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{"id":8291650175226,"title":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Recordings from the Åland Islands LP \/ CD","handle":"jeremiah-chiu-marta-sofia-honer-recordings-from-the-aland-islands","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのモジュラー奏者Jeremiah Chiuとヴィオラ奏者Marta Sofia Honerが、2022年3月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=883665140\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In 2017 Jeremiah Chiu \u0026amp; Marta Sofia Honer traveled together to the Åland Islands (an archipelago that is host to around 6,500 islands) in the Baltic Sea between Sweden and Finland. They headed to the islands with the intention of helping two friends (mother\/daughter duo Jannika\/Sage Reed) barn raise a small inn named Hotel Svala in Kumlinge (a municipality consisting of a small group of islands and a population of about 320). The idea was that, once completed, Svala would host artist residencies and workshop programs, creating a direct link between the islands and the USA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe concept of recording music there came about as Honer \u0026amp; Chiu learned more and more about the islands. They were taken by the serene and strange quality of the place. The sun doesn’t set in the summer (and barely rises in the winter). The network of miniature islands is traversed by ferry which, according to Chiu, “casts a surreal horizontal movement through space and time, with islands shifting into and out of periphery, totally still and calm, yet always in motion.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2019 they were awarded a grant from the Department of Culture to return and perform a concert at the Kumlinge Kyrka, a 14th century medieval church adorned with incredible frescos. The concert was recorded and became source material – along with\u003cspan class=\"bcTruncateMore\"\u003e improvisations on viola and electronics, pipe organ, pump organ, piano, synthesizers, field recordings and voice memos, all captured across both their trips at various locations on the archipelago – from which they meticulously crafted a post-script in the form of 'Recordings from the Åland Islands'.\u003cbr\u003e\u003cbr\u003eEasing listeners into the feeling of the place, the album’s opening track “In Åland Air” is a dream-like haze that slows time, invoking the feeling of descending by plane onto the archipelago, a place Chiu recalls as “lush with a gentle, brackish breeze...” On “Snåcko,” a track named for the island next to Kumlinge, the music becomes a transportive portrait, painting in sound “the romantic and gentle atmosphere of the forests in Åland — a place where your eyes slowly adjust to the rainbow-colored moss covering granite boulders. Walking around, you find the forest floor blossoming with blueberries, currants, and flowers...”\u003cbr\u003e\u003cbr\u003eThe longest and darkest movement in the collection, “Archipelago,” encapsulates “the experience of being surrounded in the vast network of islands” with a dense cloud of slowly modulating string layers, improvised by Honer in an empty swimming pool at Svala. “The heaviness of the track,” says Honer, “is a reference to the deep darkness experienced during the Nordic winter days.” But the plaintive atmosphere of that penultimate piece is succeeded with the triumphant final movement of the album, “Under the Midnight Sun,” which bellows forth like a vibrant chorus of melodious sighs, echoing classic sounds from Jon Hassell’s 'Vernal Equinox', or Franco Battiato’s 'Clic', or Brian Eno’s 'Another Green World'.\u003cbr\u003e\u003cbr\u003eJust as two eyes, two ears, and two halves of a brain work together to create a memory, on their duo debut, Honer and Chiu’s collective pallet produces a vivid three-dimensional hyperreality of painterly tones and textures – bright and kaleidoscopic, but with a deeply warm, earthen resonance. The music evokes a powerful sense of place, transporting and immersing listeners in the other-world of the Åland Islands. And though they achieve this in beautifully natural, organic manner, Chiu \u0026amp; Honer agree this album is quite unlike anything they’ve made before, and likely unlike anything they’ll make in the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e------------------------\u003cbr\u003e\u003cbr\u003eARTIST BIO:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The combination of modular synthesizer and viola is an uncommon one, but Jeremiah Chiu \u0026amp; Marta Sofia Honer manage to create a distinctive dyad that comes together with grace and truth. They’ve accomplished this by bringing much more than their respective axes to the table. Years of collaboration, cohabitation, shared experience, and separate but equally inspired commitments to utilitarian cultural work bind their disparate timbres together into a singular aesthetic reality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two artists met, appropriately, as members of a large ensemble performing Terry Riley’s “In C,” for an annual concert organized by Bitchin Bajas at Chicago modern music hub Constellation. Honer \u0026amp; Chiu had been living and working in Chicago for a long time, both active members of the notoriously interconnected improvisational and experimental music scenes, but they were somehow previously unintroduced. Chiu’s musical CV to that point included work with bands like Icy Demons and Chandeliers, but he was mostly known for his visual and graphic design work as Some All None. Honer had primarily worked as an instructor in Chicago, as well as a member of the ensemble Quartet Datura. In 2014, a year after their first collaboration, together, they decided to migrate to Los Angeles to continue developing their respective careers and crafts in sunnier climes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRelocation to Los Angeles has proven to be fruitful for both artists. Honer has since become a first-call session player for the likes of Adrian Younge and Beyoncé. She’s also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, and Stanley Clarke, among others, including five recordings with Grammy nominations. Along with her session work, Honer is on the music faculty at California State University. Chiu has expanded his visual work in numerous capacities, in addition to becoming an active intersectional community organizer, and refocusing his musical practice to electronic music composition and sound art. He’s also become an Assistant Professor at Otis College of Art \u0026amp; Design; has exhibited\/performed at The Getty Center, LACMA, and other distinguished locales; has become a resident programmer for Dublab; and has generated a strong unit of regular musical collaborators that includes Celia Hollander, Booker Stardrum, Ben Babbitt, Dustin Wong, Takako Minekawa, and Sam Prekop. Chiu has also designed album artwork for several International Anthem releases, including Angel Bat Dawid's Transition East, Dos Santos's City of Mirrors, Jeff Parker's Forfolks, and JP's Myspace Beats.