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{"id":8693823963386,"title":"Marina Herlop \/\/ Nekkuja LP","handle":"marina-herlop-nekkuja-lp","description":"\u003cp\u003eカタルーニャの実験ポップ作家Marina Herlopが、2024年7月にドイツ・ベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ネオクラシカル・ポップ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カタルーニャ出身の作曲家でプロデューサーのMarina Herlopは、前作「プリピャチ」のリリースを待つ間、落ち着かない日々を送っていた。彼女は、（当時は）不確かな音楽キャリアに不安を感じ、感情的に不安定になっていた。「目を閉じて、自分が庭師になって、土の中から紫色の雑草を引き抜き、嫌な思い出や吐き出したい感情を植物に見立てていた。音楽以外の部分に注いでいたエネルギーが、彼女の創造的な牧草地に染み込み、それを毒していたのだ。彼女は、その害を克服するために何をすべきかを知っていた。種を植え、自分の芸術が再び花を咲かせ、開花するように世話をするのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNekkujaは、Herlopの最も温かく甘い感情が表層に浮き上がり、表土を突き破る場所である。彼女はこのアルバムについて、内なる光を探し求め、肯定するための方法だと語っているが、それは間違いなく彼女のこれまでで最も明るくポップな声明である。プリピャチを育んだ先進的で実験的なタッチは健在だが、暗黒とメランコリーに魅了されたシーンでは稀なポジティブさに恵まれている。Busaでは、華麗なアコースティック楽器のきらめくような断片が静謐な歓迎を与え、サウンドを抽象化とファンタジーへと向かわせる精密な電子的処理によって中断される。Herlopの歌声は、子供のような笑い声から、幾重にも重なった艶消しのマントラへと変化し、情熱的で希望に満ち、エネルギーに満ち溢れている。その活力は「Cosset」へと波及し、跳ね返るビートとドラマチックなピアノ・ロールにパワフルなモチーフを巻き付けていく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKaradaでは、ハープのプラックと柳のようなヴォーカルにのせて、牧歌的なフィールドレコーディングが陽光のようにひび割れ、Herlopの庭がドラマチックに幕を開ける。彼女の歌声は、小川のせせらぎや鳥のさえずりに包まれて、まるで手入れされた土地そのものに向かって歌っているかのようだ。芸術家は孤高の天才であるとか、崇拝されるべき偶像であるといった見方とは対照的に、庭はそのプロセスを献身や忍耐に近いものとしてとらえるのに役立つとHerlopは考えている。庭師は屋外の野生の混沌に秩序をもたらし、自然と協力して活気に満ちた永続的なものを作り上げる。親しみやすいサウンドと空想的なコンセプトを融合させながら、Herlopは想像上の庭をなぞり、私たちにさまよい、不思議に思うよう促す。そしてアルバムの最終曲「Babel」では、剪定されたヴォーカルフレーズと繊細に手入れされたオーケストラの茂みが、オレンジ、緑、青、赤で彩られている。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2474763857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Busa 03:39\u003cbr\u003e2. Cosset 04:30\u003cbr\u003e3. Karada 04:38\u003cbr\u003e4. La Alhambra 05:16\u003cbr\u003e5. Reina Mora 04:13\u003cbr\u003e6. Interlude 00:48\u003cbr\u003e7. Babel 03:27\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhile she was waiting for her last album 'Pripyat' to be released, Catalan composer and producer Marina Herlop was restless. She was concerned about her (by then) uncertain music career, and felt emotionally unmoored. \"Some days I used to sit on the balcony of my flat to catch some sun,” she explains, \"I would close my eyes and start visualizing myself as a gardener, pulling out purple weeds from the soil, every bad memory or emotion I wanted to expulse being one of the plants.\" As the days dragged on, the fantasy deepened, and Herlop discovered that parts of the garden was withering; the energy she had been putting into the non-musical side of her life had seeped into her creative pasture and poisoned it. She knew what she needed to do to overcome the blight: plant some seeds and tend to her art to help it blossom and bloom once again.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Nekkuja' is a place for Herlop's warmest, sweetest sentiments to rise to the surface and crack through the topsoil. She describes the record as a way for her to seek and affirm inner light, and it's undoubtedly her brightest, poppiest statement to date. The forward-thinking, experimental touches that nourished 'Pripyat' are still present, but blessed with a level of positivity that's rare to find in a scene so entranced by darkness and melancholy\u003cspan class=\"bcTruncateMore\"\u003e. Skittering fragments of ornate acoustic instrumentation provide a serene welcome to 'Busa', punctuated by precise electronic processes that shuttle the sound towards abstraction and fantasy. Herlop's voice grows over the tangle of sounds from a childish giggle into a layered, matted mantra, sounding passionate, hopeful and full of energy. The vitality spills over into 'Cosset', where she wraps powerful motifs around ricocheting beats and dramatic piano rolls.\u003cbr\u003e\u003cbr\u003eHerlop's garden opens up dramatically on 'Karada' when bucolic field recordings crack like sunlight over harp plucks and willowy vocals. Her voice seems to bend around the whooshing streams and chittering of birds as if she's singing to the manicured land itself - a utopian paradise that Herlop employs as a metaphor for the creative process. In contrast to the view that an artist is an isolated genius or an idol to be worshipped, Herlop believes that the garden helps us see the process as closer to devotion or perseverance. A gardener brings order to the wild chaos of the outdoors, collaborating with nature to arrange something vibrant and enduring. Blending familiar sounds with fanciful concepts, Herlop traces an imaginary garden, imploring us to wander and wonder. And by the album's billowing final track 'Babel', it's flowered into a flush of pruned vocal phrases and delicately groomed orchestral rushes, painted in orange, green, blue and red.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Herlop\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : PAN141lp\u003c\/p\u003e","published_at":"2025-01-10T07:43:45+09:00","created_at":"2025-01-06T12:37:06+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","neo classical","new","PAN"],"price":345000,"price_min":345000,"price_max":345000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47012447781114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marina Herlop \/\/ Nekkuja LP","public_title":null,"options":["Default Title"],"price":345000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"756029613324","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nekk1.jpg?v=1736134535","\/\/tobirarecords.com\/cdn\/shop\/files\/nekk2.jpg?v=1736134535"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nekk1.jpg?v=1736134535","options":["Title"],"media":[{"alt":null,"id":35382632546554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nekk1.jpg?v=1736134535"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nekk1.jpg?v=1736134535","width":700},{"alt":null,"id":35382632579322,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nekk2.jpg?v=1736134535"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nekk2.jpg?v=1736134535","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカタルーニャの実験ポップ作家Marina Herlopが、2024年7月にドイツ・ベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ネオクラシカル・ポップ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カタルーニャ出身の作曲家でプロデューサーのMarina Herlopは、前作「プリピャチ」のリリースを待つ間、落ち着かない日々を送っていた。