Nora Stanley and Benny Bock // Distance of the Moon LP
Nora Stanley and Benny Bock // Distance of the Moon LP
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※10月中旬入荷予定です
アメリカ・LAのアンビエント・ジャズデュオNora Stanley and Benny Bockが、2023年6月にLAのコンテンポラリージャズレーベルColorfield Recordsからリリースしたデビューレコードです。
穏やかなアンビエント・ジャズ10曲を収録。DLコード付属。
Sam GendelやSam Wilkes、Carlos Ninoなどが好きな方におすすめします。
レーベルその他作品はこちら /// Click here to see more Colorfield Recordings releases available at Tobira.
----------------------
12" black vinyl. Includes DL code.
Benny Bock - Steinway Grand Piano, Steinway Prepared Upright Piano, Fender Rhodes, Wurlitzer 200a, Hammond B3, Estey Pump Organ, Percussion, Baritone Guitar, ARP 2600, Yamaha CS60, Moog Minimoog, Prophet 5, UDO Super 6, Oberheim Two Voice Pro, Soma Lyra & Pulsar 23, Drum Programming
Nora Stanley - Saxophone, Korg Maxikorg 800, Soma Pulsar, Moog Minimoog, Percussion, Kalimba, Drum Programming
Owen Clapp - Upright Bass (“Maurice”)
Doug Stuart - Electric Bass (“Assembling”)
Jeff Parker - Guitar (“Vista Ahead”)
Abe Rounds - Drums (“Distance of the Moon”)
Mark Giuliana - Drums (“Like Smoke”)
Daphne Chen - Violin, Viola (“Assembling”)
Myles Martin - Drums (“Into The Flats”)
Jacob Richards - Drums (“Vista Ahead”)
CJ Camerieri - Trumpet, French Horn (“Distance of the Moon” and “Maurice”)
Artist : Nora Stanley and Benny Bock
Label : Colorfield Recordings
※10月中旬入荷予定です
アメリカ・LAのアンビエント・ジャズデュオNora Stanley and Benny Bockが、2023年6月にLAのコンテンポラリージャズレーベルColorfield Recordsからリリースしたデビューレコードです。
穏やかなアンビエント・ジャズ10曲を収録。DLコード付属。
Sam GendelやSam Wilkes、Carlos Ninoなどが好きな方におすすめします。
レーベルその他作品はこちら /// Click here to see more Colorfield Recordings releases available at Tobira.
----------------------
12" black vinyl. Includes DL code.
Benny Bock - Steinway Grand Piano, Steinway Prepared Upright Piano, Fender Rhodes, Wurlitzer 200a, Hammond B3, Estey Pump Organ, Percussion, Baritone Guitar, ARP 2600, Yamaha CS60, Moog Minimoog, Prophet 5, UDO Super 6, Oberheim Two Voice Pro, Soma Lyra & Pulsar 23, Drum Programming
Nora Stanley - Saxophone, Korg Maxikorg 800, Soma Pulsar, Moog Minimoog, Percussion, Kalimba, Drum Programming
Owen Clapp - Upright Bass (“Maurice”)
Doug Stuart - Electric Bass (“Assembling”)
Jeff Parker - Guitar (“Vista Ahead”)
Abe Rounds - Drums (“Distance of the Moon”)
Mark Giuliana - Drums (“Like Smoke”)
Daphne Chen - Violin, Viola (“Assembling”)
Myles Martin - Drums (“Into The Flats”)
Jacob Richards - Drums (“Vista Ahead”)
CJ Camerieri - Trumpet, French Horn (“Distance of the Moon” and “Maurice”)
Artist : Nora Stanley and Benny Bock
Label : Colorfield Recordings
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{"id":8026763362554,"title":"Bex Burch \/\/ There is only love and fear LP","handle":"bex-burch-there-is-only-love-and-fear-lp","description":"\u003cp\u003eイギリス・ロンドンのポストロック〜ジャズバンド\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vula-viel\"\u003e Vula Viel\u003c\/a\u003eメンバーとしても活動している木琴奏者Bex Burchが、2023年10月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたソロアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e西アフリカ・ガーナの木琴Gyilの音色が心地良いスピリチュアル・アンビエントジャズ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2956286718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDawn blessings 04:50 video\u003c\/li\u003e\n\u003cli\u003eIf I was you, I'd be doing exactly the same\u003c\/li\u003e\n\u003cli\u003eDon't go back to sleep 02:42\u003c\/li\u003e\n\u003cli\u003eFruit smoothie with peanut butter\u003c\/li\u003e\n\u003cli\u003ePardieu\u003c\/li\u003e\n\u003cli\u003eStart before you're ready\u003c\/li\u003e\n\u003cli\u003eYou thought you were free?\u003c\/li\u003e\n\u003cli\u003e\"Joy is not meant to be a crumb\"\u003c\/li\u003e\n\u003cli\u003eOn falling 02:46\u003c\/li\u003e\n\u003cli\u003eFollow me, I make you happy\u003c\/li\u003e\n\u003cli\u003eThis is the sound of one voice\u003c\/li\u003e\n\u003cli\u003eWhen love begins\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiner notes by Emma Warren, via International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eOn rare occasions, all the stars align. This is how it was when composer-musician and instrument-maker Bex Burch jumped into her car and drove eight hours across Europe to Utrecht in November 2021. “Mostly life isn’t like that,” she says. “We’re here to figure things out and struggle. But occasionally things just fall into place. Sometimes the world is magical.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe car trip began in Berlin, where she was living after a long stint in London, where she’d made her name in the layers that exist between jazz and improvised experimentalism. The journey ended at Le Guess Who? Festival and an invitation from International Anthem’s Alejandro Ayala. Or perhaps it ended in a ground floor studio in Chicago’s South Side with light streaming through a skylight onto her newly-finished wooden xylophone and a stream of musicians selected by International Anthem’s Scottie McNiece and Dave Vettraino. Or maybe, like a wave travelling across the ocean, the travels continued until Bex Burch finally finished editing thirty-two days of exceptionally tender improvised recording sessions into the forty gossamer minutes of this stunning debut solo record, which oscillates between modes of quiet open-heartedness and powerful\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e expression.