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{"id":9027925868794,"title":"Spencer Zahn \/\/ Statues Live TAPE","handle":"spencer-zahn-statues-live-tape","description":"\u003cp\u003e\u003cspan\u003eアメリカのマルチ奏者\u003c\/span\u003e\u003cspan\u003eSpencer Zahnが、2025年10月にLAの老舗オールジャンルレーベルleaving recordsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA面はLeaving Records、B面はAltamira Soundでのライブ演奏12曲、73分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3782847676\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e'Statues' was originally released in 2023 on Cascine. This release contains live performances of the album: Side A \u003cmeta charset=\"utf-8\"\u003eLive at Leaving Records, side B Live at Altamira Sound.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 200 copies.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Changes in Three Parts (Live at Leaving Records) 06:13\u003cbr\u003e2. Lawns (Live at Leaving Records) 06:26\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. High Touch (Live at Leaving Records) 05:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Curious Frame (Live at Leaving Records) 08:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Wind Unsung (Live at Leaving Records) 03:58\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Short Drive Home (Live at Altamira Sound) 04:35\u003cbr\u003e\u003c\/span\u003e7. OST (Live at Altamira Sound) 07:36\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Lawns (Live at Altamira Sound) 10:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Wave (Live at Altamira Sound) 03:31\u003cbr\u003e\u003c\/span\u003e10. Curious Frame (Live at Altamira Sound) 07:55\u003cbr\u003e11. Snow Fields (Live at Altamira Sound) 01:34\u003cbr\u003e12. Wind Unsung (Live at Altamira Sound) 05:31\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSpencer Zahn is a multi-instrumentalist and composer who has released several albums both as a solo artist and as a collaborator. His music is marked by openness: spacious, intriguing sonic spaces, rich with contributions from his creative community.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn November 2023, Zahn released Statues - the album compositions were written during a six month period of solitary focus - however after moving to Los Angeles in early 2023, Zahn started to work with a group of new musicians that make up some of the most exciting players in LA. His new west coast quartet consists of Nicole McCabe, Vancil Cooper, and Zach Tenorio.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Zahn’s latest offering *Statues Live* the west coast quartet performed two live concerts both recorded to make up the tracklisting for his new album. Though the compositions are the same as the studio album Statues, the sound and performance is unique to this new live album leaning heavily on the perspective of the quartet and their collective improvisations. Side A was recorded live, outdoors at the Leaving Records concert series. Side B was recorded live, indoors at Altamira Sound in front of a studio audience.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Spencer Zahn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th December 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-16T08:18:11+09:00","created_at":"2025-12-15T10:39:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","new","tape"],"price":247000,"price_min":247000,"price_max":247000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48108310757626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Spencer Zahn \/\/ Statues Live TAPE","public_title":null,"options":["Default Title"],"price":247000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/spen1.jpg?v=1765762566","\/\/tobirarecords.com\/cdn\/shop\/files\/spen2.jpg?v=1765762566"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/spen1.jpg?v=1765762566","options":["Title"],"media":[{"alt":null,"id":37786555711738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spen1.jpg?v=1765762566"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spen1.jpg?v=1765762566","width":700},{"alt":null,"id":37786555744506,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spen2.jpg?v=1765762566"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/spen2.jpg?v=1765762566","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカのマルチ奏者\u003c\/span\u003e\u003cspan\u003eSpencer Zahnが、2025年10月にLAの老舗オールジャンルレーベルleaving recordsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA面はLeaving Records、B面はAltamira Soundでのライブ演奏12曲、73分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3782847676\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e'Statues' was originally released in 2023 on Cascine. This release contains live performances of the album: Side A \u003cmeta charset=\"utf-8\"\u003eLive at Leaving Records, side B Live at Altamira Sound.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 200 copies.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Changes in Three Parts (Live at Leaving Records) 06:13\u003cbr\u003e2. Lawns (Live at Leaving Records) 06:26\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. High Touch (Live at Leaving Records) 05:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Curious Frame (Live at Leaving Records) 08:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Wind Unsung (Live at Leaving Records) 03:58\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Short Drive Home (Live at Altamira Sound) 04:35\u003cbr\u003e\u003c\/span\u003e7. OST (Live at Altamira Sound) 07:36\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Lawns (Live at Altamira Sound) 10:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Wave (Live at Altamira Sound) 03:31\u003cbr\u003e\u003c\/span\u003e10. Curious Frame (Live at Altamira Sound) 07:55\u003cbr\u003e11. Snow Fields (Live at Altamira Sound) 01:34\u003cbr\u003e12. Wind Unsung (Live at Altamira Sound) 05:31\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSpencer Zahn is a multi-instrumentalist and composer who has released several albums both as a solo artist and as a collaborator. His music is marked by openness: spacious, intriguing sonic spaces, rich with contributions from his creative community.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn November 2023, Zahn released Statues - the album compositions were written during a six month period of solitary focus - however after moving to Los Angeles in early 2023, Zahn started to work with a group of new musicians that make up some of the most exciting players in LA. His new west coast quartet consists of Nicole McCabe, Vancil Cooper, and Zach Tenorio.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Zahn’s latest offering *Statues Live* the west coast quartet performed two live concerts both recorded to make up the tracklisting for his new album. Though the compositions are the same as the studio album Statues, the sound and performance is unique to this new live album leaning heavily on the perspective of the quartet and their collective improvisations. Side A was recorded live, outdoors at the Leaving Records concert series. Side B was recorded live, indoors at Altamira Sound in front of a studio audience.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Spencer Zahn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th December 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのマルチ奏者Spencer Zahnが、2025年10月にLAの老舗オールジャンルレーベルleaving recordsからリリースしたカセットです。 A面はLeaving Records、B面はAltamira Soundでのライブ演奏12曲、73分を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw...
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{"id":9027925410042,"title":"Matthewdavid, Aaron Shaw, Carlos Niño \/\/ All Bliss, Every Tree TAPE","handle":"matthewdavid-aaron-shaw-carlos-nino-all-bliss-every-tree-tape","description":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのアンビエント作家\u003c\/span\u003e\u003cspan\u003eMatthewdavid, Aaron Shaw, Carlos Niñoが、2025年11月にLAの老舗オールジャンルレーベルleaving recordsから50本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2025年4月10日に行ったライブ演奏2曲を収録。一点一点異なる手描きアートワーク仕様です。版元即完のため最初で最後の入荷です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2132327324\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eCassette with special hand-marbled shell, each cassette is different. \u003cbr\u003eIncludes exclusive tape-only track on b-side. \u003cbr\u003eEdition of around 50 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. All Bliss, Every Tree 13:42\u003cbr\u003eB. *Exclusive tape-only b-side track*\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLeaving label boss\/producer\/composer Matthewdavid presents a long-form cut from the Los Angeles trio of Aaron Shaw, Carlos Niño, and himself. The 13-minute deep listening collage of zither, saxophone, and percussion was constructed through a process of re-sampling source material from the trio’s archive of live LA community concert recordings and studio sessions. A limited edition physical variant of hand-marbled cassettes has been made available with additional exclusive b-side material, not available on streaming platforms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNotably, all revenue generated from this recording will be placed towards supporting families in Gaza through the Art Saves Collective, a grassroots initiative that connects artists, creatives, and activists around the world with displaced families in Gaza. Furthermore, Leaving is beyond honored to officially reveal that Aaron Shaw, the lead saxophonist here on “All Bliss, Every Tree”, will be releasing his full-length solo debut album on Leaving Records in the first quarter of 2026.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Matthewdavid, Aaron Shaw, Carlos Niño\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eLR296\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : October 1st 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-16T08:24:06+09:00","created_at":"2025-12-15T10:33:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","new","tape"],"price":424200,"price_min":424200,"price_max":424200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48108308627706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Matthewdavid, Aaron Shaw, Carlos Niño \/\/ All Bliss, Every Tree TAPE","public_title":null,"options":["Default Title"],"price":424200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/all1_1caa11f1-6099-40e5-bbb2-3610297de770.jpg?v=1765762252","\/\/tobirarecords.com\/cdn\/shop\/files\/all2_44fe935d-ec2a-4dab-9920-a9fb7ec61913.jpg?v=1765762252","\/\/tobirarecords.com\/cdn\/shop\/files\/all3_2b738bed-efcf-47a7-b06a-b956268ef8ce.jpg?v=1765762252","\/\/tobirarecords.com\/cdn\/shop\/files\/all4.jpg?v=1765762252"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_1caa11f1-6099-40e5-bbb2-3610297de770.jpg?v=1765762252","options":["Title"],"media":[{"alt":null,"id":37786519732474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_1caa11f1-6099-40e5-bbb2-3610297de770.jpg?v=1765762252"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all1_1caa11f1-6099-40e5-bbb2-3610297de770.jpg?v=1765762252","width":700},{"alt":null,"id":37786519765242,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_44fe935d-ec2a-4dab-9920-a9fb7ec61913.jpg?v=1765762252"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all2_44fe935d-ec2a-4dab-9920-a9fb7ec61913.jpg?v=1765762252","width":1200},{"alt":null,"id":37786519798010,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all3_2b738bed-efcf-47a7-b06a-b956268ef8ce.jpg?v=1765762252"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all3_2b738bed-efcf-47a7-b06a-b956268ef8ce.jpg?v=1765762252","width":1200},{"alt":null,"id":37786519830778,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all4.jpg?v=1765762252"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/all4.jpg?v=1765762252","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのアンビエント作家\u003c\/span\u003e\u003cspan\u003eMatthewdavid, Aaron Shaw, Carlos Niñoが、2025年11月にLAの老舗オールジャンルレーベルleaving recordsから50本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2025年4月10日に行ったライブ演奏2曲を収録。一点一点異なる手描きアートワーク仕様です。版元即完のため最初で最後の入荷です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2132327324\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eCassette with special hand-marbled shell, each cassette is different. \u003cbr\u003eIncludes exclusive tape-only track on b-side. \u003cbr\u003eEdition of around 50 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. All Bliss, Every Tree 13:42\u003cbr\u003eB. *Exclusive tape-only b-side track*\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLeaving label boss\/producer\/composer Matthewdavid presents a long-form cut from the Los Angeles trio of Aaron Shaw, Carlos Niño, and himself. The 13-minute deep listening collage of zither, saxophone, and percussion was constructed through a process of re-sampling source material from the trio’s archive of live LA community concert recordings and studio sessions. A limited edition physical variant of hand-marbled cassettes has been made available with additional exclusive b-side material, not available on streaming platforms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNotably, all revenue generated from this recording will be placed towards supporting families in Gaza through the Art Saves Collective, a grassroots initiative that connects artists, creatives, and activists around the world with displaced families in Gaza. Furthermore, Leaving is beyond honored to officially reveal that Aaron Shaw, the lead saxophonist here on “All Bliss, Every Tree”, will be releasing his full-length solo debut album on Leaving Records in the first quarter of 2026.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Matthewdavid, Aaron Shaw, Carlos Niño\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eLR296\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : October 1st 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのアンビエント作家Matthewdavid, Aaron Shaw, Carlos Niñoが、2025年11月にLAの老舗オールジャンルレーベルleaving recordsから50本限定でリリースした共作カセットです。 2025年4月10日に行ったライブ演奏2曲を収録。一点一点異なる手描きアートワーク仕様です。版元即完のため最初で最後の入荷です。 カセットのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones...
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{"id":9027387654394,"title":"Machtelinckx \/ Badenhorst \/ Cools \/ Gouband \/\/ porous structures LP","handle":"machtelinckx-badenhorst-cools-gouband-porous-structures-lp","description":"\u003cp\u003eベルギーの実験／ジャズレーベルAspen Edities主宰Ruben Machtelinckxと、サックス奏者Joachim Badenhorst、ギタリストBert Cools、パーカッショニストToma Goubandが2019年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インプロ8曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=209271887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ased\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ased\"\u003ehere\u003c\/a\u003e to see more Aspen Edities releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003eVinyl edition of 250 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. structure 3 05:23\u003cbr\u003e2. mémoire 05:50\u003cbr\u003e3. structure 1 08:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. sillage 04:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. structure 4 07:48\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. structure 6 05:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. absence 04:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. inconnue 05:09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machtelinckx\/Badenhorst\/Cools\/Gouband\u003c\/p\u003e\n\u003cp\u003eLabel : Aspen Edities\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAspen 009\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 9th November 2019\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-15T07:56:49+09:00","created_at":"2025-12-14T10:52:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Aspen Edities","drone","jazz","lp","new","recommended"],"price":425400,"price_min":425400,"price_max":425400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48104733868282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Machtelinckx \/ Badenhorst \/ Cools \/ Gouband \/\/ porous structures LP","public_title":null,"options":["Default Title"],"price":425400,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/po1_47d20767-382d-4c9c-81d4-857ae4f01c4b.jpg?v=1765677008","\/\/tobirarecords.com\/cdn\/shop\/files\/pow2_5429f50f-aab9-4cae-aa62-207acb954950.jpg?v=1765677008"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_47d20767-382d-4c9c-81d4-857ae4f01c4b.jpg?v=1765677008","options":["Title"],"media":[{"alt":null,"id":37774963900666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_47d20767-382d-4c9c-81d4-857ae4f01c4b.jpg?v=1765677008"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_47d20767-382d-4c9c-81d4-857ae4f01c4b.jpg?v=1765677008","width":700},{"alt":null,"id":37774963966202,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pow2_5429f50f-aab9-4cae-aa62-207acb954950.jpg?v=1765677008"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pow2_5429f50f-aab9-4cae-aa62-207acb954950.jpg?v=1765677008","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーの実験／ジャズレーベルAspen Edities主宰Ruben Machtelinckxと、サックス奏者Joachim Badenhorst、ギタリストBert Cools、パーカッショニストToma Goubandが2019年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インプロ8曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=209271887\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ased\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ased\"\u003ehere\u003c\/a\u003e to see more Aspen Edities releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003eVinyl edition of 250 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. structure 3 05:23\u003cbr\u003e2. mémoire 05:50\u003cbr\u003e3. structure 1 08:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. sillage 04:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. structure 4 07:48\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. structure 6 05:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. absence 04:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. inconnue 05:09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Machtelinckx\/Badenhorst\/Cools\/Gouband\u003c\/p\u003e\n\u003cp\u003eLabel : Aspen Edities\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAspen 009\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 9th November 2019\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギーの実験／ジャズレーベルAspen Edities主宰Ruben Machtelinckxと、サックス奏者Joachim Badenhorst、ギタリストBert Cools、パーカッショニストToma Goubandが2019年にリリースした共作レコードです。 アンビエント・ジャズ〜インプロ8曲を収録。ゲートフォルド仕様です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see...
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{"id":9027384279290,"title":"Nicolae Brînduş \/\/ Match \/ Soliloque 1\u00264 \/ Antifonia CD","handle":"nicolae-brindus-match-soliloque-1-4-antifonia-cd","description":"\u003cp\u003eルーマニアの実験音楽家Nicolae Brînduşが、2025年12月にベルギーの実験レーベルMetaphonからリリースした再発CDです。（オリジナルは1986年リリース）\u003c\/p\u003e\n\u003cp\u003eコラージュ・ストレンジビーツ〜フリージャズ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは1986年に\u003cspan\u003eElectrecord\u003c\/span\u003eのRCM（ルーマニア現代音楽）シリーズで初リリースされたもので、彼の連作『PHTORA』（1968-1972）に属する作品群を収録している。この連作は5つの楽曲で構成され、スペクトラリズムの伝統に傾倒した集団即興演奏を5段階に構造化したものである。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eおそらくRCMシリーズ全体で最も風変わりなレコードであり、組織化された不協和音の魅惑的なコラージュを提示している。それは、テープマニュピレーションと残響効果を多用した、抽象的なオーケストラ即興演奏、ルーマニアの絵のように美しい民族音楽、フリージャズが織りなす、巨大でありながら繊細に層を成す旋風のような作品だ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこの再発盤には、\u003cspan\u003eElectrecord\u003c\/span\u003eのために数多くのジャケットを手掛けたアナ・ゴリチの美しいオリジナル・スリーブアートワークが付属している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2216587210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us or digital files. \u003cbr\u003e2025 CD reissue by Metaphon - originally released in 1986 on Electrecord. \u003cbr\u003eNOTE : CD contains \u003cmeta charset=\"utf-8\"\u003epreviously unreleased bonus track 'Soliloque 2'.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCD Tracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Match 19:46\u003cbr\u003e2. Soliloque 1 06:58\u003cbr\u003e3. Soliloque 4 08:59\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Antifonia 11:03\u003cbr\u003e\u003c\/span\u003e5. Soliloque 2 12:03\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMetaphon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis album originally released on Electrecord’s RCM (Romanian Contemporary Music) series in 1986 provides a selection of works which belong to his cycle PHTORA (1968-1972). The cycle comprises five pieces which are five degrees of structuring collective improvisation, leaning towards the spectralist tradition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt’s probably the most eccentric record in the whole RCM series, offering a mesmerizing collage of organized cacophony, as a massive but subtly layered whirlwind of abstract orchestral improvisations, Romanian picturesque folklore and free jazz with extensive use of tape manipulation and reverberation.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis reissue comes with the beautiful original sleeve artwork by Ana Golici who designed many sleeves for Electrecord.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Nicolae Brînduş\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Metaphon \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eMETAPHON 025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-14T10:52:37+09:00","created_at":"2025-12-14T10:22:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","jazz","metaphon","monooto","new","strange beats"],"price":344400,"price_min":344400,"price_max":344400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48104714338554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nicolae Brînduş \/\/ Match \/ Soliloque 1\u00264 \/ Antifonia CD","public_title":null,"options":["Default Title"],"price":344400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/anti1_b770ee67-34b3-41fe-a00c-36a40eb65c9c.jpg?v=1765675429","\/\/tobirarecords.com\/cdn\/shop\/files\/nic3_a58bdde0-bdba-4fbd-85d9-7407ab1849ab.jpg?v=1765675429"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/anti1_b770ee67-34b3-41fe-a00c-36a40eb65c9c.jpg?v=1765675429","options":["Title"],"media":[{"alt":null,"id":37774929494266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/anti1_b770ee67-34b3-41fe-a00c-36a40eb65c9c.jpg?v=1765675429"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/anti1_b770ee67-34b3-41fe-a00c-36a40eb65c9c.jpg?v=1765675429","width":700},{"alt":null,"id":37774929527034,"position":2,"preview_image":{"aspect_ratio":1.095,"height":547,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nic3_a58bdde0-bdba-4fbd-85d9-7407ab1849ab.jpg?v=1765675429"},"aspect_ratio":1.095,"height":547,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nic3_a58bdde0-bdba-4fbd-85d9-7407ab1849ab.jpg?v=1765675429","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eルーマニアの実験音楽家Nicolae Brînduşが、2025年12月にベルギーの実験レーベルMetaphonからリリースした再発CDです。（オリジナルは1986年リリース）\u003c\/p\u003e\n\u003cp\u003eコラージュ・ストレンジビーツ〜フリージャズ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは1986年に\u003cspan\u003eElectrecord\u003c\/span\u003eのRCM（ルーマニア現代音楽）シリーズで初リリースされたもので、彼の連作『PHTORA』（1968-1972）に属する作品群を収録している。この連作は5つの楽曲で構成され、スペクトラリズムの伝統に傾倒した集団即興演奏を5段階に構造化したものである。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eおそらくRCMシリーズ全体で最も風変わりなレコードであり、組織化された不協和音の魅惑的なコラージュを提示している。それは、テープマニュピレーションと残響効果を多用した、抽象的なオーケストラ即興演奏、ルーマニアの絵のように美しい民族音楽、フリージャズが織りなす、巨大でありながら繊細に層を成す旋風のような作品だ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこの再発盤には、\u003cspan\u003eElectrecord\u003c\/span\u003eのために数多くのジャケットを手掛けたアナ・ゴリチの美しいオリジナル・スリーブアートワークが付属している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2216587210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us or digital files. \u003cbr\u003e2025 CD reissue by Metaphon - originally released in 1986 on Electrecord. \u003cbr\u003eNOTE : CD contains \u003cmeta charset=\"utf-8\"\u003epreviously unreleased bonus track 'Soliloque 2'.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCD Tracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Match 19:46\u003cbr\u003e2. Soliloque 1 06:58\u003cbr\u003e3. Soliloque 4 08:59\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Antifonia 11:03\u003cbr\u003e\u003c\/span\u003e5. Soliloque 2 12:03\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMetaphon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis album originally released on Electrecord’s RCM (Romanian Contemporary Music) series in 1986 provides a selection of works which belong to his cycle PHTORA (1968-1972). The cycle comprises five pieces which are five degrees of structuring collective improvisation, leaning towards the spectralist tradition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt’s probably the most eccentric record in the whole RCM series, offering a mesmerizing collage of organized cacophony, as a massive but subtly layered whirlwind of abstract orchestral improvisations, Romanian picturesque folklore and free jazz with extensive use of tape manipulation and reverberation.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThis reissue comes with the beautiful original sleeve artwork by Ana Golici who designed many sleeves for Electrecord.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Nicolae Brînduş\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Metaphon \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eMETAPHON 025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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ルーマニアの実験音楽家Nicolae Brînduşが、2025年12月にベルギーの実験レーベルMetaphonからリリースした再発CDです。（オリジナルは1986年リリース） コラージュ・ストレンジビーツ〜フリージャズ5曲を収録。 以下、レーベルによる解説です。 "このアルバムは1986年にElectrecordのRCM（ルーマニア現代音楽）シリーズで初リリースされたもので、彼の連作『PHTORA』（1968-1972）に属する作品群を収録している。この連作は5つの楽曲で構成され、スペクトラリズムの伝統に傾倒した集団即興演奏を5段階に構造化したものである。おそらくRCMシリーズ全体で最も風変わりなレコードであり、組織化された不協和音の魅惑的なコラージュを提示している。それは、テープマニュピレーションと残響効果を多用した、抽象的なオーケストラ即興演奏、ルーマニアの絵のように美しい民族音楽、フリージャズが織りなす、巨大でありながら繊細に層を成す旋風のような作品だ。この再発盤には、Electrecordのために数多くのジャケットを手掛けたアナ・ゴリチの美しいオリジナル・スリーブアートワークが付属している。" レーベルその他作品はこちら /// Click here to see more La Scie Doree / Metaphon...
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{"id":9027044245754,"title":"J Foerster \/ N Kramer \/\/ Habitat II LP","handle":"j-foerster-n-kramer-habitat-ii-lp","description":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたドイツ・ベルリンのアンビエント作家J FoersterとN Kramerが、2023年10月にアメリカ・LAのLeaving Recordsからリリースした共作アルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Habitat』（現在では『Habitat I』と呼ぶのが適切だろう）は、ベルリンを拠点に活動する2人の実験音楽家、作曲家のN KramerとパーカッショニストのJ Foersterによる、良心的かつ探求的で、明らかにCOVID時代のコラボレーションの産物である。イタリアの建築家Ettore Sottsass,にインスパイアされたHabitatは、（『Music For Airports』や『Plantasia』といったアンビエントの代表作を踏襲しているとはいえ）各トラックが想像上の建物の一室を表すというシンプルで魅力的なコンセプトを持っている。曲がった廊下」のようなトラックは、文字通りリスナーを心理地理学的な迷宮へと導く。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『Habitat II\u003cmeta charset=\"utf-8\"\u003e』も同じような前提に立っている。しかし、『\u003cmeta charset=\"utf-8\"\u003eHabitat I』が想像上の自己完結型建造物の不可解な複雑さを描いていたとすれば、『Habitat II\u003cmeta charset=\"utf-8\"\u003e』はコンセプトの領域を広げている。仮想の家の部屋だけでなく、ミッドセンチュリーの建造物の曲がりくねった廊下や敷地を思い浮かべてみよう。これらの特徴をどのように想像し、マッピングし、リスナーに魅力的に見せることができるだろうか？静寂、管楽器、パーカッシブな奥行きからなる、たゆたうような、エーテリアルな組曲で、テリー・ライリーの流れを汲む優しく催眠術をかけ、私たちの入場を手招きする「Seating (Welcome)」から始めるのが適切だろう。ここでの明瞭さ、空気の流れの方向性は、バウハウス流の威厳と身振りの単純さを思い起こさせる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特筆すべきは、レコードのジャケットを飾るリリー・クラークによる彫刻のような「Wasserspiel」（トラック7）-「water fixture」（意訳）-である。このアルバムの中で、Wasserspielは特に模倣的なハイライトを構成している。滝のように流れ、きらめき、輝きのフォントが、（その強さのために）流水のサンプルやファウンド・サウンドに頼っていない。その代わりに、流れる液体のきらめきと、それに付随する屈折した夕暮れの日差しのはっきりとした印象が残る。実際、噴水（Wasserspieleの最も一般的で家畜化された形態）は、キッチュであると同時に豊富であり、Habitatシリーズの根底にある、60年代のホームショッピング・カタログのような教養ある美学を象徴しているのかもしれない。これらのHabitatは、それがどこにあろうとも、どのように見えようとも（そして実際、解釈の余地は十分にある）、漠然としたユートピアであり、胸が痛むほどノスタルジックであることに、誰もが同意できるに違いない。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼らの作曲プロセスについて、KramerとFoersterは、即興への相互の関心と、さらに、アイデアを記録しインデックス化するための一種の「最初に考えた最善の考え」アプローチについて言及している。主に15秒制限のあるサンプラーに頼り、彼らのプロセスは、非同期の（しかし重要なのは、調和がとれている、おそらく「もてなし」のような）ループを有機的に重ねることを強調している。多くの部屋は、気まぐれなレコーディング・プロセスの犠牲となり、エーテルに消えてしまった。\u003cmeta charset=\"utf-8\"\u003e『Habitat II\u003cmeta charset=\"utf-8\"\u003e』に残された部屋は、耕され、家具が置かれ、装飾されている。そして、あなたの入室を心待ちにしている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2141583284\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available as 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eSeating (Welcome) 05:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cspan\u003eSouvenirs 05:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eCatalog 03:28\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eBedding (Four Layers) 05:56\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cspan\u003eNew Sway 05:22\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cspan\u003eBlue Terrace 05:37\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cspan\u003eWasserspiel 05:17\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. \u003c\/span\u003e\u003cspan\u003eWindspiel 03:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eHabitat (what we might now properly refer to as Habitat I) arrived, fully-formed, in 2021—the product of a conscientious, exploratory, and decidedly Covid-era collaboration between two Berlin-based experimental musicians: the composer N. (Niklas) Kramer, and percussionist, J. (Joda) Foerster. Inspired by the Italian architect, Ettore Sottsass, Habitat’s simple, albeit beguiling conceit (following in the footsteps of canonical ambient releases like Music for Airports and Plantasia) was that each track ought to represent a room in an imagined building. Taken quite literally, tracks like “Curved Hallway” guided the listener through a kind of psychogeographic labyrinth, at once welcoming and slightly uncanny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHabitat II operates on a similar premise. But if Habitat I charted the perplexing intricacies of an imagined, self-contained structure, Habitat II expands the conceptual realm. Think now, not only of rooms in a hypothetical home, but of the winding hallways and grounds of a mid-century structure—perhaps slightly past its prime, but not at all an inappropriate venue for a late-night soiree. How might these features be imagined, mapped, and rendered enticing for a listener? We begin, appropriately, with “Seating (Welcome),” which, in its fluttering, aetherial suite of static, winds, and percussive\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e depths, gently hypnotizes in the vein of Terry Riley, beckoning our entry. The clarity here, the directional flow of air, recalls the dignity and gestural simplicity of the Bauhaus school.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOf significant note is the Wasserspiel (track seven)—”water fixture” (loosely translated), like the sculpture by Lily Clark, which graces the record’s cover. In an album grounded by analogies, Wasserspiel constitutes an especially mimetic highlight: a cascading, shimmering, font of radiance that does not (to its strength) rely upon a sample or found-sound reference to running water. Instead we are left with the distinct impression of the glimmer of flowing liquid, and of the attendant, refractory evening sunlight. Indeed, fountains (the most common and domesticated form of Wasserspiele)—their simultaneous kitsch and abundance—may very well epitomize the kind of cultivated, sixties home-shopping catalog aesthetic that undergirds the Habitat series. These habitats, wherever they are, however they appear to you (and there is indeed ample room for interpretation)—we can all certainly agree that they are vaguely utopian and achingly nostalgic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOf their compositional process, Kramer and Foerster reference their mutual interest in improvisation, and, furthermore, a kind of “first thought best thought” approach to recording and indexing ideas. Relying primarily on a sampler with a 15 second limit, their process emphasizes the organic layering of asynchronous (though, crucially, harmonious — perhaps even “hospitable”) loops. Suffice it to say, many rooms have been lost to the aether, casualties of a mercurial recording process. Those rooms that remain in Habitat II have been cultivated, furnished, and decorated. And they eagerly await your entry.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J Foerster \/ N Krame\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2025-12-13T15:30:20+09:00","created_at":"2025-12-13T15:29:23+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","new","post newage"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48103514996986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"J Foerster \/ N Kramer \/\/ Habitat II LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2995085102_16_031d7f20-4056-4389-80e8-c462259cfccf.jpg?v=1715831532","\/\/tobirarecords.com\/cdn\/shop\/files\/0032945173_10_8f3635a8-7a2a-41e5-a636-bf2a4cecd2a2.jpg?v=1715831532","\/\/tobirarecords.com\/cdn\/shop\/files\/0032945174_10_e8bb24b2-576a-4c22-9476-8daf27556a93.jpg?v=1715831532"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2995085102_16_031d7f20-4056-4389-80e8-c462259cfccf.jpg?v=1715831532","options":["Title"],"media":[{"alt":null,"id":34039597760762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2995085102_16_031d7f20-4056-4389-80e8-c462259cfccf.jpg?v=1715831532"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2995085102_16_031d7f20-4056-4389-80e8-c462259cfccf.jpg?v=1715831532","width":700},{"alt":null,"id":34039597793530,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032945173_10_8f3635a8-7a2a-41e5-a636-bf2a4cecd2a2.jpg?v=1715831532"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032945173_10_8f3635a8-7a2a-41e5-a636-bf2a4cecd2a2.jpg?v=1715831532","width":1200},{"alt":null,"id":34039597826298,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032945174_10_e8bb24b2-576a-4c22-9476-8daf27556a93.jpg?v=1715831532"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032945174_10_e8bb24b2-576a-4c22-9476-8daf27556a93.jpg?v=1715831532","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれたドイツ・ベルリンのアンビエント作家J FoersterとN Kramerが、2023年10月にアメリカ・LAのLeaving Recordsからリリースした共作アルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Habitat』（現在では『Habitat I』と呼ぶのが適切だろう）は、ベルリンを拠点に活動する2人の実験音楽家、作曲家のN KramerとパーカッショニストのJ Foersterによる、良心的かつ探求的で、明らかにCOVID時代のコラボレーションの産物である。イタリアの建築家Ettore Sottsass,にインスパイアされたHabitatは、（『Music For Airports』や『Plantasia』といったアンビエントの代表作を踏襲しているとはいえ）各トラックが想像上の建物の一室を表すというシンプルで魅力的なコンセプトを持っている。曲がった廊下」のようなトラックは、文字通りリスナーを心理地理学的な迷宮へと導く。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e『Habitat II\u003cmeta charset=\"utf-8\"\u003e』も同じような前提に立っている。しかし、『\u003cmeta charset=\"utf-8\"\u003eHabitat I』が想像上の自己完結型建造物の不可解な複雑さを描いていたとすれば、『Habitat II\u003cmeta charset=\"utf-8\"\u003e』はコンセプトの領域を広げている。仮想の家の部屋だけでなく、ミッドセンチュリーの建造物の曲がりくねった廊下や敷地を思い浮かべてみよう。これらの特徴をどのように想像し、マッピングし、リスナーに魅力的に見せることができるだろうか？静寂、管楽器、パーカッシブな奥行きからなる、たゆたうような、エーテリアルな組曲で、テリー・ライリーの流れを汲む優しく催眠術をかけ、私たちの入場を手招きする「Seating (Welcome)」から始めるのが適切だろう。ここでの明瞭さ、空気の流れの方向性は、バウハウス流の威厳と身振りの単純さを思い起こさせる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e特筆すべきは、レコードのジャケットを飾るリリー・クラークによる彫刻のような「Wasserspiel」（トラック7）-「water fixture」（意訳）-である。このアルバムの中で、Wasserspielは特に模倣的なハイライトを構成している。滝のように流れ、きらめき、輝きのフォントが、（その強さのために）流水のサンプルやファウンド・サウンドに頼っていない。その代わりに、流れる液体のきらめきと、それに付随する屈折した夕暮れの日差しのはっきりとした印象が残る。実際、噴水（Wasserspieleの最も一般的で家畜化された形態）は、キッチュであると同時に豊富であり、Habitatシリーズの根底にある、60年代のホームショッピング・カタログのような教養ある美学を象徴しているのかもしれない。これらのHabitatは、それがどこにあろうとも、どのように見えようとも（そして実際、解釈の余地は十分にある）、漠然としたユートピアであり、胸が痛むほどノスタルジックであることに、誰もが同意できるに違いない。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼らの作曲プロセスについて、KramerとFoersterは、即興への相互の関心と、さらに、アイデアを記録しインデックス化するための一種の「最初に考えた最善の考え」アプローチについて言及している。主に15秒制限のあるサンプラーに頼り、彼らのプロセスは、非同期の（しかし重要なのは、調和がとれている、おそらく「もてなし」のような）ループを有機的に重ねることを強調している。多くの部屋は、気まぐれなレコーディング・プロセスの犠牲となり、エーテルに消えてしまった。\u003cmeta charset=\"utf-8\"\u003e『Habitat II\u003cmeta charset=\"utf-8\"\u003e』に残された部屋は、耕され、家具が置かれ、装飾されている。そして、あなたの入室を心待ちにしている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2141583284\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available as 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. \u003c\/span\u003e\u003cspan\u003eSeating (Welcome) 05:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. \u003c\/span\u003e\u003cspan\u003eSouvenirs 05:03\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. \u003c\/span\u003e\u003cspan\u003eCatalog 03:28\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. \u003c\/span\u003e\u003cspan\u003eBedding (Four Layers) 05:56\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. \u003c\/span\u003e\u003cspan\u003eNew Sway 05:22\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. \u003c\/span\u003e\u003cspan\u003eBlue Terrace 05:37\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. \u003c\/span\u003e\u003cspan\u003eWasserspiel 05:17\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. \u003c\/span\u003e\u003cspan\u003eWindspiel 03:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eHabitat (what we might now properly refer to as Habitat I) arrived, fully-formed, in 2021—the product of a conscientious, exploratory, and decidedly Covid-era collaboration between two Berlin-based experimental musicians: the composer N. (Niklas) Kramer, and percussionist, J. (Joda) Foerster. Inspired by the Italian architect, Ettore Sottsass, Habitat’s simple, albeit beguiling conceit (following in the footsteps of canonical ambient releases like Music for Airports and Plantasia) was that each track ought to represent a room in an imagined building. Taken quite literally, tracks like “Curved Hallway” guided the listener through a kind of psychogeographic labyrinth, at once welcoming and slightly uncanny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHabitat II operates on a similar premise. But if Habitat I charted the perplexing intricacies of an imagined, self-contained structure, Habitat II expands the conceptual realm. Think now, not only of rooms in a hypothetical home, but of the winding hallways and grounds of a mid-century structure—perhaps slightly past its prime, but not at all an inappropriate venue for a late-night soiree. How might these features be imagined, mapped, and rendered enticing for a listener? We begin, appropriately, with “Seating (Welcome),” which, in its fluttering, aetherial suite of static, winds, and percussive\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e depths, gently hypnotizes in the vein of Terry Riley, beckoning our entry. The clarity here, the directional flow of air, recalls the dignity and gestural simplicity of the Bauhaus school.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOf significant note is the Wasserspiel (track seven)—”water fixture” (loosely translated), like the sculpture by Lily Clark, which graces the record’s cover. In an album grounded by analogies, Wasserspiel constitutes an especially mimetic highlight: a cascading, shimmering, font of radiance that does not (to its strength) rely upon a sample or found-sound reference to running water. Instead we are left with the distinct impression of the glimmer of flowing liquid, and of the attendant, refractory evening sunlight. Indeed, fountains (the most common and domesticated form of Wasserspiele)—their simultaneous kitsch and abundance—may very well epitomize the kind of cultivated, sixties home-shopping catalog aesthetic that undergirds the Habitat series. These habitats, wherever they are, however they appear to you (and there is indeed ample room for interpretation)—we can all certainly agree that they are vaguely utopian and achingly nostalgic.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOf their compositional process, Kramer and Foerster reference their mutual interest in improvisation, and, furthermore, a kind of “first thought best thought” approach to recording and indexing ideas. Relying primarily on a sampler with a 15 second limit, their process emphasizes the organic layering of asynchronous (though, crucially, harmonious — perhaps even “hospitable”) loops. Suffice it to say, many rooms have been lost to the aether, casualties of a mercurial recording process. Those rooms that remain in Habitat II have been cultivated, furnished, and decorated. And they eagerly await your entry.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : J Foerster \/ N Krame\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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Tobiraインストアショーケースでも素晴らしいライブを披露してくれたドイツ・ベルリンのアンビエント作家J FoersterとN Kramerが、2023年10月にアメリカ・LAのLeaving Recordsからリリースした共作アルバムです。 ポストニューエイジ・アンビエントジャズ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "『Habitat』（現在では『Habitat I』と呼ぶのが適切だろう）は、ベルリンを拠点に活動する2人の実験音楽家、作曲家のN KramerとパーカッショニストのJ Foersterによる、良心的かつ探求的で、明らかにCOVID時代のコラボレーションの産物である。イタリアの建築家Ettore Sottsass,にインスパイアされたHabitatは、（『Music For Airports』や『Plantasia』といったアンビエントの代表作を踏襲しているとはいえ）各トラックが想像上の建物の一室を表すというシンプルで魅力的なコンセプトを持っている。曲がった廊下」のようなトラックは、文字通りリスナーを心理地理学的な迷宮へと導く。『Habitat...
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{"id":9026485354746,"title":"Jeff Parker ETA IVtet + Various Artists \/\/ The Hard Way In to The Way Out of Easy LP","handle":"jeff-parker-eta-ivtet-the-hard-way-in-to-the-way-out-of-easy-lp","description":"\u003cp\u003eアメリカのジャズバンドJeff Parker ETA IVtetが、2025年12月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らがリリースした\u003ca href=\"https:\/\/tobirarecords.com\/products\/jeff-parker-eta-ivtet-the-way-out-of-easy-2xlp\"\u003e『The Way Out of Easy』\u003c\/a\u003eのリミックスを当店含む30店舗を通じて募集し、Jeff Parkerが選んだ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eRemixes of Jeff Parker ETA IVtet's October 2024 Album 'The Way Out Of Easy', submitted by artists from all over the world and hand-selected and sequenced by Jeff Parker himself for this special one-time release. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. Seprock\u003c\/span\u003e\u003cspan\u003e - Pothole Hijinx\u003cbr\u003e2. \u003c\/span\u003e\u003cspan\u003eYEHAIYAHAN\u003c\/span\u003e\u003cspan\u003e - Jazz My Life (\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYEHAIYAHAN Remix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eft. EDHEM)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e3. Megadead - Out Of The Way\u003cbr\u003e4. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eMaodea\u003c\/span\u003e\u003cspan\u003e - Hard Way In (Easy Way Out Remix) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e5. Kyron - Chrome Dome (Kyron Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e6. Diogo\u003c\/span\u003e\u003cspan\u003e - Chrome Dome (Diogo Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7. Andrew Connor\u003c\/span\u003e\u003cspan\u003e - EZ Way\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e8. Swimming\u003c\/span\u003e\u003cspan\u003e - 24hr IVtet Flip (interlude) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e9. Sergio Castañeda - Tripkadelic\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e10. PRE98\u003c\/span\u003e\u003cspan\u003e - Swing Door\u003cbr\u003e\u003c\/span\u003e11. Taishiji - Flickadelic\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\"A month before @jeffparkersounds’ The Way Out Of Easy was released in October 2024, we distributed USB sticks containing the album tracks to record shops around the world, along with an open invitation for anyone interested in reimagining the music to pick one up, get to work, and submit a remix for potential inclusion on this limited edition LP. One month later, the portal was closed, and a whopping 77 remixes had been submitted! \u003cb\u003e\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eJeff Parker reviewed all submissions - which came from every corner of the globe – and selected and sequenced the tracklist himself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet + Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARCRM89\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th December 2025\u003c\/p\u003e","published_at":"2025-12-12T11:28:58+09:00","created_at":"2025-12-12T10:54:27+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":496500,"price_min":496500,"price_max":496500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48100261822714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker ETA IVtet + Various Artists \/\/ The Hard Way In to The Way Out of Easy LP","public_title":null,"options":["Default Title"],"price":496500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5211.jpg?v=1765503914","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5213.jpg?v=1765503914","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5215.jpg?v=1765503914","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5278.jpg?v=1765503915","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5302.jpg?v=1765503914"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553","options":["Title"],"media":[{"alt":null,"id":37760879755514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5202.jpg?v=1765504553","width":3024},{"alt":null,"id":37760879788282,"position":2,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5211.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5211.jpg?v=1765503914","width":4032},{"alt":null,"id":37760879821050,"position":3,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5213.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5213.jpg?v=1765503914","width":4032},{"alt":null,"id":37760879853818,"position":4,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5215.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5215.jpg?v=1765503914","width":4032},{"alt":null,"id":37760879886586,"position":5,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5278.jpg?v=1765503915"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5278.jpg?v=1765503915","width":4032},{"alt":null,"id":37760879919354,"position":6,"preview_image":{"aspect_ratio":1.333,"height":3024,"width":4032,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5302.jpg?v=1765503914"},"aspect_ratio":1.333,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_5302.jpg?v=1765503914","width":4032}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのジャズバンドJeff Parker ETA IVtetが、2025年12月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らがリリースした\u003ca href=\"https:\/\/tobirarecords.com\/products\/jeff-parker-eta-ivtet-the-way-out-of-easy-2xlp\"\u003e『The Way Out of Easy』\u003c\/a\u003eのリミックスを当店含む30店舗を通じて募集し、Jeff Parkerが選んだ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eRemixes of Jeff Parker ETA IVtet's October 2024 Album 'The Way Out Of Easy', submitted by artists from all over the world and hand-selected and sequenced by Jeff Parker himself for this special one-time release. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. Seprock\u003c\/span\u003e\u003cspan\u003e - Pothole Hijinx\u003cbr\u003e2. \u003c\/span\u003e\u003cspan\u003eYEHAIYAHAN\u003c\/span\u003e\u003cspan\u003e - Jazz My Life (\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYEHAIYAHAN Remix\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eft. EDHEM)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e3. Megadead - Out Of The Way\u003cbr\u003e4. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eMaodea\u003c\/span\u003e\u003cspan\u003e - Hard Way In (Easy Way Out Remix) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e5. Kyron - Chrome Dome (Kyron Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e6. Diogo\u003c\/span\u003e\u003cspan\u003e - Chrome Dome (Diogo Remix)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e7. Andrew Connor\u003c\/span\u003e\u003cspan\u003e - EZ Way\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e8. Swimming\u003c\/span\u003e\u003cspan\u003e - 24hr IVtet Flip (interlude) \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e9. Sergio Castañeda - Tripkadelic\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e10. PRE98\u003c\/span\u003e\u003cspan\u003e - Swing Door\u003cbr\u003e\u003c\/span\u003e11. Taishiji - Flickadelic\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\"A month before @jeffparkersounds’ The Way Out Of Easy was released in October 2024, we distributed USB sticks containing the album tracks to record shops around the world, along with an open invitation for anyone interested in reimagining the music to pick one up, get to work, and submit a remix for potential inclusion on this limited edition LP. One month later, the portal was closed, and a whopping 77 remixes had been submitted! \u003cb\u003e\u003c\/b\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eJeff Parker reviewed all submissions - which came from every corner of the globe – and selected and sequenced the tracklist himself.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet + Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARCRM89\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th December 2025\u003c\/p\u003e"}
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アメリカのジャズバンドJeff Parker ETA IVtetが、2025年12月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。 彼らがリリースした『The Way Out of Easy』のリミックスを当店含む30店舗を通じて募集し、Jeff Parkerが選んだ11曲を収録。 レコードのみでの発表となります。 レーベルその他作品はこちら /// Click here to...