彼女は、（当時は）不確かな音楽キャリアに不安を感じ、感情的に不安定になっていた。「目を閉じて、自分が庭師になって、土の中から紫色の雑草を引き抜き、嫌な思い出や吐き出したい感情を植物に見立てていた。音楽以外の部分に注いでいたエネルギーが、彼女の創造的な牧草地に染み込み、それを毒していたのだ。彼女は、その害を克服するために何をすべきかを知っていた。種を植え、自分の芸術が再び花を咲かせ、開花するように世話をするのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNekkujaは、Herlopの最も温かく甘い感情が表層に浮き上がり、表土を突き破る場所である。彼女はこのアルバムについて、内なる光を探し求め、肯定するための方法だと語っているが、それは間違いなく彼女のこれまでで最も明るくポップな声明である。プリピャチを育んだ先進的で実験的なタッチは健在だが、暗黒とメランコリーに魅了されたシーンでは稀なポジティブさに恵まれている。Busaでは、華麗なアコースティック楽器のきらめくような断片が静謐な歓迎を与え、サウンドを抽象化とファンタジーへと向かわせる精密な電子的処理によって中断される。Herlopの歌声は、子供のような笑い声から、幾重にも重なった艶消しのマントラへと変化し、情熱的で希望に満ち、エネルギーに満ち溢れている。その活力は「Cosset」へと波及し、跳ね返るビートとドラマチックなピアノ・ロールにパワフルなモチーフを巻き付けていく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKaradaでは、ハープのプラックと柳のようなヴォーカルにのせて、牧歌的なフィールドレコーディングが陽光のようにひび割れ、Herlopの庭がドラマチックに幕を開ける。彼女の歌声は、小川のせせらぎや鳥のさえずりに包まれて、まるで手入れされた土地そのものに向かって歌っているかのようだ。芸術家は孤高の天才であるとか、崇拝されるべき偶像であるといった見方とは対照的に、庭はそのプロセスを献身や忍耐に近いものとしてとらえるのに役立つとHerlopは考えている。庭師は屋外の野生の混沌に秩序をもたらし、自然と協力して活気に満ちた永続的なものを作り上げる。親しみやすいサウンドと空想的なコンセプトを融合させながら、Herlopは想像上の庭をなぞり、私たちにさまよい、不思議に思うよう促す。そしてアルバムの最終曲「Babel」では、剪定されたヴォーカルフレーズと繊細に手入れされたオーケストラの茂みが、オレンジ、緑、青、赤で彩られている。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2474763857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Busa 03:39\u003cbr\u003e2. Cosset 04:30\u003cbr\u003e3. Karada 04:38\u003cbr\u003e4. La Alhambra 05:16\u003cbr\u003e5. Reina Mora 04:13\u003cbr\u003e6. Interlude 00:48\u003cbr\u003e7. Babel 03:27\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhile she was waiting for her last album 'Pripyat' to be released, Catalan composer and producer Marina Herlop was restless. She was concerned about her (by then) uncertain music career, and felt emotionally unmoored. \"Some days I used to sit on the balcony of my flat to catch some sun,” she explains, \"I would close my eyes and start visualizing myself as a gardener, pulling out purple weeds from the soil, every bad memory or emotion I wanted to expulse being one of the plants.\" As the days dragged on, the fantasy deepened, and Herlop discovered that parts of the garden was withering; the energy she had been putting into the non-musical side of her life had seeped into her creative pasture and poisoned it. She knew what she needed to do to overcome the blight: plant some seeds and tend to her art to help it blossom and bloom once again.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Nekkuja' is a place for Herlop's warmest, sweetest sentiments to rise to the surface and crack through the topsoil. She describes the record as a way for her to seek and affirm inner light, and it's undoubtedly her brightest, poppiest statement to date. The forward-thinking, experimental touches that nourished 'Pripyat' are still present, but blessed with a level of positivity that's rare to find in a scene so entranced by darkness and melancholy\u003cspan class=\"bcTruncateMore\"\u003e. Skittering fragments of ornate acoustic instrumentation provide a serene welcome to 'Busa', punctuated by precise electronic processes that shuttle the sound towards abstraction and fantasy. Herlop's voice grows over the tangle of sounds from a childish giggle into a layered, matted mantra, sounding passionate, hopeful and full of energy. The vitality spills over into 'Cosset', where she wraps powerful motifs around ricocheting beats and dramatic piano rolls.\u003cbr\u003e\u003cbr\u003eHerlop's garden opens up dramatically on 'Karada' when bucolic field recordings crack like sunlight over harp plucks and willowy vocals. Her voice seems to bend around the whooshing streams and chittering of birds as if she's singing to the manicured land itself - a utopian paradise that Herlop employs as a metaphor for the creative process. In contrast to the view that an artist is an isolated genius or an idol to be worshipped, Herlop believes that the garden helps us see the process as closer to devotion or perseverance. A gardener brings order to the wild chaos of the outdoors, collaborating with nature to arrange something vibrant and enduring. Blending familiar sounds with fanciful concepts, Herlop traces an imaginary garden, imploring us to wander and wonder. And by the album's billowing final track 'Babel', it's flowered into a flush of pruned vocal phrases and delicately groomed orchestral rushes, painted in orange, green, blue and red.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Herlop\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : PAN141lp\u003c\/p\u003e"}
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カタルーニャの実験ポップ作家Marina Herlopが、2024年7月にドイツ・ベルリンのPANからリリースしたレコードです。 実験ネオクラシカル・ポップ7曲を収録。 以下、レーベルによる解説です。 "カタルーニャ出身の作曲家でプロデューサーのMarina Herlopは、前作「プリピャチ」のリリースを待つ間、落ち着かない日々を送っていた。彼女は、（当時は）不確かな音楽キャリアに不安を感じ、感情的に不安定になっていた。「目を閉じて、自分が庭師になって、土の中から紫色の雑草を引き抜き、嫌な思い出や吐き出したい感情を植物に見立てていた。音楽以外の部分に注いでいたエネルギーが、彼女の創造的な牧草地に染み込み、それを毒していたのだ。彼女は、その害を克服するために何をすべきかを知っていた。種を植え、自分の芸術が再び花を咲かせ、開花するように世話をするのだ。 Nekkujaは、Herlopの最も温かく甘い感情が表層に浮き上がり、表土を突き破る場所である。彼女はこのアルバムについて、内なる光を探し求め、肯定するための方法だと語っているが、それは間違いなく彼女のこれまでで最も明るくポップな声明である。プリピャチを育んだ先進的で実験的なタッチは健在だが、暗黒とメランコリーに魅了されたシーンでは稀なポジティブさに恵まれている。Busaでは、華麗なアコースティック楽器のきらめくような断片が静謐な歓迎を与え、サウンドを抽象化とファンタジーへと向かわせる精密な電子的処理によって中断される。Herlopの歌声は、子供のような笑い声から、幾重にも重なった艶消しのマントラへと変化し、情熱的で希望に満ち、エネルギーに満ち溢れている。その活力は「Cosset」へと波及し、跳ね返るビートとドラマチックなピアノ・ロールにパワフルなモチーフを巻き付けていく。 Karadaでは、ハープのプラックと柳のようなヴォーカルにのせて、牧歌的なフィールドレコーディングが陽光のようにひび割れ、Herlopの庭がドラマチックに幕を開ける。彼女の歌声は、小川のせせらぎや鳥のさえずりに包まれて、まるで手入れされた土地そのものに向かって歌っているかのようだ。芸術家は孤高の天才であるとか、崇拝されるべき偶像であるといった見方とは対照的に、庭はそのプロセスを献身や忍耐に近いものとしてとらえるのに役立つとHerlopは考えている。庭師は屋外の野生の混沌に秩序をもたらし、自然と協力して活気に満ちた永続的なものを作り上げる。親しみやすいサウンドと空想的なコンセプトを融合させながら、Herlopは想像上の庭をなぞり、私たちにさまよい、不思議に思うよう促す。そしてアルバムの最終曲「Babel」では、剪定されたヴォーカルフレーズと繊細に手入れされたオーケストラの茂みが、オレンジ、緑、青、赤で彩られている。 " レーベルその他作品はこちら /// Click here to...
