Keplar
Quickview
{"id":8108862243066,"title":"Frank Bretschneider \/\/ Curve 2xLP","handle":"frank-bretschneider-curve-2x12","description":"\u003cp\u003eドイツのテクノ作家Frank Bretschneiderが、2023年11月にKeplarからリリースした再発2枚組レコードです。（オリジナルは2001年にリリース）\u003c\/p\u003e\n\u003cp\u003eマイクロスコピック・テクノ〜グリッチ・ダブテクノ8曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rJqF9L-Ym4M?si=tBJVQ-RPBYtVspoH\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Blue 6:08\u003cbr\u003eA2 Curve 7:26\u003cbr\u003eB1 Fall 6:52\u003cbr\u003eB2 Silk 8:58\u003cbr\u003eC1 Sat 9:32\u003cbr\u003eC2 Star 8:49\u003cbr\u003eD1 Tag 7:46\u003cbr\u003eD2 Tones 4:27\u003c\/p\u003e\n\u003cp\u003eArtist : Frank Bretschneider\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e","published_at":"2023-12-11T08:14:39+09:00","created_at":"2023-12-10T10:50:14+09:00","vendor":"Tobira Records","type":"","tags":["keplar","lp","new","techno \/ house"],"price":578000,"price_min":578000,"price_max":578000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44868850090234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Frank Bretschneider \/\/ Curve 2xLP","public_title":null,"options":["Default Title"],"price":578000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fr1_551b4efb-f727-4c29-8d62-5da43a9244ff.jpg?v=1702173016"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fr1_551b4efb-f727-4c29-8d62-5da43a9244ff.jpg?v=1702173016","options":["Title"],"media":[{"alt":null,"id":32817714397434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fr1_551b4efb-f727-4c29-8d62-5da43a9244ff.jpg?v=1702173016"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fr1_551b4efb-f727-4c29-8d62-5da43a9244ff.jpg?v=1702173016","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのテクノ作家Frank Bretschneiderが、2023年11月にKeplarからリリースした再発2枚組レコードです。（オリジナルは2001年にリリース）\u003c\/p\u003e\n\u003cp\u003eマイクロスコピック・テクノ〜グリッチ・ダブテクノ8曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rJqF9L-Ym4M?si=tBJVQ-RPBYtVspoH\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Blue 6:08\u003cbr\u003eA2 Curve 7:26\u003cbr\u003eB1 Fall 6:52\u003cbr\u003eB2 Silk 8:58\u003cbr\u003eC1 Sat 9:32\u003cbr\u003eC2 Star 8:49\u003cbr\u003eD1 Tag 7:46\u003cbr\u003eD2 Tones 4:27\u003c\/p\u003e\n\u003cp\u003eArtist : Frank Bretschneider\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e"}
You may also like:
ドイツのテクノ作家Frank Bretschneiderが、2023年11月にKeplarからリリースした再発2枚組レコードです。（オリジナルは2001年にリリース） マイクロスコピック・テクノ〜グリッチ・ダブテクノ8曲を収録。 ------------------------------------------ 12" black vinyl. Edition of 500. Tracklist: A1 Blue 6:08A2 ...
¥5,780
Quickview
{"id":7511819485434,"title":"Giuseppe Ielasi \/\/ Aix LP","handle":"giuseppe-ielasi-aix-lp","description":"\u003cp\u003eイタリア実験レーベルSenufo Editions主宰Giuseppe Ielashiが、2009年に12kからリリースした名盤Aixを、ドイツKeplarがレコードで再発。\u003c\/p\u003e\n\u003cp\u003eミニマルなビート作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3385518869\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eText by 12k:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Aix is the latest work from Italian artist Giuseppe Ielasi and the follow-up to 2007’s August (12k, 12k1044). WIth Aix we see Ielasi building his layered, atmospheric music around rhythmic grids. Most of the time these are quite irregular and the pulses are not neccessarily stable or clear. Where his previous work approached sound in a linear fashion Aix imposes a strong vertical development with the aforementioned grid and a production consisting of ons and offs, employing as much improvisation as Ielasi’s previous work, but in a different way.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDespite the self-imposed grid structure, Aix relies heavily on randomization. Not in the traditional sense of sound placement but instead of the spatialization of sounds, echoes, reverbs and the stereo image. As a result, Aix has an amazing sense and clarity of space as the small fragments of sound breathe and find their own place in the mix, thanks to Ielasi’s sublime skills as a mixer and engineer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIelasi relied heavily on numerous short samples and combining them in ways that fell into his groove; some found from others' recordings and many more recorded during the past year. We hear fragments of percussive (acoustic) objects, drums, piano, trumpet, guitar, and, of course, synthetic textures. Although there is a distinct rhythmic pulse to Aix, Ielasi manages to mold it into something wonderfully languid and warm... and strangely inviting.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e","published_at":"2022-01-11T19:10:05+09:00","created_at":"2022-01-11T16:12:12+09:00","vendor":"Tobira Records","type":"","tags":["keplar","lp","monooto","strange beats","techno \/ house"],"price":315000,"price_min":315000,"price_max":315000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42303958647034,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Giuseppe Ielasi \/\/ Aix LP","public_title":null,"options":["Default Title"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_ef596a00-e048-4f9c-894d-78b9709585a8.jpg?v=1641885134"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_ef596a00-e048-4f9c-894d-78b9709585a8.jpg?v=1641885134","options":["Title"],"media":[{"alt":null,"id":28986638139642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_ef596a00-e048-4f9c-894d-78b9709585a8.jpg?v=1641885134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_ef596a00-e048-4f9c-894d-78b9709585a8.jpg?v=1641885134","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア実験レーベルSenufo Editions主宰Giuseppe Ielashiが、2009年に12kからリリースした名盤Aixを、ドイツKeplarがレコードで再発。