/tobirarecords.com\/cdn\/shop\/files\/0020750020_10.jpg?v=1711256482"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1569040879_16.jpg?v=1711256482","options":["Title"],"media":[{"alt":null,"id":33442746040570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1569040879_16.jpg?v=1711256482"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1569040879_16.jpg?v=1711256482","width":700},{"alt":null,"id":33442746073338,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0020750011_10.jpg?v=1711256482"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0020750011_10.jpg?v=1711256482","width":1200},{"alt":null,"id":33442746106106,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0020750020_10.jpg?v=1711256482"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0020750020_10.jpg?v=1711256482","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にArchivesやwhitelabrecなどから発表しているマルタ共和国のアンビエント作家Robert Farrugiaが、自身主宰レーベルComplex Holidayから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント〜アンビエントドローン7曲を収録。青盤です。\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=11663538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1913701583\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=11663538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1253934754\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=11663538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2037192645\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/complex-holiday\"\u003ehere\u003c\/a\u003e to see more Complex Holiday releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eLtd. 200. Blue vinyl.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e~'Worn' was written in the summer of 2019 and was recorded using a Yamaha MT3X multitrack cassette recorder.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe cassette tape itself was an old cassette tape which I used to record voice memos on when I was little.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe recording process involved the recording of several sketches, which I then revisited and overdubbed every week over the course of 2019's summer.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn many ways, this album has been turning in my head since 2015, when my studies took me to Finland.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDuring this period, my roommate and I found this dead fox in the snow, taking this photograph.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSince then I've found myself thinking about the grass and the fox, and the dead fox and the grass, and how beautiful their colours both were. Sometimes it seems to me that life's a process of wearing and of being worn, and, just like the tape, in many ways\u003cspan class=\"bcTruncateMore\"\u003e my process began back then, with the fox and its colours.\u003cbr\u003eI'd like to thank my girlfriend, my family, my friends, who've helped me be better.\u003cbr\u003e-Robert\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eartist : Robert Farrugia\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003elabel : complex holiday\u003c\/span\u003e\u003c\/div\u003e"}