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{"id":8145424580858,"title":"Matt Krefting \/\/ Finer Points LP","handle":"matt-krefting-finer-points-lp","description":"\u003cp\u003eアメリカ・ニューハンプシャーの実験音楽家Matt Kreftingが、2023年12月に同国実験レーベルOpen Mouthから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート〜ドローン6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、実験音楽家\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eScott Foust\u003c\/span\u003e \u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マットとは、彼がまだハンプシャー大学の学生だった00年代初期からの付き合いだ。私たちはすぐに大親友になり、それ以来ずっとそうだ。マットはIFCOのメンバー（現在はフルタイム）であり、その他にも多くのプロジェクトで一緒に仕事をしてきた。つまり、私は少し偏っているのかもしれない。(マットはもう10年以上もソロでテープミュージックをやっている。私の記憶では、最初はミキシング・デスクと安物のカセット・マシンの束を使ったライブだった。フィールドレコーディングやテープなどを使って音楽をやっている人はたくさんいるが、たいていの場合、その音楽は雑なあくび祭りのようなものだ。それはクレフト流ではない。Finer Pointsに収録されている6つの作品は、それぞれ限られた数の要素がゆっくりと回転している。各トラックのサウンドはバラバラだが、同じような手法で作られている。全体的な効果は、ジョセフ・コーネルの箱の中のボトルのようだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eマットのリリースは砂漠の花のように華やかに咲き誇り、やがて消えていく。ビル・ネイスにも乾杯。小さなレーベルを運営したことのある人なら誰でも言うだろう、『それは愚の骨頂だ』と。しかし、ビルのような愚か者がいなければ、世界は多くの素晴らしい音楽を失っていただろう。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2686595393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAway from the Clearing 04:23\u003c\/li\u003e\n\u003cli\u003eA Double Request 08:09\u003c\/li\u003e\n\u003cli\u003eLet's Look Again 05:02\u003c\/li\u003e\n\u003cli\u003eAn Eye on the Future 03:01\u003c\/li\u003e\n\u003cli\u003eBoth This Life and the Next 05:57\u003c\/li\u003e\n\u003cli\u003eJust to Have Him Around 09:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eScott Foust\u003c\/span\u003e via the label: \u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"I have known Matt since the very early 00’s when he was still a student at Hampshire College. We became great friends right away and have remained so since. Matt has been an on-and-off member of IFCO (full time now), and we have worked together on a number of other projects. This is to say, I might be a little biased. (But everyone is biased, no matter how much they write in the third person.) Matt has been doing solo tape music for well over ten years now. My memory says it started out as a live thing with a mixing desk and a bunch of cheap cassette machines. (My memory says a lot of things.) I’m not sure exactly what he does now, but it is something similar and still involves cassette tapes. There are loads of people doing music with field recordings and tapes, etc., and, for the most part, the music is a messy yawn-fest. That is not The Krefting Way. Each of the six pieces on Finer Points has a limited number of elements that slowly revolve. Each track is discrete in its sound pallet but made in a similar fashion. The overall effect is like the bottles in a Joseph Cornell box. My favorite bottle is the one for a guitar (Spanish?) It manages to hit a sweet spot between hypnotic and unsettling. The whole LP is great and expertly sequenced. (The lost art of recording!) Matt’s releases\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e are like desert flowers that bloom and are gorgeous, then they are gone. A tip of the glass to Bill Nace as well. He has kept Open Mouth running for quite a while, and as anyone who has ever run a small label will tell you, ‘It’s a fool’s errand.’ It is, too – but if it weren’t for fools like Bill, the world would be missing a lot of great music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Matt Krefting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Open Mouth\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-01-18T17:59:54+09:00","created_at":"2024-01-18T17:23:12+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","noise","open mouth"],"price":418800,"price_min":418800,"price_max":418800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45041140564218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matt Krefting \/\/ Finer Points LP","public_title":null,"options":["Default Title"],"price":418800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fin1.jpg?v=1705566194","\/\/tobirarecords.com\/cdn\/shop\/files\/fin2.jpg?v=1705566194"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1.jpg?v=1705566194","options":["Title"],"media":[{"alt":null,"id":33002381377786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1.jpg?v=1705566194"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin1.jpg?v=1705566194","width":700},{"alt":null,"id":33002381410554,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin2.jpg?v=1705566194"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fin2.jpg?v=1705566194","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ニューハンプシャーの実験音楽家Matt Kreftingが、2023年12月に同国実験レーベルOpen Mouthから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート〜ドローン6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、実験音楽家\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eScott Foust\u003c\/span\u003e \u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"マットとは、彼がまだハンプシャー大学の学生だった00年代初期からの付き合いだ。