JFB // Jammy Fader Breaks LP

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イギリスのスクラッチDJ JFBが、2023年6月に同国Woodwurk Recordsからリリースしたバトルブレイクレコードです。

スクラッチサンプルやループ溝、ボーカルフレーズなど多数収録。

以下、レーベルによる解説です。

"JFBは、ターンテーブル上の絶対的なモンスターであり、3度のDMCワールド・チャンピオンです。

Woodwurkは、この伝説的存在であるJFBの初のバトルブレイクレコード「JAMMY FADER BREAKS」をお届けできることを大変誇りに思っています！

Side Aには、JFBのパーソナルなスクラッチ・サンプル・コレクションの膨大なライブラリと、ビートボックスの革新者であるBeardymanによるオリジナルで愉快なボーカルが収録されています。
スクラッチジャムや練習、バトルセットに最適な9つのスキッププルーフボーカルフレーズと、ビートジャグリングやドラムの練習に最適なスキッププルーフビートとドラムフレーズが多数収録されています。さらに、スクラッチセッションに最適なロックドグルーブエレクトロビートも収録されています。

B面には、JFB voltsのスクラッチサンプルと、JFBの世界征服ルーチンのビートやサウンドを2種類収録。この面もまた、エレクトロ・ビート・ロック・グルーヴで仕上げられており、ジャムることができます。"

-------------------------------------------

12" black vinyl edition of 200.

Woodwurk Records:

"JFB needs no introduction, an absolute MONSTER on the turntables and 3 times DMC World Champion, he has nothing left to prove on the battle scene or club circuit.

However Woodwurk are very proud to bring you a first from this legend in the game, JFB’s first ever battle break record - JAMMY FADER BREAKS!

Side A contains a huge library of JFB’s personal scratch sample collection including original and hilarious vocals from beatbox innovator Beardyman.
There are 9 skip-proof vocal phrases perfect for scratch jams, practice and battle sets plus a large selection skip-proof beats and drum phrases ideal for beat-juggle and drumming practice. The side ends with a never ending locked groove electro beat for scratch sessions.

Side B contains another 2 huge sections of scratch samples from the JFB volts plus a selection of beats and sounds from some of JFB’s World conquering routines, allowing you to try them out for yourself or create something new. This side again finishes with an electro beat lock groove to jam over."

Artist : JFB

Label : Woodwurk Records

イギリスのスクラッチDJ JFBが、2023年6月に同国Woodwurk Recordsからリリースしたバトルブレイクレコードです。

スクラッチサンプルやループ溝、ボーカルフレーズなど多数収録。

以下、レーベルによる解説です。

-------------------------------------------

12" black vinyl edition of 200.

Woodwurk Records:

Artist : JFB

Label : Woodwurk Records

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Filling a blindspot for lots of listeners, and living up to many stoned fantasies of jungle’s unfulfilled possibilities, Jigen’s work appeared at a point when jungle was on the cusp of calcifying into formulaic structures after an unprecedented run of innovations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGeographically detached from jungle\/D\u0026amp;B’s UK epicentres, Jigen, like Christoph De Babalon in Germany, or - as we now know - Derek Bailey in South London, took license to head for the hills, splicing the style’s snaking breakbeats with possessed guitar and wind expressions while it was shaping into nth degree darkside, jazzier or aggro forms back at source. Nearly a quarter century later, its reemergence into a scene that has been thoroughly raked over and cyclically reappraised, is nothing short of thrilling for anyone who thought they’d heard it all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCrashing in with a passage of avant bloody clatter, the set’s room recorded textures and flinty sampler lick ’n\u003cspan class=\"bcTruncateMore\"\u003e spittle chops feel even more radical in 2022. The all-important restless funk is there, unpredictably moving in the shadows agist backdrops of wind-played chimes and scraped strings on ‘対不破 (野弦太刀無銘)’ or rattling against trash can percussion and hauntingly beautiful pipes in ‘空蝉半機’, with lingering lacunæ on ‘迎火狂雲’ really recalling the atmospheres of prime period Photek or his acolytes SD, whereas ‘万年番外地’ tilts into pure free jazz noise territory, and the final 11 minute beauty ‘無季’ perhaps most uncannily parallels Derek Bailey’s off-the-cuff riffs on pirate radio of that era.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jigen\u003c\/p\u003e\n\u003cp\u003eLabel : Double Circumflex\u003c\/p\u003e","published_at":"2024-05-07T15:29:43+09:00","created_at":"2024-05-07T11:12:10+09:00","vendor":"Tobira Records","type":"","tags":["double circumflex","hiphop \/ funk","lp","new","techno \/ house"],"price":478000,"price_min":478000,"price_max":478000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45864013037818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jigen \/\/ Blood's Finality \/ 狂雲求敗 (Remastered) LP","public_title":null,"options":["Default Title"],"price":478000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","options":["Title"],"media":[{"alt":null,"id":33952842875130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood1.jpg?v=1715047932","width":700},{"alt":null,"id":33952842907898,"position":2,"preview_image":{"aspect_ratio":1.031,"height":1164,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933"},"aspect_ratio":1.031,"height":1164,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blood2.jpg?v=1715047933","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京の実験dnb作家Jigen aka Taro Nijikamaが、2023年5月にアメリカ・NYのDouble Circumflexからリリースした再発レコードです。（オリジナルは1998年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e実験dnb9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1272806508\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOfficially licensed and remastered 2022 LP edition. Originally released on CD in 1998. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e流星\u003c\/span\u003e 00:30\u003cbr\u003e2. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e対不破\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e野弦太刀無銘\u003c\/span\u003e) 05:45\u003cbr\u003e3. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e空蝉半機\u003c\/span\u003e 07:24\u003cbr\u003e4. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e迎火狂雲\u003c\/span\u003e 08:00\u003cbr\u003e5. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e抗狂雲刀残庖\u003c\/span\u003e (\u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e青龍将星粉\u003c\/span\u003e) 00:56\u003cbr\u003e6. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e万年番外地\u003c\/span\u003e 07:52\u003cbr\u003e7. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e斜枯刀異聞\u003c\/span\u003e 01:10\u003cbr\u003e8. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無銘\u003c\/span\u003e 01:03\u003cbr\u003e9. \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e無季\u003c\/span\u003e 11:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDouble Circumflex:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter whipping imaginations into a brittle frenzy with the reissue of Jigen’s ‘Stone Drum Avantgardism’ of the same year, the reticulated breaks and ghostly extended guitar tekkerz of Jigen’s ‘Blood’s Finality’ only deepen the mystery of this short-lived but deeply enchanting late ‘90s project. Filling a blindspot for lots of listeners, and living up to many stoned fantasies of jungle’s unfulfilled possibilities, Jigen’s work appeared at a point when jungle was on the cusp of calcifying into formulaic structures after an unprecedented run of innovations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGeographically detached from jungle\/D\u0026amp;B’s UK epicentres, Jigen, like Christoph De Babalon in Germany, or - as we now know - Derek Bailey in South London, took license to head for the hills, splicing the style’s snaking breakbeats with possessed guitar and wind expressions while it was shaping into nth degree darkside, jazzier or aggro forms back at source. Nearly a quarter century later, its reemergence into a scene that has been thoroughly raked over and cyclically reappraised, is nothing short of thrilling for anyone who thought they’d heard it all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCrashing in with a passage of avant bloody clatter, the set’s room recorded textures and flinty sampler lick ’n\u003cspan class=\"bcTruncateMore\"\u003e spittle chops feel even more radical in 2022. The all-important restless funk is there, unpredictably moving in the shadows agist backdrops of wind-played chimes and scraped strings on ‘対不破 (野弦太刀無銘)’ or rattling against trash can percussion and hauntingly beautiful pipes in ‘空蝉半機’, with lingering lacunæ on ‘迎火狂雲’ really recalling the atmospheres of prime period Photek or his acolytes SD, whereas ‘万年番外地’ tilts into pure free jazz noise territory, and the final 11 minute beauty ‘無季’ perhaps most uncannily parallels Derek Bailey’s off-the-cuff riffs on pirate radio of that era.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jigen\u003c\/p\u003e\n\u003cp\u003eLabel : Double Circumflex\u003c\/p\u003e"}