EDC // EDC1 12inch
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EDC // EDC1 12inch
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イギリスのテクノ作家Al Wootton aka EDCが、2026年5月に自身主宰レーベルTruleからリリースした12"です。
実験ヒプノティック・ミニマルテクノ4曲を収録。廃盤です。
レーベルその他作品はこちら /// Click here to see more Trule releases available at Tobira.
-------------------------------------------
12" black vinyl.
Tracklist:
1. EDC1_1 05:46
2. EDC1_2 04:15
3. EDC1_3 04:56
4. EDC1_4 03:43
Artist : EDC
Label : Trule
cat no : TRULE033
Release date : 1st May 2026
イギリスのテクノ作家Al Wootton aka EDCが、2026年5月に自身主宰レーベルTruleからリリースした12"です。
実験ヒプノティック・ミニマルテクノ4曲を収録。廃盤です。
レーベルその他作品はこちら /// Click here to see more Trule releases available at Tobira.
-------------------------------------------
12" black vinyl.
Tracklist:
1. EDC1_1 05:46
2. EDC1_2 04:15
3. EDC1_3 04:56
4. EDC1_4 03:43
Artist : EDC
Label : Trule
cat no : TRULE033
Release date : 1st May 2026
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{"id":9412138369274,"title":"Adeline Hotel \/\/ Good Timing TAPE","handle":"adeline-hotel-good-timing-tape","description":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたアメリカ・NYのインディー作家Adeline Hotelが、2026年9月に自身主宰レーベルRuination Record Co.からリリースした再発カセットです。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003eオープンチューニングのアコースティックギターによる牧歌アンビエント・フォーク10曲を収録。版元即完のためこの機会をお見逃しなく。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2699240204\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e to see more Ruination Records releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e2026 cassette reissue with new artwork - originally released in 2021. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Photographic Memory 02:51 \u003cbr\u003e2. Untangling 02:54 \u003cbr\u003e3. Reliable Feelings 02:46 \u003cbr\u003e4. I Have Found It 02:14 \u003cbr\u003e5. Homemade Lemonade 02:30 \u003cbr\u003e6. Introspection #76 01:39 \u003cbr\u003e7. Relate To Joy 04:04 \u003cbr\u003e8. Good Timing 01:50 \u003cbr\u003e9. Remembering Machines 01:30 \u003cbr\u003e10. Blueberry Fingers 01:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003eAndy Cush, via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Where does a piece of music originate? Before decisions about form and refinement of material, before building up or carving down, before composition itself—what lies in this white room, and how does one find it? Dan Knishkowy of Adeline Hotel did not set out to answer these questions when he began recording Good Timing, a mostly instrumental album whose crystalline latticework of acoustic guitar marks a departure of sorts from his previous releases as a songwriter. But as he worked, he found a certain freedom in a process uninhibited by pretense. “I liked the idea of embracing that,” he says, “instead of turning this into something more conventionally polished.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKnishkowy created Good Timing by layering improvised guitar parts, each one reacting intuitively to those that came before and guiding those that came after. Like a fractal blooming or a snowflake accumulating ice, the music dictated its own shape as it grew, a dynamic that is perceptible in the shifting surfaces of each piece. Rhythms unspool slowly, without tether to any strict pulse. Lines begin in apparent disarray, then converge for an epiphanic moment, then separate again. Though Knishkowy is well versed in the greats of solo guitar—among several possible connotations of the album’s title is a sly homage to a Jim O’Rourke acoustic masterwork—the effect of these multitracked pieces may have more in common with ambient music than anything from the American Primitive school. Low strings toll like distant bells; high ones sparkle like windchimes just outside the window. The physical properties of Dan’s instrument are as present in the music as his own hands.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHe arrived at this instinctual approach while working alone at home in the quarantine summer of 2020, when more precisely arranged compositions began to feel stifling. As a reprieve, he began recording the sort of ostensibly aimless music that had often uncovered the seeds of songs in the past. By centering these embryonic sounds as an expression in themselves, rather than a route to some other end, he crafted 10 pieces that glow with intimacy and presence, vessels for capturing memory in real time. “I feel like all records are approximations of your creative process, in a way\" he says, \"but with Good Timing, this is the closest I’ve ever gotten to the source.