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-10T13:35:06+09:00","created_at":"2024-04-10T13:34:29+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":258000,"price_min":258000,"price_max":411000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45603070411002,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40960895680762,"product_id":8291650175226,"position":2,"created_at":"2024-04-10T13:34:37+09:00","updated_at":"2024-04-10T13:34:37+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1712723677","variant_ids":[45603070411002]},"available":true,"name":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Recordings from the Åland Islands LP \/ CD - LP","public_title":"LP","options":["LP"],"price":411000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33656956420346,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1712723677"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45603070443770,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40960895779066,"product_id":8291650175226,"position":5,"created_at":"2024-04-10T13:34:37+09:00","updated_at":"2024-04-10T13:34:37+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028013121_10_9712859e-724c-42ec-98d6-3dec4a428421.jpg?v=1712723677","variant_ids":[45603070443770]},"available":true,"name":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Recordings from the Åland Islands LP \/ CD - CD","public_title":"CD","options":["CD"],"price":258000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33656956518650,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028013121_10_9712859e-724c-42ec-98d6-3dec4a428421.jpg?v=1712723677"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1712723677","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1712723677","\/\/tobirarecords.com\/cdn\/shop\/files\/0027639253_10_332aeab9-e31c-4001-830c-5611a7d6995f.jpg?v=1712723677","\/\/tobirarecords.com\/cdn\/shop\/files\/0027639255_10_cd1b4e9c-a89c-47e2-bc63-9aeeb86858b4.jpg?v=1712723677","\/\/tobirarecords.com\/cdn\/shop\/files\/0028013121_10_9712859e-724c-42ec-98d6-3dec4a428421.jpg?v=1712723677"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1712723677","options":["Format"],"media":[{"alt":null,"id":33656956387578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1712723677"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_804410ea-1ae6-4866-856e-c7495534e4a2.jpg?v=1712723677","width":700},{"alt":null,"id":33656956420346,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1712723677"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_72f22c0d-671c-44ff-8894-656b104ab831.jpg?v=1712723677","width":1200},{"alt":null,"id":33656956453114,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027639253_10_332aeab9-e31c-4001-830c-5611a7d6995f.jpg?v=1712723677"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027639253_10_332aeab9-e31c-4001-830c-5611a7d6995f.jpg?v=1712723677","width":1200},{"alt":null,"id":33656956485882,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027639255_10_cd1b4e9c-a89c-47e2-bc63-9aeeb86858b4.jpg?v=1712723677"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0027639255_10_cd1b4e9c-a89c-47e2-bc63-9aeeb86858b4.jpg?v=1712723677","width":1200},{"alt":null,"id":33656956518650,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028013121_10_9712859e-724c-42ec-98d6-3dec4a428421.jpg?v=1712723677"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028013121_10_9712859e-724c-42ec-98d6-3dec4a428421.jpg?v=1712723677","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのモジュラー奏者Jeremiah Chiuとヴィオラ奏者Marta Sofia Honerが、2022年3月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=883665140\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In 2017 Jeremiah Chiu \u0026amp; Marta Sofia Honer traveled together to the Åland Islands (an archipelago that is host to around 6,500 islands) in the Baltic Sea between Sweden and Finland. They headed to the islands with the intention of helping two friends (mother\/daughter duo Jannika\/Sage Reed) barn raise a small inn named Hotel Svala in Kumlinge (a municipality consisting of a small group of islands and a population of about 320). The idea was that, once completed, Svala would host artist residencies and workshop programs, creating a direct link between the islands and the USA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe concept of recording music there came about as Honer \u0026amp; Chiu learned more and more about the islands. They were taken by the serene and strange quality of the place. The sun doesn’t set in the summer (and barely rises in the winter). The network of miniature islands is traversed by ferry which, according to Chiu, “casts a surreal horizontal movement through space and time, with islands shifting into and out of periphery, totally still and calm, yet always in motion.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2019 they were awarded a grant from the Department of Culture to return and perform a concert at the Kumlinge Kyrka, a 14th century medieval church adorned with incredible frescos. The concert was recorded and became source material – along with\u003cspan class=\"bcTruncateMore\"\u003e improvisations on viola and electronics, pipe organ, pump organ, piano, synthesizers, field recordings and voice memos, all captured across both their trips at various locations on the archipelago – from which they meticulously crafted a post-script in the form of 'Recordings from the Åland Islands'.\u003cbr\u003e\u003cbr\u003eEasing listeners into the feeling of the place, the album’s opening track “In Åland Air” is a dream-like haze that slows time, invoking the feeling of descending by plane onto the archipelago, a place Chiu recalls as “lush with a gentle, brackish breeze...” On “Snåcko,” a track named for the island next to Kumlinge, the music becomes a transportive portrait, painting in sound “the romantic and gentle atmosphere of the forests in Åland — a place where your eyes slowly adjust to the rainbow-colored moss covering granite boulders. Walking around, you find the forest floor blossoming with blueberries, currants, and flowers...”