I Am Bam // XXXXXX EP 12"
![God Is War // YAKUZA EP 12" [COLOR]](//cdn.shopify.com/s/files/1/0305/1637/9780/files/a1328788613_16_medium.jpg?v=1685355178)
![Glyn Maier // Erosion Trace LP [COLOR]](//cdn.shopify.com/s/files/1/0305/1637/9780/files/a1118933882_16_medium.jpg?v=1685356582)
I Am Bam // XXXXXX EP 12"
¥2,290
- Item no:
- Availability:
オランダ・ロッテルダムのテクノレーベルPlanet Rhythmを大量入荷しました。
本作は、 アメリカのテクノ作家I Am Bamが、2022年1月にリリースした12"です。
ミニマルテクノ4曲を収録。
レーベルその他作品はこちら /// Click here to see more Planet Rhythm releases available at Tobira.
----------------------------
Artist : I Am Bam
Label : Planet Rhythm
Related Products
Quickview
{"id":7980006867194,"title":"Sam Wilkes \/\/ Wilkes LP","handle":"sam-wilkes-wilkes-lp","description":"\u003cp\u003eアメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1909343724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterview with Sam Wilkes and \u003cmeta charset=\"utf-8\"\u003elabelmate Carlos Niño: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eListening to WILKES numerous times, considering \u003c\/em\u003e\u003cem\u003ewhat I might write about it for a Press Release, (which I \u003c\/em\u003e\u003cem\u003eagreed to do because I'm a fan of his Music and his \u003c\/em\u003e\u003cem\u003ecollaborations with Sam Gendel and Louis Cole \/ Knower,) \u003c\/em\u003e\u003cem\u003eI was growing in enthusiasm, looking forward to my \u003c\/em\u003e\u003cem\u003enext radio show or DJ set including the song \"Today\" \u003c\/em\u003e\u003cem\u003eso I could hear it bump in a nice system. I was hyped \u003c\/em\u003e\u003cem\u003ethe more I took in this 6 song offering. I thought to ask \u003c\/em\u003e\u003cem\u003eSam about his new record and use his answers as aid \u003c\/em\u003e\u003cem\u003eto illustrate some of my feelings, but when I read his \u003c\/em\u003e\u003cem\u003ereply I thought you should too. It's so descriptive \u003c\/em\u003e\u003cem\u003eand visual, perfect to pull from and quote.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e.................................\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eWhat does your last name Wilkes mean?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI actually just found that It means Wolf in Lithuanian. Which is \u003c\/em\u003e\u003cem\u003ecrazy because It was changed from Wolff to Wilkes upon immigration \u003c\/em\u003e\u003cem\u003eto the U.S. due to fear of a Judaic last name inhibiting my\u003cspan class=\"bcTruncateMore\"\u003e families ability to get work here. My heritage is a mix of Romanian, Russian, Polish, Liuthanian, and Austrian\/German I believe.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your last name Wilkes mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt's vast. It provokes a different sentiment in me in different situations. I.e my dad's side of the family is one, while my immediate family is another, and within my musical community in Los Angeles and elsewhere it's also another. The latter is the sentiment \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eI'm really coming from on this record. Myself within the context of my beautiful community. This record does not exist without that community. My friend and collaborator, Sam Gendel calls me Wilkes and our friendship and musical relationship began to take a new form when I started to record him playing these songs of mine. Sam and my other dearest friends beginning to call me \"Wilkes\" (especially with humor) more and more coincided with a new era for me, which was the start of this record\/chapter.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your new record WILKES mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt is the first part of a two part chapter.\u003cbr\u003eIt's the product of realizing that I HAD to make my own art, instead of just working with\/for other projects (as I had done up until this point). Upon jumping into that pool and then swimming on my own for the first time, I realized that I could compose and produce the music that I want to hear; which I got VERY excited about. I have a pretty belligerent need to create and once I began, working on my own music became a daily necessity for fulfillment and to deal with what I was going through at the time.\u003cbr\u003eI expressed this through composition, production, sonics, and creating and curating an environment for Sam Gendel's, Brian Green's, Louis Cole's, and Christian Euman's genius to be heard and featured (i.e featuring personal cornerstones of that community I was talking about.) this, rather than, say, making music for the sake of making a \"bass record\", was the outlet I needed; it wasn't really an option, this was just the vehicle for my observations, experience, philosophy, love . . .\u003cbr\u003eIt's a snapshot, one that I worked so hard on, of who and where I was from 2015-2017.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDo you have visions about how this record may affect people?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI can't really articulate it.\u003cbr\u003eBut:\u003cbr\u003eI think Sam Gendel is the greatest saxophone player alive.\u003cbr\u003eI hope it makes some people feel that way too. This music was made to be played by him.