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{"id":9026021884154,"title":"Michele Bondesan \/\/ nothingness TAPE","handle":"michele-bondesan-nothingness-tape","description":"\u003cp\u003e\u003cspan\u003eイタリアのコントラバス奏者\u003c\/span\u003eMichele Bondesanが、2025年11月にウェールズの実験レーベルDiscreet Archiveから25本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eコントラバスとテープループ、テープレコーダーによるドローン〜コラージュ〜インプロ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/luca-perciballi-and-michele-bondesan-tapestry-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2632846379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003ehere\u003c\/a\u003e to see more Discreet Archive releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in slipcase. \u003cbr\u003eLimited edition of 25 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. travestimento I 09:16\u003cbr\u003e2. travestimento II 07:01\u003cbr\u003e3. travestimento III 04:14\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. travestimento IV 09:11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDiscreet Archive:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003enothingness is a work for double bass and tape recorders that listens inward, toward the erosion of gesture and the slow drift of sound into memory. Composed in 2025 and recorded in Livorno, the piece unfolds across four movements titled travestimenti (“disguises”), each tracing a process of deconstruction and quiet reintegration.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe double bass, played exclusively with the bow, is stripped of its usual weight and force; its resonance is explored through natural harmonics, multiphonics, and microvariations. These fragile tones are captured, looped, and reintroduced by portable tape recorders, whose simple mechanics of spooling, rewinding, and stretching create a delicate system of accumulation and decay. Sounds return altered, smudged, or emptied of their first intention, and memory becomes a material that fails and rebuilds itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross the four parts, gesture encounters space and silence as active agents. Sounds drift into the room and return diminished or reshaped, meeting the quiet as resistance and as resonance. Repetition and variation become a way of feeling out the edges of presence, as if the instrument were testing how little can be said before it disappears into the acoustic of the space. The work lingers in this tension, searching for a fragile, lived relationship with memory\u003cspan class=\"bcTruncateMore\"\u003e and place.\u003cbr\u003e\u003cbr\u003eBorn in 1994, Michele Bondesan is a musician and sound explorer whose practice spans the extended techniques of the double bass, the construction of participatory listening spaces, and the use of modest analog tools as both timbral and narrative devices. His fascination with cassette recorders, vulnerable to wear, failure, and environmental interference, frames sound as something inherently unstable: part memory, part disappearance.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michele Bondesan\u003c\/p\u003e\n\u003cp\u003eLabel : Discreet Archive\u003c\/p\u003e\n\u003cp\u003ecat no : DA022\u003c\/p\u003e\n\u003cp\u003eRelease date : 28th November 2025\u003c\/p\u003e","published_at":"2025-12-13T07:34:19+09:00","created_at":"2025-12-11T11:18:22+09:00","vendor":"Tobira Records","type":"","tags":["discreet archive","drone","jazz","monooto","new","tape"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48095624757498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Michele Bondesan \/\/ nothingness TAPE","public_title":null,"options":["Default Title"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bon1_b098bbd5-ca75-4823-831e-c7f29be7f5d6.jpg?v=1765419405","\/\/tobirarecords.com\/cdn\/shop\/files\/bon2_8a7d03dd-6bad-4939-94c0-29290eb59776.jpg?v=1765419405"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bon1_b098bbd5-ca75-4823-831e-c7f29be7f5d6.jpg?v=1765419405","options":["Title"],"media":[{"alt":null,"id":37752391958778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bon1_b098bbd5-ca75-4823-831e-c7f29be7f5d6.jpg?v=1765419405"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bon1_b098bbd5-ca75-4823-831e-c7f29be7f5d6.jpg?v=1765419405","width":700},{"alt":null,"id":37752391991546,"position":2,"preview_image":{"aspect_ratio":1.329,"height":903,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bon2_8a7d03dd-6bad-4939-94c0-29290eb59776.jpg?v=1765419405"},"aspect_ratio":1.329,"height":903,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bon2_8a7d03dd-6bad-4939-94c0-29290eb59776.jpg?v=1765419405","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイタリアのコントラバス奏者\u003c\/span\u003eMichele Bondesanが、2025年11月にウェールズの実験レーベルDiscreet Archiveから25本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eコントラバスとテープループ、テープレコーダーによるドローン〜コラージュ〜インプロ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/luca-perciballi-and-michele-bondesan-tapestry-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2632846379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003ehere\u003c\/a\u003e to see more Discreet Archive releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in slipcase. \u003cbr\u003eLimited edition of 25 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. travestimento I 09:16\u003cbr\u003e2. travestimento II 07:01\u003cbr\u003e3. travestimento III 04:14\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. travestimento IV 09:11\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDiscreet Archive:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003enothingness is a work for double bass and tape recorders that listens inward, toward the erosion of gesture and the slow drift of sound into memory. Composed in 2025 and recorded in Livorno, the piece unfolds across four movements titled travestimenti (“disguises”), each tracing a process of deconstruction and quiet reintegration.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe double bass, played exclusively with the bow, is stripped of its usual weight and force; its resonance is explored through natural harmonics, multiphonics, and microvariations. These fragile tones are captured, looped, and reintroduced by portable tape recorders, whose simple mechanics of spooling, rewinding, and stretching create a delicate system of accumulation and decay. Sounds return altered, smudged, or emptied of their first intention, and memory becomes a material that fails and rebuilds itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross the four parts, gesture encounters space and silence as active agents. Sounds drift into the room and return diminished or reshaped, meeting the quiet as resistance and as resonance. Repetition and variation become a way of feeling out the edges of presence, as if the instrument were testing how little can be said before it disappears into the acoustic of the space. The work lingers in this tension, searching for a fragile, lived relationship with memory\u003cspan class=\"bcTruncateMore\"\u003e and place.\u003cbr\u003e\u003cbr\u003eBorn in 1994, Michele Bondesan is a musician and sound explorer whose practice spans the extended techniques of the double bass, the construction of participatory listening spaces, and the use of modest analog tools as both timbral and narrative devices. His fascination with cassette recorders, vulnerable to wear, failure, and environmental interference, frames sound as something inherently unstable: part memory, part disappearance.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michele Bondesan\u003c\/p\u003e\n\u003cp\u003eLabel : Discreet Archive\u003c\/p\u003e\n\u003cp\u003ecat no : DA022\u003c\/p\u003e\n\u003cp\u003eRelease date : 28th November 2025\u003c\/p\u003e"}
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イタリアのコントラバス奏者Michele Bondesanが、2025年11月にウェールズの実験レーベルDiscreet Archiveから25本限定でリリースしたカセットです。 コントラバスとテープループ、テープレコーダーによるドローン〜コラージュ〜インプロ4曲を収録。DLコード付属。 前作もオススメです。 レーベルその他作品はこちら /// Click here to see more Discreet Archive...
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{"id":9026018410746,"title":"Fysiikka \u0026 Kemia \/\/ Biologia LP","handle":"fysiikka-kemia-biologia-lp","description":"\u003cp\u003eフィンランドの田舎ジャズバンドFysiikka \u0026amp; Kemiaが、2025年11月に同国ジャズレーベルUltraääni Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケジャズ・インプロ〜サイケロック6曲を収録。アートワークはバンドメンバーらによる一点一点異なるスクリーンプリント仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=569558858\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eUltraääniのその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003ehere\u003c\/a\u003e to see more Ultraääni Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRural psych-jazz improvisations by the Finnish bastard sons of Arbete \u0026amp; Fritid.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Aukkoja riista-aidassa 00:44\u003cbr\u003e2. Luontokokemuksia 06:59\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Rantaan uponnut soutuvene 12:47\u003cbr\u003e\u003c\/span\u003e4. Herukoita poimimassa 02:43\u003cbr\u003e5. Sade maleksii pellon yli 08:02\u003cbr\u003e6. Tuoreeks terveeks 10:08\u003c\/p\u003e\n\u003cp\u003eArtist : Fysiikka \u0026amp; Kemia\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eUltraääni Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUltra-065\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 21st November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-11T15:05:04+09:00","created_at":"2025-12-11T10:45:05+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","strange beats","Ultraääni Records"],"price":499700,"price_min":499700,"price_max":499700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48095610667258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Fysiikka \u0026 Kemia \/\/ Biologia LP","public_title":null,"options":["Default Title"],"price":499700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bio.jpg?v=1765417410","\/\/tobirarecords.com\/cdn\/shop\/files\/bio2_ccb13745-a3cb-4f35-b57d-ad240bc913d9.jpg?v=1765417410","\/\/tobirarecords.com\/cdn\/shop\/files\/bio3.jpg?v=1765417410"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bio.jpg?v=1765417410","options":["Title"],"media":[{"alt":null,"id":37752166187258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bio.jpg?v=1765417410"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bio.jpg?v=1765417410","width":700},{"alt":null,"id":37752166220026,"position":2,"preview_image":{"aspect_ratio":1.01,"height":1188,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bio2_ccb13745-a3cb-4f35-b57d-ad240bc913d9.jpg?v=1765417410"},"aspect_ratio":1.01,"height":1188,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bio2_ccb13745-a3cb-4f35-b57d-ad240bc913d9.jpg?v=1765417410","width":1200},{"alt":null,"id":37752166252794,"position":3,"preview_image":{"aspect_ratio":1.003,"height":1196,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bio3.jpg?v=1765417410"},"aspect_ratio":1.003,"height":1196,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bio3.jpg?v=1765417410","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドの田舎ジャズバンドFysiikka \u0026amp; Kemiaが、2025年11月に同国ジャズレーベルUltraääni Recordsから300部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケジャズ・インプロ〜サイケロック6曲を収録。アートワークはバンドメンバーらによる一点一点異なるスクリーンプリント仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=569558858\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eUltraääniのその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003ehere\u003c\/a\u003e to see more Ultraääni Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRural psych-jazz improvisations by the Finnish bastard sons of Arbete \u0026amp; Fritid.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Aukkoja riista-aidassa 00:44\u003cbr\u003e2. Luontokokemuksia 06:59\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Rantaan uponnut soutuvene 12:47\u003cbr\u003e\u003c\/span\u003e4. Herukoita poimimassa 02:43\u003cbr\u003e5. Sade maleksii pellon yli 08:02\u003cbr\u003e6. Tuoreeks terveeks 10:08\u003c\/p\u003e\n\u003cp\u003eArtist : Fysiikka \u0026amp; Kemia\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eUltraääni Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUltra-065\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 21st November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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フィンランドの田舎ジャズバンドFysiikka & Kemiaが、2025年11月に同国ジャズレーベルUltraääni Recordsから300部限定でリリースしたデビューレコードです。 サイケジャズ・インプロ〜サイケロック6曲を収録。アートワークはバンドメンバーらによる一点一点異なるスクリーンプリント仕様です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Ultraääniのその他作品はこちら /// Click here to see more Ultraääni Records releases available at...
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![Jeff Parker // Forfolks LP [BLACK]](http://tobirarecords.com/cdn/shop/files/R-21371338-1639662625-9098_medium.jpg?v=1754011771)
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{"id":9023093768442,"title":"Jeff Parker \/\/ Forfolks LP [BLACK]","handle":"jeff-parker-forfolks-lp-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-09T05:55:06+09:00","created_at":"2025-12-09T05:54:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48079955230970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ Forfolks LP [BLACK]","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597912104","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","options":["Title"],"media":[{"alt":null,"id":36463102591226,"position":1,"preview_image":{"aspect_ratio":0.993,"height":599,"width":595,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"},"aspect_ratio":0.993,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","width":595}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LP\u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバムです。 ギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9023093440762,"title":"Jeff Parker \/\/ The New Breed (IA11 Edition) LP","handle":"jeff-parker-the-new-breed-ia11-edition-lp","description":"\u003cp\u003eアメリカ・シカゴのギタリストJeff Parkerが、2025年6月にシカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ8曲を収録。ライナーノーツ、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1307492242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally released by Int'l Anthem in 2016 --- this special reissue contains a new 16-page 11x11\" insert booklet with unpublished session photos, new liner notes by album co-producer Paul Bryan, and an in-depth conversation between Jeff Parker and IARC co-founder Scott McNiece.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Executive Life 07:38\u003cbr\u003e2. Para Ha Tay 00:49\u003cbr\u003e3. Here Comes Ezra 03:01\u003cbr\u003e4. Visions 04:21\u003cbr\u003e5. Jrifted 07:45\u003cbr\u003e6. How Fun It Is To Year Whip 04:39\u003cbr\u003e7. Get Dressed 03:48\u003cbr\u003e8. Cliche 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBest known as a multi-instrumental member of Tortoise and a pillar of the Chicago jazz and experimental music scene, Jeff Parker has been incomparably prolific over the last 20+ years while merely producing 5 albums as a “lead artist” (just 2 since 2005, including 2016’s duo recording with Rob Mazurek on Rogue Art). “Lead artist” is in quotes here, because though his name is seldom seen in marquees, his distinctive guitar sound has been essential to every project he’s been part of. It was in that sense that we at International Anthem came to work with Parker during the production of Makaya McCraven’s In The Moment, an album which ultimately showcased said essentialness (of Parker’s “side man” sound) on 9 of its 19 tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOver the course of the In The Moment sessions in 2013 and 2014, Parker was slowly transitioning his personal belongings from Chicago to a new home in Los Angeles. It was when finally settled that he found opportunity to re-open some home recordings and beat projects that had been dormant on his hard drive for years (early versions of some could have been heard in the late ‘00s on his Myspace page). Parker had long been in silent study of vinyl sampling and beat conduction, but perhaps it’s no coincidence that new residence in a city aflame with experimental R\u0026amp;B, jazz and\u003cspan class=\"bcTruncateMore\"\u003e electronic fusers (i.e. L.A., e.g. Brainfeeder, Leaving Records, Low End Theory) spurred him to dig back in to the practice and produce with more purpose.\u003cbr\u003e\u003cbr\u003eBy early 2015 Parker had refined several compositional ideas around his samples, and enlisted local friend Paul Bryan (Aimee Mann, Meshell Ndegeocello) to engineer and play bass guitar in sessions with Chicago ex-pat saxophonist, Thelonious Monk Institute protégé Josh Johnson (Miguel Atwood-Ferguson, Esperanza Spaulding)and drummer Jamire Williams (Robert Glasper, Carlos Niño. The recordings were conducted to capture composed passages as well as free playing that used Parker’s beats and sample suites as improvisational criterion. After completing 7 songs with the band, the last of which with vocals from his daughter Ruby Parker recorded in Chicago by John McEntire, Parker named the project The New Breed (after a clothing store his late father Ernie owned and operated in the ‘70s)and finished the album by stitching the band tracks together with intermittent pieces of beat memories from his archive.\u003cbr\u003e\u003cbr\u003eThe final presentation is a retrospective tapestry that explores Parker’s past both musically – as a potent compositional tribute to his influences (J Dilla, Thelonious Monk, Charles Stepney)held together by literal fragments of his life’s work – and patrilineally – as a collaboration with his kin held together by clippings from the family photo album. The New Breed is Jeff Parker’s most vibrant and comprehensively personal work yet, appropriately the first in 11 years with only his name in the “lead artist” column.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC009\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-09T05:52:35+09:00","created_at":"2025-12-09T05:51:58+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":449800,"price_min":449800,"price_max":449800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48079950741754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ The New Breed (IA11 Edition) LP","public_title":null,"options":["Default Title"],"price":449800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457209152","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248","\/\/tobirarecords.com\/cdn\/shop\/files\/new2_5b03a634-aad5-4c11-8b77-8952158b8956.jpg?v=1750124248"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248","options":["Title"],"media":[{"alt":null,"id":36205657424122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248","width":700},{"alt":null,"id":36205657456890,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new2_5b03a634-aad5-4c11-8b77-8952158b8956.jpg?v=1750124248"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new2_5b03a634-aad5-4c11-8b77-8952158b8956.jpg?v=1750124248","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのギタリストJeff Parkerが、2025年6月にシカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ8曲を収録。ライナーノーツ、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1307492242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally released by Int'l Anthem in 2016 --- this special reissue contains a new 16-page 11x11\" insert booklet with unpublished session photos, new liner notes by album co-producer Paul Bryan, and an in-depth conversation between Jeff Parker and IARC co-founder Scott McNiece.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Executive Life 07:38\u003cbr\u003e2. Para Ha Tay 00:49\u003cbr\u003e3. Here Comes Ezra 03:01\u003cbr\u003e4. Visions 04:21\u003cbr\u003e5. Jrifted 07:45\u003cbr\u003e6. How Fun It Is To Year Whip 04:39\u003cbr\u003e7. Get Dressed 03:48\u003cbr\u003e8. Cliche 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBest known as a multi-instrumental member of Tortoise and a pillar of the Chicago jazz and experimental music scene, Jeff Parker has been incomparably prolific over the last 20+ years while merely producing 5 albums as a “lead artist” (just 2 since 2005, including 2016’s duo recording with Rob Mazurek on Rogue Art). “Lead artist” is in quotes here, because though his name is seldom seen in marquees, his distinctive guitar sound has been essential to every project he’s been part of. It was in that sense that we at International Anthem came to work with Parker during the production of Makaya McCraven’s In The Moment, an album which ultimately showcased said essentialness (of Parker’s “side man” sound) on 9 of its 19 tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOver the course of the In The Moment sessions in 2013 and 2014, Parker was slowly transitioning his personal belongings from Chicago to a new home in Los Angeles. It was when finally settled that he found opportunity to re-open some home recordings and beat projects that had been dormant on his hard drive for years (early versions of some could have been heard in the late ‘00s on his Myspace page). Parker had long been in silent study of vinyl sampling and beat conduction, but perhaps it’s no coincidence that new residence in a city aflame with experimental R\u0026amp;B, jazz and\u003cspan class=\"bcTruncateMore\"\u003e electronic fusers (i.e. L.A., e.g. Brainfeeder, Leaving Records, Low End Theory) spurred him to dig back in to the practice and produce with more purpose.\u003cbr\u003e\u003cbr\u003eBy early 2015 Parker had refined several compositional ideas around his samples, and enlisted local friend Paul Bryan (Aimee Mann, Meshell Ndegeocello) to engineer and play bass guitar in sessions with Chicago ex-pat saxophonist, Thelonious Monk Institute protégé Josh Johnson (Miguel Atwood-Ferguson, Esperanza Spaulding)and drummer Jamire Williams (Robert Glasper, Carlos Niño. The recordings were conducted to capture composed passages as well as free playing that used Parker’s beats and sample suites as improvisational criterion. After completing 7 songs with the band, the last of which with vocals from his daughter Ruby Parker recorded in Chicago by John McEntire, Parker named the project The New Breed (after a clothing store his late father Ernie owned and operated in the ‘70s)and finished the album by stitching the band tracks together with intermittent pieces of beat memories from his archive.\u003cbr\u003e\u003cbr\u003eThe final presentation is a retrospective tapestry that explores Parker’s past both musically – as a potent compositional tribute to his influences (J Dilla, Thelonious Monk, Charles Stepney)held together by literal fragments of his life’s work – and patrilineally – as a collaboration with his kin held together by clippings from the family photo album. The New Breed is Jeff Parker’s most vibrant and comprehensively personal work yet, appropriately the first in 11 years with only his name in the “lead artist” column.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC009\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのギタリストJeff Parkerが、2025年6月にシカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2016年リリース） スピリチュアル・ジャズ8曲を収録。ライナーノーツ、ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9022648713466,"title":"PiP \u0026 Ambroos De Schepper \/\/ Sans Loup LP","handle":"pip-ambroos-de-schepper-sans-loup-lp","description":"\u003cp\u003eベルギー・ブリュッセルのベーシストPiPとサックス奏者Ambroos De Schepperが、2025年9月にPiP主宰レーベルZitStill Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・アンビエントジャズ6曲を収録。一点一点異なるレコードです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ambroos De SchepperとPepijn Gyssels aka PiPは、PiPが2021年にブリュッセルに引っ越してきた際、ルームメイトとなった。二人は互いの音楽的アプローチや興味に細心の注意を払っていた。一年後、Ambroosは引っ越した。彼が荷物の箱を取りに立ち寄った際、二人は気まぐれで何か録音しようと決めた。2023年5月から2024年11月にかけて、彼らはテクスチャーと即興演奏の実験を続けた。この共同作業は友情を深めると同時に、それを維持する方法となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePiP：「コーヒーを飲んだりたまにビールを飲みながら、録音したものは全てとても自然に生まれた。Ambroosはサックスやクラリネット、エフェクトペダル、奇妙なフルートなど、その日に気分で選んだ楽器を持ってくるだけだった。数時間後には大抵また去っていき、録音データだけを残していった。それを自由に加工できたんだ」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAmbroos：「音楽の物理的な側面に焦点を当てる人物との共同作業という発想が気に入った。和音や調性よりも、質感や雰囲気を重視する姿勢だ。『暗く』『複雑に』といった抽象的な言葉で表現される枠組みの中で、自由に即興演奏し、特定の瞬間を捉えようとした」\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2376868247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2376868247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3734143955\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComes in screenprinted cover with many variations, handmade DIY packaging with adaptable design and insert (riso). Every cover is unique.\u003cbr\u003e\u003c\/span\u003eEdition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. l'Esprit de l'Escalier 04:29\u003cbr\u003e2. Sans Loup 06:32\u003cbr\u003e3. Spring Whistle, pt. 1 03:51\u003cbr\u003e4. Spring Whistle, pt. 2 03:25\u003cbr\u003e5. Bring Back Bones 05:47\u003cbr\u003e6. Velours de Tendre 05:53\u003c\/p\u003e\n\u003cp\u003eZitStill Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmbroos De Schepper and Pepijn Gyssels became roommates when PiP first moved to Brussels in 2021. Both paid close attention to each other’s musical approach and interests. One year later, Ambroos moved out. When he swung by to pick up some boxes, they decided to record something for the fun of it. Between May '23 and November '24 they continued experimenting with textures and improvisations. This collaboration has become the deepening of a friendship and a way to maintain it at the same time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePiP: “We would have coffee or the occasional beer and everything we recorded came very organically. Ambroos would just bring his saxophone, a clarinet, some FX pedals or a weird flute. Whatever he felt like on that particular day. A few hours later he would usually be on his way again, leaving me with the recordings. I could treat them as I pleased.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmbroos: 'I liked the idea of working with someone focussing on the physical side of music. Not so much on chords and tonality, but on texture and atmosphere. This gave me a framework with less concrete references, using words like “dark” or “busy”. I could improvise freely and we would try and catch a particular moment.'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PiP \u0026amp; Ambroos De Schepper\u003c\/p\u003e\n\u003cp\u003eLabel : ZitStill Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZIT002\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : September 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-13T10:05:11+09:00","created_at":"2025-12-08T13:23:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","ZitStill Records"],"price":527900,"price_min":527900,"price_max":527900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48076971311354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"PiP \u0026 Ambroos De Schepper \/\/ Sans Loup LP","public_title":null,"options":["Default Title"],"price":527900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_79d06581-5f0e-48d9-8a8b-01c39538cdc5.jpg?v=1765167686","\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_5330fde2-1e71-4e69-afc3-98d06dff5b57.jpg?v=1765167686","\/\/tobirarecords.com\/cdn\/shop\/files\/lou3.jpg?v=1765167686"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_79d06581-5f0e-48d9-8a8b-01c39538cdc5.jpg?v=1765167686","options":["Title"],"media":[{"alt":null,"id":37727559090426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_79d06581-5f0e-48d9-8a8b-01c39538cdc5.jpg?v=1765167686"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_79d06581-5f0e-48d9-8a8b-01c39538cdc5.jpg?v=1765167686","width":700},{"alt":null,"id":37727559123194,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_5330fde2-1e71-4e69-afc3-98d06dff5b57.jpg?v=1765167686"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_5330fde2-1e71-4e69-afc3-98d06dff5b57.jpg?v=1765167686","width":900},{"alt":null,"id":37727559155962,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou3.jpg?v=1765167686"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou3.jpg?v=1765167686","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ブリュッセルのベーシストPiPとサックス奏者Ambroos De Schepperが、2025年9月にPiP主宰レーベルZitStill Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eエレクトロニック・アンビエントジャズ6曲を収録。一点一点異なるレコードです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ambroos De SchepperとPepijn Gyssels aka PiPは、PiPが2021年にブリュッセルに引っ越してきた際、ルームメイトとなった。二人は互いの音楽的アプローチや興味に細心の注意を払っていた。一年後、Ambroosは引っ越した。彼が荷物の箱を取りに立ち寄った際、二人は気まぐれで何か録音しようと決めた。2023年5月から2024年11月にかけて、彼らはテクスチャーと即興演奏の実験を続けた。この共同作業は友情を深めると同時に、それを維持する方法となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePiP：「コーヒーを飲んだりたまにビールを飲みながら、録音したものは全てとても自然に生まれた。Ambroosはサックスやクラリネット、エフェクトペダル、奇妙なフルートなど、その日に気分で選んだ楽器を持ってくるだけだった。数時間後には大抵また去っていき、録音データだけを残していった。それを自由に加工できたんだ」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAmbroos：「音楽の物理的な側面に焦点を当てる人物との共同作業という発想が気に入った。和音や調性よりも、質感や雰囲気を重視する姿勢だ。『暗く』『複雑に』といった抽象的な言葉で表現される枠組みの中で、自由に即興演奏し、特定の瞬間を捉えようとした」\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2376868247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2376868247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3734143955\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComes in screenprinted cover with many variations, handmade DIY packaging with adaptable design and insert (riso). Every cover is unique.\u003cbr\u003e\u003c\/span\u003eEdition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. l'Esprit de l'Escalier 04:29\u003cbr\u003e2. Sans Loup 06:32\u003cbr\u003e3. Spring Whistle, pt. 1 03:51\u003cbr\u003e4. Spring Whistle, pt. 2 03:25\u003cbr\u003e5. Bring Back Bones 05:47\u003cbr\u003e6. Velours de Tendre 05:53\u003c\/p\u003e\n\u003cp\u003eZitStill Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmbroos De Schepper and Pepijn Gyssels became roommates when PiP first moved to Brussels in 2021. Both paid close attention to each other’s musical approach and interests. One year later, Ambroos moved out. When he swung by to pick up some boxes, they decided to record something for the fun of it. Between May '23 and November '24 they continued experimenting with textures and improvisations. This collaboration has become the deepening of a friendship and a way to maintain it at the same time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePiP: “We would have coffee or the occasional beer and everything we recorded came very organically. Ambroos would just bring his saxophone, a clarinet, some FX pedals or a weird flute. Whatever he felt like on that particular day. A few hours later he would usually be on his way again, leaving me with the recordings. I could treat them as I pleased.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmbroos: 'I liked the idea of working with someone focussing on the physical side of music. Not so much on chords and tonality, but on texture and atmosphere. This gave me a framework with less concrete references, using words like “dark” or “busy”. I could improvise freely and we would try and catch a particular moment.'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : PiP \u0026amp; Ambroos De Schepper\u003c\/p\u003e\n\u003cp\u003eLabel : ZitStill Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZIT002\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : September 2025\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギー・ブリュッセルのベーシストPiPとサックス奏者Ambroos De Schepperが、2025年9月にPiP主宰レーベルZitStill Recordsからリリースした共作レコードです。 エレクトロニック・アンビエントジャズ6曲を収録。一点一点異なるレコードです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Ambroos De SchepperとPepijn Gyssels aka PiPは、PiPが2021年にブリュッセルに引っ越してきた際、ルームメイトとなった。二人は互いの音楽的アプローチや興味に細心の注意を払っていた。一年後、Ambroosは引っ越した。彼が荷物の箱を取りに立ち寄った際、二人は気まぐれで何か録音しようと決めた。2023年5月から2024年11月にかけて、彼らはテクスチャーと即興演奏の実験を続けた。この共同作業は友情を深めると同時に、それを維持する方法となった。 PiP：「コーヒーを飲んだりたまにビールを飲みながら、録音したものは全てとても自然に生まれた。Ambroosはサックスやクラリネット、エフェクトペダル、奇妙なフルートなど、その日に気分で選んだ楽器を持ってくるだけだった。数時間後には大抵また去っていき、録音データだけを残していった。それを自由に加工できたんだ」...
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{"id":9022073700602,"title":"Jamael Dean \/\/ Oriki Duuru 2xLP","handle":"jamael-dean-oriki-duuru-2xlp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのジャズピアニストJamael Deanが、2025年9月にLAの老舗ヒップホップレーベルStones Throwからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eピアノ独奏のライブ録音12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3637886904\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eledumare 07:50\u003cbr\u003e2. Don’t You Know I Care (Or Don’t You Care To Know) 05:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Dance Cadaverous 05:13\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Rise \u0026amp; Fall 02:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. On Green Dolphin Street 07:15\u003cbr\u003e\u003c\/span\u003e6. Cancer 02:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tin Tin Deo 07:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Paradox 06:39\u003cbr\u003e\u003c\/span\u003e9. Light Blue 05:59\u003cbr\u003e10. Mystic Seeker 01:32\u003cbr\u003e11. Akoda 03:13\u003cbr\u003e12. When There Is No Sun 03:44\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn May 4th, 2024, Jamael Dean sat at the bench of a grand piano at 2220 Arts + Archives in Los Angeles. He didn’t know what he’d play until his fingers struck the ivory. For the next hour the prodigious jazz talent improvised a solo piano set, seamlessly weaving together original compositions, improvisations, and his reconstructions of jazz standards. Oriki Duuru, which means “piano poems” in Yoruba, is an unabridged recording of what unfolded that night.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJamael’s concert at 2220 was curated by jazz archivist Harmony Holiday, who also wrote the liner notes for this record. Holiday places Jamael amongst “the greatest jazz pianists of all time,” both an heir to a musical tradition and defiant innovator unbound by expectations. This characterization is fitting for Oriki Duuru, which traces a line between Jamael’s own work and the music of his predecessors, creating cohesion between an archive going back eighty years and the present.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jamael Dean\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTH2507\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 9th May 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-08T11:05:03+09:00","created_at":"2025-12-07T10:48:41+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","stones throw"],"price":499500,"price_min":499500,"price_max":499500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48073714204922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jamael Dean \/\/ Oriki Duuru 2xLP","public_title":null,"options":["Default Title"],"price":499500,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ori1_2bfc74ad-1024-46be-83f5-e0cd8c5d27c7.jpg?v=1765072054","\/\/tobirarecords.com\/cdn\/shop\/files\/ori2_47d0f0fa-d8ed-4065-b494-a232c2bcbab9.jpg?v=1765072054","\/\/tobirarecords.com\/cdn\/shop\/files\/ori3.jpg?v=1765072054"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ori1_2bfc74ad-1024-46be-83f5-e0cd8c5d27c7.jpg?v=1765072054","options":["Title"],"media":[{"alt":null,"id":37719397368058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ori1_2bfc74ad-1024-46be-83f5-e0cd8c5d27c7.jpg?v=1765072054"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ori1_2bfc74ad-1024-46be-83f5-e0cd8c5d27c7.jpg?v=1765072054","width":700},{"alt":null,"id":37719397400826,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ori2_47d0f0fa-d8ed-4065-b494-a232c2bcbab9.jpg?v=1765072054"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ori2_47d0f0fa-d8ed-4065-b494-a232c2bcbab9.jpg?v=1765072054","width":1200},{"alt":null,"id":37719397433594,"position":3,"preview_image":{"aspect_ratio":1.174,"height":1022,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ori3.jpg?v=1765072054"},"aspect_ratio":1.174,"height":1022,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ori3.jpg?v=1765072054","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのジャズピアニストJamael Deanが、2025年9月にLAの老舗ヒップホップレーベルStones Throwからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eピアノ独奏のライブ録音12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3637886904\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eledumare 07:50\u003cbr\u003e2. Don’t You Know I Care (Or Don’t You Care To Know) 05:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Dance Cadaverous 05:13\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Rise \u0026amp; Fall 02:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. On Green Dolphin Street 07:15\u003cbr\u003e\u003c\/span\u003e6. Cancer 02:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tin Tin Deo 07:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Paradox 06:39\u003cbr\u003e\u003c\/span\u003e9. Light Blue 05:59\u003cbr\u003e10. Mystic Seeker 01:32\u003cbr\u003e11. Akoda 03:13\u003cbr\u003e12. When There Is No Sun 03:44\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn May 4th, 2024, Jamael Dean sat at the bench of a grand piano at 2220 Arts + Archives in Los Angeles. He didn’t know what he’d play until his fingers struck the ivory. For the next hour the prodigious jazz talent improvised a solo piano set, seamlessly weaving together original compositions, improvisations, and his reconstructions of jazz standards. Oriki Duuru, which means “piano poems” in Yoruba, is an unabridged recording of what unfolded that night.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJamael’s concert at 2220 was curated by jazz archivist Harmony Holiday, who also wrote the liner notes for this record. Holiday places Jamael amongst “the greatest jazz pianists of all time,” both an heir to a musical tradition and defiant innovator unbound by expectations. This characterization is fitting for Oriki Duuru, which traces a line between Jamael’s own work and the music of his predecessors, creating cohesion between an archive going back eighty years and the present.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jamael Dean\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTH2507\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 9th May 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのジャズピアニストJamael Deanが、2025年9月にLAの老舗ヒップホップレーベルStones Throwからリリースした2枚組レコードです。 ピアノ独奏のライブ録音12曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at...
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{"id":9020617228538,"title":"Jeff Parker \/\/ Forfolks LP [COLOR]","handle":"jeff-parker-forfolks-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" cool mint vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LPCM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-05T14:54:15+09:00","created_at":"2025-12-05T14:52:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48066335703290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ Forfolks LP [COLOR]","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993991969","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","options":["Title"],"media":[{"alt":null,"id":36463102591226,"position":1,"preview_image":{"aspect_ratio":0.993,"height":599,"width":595,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"},"aspect_ratio":0.993,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","width":595},{"alt":null,"id":36457416753402,"position":2,"preview_image":{"aspect_ratio":1.003,"height":598,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771"},"aspect_ratio":1.003,"height":598,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" cool mint vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LPCM\u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバムです。 ギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9020415377658,"title":"Zeca Assumpção \u0026 Lelo Nazario \/\/ Depois do Silêncio LP","handle":"zeca-assumpcao-lelo-nazario-depois-do-silencio-lp","description":"\u003cp\u003eブラジルのベーシストZeca AssumpçãoとピアニストLelo Nazarioが、2025年11月にElations Recordingsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2996118128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Depois do Silêncio 05:02\u003cbr\u003e2. Estilingue 04:05\u003cbr\u003e3. Sistema I 06:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sistema II 05:23\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Jogos Sonoros 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Quintal da Memória 04:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tempo ao Tempo 02:39\u003cbr\u003e\u003c\/span\u003e8. Pensando Baixo 04:43\u003c\/p\u003e\n\u003cp\u003eElations Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eElations Recordings presents “Depois do Silêncio”, an intimate, forward-looking acoustic bass, digital keyboard and synthesiser recording by Brazilian avant-garde jazz luminaries Zeca Assumpção and Lelo Nazario. This release celebrates almost fifty years of the duo’s friendship and musical affinity, continuing a musical dialogue between long-time collaborators. The duo began working together with Hermeto Pascoal’s “Grupo Vice Versa” in the mid 1970s before forging one of Brazil’s most adventurous experimental jazz groups \"Grupo Um\" in 1976; releasing three albums with a shared avant-garde and lateral, exploratory approach to sound fusing jazz and contemporary synthesis with expanded and prepared acoustic playing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Depois do Silêncio” reflects the duo’s long development of a shared conception of music, resulting in a work that is both timeless and modern. The music on the album was primarily recorded in Nazario’s UTOPIA Studio, São Paulo, in 1994, featuring Assumpção on acoustic bass and Nazario on his newly acquired Ensoniq TS-12; these recordings were supplemented with acoustic bass for “Quintal da Memória” in 2018 and completed with an additional layer of rich, complex analog and virtual synthesis following their\u003cspan class=\"bcTruncateMore\"\u003e rediscovery of the material in 2022.\u003cbr\u003e\u003cbr\u003eAssumpção’s deeply expressive acoustic bass playing forms the backbone of these compositions, augmented by Nazario’s expansive and exploratory approach to synthesis, its constantly shifting timbres “making music a living organism, which adapts to situations as they appear.” Nazario explains that “although the themes are written, much of the music is improvised based on an organic development of ideas, all intertwined and interrelated exactly as happens in a living organism”.\u003cbr\u003e\u003cbr\u003eThe album title “Depois do Silêncio” (After Silence) references a phrase by the writer Aldous Huxley; “after silence, that which comes nearest to expressing the inexpressible is music”. Assumpção and Nazario continue a search for new forms of musical expression, and here they succeed in creating music that “expand[s] the sound of musical instruments, so opening new horizons in the minds of listeners”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zeca Assumpção \u0026amp; Lelo Nazario\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eElations Recordings \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : ELA003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 7th September 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-07T10:15:10+09:00","created_at":"2025-12-05T11:23:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48064637862138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Zeca Assumpção \u0026 Lelo Nazario \/\/ Depois do Silêncio LP","public_title":null,"options":["Default Title"],"price":489000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4251804186179","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_12f074d3-4020-4dfb-a468-e33b2c8d6aaa.jpg?v=1764900962","\/\/tobirarecords.com\/cdn\/shop\/files\/dep2_5a47130c-6b16-423c-b95c-c99ac66559d0.jpg?v=1764900962"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_12f074d3-4020-4dfb-a468-e33b2c8d6aaa.jpg?v=1764900962","options":["Title"],"media":[{"alt":null,"id":37704380711162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_12f074d3-4020-4dfb-a468-e33b2c8d6aaa.jpg?v=1764900962"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep1_12f074d3-4020-4dfb-a468-e33b2c8d6aaa.jpg?v=1764900962","width":700},{"alt":null,"id":37704380743930,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep2_5a47130c-6b16-423c-b95c-c99ac66559d0.jpg?v=1764900962"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dep2_5a47130c-6b16-423c-b95c-c99ac66559d0.jpg?v=1764900962","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eブラジルのベーシストZeca AssumpçãoとピアニストLelo Nazarioが、2025年11月にElations Recordingsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2996118128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Depois do Silêncio 05:02\u003cbr\u003e2. Estilingue 04:05\u003cbr\u003e3. Sistema I 06:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Sistema II 05:23\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Jogos Sonoros 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Quintal da Memória 04:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tempo ao Tempo 02:39\u003cbr\u003e\u003c\/span\u003e8. Pensando Baixo 04:43\u003c\/p\u003e\n\u003cp\u003eElations Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eElations Recordings presents “Depois do Silêncio”, an intimate, forward-looking acoustic bass, digital keyboard and synthesiser recording by Brazilian avant-garde jazz luminaries Zeca Assumpção and Lelo Nazario. This release celebrates almost fifty years of the duo’s friendship and musical affinity, continuing a musical dialogue between long-time collaborators. The duo began working together with Hermeto Pascoal’s “Grupo Vice Versa” in the mid 1970s before forging one of Brazil’s most adventurous experimental jazz groups \"Grupo Um\" in 1976; releasing three albums with a shared avant-garde and lateral, exploratory approach to sound fusing jazz and contemporary synthesis with expanded and prepared acoustic playing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Depois do Silêncio” reflects the duo’s long development of a shared conception of music, resulting in a work that is both timeless and modern. The music on the album was primarily recorded in Nazario’s UTOPIA Studio, São Paulo, in 1994, featuring Assumpção on acoustic bass and Nazario on his newly acquired Ensoniq TS-12; these recordings were supplemented with acoustic bass for “Quintal da Memória” in 2018 and completed with an additional layer of rich, complex analog and virtual synthesis following their\u003cspan class=\"bcTruncateMore\"\u003e rediscovery of the material in 2022.\u003cbr\u003e\u003cbr\u003eAssumpção’s deeply expressive acoustic bass playing forms the backbone of these compositions, augmented by Nazario’s expansive and exploratory approach to synthesis, its constantly shifting timbres “making music a living organism, which adapts to situations as they appear.” Nazario explains that “although the themes are written, much of the music is improvised based on an organic development of ideas, all intertwined and interrelated exactly as happens in a living organism”.\u003cbr\u003e\u003cbr\u003eThe album title “Depois do Silêncio” (After Silence) references a phrase by the writer Aldous Huxley; “after silence, that which comes nearest to expressing the inexpressible is music”. Assumpção and Nazario continue a search for new forms of musical expression, and here they succeed in creating music that “expand[s] the sound of musical instruments, so opening new horizons in the minds of listeners”.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zeca Assumpção \u0026amp; Lelo Nazario\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eElations Recordings \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : ELA003\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 7th September 2025\u003c\/span\u003e\u003c\/p\u003e"}
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ブラジルのベーシストZeca AssumpçãoとピアニストLelo Nazarioが、2025年11月にElations Recordingsからリリースした共作レコードです。 アンビエント・ジャズ8曲を収録。 -------------------------------------------------------- 12" black vinyl. Tracklist: 1. Depois do Silêncio...