\u003cbr\u003e\u003cbr\u003eThe longest and darkest movement in the collection, “Archipelago,” encapsulates “the experience of being surrounded in the vast network of islands” with a dense cloud of slowly modulating string layers, improvised by Honer in an empty swimming pool at Svala. “The heaviness of the track,” says Honer, “is a reference to the deep darkness experienced during the Nordic winter days.” But the plaintive atmosphere of that penultimate piece is succeeded with the triumphant final movement of the album, “Under the Midnight Sun,” which bellows forth like a vibrant chorus of melodious sighs, echoing classic sounds from Jon Hassell’s 'Vernal Equinox', or Franco Battiato’s 'Clic', or Brian Eno’s 'Another Green World'.\u003cbr\u003e\u003cbr\u003eJust as two eyes, two ears, and two halves of a brain work together to create a memory, on their duo debut, Honer and Chiu’s collective pallet produces a vivid three-dimensional hyperreality of painterly tones and textures – bright and kaleidoscopic, but with a deeply warm, earthen resonance. The music evokes a powerful sense of place, transporting and immersing listeners in the other-world of the Åland Islands. And though they achieve this in beautifully natural, organic manner, Chiu \u0026amp; Honer agree this album is quite unlike anything they’ve made before, and likely unlike anything they’ll make in the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e------------------------\u003cbr\u003e\u003cbr\u003eARTIST BIO:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The combination of modular synthesizer and viola is an uncommon one, but Jeremiah Chiu \u0026amp; Marta Sofia Honer manage to create a distinctive dyad that comes together with grace and truth. They’ve accomplished this by bringing much more than their respective axes to the table. Years of collaboration, cohabitation, shared experience, and separate but equally inspired commitments to utilitarian cultural work bind their disparate timbres together into a singular aesthetic reality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two artists met, appropriately, as members of a large ensemble performing Terry Riley’s “In C,” for an annual concert organized by Bitchin Bajas at Chicago modern music hub Constellation. Honer \u0026amp; Chiu had been living and working in Chicago for a long time, both active members of the notoriously interconnected improvisational and experimental music scenes, but they were somehow previously unintroduced. Chiu’s musical CV to that point included work with bands like Icy Demons and Chandeliers, but he was mostly known for his visual and graphic design work as Some All None. Honer had primarily worked as an instructor in Chicago, as well as a member of the ensemble Quartet Datura. In 2014, a year after their first collaboration, together, they decided to migrate to Los Angeles to continue developing their respective careers and crafts in sunnier climes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRelocation to Los Angeles has proven to be fruitful for both artists. Honer has since become a first-call session player for the likes of Adrian Younge and Beyoncé. She’s also played on recordings by Chloe x Halle, Angel Olsen, Fleet Foxes, and Stanley Clarke, among others, including five recordings with Grammy nominations. Along with her session work, Honer is on the music faculty at California State University. Chiu has expanded his visual work in numerous capacities, in addition to becoming an active intersectional community organizer, and refocusing his musical practice to electronic music composition and sound art. He’s also become an Assistant Professor at Otis College of Art \u0026amp; Design; has exhibited\/performed at The Getty Center, LACMA, and other distinguished locales; has become a resident programmer for Dublab; and has generated a strong unit of regular musical collaborators that includes Celia Hollander, Booker Stardrum, Ben Babbitt, Dustin Wong, Takako Minekawa, and Sam Prekop. Chiu has also designed album artwork for several International Anthem releases, including Angel Bat Dawid's Transition East, Dos Santos's City of Mirrors, Jeff Parker's Forfolks, and JP's Myspace Beats.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・カリフォルニアのモジュラー奏者Jeremiah Chiuとヴィオラ奏者Marta Sofia Honerが、2022年3月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。 ポストニューエイジ・アンビエントジャズ11曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":8291648930042,"title":"Irreversible Entanglements \/\/ Open The Gates 2xLP","handle":"irreversible-entanglements-open-the-gates-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-10T13:32:44+09:00","created_at":"2024-04-10T13:32:05+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45603052552442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Irreversible Entanglements \/\/ Open The Gates 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","options":["Title"],"media":[{"alt":null,"id":33656941019386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","width":700},{"alt":null,"id":33656941478138,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","width":1200},{"alt":null,"id":33656941838586,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月にInternational Anthemからリリースした2枚組レコードです。 スピリチュアルジャズ7曲、70分以上を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":8262417875194,"title":"Ruth Goller \/\/ SKYLLUMINA LP [BLACK\/COLOR]","handle":"ruth-goller-skyllumina-lp-black-color","description":"\u003cp\u003eイタリア出身イギリス在住のベーシストRuth Gollerが、2024年3月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2956583820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available 12\" black 140gram vinyl or 12\" 'Sunrise of Mine' marbled red\/blood orange 140gram color vinyl (edition of 333). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBelow my skin 03:39\u003c\/li\u003e\n\u003cli\u003eReach down into the deepest white 04:27\u003c\/li\u003e\n\u003cli\u003eOf Snowhere 01:48\u003c\/li\u003e\n\u003cli\u003eNext time I keep my hands down 03:41\u003c\/li\u003e\n\u003cli\u003eAll the light I have, I hand to you 06:40\u003c\/li\u003e\n\u003cli\u003eShe was my own she was myself 04:45\u003c\/li\u003e\n\u003cli\u003eHow to be free from it 03:39\u003c\/li\u003e\n\u003cli\u003eFrom breaks to shreds it’s a short path 04:30\u003c\/li\u003e\n\u003cli\u003eDon’t follow me 05:05\u003c\/li\u003e\n\u003cli\u003eI have for you - simple truth 06:15\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eSKYLLUMINA represents a new evolution of London-based, Italian-born composer, bassist, and vocalist Ruth Goller.