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Adeline Hotel \u003c\/p\u003e\n\u003cp\u003eLabel : Worried Songs \/ Ruination Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRRC 012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date : 2026 (cassette reissue)\u003c\/p\u003e","published_at":"2026-10-06T16:27:44+09:00","created_at":"2026-09-08T10:54:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","new","recommended","ruination record co.","tape"],"price":236000,"price_min":236000,"price_max":236000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50250928062714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Adeline Hotel \/\/ Good Timing TAPE","public_title":null,"options":["Default Title"],"price":236000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ade2_4153fbad-1f68-4a18-a853-c34ac4ef0f17.jpg?v=1791271685","\/\/tobirarecords.com\/cdn\/shop\/files\/ade1_e485d960-edb8-49f0-8a78-984a80bdc315.jpg?v=1788832611"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ade2_4153fbad-1f68-4a18-a853-c34ac4ef0f17.jpg?v=1791271685","options":["Title"],"media":[{"alt":null,"id":40937522135290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":772,"width":772,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ade2_4153fbad-1f68-4a18-a853-c34ac4ef0f17.jpg?v=1791271685"},"aspect_ratio":1.0,"height":772,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ade2_4153fbad-1f68-4a18-a853-c34ac4ef0f17.jpg?v=1791271685","width":772},{"alt":null,"id":40937522102522,"position":2,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ade1_e485d960-edb8-49f0-8a78-984a80bdc315.jpg?v=1788832611"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ade1_e485d960-edb8-49f0-8a78-984a80bdc315.jpg?v=1788832611","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたアメリカ・NYのインディー作家Adeline Hotelが、2026年9月に自身主宰レーベルRuination Record Co.からリリースした再発カセットです。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003eオープンチューニングのアコースティックギターによる牧歌アンビエント・フォーク10曲を収録。版元即完のためこの機会をお見逃しなく。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2699240204\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e to see more Ruination Records releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e2026 cassette reissue with new artwork - originally released in 2021. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Photographic Memory 02:51 \u003cbr\u003e2. Untangling 02:54 \u003cbr\u003e3. Reliable Feelings 02:46 \u003cbr\u003e4. I Have Found It 02:14 \u003cbr\u003e5. Homemade Lemonade 02:30 \u003cbr\u003e6. Introspection #76 01:39 \u003cbr\u003e7. Relate To Joy 04:04 \u003cbr\u003e8. Good Timing 01:50 \u003cbr\u003e9. Remembering Machines 01:30 \u003cbr\u003e10. Blueberry Fingers 01:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003eAndy Cush, via the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Where does a piece of music originate? Before decisions about form and refinement of material, before building up or carving down, before composition itself—what lies in this white room, and how does one find it? Dan Knishkowy of Adeline Hotel did not set out to answer these questions when he began recording Good Timing, a mostly instrumental album whose crystalline latticework of acoustic guitar marks a departure of sorts from his previous releases as a songwriter. But as he worked, he found a certain freedom in a process uninhibited by pretense. “I liked the idea of embracing that,” he says, “instead of turning this into something more conventionally polished.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eKnishkowy created Good Timing by layering improvised guitar parts, each one reacting intuitively to those that came before and guiding those that came after. Like a fractal blooming or a snowflake accumulating ice, the music dictated its own shape as it grew, a dynamic that is perceptible in the shifting surfaces of each piece. Rhythms unspool slowly, without tether to any strict pulse. Lines begin in apparent disarray, then converge for an epiphanic moment, then separate again. Though Knishkowy is well versed in the greats of solo guitar—among several possible connotations of the album’s title is a sly homage to a Jim O’Rourke acoustic masterwork—the effect of these multitracked pieces may have more in common with ambient music than anything from the American Primitive school. Low strings toll like distant bells; high ones sparkle like windchimes just outside the window. The physical properties of Dan’s instrument are as present in the music as his own hands.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHe arrived at this instinctual approach while working alone at home in the quarantine summer of 2020, when more precisely arranged compositions began to feel stifling. As a reprieve, he began recording the sort of ostensibly aimless music that had often uncovered the seeds of songs in the past. By centering these embryonic sounds as an expression in themselves, rather than a route to some other end, he crafted 10 pieces that glow with intimacy and presence, vessels for capturing memory in real time. “I feel like all records are approximations of your creative process, in a way\" he says, \"but with Good Timing, this is the closest I’ve ever gotten to the source.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Adeline Hotel \u003c\/p\u003e\n\u003cp\u003eLabel : Worried Songs \/ Ruination Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRRC 012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date : 2026 (cassette reissue)\u003c\/p\u003e"}
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Tobiraインストアショーケースでも素晴らしいライブを披露してくれたアメリカ・NYのインディー作家Adeline Hotelが、2026年9月に自身主宰レーベルRuination Record Co.からリリースした再発カセットです。（オリジナルは2021年リリース） オープンチューニングのアコースティックギターによる牧歌アンビエント・フォーク10曲を収録。版元即完のためこの機会をお見逃しなく。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Ruination Records releases...
