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{"id":9002435182842,"title":"Ben Bennett \/\/ ANSWERS LP","handle":"ben-bennett-answers-lp","description":"\u003cp\u003eアメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜ドローン7曲を収録。帯付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2210925249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. What a normal day is like 06:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. How you sound when you’re criticizing me 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Me when I was incredibly small 06:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Toroid - like a bagel or a donut 05:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. How I walk when I’m downtown 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6. What my dog would sound like if I had one 05:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Me when I’m having some work done 03:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Pfeffer, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I often think about a video that Ben made in the mid-2000s, shot in profile with his shadow cast on a dimly lit Ohio punk house wall. In the video, Ben emits, intones, and then barks “yeah” relentlessly for an uninterrupted fifteen minutes. He pushes his reedy, anonymous voice—which in conversation conveys a kind of gentle bemusement—into guttural terrain that flirts with overtone singing (or screeching). The gesture feels raw and spontaneous, suspended in a vacuum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe video has echoes of late ’60s and early ’70s American performance art—Bruce Nauman’s Lip Sync, Paul McCarthy’s Ma Bell—but Ben is not building a persona or engaging in clever language games. He pushes straight into the realm of pure sound, teasing out subtle variations from a barebones fragment of reckless affirmation—or maybe sarcasm—using democratic tools: his voice and a single, quintessentially American interjection that barely qualifies as language. It is obvious how much pleasure Ben takes in the act of listening. He punctuates the performance with silences, burrowing into the room’s resonance, which seems to surprise and delight him. Distilled to its simplest form, Ben transforms the utterance into an act of destructive glee that carries no trace of angst. Over time, his unwavering commitment to a stupid and very human\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e endeavor becomes a devotional ritual that collides with the divine, without relying on a religious object.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ANSWERS (all-caps notwithstanding), Ben modestly continues to offer profound “answers” to questions about survival in the empty field. The actions it contains are not extreme; it operates at a relatively low dynamic, neither at the edge of inaudibility nor at the volume of inflammatory rage-bait. Microscopic but still visible, the sounds suggest the early stirrings of new, dumb lifeforms. ANSWERS is provocative in its lack of ornament—born of the post-industrial and natural worlds, hovering above quotidian realities. Ben continues to operate on the edge of not being aesthetic at all—subject dissolving into object—plumbing the nature of reality with his homespun spring-steel idiophone and coffee-can aerophone, until it verges on bathroom drainage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a percussionist, Ben has a lithe touch, moving seamlessly between sticks and his bare hands. Like Toshi Makihara and Sean Meehan, Ben is concerned with friction, yet his work is closer in spirit to Kieran Daly’s slowly unfolding monophonic MIDI investigations, which balance formal rigor, a cultivated openness to “dumbness,” and an abstract connection to the jazz tradition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy favorite moments on Answers are when the boundary between music and non-music becomes unstable, and when Ben abandons the drums and “music” entirely—\"How you sound when you’re criticizing me,” “Me when I’m having some work done,” and “Toroid – like a bagel or a donut”—where the album’s harsh plainness gives way to austere beauty, as if the vacuum momentarily ruptured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eANSWERS feels as though it unfolds in isolation, yet the faintest vapors of the detritus, dust, and rubble of recognizable worlds drift in, giving rise to sounds that evoke goose honks, rapier blades, and field recordings from a Home Depot loading dock. Ben displays extraordinary sensitivity to vibrations that bloom briefly, then vanish. The record closes with twenty seconds of silence, a quiet void where everything disappears. It simply ends, draining back into the big ol’ cosmic sewer from which we were all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003econjured.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-18T13:06:28+09:00","created_at":"2025-11-17T10:29:45+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lobby art","lp","new","strange beats"],"price":465000,"price_min":465000,"price_max":465000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47966605410554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Bennett \/\/ ANSWERS LP","public_title":null,"options":["Default Title"],"price":465000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","options":["Title"],"media":[{"alt":null,"id":37529691259130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","width":700},{"alt":null,"id":37529691291898,"position":2,"preview_image":{"aspect_ratio":1.506,"height":797,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825"},"aspect_ratio":1.506,"height":797,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜ドローン7曲を収録。帯付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2210925249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. What a normal day is like 06:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. How you sound when you’re criticizing me 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Me when I was incredibly small 06:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Toroid - like a bagel or a donut 05:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. How I walk when I’m downtown 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6. What my dog would sound like if I had one 05:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Me when I’m having some work done 03:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Pfeffer, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I often think about a video that Ben made in the mid-2000s, shot in profile with his shadow cast on a dimly lit Ohio punk house wall. In the video, Ben emits, intones, and then barks “yeah” relentlessly for an uninterrupted fifteen minutes. He pushes his reedy, anonymous voice—which in conversation conveys a kind of gentle bemusement—into guttural terrain that flirts with overtone singing (or screeching). The gesture feels raw and spontaneous, suspended in a vacuum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe video has echoes of late ’60s and early ’70s American performance art—Bruce Nauman’s Lip Sync, Paul McCarthy’s Ma Bell—but Ben is not building a persona or engaging in clever language games. He pushes straight into the realm of pure sound, teasing out subtle variations from a barebones fragment of reckless affirmation—or maybe sarcasm—using democratic tools: his voice and a single, quintessentially American interjection that barely qualifies as language. It is obvious how much pleasure Ben takes in the act of listening. He punctuates the performance with silences, burrowing into the room’s resonance, which seems to surprise and delight him. Distilled to its simplest form, Ben transforms the utterance into an act of destructive glee that carries no trace of angst. Over time, his unwavering commitment to a stupid and very human\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e endeavor becomes a devotional ritual that collides with the divine, without relying on a religious object.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ANSWERS (all-caps notwithstanding), Ben modestly continues to offer profound “answers” to questions about survival in the empty field. The actions it contains are not extreme; it operates at a relatively low dynamic, neither at the edge of inaudibility nor at the volume of inflammatory rage-bait. Microscopic but still visible, the sounds suggest the early stirrings of new, dumb lifeforms. ANSWERS is provocative in its lack of ornament—born of the post-industrial and natural worlds, hovering above quotidian realities. Ben continues to operate on the edge of not being aesthetic at all—subject dissolving into object—plumbing the nature of reality with his homespun spring-steel idiophone and coffee-can aerophone, until it verges on bathroom drainage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a percussionist, Ben has a lithe touch, moving seamlessly between sticks and his bare hands. Like Toshi Makihara and Sean Meehan, Ben is concerned with friction, yet his work is closer in spirit to Kieran Daly’s slowly unfolding monophonic MIDI investigations, which balance formal rigor, a cultivated openness to “dumbness,” and an abstract connection to the jazz tradition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy favorite moments on Answers are when the boundary between music and non-music becomes unstable, and when Ben abandons the drums and “music” entirely—\"How you sound when you’re criticizing me,” “Me when I’m having some work done,” and “Toroid – like a bagel or a donut”—where the album’s harsh plainness gives way to austere beauty, as if the vacuum momentarily ruptured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eANSWERS feels as though it unfolds in isolation, yet the faintest vapors of the detritus, dust, and rubble of recognizable worlds drift in, giving rise to sounds that evoke goose honks, rapier blades, and field recordings from a Home Depot loading dock. Ben displays extraordinary sensitivity to vibrations that bloom briefly, then vanish. The record closes with twenty seconds of silence, a quiet void where everything disappears. It simply ends, draining back into the big ol’ cosmic sewer from which we were all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003econjured.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA023\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家Post Moves主宰レーベルLobby Artからリリースしたレコードです。 インプロ〜ドローン7曲を収録。帯付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Lobby Art releases available...