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat were your biggest inspirations while making this record?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJohn Coltrane\u003cbr\u003ePharaoh Sanders\u003cbr\u003eMiles Davis\u003cbr\u003eJoe Zawinul\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eDaniel Lanois\u003cbr\u003eMilton Nascimento\u003cbr\u003eRahsaan Roland Kirk\u003cbr\u003eQuincy Jones\u003cbr\u003eBrian Eno\u003cbr\u003eJames \"J Dilla\" Yancey\u003cbr\u003ePete Rock\u003cbr\u003eRudy Van Gelder\u003cbr\u003eJoseph Campbell\u003cbr\u003eGenevieve Artadi\u003cbr\u003eAlice Coltrane\u003cbr\u003eChanting\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat are your biggest general inspirations?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis is infinite but, a short list:\u003cbr\u003eMy parents\u003cbr\u003eMy whole family\u003cbr\u003eHerman Hesse\u003cbr\u003ePatrice Rushen\u003cbr\u003eNdugu Chancler\u003cbr\u003eAlphonso Johnson\u003cbr\u003eJohn Daversa\u003cbr\u003eMichael Jordan\u003cbr\u003eDaniel Lanois\u003cbr\u003eQuincy Jones\u003cbr\u003eRay Brown\u003cbr\u003eStefan Sagmeister\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eBrian Green\u003cbr\u003eMythology\u003cbr\u003eJackson Pollack\u003cbr\u003eErnst Barlach\u003cbr\u003eWilliam Shakespeare\u003cbr\u003eRainer Maria Rilke\u003cbr\u003e\u003cbr\u003eand From my childhood -\u003cbr\u003ePhish\u003cbr\u003eThe Grateful Dead\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHow would you describe the sound of your Bass, what do you see \/ envision when you're playing?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI would describe the sound of my bass as: Sam Wilkes.\u003cbr\u003eFor seeing and envisioning, It depends on the feeling I'm trying to express. Sometimes it's just colors or an image, but something I've gone back to a bit for whatever reason in some sessions as of late is the feeling of seeing fireworks and having a hot dog on the fourth of July as a kid, knowing that I didn't have to go to school the next day because it was summer and I was free, and just being happy and excited and full of love for my family and my best friends (kind of like that scene in that movie \"The Sandlot\"), and the feeling of knowing that I could go home and play or listen to CDs in my room and dance.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records \/ Stones Throw\u003c\/p\u003e","published_at":"2023-05-29T20:11:32+09:00","created_at":"2023-05-29T20:09:57+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","leaving records","lp","new","recommended"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258686861562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sam Wilkes \/\/ Wilkes LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3565543305_16.jpg?v=1685358710","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0014404780_10.jpg?v=1685358711"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3565543305_16.jpg?v=1685358710","options":["Title"],"media":[{"alt":null,"id":32033123860730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3565543305_16.jpg?v=1685358710"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3565543305_16.jpg?v=1685358710","width":700},{"alt":null,"id":32033123893498,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0014404780_10.jpg?v=1685358711"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0014404780_10.jpg?v=1685358711","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1909343724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterview with Sam Wilkes and \u003cmeta charset=\"utf-8\"\u003elabelmate Carlos Niño: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eListening to WILKES numerous times, considering \u003c\/em\u003e\u003cem\u003ewhat I might write about it for a Press Release, (which I \u003c\/em\u003e\u003cem\u003eagreed to do because I'm a fan of his Music and his \u003c\/em\u003e\u003cem\u003ecollaborations with Sam Gendel and Louis Cole \/ Knower,) \u003c\/em\u003e\u003cem\u003eI was growing in enthusiasm, looking forward to my \u003c\/em\u003e\u003cem\u003enext radio show or DJ set including the song \"Today\" \u003c\/em\u003e\u003cem\u003eso I could hear it bump in a nice system. I was hyped \u003c\/em\u003e\u003cem\u003ethe more I took in this 6 song offering. I thought to ask \u003c\/em\u003e\u003cem\u003eSam about his new record and use his answers as aid \u003c\/em\u003e\u003cem\u003eto illustrate some of my feelings, but when I read his \u003c\/em\u003e\u003cem\u003ereply I thought you should too. It's so descriptive \u003c\/em\u003e\u003cem\u003eand visual, perfect to pull from and quote.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e.................................\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eWhat does your last name Wilkes mean?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI actually just found that It means Wolf in Lithuanian. Which is \u003c\/em\u003e\u003cem\u003ecrazy because It was changed from Wolff to Wilkes upon immigration \u003c\/em\u003e\u003cem\u003eto the U.S. due to fear of a Judaic last name inhibiting my\u003cspan class=\"bcTruncateMore\"\u003e families ability to get work here. My heritage is a mix of Romanian, Russian, Polish, Liuthanian, and Austrian\/German I believe.