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is only love and fear is the sound of Bex Burch in communion with some of the finest sonic communicators in International Anthem’s extended family. These include woodwind player Rob Frye, who gave Burch a tour of the Illinois Audubon Society’s Gremel Wildlife Sanctuary the day after she arrived in Chicago. Also Tortoise drummer Dan Bitney and Ben LaMar Gay, who both took Burch through her first few days in the studio, tuning into her communicative harmonics and responding with their own. And double bassist Anna Butterss and violinist Macie Stewart, who participated separately but both became key collaborators in the album’s post-production, accenting their respective string improvisations with additional sounds remotely recorded per Burch’s direction. Everyone on this record is highly skillful, a rare talent, but drawn together by Burch they were invited to inhabit something even more extraordinary: their most open selves, requested only to bring the sounds they liked – or even needed – in the moment of recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“What has come through in this album,” she says, “is a more domestic style of music: the simplicity of life and sound-making. The word I’m shy to use is ‘feminine’ but it’s true, and I reclaim it in all its power.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe describes her sound as “messy minimalism.” The twelve tracks evoke variously the sweet kind of zoning-in that allows the listener access to their own feelings; the generative meditations of First Thought, Best Thought-era Arthur Russell; Vivaldi or Laurie Anderson – if they’d been ultra-gentle satellite reflections of Chicago’s minimalist and avant-garde music histories.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBurch has previously released as part of Boing! with Leafcutter John, and with the critically acclaimed Strut-released Flock with Londoners including Sarathy Korwar and The Comet Is Coming’s Danalogue. She also runs the band and label Vula Viel and has collaborated with artists from Peter Zummo to Dame Evelyn Glennie.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album also welcomes in the sound of the natural world; ‘hip as fuck’ wood pigeons and resonant nightingales recorded in Berlin parks and forests, dreamy waves lilting onto the sand on the Baltic coast of Rügen Island for the unforgettable closing track ‘When Love Begins’ – and some extreme Chi-Town weather.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There was this ignition moment,” she says of ‘You thought you were free’, the carnival-coloured mid-point of the album. “There was a tornado warning, our phones were all going off: ‘go into the basement’.” The players collectively shrugged their shoulders – until siren sound waves began ghosting through the studio walls. “I turned one of the microphones up to catch the thunder and the rain under the skylight,” she says. “I was properly scared, not just because of the storm, but because I was nervous. I was trying to stay open and be conscious of the fact that I didn’t know what to expect – and that doing so means surrender. That knife edge of presence was really intense. We all just played through.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlaying through was possible, at least in part because of a 90-day practice Burch calls Dawn blessings, which also provided some of the ‘heard sounds’ that dance around the music generated during these collaborative recordings. The practice refers to a friend called Dawn, not daybreak, although at least one of the Dawn blessings that ended up on There is only love and fear was recorded when the sun came up. The Dawn blessings required Burch to make one piece of music daily, in answer to the question: ‘what sounds do I like today?’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“My intention was to cultivate this feeling of expansion and magic that I felt when I was invited to the US. The music is already there, and I have to let go and allow myself to be in it. The 90-day practice was to strengthen that muscle. You know if you do sit ups, you get a six-pack? Perhaps this was exercising my openness six-pack.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe was also exercising her hand-made xylophone. Burch lived in Ghana for three years, including an 18-month apprenticeship in instrument-making, in the Upper West of Ghana with master gyil player Thomas Sekgura. The new instrument isn’t of a particular tradition, indeed the harmonics are tuned to maximise the resonance and was made in collaboration with Jamie Linwood in Stroud, in the south west of England. “The question ‘what sounds do I like today?’ brought up harmonics, and this is the first instrument I’ve made because of what I want to hear. This record happens to be the first that features it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's quite a christening: a resonant, respectful, super-warm expression of asymmetry, repetitiveness and space. “It’s how the universe works, it’s how we’re all vibrating. We all resonate, literally, with these fundamentals. Tension and release, space, chaos and asymmetry in heard sounds in nature – I love it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe energy sent into the world when Bex Burch turned the ignition key of her car and drove to Utrecht has finally landed on the beach, in the shape of There is only love and fear. “It’s about choosing to act in love and choosing not to put more force or fear into the world,” she says. “Imagine it like I’m swimming: instead of just leaving a wake of love behind me, I’m pushing it ahead of me, and all around me as well, void of hierarchy, it’s beyond the linear and binary. We can lift people up when we do that.