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{"id":9002432463098,"title":"Ryan Sawyer's Shaker Ensemble \/\/ For Those Who Wish to Sing Will Always Find a Song LP","handle":"ryan-sawyers-shaker-ensemble-for-those-who-wish-to-sing-will-always-find-a-song-lp","description":"\u003cp\u003eアメリカ・NYのパーカッショニストRyan Sawyer率いるShaker Ensembleが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマラカスやチェロ、トランペット、ヴィオラ、声を用いたインプロ作品です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177569146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. For Those Who Wish to Sing Will Always Find a Song 43:59\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMargaret Welsh, via \u003c\/span\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne night, not too long ago at Union Pool in Williamsburg, Brooklyn, Ryan Sawyer introduced his piece, “For Those Who Wish to Sing, Will Always Find a Song.” He invited the audience to sing along at any point they felt moved to, “just abstract ‘oohs’ and ‘aahs,’ or ‘oms,’ or whatever.” The small stage was crowded with musicians – The Shaker Ensemble – which that night included Jessica Pavone on viola, Nate Wooley on trumpet, Laura Cocks on flute, Stuart Bogie on clarinet, cellist Lester St. Louis, Henry Fraser on double bass, and Sawyer playing maracas.They’d all be singing, too.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first moments of the performance move like mist, solidifying gradually into more knowable sounds: A reedy hum becomes a human voice; another human’s voice morphs into a bright, breathy flutter of the flute. A low mechanical whirring strengthens into a warm trumpet’s strain; strings murmur and groan and blossom. Vocals and instruments blend with one another, twisting around the crisp rhythmic clatter of the maracas. There are stretches of soft menace – one imagines a rattlesnake stalking a chattering aviary, or a ritual performed in a storm – but ultimately the verdant, hallucinatory wilderness that flourishes across the runtime is a site of emotional\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e resuscitation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSawyer was given the pair of maracas – Columbian in origin, and mismatched – as a thank-you gift for helping a friend move. Each has a slightly different timbre and pitch. Played together, Sawyer found, they create a phasing effect, the shimmery swirling sound that happens when similar soundwaves are slightly out of sync. That’s interesting, he thought. “Every time I would look over at the maracas in my practice space,” he says, “I would think, oh I wonder if that’s still resonant,” and pick them up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs he built stamina and speed he began playing the maracas for friends and colleagues when they’d come by his space for casual practice sessions, many of them the same musicians who now populate the Shaker Ensemble. “Everyone was kind of extraordinarily intrigued by them, and wanted to know more, didn't want to play other music, just wanted to listen to that and play along with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaracas and other shaker instruments have long been used both ceremonially and therapeutically to clear energy, balance the body, and induce deep meditative states. Chanting, humming, singing: These things, of course, can have a similar effect.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a playfulness to abstract singing, but Sawyer also wanted to exploit the power of the voice as an instrument, as well as the vulnerability it can require. He’s not terribly comfortable with the hierarchy implied by the term “band leader,” and is more interested in the collective experience to which, in this case, the audience – at-home listener included - is invited to participate, to get lost in the communion of sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“There’s something really elemental about it, the closeness that you feel when you sing with somebody,” Sawyer says. “There’s also a sort of a trickster thing. [These musicians] all work so hard at their instruments but none of them are singers. So it might not be a comfortable place but we can all sit together in that uncomfortable place.” The byproduct of that discomfort, he hopes, is healing.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryan Sawyer's Shaker Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-18T13:10:31+09:00","created_at":"2025-11-17T10:14:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","jazz","lobby art","lp","new"],"price":465000,"price_min":465000,"price_max":465000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47966580375802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ryan Sawyer's Shaker Ensemble \/\/ For Those Who Wish to Sing Will Always Find a Song LP","public_title":null,"options":["Default Title"],"price":465000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843","\/\/tobirarecords.com\/cdn\/shop\/files\/who2.jpg?v=1763341843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843","options":["Title"],"media":[{"alt":null,"id":37529565266170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843","width":700},{"alt":null,"id":37529565298938,"position":2,"preview_image":{"aspect_ratio":1.48,"height":811,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who2.jpg?v=1763341843"},"aspect_ratio":1.48,"height":811,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who2.jpg?v=1763341843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのパーカッショニストRyan Sawyer率いるShaker Ensembleが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマラカスやチェロ、トランペット、ヴィオラ、声を用いたインプロ作品です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177569146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. For Those Who Wish to Sing Will Always Find a Song 43:59\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMargaret Welsh, via \u003c\/span\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne night, not too long ago at Union Pool in Williamsburg, Brooklyn, Ryan Sawyer introduced his piece, “For Those Who Wish to Sing, Will Always Find a Song.” He invited the audience to sing along at any point they felt moved to, “just abstract ‘oohs’ and ‘aahs,’ or ‘oms,’ or whatever.” The small stage was crowded with musicians – The Shaker Ensemble – which that night included Jessica Pavone on viola, Nate Wooley on trumpet, Laura Cocks on flute, Stuart Bogie on clarinet, cellist Lester St. Louis, Henry Fraser on double bass, and Sawyer playing maracas.They’d all be singing, too.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first moments of the performance move like mist, solidifying gradually into more knowable sounds: A reedy hum becomes a human voice; another human’s voice morphs into a bright, breathy flutter of the flute. A low mechanical whirring strengthens into a warm trumpet’s strain; strings murmur and groan and blossom. Vocals and instruments blend with one another, twisting around the crisp rhythmic clatter of the maracas. There are stretches of soft menace – one imagines a rattlesnake stalking a chattering aviary, or a ritual performed in a storm – but ultimately the verdant, hallucinatory wilderness that flourishes across the runtime is a site of emotional\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e resuscitation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSawyer was given the pair of maracas – Columbian in origin, and mismatched – as a thank-you gift for helping a friend move. Each has a slightly different timbre and pitch. Played together, Sawyer found, they create a phasing effect, the shimmery swirling sound that happens when similar soundwaves are slightly out of sync. That’s interesting, he thought. “Every time I would look over at the maracas in my practice space,” he says, “I would think, oh I wonder if that’s still resonant,” and pick them up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs he built stamina and speed he began playing the maracas for friends and colleagues when they’d come by his space for casual practice sessions, many of them the same musicians who now populate the Shaker Ensemble. “Everyone was kind of extraordinarily intrigued by them, and wanted to know more, didn't want to play other music, just wanted to listen to that and play along with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaracas and other shaker instruments have long been used both ceremonially and therapeutically to clear energy, balance the body, and induce deep meditative states. Chanting, humming, singing: These things, of course, can have a similar effect.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a playfulness to abstract singing, but Sawyer also wanted to exploit the power of the voice as an instrument, as well as the vulnerability it can require. He’s not terribly comfortable with the hierarchy implied by the term “band leader,” and is more interested in the collective experience to which, in this case, the audience – at-home listener included - is invited to participate, to get lost in the communion of sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“There’s something really elemental about it, the closeness that you feel when you sing with somebody,” Sawyer says. “There’s also a sort of a trickster thing. [These musicians] all work so hard at their instruments but none of them are singers. So it might not be a comfortable place but we can all sit together in that uncomfortable place.” The byproduct of that discomfort, he hopes, is healing.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryan Sawyer's Shaker Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA024\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのパーカッショニストRyan Sawyer率いるShaker Ensembleが、2025年10月に同国NYのアンビエント作家Post Moves主宰レーベルLobby Artからリリースしたレコードです。 マラカスやチェロ、トランペット、ヴィオラ、声を用いたインプロ作品です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Lobby Art releases...