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your last name Wilkes mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt's vast. It provokes a different sentiment in me in different situations. I.e my dad's side of the family is one, while my immediate family is another, and within my musical community in Los Angeles and elsewhere it's also another. The latter is the sentiment \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eI'm really coming from on this record. Myself within the context of my beautiful community. This record does not exist without that community. My friend and collaborator, Sam Gendel calls me Wilkes and our friendship and musical relationship began to take a new form when I started to record him playing these songs of mine. Sam and my other dearest friends beginning to call me \"Wilkes\" (especially with humor) more and more coincided with a new era for me, which was the start of this record\/chapter.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your new record WILKES mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt is the first part of a two part chapter.\u003cbr\u003eIt's the product of realizing that I HAD to make my own art, instead of just working with\/for other projects (as I had done up until this point). Upon jumping into that pool and then swimming on my own for the first time, I realized that I could compose and produce the music that I want to hear; which I got VERY excited about. I have a pretty belligerent need to create and once I began, working on my own music became a daily necessity for fulfillment and to deal with what I was going through at the time.\u003cbr\u003eI expressed this through composition, production, sonics, and creating and curating an environment for Sam Gendel's, Brian Green's, Louis Cole's, and Christian Euman's genius to be heard and featured (i.e featuring personal cornerstones of that community I was talking about.) this, rather than, say, making music for the sake of making a \"bass record\", was the outlet I needed; it wasn't really an option, this was just the vehicle for my observations, experience, philosophy, love . . .\u003cbr\u003eIt's a snapshot, one that I worked so hard on, of who and where I was from 2015-2017.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDo you have visions about how this record may affect people?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI can't really articulate it.\u003cbr\u003eBut:\u003cbr\u003eI think Sam Gendel is the greatest saxophone player alive.\u003cbr\u003eI hope it makes some people feel that way too. This music was made to be played by him.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat were your biggest inspirations while making this record?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJohn Coltrane\u003cbr\u003ePharaoh Sanders\u003cbr\u003eMiles Davis\u003cbr\u003eJoe Zawinul\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eDaniel Lanois\u003cbr\u003eMilton Nascimento\u003cbr\u003eRahsaan Roland Kirk\u003cbr\u003eQuincy Jones\u003cbr\u003eBrian Eno\u003cbr\u003eJames \"J Dilla\" Yancey\u003cbr\u003ePete Rock\u003cbr\u003eRudy Van Gelder\u003cbr\u003eJoseph Campbell\u003cbr\u003eGenevieve Artadi\u003cbr\u003eAlice Coltrane\u003cbr\u003eChanting\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat are your biggest general inspirations?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis is infinite but, a short list:\u003cbr\u003eMy parents\u003cbr\u003eMy whole family\u003cbr\u003eHerman Hesse\u003cbr\u003ePatrice Rushen\u003cbr\u003eNdugu Chancler\u003cbr\u003eAlphonso Johnson\u003cbr\u003eJohn Daversa\u003cbr\u003eMichael Jordan\u003cbr\u003eDaniel Lanois\u003cbr\u003eQuincy Jones\u003cbr\u003eRay Brown\u003cbr\u003eStefan Sagmeister\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eBrian Green\u003cbr\u003eMythology\u003cbr\u003eJackson Pollack\u003cbr\u003eErnst Barlach\u003cbr\u003eWilliam Shakespeare\u003cbr\u003eRainer Maria Rilke\u003cbr\u003e\u003cbr\u003eand From my childhood -\u003cbr\u003ePhish\u003cbr\u003eThe Grateful Dead\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHow would you describe the sound of your Bass, what do you see \/ envision when you're playing?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI would describe the sound of my bass as: Sam Wilkes.\u003cbr\u003eFor seeing and envisioning, It depends on the feeling I'm trying to express. Sometimes it's just colors or an image, but something I've gone back to a bit for whatever reason in some sessions as of late is the feeling of seeing fireworks and having a hot dog on the fourth of July as a kid, knowing that I didn't have to go to school the next day because it was summer and I was free, and just being happy and excited and full of love for my family and my best friends (kind of like that scene in that movie \"The Sandlot\"), and the feeling of knowing that I could go home and play or listen to CDs in my room and dance.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records \/ Stones Throw\u003c\/p\u003e"}
You may also like:
アメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース） スピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。 Edition of 500. Interview with Sam Wilkes and labelmate Carlos...