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSoak this music up – it will rejuvenate you.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Daniel Villarreal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-03T08:57:39+09:00","created_at":"2023-10-02T13:10:54+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":3100,"price_min":3100,"price_max":3100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44597340176634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bex Burch \/\/ There is only love and fear LP","public_title":null,"options":["Default Title"],"price":3100,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857","\/\/tobirarecords.com\/cdn\/shop\/files\/th2_f90b7985-34ad-4b4c-b10d-f801ede4853a.jpg?v=1696219856","\/\/tobirarecords.com\/cdn\/shop\/files\/th3_d756906c-f451-4f29-b9bf-e28ed8836582.jpg?v=1696219856"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857","options":["Title"],"media":[{"alt":null,"id":32516865294586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857","width":700},{"alt":null,"id":32516865327354,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th2_f90b7985-34ad-4b4c-b10d-f801ede4853a.jpg?v=1696219856"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th2_f90b7985-34ad-4b4c-b10d-f801ede4853a.jpg?v=1696219856","width":1200},{"alt":null,"id":32516865360122,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th3_d756906c-f451-4f29-b9bf-e28ed8836582.jpg?v=1696219856"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th3_d756906c-f451-4f29-b9bf-e28ed8836582.jpg?v=1696219856","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのポストロック〜ジャズバンド\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vula-viel\"\u003e Vula Viel\u003c\/a\u003eメンバーとしても活動している木琴奏者Bex Burchが、2023年10月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたソロアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e西アフリカ・ガーナの木琴Gyilの音色が心地良いスピリチュアル・アンビエントジャズ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2956286718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDawn blessings 04:50 video\u003c\/li\u003e\n\u003cli\u003eIf I was you, I'd be doing exactly the same\u003c\/li\u003e\n\u003cli\u003eDon't go back to sleep 02:42\u003c\/li\u003e\n\u003cli\u003eFruit smoothie with peanut butter\u003c\/li\u003e\n\u003cli\u003ePardieu\u003c\/li\u003e\n\u003cli\u003eStart before you're ready\u003c\/li\u003e\n\u003cli\u003eYou thought you were free?\u003c\/li\u003e\n\u003cli\u003e\"Joy is not meant to be a crumb\"\u003c\/li\u003e\n\u003cli\u003eOn falling 02:46\u003c\/li\u003e\n\u003cli\u003eFollow me, I make you happy\u003c\/li\u003e\n\u003cli\u003eThis is the sound of one voice\u003c\/li\u003e\n\u003cli\u003eWhen love begins\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiner notes by Emma Warren, via International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eOn rare occasions, all the stars align. This is how it was when composer-musician and instrument-maker Bex Burch jumped into her car and drove eight hours across Europe to Utrecht in November 2021. “Mostly life isn’t like that,” she says. “We’re here to figure things out and struggle. But occasionally things just fall into place. Sometimes the world is magical.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe car trip began in Berlin, where she was living after a long stint in London, where she’d made her name in the layers that exist between jazz and improvised experimentalism. The journey ended at Le Guess Who? Festival and an invitation from International Anthem’s Alejandro Ayala. Or perhaps it ended in a ground floor studio in Chicago’s South Side with light streaming through a skylight onto her newly-finished wooden xylophone and a stream of musicians selected by International Anthem’s Scottie McNiece and Dave Vettraino. Or maybe, like a wave travelling across the ocean, the travels continued until Bex Burch finally finished editing thirty-two days of exceptionally tender improvised recording sessions into the forty gossamer minutes of this stunning debut solo record, which oscillates between modes of quiet open-heartedness and powerful\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e expression.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is only love and fear is the sound of Bex Burch in communion with some of the finest sonic communicators in International Anthem’s extended family. These include woodwind player Rob Frye, who gave Burch a tour of the Illinois Audubon Society’s Gremel Wildlife Sanctuary the day after she arrived in Chicago. Also Tortoise drummer Dan Bitney and Ben LaMar Gay, who both took Burch through her first few days in the studio, tuning into her communicative harmonics and responding with their own. And double bassist Anna Butterss and violinist Macie Stewart, who participated separately but both became key collaborators in the album’s post-production, accenting their respective string improvisations with additional sounds remotely recorded per Burch’s direction. Everyone on this record is highly skillful, a rare talent, but drawn together by Burch they were invited to inhabit something even more extraordinary: their most open selves, requested only to bring the sounds they liked – or even needed – in the moment of recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“What has come through in this album,” she says, “is a more domestic style of music: the simplicity of life and sound-making. The word I’m shy to use is ‘feminine’ but it’s true, and I reclaim it in all its power.