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{"id":8622239613178,"title":"Honour \/\/ Àlááfíà LP [COLOR - PICTURE DISC]","handle":"honour-alaafia-lp-color-picture-disc","description":"\u003cp\u003eアメリカ・シカゴの実験ビートメイカーHonourが、2024年9月にドイツ\u003cbr\u003eベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアブストラクト・ヒップホップ〜コラージュ・アンビエント14曲を収録。スプラッター・ピクチャー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1715724906\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"PAN\" href=\"https:\/\/soundcloud.com\/pan_hq\" target=\"_blank\"\u003ePAN\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Honour - Àlááfíà (PAN 121)\" href=\"https:\/\/soundcloud.com\/pan_hq\/sets\/honour-alaafia-pan-122\" target=\"_blank\"\u003eHonour - Àlááfíà (PAN 121)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" white and red blood spatter vinyl picture disc (photo unavailable). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hosanna (Greeting2MYPPL) (Meridian) 01:36\u003cbr\u003e2. First Born (Redeemed) 01:15\u003cbr\u003e3. When Angels Speak of Love 02:32\u003cbr\u003e4. dubbleUpptown (La Rocque) 01:24\u003cbr\u003e5. W-I-S (Above Every Other) 01:15\u003cbr\u003e6. Pistol Poem (Lead Belly) 01:56\u003cbr\u003e7. Whip Appeal V6 (PIPN8EZ) 02:04\u003cbr\u003e8. Seven Trumpets 04:14\u003cbr\u003e9. Giz'aard ($uckets) 03:48\u003cbr\u003e10. Helpmeet (Iyadunni) 00:42\u003cbr\u003e11. FLIR2A 05:50\u003cbr\u003e12. U\u0026amp;Me (decemberseventeen) 03:57\u003cbr\u003e13. ICANTBETHEONE 03:06\u003cbr\u003e14. Àlàáfía (Cita's World) 13:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eH\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eonour’s debut album is a ligament stretching from Lagos to London and to New York, curling across the diaspora and brushing the darker hues of blues, hip-hop, free jazz, ambient, gospel with Christian mythology and Yoruba folklore. As cinematic as it is painterly, Àlàáfíà is a meditation on themes of life, death and love that pulls inspiration from the poetic profundity of God, remembered dreams, unexpected casual conversations, field recordings, literature, ephemera, and personal archives. The result is an impressionistic vision in Black and Blur that both exhausts and implicates language and that sublimates boundaries between everywhere and nowhere; history and the present; the individual and the universal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eÀlàáfíà delineates a gothic landscape cut by overdriven beats, swooping orchestral blasts, choral bursts and ear-splitting fuzz, where the fleshly and spiritual realms commune. Dedicated to Honour's late grandmother, the title track began to take form after their last embrace. It remains steeped in her influence and spirit—a tape-saturated composition that starts in Lagos and ends later in London's smoke-stained cityscape two years and three months later. The piece, dream-like in quality, developed out of the artist’s grief, created as a coping mechanism for these losses. Beneath the\u003cspan class=\"bcTruncateMore\"\u003e stretched guitar drones and stuttering loops, their grandmother's shared faith bubbles to the surface.\u003cbr\u003e\u003cbr\u003e“When Angels Speak of Love,” borrows its title from two works by Sun Ra and bell hooks, respectively. Sculpting echoes of praise music into disorienting spirals perforated with syrupy DJ Screw-inspired breaks and sharp splinters of melancholic guitar, “When Angels Speak of Love” engages a conceptual dialogue with the spirits of both late thinkers, folding them into Honour’s pantheon of ancestral guides. The album’s ninth track, “Giz’Aard ($uckets),” is a dirge of regimented drums which anchor this somber melody as it whirls into a blizzard of heartache, uncertain if its consequence will be untimely death or lifelong love.\u003cbr\u003e\u003cbr\u003eThe album’s sole lyrical offering, “Pistol Poem (Lead Belly),” begins with a darkly humorous bar, “He went thru hell and back\/ came back\/ 2 get the strap,” that swells into a haunting allegory inspired by legend of Philip “Hot Sauce” Champion. A modern take on the Blues, Honour’s lyrics reify the artist’s status as a student of both literature and popular culture, crossbreeding the artist’s clever wordplay with additional references to Richard Pryor, Robert Johnson, DMX, Kelly Rowland \u0026amp; Bryon Gysin.\u003cbr\u003e\u003cbr\u003eSetting core principles of hip-hop, R\u0026amp;B, jazz and gospel music to atemporal soundscapes and compositions, Honour crafts a record that marinates in its own knotty contradictions. The ghosts that sit on the artist’s shoulders have never been more tangible than with this emotive debut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Honour\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT no : PAN121\u003c\/p\u003e","published_at":"2024-09-18T09:21:46+09:00","created_at":"2024-09-16T11:59:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","lp","new","PAN"],"price":479000,"price_min":479000,"price_max":479000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46660551704826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Honour \/\/ Àlááfíà LP [COLOR - PICTURE DISC]","public_title":null,"options":["Default Title"],"price":479000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hon1.jpg?v=1726455562"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hon1.jpg?v=1726455562","options":["Title"],"media":[{"alt":null,"id":34887387414778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hon1.jpg?v=1726455562"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hon1.jpg?v=1726455562","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴの実験ビートメイカーHonourが、2024年9月にドイツ\u003cbr\u003eベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアブストラクト・ヒップホップ〜コラージュ・アンビエント14曲を収録。