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{"id":9412144169210,"title":"Adeline Hotel \/\/ Hot Fruit TAPE","handle":"adeline-hotel-hot-fruit-tape","description":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたアメリカ・NYのインディー作家Adeline Hotelが、2026年9月に自身主宰レーベルRuination Record Co.からリリースした再発カセットです。（オリジナルは2023年リリース）\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・フォーク〜ネオクラシカル・ジャズ7曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1946722518\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1617740417\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1946722518\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e to see more Ruination Records releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e2026 cassette reissue with new artwork - originally released in 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Beksul 03:36 \u003cbr\u003e2. Seeing Yourself Seen 07:18 \u003cbr\u003e3. Hot Fruit 03:22 \u003cbr\u003e4. Little Chili 01:49 \u003cbr\u003e5. Old Baldy 05:04 \u003cbr\u003e6. White Sands 02:51 \u003cbr\u003e7. Big Al 03:16\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAndy Cush\u003c\/span\u003e\u003cspan\u003e via the label : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eOne pleasure of following Dan Knishkowy’s music as Adeline Hotel in recent years is the way each album suggests something new, building on what came before, rather than making a drastic break. A record of folk songs (2020’s Solid Love) led to a set of solo guitar explorations (2021’s Good Timing) led to a suite of piano-led chamber music (The Cherries Are Speaking, 2021’s second Adeline album). Hot Fruit, his latest, continues that gradual trajectory while opening the widest new territory in his discography yet. While its jazzy and orchestral acoustic-guitar-led instrumentals may have surface-level precedent in canonical albums by Jim O’Rourke and more recent ones by William Tyler or Marisa Anderson, they ultimately operate on a wavelength all their own.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHot Fruit began as a work for solo guitar, pointed and narrative where Good Timing was diffuse and atmospheric. Each of the seven pieces contain a detailed enough trajectory that the album could have been finished there. Instead, Knishkowy brought the music to an ad hoc band that included the members of the jazz-leaning Brooklyn trio Scree (electric guitarist Ryan El-Solh, bassist Carmen Rothwell, and drummer Jason Burger), as well as pianist and longtime Adeline collaborator Winston Cook-Wilson (of Office Culture), and\u003cspan class=\"bcTruncateMore\"\u003e gave them free rein to add their improvisatory flourishes to his meticulous compositions. Knishkowy enlisted El-Solh to write further arrangements for an ensemble of strings, harp, and woodwinds, elaborate and precise where the band’s previous contributions had been loose and freewheeling.\u003cbr\u003e\u003cbr\u003eThe finished album is characterized by that push-pull interplay between composition and improvisation. Swirls of flutes, painstakingly notated, seem to follow the intuitive timing of the band jamming in the room. Acoustic guitar figurations arrive in joyous unison with pizzicato violins, lending the feeling that Knishkowy’s polyphonic playing is an orchestra unto itself. The wistful miniature “Little Chili” is so luxuriant in its arrangement, led by agile clarinet lines and punctuated by Alice Coltrane-esque arpeggios from harpist Rebecca El-Saleh, that it’s almost difficult to believe it began life on the guitar alone. On the sweeping “Seeing Yourself Seen,” pedal steel and piano rise like mountains on the horizon as the acoustic guitar outlines a highway from one feeling to another.\u003cbr\u003e\u003cbr\u003eThe contemplative tone of Hot Fruit feels like an extension of Good Timing, but the music’s sense of journey sets it apart from that album’s deliberate stasis. Each player’s personality is apparent even as they work diligently to support the whole. This is especially true of Knishkowy himself: Though Hot Fruit may be his most lushly orchestrated album, it is also the best showcase yet of his delicacy and subtle expressiveness as an acoustic guitarist. Each fingerpicked note glows with intention.\u003cbr\u003e\u003cbr\u003eThematically, Hot Fruit deals with the question of self-conception as relationships change. When we can no longer rely on other people’s long-held notions to help define us, we are left wondering: “Has my narrative of self become obsolete? How am I the same as what you'd thought? How am I different?” These questions are audible in the music’s blend of forethought and spontaneity. Some aspects of our identities we forge through years of work and consideration; others we make up on the fly.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adeline Hotel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Worried Songs \/ Ruination Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eRRC 045\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (cassette reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-10-06T16:24:50+09:00","created_at":"2026-09-08T10:59:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","neo classical","new","recommended","ruination record co.","tape"],"price":236000,"price_min":236000,"price_max":236000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50250935009530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Adeline Hotel \/\/ Hot Fruit TAPE","public_title":null,"options":["Default Title"],"price":236000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/0046347900_10.jpg?v=1791271759"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/0046347900_10.jpg?v=1791271759","options":["Title"],"media":[{"alt":null,"id":46381798523130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":860,"width":860,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0046347900_10.jpg?v=1791271759"},"aspect_ratio":1.0,"height":860,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0046347900_10.jpg?v=1791271759","width":860}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたアメリカ・NYのインディー作家Adeline Hotelが、2026年9月に自身主宰レーベルRuination Record Co.