\u003c\/p\u003e\n\u003cp\u003eミニマルなビート作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3385518869\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eText by 12k:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Aix is the latest work from Italian artist Giuseppe Ielasi and the follow-up to 2007’s August (12k, 12k1044). WIth Aix we see Ielasi building his layered, atmospheric music around rhythmic grids. Most of the time these are quite irregular and the pulses are not neccessarily stable or clear. Where his previous work approached sound in a linear fashion Aix imposes a strong vertical development with the aforementioned grid and a production consisting of ons and offs, employing as much improvisation as Ielasi’s previous work, but in a different way.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDespite the self-imposed grid structure, Aix relies heavily on randomization. Not in the traditional sense of sound placement but instead of the spatialization of sounds, echoes, reverbs and the stereo image. As a result, Aix has an amazing sense and clarity of space as the small fragments of sound breathe and find their own place in the mix, thanks to Ielasi’s sublime skills as a mixer and engineer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIelasi relied heavily on numerous short samples and combining them in ways that fell into his groove; some found from others' recordings and many more recorded during the past year. We hear fragments of percussive (acoustic) objects, drums, piano, trumpet, guitar, and, of course, synthetic textures. Although there is a distinct rhythmic pulse to Aix, Ielasi manages to mold it into something wonderfully languid and warm... and strangely inviting.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e"}
You may also like:
イタリア実験レーベルSenufo Editions主宰Giuseppe Ielashiが、2009年に12kからリリースした名盤Aixを、ドイツKeplarがレコードで再発。 ミニマルなビート作品です。 ----------------------------- Text by 12k: "Aix is the latest work from...
Sold Out
![Vladislav Delay // Whistleblower [2022 Remaster] 2xLP](http://tobirarecords.com/cdn/shop/products/de1_38902c42-b226-4c84-bcb2-40b9f54c020d_medium.jpg?v=1677295234)
Quickview
{"id":7925461025018,"title":"Vladislav Delay \/\/ Whistleblower [2022 Remaster] 2xLP","handle":"vladislav-delay-whistleblower-2022-remaster-2xlp","description":"\u003cp\u003eフィンランドのエレクトロニック作家Vladislav Delayが、2023年2月にKeplarからリリースした再発2枚組レコードです。（オリジナルは2007年リリース）\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ダブテクノ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=324007606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 700.\u003c\/p\u003e\n\u003cp\u003eKeplar:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Following up on reissues of the 2000 compilation »Multila« and 2001’s »Anima,« Sasu Ripatti has thoroughly revisited the classic »Whistleblower« for its first ever vinyl issue on the German Keplar label. Ripatti created entirely new mixes of previously unheard-of alternative versions of the tracks that first appeared on CD through his own Huume imprint in early 2007. He thus shines a new, different light on a record that was as much an expression of reaching a turning point in his life as it also showcased a new, more direct and perhaps more abrasive side of his Vladislav Delay project. »Whistleblower« was marked by the insertion of more noise and disruptive elements into Ripatti’s slowly moving take on intricate electronic music that heavily leaned on dub techniques. Fittingly for an album written at the threshold between one life and the other, »Whisteblower« seems at once melancholic and forward-looking in both tone and style.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e»Whisteblower« was the follow-up record to 2005’s »The Four Quarters« and produced in the German capital. »I had quite a hard time in Berlin towards the end and I'm sure the track titles and the music reflect some of that uneasiness,« Ripatti says 15 years later. Changes in his personal life had a profound impact on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e him when making the record. The fifth track, »Lumi,« was dedicated to his daughter who was born shortly after the album was finished. »I had to reconsider what my life had been,« he recalls this watershed moment in his biography. Having already previously embraced a sober lifestyle—hinted at with the last piece’s title, »Recovery IDea«—Ripatti started questioning his life choices more thoroughly. This is also expressed in »He Lived Deeply,« a track inspired by Miles Davis’s love for Duke Ellington whose title can be read as an implicit question that Ripatti nowadays paraphrases thusly: »Had I been living fully, or fully not living?«\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe seven tracks also marked a musical turning point in Ripatti’s work as a producer, not only because it was the last one for which he primarily used analogue and vintage equipment. They are also more straightforward on a music level, more demanding and at times more concerned with subtle rhythms than with the thick textures that were so integral to his earlier work. »Whisteblower« represented the first step in a process of focusing less on sonic abstraction and more on direct (self-)expression. While Ripatti admits that he found working on the album difficult back then, he also points out that he was surprised to hear how »gentle and peaceful« it sounded when he started revisiting the original files he used as a basis for these newly mixed versions. »It probably proves how much more comfortable I had become with sound.