私たちはすぐに大親友になり、それ以来ずっとそうだ。マットはIFCOのメンバー（現在はフルタイム）であり、その他にも多くのプロジェクトで一緒に仕事をしてきた。つまり、私は少し偏っているのかもしれない。(マットはもう10年以上もソロでテープミュージックをやっている。私の記憶では、最初はミキシング・デスクと安物のカセット・マシンの束を使ったライブだった。フィールドレコーディングやテープなどを使って音楽をやっている人はたくさんいるが、たいていの場合、その音楽は雑なあくび祭りのようなものだ。それはクレフト流ではない。Finer Pointsに収録されている6つの作品は、それぞれ限られた数の要素がゆっくりと回転している。各トラックのサウンドはバラバラだが、同じような手法で作られている。全体的な効果は、ジョセフ・コーネルの箱の中のボトルのようだ。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eマットのリリースは砂漠の花のように華やかに咲き誇り、やがて消えていく。ビル・ネイスにも乾杯。小さなレーベルを運営したことのある人なら誰でも言うだろう、『それは愚の骨頂だ』と。しかし、ビルのような愚か者がいなければ、世界は多くの素晴らしい音楽を失っていただろう。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2686595393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAway from the Clearing 04:23\u003c\/li\u003e\n\u003cli\u003eA Double Request 08:09\u003c\/li\u003e\n\u003cli\u003eLet's Look Again 05:02\u003c\/li\u003e\n\u003cli\u003eAn Eye on the Future 03:01\u003c\/li\u003e\n\u003cli\u003eBoth This Life and the Next 05:57\u003c\/li\u003e\n\u003cli\u003eJust to Have Him Around 09:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eScott Foust\u003c\/span\u003e via the label: \u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"I have known Matt since the very early 00’s when he was still a student at Hampshire College. We became great friends right away and have remained so since. Matt has been an on-and-off member of IFCO (full time now), and we have worked together on a number of other projects. This is to say, I might be a little biased. (But everyone is biased, no matter how much they write in the third person.) Matt has been doing solo tape music for well over ten years now. My memory says it started out as a live thing with a mixing desk and a bunch of cheap cassette machines. (My memory says a lot of things.) I’m not sure exactly what he does now, but it is something similar and still involves cassette tapes. There are loads of people doing music with field recordings and tapes, etc., and, for the most part, the music is a messy yawn-fest. That is not The Krefting Way. Each of the six pieces on Finer Points has a limited number of elements that slowly revolve. Each track is discrete in its sound pallet but made in a similar fashion. The overall effect is like the bottles in a Joseph Cornell box. My favorite bottle is the one for a guitar (Spanish?) It manages to hit a sweet spot between hypnotic and unsettling. The whole LP is great and expertly sequenced. (The lost art of recording!) Matt’s releases\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e are like desert flowers that bloom and are gorgeous, then they are gone. A tip of the glass to Bill Nace as well. He has kept Open Mouth running for quite a while, and as anyone who has ever run a small label will tell you, ‘It’s a fool’s errand.’ It is, too – but if it weren’t for fools like Bill, the world would be missing a lot of great music.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Matt Krefting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Open Mouth\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ニューハンプシャーの実験音楽家Matt Kreftingが、2023年12月に同国実験レーベルOpen Mouthから200部限定でリリースしたレコードです。 Lo-Fiコンクレート〜ドローン6曲を収録。廃盤です。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします 以下、実験音楽家Scott Foust による解説です。 "マットとは、彼がまだハンプシャー大学の学生だった00年代初期からの付き合いだ。私たちはすぐに大親友になり、それ以来ずっとそうだ。マットはIFCOのメンバー（現在はフルタイム）であり、その他にも多くのプロジェクトで一緒に仕事をしてきた。つまり、私は少し偏っているのかもしれない。(マットはもう10年以上もソロでテープミュージックをやっている。私の記憶では、最初はミキシング・デスクと安物のカセット・マシンの束を使ったライブだった。フィールドレコーディングやテープなどを使って音楽をやっている人はたくさんいるが、たいていの場合、その音楽は雑なあくび祭りのようなものだ。それはクレフト流ではない。Finer Pointsに収録されている6つの作品は、それぞれ限られた数の要素がゆっくりと回転している。各トラックのサウンドはバラバラだが、同じような手法で作られている。全体的な効果は、ジョセフ・コーネルの箱の中のボトルのようだ。マットのリリースは砂漠の花のように華やかに咲き誇り、やがて消えていく。ビル・ネイスにも乾杯。小さなレーベルを運営したことのある人なら誰でも言うだろう、『それは愚の骨頂だ』と。しかし、ビルのような愚か者がいなければ、世界は多くの素晴らしい音楽を失っていただろう。" レーベルその他作品はこちら /// Click here to see more...