スプラッター・ピクチャー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1715724906\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"PAN\" href=\"https:\/\/soundcloud.com\/pan_hq\" target=\"_blank\"\u003ePAN\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Honour - Àlááfíà (PAN 121)\" href=\"https:\/\/soundcloud.com\/pan_hq\/sets\/honour-alaafia-pan-122\" target=\"_blank\"\u003eHonour - Àlááfíà (PAN 121)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" white and red blood spatter vinyl picture disc (photo unavailable). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hosanna (Greeting2MYPPL) (Meridian) 01:36\u003cbr\u003e2. First Born (Redeemed) 01:15\u003cbr\u003e3. When Angels Speak of Love 02:32\u003cbr\u003e4. dubbleUpptown (La Rocque) 01:24\u003cbr\u003e5. W-I-S (Above Every Other) 01:15\u003cbr\u003e6. Pistol Poem (Lead Belly) 01:56\u003cbr\u003e7. Whip Appeal V6 (PIPN8EZ) 02:04\u003cbr\u003e8. Seven Trumpets 04:14\u003cbr\u003e9. Giz'aard ($uckets) 03:48\u003cbr\u003e10. Helpmeet (Iyadunni) 00:42\u003cbr\u003e11. FLIR2A 05:50\u003cbr\u003e12. U\u0026amp;Me (decemberseventeen) 03:57\u003cbr\u003e13. ICANTBETHEONE 03:06\u003cbr\u003e14. Àlàáfía (Cita's World) 13:45\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eH\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eonour’s debut album is a ligament stretching from Lagos to London and to New York, curling across the diaspora and brushing the darker hues of blues, hip-hop, free jazz, ambient, gospel with Christian mythology and Yoruba folklore. As cinematic as it is painterly, Àlàáfíà is a meditation on themes of life, death and love that pulls inspiration from the poetic profundity of God, remembered dreams, unexpected casual conversations, field recordings, literature, ephemera, and personal archives. The result is an impressionistic vision in Black and Blur that both exhausts and implicates language and that sublimates boundaries between everywhere and nowhere; history and the present; the individual and the universal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eÀlàáfíà delineates a gothic landscape cut by overdriven beats, swooping orchestral blasts, choral bursts and ear-splitting fuzz, where the fleshly and spiritual realms commune. Dedicated to Honour's late grandmother, the title track began to take form after their last embrace. It remains steeped in her influence and spirit—a tape-saturated composition that starts in Lagos and ends later in London's smoke-stained cityscape two years and three months later. The piece, dream-like in quality, developed out of the artist’s grief, created as a coping mechanism for these losses. Beneath the\u003cspan class=\"bcTruncateMore\"\u003e stretched guitar drones and stuttering loops, their grandmother's shared faith bubbles to the surface.\u003cbr\u003e\u003cbr\u003e“When Angels Speak of Love,” borrows its title from two works by Sun Ra and bell hooks, respectively. Sculpting echoes of praise music into disorienting spirals perforated with syrupy DJ Screw-inspired breaks and sharp splinters of melancholic guitar, “When Angels Speak of Love” engages a conceptual dialogue with the spirits of both late thinkers, folding them into Honour’s pantheon of ancestral guides. The album’s ninth track, “Giz’Aard ($uckets),” is a dirge of regimented drums which anchor this somber melody as it whirls into a blizzard of heartache, uncertain if its consequence will be untimely death or lifelong love.\u003cbr\u003e\u003cbr\u003eThe album’s sole lyrical offering, “Pistol Poem (Lead Belly),” begins with a darkly humorous bar, “He went thru hell and back\/ came back\/ 2 get the strap,” that swells into a haunting allegory inspired by legend of Philip “Hot Sauce” Champion. A modern take on the Blues, Honour’s lyrics reify the artist’s status as a student of both literature and popular culture, crossbreeding the artist’s clever wordplay with additional references to Richard Pryor, Robert Johnson, DMX, Kelly Rowland \u0026amp; Bryon Gysin.\u003cbr\u003e\u003cbr\u003eSetting core principles of hip-hop, R\u0026amp;B, jazz and gospel music to atemporal soundscapes and compositions, Honour crafts a record that marinates in its own knotty contradictions. The ghosts that sit on the artist’s shoulders have never been more tangible than with this emotive debut.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Honour\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT no : PAN121\u003c\/p\u003e"}
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アメリカ・シカゴの実験ビートメイカーHonourが、2024年9月にドイツベルリンのPANからリリースしたレコードです。 アブストラクト・ヒップホップ〜コラージュ・アンビエント14曲を収録。スプラッター・ピクチャー盤です。 PAN · Honour - Àlááfíà (PAN 121) レーベルその他作品はこちら /// Click here to...