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe describes her sound as “messy minimalism.” The twelve tracks evoke variously the sweet kind of zoning-in that allows the listener access to their own feelings; the generative meditations of First Thought, Best Thought-era Arthur Russell; Vivaldi or Laurie Anderson – if they’d been ultra-gentle satellite reflections of Chicago’s minimalist and avant-garde music histories.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBurch has previously released as part of Boing! with Leafcutter John, and with the critically acclaimed Strut-released Flock with Londoners including Sarathy Korwar and The Comet Is Coming’s Danalogue. She also runs the band and label Vula Viel and has collaborated with artists from Peter Zummo to Dame Evelyn Glennie.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album also welcomes in the sound of the natural world; ‘hip as fuck’ wood pigeons and resonant nightingales recorded in Berlin parks and forests, dreamy waves lilting onto the sand on the Baltic coast of Rügen Island for the unforgettable closing track ‘When Love Begins’ – and some extreme Chi-Town weather.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There was this ignition moment,” she says of ‘You thought you were free’, the carnival-coloured mid-point of the album. “There was a tornado warning, our phones were all going off: ‘go into the basement’.” The players collectively shrugged their shoulders – until siren sound waves began ghosting through the studio walls. “I turned one of the microphones up to catch the thunder and the rain under the skylight,” she says. “I was properly scared, not just because of the storm, but because I was nervous. I was trying to stay open and be conscious of the fact that I didn’t know what to expect – and that doing so means surrender. That knife edge of presence was really intense. We all just played through.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlaying through was possible, at least in part because of a 90-day practice Burch calls Dawn blessings, which also provided some of the ‘heard sounds’ that dance around the music generated during these collaborative recordings. The practice refers to a friend called Dawn, not daybreak, although at least one of the Dawn blessings that ended up on There is only love and fear was recorded when the sun came up. The Dawn blessings required Burch to make one piece of music daily, in answer to the question: ‘what sounds do I like today?’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“My intention was to cultivate this feeling of expansion and magic that I felt when I was invited to the US. The music is already there, and I have to let go and allow myself to be in it. The 90-day practice was to strengthen that muscle. You know if you do sit ups, you get a six-pack? Perhaps this was exercising my openness six-pack.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe was also exercising her hand-made xylophone. Burch lived in Ghana for three years, including an 18-month apprenticeship in instrument-making, in the Upper West of Ghana with master gyil player Thomas Sekgura. The new instrument isn’t of a particular tradition, indeed the harmonics are tuned to maximise the resonance and was made in collaboration with Jamie Linwood in Stroud, in the south west of England. “The question ‘what sounds do I like today?’ brought up harmonics, and this is the first instrument I’ve made because of what I want to hear. This record happens to be the first that features it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's quite a christening: a resonant, respectful, super-warm expression of asymmetry, repetitiveness and space. “It’s how the universe works, it’s how we’re all vibrating. We all resonate, literally, with these fundamentals. Tension and release, space, chaos and asymmetry in heard sounds in nature – I love it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe energy sent into the world when Bex Burch turned the ignition key of her car and drove to Utrecht has finally landed on the beach, in the shape of There is only love and fear. “It’s about choosing to act in love and choosing not to put more force or fear into the world,” she says. “Imagine it like I’m swimming: instead of just leaving a wake of love behind me, I’m pushing it ahead of me, and all around me as well, void of hierarchy, it’s beyond the linear and binary. We can lift people up when we do that.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSoak this music up – it will rejuvenate you.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Daniel Villarreal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのポストロック〜ジャズバンド Vula Vielメンバーとしても活動している木琴奏者Bex Burchが、2023年10月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたソロアルバムです。 