¥3,680
![God Is War // YAKUZA EP 12" [COLOR]](http://cdn.shopify.com/s/files/1/0305/1637/9780/files/a1328788613_16_medium.jpg?v=1685355178)
Quickview
{"id":7979994448122,"title":"God Is War \/\/ YAKUZA EP 12\" [COLOR]","handle":"god-is-war-yakuza-ep-12","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのポストインダストリアル作家God Is War\u003c\/span\u003eが、2023年5月にイギリスの実験／ノイズレーベルIndutrial Coastからリリースした再発12\"です。（オリジナルは2020年にカセットリリース）\u003c\/p\u003e\n\u003cp\u003eヘビーなノイズ・ダブ〜リズミック・ノイズ4曲を収録。インサートとポストカードが付属。白盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4032391020\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eThe White Series - White Vinyl, White Label, White Sleeve. Single stamp to sleeve, individual artwork specific to each release on a single insert\u003cbr\u003e\u003cbr\u003eAll sleeves hand stamped with GIW logo. A4 'Yakuza Boss' insert. Postcard 'yakuza hands'\u003c\/p\u003e\n\u003cp\u003eArtist : God Is War\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e","published_at":"2023-05-29T19:08:24+09:00","created_at":"2023-05-29T19:08:24+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","industrial coast","lp","new","noise","recommended","techno \/ house"],"price":329000,"price_min":329000,"price_max":329000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258626306298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"God Is War \/\/ YAKUZA EP 12\" [COLOR]","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1328788613_16.jpg?v=1685355178"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1328788613_16.jpg?v=1685355178","options":["Title"],"media":[{"alt":null,"id":32033028505850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1328788613_16.jpg?v=1685355178"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1328788613_16.jpg?v=1685355178","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのポストインダストリアル作家God Is War\u003c\/span\u003eが、2023年5月にイギリスの実験／ノイズレーベルIndutrial Coastからリリースした再発12\"です。（オリジナルは2020年にカセットリリース）\u003c\/p\u003e\n\u003cp\u003eヘビーなノイズ・ダブ〜リズミック・ノイズ4曲を収録。インサートとポストカードが付属。白盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4032391020\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eThe White Series - White Vinyl, White Label, White Sleeve. Single stamp to sleeve, individual artwork specific to each release on a single insert\u003cbr\u003e\u003cbr\u003eAll sleeves hand stamped with GIW logo. A4 'Yakuza Boss' insert. Postcard 'yakuza hands'\u003c\/p\u003e\n\u003cp\u003eArtist : God Is War\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e"}
You may also like:
アメリカのポストインダストリアル作家God Is Warが、2023年5月にイギリスの実験／ノイズレーベルIndutrial Coastからリリースした再発12"です。（オリジナルは2020年にカセットリリース） ヘビーなノイズ・ダブ〜リズミック・ノイズ4曲を収録。インサートとポストカードが付属。白盤です。 レーベルその他作品はこちら /// Click here to see more Industrial Coast releases available at...
¥3,290
![Glyn Maier // Erosion Trace LP [COLOR]](http://cdn.shopify.com/s/files/1/0305/1637/9780/files/a1118933882_16_medium.jpg?v=1685356582)
Quickview
{"id":7979999625466,"title":"Glyn Maier \/\/ Erosion Trace LP [COLOR]","handle":"glyn-maier-erosion-trace-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみアメリカの実験／テクノレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003eenmossed\u003c\/a\u003e主宰Glyn Maier\u003c\/span\u003eが、2023年5月にイギリスの実験／ノイズレーベルIndutrial Coastからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜ドローン〜アンビエント・ダブテクノ5曲を収録。DLコード付属。 白盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2817930529\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2120155828\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2817930529\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eComes with DL code.\u003c\/p\u003e\n\u003cp\u003eThe White Series - White Vinyl, White Label, White Sleeve. Single stamp to sleeve, individual artwork specific to each release on a single insert\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid Coccagna:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"You cannot put your foot in the same river twice. Once ᴇʀᴏꜱɪᴏɴ ᴛʀᴀᴄᴇ begins, the listener is quick to draw comparison to previous Glyn Maier releases, as in ɪɴᴅᴇꜰɪɴɪᴛᴇ ʟᴀᴛᴛɪᴄᴇꜱ or the B-Side from the Jungle Gym release ʜʟɪɴᴄ. Instead, what happens is the truest descriptor of a “departure” in style and pacing. Going back into the deeper catalog of Maier’s work you would likely cross influences of dub techno in the clicking and delaying bass tones, with sharp field recording rustling and chirps that create a fecund listening ecosphere. This new album instead changes the pace to a glacial presentation, starting with a dark and sleek motif, generously pouring into rhythm and more subdued field recordings of the Appalachian wilderness. It almost seems like an album showcasing Maier’s ability to listen as much as it is his ability to produce. The finishing work with synth and string sections is a sublime reminder of his deft and capable craft in sound. We may not stand in the same water as before, but the river has the same name.