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{"id":8510548181242,"title":"Post Moves \/\/ Ground Echo Dust LP","handle":"post-moves-ground-echo-dust-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・フィラデルフィアのアンビエントレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/loart\"\u003eLobby Art\u003c\/a\u003e主宰Post Movesが、2024年6月に同国ワシントンのDebacleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eバンジョーやパーカッション、ギターによるアンビエント・フォーク〜実験アメリカーナ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この2曲の制作は、どちらもロングフォームな曲で、推進力のあるパーカッションに支えられて前進する力強さを感じさせるが、正反対である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Harbor Ripple Blue』は、2022年3月にストックホルムのEMSスタジオで1週間滞在した際に作曲、録音した。私は、パーカッシブなオブジェが入った小さなバッグと、小さなドラムマシーン、そしてトランスデューサーをいくつか持って、ストックホルムに向かった。スタジオから歩いてすぐのアパートメントに着くと、ホストに会い、ベッドの下に置いてあった美しいノルディック・ダルシマー（名前は忘れた）を見せてもらった。スタジオで数日過ごした後、作品の形が見えてきたので、そのダルシマーを持ち出して最終的な形にすることにした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEMSでは、美しいヴィンテージ・モジュラーシンセが並んでいたので、私は少しばかりシンセサイザーを弾いたが、ほとんどは持参した小さな機材を使用した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e雪が降ったり、太陽が照ったり、港の氷が溶けたり、ルーシー・レイルトンが教会でオリヴィエ・メシアンを演奏するのを見たりしながら、晩冬のストックホルムをゆっくりと歩いた。帰国後、作品はほぼ私のパートで完成していたが、2人の友人にパートを提供してもらった。ジュリアン・モリス（Laypersonとして曲を書いている）がボーカルを、ベン・ヴァリアン（Ben Varianとして曲を書いている）がドラムを担当してくれた。私は、ソングライターをさまざまな環境に連れて行き、彼らがどのようにすべてを引き締めるのか、またどのようにアプローチを緩め、オープンで広々とした状態を保つのかを聞くのが好きだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「ダーク・エア・クワイエット』は、もっと違った軌跡をたどっている。この曲は、数え切れないほど何度も作り直した。ライ・ワーナー（かつてOhioanとして曲を書き、現在はNatural Liteとして活動）にヴォーカルを、ベンにドラムを担当してもらうまでは、正直言ってボツにする覚悟だった。最初のイテレーションは2021年の初めに録音し、『Harbor Ripple Blue』を完成させた後、この曲にもう一度挑戦することを決めた。それがどうなったにせよ、この曲は忘れられないし、スクラップヤードから救い出すことができてよかったと思っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私にとってこのアルバムは、各トラックが存在に向かって歩んだこの2つの道と非常に結びついている。2年の間に、1週間の間に起こりうるのと同じように、途方もない量の人生が起こりうる。それは、音楽を作るというこの道を、真の人生の修行としてさらに信じる助けとなる。いつ、どのように何かが生まれるかは、私が決めることではない。私はただ、彼らがふさわしいと思う時間に、私が音に向かって（あるいは音から離れて）導かれることを信じるしかないのだ。アルバムタイトルの 『Ground Echo Dust 』は、そのような視点を反映している。私たちは音源に引き寄せられると同時に、そこから遠ざかることもある。永遠のざわめき、絶え間ないさざ波。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/B7rRS0421fo?si=dFi7mJWt8xpkf8WL\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TjOp8hXTMZE?si=M94Vav5tvL0a7Pqk\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harbor Ripple Blue 15:24\u003cbr\u003e2. Dark Air Quiet 14:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Post Moves:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe creation of these two tracks here are somewhat diametrically opposed. Though the end result reflects a sort of symmetry, both side length pieces, both anchored by propulsive percussion and a certain commitment to forward momentum, they were made in very different conditions and spaces of time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Harbor Ripple Blue\" was mostly written and recorded during a one-week residency in March 2022 at Electronmusikstudio in Stockholm. I traveled there with just a small bag of percussive objects, a small drum machine, and a couple transducers. When I arrived at the apartment I was staying at, a brief walk from the studio, I met the host who showed me a beautiful nordic dulcimer (that i forget the name of) he kept under the bed. After a few days in the studio, I had the shape of the piece and I decided to bring out the dulcimer, which gave it its final form.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI felt somewhat silly at EMS, because it's a space with these beautiful, vintage modular synths. I plunked around some on them, but mostly focused on the small assemblage of materials I had with me.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy time there was spent walking slowly around a late winter Stockholm, snow squalls and blasts of sun, melting harbor ice, seeing Lucy Railton perform Olivier Messien in a church. Upon\u003cspan class=\"bcTruncateMore\"\u003e my return, with the piece mostly done on my part, I brought in two friends to contribute parts. Julian Morris (who writes songs as Layperson) contributed vocals and Ben Varian (who writes songs as Ben Varian) on drums. I love bringing songwriters into different environments and hearing how they both tighten it all up as well as slacken their approach and keep things open and spacious.\u003cbr\u003e\u003cbr\u003e\"Dark Air Quiet\" has a much different trajectory. This piece went through so many iterations I've lost count. I was ready to scrap it quite honestly before bringing in Rye Warner (who once wrote songs as Ohioan, now as Natural Lite) to contribute vocals and Ben again on drums. The first iteration was recorded early in 2021 and it wasn't until after I had done \"Harbor Ripple Blue\" that I decided to give the track one more shot. Whatever happened to it, it stuck and I feel glad I rescued it from the scrapyard.\u003cbr\u003e\u003cbr\u003eThe album in sum, for me, is very tied to these two paths each track took towards existence. A tremendous amount of life can occur within a two year period just as it can within a one week period. It helps me believe even more so in this path of making music as a true life practice. I don't get to decide when and how something comes together. I just have to be trusting that I will be guided towards (or away) from the sounds in the time that they deem fit. The title of the album, \"Ground Echo Dust\" reflects such a perspective - we sense echoes both distant and near. We are drawn to the source just as we can be pushed away from it. An eternal rattling, a constant rippling.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Post Moves\u003c\/p\u003e\n\u003cp\u003eLabel : Debacle Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDBL133\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-06-13T15:57:21+09:00","created_at":"2024-06-12T13:45:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lobby art","lp","new"],"price":436000,"price_min":436000,"price_max":436000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46222327808250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Post Moves \/\/ Ground Echo Dust LP","public_title":null,"options":["Default Title"],"price":436000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ground1.jpg?v=1718167337","\/\/tobirarecords.com\/cdn\/shop\/files\/ground2.jpg?v=1718167337"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ground1.jpg?v=1718167337","options":["Title"],"media":[{"alt":null,"id":34311690486010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ground1.jpg?v=1718167337"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ground1.jpg?v=1718167337","width":700},{"alt":null,"id":34311690518778,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ground2.jpg?v=1718167337"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ground2.jpg?v=1718167337","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・フィラデルフィアのアンビエントレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/loart\"\u003eLobby Art\u003c\/a\u003e主宰Post Movesが、2024年6月に同国ワシントンのDebacleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eバンジョーやパーカッション、ギターによるアンビエント・フォーク〜実験アメリカーナ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この2曲の制作は、どちらもロングフォームな曲で、推進力のあるパーカッションに支えられて前進する力強さを感じさせるが、正反対である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Harbor Ripple Blue』は、2022年3月にストックホルムのEMSスタジオで1週間滞在した際に作曲、録音した。私は、パーカッシブなオブジェが入った小さなバッグと、小さなドラムマシーン、そしてトランスデューサーをいくつか持って、ストックホルムに向かった。スタジオから歩いてすぐのアパートメントに着くと、ホストに会い、ベッドの下に置いてあった美しいノルディック・ダルシマー（名前は忘れた）を見せてもらった。スタジオで数日過ごした後、作品の形が見えてきたので、そのダルシマーを持ち出して最終的な形にすることにした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEMSでは、美しいヴィンテージ・モジュラーシンセが並んでいたので、私は少しばかりシンセサイザーを弾いたが、ほとんどは持参した小さな機材を使用した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e雪が降ったり、太陽が照ったり、港の氷が溶けたり、ルーシー・レイルトンが教会でオリヴィエ・メシアンを演奏するのを見たりしながら、晩冬のストックホルムをゆっくりと歩いた。帰国後、作品はほぼ私のパートで完成していたが、2人の友人にパートを提供してもらった。ジュリアン・モリス（Laypersonとして曲を書いている）がボーカルを、ベン・ヴァリアン（Ben Varianとして曲を書いている）がドラムを担当してくれた。私は、ソングライターをさまざまな環境に連れて行き、彼らがどのようにすべてを引き締めるのか、またどのようにアプローチを緩め、オープンで広々とした状態を保つのかを聞くのが好きだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「ダーク・エア・クワイエット』は、もっと違った軌跡をたどっている。この曲は、数え切れないほど何度も作り直した。ライ・ワーナー（かつてOhioanとして曲を書き、現在はNatural Liteとして活動）にヴォーカルを、ベンにドラムを担当してもらうまでは、正直言ってボツにする覚悟だった。最初のイテレーションは2021年の初めに録音し、『Harbor Ripple Blue』を完成させた後、この曲にもう一度挑戦することを決めた。それがどうなったにせよ、この曲は忘れられないし、スクラップヤードから救い出すことができてよかったと思っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私にとってこのアルバムは、各トラックが存在に向かって歩んだこの2つの道と非常に結びついている。2年の間に、1週間の間に起こりうるのと同じように、途方もない量の人生が起こりうる。それは、音楽を作るというこの道を、真の人生の修行としてさらに信じる助けとなる。いつ、どのように何かが生まれるかは、私が決めることではない。私はただ、彼らがふさわしいと思う時間に、私が音に向かって（あるいは音から離れて）導かれることを信じるしかないのだ。アルバムタイトルの 『Ground Echo Dust 』は、そのような視点を反映している。私たちは音源に引き寄せられると同時に、そこから遠ざかることもある。永遠のざわめき、絶え間ないさざ波。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/B7rRS0421fo?si=dFi7mJWt8xpkf8WL\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TjOp8hXTMZE?si=M94Vav5tvL0a7Pqk\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Harbor Ripple Blue 15:24\u003cbr\u003e2. Dark Air Quiet 14:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Post Moves:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe creation of these two tracks here are somewhat diametrically opposed. Though the end result reflects a sort of symmetry, both side length pieces, both anchored by propulsive percussion and a certain commitment to forward momentum, they were made in very different conditions and spaces of time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Harbor Ripple Blue\" was mostly written and recorded during a one-week residency in March 2022 at Electronmusikstudio in Stockholm. I traveled there with just a small bag of percussive objects, a small drum machine, and a couple transducers. When I arrived at the apartment I was staying at, a brief walk from the studio, I met the host who showed me a beautiful nordic dulcimer (that i forget the name of) he kept under the bed. After a few days in the studio, I had the shape of the piece and I decided to bring out the dulcimer, which gave it its final form.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI felt somewhat silly at EMS, because it's a space with these beautiful, vintage modular synths. I plunked around some on them, but mostly focused on the small assemblage of materials I had with me.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy time there was spent walking slowly around a late winter Stockholm, snow squalls and blasts of sun, melting harbor ice, seeing Lucy Railton perform Olivier Messien in a church. Upon\u003cspan class=\"bcTruncateMore\"\u003e my return, with the piece mostly done on my part, I brought in two friends to contribute parts. Julian Morris (who writes songs as Layperson) contributed vocals and Ben Varian (who writes songs as Ben Varian) on drums. I love bringing songwriters into different environments and hearing how they both tighten it all up as well as slacken their approach and keep things open and spacious.\u003cbr\u003e\u003cbr\u003e\"Dark Air Quiet\" has a much different trajectory. This piece went through so many iterations I've lost count. I was ready to scrap it quite honestly before bringing in Rye Warner (who once wrote songs as Ohioan, now as Natural Lite) to contribute vocals and Ben again on drums. The first iteration was recorded early in 2021 and it wasn't until after I had done \"Harbor Ripple Blue\" that I decided to give the track one more shot. Whatever happened to it, it stuck and I feel glad I rescued it from the scrapyard.\u003cbr\u003e\u003cbr\u003eThe album in sum, for me, is very tied to these two paths each track took towards existence. A tremendous amount of life can occur within a two year period just as it can within a one week period. It helps me believe even more so in this path of making music as a true life practice. I don't get to decide when and how something comes together. I just have to be trusting that I will be guided towards (or away) from the sounds in the time that they deem fit. The title of the album, \"Ground Echo Dust\" reflects such a perspective - we sense echoes both distant and near. We are drawn to the source just as we can be pushed away from it. An eternal rattling, a constant rippling.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Post Moves\u003c\/p\u003e\n\u003cp\u003eLabel : Debacle Records\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDBL133\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・フィラデルフィアのアンビエントレーベルLobby Art主宰Post Movesが、2024年6月に同国ワシントンのDebacleからリリースしたレコードです。 バンジョーやパーカッション、ギターによるアンビエント・フォーク〜実験アメリカーナ2曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、作家本人による解説です。 "この2曲の制作は、どちらもロングフォームな曲で、推進力のあるパーカッションに支えられて前進する力強さを感じさせるが、正反対である。 『Harbor Ripple Blue』は、2022年3月にストックホルムのEMSスタジオで1週間滞在した際に作曲、録音した。私は、パーカッシブなオブジェが入った小さなバッグと、小さなドラムマシーン、そしてトランスデューサーをいくつか持って、ストックホルムに向かった。スタジオから歩いてすぐのアパートメントに着くと、ホストに会い、ベッドの下に置いてあった美しいノルディック・ダルシマー（名前は忘れた）を見せてもらった。スタジオで数日過ごした後、作品の形が見えてきたので、そのダルシマーを持ち出して最終的な形にすることにした。 EMSでは、美しいヴィンテージ・モジュラーシンセが並んでいたので、私は少しばかりシンセサイザーを弾いたが、ほとんどは持参した小さな機材を使用した。 雪が降ったり、太陽が照ったり、港の氷が溶けたり、ルーシー・レイルトンが教会でオリヴィエ・メシアンを演奏するのを見たりしながら、晩冬のストックホルムをゆっくりと歩いた。帰国後、作品はほぼ私のパートで完成していたが、2人の友人にパートを提供してもらった。ジュリアン・モリス（Laypersonとして曲を書いている）がボーカルを、ベン・ヴァリアン（Ben Varianとして曲を書いている）がドラムを担当してくれた。私は、ソングライターをさまざまな環境に連れて行き、彼らがどのようにすべてを引き締めるのか、またどのようにアプローチを緩め、オープンで広々とした状態を保つのかを聞くのが好きだ。 「ダーク・エア・クワイエット』は、もっと違った軌跡をたどっている。この曲は、数え切れないほど何度も作り直した。ライ・ワーナー（かつてOhioanとして曲を書き、現在はNatural...