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{"id":8584636236026,"title":"Billy Bultheel \/\/ Two Cycles LP","handle":"billy-bultheel-two-cycles-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eベルギー・ブリュッセルのエレクトロニック作家Billy Bultheelが、2024年7月にドイツ\u003cbr\u003eベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Billy Bultheelのソロデビューアルバムは、彼が影響を受けた作曲家の数々や、サイトスペシフィックな作曲へのユニークなアプローチを野心的に抽出したものだ。2016年から2023年にかけて制作された作品をコンパイルしたこのアルバムは、Bultheelの幅広いパフォーマンス活動と、アン・イムホフやジェームズ・リチャーズといった最先端のヴィジュアル・アーティストとのコラボレーションを力強く物語っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eインダストリアル・ミュージックやメタル、中世やバロックのポリフォニーからインスピレーションを得たBultheelは、この作品集を並べて発表する方法を考案した。このレコードは、Bultheelのエレクトロアコースティック作品を集めた「スノー・サイクル」と、エレクトロニック作品を集めた「ゲーム・サイクル」の2つのサイクルに分かれている。この2つの組曲は、紛れもない対称性を持っている。Bultheelの伝統的な作曲は、エレクトロニック・プロダクションへの理解によって強化され、一方、彼のエレクトロニック作品は、クラシック音楽と伝統音楽の知識によって形成されている。「Two Cycles』は二重性を示すアルバムであり、アンサンブル作曲家とエレクトロニック・プロデューサーとしてのBultheelの役割の二面性を体現している...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2423057822\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Arcades Project - Snow Cycle 04:36\u003cbr\u003e2. Mt. Analogue - Snow Cycle 03:47\u003cbr\u003e3. Empire of the Senseless - Snow Cycle 01:37\u003cbr\u003e4. The Man without Content - Snow Cycle 02:01\u003cbr\u003e5. Snows of Venice - Snow Cycle 02:31\u003cbr\u003e6. Serpent Song - Snow Cycle 05:11\u003cbr\u003e7. Foot Soldiers of the Fold - Snow Cycle 02:13\u003cbr\u003e8. Game Theory - Game Cycle 04:52\u003cbr\u003e9. Decreation - Game Cycle 03:21\u003cbr\u003e10. 5SSP - Game Cycle 01:34\u003cbr\u003e11. The Thief's Journal - Game Cycle 03:59\u003cbr\u003e12. 9ssp - Game Cycle 02:07\u003cbr\u003e13. Gigue - Game Cycle 03:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by PAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBilly Bultheel's debut solo album is an ambitious distillation of the composer's,' sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing inspiration from industrial music and metal as well as medieval and baroque polyphony, Bultheel devised a way to present this collection of works side-by-side. The record is split into two distinct cycles: the Snow Cycle, which collects Bultheel's electro-acoustic and compositional work, and the Game Cycle, which assembles his electronic productions. These two suites have unmistakable symmetry; Bultheel's traditional compositions are bolstered by his understanding of electronic production, while his electronic pieces are moulded by his knowledge of classical and traditional music. \"Two Cycles\" is an album that exhibits duality, embodying the dichotomy of Bultheel's roles as both an ensemble composer and an electronic producer...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Billy Bultheel\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAN138lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-08-04T08:09:25+09:00","created_at":"2024-08-03T12:15:23+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","PAN"],"price":447000,"price_min":447000,"price_max":447000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46510323695866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Billy Bultheel \/\/ Two Cycles LP","public_title":null,"options":["Default Title"],"price":447000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cy1_3f0040cb-13cb-454f-8fb0-1429202b76b6.jpg?v=1722654813","\/\/tobirarecords.com\/cdn\/shop\/files\/cy2.jpg?v=1722654813"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cy1_3f0040cb-13cb-454f-8fb0-1429202b76b6.jpg?v=1722654813","options":["Title"],"media":[{"alt":null,"id":34652138111226,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cy1_3f0040cb-13cb-454f-8fb0-1429202b76b6.jpg?v=1722654813"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cy1_3f0040cb-13cb-454f-8fb0-1429202b76b6.jpg?v=1722654813","width":700},{"alt":null,"id":34652138143994,"position":2,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cy2.jpg?v=1722654813"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cy2.jpg?v=1722654813","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eベルギー・ブリュッセルのエレクトロニック作家Billy Bultheelが、2024年7月にドイツ\u003cbr\u003eベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Billy Bultheelのソロデビューアルバムは、彼が影響を受けた作曲家の数々や、サイトスペシフィックな作曲へのユニークなアプローチを野心的に抽出したものだ。2016年から2023年にかけて制作された作品をコンパイルしたこのアルバムは、Bultheelの幅広いパフォーマンス活動と、アン・イムホフやジェームズ・リチャーズといった最先端のヴィジュアル・アーティストとのコラボレーションを力強く物語っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eインダストリアル・ミュージックやメタル、中世やバロックのポリフォニーからインスピレーションを得たBultheelは、この作品集を並べて発表する方法を考案した。このレコードは、Bultheelのエレクトロアコースティック作品を集めた「スノー・サイクル」と、エレクトロニック作品を集めた「ゲーム・サイクル」の2つのサイクルに分かれている。この2つの組曲は、紛れもない対称性を持っている。Bultheelの伝統的な作曲は、エレクトロニック・プロダクションへの理解によって強化され、一方、彼のエレクトロニック作品は、クラシック音楽と伝統音楽の知識によって形成されている。「Two Cycles』は二重性を示すアルバムであり、アンサンブル作曲家とエレクトロニック・プロデューサーとしてのBultheelの役割の二面性を体現している...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2423057822\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Arcades Project - Snow Cycle 04:36\u003cbr\u003e2. Mt. Analogue - Snow Cycle 03:47\u003cbr\u003e3. Empire of the Senseless - Snow Cycle 01:37\u003cbr\u003e4. The Man without Content - Snow Cycle 02:01\u003cbr\u003e5. Snows of Venice - Snow Cycle 02:31\u003cbr\u003e6. Serpent Song - Snow Cycle 05:11\u003cbr\u003e7. Foot Soldiers of the Fold - Snow Cycle 02:13\u003cbr\u003e8. Game Theory - Game Cycle 04:52\u003cbr\u003e9. Decreation - Game Cycle 03:21\u003cbr\u003e10. 5SSP - Game Cycle 01:34\u003cbr\u003e11. The Thief's Journal - Game Cycle 03:59\u003cbr\u003e12. 9ssp - Game Cycle 02:07\u003cbr\u003e13. Gigue - Game Cycle 03:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by PAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBilly Bultheel's debut solo album is an ambitious distillation of the composer's,' sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing inspiration from industrial music and metal as well as medieval and baroque polyphony, Bultheel devised a way to present this collection of works side-by-side. The record is split into two distinct cycles: the Snow Cycle, which collects Bultheel's electro-acoustic and compositional work, and the Game Cycle, which assembles his electronic productions. These two suites have unmistakable symmetry; Bultheel's traditional compositions are bolstered by his understanding of electronic production, while his electronic pieces are moulded by his knowledge of classical and traditional music. \"Two Cycles\" is an album that exhibits duality, embodying the dichotomy of Bultheel's roles as both an ensemble composer and an electronic producer...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Billy Bultheel\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAN138lp\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギー・ブリュッセルのエレクトロニック作家Billy Bultheelが、2024年7月にドイツベルリンのPANからリリースしたレコードです。 以下、レーベルによる解説です。 "Billy Bultheelのソロデビューアルバムは、彼が影響を受けた作曲家の数々や、サイトスペシフィックな作曲へのユニークなアプローチを野心的に抽出したものだ。2016年から2023年にかけて制作された作品をコンパイルしたこのアルバムは、Bultheelの幅広いパフォーマンス活動と、アン・イムホフやジェームズ・リチャーズといった最先端のヴィジュアル・アーティストとのコラボレーションを力強く物語っている。 インダストリアル・ミュージックやメタル、中世やバロックのポリフォニーからインスピレーションを得たBultheelは、この作品集を並べて発表する方法を考案した。このレコードは、Bultheelのエレクトロアコースティック作品を集めた「スノー・サイクル」と、エレクトロニック作品を集めた「ゲーム・サイクル」の2つのサイクルに分かれている。この2つの組曲は、紛れもない対称性を持っている。Bultheelの伝統的な作曲は、エレクトロニック・プロダクションへの理解によって強化され、一方、彼のエレクトロニック作品は、クラシック音楽と伝統音楽の知識によって形成されている。「Two Cycles』は二重性を示すアルバムであり、アンサンブル作曲家とエレクトロニック・プロデューサーとしてのBultheelの役割の二面性を体現している..." ---------------------------------------------- 12" black vinyl. Tracklist: 1. The...