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{"id":8145424220410,"title":"Bill Nace\/Emily Robb \/\/ Split LP","handle":"bill-nace-emily-robb-split-12","description":"\u003cp\u003eアメリカの実験ギタリストBill NaceとEmily Robbが、2023年12月にBill主宰レーベルOpen Mouthから300部限定でリリースしたスプリットレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e元々は2022年に彼らが行ったUSツアー限定で販売していたカセット作品の再発です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1777478291\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Originally released as a split tour-only cassette for the Emily Robb\/Bill Nace tour. LP edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBILL NACE 17:31\u003c\/li\u003e\n\u003cli\u003eEMILY ROBB 17:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eOpen Mouth:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Before hitting the road together in 2022 Bill Nace and Emily Robb recorded a tour split — a cassette, limited run of 50 — only to be found at their merch table. Now on vinyl, the split captures a moment bursting with verdient, crisp anticipation. Both artists were then on the heels of significant artistic leaps. Robb was wrapping up the promotional cycle of her first full-length solo record, 2021’s How To Moonwalk, and Nace had recently shifted his focus from prepared guitar to the taishogoto, a Japanese instrument rarely heard in the \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003ewest.\u003cbr\u003e\u003cbr\u003eWhen Nace plays his taisho live, listeners generally\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cem\u003e respond in a couple of different ways. Some become slightly hypnotized by the constant motion required to maintain the instrument’s frantic, electric flicker. Others, on the edge of their seats, whoop loudly, almost involuntarily, to release the mounting tension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a performer, Nace says the experience is a bit like being watched while jogging in place.Where the guitar easily allows space, this particular model of taishogoto has no sustain. “I have to keep playing it to keep making sound,” Nace says. “I have to get whipped up into this state.” This presents new limitations,and Nace expands to the edges. Here it shudders and sparks, spiking and scribbling like a EKG. It emanates white light, white heat.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRobb luminates in a balmier way, like sunshine through leaves. Her guitar arcs and billows. Fripp-y tones and textures establish a structure inside which it feels good to get lost. Robb describes her improvisational playing here as somewhat meditative. “There’s a constant running through it,” she says. It’s like “hearing a story of a person’s mind and emotions as they let music flow through.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Nace\/Emily Robb\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2024-01-18T18:10:26+09:00","created_at":"2024-01-18T17:20:42+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","noise","open mouth"],"price":399800,"price_min":399800,"price_max":399800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45041137746170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace\/Emily Robb \/\/ Split LP","public_title":null,"options":["Default Title"],"price":399800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044","\/\/tobirarecords.com\/cdn\/shop\/files\/na2_4967ae4e-020f-49b0-938e-f4846bb9e81d.jpg?v=1705566044","\/\/tobirarecords.com\/cdn\/shop\/files\/na3_658f9312-44fa-4c94-af74-9535cd0c840e.jpg?v=1705566045"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044","options":["Title"],"media":[{"alt":null,"id":33002373710074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_80f82dee-bc3c-45df-90ec-e8abc079d0c7.jpg?v=1705566044","width":700},{"alt":null,"id":33002373742842,"position":2,"preview_image":{"aspect_ratio":0.5,"height":1200,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_4967ae4e-020f-49b0-938e-f4846bb9e81d.jpg?v=1705566044"},"aspect_ratio":0.5,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_4967ae4e-020f-49b0-938e-f4846bb9e81d.jpg?v=1705566044","width":600},{"alt":null,"id":33002373775610,"position":3,"preview_image":{"aspect_ratio":0.773,"height":1200,"width":927,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na3_658f9312-44fa-4c94-af74-9535cd0c840e.jpg?v=1705566045"},"aspect_ratio":0.773,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na3_658f9312-44fa-4c94-af74-9535cd0c840e.jpg?v=1705566045","width":927}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験ギタリストBill NaceとEmily Robbが、2023年12月にBill主宰レーベルOpen Mouthから300部限定でリリースしたスプリットレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e元々は2022年に彼らが行ったUSツアー限定で販売していたカセット作品の再発です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1777478291\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Originally released as a split tour-only cassette for the Emily Robb\/Bill Nace tour. LP edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBILL NACE 17:31\u003c\/li\u003e\n\u003cli\u003eEMILY ROBB 17:32\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eOpen Mouth:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Before hitting the road together in 2022 Bill Nace and Emily Robb recorded a tour split — a cassette, limited run of 50 — only to be found at their merch table. Now on vinyl, the split captures a moment bursting with verdient, crisp anticipation. Both artists were then on the heels of significant artistic leaps. Robb was wrapping up the promotional cycle of her first full-length solo record, 2021’s How To Moonwalk, and Nace had recently shifted his focus from prepared guitar to the taishogoto, a Japanese instrument rarely heard in the \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003ewest.\u003cbr\u003e\u003cbr\u003eWhen Nace plays his taisho live, listeners generally\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cem\u003e respond in a couple of different ways. Some become slightly hypnotized by the constant motion required to maintain the instrument’s frantic, electric flicker. Others, on the edge of their seats, whoop loudly, almost involuntarily, to release the mounting tension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a performer, Nace says the experience is a bit like being watched while jogging in place.Where the guitar easily allows space, this particular model of taishogoto has no sustain. “I have to keep playing it to keep making sound,” Nace says. “I have to get whipped up into this state.” This presents new limitations,and Nace expands to the edges. Here it shudders and sparks, spiking and scribbling like a EKG. It emanates white light, white heat.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRobb luminates in a balmier way, like sunshine through leaves. Her guitar arcs and billows. Fripp-y tones and textures establish a structure inside which it feels good to get lost. Robb describes her improvisational playing here as somewhat meditative. “There’s a constant running through it,” she says. It’s like “hearing a story of a person’s mind and emotions as they let music flow through.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bill Nace\/Emily Robb\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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アメリカの実験ギタリストBill NaceとEmily Robbが、2023年12月にBill主宰レーベルOpen Mouthから300部限定でリリースしたスプリットレコードです。 元々は2022年に彼らが行ったUSツアー限定で販売していたカセット作品の再発です。廃盤です。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Open Mouth releases available...