\" \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded by Glyn Maier in White Mountain + Pisgah National Forests 2019-2022 using Centrance Mixerface 4 + Lom Uši Pro, processed with Korg MS-50 + MS-20m kit, Echofix EFX-2, Vermona Retroverb, Oto Bam\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eB2 contains source material from Joe Hisashi \"Kikujiro\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Glyn Maier\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e","published_at":"2023-05-29T19:33:00+09:00","created_at":"2023-05-29T19:33:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","industrial coast","lp","new","recommended","techno \/ house"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258652520698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Glyn Maier \/\/ Erosion Trace LP [COLOR]","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1118933882_16.jpg?v=1685356582"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1118933882_16.jpg?v=1685356582","options":["Title"],"media":[{"alt":null,"id":32033069859066,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1118933882_16.jpg?v=1685356582"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a1118933882_16.jpg?v=1685356582","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみアメリカの実験／テクノレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003eenmossed\u003c\/a\u003e主宰Glyn Maier\u003c\/span\u003eが、2023年5月にイギリスの実験／ノイズレーベルIndutrial Coastからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜ドローン〜アンビエント・ダブテクノ5曲を収録。DLコード付属。 白盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2817930529\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2120155828\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2817930529\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eComes with DL code.\u003c\/p\u003e\n\u003cp\u003eThe White Series - White Vinyl, White Label, White Sleeve. Single stamp to sleeve, individual artwork specific to each release on a single insert\u003cem\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDavid Coccagna:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"You cannot put your foot in the same river twice. Once ᴇʀᴏꜱɪᴏɴ ᴛʀᴀᴄᴇ begins, the listener is quick to draw comparison to previous Glyn Maier releases, as in ɪɴᴅᴇꜰɪɴɪᴛᴇ ʟᴀᴛᴛɪᴄᴇꜱ or the B-Side from the Jungle Gym release ʜʟɪɴᴄ. Instead, what happens is the truest descriptor of a “departure” in style and pacing. Going back into the deeper catalog of Maier’s work you would likely cross influences of dub techno in the clicking and delaying bass tones, with sharp field recording rustling and chirps that create a fecund listening ecosphere. This new album instead changes the pace to a glacial presentation, starting with a dark and sleek motif, generously pouring into rhythm and more subdued field recordings of the Appalachian wilderness. It almost seems like an album showcasing Maier’s ability to listen as much as it is his ability to produce. The finishing work with synth and string sections is a sublime reminder of his deft and capable craft in sound. We may not stand in the same water as before, but the river has the same name.\" \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded by Glyn Maier in White Mountain + Pisgah National Forests 2019-2022 using Centrance Mixerface 4 + Lom Uši Pro, processed with Korg MS-50 + MS-20m kit, Echofix EFX-2, Vermona Retroverb, Oto Bam\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eB2 contains source material from Joe Hisashi \"Kikujiro\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Glyn Maier\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e"}
You may also like:
当店おなじみアメリカの実験／テクノレーベルenmossed主宰Glyn Maierが、2023年5月にイギリスの実験／ノイズレーベルIndutrial Coastからリリースしたレコードです。 アンビエントドローン〜ドローン〜アンビエント・ダブテクノ5曲を収録。DLコード付属。 白盤です。 レーベルその他作品はこちら /// Click here to see more Industrial Coast releases available at...
¥3,680
Quickview
{"id":7979947360506,"title":"Raays \/\/ Innervzm \u0026 Innervzm II TAPE","handle":"raays-innervzm-tape","description":"\u003cp\u003eアメリカ・南カリフォルニアのマルチ奏者Raaysが、2023年6月に同国LAの老舗オールジャンルレーベルLeaving Recordsからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003e昇天系ポストニューエイジ・アンビエント12曲を収録。14面JカードとDLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eInnervzm について：\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"南カリフォルニアのRaaysを紹介します。柔軟なプロデューサーとマルチインストゥルメンタリスト、Aaron Raysが誕生しました。現在ロサンゼルスで活動する彼は、Leaving RecordsのGenreDAO協同組合の中心人物であり、オールジャンルのシーンで活躍する音楽家です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eシンセサイザーとパーカッションで構成された実験的なアンビエント作品『Innervzm EP』は、グラウンディング、ワールドデザイン、自然との深化の必要性から生まれた普遍的な会話であるといいます。デザイナーのBen Luと共同で制作されたこの6曲は、それぞれ占いマップと対になっており、リスナーがさらに吟味するための招待状となっています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eテクスチャー密度の高いInnervzmで見せる多才なシンセサイザー奏者、前作Prelude EPで見せる実験的なビートメーカー＆サウンドデザイナー、そしてラッパーのJahsh Banksとのグループ3V3RY1で見せるハイファイなラップ制作能力など、RaaysはLAのアンダーグラウンド音楽コミュニティの鼓動を確信しながら、注目すべきスタイルパレットを巧みに実行し続けています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eInnervzm \u003cmeta charset=\"utf-8\"\u003eIIについて：\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年の『Innervzm』に続く『Innervzm II』は、ロサンゼルスを拠点に活動するプロデューサー、ドラマー、サウンド建築家、Raaysによる広大な瞑想的コレクションです。