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{"id":9020377268474,"title":"Conic Rose \/\/ Heller Tag LP","handle":"conic-rose-heller-tag-lp","description":"\u003cp\u003eドイツ・ベルリンのジャズバンドConic Roseが、2023年に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eニュージャズ〜ジャズトロニカ12曲を収録。\u003c\/p\u003e\n\u003cp\u003eポストロックリスナーにもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2859456213\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eVinyl edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Honeylake 05:05\u003cbr\u003e2. Gleisdreieck 05:09\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Heller Tag 04:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Learn To Be Cool 04:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Miranda 05:22\u003cbr\u003e\u003c\/span\u003e6. Chopin Rosé 03:07\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Sad Wacky Waving Inflatable Tube Guy 02:00\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Fashionweek 03:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Goodbye 02:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Uli 04:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Hope In The Crypto Crash 03:14\u003cbr\u003e\u003c\/span\u003e12. Nie Wieder Knutschen 05:05\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Heller Tag is the debutalbum of Berlin-based jazz collective Conic Rose.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAll songs written, recorded and produced by Conic Rose in their own recording studio in the Wedding neighbourhood of Berlin.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Conic Rose\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released \/ Conic Rose\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th February 2023\u003c\/p\u003e","published_at":"2025-12-06T08:13:21+09:00","created_at":"2025-12-05T11:07:20+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","self-released"],"price":459800,"price_min":459800,"price_max":459800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48064602407162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Conic Rose \/\/ Heller Tag LP","public_title":null,"options":["Default Title"],"price":459800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4251804139236","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/con1_a13ade04-8692-4fed-bbe9-ac354a6cf9e0.jpg?v=1764900349","\/\/tobirarecords.com\/cdn\/shop\/files\/con2_1717d7c4-23b4-4fc6-8391-4beeb1d46817.jpg?v=1764900349"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_a13ade04-8692-4fed-bbe9-ac354a6cf9e0.jpg?v=1764900349","options":["Title"],"media":[{"alt":null,"id":37704352825594,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_a13ade04-8692-4fed-bbe9-ac354a6cf9e0.jpg?v=1764900349"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_a13ade04-8692-4fed-bbe9-ac354a6cf9e0.jpg?v=1764900349","width":700},{"alt":null,"id":37704352858362,"position":2,"preview_image":{"aspect_ratio":1.413,"height":849,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_1717d7c4-23b4-4fc6-8391-4beeb1d46817.jpg?v=1764900349"},"aspect_ratio":1.413,"height":849,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_1717d7c4-23b4-4fc6-8391-4beeb1d46817.jpg?v=1764900349","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのジャズバンドConic Roseが、2023年に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eニュージャズ〜ジャズトロニカ12曲を収録。\u003c\/p\u003e\n\u003cp\u003eポストロックリスナーにもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2859456213\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eVinyl edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Honeylake 05:05\u003cbr\u003e2. Gleisdreieck 05:09\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Heller Tag 04:11\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Learn To Be Cool 04:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Miranda 05:22\u003cbr\u003e\u003c\/span\u003e6. Chopin Rosé 03:07\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Sad Wacky Waving Inflatable Tube Guy 02:00\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Fashionweek 03:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Goodbye 02:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Uli 04:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Hope In The Crypto Crash 03:14\u003cbr\u003e\u003c\/span\u003e12. 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{"id":9019181138170,"title":"Emahoy Tsege Mariam Gebru played by Maya Dunietz \u0026 String Ensemble, Live in Paris LP","handle":"emahoy-tsege-mariam-gebru-emahoy-tsege-mariam-gebru-played-by-maya-dunietz-string-ensemble-live-in-paris-lp","description":"\u003cp\u003eエチオピアの作曲家Emahoy Tsege Mariam Gebruの楽曲をオーケストラアレンジしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4208636554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltncy\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltncy\"\u003ehere\u003c\/a\u003e to see more Latency releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ballad of the Spirits 07:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Presentiment 04:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Evening Breeze 03:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. The Garden of Gethesemanie 05:53\u003cbr\u003e\u003c\/span\u003e5. Spring Ode 08:19\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Golgotha 06:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. The Homeless Wanderer 08:48\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLatency:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLatency presents the first-ever arrangements of iconic Ethiopian composer Emahoy Tsege Mariam Gebru’s music for piano and strings, honoring her desire to broaden the interpretation of her work beyond the piano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLed by pianist, composer, and Emahoy’s friend Maya Dunietz, a nine-piece string ensemble performed her compositions during two tribute concerts at the Bourse de Commerce in Paris, in April 2024. This album celebrates the centenary of Emahoy’s birth and commemorates the first anniversary of her passing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album marks the culmination of a journey that began nearly two decades ago, in 2005. While browsing a London record store, pianist and composer Maya Dunietz and conductor Ilan Volkov discovered a CD by Emahoy Tsege Mariam Gebru, released as part of the acclaimed ‘Éthiopiques’ series. Intrigued, they sought out the esteemed musician, eventually locating her in a small monastery in Jerusalem. Their initial meeting blossomed into a deep, lengthy conversation. Emahoy recounted her life in the monastery and the challenges of making music in that setting. They delved into her music, discussing it in great detail. When they asked Emahoy about notation, she invited them to read her notebook\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, which contained compositions written that very morning. Maya and Ilan played some on the piano. At that moment, Emahoy began to trust them. Before leaving, Maya wrote her phone number in Emahoy’s notebook and invited her to call if she ever wanted or needed anything.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA few years later, the call came: Emahoy invited Maya to the monastery, handing her a couple of wrinkled old Air Ethiopia plastic bags filled with hundreds of her composition manuscripts. She asked Maya to help create a book of her piano compositions, making them accessible to people around the world. Faced with such a monumental undertaking, Maya partnered with the Jerusalem Season of Culture to embark on this ambitious project. This collaboration resulted in the publication of a book of sheet music and a collection of essays in 2013, as well as numerous concerts performed worldwide. These concerts, along with Maya’s work on Emahoy’s music, grew from a deep bond of love and mutual respect between the two women.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring one of their many meetings, Emahoy mentioned her dream of arranging her songs for orchestral instruments. She remarked that it was too late for her, but, with her trademark smile and a wink, suggested: «Maybe you could do it?» For Maya, this tremendous compliment became the catalyst for all the string arrangements she would create for Emahoy’s beautiful music—arrangements now collected in this album after years of collaboration and discussions between Maya and the record label Latency.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eThis album celebrates the centenary of Emahoy Tsege Mariam Gebru’s birth and commemorates the first anniversary of her passing. All compositions were recorded during two tribute performances at the Bourse de Commerce in Paris, held in April 2024 in her memory.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emahoy Tsege Mariam Gebru\u003c\/p\u003e\n\u003cp\u003eLabel : Latency\u003c\/p\u003e\n\u003cp\u003ecat no : LTNC029LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 8th November 2024\u003c\/p\u003e","published_at":"2025-12-06T07:38:19+09:00","created_at":"2025-12-04T10:53:25+09:00","vendor":"Tobira Records","type":"","tags":["jazz","latency","lp","new"],"price":489800,"price_min":489800,"price_max":489800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48060711862522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Emahoy Tsege Mariam Gebru played by Maya Dunietz \u0026 String Ensemble, Live in Paris LP","public_title":null,"options":["Default Title"],"price":489800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ema1.jpg?v=1764812912","\/\/tobirarecords.com\/cdn\/shop\/files\/ema2.jpg?v=1764812912"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ema1.jpg?v=1764812912","options":["Title"],"media":[{"alt":null,"id":37695026594042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ema1.jpg?v=1764812912"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ema1.jpg?v=1764812912","width":700},{"alt":null,"id":37695026626810,"position":2,"preview_image":{"aspect_ratio":1.667,"height":720,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ema2.jpg?v=1764812912"},"aspect_ratio":1.667,"height":720,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ema2.jpg?v=1764812912","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eエチオピアの作曲家Emahoy Tsege Mariam Gebruの楽曲をオーケストラアレンジしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4208636554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltncy\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ltncy\"\u003ehere\u003c\/a\u003e to see more Latency releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ballad of the Spirits 07:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Presentiment 04:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Evening Breeze 03:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. The Garden of Gethesemanie 05:53\u003cbr\u003e\u003c\/span\u003e5. Spring Ode 08:19\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Golgotha 06:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. The Homeless Wanderer 08:48\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLatency:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLatency presents the first-ever arrangements of iconic Ethiopian composer Emahoy Tsege Mariam Gebru’s music for piano and strings, honoring her desire to broaden the interpretation of her work beyond the piano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLed by pianist, composer, and Emahoy’s friend Maya Dunietz, a nine-piece string ensemble performed her compositions during two tribute concerts at the Bourse de Commerce in Paris, in April 2024. This album celebrates the centenary of Emahoy’s birth and commemorates the first anniversary of her passing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album marks the culmination of a journey that began nearly two decades ago, in 2005. While browsing a London record store, pianist and composer Maya Dunietz and conductor Ilan Volkov discovered a CD by Emahoy Tsege Mariam Gebru, released as part of the acclaimed ‘Éthiopiques’ series. Intrigued, they sought out the esteemed musician, eventually locating her in a small monastery in Jerusalem. Their initial meeting blossomed into a deep, lengthy conversation. Emahoy recounted her life in the monastery and the challenges of making music in that setting. They delved into her music, discussing it in great detail. When they asked Emahoy about notation, she invited them to read her notebook\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, which contained compositions written that very morning. Maya and Ilan played some on the piano. At that moment, Emahoy began to trust them. Before leaving, Maya wrote her phone number in Emahoy’s notebook and invited her to call if she ever wanted or needed anything.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA few years later, the call came: Emahoy invited Maya to the monastery, handing her a couple of wrinkled old Air Ethiopia plastic bags filled with hundreds of her composition manuscripts. She asked Maya to help create a book of her piano compositions, making them accessible to people around the world. Faced with such a monumental undertaking, Maya partnered with the Jerusalem Season of Culture to embark on this ambitious project. This collaboration resulted in the publication of a book of sheet music and a collection of essays in 2013, as well as numerous concerts performed worldwide. These concerts, along with Maya’s work on Emahoy’s music, grew from a deep bond of love and mutual respect between the two women.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring one of their many meetings, Emahoy mentioned her dream of arranging her songs for orchestral instruments. She remarked that it was too late for her, but, with her trademark smile and a wink, suggested: «Maybe you could do it?» For Maya, this tremendous compliment became the catalyst for all the string arrangements she would create for Emahoy’s beautiful music—arrangements now collected in this album after years of collaboration and discussions between Maya and the record label Latency.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eThis album celebrates the centenary of Emahoy Tsege Mariam Gebru’s birth and commemorates the first anniversary of her passing. All compositions were recorded during two tribute performances at the Bourse de Commerce in Paris, held in April 2024 in her memory.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emahoy Tsege Mariam Gebru\u003c\/p\u003e\n\u003cp\u003eLabel : Latency\u003c\/p\u003e\n\u003cp\u003ecat no : LTNC029LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 8th November 2024\u003c\/p\u003e"}
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エチオピアの作曲家Emahoy Tsege Mariam Gebruの楽曲をオーケストラアレンジしたアルバムです。 レーベルその他作品はこちら /// Click here to see more Latency releases available...
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{"id":9019179925754,"title":"Ancient Infinity Orchestra \/\/ It's Always About Love LP","handle":"ancient-infinity-orchestra-its-always-about-love-lp","description":"\u003cp\u003e北イングランドを拠点に活動している15人編成のスピリチュアル・ジャズバンドAncient Infinity Orchestraが、2025年9月にマンチェスターのGondwanaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2R1b_VZw7Rg?si=gDaZFCvWVkxiEzGe\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\"\u003ehere\u003c\/a\u003e to see more Gondwana Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. All I Can Say of the Blossoms 05:42\u003cbr\u003e2. Golden Meadow 03:59\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Chant for Don Cherry 04:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Joy of a Natural World 06:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Nilgoon 05:38\u003cbr\u003e\u003c\/span\u003e6. The Seeker 07:21\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Old Friends 04:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. At Yoshino Mountain 02:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGondwana Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBased in the North of England. Ancient Infinity Orchestra is a joyous large ensemble that has communal music-making at the heart of everything they do. And that includes the melodies that flow out of their new album It’s Always About Love which blossom with uplifting improvised contributions that circle around bandleader Ozzy Moysey’s beautiful compositions; generous sonic gifts of healing and repair.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe 15-member Spiritual Jazz ensemble has a distinctive line-up: two double basses, harp, saxophones, clarinets, violin, viola, cello, oboe, flutes, mandolin, congas, piano, drum kit, with bells, shakers and other percussion instruments scattered on the floor of live sets and recording sessions, ready for members to use whenever the spirit takes them. This orchestration, and the overlap between membership and friendship, gives Ancient Infinity Orchestra a sound that is at once expansive and intimate, earthy, and cosmic, constantly shifting yet grounded in shared intention.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAncient Infinity Orchestra can be described as melody-driven improvised music, made by people who are deep into different types of traditional music, including folk, jazz and classical. “The tunes are a vessel,” he says, “with everyone doing their thing. It exists so that my friends can be musically fulfilled.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“There is a need for love and connectedness. You pour the love you have into the music and people listening can feel it”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ancient Infinity Orchestra\u003c\/p\u003e\n\u003cp\u003eLabel : Gondwana Records\u003c\/p\u003e\n\u003cp\u003ecat no : GONDLP079\u003c\/p\u003e\n\u003cp\u003eRelease date : 26th September 2025\u003c\/p\u003e","published_at":"2025-12-06T07:34:50+09:00","created_at":"2025-12-04T10:45:40+09:00","vendor":"Tobira Records","type":"","tags":["gondwana records","jazz","lp","new"],"price":469700,"price_min":469700,"price_max":469700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48060708454650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ancient Infinity Orchestra \/\/ It's Always About Love LP","public_title":null,"options":["Default Title"],"price":469700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_ce5183c0-07f0-49bc-9055-8371b5dd845f.jpg?v=1764812621","\/\/tobirarecords.com\/cdn\/shop\/files\/lo2_be5418d2-9fc7-4cfd-a743-fb2f2ba66ce4.jpg?v=1764812621"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_ce5183c0-07f0-49bc-9055-8371b5dd845f.jpg?v=1764812621","options":["Title"],"media":[{"alt":null,"id":37695020728570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_ce5183c0-07f0-49bc-9055-8371b5dd845f.jpg?v=1764812621"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_ce5183c0-07f0-49bc-9055-8371b5dd845f.jpg?v=1764812621","width":700},{"alt":null,"id":37695020761338,"position":2,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo2_be5418d2-9fc7-4cfd-a743-fb2f2ba66ce4.jpg?v=1764812621"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo2_be5418d2-9fc7-4cfd-a743-fb2f2ba66ce4.jpg?v=1764812621","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北イングランドを拠点に活動している15人編成のスピリチュアル・ジャズバンドAncient Infinity Orchestraが、2025年9月にマンチェスターのGondwanaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2R1b_VZw7Rg?si=gDaZFCvWVkxiEzGe\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gondwana-records\"\u003ehere\u003c\/a\u003e to see more Gondwana Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. All I Can Say of the Blossoms 05:42\u003cbr\u003e2. Golden Meadow 03:59\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Chant for Don Cherry 04:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Joy of a Natural World 06:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Nilgoon 05:38\u003cbr\u003e\u003c\/span\u003e6. The Seeker 07:21\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Old Friends 04:14\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. At Yoshino Mountain 02:00\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGondwana Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBased in the North of England. Ancient Infinity Orchestra is a joyous large ensemble that has communal music-making at the heart of everything they do. And that includes the melodies that flow out of their new album It’s Always About Love which blossom with uplifting improvised contributions that circle around bandleader Ozzy Moysey’s beautiful compositions; generous sonic gifts of healing and repair.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe 15-member Spiritual Jazz ensemble has a distinctive line-up: two double basses, harp, saxophones, clarinets, violin, viola, cello, oboe, flutes, mandolin, congas, piano, drum kit, with bells, shakers and other percussion instruments scattered on the floor of live sets and recording sessions, ready for members to use whenever the spirit takes them. This orchestration, and the overlap between membership and friendship, gives Ancient Infinity Orchestra a sound that is at once expansive and intimate, earthy, and cosmic, constantly shifting yet grounded in shared intention.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAncient Infinity Orchestra can be described as melody-driven improvised music, made by people who are deep into different types of traditional music, including folk, jazz and classical. “The tunes are a vessel,” he says, “with everyone doing their thing. It exists so that my friends can be musically fulfilled.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“There is a need for love and connectedness. You pour the love you have into the music and people listening can feel it”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ancient Infinity Orchestra\u003c\/p\u003e\n\u003cp\u003eLabel : Gondwana Records\u003c\/p\u003e\n\u003cp\u003ecat no : GONDLP079\u003c\/p\u003e\n\u003cp\u003eRelease date : 26th September 2025\u003c\/p\u003e"}
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北イングランドを拠点に活動している15人編成のスピリチュアル・ジャズバンドAncient Infinity Orchestraが、2025年9月にマンチェスターのGondwanaからリリースしたレコードです。 スピリチュアル・ジャズ8曲を収録。 レーベルその他作品はこちら /// Click here to see more Gondwana Records releases available at Tobira....
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{"id":9019167310074,"title":"Black Jesus eXperience \/\/ Time Telling LP","handle":"black-jesus-experience-time-telling-lp","description":"\u003cp\u003eエチオピア／オーストラリアのジャズバンドBlack Jesus eXperienceが、2025年11月にドイツのAgogo Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエチオピアン・ジャズファンク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2206881558\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agogo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agogo\"\u003ehere\u003c\/a\u003e to see more Agogo Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. Earth To Earth\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Lullaby For A Homeless Child\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Mansimosa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Stipa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Your Heart Is My Refugee\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. People Broken People\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. Bobby's Prelude\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4. Alemtsahaye\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAgogo Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGrooving, evocative, richly diverse, and truth seeking\u003cspan class=\"bcTruncateMore\"\u003e. Black Jesus eXperience’s ‘Time Teling’ explores the fragility of life, the preciousness of time and the importance of hope, love, joy, and community.\u003cbr\u003e\u003cbr\u003eTime Telling’s cover is a detail from celebrated artist Julie Mehretu’s 2001 artwork ‘eye of (Thoth)’, BJX is absolutely jammed to have Julie share her creativity with the extended family of musical artists that is Black Jesus eXperience.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Black Jesus eXperience\u003c\/p\u003e\n\u003cp\u003eLabel : Agogo Records\u003c\/p\u003e\n\u003cp\u003ecat no : AR179LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 21st November 2025\u003c\/p\u003e","published_at":"2025-12-06T05:54:57+09:00","created_at":"2025-12-04T10:31:44+09:00","vendor":"Tobira Records","type":"","tags":["agogo records","hiphop \/ funk","jazz","lp","new"],"price":449500,"price_min":449500,"price_max":449500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48060692037882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Black Jesus eXperience \/\/ Time Telling LP","public_title":null,"options":["Default Title"],"price":449500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_fa7581fd-aa9b-458e-9d32-823b18cbcba9.jpg?v=1764811824","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_77669f35-7379-479b-b2be-48bc728f6a5f.jpg?v=1764811824"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_fa7581fd-aa9b-458e-9d32-823b18cbcba9.jpg?v=1764811824","options":["Title"],"media":[{"alt":null,"id":37694942118138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_fa7581fd-aa9b-458e-9d32-823b18cbcba9.jpg?v=1764811824"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_fa7581fd-aa9b-458e-9d32-823b18cbcba9.jpg?v=1764811824","width":700},{"alt":null,"id":37694942150906,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_77669f35-7379-479b-b2be-48bc728f6a5f.jpg?v=1764811824"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_77669f35-7379-479b-b2be-48bc728f6a5f.jpg?v=1764811824","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eエチオピア／オーストラリアのジャズバンドBlack Jesus eXperienceが、2025年11月にドイツのAgogo Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエチオピアン・ジャズファンク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2206881558\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agogo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agogo\"\u003ehere\u003c\/a\u003e to see more Agogo Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. Earth To Earth\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Lullaby For A Homeless Child\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Mansimosa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Stipa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Your Heart Is My Refugee\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. People Broken People\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. Bobby's Prelude\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4. Alemtsahaye\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAgogo Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGrooving, evocative, richly diverse, and truth seeking\u003cspan class=\"bcTruncateMore\"\u003e. Black Jesus eXperience’s ‘Time Teling’ explores the fragility of life, the preciousness of time and the importance of hope, love, joy, and community.\u003cbr\u003e\u003cbr\u003eTime Telling’s cover is a detail from celebrated artist Julie Mehretu’s 2001 artwork ‘eye of (Thoth)’, BJX is absolutely jammed to have Julie share her creativity with the extended family of musical artists that is Black Jesus eXperience.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Black Jesus eXperience\u003c\/p\u003e\n\u003cp\u003eLabel : Agogo Records\u003c\/p\u003e\n\u003cp\u003ecat no : AR179LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 21st November 2025\u003c\/p\u003e"}
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エチオピア／オーストラリアのジャズバンドBlack Jesus eXperienceが、2025年11月にドイツのAgogo Recordsからリリースしたレコードです。 エチオピアン・ジャズファンク8曲を収録。 レーベルその他作品はこちら /// Click here to see more Agogo Records...
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{"id":9011319636218,"title":"Amanda Whiting \/\/ A Christmas Cwtch LP","handle":"amanda-whiting-a-christmas-cwtch-lp","description":"\u003cp\u003eウェールズ出身ロンドン在住のジャズハープ奏者Amanda Whitingが、2024年12月にリリースしたクリスマスアルバムです。\u003c\/p\u003e\n\u003cp\u003eBill Evansやチャイコフスキーなどの楽曲をクリスマスアレンジした14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4008049454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4008049454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1683171130\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Night Before (Santa Claus Is Coming to Town Intro 00:43\u003cbr\u003e2. In the Bleak Midwinter 03:48\u003cbr\u003e3. Christmas Is Coming 02:26\u003cbr\u003e4. Christmas Time Is Here 04:17\u003cbr\u003e5. Sugarplum 03:46\u003cbr\u003e6. Happiness Theme 03:50\u003cbr\u003e7. Little Elfy 02:13\u003cbr\u003e8. Skating 02:58\u003cbr\u003e9. Peace Piece 03:03\u003cbr\u003e10. Deck the Halls 03:20\u003cbr\u003e11. The Christmas Song 03:56\u003cbr\u003e12. O Christmas Tree 02:59\u003cbr\u003e13. We Three Kings 04:23\u003cbr\u003e14. Has He Been? (Santa Claus Is Coming to Town Outro) 00:27\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFirst Word Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirst Word Records are very proud to bring you 'A Christmas Cwtch', the brand new album from highly-acclaimed Welsh jazz-harpist, Amanda Whiting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExpertly crafted with love, care and dedication, 'A Christmas Cwtch' takes on assorted classics from the likes of Vince Guaraldi, Bill Evans, Holst and Tchaikovsky, and re-presents them with original arrangements by Amanda and her accomplished trio. The end result is a 14-track selection pack of feel-good seasonal jazz-harp magic, including recent singles 'Peace Piece' and 'Skating'.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmanda says \"just mention Christmas and you hear Guaraldi, Bill Evans and the sound of sleigh bells and harps. It's my favourite time of year and the music evokes everything warm and cwtchy. Sparkling lights, mince pies, mulled wine and nostalgia around the tree.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the word 'cwtch', Amanda explains that \"a 'cwtch' is the most important word to Welsh folk. It's a hug, with a little squeeze. It's a feeling. It's cosy, loving and safe. I wanted this album to hold you, cwtch you and allow you to indulge.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspired by artists like Dorothy Ashby and Alice Coltrane, Amanda is a classically trained virtuoso, well established in the UK jazz scene, with releases on Jazzman and Albert's\u003cspan class=\"bcTruncateMore\"\u003e Favourites.\u003cbr\u003e\u003cbr\u003eHer most recent projects were released on Worldwide Award-winning UK label, First Word; 'Beyond the Midnight Sun' (with label-mate and Welsh Music Prize nominee, Don Leisure) and the hugely popular 2024 album 'The Liminality of Her', which received widespread praise in outlets such as Jazzwise, Mojo, Clash, Bandcamp, AllMusic, Somewhere Soul, HHV, Apple Music and Harp Column.\u003cbr\u003e\u003cbr\u003eShe has had wide support on the airwaves from tastemakers such as Cerys Matthews (BBC 6 Music), Tony Minvielle (Jazz FM), Deb Grant (BBC 6 Music), Patrick Forge (NTS), Soweto Kinch (BBC Radio 3), Kev Beadle (Totally Wired), Tina Edwards (Soho Radio), Laurent Garnier (FiP) and Jamie Cullum (BBC Radio 2).\u003cbr\u003e\u003cbr\u003e'A Christmas Cwtch' exemplifies Amanda's talent and personality simultaneously, celebrating an array of her favourite things; the harp, her Welshness, her love of jazz, her love of classical music and her love of Christmas. This album is an absolute delight, and the perfect soundtrack for the season. An essential stocking filler!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amanda Whiting\u003c\/p\u003e\n\u003cp\u003eLabel : First Word Records\u003c\/p\u003e\n\u003cp\u003eCAT No : FW322\u003c\/p\u003e","published_at":"2025-11-27T05:00:07+09:00","created_at":"2025-11-27T04:57:36+09:00","vendor":"Tobira Records","type":"","tags":["first word records","jazz","lp","new"],"price":446400,"price_min":446400,"price_max":446400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48007357726970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Amanda Whiting \/\/ A Christmas Cwtch LP","public_title":null,"options":["Default Title"],"price":446400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580835467","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aman1_4027d5c1-2652-4a81-938b-e3fb317e505d.jpg?v=1733550376","\/\/tobirarecords.com\/cdn\/shop\/files\/aman2_21962c5d-2a43-4c85-982d-b25cf1401e1c.jpg?v=1733550375"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aman1_4027d5c1-2652-4a81-938b-e3fb317e505d.jpg?v=1733550376","options":["Title"],"media":[{"alt":null,"id":35276502991098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aman1_4027d5c1-2652-4a81-938b-e3fb317e505d.jpg?v=1733550376"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aman1_4027d5c1-2652-4a81-938b-e3fb317e505d.jpg?v=1733550376","width":700},{"alt":null,"id":35276503023866,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aman2_21962c5d-2a43-4c85-982d-b25cf1401e1c.jpg?v=1733550375"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aman2_21962c5d-2a43-4c85-982d-b25cf1401e1c.jpg?v=1733550375","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウェールズ出身ロンドン在住のジャズハープ奏者Amanda Whitingが、2024年12月にリリースしたクリスマスアルバムです。\u003c\/p\u003e\n\u003cp\u003eBill Evansやチャイコフスキーなどの楽曲をクリスマスアレンジした14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4008049454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4008049454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1683171130\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Night Before (Santa Claus Is Coming to Town Intro 00:43\u003cbr\u003e2. In the Bleak Midwinter 03:48\u003cbr\u003e3. Christmas Is Coming 02:26\u003cbr\u003e4. Christmas Time Is Here 04:17\u003cbr\u003e5. Sugarplum 03:46\u003cbr\u003e6. Happiness Theme 03:50\u003cbr\u003e7. Little Elfy 02:13\u003cbr\u003e8. Skating 02:58\u003cbr\u003e9. Peace Piece 03:03\u003cbr\u003e10. Deck the Halls 03:20\u003cbr\u003e11. The Christmas Song 03:56\u003cbr\u003e12. O Christmas Tree 02:59\u003cbr\u003e13. We Three Kings 04:23\u003cbr\u003e14. Has He Been? (Santa Claus Is Coming to Town Outro) 00:27\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFirst Word Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirst Word Records are very proud to bring you 'A Christmas Cwtch', the brand new album from highly-acclaimed Welsh jazz-harpist, Amanda Whiting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExpertly crafted with love, care and dedication, 'A Christmas Cwtch' takes on assorted classics from the likes of Vince Guaraldi, Bill Evans, Holst and Tchaikovsky, and re-presents them with original arrangements by Amanda and her accomplished trio. The end result is a 14-track selection pack of feel-good seasonal jazz-harp magic, including recent singles 'Peace Piece' and 'Skating'.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmanda says \"just mention Christmas and you hear Guaraldi, Bill Evans and the sound of sleigh bells and harps. It's my favourite time of year and the music evokes everything warm and cwtchy. Sparkling lights, mince pies, mulled wine and nostalgia around the tree.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the word 'cwtch', Amanda explains that \"a 'cwtch' is the most important word to Welsh folk. It's a hug, with a little squeeze. It's a feeling. It's cosy, loving and safe. I wanted this album to hold you, cwtch you and allow you to indulge.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspired by artists like Dorothy Ashby and Alice Coltrane, Amanda is a classically trained virtuoso, well established in the UK jazz scene, with releases on Jazzman and Albert's\u003cspan class=\"bcTruncateMore\"\u003e Favourites.\u003cbr\u003e\u003cbr\u003eHer most recent projects were released on Worldwide Award-winning UK label, First Word; 'Beyond the Midnight Sun' (with label-mate and Welsh Music Prize nominee, Don Leisure) and the hugely popular 2024 album 'The Liminality of Her', which received widespread praise in outlets such as Jazzwise, Mojo, Clash, Bandcamp, AllMusic, Somewhere Soul, HHV, Apple Music and Harp Column.\u003cbr\u003e\u003cbr\u003eShe has had wide support on the airwaves from tastemakers such as Cerys Matthews (BBC 6 Music), Tony Minvielle (Jazz FM), Deb Grant (BBC 6 Music), Patrick Forge (NTS), Soweto Kinch (BBC Radio 3), Kev Beadle (Totally Wired), Tina Edwards (Soho Radio), Laurent Garnier (FiP) and Jamie Cullum (BBC Radio 2).\u003cbr\u003e\u003cbr\u003e'A Christmas Cwtch' exemplifies Amanda's talent and personality simultaneously, celebrating an array of her favourite things; the harp, her Welshness, her love of jazz, her love of classical music and her love of Christmas. This album is an absolute delight, and the perfect soundtrack for the season. An essential stocking filler!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amanda Whiting\u003c\/p\u003e\n\u003cp\u003eLabel : First Word Records\u003c\/p\u003e\n\u003cp\u003eCAT No : FW322\u003c\/p\u003e"}
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ウェールズ出身ロンドン在住のジャズハープ奏者Amanda Whitingが、2024年12月にリリースしたクリスマスアルバムです。 Bill Evansやチャイコフスキーなどの楽曲をクリスマスアレンジした14曲を収録。 ------------------------------------------------ Available on 12" black vinyl. Tracklist: 1. The Night...
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{"id":9009696932090,"title":"Mal Waldron \/\/ Searching in Grenoble : The 1978 Solo Piano Concert 2xCD","handle":"mal-waldron-searching-in-grenoble-the-1978-solo-piano-concert-2xcd","description":"\u003cp\u003eアメリカのジャズピアニストMal Waldron（1925-2002）が、2025年11月に同国フォークレーベルTompkins Squareからリリースした再発2枚組CDです。（オリジナルは2022年リリース）\u003c\/p\u003e\n\u003cp\u003e1978年に行ったソロピアノコンサートの録音です。インタビューや写真を掲載したブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2408865041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eTompkins Square その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003ehere\u003c\/a\u003e to see more Tompkins Square releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x CD + e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003extensive booklet with unseen photographs and notes by Mala Waldron, Adam Shatz, Zev Felman, Pascal Rozat and interviews with Ran Blake and Matthew Shipp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePreviously unissued recording of jazz icon Mal Waldron's performance at the \"Five Days of Jazz\" series in Grenoble, France on March 23, 1978.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mistral Breeze \/ Sieg Haile 23:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Here, There and Everywhere 10:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Russian Melody 02:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Petite Gemeaux 05:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Fire Waltz 06:37\u003cbr\u003e\u003c\/span\u003e6. You Don't Know What Love Is 08:32\u003cbr\u003e7. Soul Eyes 08:49\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. It Could Happen To You 07:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Russian Melody 06:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. I Thought About You 09:40\u003cbr\u003e\u003c\/span\u003e11. Snake Out 07:24\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. All Alone 06:51\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTompkins Square:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSearching In Grenoble: The 1978 Solo Piano Concert is a previously unissued recording of jazz icon Mal Waldron's mesmerizing performance at the \"Five Days of Jazz\" series in Grenoble, France on March 23, 1978.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWaldron was Billie Holiday’s final accompanist, played on classic sessions with John Coltrane, Charles Mingus and Jackie McLean among others, and recorded dozens of solo albums as a leader before his passing in 2002.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginally produced by the legendary André Francís and transferred from the original Radio France tapes, this is the first official release of this music in cooperation with the Mal Waldron Estate and Ina (The Institut national de l'audiovisuel). The beautifully designed, deluxe 2-CD set includes photos by K. Abe, Brian McMillen and Raymond Ross; an extensive 24-page booklet with a heartfelt statement by Mal's daughter Mala Waldron, plus essays by producer\/\"Jazz Detective\" Zev Feldman, journalist Adam Shatz and Ina's Pascal Rozat; and interviews with modern jazz piano luminaries Ran Blake and Matthew Shipp. Searching In Grenoble features classic Waldron originals such as \"Soul Eyes\" and \"All Alone,\" and jazz standards \"You Don't Know What Love Is,\" \"It Could Happen to\u003cspan class=\"bcTruncateMore\"\u003e You\" and \"I Thought About You.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mal Waldron\u003c\/p\u003e\n\u003cp\u003eLabel : Tompkins Square\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTSQ 5906\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-24T07:39:58+09:00","created_at":"2025-11-23T13:56:00+09:00","vendor":"Tobira Records","type":"","tags":["cd","jazz","new","tompkins square"],"price":478000,"price_min":478000,"price_max":478000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47998402887930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mal Waldron \/\/ Searching in Grenoble : The 1978 Solo Piano Concert 2xCD","public_title":null,"options":["Default Title"],"price":478000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"856225005906","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mal1_03981d39-13e7-4e42-8938-dc63ca1d85d4.jpg?v=1763873606","\/\/tobirarecords.com\/cdn\/shop\/files\/mal2_af393ef1-4d5f-4964-a418-a5c76fd7be08.jpg?v=1763873607"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mal1_03981d39-13e7-4e42-8938-dc63ca1d85d4.jpg?v=1763873606","options":["Title"],"media":[{"alt":null,"id":37590676046074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mal1_03981d39-13e7-4e42-8938-dc63ca1d85d4.jpg?v=1763873606"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mal1_03981d39-13e7-4e42-8938-dc63ca1d85d4.jpg?v=1763873606","width":700},{"alt":null,"id":37590676078842,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mal2_af393ef1-4d5f-4964-a418-a5c76fd7be08.jpg?v=1763873607"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mal2_af393ef1-4d5f-4964-a418-a5c76fd7be08.jpg?v=1763873607","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのジャズピアニストMal Waldron（1925-2002）が、2025年11月に同国フォークレーベルTompkins Squareからリリースした再発2枚組CDです。（オリジナルは2022年リリース）\u003c\/p\u003e\n\u003cp\u003e1978年に行ったソロピアノコンサートの録音です。インタビューや写真を掲載したブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2408865041\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eTompkins Square その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003ehere\u003c\/a\u003e to see more Tompkins Square releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x CD + e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003extensive booklet with unseen photographs and notes by Mala Waldron, Adam Shatz, Zev Felman, Pascal Rozat and interviews with Ran Blake and Matthew Shipp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePreviously unissued recording of jazz icon Mal Waldron's performance at the \"Five Days of Jazz\" series in Grenoble, France on March 23, 1978.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mistral Breeze \/ Sieg Haile 23:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Here, There and Everywhere 10:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Russian Melody 02:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Petite Gemeaux 05:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Fire Waltz 06:37\u003cbr\u003e\u003c\/span\u003e6. You Don't Know What Love Is 08:32\u003cbr\u003e7. Soul Eyes 08:49\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. It Could Happen To You 07:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Russian Melody 06:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. I Thought About You 09:40\u003cbr\u003e\u003c\/span\u003e11. Snake Out 07:24\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. All Alone 06:51\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTompkins Square:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSearching In Grenoble: The 1978 Solo Piano Concert is a previously unissued recording of jazz icon Mal Waldron's mesmerizing performance at the \"Five Days of Jazz\" series in Grenoble, France on March 23, 1978.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWaldron was Billie Holiday’s final accompanist, played on classic sessions with John Coltrane, Charles Mingus and Jackie McLean among others, and recorded dozens of solo albums as a leader before his passing in 2002.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOriginally produced by the legendary André Francís and transferred from the original Radio France tapes, this is the first official release of this music in cooperation with the Mal Waldron Estate and Ina (The Institut national de l'audiovisuel). The beautifully designed, deluxe 2-CD set includes photos by K. Abe, Brian McMillen and Raymond Ross; an extensive 24-page booklet with a heartfelt statement by Mal's daughter Mala Waldron, plus essays by producer\/\"Jazz Detective\" Zev Feldman, journalist Adam Shatz and Ina's Pascal Rozat; and interviews with modern jazz piano luminaries Ran Blake and Matthew Shipp. Searching In Grenoble features classic Waldron originals such as \"Soul Eyes\" and \"All Alone,\" and jazz standards \"You Don't Know What Love Is,\" \"It Could Happen to\u003cspan class=\"bcTruncateMore\"\u003e You\" and \"I Thought About You.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mal Waldron\u003c\/p\u003e\n\u003cp\u003eLabel : Tompkins Square\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTSQ 5906\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのジャズピアニストMal Waldron（1925-2002）が、2025年11月に同国フォークレーベルTompkins Squareからリリースした再発2枚組CDです。（オリジナルは2022年リリース） 1978年に行ったソロピアノコンサートの録音です。インタビューや写真を掲載したブックレット付属。 Tompkins Square その他作品はこちら /// Click here to see more Tompkins Square releases available at...
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{"id":9009668161786,"title":"Masayo Koketsu \/ Bill Nace s\/t LP","handle":"masayo-koketsu-bill-nace-s-t-lp","description":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003e岐阜のサックス奏者Masayo Koketsuとアメリカのギタリスト／大正琴奏者Bill Naceが、2023年にBill Nace主宰レーベルOpen Mouthから100部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスとギターによるガチンコフリージャズ7曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2782014871\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Teddy's 08:51\u003cbr\u003e2. Burger and Fries 04:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Luring out Chew 03:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Too Drunk to Fuck 05:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Calming Terry 04:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Hampshire Drive Blues 02:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Can I Watch? 04:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMasayo Koketsu--Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBill Nace--electric guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masayo Koketsu\/Bill Nace Duo\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM82\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-23T11:44:56+09:00","created_at":"2025-11-23T10:37:14+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","noise","open mouth"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47998170104058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Masayo Koketsu \/ Bill Nace s\/t LP","public_title":null,"options":["Default Title"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_674cf2ea-0013-4eea-8fd7-c42ff18b687f.jpg?v=1763861732","\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_c047989f-fe5e-4929-8959-7fc22e5e6b45.jpg?v=1763861732"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_674cf2ea-0013-4eea-8fd7-c42ff18b687f.jpg?v=1763861732","options":["Title"],"media":[{"alt":null,"id":37590343778554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_674cf2ea-0013-4eea-8fd7-c42ff18b687f.jpg?v=1763861732"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko1_674cf2ea-0013-4eea-8fd7-c42ff18b687f.jpg?v=1763861732","width":700},{"alt":null,"id":37590343811322,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_c047989f-fe5e-4929-8959-7fc22e5e6b45.jpg?v=1763861732"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ko2_c047989f-fe5e-4929-8959-7fc22e5e6b45.jpg?v=1763861732","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003e岐阜のサックス奏者Masayo Koketsuとアメリカのギタリスト／大正琴奏者Bill Naceが、2023年にBill Nace主宰レーベルOpen Mouthから100部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスとギターによるガチンコフリージャズ7曲を収録。版元即完のため最初で最後の入荷となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2782014871\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/opmo\"\u003ehere\u003c\/a\u003e to see more Open Mouth releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Teddy's 08:51\u003cbr\u003e2. Burger and Fries 04:34\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Luring out Chew 03:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Too Drunk to Fuck 05:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Calming Terry 04:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Hampshire Drive Blues 02:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Can I Watch? 04:03\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMasayo Koketsu--Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBill Nace--electric guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Masayo Koketsu\/Bill Nace Duo\u003c\/p\u003e\n\u003cp\u003eLabel : Open Mouth\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOM82\u003c\/span\u003e\u003c\/p\u003e"}
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※当店限定販売です 岐阜のサックス奏者Masayo Koketsuとアメリカのギタリスト／大正琴奏者Bill Naceが、2023年にBill Nace主宰レーベルOpen Mouthから100部限定でリリースした共作レコードです。 サックスとギターによるガチンコフリージャズ7曲を収録。版元即完のため最初で最後の入荷となります。 レーベルその他作品はこちら /// Click here to see more Open Mouth releases...
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{"id":9009665147130,"title":"Pierre Bastien \/\/ Tools LP","handle":"pierre-bastien-tools-lp","description":"\u003cp\u003eフランスのトランペット奏者／自作楽器演奏家Pierre Bastienが、2025年10月にベルギーの実験レーベルESITU Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e自作楽器によるストレンジビーツ〜物音ジャズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Tools』において、Pierre Bastienは「他所」という概念への長年の関心を新たな視点から探求する。このタイトルはルネ・ヴァン・ピールによる論文を想起させる。その論文は「私はドライバーで作曲する」という簡潔な公式で始まる。Pierre Bastienは自作の楽器——主にメカノ部品で構築された機械的アッサンブラージュ——を用いて演奏する。それらは音楽そのものだけでなく、音楽のイメージをも構造化する。物語性や比喩を求めず、まずは何も想像せずに、とPierre Bastienは聴き手に呼びかける。まず彼の機構の生の物質性を観察せよと：歯車の衝突音、回転の唸り、精密さと偶然性の間の緊張感を。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作の原点となった機械楽器は、リズムセクション、6つのバルブで6つのメジャーコードを奏でるハーモニックセクション、回転する釘ヴァイオリン、8つの回転するフルートマウスピース、自動化されたレコードプレーヤーの骨格で構成されていた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e装置は秘められた謎を抱えている。計画外に現れるものは発見の本質を宿す。予期せぬものは具現化するまで見えない。そして何かを発見するとは、知っていた世界が拡張したことを理解することだ。かくしてPierre Bastienの創造的プロセスは、「他者」（そしてその無数の世界）が常に我々を取り巻く存在であることを、貴重な形で思い出させてくれる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3407319385\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Part. I \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e18:32\u003cbr\u003eB. Part. II \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e19:07\u003c\/p\u003e\n\u003cp\u003eEsitsu Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Tools, Pierre Bastien explores his long-standing fascination with the concept of “elsewhere” from a new perspective. The title echoes an article by René Van Peer, which opens with this concise formula: “I compose with a screwdriver”. Bastien performs on instruments of his own making —mechanical assemblages built primarily from Meccano parts— which structure not only the music itself but also an image of music. Rather than seeking narrative or metaphor, let’s not imagine anything just yet, Bastien invites us first to observe the raw materiality of his mechanisms: the clash of gears, the hum of rotation, the tension between precision and accident.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe machine-instrument at the origin of this record was composed of a rhythm section, a harmonic section with six valves playing six major chords, a rotating nail violin, eight rotating flute mouthpieces, and an automated skeleton of a record player.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe device holds its hidden secrets. What emerges, unplanned, carries the essence of discovery. The unexpected remains invisible until it materializes. And to discover something is to understand that the world we knew has expanded. As such, Bastien’s creative process is a precious reminder that “elsewhere” (and its multitude of worlds) is a presence that always surrounds us.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pierre Bastien \u003c\/p\u003e\n\u003cp\u003eLabel : Esitsu Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eESITU 003 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-30T04:29:06+09:00","created_at":"2025-11-23T10:30:00+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","monooto","new","strange beats"],"price":529000,"price_min":529000,"price_max":529000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47998132584698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pierre Bastien \/\/ Tools LP","public_title":null,"options":["Default Title"],"price":529000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-23at10.26.25am_a1a7d3e1-5ce6-49d3-84ab-04cb90ac73a8.png?v=1763861269","\/\/tobirarecords.com\/cdn\/shop\/files\/tool2.jpg?v=1763861269","\/\/tobirarecords.com\/cdn\/shop\/files\/tool3.jpg?v=1763861269"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-23at10.26.25am_a1a7d3e1-5ce6-49d3-84ab-04cb90ac73a8.png?v=1763861269","options":["Title"],"media":[{"alt":null,"id":37590286762234,"position":1,"preview_image":{"aspect_ratio":0.996,"height":550,"width":548,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-23at10.26.25am_a1a7d3e1-5ce6-49d3-84ab-04cb90ac73a8.png?v=1763861269"},"aspect_ratio":0.996,"height":550,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-23at10.26.25am_a1a7d3e1-5ce6-49d3-84ab-04cb90ac73a8.png?v=1763861269","width":548},{"alt":null,"id":37590286795002,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tool2.jpg?v=1763861269"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tool2.jpg?v=1763861269","width":600},{"alt":null,"id":37590286827770,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tool3.jpg?v=1763861269"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tool3.jpg?v=1763861269","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのトランペット奏者／自作楽器演奏家Pierre Bastienが、2025年10月にベルギーの実験レーベルESITU Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e自作楽器によるストレンジビーツ〜物音ジャズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Tools』において、Pierre Bastienは「他所」という概念への長年の関心を新たな視点から探求する。このタイトルはルネ・ヴァン・ピールによる論文を想起させる。その論文は「私はドライバーで作曲する」という簡潔な公式で始まる。Pierre Bastienは自作の楽器——主にメカノ部品で構築された機械的アッサンブラージュ——を用いて演奏する。それらは音楽そのものだけでなく、音楽のイメージをも構造化する。物語性や比喩を求めず、まずは何も想像せずに、とPierre Bastienは聴き手に呼びかける。まず彼の機構の生の物質性を観察せよと：歯車の衝突音、回転の唸り、精密さと偶然性の間の緊張感を。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作の原点となった機械楽器は、リズムセクション、6つのバルブで6つのメジャーコードを奏でるハーモニックセクション、回転する釘ヴァイオリン、8つの回転するフルートマウスピース、自動化されたレコードプレーヤーの骨格で構成されていた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e装置は秘められた謎を抱えている。計画外に現れるものは発見の本質を宿す。予期せぬものは具現化するまで見えない。そして何かを発見するとは、知っていた世界が拡張したことを理解することだ。かくしてPierre Bastienの創造的プロセスは、「他者」（そしてその無数の世界）が常に我々を取り巻く存在であることを、貴重な形で思い出させてくれる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3407319385\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Part. I \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e18:32\u003cbr\u003eB. Part. II \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e19:07\u003c\/p\u003e\n\u003cp\u003eEsitsu Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Tools, Pierre Bastien explores his long-standing fascination with the concept of “elsewhere” from a new perspective. The title echoes an article by René Van Peer, which opens with this concise formula: “I compose with a screwdriver”. Bastien performs on instruments of his own making —mechanical assemblages built primarily from Meccano parts— which structure not only the music itself but also an image of music. Rather than seeking narrative or metaphor, let’s not imagine anything just yet, Bastien invites us first to observe the raw materiality of his mechanisms: the clash of gears, the hum of rotation, the tension between precision and accident.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe machine-instrument at the origin of this record was composed of a rhythm section, a harmonic section with six valves playing six major chords, a rotating nail violin, eight rotating flute mouthpieces, and an automated skeleton of a record player.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe device holds its hidden secrets. What emerges, unplanned, carries the essence of discovery. The unexpected remains invisible until it materializes. And to discover something is to understand that the world we knew has expanded. As such, Bastien’s creative process is a precious reminder that “elsewhere” (and its multitude of worlds) is a presence that always surrounds us.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pierre Bastien \u003c\/p\u003e\n\u003cp\u003eLabel : Esitsu Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eESITU 003 \u003c\/span\u003e\u003c\/p\u003e"}
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フランスのトランペット奏者／自作楽器演奏家Pierre Bastienが、2025年10月にベルギーの実験レーベルESITU Recordsからリリースしたレコードです。 自作楽器によるストレンジビーツ〜物音ジャズ2曲を収録。 以下、レーベルによる解説です。 "『Tools』において、Pierre Bastienは「他所」という概念への長年の関心を新たな視点から探求する。このタイトルはルネ・ヴァン・ピールによる論文を想起させる。その論文は「私はドライバーで作曲する」という簡潔な公式で始まる。Pierre Bastienは自作の楽器——主にメカノ部品で構築された機械的アッサンブラージュ——を用いて演奏する。それらは音楽そのものだけでなく、音楽のイメージをも構造化する。物語性や比喩を求めず、まずは何も想像せずに、とPierre Bastienは聴き手に呼びかける。まず彼の機構の生の物質性を観察せよと：歯車の衝突音、回転の唸り、精密さと偶然性の間の緊張感を。 本作の原点となった機械楽器は、リズムセクション、6つのバルブで6つのメジャーコードを奏でるハーモニックセクション、回転する釘ヴァイオリン、8つの回転するフルートマウスピース、自動化されたレコードプレーヤーの骨格で構成されていた。 装置は秘められた謎を抱えている。計画外に現れるものは発見の本質を宿す。予期せぬものは具現化するまで見えない。そして何かを発見するとは、知っていた世界が拡張したことを理解することだ。かくしてPierre Bastienの創造的プロセスは、「他者」（そしてその無数の世界）が常に我々を取り巻く存在であることを、貴重な形で思い出させてくれる。" --------------------------------------------- 12"...