«\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Vladislav Delay\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e","published_at":"2023-02-25T15:21:51+09:00","created_at":"2023-02-25T12:20:32+09:00","vendor":"Tobira Records","type":"","tags":["keplar","lp","techno \/ house"],"price":468000,"price_min":468000,"price_max":468000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44023170466042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Vladislav Delay \/\/ Whistleblower [2022 Remaster] 2xLP","public_title":null,"options":["Default Title"],"price":468000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_38902c42-b226-4c84-bcb2-40b9f54c020d.jpg?v=1677295234","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_91c33ec4-c062-4566-86c7-0df4f0c51177.jpg?v=1677295234"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_38902c42-b226-4c84-bcb2-40b9f54c020d.jpg?v=1677295234","options":["Title"],"media":[{"alt":null,"id":31584183484666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_38902c42-b226-4c84-bcb2-40b9f54c020d.jpg?v=1677295234"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_38902c42-b226-4c84-bcb2-40b9f54c020d.jpg?v=1677295234","width":700},{"alt":null,"id":31584183517434,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_91c33ec4-c062-4566-86c7-0df4f0c51177.jpg?v=1677295234"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_91c33ec4-c062-4566-86c7-0df4f0c51177.jpg?v=1677295234","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのエレクトロニック作家Vladislav Delayが、2023年2月にKeplarからリリースした再発2枚組レコードです。（オリジナルは2007年リリース）\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ダブテクノ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=324007606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 700.\u003c\/p\u003e\n\u003cp\u003eKeplar:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Following up on reissues of the 2000 compilation »Multila« and 2001’s »Anima,« Sasu Ripatti has thoroughly revisited the classic »Whistleblower« for its first ever vinyl issue on the German Keplar label. Ripatti created entirely new mixes of previously unheard-of alternative versions of the tracks that first appeared on CD through his own Huume imprint in early 2007. He thus shines a new, different light on a record that was as much an expression of reaching a turning point in his life as it also showcased a new, more direct and perhaps more abrasive side of his Vladislav Delay project. »Whistleblower« was marked by the insertion of more noise and disruptive elements into Ripatti’s slowly moving take on intricate electronic music that heavily leaned on dub techniques. Fittingly for an album written at the threshold between one life and the other, »Whisteblower« seems at once melancholic and forward-looking in both tone and style.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e»Whisteblower« was the follow-up record to 2005’s »The Four Quarters« and produced in the German capital. »I had quite a hard time in Berlin towards the end and I'm sure the track titles and the music reflect some of that uneasiness,« Ripatti says 15 years later. Changes in his personal life had a profound impact on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e him when making the record. The fifth track, »Lumi,« was dedicated to his daughter who was born shortly after the album was finished. »I had to reconsider what my life had been,« he recalls this watershed moment in his biography. Having already previously embraced a sober lifestyle—hinted at with the last piece’s title, »Recovery IDea«—Ripatti started questioning his life choices more thoroughly. This is also expressed in »He Lived Deeply,« a track inspired by Miles Davis’s love for Duke Ellington whose title can be read as an implicit question that Ripatti nowadays paraphrases thusly: »Had I been living fully, or fully not living?«\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe seven tracks also marked a musical turning point in Ripatti’s work as a producer, not only because it was the last one for which he primarily used analogue and vintage equipment. They are also more straightforward on a music level, more demanding and at times more concerned with subtle rhythms than with the thick textures that were so integral to his earlier work. »Whisteblower« represented the first step in a process of focusing less on sonic abstraction and more on direct (self-)expression. While Ripatti admits that he found working on the album difficult back then, he also points out that he was surprised to hear how »gentle and peaceful« it sounded when he started revisiting the original files he used as a basis for these newly mixed versions. »It probably proves how much more comfortable I had become with sound.«\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Vladislav Delay\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e"}
You may also like:
フィンランドのエレクトロニック作家Vladislav Delayが、2023年2月にKeplarからリリースした再発2枚組レコードです。（オリジナルは2007年リリース） アンビエント・ダブテクノ7曲を収録。DLコード付属。 ----------------------------------- Includes DL code. Edition of 700. Keplar: "Following up on...