西アフリカ・ガーナの木琴Gyilの音色が心地良いスピリチュアル・アンビエントジャズ12曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":8026761658618,"title":"Asher Gamedze \/\/ Turbulence and Pulse 2xLP","handle":"asher-gamedze-turbulence-and-pulse-lp","description":"\u003cp\u003e南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ13曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3972533475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. Physical version includes 3 bonus tracks not included in the digital album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTurbulence's Pulse 04:08\u003c\/li\u003e\n\u003cli\u003eWynter Time 09:27 video\u003c\/li\u003e\n\u003cli\u003eLocomotion 04:07\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth 08:13\u003c\/li\u003e\n\u003cli\u003eMelancholia 04:37\u003c\/li\u003e\n\u003cli\u003eAlibama 02:59\u003c\/li\u003e\n\u003cli\u003eCan't See The Sun 05:04\u003c\/li\u003e\n\u003cli\u003eSometimes I Think To Myself 05:20\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim 06:34\u003c\/li\u003e\n\u003cli\u003eUnderground Formation 06:49\u003c\/li\u003e\n\u003cli\u003eMelancholia (Live in Cairo) 04:38\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth (Live in Cairo) 09:52\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim (Live in Cairo) 07:41\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAtiyyah Khan, via the label:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Cape Town, South Africa-based drummer Asher Gamedze explores relationships of time between music and history on his new album Turbulence and Pulse, out May 5th 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGamedze’s critically-acclaimed debut album Dialectic Soul was released at the height of the Covid-19 pandemic in July 2020. Around the release of that record, with friend and writer Teju Adeleye he organized and participated in a joint online discussion “Poesis,” with historian Robin D.G. Kelley and others. One of the notable comments made in this session was by the poet and scholar Fred Moten, who described Gamedze’s drumming as an “amazing interplay between turbulence and pulse. Pulse is supposed to regulate and also be regular, but the turbulence underneath it and on top of it, it’s just extraordinary.” Moten added that this concept is a fundamental element of the percussive approach in Black music more broadly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTurbulence and Pulse takes its title from this moment of synchronicities. Inspired by this description, Gamedze developed the metaphor further, expanding the concept of turbulence and pulse through the lens of history. “Time in music is a metaphor for thinking about time in history and how time moves,” he says. “The way we’re taught history is generally in a way that robs people of\u003cspan class=\"bcTruncateMore\"\u003e agency in imagining themselves as part of history and how it unfolds. It is something that happens to us. I think there's a productive metaphor in that because the sense of time in music is created by musicians playing together. If we can use that to think about history and time in history, you can see that, actually, history is created by people in a whole range of ways. At the heart of it, historical motion is created by people organized and acting together, whether for progressive or reactionary ends.”\u003cbr\u003e\u003cbr\u003eFor Gamedze, the underlying message of Turbulence and Pulse is “to claim a form of historical agency and realize that the future is not a foregone conclusion. As people we can organize, to transform our world in small and big ways.” This concept comes out of Gamedze’s involvement in radical cultural work and political organizing. He adds: “One of the ideas that I've had for a long time is to unsettle the way that people think about culture as something static or as something fixed. There’s this tension in Africa, because of the way that the colonists have constructed visions of African culture, where people speak about this need to conserve culture and document it. I think that's important, but you also have to understand that these things are moving. And we are the people who have to participate in that movement.”\u003cbr\u003e\u003cbr\u003eFor the album artwork, Gamedze extends the visual aesthetic of his previous release with a hand-drawn illustration. “I feel like my drawings represent the inside of my mind. It’s very free and improvisational,” he says. Friend and designer Naadira Patel worked with Gamedze to design the final cover layout, which includes liner notes penned by his sister, writer and artist Thuli Gamedze.\u003cbr\u003e\u003cbr\u003eTurbulence and Pulse comes via the partnership of Chicago-based International Anthem and Johannesburg-based Mushroom Hour Half Hour, as the first collaborative release by the two labels.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Asher Gamedze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-03T07:27:29+09:00","created_at":"2023-10-02T13:02:42+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":4000,"price_min":4000,"price_max":4000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44597311078650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Asher Gamedze \/\/ Turbulence and Pulse 2xLP","public_title":null,"options":["Default Title"],"price":4000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364","\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d311310-a8a0-4be7-a79d-7c79797813f3.jpg?v=1696219364","\/\/tobirarecords.com\/cdn\/shop\/files\/pu3_b8357b7c-5428-4024-b367-864e4a7a5f80.jpg?v=1696219364"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364","options":["Title"],"media":[{"alt":null,"id":32516849795322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364","width":700},{"alt":null,"id":32516849828090,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d311310-a8a0-4be7-a79d-7c79797813f3.jpg?v=1696219364"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d311310-a8a0-4be7-a79d-7c79797813f3.jpg?v=1696219364","width":1200},{"alt":null,"id":32516849860858,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu3_b8357b7c-5428-4024-b367-864e4a7a5f80.jpg?v=1696219364"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu3_b8357b7c-5428-4024-b367-864e4a7a5f80.jpg?v=1696219364","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ13曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3972533475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. Physical