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{"id":9009656824058,"title":"We Jazz Magazine \/\/ Summer 2023 \"Shadow Shapes\" MAGAZINE","handle":"we-jazz-magazine-summer-2023-shadow-shapes-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2023年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe eighth issue of We Jazz Magazine, \"Shadow Shapes\" for Dorothy Ashby.\u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose \u0026amp; the Voices Of Creation by Samuel Lamontagne, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG03\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-23T12:56:20+09:00","created_at":"2025-11-23T09:48:09+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47998059806970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"We Jazz Magazine \/\/ Summer 2023 \"Shadow Shapes\" MAGAZINE","public_title":null,"options":["Default Title"],"price":399000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sha_9f3bac3f-8234-4f12-9f98-cf7c0b87a913.jpg?v=1763858947"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sha_9f3bac3f-8234-4f12-9f98-cf7c0b87a913.jpg?v=1763858947","options":["Title"],"media":[{"alt":null,"id":37589972222202,"position":1,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sha_9f3bac3f-8234-4f12-9f98-cf7c0b87a913.jpg?v=1763858947"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sha_9f3bac3f-8234-4f12-9f98-cf7c0b87a913.jpg?v=1763858947","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2023年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe eighth issue of We Jazz Magazine, \"Shadow Shapes\" for Dorothy Ashby.\u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose \u0026amp; the Voices Of Creation by Samuel Lamontagne, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG03\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":9009655742714,"title":"We Jazz Magazine \/\/ Spring 2022 \"Tetragon\" MAGAZINE","handle":"we-jazz-magazine-summer-2024-worldwide-magazine-copy","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe third issue of We Jazz Magazine, \u003cmeta charset=\"utf-8\"\u003e\"Tetragon\" for Joe Henderson.\u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, The Lisbon Scene by Rui Miguel Abreu, plus many more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG03\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-23T12:58:04+09:00","created_at":"2025-11-23T09:42:04+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47998054072570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"We Jazz Magazine \/\/ Spring 2022 \"Tetragon\" MAGAZINE","public_title":null,"options":["Default Title"],"price":399000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tetra1_b2e7b4c3-af39-4b46-8368-225cc34d6f14.jpg?v=1763858635","\/\/tobirarecords.com\/cdn\/shop\/files\/tetra2_eb29fdfc-1dfc-4233-bee1-df5776a5dcb9.jpg?v=1763858635","\/\/tobirarecords.com\/cdn\/shop\/files\/tetra3_7457ac8a-974e-4edf-a31b-35e52c5303af.jpg?v=1763858635"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra1_b2e7b4c3-af39-4b46-8368-225cc34d6f14.jpg?v=1763858635","options":["Title"],"media":[{"alt":null,"id":37589942534394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra1_b2e7b4c3-af39-4b46-8368-225cc34d6f14.jpg?v=1763858635"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra1_b2e7b4c3-af39-4b46-8368-225cc34d6f14.jpg?v=1763858635","width":1200},{"alt":null,"id":37589942567162,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra2_eb29fdfc-1dfc-4233-bee1-df5776a5dcb9.jpg?v=1763858635"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra2_eb29fdfc-1dfc-4233-bee1-df5776a5dcb9.jpg?v=1763858635","width":1200},{"alt":null,"id":37589942599930,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra3_7457ac8a-974e-4edf-a31b-35e52c5303af.jpg?v=1763858635"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra3_7457ac8a-974e-4edf-a31b-35e52c5303af.jpg?v=1763858635","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe third issue of We Jazz Magazine, \u003cmeta charset=\"utf-8\"\u003e\"Tetragon\" for Joe Henderson.\u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, The Lisbon Scene by Rui Miguel Abreu, plus many more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG03\u003c\/span\u003e\u003c\/p\u003e"}
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フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年春号です。 ほぼフルカラーの全文英語128ページです。 The third issue of We Jazz Magazine, "Tetragon" for Joe...
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{"id":9008476029178,"title":"Hideaki Shimada \/\/ Running around the Crape Myrtles TAPE","handle":"hideaki-shimada-running-around-the-crape-myrtles-tape","description":"\u003cp\u003e金沢のバイオリニストHideaki Shimadaが、2025年9月にベルギーの実験レーベルSloow Tapesから70本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eインプロ2曲を収録。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2170959141\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/sloowtapes\" title=\"sloowtapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003esloowtapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/sloowtapes\/hideaki-shimada\" title=\"Hideaki Shimada\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eHideaki Shimada\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sloow\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sloow\"\u003ehere\u003c\/a\u003e to see more sloow tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eC40 cassette in norelco case.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 70.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Running Around The Crape Myrtles Part 1\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB. Running Around The Crape Myrtles Part 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003esloow tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Solo recording by Hideaki Shimada, he also records under the name of Agencement, on several instruments like violin, viola, cello, piano and electronics. In the past he collaborated with Sabu Toyozumi, John Russell, Adam Bohman, Merzbow and countless others. A dive into the netherworld of sapphire acoustic improvisations and fly-by-night electronics.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hideaki Shimada\u003c\/p\u003e\n\u003cp\u003eLabel : sloow tapes\u003c\/p\u003e","published_at":"2025-11-23T09:42:30+09:00","created_at":"2025-11-21T11:03:24+09:00","vendor":"Tobira Records","type":"","tags":["jazz","new","sloow tapes","tape"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47992947572986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Hideaki Shimada \/\/ Running around the Crape Myrtles TAPE","public_title":null,"options":["Default Title"],"price":238000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-21at11.02.06am.png?v=1763690549","\/\/tobirarecords.com\/cdn\/shop\/files\/hide1_1d715b63-9c39-4430-9278-2e5666a324d5.jpg?v=1763690549"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-21at11.02.06am.png?v=1763690549","options":["Title"],"media":[{"alt":null,"id":37570679046394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":595,"width":595,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-21at11.02.06am.png?v=1763690549"},"aspect_ratio":1.0,"height":595,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-21at11.02.06am.png?v=1763690549","width":595},{"alt":null,"id":37570679013626,"position":2,"preview_image":{"aspect_ratio":0.663,"height":600,"width":398,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hide1_1d715b63-9c39-4430-9278-2e5666a324d5.jpg?v=1763690549"},"aspect_ratio":0.663,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hide1_1d715b63-9c39-4430-9278-2e5666a324d5.jpg?v=1763690549","width":398}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e金沢のバイオリニストHideaki Shimadaが、2025年9月にベルギーの実験レーベルSloow Tapesから70本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eインプロ2曲を収録。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2170959141\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/sloowtapes\" title=\"sloowtapes\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003esloowtapes\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/sloowtapes\/hideaki-shimada\" title=\"Hideaki Shimada\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eHideaki Shimada\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sloow\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sloow\"\u003ehere\u003c\/a\u003e to see more sloow tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eC40 cassette in norelco case.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 70.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Running Around The Crape Myrtles Part 1\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB. Running Around The Crape Myrtles Part 2\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003esloow tapes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Solo recording by Hideaki Shimada, he also records under the name of Agencement, on several instruments like violin, viola, cello, piano and electronics. In the past he collaborated with Sabu Toyozumi, John Russell, Adam Bohman, Merzbow and countless others. A dive into the netherworld of sapphire acoustic improvisations and fly-by-night electronics.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hideaki Shimada\u003c\/p\u003e\n\u003cp\u003eLabel : sloow tapes\u003c\/p\u003e"}
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金沢のバイオリニストHideaki Shimadaが、2025年9月にベルギーの実験レーベルSloow Tapesから70本限定でリリースしたカセットです。 インプロ2曲を収録。 カセットのみでの発表となります。 sloowtapes · Hideaki Shimada レーベルその他作品はこちら /// Click here to...
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{"id":9008468099322,"title":"Jeremy Dower \u0026 Tetrphnm \/\/ Personal Computer Music, 1997-2022 LP","handle":"jeremy-dower-tetrphnm-personal-computer-music-1997-2022-lp","description":"\u003cp\u003eオーストラリア・メルボルンの電子音楽家Jeremy Dowerが、2025年12月に同国Chapter Musicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼が1997-2022年に制作したベッドルーム・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"隠遁的なオーストラリアの電子音楽家Jeremy Dowerが、四半世紀にわたる未発表音源のコンピレーションを発表。2部構成で、90年代のアンビエント・テクノプロジェクト「Tetrphnm」（発音不能）と、その後本名で制作したノスタルジックな擬似ジャズ・エレクトロニカをそれぞれ紹介する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Personal Computer Music, 1997-2022』は、ジャジャ・ウルン族の土地ベンディゴを拠点とするJeremy Dowerのための、Chapter Musicによる継続的な再発シリーズの集大成となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e当初はモノレイクやマウス・オン・マーズといった厳格なドイツのエレクトロニカに触発されたJeremyの音世界は、やがてザ・シー・アンド・ケイク、ジョアン・ジルベルト、ヤキ・リーベツァイト、アラン・ゴラゲといった多様な影響を取り込んでいった。しかしJeremyは、地球の反対側でこれらの礎を独力で掘り下げた。90年代の安価なサウンドカード、12ビット・サンプラー、バンク式ノイズゲートを用いて「減算的作曲」のシステムを即興的に構築しながら。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼の音楽はIDMやマイクロハウスといったジャンルとは並行しながらも独立した世界で進化したが、その音はまさにJeremyそのもの——魔法のように独創的で、心に響き、極めて個人的なものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e過去25年間、Jeremyはコンピュータゲームのデザイナーとして活動し、音楽制作と視覚芸術に関する博士論文を執筆。ニューヨーク、ベルリン、メルボルンで犬の芸術展を開催し、ゴティエのライブビジュアルをデザイン。さらに『シンプソンズ』テーマ曲の8ビットバージョンがバイラルヒットし、本家番組で使用されるという快挙を成し遂げた！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEfficient Spaceは、2018年にリリースした90年代オーストラリア・エレクトロニカの名盤コンピレーション『3AM Spares』にテトロンムの楽曲を収録した。しかし『Personal Computer Music, 1997-2022』こそが、Jeremyの魅力的な音楽史を、その価値に見合った深みで探求する初めての機会となる。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1244644792\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eCompilation of previously unreleased songs by Jeremy Dower under his own name \u0026amp; his 'Tetrphnm' project. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. See You Soon 06:33\u003cbr\u003e2. Double Transgression 03:54\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Faux Jazz 04:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Aesthetic Memory 05:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. A Limited Release of Exclusive Graves 01:58\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Tetrphnm - Flemington Dream House 02:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tetrphnm - Transmodal Projection 02:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Tetrphnm - Sentimental Techno Music 04:30\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Tetrphnm - Personal Computer Ensemble 03:08\u003cbr\u003e\u003c\/span\u003e10. Tetrphnm - Shareware 03:47\u003cbr\u003e11. Peak Leisure 04:52\u003c\/p\u003e\n\u003cp\u003eChapter Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReclusive Australia electronic figure Jeremy Dower announces a quarter century-spanning compilation of previously unreleased music, split into halves to showcase his unpronounceable 90s ambient techno project Tetrphnm, as well as the wistful faux-jazz electronica made subsequently under his own name.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePersonal Computer Music, 1997-2022 is the culmination of Chapter Music’s ongoing reissue series for Jeremy, who is based in Bendigo on Dja Dja Wurrung land. In August, Chapter made his earlier albums available digitally for the first time ever - Sentimental Dance Music For Couples (originally released in 2000 via US label Plug Research, home to releases by Flying Lotus and Jon Tejada) and Music For the Young and the Restless (originally released in 2004 on Japanese imprint Bit Of Heaven). Chapter also released a mini album Music For Retirement Villages, Circa 2050 on 12\" and CD back in 2002.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspired at first by austere German electronica such as Monolake and Mouse on Mars, Jeremy’s sound world grew to take in influences as various as The Sea and Cake, Joao Gilberto and Jaki Liebezeit and Alain Goraguer. But Jeremy worked through these touchstones all alone on the other side of the world, at first improvising systems of “subtractive composition” via cheap 90s sound cards, 12\u003cspan class=\"bcTruncateMore\"\u003e bit samplers and banked noise gates.\u003cbr\u003e\u003cbr\u003eHis music evolved in a parallel but separate world to genres like IDM and Microhouse, but really it sounds like nothing but Jeremy Dower – magically inventive, touching and personal.\u003cbr\u003e\u003cbr\u003eOver the last 25 years Jeremy has worked as a designer for computer games, written a PhD thesis on music production and visual art, had an exhibition of dog art shown in New York, Berlin and Melbourne, designed live visuals for Gotye and had an 8bit version of the Simpsons Theme go viral and end up being used in the Simpsons itself!\u003cbr\u003e\u003cbr\u003eEfficient Space comped a Tetrphnm track on their much-loved 2018 compilation of 90s Australian electronica 3AM Spares. But Personal Computer Music, 1997-2022 is your first chance to explore Jeremy Dower’s compelling musical history with the depth it deserves.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremy Dower \u0026amp; Tetrphnm\u003c\/p\u003e\n\u003cp\u003eLabel : Chapter Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCH206lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-30T05:26:30+09:00","created_at":"2025-11-21T10:26:38+09:00","vendor":"Tobira Records","type":"","tags":["chapter music","jazz","lp","new"],"price":345400,"price_min":345400,"price_max":345400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47992905072890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeremy Dower \u0026 Tetrphnm \/\/ Personal Computer Music, 1997-2022 LP","public_title":null,"options":["Default Title"],"price":345400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"747742113017","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_4d261d38-bf48-485b-bf82-38f86dc54c3f.jpg?v=1763688133","\/\/tobirarecords.com\/cdn\/shop\/files\/com2_67b784d5-9c99-49c8-8cd0-aad321fddca4.jpg?v=1763688133"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_4d261d38-bf48-485b-bf82-38f86dc54c3f.jpg?v=1763688133","options":["Title"],"media":[{"alt":null,"id":37570571469050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_4d261d38-bf48-485b-bf82-38f86dc54c3f.jpg?v=1763688133"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_4d261d38-bf48-485b-bf82-38f86dc54c3f.jpg?v=1763688133","width":700},{"alt":null,"id":37570571501818,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_67b784d5-9c99-49c8-8cd0-aad321fddca4.jpg?v=1763688133"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_67b784d5-9c99-49c8-8cd0-aad321fddca4.jpg?v=1763688133","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの電子音楽家Jeremy Dowerが、2025年12月に同国Chapter Musicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼が1997-2022年に制作したベッドルーム・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"隠遁的なオーストラリアの電子音楽家Jeremy Dowerが、四半世紀にわたる未発表音源のコンピレーションを発表。2部構成で、90年代のアンビエント・テクノプロジェクト「Tetrphnm」（発音不能）と、その後本名で制作したノスタルジックな擬似ジャズ・エレクトロニカをそれぞれ紹介する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Personal Computer Music, 1997-2022』は、ジャジャ・ウルン族の土地ベンディゴを拠点とするJeremy Dowerのための、Chapter Musicによる継続的な再発シリーズの集大成となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e当初はモノレイクやマウス・オン・マーズといった厳格なドイツのエレクトロニカに触発されたJeremyの音世界は、やがてザ・シー・アンド・ケイク、ジョアン・ジルベルト、ヤキ・リーベツァイト、アラン・ゴラゲといった多様な影響を取り込んでいった。しかしJeremyは、地球の反対側でこれらの礎を独力で掘り下げた。90年代の安価なサウンドカード、12ビット・サンプラー、バンク式ノイズゲートを用いて「減算的作曲」のシステムを即興的に構築しながら。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼の音楽はIDMやマイクロハウスといったジャンルとは並行しながらも独立した世界で進化したが、その音はまさにJeremyそのもの——魔法のように独創的で、心に響き、極めて個人的なものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e過去25年間、Jeremyはコンピュータゲームのデザイナーとして活動し、音楽制作と視覚芸術に関する博士論文を執筆。ニューヨーク、ベルリン、メルボルンで犬の芸術展を開催し、ゴティエのライブビジュアルをデザイン。さらに『シンプソンズ』テーマ曲の8ビットバージョンがバイラルヒットし、本家番組で使用されるという快挙を成し遂げた！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEfficient Spaceは、2018年にリリースした90年代オーストラリア・エレクトロニカの名盤コンピレーション『3AM Spares』にテトロンムの楽曲を収録した。しかし『Personal Computer Music, 1997-2022』こそが、Jeremyの魅力的な音楽史を、その価値に見合った深みで探求する初めての機会となる。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1244644792\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eCompilation of previously unreleased songs by Jeremy Dower under his own name \u0026amp; his 'Tetrphnm' project. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. See You Soon 06:33\u003cbr\u003e2. Double Transgression 03:54\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Faux Jazz 04:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Aesthetic Memory 05:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. A Limited Release of Exclusive Graves 01:58\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Tetrphnm - Flemington Dream House 02:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Tetrphnm - Transmodal Projection 02:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Tetrphnm - Sentimental Techno Music 04:30\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Tetrphnm - Personal Computer Ensemble 03:08\u003cbr\u003e\u003c\/span\u003e10. Tetrphnm - Shareware 03:47\u003cbr\u003e11. Peak Leisure 04:52\u003c\/p\u003e\n\u003cp\u003eChapter Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReclusive Australia electronic figure Jeremy Dower announces a quarter century-spanning compilation of previously unreleased music, split into halves to showcase his unpronounceable 90s ambient techno project Tetrphnm, as well as the wistful faux-jazz electronica made subsequently under his own name.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePersonal Computer Music, 1997-2022 is the culmination of Chapter Music’s ongoing reissue series for Jeremy, who is based in Bendigo on Dja Dja Wurrung land. In August, Chapter made his earlier albums available digitally for the first time ever - Sentimental Dance Music For Couples (originally released in 2000 via US label Plug Research, home to releases by Flying Lotus and Jon Tejada) and Music For the Young and the Restless (originally released in 2004 on Japanese imprint Bit Of Heaven). Chapter also released a mini album Music For Retirement Villages, Circa 2050 on 12\" and CD back in 2002.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspired at first by austere German electronica such as Monolake and Mouse on Mars, Jeremy’s sound world grew to take in influences as various as The Sea and Cake, Joao Gilberto and Jaki Liebezeit and Alain Goraguer. But Jeremy worked through these touchstones all alone on the other side of the world, at first improvising systems of “subtractive composition” via cheap 90s sound cards, 12\u003cspan class=\"bcTruncateMore\"\u003e bit samplers and banked noise gates.\u003cbr\u003e\u003cbr\u003eHis music evolved in a parallel but separate world to genres like IDM and Microhouse, but really it sounds like nothing but Jeremy Dower – magically inventive, touching and personal.\u003cbr\u003e\u003cbr\u003eOver the last 25 years Jeremy has worked as a designer for computer games, written a PhD thesis on music production and visual art, had an exhibition of dog art shown in New York, Berlin and Melbourne, designed live visuals for Gotye and had an 8bit version of the Simpsons Theme go viral and end up being used in the Simpsons itself!\u003cbr\u003e\u003cbr\u003eEfficient Space comped a Tetrphnm track on their much-loved 2018 compilation of 90s Australian electronica 3AM Spares. But Personal Computer Music, 1997-2022 is your first chance to explore Jeremy Dower’s compelling musical history with the depth it deserves.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremy Dower \u0026amp; Tetrphnm\u003c\/p\u003e\n\u003cp\u003eLabel : Chapter Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCH206lp\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリア・メルボルンの電子音楽家Jeremy Dowerが、2025年12月に同国Chapter Musicからリリースしたレコードです。 彼が1997-2022年に制作したベッドルーム・ジャズ11曲を収録。 以下、レーベルによる解説です。 "隠遁的なオーストラリアの電子音楽家Jeremy Dowerが、四半世紀にわたる未発表音源のコンピレーションを発表。2部構成で、90年代のアンビエント・テクノプロジェクト「Tetrphnm」（発音不能）と、その後本名で制作したノスタルジックな擬似ジャズ・エレクトロニカをそれぞれ紹介する。 『Personal Computer Music, 1997-2022』は、ジャジャ・ウルン族の土地ベンディゴを拠点とするJeremy Dowerのための、Chapter Musicによる継続的な再発シリーズの集大成となる。 当初はモノレイクやマウス・オン・マーズといった厳格なドイツのエレクトロニカに触発されたJeremyの音世界は、やがてザ・シー・アンド・ケイク、ジョアン・ジルベルト、ヤキ・リーベツァイト、アラン・ゴラゲといった多様な影響を取り込んでいった。しかしJeremyは、地球の反対側でこれらの礎を独力で掘り下げた。90年代の安価なサウンドカード、12ビット・サンプラー、バンク式ノイズゲートを用いて「減算的作曲」のシステムを即興的に構築しながら。...
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{"id":8707620405498,"title":"Sam Wilkes \/\/ iiyo iiyo iiyo TAPE","handle":"sam-wilkes-iiyo-iiyo-iiyo-tape","description":"\u003cp\u003eアメリカ・LAのベーシストSam Wilkesが、2024年10月に200本限定で自主リリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e日本で行ったライブ録音5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、Sadie Sartini Garnerによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"FRUE fesの主催者が、Sam Wilkesに2022年のフェスティバルのためのアンサンブルの編成を依頼したとき、彼らは当初、彼が2021年のアルバム One Theme \u0026amp; Subsequent Improvisation のために制作したバンドに依頼した。キーボーディストのクリス・フィッシュマン（パット・メセニー、ルイス・コール）だけがそのグループのメンバーで都合がついたため、Wilkesは主催者に代替案として2つのグループのうちの1つを選ぶよう求めた。ドラマー、クレイグ・ワインリブ（ヘンリー・スレッドギル、アーメン・デューンズ）とギタリスト、ディラン・デイ（ジェニー・ルイス、ジャクソン・ブラウン）をフィーチャーしたトリオ（Wilkesは最近トリオ・アルバムをリリースした）、またはワインリブ、フィッシュマン、キーボーディスト兼ギタリストのトム・ギル（KNOWER、ジョセフ・シャバソン）をフィーチャーしたカルテットだ。「どのバンドを連れてくるべきか決断できず、とても迷いました」と彼は言う。WilkesとFRUEのオーガナイザーは、奇妙な行き違い、あるいは単なるセレンディピティ（偶然の一致）を通して、もう一方が両グループのメンバーを含むクインテットへの統合を提案したと考えた。どちらも口に出さなかったアイデアが、いつの間にか当然の選択となったのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e iiyo iiyo iiyoは、Wilkesがバンドリーダー兼アレンジャーとして発表した5枚目のアルバムで、その雰囲気はスピーカーからこぼれ落ちるほど豊かだ。クインテットの出会いを記録したこのアルバムは、掛川のFRUEと東京のWWWXでライブ録音された。演奏者間の親密な相互作用や、小さな部屋で録音されたような雰囲気からは想像もつかないだろう。Wilkesが2018年にリリースしたセルフタイトルアルバムでデビューを飾ったオープニング曲「Descending」では、ホール後方で遊ぶ子供たちの声がサンプリングされたのではないかと思うほど居心地の良いムードが漂っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilkesにとって、演奏やレコーディングに適切なトーンを設定することは最も重要であり、それは彼がベーシストとしての役割をどう理解しているかということと切り離せない。「私が自分のこと、つまり音楽で最も大切にしていることを理解するための入り口は、伴奏だった。伴奏には、エネルギーという言葉にできないものがある。例えば、ディランがメロディーを弾くために、あるいはトムがメロディーを弾くために、究極の環境を作るためのアレンジやオーケストレーションをする。綿密な準備と完全な即興が同程度に組み合わさっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルの「iiyo iiyo iiyo」は、感謝の言葉に対して使われる日本語の表現で、自分への賞賛を払いのけるチーキーな言い方である。したがって、このレコードはチャーミングで家庭的な個性に溢れている。スタンダード曲I Wanna Be Lovedのゴージャスなヴァージョンで、デイは洗礼されたアンビエント・ガーゼと、ダイナ・ワシントンのオリジナルを彷彿とさせる伝統的な美しいラインの間を行き来するようにメロディーを奏でる。Descendingでは、バンドがマントリックなメロディーを循環させる一方で、フィッシュマンがMoog Oneでメロディーを点描し、ウィルクス・スタンダードとなった曲に新たな継ぎ目を開いている。ワインリブの忍耐強く印象主義的な筆致は、メロディーの下で渦を巻いているようであり、ギルは鍵盤から厚くリバーブの効いた伴奏で部屋を曇らせている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilkesはどこにいるのだろう？彼は友人たちを導き、彼自身が建てた部屋の飾り付けを手伝い、この曲の切なく、希望に満ちた、地に足の着いた雰囲気に深く引き込んでいる。彼の演奏の特徴であるポリフォニックなヴォイシングは、曲の境界線を定め、音楽的・感情的なアンカーの役割を果たしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれは、Wilkesがアルバム全体でとっているアプローチであり、彼のフレージングを音楽の重心と心臓の両方として使っているのだが、Girl の冒頭1分ほどで彼はそれを完璧にやってのけている。この曲は元々、Wilkes 「Sings」（2014-2016）に収録されていたもので、本人は 「サイコティックなほど異なるアレンジ 」と呼んでいる。掛川のステージでは、彼はこの曲をスロー再生し、中心となるコードを分離する。彼はその和音を優しく辛抱強く演奏し、混乱した気持ちをすべて吐き出した人のように明瞭に声を出す。Wilkesが言うように、彼のベーシストとしての役割は、これらの曲の土台となることであり、土台はその性質上、不明瞭になりがちである。ここで、ある素敵な瞬間のために、彼はすべてを解体し、この奇跡的な音楽を支えている緑豊かな建築物を明らかにした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=53010074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3091666111\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=53010074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e1. Descending (Frue)\u003cbr\u003e2. I Wanna Be Loved 03:51\u003cbr\u003e3. Girl\u003cbr\u003e4. Rain \u0026amp; Snow\u003cbr\u003e5. Descending (WWW) \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Wilkes Records\u003c\/p\u003e\n\u003cp\u003eCat. No : WR-002\u003c\/p\u003e","published_at":"2025-01-24T11:24:47+09:00","created_at":"2025-01-24T11:23:42+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","new","recommended","tape","wilkes records"],"price":245000,"price_min":245000,"price_max":245000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47075266691322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Wilkes \/\/ iiyo iiyo iiyo TAPE","public_title":null,"options":["Default Title"],"price":245000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3273234151_16.jpg?v=1727046830","\/\/tobirarecords.com\/cdn\/shop\/files\/0036988647_10.jpg?v=1734825947","\/\/tobirarecords.com\/cdn\/shop\/files\/0036988648_10.jpg?v=1734825947"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3273234151_16.jpg?v=1727046830","options":["Title"],"media":[{"alt":null,"id":34923350393082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3273234151_16.jpg?v=1727046830"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3273234151_16.jpg?v=1727046830","width":700},{"alt":null,"id":34923281219834,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036988647_10.jpg?v=1734825947"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036988647_10.jpg?v=1734825947","width":1200},{"alt":null,"id":34923281416442,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036988648_10.jpg?v=1734825947"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036988648_10.jpg?v=1734825947","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのベーシストSam Wilkesが、2024年10月に200本限定で自主リリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e日本で行ったライブ録音5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、Sadie Sartini Garnerによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"FRUE fesの主催者が、Sam Wilkesに2022年のフェスティバルのためのアンサンブルの編成を依頼したとき、彼らは当初、彼が2021年のアルバム One Theme \u0026amp; Subsequent Improvisation のために制作したバンドに依頼した。キーボーディストのクリス・フィッシュマン（パット・メセニー、ルイス・コール）だけがそのグループのメンバーで都合がついたため、Wilkesは主催者に代替案として2つのグループのうちの1つを選ぶよう求めた。ドラマー、クレイグ・ワインリブ（ヘンリー・スレッドギル、アーメン・デューンズ）とギタリスト、ディラン・デイ（ジェニー・ルイス、ジャクソン・ブラウン）をフィーチャーしたトリオ（Wilkesは最近トリオ・アルバムをリリースした）、またはワインリブ、フィッシュマン、キーボーディスト兼ギタリストのトム・ギル（KNOWER、ジョセフ・シャバソン）をフィーチャーしたカルテットだ。「どのバンドを連れてくるべきか決断できず、とても迷いました」と彼は言う。WilkesとFRUEのオーガナイザーは、奇妙な行き違い、あるいは単なるセレンディピティ（偶然の一致）を通して、もう一方が両グループのメンバーを含むクインテットへの統合を提案したと考えた。どちらも口に出さなかったアイデアが、いつの間にか当然の選択となったのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e iiyo iiyo iiyoは、Wilkesがバンドリーダー兼アレンジャーとして発表した5枚目のアルバムで、その雰囲気はスピーカーからこぼれ落ちるほど豊かだ。クインテットの出会いを記録したこのアルバムは、掛川のFRUEと東京のWWWXでライブ録音された。演奏者間の親密な相互作用や、小さな部屋で録音されたような雰囲気からは想像もつかないだろう。Wilkesが2018年にリリースしたセルフタイトルアルバムでデビューを飾ったオープニング曲「Descending」では、ホール後方で遊ぶ子供たちの声がサンプリングされたのではないかと思うほど居心地の良いムードが漂っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilkesにとって、演奏やレコーディングに適切なトーンを設定することは最も重要であり、それは彼がベーシストとしての役割をどう理解しているかということと切り離せない。「私が自分のこと、つまり音楽で最も大切にしていることを理解するための入り口は、伴奏だった。伴奏には、エネルギーという言葉にできないものがある。例えば、ディランがメロディーを弾くために、あるいはトムがメロディーを弾くために、究極の環境を作るためのアレンジやオーケストレーションをする。綿密な準備と完全な即興が同程度に組み合わさっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルの「iiyo iiyo iiyo」は、感謝の言葉に対して使われる日本語の表現で、自分への賞賛を払いのけるチーキーな言い方である。したがって、このレコードはチャーミングで家庭的な個性に溢れている。スタンダード曲I Wanna Be Lovedのゴージャスなヴァージョンで、デイは洗礼されたアンビエント・ガーゼと、ダイナ・ワシントンのオリジナルを彷彿とさせる伝統的な美しいラインの間を行き来するようにメロディーを奏でる。Descendingでは、バンドがマントリックなメロディーを循環させる一方で、フィッシュマンがMoog Oneでメロディーを点描し、ウィルクス・スタンダードとなった曲に新たな継ぎ目を開いている。ワインリブの忍耐強く印象主義的な筆致は、メロディーの下で渦を巻いているようであり、ギルは鍵盤から厚くリバーブの効いた伴奏で部屋を曇らせている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWilkesはどこにいるのだろう？彼は友人たちを導き、彼自身が建てた部屋の飾り付けを手伝い、この曲の切なく、希望に満ちた、地に足の着いた雰囲気に深く引き込んでいる。彼の演奏の特徴であるポリフォニックなヴォイシングは、曲の境界線を定め、音楽的・感情的なアンカーの役割を果たしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれは、Wilkesがアルバム全体でとっているアプローチであり、彼のフレージングを音楽の重心と心臓の両方として使っているのだが、Girl の冒頭1分ほどで彼はそれを完璧にやってのけている。この曲は元々、Wilkes 「Sings」（2014-2016）に収録されていたもので、本人は 「サイコティックなほど異なるアレンジ 」と呼んでいる。掛川のステージでは、彼はこの曲をスロー再生し、中心となるコードを分離する。彼はその和音を優しく辛抱強く演奏し、混乱した気持ちをすべて吐き出した人のように明瞭に声を出す。Wilkesが言うように、彼のベーシストとしての役割は、これらの曲の土台となることであり、土台はその性質上、不明瞭になりがちである。ここで、ある素敵な瞬間のために、彼はすべてを解体し、この奇跡的な音楽を支えている緑豊かな建築物を明らかにした。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=53010074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3091666111\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=53010074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e1. Descending (Frue)\u003cbr\u003e2. I Wanna Be Loved 03:51\u003cbr\u003e3. Girl\u003cbr\u003e4. Rain \u0026amp; Snow\u003cbr\u003e5. Descending (WWW) \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Wilkes Records\u003c\/p\u003e\n\u003cp\u003eCat. No : WR-002\u003c\/p\u003e"}
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アメリカ・LAのベーシストSam Wilkesが、2024年10月に200本限定で自主リリースしたアルバムです。 日本で行ったライブ録音5曲を収録。DLコード付属。 以下、Sadie Sartini Garnerによる解説です。 "FRUE fesの主催者が、Sam Wilkesに2022年のフェスティバルのためのアンサンブルの編成を依頼したとき、彼らは当初、彼が2021年のアルバム One Theme & Subsequent Improvisation...
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{"id":8707616538874,"title":"Sam Wilkes \/\/ DRIVING LP","handle":"sam-wilkes-driving-lp","description":"\u003cp\u003eアメリカ・LAのベーシストSam Wilkesが、2025年3月に自主リリースした再発レコードです。（オリジナルは2023年リリース）\u003c\/p\u003e\n\u003cp\u003eインディーフォーク〜アンビエント・ジャズ9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=772514260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=772514260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2317179004\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wilkes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wilkes\"\u003ehere\u003c\/a\u003e to see more Wilkes Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFolk Home\u003c\/li\u003e\n\u003cli\u003eAg\u003c\/li\u003e\n\u003cli\u003eHannah Song\u003c\/li\u003e\n\u003cli\u003eOwn\u003c\/li\u003e\n\u003cli\u003eKnows\u003c\/li\u003e\n\u003cli\u003eConga\u003c\/li\u003e\n\u003cli\u003eAgain, Again\u003c\/li\u003e\n\u003cli\u003eAnd Again\u003c\/li\u003e\n\u003cli\u003eDriving\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003e\u003cspan\u003e via the artist\/label : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Driving is Sam Wilkes’ Indie Rock record. Out October 6th, 2023, it is the first release on Wilkes Records, an imprint borne of the artist’s emergent need to self-release. The songs presented here exist comfortably within the ever-expanding Wilkesian cosmos, characterized as they are by virtuosity, torqued experimentalism, and collaboration with a range of talented musicians. But Driving’s influences, its sincerity, and its allegiance to a certain pop sensibility reflects a departure for an artist who has primarily staked his claim within the experimental jazz idiom.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTake the first track, “Folk Home,” which inaugurates the album’s fecundity—a bright, green, humid, summer feel. A swirling, freakout coda of reversed vocals gives way, in no short order, to a caterwaul of flute work that conjures Van Morrison’s (in)famous Astral Weeks sessions. Standing beside Morrison, the usual suspects are all present, if somewhat abstractedly. Dylan, The Dead, Joni, the Fab Four. Wilkes has developed a reputation as an experimental jazz luminary, but his deep affinity for the pop\/rock\/folk idiom of the latter twentieth century rings clear throughout Driving. More so than any Wilkes release to date, Driving is a collection guided by and dedicated to the man’s attention to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e songcraft.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWritten and recorded during a period of rain-damage induced renter’s itinerance (and the attendant desire to produce a kind of therapeutic, self-soothing, home-feeling music), Driving loosely charts the trajectory\/experience of “a protagonist,” both Wilkes and not, “who has figured out how to live an enlightened and fulfilled life, but is unable to do so because he thinks about it too much.” This friction is surely relatable — a symptom of our compulsively self-aware present. But Wilkes avoids the obvious pitfalls of public hand-wringing. Rather, Driving’s nine tracks evince a genuine, and mature searching-ness, both sonically and lyrically. The ending refrain of “Own” serves like something close to a thesis— “Letting go \/\/ isn’t a concept \/\/ it’s an action.” In an attempt to beat back ego, hyper-cogitation, language itself, Wilkes arrives at an axiom that feels so true and familiar, you’d swear you’d heard it one hundred times before.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDriving’s final third is, fittingly, its most emotive and cathartic. Tracks seven and eight, “Again, Again” and “And Again,” form a diptych, joined most obviously by the jangling, recursive grooves of guitarist Daryl Johns. Wilkes is said to have encouraged Johns to go “full Lindsey [Buckingham]” (clearly a welcome and resonant prompt), but one also catches stray Knopfler vibes, some intermittent Fripp, and (perhaps more-so in tone than technique) the spirit of DIY prophet and jangling man himself, Martin Newell (the Cleaners from Venus). Wilkes has stated that he finds joy in creating musical environments suitable to the contribution and flourishing of his favorite musicians. Throughout Driving, and in these two tracks especially, he has more than succeeded.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record closes with the titular track: a story-song that, according to Wilkes, poured out of him (melody, composition, and lyrics) in a single sitting. The tale is told plainly, bravely, starkly; a mistake was made, regrets have been had, and all is wrapped up in the recollection of a deeply felt adolescent heartsickness—a time when the narrator was first afire with music and automotive freedom. The song captures the moment when meaning inexplicably falls into place, when a long-nagging memory suddenly assumes narrative form, and the subsequent sense of lightness and unburdening. It is fitting that Driving, a record conceived as a form of self-therapy, should culminate with a sense of humble revelation. That Wilkes is plainly eager to share the vulnerable fruits of this labor constitutes Driving’s joyful offering.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Wilkes Records\u003c\/p\u003e","published_at":"2025-01-24T11:18:27+09:00","created_at":"2025-01-24T11:15:45+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","lp","new","recommended","wilkes records"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47075261579514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Sam Wilkes \/\/ DRIVING LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/driving_sunset_vinylfront.jpg?v=1738291098","\/\/tobirarecords.com\/cdn\/shop\/files\/driving_sunset_vinylback.jpg?v=1738291117"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/driving_sunset_vinylfront.jpg?v=1738291098","options":["Title"],"media":[{"alt":null,"id":35494951289082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1280,"width":1280,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/driving_sunset_vinylfront.jpg?v=1738291098"},"aspect_ratio":1.0,"height":1280,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/driving_sunset_vinylfront.jpg?v=1738291098","width":1280},{"alt":null,"id":35494951518458,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1280,"width":1280,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/driving_sunset_vinylback.jpg?v=1738291117"},"aspect_ratio":1.0,"height":1280,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/driving_sunset_vinylback.jpg?v=1738291117","width":1280}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのベーシストSam Wilkesが、2025年3月に自主リリースした再発レコードです。（オリジナルは2023年リリース）\u003c\/p\u003e\n\u003cp\u003eインディーフォーク〜アンビエント・ジャズ9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=772514260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=772514260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2317179004\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wilkes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wilkes\"\u003ehere\u003c\/a\u003e to see more Wilkes Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFolk Home\u003c\/li\u003e\n\u003cli\u003eAg\u003c\/li\u003e\n\u003cli\u003eHannah Song\u003c\/li\u003e\n\u003cli\u003eOwn\u003c\/li\u003e\n\u003cli\u003eKnows\u003c\/li\u003e\n\u003cli\u003eConga\u003c\/li\u003e\n\u003cli\u003eAgain, Again\u003c\/li\u003e\n\u003cli\u003eAnd Again\u003c\/li\u003e\n\u003cli\u003eDriving\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003e\u003cspan\u003e via the artist\/label : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Driving is Sam Wilkes’ Indie Rock record. Out October 6th, 2023, it is the first release on Wilkes Records, an imprint borne of the artist’s emergent need to self-release. The songs presented here exist comfortably within the ever-expanding Wilkesian cosmos, characterized as they are by virtuosity, torqued experimentalism, and collaboration with a range of talented musicians. But Driving’s influences, its sincerity, and its allegiance to a certain pop sensibility reflects a departure for an artist who has primarily staked his claim within the experimental jazz idiom.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTake the first track, “Folk Home,” which inaugurates the album’s fecundity—a bright, green, humid, summer feel. A swirling, freakout coda of reversed vocals gives way, in no short order, to a caterwaul of flute work that conjures Van Morrison’s (in)famous Astral Weeks sessions. Standing beside Morrison, the usual suspects are all present, if somewhat abstractedly. Dylan, The Dead, Joni, the Fab Four. Wilkes has developed a reputation as an experimental jazz luminary, but his deep affinity for the pop\/rock\/folk idiom of the latter twentieth century rings clear throughout Driving. More so than any Wilkes release to date, Driving is a collection guided by and dedicated to the man’s attention to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e songcraft.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWritten and recorded during a period of rain-damage induced renter’s itinerance (and the attendant desire to produce a kind of therapeutic, self-soothing, home-feeling music), Driving loosely charts the trajectory\/experience of “a protagonist,” both Wilkes and not, “who has figured out how to live an enlightened and fulfilled life, but is unable to do so because he thinks about it too much.” This friction is surely relatable — a symptom of our compulsively self-aware present. But Wilkes avoids the obvious pitfalls of public hand-wringing. Rather, Driving’s nine tracks evince a genuine, and mature searching-ness, both sonically and lyrically. The ending refrain of “Own” serves like something close to a thesis— “Letting go \/\/ isn’t a concept \/\/ it’s an action.” In an attempt to beat back ego, hyper-cogitation, language itself, Wilkes arrives at an axiom that feels so true and familiar, you’d swear you’d heard it one hundred times before.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDriving’s final third is, fittingly, its most emotive and cathartic. Tracks seven and eight, “Again, Again” and “And Again,” form a diptych, joined most obviously by the jangling, recursive grooves of guitarist Daryl Johns. Wilkes is said to have encouraged Johns to go “full Lindsey [Buckingham]” (clearly a welcome and resonant prompt), but one also catches stray Knopfler vibes, some intermittent Fripp, and (perhaps more-so in tone than technique) the spirit of DIY prophet and jangling man himself, Martin Newell (the Cleaners from Venus). Wilkes has stated that he finds joy in creating musical environments suitable to the contribution and flourishing of his favorite musicians. Throughout Driving, and in these two tracks especially, he has more than succeeded.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record closes with the titular track: a story-song that, according to Wilkes, poured out of him (melody, composition, and lyrics) in a single sitting. The tale is told plainly, bravely, starkly; a mistake was made, regrets have been had, and all is wrapped up in the recollection of a deeply felt adolescent heartsickness—a time when the narrator was first afire with music and automotive freedom. The song captures the moment when meaning inexplicably falls into place, when a long-nagging memory suddenly assumes narrative form, and the subsequent sense of lightness and unburdening. It is fitting that Driving, a record conceived as a form of self-therapy, should culminate with a sense of humble revelation. That Wilkes is plainly eager to share the vulnerable fruits of this labor constitutes Driving’s joyful offering.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Wilkes Records\u003c\/p\u003e"}
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アメリカ・LAのベーシストSam Wilkesが、2025年3月に自主リリースした再発レコードです。（オリジナルは2023年リリース） インディーフォーク〜アンビエント・ジャズ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Wilkes Records releases available...
