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Nate Wooley // Henry House CD

Nate Wooley // Henry House CD

¥2,250
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アメリカのトランペッターNate Wooleyが、2025年1月にフランス／アメリカの実験レーベルIdeologic Organからリリースしたレコードです。

サウンドポエトリー〜ドローン5曲を収録。12ページのブックレット付属。6面デジスリーブ、シュリンク仕様です。

レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at Tobira. 

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CD in digisleeve. Includes 12-page booklet. 

Tracklist:

1. Acacia, Burnt Myrrh
2. Stump The World I 
3. Clipped Prose of Juncos
4. Stump The World II
5. Aleatory Half Sentences

Ideologic Organ:

"Henry House is a recurring dream song. Combining closely tuned instruments and sinetones, tape-music editing techniques, field recordings, and voice, this eighty-minute, five-part song cycle is an evolutionary step away from the spontaneity of the free jazz/noise aesthetic usually found in the music of Nate Wooley. Henry House expands on the ecstatic, durational work found in Wooley’s Seven Storey Mountain, a six-part composition that has been premiered over the last ten years by an ensemble that now includes multiple drummers, guitarists, a twenty-one-person choir, and the composer on amplified trumpet. But its ritual is more serene, more natural, slower. 

Henry House is the first long-form piece that doesn’t feature Wooley’s trumpet. It is also the first to be constructed around his poetic writing. Wooley weaves a strange funeral mass for a fictional everyman from isolated phrases culled from essays, poems, and non-fiction written by Wendell Berry, John Berryman, Joseph Mitchell, and Reiner Stach. After organizing the fragments into a dream narrative, Wooley rewrote the text dozens of times, manipulating the stitched-together story until only glimpses of its sources remained. 

These texts become a slowly developing story of care and too much care in living. They are spoken by Mat Maneri and Megan Schubert and set amidst masses of instruments. The outer and middle movements explore the interactions between slowly shifting sine tone frequencies and massed, slightly detuned instruments—vibraphones, brass, pianos—to affect a warmly wobbling harmonic pad that undulates and revolves under Maneri’s performance of the text. The remaining movements move quickly, combining field recordings with hard cuts of Schubert’s singing voice constructed into a massive, tape-affected choir interspersed with her readings. "

Artist : Nate Wooley

Label : Ideologic Organ

CAT no : SOMA061

+ -

アメリカのトランペッターNate Wooleyが、2025年1月にフランス／アメリカの実験レーベルIdeologic Organからリリースしたレコードです。

サウンドポエトリー〜ドローン5曲を収録。12ページのブックレット付属。6面デジスリーブ、シュリンク仕様です。

レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available at Tobira. 

------------------------------

CD in digisleeve. Includes 12-page booklet. 

Tracklist:

1. Acacia, Burnt Myrrh
2. Stump The World I 
3. Clipped Prose of Juncos
4. Stump The World II
5. Aleatory Half Sentences

Ideologic Organ:

"Henry House is a recurring dream song. Combining closely tuned instruments and sinetones, tape-music editing techniques, field recordings, and voice, this eighty-minute, five-part song cycle is an evolutionary step away from the spontaneity of the free jazz/noise aesthetic usually found in the music of Nate Wooley. Henry House expands on the ecstatic, durational work found in Wooley’s Seven Storey Mountain, a six-part composition that has been premiered over the last ten years by an ensemble that now includes multiple drummers, guitarists, a twenty-one-person choir, and the composer on amplified trumpet. But its ritual is more serene, more natural, slower. 

Henry House is the first long-form piece that doesn’t feature Wooley’s trumpet. It is also the first to be constructed around his poetic writing. Wooley weaves a strange funeral mass for a fictional everyman from isolated phrases culled from essays, poems, and non-fiction written by Wendell Berry, John Berryman, Joseph Mitchell, and Reiner Stach. After organizing the fragments into a dream narrative, Wooley rewrote the text dozens of times, manipulating the stitched-together story until only glimpses of its sources remained. 

These texts become a slowly developing story of care and too much care in living. They are spoken by Mat Maneri and Megan Schubert and set amidst masses of instruments. The outer and middle movements explore the interactions between slowly shifting sine tone frequencies and massed, slightly detuned instruments—vibraphones, brass, pianos—to affect a warmly wobbling harmonic pad that undulates and revolves under Maneri’s performance of the text. The remaining movements move quickly, combining field recordings with hard cuts of Schubert’s singing voice constructed into a massive, tape-affected choir interspersed with her readings. "

Artist : Nate Wooley

Label : Ideologic Organ

CAT no : SOMA061