からリリースした再発カセットです。（オリジナルは2023年リリース）\u003c\/p\u003e\n\u003cp\u003e牧歌的なアンビエント・フォーク〜ネオクラシカル・ジャズ7曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1946722518\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1617740417\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1946722518\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e to see more Ruination Records releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e2026 cassette reissue with new artwork - originally released in 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Beksul 03:36 \u003cbr\u003e2. Seeing Yourself Seen 07:18 \u003cbr\u003e3. Hot Fruit 03:22 \u003cbr\u003e4. Little Chili 01:49 \u003cbr\u003e5. Old Baldy 05:04 \u003cbr\u003e6. White Sands 02:51 \u003cbr\u003e7. Big Al 03:16\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAndy Cush\u003c\/span\u003e\u003cspan\u003e via the label : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eOne pleasure of following Dan Knishkowy’s music as Adeline Hotel in recent years is the way each album suggests something new, building on what came before, rather than making a drastic break. A record of folk songs (2020’s Solid Love) led to a set of solo guitar explorations (2021’s Good Timing) led to a suite of piano-led chamber music (The Cherries Are Speaking, 2021’s second Adeline album). Hot Fruit, his latest, continues that gradual trajectory while opening the widest new territory in his discography yet. While its jazzy and orchestral acoustic-guitar-led instrumentals may have surface-level precedent in canonical albums by Jim O’Rourke and more recent ones by William Tyler or Marisa Anderson, they ultimately operate on a wavelength all their own.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHot Fruit began as a work for solo guitar, pointed and narrative where Good Timing was diffuse and atmospheric. Each of the seven pieces contain a detailed enough trajectory that the album could have been finished there. Instead, Knishkowy brought the music to an ad hoc band that included the members of the jazz-leaning Brooklyn trio Scree (electric guitarist Ryan El-Solh, bassist Carmen Rothwell, and drummer Jason Burger), as well as pianist and longtime Adeline collaborator Winston Cook-Wilson (of Office Culture), and\u003cspan class=\"bcTruncateMore\"\u003e gave them free rein to add their improvisatory flourishes to his meticulous compositions. Knishkowy enlisted El-Solh to write further arrangements for an ensemble of strings, harp, and woodwinds, elaborate and precise where the band’s previous contributions had been loose and freewheeling.\u003cbr\u003e\u003cbr\u003eThe finished album is characterized by that push-pull interplay between composition and improvisation. Swirls of flutes, painstakingly notated, seem to follow the intuitive timing of the band jamming in the room. Acoustic guitar figurations arrive in joyous unison with pizzicato violins, lending the feeling that Knishkowy’s polyphonic playing is an orchestra unto itself. The wistful miniature “Little Chili” is so luxuriant in its arrangement, led by agile clarinet lines and punctuated by Alice Coltrane-esque arpeggios from harpist Rebecca El-Saleh, that it’s almost difficult to believe it began life on the guitar alone. On the sweeping “Seeing Yourself Seen,” pedal steel and piano rise like mountains on the horizon as the acoustic guitar outlines a highway from one feeling to another.\u003cbr\u003e\u003cbr\u003eThe contemplative tone of Hot Fruit feels like an extension of Good Timing, but the music’s sense of journey sets it apart from that album’s deliberate stasis. Each player’s personality is apparent even as they work diligently to support the whole. This is especially true of Knishkowy himself: Though Hot Fruit may be his most lushly orchestrated album, it is also the best showcase yet of his delicacy and subtle expressiveness as an acoustic guitarist. Each fingerpicked note glows with intention.\u003cbr\u003e\u003cbr\u003eThematically, Hot Fruit deals with the question of self-conception as relationships change. When we can no longer rely on other people’s long-held notions to help define us, we are left wondering: “Has my narrative of self become obsolete? How am I the same as what you'd thought? How am I different?” These questions are audible in the music’s blend of forethought and spontaneity. Some aspects of our identities we forge through years of work and consideration; others we make up on the fly.\" \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Adeline Hotel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Worried Songs \/ Ruination Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eRRC 045\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (cassette reissue)\u003c\/span\u003e\u003c\/p\u003e"}
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Tobiraインストアショーケースでも素晴らしいライブを披露してくれたアメリカ・NYのインディー作家Adeline Hotelが、2026年9月に自身主宰レーベルRuination Record Co.からリリースした再発カセットです。（オリジナルは2023年リリース） 牧歌的なアンビエント・フォーク〜ネオクラシカル・ジャズ7曲を収録。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Ruination Records releases available...