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{"id":8707154444538,"title":"Burning Love Jumpsuit \/\/ Hell Bank Note (1993 - 1995) TAPE","handle":"burning-love-jumpsuit-hell-bank-note-1993-1995-tape","description":"\u003cp\u003e1991-2002年に活動していたアイルランドのカルトバンドBurning Love Jumpsuitが、2024年6月に同国実験／ノイズレーベルNyahh Recordsからリリースした再発カセットです。（オリジナルは1995年リリース）\u003c\/p\u003e\n\u003cp\u003e無名映画などからのサンプリングを多用した実験コラージュ・ファンク22曲を収録。インサート付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=352108966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=995139049\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=352108966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2856994100\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=352108966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nyahh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nyahh\"\u003ehere\u003c\/a\u003e to see more Nyahh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------- \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case.\u003cbr\u003eOriginally released in 1995. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mansong 05:35\u003cbr\u003e2. Please Me Porky 03:35\u003cbr\u003e3. I Have to Say - JCB 07:41\u003cbr\u003e4. Tie A Ribbon 04:42\u003cbr\u003e5. P.C.P.J.B 02:09\u003cbr\u003e6. Toilet 03:56\u003cbr\u003e7. Spa 2 01:34\u003cbr\u003e8. Larry On The Phone 05:05\u003cbr\u003e9. Just Cock It 03:33\u003cbr\u003e10. Juice 05:16\u003cbr\u003e11. Burt Kurtain 01:45\u003cbr\u003e12. Loud Funny Words 05:02\u003cbr\u003e13. Praise The Eye of Satan 06:02\u003cbr\u003e14. Girly Men 05:49\u003cbr\u003e15. It's Fantastic 02:42\u003cbr\u003e16. Glue Hotel 05:02\u003cbr\u003e17. Hoopya Halfpitch 02:59\u003cbr\u003e18. Gotta Have Space 03:28\u003cbr\u003e19. Life's A Drag 04:32\u003cbr\u003e20. Michaels Monkey 02:11\u003cbr\u003e21. Doctor Sexy 03:05\u003cbr\u003e22. The Cool Song 03:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyahh Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Burning Love Jumpsuit were an Underground Irish band of movie obsessive shut ins who had access to a computer. They were active between 1991 – 2002.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA three-piece of proto-edgelords, (D.F. Dresden, Smiley, J. Bassetti) Burning Love Jumpsuit jammed and sampled their way to notoriety in the 1990s, making experimental music that was equal parts thought-provoking funk and stroke-inducing gunk. A penchant for sleazy Americana, obscure movies and exploitative daytime telly inspired a pool of samples to delight and disturb.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHELL BANK NOTE (1993 – 1995) is a compilation of tracks from BLJ’s early albums Radica Doodica, Nude Beach Rub-out, Free Steel Hand, Jet Black Barry and Vicious Tiger Dummy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIs it Plundephonics? Music Concrète? Alt-funk? Big-beat? VHS-punk?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor fans of The KLF, Jerry Springer, Trisha and Chris Morris’ Blue Jam.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Burning Love Jumpsuit \u003c\/p\u003e\n\u003cp\u003eLabel : Nyahh Records\u003c\/p\u003e","published_at":"2025-01-24T07:51:38+09:00","created_at":"2025-01-23T17:15:37+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","new","Nyahh Records","strange beats","tape"],"price":235500,"price_min":235500,"price_max":235500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47073315750138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Burning Love Jumpsuit \/\/ Hell Bank Note (1993 - 1995) TAPE","public_title":null,"options":["Default Title"],"price":235500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/burn1.jpg?v=1737619996","\/\/tobirarecords.com\/cdn\/shop\/files\/burn2.jpg?v=1737619996"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/burn1.jpg?v=1737619996","options":["Title"],"media":[{"alt":null,"id":35467524178170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/burn1.jpg?v=1737619996"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/burn1.jpg?v=1737619996","width":700},{"alt":null,"id":35467524210938,"position":2,"preview_image":{"aspect_ratio":1.775,"height":676,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/burn2.jpg?v=1737619996"},"aspect_ratio":1.775,"height":676,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/burn2.jpg?v=1737619996","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1991-2002年に活動していたアイルランドのカルトバンドBurning Love Jumpsuitが、2024年6月に同国実験／ノイズレーベルNyahh Recordsからリリースした再発カセットです。（オリジナルは1995年リリース）\u003c\/p\u003e\n\u003cp\u003e無名映画などからのサンプリングを多用した実験コラージュ・ファンク22曲を収録。インサート付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=352108966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=995139049\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=352108966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2856994100\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=352108966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nyahh\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nyahh\"\u003ehere\u003c\/a\u003e to see more Nyahh Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------- \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case.\u003cbr\u003eOriginally released in 1995. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mansong 05:35\u003cbr\u003e2. Please Me Porky 03:35\u003cbr\u003e3. I Have to Say - JCB 07:41\u003cbr\u003e4. Tie A Ribbon 04:42\u003cbr\u003e5. P.C.P.J.B 02:09\u003cbr\u003e6. Toilet 03:56\u003cbr\u003e7. Spa 2 01:34\u003cbr\u003e8. Larry On The Phone 05:05\u003cbr\u003e9. Just Cock It 03:33\u003cbr\u003e10. Juice 05:16\u003cbr\u003e11. Burt Kurtain 01:45\u003cbr\u003e12. Loud Funny Words 05:02\u003cbr\u003e13. Praise The Eye of Satan 06:02\u003cbr\u003e14. Girly Men 05:49\u003cbr\u003e15. It's Fantastic 02:42\u003cbr\u003e16. Glue Hotel 05:02\u003cbr\u003e17. Hoopya Halfpitch 02:59\u003cbr\u003e18. Gotta Have Space 03:28\u003cbr\u003e19. Life's A Drag 04:32\u003cbr\u003e20. Michaels Monkey 02:11\u003cbr\u003e21. Doctor Sexy 03:05\u003cbr\u003e22. The Cool Song 03:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyahh Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Burning Love Jumpsuit were an Underground Irish band of movie obsessive shut ins who had access to a computer. They were active between 1991 – 2002.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA three-piece of proto-edgelords, (D.F. Dresden, Smiley, J. Bassetti) Burning Love Jumpsuit jammed and sampled their way to notoriety in the 1990s, making experimental music that was equal parts thought-provoking funk and stroke-inducing gunk. A penchant for sleazy Americana, obscure movies and exploitative daytime telly inspired a pool of samples to delight and disturb.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHELL BANK NOTE (1993 – 1995) is a compilation of tracks from BLJ’s early albums Radica Doodica, Nude Beach Rub-out, Free Steel Hand, Jet Black Barry and Vicious Tiger Dummy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIs it Plundephonics? Music Concrète? Alt-funk? Big-beat? VHS-punk?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFor fans of The KLF, Jerry Springer, Trisha and Chris Morris’ Blue Jam.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Burning Love Jumpsuit \u003c\/p\u003e\n\u003cp\u003eLabel : Nyahh Records\u003c\/p\u003e"}
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1991-2002年に活動していたアイルランドのカルトバンドBurning Love Jumpsuitが、2024年6月に同国実験／ノイズレーベルNyahh Recordsからリリースした再発カセットです。（オリジナルは1995年リリース） 無名映画などからのサンプリングを多用した実験コラージュ・ファンク22曲を収録。インサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Nyahh Records releases available...
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![Damon Locks // List of Demands LP [COLOR]](http://tobirarecords.com/cdn/shop/files/dem1_medium.jpg?v=1737617904)
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{"id":8707126264058,"title":"Damon Locks \/\/ List of Demands LP [COLOR]","handle":"damon-locks-list-of-demands-lp-color","description":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家Damon Locksが、2025年1月にシカゴのジャズ大巣窟International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスポークンワードを中心としたジャズ12曲を収録。レッドマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"List of Demandsは、Damon Locksがスポークンワードやテキストベースの作品からアルバム全体を作り上げることに初めて挑戦した作品であり、シカゴを拠点に活動するミュージシャンであり教育者でもある彼は、文化的な抽象概念を収集し、それらを確固たる真実へと再編成している。このアルバムは、黒人解放のビジョンを示し、それを一口サイズのニッキー・ジョヴァンニ・ミーツMFドゥーム・スタイルのリズム実験のソング・サイクルとして外部に発信している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサンプルベースの構成は、鋭い文化観察だけでなく、文化への直接的な共同参加という生涯の経験に裏打ちされている。Locksの数十年にわたる経歴は、実験的即興、サンプルベースのヒップホップ、パンク、ポエトリー（詩）を点と点で結んでいる。そして、それが狙いなのだろう。全人格的なスペクトルをジャンプ・スタートさせること。恍惚としたポジティブさは、彼のニュアンスに富んだ現実の把握を通して検証され、すべては「あり得るかもしれない」という常に広まり続けるコンセプトに向かって働いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eシカゴ現代写真美術館で開催された『Beautiful Diaspora \/ You Are Not the Lesser Part』展で、Locksがエクスペリメンタル・サウンド・スタジオ（ESS）の新作を発表するよう依頼されたことがきっかけで、『List of Demands』は動き出した。彼はまた、List of Demandsのアルバムアートで見ることができるビジュアルワークも提供した。これらの作品は、同展のキュレーターであるアーシャ・イマン・ヴィールからの指示によって制作されたもので、「グローバルな有色人種アーティストと多様な黒人アーティストとの間の並行する経験や関係について深く考えることを促す 」ことを目的としている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eショーの後、ESSのチーフ・エンジニアであるアレックス・イングリツィアンは、Locksに素材をさらに発展させてレコーディングすることを勧め、そのためのコントロール操作を自ら志願した。コルネット奏者のベン・ラマー・ゲイ、ヴァイオリニストのマシー・スチュワート、詩人のクリスタ・フランクリン、ターンテーブリスト／ドラマーのラルフ・ダーデン（別名DJメジャー・テイラー）などだ。しかし、その結果はLocks独特のものだ。その上、Locksにとっては明らかに新しい作品となった。ブラック・モニュメント・アンサンブルの濃密なリズム、ニュー・フューチャー・シティ・レディオのカオティックな404カット・アンド・ミックス、ロブ・マズレックのエクスプロッディング・スター・オーケストラのリゼルギーなSFディージェイ・トースティング、ザ・エターナルズのダブを取り入れたポストパンクなど、彼のカタログには『List of Demands』のヒントが散りばめられているが、本作はその全体像を集中的に切り取ったものだ。間違いなく、これまでで最も Locksらしいレコードである...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3386797177\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'hot signal red' marble color vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reversed\u003cbr\u003e2. Distance\u003cbr\u003e3. Holding the Dawn in Place (Beyond pt. 2) \u003cbr\u003e4. Everything’s Under Control\u003cbr\u003e5. Isn’t It Beautiful\u003cbr\u003e6. High Priestess\u003cbr\u003e7. Meteors of Fear\u003cbr\u003e8. List of Demands\u003cbr\u003e9. The Signal is Hot\u003cbr\u003e10. Control Power\u003cbr\u003e11. Click \u003cbr\u003e12. Reversed pt. 2 (Something to Love)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eList of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eList of Demands was set in motion when Locks was asked to present new sound work by Experimental Sound Studio (ESS) at Chicago's Museum of Contemporary Photography inside an exhibition\u003cspan class=\"bcTruncateMore\"\u003e called Beautiful Diaspora \/ You Are Not the Lesser Part. He also contributed visual work, portions of which can be seen in List of Demands' album art. The pieces were guided by prompts from the exhibition’s curator, Asha Iman Veal, who aimed to “encourage deep thinking about parallel experiences and relationships between global artists of color and diverse Black artists.”\u003cbr\u003e\u003cbr\u003eAfter the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist \/ drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most \"Damon Locks\" Damon Locks record to date...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damon Locks\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT no : IARC0092\u003c\/p\u003e","published_at":"2025-01-23T17:21:01+09:00","created_at":"2025-01-23T16:41:31+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","international anthem","jazz","lp","new"],"price":561900,"price_min":561900,"price_max":561900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47073254506746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Damon Locks \/\/ List of Demands LP [COLOR]","public_title":null,"options":["Default Title"],"price":561900,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457192225","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904","\/\/tobirarecords.com\/cdn\/shop\/files\/0037993118_10.jpg?v=1737619916"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904","options":["Title"],"media":[{"alt":null,"id":35467373445370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904","width":700},{"alt":null,"id":35467516903674,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037993118_10.jpg?v=1737619916"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037993118_10.jpg?v=1737619916","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家Damon Locksが、2025年1月にシカゴのジャズ大巣窟International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスポークンワードを中心としたジャズ12曲を収録。レッドマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"List of Demandsは、Damon Locksがスポークンワードやテキストベースの作品からアルバム全体を作り上げることに初めて挑戦した作品であり、シカゴを拠点に活動するミュージシャンであり教育者でもある彼は、文化的な抽象概念を収集し、それらを確固たる真実へと再編成している。このアルバムは、黒人解放のビジョンを示し、それを一口サイズのニッキー・ジョヴァンニ・ミーツMFドゥーム・スタイルのリズム実験のソング・サイクルとして外部に発信している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサンプルベースの構成は、鋭い文化観察だけでなく、文化への直接的な共同参加という生涯の経験に裏打ちされている。Locksの数十年にわたる経歴は、実験的即興、サンプルベースのヒップホップ、パンク、ポエトリー（詩）を点と点で結んでいる。そして、それが狙いなのだろう。全人格的なスペクトルをジャンプ・スタートさせること。恍惚としたポジティブさは、彼のニュアンスに富んだ現実の把握を通して検証され、すべては「あり得るかもしれない」という常に広まり続けるコンセプトに向かって働いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eシカゴ現代写真美術館で開催された『Beautiful Diaspora \/ You Are Not the Lesser Part』展で、Locksがエクスペリメンタル・サウンド・スタジオ（ESS）の新作を発表するよう依頼されたことがきっかけで、『List of Demands』は動き出した。彼はまた、List of Demandsのアルバムアートで見ることができるビジュアルワークも提供した。これらの作品は、同展のキュレーターであるアーシャ・イマン・ヴィールからの指示によって制作されたもので、「グローバルな有色人種アーティストと多様な黒人アーティストとの間の並行する経験や関係について深く考えることを促す 」ことを目的としている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eショーの後、ESSのチーフ・エンジニアであるアレックス・イングリツィアンは、Locksに素材をさらに発展させてレコーディングすることを勧め、そのためのコントロール操作を自ら志願した。コルネット奏者のベン・ラマー・ゲイ、ヴァイオリニストのマシー・スチュワート、詩人のクリスタ・フランクリン、ターンテーブリスト／ドラマーのラルフ・ダーデン（別名DJメジャー・テイラー）などだ。しかし、その結果はLocks独特のものだ。その上、Locksにとっては明らかに新しい作品となった。ブラック・モニュメント・アンサンブルの濃密なリズム、ニュー・フューチャー・シティ・レディオのカオティックな404カット・アンド・ミックス、ロブ・マズレックのエクスプロッディング・スター・オーケストラのリゼルギーなSFディージェイ・トースティング、ザ・エターナルズのダブを取り入れたポストパンクなど、彼のカタログには『List of Demands』のヒントが散りばめられているが、本作はその全体像を集中的に切り取ったものだ。間違いなく、これまでで最も Locksらしいレコードである...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3386797177\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'hot signal red' marble color vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reversed\u003cbr\u003e2. Distance\u003cbr\u003e3. Holding the Dawn in Place (Beyond pt. 2) \u003cbr\u003e4. Everything’s Under Control\u003cbr\u003e5. Isn’t It Beautiful\u003cbr\u003e6. High Priestess\u003cbr\u003e7. Meteors of Fear\u003cbr\u003e8. List of Demands\u003cbr\u003e9. The Signal is Hot\u003cbr\u003e10. Control Power\u003cbr\u003e11. Click \u003cbr\u003e12. Reversed pt. 2 (Something to Love)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eList of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eList of Demands was set in motion when Locks was asked to present new sound work by Experimental Sound Studio (ESS) at Chicago's Museum of Contemporary Photography inside an exhibition\u003cspan class=\"bcTruncateMore\"\u003e called Beautiful Diaspora \/ You Are Not the Lesser Part. He also contributed visual work, portions of which can be seen in List of Demands' album art. The pieces were guided by prompts from the exhibition’s curator, Asha Iman Veal, who aimed to “encourage deep thinking about parallel experiences and relationships between global artists of color and diverse Black artists.”\u003cbr\u003e\u003cbr\u003eAfter the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist \/ drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most \"Damon Locks\" Damon Locks record to date...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damon Locks\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT no : IARC0092\u003c\/p\u003e"}
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アメリカ・シカゴのベテランジャズ作家Damon Locksが、2025年1月にシカゴのジャズ大巣窟International Anthemからリリースしたレコードです。 スポークンワードを中心としたジャズ12曲を収録。レッドマーブル盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "List of Demandsは、Damon Locksがスポークンワードやテキストベースの作品からアルバム全体を作り上げることに初めて挑戦した作品であり、シカゴを拠点に活動するミュージシャンであり教育者でもある彼は、文化的な抽象概念を収集し、それらを確固たる真実へと再編成している。このアルバムは、黒人解放のビジョンを示し、それを一口サイズのニッキー・ジョヴァンニ・ミーツMFドゥーム・スタイルのリズム実験のソング・サイクルとして外部に発信している。 サンプルベースの構成は、鋭い文化観察だけでなく、文化への直接的な共同参加という生涯の経験に裏打ちされている。Locksの数十年にわたる経歴は、実験的即興、サンプルベースのヒップホップ、パンク、ポエトリー（詩）を点と点で結んでいる。そして、それが狙いなのだろう。全人格的なスペクトルをジャンプ・スタートさせること。恍惚としたポジティブさは、彼のニュアンスに富んだ現実の把握を通して検証され、すべては「あり得るかもしれない」という常に広まり続けるコンセプトに向かって働いている。 シカゴ現代写真美術館で開催された『Beautiful Diaspora /...
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{"id":8707126067450,"title":"Damon Locks \/\/ List of Demands LP","handle":"damon-locks-list-of-demands-lp","description":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家／美術家Damon Locksが、2025年1月にシカゴのジャズ大巣窟International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスポークンワードを中心としたジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"List of Demandsは、Damon Locksがスポークンワードやテキストベースの作品からアルバム全体を作り上げることに初めて挑戦した作品であり、シカゴを拠点に活動するミュージシャンであり教育者でもある彼は、文化的な抽象概念を収集し、それらを確固たる真実へと再編成している。このアルバムは、黒人解放のビジョンを示し、それを一口サイズのニッキー・ジョヴァンニ・ミーツMFドゥーム・スタイルのリズム実験のソング・サイクルとして外部に発信している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサンプルベースの構成は、鋭い文化観察だけでなく、文化への直接的な共同参加という生涯の経験に裏打ちされている。Locksの数十年にわたる経歴は、実験的即興、サンプルベースのヒップホップ、パンク、ポエトリー（詩）を点と点で結んでいる。そして、それが狙いなのだろう。全人格的なスペクトルをジャンプ・スタートさせること。恍惚としたポジティブさは、彼のニュアンスに富んだ現実の把握を通して検証され、すべては「あり得るかもしれない」という常に広まり続けるコンセプトに向かって働いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eシカゴ現代写真美術館で開催された『Beautiful Diaspora \/ You Are Not the Lesser Part』展で、Locksがエクスペリメンタル・サウンド・スタジオ（ESS）の新作を発表するよう依頼されたことがきっかけで、『List of Demands』は動き出した。彼はまた、List of Demandsのアルバムアートで見ることができるビジュアルワークも提供した。これらの作品は、同展のキュレーターであるアーシャ・イマン・ヴィールからの指示によって制作されたもので、「グローバルな有色人種アーティストと多様な黒人アーティストとの間の並行する経験や関係について深く考えることを促す 」ことを目的としている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eショーの後、ESSのチーフ・エンジニアであるアレックス・イングリツィアンは、Locksに素材をさらに発展させてレコーディングすることを勧め、そのためのコントロール操作を自ら志願した。コルネット奏者のベン・ラマー・ゲイ、ヴァイオリニストのマシー・スチュワート、詩人のクリスタ・フランクリン、ターンテーブリスト／ドラマーのラルフ・ダーデン（別名DJメジャー・テイラー）などだ。しかし、その結果はLocks独特のものだ。その上、Locksにとっては明らかに新しい作品となった。ブラック・モニュメント・アンサンブルの濃密なリズム、ニュー・フューチャー・シティ・レディオのカオティックな404カット・アンド・ミックス、ロブ・マズレックのエクスプロッディング・スター・オーケストラのリゼルギーなSFディージェイ・トースティング、ザ・エターナルズのダブを取り入れたポストパンクなど、彼のカタログには『List of Demands』のヒントが散りばめられているが、本作はその全体像を集中的に切り取ったものだ。間違いなく、これまでで最も Locksらしいレコードである...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3386797177\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reversed\u003cbr\u003e2. Distance\u003cbr\u003e3. Holding the Dawn in Place (Beyond pt. 2) \u003cbr\u003e4. Everything’s Under Control\u003cbr\u003e5. Isn’t It Beautiful\u003cbr\u003e6. High Priestess\u003cbr\u003e7. Meteors of Fear\u003cbr\u003e8. List of Demands\u003cbr\u003e9. The Signal is Hot\u003cbr\u003e10. Control Power\u003cbr\u003e11. Click \u003cbr\u003e12. Reversed pt. 2 (Something to Love)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eList of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eList of Demands was set in motion when Locks was asked to present new sound work by Experimental Sound Studio (ESS) at Chicago's Museum of Contemporary Photography inside an exhibition\u003cspan class=\"bcTruncateMore\"\u003e called Beautiful Diaspora \/ You Are Not the Lesser Part. He also contributed visual work, portions of which can be seen in List of Demands' album art. The pieces were guided by prompts from the exhibition’s curator, Asha Iman Veal, who aimed to “encourage deep thinking about parallel experiences and relationships between global artists of color and diverse Black artists.”\u003cbr\u003e\u003cbr\u003eAfter the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist \/ drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most \"Damon Locks\" Damon Locks record to date...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damon Locks\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT no : IARC0092\u003c\/p\u003e","published_at":"2025-01-23T17:02:39+09:00","created_at":"2025-01-23T16:41:18+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","international anthem","jazz","lp","new"],"price":455300,"price_min":455300,"price_max":455300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47073254244602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Damon Locks \/\/ List of Demands LP","public_title":null,"options":["Default Title"],"price":455300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457192218","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904","\/\/tobirarecords.com\/cdn\/shop\/files\/dem2_69155d5c-1ea9-4156-acd2-1bbfc96552d5.jpg?v=1737617904"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904","options":["Title"],"media":[{"alt":null,"id":35467373445370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904","width":700},{"alt":null,"id":35467373478138,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem2_69155d5c-1ea9-4156-acd2-1bbfc96552d5.jpg?v=1737617904"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem2_69155d5c-1ea9-4156-acd2-1bbfc96552d5.jpg?v=1737617904","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家／美術家Damon Locksが、2025年1月にシカゴのジャズ大巣窟International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスポークンワードを中心としたジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"List of Demandsは、Damon Locksがスポークンワードやテキストベースの作品からアルバム全体を作り上げることに初めて挑戦した作品であり、シカゴを拠点に活動するミュージシャンであり教育者でもある彼は、文化的な抽象概念を収集し、それらを確固たる真実へと再編成している。このアルバムは、黒人解放のビジョンを示し、それを一口サイズのニッキー・ジョヴァンニ・ミーツMFドゥーム・スタイルのリズム実験のソング・サイクルとして外部に発信している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサンプルベースの構成は、鋭い文化観察だけでなく、文化への直接的な共同参加という生涯の経験に裏打ちされている。Locksの数十年にわたる経歴は、実験的即興、サンプルベースのヒップホップ、パンク、ポエトリー（詩）を点と点で結んでいる。そして、それが狙いなのだろう。全人格的なスペクトルをジャンプ・スタートさせること。恍惚としたポジティブさは、彼のニュアンスに富んだ現実の把握を通して検証され、すべては「あり得るかもしれない」という常に広まり続けるコンセプトに向かって働いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eシカゴ現代写真美術館で開催された『Beautiful Diaspora \/ You Are Not the Lesser Part』展で、Locksがエクスペリメンタル・サウンド・スタジオ（ESS）の新作を発表するよう依頼されたことがきっかけで、『List of Demands』は動き出した。彼はまた、List of Demandsのアルバムアートで見ることができるビジュアルワークも提供した。これらの作品は、同展のキュレーターであるアーシャ・イマン・ヴィールからの指示によって制作されたもので、「グローバルな有色人種アーティストと多様な黒人アーティストとの間の並行する経験や関係について深く考えることを促す 」ことを目的としている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eショーの後、ESSのチーフ・エンジニアであるアレックス・イングリツィアンは、Locksに素材をさらに発展させてレコーディングすることを勧め、そのためのコントロール操作を自ら志願した。コルネット奏者のベン・ラマー・ゲイ、ヴァイオリニストのマシー・スチュワート、詩人のクリスタ・フランクリン、ターンテーブリスト／ドラマーのラルフ・ダーデン（別名DJメジャー・テイラー）などだ。しかし、その結果はLocks独特のものだ。その上、Locksにとっては明らかに新しい作品となった。ブラック・モニュメント・アンサンブルの濃密なリズム、ニュー・フューチャー・シティ・レディオのカオティックな404カット・アンド・ミックス、ロブ・マズレックのエクスプロッディング・スター・オーケストラのリゼルギーなSFディージェイ・トースティング、ザ・エターナルズのダブを取り入れたポストパンクなど、彼のカタログには『List of Demands』のヒントが散りばめられているが、本作はその全体像を集中的に切り取ったものだ。間違いなく、これまでで最も Locksらしいレコードである...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3386797177\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reversed\u003cbr\u003e2. Distance\u003cbr\u003e3. Holding the Dawn in Place (Beyond pt. 2) \u003cbr\u003e4. Everything’s Under Control\u003cbr\u003e5. Isn’t It Beautiful\u003cbr\u003e6. High Priestess\u003cbr\u003e7. Meteors of Fear\u003cbr\u003e8. List of Demands\u003cbr\u003e9. The Signal is Hot\u003cbr\u003e10. Control Power\u003cbr\u003e11. Click \u003cbr\u003e12. Reversed pt. 2 (Something to Love)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eList of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eList of Demands was set in motion when Locks was asked to present new sound work by Experimental Sound Studio (ESS) at Chicago's Museum of Contemporary Photography inside an exhibition\u003cspan class=\"bcTruncateMore\"\u003e called Beautiful Diaspora \/ You Are Not the Lesser Part. He also contributed visual work, portions of which can be seen in List of Demands' album art. The pieces were guided by prompts from the exhibition’s curator, Asha Iman Veal, who aimed to “encourage deep thinking about parallel experiences and relationships between global artists of color and diverse Black artists.”\u003cbr\u003e\u003cbr\u003eAfter the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist \/ drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most \"Damon Locks\" Damon Locks record to date...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damon Locks\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT no : IARC0092\u003c\/p\u003e"}
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アメリカ・シカゴのベテランジャズ作家／美術家Damon Locksが、2025年1月にシカゴのジャズ大巣窟International Anthemからリリースしたレコードです。 スポークンワードを中心としたジャズ12曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "List of Demandsは、Damon Locksがスポークンワードやテキストベースの作品からアルバム全体を作り上げることに初めて挑戦した作品であり、シカゴを拠点に活動するミュージシャンであり教育者でもある彼は、文化的な抽象概念を収集し、それらを確固たる真実へと再編成している。このアルバムは、黒人解放のビジョンを示し、それを一口サイズのニッキー・ジョヴァンニ・ミーツMFドゥーム・スタイルのリズム実験のソング・サイクルとして外部に発信している。 サンプルベースの構成は、鋭い文化観察だけでなく、文化への直接的な共同参加という生涯の経験に裏打ちされている。Locksの数十年にわたる経歴は、実験的即興、サンプルベースのヒップホップ、パンク、ポエトリー（詩）を点と点で結んでいる。そして、それが狙いなのだろう。全人格的なスペクトルをジャンプ・スタートさせること。恍惚としたポジティブさは、彼のニュアンスに富んだ現実の把握を通して検証され、すべては「あり得るかもしれない」という常に広まり続けるコンセプトに向かって働いている。 シカゴ現代写真美術館で開催された『Beautiful Diaspora /...
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{"id":8706967535866,"title":"Joseph Shabason \/\/ Welcome To Hell LP","handle":"joseph-shabason-welcome-to-hell-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2023年10月にアメリカの老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1996年のスケートボード作品『Welcome To Hell』にインスパイアされたアンビエント・スピリチュアルジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"地獄ってどんなところ？警察官、ビジネスマン、ファーストフード店の従業員の映像の上に星条旗が脈打つようにオーバーレイされた、トイマシンスケートボードの1996年の代表的なビデオ\u003cmeta charset=\"utf-8\"\u003e『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』のイントロは、地獄をアメリカの例外主義の蜃気楼として描いているように見えるだろう。外見上は火と硫黄のにおいはしないが、鼻を風に向けてみれば硫黄のにおいがするような、何世紀にもわたって続く非現実。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのシーンの後に登場するのは、そのような明らかな天罰の描写から生まれた、あるいはそれにもかかわらず、文化の試金石となるものだ。最高レベルで披露されるスケートボードは、この後何十年にもわたって観客に影響を与え、愛着を抱かせるような方法で構成され、展示される。\u003cmeta charset=\"utf-8\"\u003e『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』では、ユニークかつ先進的なスケートボーダーたちがパッチワークのように登場するが、そのほとんどが彼らの世界でアイコン的存在となり、現代のスケートボードビデオのあり方を再定義する一助となった。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e若きJoseph Shabasonはその衝撃を感じていた。この高名なミュージシャンは、青春時代に『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』のVHSを何百回も巻き戻した。爽快で、即興的で、全身を使ったスケートボードの体験は、\u003cmeta charset=\"utf-8\"\u003eShabasonがジャズになぞらえたもので、ウィールと木管楽器の間には共通の言語が存在する。スケートボーダーとミュージシャンがその言語を使い分けることで、\"スタイル \"という気まぐれな概念に定義が加わる。スケーターとミュージシャンのアンサンブルは騒々しく、クリエイティブな集団だ。この関係性とトイマシンの名作を振り返ることで、\u003cmeta charset=\"utf-8\"\u003eShabasonは最終的に「地獄のサウンドとはどんなものか」と考えるようになる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその答えは、彼のこれまでのレコードと同様、パーソナルな世界に生きるコンセプトアルバムだった。スケートボードそのものがそうであるように、\"Welcome To Hell \"の再ソロ化という新しい試みに\u003cmeta charset=\"utf-8\"\u003eShabasonは挑戦することになる。このビデオのオリジナルサウンドトラックは、ミスフィッツ、ブラックサバス、ソニックユースといったバンドのアクティブでアグレッシブな楽曲をミックスしたもので、多くの人にとって音楽の目覚めとなった。\u003cmeta charset=\"utf-8\"\u003eShabasonは、この10曲のアルバムの中で、角ばった曲やアンビエントな曲と戯れ、画面上のアクションとともに前進する大編成のメロディーを探求し、このカルチャーを定義するスケートビデオと登場するスケートボーダーに対する私たちの理解を再構築するような、微妙かつ実質的な方法でムードを変化させている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eシャバソンの本作は、27年前の名作に新たな畏敬の念を植え付ける挑発的な再映像化であり、オリジナルが最初に投げかけた「地獄が何度も戻りたくなる場所だとしたら？」という問いを示唆する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8UmXG0e_PpU?si=ymNJAyFATYI3o-SO\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1031436541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3090220120\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack LP. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003eWhat does hell look like? The introduction of Toy Machine skateboard's seminal 1996 video “Welcome To Hell,” with its pulsing overlay of the Stars and Stripes on top footage of police officers, businessmen, and fast food service workers, would appear to paint hell as the mirage of American exceptionalism. A thick, centuries-spanning unreality that may not outwardly trade in fire and brimstone, but if you turn your nose to the wind, you’ll smell sulphur.\u003cbr\u003e\u003cbr\u003eWhat comes after that scene, born of — or despite — those apparent depictions of damnation, would become a cultural touchstone: skateboarding performed at the highest level, composed and displayed in a fashion that would influence and endear audiences for decades to come. “Welcome To Hell” features a unique and progressive patchwork of skateboarders, most of which would become icons in their world, and helped redefine what the modern skateboarding video could be.\u003cbr\u003e\u003cbr\u003eA young Joseph Shabason felt that impact. The acclaimed musician hit rewind on his VHS copy of “Welcome To Hell” hundreds of times in his youth, each watch as thrilling as the last. That invigorating, improvisational, full-body experience of skateboarding is one that Shabason likens to jazz, where a shared language\u003cspan class=\"bcTruncateMore\"\u003e exists between the wheels and woodwinds. The way the skateboarder and musician command that language is what distinguishes them, adding definition to the mercurial concept of “style.” This connection becomes most apparent in collaboration; ensembles of skaters and musicians are a noisy, creative bunch. Reflecting on this relationship and the Toy Machine classic would ultimately lead Shabason to wonder: what does hell sound like?\u003cbr\u003e\u003cbr\u003eThe answer was a concept album that, like his previous records, lives in the personal. One that, much like skateboarding itself, would push him to try something new: rescoring “Welcome To Hell.” The video’s original soundtrack served as a musical awakening for many — an active, aggressive mix of songs from bands like The Misfits, Black Sabbath, and Sonic Youth. Here, you’ll find that recontextualized, softened, yet no less energizing. Over the album’s ten songs, Shabason plays with the angular and ambient, exploring large group melodies that move forward with the on-screen action, shifting the mood in subtle and substantial ways that reframe our understanding of this culture-defining skate video and the skateboarders in it.\u003cbr\u003e\u003cbr\u003eIn Shabason’s “Hell,” quintessential “East Coast powerhouse,” Mike Maldonado is backed by a sharp, driving modal composition that calls back to 1970s Miles Davis, the melodic sensibilities of Azimuth, and stands as a fascinating complement to Maldonado’s hard-charging on-board approach. The debut of Elissa Steamer, a pioneer decades ahead of her time, is given fresh spirit with an off-kilter funk. Brian Anderson, whose virtuosic section was originally guided by a dour Pink Floyd track, now flies across the screen in jazzy fits and starts, punctuated by the joyous wail of Shabason’s saxophone. Nowhere does the fluid and improvisational intersection of skateboarding and jazz meet and swell than with Donny Barley. His easy, instinctual cool flecked with tinkling synths and bass lines that echo the natural power of Barley’s abilities.\u003cbr\u003e\u003cbr\u003eShabason then creates what could be rightly considered an audio portrait of Ed Templeton. The celebrated visual artist, photographer, and founder of Toy Machine cuts a distinct profile, which Shabason distills with a throbbing, slanted rhythm and an eerie layering of feedback and pressuring keys. The “curtains” section in “Welcome To Hell” belongs to Jamie Thomas, whose career-defining performance here would set the stage for a decades-spanning career and a level of influence in skateboarding that is still felt today. Shabason meets Thomas’ epic with a commanding, angular rhythm that builds and flows with the momentum of his skateboarding. Airy group melodies mingle with a wonked-out vibraphone and tight percussion that lets loose in florid bursts before devolving into a finishing sequence of muscular improvisation — a fittingly bold interpretation of the work of one of skateboarding’s most daring practitioners.\u003cbr\u003e\u003cbr\u003eFinally, as if ending with his thesis statement, the last song of Shabason’s “Welcome To Hell” is a calming vocal harmony that lies atop the video’s infamous “bail section.” A horrific collection of skateboarders falling and twisting themselves into agonizing, unnatural shapes — a Hieronymous Bosch captured on VHS. It’s the culmination of the unexpected made whole. Shabason’s album a provocative reimagining that instills a new sense of awe in the 27-year-old classic, prompting the question first posed by the original: what if hell was a place you wanted to return to again and again?\u003c\/span\u003e \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003eCat No : WV257lp\u003c\/p\u003e","published_at":"2025-01-23T13:27:47+09:00","created_at":"2025-01-23T13:26:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","recommended","western vinyl"],"price":394800,"price_min":394800,"price_max":394800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47072915030266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Joseph Shabason \/\/ Welcome To Hell LP","public_title":null,"options":["Default Title"],"price":394800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563166390","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0615333572_16.jpg?v=1696504625"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0615333572_16.jpg?v=1696504625","options":["Title"],"media":[{"alt":null,"id":32526904164602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0615333572_16.jpg?v=1696504625"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0615333572_16.jpg?v=1696504625","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2023年10月にアメリカの老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1996年のスケートボード作品『Welcome To Hell』にインスパイアされたアンビエント・スピリチュアルジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"地獄ってどんなところ？警察官、ビジネスマン、ファーストフード店の従業員の映像の上に星条旗が脈打つようにオーバーレイされた、トイマシンスケートボードの1996年の代表的なビデオ\u003cmeta charset=\"utf-8\"\u003e『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』のイントロは、地獄をアメリカの例外主義の蜃気楼として描いているように見えるだろう。外見上は火と硫黄のにおいはしないが、鼻を風に向けてみれば硫黄のにおいがするような、何世紀にもわたって続く非現実。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのシーンの後に登場するのは、そのような明らかな天罰の描写から生まれた、あるいはそれにもかかわらず、文化の試金石となるものだ。最高レベルで披露されるスケートボードは、この後何十年にもわたって観客に影響を与え、愛着を抱かせるような方法で構成され、展示される。\u003cmeta charset=\"utf-8\"\u003e『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』では、ユニークかつ先進的なスケートボーダーたちがパッチワークのように登場するが、そのほとんどが彼らの世界でアイコン的存在となり、現代のスケートボードビデオのあり方を再定義する一助となった。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e若きJoseph Shabasonはその衝撃を感じていた。この高名なミュージシャンは、青春時代に『\u003cmeta charset=\"utf-8\"\u003eWelcome To Hell 』のVHSを何百回も巻き戻した。爽快で、即興的で、全身を使ったスケートボードの体験は、\u003cmeta charset=\"utf-8\"\u003eShabasonがジャズになぞらえたもので、ウィールと木管楽器の間には共通の言語が存在する。スケートボーダーとミュージシャンがその言語を使い分けることで、\"スタイル \"という気まぐれな概念に定義が加わる。スケーターとミュージシャンのアンサンブルは騒々しく、クリエイティブな集団だ。この関係性とトイマシンの名作を振り返ることで、\u003cmeta charset=\"utf-8\"\u003eShabasonは最終的に「地獄のサウンドとはどんなものか」と考えるようになる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eその答えは、彼のこれまでのレコードと同様、パーソナルな世界に生きるコンセプトアルバムだった。スケートボードそのものがそうであるように、\"Welcome To Hell \"の再ソロ化という新しい試みに\u003cmeta charset=\"utf-8\"\u003eShabasonは挑戦することになる。このビデオのオリジナルサウンドトラックは、ミスフィッツ、ブラックサバス、ソニックユースといったバンドのアクティブでアグレッシブな楽曲をミックスしたもので、多くの人にとって音楽の目覚めとなった。\u003cmeta charset=\"utf-8\"\u003eShabasonは、この10曲のアルバムの中で、角ばった曲やアンビエントな曲と戯れ、画面上のアクションとともに前進する大編成のメロディーを探求し、このカルチャーを定義するスケートビデオと登場するスケートボーダーに対する私たちの理解を再構築するような、微妙かつ実質的な方法でムードを変化させている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eシャバソンの本作は、27年前の名作に新たな畏敬の念を植え付ける挑発的な再映像化であり、オリジナルが最初に投げかけた「地獄が何度も戻りたくなる場所だとしたら？」という問いを示唆する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8UmXG0e_PpU?si=ymNJAyFATYI3o-SO\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1031436541\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3090220120\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack LP. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003eWhat does hell look like? The introduction of Toy Machine skateboard's seminal 1996 video “Welcome To Hell,” with its pulsing overlay of the Stars and Stripes on top footage of police officers, businessmen, and fast food service workers, would appear to paint hell as the mirage of American exceptionalism. A thick, centuries-spanning unreality that may not outwardly trade in fire and brimstone, but if you turn your nose to the wind, you’ll smell sulphur.\u003cbr\u003e\u003cbr\u003eWhat comes after that scene, born of — or despite — those apparent depictions of damnation, would become a cultural touchstone: skateboarding performed at the highest level, composed and displayed in a fashion that would influence and endear audiences for decades to come. “Welcome To Hell” features a unique and progressive patchwork of skateboarders, most of which would become icons in their world, and helped redefine what the modern skateboarding video could be.\u003cbr\u003e\u003cbr\u003eA young Joseph Shabason felt that impact. The acclaimed musician hit rewind on his VHS copy of “Welcome To Hell” hundreds of times in his youth, each watch as thrilling as the last. That invigorating, improvisational, full-body experience of skateboarding is one that Shabason likens to jazz, where a shared language\u003cspan class=\"bcTruncateMore\"\u003e exists between the wheels and woodwinds. The way the skateboarder and musician command that language is what distinguishes them, adding definition to the mercurial concept of “style.” This connection becomes most apparent in collaboration; ensembles of skaters and musicians are a noisy, creative bunch. Reflecting on this relationship and the Toy Machine classic would ultimately lead Shabason to wonder: what does hell sound like?\u003cbr\u003e\u003cbr\u003eThe answer was a concept album that, like his previous records, lives in the personal. One that, much like skateboarding itself, would push him to try something new: rescoring “Welcome To Hell.” The video’s original soundtrack served as a musical awakening for many — an active, aggressive mix of songs from bands like The Misfits, Black Sabbath, and Sonic Youth. Here, you’ll find that recontextualized, softened, yet no less energizing. Over the album’s ten songs, Shabason plays with the angular and ambient, exploring large group melodies that move forward with the on-screen action, shifting the mood in subtle and substantial ways that reframe our understanding of this culture-defining skate video and the skateboarders in it.\u003cbr\u003e\u003cbr\u003eIn Shabason’s “Hell,” quintessential “East Coast powerhouse,” Mike Maldonado is backed by a sharp, driving modal composition that calls back to 1970s Miles Davis, the melodic sensibilities of Azimuth, and stands as a fascinating complement to Maldonado’s hard-charging on-board approach. The debut of Elissa Steamer, a pioneer decades ahead of her time, is given fresh spirit with an off-kilter funk. Brian Anderson, whose virtuosic section was originally guided by a dour Pink Floyd track, now flies across the screen in jazzy fits and starts, punctuated by the joyous wail of Shabason’s saxophone. Nowhere does the fluid and improvisational intersection of skateboarding and jazz meet and swell than with Donny Barley. His easy, instinctual cool flecked with tinkling synths and bass lines that echo the natural power of Barley’s abilities.\u003cbr\u003e\u003cbr\u003eShabason then creates what could be rightly considered an audio portrait of Ed Templeton. The celebrated visual artist, photographer, and founder of Toy Machine cuts a distinct profile, which Shabason distills with a throbbing, slanted rhythm and an eerie layering of feedback and pressuring keys. The “curtains” section in “Welcome To Hell” belongs to Jamie Thomas, whose career-defining performance here would set the stage for a decades-spanning career and a level of influence in skateboarding that is still felt today. Shabason meets Thomas’ epic with a commanding, angular rhythm that builds and flows with the momentum of his skateboarding. Airy group melodies mingle with a wonked-out vibraphone and tight percussion that lets loose in florid bursts before devolving into a finishing sequence of muscular improvisation — a fittingly bold interpretation of the work of one of skateboarding’s most daring practitioners.\u003cbr\u003e\u003cbr\u003eFinally, as if ending with his thesis statement, the last song of Shabason’s “Welcome To Hell” is a calming vocal harmony that lies atop the video’s infamous “bail section.” A horrific collection of skateboarders falling and twisting themselves into agonizing, unnatural shapes — a Hieronymous Bosch captured on VHS. It’s the culmination of the unexpected made whole. Shabason’s album a provocative reimagining that instills a new sense of awe in the 27-year-old classic, prompting the question first posed by the original: what if hell was a place you wanted to return to again and again?\u003c\/span\u003e \u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003eCat No : WV257lp\u003c\/p\u003e"}
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カナダ・トロントのサックス奏者Joseph Shabasonが、2023年10月にアメリカの老舗レーベルWestern Vinylからリリースしたレコードです。 1996年のスケートボード作品『Welcome To Hell』にインスパイアされたアンビエント・スピリチュアルジャズ10曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "地獄ってどんなところ？警察官、ビジネスマン、ファーストフード店の従業員の映像の上に星条旗が脈打つようにオーバーレイされた、トイマシンスケートボードの1996年の代表的なビデオ『Welcome To Hell 』のイントロは、地獄をアメリカの例外主義の蜃気楼として描いているように見えるだろう。外見上は火と硫黄のにおいはしないが、鼻を風に向けてみれば硫黄のにおいがするような、何世紀にもわたって続く非現実。このシーンの後に登場するのは、そのような明らかな天罰の描写から生まれた、あるいはそれにもかかわらず、文化の試金石となるものだ。最高レベルで披露されるスケートボードは、この後何十年にもわたって観客に影響を与え、愛着を抱かせるような方法で構成され、展示される。『Welcome To Hell 』では、ユニークかつ先進的なスケートボーダーたちがパッチワークのように登場するが、そのほとんどが彼らの世界でアイコン的存在となり、現代のスケートボードビデオのあり方を再定義する一助となった。 若きJoseph...
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{"id":8704887095546,"title":"Makaya McCraven \/\/ Universal Beings E\u0026F Sides LP","handle":"makaya-mccraven-universal-beings-e-f-sides-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズドラマーMakaya McCravenが、2020年7月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e90年代ヒップホップをを彷彿とさせるジャズ meets ビートミュージック14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eKamaal WilliamsやNubya Garcia、Miguel Atwood-Ferguson、Jeff Parker、Shabaka Hutchingsが参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2857185688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn addendum to Makaya McCraven's critically-acclaimed 2018 release Universal Beings, which The New York Times said \"affirms the drummer and beatsmith's position as a major figure in creative music,\" Universal Beings E\u0026amp;F Sides presents fourteen new pieces of organic beat music cut from the original sessions, prepared and produced by Makaya as a soundtrack to the Universal Beings documentary film.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDirected by Mark Pallman, the Universal Beings documentary follows Makaya to Los Angeles, Chicago, London and New York City for a behind the scenes look into the making of the artists breakthrough album, taking the viewer through the story of Makaya's life, his process and the community of musicians that helped bring this project to life. The Universal Beings documentary and Universal Beings E\u0026amp;F Sides album release July 31st 2020.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNamed one of the best albums of 2018 by The New York Times, Rolling Stone, NPR, Stereogum, Billboard, SPIN, The Wall Street Journal, The Chicago Tribune, and more, Universal Beings was recorded at four sessions in New York, Chicago, London and Los Angeles, and features some of the best \"new\" jazz players from those hot bed cities: Brandee Younger, Tomeka Reid, Dezron\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Douglas, Joel Ross, Shabaka Hutchings, Junius Paul, Nubya Garcia, Daniel Casimir, Ashley Henry, Josh Johnson, Jeff Parker, Anna Butters, Carlos Niño and Miguel-Atwood Ferguson - all of whom feature on Universal Beings E\u0026amp;F Sides.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-01-20T15:48:40+09:00","created_at":"2025-01-20T15:48:03+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":446400,"price_min":446400,"price_max":446400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47064559255802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Makaya McCraven \/\/ Universal Beings E\u0026F Sides LP","public_title":null,"options":["Default Title"],"price":446400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"603784912622","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/un1_d02b1f36-6ef9-4a46-a44c-be91f1ac2a20.jpg?v=1701165851","\/\/tobirarecords.com\/cdn\/shop\/files\/un2_b41e2de6-5054-4379-8588-a7b770ed228a.jpg?v=1701165851"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_d02b1f36-6ef9-4a46-a44c-be91f1ac2a20.jpg?v=1701165851","options":["Title"],"media":[{"alt":null,"id":32761597067514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_d02b1f36-6ef9-4a46-a44c-be91f1ac2a20.jpg?v=1701165851"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_d02b1f36-6ef9-4a46-a44c-be91f1ac2a20.jpg?v=1701165851","width":700},{"alt":null,"id":32761597100282,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_b41e2de6-5054-4379-8588-a7b770ed228a.jpg?v=1701165851"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_b41e2de6-5054-4379-8588-a7b770ed228a.jpg?v=1701165851","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズドラマーMakaya McCravenが、2020年7月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e90年代ヒップホップをを彷彿とさせるジャズ meets ビートミュージック14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eKamaal WilliamsやNubya Garcia、Miguel Atwood-Ferguson、Jeff Parker、Shabaka Hutchingsが参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2857185688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn addendum to Makaya McCraven's critically-acclaimed 2018 release Universal Beings, which The New York Times said \"affirms the drummer and beatsmith's position as a major figure in creative music,\" Universal Beings E\u0026amp;F Sides presents fourteen new pieces of organic beat music cut from the original sessions, prepared and produced by Makaya as a soundtrack to the Universal Beings documentary film.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDirected by Mark Pallman, the Universal Beings documentary follows Makaya to Los Angeles, Chicago, London and New York City for a behind the scenes look into the making of the artists breakthrough album, taking the viewer through the story of Makaya's life, his process and the community of musicians that helped bring this project to life. The Universal Beings documentary and Universal Beings E\u0026amp;F Sides album release July 31st 2020.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNamed one of the best albums of 2018 by The New York Times, Rolling Stone, NPR, Stereogum, Billboard, SPIN, The Wall Street Journal, The Chicago Tribune, and more, Universal Beings was recorded at four sessions in New York, Chicago, London and Los Angeles, and features some of the best \"new\" jazz players from those hot bed cities: Brandee Younger, Tomeka Reid, Dezron\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Douglas, Joel Ross, Shabaka Hutchings, Junius Paul, Nubya Garcia, Daniel Casimir, Ashley Henry, Josh Johnson, Jeff Parker, Anna Butters, Carlos Niño and Miguel-Atwood Ferguson - all of whom feature on Universal Beings E\u0026amp;F Sides.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズドラマーMakaya McCravenが、2020年7月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 90年代ヒップホップをを彷彿とさせるジャズ meets ビートミュージック14曲を収録。 Kamaal WilliamsやNubya Garcia、Miguel Atwood-Ferguson、Jeff Parker、Shabaka Hutchingsが参加しています。 レーベルその他作品はこちら /// Click here to...