EPのタイトルは、RaaysとLeavingのレーベルメイトであるDeantoni Parksが、クリエイティブな方法論として「自己の考古学」について話したことに由来しています。Innervzmは、コンセプトとして、外への行動を可能にし、意味のある、効果的なものにするために、必然的に先行する魂の作業を意味するものです。Innervzm II EPは、ミュージック・コンクレート、フィールドレコーディング、即興的な合成を融合させ、\u003cmeta charset=\"utf-8\"\u003eRaaysの作曲に対する方法論、儀式的、物質的根拠に基づいたアプローチを記録しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEPの6曲はそれぞれ、\u003cmeta charset=\"utf-8\"\u003eRaays自身の裏庭であるアーネスト・デブス池からミチョアカンの雷のような夜の森林風景まで、様々な環境で（ポーリーン・オリヴェロス的な）ディープリスニングを行い、その結果生まれたものです。この世に常に存在する音楽として真摯に受け止めた場合、例えば鳥のさえずりと遠くから聞こえる交通音の空間的、旋律的な相互作用を、リスナーはどのように解釈するでしょうか。そして、同じリスナーが音楽的にどのように反応するのでしょうか。Innervzm IIはそのような例を示しています。鋭い精神が、断続的に（一度に10分以内）音のカオスに同調し、要素を解読し（本当にカオスとしか思えないから）、その経験をすぐに歌として抽出します。砂時計（お守りのようなもの）に助けられ、一度にトラックを完成させる「最初の考え／最善の考え」というアプローチに従ったInnervzm IIは、特に実りの多い過渡期のアーティストのスナップショットを構成しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e自称「楽観的な未来人」である\u003cmeta charset=\"utf-8\"\u003eRaaysが織り成すタペストリーは、オーガニックとアナログを巧みに融合させ、実に心地よいものです。Beneath Your Surface では、ハチドリの羽音がスローモーションで聞こえるような、持続的で振動するフラッターを奏でています。EPの冒頭を飾る \"Equiinox \"では、VHSの日の出の虹を思わせるような繊細なワーブが隠されています。トラック5のタイトルは textural messageですが、これらの作品はすべてtextural messageと言えるかもしれません。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=504750713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3037111320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eInnervzm\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIntroducing Southern California's Raays - the pliable producer \u0026amp; multi-instrumentalist birthed Aaron Rays. Currently creating in Los Angeles, he is a core contributor to the developing Leaving Records GenreDAO cooperative, and an active musical member of its All Genre scene.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRaays cites his synthesizer \u0026amp; percussion-threaded experimental ambient Innervzm EP as a universal conversation conceived from one's need for grounding, world design, and a deepening with nature. Created in collaboration with designer Ben Lu, the six songs are each paired with a divination map that serve as an invitation to be further examined by the listener.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a versatile synthesist showcased here on the texturally-dense Innervzm, an experimental beatmaker \u0026amp; sound designer like seen on the previous Prelude EP, and through high-fidelity rap production chops on display via his group 3V3RY1 with rapper Jahsh Banks, Raays continues to tastefully execute a notable style pallette with a confident finger on the pulse of his LA underground music community.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eInnervzm \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eII\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Innervzm II, a companion to 2022’s Innervzm, is a sprawling, meditative collection from Los Angeles-based producer, drummer, and sound architect, Raays. The EP’s title derives from a conversation between Raays and Leaving labelmate Deantoni Parks regarding “archeology of self” as a creative methodology. Innervzm, as a concept, connotes the kind of soul work that necessarily precedes and renders outward action possible, meaningful, and effective. The Innervzm II EP blends musique concréte, field recordings, and improvisational synthesis, documenting Raays’ methodical, ritualistic, and materially grounded approach to composition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach of the EP’s six tracks was seeded by a discrete instance of deep listening (of the Pauline Oliveros variety) in environments ranging from Raays’ own backyard of Ernest Debs Pond to the thundery night time forestscapes of Michoacán. If regarded sincerely as the ever-present music of this world, how might a listener interpret the spatial and melodic interplay of, say, birdsong and the distant hum of traffic? And how might that same listener respond, musically? Innervzm II provides one such example: a keen spirit, intermittently (generally for no more than ten minutes at a time) tuning into the sonic chaos, deciphering the elements (for it is only ever really seemingly\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003echaos), then immediately distilling this experience into song. Aided by an hourglass (as much a talisman as an actual timekeeper), and abiding by a sort of “first thought \/ best thought” approach to completing a track in a single sitting, Innervzm II constitutes a snapshot of an artist in an especially fruitful and transitory period of exploration.\u003cbr\u003e\u003cbr\u003eAs a self-described “optimistic futurist,” the tapestry Raays weaves is indeed soothing and consoling, deftly melding the organic and the analog. A persistent albeit oscillating flutter on “Beneath Your Surface” suggests the slow-motion beating of a hummingbird’s wings. The subtle warble hidden within the EP’s opener, “Equiinox” conjures the rainbow artifacts of a VHS sunrise. Though “textural message” is the title of track five, these pieces might very well all be considered textural messages, replete as they are in soil and static, dredged (lovingly) from some place just beyond the frame of knowing.