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{"id":15412898496762,"title":"Fuubutsushi \/\/ Meridians 2xLP [COLOR]","handle":"fuubutsushi-meridians-2xlp-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのアンビエント作家Chris Juselと\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishiによるアンビエント・ジャズバンドFuubutsushiが、2024年7月にMatthew Sage主宰レーベルCached Mediaからリリースした2枚組レコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eそれぞれの持ち場で役割が\u003c\/span\u003e\u003cspan\u003e最大限発揮された、ドリーミーなアンビエント・ジャズ〜アンビエント・フォーク15曲を収録。\u003c\/span\u003eクリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o0yT9vNgQoE?si=rdB7yCgKq9dbXoYI\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-XooZglpVpQ?si=B3X7_ke3STEGRbJn\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xbNOSl3egng?si=B6BFyVq3LRnvwCUM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1nhkCcsFIXo?si=VmgFwq70x7DM4C-n\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QntZ7v5oN5g?si=lH1ulwJ3_cLpjIYB\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YzVkfE9tUMs?si=7HJEZrsQT0Zp5Zir\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QrmhlUEhB_E?si=ST7-ZUakZpqC8E51\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tFvPhkiyiZU?si=amLGeZt0Jd3Y3992\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MONubL-1zBA?si=vzIU2rxBwu-sCFB5\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EWm8qbymZ6Y?si=U8t-l_hB2TnkGE4T\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003ehere\u003c\/a\u003e to see more Cached Media \/ Patient Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 2 x 12\" clear vinyl in single pocket sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Blue Rose\u003cbr\u003e2. Hamilton\u003cbr\u003e3. Distance Learner\u003cbr\u003e4. Tenel Ka (First Crush)\u003cbr\u003e5. Prelude to New Flora\u003cbr\u003e6. New Flora\u003cbr\u003e7. Circulating Air\u003cbr\u003e8. Light in the Annex\u003cbr\u003e9. Midori\u003cbr\u003e10. Nora Nora\u003cbr\u003e11. Pool Tile Blue\u003cbr\u003e12. Barrel Duet\u003cbr\u003e13. Wonder Years\u003cbr\u003e14. Spent for Light\u003cbr\u003e15. Meridians\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : fuubutsushi\u003c\/p\u003e\n\u003cp\u003eLabel : Cached Media\u003c\/p\u003e","published_at":"2026-10-06T16:36:14+09:00","created_at":"2026-10-06T16:35:51+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cached media","folk \/ left-field pop","jazz","lp","new","recommended"],"price":598000,"price_min":598000,"price_max":598000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":67653547196666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fuubutsushi \/\/ Meridians 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":598000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_a1061ee7-b127-46e0-9f13-67d3eefdf18e.jpg?v=1719906267","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_2e6e3d22-4313-42d4-9cdc-911d4f095dc4.jpg?v=1719906267"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_a1061ee7-b127-46e0-9f13-67d3eefdf18e.jpg?v=1719906267","options":["Title"],"media":[{"alt":null,"id":34461155655930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_a1061ee7-b127-46e0-9f13-67d3eefdf18e.jpg?v=1719906267"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_a1061ee7-b127-46e0-9f13-67d3eefdf18e.jpg?v=1719906267","width":1000},{"alt":null,"id":34461155688698,"position":2,"preview_image":{"aspect_ratio":1.502,"height":333,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_2e6e3d22-4313-42d4-9cdc-911d4f095dc4.jpg?v=1719906267"},"aspect_ratio":1.502,"height":333,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_2e6e3d22-4313-42d4-9cdc-911d4f095dc4.jpg?v=1719906267","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのアンビエント作家Chris Juselと\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishiによるアンビエント・ジャズバンドFuubutsushiが、2024年7月にMatthew Sage主宰レーベルCached Mediaからリリースした2枚組レコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eそれぞれの持ち場で役割が\u003c\/span\u003e\u003cspan\u003e最大限発揮された、ドリーミーなアンビエント・ジャズ〜アンビエント・フォーク15曲を収録。