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGoller is known for her bass and vocal work with Alabaster DePlume, whose music she elevates in live contexts with her genre-less improvisational intuition. She's also known for work with Bex Burch's Vula Viel, whose DIY label released Goller's solo debut Skylla in 2021. And she is known to creative musicians far and wide, with an incredibly diverse CV that includes performance and recording with Shabaka Hutchings, Rokia Traore, Melt Yourself Down, Sam Amidon, Damon Albarn, and many more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eExpanding on the wholly original sound Goller established with her solo work on Skylla – i.e. compositions of detuned bass under a spectra of soprano voices she arranged and overdubbed herself – SKYLLUMINA complicates matters as she augments every piece with a different drummer. “As a bass-player, I love playing with drummers and I decided to focus on my close connection to that instrument and to the amazing people I met in my life who play it,” says Goller. Her accompanists on the album include International Anthem labelmates Bex Burch, Tom Skinner, and Frank Rosaly, as well as prolific British player Sebastian Rochford and longtime Vula Viel\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e collaborator Jim Hart. But more importantly: this music is an immersive hyperfocus for Goller and her patently distinct, singular compositional vision.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSKYLLUMINA, despite its highly conceptual origins, is heavy with human emotion. Its dark washes of melody and contrapuntal percussion could fit easily into a mixtape with indie downbeat \/ ennui royalty like Grouper or Low, while also being right at home next a Cage-Tudor prepared piano piece. And the piercing, sibilant ice age siren song heard in Goller's powerfully feminine vocal arrangements find her in an otherworld only occasionally inhabited by the likes of Björk and The Knife.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGoller says: “This record is deep insight into my soul and my recent life. It’s coming through a meteor storm and grasping the first light... out of a very unexpected tumultuous time... there are feelings of grief, loss, hope, purest of love, connection to my home, death, and new configurations... as well as self-discovery.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Ruth Goller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: IARC0078LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-03T09:35:17+09:00","created_at":"2024-04-03T08:41:46+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","international anthem","lp","new"],"price":439200,"price_min":439200,"price_max":457700,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45504396689658,"title":"Black vinyl","option1":"Black vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40844852265210,"product_id":8262417875194,"position":3,"created_at":"2024-04-03T08:41:46+09:00","updated_at":"2024-04-03T08:41:48+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller3.jpg?v=1712101308","variant_ids":[45504396689658]},"available":true,"name":"Ruth Goller \/\/ SKYLLUMINA LP [BLACK\/COLOR] - Black vinyl","public_title":"Black vinyl","options":["Black vinyl"],"price":439200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33537254818042,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller3.jpg?v=1712101308"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45504396722426,"title":"Color vinyl","option1":"Color vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40844852363514,"product_id":8262417875194,"position":4,"created_at":"2024-04-03T08:41:46+09:00","updated_at":"2024-04-03T08:41:48+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller4.jpg?v=1712101308","variant_ids":[45504396722426]},"available":true,"name":"Ruth Goller \/\/ SKYLLUMINA LP [BLACK\/COLOR] - Color vinyl","public_title":"Color vinyl","options":["Color vinyl"],"price":457700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33537254850810,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller4.jpg?v=1712101308"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/goller1.jpg?v=1712101308","\/\/tobirarecords.com\/cdn\/shop\/files\/goller2.jpg?v=1712101309","\/\/tobirarecords.com\/cdn\/shop\/files\/goller3.jpg?v=1712101308","\/\/tobirarecords.com\/cdn\/shop\/files\/goller4.jpg?v=1712101308"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller1.jpg?v=1712101308","options":["Color"],"media":[{"alt":null,"id":33537254752506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller1.jpg?v=1712101308"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller1.jpg?v=1712101308","width":700},{"alt":null,"id":33537254785274,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller2.jpg?v=1712101309"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller2.jpg?v=1712101309","width":1200},{"alt":null,"id":33537254818042,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller3.jpg?v=1712101308"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller3.jpg?v=1712101308","width":1200},{"alt":null,"id":33537254850810,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller4.jpg?v=1712101308"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goller4.jpg?v=1712101308","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア出身イギリス在住のベーシストRuth Gollerが、2024年3月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2956583820\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available 12\" black 140gram vinyl or 12\" 'Sunrise of Mine' marbled red\/blood orange 140gram color vinyl (edition of 333). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBelow my skin 03:39\u003c\/li\u003e\n\u003cli\u003eReach down into the deepest white 04:27\u003c\/li\u003e\n\u003cli\u003eOf Snowhere 01:48\u003c\/li\u003e\n\u003cli\u003eNext time I keep my hands down 03:41\u003c\/li\u003e\n\u003cli\u003eAll the light I have, I hand to you 06:40\u003c\/li\u003e\n\u003cli\u003eShe was my own she was myself 04:45\u003c\/li\u003e\n\u003cli\u003eHow to be free from it 03:39\u003c\/li\u003e\n\u003cli\u003eFrom breaks to shreds it’s a short path 04:30\u003c\/li\u003e\n\u003cli\u003eDon’t follow me 05:05\u003c\/li\u003e\n\u003cli\u003eI have for you - simple truth 06:15\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eSKYLLUMINA represents a new evolution of London-based, Italian-born composer, bassist, and vocalist Ruth Goller.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGoller is known for her bass and vocal work with Alabaster DePlume, whose music she elevates in live contexts with her genre-less improvisational intuition. She's also known for work with Bex Burch's Vula Viel, whose DIY label released Goller's solo debut Skylla in 2021. And she is known to creative musicians far and wide, with an incredibly diverse CV that includes performance and recording with Shabaka Hutchings, Rokia Traore, Melt Yourself Down, Sam Amidon, Damon Albarn, and many more.