Crazy Doberman // Two Takes Of "Shapes In Shame" TAPE

Crazy Doberman // Two Takes Of "Shapes In Shame" TAPE

¥3,180

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※アートワークの形状が3cm以上のため、佐川急便（550円）での発送となります。

当店人気の米国サイケジャズバンドCrazy Dobermanの70本限定カセットをデッドストック入荷しました。既に廃盤です。

レーベルその他作品はこちら /// Click here to see more No Basement Is Deep Enough releases available at Tobira.

artist : Crazy Doberman

label : No Basement Is Deep Enough

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※アートワークの形状が3cm以上のため、佐川急便（550円）での発送となります。

当店人気の米国サイケジャズバンドCrazy Dobermanの70本限定カセットをデッドストック入荷しました。既に廃盤です。

レーベルその他作品はこちら /// Click here to see more No Basement Is Deep Enough releases available at Tobira.

artist : Crazy Doberman

label : No Basement Is Deep Enough

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Each of these sound worlds are reflected in the eight tracks of Reality, but in a looser, more improvised form which, for Stillman, represents a return to his formative, early influences in the recordings of John and Alice Coltrane, Ornette Coleman, and Albert Ayler.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese luminary voices serve as relevant reference points for an album that Stillman made as an attempt to, as he articulates it, \"draw attention to, and unconditionally praise, the directly experienced world.\" For Stillman, (and for Jason Evans, whose photographs feature on the album cover art) this is the 'reality' sensed in small scale, momentary perceptions of beauty (read: \"is\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-ness\") that reveal themselves when we are awake to the present. These moments represent the well from which this album's music draws its energy and purpose.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album's title also references what music writer Virgil Moorefield calls the \"Reality of Illusion,\" that of Stillman's solo, multi-tracked ensemble of one, in which he plays saxophone, clarinets, drums, and piano. In contrast to past albums in which the layered recordings are used to realise predetermined compositions, the music on Reality often finds Stillman's multiples engaged in more spontaneous interaction, producing the uncanny sound of one mind in multi-voiced conversation with itself. The subject of these discourses is often a single melody, repeated and developed across different voices in an elaborated chant form.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Stillman\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2026-01-09T05:55:13+09:00","created_at":"2026-01-09T05:54:07+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48203147608314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Stillman \/\/ Reality (U.S.) LP [COLOR]","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/st1_bab9dc0a-d534-4ef8-9699-ce5c773a4f95.jpg?v=1655700173","\/\/tobirarecords.com\/cdn\/shop\/products\/st2_0e78393a-f71f-471c-8e32-b40e4ecaf08d.jpg?v=1655700173","\/\/tobirarecords.com\/cdn\/shop\/products\/st2_915f2f37-49e6-45d4-ab33-af096eeaa115.jpg?v=1655700173"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_bab9dc0a-d534-4ef8-9699-ce5c773a4f95.jpg?v=1655700173","options":["Title"],"media":[{"alt":null,"id":29933740851450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_bab9dc0a-d534-4ef8-9699-ce5c773a4f95.jpg?v=1655700173"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_bab9dc0a-d534-4ef8-9699-ce5c773a4f95.jpg?v=1655700173","width":700},{"alt":null,"id":29933740884218,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_0e78393a-f71f-471c-8e32-b40e4ecaf08d.jpg?v=1655700173"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_0e78393a-f71f-471c-8e32-b40e4ecaf08d.jpg?v=1655700173","width":1200},{"alt":null,"id":29933740916986,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_915f2f37-49e6-45d4-ab33-af096eeaa115.jpg?v=1655700173"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_915f2f37-49e6-45d4-ab33-af096eeaa115.jpg?v=1655700173","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・メイン出身イギリス在住のマルチ奏者Robert Stillmanが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ8曲を収録。DLコード付属。白盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3157731056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2609850205\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3157731056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eEdition of 300 'opaque natural' color vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 tracks, 43 minutes.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e11x11 full color photo inserts featuring photography by Jason Evans \u0026amp; design by Thomas Watt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReality is the new album from Maine-born, UK-based composer and multi-instrumentalist Robert Stillman.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStillman's catalogue on Orindal Records chronicles a singular musical voice traversing diverse stylistic territories: the intricate layered arrangements of 'cosmic jazz' on his 2016 LP Rainbow, the ambient experimental textures of his 2016 EP Time of Waves, and the minimal repetitions of his 2017 tape of electric piano meditations, Portals. Each of these sound worlds are reflected in the eight tracks of Reality, but in a looser, more improvised form which, for Stillman, represents a return to his formative, early influences in the recordings of John and Alice Coltrane, Ornette Coleman, and Albert Ayler.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese luminary voices serve as relevant reference points for an album that Stillman made as an attempt to, as he articulates it, \"draw attention to, and unconditionally praise, the directly experienced world.\" For Stillman, (and for Jason Evans, whose photographs feature on the album cover art) this is the 'reality' sensed in small scale, momentary perceptions of beauty (read: \"is\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-ness\") that reveal themselves when we are awake to the present. These moments represent the well from which this album's music draws its energy and purpose.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album's title also references what music writer Virgil Moorefield calls the \"Reality of Illusion,\" that of Stillman's solo, multi-tracked ensemble of one, in which he plays saxophone, clarinets, drums, and piano. In contrast to past albums in which the layered recordings are used to realise predetermined compositions, the music on Reality often finds Stillman's multiples engaged in more spontaneous interaction, producing the uncanny sound of one mind in multi-voiced conversation with itself. The subject of these discourses is often a single melody, repeated and developed across different voices in an elaborated chant form.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Stillman\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}

アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。本作は、アメリカ・メイン出身イギリス在住のマルチ奏者Robert Stillmanが、2019年にリリースしたアルバムです。コンテンポラリー・ジャズ〜アンビエント・ジャズ8曲を収録。DLコード付属。白盤です。レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at...

¥3,990

Quickview {"id":9050242515194,"title":"Robert Stillman \/\/ 10,000 Rivers LP","handle":"robert-stillman-10-000-rivers-lp","description":"\u003cp\u003eイギリスのマルチ奏者Robert Stillmanが、2026年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インディーポップ7曲を収録。DLコードと歌詞インサート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2292754845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3562264742\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2292754845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert.\u003cbr\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 10,000 Rivers (Jobs)\u003cbr\u003e2. Reality Distortion Field 04:01\u003cbr\u003e3. The Zentrepreneur (Carrots)\u003cbr\u003e4. Knowledge Is Free! (Woz)\u003cbr\u003e5. If You Knew Him Like I Know Him (Ive)\u003cbr\u003e6. The California Ideology (A Walking Meeting) 06:01\u003cbr\u003e7. No Off 06:26\u003cbr\u003e8. To Be Loved By You (Kids)\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRobert Stillman didn’t set out to make a concept album about Steve Jobs. But as a composer and improviser whose music asks questions about his relationship with reality, a curiosity about the promises and follies of technology took him there.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing an intuitive path from James Bridle’s acclaimed book on non-human intelligence Ways of Being to the seminal 1995 essay “The California Ideology”, Stillman arrived at Walter Isaacson’s biography of Apple founder Steve Jobs – and what would become the catalyst for his new album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“10,000 Rivers points to an alternative narrative about a man who is tormented by the instability of his reality, so tries to invent his way out of it,” Stillman explains. “Ultimately, his tech designs become expressions of his will to replace the messy, disordered, temporary nature of the world with something that strives to be barely physical: streamlined, symmetrical, uncomplicated, and deathless.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHighly original, wholly unclassifiable, 10,000 Rivers is part cultural critique, part sonic biography and takes the form of a series of songs, instrumentals and abstract soundscapes that respond directly to moments or paradigms from Jobs’ life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStylistically, it leans on Stillman’s relationship with\u003cspan class=\"bcTruncateMore\"\u003e the smooth music of Billy Ocean, Gloria Estefan and 10cc from the ‘80s and early ‘90s, made at what he calls “the knife’s edge between the human and the digital.”\u003cbr\u003e\u003cbr\u003e“A lot of this music, coincidentally, was contemporary with Jobs’ heyday and the mainstream adoption of his first personal computers,” Stillman continues, revelling in the playful deconstruction of their aspirational and anodyne qualities.\u003cbr\u003e\u003cbr\u003eTwinkling, synthetic arpeggios sit alongside tumbledown acoustic improvisation – think Mort Garson meets Moondog – fragments of ambient sound collapse into queasy auto-tuned lullabies, the melancholy paradise of Brian Wilson-esque California dreaming dismantled into uncanny free jazz freakouts.\u003cbr\u003e\u003cbr\u003eRecorded to ½-inch 8 track tape and mixed down in real-time to give it a live, performative quality, the result is a speculative, genreless soundtrack to a man’s life and the wider societal values it came to define.\u003cbr\u003e\u003cbr\u003eDrawing on his recent collaborations with Thom Yorke, Jonny Greenwood and Tom Skinner as touring support and live band-member for The Smile, Stillman’s work has long resisted categorisation, and been presented in a range of media, including installations, performance lectures and 12 solo albums, the most recent of which What Does It Mean to Be American? takes a similarly conceptual scalpel to complex notions of US identity.\u003cbr\u003e\u003cbr\u003eOne of Stillman’s most ambitious and idiosyncratic projects to date, 10,000 Rivers is an elegy for the hubris of a humankind trying to design its way to immortality as it falls apart at the seams.