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{"id":8704884310266,"title":"Makaya McCraven \/\/ Where We Come From (CHICAGOxLONDON Mixtape) LP","handle":"makaya-mccraven-where-we-come-from-chicagoxlondon-mixtape-lp","description":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2023年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音とリミックスあわせて14曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=770961976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black Vinyl LP in a heavyweight matte LP Jacket with Black Flood inner pocket, includes insert sheet, IARC dome-pattern inner sleeve and OBI Strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded live at Total Refreshment Centre 18 \u0026amp; 19 October 2017 (CHICAGOxLONDON).\u003cbr\u003e\u003cbr\u003eLive recordings mixed at Total Refreshment Studios 20 \u0026amp; 21 October 2017.\u003cbr\u003e\u003cbr\u003eRemixed live at Total Refreshment Centre 22 October 2017 (FRESH ROASTED: Live Beat-Making \u0026amp; Battle).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2025-01-20T15:42:57+09:00","created_at":"2025-01-20T15:42:31+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":446400,"price_min":446400,"price_max":446400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47064540184826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Makaya McCraven \/\/ Where We Come From (CHICAGOxLONDON Mixtape) LP","public_title":null,"options":["Default Title"],"price":446400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"603784912004","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657","\/\/tobirarecords.com\/cdn\/shop\/products\/we2_26bfe15e-1948-4a0a-9fdd-9d9187eab438.jpg?v=1680238657","\/\/tobirarecords.com\/cdn\/shop\/products\/we3_b2c8935d-bc78-4f8e-8f0d-8e94127cf441.jpg?v=1680238657"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657","options":["Title"],"media":[{"alt":null,"id":31758196015354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657","width":700},{"alt":null,"id":31758196048122,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we2_26bfe15e-1948-4a0a-9fdd-9d9187eab438.jpg?v=1680238657"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we2_26bfe15e-1948-4a0a-9fdd-9d9187eab438.jpg?v=1680238657","width":1200},{"alt":null,"id":31758196113658,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we3_b2c8935d-bc78-4f8e-8f0d-8e94127cf441.jpg?v=1680238657"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we3_b2c8935d-bc78-4f8e-8f0d-8e94127cf441.jpg?v=1680238657","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2023年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音とリミックスあわせて14曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=770961976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black Vinyl LP in a heavyweight matte LP Jacket with Black Flood inner pocket, includes insert sheet, IARC dome-pattern inner sleeve and OBI Strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded live at Total Refreshment Centre 18 \u0026amp; 19 October 2017 (CHICAGOxLONDON).\u003cbr\u003e\u003cbr\u003eLive recordings mixed at Total Refreshment Studios 20 \u0026amp; 21 October 2017.\u003cbr\u003e\u003cbr\u003eRemixed live at Total Refreshment Centre 22 October 2017 (FRESH ROASTED: Live Beat-Making \u0026amp; Battle).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・シカゴのパーカッショニストMakaya McCravenが、2023年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 ライブ録音とリミックスあわせて14曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":8704838041850,"title":"Zonk \/\/ ZONK CD","handle":"zonk-zonk-cd","description":"\u003cdiv class=\"description\" id=\"qs-product-description\"\u003e\n\u003cp\u003eアメリカ・ニューメキシコのインプロデュオZonkが、2024年9月に同国サイケデリックレーベルIsland HouseからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eインプロ5曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911173614\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ihr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ihr\"\u003ehere\u003c\/a\u003e to see more Island House Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A 14:54\u003cbr\u003e2. B 12:29\u003cbr\u003e3. C 02:53\u003cbr\u003e4. D 04:03\u003cbr\u003e5. E 13:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eChaz Prymek (Lake Mary, Fuubutsushi)\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eLegend has it, that on a non-descript afternoon in the summer of 2022,\u2028guitarist Paul DeHaven and drummer Robin Chestnutt, locked themselves into a room in a cabin on top of a mountain in Colorado for a few hours. Loud noises could be heard, wailing, smashing, yelps, lights flickering, the house shaking. When engineer Mark Anderson opened the door after a long period of concerning silence, he found the two men sprawled out, undressed and laughing in puddles of sweat. For they had just gone on a deep improvised sonic journey together that would alter the course of not only their lives, but time and space as we know it. What was captured on record is 5 fully improvised pieces for guitar and drums. A swirling, surfing, crashing, sprawling, and limitless sonic adventure.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028Paul DeHaven (most widely known for his work as a songwriter and guitarist in the Americana band Heavy Diamond Ring) and Robin Chestnutt (known throughout the Colorado music world as a force unto himself and the kit) simultaneously wrangle their instruments, but not to destroy them, no, no, but to let the light out. Zonk, in a departure from their Americana roots, take us deep into their musical history with an energy we haven’t heard from their discographies yet. Hearing influences from Link Wray and Mdou Moctar\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to Fugazi and Mars Volta, these two explode in joyous tumult. \u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt times Zonk feels like riding a 60 foot wave in shark infested waters, at other times feels like a gathering of all your energies and determination for one last hurrah. An adventure to say the least, where at the end you can throw your bag on the couch, you lay on the floor and can only laugh because you made it, after all that, you made it.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zonk\u003c\/p\u003e\n\u003cp\u003eLabel : Island House Recordings\u003c\/p\u003e\n\u003cp\u003eCAT no : IH-022\u003c\/p\u003e","published_at":"2025-01-21T16:30:04+09:00","created_at":"2025-01-20T13:57:28+09:00","vendor":"Tobira Records","type":"","tags":["cd","island house recordings","jazz","new"],"price":235300,"price_min":235300,"price_max":235300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47064367759610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Zonk \/\/ ZONK CD","public_title":null,"options":["Default Title"],"price":235300,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/zonk1.jpg?v=1737348968","\/\/tobirarecords.com\/cdn\/shop\/files\/zonk2.jpg?v=1737348968"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/zonk1.jpg?v=1737348968","options":["Title"],"media":[{"alt":null,"id":35449141395706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zonk1.jpg?v=1737348968"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zonk1.jpg?v=1737348968","width":700},{"alt":null,"id":35449141428474,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zonk2.jpg?v=1737348968"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zonk2.jpg?v=1737348968","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"description\" id=\"qs-product-description\"\u003e\n\u003cp\u003eアメリカ・ニューメキシコのインプロデュオZonkが、2024年9月に同国サイケデリックレーベルIsland HouseからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eインプロ5曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911173614\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ihr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ihr\"\u003ehere\u003c\/a\u003e to see more Island House Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A 14:54\u003cbr\u003e2. B 12:29\u003cbr\u003e3. C 02:53\u003cbr\u003e4. D 04:03\u003cbr\u003e5. E 13:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eChaz Prymek (Lake Mary, Fuubutsushi)\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eLegend has it, that on a non-descript afternoon in the summer of 2022,\u2028guitarist Paul DeHaven and drummer Robin Chestnutt, locked themselves into a room in a cabin on top of a mountain in Colorado for a few hours. Loud noises could be heard, wailing, smashing, yelps, lights flickering, the house shaking. When engineer Mark Anderson opened the door after a long period of concerning silence, he found the two men sprawled out, undressed and laughing in puddles of sweat. For they had just gone on a deep improvised sonic journey together that would alter the course of not only their lives, but time and space as we know it. What was captured on record is 5 fully improvised pieces for guitar and drums. A swirling, surfing, crashing, sprawling, and limitless sonic adventure.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u2028Paul DeHaven (most widely known for his work as a songwriter and guitarist in the Americana band Heavy Diamond Ring) and Robin Chestnutt (known throughout the Colorado music world as a force unto himself and the kit) simultaneously wrangle their instruments, but not to destroy them, no, no, but to let the light out. Zonk, in a departure from their Americana roots, take us deep into their musical history with an energy we haven’t heard from their discographies yet. Hearing influences from Link Wray and Mdou Moctar\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to Fugazi and Mars Volta, these two explode in joyous tumult. \u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt times Zonk feels like riding a 60 foot wave in shark infested waters, at other times feels like a gathering of all your energies and determination for one last hurrah. An adventure to say the least, where at the end you can throw your bag on the couch, you lay on the floor and can only laugh because you made it, after all that, you made it.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zonk\u003c\/p\u003e\n\u003cp\u003eLabel : Island House Recordings\u003c\/p\u003e\n\u003cp\u003eCAT no : IH-022\u003c\/p\u003e"}
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アメリカ・ニューメキシコのインプロデュオZonkが、2024年9月に同国サイケデリックレーベルIsland HouseからリリースしたCDです。 インプロ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Island House Recordings releases available at Tobira....
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{"id":8704837386490,"title":"Nick Dunston \/\/ COLLA VOCE CD","handle":"nick-dunston-colla-voce-cd","description":"\u003cp\u003eアメリカのベーシストNick Dunstonが、2024年8月に同国バージニアのOut Of Your Head RecordsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜コンテンポラリー13曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"私の見る青が、あなたの見る青と違っていたら？この問いは、私のアフロ・シュルレアリスム・反オペラ『COLLA VOCE』の基盤となっている。シュルレアリスムといえば、潜在意識下の精神状態や夢、悪夢など、私たちの精神の未踏の領域を思い浮かべることが多い。しかし、アフロ・シュルレアリスムはこう主張する。もし、ある人が「夢」と呼ぶものが、別の人にとっては悪夢だとしたら？ある人が「理性的」と呼ぶものが、別の人にとってはまったく根拠のないものだとしたら？そして、何が「普通」なのか、私たちはさまざまな考えを持っているに違いない。偉大なフリーダ・カーロの作品をシュルレアリスムだと考える人は多いが、彼女自身は、自分自身の現実を描いているだけだと語っている。では、誰が、何が、真実性の尺度を決めるのだろうか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「反オペラ」とは、特定のメディアを真っ向から否定することではなく、それに立ち向かう大胆さであり、必要であれば、それを覆し、裏返しにすることである。「colla voce」、文字通り「声とともに」。声とともに動き、声とともに呼吸し、声とともに働く。おそらく、これほど理解され、同時に誤解されている楽器は他にないだろう。私が直接一緒に仕事をする機会に恵まれたことに感謝しなければならない4人の実践者がいる： カンスー、ソフィア、イザベル、フリーデの4人は、この作品に（文字通り）命を吹き込んでくれただけでなく、彼ら自身が超個性的なクリエイターであるため、この音楽を構築するDNAの鎖としての地位を即座に確立してくれた。さらに、タル、マリア、アニル、そして強力な楽器奏者であるモーリッツに感謝の意を表したい。彼らは、自らの内なる声を使って、喉仏にあるコードと木で縛られたコードの重なりを結びつけるために必要なエネルギーと腱を確立した。JACKカルテットには、共鳴と質量を単純に加えるだけでなく、指数関数的に増殖させ、直線的でなく、完全に目に見えるものとして表現できる時間感覚を開発することで、私がさらに別の次元に渡ることを可能にしてくれた。そして、COLLA VOCEのプロデューサーのウェストンには、私と同じ青を見ていて、私が作曲する前からこのコラボレーションの領域に完全に存在していた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCOLLA VOCEは、アコースティックな宇宙からエレクトリックな宇宙へ、ストリングスからスクリームへ、生からプロデュースへ、ニューヨークからベルリンへ、そしてもちろん現実から超現実へと疾走する、ある種の歪んだ物語である。リブレットへの手招きとして、この作品は主に作家からインスピレーションを得ている： オクタヴィア・バトラー、トニ・モリソン、テッド・チャン、リチャード・ヒューゴー、ガブリエル・ガルシア・マルケス。彼らの作品は、架空のもの、詩的なもの、民俗的なものであり、強力な感情的真実性を明らかにする傾向があるジャンルである。果てしなく、多様で、美しい場面ではアフロ・シュルレアルのようでもある、組織化されたサウンドとノイズの世界で、どうすればこのようなことが達成できるのだろうか、と私は自問し続けている。言い換えれば、私が聴くブルースと、あなたが聴くブルースはどう違うのだろうか？\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=563107708\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ova’churr 01:38\u003cbr\u003e2. Designated Antagonist 03:35\u003cbr\u003e3. Pseudocorridor 07:17\u003cbr\u003e4. Blinding, Joyous, Fearful 08:30\u003cbr\u003e5. Fully Turbulent 05:22\u003cbr\u003e6. Lo and Behold 03:59\u003cbr\u003e7. HYDROGEN 00:57\u003cbr\u003e8. ARGON 00:56\u003cbr\u003e9. OXYGEN 01:22\u003cbr\u003e10. Anglo-Adjacent Phonetic Approximations 05:22\u003cbr\u003e11. Nearly Turbulent 05:10\u003cbr\u003e12. A Rolling Wave of Everything 06:29\u003cbr\u003e13. colla voce 09:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eNick Dunston, Chicago, January 8th, 2024\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, COLLA VOCE. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of what is ‘normal’. While many would consider the work of the great Frida Kahlo to be Surrealist, she herself said that she was simply painting her own reality. So who or what gets to determine the measuring stick for verisimilitude?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Anti-Opera’ is not an outright rejection of a particular medium, but an audacity to confront it, and when necessary, to subvert and turn it inside-out. 'colla voce'-literally, ‘with the voice’. Moving with the voice, breathing with the voice, working together with the voice-all voices. Perhaps no other instrument is simultaneously understood and misunderstood as much as this one. There are four practitioners of it to whom I must express gratitude for the opportunity to work with directly: Cansu, Sofia, Isabel, and Friede- who not only (literally) breathed life into this work, but they being\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e hyperpersonal creators in their own rights, immediately established themselves as the strands of DNA around which this music is built. Further gratitude goes to Tal, Maria, Anil, and Moritz-powerful instrumentalists, using their own inner voices to establish the necessary energy and tendons to bind together the overlap of cords and chords, both those in the larynx and those bound by wood. To JACK Quartet, who enabled me to cross even further into other dimensions by not simply adding, but exponentially multiplying resonance and mass, developing a sense of time that can be described as anything but linear, and entirely tangible. And to Weston, the producer of COLLA VOCE who sees the same blue that I see, entirely present in this province of collaboration since before I had even composed anything; no words can qualify their hand in shaping this work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCOLLA VOCE is a warped narrative of sorts, hurtling from acoustic universe to electric universe, string to scream, raw to produced, New York to Berlin, and of course: real to surreal. As a beckoning towards the libretto, it is largely inspired by writers: Octavia Butler, Toni Morrison, Ted Chiang, Richard Hugo, and Gabriel García Márques. Their works are fictitious, poetic, folkloric; genres that tend to uncover a potent emotional veracity. I continue to ask myself, how can we achieve this in the world of organized sound and noise, which is endless, diverse, and on beautiful occasions, Afro-Surreal? In other words-how is the Blues that I hear different from Blues that you hear?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nick Dunston\u003c\/p\u003e\n\u003cp\u003eLabel : Out Of Your Head Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : OOYH027\u003c\/p\u003e","published_at":"2025-01-21T13:23:16+09:00","created_at":"2025-01-20T13:54:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","jazz","new","Out Of Your Head Records"],"price":224200,"price_min":224200,"price_max":224200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47064366285050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nick Dunston \/\/ COLLA VOCE CD","public_title":null,"options":["Default Title"],"price":224200,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_d564488e-6d80-4ea5-a6b6-2b78c1231aee.jpg?v=1737348763","\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_cc8dd0cd-d88c-42a8-91a8-f42f742e946c.jpg?v=1737348763"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_d564488e-6d80-4ea5-a6b6-2b78c1231aee.jpg?v=1737348763","options":["Title"],"media":[{"alt":null,"id":35449135431930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_d564488e-6d80-4ea5-a6b6-2b78c1231aee.jpg?v=1737348763"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_d564488e-6d80-4ea5-a6b6-2b78c1231aee.jpg?v=1737348763","width":700},{"alt":null,"id":35449135464698,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_cc8dd0cd-d88c-42a8-91a8-f42f742e946c.jpg?v=1737348763"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_cc8dd0cd-d88c-42a8-91a8-f42f742e946c.jpg?v=1737348763","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのベーシストNick Dunstonが、2024年8月に同国バージニアのOut Of Your Head RecordsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜コンテンポラリー13曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"私の見る青が、あなたの見る青と違っていたら？この問いは、私のアフロ・シュルレアリスム・反オペラ『COLLA VOCE』の基盤となっている。シュルレアリスムといえば、潜在意識下の精神状態や夢、悪夢など、私たちの精神の未踏の領域を思い浮かべることが多い。しかし、アフロ・シュルレアリスムはこう主張する。もし、ある人が「夢」と呼ぶものが、別の人にとっては悪夢だとしたら？ある人が「理性的」と呼ぶものが、別の人にとってはまったく根拠のないものだとしたら？そして、何が「普通」なのか、私たちはさまざまな考えを持っているに違いない。偉大なフリーダ・カーロの作品をシュルレアリスムだと考える人は多いが、彼女自身は、自分自身の現実を描いているだけだと語っている。では、誰が、何が、真実性の尺度を決めるのだろうか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「反オペラ」とは、特定のメディアを真っ向から否定することではなく、それに立ち向かう大胆さであり、必要であれば、それを覆し、裏返しにすることである。「colla voce」、文字通り「声とともに」。声とともに動き、声とともに呼吸し、声とともに働く。おそらく、これほど理解され、同時に誤解されている楽器は他にないだろう。私が直接一緒に仕事をする機会に恵まれたことに感謝しなければならない4人の実践者がいる： カンスー、ソフィア、イザベル、フリーデの4人は、この作品に（文字通り）命を吹き込んでくれただけでなく、彼ら自身が超個性的なクリエイターであるため、この音楽を構築するDNAの鎖としての地位を即座に確立してくれた。さらに、タル、マリア、アニル、そして強力な楽器奏者であるモーリッツに感謝の意を表したい。彼らは、自らの内なる声を使って、喉仏にあるコードと木で縛られたコードの重なりを結びつけるために必要なエネルギーと腱を確立した。JACKカルテットには、共鳴と質量を単純に加えるだけでなく、指数関数的に増殖させ、直線的でなく、完全に目に見えるものとして表現できる時間感覚を開発することで、私がさらに別の次元に渡ることを可能にしてくれた。そして、COLLA VOCEのプロデューサーのウェストンには、私と同じ青を見ていて、私が作曲する前からこのコラボレーションの領域に完全に存在していた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCOLLA VOCEは、アコースティックな宇宙からエレクトリックな宇宙へ、ストリングスからスクリームへ、生からプロデュースへ、ニューヨークからベルリンへ、そしてもちろん現実から超現実へと疾走する、ある種の歪んだ物語である。リブレットへの手招きとして、この作品は主に作家からインスピレーションを得ている： オクタヴィア・バトラー、トニ・モリソン、テッド・チャン、リチャード・ヒューゴー、ガブリエル・ガルシア・マルケス。彼らの作品は、架空のもの、詩的なもの、民俗的なものであり、強力な感情的真実性を明らかにする傾向があるジャンルである。果てしなく、多様で、美しい場面ではアフロ・シュルレアルのようでもある、組織化されたサウンドとノイズの世界で、どうすればこのようなことが達成できるのだろうか、と私は自問し続けている。言い換えれば、私が聴くブルースと、あなたが聴くブルースはどう違うのだろうか？\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=563107708\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ova’churr 01:38\u003cbr\u003e2. Designated Antagonist 03:35\u003cbr\u003e3. Pseudocorridor 07:17\u003cbr\u003e4. Blinding, Joyous, Fearful 08:30\u003cbr\u003e5. Fully Turbulent 05:22\u003cbr\u003e6. Lo and Behold 03:59\u003cbr\u003e7. HYDROGEN 00:57\u003cbr\u003e8. ARGON 00:56\u003cbr\u003e9. OXYGEN 01:22\u003cbr\u003e10. Anglo-Adjacent Phonetic Approximations 05:22\u003cbr\u003e11. Nearly Turbulent 05:10\u003cbr\u003e12. A Rolling Wave of Everything 06:29\u003cbr\u003e13. colla voce 09:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eNick Dunston, Chicago, January 8th, 2024\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, COLLA VOCE. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of what is ‘normal’. While many would consider the work of the great Frida Kahlo to be Surrealist, she herself said that she was simply painting her own reality. So who or what gets to determine the measuring stick for verisimilitude?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Anti-Opera’ is not an outright rejection of a particular medium, but an audacity to confront it, and when necessary, to subvert and turn it inside-out. 'colla voce'-literally, ‘with the voice’. Moving with the voice, breathing with the voice, working together with the voice-all voices. Perhaps no other instrument is simultaneously understood and misunderstood as much as this one. There are four practitioners of it to whom I must express gratitude for the opportunity to work with directly: Cansu, Sofia, Isabel, and Friede- who not only (literally) breathed life into this work, but they being\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e hyperpersonal creators in their own rights, immediately established themselves as the strands of DNA around which this music is built. Further gratitude goes to Tal, Maria, Anil, and Moritz-powerful instrumentalists, using their own inner voices to establish the necessary energy and tendons to bind together the overlap of cords and chords, both those in the larynx and those bound by wood. To JACK Quartet, who enabled me to cross even further into other dimensions by not simply adding, but exponentially multiplying resonance and mass, developing a sense of time that can be described as anything but linear, and entirely tangible. And to Weston, the producer of COLLA VOCE who sees the same blue that I see, entirely present in this province of collaboration since before I had even composed anything; no words can qualify their hand in shaping this work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCOLLA VOCE is a warped narrative of sorts, hurtling from acoustic universe to electric universe, string to scream, raw to produced, New York to Berlin, and of course: real to surreal. As a beckoning towards the libretto, it is largely inspired by writers: Octavia Butler, Toni Morrison, Ted Chiang, Richard Hugo, and Gabriel García Márques. Their works are fictitious, poetic, folkloric; genres that tend to uncover a potent emotional veracity. I continue to ask myself, how can we achieve this in the world of organized sound and noise, which is endless, diverse, and on beautiful occasions, Afro-Surreal? In other words-how is the Blues that I hear different from Blues that you hear?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nick Dunston\u003c\/p\u003e\n\u003cp\u003eLabel : Out Of Your Head Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : OOYH027\u003c\/p\u003e"}
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アメリカのベーシストNick Dunstonが、2024年8月に同国バージニアのOut Of Your Head RecordsからリリースしたCDです。 実験ジャズ〜コンテンポラリー13曲を収録。 以下、作家本人による解説です。 "私の見る青が、あなたの見る青と違っていたら？この問いは、私のアフロ・シュルレアリスム・反オペラ『COLLA VOCE』の基盤となっている。シュルレアリスムといえば、潜在意識下の精神状態や夢、悪夢など、私たちの精神の未踏の領域を思い浮かべることが多い。しかし、アフロ・シュルレアリスムはこう主張する。もし、ある人が「夢」と呼ぶものが、別の人にとっては悪夢だとしたら？ある人が「理性的」と呼ぶものが、別の人にとってはまったく根拠のないものだとしたら？そして、何が「普通」なのか、私たちはさまざまな考えを持っているに違いない。偉大なフリーダ・カーロの作品をシュルレアリスムだと考える人は多いが、彼女自身は、自分自身の現実を描いているだけだと語っている。では、誰が、何が、真実性の尺度を決めるのだろうか？ 「反オペラ」とは、特定のメディアを真っ向から否定することではなく、それに立ち向かう大胆さであり、必要であれば、それを覆し、裏返しにすることである。「colla voce」、文字通り「声とともに」。声とともに動き、声とともに呼吸し、声とともに働く。おそらく、これほど理解され、同時に誤解されている楽器は他にないだろう。私が直接一緒に仕事をする機会に恵まれたことに感謝しなければならない4人の実践者がいる： カンスー、ソフィア、イザベル、フリーデの4人は、この作品に（文字通り）命を吹き込んでくれただけでなく、彼ら自身が超個性的なクリエイターであるため、この音楽を構築するDNAの鎖としての地位を即座に確立してくれた。さらに、タル、マリア、アニル、そして強力な楽器奏者であるモーリッツに感謝の意を表したい。彼らは、自らの内なる声を使って、喉仏にあるコードと木で縛られたコードの重なりを結びつけるために必要なエネルギーと腱を確立した。JACKカルテットには、共鳴と質量を単純に加えるだけでなく、指数関数的に増殖させ、直線的でなく、完全に目に見えるものとして表現できる時間感覚を開発することで、私がさらに別の次元に渡ることを可能にしてくれた。そして、COLLA VOCEのプロデューサーのウェストンには、私と同じ青を見ていて、私が作曲する前からこのコラボレーションの領域に完全に存在していた。...
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{"id":8704318341370,"title":"crabswithoutlegs s\/t LP","handle":"crabswithoutlegs-s-t-lp","description":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eアメリカ・オハイオのネオソウルバンドcrabswithoutlegsが、2024年8月に同国ノイズレーベルSkelton Dust Records傘下Hippie Tacoからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eネオソウル〜ジャズ・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362862350\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3027366947\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362862350\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3337356509\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362862350\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/skedus\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/skedus\"\u003ehere\u003c\/a\u003e to see more Skeleton Dust releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12\" black vinyl. Released digitally in 2022 - available for the first time in physical format. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Opening Remarks 01:23\u003cbr\u003e2. Grounded Underwater 03:20\u003cbr\u003e3. Nonsensical Tales 04:24\u003cbr\u003e4. So Long, So Soon 03:32\u003cbr\u003e5. Wawa Pretzel 05:14\u003cbr\u003e6. Untitled 02:22\u003cbr\u003e7. Slug Stories 02:49\u003cbr\u003e8. Stinkbug Ballad 03:35\u003cbr\u003e9. Bellyache 03:26\u003cbr\u003e10. Closing Remarks 01:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : crabswithoutlegs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Hippie Taco (Skeleton Dust)\u003c\/p\u003e","published_at":"2025-01-20T15:00:28+09:00","created_at":"2025-01-19T14:24:23+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","lp","new","skeleton dust"],"price":377200,"price_min":377200,"price_max":377200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47062415769850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"crabswithoutlegs s\/t LP","public_title":null,"options":["Default Title"],"price":377200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/leg1_437e4d9a-a7f6-4605-a36e-3dd54ad2d4c7.jpg?v=1737264142","\/\/tobirarecords.com\/cdn\/shop\/files\/leg2_a757026b-76df-4532-8f22-16bdf284f61d.jpg?v=1737264142","\/\/tobirarecords.com\/cdn\/shop\/files\/leg3.jpg?v=1737264142"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/leg1_437e4d9a-a7f6-4605-a36e-3dd54ad2d4c7.jpg?v=1737264142","options":["Title"],"media":[{"alt":null,"id":35445996978426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leg1_437e4d9a-a7f6-4605-a36e-3dd54ad2d4c7.jpg?v=1737264142"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leg1_437e4d9a-a7f6-4605-a36e-3dd54ad2d4c7.jpg?v=1737264142","width":700},{"alt":null,"id":35445997011194,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leg2_a757026b-76df-4532-8f22-16bdf284f61d.jpg?v=1737264142"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leg2_a757026b-76df-4532-8f22-16bdf284f61d.jpg?v=1737264142","width":500},{"alt":null,"id":35445997043962,"position":3,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leg3.jpg?v=1737264142"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leg3.jpg?v=1737264142","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eアメリカ・オハイオのネオソウルバンドcrabswithoutlegsが、2024年8月に同国ノイズレーベルSkelton Dust Records傘下Hippie Tacoからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eネオソウル〜ジャズ・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362862350\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3027366947\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362862350\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3337356509\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362862350\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/skedus\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/skedus\"\u003ehere\u003c\/a\u003e to see more Skeleton Dust releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12\" black vinyl. Released digitally in 2022 - available for the first time in physical format. Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Opening Remarks 01:23\u003cbr\u003e2. Grounded Underwater 03:20\u003cbr\u003e3. Nonsensical Tales 04:24\u003cbr\u003e4. So Long, So Soon 03:32\u003cbr\u003e5. Wawa Pretzel 05:14\u003cbr\u003e6. Untitled 02:22\u003cbr\u003e7. Slug Stories 02:49\u003cbr\u003e8. Stinkbug Ballad 03:35\u003cbr\u003e9. Bellyache 03:26\u003cbr\u003e10. Closing Remarks 01:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : crabswithoutlegs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Hippie Taco (Skeleton Dust)\u003c\/p\u003e"}
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※当店限定販売です アメリカ・オハイオのネオソウルバンドcrabswithoutlegsが、2024年8月に同国ノイズレーベルSkelton Dust Records傘下Hippie Tacoからリリースしたデビューレコードです。 ネオソウル〜ジャズ・ポップ10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more...
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{"id":8704316801274,"title":"Carlos Maria Trindade \/ Nuno Canavarro \/\/ Mr. Wollogallu LP","handle":"carlos-maria-trindade-nuno-canavarro-mr-wollogallu-lp","description":"\u003cp\u003eポルトガルのマルチ奏者Carlos Maria TrindadeとNuno Canavarroが、2023年にスペイン・バルセロナのUrpa i musellからリリースした再発レコードです。（オリジナルは1991年リリース）\u003c\/p\u003e\n\u003cp\u003eニューエイジ・ストレンジビーツ〜アンビエント・ジャズ13曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このコラボレーションは、両ミュージシャンの共通の友人であるマネージャーのアントニオ・クーニャが、パフォーマンスのために2人を引き合わせたことから始まった。その後、彼らはMr. Wollogalluに着手することを決めた。2人のキャリアには類似点があったが、それまで一緒に仕事をしたことはなかった。2人とも80年代のポルトガルのポップロックシーンの一員だった： カルロス・マリア・トリンダーデはコーポ・ディプロマティコとヘロイス・ド・マールで、ヌーノ・カナヴァロはストリート・キッズとデルフィンズで活動していた。さらに、カルロス・マリアはシングル『Princesa \/ Em Campo Aberto』（Vimúsica、1982年）を、ヌーノはLP『Plux Quba』（Ama Romanta、1988年）をリリースしていた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMr. Wollogalluの構想とレコーディングには、静かで長い時間がかかった。1990年前半、2人は自宅スタジオに集まり、冷静さと気遣いと愛情をもって一緒にブレインストーミングを行った。セッションの結果、この共同レコードが生まれた。A面はカルロス・マリア、B面はヌーノとクレジットされているが、すべてが手を携えて行われ、それぞれのアーティストが相手のために積極的に参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eレコードをリリースし、何度か一緒にライブを行った後、それぞれのミュージシャンは別々の道を歩み始めた。 カルロス・マリアは国際的に有名なバンドマドレデウスに加入し、ヌーノはドキュメンタリーや長編映画の音楽制作に専念した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMr.Wollogalluがリリースされたとき、このアルバムはほとんど注目されなかった。それは、時代を先取りした、難解で、曲がりくねった、拡散的な作品であり、広く受け入れられるようになるには何年もかかるものだった。1996年に2枚目のCDがリリースされた後、2000年1月にポルトガルの新聞『Público』の付録『Sons』に掲載された、影響力のある音楽ジャーナリスト、フェルナンド・マガリャエスがポルトガルにおけるエレクトロニック・ミュージックの歴史をたどった重要な記事で、このアルバムはようやく賞賛された。記事の最後には、Mr. Wollogalluがエレクトロニック・レコードの基本的な10枚のリストに登場している。メディアの貢献とは別に、世界中の音楽愛好家の口コミもまた、このレコードの名声と地位を増幅させる上で極めて重要であった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカルロス・マリアとヌーノは、紛れもなく魅惑的な謎を秘めた永遠の音楽を創り出した。Mr.Wollogalluは、洗練された冒険的なサウンドスケープを特徴とし、古代の地図、遠い旅、喚起的な風景を、ぼんやりとしながらもはっきりと描き出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリイシュー版には、リマスターされたアルバムとオリジナル・アートワークが収録され、Mia BがMr. Wollogalluの構想について洞察に満ちた見解を述べたインサートが新たに挿入されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1266453929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1266453929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1102627158\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uim\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/uim\"\u003ehere\u003c\/a\u003e to see more Urpa i musell releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files. 12\" black vinyl. Edition of 750. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Truth 03:37\u003cbr\u003e2. Guiar 03:04\u003cbr\u003e3. Mecanismo de Corda 01:21\u003cbr\u003e4. Plan 04:27\u003cbr\u003e5. XPect 01:48\u003cbr\u003e6. Em Bou-Saada 02:26\u003cbr\u003e7. West 03:53\u003cbr\u003e8. Blu Terra 07:05\u003cbr\u003e9. Louise 02:19\u003cbr\u003e10. Ven 03:40\u003cbr\u003e11. Segredos M 03:29\u003cbr\u003e12. Aelux 02:46\u003cbr\u003e13. Antica_Burun 02:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eUrpa i musell:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUrpa i musell feels very fortunate to announce the reprint of its second release (reissued in 2018), the first ever vinyl reissue of Mr. Wollogallu, the collaboration album between Carlos Maria Trindade and Nuno Canavarro originally released in Portugal on União Lisboa, Produções Audiovisuais Lda. in 1991.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe collaboration began when the manager António Cunha, a mutual friend of both musicians, brought the two together for a performance. Afterwards they decided to embark on Mr. Wollogallu. They had never worked together before, although their careers had parallels between them. Both were part of the 80s Portuguese pop-rock scene: Carlos Maria Trindade had played with Corpo Diplomático and Heróis do Mar, while Nuno Canavarro played in Street Kids and Delfins. Moreover, individually, Carlos Maria had released the single Princesa \/ Em Campo Aberto (Vimúsica, 1982), and Nuno had done the LP Plux Quba (Ama Romanta, 1988), now recognized worldwide for its uniqueness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe conception and recording of Mr. Wollogallu took quiet a long time. Both luminaries would convene in a home studio during the first half of 1990, brainstorming together with calm, care, and love. The sessions resulted in this collaborative record. Although the\u003cspan class=\"bcTruncateMore\"\u003e A side is credited to Carlos Maria and the B side to Nuno, everything was done hand in hand, each artist taking active part in the other’s side.\u003cbr\u003e\u003cbr\u003eAfter the release of the record and some live performances together, each musician set out on separate paths: Carlos Maria joined the internationally renowned band Madredeus, while Nuno concentrated on making music for documentaries and feature films. As such, this record is evidence of a unique, magical moment.\u003cbr\u003e\u003cbr\u003eWhen Mr. Wollogallu was released, it went mostly unnoticed; the public reaction was not as enthusiastic as one might expect. It was an ouvre ahead of its time, difficult, winding, and diffuse, one that would take years to become more widely accepted. After a second release on CD in 1996, the album was finally praised in an important article published January 2000 in the supplement Sons of the Portuguese newspaper Público, in which the influential music journalist Fernando Magalhães traced the history of Electronic music in Portugal –by then Nuno Canavarro’s Plux Quba had become more recognized worldwide, thanks to a 1998 reissue on Jim O’Rourke’s label Moikai. At the end of the article, Mr. Wollogallu appeared on a list of ten fundamental national Electronic records. Apart from the media’s contribution, word of mouth among music lovers around the world has also been crucial in amplifying the record’s fame and status.\u003cbr\u003e\u003cbr\u003eCarlos Maria and Nuno created everlasting music that contains an undeniable, enchanting mystery. Mr. Wollogallu features sophisticated, adventurous soundscapes that depict, in a manner both blurry and clear at the same time, ancient maps, distant travels and evocative landscapes, an alchemy of the acoustic and the electronic, created using techniques that were unusual at the time.\u003cbr\u003e\u003cbr\u003eThe reissue includes the remastered album, with the original artwork and a new insert, in which Mia B. gives an insightful view of Mr. Wollogallu’s conception.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Maria Trindade \/ Nuno Canavarro\u003c\/p\u003e\n\u003cp\u003eLabel : Urpa i musell\u003c\/p\u003e\n\u003cp\u003eCAT No : UiM002\u003c\/p\u003e","published_at":"2025-03-03T08:15:22+09:00","created_at":"2025-01-19T13:34:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","post newage","strange beats","urpa i musell"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47062390702330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Carlos Maria Trindade \/ Nuno Canavarro \/\/ Mr. Wollogallu LP","public_title":null,"options":["Default Title"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/woll1.jpg?v=1737261148","\/\/tobirarecords.com\/cdn\/shop\/files\/woll2.jpg?v=1737261148","\/\/tobirarecords.com\/cdn\/shop\/files\/woll3.jpg?v=1737261148"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/woll1.jpg?v=1737261148","options":["Title"],"media":[{"alt":null,"id":35445933834490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/woll1.jpg?v=1737261148"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/woll1.jpg?v=1737261148","width":700},{"alt":null,"id":35445933867258,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/woll2.jpg?v=1737261148"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/woll2.jpg?v=1737261148","width":1200},{"alt":null,"id":35445933900026,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/woll3.jpg?v=1737261148"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/woll3.jpg?v=1737261148","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガルのマルチ奏者Carlos Maria TrindadeとNuno Canavarroが、2023年にスペイン・バルセロナのUrpa i musellからリリースした再発レコードです。（オリジナルは1991年リリース）\u003c\/p\u003e\n\u003cp\u003eニューエイジ・ストレンジビーツ〜アンビエント・ジャズ13曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このコラボレーションは、両ミュージシャンの共通の友人であるマネージャーのアントニオ・クーニャが、パフォーマンスのために2人を引き合わせたことから始まった。その後、彼らはMr. Wollogalluに着手することを決めた。2人のキャリアには類似点があったが、それまで一緒に仕事をしたことはなかった。2人とも80年代のポルトガルのポップロックシーンの一員だった： カルロス・マリア・トリンダーデはコーポ・ディプロマティコとヘロイス・ド・マールで、ヌーノ・カナヴァロはストリート・キッズとデルフィンズで活動していた。さらに、カルロス・マリアはシングル『Princesa \/ Em Campo Aberto』（Vimúsica、1982年）を、ヌーノはLP『Plux Quba』（Ama Romanta、1988年）をリリースしていた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMr. Wollogalluの構想とレコーディングには、静かで長い時間がかかった。1990年前半、2人は自宅スタジオに集まり、冷静さと気遣いと愛情をもって一緒にブレインストーミングを行った。セッションの結果、この共同レコードが生まれた。A面はカルロス・マリア、B面はヌーノとクレジットされているが、すべてが手を携えて行われ、それぞれのアーティストが相手のために積極的に参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eレコードをリリースし、何度か一緒にライブを行った後、それぞれのミュージシャンは別々の道を歩み始めた。 カルロス・マリアは国際的に有名なバンドマドレデウスに加入し、ヌーノはドキュメンタリーや長編映画の音楽制作に専念した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMr.Wollogalluがリリースされたとき、このアルバムはほとんど注目されなかった。それは、時代を先取りした、難解で、曲がりくねった、拡散的な作品であり、広く受け入れられるようになるには何年もかかるものだった。1996年に2枚目のCDがリリースされた後、2000年1月にポルトガルの新聞『Público』の付録『Sons』に掲載された、影響力のある音楽ジャーナリスト、フェルナンド・マガリャエスがポルトガルにおけるエレクトロニック・ミュージックの歴史をたどった重要な記事で、このアルバムはようやく賞賛された。記事の最後には、Mr. Wollogalluがエレクトロニック・レコードの基本的な10枚のリストに登場している。メディアの貢献とは別に、世界中の音楽愛好家の口コミもまた、このレコードの名声と地位を増幅させる上で極めて重要であった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカルロス・マリアとヌーノは、紛れもなく魅惑的な謎を秘めた永遠の音楽を創り出した。Mr.Wollogalluは、洗練された冒険的なサウンドスケープを特徴とし、古代の地図、遠い旅、喚起的な風景を、ぼんやりとしながらもはっきりと描き出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリイシュー版には、リマスターされたアルバムとオリジナル・アートワークが収録され、Mia BがMr. Wollogalluの構想について洞察に満ちた見解を述べたインサートが新たに挿入されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1266453929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1266453929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1102627158\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/uim\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/uim\"\u003ehere\u003c\/a\u003e to see more Urpa i musell releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files. 12\" black vinyl. Edition of 750. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Truth 03:37\u003cbr\u003e2. Guiar 03:04\u003cbr\u003e3. Mecanismo de Corda 01:21\u003cbr\u003e4. Plan 04:27\u003cbr\u003e5. XPect 01:48\u003cbr\u003e6. Em Bou-Saada 02:26\u003cbr\u003e7. West 03:53\u003cbr\u003e8. Blu Terra 07:05\u003cbr\u003e9. Louise 02:19\u003cbr\u003e10. Ven 03:40\u003cbr\u003e11. Segredos M 03:29\u003cbr\u003e12. Aelux 02:46\u003cbr\u003e13. Antica_Burun 02:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eUrpa i musell:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUrpa i musell feels very fortunate to announce the reprint of its second release (reissued in 2018), the first ever vinyl reissue of Mr. Wollogallu, the collaboration album between Carlos Maria Trindade and Nuno Canavarro originally released in Portugal on União Lisboa, Produções Audiovisuais Lda. in 1991.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe collaboration began when the manager António Cunha, a mutual friend of both musicians, brought the two together for a performance. Afterwards they decided to embark on Mr. Wollogallu. They had never worked together before, although their careers had parallels between them. Both were part of the 80s Portuguese pop-rock scene: Carlos Maria Trindade had played with Corpo Diplomático and Heróis do Mar, while Nuno Canavarro played in Street Kids and Delfins. Moreover, individually, Carlos Maria had released the single Princesa \/ Em Campo Aberto (Vimúsica, 1982), and Nuno had done the LP Plux Quba (Ama Romanta, 1988), now recognized worldwide for its uniqueness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe conception and recording of Mr. Wollogallu took quiet a long time. Both luminaries would convene in a home studio during the first half of 1990, brainstorming together with calm, care, and love. The sessions resulted in this collaborative record. Although the\u003cspan class=\"bcTruncateMore\"\u003e A side is credited to Carlos Maria and the B side to Nuno, everything was done hand in hand, each artist taking active part in the other’s side.\u003cbr\u003e\u003cbr\u003eAfter the release of the record and some live performances together, each musician set out on separate paths: Carlos Maria joined the internationally renowned band Madredeus, while Nuno concentrated on making music for documentaries and feature films. As such, this record is evidence of a unique, magical moment.\u003cbr\u003e\u003cbr\u003eWhen Mr. Wollogallu was released, it went mostly unnoticed; the public reaction was not as enthusiastic as one might expect. It was an ouvre ahead of its time, difficult, winding, and diffuse, one that would take years to become more widely accepted. After a second release on CD in 1996, the album was finally praised in an important article published January 2000 in the supplement Sons of the Portuguese newspaper Público, in which the influential music journalist Fernando Magalhães traced the history of Electronic music in Portugal –by then Nuno Canavarro’s Plux Quba had become more recognized worldwide, thanks to a 1998 reissue on Jim O’Rourke’s label Moikai. At the end of the article, Mr. Wollogallu appeared on a list of ten fundamental national Electronic records. Apart from the media’s contribution, word of mouth among music lovers around the world has also been crucial in amplifying the record’s fame and status.\u003cbr\u003e\u003cbr\u003eCarlos Maria and Nuno created everlasting music that contains an undeniable, enchanting mystery. Mr. Wollogallu features sophisticated, adventurous soundscapes that depict, in a manner both blurry and clear at the same time, ancient maps, distant travels and evocative landscapes, an alchemy of the acoustic and the electronic, created using techniques that were unusual at the time.\u003cbr\u003e\u003cbr\u003eThe reissue includes the remastered album, with the original artwork and a new insert, in which Mia B. gives an insightful view of Mr. Wollogallu’s conception.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Maria Trindade \/ Nuno Canavarro\u003c\/p\u003e\n\u003cp\u003eLabel : Urpa i musell\u003c\/p\u003e\n\u003cp\u003eCAT No : UiM002\u003c\/p\u003e"}
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ポルトガルのマルチ奏者Carlos Maria TrindadeとNuno Canavarroが、2023年にスペイン・バルセロナのUrpa i musellからリリースした再発レコードです。（オリジナルは1991年リリース） ニューエイジ・ストレンジビーツ〜アンビエント・ジャズ13曲を収録。ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "このコラボレーションは、両ミュージシャンの共通の友人であるマネージャーのアントニオ・クーニャが、パフォーマンスのために2人を引き合わせたことから始まった。その後、彼らはMr. Wollogalluに着手することを決めた。2人のキャリアには類似点があったが、それまで一緒に仕事をしたことはなかった。2人とも80年代のポルトガルのポップロックシーンの一員だった： カルロス・マリア・トリンダーデはコーポ・ディプロマティコとヘロイス・ド・マールで、ヌーノ・カナヴァロはストリート・キッズとデルフィンズで活動していた。さらに、カルロス・マリアはシングル『Princesa / Em...