Sold Out
![KILN // Holo [2022 Remaster] LP](http://tobirarecords.com/cdn/shop/products/ho1_672f366e-b62b-451c-9862-badbd7ea2235_medium.jpg?v=1677737677)
Quickview
{"id":7928719999226,"title":"KILN \/\/ Holo [2022 Remaster] LP","handle":"kilhol","description":"\u003cp\u003eアメリカ・ミシガンのアンビエントIDMトリオKILNが、2023年3月にドイツ・ベルリンのKeplarからリリースした再発レコードです。（オリジナルは1998年リリース）\u003c\/p\u003e\n\u003cp\u003e ドリーミーなアンビエントIDM11曲を収録。\u003c\/p\u003e\n\u003cp\u003eポストロックリスナーにもおすすめです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=618525997\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eKeplar:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e»Holo« by the US-American three-piece Kiln, first released in 1998, is one of those rare records that managed to carve out a niche of its own while also building bridges to variety of genres like Chicago-style post-rock, the ambient mysticism of projects like Rapoon or the music made at the intersection of shoegaze, and electronic music in the late 1990s. Lush textures, subtle rhythms, jazzy inflections and electronic experimentation seamlessly blend into each other over the course of the eleven tracks. This reissue through the German label Keplar makes the fully revised version, self-released by the group in 2007 under the name »Holo [re\/lux],« available on vinyl for the very first time. »Twenty-five years later this newly mastered vinyl edition is evidence that the sound of ›Holo‹ continues to attract like-minded listeners,« says member Clark Rehberg III. »Which on many levels means that our mission was successful.«\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRehberg had embarked on this mission together with Kevin Hayes and Kirk Marrison in 1993. They had first worked together under the name Fibreforms as a live trio that used treated guitars, kit drums, and tapes of found sound to explore the balance between band composition and recording experiments, while Marrison made heavy use of the Akai S612 sampler as a fabricating strategy with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the project Waterwheel. »Kiln seemed to encapsulate the evolution and melding of those previous approaches to one that insisted on the continual opening up of the compositional process, allowing more of the mystery that can be discovered through studio experiments—and accidents—to become important elements of creating our music,« says Rehberg of the trio that is still going strong after three decades. »The word Kiln implies heat and transformation, an attitude that we apply to every sound we use—we begin with notes and performance and then mosaic with shape and colour.«\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e»Holo« followed up on the trio’s debut self-titled EP that had been recorded in the summer of 1996. »That same year, during a lull in our collabs, Kirk began building pieces on a low-memory Mac using an early 8-channel DAW,« explains Rehberg. Enchanted by the unprecedented fidelity and energy of those recordings, the three reconvened to build upon them and make more music in that manner. »I’d say our intention was no different than any other time: create something immersive and compelling: dense melodic blasts of uniquely constructed but ultimately accessible audio moments.« The group worked individually and in pairs for about 18 months while being spread across the United States. »We poured everything into it that we had at the time, working dead-end jobs by day and on audio in every other open moment. I remember the struggle of that process, but also the pure joy as we pulled down countless moments of magic while the pieces took shape.«\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRehberg says that he still hears »a time-stamp of those efforts and the belief that we were creating a special audio experience« when listening back to »Holo,« a record the band itself chose to revise almost a decade after its initial release. »Ultimately we just felt those pieces needed more impact and we had the tools and ability to make that happen,« he explains. 16 years after that and a quarter of a century after it first introduced Kiln as a force to be reckoned with, the remastered version feels indeed timeless. It is both a snapshot of the first extensive album project by a group whose bond is still »diamond strong,« as Rehberg puts it, and a record that continues to sound fresh, if not visionary also today.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : KILN\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e","published_at":"2023-03-05T06:25:46+09:00","created_at":"2023-03-02T15:14:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","house","keplar","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44038501433594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"KILN \/\/ Holo [2022 Remaster] LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_672f366e-b62b-451c-9862-badbd7ea2235.jpg?v=1677737677","\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_810c1dbc-6388-408c-8621-8f9f6b5d2f0d.jpg?v=1677737678"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_672f366e-b62b-451c-9862-badbd7ea2235.jpg?v=1677737677","options":["Title"],"media":[{"alt":null,"id":31613328031994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_672f366e-b62b-451c-9862-badbd7ea2235.jpg?v=1677737677"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_672f366e-b62b-451c-9862-badbd7ea2235.jpg?v=1677737677","width":700},{"alt":null,"id":31613328064762,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_810c1dbc-6388-408c-8621-8f9f6b5d2f0d.jpg?v=1677737678"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_810c1dbc-6388-408c-8621-8f9f6b5d2f0d.jpg?v=1677737678","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ミシガンのアンビエントIDMトリオKILNが、2023年3月にドイツ・ベルリンのKeplarからリリースした再発レコードです。（オリジナルは1998年リリース）\u003c\/p\u003e\n\u003cp\u003e ドリーミーなアンビエントIDM11曲を収録。\u003c\/p\u003e\n\u003cp\u003eポストロックリスナーにもおすすめです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=618525997\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eKeplar:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e»Holo« by the US-American three-piece Kiln, first released in 1998, is one of those rare records that managed to carve out a niche of its own while also building bridges to variety of genres like Chicago-style post-rock, the ambient mysticism of projects like Rapoon or the music made at the intersection of shoegaze, and electronic music in the late 1990s. Lush textures, subtle rhythms, jazzy inflections and electronic experimentation seamlessly blend into each other over the course of the eleven tracks. This reissue through the German label Keplar makes the fully revised version, self-released by the group in 2007 under the name »Holo [re\/lux],« available on vinyl for the very first time. »Twenty-five years later this newly mastered vinyl edition is evidence that the sound of ›Holo‹ continues to attract like-minded listeners,« says member Clark Rehberg III. »Which on many levels means that our mission was successful.«\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRehberg had embarked on this mission together with Kevin Hayes and Kirk Marrison in 1993. They had first worked together under the name Fibreforms as a live trio that used treated guitars, kit drums, and tapes of found sound to explore the balance between band composition and recording experiments, while Marrison made heavy use of the Akai S612 sampler as a fabricating strategy with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the project Waterwheel. »Kiln seemed to encapsulate the evolution and melding of those previous approaches to one that insisted on the continual opening up of the compositional process, allowing more of the mystery that can be discovered through studio experiments—and accidents—to become important elements of creating our music,« says Rehberg of the trio that is still going strong after three decades. »The word Kiln implies heat and transformation, an attitude that we apply to every sound we use—we begin with notes and performance and then mosaic with shape and colour.«\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e»Holo« followed up on the trio’s debut self-titled EP that had been recorded in the summer of 1996. »That same year, during a lull in our collabs, Kirk began building pieces on a low-memory Mac using an early 8-channel DAW,« explains Rehberg. Enchanted by the unprecedented fidelity and energy of those recordings, the three reconvened to build upon them and make more music in that manner. »I’d say our intention was no different than any other time: create something immersive and compelling: dense melodic blasts of uniquely constructed but ultimately accessible audio moments.« The group worked individually and in pairs for about 18 months while being spread across the United States. »We poured everything into it that we had at the time, working dead-end jobs by day and on audio in every other open moment. I remember the struggle of that process, but also the pure joy as we pulled down countless moments of magic while the pieces took shape.«\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRehberg says that he still hears »a time-stamp of those efforts and the belief that we were creating a special audio experience« when listening back to »Holo,« a record the band itself chose to revise almost a decade after its initial release. »Ultimately we just felt those pieces needed more impact and we had the tools and ability to make that happen,« he explains. 16 years after that and a quarter of a century after it first introduced Kiln as a force to be reckoned with, the remastered version feels indeed timeless. It is both a snapshot of the first extensive album project by a group whose bond is still »diamond strong,« as Rehberg puts it, and a record that continues to sound fresh, if not visionary also today.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : KILN\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e"}
You may also like:
アメリカ・ミシガンのアンビエントIDMトリオKILNが、2023年3月にドイツ・ベルリンのKeplarからリリースした再発レコードです。（オリジナルは1998年リリース） ドリーミーなアンビエントIDM11曲を収録。 ポストロックリスナーにもおすすめです。 ---------------------------------- Edition of 500. Keplar: "»Holo« by the US-American three-piece Kiln,...