¥3,998
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{"id":7607545397498,"title":"Paul Flaherty \/ Bill Nace \/\/ Touchless 7\"","handle":"paul-flaherty-bill-nace-touchless-7","description":"\u003cp\u003e80年代から活動するアメリカの大御所アルトサックス奏者Paul Flahertyと、同国実験レーベルOpen Mouth主宰Bill Naceが、2011年にリリースした共作7\"です。\u003c\/p\u003e\n\u003cp\u003eアルトとギターによるインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2730444608\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaul Flaherty--alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBill Nace--electric guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paul Flaherty\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2022-05-10T15:58:10+09:00","created_at":"2022-05-10T08:55:38+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","open mouth"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42741172371706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Paul Flaherty \/ Bill Nace \/\/ Touchless 7\"","public_title":null,"options":["Default Title"],"price":215000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_eff0d367-bb3b-4564-95ba-d6f8d093aae8.jpg?v=1652140540"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_eff0d367-bb3b-4564-95ba-d6f8d093aae8.jpg?v=1652140540","options":["Title"],"media":[{"alt":null,"id":29692194980090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_eff0d367-bb3b-4564-95ba-d6f8d093aae8.jpg?v=1652140540"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_eff0d367-bb3b-4564-95ba-d6f8d093aae8.jpg?v=1652140540","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e80年代から活動するアメリカの大御所アルトサックス奏者Paul Flahertyと、同国実験レーベルOpen Mouth主宰Bill Naceが、2011年にリリースした共作7\"です。\u003c\/p\u003e\n\u003cp\u003eアルトとギターによるインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2730444608\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaul Flaherty--alto sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBill Nace--electric guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paul Flaherty\/Bill Nace\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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80年代から活動するアメリカの大御所アルトサックス奏者Paul Flahertyと、同国実験レーベルOpen Mouth主宰Bill Naceが、2011年にリリースした共作7"です。 アルトとギターによるインプロ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases available at...
¥2,150
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{"id":6955732992165,"title":"Bill Nace \/\/ Solo Guitar 2\/One Note LP","handle":"bill-nace-solo-guitar-2-one-note-lp","description":"\u003cp\u003e Ultra EczemaやDrag Cityなどから発表しているアメリカ・フィラデルフィアのギタリストBill Naceが、2021年8月にプライベートレーベルOpen Mouthからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e題の通りギター一本のみで録音したインプロ作品で、生々しい演奏が堪能できる一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1100758933\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Billnace_excerpt\" href=\"https:\/\/soundcloud.com\/user-249530843\/billnace_excerpt\" target=\"_blank\"\u003eBillnace_excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReissue of OM21 Cassette\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaste on covers\/Inserts screened by Alan Sherry on Stoughton Tip-ons\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSolo Guitar 2 was recorded by Bill Nace in 2008, in a good-sounding room in Bennington, Vermont. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis year the record, originally released as a now (nearly) extinct cassette, is reissued without it’s mysterious and (maybe?) long-lost sibling Solo Guitar 1 (Like any good punk demo -- which, both aesthetically and energetically, Solo Guitar 2 is -- the thrill of discovery is made only sweeter by the potential of future discovery).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe vinyl release comes a little less than a year after Bill’s first “official” solo record, BOTH, which was released by Drag City in May, 2020. The two records don’t necessarily stand in opposition, but they are at different points on the spectrum of production, tone, mood, time, place, age, career. Where BOTH is softened by the warmth and precision of a studio, there’s a wildness to Solo Guitar 2 which approaches the experience of witnessing Bill perform live. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMade up of mostly brief pieces -- songs, practically -- Solo Guitar 2 winds tight, then unwinds, or sometimes snaps apart. Crackling, itchy static morphs into heavy, watery vibration, layered on metallic rattle. There are moments where that Bennington room sounds as sterile and lonely as a deserted art gallery. And then it becomes spacious and warm, like a cathedral filling with the hum of the universe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe bulk of Bill’s releases are collaborations with other artists, who are drawn to him (at least in part) because he’s an innovative player and a deep listener. Those qualities hold, and in certain ways intensify when he’s on his own. As he takes a series of unlikely tools across his prone guitar with the grace and urgency of someone at a loom or an aircraft control panel, there’s a sense of reaching inward. But where some might meander or navel-gaze, Bill’s playing is a process of constant dynamic construction. What unfurls can feel intensely personal, and often -- for reasons I don’t always understand -- very moving. Bill isn’t interested in micromanaging his listeners’ experiences, but he does make room for us. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComposer Pauline Oliveros observed that when we listen deeply to the world around us, we sometimes notice very subtle and quiet differences in sounds that we thought were familiar. As a result, she writes, “the slightest difference may lead you to a new creative relationship.