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eExpanding on the wholly original sound Goller established with her solo work on Skylla – i.e. compositions of detuned bass under a spectra of soprano voices she arranged and overdubbed herself – SKYLLUMINA complicates matters as she augments every piece with a different drummer. “As a bass-player, I love playing with drummers and I decided to focus on my close connection to that instrument and to the amazing people I met in my life who play it,” says Goller. Her accompanists on the album include International Anthem labelmates Bex Burch, Tom Skinner, and Frank Rosaly, as well as prolific British player Sebastian Rochford and longtime Vula Viel\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e collaborator Jim Hart. But more importantly: this music is an immersive hyperfocus for Goller and her patently distinct, singular compositional vision.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSKYLLUMINA, despite its highly conceptual origins, is heavy with human emotion. Its dark washes of melody and contrapuntal percussion could fit easily into a mixtape with indie downbeat \/ ennui royalty like Grouper or Low, while also being right at home next a Cage-Tudor prepared piano piece. And the piercing, sibilant ice age siren song heard in Goller's powerfully feminine vocal arrangements find her in an otherworld only occasionally inhabited by the likes of Björk and The Knife.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGoller says: “This record is deep insight into my soul and my recent life. It’s coming through a meteor storm and grasping the first light... out of a very unexpected tumultuous time... there are feelings of grief, loss, hope, purest of love, connection to my home, death, and new configurations... as well as self-discovery.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Ruth Goller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: IARC0078LP\u003c\/span\u003e\u003c\/p\u003e"}
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イタリア出身イギリス在住のベーシストRuth Gollerが、2024年3月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。 コンテンポラリー・ポップ10曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
¥4,392
![Cassie Kinoshi's seed. // gratitude LP [BLACK/COLOR]](http://tobirarecords.com/cdn/shop/files/cass1_4fb28b03-6b60-4df8-8098-ef61aba53272_medium.jpg?v=1712100954)
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{"id":8262417383674,"title":"Cassie Kinoshi's seed. \/\/ gratitude LP [BLACK\/COLOR]","handle":"cassie-kinoshis-seed-gratitude-lp-black-color","description":"\u003cp\u003eイギリスのジャズバンドCassie Kinoshi's seed.が、2024年3月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2843796319\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'Smoke In The Sun' marble red vinyl (editionof 333). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ei 04:58\u003c\/li\u003e\n\u003cli\u003eii 04:03\u003c\/li\u003e\n\u003cli\u003einterlude i 01:40\u003c\/li\u003e\n\u003cli\u003eiii sun through my window 03:41\u003c\/li\u003e\n\u003cli\u003einterlude ii 02:23\u003c\/li\u003e\n\u003cli\u003eiv 04:45\u003c\/li\u003e\n\u003cli\u003eSmoke in the Sun 05:36\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In March of 2023 composer, arranger \u0026amp; alto saxophonist Cassie Kinoshi premiered a commissioned suite of music in front of a sold out crowd at London’s Southbank Centre. She wrote the piece – gratitude – for her flagship large ensemble seed., in a special augmented formation that also featured turntablist NikNak and the London Contemporary Orchestra (LCO).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowers of UK Jazz know Kinoshi from her previous work with seed. (including the Mercury Prize-nominated album Driftglass, released by jazz re:freshed in 2019), or as a former member of Kokoroko. But her compositional résumé also extends deeply into orchestral work for concert hall, contemporary dance, film, visual art, and theatre, with high profile collaborators including London Sinfonietta, Philharmonia Orchestra, and the London Symphony Orchestra. That depth of experience is on full display on gratitude, with the textural and dynamic flexibility of her large ensemble covering musical ground from groove-focused modal melancholia to anthemic brass and string themes. Striking upon first listen and even richer on repeat visits, gratitude scores the soul of contemporary Black London with philharmonic craftwork in the tradition of legendary jazz arrangers like Mary Lou Williams, Oliver Nelson, and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Carla Bley.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSimilar to those keystone writer-arrangers, here Kinoshi wields the power of a large ensemble to convey nuanced human emotion. “gratitude was written as a means of guiding my own healing,” says Kinoshi. “My mother told me that she keeps a gratitude book where she writes one thing, no matter how big or small, every day that helps to re-focus her mind on practicing gratitude. The examples that she gave were seeing the flowers that she'd recently planted in her garden bloom and a kaleidoscope of butterflies that she saw flitting about a tree in her garden.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Cassie Kinoshi's seed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: IARC0081LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-03T09:42:24+09:00","created_at":"2024-04-03T08:35:51+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":439200,"price_min":439200,"price_max":457700,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45504389742842,"title":"Black vinyl","option1":"Black vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40844840927482,"product_id":8262417383674,"position":3,"created_at":"2024-04-03T08:35:52+09:00","updated_at":"2024-04-03T08:35:54+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass3.jpg?v=1712100954","variant_ids":[45504389742842]},"available":true,"name":"Cassie Kinoshi's seed. \/\/ gratitude LP [BLACK\/COLOR] - Black vinyl","public_title":"Black vinyl","options":["Black vinyl"],"price":439200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33537243087098,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass3.jpg?v=1712100954"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45504389775610,"title":"Color vinyl","option1":"Color vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40844840993018,"product_id":8262417383674,"position":4,"created_at":"2024-04-03T08:35:52+09:00","updated_at":"2024-04-03T08:35:54+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass4.jpg?v=1712100954","variant_ids":[45504389775610]},"available":true,"name":"Cassie Kinoshi's seed. \/\/ gratitude LP [BLACK\/COLOR] - Color