Sold Out
![novisad // Seleya [2025 Edition] LP](http://tobirarecords.com/cdn/shop/files/nov1_medium.jpg?v=1751417995)
Quickview
{"id":8848034201850,"title":"novisad \/\/ Seleya [2025 Edition] LP","handle":"novisad-seleya-2025-edition-lp","description":"\u003cp\u003eドイツのアンビエント作家novisadが、2025年6月にKeplarからリリースした再発レコードです。（オリジナルは2001年リリース）\u003c\/p\u003e\n\u003cp\u003eLo-Fiアンビエント14曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2001年にTomlabから発表された 「Seleya 」は、クリスティアン・ピータースのnovisadプロジェクトによる2枚目のフルレングスである。初リリースから24年経った今も、ループを基調とした13のアレンジは、鮮明に響き続けている。Keplarは、Seleyaに2004年の未発表ボーナストラックを加え、LUPOによる新鮮なビニールカットを施した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDAWの操作、エイリアシングデジタリアス、Ableton、Eurorack、そしてエレクトロニックミュージック制作を合理化したブティック・エレクトロニクスの台頭以前にアンビエントミュージシャンが使用していた 「悪用された 」機材の音色や響き。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e現在の時代において、これらの作曲はほとんど不気味なほどノスタルジックに感じられ、既成の方法論やトレンドの沈殿物に邪魔されることなく、新たな海域に踏み出す文化的生産に特徴的な、震えるような、広い目を持った精神と羨ましいほどの素朴さを記録している。美学的な正統性を避けようとするこの傾向は、予測可能性に落ち着くことを拒む音楽を生み出す。微妙な周波数が漂い、ぶつかり合い、対位法的なループが静かに対立し、エレガントな不協和音が予期せぬハーモニーを生み出す。メランコリーと美しさ、親しみやすさと複雑さのバランスの取り方に、このアルバムのエモーショナルな力がある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1849242842\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/keplar\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/keplar\"\u003ehere\u003c\/a\u003e to see more Keplar releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pflanzenwuchs 02:44\u003cbr\u003e2. Regen 04:03\u003cbr\u003e3. Piaa 02:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Theatralik 03:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Schattenmelodie 01:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Seleya 03:30\u003cbr\u003e\u003c\/span\u003e7. Zerfall 03:26\u003cbr\u003e8. Sehnsucht 03:08\u003cbr\u003e9. Verlauf 03:00\u003cbr\u003e10. Einsam 01:55\u003cbr\u003e11. Sommersonnenschein 03:08\u003cbr\u003e12. Macht 03:02\u003cbr\u003e13. Vorbei 02:38\u003cbr\u003e14. Widerhall (Bonus) 03:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKeplar:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOriginally published by Tomlab in 2001, “Seleya” is the second full- length issued by Kristian Peters’ Novisad project. Twenty-four years after its initial release, the album’s thirteen loop-based arrangements continue to resonate with striking clarity. Keplar presents Seleya with a previously unreleased bonus track from 2004 and a fresh vinyl cut by LUPO.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese evocative miniatures feel haunted with the passage of time, bearing traces of the exploratory studio workflows, tactile imperfections, and emerging technologies that would have given birth to them: plain DAW manipulations, aliasing digitalia, the tones and timbres of the “misused” equipment ambient musicians utilized before Ableton, Eurorack, and the rise of the boutique electronics that have streamlined electronic music production.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn our present epoch, these compositions feel almost eerily nostalgic, documenting the sort of trembling, wide-eyed spirit and enviable naivety that characterizes cultural production as it ventures into new waters, unfettered by the sediments of established methodology and trend. This tendency to avoid aesthetic orthodoxy results in music that refuses to settle into predictability. Subtle frequencies drift and collide, counterpoint loops run in quiet opposition, and elegant dissonance gives rise to unexpected harmony. The album’s emotional power lies in these tensions, in the way it balances melancholy with beauty and familiarity with complexity.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : novisad\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e\n\u003cp\u003ecat no : KeplarRev21LP\u003c\/p\u003e","published_at":"2025-07-02T13:09:22+09:00","created_at":"2025-07-02T10:01:23+09:00","vendor":"Tobira Records","type":"","tags":["ambient","keplar","lp","new"],"price":443700,"price_min":443700,"price_max":443700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47466657612026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"novisad \/\/ Seleya [2025 Edition] LP","public_title":null,"options":["Default Title"],"price":443700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"880918269696","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nov1.jpg?v=1751417995","\/\/tobirarecords.com\/cdn\/shop\/files\/nov2.jpg?v=1751417995"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nov1.jpg?v=1751417995","options":["Title"],"media":[{"alt":null,"id":36305118757114,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nov1.jpg?v=1751417995"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nov1.jpg?v=1751417995","width":700},{"alt":null,"id":36305118789882,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nov2.jpg?v=1751417995"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nov2.jpg?v=1751417995","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのアンビエント作家novisadが、2025年6月にKeplarからリリースした再発レコードです。