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Stillman\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eRelease date : \u003cmeta charset=\"utf-8\"\u003e9th January 2026\u003c\/p\u003e","published_at":"2026-01-09T05:52:24+09:00","created_at":"2026-01-08T12:04:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","orindal","recommended"],"price":413500,"price_min":413500,"price_max":413500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48196663116026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Stillman \/\/ 10,000 Rivers LP","public_title":null,"options":["Default Title"],"price":413500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rob1_37f93b02-7d2d-4ab7-97e0-83bcf74b3118.jpg?v=1767841329","\/\/tobirarecords.com\/cdn\/shop\/files\/rob2_2ca0fcbf-6d8d-4441-aeca-4294920c073e.jpg?v=1767841329"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rob1_37f93b02-7d2d-4ab7-97e0-83bcf74b3118.jpg?v=1767841329","options":["Title"],"media":[{"alt":null,"id":38013443309818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rob1_37f93b02-7d2d-4ab7-97e0-83bcf74b3118.jpg?v=1767841329"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rob1_37f93b02-7d2d-4ab7-97e0-83bcf74b3118.jpg?v=1767841329","width":700},{"alt":null,"id":38013443342586,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rob2_2ca0fcbf-6d8d-4441-aeca-4294920c073e.jpg?v=1767841329"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rob2_2ca0fcbf-6d8d-4441-aeca-4294920c073e.jpg?v=1767841329","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのマルチ奏者Robert Stillmanが、2026年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インディーポップ7曲を収録。DLコードと歌詞インサート付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2292754845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3562264742\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2292754845\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert.\u003cbr\u003eEdition of 400.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 10,000 Rivers (Jobs)\u003cbr\u003e2. Reality Distortion Field 04:01\u003cbr\u003e3. The Zentrepreneur (Carrots)\u003cbr\u003e4. Knowledge Is Free! (Woz)\u003cbr\u003e5. If You Knew Him Like I Know Him (Ive)\u003cbr\u003e6. The California Ideology (A Walking Meeting) 06:01\u003cbr\u003e7. No Off 06:26\u003cbr\u003e8. To Be Loved By You (Kids)\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRobert Stillman didn’t set out to make a concept album about Steve Jobs. But as a composer and improviser whose music asks questions about his relationship with reality, a curiosity about the promises and follies of technology took him there.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing an intuitive path from James Bridle’s acclaimed book on non-human intelligence Ways of Being to the seminal 1995 essay “The California Ideology”, Stillman arrived at Walter Isaacson’s biography of Apple founder Steve Jobs – and what would become the catalyst for his new album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“10,000 Rivers points to an alternative narrative about a man who is tormented by the instability of his reality, so tries to invent his way out of it,” Stillman explains. “Ultimately, his tech designs become expressions of his will to replace the messy, disordered, temporary nature of the world with something that strives to be barely physical: streamlined, symmetrical, uncomplicated, and deathless.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHighly original, wholly unclassifiable, 10,000 Rivers is part cultural critique, part sonic biography and takes the form of a series of songs, instrumentals and abstract soundscapes that respond directly to moments or paradigms from Jobs’ life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStylistically, it leans on Stillman’s relationship with\u003cspan class=\"bcTruncateMore\"\u003e the smooth music of Billy Ocean, Gloria Estefan and 10cc from the ‘80s and early ‘90s, made at what he calls “the knife’s edge between the human and the digital.”\u003cbr\u003e\u003cbr\u003e“A lot of this music, coincidentally, was contemporary with Jobs’ heyday and the mainstream adoption of his first personal computers,” Stillman continues, revelling in the playful deconstruction of their aspirational and anodyne qualities.\u003cbr\u003e\u003cbr\u003eTwinkling, synthetic arpeggios sit alongside tumbledown acoustic improvisation – think Mort Garson meets Moondog – fragments of ambient sound collapse into queasy auto-tuned lullabies, the melancholy paradise of Brian Wilson-esque California dreaming dismantled into uncanny free jazz freakouts.\u003cbr\u003e\u003cbr\u003eRecorded to ½-inch 8 track tape and mixed down in real-time to give it a live, performative quality, the result is a speculative, genreless soundtrack to a man’s life and the wider societal values it came to define.\u003cbr\u003e\u003cbr\u003eDrawing on his recent collaborations with Thom Yorke, Jonny Greenwood and Tom Skinner as touring support and live band-member for The Smile, Stillman’s work has long resisted categorisation, and been presented in a range of media, including installations, performance lectures and 12 solo albums, the most recent of which What Does It Mean to Be American? takes a similarly conceptual scalpel to complex notions of US identity.\u003cbr\u003e\u003cbr\u003eOne of Stillman’s most ambitious and idiosyncratic projects to date, 10,000 Rivers is an elegy for the hubris of a humankind trying to design its way to immortality as it falls apart at the seams.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Robert Stillman\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eRelease date : \u003cmeta charset=\"utf-8\"\u003e9th January 2026\u003c\/p\u003e"}