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{"id":8586361045242,"title":"Asma Maroof, Patrick Belaga, Tapiwa Svosve \/\/ The Sport of Love LP","handle":"asma-maroof-patrick-belaga-tapiwa-svosve-the-sport-of-love-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eインプロ奏者Asma MaroofとPatrick Belaga、Tapiwa Svosveが、2024年7月にドイツ・ベルリン実験レーベルPANからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インプロ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=30079311\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. G Major Kinda Love 03:49\u003cbr\u003e2. Delicate Distance Between Bolders 05:35\u003cbr\u003e3. Wicked City 02:36\u003cbr\u003e4. The Stranger 15:25\u003cbr\u003e5. Sport 03:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by PAN:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThe music emerged like smoke from the embers of soundtrack work they collaborated on in 2021. After finishing scores for Virgil Abloh's Louis Vuitton A\/W 2021 collection film, Peculiar Contrast, Perfect Light and Bafic’s documentary short Sub Eleven Seconds, the trio were left with unanswered questions and excess energy. They considered the idea of creating an imaginary score to a romantic movie, using love to dictate its movement and narrative. So opening track 'G Major Kind of Love' is the intoxicating first blush, characterized by a drowned sax solo that sounds like a siren call from beneath the ocean. 'Delicate Distance Between Boulders' is quivering and hesitant, using gentle piano motifs against reverberating flute sounds and subtle, goosebump inducing electronic treatments.\u003cbr\u003e\u003cbr\u003eEverything comes into sharp focus on the album's lengthy central piece 'The Stranger', that brings in additional instrumentation from harpist Ayha Simone and percussionist Mathieu Edward. The three friends saw this particular composition as a journey within itself, charting the anxiety, harmony and uncertainty of love. Shifting from gooey freeform jazz into gurgling noise and bleak ambient drone, it connects the dots between Dorothy Ashby, Arve Henriksen, Jon Hassell and Hildur Guðnadóttir while voyaging into parts unknown. It's a finale of sorts that wrestles with the complexity of the album's themes, returning to earlier refrains and prolonging their tension.\u003cbr\u003e\u003cbr\u003eFittingly, the record is tied together by artwork from the trio's friend Tosh Basco, and several tracks have already been used by Wu Tsang in a piece for SFMoMa. The Sport of Love is powered by physical connection in a digital world, and breathes a mysterious allure that's never been more urgent.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asma Maroof, Patrick Belaga, Tapiwa Svosve\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : PAN134\u003c\/p\u003e","published_at":"2024-08-06T12:20:27+09:00","created_at":"2024-08-05T18:10:06+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","PAN"],"price":327000,"price_min":327000,"price_max":327000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46518361096442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Asma Maroof, Patrick Belaga, Tapiwa Svosve \/\/ The Sport of Love LP","public_title":null,"options":["Default Title"],"price":327000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889","\/\/tobirarecords.com\/cdn\/shop\/files\/asma2.jpg?v=1722848889"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889","options":["Title"],"media":[{"alt":null,"id":34662008226042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889","width":700},{"alt":null,"id":34662008258810,"position":2,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma2.jpg?v=1722848889"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma2.jpg?v=1722848889","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eインプロ奏者Asma MaroofとPatrick Belaga、Tapiwa Svosveが、2024年7月にドイツ・ベルリン実験レーベルPANからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インプロ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=30079311\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. G Major Kinda Love 03:49\u003cbr\u003e2. Delicate Distance Between Bolders 05:35\u003cbr\u003e3. Wicked City 02:36\u003cbr\u003e4. The Stranger 15:25\u003cbr\u003e5. Sport 03:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by PAN:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThe music emerged like smoke from the embers of soundtrack work they collaborated on in 2021. After finishing scores for Virgil Abloh's Louis Vuitton A\/W 2021 collection film, Peculiar Contrast, Perfect Light and Bafic’s documentary short Sub Eleven Seconds, the trio were left with unanswered questions and excess energy. They considered the idea of creating an imaginary score to a romantic movie, using love to dictate its movement and narrative. So opening track 'G Major Kind of Love' is the intoxicating first blush, characterized by a drowned sax solo that sounds like a siren call from beneath the ocean. 'Delicate Distance Between Boulders' is quivering and hesitant, using gentle piano motifs against reverberating flute sounds and subtle, goosebump inducing electronic treatments.\u003cbr\u003e\u003cbr\u003eEverything comes into sharp focus on the album's lengthy central piece 'The Stranger', that brings in additional instrumentation from harpist Ayha Simone and percussionist Mathieu Edward. The three friends saw this particular composition as a journey within itself, charting the anxiety, harmony and uncertainty of love. Shifting from gooey freeform jazz into gurgling noise and bleak ambient drone, it connects the dots between Dorothy Ashby, Arve Henriksen, Jon Hassell and Hildur Guðnadóttir while voyaging into parts unknown. It's a finale of sorts that wrestles with the complexity of the album's themes, returning to earlier refrains and prolonging their tension.\u003cbr\u003e\u003cbr\u003eFittingly, the record is tied together by artwork from the trio's friend Tosh Basco, and several tracks have already been used by Wu Tsang in a piece for SFMoMa. The Sport of Love is powered by physical connection in a digital world, and breathes a mysterious allure that's never been more urgent.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asma Maroof, Patrick Belaga, Tapiwa Svosve\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : PAN134\u003c\/p\u003e"}
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インプロ奏者Asma MaroofとPatrick Belaga、Tapiwa Svosveが、2024年7月にドイツ・ベルリン実験レーベルPANからリリースした共作レコードです。 アンビエント・ジャズ〜インプロ5曲を収録。 レーベルその他作品はこちら /// Click here to see more PAN releases...
