DUCH // „Y” TAPE

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ポーランド・クラクフのシンセ奏者DUCHが、2022年6月に同国ワルシャワのシンセ音楽レーベルPointless Geometryから50本限定でリリースしたデビューカセットです。

シンセ・クラウトアンビエント〜ダンジョンシンセ〜ストレンジビーツ10曲を収録。DLコード付属。（他作品分もお付けします）

廃盤です。

レーベルその他作品はこちら /// Click here to see more Pointless Geometry releases available at Tobira.

---------------------------------

Edition of 50. Includes DL code.

Artist bio via Pointless Geometry:

"Duch (Łukasz Jastrubczak)

While living in Kraków, Łukasz Jastrubczak played on synthesizer in the band Boring Drug, together with Tomasz Kowalski, Igor Kłaczyński, Jakub de Barbaro, Ewa Polska, Wiktor Podgórski and occasionally with Jasmina Polak. After moving to Szczecin in 2013, feeling a lack of collective energy, as DUCH he began recording looped, overlapping layers of improvised sounds on home cassette equipment. Selected tracks from about 100 cassettes, were compiled on a self-released cassette album "Utah Jazz" (2016) and album "Y" released in 2022 by "Pointless Geometry". Together with Małgorzata Mazur - the author of the illustration for the cover of "Y" - he runs the institution "CentrumCentrum" which is dedicated to social ecology and art. He lives in Szczecin where he works at the Media Art Department of the Academy of Art."

Artist : Duch

Label : Pointless Geometry

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シンセ・クラウトアンビエント〜ダンジョンシンセ〜ストレンジビーツ10曲を収録。DLコード付属。（他作品分もお付けします）

廃盤です。

レーベルその他作品はこちら /// Click here to see more Pointless Geometry releases available at Tobira.

---------------------------------

Edition of 50. Includes DL code.

Artist bio via Pointless Geometry:

Artist : Duch

Label : Pointless Geometry

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Weather Report I 01:54\u003cbr\u003e2. Who Knows The Path 03:12\u003cbr\u003e3. Lens 02:53\u003cbr\u003e4. Lake-Eyes 03:39\u003cbr\u003e5. Golden Pools 01:46\u003cbr\u003e6. Geological Observations 04:03\u003cbr\u003e7. Weather Report II 02:15\u003cbr\u003e8. Sodium Trees 02:36\u003cbr\u003e9. Relation Ships 04:58\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDesert Mirror:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mirror I 03:34\u003cbr\u003e2. Tears of Gold 04:06\u003cbr\u003e3. The Funeral Mountains 01:06\u003cbr\u003e4. Mirror II 04:53\u003cbr\u003e5. Gone 06:10\u003cbr\u003e6. Mirror III 03:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor Nico Georis, music is a lot like nature: you may actively confront it, or just let yourself channel it. Music Belongs To The Universe, his latest offering, out now on Leaving Records, threads the line between pastoral melody and desert minimalism, it rings out and warbles, crafting sounds as spacious as the landscapes from which it was conjured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded between 2021 and 2023, Music Belongs To The Universe is the latest foray in a search for music as crystalline as the desert skies that Georis began in 2020, when he first moved out to a remote town outside of Death Valley. Here, he restored what became his studio, Granny’s Dancehall, communing with the elements on 2023’s Cloud Suites and 2022’s Desert Mirror which, along with Music Belongs To The Universe, present as a triptych of desert meditations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic Belongs To The Universe, in fact, is first and foremost an exercise in sensitivity, in uncluttered perception. We hear this in the devoted, expectant warbling of “Geological Observations:” Georis’ airy arrangements tiptoe, sit back and finally hover, clearing the way for a kind of music that is more channelled than it is conceived. As keyboards soar, unburdened, above the looped-up soundscape of lead single “Who Knows The Path,” its title rings\u003cspan class=\"bcTruncateMore\"\u003e at once as a question and an invocation.\u003cbr\u003e\u003cbr\u003eNo matter how trance-like, however, nothing about this is accidental. Relying on delay techniques Georis first perfected on his 2022 reinterpretation of Terry Riley’s A Rainbow in Curved Air, melody isn’t just suffused into Music Belongs To The Universe’s ambient sounds; rather, these emanate out of long-hewn chord progressions as if in radiance.\u003cbr\u003e\u003cbr\u003eLike a gymnopédie for the desert, these recordings flutter and unfold, sunbleached; their arrangements, at once rapt and unobtrusive, attending to the massive world around. As they cast off drama to make room for attunement, they remind us that, sometimes, the most attentive kind of searching feels like letting go.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nico Georis\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2025-04-26T09:18:58+09:00","created_at":"2025-04-26T08:18:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","lp","neo classical","new","post newage"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47277660045562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nico Georis \/\/ Music Belongs To The Universe LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_f49bd066-5804-4e21-8556-b32f6589d26c.jpg?v=1745622769","\/\/tobirarecords.com\/cdn\/shop\/files\/bel2_fef9e617-0073-4075-927d-c2ffbd8dc7b7.jpg?v=1745622769"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_f49bd066-5804-4e21-8556-b32f6589d26c.jpg?v=1745622769","options":["Title"],"media":[{"alt":null,"id":35938927575290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_f49bd066-5804-4e21-8556-b32f6589d26c.jpg?v=1745622769"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_f49bd066-5804-4e21-8556-b32f6589d26c.jpg?v=1745622769","width":700},{"alt":null,"id":35938927608058,"position":2,"preview_image":{"aspect_ratio":1.034,"height":1160,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel2_fef9e617-0073-4075-927d-c2ffbd8dc7b7.jpg?v=1745622769"},"aspect_ratio":1.034,"height":1160,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel2_fef9e617-0073-4075-927d-c2ffbd8dc7b7.jpg?v=1745622769","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・カリフォルニア\u003c\/span\u003e\u003cspan\u003eのマルチ奏者Nico Georisが、2025年4月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたレコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eピアノをメインソースにした瞑想的なポストニューエイジ・アンビエント〜ネオクラシカル・アンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Nico Georisにとって、音楽は自然によく似ている。