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBill is, I think, tuned in to these subtle and quiet differences. But, in a truly punk fashion, he flips this for the listener, making unfamiliar and not-very-subtle noise into something akin to (but also distinct from) familiar sounds: traffic outside your window, the soft roar of a conch shell to your ear, static between radio stations. Solo Guitar 2, full as it is of shades and moods and life, offers a fresh way of hearing.\u003c\/em\u003e\u003cbr\u003eMargaret Welsh\u003cbr\u003ePhiladelphia, PA 2021\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSolo Guitar 2\/One Note\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Open Mouth\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T03:04:42+09:00","created_at":"2021-08-05T13:50:16+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","noise","open mouth","sale22"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40509671899301,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace \/\/ Solo Guitar 2\/One Note LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019","\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.back.final.png?v=1628139019"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019","options":["Title"],"media":[{"alt":null,"id":23211357864101,"position":1,"preview_image":{"aspect_ratio":1.0,"height":4429,"width":4429,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019"},"aspect_ratio":1.0,"height":4429,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.front.1.png?v=1628139019","width":4429},{"alt":null,"id":23211357896869,"position":2,"preview_image":{"aspect_ratio":1.0,"height":4429,"width":4429,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.back.final.png?v=1628139019"},"aspect_ratio":1.0,"height":4429,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Nace.back.final.png?v=1628139019","width":4429}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e Ultra EczemaやDrag Cityなどから発表しているアメリカ・フィラデルフィアのギタリストBill Naceが、2021年8月にプライベートレーベルOpen Mouthからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e題の通りギター一本のみで録音したインプロ作品で、生々しい演奏が堪能できる一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1100758933\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Billnace_excerpt\" href=\"https:\/\/soundcloud.com\/user-249530843\/billnace_excerpt\" target=\"_blank\"\u003eBillnace_excerpt\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReissue of OM21 Cassette\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaste on covers\/Inserts screened by Alan Sherry on Stoughton Tip-ons\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSolo Guitar 2 was recorded by Bill Nace in 2008, in a good-sounding room in Bennington, Vermont. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis year the record, originally released as a now (nearly) extinct cassette, is reissued without it’s mysterious and (maybe?) long-lost sibling Solo Guitar 1 (Like any good punk demo -- which, both aesthetically and energetically, Solo Guitar 2 is -- the thrill of discovery is made only sweeter by the potential of future discovery).\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe vinyl release comes a little less than a year after Bill’s first “official” solo record, BOTH, which was released by Drag City in May, 2020. The two records don’t necessarily stand in opposition, but they are at different points on the spectrum of production, tone, mood, time, place, age, career. Where BOTH is softened by the warmth and precision of a studio, there’s a wildness to Solo Guitar 2 which approaches the experience of witnessing Bill perform live. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMade up of mostly brief pieces -- songs, practically -- Solo Guitar 2 winds tight, then unwinds, or sometimes snaps apart. Crackling, itchy static morphs into heavy, watery vibration, layered on metallic rattle. There are moments where that Bennington room sounds as sterile and lonely as a deserted art gallery. And then it becomes spacious and warm, like a cathedral filling with the hum of the universe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe bulk of Bill’s releases are collaborations with other artists, who are drawn to him (at least in part) because he’s an innovative player and a deep listener. Those qualities hold, and in certain ways intensify when he’s on his own. As he takes a series of unlikely tools across his prone guitar with the grace and urgency of someone at a loom or an aircraft control panel, there’s a sense of reaching inward. But where some might meander or navel-gaze, Bill’s playing is a process of constant dynamic construction. What unfurls can feel intensely personal, and often -- for reasons I don’t always understand -- very moving. Bill isn’t interested in micromanaging his listeners’ experiences, but he does make room for us. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eComposer Pauline Oliveros observed that when we listen deeply to the world around us, we sometimes notice very subtle and quiet differences in sounds that we thought were familiar. As a result, she writes, “the slightest difference may lead you to a new creative relationship.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBill is, I think, tuned in to these subtle and quiet differences. But, in a truly punk fashion, he flips this for the listener, making unfamiliar and not-very-subtle noise into something akin to (but also distinct from) familiar sounds: traffic outside your window, the soft roar of a conch shell to your ear, static between radio stations. Solo Guitar 2, full as it is of shades and moods and life, offers a fresh way of hearing.\u003c\/em\u003e\u003cbr\u003eMargaret Welsh\u003cbr\u003ePhiladelphia, PA 2021\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSolo Guitar 2\/One Note\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Open Mouth\u003c\/span\u003e\u003c\/p\u003e"}
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Ultra EczemaやDrag Cityなどから発表しているアメリカ・フィラデルフィアのギタリストBill Naceが、2021年8月にプライベートレーベルOpen Mouthからリリースした再発レコードです。 題の通りギター一本のみで録音したインプロ作品で、生々しい演奏が堪能できる一枚です。 tobirec4 · Billnace_excerpt レーベルその他作品はこちら /// Click here to see more Open...