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{"id":8505584615674,"title":"upsammy \/\/ Germ in a Population of Buildings LP","handle":"upsammy-germ-in-a-population-of-buildings-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eオランダ・アムステルダムのエレクトロニック・ポップ作家upsammyが、2024年6月にドイツ・ベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eIDMリスナーにもアプローチするエレクトロニック・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_z_A5rm5NUo?si=6dKLbobpOlsMMd0t\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SGOionFfPmA?si=cR_vlZ6Gn70VeMHV\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3llCzT3w3uc?si=Zs8Expei9vQ0ZRtM\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EPV8MGfK5do?si=GVEBToL0HRKGFi2R\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5lQHoqCEOvQ?si=4QKEQKwVHsRf0C3m\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/J31JLF2JioM?si=pJ4CUId6uK3R1I4E\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WbWz7K28WVk?si=PkVXDN0qtUYSkBvD\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Being is a Stone 03:24\u003cbr\u003e2. Constructing 03:02\u003cbr\u003e3. Ergo Dynamic Tree 02:58\u003cbr\u003e4. Green Lung 03:11\u003cbr\u003e5. Germ in a Population of Buildings 01:33\u003cbr\u003e6. Patterning 03:54\u003cbr\u003e7. Asphalt Flows 04:24\u003cbr\u003e8. Soft Sand 02:48\u003cbr\u003e9. Square to Sphere 03:08\u003cbr\u003e10. Metro Snake Whispers 04:52\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn her sophomore album \"Germ in a Population of Buildings”, upsammy moves through her surroundings with the curiosity of a place-bending landscape architect. The album is rooted in her interest for ambiguous environments in constant shift, and the feeling of discovering strange patterns in different ecosystems. Often, the Amsterdam-based artist finds herself zooming in and out beyond a place's most recognizable surface features to inhabit the microscopic and gigantic. Gathering field recordings and evocative environmental sounds, she shapes this source material into vibrating electro-acoustic rhythms and unstable, psychedelic textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eupsammy's debut album, 2020's critically-acclaimed \"Zoom\", was praised for its careful reimagining of IDM, evolving vignettes that nodded towards the dancefloor without being shackled to its rigid set of rules. On \"Germ in a Population of Buildings\" her process has evolved considerably; the skeletal trace of IDM is still present but it's been trapped in amber, allowing her unique sonic landscape to develop organically. 'Being is a Stone' is a proof of concept in many ways, layering upsammy's contorted voice in rickety patterns beneath a lattice of fragile rhythms and faintly melancholy synths. It's never immediately obvious where the sounds are coming from\u003cspan class=\"bcTruncateMore\"\u003e - a hiccuping beat might be glass cracking underfoot, and larger pulses could be wet concrete, rusted iron or bent plastic. As the sounds develop they morph into each other, demolishing what came before and building on top of the ornamental wreckage.\u003cbr\u003e\u003cbr\u003eOn the dynamic 'Constructing', upsammy's sound design fluxes through hyperactive bass music structures, abstracting expectations at every turn. Often her sounds are whisper quiet, rattling and vibrating until heavier masonry drops and disrupts the structure. And when discernible rhythms subside into the background, like on the album's eerie title track, they become almost illusory, morphing between the real world and the electronic. upsammy's processed voice works like a bridge between these realms, snaking between stark, whimsical melodies on 'Patterning', arching from AutoTuned detachment into cooing, dreamy intimacy. By considering the harmonies between each location she's visited, upsammy has been able to build a unique topology that's an uncanny digital amalgam of her lived experience. It's a thoughtful alternative in an era more concerned with flatting the landscape than crumpling it and examining its peaks and troughs.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : upsammy\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAN132\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-06-10T12:05:26+09:00","created_at":"2024-06-10T11:53:33+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","house","lp","new","PAN"],"price":416000,"price_min":416000,"price_max":416000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46208529334522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"upsammy \/\/ Germ in a Population of Buildings LP","public_title":null,"options":["Default Title"],"price":416000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/germ1.jpg?v=1717987785","\/\/tobirarecords.com\/cdn\/shop\/files\/germ2.jpg?v=1717987785"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/germ1.jpg?v=1717987785","options":["Title"],"media":[{"alt":null,"id":34290030412026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/germ1.jpg?v=1717987785"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/germ1.jpg?v=1717987785","width":700},{"alt":null,"id":34290030444794,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/germ2.jpg?v=1717987785"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/germ2.jpg?v=1717987785","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eオランダ・アムステルダムのエレクトロニック・ポップ作家upsammyが、2024年6月にドイツ・ベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eIDMリスナーにもアプローチするエレクトロニック・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_z_A5rm5NUo?si=6dKLbobpOlsMMd0t\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SGOionFfPmA?si=cR_vlZ6Gn70VeMHV\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3llCzT3w3uc?si=Zs8Expei9vQ0ZRtM\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EPV8MGfK5do?si=GVEBToL0HRKGFi2R\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5lQHoqCEOvQ?si=4QKEQKwVHsRf0C3m\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/J31JLF2JioM?si=pJ4CUId6uK3R1I4E\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WbWz7K28WVk?si=PkVXDN0qtUYSkBvD\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Being is a Stone 03:24\u003cbr\u003e2. Constructing 03:02\u003cbr\u003e3. Ergo Dynamic Tree 02:58\u003cbr\u003e4. Green Lung 03:11\u003cbr\u003e5. Germ in a Population of Buildings 01:33\u003cbr\u003e6. Patterning 03:54\u003cbr\u003e7. Asphalt Flows 04:24\u003cbr\u003e8. Soft Sand 02:48\u003cbr\u003e9. Square to Sphere 03:08\u003cbr\u003e10. Metro Snake Whispers 04:52\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn her sophomore album \"Germ in a Population of Buildings”, upsammy moves through her surroundings with the curiosity of a place-bending landscape architect. The album is rooted in her interest for ambiguous environments in constant shift, and the feeling of discovering strange patterns in different ecosystems. Often, the Amsterdam-based artist finds herself zooming in and out beyond a place's most recognizable surface features to inhabit the microscopic and gigantic. Gathering field recordings and evocative environmental sounds, she shapes this source material into vibrating electro-acoustic rhythms and unstable, psychedelic textures.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eupsammy's debut album, 2020's critically-acclaimed \"Zoom\", was praised for its careful reimagining of IDM, evolving vignettes that nodded towards the dancefloor without being shackled to its rigid set of rules. On \"Germ in a Population of Buildings\" her process has evolved considerably; the skeletal trace of IDM is still present but it's been trapped in amber, allowing her unique sonic landscape to develop organically. 'Being is a Stone' is a proof of concept in many ways, layering upsammy's contorted voice in rickety patterns beneath a lattice of fragile rhythms and faintly melancholy synths. It's never immediately obvious where the sounds are coming from\u003cspan class=\"bcTruncateMore\"\u003e - a hiccuping beat might be glass cracking underfoot, and larger pulses could be wet concrete, rusted iron or bent plastic. As the sounds develop they morph into each other, demolishing what came before and building on top of the ornamental wreckage.\u003cbr\u003e\u003cbr\u003eOn the dynamic 'Constructing', upsammy's sound design fluxes through hyperactive bass music structures, abstracting expectations at every turn. Often her sounds are whisper quiet, rattling and vibrating until heavier masonry drops and disrupts the structure. And when discernible rhythms subside into the background, like on the album's eerie title track, they become almost illusory, morphing between the real world and the electronic. upsammy's processed voice works like a bridge between these realms, snaking between stark, whimsical melodies on 'Patterning', arching from AutoTuned detachment into cooing, dreamy intimacy. By considering the harmonies between each location she's visited, upsammy has been able to build a unique topology that's an uncanny digital amalgam of her lived experience. It's a thoughtful alternative in an era more concerned with flatting the landscape than crumpling it and examining its peaks and troughs.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : upsammy\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAN132\u003c\/span\u003e\u003c\/p\u003e"}
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オランダ・アムステルダムのエレクトロニック・ポップ作家upsammyが、2024年6月にドイツ・ベルリンのPANからリリースしたレコードです。 IDMリスナーにもアプローチするエレクトロニック・ポップ10曲を収録。 -------------------------------------- 12" black vinyl. Tracklist: 1. Being is a Stone 03:242. Constructing...