\u003cbr\u003e\u003cbr\u003eInnervzm (dubbed “Full of vibrant life” by New Age luminary Laraaji) will be paired with Innervzm II for a joint physical cassette release in June, and Raays will soon join longtime experimental\/ambient luminary, The Album Leaf, as an opener and drummer on a global tour. Which is all to say, Raays is diligently tending the garden, to our collective benefit.\u003c\/span\u003e\u003cspan\u003e \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : raays\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2023-05-29T14:49:07+09:00","created_at":"2023-05-29T13:38:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","new","post newage","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258477768954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Raays \/\/ Innervzm \u0026 Innervzm II TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in1_5eb03e9a-fa2a-4d70-9515-6df69f981ef8.jpg?v=1685335082","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/IMG_1435.png?v=1685335083","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0032319682_10.jpg?v=1685338091","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0032319684_10.jpg?v=1685338092"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in1_5eb03e9a-fa2a-4d70-9515-6df69f981ef8.jpg?v=1685335082","options":["Title"],"media":[{"alt":null,"id":32032150552826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in1_5eb03e9a-fa2a-4d70-9515-6df69f981ef8.jpg?v=1685335082"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in1_5eb03e9a-fa2a-4d70-9515-6df69f981ef8.jpg?v=1685335082","width":700},{"alt":null,"id":32032150585594,"position":2,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/IMG_1435.png?v=1685335083"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/IMG_1435.png?v=1685335083","width":3024},{"alt":null,"id":32032272875770,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0032319682_10.jpg?v=1685338091"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0032319682_10.jpg?v=1685338091","width":1200},{"alt":null,"id":32032272974074,"position":4,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0032319684_10.jpg?v=1685338092"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0032319684_10.jpg?v=1685338092","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・南カリフォルニアのマルチ奏者Raaysが、2023年6月に同国LAの老舗オールジャンルレーベルLeaving Recordsからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003e昇天系ポストニューエイジ・アンビエント12曲を収録。14面JカードとDLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eInnervzm について：\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"南カリフォルニアのRaaysを紹介します。柔軟なプロデューサーとマルチインストゥルメンタリスト、Aaron Raysが誕生しました。現在ロサンゼルスで活動する彼は、Leaving RecordsのGenreDAO協同組合の中心人物であり、オールジャンルのシーンで活躍する音楽家です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eシンセサイザーとパーカッションで構成された実験的なアンビエント作品『Innervzm EP』は、グラウンディング、ワールドデザイン、自然との深化の必要性から生まれた普遍的な会話であるといいます。デザイナーのBen Luと共同で制作されたこの6曲は、それぞれ占いマップと対になっており、リスナーがさらに吟味するための招待状となっています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eテクスチャー密度の高いInnervzmで見せる多才なシンセサイザー奏者、前作Prelude EPで見せる実験的なビートメーカー＆サウンドデザイナー、そしてラッパーのJahsh Banksとのグループ3V3RY1で見せるハイファイなラップ制作能力など、RaaysはLAのアンダーグラウンド音楽コミュニティの鼓動を確信しながら、注目すべきスタイルパレットを巧みに実行し続けています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eInnervzm \u003cmeta charset=\"utf-8\"\u003eIIについて：\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年の『Innervzm』に続く『Innervzm II』は、ロサンゼルスを拠点に活動するプロデューサー、ドラマー、サウンド建築家、Raaysによる広大な瞑想的コレクションです。EPのタイトルは、RaaysとLeavingのレーベルメイトであるDeantoni Parksが、クリエイティブな方法論として「自己の考古学」について話したことに由来しています。Innervzmは、コンセプトとして、外への行動を可能にし、意味のある、効果的なものにするために、必然的に先行する魂の作業を意味するものです。Innervzm II EPは、ミュージック・コンクレート、フィールドレコーディング、即興的な合成を融合させ、\u003cmeta charset=\"utf-8\"\u003eRaaysの作曲に対する方法論、儀式的、物質的根拠に基づいたアプローチを記録しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEPの6曲はそれぞれ、\u003cmeta charset=\"utf-8\"\u003eRaays自身の裏庭であるアーネスト・デブス池からミチョアカンの雷のような夜の森林風景まで、様々な環境で（ポーリーン・オリヴェロス的な）ディープリスニングを行い、その結果生まれたものです。この世に常に存在する音楽として真摯に受け止めた場合、例えば鳥のさえずりと遠くから聞こえる交通音の空間的、旋律的な相互作用を、リスナーはどのように解釈するでしょうか。そして、同じリスナーが音楽的にどのように反応するのでしょうか。Innervzm IIはそのような例を示しています。鋭い精神が、断続的に（一度に10分以内）音のカオスに同調し、要素を解読し（本当にカオスとしか思えないから）、その経験をすぐに歌として抽出します。砂時計（お守りのようなもの）に助けられ、一度にトラックを完成させる「最初の考え／最善の考え」というアプローチに従ったInnervzm IIは、特に実りの多い過渡期のアーティストのスナップショットを構成しています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e自称「楽観的な未来人」である\u003cmeta charset=\"utf-8\"\u003eRaaysが織り成すタペストリーは、オーガニックとアナログを巧みに融合させ、実に心地よいものです。Beneath Your Surface では、ハチドリの羽音がスローモーションで聞こえるような、持続的で振動するフラッターを奏でています。EPの冒頭を飾る \"Equiinox \"では、VHSの日の出の虹を思わせるような繊細なワーブが隠されています。トラック5のタイトルは textural messageですが、これらの作品はすべてtextural messageと言えるかもしれません。