vinyl","public_title":"Color vinyl","options":["Color vinyl"],"price":457700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33537243119866,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass4.jpg?v=1712100954"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cass1_4fb28b03-6b60-4df8-8098-ef61aba53272.jpg?v=1712100954","\/\/tobirarecords.com\/cdn\/shop\/files\/cass2_e4e42f80-e5d7-4ac6-85de-172585a48861.jpg?v=1712100953","\/\/tobirarecords.com\/cdn\/shop\/files\/cass3.jpg?v=1712100954","\/\/tobirarecords.com\/cdn\/shop\/files\/cass4.jpg?v=1712100954"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass1_4fb28b03-6b60-4df8-8098-ef61aba53272.jpg?v=1712100954","options":["Color"],"media":[{"alt":null,"id":33537242988794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass1_4fb28b03-6b60-4df8-8098-ef61aba53272.jpg?v=1712100954"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass1_4fb28b03-6b60-4df8-8098-ef61aba53272.jpg?v=1712100954","width":700},{"alt":null,"id":33537243054330,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass2_e4e42f80-e5d7-4ac6-85de-172585a48861.jpg?v=1712100953"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass2_e4e42f80-e5d7-4ac6-85de-172585a48861.jpg?v=1712100953","width":1200},{"alt":null,"id":33537243087098,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass3.jpg?v=1712100954"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass3.jpg?v=1712100954","width":1200},{"alt":null,"id":33537243119866,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass4.jpg?v=1712100954"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass4.jpg?v=1712100954","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのジャズバンドCassie Kinoshi's seed.が、2024年3月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2843796319\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'Smoke In The Sun' marble red vinyl (editionof 333). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ei 04:58\u003c\/li\u003e\n\u003cli\u003eii 04:03\u003c\/li\u003e\n\u003cli\u003einterlude i 01:40\u003c\/li\u003e\n\u003cli\u003eiii sun through my window 03:41\u003c\/li\u003e\n\u003cli\u003einterlude ii 02:23\u003c\/li\u003e\n\u003cli\u003eiv 04:45\u003c\/li\u003e\n\u003cli\u003eSmoke in the Sun 05:36\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In March of 2023 composer, arranger \u0026amp; alto saxophonist Cassie Kinoshi premiered a commissioned suite of music in front of a sold out crowd at London’s Southbank Centre. She wrote the piece – gratitude – for her flagship large ensemble seed., in a special augmented formation that also featured turntablist NikNak and the London Contemporary Orchestra (LCO).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowers of UK Jazz know Kinoshi from her previous work with seed. (including the Mercury Prize-nominated album Driftglass, released by jazz re:freshed in 2019), or as a former member of Kokoroko. But her compositional résumé also extends deeply into orchestral work for concert hall, contemporary dance, film, visual art, and theatre, with high profile collaborators including London Sinfonietta, Philharmonia Orchestra, and the London Symphony Orchestra. That depth of experience is on full display on gratitude, with the textural and dynamic flexibility of her large ensemble covering musical ground from groove-focused modal melancholia to anthemic brass and string themes. Striking upon first listen and even richer on repeat visits, gratitude scores the soul of contemporary Black London with philharmonic craftwork in the tradition of legendary jazz arrangers like Mary Lou Williams, Oliver Nelson, and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Carla Bley.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSimilar to those keystone writer-arrangers, here Kinoshi wields the power of a large ensemble to convey nuanced human emotion. “gratitude was written as a means of guiding my own healing,” says Kinoshi. “My mother told me that she keeps a gratitude book where she writes one thing, no matter how big or small, every day that helps to re-focus her mind on practicing gratitude. The examples that she gave were seeing the flowers that she'd recently planted in her garden bloom and a kaleidoscope of butterflies that she saw flitting about a tree in her garden.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Cassie Kinoshi's seed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: IARC0081LP\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのジャズバンドCassie Kinoshi's seed.が、2024年3月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。 スピリチュアル・ジャズ7曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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![Ibelisse Guardia Ferragutti & Frank Rosaly // MESTIZX LP [BLACK/COLOR]](http://tobirarecords.com/cdn/shop/files/ib1_medium.jpg?v=1712034906)
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{"id":8259234103546,"title":"Ibelisse Guardia Ferragutti \u0026 Frank Rosaly \/\/ MESTIZX LP [BLACK\/COLOR]","handle":"ibelisse-guardia-ferragutti-frank-rosaly-mestizx-lp-black-color","description":"\u003cp\u003eボリビアのマルチ奏者Ibelisse Guardia FerraguttiとプエルトリコのドラマーFrank Rosalyが、2024年5月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースする共作レコードです。\u003c\/p\u003e\n\u003cp\u003eラテンのリズムを盛り込んだ独創的なスピリチュアル・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この音楽は、アヴァン・ジャズ、アート・パンク、シカゴ・ポストロック、ボンバ、プレナ、クンビア、アンデス、ミニマル、エレクトロニカ、フォークの衝突に、植民地時代前後のラテンリズムパターンとラテンスイングを創造的に注入している。完全に独創的でありながら、紛れもなく普遍的なサウンドは、その時々のものであり、魅力的で未来的でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e広大で、活気に満ちた、包括的なサウンドのスペクトラムだが、その核となる『MESTIZX』は、植民地主義が地理、歴史、アイデンティティに与える深い個人的影響について、フェラッグッティとロザリーが自伝的なステートメントを明晰に意識したコレクションである。しかし、その重いテーマにもかかわらず、MESTIZXは、共同体的で、祝祭的で、魂を揺さぶり、動きを誘発する音楽に生命線を見出している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/S9hDU3_LkyQ?si=l87mg4wY15gO_3bl\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'red moon' color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eINVOCAÇÃO\u003c\/li\u003e\n\u003cli\u003eDESTEJER 04:08\u003c\/li\u003e\n\u003cli\u003eBALADA PARA LA CORPORATOCRACIA\u003c\/li\u003e\n\u003cli\u003eTURBULÊNCIA\u003c\/li\u003e\n\u003cli\u003eMESTIZX\u003c\/li\u003e\n\u003cli\u003eBARRO\u003c\/li\u003e\n\u003cli\u003eSABER DO MAR\u003c\/li\u003e\n\u003cli\u003eBLESS THEE MUNDANE\u003c\/li\u003e\n\u003cli\u003eDESCEND\u003c\/li\u003e\n\u003cli\u003eWRITING WITH KNOTS\u003c\/li\u003e\n\u003cli\u003eSIRINUS\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMESTIZX is Bolivian-born singer and multi-medium performer Ibelisse Guardia Ferragutti and renowned Chicago expat jazz drummer Frank Rosaly's debut album as co-composers, arrangers and musicians.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e[...]