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{"id":8699253752058,"title":"Ebo Taylor, Adrian Younge, Ali Shaheed Muhammad \/\/ Ebo Taylor JID022 LP","handle":"ebo-taylor-adrian-younge-ali-shaheed-muhammad-ebo-taylor-jid022-lp","description":"\u003cp\u003eガーナのベテランハイライフ作家Ebo TaylorとアメリカのAdrian Younge、Ali Shaheed Muhammad (A Tribe Called Quest)が、2025年1月にリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアフロビート7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2982902008\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Get Up\u003cbr\u003e2. Obra Akyedzi 03:59\u003cbr\u003e3. Kusi Na Sibo\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Obi Do Woa (If Somoene Loves You) 03:52\u003cbr\u003e\u003c\/span\u003e5. Nsa a W’oanye Edwuma, Ondzidzi\u003cbr\u003e6. Beye Bu, Beye Ba\u003cbr\u003e7. Feeling\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eJazz Is Dead:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAt 88 years of age, the Ghanian highlife and afrobeat pioneer Ebo Taylor traveled to the US for the very first time to perform at the now iconic Jazz Is Dead concert series, selling out venues across the country. It was during this time that Ebo recorded a psychedelic afrobeat album alongside Adrian Younge \u0026amp; Ali Shaheed Muhammad. This mind-blowing collaboration is one that could not have been anticipated by Ebo fans worldwide and will surely satisfy connoisseurs of classic West African funk.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Collaborating with Ebo Taylor is a bucket-list accomplishment. For me, it is the equivalent of working with musical genius Fela Kuti, because of how much I have studied both of their work and influence on the genre of Afrobeat. Seriously, recording the genius to analog tape while highlighting the raw recording styles of 1970s Africa is a dream I never thought could come to reality! It was also great to work with Ebo’s son, Henry Taylor, who is a true musical force in his own right.” – Adrian Younge\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe swirling horns and gritty guitars heard on Ebo Taylor JID022 are reminiscent of his seminal seventies recordings that made him one of Africa’s most prolific and revolutionary artists of all time. Recorded inside of Younge’s Linear Labs studio, this\u003cspan class=\"bcTruncateMore\"\u003e album captures polyrhythmic percussion and twangy, fuzzed out guitars that prove that rhythm is key. The ensemble of Ghanian background vocalists emanates a uniquely spiritual sound that takes the listener back to Ebo’s prime.\u003cbr\u003e\u003cbr\u003eHowever, one of the most exhilarating components to this album is Ebo’s signature approach to vocal stylings. His heartfelt lyrics about love, peace and spirituality echo nearly a centuary of experience and wisdom. Songs such as “Beye Bu, Beye Ba” demonstrate how God provides for his people as songs like “Kusi Na Sibo” teach life lessons on gratitude. This is an afrobeat classic that stands as a true highlight in the canon of Ebo Taylor’s undeniable catalog and a crown jewel in the Jazz Is Dead library.\u003cbr\u003e\u003cbr\u003eEbo Taylor JID022 is set to be released just in time for Ebo’s highly anticipated live tour of The Americas presented by Jazz Is Dead. Ebo will be joined by the Ebo Taylor Family Band alongside his protégée and Ghanian legend Pat Thomas. Dates for this tour through The United States, Canada, Mexico and Brazil can be found on Jazz Is Dead’s site, link below.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ebo Taylor, Adrian Younge, Ali Shaheed Muhammad\u003c\/p\u003e\n\u003cp\u003eLabel : Jazz Is Dead\u003c\/p\u003e\n\u003cp\u003eCAT no : JID022\u003c\/p\u003e","published_at":"2025-01-24T11:55:36+09:00","created_at":"2025-01-14T11:09:23+09:00","vendor":"Tobira Records","type":"","tags":["jazz","jazz is dead","lp","new"],"price":387000,"price_min":387000,"price_max":387000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47040269025530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ebo Taylor, Adrian Younge, Ali Shaheed Muhammad \/\/ Ebo Taylor JID022 LP","public_title":null,"options":["Default Title"],"price":387000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"617308083293","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ebo1.jpg?v=1736820476","\/\/tobirarecords.com\/cdn\/shop\/files\/ebo2.jpg?v=1736820476","\/\/tobirarecords.com\/cdn\/shop\/files\/ebo3.jpg?v=1736820476"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebo1.jpg?v=1736820476","options":["Title"],"media":[{"alt":null,"id":35419639349498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebo1.jpg?v=1736820476"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebo1.jpg?v=1736820476","width":700},{"alt":null,"id":35419639382266,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebo2.jpg?v=1736820476"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebo2.jpg?v=1736820476","width":1200},{"alt":null,"id":35419639415034,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebo3.jpg?v=1736820476"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ebo3.jpg?v=1736820476","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eガーナのベテランハイライフ作家Ebo TaylorとアメリカのAdrian Younge、Ali Shaheed Muhammad (A Tribe Called Quest)が、2025年1月にリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eアフロビート7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2982902008\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Get Up\u003cbr\u003e2. Obra Akyedzi 03:59\u003cbr\u003e3. Kusi Na Sibo\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Obi Do Woa (If Somoene Loves You) 03:52\u003cbr\u003e\u003c\/span\u003e5. Nsa a W’oanye Edwuma, Ondzidzi\u003cbr\u003e6. Beye Bu, Beye Ba\u003cbr\u003e7. Feeling\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eJazz Is Dead:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAt 88 years of age, the Ghanian highlife and afrobeat pioneer Ebo Taylor traveled to the US for the very first time to perform at the now iconic Jazz Is Dead concert series, selling out venues across the country. It was during this time that Ebo recorded a psychedelic afrobeat album alongside Adrian Younge \u0026amp; Ali Shaheed Muhammad. This mind-blowing collaboration is one that could not have been anticipated by Ebo fans worldwide and will surely satisfy connoisseurs of classic West African funk.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Collaborating with Ebo Taylor is a bucket-list accomplishment. For me, it is the equivalent of working with musical genius Fela Kuti, because of how much I have studied both of their work and influence on the genre of Afrobeat. Seriously, recording the genius to analog tape while highlighting the raw recording styles of 1970s Africa is a dream I never thought could come to reality! It was also great to work with Ebo’s son, Henry Taylor, who is a true musical force in his own right.” – Adrian Younge\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe swirling horns and gritty guitars heard on Ebo Taylor JID022 are reminiscent of his seminal seventies recordings that made him one of Africa’s most prolific and revolutionary artists of all time. Recorded inside of Younge’s Linear Labs studio, this\u003cspan class=\"bcTruncateMore\"\u003e album captures polyrhythmic percussion and twangy, fuzzed out guitars that prove that rhythm is key. The ensemble of Ghanian background vocalists emanates a uniquely spiritual sound that takes the listener back to Ebo’s prime.\u003cbr\u003e\u003cbr\u003eHowever, one of the most exhilarating components to this album is Ebo’s signature approach to vocal stylings. His heartfelt lyrics about love, peace and spirituality echo nearly a centuary of experience and wisdom. Songs such as “Beye Bu, Beye Ba” demonstrate how God provides for his people as songs like “Kusi Na Sibo” teach life lessons on gratitude. This is an afrobeat classic that stands as a true highlight in the canon of Ebo Taylor’s undeniable catalog and a crown jewel in the Jazz Is Dead library.\u003cbr\u003e\u003cbr\u003eEbo Taylor JID022 is set to be released just in time for Ebo’s highly anticipated live tour of The Americas presented by Jazz Is Dead. Ebo will be joined by the Ebo Taylor Family Band alongside his protégée and Ghanian legend Pat Thomas. Dates for this tour through The United States, Canada, Mexico and Brazil can be found on Jazz Is Dead’s site, link below.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ebo Taylor, Adrian Younge, Ali Shaheed Muhammad\u003c\/p\u003e\n\u003cp\u003eLabel : Jazz Is Dead\u003c\/p\u003e\n\u003cp\u003eCAT no : JID022\u003c\/p\u003e"}
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ガーナのベテランハイライフ作家Ebo TaylorとアメリカのAdrian Younge、Ali Shaheed Muhammad (A Tribe Called Quest)が、2025年1月にリリースした共作レコードです。 アフロビート7曲を収録。 ------------------------------------------- 12" black vinyl....
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{"id":8699240284410,"title":"The Malombo Jazz Makers \/\/ Down Lucky's Way LP","handle":"the-malombo-jazz-makers-down-luckys-way-lp","description":"\u003cp\u003e南アフリカのジャズバンドThe Malombo Jazz Makersが、2023年にイギリスのジャズレーベルTapestry Worksからリリースした再発レコードです。（オリジナルは1969年リリース）\u003c\/p\u003e\n\u003cp\u003eアフロスピリチュアル・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ルーカス・'ラッキー'・マドゥメジャ・ランクー（1941-2016）は、同世代で最も偉大なアフリカ人ギタリストのひとりだった。彼が最初にその名を轟かせたのは、ギタリストのフィリップ・タバネ、ドラマーのジュリアン・バフラ、フルート奏者のアビー・シンディによってマメロディ・タウンシップで結成された伝説的なマロンボ・ジャズメンの後継グループThe Malombo Jazz Makersだった。1965年にタバネがジャズメンから脱退すると、バフラとシンディは彼の後任としてラッキーに声をかけThe Malombo Jazz Makersが誕生した。オリジナルのマロンボ・ジャズメンの人気と成功を土台に、The Malombo Jazz Makersは絶大な人気を博し、広くツアーを行い、数々のジャズコンテストで優勝し、ガロ・レーベルに2枚のアルバムを録音して成功を収めた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eディープでヒプノティックな「Down Lucky's Way」は彼らの3枚目のアルバムである。1969年に録音されたこのアルバムは、The Malombo Jazz Makers初の追加楽器をフィーチャーしたアルバムであり、アビー・シンディがフルートだけでなくソプラノ・サックスでも参加した最初のアルバムでもある。しかし、何よりも「Down Lucky's Way」は、ラッキー・ランクーの唯一無二のギター・ヴィルトゥオジティの魅惑的なショーケースである。これまでのレコーディングとはまったく異なるこのアルバムは、オルガンベースとギターのオーバーダブが重なり、The Malombo Jazz Makersのサウンドを催眠的で伸びやかなコンポジションへとシフトさせた。The Malombo Jazz Makersの録音の中で、「Down Lucky's Way」は最も深いムードと豊かなヴィジョンを持つ作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2175643849\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tribute to A. Motjuoadi 02:45\u003cbr\u003e2. Bahula Dithabeng 09:53\u003cbr\u003e3. Gae Mamelodi 10:32\u003cbr\u003e4. Sefuralong 07:54\u003cbr\u003e5. Matshenyogo 04:50\u003cbr\u003e6. Lucky's Way 06:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Tapestry Works:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirst issue since 1969 of the Malombo Jazz Maker’s unknown third album, fully licensed from Julian Bahula, with liner notes featuring interviews with Julian Bahula and Lucky Ranku.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Malombo music is an indigenous kind of music. If you listen to it, you can feel that it can heal you, if you’ve got something wrong. It’s healing music.'\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLucky Ranku\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLucas ‘Lucky’ Madumetja Ranku (1941-2016) was one of the greatest African guitarists of his generation. He first made his name with the Malombo Jazz Makers – the successor group to the legendary Malombo Jazzmen, formed in Mamelodi township by guitarist Philip Tabane, drummer Julian Bahula and flautist Abbey Cindi. When Tabane left the Jazzmen in 1965, Bahula and Cindi called on Lucky to replace him, and the Malombo Jazz Makers were born. Building on the popularity and success of the original Malombo Jazzmen, the Malombo Jazz Makers become immensely popular, touring widely, winning numerous jazz competitions, and recording two successful albums for the Gallo label.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe deep and hypnotic 'Down Lucky’s Way' was their third album. Recorded in 1969, it was the first Malombo Jazz Makers\u003cspan class=\"bcTruncateMore\"\u003e album to feature additional instruments, and the first to feature Abbey Cindi on soprano saxophone as well as flute. But more than anything else, 'Down Lucky’s Way' is a transfixing showcase for Lucky Ranku’s sui generis guitar virtuosity. Quite different from their previous recordings, the album shifted the Jazz Makers’ sound toward hypnotic, extended compositions, layered by organ bass and guitar overdubs. Of all the Malombo Jazz Makers recordings, 'Down Lucky’s Way' is the deepest of mood, and the richest of vision...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Malombo Jazz Makers\u003c\/p\u003e\n\u003cp\u003eLabel : Tapestry Works\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTWLP002\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-01-15T14:10:03+09:00","created_at":"2025-01-14T10:36:57+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new"],"price":477000,"price_min":477000,"price_max":477000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47040171606266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Malombo Jazz Makers \/\/ Down Lucky's Way LP","public_title":null,"options":["Default Title"],"price":477000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/down1_22b49b38-a044-42cc-a13c-d010138cc80f.jpg?v=1736818508","\/\/tobirarecords.com\/cdn\/shop\/files\/down2_9f9707e1-3b7d-4105-9a81-dae94d3c70fe.jpg?v=1736818508"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/down1_22b49b38-a044-42cc-a13c-d010138cc80f.jpg?v=1736818508","options":["Title"],"media":[{"alt":null,"id":35419532329210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/down1_22b49b38-a044-42cc-a13c-d010138cc80f.jpg?v=1736818508"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/down1_22b49b38-a044-42cc-a13c-d010138cc80f.jpg?v=1736818508","width":700},{"alt":null,"id":35419532361978,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/down2_9f9707e1-3b7d-4105-9a81-dae94d3c70fe.jpg?v=1736818508"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/down2_9f9707e1-3b7d-4105-9a81-dae94d3c70fe.jpg?v=1736818508","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカのジャズバンドThe Malombo Jazz Makersが、2023年にイギリスのジャズレーベルTapestry Worksからリリースした再発レコードです。（オリジナルは1969年リリース）\u003c\/p\u003e\n\u003cp\u003eアフロスピリチュアル・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ルーカス・'ラッキー'・マドゥメジャ・ランクー（1941-2016）は、同世代で最も偉大なアフリカ人ギタリストのひとりだった。彼が最初にその名を轟かせたのは、ギタリストのフィリップ・タバネ、ドラマーのジュリアン・バフラ、フルート奏者のアビー・シンディによってマメロディ・タウンシップで結成された伝説的なマロンボ・ジャズメンの後継グループThe Malombo Jazz Makersだった。1965年にタバネがジャズメンから脱退すると、バフラとシンディは彼の後任としてラッキーに声をかけThe Malombo Jazz Makersが誕生した。オリジナルのマロンボ・ジャズメンの人気と成功を土台に、The Malombo Jazz Makersは絶大な人気を博し、広くツアーを行い、数々のジャズコンテストで優勝し、ガロ・レーベルに2枚のアルバムを録音して成功を収めた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eディープでヒプノティックな「Down Lucky's Way」は彼らの3枚目のアルバムである。1969年に録音されたこのアルバムは、The Malombo Jazz Makers初の追加楽器をフィーチャーしたアルバムであり、アビー・シンディがフルートだけでなくソプラノ・サックスでも参加した最初のアルバムでもある。しかし、何よりも「Down Lucky's Way」は、ラッキー・ランクーの唯一無二のギター・ヴィルトゥオジティの魅惑的なショーケースである。これまでのレコーディングとはまったく異なるこのアルバムは、オルガンベースとギターのオーバーダブが重なり、The Malombo Jazz Makersのサウンドを催眠的で伸びやかなコンポジションへとシフトさせた。The Malombo Jazz Makersの録音の中で、「Down Lucky's Way」は最も深いムードと豊かなヴィジョンを持つ作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2175643849\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tribute to A. Motjuoadi 02:45\u003cbr\u003e2. Bahula Dithabeng 09:53\u003cbr\u003e3. Gae Mamelodi 10:32\u003cbr\u003e4. Sefuralong 07:54\u003cbr\u003e5. Matshenyogo 04:50\u003cbr\u003e6. Lucky's Way 06:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Tapestry Works:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirst issue since 1969 of the Malombo Jazz Maker’s unknown third album, fully licensed from Julian Bahula, with liner notes featuring interviews with Julian Bahula and Lucky Ranku.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Malombo music is an indigenous kind of music. If you listen to it, you can feel that it can heal you, if you’ve got something wrong. It’s healing music.'\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLucky Ranku\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLucas ‘Lucky’ Madumetja Ranku (1941-2016) was one of the greatest African guitarists of his generation. He first made his name with the Malombo Jazz Makers – the successor group to the legendary Malombo Jazzmen, formed in Mamelodi township by guitarist Philip Tabane, drummer Julian Bahula and flautist Abbey Cindi. When Tabane left the Jazzmen in 1965, Bahula and Cindi called on Lucky to replace him, and the Malombo Jazz Makers were born. Building on the popularity and success of the original Malombo Jazzmen, the Malombo Jazz Makers become immensely popular, touring widely, winning numerous jazz competitions, and recording two successful albums for the Gallo label.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe deep and hypnotic 'Down Lucky’s Way' was their third album. Recorded in 1969, it was the first Malombo Jazz Makers\u003cspan class=\"bcTruncateMore\"\u003e album to feature additional instruments, and the first to feature Abbey Cindi on soprano saxophone as well as flute. But more than anything else, 'Down Lucky’s Way' is a transfixing showcase for Lucky Ranku’s sui generis guitar virtuosity. Quite different from their previous recordings, the album shifted the Jazz Makers’ sound toward hypnotic, extended compositions, layered by organ bass and guitar overdubs. Of all the Malombo Jazz Makers recordings, 'Down Lucky’s Way' is the deepest of mood, and the richest of vision...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Malombo Jazz Makers\u003c\/p\u003e\n\u003cp\u003eLabel : Tapestry Works\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTWLP002\u003c\/span\u003e\u003c\/p\u003e"}
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南アフリカのジャズバンドThe Malombo Jazz Makersが、2023年にイギリスのジャズレーベルTapestry Worksからリリースした再発レコードです。（オリジナルは1969年リリース） アフロスピリチュアル・ジャズ6曲を収録。 以下、レーベルによる解説です。 "ルーカス・'ラッキー'・マドゥメジャ・ランクー（1941-2016）は、同世代で最も偉大なアフリカ人ギタリストのひとりだった。彼が最初にその名を轟かせたのは、ギタリストのフィリップ・タバネ、ドラマーのジュリアン・バフラ、フルート奏者のアビー・シンディによってマメロディ・タウンシップで結成された伝説的なマロンボ・ジャズメンの後継グループThe Malombo Jazz Makersだった。1965年にタバネがジャズメンから脱退すると、バフラとシンディは彼の後任としてラッキーに声をかけThe Malombo Jazz Makersが誕生した。オリジナルのマロンボ・ジャズメンの人気と成功を土台に、The...
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{"id":8697409274106,"title":"GAF \u0026 The Love Supreme Arkestra \/\/ Ganzfeld LP","handle":"gaf-the-love-supreme-arkestra-ganzfeld-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eテネリフェの8人組ジャズバンドGAF \u0026amp; The Love Supreme Arkestraが、2024年6月にポルトガル・リスボンの密林系音楽の大巣窟Discrepantからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサックス、トランペット、ベース、ギター、シンセ、マリンバ、ヘレーニョ、ベトナム・フルートによるサイケデリックなスペース・ジャム〜スピリチュアル・ジャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2021年にリリースされた前作 『Garden Island 』の大成功を受け、テネリフェ島出身の8人組が 『Ganzfeld 』というタイトルの新作を携えて戻ってきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e前作 『Garden Island 』では、セザール・マンリケの哲学とランサローテ島での彼の画期的なエコロジー活動からインスピレーションを得たが、この新作では、GAF \u0026amp; The Love Supreme Arkestraは、テネリフェ島北部の低地、別名イスラ・バハ（低い島）にクリエイティブな視線を向けている。ここで彼らは、アヴァン・ジャズ、サイケデリア、フリースタイル・ロックのブレンドがトレードマークの、湿度の高いアトモスフェリックで広がりのあるジャムに満ちた、霧に包まれた海岸ドライブのためのレトロ・フューチャリスティックなサウンドトラックを思い描いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自然な相乗効果を呼び起こすこの新作は、前作よりもさらに幽玄な先端を行くオクテットを表現している。サックス、トランペット、ベース、ギター、シンセ、マリンバに、ヘレーニョとベトナムのフルートという管楽器が加わり、幅広い聴覚的逃避を生み出している。その代わりに彼らは、海と大地が恍惚と一体となり、平和と脅威のイメージを想起させながら、生々しい爆発的エネルギーを決して野放しにしない、全体的な秘教的サウンドを創り上げている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e凡庸さを拒絶し、大西洋の海辺で実験を追求し続けるバンドの、もうひとつの独立した作品である。ドライブ・オン!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1143731517\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2626382100\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1143731517\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=786007216\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1143731517\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3504049365\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ocean Drive 01:59\u003cbr\u003e2. Sound Baja 03:18\u003cbr\u003e3. Baracán 03:12\u003cbr\u003e4. El Rayo 02:54\u003cbr\u003e5. Buenavista Moon Club 03:40\u003cbr\u003e6. Caleta Wave Galaxy Part 1 02:48\u003cbr\u003e7. Windpool of Secrets 03:21\u003cbr\u003e8. Ganzfeld 08:00\u003cbr\u003e9. Caleta Wave Galaxy Part 2 04:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKeroxen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eA\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003efter the resounding success of their last album \"Garden Island,\" released in 2021, the octet hailing from Tenerife is back with a new album titled \"Ganzfeld.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile \"Garden Island\" drew inspiration from the philosophy of César Manrique and his groundbreaking ecological work on the island of Lanzarote, for this new album, Gaf \u0026amp; The Love Supreme Arkestra turn their creative gaze to the lowland areas of northern Tenerife aka Isla Baja (the low island). Here, they envision a retro-futuristic soundtrack for a misty coastal drive, filled with humid atmospherics and expansive jams featuring their trademark blend of avant-jazz, psychedelia, and freestyle rock.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEvoking a natural synergy to the proceedings, this new work presents the octet in a more ethereal tip than its predecessor. Saxophones, trumpet, bass, guitar, synths and marimba come together with added winds (Herreño and Vietnamese flutes) to create a wide spectrum of auditory escapism that, were it not for the band’s aforementioned natural instincts could result into a nightmarish vision. Instead they create an holistic esoteric sound where sea and earth come together in ecstatic ways conjuring images of peace and menace whilst never letting their raw, explosive energy go unchecked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnother standalone work from a band that rejects banality, constant in their pursue of experimentation at the edge of the Atlantic ocean. Drive on!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : GAF \u0026amp; The Love Supreme Arkestra\u003c\/p\u003e\n\u003cp\u003eLabel : Keroxen (Discrepant)\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKRXN#039\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-01-11T05:59:26+09:00","created_at":"2025-01-11T05:58:51+09:00","vendor":"Tobira Records","type":"","tags":["Discrepant","jazz","lp","new"],"price":442800,"price_min":442800,"price_max":442800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47028953809146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"GAF \u0026 The Love Supreme Arkestra \/\/ Ganzfeld LP","public_title":null,"options":["Default Title"],"price":442800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gan1.jpg?v=1719730972","\/\/tobirarecords.com\/cdn\/shop\/files\/gan2.jpg?v=1719730972"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gan1.jpg?v=1719730972","options":["Title"],"media":[{"alt":null,"id":34443715182842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gan1.jpg?v=1719730972"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gan1.jpg?v=1719730972","width":700},{"alt":null,"id":34443715215610,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gan2.jpg?v=1719730972"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gan2.jpg?v=1719730972","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eテネリフェの8人組ジャズバンドGAF \u0026amp; The Love Supreme Arkestraが、2024年6月にポルトガル・リスボンの密林系音楽の大巣窟Discrepantからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサックス、トランペット、ベース、ギター、シンセ、マリンバ、ヘレーニョ、ベトナム・フルートによるサイケデリックなスペース・ジャム〜スピリチュアル・ジャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2021年にリリースされた前作 『Garden Island 』の大成功を受け、テネリフェ島出身の8人組が 『Ganzfeld 』というタイトルの新作を携えて戻ってきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e前作 『Garden Island 』では、セザール・マンリケの哲学とランサローテ島での彼の画期的なエコロジー活動からインスピレーションを得たが、この新作では、GAF \u0026amp; The Love Supreme Arkestraは、テネリフェ島北部の低地、別名イスラ・バハ（低い島）にクリエイティブな視線を向けている。ここで彼らは、アヴァン・ジャズ、サイケデリア、フリースタイル・ロックのブレンドがトレードマークの、湿度の高いアトモスフェリックで広がりのあるジャムに満ちた、霧に包まれた海岸ドライブのためのレトロ・フューチャリスティックなサウンドトラックを思い描いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e自然な相乗効果を呼び起こすこの新作は、前作よりもさらに幽玄な先端を行くオクテットを表現している。サックス、トランペット、ベース、ギター、シンセ、マリンバに、ヘレーニョとベトナムのフルートという管楽器が加わり、幅広い聴覚的逃避を生み出している。その代わりに彼らは、海と大地が恍惚と一体となり、平和と脅威のイメージを想起させながら、生々しい爆発的エネルギーを決して野放しにしない、全体的な秘教的サウンドを創り上げている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e凡庸さを拒絶し、大西洋の海辺で実験を追求し続けるバンドの、もうひとつの独立した作品である。ドライブ・オン!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1143731517\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2626382100\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1143731517\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=786007216\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1143731517\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3504049365\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ocean Drive 01:59\u003cbr\u003e2. Sound Baja 03:18\u003cbr\u003e3. Baracán 03:12\u003cbr\u003e4. El Rayo 02:54\u003cbr\u003e5. Buenavista Moon Club 03:40\u003cbr\u003e6. Caleta Wave Galaxy Part 1 02:48\u003cbr\u003e7. Windpool of Secrets 03:21\u003cbr\u003e8. Ganzfeld 08:00\u003cbr\u003e9. Caleta Wave Galaxy Part 2 04:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKeroxen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eA\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003efter the resounding success of their last album \"Garden Island,\" released in 2021, the octet hailing from Tenerife is back with a new album titled \"Ganzfeld.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile \"Garden Island\" drew inspiration from the philosophy of César Manrique and his groundbreaking ecological work on the island of Lanzarote, for this new album, Gaf \u0026amp; The Love Supreme Arkestra turn their creative gaze to the lowland areas of northern Tenerife aka Isla Baja (the low island). Here, they envision a retro-futuristic soundtrack for a misty coastal drive, filled with humid atmospherics and expansive jams featuring their trademark blend of avant-jazz, psychedelia, and freestyle rock.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEvoking a natural synergy to the proceedings, this new work presents the octet in a more ethereal tip than its predecessor. Saxophones, trumpet, bass, guitar, synths and marimba come together with added winds (Herreño and Vietnamese flutes) to create a wide spectrum of auditory escapism that, were it not for the band’s aforementioned natural instincts could result into a nightmarish vision. Instead they create an holistic esoteric sound where sea and earth come together in ecstatic ways conjuring images of peace and menace whilst never letting their raw, explosive energy go unchecked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnother standalone work from a band that rejects banality, constant in their pursue of experimentation at the edge of the Atlantic ocean. Drive on!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : GAF \u0026amp; The Love Supreme Arkestra\u003c\/p\u003e\n\u003cp\u003eLabel : Keroxen (Discrepant)\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKRXN#039\u003c\/span\u003e\u003c\/p\u003e"}
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テネリフェの8人組ジャズバンドGAF & The Love Supreme Arkestraが、2024年6月にポルトガル・リスボンの密林系音楽の大巣窟Discrepantからリリースしたレコードです。 サックス、トランペット、ベース、ギター、シンセ、マリンバ、ヘレーニョ、ベトナム・フルートによるサイケデリックなスペース・ジャム〜スピリチュアル・ジャズ9曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "2021年にリリースされた前作 『Garden Island 』の大成功を受け、テネリフェ島出身の8人組が 『Ganzfeld...
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{"id":8695913644282,"title":"Lifted \/\/ Trellis LP","handle":"lifted-trellis-lp","description":"\u003cp\u003eアメリカ・ワシントンのレフトフィールド・ダウンテンポデュオLiftedが、2024年12月に同国LAのカルトダンスレーベルpeak oilからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ダウンテンポ〜アンビエント・ジャズ7曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4172725237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4172725237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3117692478\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4172725237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1594299723\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/peoi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/peoi\"\u003ehere\u003c\/a\u003e to see more peak oil \/ False Aralia releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lifted\u003c\/p\u003e\n\u003cp\u003eLabel : peak oil\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003epeak21\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-01-09T18:18:11+09:00","created_at":"2025-01-09T17:51:29+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","peak oil","recommended","techno \/ house"],"price":475000,"price_min":475000,"price_max":475000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47024245244154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lifted \/\/ Trellis LP","public_title":null,"options":["Default Title"],"price":475000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/trell1.jpg?v=1736412608","\/\/tobirarecords.com\/cdn\/shop\/files\/trell2.jpg?v=1736412608"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/trell1.jpg?v=1736412608","options":["Title"],"media":[{"alt":null,"id":35396560978170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trell1.jpg?v=1736412608"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trell1.jpg?v=1736412608","width":700},{"alt":null,"id":35396561010938,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trell2.jpg?v=1736412608"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trell2.jpg?v=1736412608","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ワシントンのレフトフィールド・ダウンテンポデュオLiftedが、2024年12月に同国LAのカルトダンスレーベルpeak oilからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ダウンテンポ〜アンビエント・ジャズ7曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4172725237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4172725237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3117692478\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4172725237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1594299723\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/peoi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/peoi\"\u003ehere\u003c\/a\u003e to see more peak oil \/ False Aralia releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. All Right 06:56\u003cbr\u003e2. Open Door 04:53\u003cbr\u003e3. Specials 04:40\u003cbr\u003e4. Warmer Cooler 03:50\u003cbr\u003e5. Pasters 05:36\u003cbr\u003e6. The Latecomer 06:15\u003cbr\u003e7. Gris Pink 04:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePeak Oil:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe core duo of Max D and Matt Papich debut on Peak Oil following full-lengths for Future Times and PAN with a fresh suite of tactile, diffuse fusion. Half the collection emerged from a 2021 session at Tempo House rounded out by Dustin Wong, Mezey, and Jeremy Hyman, while the rest took shape in moments both collaborative and isolated, collaged together with CDJs into something more liquid and liminal than the sum of its parts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross fractured jazz, pitch-shifted downtempo, revelatory guitar, and interstitial interplay, Lifted’s sound is one of flux, fragments, and filigree. Oblique harmonic synergies dusted in chance encounters and rogue acoustics. Diverse moods mapped with split strings and the space between notes. Music untethered by form or expectation, snaking like an ungrounded cable through a geodesic dome of deep-listening.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lifted\u003c\/p\u003e\n\u003cp\u003eLabel : peak oil\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003epeak21\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ワシントンのレフトフィールド・ダウンテンポデュオLiftedが、2024年12月に同国LAのカルトダンスレーベルpeak oilからリリースしたレコードです。 レフトフィールド・ダウンテンポ〜アンビエント・ジャズ7曲を収録。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more peak oil /...
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{"id":8692135297274,"title":"Smegma \/\/ The Smegma Christmas Album LP","handle":"smegma-the-smegma-christmas-album-lp","description":"\u003cp\u003eアメリカ・LAのフリーフォームバンドSmegmaが、2024年12月にイタリアの実験レーベルAlga Marghenから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eカオスなフリージャズ7曲を収録。一点一点異なるアートワークです。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1973年10月末、リッキー・リーツ・ハバハバ・バンドは解散した。必要なのは 「ミュージシャンのいないバンド 」だということになり、実験的でワイルドなジャム・セッションが何度も行われた。そして11月23日、特にインスピレーションを受けたジャムが 「Cat Cheese 」と名付けられ、SMEGMAというバンドが誕生した。一緒に音楽を始めてまだ数ヶ月しか経っていなかったが、3曲のオリジナル曲とエルビス・プレスリーのカヴァーを含む 「Live in the studio 」クリスマス・アルバムをレコーディングすることに決めた！新進のサウンド・エンジニア、マイク・ラストラがサンディエゴのガレージで初のスタジオ・レコーディング・セッションを提供してくれ、数回のリハーサルの後、すべてのトラックがワンテイクで録音され、歴史が作られた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e昔ながらの曲をやりたかったので、リード・バーンズとリチャード・ワグナーの2人の意欲的な 「ミュージシャン 」に協力を依頼し、Smegmaのメンバー4人しかセッションに参加できなかったので、「ダニー 」ダントン・ダッジ（14歳）もスカウトした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eもちろん、当時カセットにダビングされたのは2、3枚だけだった。エース・オブ・スペースはその1枚を受け取り、すぐに我々のグループへの最初の参加者となったが、50年経った今、このアルバムはようやく初めて一般に公開されることになった！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1. “Santa Bring My Baby Back (To Me)” Lead Vocal: Ju Suk\u003cbr\u003eA2. “Auto Suk” Lead Vocal: Ju Suk\u003cbr\u003eA3. “Whatever (for now)” Solo Flute: Amy\u003cbr\u003eA4. “Christmas Trees Are Free” (Words: A.B. Lloyd) Vocals: Fats \u0026amp; The Kid\u003cbr\u003eB1. “Beans In My Eye” (edit) Solo Flute: Amy\u003cbr\u003eB2. The Cheez Stands Alone (Improv.) Group Vocals\u003cbr\u003eB3. “Happy Holidays” (TK version) Words, Music \u0026amp; Vocals: Fats\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Smegma\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTES 178LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-01-04T07:30:42+09:00","created_at":"2025-01-02T12:50:07+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new"],"price":417000,"price_min":417000,"price_max":417000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47001387860218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Smegma \/\/ The Smegma Christmas Album LP","public_title":null,"options":["Default Title"],"price":417000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/christ1.jpg?v=1735789652"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/christ1.jpg?v=1735789652","options":["Title"],"media":[{"alt":null,"id":35370706501882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/christ1.jpg?v=1735789652"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/christ1.jpg?v=1735789652","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのフリーフォームバンドSmegmaが、2024年12月にイタリアの実験レーベルAlga Marghenから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eカオスなフリージャズ7曲を収録。一点一点異なるアートワークです。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1973年10月末、リッキー・リーツ・ハバハバ・バンドは解散した。必要なのは 「ミュージシャンのいないバンド 」だということになり、実験的でワイルドなジャム・セッションが何度も行われた。そして11月23日、特にインスピレーションを受けたジャムが 「Cat Cheese 」と名付けられ、SMEGMAというバンドが誕生した。一緒に音楽を始めてまだ数ヶ月しか経っていなかったが、3曲のオリジナル曲とエルビス・プレスリーのカヴァーを含む 「Live in the studio 」クリスマス・アルバムをレコーディングすることに決めた！新進のサウンド・エンジニア、マイク・ラストラがサンディエゴのガレージで初のスタジオ・レコーディング・セッションを提供してくれ、数回のリハーサルの後、すべてのトラックがワンテイクで録音され、歴史が作られた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e昔ながらの曲をやりたかったので、リード・バーンズとリチャード・ワグナーの2人の意欲的な 「ミュージシャン 」に協力を依頼し、Smegmaのメンバー4人しかセッションに参加できなかったので、「ダニー 」ダントン・ダッジ（14歳）もスカウトした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eもちろん、当時カセットにダビングされたのは2、3枚だけだった。エース・オブ・スペースはその1枚を受け取り、すぐに我々のグループへの最初の参加者となったが、50年経った今、このアルバムはようやく初めて一般に公開されることになった！\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA1. “Santa Bring My Baby Back (To Me)” Lead Vocal: Ju Suk\u003cbr\u003eA2. “Auto Suk” Lead Vocal: Ju Suk\u003cbr\u003eA3. “Whatever (for now)” Solo Flute: Amy\u003cbr\u003eA4. “Christmas Trees Are Free” (Words: A.B. Lloyd) Vocals: Fats \u0026amp; The Kid\u003cbr\u003eB1. “Beans In My Eye” (edit) Solo Flute: Amy\u003cbr\u003eB2. The Cheez Stands Alone (Improv.) Group Vocals\u003cbr\u003eB3. “Happy Holidays” (TK version) Words, Music \u0026amp; Vocals: Fats\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Smegma\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTES 178LP\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのフリーフォームバンドSmegmaが、2024年12月にイタリアの実験レーベルAlga Marghenから200部限定でリリースしたレコードです。 カオスなフリージャズ7曲を収録。一点一点異なるアートワークです。 レコードのみでの発表となります。 以下、レーベルによる解説です。 "1973年10月末、リッキー・リーツ・ハバハバ・バンドは解散した。必要なのは 「ミュージシャンのいないバンド 」だということになり、実験的でワイルドなジャム・セッションが何度も行われた。そして11月23日、特にインスピレーションを受けたジャムが 「Cat Cheese 」と名付けられ、SMEGMAというバンドが誕生した。一緒に音楽を始めてまだ数ヶ月しか経っていなかったが、3曲のオリジナル曲とエルビス・プレスリーのカヴァーを含む 「Live in the...
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{"id":8688531505402,"title":"Peace Flag Ensemble \/\/ Astral Plains LP","handle":"peace-flag-ensemble-astral-plains-lp","description":"\u003cp\u003eカナダ・サスカチュワンの5人組ジャズバンドPeace Flag Ensembleが、2023年7月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e晴れ渡った青空のように爽やかなスピリチュアル・ジャズ〜フリージャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2388556456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. 12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 The Work\u003cbr\u003eA2 You Can't Pin Joy Like A Moth\u003cbr\u003eA3 Agnes Martin Dreams Of Macklin\u003cbr\u003eA4 Shamble On\u003cbr\u003eA5 Waiting Is My Favourite Colour\u003cbr\u003eA6 Bluets\u003cbr\u003eB1 Natural Amble\u003cbr\u003eB2 Burner Phone\u003cbr\u003eB3 More Bill Joy Than John Wisdom\u003cbr\u003eB4 Love Notes (For Eli)\u003cbr\u003eB5 Too Beautiful For A Cubicle\u003cbr\u003eB6 Dark Matter, Light Humour\u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePeace Flag Ensemble are a free jazz collective from Saskatchewan. Their sophomore LP, Astral Plains, arrives July 18 via We Are Busy Bodies.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe group’s 2021 debut Noteland was described as “akin to getting stuck in a sensory deprivation tank with Keith Jarrett.” By contrast Astral Plains opens up, offering spacious and blue-sky arrangements and production. Perhaps it’s closer to laying in a prairie field looking for animals in the clouds with Mark Hollis.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeace Flag Ensemble brings together a curious range of artistic backgrounds from studied players to left-field experimentalists. Their recordings are a pastiche of improvisation, composition, and collage. Centered around Jon Neher’s piano improvisations and Travis Packer’s electric bass, Astral Plains sees the collective expanded in both size and sound with the addition of percussionist Michael Thievin and contributions from guests including Patrick Shiroishi and Nick Walters. It was produced and mixed by ambient artist Michael Scott Dawson, who also provides subtle electronics, guitars, and field recordings. Paul Gutheil and Dalton Lam, on saxophone and trumpet respectively, provide linear and melodic passages tempered by restraint. They also allow Dawson to\u003cspan class=\"bcTruncateMore\"\u003e recontextualize their contributions through effects and tape manipulation. The result is a nuanced and joyous record that finds clarity through experimentation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Peace Flag Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e","published_at":"2024-12-26T06:12:20+09:00","created_at":"2024-12-26T06:11:47+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","we are busy bodies"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46981955617018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Peace Flag Ensemble \/\/ Astral Plains LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_da0d9c8f-d31e-40bb-84e9-2872c41a0b22.jpg?v=1687778660","\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_8a09354c-270a-43b9-928a-145aa08c41e4.jpg?v=1687778660"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_da0d9c8f-d31e-40bb-84e9-2872c41a0b22.jpg?v=1687778660","options":["Title"],"media":[{"alt":null,"id":32156890497274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_da0d9c8f-d31e-40bb-84e9-2872c41a0b22.jpg?v=1687778660"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl1_da0d9c8f-d31e-40bb-84e9-2872c41a0b22.jpg?v=1687778660","width":700},{"alt":null,"id":32156890530042,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_8a09354c-270a-43b9-928a-145aa08c41e4.jpg?v=1687778660"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pl2_8a09354c-270a-43b9-928a-145aa08c41e4.jpg?v=1687778660","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・サスカチュワンの5人組ジャズバンドPeace Flag Ensembleが、2023年7月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e晴れ渡った青空のように爽やかなスピリチュアル・ジャズ〜フリージャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2388556456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wabb\"\u003ehere\u003c\/a\u003e to see more We Are Busy Bodies releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. 12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 The Work\u003cbr\u003eA2 You Can't Pin Joy Like A Moth\u003cbr\u003eA3 Agnes Martin Dreams Of Macklin\u003cbr\u003eA4 Shamble On\u003cbr\u003eA5 Waiting Is My Favourite Colour\u003cbr\u003eA6 Bluets\u003cbr\u003eB1 Natural Amble\u003cbr\u003eB2 Burner Phone\u003cbr\u003eB3 More Bill Joy Than John Wisdom\u003cbr\u003eB4 Love Notes (For Eli)\u003cbr\u003eB5 Too Beautiful For A Cubicle\u003cbr\u003eB6 Dark Matter, Light Humour\u003c\/p\u003e\n\u003cp\u003eWe Are Busy Bodies:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePeace Flag Ensemble are a free jazz collective from Saskatchewan. Their sophomore LP, Astral Plains, arrives July 18 via We Are Busy Bodies.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe group’s 2021 debut Noteland was described as “akin to getting stuck in a sensory deprivation tank with Keith Jarrett.” By contrast Astral Plains opens up, offering spacious and blue-sky arrangements and production. Perhaps it’s closer to laying in a prairie field looking for animals in the clouds with Mark Hollis.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeace Flag Ensemble brings together a curious range of artistic backgrounds from studied players to left-field experimentalists. Their recordings are a pastiche of improvisation, composition, and collage. Centered around Jon Neher’s piano improvisations and Travis Packer’s electric bass, Astral Plains sees the collective expanded in both size and sound with the addition of percussionist Michael Thievin and contributions from guests including Patrick Shiroishi and Nick Walters. It was produced and mixed by ambient artist Michael Scott Dawson, who also provides subtle electronics, guitars, and field recordings. Paul Gutheil and Dalton Lam, on saxophone and trumpet respectively, provide linear and melodic passages tempered by restraint. They also allow Dawson to\u003cspan class=\"bcTruncateMore\"\u003e recontextualize their contributions through effects and tape manipulation. The result is a nuanced and joyous record that finds clarity through experimentation.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Peace Flag Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : We Are Busy Bodies\u003c\/p\u003e"}
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カナダ・サスカチュワンの5人組ジャズバンドPeace Flag Ensembleが、2023年7月に同国トロントのオールジャンルレーベルWe Are Busy Bodiesから500部限定でリリースしたレコードです。 晴れ渡った青空のように爽やかなスピリチュアル・ジャズ〜フリージャズ12曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more We Are...