（オリジナルは2001年リリース）\u003c\/p\u003e\n\u003cp\u003eLo-Fiアンビエント14曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2001年にTomlabから発表された 「Seleya 」は、クリスティアン・ピータースのnovisadプロジェクトによる2枚目のフルレングスである。初リリースから24年経った今も、ループを基調とした13のアレンジは、鮮明に響き続けている。Keplarは、Seleyaに2004年の未発表ボーナストラックを加え、LUPOによる新鮮なビニールカットを施した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDAWの操作、エイリアシングデジタリアス、Ableton、Eurorack、そしてエレクトロニックミュージック制作を合理化したブティック・エレクトロニクスの台頭以前にアンビエントミュージシャンが使用していた 「悪用された 」機材の音色や響き。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e現在の時代において、これらの作曲はほとんど不気味なほどノスタルジックに感じられ、既成の方法論やトレンドの沈殿物に邪魔されることなく、新たな海域に踏み出す文化的生産に特徴的な、震えるような、広い目を持った精神と羨ましいほどの素朴さを記録している。美学的な正統性を避けようとするこの傾向は、予測可能性に落ち着くことを拒む音楽を生み出す。微妙な周波数が漂い、ぶつかり合い、対位法的なループが静かに対立し、エレガントな不協和音が予期せぬハーモニーを生み出す。メランコリーと美しさ、親しみやすさと複雑さのバランスの取り方に、このアルバムのエモーショナルな力がある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1849242842\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/keplar\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/keplar\"\u003ehere\u003c\/a\u003e to see more Keplar releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pflanzenwuchs 02:44\u003cbr\u003e2. Regen 04:03\u003cbr\u003e3. Piaa 02:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Theatralik 03:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Schattenmelodie 01:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Seleya 03:30\u003cbr\u003e\u003c\/span\u003e7. Zerfall 03:26\u003cbr\u003e8. Sehnsucht 03:08\u003cbr\u003e9. Verlauf 03:00\u003cbr\u003e10. Einsam 01:55\u003cbr\u003e11. Sommersonnenschein 03:08\u003cbr\u003e12. Macht 03:02\u003cbr\u003e13. Vorbei 02:38\u003cbr\u003e14. Widerhall (Bonus) 03:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKeplar:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOriginally published by Tomlab in 2001, “Seleya” is the second full- length issued by Kristian Peters’ Novisad project. Twenty-four years after its initial release, the album’s thirteen loop-based arrangements continue to resonate with striking clarity. Keplar presents Seleya with a previously unreleased bonus track from 2004 and a fresh vinyl cut by LUPO.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese evocative miniatures feel haunted with the passage of time, bearing traces of the exploratory studio workflows, tactile imperfections, and emerging technologies that would have given birth to them: plain DAW manipulations, aliasing digitalia, the tones and timbres of the “misused” equipment ambient musicians utilized before Ableton, Eurorack, and the rise of the boutique electronics that have streamlined electronic music production.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn our present epoch, these compositions feel almost eerily nostalgic, documenting the sort of trembling, wide-eyed spirit and enviable naivety that characterizes cultural production as it ventures into new waters, unfettered by the sediments of established methodology and trend. This tendency to avoid aesthetic orthodoxy results in music that refuses to settle into predictability. Subtle frequencies drift and collide, counterpoint loops run in quiet opposition, and elegant dissonance gives rise to unexpected harmony. The album’s emotional power lies in these tensions, in the way it balances melancholy with beauty and familiarity with complexity.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : novisad\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e\n\u003cp\u003ecat no : KeplarRev21LP\u003c\/p\u003e"}
You may also like:
ドイツのアンビエント作家novisadが、2025年6月にKeplarからリリースした再発レコードです。（オリジナルは2001年リリース） Lo-Fiアンビエント14曲を収録。DLコード付属。 以下、レーベルによる解説です。 "2001年にTomlabから発表された 「Seleya 」は、クリスティアン・ピータースのnovisadプロジェクトによる2枚目のフルレングスである。初リリースから24年経った今も、ループを基調とした13のアレンジは、鮮明に響き続けている。Keplarは、Seleyaに2004年の未発表ボーナストラックを加え、LUPOによる新鮮なビニールカットを施した。 DAWの操作、エイリアシングデジタリアス、Ableton、Eurorack、そしてエレクトロニックミュージック制作を合理化したブティック・エレクトロニクスの台頭以前にアンビエントミュージシャンが使用していた 「悪用された 」機材の音色や響き。 現在の時代において、これらの作曲はほとんど不気味なほどノスタルジックに感じられ、既成の方法論やトレンドの沈殿物に邪魔されることなく、新たな海域に踏み出す文化的生産に特徴的な、震えるような、広い目を持った精神と羨ましいほどの素朴さを記録している。美学的な正統性を避けようとするこの傾向は、予測可能性に落ち着くことを拒む音楽を生み出す。微妙な周波数が漂い、ぶつかり合い、対位法的なループが静かに対立し、エレガントな不協和音が予期せぬハーモニーを生み出す。メランコリーと美しさ、親しみやすさと複雑さのバランスの取り方に、このアルバムのエモーショナルな力がある。" レーベルその他作品はこちら /// Click here...