version includes 3 bonus tracks not included in the digital album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTurbulence's Pulse 04:08\u003c\/li\u003e\n\u003cli\u003eWynter Time 09:27 video\u003c\/li\u003e\n\u003cli\u003eLocomotion 04:07\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth 08:13\u003c\/li\u003e\n\u003cli\u003eMelancholia 04:37\u003c\/li\u003e\n\u003cli\u003eAlibama 02:59\u003c\/li\u003e\n\u003cli\u003eCan't See The Sun 05:04\u003c\/li\u003e\n\u003cli\u003eSometimes I Think To Myself 05:20\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim 06:34\u003c\/li\u003e\n\u003cli\u003eUnderground Formation 06:49\u003c\/li\u003e\n\u003cli\u003eMelancholia (Live in Cairo) 04:38\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth (Live in Cairo) 09:52\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim (Live in Cairo) 07:41\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAtiyyah Khan, via the label:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Cape Town, South Africa-based drummer Asher Gamedze explores relationships of time between music and history on his new album Turbulence and Pulse, out May 5th 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGamedze’s critically-acclaimed debut album Dialectic Soul was released at the height of the Covid-19 pandemic in July 2020. Around the release of that record, with friend and writer Teju Adeleye he organized and participated in a joint online discussion “Poesis,” with historian Robin D.G. Kelley and others. One of the notable comments made in this session was by the poet and scholar Fred Moten, who described Gamedze’s drumming as an “amazing interplay between turbulence and pulse. Pulse is supposed to regulate and also be regular, but the turbulence underneath it and on top of it, it’s just extraordinary.” Moten added that this concept is a fundamental element of the percussive approach in Black music more broadly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTurbulence and Pulse takes its title from this moment of synchronicities. Inspired by this description, Gamedze developed the metaphor further, expanding the concept of turbulence and pulse through the lens of history. “Time in music is a metaphor for thinking about time in history and how time moves,” he says. “The way we’re taught history is generally in a way that robs people of\u003cspan class=\"bcTruncateMore\"\u003e agency in imagining themselves as part of history and how it unfolds. It is something that happens to us. I think there's a productive metaphor in that because the sense of time in music is created by musicians playing together. If we can use that to think about history and time in history, you can see that, actually, history is created by people in a whole range of ways. At the heart of it, historical motion is created by people organized and acting together, whether for progressive or reactionary ends.”\u003cbr\u003e\u003cbr\u003eFor Gamedze, the underlying message of Turbulence and Pulse is “to claim a form of historical agency and realize that the future is not a foregone conclusion. As people we can organize, to transform our world in small and big ways.” This concept comes out of Gamedze’s involvement in radical cultural work and political organizing. He adds: “One of the ideas that I've had for a long time is to unsettle the way that people think about culture as something static or as something fixed. There’s this tension in Africa, because of the way that the colonists have constructed visions of African culture, where people speak about this need to conserve culture and document it. I think that's important, but you also have to understand that these things are moving. And we are the people who have to participate in that movement.”\u003cbr\u003e\u003cbr\u003eFor the album artwork, Gamedze extends the visual aesthetic of his previous release with a hand-drawn illustration. “I feel like my drawings represent the inside of my mind. It’s very free and improvisational,” he says. Friend and designer Naadira Patel worked with Gamedze to design the final cover layout, which includes liner notes penned by his sister, writer and artist Thuli Gamedze.\u003cbr\u003e\u003cbr\u003eTurbulence and Pulse comes via the partnership of Chicago-based International Anthem and Johannesburg-based Mushroom Hour Half Hour, as the first collaborative release by the two labels.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Asher Gamedze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。 スピリチュアル・ジャズ13曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":8026622787834,"title":"Sunshine Has Blown \/\/ Sunshine Has Blown LP+CD","handle":"sunshine-has-blown-sunshine-has-blown-lp-cd","description":"\u003cp\u003eオーストラリアのインプロデュオSunshine Has Blownが、2022年12月にアメリカの実験レーベルPentimentsからリリースした再発レコード＋CDです。（オリジナルは2006年にCDRリリース）\u003c\/p\u003e\n\u003cp\u003eシュールな夢を見ているかのような錯覚に陥るインプロ・ストレンジビーツ〜Lo-Fiノイズ8曲を収録。CDには同様のトラック＋未発表曲3曲を収録。\u003c\/p\u003e\n\u003cp\u003eマニアックすぎる再発物件です。Horn of Plenty関連作品が好きな方にもおすすめします。