\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album was produced and recorded primarily at International Anthem Studios in Chicago, where Ferragutti and Rosaly were joined by a community of musicians and beloved friends including Matt Lux, Avreeayl Ra, Ben LaMar Gay, Daniel Villarreal, Bill MacKay, Rob Frye, and Mikel Patrick Avery, with addditional contributions from Chris Doyle, Guilherme Granado, Viktor Le Givens and Fredy Velásquez.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe music creatively infuses Latin rhythmic patterns and oblong swing from pre-and post-colonial Latin America into a collision of avant jazz, art punk, Chicago post-rock, bomba, plena, cumbia, Andean, minimal, electronica, and folk. A wholly original but undeniably universal sound – both of-the-moment and alluringly futuristic - MESTIZX contains points of reference and resonance for fans of Juana Molina, Café Tacvba, Max Roach \u0026amp; Abbey Lincoln, Liquid Liquid, Arto Lindsay, As Mercenarias, The Ex, Tortoise, Tom Zé, Elza Soares, La Mecanica Popular...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s a vast, vibrant and encompassing spectrum of sounds, but at its core MESTIZX is a lucidly conscious collection of auto-biographical statements from Ferragutti \u0026amp; Rosaly on the deeply personalized effects of colonialism on geography, history, and identity. Despite its heavy subject matter, however, MESTIZX finds a lifeline in communal, celebratory, soul-bearing and movement-inducing music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eIARC0079LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-02T15:10:16+09:00","created_at":"2024-04-02T14:15:03+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":439000,"price_min":439000,"price_max":458000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45498764263674,"title":"Black vinyl","option1":"Black vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40838822625530,"product_id":8259234103546,"position":4,"created_at":"2024-04-02T14:15:04+09:00","updated_at":"2024-04-02T14:15:07+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib4.jpg?v=1712034907","variant_ids":[45498764263674]},"available":true,"name":"Ibelisse Guardia Ferragutti \u0026 Frank Rosaly \/\/ MESTIZX LP [BLACK\/COLOR] - Black vinyl","public_title":"Black vinyl","options":["Black vinyl"],"price":439000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33530977288442,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib4.jpg?v=1712034907"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45498764296442,"title":"Color vinyl","option1":"Color vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40838822527226,"product_id":8259234103546,"position":3,"created_at":"2024-04-02T14:15:03+09:00","updated_at":"2024-04-02T14:15:06+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib3.jpg?v=1712034906","variant_ids":[45498764296442]},"available":true,"name":"Ibelisse Guardia Ferragutti \u0026 Frank Rosaly \/\/ MESTIZX LP [BLACK\/COLOR] - Color vinyl","public_title":"Color vinyl","options":["Color vinyl"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33530977255674,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib3.jpg?v=1712034906"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906","\/\/tobirarecords.com\/cdn\/shop\/files\/ib2.jpg?v=1712034906","\/\/tobirarecords.com\/cdn\/shop\/files\/ib3.jpg?v=1712034906","\/\/tobirarecords.com\/cdn\/shop\/files\/ib4.jpg?v=1712034907"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906","options":["Color"],"media":[{"alt":null,"id":33530977190138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906","width":700},{"alt":null,"id":33530977222906,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib2.jpg?v=1712034906"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib2.jpg?v=1712034906","width":1200},{"alt":null,"id":33530977255674,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib3.jpg?v=1712034906"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib3.jpg?v=1712034906","width":1200},{"alt":null,"id":33530977288442,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib4.jpg?v=1712034907"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib4.jpg?v=1712034907","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eボリビアのマルチ奏者Ibelisse Guardia FerraguttiとプエルトリコのドラマーFrank Rosalyが、2024年5月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースする共作レコードです。\u003c\/p\u003e\n\u003cp\u003eラテンのリズムを盛り込んだ独創的なスピリチュアル・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この音楽は、アヴァン・ジャズ、アート・パンク、シカゴ・ポストロック、ボンバ、プレナ、クンビア、アンデス、ミニマル、エレクトロニカ、フォークの衝突に、植民地時代前後のラテンリズムパターンとラテンスイングを創造的に注入している。完全に独創的でありながら、紛れもなく普遍的なサウンドは、その時々のものであり、魅力的で未来的でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e広大で、活気に満ちた、包括的なサウンドのスペクトラムだが、その核となる『MESTIZX』は、植民地主義が地理、歴史、アイデンティティに与える深い個人的影響について、フェラッグッティとロザリーが自伝的なステートメントを明晰に意識したコレクションである。しかし、その重いテーマにもかかわらず、MESTIZXは、共同体的で、祝祭的で、魂を揺さぶり、動きを誘発する音楽に生命線を見出している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/S9hDU3_LkyQ?si=l87mg4wY15gO_3bl\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'red moon' color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eINVOCAÇÃO\u003c\/li\u003e\n\u003cli\u003eDESTEJER 04:08\u003c\/li\u003e\n\u003cli\u003eBALADA PARA LA CORPORATOCRACIA\u003c\/li\u003e\n\u003cli\u003eTURBULÊNCIA\u003c\/li\u003e\n\u003cli\u003eMESTIZX\u003c\/li\u003e\n\u003cli\u003eBARRO\u003c\/li\u003e\n\u003cli\u003eSABER DO MAR\u003c\/li\u003e\n\u003cli\u003eBLESS THEE MUNDANE\u003c\/li\u003e\n\u003cli\u003eDESCEND\u003c\/li\u003e\n\u003cli\u003eWRITING WITH KNOTS\u003c\/li\u003e\n\u003cli\u003eSIRINUS\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMESTIZX is Bolivian-born singer and multi-medium performer Ibelisse Guardia Ferragutti and renowned Chicago expat jazz drummer Frank Rosaly's debut album as co-composers, arrangers and musicians.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e[...]\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album was produced and recorded primarily at International Anthem Studios in Chicago, where Ferragutti and Rosaly were joined by a community of musicians and beloved friends including Matt Lux, Avreeayl Ra, Ben LaMar Gay, Daniel Villarreal, Bill MacKay, Rob Frye, and Mikel Patrick Avery, with addditional contributions from Chris Doyle, Guilherme Granado, Viktor Le Givens and Fredy Velásquez.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe music creatively infuses Latin rhythmic patterns and oblong swing from pre-and post-colonial Latin America into a collision of avant jazz, art punk, Chicago post-rock, bomba, plena, cumbia, Andean, minimal, electronica, and folk. A wholly original but undeniably universal sound – both of-the-moment and alluringly futuristic - MESTIZX contains points of reference and resonance for fans of Juana Molina, Café Tacvba, Max Roach \u0026amp; Abbey Lincoln, Liquid Liquid, Arto Lindsay, As Mercenarias, The Ex, Tortoise, Tom Zé, Elza Soares, La Mecanica Popular...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s a vast, vibrant and encompassing spectrum of sounds, but at its core MESTIZX is a lucidly conscious collection of auto-biographical statements from Ferragutti \u0026amp; Rosaly on the deeply personalized effects of colonialism on geography, history, and identity. Despite its heavy subject matter, however, MESTIZX finds a lifeline in communal, celebratory, soul-bearing and movement-inducing music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eIARC0079LP\u003c\/span\u003e\u003c\/p\u003e"}