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{"id":5721529221285,"title":"Bill Nace\/Graham Lambkin \/\/ THE DISHWASHERS LP","handle":"bill-nace-graham-lambkin-the-dishwashers-lp","description":"\u003cp\u003eアメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Bill NaceとGraham Lambkinが、2020年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e2019年秋にロンドンで録音された本作は、両者のこれまでの作品とは似ても似つかぬ作風で、たまたま紛れ込んだ鳥の鳴き声や車の音などもそのまま使われており、とてもレイドバックなスタイルとなっております。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950052529\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/open-mouth\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/open-mouth\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Awaker \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Purrum \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 The Snake \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 Egg Shell Moon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 With Us \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Kentucky Raincloud \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Horse to Grin \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Street Metals\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/899200108\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-198195096\" title=\"tobirarecs\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-198195096\/glbn-open-mouth\" title=\"GLBN Open Mouth\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGLBN Open Mouth\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill Nace and Graham Lambkin first played together in Fall 2018, in Kentucky, behind plastic. In that performance, they sometimes played the same instrument at the same time. Time passed, then they recorded this album in Fall 2019, in London. I was told that an acoustic guitar, a cymbal and tapes were used in the recording and I have no reason to doubt that. There are also voices, birds, a room, the outside world...; a bow is used. Bill \u0026amp; Graham both deal in different kinds of tension \u0026amp; discomfort and while this album is both like \u0026amp; unlike what I've heard from either of them, it is somewhat remarkably laid-back. Though there are separate and distinct tracks, they flow into each other organically. Not without some jagged interruptions - in fact, many of the tracks *announce* themselves with a sudden cough, squeak or scrape - but the field recording aspects (passing cars, a siren, some banter) act as a leitmotif holding things together, adding a casual ambiance that *almost* invites a casual listen. But it is deceptive in that way. It is not a hermetic recording. As much as it doesn't exclude the sounds of the outside world, it also lies open to interpretation. Themes recur just enough to create a connective tissue that frames some of the more seemingly disparate elements. Brief fragments of conversation invite the mind to try to understand and create its own narrative; a pizzicato, modal folksong played on guitar, then played back on tape at the end of Side A has a reprise midway through Side B; hints of ancient music are bowed or chanted... This is not a tapestry without thread, but you've also got to bring some of your own. --\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"il\"\u003eGreg\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"il\"\u003eKelley\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e Somerville MA 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Bill Nace\/Graham Lambkin\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-02T10:21:10+09:00","created_at":"2020-10-02T10:21:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","open mouth","recommended","sale22"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36501324103845,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Nace\/Graham Lambkin \/\/ THE DISHWASHERS LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","options":["Title"],"media":[{"alt":null,"id":11598697824421,"position":1,"preview_image":{"aspect_ratio":1.0,"height":640,"width":640,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670"},"aspect_ratio":1.0,"height":640,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Dishwashers_1400_300dpi.jpg?v=1601601670","width":640},{"alt":null,"id":11598697857189,"position":2,"preview_image":{"aspect_ratio":0.995,"height":602,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670"},"aspect_ratio":0.995,"height":602,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15858058-1599081336-2498_jpeg.jpg?v=1601601670","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Bill NaceとGraham Lambkinが、2020年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e2019年秋にロンドンで録音された本作は、両者のこれまでの作品とは似ても似つかぬ作風で、たまたま紛れ込んだ鳥の鳴き声や車の音などもそのまま使われており、とてもレイドバックなスタイルとなっております。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950052529\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/open-mouth\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/open-mouth\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Awaker \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Purrum \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 The Snake \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 Egg Shell Moon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 With Us \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Kentucky Raincloud \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Horse to Grin \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Street Metals\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/899200108\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-198195096\" title=\"tobirarecs\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-198195096\/glbn-open-mouth\" title=\"GLBN Open Mouth\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eGLBN Open Mouth\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill Nace and Graham Lambkin first played together in Fall 2018, in Kentucky, behind plastic. In that performance, they sometimes played the same instrument at the same time. Time passed, then they recorded this album in Fall 2019, in London. I was told that an acoustic guitar, a cymbal and tapes were used in the recording and I have no reason to doubt that. There are also voices, birds, a room, the outside world...; a bow is used. Bill \u0026amp; Graham both deal in different kinds of tension \u0026amp; discomfort and while this album is both like \u0026amp; unlike what I've heard from either of them, it is somewhat remarkably laid-back. Though there are separate and distinct tracks, they flow into each other organically. Not without some jagged interruptions - in fact, many of the tracks *announce* themselves with a sudden cough, squeak or scrape - but the field recording aspects (passing cars, a siren, some banter) act as a leitmotif holding things together, adding a casual ambiance that *almost* invites a casual listen. But it is deceptive in that way. It is not a hermetic recording. As much as it doesn't exclude the sounds of the outside world, it also lies open to interpretation. Themes recur just enough to create a connective tissue that frames some of the more seemingly disparate elements. Brief fragments of conversation invite the mind to try to understand and create its own narrative; a pizzicato, modal folksong played on guitar, then played back on tape at the end of Side A has a reprise midway through Side B; hints of ancient music are bowed or chanted... This is not a tapestry without thread, but you've also got to bring some of your own. --\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"il\"\u003eGreg\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"il\"\u003eKelley\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e Somerville MA 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Bill Nace\/Graham Lambkin\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Bill Nace主宰open mouth諸作を入荷しました。 本作は、Bill NaceとGraham Lambkinが、2020年にリリースした共作レコードです。 2019年秋にロンドンで録音された本作は、両者のこれまでの作品とは似ても似つかぬ作風で、たまたま紛れ込んだ鳥の鳴き声や車の音などもそのまま使われており、とてもレイドバックなスタイルとなっております。 レーベルその他作品はこちら /// Click here to see more Open Mouth...