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{"id":7699845316858,"title":"Bob Driftwood \/\/ Crow's Pine TAPE","handle":"bob-driftwood-crows-pine-tape","description":"\u003cp\u003eアメリカのバンジョー奏者Bob Driftwoodが、2022年8月に同国NYの実験レーベルLobby Artから75本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003e力強いバンジョーとしゃがれた声に自然主義者の倫理観を独自にブレンドした牧歌アメリカーナ〜アンビエントフォーク8曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOld Sawメンバーらも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1810326445\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSongs of labor, songs of rest, of redemption and the human soul. Throughout time, people have taken to shaping air in song in order to color in the enormity of life. We know music as a pure language because it is too rich an experience for the ruling class to ever afford us. Regionalized efforts only further speak to the diffusion of the people's sounds. The craggled forests of the northeast US is where we find Bob Driftwood stewing his own blend of bristling banjo plucks, croaked laments, dilapidated saxophone yelps, and rallying naturalist ethic. His debut album, Crow's Pine, is an onward stampede of late capitalist agitation and balladeering threnodies for humanity's suffering, yet still carrying the water torch towards brighter days ahead \"Rat Race\" and \"Bunker's Blues\" burble with jittery energy buoyed by the saxophone playing of Carolyn Hietter (Sweet Baby Jesus, Financial Collapse) while the pastoral cloaked \"Ivory Tower\" and \"Spring Lullaby\" embody the tender amplitude of Coco Goupil's voice (Amiture). 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We may be reminded of the harshness, but we accept this frame gladly because it's the realist thing we know.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bob Driftwood\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e","published_at":"2022-08-08T19:04:59+09:00","created_at":"2022-08-08T11:57:06+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lobby art","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43089963155706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bob Driftwood \/\/ Crow's Pine TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_8bb6fb8d-877f-4e42-bb84-2997448ba204.jpg?v=1659927428","\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_0aa83030-702a-445c-979e-b3ad9efa8e74.jpg?v=1659927428"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_8bb6fb8d-877f-4e42-bb84-2997448ba204.jpg?v=1659927428","options":["Title"],"media":[{"alt":null,"id":30257195385082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_8bb6fb8d-877f-4e42-bb84-2997448ba204.jpg?v=1659927428"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi1_8bb6fb8d-877f-4e42-bb84-2997448ba204.jpg?v=1659927428","width":700},{"alt":null,"id":30257195417850,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_0aa83030-702a-445c-979e-b3ad9efa8e74.jpg?v=1659927428"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pi2_0aa83030-702a-445c-979e-b3ad9efa8e74.jpg?v=1659927428","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのバンジョー奏者Bob Driftwoodが、2022年8月に同国NYの実験レーベルLobby Artから75本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003e力強いバンジョーとしゃがれた声に自然主義者の倫理観を独自にブレンドした牧歌アメリカーナ〜アンビエントフォーク8曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOld Sawメンバーらも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1810326445\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSongs of labor, songs of rest, of redemption and the human soul. Throughout time, people have taken to shaping air in song in order to color in the enormity of life. We know music as a pure language because it is too rich an experience for the ruling class to ever afford us. Regionalized efforts only further speak to the diffusion of the people's sounds. The craggled forests of the northeast US is where we find Bob Driftwood stewing his own blend of bristling banjo plucks, croaked laments, dilapidated saxophone yelps, and rallying naturalist ethic. His debut album, Crow's Pine, is an onward stampede of late capitalist agitation and balladeering threnodies for humanity's suffering, yet still carrying the water torch towards brighter days ahead \"Rat Race\" and \"Bunker's Blues\" burble with jittery energy buoyed by the saxophone playing of Carolyn Hietter (Sweet Baby Jesus, Financial Collapse) while the pastoral cloaked \"Ivory Tower\" and \"Spring Lullaby\" embody the tender amplitude of Coco Goupil's voice (Amiture). The elastic pacing of the album's opener, \"Automatic Masochist\", thanks to the guitar playing of Coco G., embodies the push\/pull sentiment that courses through the album. Sitting both above and below it all is the textured finesse of Henry Birdsey's (Tongue Depressor, Old Saw) pedal steel, lap\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e steel, and cello playing. Bob assembles a constellation of forces; textured and at times bitingly raw, to carve a cutout of the transcendence and indignity of it all. We may be reminded of the harshness, but we accept this frame gladly because it's the realist thing we know.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bob Driftwood\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e"}
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アメリカのバンジョー奏者Bob Driftwoodが、2022年8月に同国NYの実験レーベルLobby Artから75本限定でリリースしたデビューカセットです。 力強いバンジョーとしゃがれた声に自然主義者の倫理観を独自にブレンドした牧歌アメリカーナ〜アンビエントフォーク8曲を収録。DLコード付属。廃盤です。 Old Sawメンバーらも参加しています。 レーベルその他作品はこちら /// Click here to see more Lobby Art releases available...
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{"id":8949955494138,"title":"Old Saw \/\/ The Wringing Cloth 2xLP","handle":"old-saw-the-wringing-cloth-2xlp","description":"\u003cp\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースした2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eペダルスチール、バンジョー、パイプオルガン、アコースティックギターによる、ロードムービーのサウンドトラックのような牧歌アンビエントフォーク・ドローン12曲を収録。帯付属。廃盤です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHarper Reed - nylon string guitar, banjo\u003cbr\u003eIra Dorset - fiddle, bowed strings\u003cbr\u003eAnn Rowlis - reed organ, harmonium\u003cbr\u003eJ.M. Eagle - pedal steel, lap steel, resonator\u003cbr\u003eJim Cutler - telecaster\u003cbr\u003eAddison Starkweather-Price - bass\u003cbr\u003ePeter Catchpole - metal objects, power hammer\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=995399807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e2 x 12\" black vinyl in sleeve with OBI.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Song For Paloma \u003cbr\u003e2. Tilt of the Lamp\u003cbr\u003e3. Long Distance Engraving\u003cbr\u003e4. Lacustrina\u003cbr\u003e5. The Flood Spires\u003cbr\u003e6. Blood Sumac\u003cbr\u003e7. Ribbons of Marble \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Redaction Hiss\u003cbr\u003e\u003c\/span\u003e9. Mock Silver\u003cbr\u003e10. Aproxmare\u003cbr\u003e11. Pearlash\u003cbr\u003e12. Salt Tar\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by 'JS', via the label: \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The final document from the New England collective Old Saw is available as a 2xLP via Lobby Art Editions, with photography by Dylan Hausthor. Many of the known personnel from the last records circle back here on The Wringing Cloth to close out the ride with their signature fog and low burning momentum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike the sharpshooting carnival contestant who knows that the winning practice isn’t to aim for the red star itself, but rather to shoot out a perimeter around the star and thus remove it, Old Saw have historically dealt with forms by tracing their boundaries rather than going for the target outright. If the first three records hinted at but never touched song-shaped forms, The Wringing Cloth makes at least glancing contact while retaining the layered haze and drawl that threads their sound together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrary to the often-used ambient tag, Old Saw shows up here in a markedly active and sculpted form — manipulating\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, unwinding, and pivoting with a strange and warped precision. What has always been uncanny about this music is that it arrives in a state at once familiar and obscured, like a memory weighed down with sensory information but no identifying details to place it. The Wringing Cloth walks off further into that geographical dream without time or language until it’s just a speck of light.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : LA28\u003c\/p\u003e","published_at":"2025-10-08T14:38:02+09:00","created_at":"2025-10-08T09:51:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lobby art","lp","new","recommended"],"price":544000,"price_min":544000,"price_max":544000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47802701152506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Old Saw \/\/ The Wringing Cloth 2xLP","public_title":null,"options":["Default Title"],"price":544000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/clo1_e2315da2-7061-4a11-a2e9-46a8be4dbb49.jpg?v=1759884551","\/\/tobirarecords.com\/cdn\/shop\/files\/clo2_b83a1683-e3d5-4e63-8f61-bb1feada0e7b.jpg?v=1759884551"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo1_e2315da2-7061-4a11-a2e9-46a8be4dbb49.jpg?v=1759884551","options":["Title"],"media":[{"alt":null,"id":37033806790906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo1_e2315da2-7061-4a11-a2e9-46a8be4dbb49.jpg?v=1759884551"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo1_e2315da2-7061-4a11-a2e9-46a8be4dbb49.jpg?v=1759884551","width":700},{"alt":null,"id":37033806823674,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo2_b83a1683-e3d5-4e63-8f61-bb1feada0e7b.jpg?v=1759884551"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo2_b83a1683-e3d5-4e63-8f61-bb1feada0e7b.jpg?v=1759884551","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースした2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eペダルスチール、バンジョー、パイプオルガン、アコースティックギターによる、ロードムービーのサウンドトラックのような牧歌アンビエントフォーク・ドローン12曲を収録。帯付属。廃盤です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHarper Reed - nylon string guitar, banjo\u003cbr\u003eIra Dorset - fiddle, bowed strings\u003cbr\u003eAnn Rowlis - reed organ, harmonium\u003cbr\u003eJ.M. Eagle - pedal steel, lap steel, resonator\u003cbr\u003eJim Cutler - telecaster\u003cbr\u003eAddison Starkweather-Price - bass\u003cbr\u003ePeter Catchpole - metal objects, power hammer\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=995399807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e2 x 12\" black vinyl in sleeve with OBI.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Song For Paloma \u003cbr\u003e2. Tilt of the Lamp\u003cbr\u003e3. Long Distance Engraving\u003cbr\u003e4. Lacustrina\u003cbr\u003e5. The Flood Spires\u003cbr\u003e6. Blood Sumac\u003cbr\u003e7. Ribbons of Marble \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Redaction Hiss\u003cbr\u003e\u003c\/span\u003e9. Mock Silver\u003cbr\u003e10. Aproxmare\u003cbr\u003e11. Pearlash\u003cbr\u003e12. Salt Tar\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by 'JS', via the label: \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The final document from the New England collective Old Saw is available as a 2xLP via Lobby Art Editions, with photography by Dylan Hausthor. Many of the known personnel from the last records circle back here on The Wringing Cloth to close out the ride with their signature fog and low burning momentum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike the sharpshooting carnival contestant who knows that the winning practice isn’t to aim for the red star itself, but rather to shoot out a perimeter around the star and thus remove it, Old Saw have historically dealt with forms by tracing their boundaries rather than going for the target outright. If the first three records hinted at but never touched song-shaped forms, The Wringing Cloth makes at least glancing contact while retaining the layered haze and drawl that threads their sound together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContrary to the often-used ambient tag, Old Saw shows up here in a markedly active and sculpted form — manipulating\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, unwinding, and pivoting with a strange and warped precision. What has always been uncanny about this music is that it arrives in a state at once familiar and obscured, like a memory weighed down with sensory information but no identifying details to place it. The Wringing Cloth walks off further into that geographical dream without time or language until it’s just a speck of light.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : LA28\u003c\/p\u003e"}
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アメリカ・ニューイングランドのペダルスチール奏者Henry Birdsey率いるアンビエントフォーク・ドローンバンドOld Sawが、2025年10月に同国NYのアンビエント作家Post Moves主宰レーベルLobby Artからリリースした2枚組レコードです。 ペダルスチール、バンジョー、パイプオルガン、アコースティックギターによる、ロードムービーのサウンドトラックのような牧歌アンビエントフォーク・ドローン12曲を収録。帯付属。廃盤です。 マスタリングはAndrew Weathersが担当しています。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Harper Reed - nylon string...