Sold Out
Quickview
{"id":7824344744186,"title":"Ekkehard Ehlers \/\/ plays 2xLP","handle":"ekkehard-ehlers-plays-2xlp","description":"\u003cp\u003e2000年にMille Plateauxからデビューしたドイツ・ベルリンのベテラン音響作家Ekkehard Ehlersが、2022年10月にリリースした再発2枚組レコードです。（オリジナルは2002年にStaubgoldからリリース）\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRobert JohnsonとJohn Cassavetes、Albert Ayler、Cornelius Cardew、Hubert Fichteを再解釈したネオクラシカル・アンビエント10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2230887445\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eRob Young:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ekkehard Ehlers' seminal plays series was originally released on three 12inches (Staubgold) and two 7inches (Bottrop-Boy) in very limited runs. The entire series was previously only available as a CD compilation or digitally. Keplar finally presents it on double vinyl for the first time, featuring a new cover artwork.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDomestic ethnology: Ekkehard Ehlers plays.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Play’ is a word in English with many meanings attached. Each one sends you down a different cognitive pathway. When I think of ‘playing’, in the sense of a game, I think of an activity involving more than one person. When Ekkehard Ehlers plays, he is very much on his own. Or, at least, alone but at the same time keeping intimate company with the artistic innovators named in his titles. Robert Johnson. John Cassavetes. Albert Ayler. Cornelius Cardew. Hubert Fichte. Is he playing with them, against them, about them, for them, to them? This can never be known.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt is certainly a mistake to try to hear the ‘work’ of these originals in the sounds played by Ekkehard. They’re not cover versions. They’re hardly tributes in the conventional sense. Cassavetes and Fichte are not even musicians, although music played an important part in both their careers. Sure, there are little nods and flashes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of recognition – tiny guitar licks among the minimal beats of ‘Robert Johnson 2’; rich bowed instruments in ‘Albert Ayler’, recalling the violin, cello and double bass arrangements on Ayler’s 1967 Live in Greenwich Village LP; the elongated organ lines of ‘Cornelius Cardew 1’ gesturing towards passages in Paragraph 1 of the British composer’s 1971 Marxist monolith, The Great Learning. Ekkehard is not so much playing these figures as allowing himself to be played by them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlaying as an activity also suggests freedom. Maybe the only thing all five named persons have in common is that they were all quiet radicals. In music, literature and cinema, they all stepped, without self-promotion or fanfare, into unmapped territories. Once there they found it necessary to invent new languages in order to survive. Necessity was the mother of their inventiveness. They were also uncomfortable avant gardists. Lonely types, fighting their corners out on the margins, with little reward, often misunderstood, ridiculed or ignored.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll died unfairly young. Fichte a victim of HIV\/AIDS, Cassavetes of cirrhosis of the liver. (‘Cassavetes 2’ sounds like a tender farewell played across the 59 year old alcoholic director’s death bed.) The deaths of Johnson, Ayler and Cardew have never been satisfactorily explained, and remain shrouded in myths and conspiracy theories. The pioneering expeditions of all five began in that spirit of playful freedom, but inexorably drew them towards the heart of darkness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo these ‘plays’ are micro-dramas, sonic soliloquies, monolog-ins to the private accounts of various geniuses in Ekkehard’s ‘follow’ list. Hacked sensibilities. Artistic manifestos boiled down and distilled, skinned and dried in the digital smokehouse. (Ekkehard Ehlers Flays.) Each of these plays was originally floated out into the world alone on its own disc. The collected works play well as a team – a tranquil, introspective experience where each artist has his own identifiably unique sound character. As an album, Plays is a ‘Plattenragout’ – a ‘record stew’ – which was the title of Hubert Fichte’s LP review column in the leftist culture magazine konkret in the 1960s. The novelist’s work investigating the cultures of South America and the Caribbean islands has been called ‘domestic ethnology’. The writer himself referred to his ‘ethnopoesie’. Ekkehard Ehlers’s intuitive electronic portraits are a form of domestic ethnology in themselves. Invoking another of Ekkehard’s musical aliases, they are portraits of cultural ‘autopoiesies’ – creators whose works were strong enough to have their own self-regenerating life force.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ekkehard Ehlers\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e","published_at":"2022-11-01T14:04:26+09:00","created_at":"2022-10-31T11:51:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","keplar","lp","neo classical"],"price":558000,"price_min":558000,"price_max":558000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43600179167482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ekkehard Ehlers \/\/ plays 2xLP","public_title":null,"options":["Default Title"],"price":558000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_84abf0d7-e244-4e18-b39b-1b7fd89788e7.jpg?v=1667184718","\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_b5136da6-600a-47b5-a66d-98afa78f0310.jpg?v=1667184719"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_84abf0d7-e244-4e18-b39b-1b7fd89788e7.jpg?v=1667184718","options":["Title"],"media":[{"alt":null,"id":30884738203898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_84abf0d7-e244-4e18-b39b-1b7fd89788e7.jpg?v=1667184718"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_84abf0d7-e244-4e18-b39b-1b7fd89788e7.jpg?v=1667184718","width":700},{"alt":null,"id":30884738269434,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_b5136da6-600a-47b5-a66d-98afa78f0310.jpg?v=1667184719"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_b5136da6-600a-47b5-a66d-98afa78f0310.jpg?v=1667184719","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2000年にMille Plateauxからデビューしたドイツ・ベルリンのベテラン音響作家Ekkehard Ehlersが、2022年10月にリリースした再発2枚組レコードです。