イギリスのマルチ奏者Robert Stillmanが、2026年1月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたレコードです。アンビエント・ジャズ〜インディーポップ7曲を収録。DLコードと歌詞インサート付属。レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...

¥4,135

Quickview {"id":9049970376954,"title":"Michael Pisaro \/\/ Black, White, Red, Green, Blue 2xCD","handle":"michael-pisaro-black-white-red-green-blue-2xcd","description":"\u003cp\u003eアメリカ・カリフォルニアのギタリストMichael Pisaroが、2014年に同国実験レーベルWinds Measureからリリースした2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eミニマルなギターアンビエント2曲、2時間を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e活版の装丁が素晴らしいです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1750967267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWinds Measure Recordingsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWinds Measure Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003etracklist:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI. black, white, red, green, blue (2004) 1:00:04\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eII. voyelles (2009) 1:00:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e****\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003eI: michael pisaro - composition\u003cbr\u003ebarry chabala - electric guitar, recording engineer and realization.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003eII: michael pisaro - composition. reworking of chabala's realization; sine tones, samples, mixing and mastering.\u003cbr\u003esamples are drawn from tape hiss produced from various cassette sources.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003e****\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003eWhen I wrote black, white, red, green, blue for a concert in Los Angeles in 2004, I didn’t think anyone else was going to play it. The score was written in a kind of shorthand, for me to keep track of what I wanted to do. (The structure and all the pitches are given, but the precise timing and the details of the guitar sound are left open.) However, I had the good fortune to meet Barry Chabala a few years ago, and in the close working relationship that developed, Barry has learned to play most of my work for solo guitar (and a few pieces besides).\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003eBarry’s version of this piece is subtler, more striking and deeper in its use of the resources of the Fender Telecaster than any version of it I played. As his recording developed, it became clear that it should be released. This happened to coincide with a request from Ben Owen to consider releasing something on cassette on his excellent winds measure label. My first thought was that I’d never figure out anything for that (apparently) outdated medium. However, in pondering the background of the original piece and the fact that I loved the sound of tape hiss, I started to formulate an idea for a remix that would make use of the medium.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003eI thought I’d see if various kinds of hiss, collected from the unused ends of old tapes, could be aligned with the five sections of the piece. This procedure found its own trajectory as I worked with the sounds, adding multiple layers of straight and filtered tape hiss (and then sine tones) to Barry’s recording. The result, although leaving Barry’s recording intact, was different enough in sound and perceived structure, that I felt it merited a new title, thus, going back again to Rimbaud: voyelles.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003e\u003cem\u003e\"\u003c\/em\u003eDeepest thanks to Barry and Ben. I dedicate this new piece to them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michael Pisaro\u003c\/p\u003e\n\u003cp\u003eLabel : Winds Measure Recordings\u003c\/p\u003e","published_at":"2026-01-08T06:46:09+09:00","created_at":"2026-01-08T06:45:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","new","winds measure recordings"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48195699933434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Michael Pisaro \/\/ Black, White, Red, Green, Blue 2xCD","public_title":null,"options":["Default