Leavingからリリースされた彼の最新作『Music Belongs To The Universe』は、牧歌的なメロディと砂漠のミニマリズムの境界線を行き来し、鳴り響き、そこから想起される風景と同じくらい広々としたサウンドを作り上げる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2021年から2023年にかけてレコーディングされた『Music Belongs To The Universe』は、砂漠の空のような、またはクリスタルのような音楽の探求の最新作である。2023年の『Cloud Suites』と2022年の『Desert Mirror』は、『Music Belongs To The Universe』とともに砂漠の瞑想の三部作となっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Music Belongs To The Universe』は、何よりもまず、感性の訓練であり、雑念のない知覚の訓練である。それは、「Geological Observations（地質学的観察）」の献身的で期待に満ちたうなり声にも表れている。Nico Georisの風通しの良いアレンジは、つま先立ちをし、腰を落とし、ついにはホバリングして、構想よりもチャンネルを絞ったような音楽への道を切り開く。リードシングル「Who Knows The Path 」のループしたサウンドスケープの上を、キーボードが重荷を負わずに舞い上がると、そのタイトルは問いかけであり、呼びかけでもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、いかにトランス的であろうと、これは偶然の産物ではない。テリー・ライリーの『A Rainbow in Curved Air』を2022年に再解釈した際にNico Georisが初めて完成させたディレイテクニックによって、メロディーはMusic Belongs To The Universeのアンビエントサウンドの中にただ滲み出ているのではなく、まるで輝きを放つかのように、長く削られたコード進行から発散されているのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e砂漠のためのジムノペディのように、これらの録音は、太陽の光を浴びながら、ひらひらと広がっていく。ドラマを捨て、同調の余地を作るように、彼らは私たちに、最も注意深い種類の探求は、時には手放すように感じられることを思い出させる。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/JwWqfJ9l6w0?si=TCgNXyp457SFdHz8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=356648851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eVinyl contains 2 albums: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic Belongs To The Universe on side A and Desert Mirror on side B\u003c\/span\u003e\u003cbr\u003eBlack vinyl edition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic Belongs To The Universe:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Weather Report I 01:54\u003cbr\u003e2. Who Knows The Path 03:12\u003cbr\u003e3. Lens 02:53\u003cbr\u003e4. Lake-Eyes 03:39\u003cbr\u003e5. Golden Pools 01:46\u003cbr\u003e6. Geological Observations 04:03\u003cbr\u003e7. Weather Report II 02:15\u003cbr\u003e8. Sodium Trees 02:36\u003cbr\u003e9. Relation Ships 04:58\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDesert Mirror:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mirror I 03:34\u003cbr\u003e2. Tears of Gold 04:06\u003cbr\u003e3. The Funeral Mountains 01:06\u003cbr\u003e4. Mirror II 04:53\u003cbr\u003e5. Gone 06:10\u003cbr\u003e6. Mirror III 03:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor Nico Georis, music is a lot like nature: you may actively confront it, or just let yourself channel it. Music Belongs To The Universe, his latest offering, out now on Leaving Records, threads the line between pastoral melody and desert minimalism, it rings out and warbles, crafting sounds as spacious as the landscapes from which it was conjured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded between 2021 and 2023, Music Belongs To The Universe is the latest foray in a search for music as crystalline as the desert skies that Georis began in 2020, when he first moved out to a remote town outside of Death Valley. Here, he restored what became his studio, Granny’s Dancehall, communing with the elements on 2023’s Cloud Suites and 2022’s Desert Mirror which, along with Music Belongs To The Universe, present as a triptych of desert meditations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMusic Belongs To The Universe, in fact, is first and foremost an exercise in sensitivity, in uncluttered perception. We hear this in the devoted, expectant warbling of “Geological Observations:” Georis’ airy arrangements tiptoe, sit back and finally hover, clearing the way for a kind of music that is more channelled than it is conceived. As keyboards soar, unburdened, above the looped-up soundscape of lead single “Who Knows The Path,” its title rings\u003cspan class=\"bcTruncateMore\"\u003e at once as a question and an invocation.\u003cbr\u003e\u003cbr\u003eNo matter how trance-like, however, nothing about this is accidental. Relying on delay techniques Georis first perfected on his 2022 reinterpretation of Terry Riley’s A Rainbow in Curved Air, melody isn’t just suffused into Music Belongs To The Universe’s ambient sounds; rather, these emanate out of long-hewn chord progressions as if in radiance.\u003cbr\u003e\u003cbr\u003eLike a gymnopédie for the desert, these recordings flutter and unfold, sunbleached; their arrangements, at once rapt and unobtrusive, attending to the massive world around. As they cast off drama to make room for attunement, they remind us that, sometimes, the most attentive kind of searching feels like letting go.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nico Georis\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}