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{"id":8094826725626,"title":"Marina Herlop \/\/ Pripyat LP","handle":"marina-herlop-pripyat-lp","description":"\u003cp\u003eスペイン・バルセロナのエレクトロニック・ポップ作家Marina Herlopが、2023年11月にドイツ・ベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声をメインソースにした実験エレクトロニック・ポップ7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2869592693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eabans abans 04:04\u003c\/li\u003e\n\u003cli\u003eshaolin mantis 04:10\u003c\/li\u003e\n\u003cli\u003elyssof 04:11\u003c\/li\u003e\n\u003cli\u003emiu 03:59\u003c\/li\u003e\n\u003cli\u003eubuntu 04:19\u003c\/li\u003e\n\u003cli\u003eKaddisch 05:02\u003c\/li\u003e\n\u003cli\u003emiu (Choir Version) 03:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMarina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop’s breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003emiu, the opening track of Herlop’s new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums - 2016’s Nanook and 2018’s Babasha - that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop’s first full album produced on a computer, and her most intensely emotional work to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop’s previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAdded to this production expertise are songs of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e incredible grace and poise. Kaddisch is a spectral torch song rendered in emotional 3D by Herlop’s gorgeous voice; ubuntu has a feeling of deep longing and lingering sorrow; and shaolin mantis is like a pop song refracted through disorienting production effects and percussive vocal cut ups. Pripyat is the perfect combination of computer production trickery and intimate emotional release.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Herlop\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e","published_at":"2023-12-05T14:36:13+09:00","created_at":"2023-11-26T12:45:49+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","PAN"],"price":337000,"price_min":337000,"price_max":337000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44812301369594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Marina Herlop \/\/ Pripyat LP","public_title":null,"options":["Default Title"],"price":337000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/marin2.jpg?v=1700970350","\/\/tobirarecords.com\/cdn\/shop\/files\/marin3.jpg?v=1700970350"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/marin2.jpg?v=1700970350","options":["Title"],"media":[{"alt":null,"id":32747944607994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/marin2.jpg?v=1700970350"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/marin2.jpg?v=1700970350","width":700},{"alt":null,"id":32747944640762,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/marin3.jpg?v=1700970350"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/marin3.jpg?v=1700970350","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペイン・バルセロナのエレクトロニック・ポップ作家Marina Herlopが、2023年11月にドイツ・ベルリンのPANからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声をメインソースにした実験エレクトロニック・ポップ7曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2869592693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eabans abans 04:04\u003c\/li\u003e\n\u003cli\u003eshaolin mantis 04:10\u003c\/li\u003e\n\u003cli\u003elyssof 04:11\u003c\/li\u003e\n\u003cli\u003emiu 03:59\u003c\/li\u003e\n\u003cli\u003eubuntu 04:19\u003c\/li\u003e\n\u003cli\u003eKaddisch 05:02\u003c\/li\u003e\n\u003cli\u003emiu (Choir Version) 03:45\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003ePAN:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMarina Herlop is often described as a pianist, a lingering remnant of her classical training. But what strikes the listener on Herlop’s breakout track miu is the intricate trickery of her voice, tracing rhythmical clusters around the subtlest of musical beds, in a technique inspired by Carnatic music of Southern India.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003emiu, the opening track of Herlop’s new studio album Pripyat, was among the first songs that the young Catalan artist made on a computer, after two albums - 2016’s Nanook and 2018’s Babasha - that brought spectral elegance to the sound of piano and voice. This spirit of adventure continues into Pripyat, Herlop’s first full album produced on a computer, and her most intensely emotional work to date.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListening to Pripyat you can feel the emotional toil and creative endeavour that went into the record. Fans of Nanook and Babasha will recognise the combination of melancholic piano and elegant vocal lines that is found on Pripyat tracks like abans abans. But Pripyat has a far fuller, almost chaotic sound when compared to Herlop’s previous work, with the addition of electronic drums, electric bass lines and a wealth of sublime production effects.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAdded to this production expertise are songs of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e incredible grace and poise. Kaddisch is a spectral torch song rendered in emotional 3D by Herlop’s gorgeous voice; ubuntu has a feeling of deep longing and lingering sorrow; and shaolin mantis is like a pop song refracted through disorienting production effects and percussive vocal cut ups. Pripyat is the perfect combination of computer production trickery and intimate emotional release.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Herlop\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e"}
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スペイン・バルセロナのエレクトロニック・ポップ作家Marina Herlopが、2023年11月にドイツ・ベルリンのPANからリリースしたレコードです。 声をメインソースにした実験エレクトロニック・ポップ7曲を収録。 ----------------------------------------- 12" black vinyl. Tracklist: abans abans 04:04 shaolin mantis 04:10...
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