Title"],"price":278000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wm36-lgf.jpg?v=1767822237","\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_f2530539-ed3d-44fe-8f9b-5e0086bf6541.jpg?v=1693799096"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wm36-lgf.jpg?v=1767822237","options":["Title"],"media":[{"alt":null,"id":32402078925050,"position":1,"preview_image":{"aspect_ratio":0.997,"height":380,"width":379,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wm36-lgf.jpg?v=1767822237"},"aspect_ratio":0.997,"height":380,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wm36-lgf.jpg?v=1767822237","width":379},{"alt":null,"id":29513433284858,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_f2530539-ed3d-44fe-8f9b-5e0086bf6541.jpg?v=1693799096"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_f2530539-ed3d-44fe-8f9b-5e0086bf6541.jpg?v=1693799096","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・カリフォルニアのギタリストMichael Pisaroが、2014年に同国実験レーベルWinds Measureからリリースした2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eミニマルなギターアンビエント2曲、2時間を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e活版の装丁が素晴らしいです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1750967267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWinds Measure Recordingsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWinds Measure Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003etracklist:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eI. black, white, red, green, blue (2004) 1:00:04\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eII. voyelles (2009) 1:00:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e****\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003eI: michael pisaro - composition\u003cbr\u003ebarry chabala - electric guitar, recording engineer and realization.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003eII: michael pisaro - composition. reworking of chabala's realization; sine tones, samples, mixing and mastering.\u003cbr\u003esamples are drawn from tape hiss produced from various cassette sources.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003e****\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003eWhen I wrote black, white, red, green, blue for a concert in Los Angeles in 2004, I didn’t think anyone else was going to play it. The score was written in a kind of shorthand, for me to keep track of what I wanted to do. (The structure and all the pitches are given, but the precise timing and the details of the guitar sound are left open.) However, I had the good fortune to meet Barry Chabala a few years ago, and in the close working relationship that developed, Barry has learned to play most of my work for solo guitar (and a few pieces besides).\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003eBarry’s version of this piece is subtler, more striking and deeper in its use of the resources of the Fender Telecaster than any version of it I played. As his recording developed, it became clear that it should be released. This happened to coincide with a request from Ben Owen to consider releasing something on cassette on his excellent winds measure label. My first thought was that I’d never figure out anything for that (apparently) outdated medium. However, in pondering the background of the original piece and the fact that I loved the sound of tape hiss, I started to formulate an idea for a remix that would make use of the medium.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003eI thought I’d see if various kinds of hiss, collected from the unused ends of old tapes, could be aligned with the five sections of the piece. This procedure found its own trajectory as I worked with the sounds, adding multiple layers of straight and filtered tape hiss (and then sine tones) to Barry’s recording. The result, although leaving Barry’s recording intact, was different enough in sound and perceived structure, that I felt it merited a new title, thus, going back again to Rimbaud: voyelles.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Geneva, Arial, Helvetica, sans-serif\" size=\"-2\" style=\"font-family: Geneva, Arial, Helvetica, sans-serif;\"\u003e\u003cem\u003e\"\u003c\/em\u003eDeepest thanks to Barry and Ben. I dedicate this new piece to them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michael Pisaro\u003c\/p\u003e\n\u003cp\u003eLabel : Winds Measure Recordings\u003c\/p\u003e"}