\u003c\/span\u003eクリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o0yT9vNgQoE?si=rdB7yCgKq9dbXoYI\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-XooZglpVpQ?si=B3X7_ke3STEGRbJn\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xbNOSl3egng?si=B6BFyVq3LRnvwCUM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1nhkCcsFIXo?si=VmgFwq70x7DM4C-n\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QntZ7v5oN5g?si=lH1ulwJ3_cLpjIYB\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YzVkfE9tUMs?si=7HJEZrsQT0Zp5Zir\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QrmhlUEhB_E?si=ST7-ZUakZpqC8E51\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tFvPhkiyiZU?si=amLGeZt0Jd3Y3992\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MONubL-1zBA?si=vzIU2rxBwu-sCFB5\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EWm8qbymZ6Y?si=U8t-l_hB2TnkGE4T\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003ehere\u003c\/a\u003e to see more Cached Media \/ Patient Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 2 x 12\" clear vinyl in single pocket sleeve. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Blue Rose\u003cbr\u003e2. Hamilton\u003cbr\u003e3. Distance Learner\u003cbr\u003e4. Tenel Ka (First Crush)\u003cbr\u003e5. Prelude to New Flora\u003cbr\u003e6. New Flora\u003cbr\u003e7. Circulating Air\u003cbr\u003e8. Light in the Annex\u003cbr\u003e9. Midori\u003cbr\u003e10. Nora Nora\u003cbr\u003e11. Pool Tile Blue\u003cbr\u003e12. Barrel Duet\u003cbr\u003e13. Wonder Years\u003cbr\u003e14. Spent for Light\u003cbr\u003e15. Meridians\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : fuubutsushi\u003c\/p\u003e\n\u003cp\u003eLabel : Cached Media\u003c\/p\u003e"}
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アメリカのアンビエント作家Chris JuselとChaz Prymek、Matthew Sage 、Patrick Shiroishiによるアンビエント・ジャズバンドFuubutsushiが、2024年7月にMatthew Sage主宰レーベルCached Mediaからリリースした2枚組レコードです。 それぞれの持ち場で役割が最大限発揮された、ドリーミーなアンビエント・ジャズ〜アンビエント・フォーク15曲を収録。クリア盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more...
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{"id":9374765809914,"title":"Last Life \/\/ 侍栽培五 12inch [COLOR]","handle":"last-life-saibai-12inch-color","description":"\u003cp\u003eイタリアのdnb作家Last Lifeが、2026年8月にドイツ・ベルリンのレフトフィールドdnbレーベルHoro \/ Samurai Music傘下Saibaiからリリースした12\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eグレーテクノ4曲を収録。マーブル盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/last-life-remixed-1-donato-dozzy-reeko-12inch-color\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003eサムライ・ミュージックの中心で長年活躍してきたLast Lifeが、SAIBAIに初登場。彼の代名詞である唸り声を、陰影を帯びたサイケデリックなサウンドとうねるようなビートダウンへと変貌させている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2015年以来、マウロ・ピッチャウはハーフタイム160の周囲に広がる空間を最大限に活かしたサウンドを追求し、リズムを伸長させながらも十分なパワーを引き出してきた。今回の新作では、より繊細なトーンとテクスチャーへと軸足を移し、dnbとディープテクノの交差点で巻き起こっている革新的な芸術性の波に直結している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eうねり、張り詰めたサウンドデザインがオープニングトラック『Gear Cutter』のムードを際立たせ、ピチャウはミックスの前面で優雅に歪む金属的なフィードバック・トーンを用いて表現力を発揮している。強い物語性がトラックのダイナミックな動きを前面に押し出し、緊張感を高めるために意図的にエネルギー転換を控えている。『Norma』はより儀式的な雰囲気を帯びており、安定したパルスにロックされ、遠くに漂うメロディックなアンビエントの雲が、パーカッシブなマントラの周りに魅惑的な雰囲気を醸し出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Radian』は、ミニマルでテクノ精神に満ちた独自の言語を語り、異星的な囁きや鋼のようなドローンを駆使して、EP全体に漂う神秘的な霧を壊すことなく、より軽やかな響きを奏でている。『The Moat』は、より重厚なドラムセットを前面に押し出し、本作を締めくくる。巧みなリバーブと厳密に制御されたシンセのパルスで空間を形作っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのエコーチェンバーの中、そして本作全体を通じて、ピッチャウはこの忍耐強いアプローチを活かし、ミックスに微細な波紋を織り込み、積極的に耳を傾けるリスナーに報いると同時に、どんなに微かな音であっても常に感じられる躍動的な活力を自身の作品に吹き込んでいる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1168724682\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smrimsc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smrimsc\"\u003ehere\u003c\/a\u003e to see more Samurai Music \/ Horo \/ Saibai releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" marble color vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Gear Cutter 06:02 \u003cbr\u003e2. Norma 05:27 \u003cbr\u003e3. Radian 06:17 \u003cbr\u003e4. The Moat 05:18\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA long-time figure at the heart of Samurai Music, Last Life makes his first appearance on SAIBAI trading his signature snarl for shadowy psychedelia and snaking beatdowns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince 2015 Mauro Picciau has been cultivating a sound that maximises on the space that opens up around half-time 160, finding plenty of power while stretching out his rhythms. On this new release he pivots towards subtler tones and textures, and plugs directly into the wave of innovative artistry occurring at the intersection of D\u0026amp;B and deep techno.