（オリジナルは2002年にStaubgoldからリリース）\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRobert JohnsonとJohn Cassavetes、Albert Ayler、Cornelius Cardew、Hubert Fichteを再解釈したネオクラシカル・アンビエント10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2230887445\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eRob Young:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Ekkehard Ehlers' seminal plays series was originally released on three 12inches (Staubgold) and two 7inches (Bottrop-Boy) in very limited runs. The entire series was previously only available as a CD compilation or digitally. Keplar finally presents it on double vinyl for the first time, featuring a new cover artwork.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDomestic ethnology: Ekkehard Ehlers plays.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Play’ is a word in English with many meanings attached. Each one sends you down a different cognitive pathway. When I think of ‘playing’, in the sense of a game, I think of an activity involving more than one person. When Ekkehard Ehlers plays, he is very much on his own. Or, at least, alone but at the same time keeping intimate company with the artistic innovators named in his titles. Robert Johnson. John Cassavetes. Albert Ayler. Cornelius Cardew. Hubert Fichte. Is he playing with them, against them, about them, for them, to them? This can never be known.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt is certainly a mistake to try to hear the ‘work’ of these originals in the sounds played by Ekkehard. They’re not cover versions. They’re hardly tributes in the conventional sense. Cassavetes and Fichte are not even musicians, although music played an important part in both their careers. Sure, there are little nods and flashes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of recognition – tiny guitar licks among the minimal beats of ‘Robert Johnson 2’; rich bowed instruments in ‘Albert Ayler’, recalling the violin, cello and double bass arrangements on Ayler’s 1967 Live in Greenwich Village LP; the elongated organ lines of ‘Cornelius Cardew 1’ gesturing towards passages in Paragraph 1 of the British composer’s 1971 Marxist monolith, The Great Learning. Ekkehard is not so much playing these figures as allowing himself to be played by them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlaying as an activity also suggests freedom. Maybe the only thing all five named persons have in common is that they were all quiet radicals. In music, literature and cinema, they all stepped, without self-promotion or fanfare, into unmapped territories. Once there they found it necessary to invent new languages in order to survive. Necessity was the mother of their inventiveness. They were also uncomfortable avant gardists. Lonely types, fighting their corners out on the margins, with little reward, often misunderstood, ridiculed or ignored.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll died unfairly young. Fichte a victim of HIV\/AIDS, Cassavetes of cirrhosis of the liver. (‘Cassavetes 2’ sounds like a tender farewell played across the 59 year old alcoholic director’s death bed.) The deaths of Johnson, Ayler and Cardew have never been satisfactorily explained, and remain shrouded in myths and conspiracy theories. The pioneering expeditions of all five began in that spirit of playful freedom, but inexorably drew them towards the heart of darkness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo these ‘plays’ are micro-dramas, sonic soliloquies, monolog-ins to the private accounts of various geniuses in Ekkehard’s ‘follow’ list. Hacked sensibilities. Artistic manifestos boiled down and distilled, skinned and dried in the digital smokehouse. (Ekkehard Ehlers Flays.) Each of these plays was originally floated out into the world alone on its own disc. The collected works play well as a team – a tranquil, introspective experience where each artist has his own identifiably unique sound character. As an album, Plays is a ‘Plattenragout’ – a ‘record stew’ – which was the title of Hubert Fichte’s LP review column in the leftist culture magazine konkret in the 1960s. The novelist’s work investigating the cultures of South America and the Caribbean islands has been called ‘domestic ethnology’. The writer himself referred to his ‘ethnopoesie’. Ekkehard Ehlers’s intuitive electronic portraits are a form of domestic ethnology in themselves. Invoking another of Ekkehard’s musical aliases, they are portraits of cultural ‘autopoiesies’ – creators whose works were strong enough to have their own self-regenerating life force.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ekkehard Ehlers\u003c\/p\u003e\n\u003cp\u003eLabel : Keplar\u003c\/p\u003e"}
You may also like:
2000年にMille Plateauxからデビューしたドイツ・ベルリンのベテラン音響作家Ekkehard Ehlersが、2022年10月にリリースした再発2枚組レコードです。（オリジナルは2002年にStaubgoldからリリース） Robert JohnsonとJohn Cassavetes、Albert Ayler、Cornelius Cardew、Hubert Fichteを再解釈したネオクラシカル・アンビエント10曲を収録。 -------------------------------------- Edition of 500. Text...
Sold Out