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LH9dRejUhBc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Zf0xqHseeg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2022 reissue of the now cult classic 2006 CDr release by Australian improvisers Joel Stern and Adam Park.\u003c\/p\u003e\n\u003cp\u003eText by Christoph J. Harris:\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e \"\u003cem\u003eI was first introduced to the record Sunshine Has Blown in 2010 by my dearest friend Rich. It was a record then in which – even in its most irreversibly compressed form — still had a Benjaminian aura about itself. I recall upon my first listen the archaeological approach to its shape and form – as if these musicians were excavating lost sound objects beneath a dense sonic field that had previously been interred. There’s a kitty-cornered concentration on event, space, and moment in history (the track titles themselves resembling almost carbon-dated documentations of each vamp) that feels like a brown study on ekstasis. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Unlike perhaps the more formal peers of its time period in the broader catalogue of electroacoustic improvisational music, Sunshine Has Blown is situated with a drollness that is more akin to the celestial antics of the Taj-Mahal Travellers than the more inkhorn swotting of AMM. This is neither meant as glib irreverence nor fanatical idolism; rather, it is merely a commentary on its execution of style. There is a ludic intensity to this music that erupts through the freeform transmissions of its jaunty obversion of symbols – seemingly every creative instinct being guided away from itself by the fervent spirits of its earthlike grounds. In an essay on the subject of the syncretic nature shared between musical expression and body-motion in reference to Aristides Quintilianus’ De Musica, Albrecht Riethmüller writes: “‘Body’ can refer to at least three things: first, to every real (that is, without transferred meaning) body that participates in making sound; second, to the planets or stars, insofar as they not only are a paradigm for the motion of all bodies but also embody the harmony of the spheres; and third, to the human body, insofar as it participates in musical processes or the production of sonic phenomena (p. 153).” This kinesthesis between raw and organic matter, haptic sensation, and environmental shifts is based on a concept of rhythm that can be defined as “…a system of chronoi (time elements or ‘times’) that are arranged in some order (p. 155).” Taking this ancient Greek theoretical approach to music as a prefatory inquiry thus offers key insights into the anima of this record. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e If there is one core ambition behind this music that is synoptic of its contents therein, it is an ascetic meditation on texture. Between its phantom-like undertow of tape hisses and gnarled electronics, sporadic percussive chants of thumb pianos and drums, and the recycled echoes of extended techniques on trumpet and found objects, there is truly an amalgam of sounds here that somewhat recalls the ancient cultural practices of shadow play. As much exploratory as it is diegetic, Sunshine Has Blown is a record to put on when one is in need of a nautical almanac. Included in this remastering are two additional pieces – one of which is a shorter, alternate version of the second track as well as a two-part, longform piece that makes additional use of lap steel guitar and banjo. Both, however, further engrave at the surface of sound as new imaginings continue to vanish and reappear.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eRiethmüller, Albert. “The Matter of Music Is Sound and Body-Motion.”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMaterialities of Communication\u003c\/em\u003e, edited by Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer, Stanford University Press, Redwood City, CA, 1994, pp. 147–156.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Sunshine Has Blown\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e","published_at":"2023-10-01T20:22:59+09:00","created_at":"2023-10-01T20:21:44+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","monooto","new","Pentiments","recommended","strange beats"],"price":2100,"price_min":2100,"price_max":2100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44596385480954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sunshine Has Blown \/\/ Sunshine Has Blown LP+CD","public_title":null,"options":["Default Title"],"price":2100,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307","options":["Title"],"media":[{"alt":null,"id":32515229024506,"position":1,"preview_image":{"aspect_ratio":1.001,"height":767,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307"},"aspect_ratio":1.001,"height":767,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_9b9e8c42-86ea-437d-aa1a-89197cd8c3ed.jpg?v=1696159307","width":768}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのインプロデュオSunshine Has Blownが、2022年12月にアメリカの実験レーベルPentimentsからリリースした再発レコード＋CDです。（オリジナルは2006年にCDRリリース）\u003c\/p\u003e\n\u003cp\u003eシュールな夢を見ているかのような錯覚に陥るインプロ・ストレンジビーツ〜Lo-Fiノイズ8曲を収録。CDには同様のトラック＋未発表曲3曲を収録。\u003c\/p\u003e\n\u003cp\u003eマニアックすぎる再発物件です。Horn of Plenty関連作品が好きな方にもおすすめします。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LH9dRejUhBc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Zf0xqHseeg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2022 reissue of the now cult classic 2006 CDr release by Australian improvisers Joel Stern and Adam Park.