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWrithing, taut sound design spells out the mood on opening track 'Gear Cutter', as Picciau gets expressive with metallic feedback tones that elegantly contort across the front of the mix. There's a strong sense of narrative that brings the track's dynamic movement to the fore, holding back energetic shifts with a measured intent to ramp up the tension. 'Norma' has a more ceremonial feel, locking into a steady pulse and letting distant clouds of melodic ambience create a bewitching atmosphere around the percussive mantras.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Radian' speaks its own minimalist, techno-spirited language, drawing on alien murmurs and steely drones to strike a lighter\u003cspan class=\"bcTruncateMore\"\u003e note without breaking the mysterious fog that hovers over the EP. 'The Moat' leads on a heavier set of drums to close the record out, shaping space with skilful reverb and a tightly controlled synth pulse.\u003cbr\u003e\u003cbr\u003eWithin this echo chamber, and across the whole release, Picciau has capitalised on this patient approach to bed infinitesimal ripples into the mix, rewarding the active listener and instilling his creations with a kinetic vitality that can always be felt, no matter how slight the sound is.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Last Life\u003c\/p\u003e\n\u003cp\u003eLabel : Saibai\u003c\/p\u003e\n\u003cp\u003ecat no : SAIBAI5\u003c\/p\u003e\n\u003cp\u003eRelease date : 31st July 2026\u003c\/p\u003e","published_at":"2026-08-17T16:21:28+09:00","created_at":"2026-08-17T12:53:43+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","saibai","samurai music","techno \/ house"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50083127492858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Last Life \/\/ 侍栽培五 12inch [COLOR]","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/life1_0d77e0ab-0767-495a-8551-6868d31ce4bf.jpg?v=1786938662","\/\/tobirarecords.com\/cdn\/shop\/files\/life2_b727542b-8476-4d21-9d6b-3d5ca9627cc0.jpg?v=1786938662"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/life1_0d77e0ab-0767-495a-8551-6868d31ce4bf.jpg?v=1786938662","options":["Title"],"media":[{"alt":null,"id":40619963449594,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life1_0d77e0ab-0767-495a-8551-6868d31ce4bf.jpg?v=1786938662"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life1_0d77e0ab-0767-495a-8551-6868d31ce4bf.jpg?v=1786938662","width":350},{"alt":null,"id":40619963482362,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life2_b727542b-8476-4d21-9d6b-3d5ca9627cc0.jpg?v=1786938662"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/life2_b727542b-8476-4d21-9d6b-3d5ca9627cc0.jpg?v=1786938662","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのdnb作家Last Lifeが、2026年8月にドイツ・ベルリンのレフトフィールドdnbレーベルHoro \/ Samurai Music傘下Saibaiからリリースした12\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eグレーテクノ4曲を収録。マーブル盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/last-life-remixed-1-donato-dozzy-reeko-12inch-color\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003eサムライ・ミュージックの中心で長年活躍してきたLast Lifeが、SAIBAIに初登場。彼の代名詞である唸り声を、陰影を帯びたサイケデリックなサウンドとうねるようなビートダウンへと変貌させている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2015年以来、マウロ・ピッチャウはハーフタイム160の周囲に広がる空間を最大限に活かしたサウンドを追求し、リズムを伸長させながらも十分なパワーを引き出してきた。今回の新作では、より繊細なトーンとテクスチャーへと軸足を移し、dnbとディープテクノの交差点で巻き起こっている革新的な芸術性の波に直結している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eうねり、張り詰めたサウンドデザインがオープニングトラック『Gear Cutter』のムードを際立たせ、ピチャウはミックスの前面で優雅に歪む金属的なフィードバック・トーンを用いて表現力を発揮している。