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![Old Saw // Country Tropics - Meridian Edition 2xLP [COLOR]](http://tobirarecords.com/cdn/shop/files/a1466406582_16_medium.jpg?v=1723692102)
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{"id":8596386840826,"title":"Old Saw \/\/ Country Tropics - Meridian Edition 2xLP [COLOR]","handle":"old-saw-country-tropics-meridian-edition-2xlp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2024年7月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artから300部限定でリリースした再発2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eペダルスチール、バンジョー、パイプオルガン、アコースティックギターによる、ロードムービーのサウンドトラックのような牧歌アンビエントフォーク・ドローン4曲＋リミックス4曲を収録。DLコードと帯付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenry Birdsey - pedal steel, lap steel\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Driftwood - banjo\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIra Dorset- fiddle\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRev. Clarence Lewis - pipe organ\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHarper Reed - resonator guitar, nylon string guitar\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnn Rowlis - orchestral bells\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027226148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=241075086\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2039256154\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027226148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4212955287\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2xLP housed in reverse board jacket with metallic silver ink and vellum OBI:\u003cbr\u003e- 1xLP (Black) Country Tropics (Repress)\u003cbr\u003e- 1xLP (Clear) Country Tropics - Meridian Edition (Remixes) \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Dead Creek Drawl (Meridian Edition) 10:10\u003cbr\u003e2. The Mechanical Bull at Our Lady of the Valley (Meridian Edition) 11:26\u003cbr\u003e3. Dirtbikes of Heaven, Grains of the Field (Meridian Edition) 07:28\u003cbr\u003e4. Chewing the Bridle (Meridian Edition) 09:15\u003cbr\u003e5. Dead Creek Drawl 08:20\u003cbr\u003e6. The Mechanical Bull at Our Lady of the Valley 13:06\u003cbr\u003e7. Dirtbikes of Heaven, Grains of the Field 07:31\u003cbr\u003e8. Chewing the Bridle 09:15 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003eBio:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA network of New England string pluckers, organ drivers, and bell ringers craft a rusted and granular shadow world where the dive bar meets the divine. Country Tropics treats the landscape as an iceberg as the ensemble dredges up silt, clay, weeds, and trash to craft a more holy image of our tattered landscape\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e~\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\"\u003cem\u003eDevotional music and its devotees all do a bit of \"buying in\"; that while one's on the ground reality may appear anything but celestial, through this music, one can reach ecstatic space, ecstatic peace. However, devotional music is not solely concerned with a skyward glance - what does it look like to raise up the rust, look upon fractured branches, gaze at the density of a low fog across a field? Instead of us looking up at the land, what if the land was looking back at us? Old Saw brings together a brigade of New England silt sifters to raise up the land not as excavators, but as preparators. Tending and caring for the simple mess that our world discards. Throughout \"Country Tropics\" four pieces, the crew stretches and bends chords to their resting place before setting forth towards a new one. Fiddle drone, wistful tape loops of pedal steel, pipe organ hums, and clattering bells call us to scenes of observation, a water tower, a mechanical bull rental agency, a back porch, a taxidermy shop, a local church choir, a garden with singing vines, voltage hum of the electric fence on Pulp mill bridge road.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe funny thing about devotion is the absence of sight, of source. We place trust in the guide or guides to bring us to a place of seeing, feeling, and hearing. The music on \"Country Tropics\" calls out to those in search of such places, but also doesn't demand we conjure some fantastical, celestial vision of understanding. Rather, Old Saw points our gaze downward towards the terrafirma unconsidered, and guides our hands into the dirt.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCredits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHenry Birdsey - pedal steel, lap steel\u003cbr\u003eBob Driftwood - banjo\u003cbr\u003eIra Dorset- fiddle\u003cbr\u003eRev. Clarence Lewis - pipe organ\u003cbr\u003eHarper Reed - resonator guitar, nylon string guitar\u003cbr\u003eAnn Rowlis - orchestral bells\u003cbr\u003eRecorded by Henry Birdsey at Meridian HQ in February 2021\u003cbr\u003eMastering by Andrew Weathers\u003cbr\u003eAlbum Image by Sam Youkilis\u003cbr\u003eDesign by Ximena Bedoya \u0026amp; Sam Wenc\u003c\/p\u003e\n\u003cp\u003eRemix clear LP :\u003c\/p\u003e\n\u003cp\u003eRyder Tarbox: cassette + 8-track loops\u003cbr\u003eLuther Severance: reel-to-reels \u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e","published_at":"2024-08-15T12:35:33+09:00","created_at":"2024-08-15T12:17:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lobby art","lp","new","recommended"],"price":474500,"price_min":474500,"price_max":474500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46558183751930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Old Saw \/\/ Country Tropics - Meridian Edition 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":474500,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1466406582_16.jpg?v=1723692102","\/\/tobirarecords.com\/cdn\/shop\/files\/0036688238_10.jpg?v=1723692104","\/\/tobirarecords.com\/cdn\/shop\/files\/0036688241_10.jpg?v=1723692107"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1466406582_16.jpg?v=1723692102","options":["Title"],"media":[{"alt":null,"id":34710097723642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1466406582_16.jpg?v=1723692102"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1466406582_16.jpg?v=1723692102","width":700},{"alt":null,"id":34710097887482,"position":2,"preview_image":{"aspect_ratio":1.506,"height":797,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036688238_10.jpg?v=1723692104"},"aspect_ratio":1.506,"height":797,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036688238_10.jpg?v=1723692104","width":1200},{"alt":null,"id":34710097920250,"position":3,"preview_image":{"aspect_ratio":1.506,"height":797,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036688241_10.jpg?v=1723692107"},"aspect_ratio":1.506,"height":797,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036688241_10.jpg?v=1723692107","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2024年7月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artから300部限定でリリースした再発2枚組レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eペダルスチール、バンジョー、パイプオルガン、アコースティックギターによる、ロードムービーのサウンドトラックのような牧歌アンビエントフォーク・ドローン4曲＋リミックス4曲を収録。DLコードと帯付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenry Birdsey - pedal steel, lap steel\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Driftwood - banjo\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIra Dorset- fiddle\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRev. Clarence Lewis - pipe organ\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHarper Reed - resonator guitar, nylon string guitar\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnn Rowlis - orchestral bells\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027226148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=241075086\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2039256154\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027226148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4212955287\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2xLP housed in reverse board jacket with metallic silver ink and vellum OBI:\u003cbr\u003e- 1xLP (Black) Country Tropics (Repress)\u003cbr\u003e- 1xLP (Clear) Country Tropics - Meridian Edition (Remixes) \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Dead Creek Drawl (Meridian Edition) 10:10\u003cbr\u003e2. The Mechanical Bull at Our Lady of the Valley (Meridian Edition) 11:26\u003cbr\u003e3. Dirtbikes of Heaven, Grains of the Field (Meridian Edition) 07:28\u003cbr\u003e4. Chewing the Bridle (Meridian Edition) 09:15\u003cbr\u003e5. Dead Creek Drawl 08:20\u003cbr\u003e6. The Mechanical Bull at Our Lady of the Valley 13:06\u003cbr\u003e7. Dirtbikes of Heaven, Grains of the Field 07:31\u003cbr\u003e8. Chewing the Bridle 09:15 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003eBio:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA network of New England string pluckers, organ drivers, and bell ringers craft a rusted and granular shadow world where the dive bar meets the divine. Country Tropics treats the landscape as an iceberg as the ensemble dredges up silt, clay, weeds, and trash to craft a more holy image of our tattered landscape\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e~\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\"\u003cem\u003eDevotional music and its devotees all do a bit of \"buying in\"; that while one's on the ground reality may appear anything but celestial, through this music, one can reach ecstatic space, ecstatic peace. However, devotional music is not solely concerned with a skyward glance - what does it look like to raise up the rust, look upon fractured branches, gaze at the density of a low fog across a field? Instead of us looking up at the land, what if the land was looking back at us? Old Saw brings together a brigade of New England silt sifters to raise up the land not as excavators, but as preparators. Tending and caring for the simple mess that our world discards. Throughout \"Country Tropics\" four pieces, the crew stretches and bends chords to their resting place before setting forth towards a new one. Fiddle drone, wistful tape loops of pedal steel, pipe organ hums, and clattering bells call us to scenes of observation, a water tower, a mechanical bull rental agency, a back porch, a taxidermy shop, a local church choir, a garden with singing vines, voltage hum of the electric fence on Pulp mill bridge road.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe funny thing about devotion is the absence of sight, of source. We place trust in the guide or guides to bring us to a place of seeing, feeling, and hearing. The music on \"Country Tropics\" calls out to those in search of such places, but also doesn't demand we conjure some fantastical, celestial vision of understanding. Rather, Old Saw points our gaze downward towards the terrafirma unconsidered, and guides our hands into the dirt.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCredits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHenry Birdsey - pedal steel, lap steel\u003cbr\u003eBob Driftwood - banjo\u003cbr\u003eIra Dorset- fiddle\u003cbr\u003eRev. Clarence Lewis - pipe organ\u003cbr\u003eHarper Reed - resonator guitar, nylon string guitar\u003cbr\u003eAnn Rowlis - orchestral bells\u003cbr\u003eRecorded by Henry Birdsey at Meridian HQ in February 2021\u003cbr\u003eMastering by Andrew Weathers\u003cbr\u003eAlbum Image by Sam Youkilis\u003cbr\u003eDesign by Ximena Bedoya \u0026amp; Sam Wenc\u003c\/p\u003e\n\u003cp\u003eRemix clear LP :\u003c\/p\u003e\n\u003cp\u003eRyder Tarbox: cassette + 8-track loops\u003cbr\u003eLuther Severance: reel-to-reels \u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e"}
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アメリカ・ニューイングランドのペダルスチール奏者Henry Birdsey率いるアンビエントフォーク・ドローンバンドOld Sawが、2024年7月に同国NYのアンビエント作家Post Moves主宰レーベルLobby Artから300部限定でリリースした再発2枚組レコードです。 ペダルスチール、バンジョー、パイプオルガン、アコースティックギターによる、ロードムービーのサウンドトラックのような牧歌アンビエントフォーク・ドローン4曲＋リミックス4曲を収録。DLコードと帯付属。 マスタリングはAndrew Weathersが担当しています。 Henry Birdsey - pedal steel, lap...