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{"id":8686789460218,"title":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy CD","handle":"jeff-parker-mondays-at-the-enfield-tennis-academy","description":"\u003cp\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2024年11月にベルギーの実験レーベルAguirreからリリースした再発アルバムです。（オリジナルは2022年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDouble 12\" black vinyl or CD in digipack.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. 2019-07-08 I 21:46\u003cbr\u003e2. 2019-07-08 II 23:37\u003cbr\u003e3. 2019-05-19 18:00\u003cbr\u003e4. 2021-04-28 20:17 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong\u003eJeff Parker\u003c\/strong\u003e\u003cspan\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong\u003eLee Morgan\u003c\/strong\u003e\u003cspan\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMiles Davis\u003c\/strong\u003e\u003cspan\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan\u003e's \u003c\/span\u003eLive in Seattle\u003cspan\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2024-12-22T06:00:51+09:00","created_at":"2024-12-22T06:00:52+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","cd","jazz","new"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46972508012794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy CD","public_title":null,"options":["Default Title"],"price":368000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"769791982390","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","options":["Title"],"media":[{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"},"aspect_ratio":1.01,"height":891,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2024年11月にベルギーの実験レーベルAguirreからリリースした再発アルバムです。（オリジナルは2022年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDouble 12\" black vinyl or CD in digipack.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. 2019-07-08 I 21:46\u003cbr\u003e2. 2019-07-08 II 23:37\u003cbr\u003e3. 2019-05-19 18:00\u003cbr\u003e4. 2021-04-28 20:17 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong\u003eJeff Parker\u003c\/strong\u003e\u003cspan\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong\u003eLee Morgan\u003c\/strong\u003e\u003cspan\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMiles Davis\u003c\/strong\u003e\u003cspan\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan\u003e's \u003c\/span\u003eLive in Seattle\u003cspan\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2024年11月にベルギーの実験レーベルAguirreからリリースした再発アルバムです。（オリジナルは2022年リリース） LAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。 Lee Morganの「Live at the Lighthouse」やMiles Davisの「In...
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{"id":8685005406458,"title":"Shelter Music \/\/ Sky 2xCD","handle":"shelter-music-sky-2xcd","description":"\u003cp\u003eアメリカ・ワシントンのフリーフォームバンドShelter Musicが、2024年8月に同国実験レーベルPost Present Mediumからリリースした2枚組CDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eフリーフォーム・ジャズ〜物音ストレンジビーツ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=101421633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x CD in green dual-sleeve cardstock sleeve with insert. Edition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Track 01 05:31\u003cbr\u003e2. Track 02 11:20\u003cbr\u003e3. Track 03 08:22\u003cbr\u003e4. Track 04 08:01\u003cbr\u003e5. Workshop Celebration 03:18\u003cbr\u003e6. Song Network 01:09\u003cbr\u003e7. Coffee and Tea 04:39\u003cbr\u003e8. Yurt Experience, Morning in Quilcene 00:27\u003cbr\u003e9. Cobb Hut Summer Music 03:18\u003cbr\u003e10. Shelter Summer Season Arts Celebration 04:07\u003cbr\u003e11. Tea and Coffee 05:34\u003cbr\u003e12. Free Song, Shelter 2 01:45\u003cbr\u003e13. Thrasher's Garden 06:51\u003cbr\u003e14. Tactile Geographic Container 02:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlex Coxen, via the label : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eThey require only a power outlet and the great outdoors to make music, and this open air music is a shelter from the not-so-great indoors. An artist on a stage is an artist in captivity. These cats are so free they can't even play a whole set without walking away from their instruments to check out a tree or bush or whatever. No center to not hold. No wrong notes. No leashes. No problemo, man\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReid Urban, via the label :\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eSometimes I see a rainbow and I'm filled with so much joy, I frantically try to tell others to look at it. I watch the stranger turn and discover the rainbow. Then they turn to me and are nervous. They want to tell me that they share the same joy, they want to honor my attempt at sharing it, but that's not where they are, they are interacting with a stranger in a parking lot. They can't hide this truth in their bodies, so they cover it up by saying a spirited \"Wow!' or \"That's amazing.\" Their effort is more beautiful than if they were able to meet me where I wanted to go. You can only go where you can go. Shelter is a good guide, they want you to go to a good place. More importantly, they want you to go where you want to go.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shelter Music\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003ePost Present Medium\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePPM102\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-12-20T09:53:53+09:00","created_at":"2024-12-19T13:06:29+09:00","vendor":"Tobira Records","type":"","tags":["cd","jazz","monooto","new","post present medium","strange beats"],"price":263000,"price_min":263000,"price_max":263000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46965787525370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Shelter Music \/\/ Sky 2xCD","public_title":null,"options":["Default Title"],"price":263000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/shel1.jpg?v=1734581028","\/\/tobirarecords.com\/cdn\/shop\/files\/shel2.jpg?v=1734581029","\/\/tobirarecords.com\/cdn\/shop\/files\/shel3.jpg?v=1734581028"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/shel1.jpg?v=1734581028","options":["Title"],"media":[{"alt":null,"id":35324516303098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shel1.jpg?v=1734581028"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shel1.jpg?v=1734581028","width":700},{"alt":null,"id":35324516335866,"position":2,"preview_image":{"aspect_ratio":0.924,"height":1200,"width":1109,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shel2.jpg?v=1734581029"},"aspect_ratio":0.924,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shel2.jpg?v=1734581029","width":1109},{"alt":null,"id":35324516368634,"position":3,"preview_image":{"aspect_ratio":0.843,"height":1200,"width":1011,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shel3.jpg?v=1734581028"},"aspect_ratio":0.843,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shel3.jpg?v=1734581028","width":1011}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ワシントンのフリーフォームバンドShelter Musicが、2024年8月に同国実験レーベルPost Present Mediumからリリースした2枚組CDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eフリーフォーム・ジャズ〜物音ストレンジビーツ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=101421633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x CD in green dual-sleeve cardstock sleeve with insert. Edition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Track 01 05:31\u003cbr\u003e2. Track 02 11:20\u003cbr\u003e3. Track 03 08:22\u003cbr\u003e4. Track 04 08:01\u003cbr\u003e5. Workshop Celebration 03:18\u003cbr\u003e6. Song Network 01:09\u003cbr\u003e7. Coffee and Tea 04:39\u003cbr\u003e8. Yurt Experience, Morning in Quilcene 00:27\u003cbr\u003e9. Cobb Hut Summer Music 03:18\u003cbr\u003e10. Shelter Summer Season Arts Celebration 04:07\u003cbr\u003e11. Tea and Coffee 05:34\u003cbr\u003e12. Free Song, Shelter 2 01:45\u003cbr\u003e13. Thrasher's Garden 06:51\u003cbr\u003e14. Tactile Geographic Container 02:44\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAlex Coxen, via the label : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eThey require only a power outlet and the great outdoors to make music, and this open air music is a shelter from the not-so-great indoors. An artist on a stage is an artist in captivity. These cats are so free they can't even play a whole set without walking away from their instruments to check out a tree or bush or whatever. No center to not hold. No wrong notes. No leashes. No problemo, man\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReid Urban, via the label :\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eSometimes I see a rainbow and I'm filled with so much joy, I frantically try to tell others to look at it. I watch the stranger turn and discover the rainbow. Then they turn to me and are nervous. They want to tell me that they share the same joy, they want to honor my attempt at sharing it, but that's not where they are, they are interacting with a stranger in a parking lot. They can't hide this truth in their bodies, so they cover it up by saying a spirited \"Wow!' or \"That's amazing.\" Their effort is more beautiful than if they were able to meet me where I wanted to go. You can only go where you can go. Shelter is a good guide, they want you to go to a good place. More importantly, they want you to go where you want to go.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shelter Music\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003ePost Present Medium\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePPM102\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ワシントンのフリーフォームバンドShelter Musicが、2024年8月に同国実験レーベルPost Present Mediumからリリースした2枚組CDです。 フリーフォーム・ジャズ〜物音ストレンジビーツ14曲を収録。 レーベルその他作品はこちら /// Click here to see more Post Present Medium releases available...
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{"id":8685000917242,"title":"Patty Waters \/\/ You Loved Me LP","handle":"patty-waters-you-loved-me-lp-1","description":"\u003cp\u003e\u003cspan\u003eBill EvansやHerbie Hancockなどとの共演でも知られるアメリカ・NYのシンガーPatty Watersが、1970年代に制作した未発表曲をコンパイルしたレコードです。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3698073287\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files. Insert with liner notes by Eric Terino. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Love You Honey 01:33\u003cbr\u003e2. At Last I Found You 03:20\u003cbr\u003e3. Love Is The Warmth Of Togetherness 01:30\u003cbr\u003e4. Please Make Love To Me 01:25\u003cbr\u003e5. At Last I Know (I Belong To You) 01:13\u003cbr\u003e6. My One And Onely Love 03:50\u003cbr\u003e7. My Man's Gone Now 04:05\u003cbr\u003e8. Touched By Rodin In A Paris Museum 14:36\u003cbr\u003e9. Moon Don't Come Up Tonight (Live At Lone Mountain College) 03:49\u003cbr\u003e10. I Love You Honey (Live At Lone Mountain College) 01:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eFirst time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single ‘My One And Only Love’ and a recorded live session at Lone Mountain College in 1974.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album ‘You Loved Me’ is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60’s and her post 90’s releases.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe missing link between the radical ingenue of the 1960s and her late 90’s songs wherein she expressed the resolution of all of her life’s moments through mature readings of traditional songs and jazz standards.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album aims to provide that missing link and to finally complete the picture of her storied recording career.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn what would have been her third LP, the ‘You Loved Me’ album serves as the inverse of Patty’s debut.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile her debut “Sings” concerned itself with themes of heartbreak, loneliness and yearning, there’s an abundance of love, joy and togetherness on “You Loved Me”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOr in Patty’s own words: “I was a young girl alone at age 19, I was longing for love and dreaming of how wonderful love\u003cspan class=\"bcTruncateMore\"\u003e could be“\u003cbr\u003e\u003cbr\u003eOn ‘You Loved Me’ Patty Waters velvet voice captures this longing for love, straight from her soul to your heart.\u003cbr\u003eCrossing the border of avant garde jazz entering a strange zone, somewhere between spiritual jazz, early folk vibes on the songs on the A-side while the 14 minute composition ‘Touched By Rodin In A Paris Museum’ on the B-side is (dixit David Stubbs for Uncut in 2004) a brilliant extended showcase for the uneasy Cageian minimalism of her piano playing.\u003cbr\u003e\u003cbr\u003e'You Loved Me’ proves also again why Albert Ayler introduced her to ESP-Disk president Bernard Stollman, why Miles Davis was impressed by her and why she can count Patti Smith and Yoko Ono (to name a few) amongst her fans.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patty Waters\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e","published_at":"2024-12-22T08:40:56+09:00","created_at":"2024-12-19T12:50:24+09:00","vendor":"Tobira Records","type":"","tags":["cortizona","folk \/ left-field pop","jazz","lp","new"],"price":433200,"price_min":433200,"price_max":433200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46965774450938,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Patty Waters \/\/ You Loved Me LP","public_title":null,"options":["Default Title"],"price":433200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_cd58ad42-faec-4b82-8244-1fc68fa92d9c.jpg?v=1714439816","\/\/tobirarecords.com\/cdn\/shop\/files\/yo2_c939c93b-901a-472f-b2c1-fd3746060014.jpg?v=1714439816"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_cd58ad42-faec-4b82-8244-1fc68fa92d9c.jpg?v=1714439816","options":["Title"],"media":[{"alt":null,"id":33906157879546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_cd58ad42-faec-4b82-8244-1fc68fa92d9c.jpg?v=1714439816"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lo1_cd58ad42-faec-4b82-8244-1fc68fa92d9c.jpg?v=1714439816","width":700},{"alt":null,"id":33906157912314,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yo2_c939c93b-901a-472f-b2c1-fd3746060014.jpg?v=1714439816"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yo2_c939c93b-901a-472f-b2c1-fd3746060014.jpg?v=1714439816","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eBill EvansやHerbie Hancockなどとの共演でも知られるアメリカ・NYのシンガーPatty Watersが、1970年代に制作した未発表曲をコンパイルしたレコードです。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3698073287\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files. Insert with liner notes by Eric Terino. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Love You Honey 01:33\u003cbr\u003e2. At Last I Found You 03:20\u003cbr\u003e3. Love Is The Warmth Of Togetherness 01:30\u003cbr\u003e4. Please Make Love To Me 01:25\u003cbr\u003e5. At Last I Know (I Belong To You) 01:13\u003cbr\u003e6. My One And Onely Love 03:50\u003cbr\u003e7. My Man's Gone Now 04:05\u003cbr\u003e8. Touched By Rodin In A Paris Museum 14:36\u003cbr\u003e9. Moon Don't Come Up Tonight (Live At Lone Mountain College) 03:49\u003cbr\u003e10. I Love You Honey (Live At Lone Mountain College) 01:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eFirst time release on vinyl of the breathtaking songs Patty Waters recorded with engineer Steve Atkins in 1970 at the Coast Recordings studio, together with the unreleased single ‘My One And Only Love’ and a recorded live session at Lone Mountain College in 1974.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album ‘You Loved Me’ is the missing link between her two groundbreaking pioneering and highly acclaimed ESP-Disk records from the end of the 60’s and her post 90’s releases.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe missing link between the radical ingenue of the 1960s and her late 90’s songs wherein she expressed the resolution of all of her life’s moments through mature readings of traditional songs and jazz standards.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album aims to provide that missing link and to finally complete the picture of her storied recording career.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn what would have been her third LP, the ‘You Loved Me’ album serves as the inverse of Patty’s debut.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile her debut “Sings” concerned itself with themes of heartbreak, loneliness and yearning, there’s an abundance of love, joy and togetherness on “You Loved Me”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOr in Patty’s own words: “I was a young girl alone at age 19, I was longing for love and dreaming of how wonderful love\u003cspan class=\"bcTruncateMore\"\u003e could be“\u003cbr\u003e\u003cbr\u003eOn ‘You Loved Me’ Patty Waters velvet voice captures this longing for love, straight from her soul to your heart.\u003cbr\u003eCrossing the border of avant garde jazz entering a strange zone, somewhere between spiritual jazz, early folk vibes on the songs on the A-side while the 14 minute composition ‘Touched By Rodin In A Paris Museum’ on the B-side is (dixit David Stubbs for Uncut in 2004) a brilliant extended showcase for the uneasy Cageian minimalism of her piano playing.\u003cbr\u003e\u003cbr\u003e'You Loved Me’ proves also again why Albert Ayler introduced her to ESP-Disk president Bernard Stollman, why Miles Davis was impressed by her and why she can count Patti Smith and Yoko Ono (to name a few) amongst her fans.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patty Waters\u003c\/p\u003e\n\u003cp\u003eLabel : Cortizona\u003c\/p\u003e"}
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Bill EvansやHerbie Hancockなどとの共演でも知られるアメリカ・NYのシンガーPatty Watersが、1970年代に制作した未発表曲をコンパイルしたレコードです。インサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Cortizona releases available at Tobira. ...
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{"id":8684085707002,"title":"The Doubling Riders \/\/ The World Of The Doubling Riders 6xCD BOX","handle":"the-doubling-riders-the-world-of-the-doubling-riders-6xcd-box","description":"\u003cp\u003e1980年代に活動していたイタリアのカルトニューウェーブバンドThe Doubling Ridersが、2024年10月にSpittle Recordsからリリースした6枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003e未発表音源含む72曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XM3y7e0t_fk?si=9IUW0QOIykabRNXo\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/L_VryUFYslQ?si=L5L63NqRBv4bITWh\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/H9urJQvXmeQ?si=-pG0H-bFwVlaLJ3j\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/oU4EuDQvQXM?si=8bvzNfa4a7KKw6sd\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JpNKOep5PAQ?si=mOWFyndxs_5H_im-\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jPTmP9vJ8uE?si=iyXDuS2AML7SUHxH\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e6 x CD in box. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContains all four albums produced between 1985 and 1991: Doublings \u0026amp; Silences Volume I (1985), Doublings \u0026amp; Silences Volume II (1988), World! (1989), and Garama (1991). All have been remastered \/ the first two available on CD for the first time \/ includes a bonus CD w\/ previously unpublished material and rare tracks from the same period \/ includes 24-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDoublings \u0026amp; Silences Volume I (1985)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e1-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDoublings \u0026amp; Silence\u003cbr\u003e1-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eNights\u003cbr\u003e1-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDoubled By The Sun\u003cbr\u003e1-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eNeoplastie Part III\u003cbr\u003e1-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Warm Current\u003cbr\u003e1-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Last Emperor Of The Snakes\u003cbr\u003e1-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eH F A1\u003cbr\u003e1-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eChinese Rain\u003cbr\u003e1-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEffi Briest\u003cbr\u003e1-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVoila Les Tropiquês\u003cbr\u003e1-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSmell Into A Dream\u003cbr\u003e1-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSchläft Ein Lied In Allen Dingen\u003cbr\u003e1-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBlind Bodies\u003cbr\u003e1-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePossession And Treasures\u003cbr\u003e1-15\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eIn A Bed Of Trees\u003cbr\u003e1-16\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePenguins (In A Cup Of Coffee)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDoublings \u0026amp; Silences Volume II (Part One) (1988)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e2-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVenice Calles\u003cbr\u003e2-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFuneral Jars\u003cbr\u003e2-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLittle Penguins In Love\u003cbr\u003e2-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eHoping That You Are Somewhere\u003cbr\u003e2-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eIndustrial Lullaby\u003cbr\u003e2-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eChildhood Fears (Old Version)\u003cbr\u003e2-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWandering High\u003cbr\u003e2-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eArtery Of The Sun\u003cbr\u003e2-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLines On Spain\u003cbr\u003e2-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eChinese Comedy\u003cbr\u003e2-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eChildhood Fears (Young Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDoublings \u0026amp; Silences Volume II (Part Two) (1988)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e3-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAzur Noise\u003cbr\u003e3-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Partienze\u003cbr\u003e3-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eConfidential Eggs\u003cbr\u003e3-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eA Poetry Of Broken Hearts\u003cbr\u003e3-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVox Populi\u003cbr\u003e3-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Lacerny Of The Harpstrings\u003cbr\u003e3-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Last Picture\u003cbr\u003e3-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Danger Of Losing Consistence\u003cbr\u003e3-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eNanenfest\u003cbr\u003e3-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePyramid\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWorld! (1989)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGhost Waltz\u003cbr\u003e4-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eRosas\u003cbr\u003e4-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVietcong Details\u003cbr\u003e4-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDon't Leave Fingerprints\u003cbr\u003e4-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGulhane Park\u003cbr\u003e4-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBelcher Beach\u003cbr\u003e4-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eStarvin' In Bucarest\u003cbr\u003e4-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eNu Indize\u003cbr\u003e4-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAlla La Ke\u003cbr\u003e4-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTiddley Winks 1\u003cbr\u003e4-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTiddley Winks 2\u003cbr\u003e4-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTiddley Winks 3\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eGarama (1991)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e5-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGarama\u003cbr\u003e5-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Pista Dei Kidal\u003cbr\u003e5-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUltimi Porti\u003cbr\u003e5-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTriboli Gao\u003cbr\u003e5-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePlus Nubiae\u003cbr\u003e5-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eOltre Cydamus\u003cbr\u003e5-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDjerat\u003cbr\u003e5-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eKaossen\u003cbr\u003e5-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eI Graffiti Di Orione E Delle Pleiadi\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eRarities (1984-1991)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e6-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eConcrete Noise\u003cbr\u003e6-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eNun Chiove\u003cbr\u003e6-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVoila Les Tropiquês\u003cbr\u003e6-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePerche’ (Fragments 1 \u0026amp; 2)\u003cbr\u003e6-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eIn Bucarest\u003cbr\u003e6-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVariations from \"Funeral Jars\"\u003cbr\u003e6-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Notte Delle Fiabe\u003cbr\u003e6-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTiddley Wings Part 4\u003cbr\u003e6-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePerche’ (Fragment 3)\u003cbr\u003e6-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eOrgasmxas\u003cbr\u003e6-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePenguins In A Cup Of Coffee\u003cbr\u003e6-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Polvere D'Inverno\u003cbr\u003e6-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Fragile Vita Dell'Uccellatore\u003cbr\u003e6-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePicnic Sound\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSpittle Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSpittle Records in co-operation with Officine Fonografiche Italiane present The World Of The Doubling Riders, The Doubling Riders' complete works.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Doubling Riders were born in the middle of the '80s from the ashes of A.T.R.O.X. and around the trio of Francesco Paladino, Pier Luigi Andreoni, and Riccardo Sinigaglia.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEspecially thanks to their collaboration with international artists such as Pascal Comelade, Ira Stein, and Vox Populi, The Doubling Riders stand out from the rest of other Italian bands of the time.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStarting from an electronic music approach and working freely with ethno, folk and wave elements, the sound of the Doubling Riders was extremely original and quite hard to classify. Even if often compared to some of the more intellectual new wave bands like Tuxedomoon, Doubling Riders can be easily considered a unique project within the Italian new music scene.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : THE DOUBLING RIDERS\u003c\/p\u003e\n\u003cp\u003eLabel : Spittle Records\u003c\/p\u003e\n\u003cp\u003eCAT No : SPITTLE75\u003c\/p\u003e","published_at":"2024-12-19T08:09:44+09:00","created_at":"2024-12-18T12:31:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","folk \/ left-field pop","jazz","new","strange beats"],"price":597600,"price_min":597600,"price_max":597600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46962744131834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Doubling Riders \/\/ The World Of The Doubling Riders 6xCD BOX","public_title":null,"options":["Default Title"],"price":597600,"weight":380,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_97abca71-ebe5-4d03-978d-6dfc77444b88.jpg?v=1734492237","\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_4dccc378-0d81-44de-b828-6453397c4137.jpg?v=1734492237"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_97abca71-ebe5-4d03-978d-6dfc77444b88.jpg?v=1734492237","options":["Title"],"media":[{"alt":null,"id":35319131341050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_97abca71-ebe5-4d03-978d-6dfc77444b88.jpg?v=1734492237"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_97abca71-ebe5-4d03-978d-6dfc77444b88.jpg?v=1734492237","width":700},{"alt":null,"id":35319131373818,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_4dccc378-0d81-44de-b828-6453397c4137.jpg?v=1734492237"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_4dccc378-0d81-44de-b828-6453397c4137.jpg?v=1734492237","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1980年代に活動していたイタリアのカルトニューウェーブバンドThe Doubling Ridersが、2024年10月にSpittle Recordsからリリースした6枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003e未発表音源含む72曲を収録。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XM3y7e0t_fk?si=9IUW0QOIykabRNXo\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/L_VryUFYslQ?si=L5L63NqRBv4bITWh\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/H9urJQvXmeQ?si=-pG0H-bFwVlaLJ3j\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/oU4EuDQvQXM?si=8bvzNfa4a7KKw6sd\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JpNKOep5PAQ?si=mOWFyndxs_5H_im-\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jPTmP9vJ8uE?si=iyXDuS2AML7SUHxH\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e6 x CD in box. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContains all four albums produced between 1985 and 1991: Doublings \u0026amp; Silences Volume I (1985), Doublings \u0026amp; Silences Volume II (1988), World! (1989), and Garama (1991). All have been remastered \/ the first two available on CD for the first time \/ includes a bonus CD w\/ previously unpublished material and rare tracks from the same period \/ includes 24-page booklet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDoublings \u0026amp; Silences Volume I (1985)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e1-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDoublings \u0026amp; Silence\u003cbr\u003e1-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eNights\u003cbr\u003e1-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDoubled By The Sun\u003cbr\u003e1-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eNeoplastie Part III\u003cbr\u003e1-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Warm Current\u003cbr\u003e1-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Last Emperor Of The Snakes\u003cbr\u003e1-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eH F A1\u003cbr\u003e1-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eChinese Rain\u003cbr\u003e1-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEffi Briest\u003cbr\u003e1-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVoila Les Tropiquês\u003cbr\u003e1-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSmell Into A Dream\u003cbr\u003e1-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eSchläft Ein Lied In Allen Dingen\u003cbr\u003e1-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBlind Bodies\u003cbr\u003e1-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePossession And Treasures\u003cbr\u003e1-15\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eIn A Bed Of Trees\u003cbr\u003e1-16\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePenguins (In A Cup Of Coffee)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDoublings \u0026amp; Silences Volume II (Part One) (1988)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e2-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVenice Calles\u003cbr\u003e2-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFuneral Jars\u003cbr\u003e2-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLittle Penguins In Love\u003cbr\u003e2-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eHoping That You Are Somewhere\u003cbr\u003e2-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eIndustrial Lullaby\u003cbr\u003e2-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eChildhood Fears (Old Version)\u003cbr\u003e2-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eWandering High\u003cbr\u003e2-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eArtery Of The Sun\u003cbr\u003e2-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLines On Spain\u003cbr\u003e2-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eChinese Comedy\u003cbr\u003e2-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eChildhood Fears (Young Version)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDoublings \u0026amp; Silences Volume II (Part Two) (1988)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e3-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAzur Noise\u003cbr\u003e3-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Partienze\u003cbr\u003e3-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eConfidential Eggs\u003cbr\u003e3-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eA Poetry Of Broken Hearts\u003cbr\u003e3-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVox Populi\u003cbr\u003e3-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Lacerny Of The Harpstrings\u003cbr\u003e3-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Last Picture\u003cbr\u003e3-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eThe Danger Of Losing Consistence\u003cbr\u003e3-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eNanenfest\u003cbr\u003e3-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePyramid\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWorld! (1989)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGhost Waltz\u003cbr\u003e4-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eRosas\u003cbr\u003e4-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVietcong Details\u003cbr\u003e4-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDon't Leave Fingerprints\u003cbr\u003e4-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGulhane Park\u003cbr\u003e4-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBelcher Beach\u003cbr\u003e4-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eStarvin' In Bucarest\u003cbr\u003e4-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eNu Indize\u003cbr\u003e4-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAlla La Ke\u003cbr\u003e4-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTiddley Winks 1\u003cbr\u003e4-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTiddley Winks 2\u003cbr\u003e4-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTiddley Winks 3\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eGarama (1991)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e5-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eGarama\u003cbr\u003e5-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Pista Dei Kidal\u003cbr\u003e5-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUltimi Porti\u003cbr\u003e5-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTriboli Gao\u003cbr\u003e5-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePlus Nubiae\u003cbr\u003e5-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eOltre Cydamus\u003cbr\u003e5-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eDjerat\u003cbr\u003e5-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eKaossen\u003cbr\u003e5-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eI Graffiti Di Orione E Delle Pleiadi\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eRarities (1984-1991)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e6-1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eConcrete Noise\u003cbr\u003e6-2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eNun Chiove\u003cbr\u003e6-3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVoila Les Tropiquês\u003cbr\u003e6-4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePerche’ (Fragments 1 \u0026amp; 2)\u003cbr\u003e6-5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eIn Bucarest\u003cbr\u003e6-6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eVariations from \"Funeral Jars\"\u003cbr\u003e6-7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Notte Delle Fiabe\u003cbr\u003e6-8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eTiddley Wings Part 4\u003cbr\u003e6-9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePerche’ (Fragment 3)\u003cbr\u003e6-10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eOrgasmxas\u003cbr\u003e6-11\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePenguins In A Cup Of Coffee\u003cbr\u003e6-12\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Polvere D'Inverno\u003cbr\u003e6-13\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLa Fragile Vita Dell'Uccellatore\u003cbr\u003e6-14\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003ePicnic Sound\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSpittle Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSpittle Records in co-operation with Officine Fonografiche Italiane present The World Of The Doubling Riders, The Doubling Riders' complete works.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Doubling Riders were born in the middle of the '80s from the ashes of A.T.R.O.X. and around the trio of Francesco Paladino, Pier Luigi Andreoni, and Riccardo Sinigaglia.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEspecially thanks to their collaboration with international artists such as Pascal Comelade, Ira Stein, and Vox Populi, The Doubling Riders stand out from the rest of other Italian bands of the time.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStarting from an electronic music approach and working freely with ethno, folk and wave elements, the sound of the Doubling Riders was extremely original and quite hard to classify. Even if often compared to some of the more intellectual new wave bands like Tuxedomoon, Doubling Riders can be easily considered a unique project within the Italian new music scene.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : THE DOUBLING RIDERS\u003c\/p\u003e\n\u003cp\u003eLabel : Spittle Records\u003c\/p\u003e\n\u003cp\u003eCAT No : SPITTLE75\u003c\/p\u003e"}
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1980年代に活動していたイタリアのカルトニューウェーブバンドThe Doubling Ridersが、2024年10月にSpittle Recordsからリリースした6枚組CD BOXです。 未発表音源含む72曲を収録。ブックレット付属。 --------------------------------------------------- 6 x CD in box. Contains all...
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{"id":8680498233594,"title":"Sharada Shashidhar \/\/ Soft Echoes LP","handle":"sharada-shashidhar-soft-echoes-lp","description":"\u003cp\u003e\u003cspan\u003eインド／アメリカのボーカリストSharada Shashidharが、2024年11月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたレコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eスピリチュアル・スムースジャズ〜ジャズ・ポップ6\u003c\/span\u003e曲を収録。DLリンク付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1523435891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link. 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Soft Echoes 04:39\u003cbr\u003e2. By The Land 03:57\u003cbr\u003e3. As I Am 05:07\u003cbr\u003e4. Canyon Song 05:16\u003cbr\u003e5. Luckiest 04:05\u003cbr\u003e6. New Echoes 04:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLos Angeles-based vocalist, composer, and producer Sharada Shashidhar has a deep awareness of the cosmos. There’s a distinct tug-of-war in her music, an understanding that scanning the heavens to answer existential queries isn’t quite enough; there are internal depths to plumb as well. Shashidhar’s first album, 2020’s Rahu, found her voice billowing out of smoky, post-beat-scene soundscapes, meditating on the collective unconscious and the energy exchange between all living things. Her newest work, Soft Echoes, is a bold step forward, eschewing her previous work’s hip-hop tilt for expansive compositions that blend jazz and Indian classical influences into a swirling, spiritual whole.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough she has an extensive resume as a collaborator in LA’s experimental jazz scene, notching work with the likes of Carlos Niño, Zeroh, and the Pan Afrikan Peoples Arkestra, Soft Echoes marks Shashidhar’s first outing as a bandleader. Gathering an ensemble that includes Anna Butters on bass, Julius Rodriguez on keys, Devin Daniels on saxophone, and Timothy Angulo on drums, Shashidhar sought to create a band that ostensibly functioned as an extension of herself. Her primary goals in writing these songs were to “let [her] body do what it wanted to do,” to trust her intuition, and\u003cspan class=\"bcTruncateMore\"\u003e “play without judgment.” Through that process, making Soft Echoes became a practice of presence and exploration, a chance to unlearn rigid structures and rediscover the joy of creating for oneself.\u003cbr\u003e\u003cbr\u003eRecording took place over three brief, distinct sessions at Altamira Sound in Alhambra, California. Though the full band wasn’t ever present at the same time, Soft Echoes sounds like the work of a group in complete, mind-meld focus. Splashy drums nudge up against skronkingsaxophone on “Canyon Song,” while mushrooming synth tones stack up behind rippling Rhodes piano on “Luckiest.” Shashidhar’s elegant voice is the anchor for each of these tracks, sometimes gracefully stretching between instruments like a lithe dancer’s limbs, other times scattering through psychedelic delay.\u003cbr\u003e\u003cbr\u003eShe describes the album as having “two poles,” illustrated by the whimsical, buoyant opener “Soft Echoes” and the darker, more anxiety-ridden closer, “New Echoes.” The songs in between may come from different emotional spaces, but “it’s all really reflective,” she explains. The album can play like a loop, with Shashidhar entering a portal “into the endlessness” during “New Echoes,” only to be transported back to the beginning, full of gratitude and pondering “how strange it is to be alive.” On Soft Echoes, Shashidhar leads us on a journey through her mind, traversing its peaks and canyons in search of greater connection. “I want to take people places,” she says, pausing thoughtfully. “I can’t always guarantee that they’re good places, [but] hopefully you’ll feel something.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sharada Shashidhar\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2024-12-14T06:09:08+09:00","created_at":"2024-12-13T14:51:59+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","leaving records","lp","new"],"price":367000,"price_min":367000,"price_max":367000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46948752720122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sharada Shashidhar \/\/ Soft Echoes LP","public_title":null,"options":["Default Title"],"price":367000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/shar1.jpg?v=1734069035","\/\/tobirarecords.com\/cdn\/shop\/files\/shar2.jpg?v=1734069035"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/shar1.jpg?v=1734069035","options":["Title"],"media":[{"alt":null,"id":35299055632634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shar1.jpg?v=1734069035"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shar1.jpg?v=1734069035","width":700},{"alt":null,"id":35299055665402,"position":2,"preview_image":{"aspect_ratio":0.922,"height":1200,"width":1106,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shar2.jpg?v=1734069035"},"aspect_ratio":0.922,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/shar2.jpg?v=1734069035","width":1106}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eインド／アメリカのボーカリストSharada Shashidharが、2024年11月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたレコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eスピリチュアル・スムースジャズ〜ジャズ・ポップ6\u003c\/span\u003e曲を収録。DLリンク付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1523435891\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link. 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Soft Echoes 04:39\u003cbr\u003e2. By The Land 03:57\u003cbr\u003e3. As I Am 05:07\u003cbr\u003e4. Canyon Song 05:16\u003cbr\u003e5. Luckiest 04:05\u003cbr\u003e6. New Echoes 04:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLos Angeles-based vocalist, composer, and producer Sharada Shashidhar has a deep awareness of the cosmos. There’s a distinct tug-of-war in her music, an understanding that scanning the heavens to answer existential queries isn’t quite enough; there are internal depths to plumb as well. Shashidhar’s first album, 2020’s Rahu, found her voice billowing out of smoky, post-beat-scene soundscapes, meditating on the collective unconscious and the energy exchange between all living things. Her newest work, Soft Echoes, is a bold step forward, eschewing her previous work’s hip-hop tilt for expansive compositions that blend jazz and Indian classical influences into a swirling, spiritual whole.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough she has an extensive resume as a collaborator in LA’s experimental jazz scene, notching work with the likes of Carlos Niño, Zeroh, and the Pan Afrikan Peoples Arkestra, Soft Echoes marks Shashidhar’s first outing as a bandleader. Gathering an ensemble that includes Anna Butters on bass, Julius Rodriguez on keys, Devin Daniels on saxophone, and Timothy Angulo on drums, Shashidhar sought to create a band that ostensibly functioned as an extension of herself. Her primary goals in writing these songs were to “let [her] body do what it wanted to do,” to trust her intuition, and\u003cspan class=\"bcTruncateMore\"\u003e “play without judgment.” Through that process, making Soft Echoes became a practice of presence and exploration, a chance to unlearn rigid structures and rediscover the joy of creating for oneself.\u003cbr\u003e\u003cbr\u003eRecording took place over three brief, distinct sessions at Altamira Sound in Alhambra, California. Though the full band wasn’t ever present at the same time, Soft Echoes sounds like the work of a group in complete, mind-meld focus. Splashy drums nudge up against skronkingsaxophone on “Canyon Song,” while mushrooming synth tones stack up behind rippling Rhodes piano on “Luckiest.” Shashidhar’s elegant voice is the anchor for each of these tracks, sometimes gracefully stretching between instruments like a lithe dancer’s limbs, other times scattering through psychedelic delay.\u003cbr\u003e\u003cbr\u003eShe describes the album as having “two poles,” illustrated by the whimsical, buoyant opener “Soft Echoes” and the darker, more anxiety-ridden closer, “New Echoes.” The songs in between may come from different emotional spaces, but “it’s all really reflective,” she explains. The album can play like a loop, with Shashidhar entering a portal “into the endlessness” during “New Echoes,” only to be transported back to the beginning, full of gratitude and pondering “how strange it is to be alive.” On Soft Echoes, Shashidhar leads us on a journey through her mind, traversing its peaks and canyons in search of greater connection. “I want to take people places,” she says, pausing thoughtfully. “I can’t always guarantee that they’re good places, [but] hopefully you’ll feel something.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sharada Shashidhar\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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インド／アメリカのボーカリストSharada Shashidharが、2024年11月にLAの老舗オールジャンルレーベルLeaving Recordsからリリースしたレコードです。 スピリチュアル・スムースジャズ〜ジャズ・ポップ6曲を収録。DLリンク付属。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at...
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{"id":8677471650042,"title":"Amanda Whiting \/\/ A Christmas Cwtch CD","handle":"aaxm","description":"\u003cp\u003eウェールズ出身ロンドン在住のジャズハープ奏者Amanda Whitingが、2024年12月にリリースしたクリスマスアルバムです。\u003c\/p\u003e\n\u003cp\u003eBill Evansやチャイコフスキーなどの楽曲をクリスマスアレンジした14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4008049454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4008049454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1683171130\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Night Before (Santa Claus Is Coming to Town Intro 00:43\u003cbr\u003e2. In the Bleak Midwinter 03:48\u003cbr\u003e3. Christmas Is Coming 02:26\u003cbr\u003e4. Christmas Time Is Here 04:17\u003cbr\u003e5. Sugarplum 03:46\u003cbr\u003e6. Happiness Theme 03:50\u003cbr\u003e7. Little Elfy 02:13\u003cbr\u003e8. Skating 02:58\u003cbr\u003e9. Peace Piece 03:03\u003cbr\u003e10. Deck the Halls 03:20\u003cbr\u003e11. The Christmas Song 03:56\u003cbr\u003e12. O Christmas Tree 02:59\u003cbr\u003e13. We Three Kings 04:23\u003cbr\u003e14. Has He Been? (Santa Claus Is Coming to Town Outro) 00:27\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFirst Word Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirst Word Records are very proud to bring you 'A Christmas Cwtch', the brand new album from highly-acclaimed Welsh jazz-harpist, Amanda Whiting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExpertly crafted with love, care and dedication, 'A Christmas Cwtch' takes on assorted classics from the likes of Vince Guaraldi, Bill Evans, Holst and Tchaikovsky, and re-presents them with original arrangements by Amanda and her accomplished trio. The end result is a 14-track selection pack of feel-good seasonal jazz-harp magic, including recent singles 'Peace Piece' and 'Skating'.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmanda says \"just mention Christmas and you hear Guaraldi, Bill Evans and the sound of sleigh bells and harps. It's my favourite time of year and the music evokes everything warm and cwtchy. Sparkling lights, mince pies, mulled wine and nostalgia around the tree.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the word 'cwtch', Amanda explains that \"a 'cwtch' is the most important word to Welsh folk. It's a hug, with a little squeeze. It's a feeling. It's cosy, loving and safe. I wanted this album to hold you, cwtch you and allow you to indulge.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspired by artists like Dorothy Ashby and Alice Coltrane, Amanda is a classically trained virtuoso, well established in the UK jazz scene, with releases on Jazzman and Albert's\u003cspan class=\"bcTruncateMore\"\u003e Favourites.\u003cbr\u003e\u003cbr\u003eHer most recent projects were released on Worldwide Award-winning UK label, First Word; 'Beyond the Midnight Sun' (with label-mate and Welsh Music Prize nominee, Don Leisure) and the hugely popular 2024 album 'The Liminality of Her', which received widespread praise in outlets such as Jazzwise, Mojo, Clash, Bandcamp, AllMusic, Somewhere Soul, HHV, Apple Music and Harp Column.\u003cbr\u003e\u003cbr\u003eShe has had wide support on the airwaves from tastemakers such as Cerys Matthews (BBC 6 Music), Tony Minvielle (Jazz FM), Deb Grant (BBC 6 Music), Patrick Forge (NTS), Soweto Kinch (BBC Radio 3), Kev Beadle (Totally Wired), Tina Edwards (Soho Radio), Laurent Garnier (FiP) and Jamie Cullum (BBC Radio 2).\u003cbr\u003e\u003cbr\u003e'A Christmas Cwtch' exemplifies Amanda's talent and personality simultaneously, celebrating an array of her favourite things; the harp, her Welshness, her love of jazz, her love of classical music and her love of Christmas. This album is an absolute delight, and the perfect soundtrack for the season. An essential stocking filler!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amanda Whiting\u003c\/p\u003e\n\u003cp\u003eLabel : First Word Records\u003c\/p\u003e\n\u003cp\u003eCAT No : FW322\u003c\/p\u003e","published_at":"2024-12-07T15:06:12+09:00","created_at":"2024-12-07T14:45:34+09:00","vendor":"Tobira Records","type":"","tags":["cd","first word records","jazz","new"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46931680428282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Amanda Whiting \/\/ A Christmas Cwtch CD","public_title":null,"options":["Default Title"],"price":248000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580835481","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aman1_4027d5c1-2652-4a81-938b-e3fb317e505d.jpg?v=1733550376","\/\/tobirarecords.com\/cdn\/shop\/files\/aman3.jpg?v=1733550375"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aman1_4027d5c1-2652-4a81-938b-e3fb317e505d.jpg?v=1733550376","options":["Title"],"media":[{"alt":null,"id":35276502991098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aman1_4027d5c1-2652-4a81-938b-e3fb317e505d.jpg?v=1733550376"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aman1_4027d5c1-2652-4a81-938b-e3fb317e505d.jpg?v=1733550376","width":700},{"alt":null,"id":35276503056634,"position":2,"preview_image":{"aspect_ratio":1.325,"height":906,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aman3.jpg?v=1733550375"},"aspect_ratio":1.325,"height":906,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aman3.jpg?v=1733550375","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウェールズ出身ロンドン在住のジャズハープ奏者Amanda Whitingが、2024年12月にリリースしたクリスマスアルバムです。\u003c\/p\u003e\n\u003cp\u003eBill Evansやチャイコフスキーなどの楽曲をクリスマスアレンジした14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4008049454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4008049454\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1683171130\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Night Before (Santa Claus Is Coming to Town Intro 00:43\u003cbr\u003e2. In the Bleak Midwinter 03:48\u003cbr\u003e3. Christmas Is Coming 02:26\u003cbr\u003e4. Christmas Time Is Here 04:17\u003cbr\u003e5. Sugarplum 03:46\u003cbr\u003e6. Happiness Theme 03:50\u003cbr\u003e7. Little Elfy 02:13\u003cbr\u003e8. Skating 02:58\u003cbr\u003e9. Peace Piece 03:03\u003cbr\u003e10. Deck the Halls 03:20\u003cbr\u003e11. The Christmas Song 03:56\u003cbr\u003e12. O Christmas Tree 02:59\u003cbr\u003e13. We Three Kings 04:23\u003cbr\u003e14. Has He Been? (Santa Claus Is Coming to Town Outro) 00:27\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFirst Word Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFirst Word Records are very proud to bring you 'A Christmas Cwtch', the brand new album from highly-acclaimed Welsh jazz-harpist, Amanda Whiting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExpertly crafted with love, care and dedication, 'A Christmas Cwtch' takes on assorted classics from the likes of Vince Guaraldi, Bill Evans, Holst and Tchaikovsky, and re-presents them with original arrangements by Amanda and her accomplished trio. The end result is a 14-track selection pack of feel-good seasonal jazz-harp magic, including recent singles 'Peace Piece' and 'Skating'.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmanda says \"just mention Christmas and you hear Guaraldi, Bill Evans and the sound of sleigh bells and harps. It's my favourite time of year and the music evokes everything warm and cwtchy. Sparkling lights, mince pies, mulled wine and nostalgia around the tree.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the word 'cwtch', Amanda explains that \"a 'cwtch' is the most important word to Welsh folk. It's a hug, with a little squeeze. It's a feeling. It's cosy, loving and safe. I wanted this album to hold you, cwtch you and allow you to indulge.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspired by artists like Dorothy Ashby and Alice Coltrane, Amanda is a classically trained virtuoso, well established in the UK jazz scene, with releases on Jazzman and Albert's\u003cspan class=\"bcTruncateMore\"\u003e Favourites.\u003cbr\u003e\u003cbr\u003eHer most recent projects were released on Worldwide Award-winning UK label, First Word; 'Beyond the Midnight Sun' (with label-mate and Welsh Music Prize nominee, Don Leisure) and the hugely popular 2024 album 'The Liminality of Her', which received widespread praise in outlets such as Jazzwise, Mojo, Clash, Bandcamp, AllMusic, Somewhere Soul, HHV, Apple Music and Harp Column.\u003cbr\u003e\u003cbr\u003eShe has had wide support on the airwaves from tastemakers such as Cerys Matthews (BBC 6 Music), Tony Minvielle (Jazz FM), Deb Grant (BBC 6 Music), Patrick Forge (NTS), Soweto Kinch (BBC Radio 3), Kev Beadle (Totally Wired), Tina Edwards (Soho Radio), Laurent Garnier (FiP) and Jamie Cullum (BBC Radio 2).\u003cbr\u003e\u003cbr\u003e'A Christmas Cwtch' exemplifies Amanda's talent and personality simultaneously, celebrating an array of her favourite things; the harp, her Welshness, her love of jazz, her love of classical music and her love of Christmas. This album is an absolute delight, and the perfect soundtrack for the season. An essential stocking filler!\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amanda Whiting\u003c\/p\u003e\n\u003cp\u003eLabel : First Word Records\u003c\/p\u003e\n\u003cp\u003eCAT No : FW322\u003c\/p\u003e"}
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ウェールズ出身ロンドン在住のジャズハープ奏者Amanda Whitingが、2024年12月にリリースしたクリスマスアルバムです。 Bill Evansやチャイコフスキーなどの楽曲をクリスマスアレンジした14曲を収録。 ------------------------------------------------ Available on 12" black vinyl or CD. Tracklist: 1....
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