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=504750713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3037111320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eInnervzm\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIntroducing Southern California's Raays - the pliable producer \u0026amp; multi-instrumentalist birthed Aaron Rays. Currently creating in Los Angeles, he is a core contributor to the developing Leaving Records GenreDAO cooperative, and an active musical member of its All Genre scene.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRaays cites his synthesizer \u0026amp; percussion-threaded experimental ambient Innervzm EP as a universal conversation conceived from one's need for grounding, world design, and a deepening with nature. Created in collaboration with designer Ben Lu, the six songs are each paired with a divination map that serve as an invitation to be further examined by the listener.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs a versatile synthesist showcased here on the texturally-dense Innervzm, an experimental beatmaker \u0026amp; sound designer like seen on the previous Prelude EP, and through high-fidelity rap production chops on display via his group 3V3RY1 with rapper Jahsh Banks, Raays continues to tastefully execute a notable style pallette with a confident finger on the pulse of his LA underground music community.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eInnervzm \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eII\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Innervzm II, a companion to 2022’s Innervzm, is a sprawling, meditative collection from Los Angeles-based producer, drummer, and sound architect, Raays. The EP’s title derives from a conversation between Raays and Leaving labelmate Deantoni Parks regarding “archeology of self” as a creative methodology. Innervzm, as a concept, connotes the kind of soul work that necessarily precedes and renders outward action possible, meaningful, and effective. The Innervzm II EP blends musique concréte, field recordings, and improvisational synthesis, documenting Raays’ methodical, ritualistic, and materially grounded approach to composition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach of the EP’s six tracks was seeded by a discrete instance of deep listening (of the Pauline Oliveros variety) in environments ranging from Raays’ own backyard of Ernest Debs Pond to the thundery night time forestscapes of Michoacán. If regarded sincerely as the ever-present music of this world, how might a listener interpret the spatial and melodic interplay of, say, birdsong and the distant hum of traffic? And how might that same listener respond, musically? Innervzm II provides one such example: a keen spirit, intermittently (generally for no more than ten minutes at a time) tuning into the sonic chaos, deciphering the elements (for it is only ever really seemingly\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003echaos), then immediately distilling this experience into song. Aided by an hourglass (as much a talisman as an actual timekeeper), and abiding by a sort of “first thought \/ best thought” approach to completing a track in a single sitting, Innervzm II constitutes a snapshot of an artist in an especially fruitful and transitory period of exploration.\u003cbr\u003e\u003cbr\u003eAs a self-described “optimistic futurist,” the tapestry Raays weaves is indeed soothing and consoling, deftly melding the organic and the analog. A persistent albeit oscillating flutter on “Beneath Your Surface” suggests the slow-motion beating of a hummingbird’s wings. The subtle warble hidden within the EP’s opener, “Equiinox” conjures the rainbow artifacts of a VHS sunrise. Though “textural message” is the title of track five, these pieces might very well all be considered textural messages, replete as they are in soil and static, dredged (lovingly) from some place just beyond the frame of knowing.\u003cbr\u003e\u003cbr\u003eInnervzm (dubbed “Full of vibrant life” by New Age luminary Laraaji) will be paired with Innervzm II for a joint physical cassette release in June, and Raays will soon join longtime experimental\/ambient luminary, The Album Leaf, as an opener and drummer on a global tour. Which is all to say, Raays is diligently tending the garden, to our collective benefit.\u003c\/span\u003e\u003cspan\u003e \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : raays\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
You may also like:
アメリカ・南カリフォルニアのマルチ奏者Raaysが、2023年6月に同国LAの老舗オールジャンルレーベルLeaving Recordsからリリースするカセットです。 昇天系ポストニューエイジ・アンビエント12曲を収録。14面JカードとDLコード付属。 以下、レーベルによる解説です。 Innervzm について： "南カリフォルニアのRaaysを紹介します。柔軟なプロデューサーとマルチインストゥルメンタリスト、Aaron Raysが誕生しました。現在ロサンゼルスで活動する彼は、Leaving RecordsのGenreDAO協同組合の中心人物であり、オールジャンルのシーンで活躍する音楽家です。シンセサイザーとパーカッションで構成された実験的なアンビエント作品『Innervzm EP』は、グラウンディング、ワールドデザイン、自然との深化の必要性から生まれた普遍的な会話であるといいます。デザイナーのBen Luと共同で制作されたこの6曲は、それぞれ占いマップと対になっており、リスナーがさらに吟味するための招待状となっています。テクスチャー密度の高いInnervzmで見せる多才なシンセサイザー奏者、前作Prelude EPで見せる実験的なビートメーカー＆サウンドデザイナー、そしてラッパーのJahsh Banksとのグループ3V3RY1で見せるハイファイなラップ制作能力など、RaaysはLAのアンダーグラウンド音楽コミュニティの鼓動を確信しながら、注目すべきスタイルパレットを巧みに実行し続けています。" Innervzm...
¥2,150