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{"id":8011490951418,"title":"Isabel Crespo Pardo \/\/ el rostro (des)cubierto TAPE","handle":"isabel-crespo-pardo-el-rostro-descubierto-tape","description":"\u003cp\u003eラテン系アメリカ人ヴォーカリストIsabel Crespo Pardoが、2023年6月にNYの実験／アンビエントレーベルLobby Artから75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラブ伝統楽器カーヌーンやギター、ベースと声によるラテン・フォーク〜実験ジャズ・フォーク8曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"el rostro (des)cubierto は、作曲と即興の間を揺れ動きながら、自己と社会性を探求する8つの深い親密な小品集である。この音楽の開発には、忍耐強く互いの声に耳を傾け、相互依存を目指し、それが必要とするすべてを楽しむという挑戦を受け入れることが必要だった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちは、一本の木がそよぐメロディーのように、風の中で優しく／激しく揺れ動くような、個々の声を保持するような一体感を切望している。私たちは、何週間も何週間も集まって演奏し、話し、試行錯誤する中で、これらの瞬間を経てできた歌を通して、私たちが取ることのできるあらゆる異なる道筋を思い描きながら、それを辿り、手を伸ばしてきた： 心に手を当て、孤独に痛み、赦しを与え、渇望しながら、迷い、さまよう40分間。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1197031801\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 75. Cassette in norelco case presented with velium OBI slip cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eregando la tierra 06:23 video\u003c\/li\u003e\n\u003cli\u003esoñé 04:21\u003c\/li\u003e\n\u003cli\u003eaquí aquí 05:13\u003c\/li\u003e\n\u003cli\u003erecuerdo 05:13\u003c\/li\u003e\n\u003cli\u003ela línea será 04:29 video\u003c\/li\u003e\n\u003cli\u003ecómo saber 04:17\u003c\/li\u003e\n\u003cli\u003een común 04:12\u003c\/li\u003e\n\u003cli\u003eviene y se va 07:18\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eel rostro (des)cubierto is a collection of eight deeply intimate pieces oscillating between composition \u0026amp; improvisation to explore self \u0026amp; sociality. The development of this music required embracing the challenge of patiently listening to one another, striving towards interdependence, \u0026amp; reveling in all that it requires.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe crave the kind of unity that retains the individual voice, like a single tree’s rustling melodies, gently\/violently shifting in the wind. we’re tracing back \u0026amp; reaching out through weeks \u0026amp; weeks \u0026amp; weeks of gathering to play \u0026amp; talk \u0026amp; try, envisioning all the different pathways we could take through these moments-made-song. \u0026amp; so we offer this: 40 minutes of wondering \u0026amp; wandering with hand over heart, aching in solitude and giving \u0026amp; craving forgiveness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Isabel Crespo Pardo\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e","published_at":"2023-09-06T13:31:32+09:00","created_at":"2023-08-26T12:35:23+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","lobby art","new","tape"],"price":199000,"price_min":199000,"price_max":199000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44520195457274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Isabel Crespo Pardo \/\/ el rostro (des)cubierto TAPE","public_title":null,"options":["Default Title"],"price":199000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/el1_2bf3f6ae-062e-4086-8cea-301a06c67e8f.jpg?v=1693020925","\/\/tobirarecords.com\/cdn\/shop\/files\/el2_a163d1d2-dff0-4a8f-8b76-04bbcc229186.jpg?v=1693020925"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_2bf3f6ae-062e-4086-8cea-301a06c67e8f.jpg?v=1693020925","options":["Title"],"media":[{"alt":null,"id":32375457546490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_2bf3f6ae-062e-4086-8cea-301a06c67e8f.jpg?v=1693020925"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_2bf3f6ae-062e-4086-8cea-301a06c67e8f.jpg?v=1693020925","width":700},{"alt":null,"id":32375457579258,"position":2,"preview_image":{"aspect_ratio":1.307,"height":918,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_a163d1d2-dff0-4a8f-8b76-04bbcc229186.jpg?v=1693020925"},"aspect_ratio":1.307,"height":918,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_a163d1d2-dff0-4a8f-8b76-04bbcc229186.jpg?v=1693020925","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eラテン系アメリカ人ヴォーカリストIsabel Crespo Pardoが、2023年6月にNYの実験／アンビエントレーベルLobby Artから75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアラブ伝統楽器カーヌーンやギター、ベースと声によるラテン・フォーク〜実験ジャズ・フォーク8曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"el rostro (des)cubierto は、作曲と即興の間を揺れ動きながら、自己と社会性を探求する8つの深い親密な小品集である。この音楽の開発には、忍耐強く互いの声に耳を傾け、相互依存を目指し、それが必要とするすべてを楽しむという挑戦を受け入れることが必要だった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私たちは、一本の木がそよぐメロディーのように、風の中で優しく／激しく揺れ動くような、個々の声を保持するような一体感を切望している。私たちは、何週間も何週間も集まって演奏し、話し、試行錯誤する中で、これらの瞬間を経てできた歌を通して、私たちが取ることのできるあらゆる異なる道筋を思い描きながら、それを辿り、手を伸ばしてきた： 心に手を当て、孤独に痛み、赦しを与え、渇望しながら、迷い、さまよう40分間。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1197031801\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 75. Cassette in norelco case presented with velium OBI slip cover. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eregando la tierra 06:23 video\u003c\/li\u003e\n\u003cli\u003esoñé 04:21\u003c\/li\u003e\n\u003cli\u003eaquí aquí 05:13\u003c\/li\u003e\n\u003cli\u003erecuerdo 05:13\u003c\/li\u003e\n\u003cli\u003ela línea será 04:29 video\u003c\/li\u003e\n\u003cli\u003ecómo saber 04:17\u003c\/li\u003e\n\u003cli\u003een común 04:12\u003c\/li\u003e\n\u003cli\u003eviene y se va 07:18\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eel rostro (des)cubierto is a collection of eight deeply intimate pieces oscillating between composition \u0026amp; improvisation to explore self \u0026amp; sociality. The development of this music required embracing the challenge of patiently listening to one another, striving towards interdependence, \u0026amp; reveling in all that it requires.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe crave the kind of unity that retains the individual voice, like a single tree’s rustling melodies, gently\/violently shifting in the wind. we’re tracing back \u0026amp; reaching out through weeks \u0026amp; weeks \u0026amp; weeks of gathering to play \u0026amp; talk \u0026amp; try, envisioning all the different pathways we could take through these moments-made-song. \u0026amp; so we offer this: 40 minutes of wondering \u0026amp; wandering with hand over heart, aching in solitude and giving \u0026amp; craving forgiveness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Isabel Crespo Pardo\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e"}
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ラテン系アメリカ人ヴォーカリストIsabel Crespo Pardoが、2023年6月にNYの実験／アンビエントレーベルLobby Artから75本限定でリリースしたカセットです。 アラブ伝統楽器カーヌーンやギター、ベースと声によるラテン・フォーク〜実験ジャズ・フォーク8曲を収録。DLコード付属。 以下、作家本人による解説です。 "el rostro (des)cubierto は、作曲と即興の間を揺れ動きながら、自己と社会性を探求する8つの深い親密な小品集である。この音楽の開発には、忍耐強く互いの声に耳を傾け、相互依存を目指し、それが必要とするすべてを楽しむという挑戦を受け入れることが必要だった。私たちは、一本の木がそよぐメロディーのように、風の中で優しく／激しく揺れ動くような、個々の声を保持するような一体感を切望している。私たちは、何週間も何週間も集まって演奏し、話し、試行錯誤する中で、これらの瞬間を経てできた歌を通して、私たちが取ることのできるあらゆる異なる道筋を思い描きながら、それを辿り、手を伸ばしてきた： 心に手を当て、孤独に痛み、赦しを与え、渇望しながら、迷い、さまよう40分間。" レーベルその他作品はこちら /// Click here to see...
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{"id":7965401678074,"title":"Old Saw \/\/ Sewn the Name LP","handle":"old-saw-sewn-the-name-lp","description":"\u003cp\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2023年3月にNYのLobby Artから300部限定でリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eペダルスチール、バンジョー、パイプオルガン、ギターという編成だけで容易に想像がつく牧歌アンビエントフォーク・ドローン6曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1750225760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 12\" black vinyl. LP comes with vellum paper OBI. \u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDiving from an elevated perch; down deeper, where the rooms get smaller, the edges rougher, and air more saturated. Overgrown and subterranean, \"Sewn the Name\" is a collection of quivering dirges, new choreographies for old ceremonies. Coming in at a refracted angle from the elevated posture of Old Saw's first album, \"Country Tropics\", the tone is dimmer and burns lower. The group still makes their home within the parameters of creaking country laments; jagged fiddle drone, soaring pedal steel, and prickly banjo plucks. Clattered bells and textures are dredged up in the process and leave us with an altogether more holistic impression of how beauty is situated amidst mess. Old Saw works within the elasticity between compressed spaces and expansive outlooks. Lush and confined, this is music tethered to the ground and burrowing further still.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eHenry Birdsey - pedal steel, lap steel, tape machines\u003cbr\u003eBob Driftwood - banjo\u003cbr\u003eHarper Reed - shepherd's bells\u003cbr\u003eAl Lakely - 12-string guitar\u003cbr\u003eIra Dorset - fiddle\u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e","published_at":"2023-04-27T17:05:04+09:00","created_at":"2023-04-27T16:12:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lobby art","lp"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44196266508538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Old Saw \/\/ Sewn the Name LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nam1.jpg?v=1682579547","\/\/tobirarecords.com\/cdn\/shop\/files\/nam2.jpg?v=1682579547"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam1.jpg?v=1682579547","options":["Title"],"media":[{"alt":null,"id":31885856899322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam1.jpg?v=1682579547"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam1.jpg?v=1682579547","width":700},{"alt":null,"id":31885856932090,"position":2,"preview_image":{"aspect_ratio":1.506,"height":797,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam2.jpg?v=1682579547"},"aspect_ratio":1.506,"height":797,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nam2.jpg?v=1682579547","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2023年3月にNYのLobby Artから300部限定でリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eペダルスチール、バンジョー、パイプオルガン、ギターという編成だけで容易に想像がつく牧歌アンビエントフォーク・ドローン6曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1750225760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 12\" black vinyl. LP comes with vellum paper OBI. \u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDiving from an elevated perch; down deeper, where the rooms get smaller, the edges rougher, and air more saturated. Overgrown and subterranean, \"Sewn the Name\" is a collection of quivering dirges, new choreographies for old ceremonies. Coming in at a refracted angle from the elevated posture of Old Saw's first album, \"Country Tropics\", the tone is dimmer and burns lower. The group still makes their home within the parameters of creaking country laments; jagged fiddle drone, soaring pedal steel, and prickly banjo plucks. Clattered bells and textures are dredged up in the process and leave us with an altogether more holistic impression of how beauty is situated amidst mess. Old Saw works within the elasticity between compressed spaces and expansive outlooks. Lush and confined, this is music tethered to the ground and burrowing further still.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eHenry Birdsey - pedal steel, lap steel, tape machines\u003cbr\u003eBob Driftwood - banjo\u003cbr\u003eHarper Reed - shepherd's bells\u003cbr\u003eAl Lakely - 12-string guitar\u003cbr\u003eIra Dorset - fiddle\u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e"}
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アメリカ・ニューイングランドのペダルスチール奏者Henry Birdsey率いるアンビエントフォーク・ドローンバンドOld Sawが、2023年3月にNYのLobby Artから300部限定でリリースしたレコードです。 ペダルスチール、バンジョー、パイプオルガン、ギターという編成だけで容易に想像がつく牧歌アンビエントフォーク・ドローン6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Lobby Art releases available at...