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{"id":7607545626874,"title":"Rick Myers \/\/ Obstacle #79: Memory Is Current LP","handle":"rick-myers-obstacle-79-memory-is-current-lp","description":"\u003cp\u003eイギリス・マンチェスターの美術家／ライターRick Myersが、2022年5月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e自動演奏ピアノ\u003c\/span\u003eを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288790204\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eMatt Krefting\u003cbr data-mce-fragment=\"1\"\u003eHolyoke, MA, 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eObstacle #79: MEMORY IS CURRENT offers a sequence of works for player piano, a device which captured Rick Myers’ imagination in 2017. Divining a method from mathematical measurements and intuitive drawing systems, Myers obstructed piano rolls using adhesive tape. Performed in this altered state on a player piano in the hallway of Easthampton Machine and Tool in Easthampton, Massachusetts, the music embedded in the rolls was extricated from its history and given fresh life. Restriction forged a pathway to expanse. Here are the enchanting results.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe workings of the machine are evident throughout, wistfully recalling music box fantasias, even as the tumbling notes confound expectations. The meticulously constructed scenarios invariably run amok, and in between chaos and melody, frustration and freedom, an impossible helix fashions its own celestial music. The sounds grumble against one another, summoning subterranean promises and unearthing unexpected delights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs the tracks run into one another, Myers interposes spoken dispatches, detailing aspects of the story behind the record. Like the sounds of the piano, they transcend mere reportage. Increasingly obscured over the course of the two sides, these ghostly\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e interjections are part of the sonic fabric, enhancing both the narrative and acousmatic aspects of the project.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is an artist whose decades-long career has studiously disregarded the confines of medium – there are books, drawings, sculptures, installations, exhibitions, videos, performances, design projects, texts, and combinations thereof. Sound, as evidenced by his recent focus on recorded material, is but another potent arrow in his quiver. Plus, it’s nothing new – he cut his teeth as a DJ.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record is an interior travelogue shot through with ecstatic truth. In furthering the process of obstruction by which the player piano makes its music possible, Myers is, in his own words, looking to “cast and dislodge time.” Like God or Loss or Love, Time is one of the bedeviling bottomless wells from which the most affecting art springs. This is the real thing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is not in search of lost time, he is attempting to lose it, and in so doing to chart the inevitable trajectory of that loss, of its apparent disappearance, its peculiar habit of hiding in plain sight.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rick Myers\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e","published_at":"2022-05-10T16:09:59+09:00","created_at":"2022-05-10T08:57:59+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","open mouth"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42741175091450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rick Myers \/\/ Obstacle #79: Memory Is Current LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","options":["Title"],"media":[{"alt":null,"id":29692197175546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob1_8b01d2c2-438a-4fa8-b833-d4b0bd2a2e51.jpg?v=1652140681","width":700},{"alt":null,"id":29692197208314,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ob2_35de6377-40b2-49d3-ac2e-c29144d99f78.jpg?v=1652140681","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・マンチェスターの美術家／ライターRick Myersが、2022年5月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e自動演奏ピアノ\u003c\/span\u003eを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1288790204\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eMatt Krefting\u003cbr data-mce-fragment=\"1\"\u003eHolyoke, MA, 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eObstacle #79: MEMORY IS CURRENT offers a sequence of works for player piano, a device which captured Rick Myers’ imagination in 2017. Divining a method from mathematical measurements and intuitive drawing systems, Myers obstructed piano rolls using adhesive tape. Performed in this altered state on a player piano in the hallway of Easthampton Machine and Tool in Easthampton, Massachusetts, the music embedded in the rolls was extricated from its history and given fresh life. Restriction forged a pathway to expanse. Here are the enchanting results.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe workings of the machine are evident throughout, wistfully recalling music box fantasias, even as the tumbling notes confound expectations. The meticulously constructed scenarios invariably run amok, and in between chaos and melody, frustration and freedom, an impossible helix fashions its own celestial music. The sounds grumble against one another, summoning subterranean promises and unearthing unexpected delights.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs the tracks run into one another, Myers interposes spoken dispatches, detailing aspects of the story behind the record. Like the sounds of the piano, they transcend mere reportage. Increasingly obscured over the course of the two sides, these ghostly\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e interjections are part of the sonic fabric, enhancing both the narrative and acousmatic aspects of the project.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is an artist whose decades-long career has studiously disregarded the confines of medium – there are books, drawings, sculptures, installations, exhibitions, videos, performances, design projects, texts, and combinations thereof. Sound, as evidenced by his recent focus on recorded material, is but another potent arrow in his quiver. Plus, it’s nothing new – he cut his teeth as a DJ.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis record is an interior travelogue shot through with ecstatic truth. In furthering the process of obstruction by which the player piano makes its music possible, Myers is, in his own words, looking to “cast and dislodge time.” Like God or Loss or Love, Time is one of the bedeviling bottomless wells from which the most affecting art springs. This is the real thing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRick Myers is not in search of lost time, he is attempting to lose it, and in so doing to chart the inevitable trajectory of that loss, of its apparent disappearance, its peculiar habit of hiding in plain sight.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rick Myers\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e"}
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イギリス・マンチェスターの美術家／ライターRick Myersが、2022年5月にアメリカ・フィラデルフィアの実験レーベルOpen Mouthから250部限定でリリースしたレコードです。 数学的な測定と直感的な描画システムから方法を割り出し、粘着テープを使って自動演奏ピアノを誤使用したコンテンポラリー2曲約40分を収録。展開が全く読めません。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases available at Tobira. ...