強い物語性がトラックのダイナミックな動きを前面に押し出し、緊張感を高めるために意図的にエネルギー転換を控えている。『Norma』はより儀式的な雰囲気を帯びており、安定したパルスにロックされ、遠くに漂うメロディックなアンビエントの雲が、パーカッシブなマントラの周りに魅惑的な雰囲気を醸し出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Radian』は、ミニマルでテクノ精神に満ちた独自の言語を語り、異星的な囁きや鋼のようなドローンを駆使して、EP全体に漂う神秘的な霧を壊すことなく、より軽やかな響きを奏でている。『The Moat』は、より重厚なドラムセットを前面に押し出し、本作を締めくくる。巧みなリバーブと厳密に制御されたシンセのパルスで空間を形作っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのエコーチェンバーの中、そして本作全体を通じて、ピッチャウはこの忍耐強いアプローチを活かし、ミックスに微細な波紋を織り込み、積極的に耳を傾けるリスナーに報いると同時に、どんなに微かな音であっても常に感じられる躍動的な活力を自身の作品に吹き込んでいる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1168724682\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smrimsc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smrimsc\"\u003ehere\u003c\/a\u003e to see more Samurai Music \/ Horo \/ Saibai releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" marble color vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Gear Cutter 06:02 \u003cbr\u003e2. Norma 05:27 \u003cbr\u003e3. Radian 06:17 \u003cbr\u003e4. The Moat 05:18\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA long-time figure at the heart of Samurai Music, Last Life makes his first appearance on SAIBAI trading his signature snarl for shadowy psychedelia and snaking beatdowns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince 2015 Mauro Picciau has been cultivating a sound that maximises on the space that opens up around half-time 160, finding plenty of power while stretching out his rhythms. On this new release he pivots towards subtler tones and textures, and plugs directly into the wave of innovative artistry occurring at the intersection of D\u0026amp;B and deep techno.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWrithing, taut sound design spells out the mood on opening track 'Gear Cutter', as Picciau gets expressive with metallic feedback tones that elegantly contort across the front of the mix. There's a strong sense of narrative that brings the track's dynamic movement to the fore, holding back energetic shifts with a measured intent to ramp up the tension. 'Norma' has a more ceremonial feel, locking into a steady pulse and letting distant clouds of melodic ambience create a bewitching atmosphere around the percussive mantras.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Radian' speaks its own minimalist, techno-spirited language, drawing on alien murmurs and steely drones to strike a lighter\u003cspan class=\"bcTruncateMore\"\u003e note without breaking the mysterious fog that hovers over the EP. 'The Moat' leads on a heavier set of drums to close the record out, shaping space with skilful reverb and a tightly controlled synth pulse.\u003cbr\u003e\u003cbr\u003eWithin this echo chamber, and across the whole release, Picciau has capitalised on this patient approach to bed infinitesimal ripples into the mix, rewarding the active listener and instilling his creations with a kinetic vitality that can always be felt, no matter how slight the sound is.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Last Life\u003c\/p\u003e\n\u003cp\u003eLabel : Saibai\u003c\/p\u003e\n\u003cp\u003ecat no : SAIBAI5\u003c\/p\u003e\n\u003cp\u003eRelease date : 31st July 2026\u003c\/p\u003e"}
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イタリアのdnb作家Last Lifeが、2026年8月にドイツ・ベルリンのレフトフィールドdnbレーベルHoro / Samurai Music傘下Saibaiからリリースした12"です。 グレーテクノ4曲を収録。マーブル盤です。 前作もオススメです。 以下、レーベルによる解説です。 "サムライ・ミュージックの中心で長年活躍してきたLast Lifeが、SAIBAIに初登場。彼の代名詞である唸り声を、陰影を帯びたサイケデリックなサウンドとうねるようなビートダウンへと変貌させている。 2015年以来、マウロ・ピッチャウはハーフタイム160の周囲に広がる空間を最大限に活かしたサウンドを追求し、リズムを伸長させながらも十分なパワーを引き出してきた。今回の新作では、より繊細なトーンとテクスチャーへと軸足を移し、dnbとディープテクノの交差点で巻き起こっている革新的な芸術性の波に直結している。 うねり、張り詰めたサウンドデザインがオープニングトラック『Gear Cutter』のムードを際立たせ、ピチャウはミックスの前面で優雅に歪む金属的なフィードバック・トーンを用いて表現力を発揮している。強い物語性がトラックのダイナミックな動きを前面に押し出し、緊張感を高めるために意図的にエネルギー転換を控えている。『Norma』はより儀式的な雰囲気を帯びており、安定したパルスにロックされ、遠くに漂うメロディックなアンビエントの雲が、パーカッシブなマントラの周りに魅惑的な雰囲気を醸し出している。 『Radian』は、ミニマルでテクノ精神に満ちた独自の言語を語り、異星的な囁きや鋼のようなドローンを駆使して、EP全体に漂う神秘的な霧を壊すことなく、より軽やかな響きを奏でている。『The...
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