\u003c\/p\u003e\n\u003cp\u003eText by Christoph J. Harris:\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e \"\u003cem\u003eI was first introduced to the record Sunshine Has Blown in 2010 by my dearest friend Rich. It was a record then in which – even in its most irreversibly compressed form — still had a Benjaminian aura about itself. I recall upon my first listen the archaeological approach to its shape and form – as if these musicians were excavating lost sound objects beneath a dense sonic field that had previously been interred. There’s a kitty-cornered concentration on event, space, and moment in history (the track titles themselves resembling almost carbon-dated documentations of each vamp) that feels like a brown study on ekstasis. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Unlike perhaps the more formal peers of its time period in the broader catalogue of electroacoustic improvisational music, Sunshine Has Blown is situated with a drollness that is more akin to the celestial antics of the Taj-Mahal Travellers than the more inkhorn swotting of AMM. This is neither meant as glib irreverence nor fanatical idolism; rather, it is merely a commentary on its execution of style. There is a ludic intensity to this music that erupts through the freeform transmissions of its jaunty obversion of symbols – seemingly every creative instinct being guided away from itself by the fervent spirits of its earthlike grounds. In an essay on the subject of the syncretic nature shared between musical expression and body-motion in reference to Aristides Quintilianus’ De Musica, Albrecht Riethmüller writes: “‘Body’ can refer to at least three things: first, to every real (that is, without transferred meaning) body that participates in making sound; second, to the planets or stars, insofar as they not only are a paradigm for the motion of all bodies but also embody the harmony of the spheres; and third, to the human body, insofar as it participates in musical processes or the production of sonic phenomena (p. 153).” This kinesthesis between raw and organic matter, haptic sensation, and environmental shifts is based on a concept of rhythm that can be defined as “…a system of chronoi (time elements or ‘times’) that are arranged in some order (p. 155).” Taking this ancient Greek theoretical approach to music as a prefatory inquiry thus offers key insights into the anima of this record. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e If there is one core ambition behind this music that is synoptic of its contents therein, it is an ascetic meditation on texture. Between its phantom-like undertow of tape hisses and gnarled electronics, sporadic percussive chants of thumb pianos and drums, and the recycled echoes of extended techniques on trumpet and found objects, there is truly an amalgam of sounds here that somewhat recalls the ancient cultural practices of shadow play. As much exploratory as it is diegetic, Sunshine Has Blown is a record to put on when one is in need of a nautical almanac. Included in this remastering are two additional pieces – one of which is a shorter, alternate version of the second track as well as a two-part, longform piece that makes additional use of lap steel guitar and banjo. Both, however, further engrave at the surface of sound as new imaginings continue to vanish and reappear.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eRiethmüller, Albert. “The Matter of Music Is Sound and Body-Motion.”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMaterialities of Communication\u003c\/em\u003e, edited by Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer, Stanford University Press, Redwood City, CA, 1994, pp. 147–156.\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : Sunshine Has Blown\u003c\/p\u003e\n\u003cp\u003eLabel : Pentiments\u003c\/p\u003e"}
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オーストラリアのインプロデュオSunshine Has Blownが、2022年12月にアメリカの実験レーベルPentimentsからリリースした再発レコード＋CDです。（オリジナルは2006年にCDRリリース） シュールな夢を見ているかのような錯覚に陥るインプロ・ストレンジビーツ〜Lo-Fiノイズ8曲を収録。CDには同様のトラック＋未発表曲3曲を収録。 マニアックすぎる再発物件です。Horn of Plenty関連作品が好きな方にもおすすめします。 レーベルその他作品はこちら /// Click here to see more Pentiments releases available...
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{"id":8026568818938,"title":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP","handle":"daniel-villarreal-with-jeff-parker-anna-butterss-lados-b-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-01T17:42:37+09:00","created_at":"2023-10-01T17:42:37+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":3400,"price_min":3400,"price_max":3400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44596205256954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP","public_title":null,"options":["Default Title"],"price":3400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","options":["Title"],"media":[{"alt":null,"id":32515111878906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","width":700},{"alt":null,"id":32515111944442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","width":1200},{"alt":null,"id":32515111977210,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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パナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。 3人が2020年10月15-16日に行ったスピリチュアル・ジャズセッション9曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker &...
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