※5/9発送開始しますカナダのアンビエント作家Kara-Lis Coverdaleが、2025年5月にノルウェー・オスロのオールジャンルレーベルSmalltown Supersoundからリリースしたレコードです。ポストニューエイジ・アンビエント〜アンビエントドローン11曲を収録。レーベルその他作品はこちら /// Click here to see more Smalltown Supersound releases available at...

¥3,540

Seaworthy & Matt Rösner // Snowmelt LP [COLOR]

Quickview {"id":8771898409210,"title":"Seaworthy \u0026 Matt Rösner \/\/ Snowmelt LP [COLOR]","handle":"seaworthy-matt-rosner-snowmelt-lp-color","description":"\u003cp\u003eオーストラリアのアンビエント作家SeaworthyとMatt Rösnerが、2021年11月にアメリカ・NYのアンビエントレーベル12kからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの国立公園Kunama Namadgiで録音したフィールドレコーディングとギターによる穏やかなアンビエント9曲を収録。DLコード付属。クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1715609730\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eComes with DL code. 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePorcupine Stream 06:53\u003c\/li\u003e\n\u003cli\u003eRennix Forest 04:30\u003c\/li\u003e\n\u003cli\u003eRennix Heath 03:17\u003c\/li\u003e\n\u003cli\u003eSpencer Creek Pt 1 06:08\u003c\/li\u003e\n\u003cli\u003eCharlotte Pass Pt 1 04:46\u003c\/li\u003e\n\u003cli\u003eSpencer Creek Pt 2 04:07\u003c\/li\u003e\n\u003cli\u003eCharlotte Pass Pt 2 03:04\u003c\/li\u003e\n\u003cli\u003eSaw Creek 05:25\u003c\/li\u003e\n\u003cli\u003eCharlotte Pass Pt 3 03:08\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e12k:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSnowmelt is a new record by Australian artists Seaworthy (aka Cameron Webb) and Matt Rösner, the long awaited follow up from their 2010 collaboration Two Lakes (12k1062).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSnowmelt asks the question, “What does climate change sound like?” Recorded during two field trips to Kunama Namadgi (Mount Kosciuszko), the record compares and contrasts the physical shifts in the region’s flora, fauna and landscapes brought upon by the changes in season that occur at higher altitudes. The Australian alpine regions are increasingly stressed by the effects of climate change. Rising temperatures and more frequent extreme weather events add to pressure mounting on the delicate ecosystems in this region from physical disturbance and pollution, feral animals, bush fires, and droughts.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFocusing on the incidental sounds of an environment in transition, Snowmelt merges the sounds of nature with minimal but considered instrumentation. Melting ice and snow feeding mountain streams, marshlands buzzing with insects, distant bird calls, windswept grasslands and whistling rock outcrops. Guitars quietly recorded in an icy cabin located inside the Kosciuszko National Park. Incidental sounds processed and looped with a mind to subtle\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e textural shifts and interplay between field recordings and instrumentation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSnowmelt sits geographically distant from the pair’s previous release, Two Lakes, recorded alongside coastal wetlands and woodlands on the NSW south coast, but is an equally powerful document of place. Where there was a huddled warmth to much of these field and instrumental recordings, there is an exposure to the alpine recordings of Snowmelt that while not necessarily bleak, does prompt reflection on the uncertainties of a changing environment’s sound as well as physicality.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMatt Rösner continues to explore the natural world to inspire his work based out of remote Western Australia. His most recent release being No Lasting Form (Room40). Webb’s output as Seaworthy has been sparse in recent years as he continues to pursue a career in environmental research, focusing on urban wetlands and their ecosystems. This marks the first substantial release since Wood, Winter, Hollow, a collaboration with Taylor Deupree in 2013.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Seaworthy \u0026amp; Matt Rösner\u003c\/p\u003e\n\u003cp\u003eLabel : 12k\u003c\/p\u003e","published_at":"2025-04-25T16:54:18+09:00","created_at":"2025-04-25T16:53:01+09:00","vendor":"Tobira Records","type":"","tags":["12k","ambient","lp","new"],"price":399400,"price_min":399400,"price_max":399400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275498733818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Seaworthy \u0026 Matt Rösner \/\/ Snowmelt LP [COLOR]","public_title":null,"options":["Default Title"],"price":399400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0587252130_16.jpg?v=1709627738","\/\/tobirarecords.com\/cdn\/shop\/files\/0027123248_10.jpg?v=1709627739"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0587252130_16.jpg?v=1709627738","options":["Title"],"media":[{"alt":null,"id":33307817279738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0587252130_16.jpg?v=1709627738"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0587252130_16.jpg?v=1709627738","width":700},{"alt":null,"id":33307817312506,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027123248_10.jpg?v=1709627739"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027123248_10.jpg?v=1709627739","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのアンビエント作家SeaworthyとMatt Rösnerが、2021年11月にアメリカ・NYのアンビエントレーベル12kからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの国立公園Kunama Namadgiで録音したフィールドレコーディングとギターによる穏やかなアンビエント9曲を収録。DLコード付属。クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1715609730\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/12k\"\u003ehere\u003c\/a\u003e to see more 12k releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eComes with DL code. 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePorcupine Stream 06:53\u003c\/li\u003e\n\u003cli\u003eRennix Forest 04:30\u003c\/li\u003e\n\u003cli\u003eRennix Heath 03:17\u003c\/li\u003e\n\u003cli\u003eSpencer Creek Pt 1 06:08\u003c\/li\u003e\n\u003cli\u003eCharlotte Pass Pt 1 04:46\u003c\/li\u003e\n\u003cli\u003eSpencer Creek Pt 2 04:07\u003c\/li\u003e\n\u003cli\u003eCharlotte Pass Pt 2 03:04\u003c\/li\u003e\n\u003cli\u003eSaw Creek 05:25\u003c\/li\u003e\n\u003cli\u003eCharlotte Pass Pt 3 03:08\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e12k:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSnowmelt is a new record by Australian artists Seaworthy (aka Cameron Webb) and Matt Rösner, the long awaited follow up from their 2010 collaboration Two Lakes (12k1062).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSnowmelt asks the question, “What does climate change sound like?” Recorded during two field trips to Kunama Namadgi (Mount Kosciuszko), the record compares and contrasts the physical shifts in the region’s flora, fauna and landscapes brought upon by the changes in season that occur at higher altitudes. The Australian alpine regions are increasingly stressed by the effects of climate change. Rising temperatures and more frequent extreme weather events add to pressure mounting on the delicate ecosystems in this region from physical disturbance and pollution, feral animals, bush fires, and droughts.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFocusing on the incidental sounds of an environment in transition, Snowmelt merges the sounds of nature with minimal but considered instrumentation. Melting ice and snow feeding mountain streams, marshlands buzzing with insects, distant bird calls, windswept grasslands and whistling rock outcrops. Guitars quietly recorded in an icy cabin located inside the Kosciuszko National Park. Incidental sounds processed and looped with a mind to subtle\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e textural shifts and interplay between field recordings and instrumentation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSnowmelt sits geographically distant from the pair’s previous release, Two Lakes, recorded alongside coastal wetlands and woodlands on the NSW south coast, but is an equally powerful document of place. Where there was a huddled warmth to much of these field and instrumental recordings, there is an exposure to the alpine recordings of Snowmelt that while not necessarily bleak, does prompt reflection on the uncertainties of a changing environment’s sound as well as physicality.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMatt Rösner continues to explore the natural world to inspire his work based out of remote Western Australia. His most recent release being No Lasting Form (Room40). Webb’s output as Seaworthy has been sparse in recent years as he continues to pursue a career in environmental research, focusing on urban wetlands and their ecosystems. This marks the first substantial release since Wood, Winter, Hollow, a collaboration with Taylor Deupree in 2013.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Seaworthy \u0026amp; Matt Rösner\u003c\/p\u003e\n\u003cp\u003eLabel : 12k\u003c\/p\u003e"}