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{"id":7888863002874,"title":"Post Moves \u0026 The Sound Memory Ensemble \/\/ Recall the Dream Breath LP","handle":"post-moves-the-sound-memory-ensemble-recall-the-dream-breath-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・NYのアンビエントレーベルLobby Art主宰Post Moves aka Sam Wencが、2023年1月に同国アリゾナのMooneからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eペダルスチールやギター、ドラムによるアンビエント・カントリー〜アンビエント・ジャズ5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=529173390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist statement by Post Moves:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I recorded the album after a conversation with Caleb about doing an album for the label and talking through ideas of what it could look like - compared to my previous release, Heart Music (2022, Where to Now? Records), which was written and recorded over 1-1.5 yrs, Recall the Dream Breath was written and recorded within the span of 2 weeks in March 2021. Heart Music was written in quarantine more or less, so that album became very dense as I wasn't too concerned with thinking about how to perform it live. I really wanted to strip things down for Recall and to see if I could similarly create thoughtful and inviting worlds for the listener, but with a more simple sound palette (pedal steel, drums, bass, banjo for the most part). After the careful deliberations and constructions of Heart Music, this album somehow felt freer and looser (more like 1st idea is the best idea). The first two tracks are more thoroughly \"composed\" pieces and for me, highlight new approaches for how I am writing music for the pedal steel. The 2nd half of \"Lorraine's\" and the final three songs were more or less improvised\/written while recording. So I kind of hear the album in this sorta reflective way, Side A \u0026amp; B of similar palettes, but with some different intentions behind them. The other kicker with this album is the collaborations with fellow Moone artists Kyle Field \u0026amp; John Dieterich, two people I have looked up to for a while. When talking with Caleb, he asked about having Moone artists on the album, and it worked out to have Kyle \u0026amp; John contribute (Kyle writing and speaking the poem \"Lorraine's\" and John adding guitar \u0026amp; effects to \"Electric Pasture\". These contributions made me feel ever more part of the Moone orbit, especially after playing on Caleb's solo album this past year. For that reason, I also had in my mind the image of an imaginary group or collective performing this music. The album is attributed to \"Post Moves \u0026amp; the Sound Memory Ensemble\". Though I am performing most of the instrumentation (aside from Kyle \u0026amp; John's contributions) - I wanted a listener to perhaps get the feeling that there was a larger group at work. With the album title and name of the ensemble, both have an associated verb\/action with them. Both concerning dreams and\/or memories, I liked the idea of the music scoring these moments where we cue information culled from dreams\/memories as a way of situating ourselves in our present state. The placelessness of memories and their role in us finding place in the present.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Post Moves \u0026amp; The Sound Memory Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Moone\u003c\/p\u003e","published_at":"2023-01-29T14:28:50+09:00","created_at":"2023-01-08T13:44:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lobby art","lp","recommended"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43864022417658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Post Moves \u0026 The Sound Memory Ensemble \/\/ Recall the Dream Breath LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2023-01-08at1.41.55pm.png?v=1673153073","\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_091d48b9-140a-42fb-bee4-79524dd2f4d6.jpg?v=1673153073"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2023-01-08at1.41.55pm.png?v=1673153073","options":["Title"],"media":[{"alt":null,"id":31336159183098,"position":1,"preview_image":{"aspect_ratio":1.003,"height":398,"width":399,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2023-01-08at1.41.55pm.png?v=1673153073"},"aspect_ratio":1.003,"height":398,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2023-01-08at1.41.55pm.png?v=1673153073","width":399},{"alt":null,"id":31336159215866,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_091d48b9-140a-42fb-bee4-79524dd2f4d6.jpg?v=1673153073"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr1_091d48b9-140a-42fb-bee4-79524dd2f4d6.jpg?v=1673153073","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・NYのアンビエントレーベルLobby Art主宰Post Moves aka Sam Wencが、2023年1月に同国アリゾナのMooneからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eペダルスチールやギター、ドラムによるアンビエント・カントリー〜アンビエント・ジャズ5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=529173390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist statement by Post Moves:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I recorded the album after a conversation with Caleb about doing an album for the label and talking through ideas of what it could look like - compared to my previous release, Heart Music (2022, Where to Now? Records), which was written and recorded over 1-1.5 yrs, Recall the Dream Breath was written and recorded within the span of 2 weeks in March 2021. Heart Music was written in quarantine more or less, so that album became very dense as I wasn't too concerned with thinking about how to perform it live. I really wanted to strip things down for Recall and to see if I could similarly create thoughtful and inviting worlds for the listener, but with a more simple sound palette (pedal steel, drums, bass, banjo for the most part). After the careful deliberations and constructions of Heart Music, this album somehow felt freer and looser (more like 1st idea is the best idea). The first two tracks are more thoroughly \"composed\" pieces and for me, highlight new approaches for how I am writing music for the pedal steel. The 2nd half of \"Lorraine's\" and the final three songs were more or less improvised\/written while recording. So I kind of hear the album in this sorta reflective way, Side A \u0026amp; B of similar palettes, but with some different intentions behind them. The other kicker with this album is the collaborations with fellow Moone artists Kyle Field \u0026amp; John Dieterich, two people I have looked up to for a while. When talking with Caleb, he asked about having Moone artists on the album, and it worked out to have Kyle \u0026amp; John contribute (Kyle writing and speaking the poem \"Lorraine's\" and John adding guitar \u0026amp; effects to \"Electric Pasture\". These contributions made me feel ever more part of the Moone orbit, especially after playing on Caleb's solo album this past year. For that reason, I also had in my mind the image of an imaginary group or collective performing this music. The album is attributed to \"Post Moves \u0026amp; the Sound Memory Ensemble\". Though I am performing most of the instrumentation (aside from Kyle \u0026amp; John's contributions) - I wanted a listener to perhaps get the feeling that there was a larger group at work. With the album title and name of the ensemble, both have an associated verb\/action with them. Both concerning dreams and\/or memories, I liked the idea of the music scoring these moments where we cue information culled from dreams\/memories as a way of situating ourselves in our present state. The placelessness of memories and their role in us finding place in the present.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Post Moves \u0026amp; The Sound Memory Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Moone\u003c\/p\u003e"}
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アメリカ・NYのアンビエントレーベルLobby Art主宰Post Moves aka Sam Wencが、2023年1月に同国アリゾナのMooneからリリースしたレコードです。 ペダルスチールやギター、ドラムによるアンビエント・カントリー〜アンビエント・ジャズ5曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Lobby Art releases...