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{"id":5721553338533,"title":"Jake Meginsky \/\/ Gates \u0026 Variations LP","handle":"jake-meginsky-gates-variations-lp","description":"\u003cp\u003eパーカッショニストJake Meginskyが2017年にOpen Mouthからリリースした隠れた名盤をデッドストック入荷しました。\u003c\/p\u003e\n\u003cp\u003eGiuseppe Ielashiのビート作品が好みの方にもおすすめの物音テクノ6曲を収録。廃盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/899196673\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-198195096\" title=\"tobirarecs\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-198195096\/jake_gates-and-variations_open-mouth\" title=\"Jake_Gates And Variations_Open Mouth\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eJake_Gates And Variations_Open Mouth\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eGates and Variations rounds out a loose trilogy of records by Jake Meginsky for Open Mouth. Not an intended trilogy on Jakes part but it has become one to my mind. It has come to be how I listen to them and experience them, all informing each other, echoing and challenging each other and growing into each others space and light like a garden of plants that would never actually coexist anywhere in reality. Jake is always tirelessly reaching for something new yet I'd avoid using the word progression here. It instead feels to me like the last piece of a puzzle, or of a world created by some Jack Kirby demigod. Something has been completed and now all the pieces are interchangeable. The first can go last. The middle can be first. The whole thing becoming a universe looping in on itself with a multitude of entry points and not a lot of exits. These are dense environments where sections can move from microscopic to macroscopic, day to night and back again, so effortlessly that its hard to tell if its intended or if something imperceptible within you shifted the locus of yr perception. But it is all very intentional, something carefully carved to give the feeling of something, though unfamiliar and strange, organic and grown. Theres a sense of danger here like warning transmissions, concussive roiling rhythms and jagged disturbances. Yet also clear straight lines giving way to enveloping curve and staggering beauty. Supplant the beginning with the end with the beginning\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jake Meginsky\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/div\u003e","published_at":"2020-10-02T10:30:57+09:00","created_at":"2020-10-02T10:30:56+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","open mouth","strange beats","techno \/ house"],"price":418000,"price_min":418000,"price_max":418000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36501387542693,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jake Meginsky \/\/ Gates \u0026 Variations LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2017-09-08at11.58.37PM.png?v=1601602257","\/\/tobirarecords.com\/cdn\/shop\/products\/R-10949632-1507046856-3746_jpeg.jpg?v=1601602257"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2017-09-08at11.58.37PM.png?v=1601602257","options":["Title"],"media":[{"alt":null,"id":11598773682341,"position":1,"preview_image":{"aspect_ratio":1.006,"height":318,"width":320,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2017-09-08at11.58.37PM.png?v=1601602257"},"aspect_ratio":1.006,"height":318,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2017-09-08at11.58.37PM.png?v=1601602257","width":320},{"alt":null,"id":11598773715109,"position":2,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-10949632-1507046856-3746_jpeg.jpg?v=1601602257"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-10949632-1507046856-3746_jpeg.jpg?v=1601602257","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eパーカッショニストJake Meginskyが2017年にOpen Mouthからリリースした隠れた名盤をデッドストック入荷しました。\u003c\/p\u003e\n\u003cp\u003eGiuseppe Ielashiのビート作品が好みの方にもおすすめの物音テクノ6曲を収録。廃盤です。DLコード付属。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/899196673\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-198195096\" title=\"tobirarecs\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-198195096\/jake_gates-and-variations_open-mouth\" title=\"Jake_Gates And Variations_Open Mouth\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eJake_Gates And Variations_Open Mouth\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eGates and Variations rounds out a loose trilogy of records by Jake Meginsky for Open Mouth. Not an intended trilogy on Jakes part but it has become one to my mind. It has come to be how I listen to them and experience them, all informing each other, echoing and challenging each other and growing into each others space and light like a garden of plants that would never actually coexist anywhere in reality. Jake is always tirelessly reaching for something new yet I'd avoid using the word progression here. It instead feels to me like the last piece of a puzzle, or of a world created by some Jack Kirby demigod. Something has been completed and now all the pieces are interchangeable. The first can go last. The middle can be first. The whole thing becoming a universe looping in on itself with a multitude of entry points and not a lot of exits. These are dense environments where sections can move from microscopic to macroscopic, day to night and back again, so effortlessly that its hard to tell if its intended or if something imperceptible within you shifted the locus of yr perception. But it is all very intentional, something carefully carved to give the feeling of something, though unfamiliar and strange, organic and grown. Theres a sense of danger here like warning transmissions, concussive roiling rhythms and jagged disturbances. Yet also clear straight lines giving way to enveloping curve and staggering beauty. Supplant the beginning with the end with the beginning\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jake Meginsky\u003c\/p\u003e\n\u003cp\u003elabel : Open Mouth\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/div\u003e"}
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パーカッショニストJake Meginskyが2017年にOpen Mouthからリリースした隠れた名盤をデッドストック入荷しました。 Giuseppe Ielashiのビート作品が好みの方にもおすすめの物音テクノ6曲を収録。廃盤です。DLコード付属。 tobirarecs · Jake_Gates And Variations_Open Mouth Gates and...
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