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{"id":7705261080826,"title":"Old Saw \/\/ Country Tropics TAPE","handle":"old-saw-country-tropics-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2021年11月にNYのLobby Artから250部限定でリリースしたデビューレコードがこの度カセットで再発。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eペダルスチール、バンジョー、パイプオルガン、ギターという編成だけで容易に想像がつく牧歌アンビエントフォーク・ドローン4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenry Birdsey - pedal steel, lap steel\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Driftwood - banjo\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIra Dorset- fiddle\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRev. Clarence Lewis - pipe organ\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHarper Reed - resonator guitar, nylon string guitar\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnn Rowlis - orchestral bells\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027226148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003eBio:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA network of New England string pluckers, organ drivers, and bell ringers craft a rusted and granular shadow world where the dive bar meets the divine. Country Tropics treats the landscape as an iceberg as the ensemble dredges up silt, clay, weeds, and trash to craft a more holy image of our tattered landscape\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e~\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eDevotional music and its devotees all do a bit of \"buying in\"; that while one's on the ground reality may appear anything but celestial, through this music, one can reach ecstatic space, ecstatic peace. However, devotional music is not solely concerned with a skyward glance - what does it look like to raise up the rust, look upon fractured branches, gaze at the density of a low fog across a field? Instead of us looking up at the land, what if the land was looking back at us? Old Saw brings together a brigade of New England silt sifters to raise up the land not as excavators, but as preparators. Tending and caring for the simple mess that our world discards. Throughout \"Country Tropics\" four pieces, the crew stretches and bends chords to their resting place before setting forth towards a new one. Fiddle drone, wistful tape loops of pedal steel, pipe organ hums, and clattering bells call us to scenes of observation, a water tower, a mechanical bull rental agency, a back porch, a taxidermy shop, a local church choir, a garden with singing vines, voltage hum of the electric fence on Pulp mill bridge road.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe funny thing about devotion is the absence of sight, of source. We place trust in the guide or guides to bring us to a place of seeing, feeling, and hearing. The music on \"Country Tropics\" calls out to those in search of such places, but also doesn't demand we conjure some fantastical, celestial vision of understanding. Rather, Old Saw points our gaze downward towards the terrafirma unconsidered, and guides our hands into the dirt.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCredits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHenry Birdsey - pedal steel, lap steel\u003cbr\u003eBob Driftwood - banjo\u003cbr\u003eIra Dorset- fiddle\u003cbr\u003eRev. Clarence Lewis - pipe organ\u003cbr\u003eHarper Reed - resonator guitar, nylon string guitar\u003cbr\u003eAnn Rowlis - orchestral bells\u003cbr\u003eRecorded by Henry Birdsey at Meridian HQ in February 2021\u003cbr\u003eMastering by Andrew Weathers\u003cbr\u003eAlbum Image by Sam Youkilis\u003cbr\u003eDesign by Ximena Bedoya \u0026amp; Sam Wenc\u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e","published_at":"2022-08-14T04:43:06+09:00","created_at":"2022-08-14T04:43:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","folk \/ left-field pop","lobby art","recommended","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43112303362298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Old Saw \/\/ Country Tropics TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821","options":["Title"],"media":[{"alt":null,"id":30289995104506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1086486953_16.jpg?v=1660419821","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ニューイングランドのペダルスチール奏者\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tongue-depressor-henry-birdsey\"\u003eHenry Birdsey\u003c\/a\u003e率いるアンビエントフォーク・ドローンバンドOld Sawが、2021年11月にNYのLobby Artから250部限定でリリースしたデビューレコードがこの度カセットで再発。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eペダルスチール、バンジョー、パイプオルガン、ギターという編成だけで容易に想像がつく牧歌アンビエントフォーク・ドローン4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはAndrew Weathersが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenry Birdsey - pedal steel, lap steel\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBob Driftwood - banjo\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIra Dorset- fiddle\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRev. Clarence Lewis - pipe organ\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHarper Reed - resonator guitar, nylon string guitar\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnn Rowlis - orchestral bells\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2027226148\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003eBio:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA network of New England string pluckers, organ drivers, and bell ringers craft a rusted and granular shadow world where the dive bar meets the divine. Country Tropics treats the landscape as an iceberg as the ensemble dredges up silt, clay, weeds, and trash to craft a more holy image of our tattered landscape\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e~\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eDevotional music and its devotees all do a bit of \"buying in\"; that while one's on the ground reality may appear anything but celestial, through this music, one can reach ecstatic space, ecstatic peace. However, devotional music is not solely concerned with a skyward glance - what does it look like to raise up the rust, look upon fractured branches, gaze at the density of a low fog across a field? Instead of us looking up at the land, what if the land was looking back at us? Old Saw brings together a brigade of New England silt sifters to raise up the land not as excavators, but as preparators. Tending and caring for the simple mess that our world discards. Throughout \"Country Tropics\" four pieces, the crew stretches and bends chords to their resting place before setting forth towards a new one. Fiddle drone, wistful tape loops of pedal steel, pipe organ hums, and clattering bells call us to scenes of observation, a water tower, a mechanical bull rental agency, a back porch, a taxidermy shop, a local church choir, a garden with singing vines, voltage hum of the electric fence on Pulp mill bridge road.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe funny thing about devotion is the absence of sight, of source. We place trust in the guide or guides to bring us to a place of seeing, feeling, and hearing. The music on \"Country Tropics\" calls out to those in search of such places, but also doesn't demand we conjure some fantastical, celestial vision of understanding. Rather, Old Saw points our gaze downward towards the terrafirma unconsidered, and guides our hands into the dirt.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCredits:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eHenry Birdsey - pedal steel, lap steel\u003cbr\u003eBob Driftwood - banjo\u003cbr\u003eIra Dorset- fiddle\u003cbr\u003eRev. Clarence Lewis - pipe organ\u003cbr\u003eHarper Reed - resonator guitar, nylon string guitar\u003cbr\u003eAnn Rowlis - orchestral bells\u003cbr\u003eRecorded by Henry Birdsey at Meridian HQ in February 2021\u003cbr\u003eMastering by Andrew Weathers\u003cbr\u003eAlbum Image by Sam Youkilis\u003cbr\u003eDesign by Ximena Bedoya \u0026amp; Sam Wenc\u003c\/p\u003e\n\u003cp\u003eArtist : Old Saw\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e"}
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アメリカ・ニューイングランドのペダルスチール奏者Henry Birdsey率いるアンビエントフォーク・ドローンバンドOld Sawが、2021年11月にNYのLobby Artから250部限定でリリースしたデビューレコードがこの度カセットで再発。 ペダルスチール、バンジョー、パイプオルガン、ギターという編成だけで容易に想像がつく牧歌アンビエントフォーク・ドローン4曲を収録。DLコード付属。 マスタリングはAndrew Weathersが担当しています。 Henry Birdsey - pedal steel, lap steelBob...
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{"id":7699846267130,"title":"Unionblock \/\/ Thetford TAPE","handle":"unionblock-thetford-tape","description":"\u003cp\u003e過去にDinzu ArtefactsやTriptick Tapesなどから発表しているアメリカ・バーモントの\u003cmeta charset=\"utf-8\"\u003eWeston OlenckiとJack LangdonによるドローンデュオUnionblackが、2022年5月に同国NYの実験レーベルLobby Artから75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e改造バンジョーと中世の機械式オルガンによるドローン〜物音3曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=765791515\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReligious architecture functions both as a mode of creating shelter for reverence and worship while at the same time creating an aura of authenticity within a given community. Form functions differently than say the local post office building, the bank, the grocery store. A history and purpose simultaneously visible and obfuscated. The music created and shared within these spaces is assumed to exist in harmony with the moral and spiritual teachings of the associated sect. However, the spectral tracings of this music reveals an altogether more complex portrait of what our shared histories, languages, trauma, and traditions say about life lived between being and not being.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVermont residents Weston Olencki and Jack Langdon situated themselves within the gnarled wood outpost of the Thetford Hill Church in Thetford, VT for their first output as UNIONBLOCK. A shared curiosity about the latent histories of American vernacular musics and what is both said and unsaid in the musical traditions of rural and working class American musical practices; they present the haunting and forceful album Thetford. Composed of the epic subterranean dirge, \"Coupler\" and the quick witted chaser of \"Brick Whittle\", the album finds Landgon employing\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e mid century-era mechanical tracker organ and Olencki's own homemade electromagnetic banjos. Drones both fractured and contiguous, their offerings foreground the relationship between digital languages and mechanical construction.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eQuestion making within the church is a peculiar and challenging proposition. We are told these spaces are where we find answers, respite from the unanswerable taunts that exists outside their spirited doorways. The architectural music of UNIONBLOCK provides no escape from these questions, but when we sit in the unknowing and surrender ourselves to this space, perhaps we can know a little more about how to live in harmony with the complexity of this land, its history, and its language.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : UNIONBLOCK\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e","published_at":"2022-08-08T19:00:41+09:00","created_at":"2022-08-08T11:59:02+09:00","vendor":"Tobira Records","type":"","tags":["drone","lobby art","monooto","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43089971478778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Unionblock \/\/ Thetford TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/un1_c6a27cbe-aef9-4994-ae1f-1f5963783bc7.jpg?v=1659927544","\/\/tobirarecords.com\/cdn\/shop\/products\/un2_83e92c6e-3ea5-4116-a300-53bd2cfe9c03.jpg?v=1659927544"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_c6a27cbe-aef9-4994-ae1f-1f5963783bc7.jpg?v=1659927544","options":["Title"],"media":[{"alt":null,"id":30257201971450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_c6a27cbe-aef9-4994-ae1f-1f5963783bc7.jpg?v=1659927544"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un1_c6a27cbe-aef9-4994-ae1f-1f5963783bc7.jpg?v=1659927544","width":700},{"alt":null,"id":30257202004218,"position":2,"preview_image":{"aspect_ratio":1.376,"height":872,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un2_83e92c6e-3ea5-4116-a300-53bd2cfe9c03.jpg?v=1659927544"},"aspect_ratio":1.376,"height":872,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/un2_83e92c6e-3ea5-4116-a300-53bd2cfe9c03.jpg?v=1659927544","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にDinzu ArtefactsやTriptick Tapesなどから発表しているアメリカ・バーモントの\u003cmeta charset=\"utf-8\"\u003eWeston OlenckiとJack LangdonによるドローンデュオUnionblackが、2022年5月に同国NYの実験レーベルLobby Artから75本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e改造バンジョーと中世の機械式オルガンによるドローン〜物音3曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=765791515\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 75.\u003c\/p\u003e\n\u003cp\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReligious architecture functions both as a mode of creating shelter for reverence and worship while at the same time creating an aura of authenticity within a given community. Form functions differently than say the local post office building, the bank, the grocery store. A history and purpose simultaneously visible and obfuscated. The music created and shared within these spaces is assumed to exist in harmony with the moral and spiritual teachings of the associated sect. However, the spectral tracings of this music reveals an altogether more complex portrait of what our shared histories, languages, trauma, and traditions say about life lived between being and not being.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVermont residents Weston Olencki and Jack Langdon situated themselves within the gnarled wood outpost of the Thetford Hill Church in Thetford, VT for their first output as UNIONBLOCK. A shared curiosity about the latent histories of American vernacular musics and what is both said and unsaid in the musical traditions of rural and working class American musical practices; they present the haunting and forceful album Thetford. Composed of the epic subterranean dirge, \"Coupler\" and the quick witted chaser of \"Brick Whittle\", the album finds Landgon employing\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e mid century-era mechanical tracker organ and Olencki's own homemade electromagnetic banjos. Drones both fractured and contiguous, their offerings foreground the relationship between digital languages and mechanical construction.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eQuestion making within the church is a peculiar and challenging proposition. We are told these spaces are where we find answers, respite from the unanswerable taunts that exists outside their spirited doorways. The architectural music of UNIONBLOCK provides no escape from these questions, but when we sit in the unknowing and surrender ourselves to this space, perhaps we can know a little more about how to live in harmony with the complexity of this land, its history, and its language.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : UNIONBLOCK\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e"}
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過去にDinzu ArtefactsやTriptick Tapesなどから発表しているアメリカ・バーモントのWeston OlenckiとJack LangdonによるドローンデュオUnionblackが、2022年5月に同国NYの実験レーベルLobby Artから75本限定でリリースしたカセットです。 改造バンジョーと中世の機械式オルガンによるドローン〜物音3曲を収録。 レーベルその他作品はこちら /// Click here to see more Lobby Art releases...
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