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ボリビアのマルチ奏者Ibelisse Guardia FerraguttiとプエルトリコのドラマーFrank Rosalyが、2024年5月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースする共作レコードです。 ラテンのリズムを盛り込んだ独創的なスピリチュアル・ジャズ11曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "この音楽は、アヴァン・ジャズ、アート・パンク、シカゴ・ポストロック、ボンバ、プレナ、クンビア、アンデス、ミニマル、エレクトロニカ、フォークの衝突に、植民地時代前後のラテンリズムパターンとラテンスイングを創造的に注入している。完全に独創的でありながら、紛れもなく普遍的なサウンドは、その時々のものであり、魅力的で未来的でもある。 広大で、活気に満ちた、包括的なサウンドのスペクトラムだが、その核となる『MESTIZX』は、植民地主義が地理、歴史、アイデンティティに与える深い個人的影響について、フェラッグッティとロザリーが自伝的なステートメントを明晰に意識したコレクションである。しかし、その重いテーマにもかかわらず、MESTIZXは、共同体的で、祝祭的で、魂を揺さぶり、動きを誘発する音楽に生命線を見出している。" レーベルその他作品はこちら /// Click here to see more...
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{"id":8215465787642,"title":"Carlos Niño \u0026 Friends \/\/ More Energy Fields, Current LP","handle":"carlos-nino-friends-more-energy-fields-current-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2021年5月に同国International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSam GendalやLaraajiといったLeavingでもおなじみの作家たちと共作した\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・ジャズ\u003c\/span\u003e10曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1153390491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore Energy Fields, Current' is a definitive new peak in the recorded continuum of prolific producer\/percussionist Carlos Niño. Featuring heavy contributions from many of the most exciting instrumentalists in the creative music constellation of Los Angeles (of which Niño’s has been a central force for over 2 decades), the album collects 10 pristine gems of collaborative communication helmed by the Southern Californian sage, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStarting with the subtle invitation of “Pleasewakeupalittlefaster, please…” (accompanied by the liner note from Niño: “We’re all in this together. I look forward to living in a much higher, much more conscious, harmonious state, here, with You, on this Magical Planet Earth.”), a gorgeously-keyed canonic infinity by pianist Jamael Dean articulates an Earth-loving, universalist ethos that imbues the entire 44 minute program. While the sonics shift and evolve, gracefully placed in patient order across subsequent track highlights “Nightswimming” (featuring Dean and Dntel on modular synth), “Thanking the Earth” (featuring multi-instrumentalists Sam Gendel and Nate Mercereau, whom Niño has been working and bonding extensively with in recent years), “Salon Winds”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e (featuring Jamire Williams on drums and Aaron Shaw on flute), and “Togetherness” (featuring Dean and Devin Daniels on sax), the naturalist sentiments established in the exposition remain potently present.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is ripe with “ambient” passages that function like open portals between moments of consonance and clarity. But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft kinetic, cinematic sonic experience from dozens of independent, often rhythmically-ambiguous improvisational archive memories is more fluently displayed on 'More Energy Fields, Current' than anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: \"Real Time Interactive Imagination, Flow Texturization.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn 'More Energy Fields, Current', Niño immerses us in the watery depths of his world, spiriting us like a submarine through exotic nether-leagues of untouched sound. And when we arrive at the final, book-ending piece “Please, Wake Up.” (an extended version of the opening theme with transcendental counterpoint by saxophonist Shabaka Hutchings), it’s like a return, safely to shore.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e","published_at":"2024-03-09T11:34:08+09:00","created_at":"2024-03-09T11:33:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45315707633914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Niño \u0026 Friends \/\/ More Energy Fields, Current LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1709951609"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","options":["Title"],"media":[{"alt":null,"id":33341293789434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","width":700},{"alt":null,"id":33341293822202,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1709951609"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1709951609","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2021年5月に同国International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSam GendalやLaraajiといったLeavingでもおなじみの作家たちと共作した\u003cspan data-mce-fragment=\"1\"\u003eアンビエント・ジャズ\u003c\/span\u003e10曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1153390491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore Energy Fields, Current' is a definitive new peak in the recorded continuum of prolific producer\/percussionist Carlos Niño. Featuring heavy contributions from many of the most exciting instrumentalists in the creative music constellation of Los Angeles (of which Niño’s has been a central force for over 2 decades), the album collects 10 pristine gems of collaborative communication helmed by the Southern Californian sage, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStarting with the subtle invitation of “Pleasewakeupalittlefaster, please…” (accompanied by the liner note from Niño: “We’re all in this together. I look forward to living in a much higher, much more conscious, harmonious state, here, with You, on this Magical Planet Earth.”), a gorgeously-keyed canonic infinity by pianist Jamael Dean articulates an Earth-loving, universalist ethos that imbues the entire 44 minute program. While the sonics shift and evolve, gracefully placed in patient order across subsequent track highlights “Nightswimming” (featuring Dean and Dntel on modular synth), “Thanking the Earth” (featuring multi-instrumentalists Sam Gendel and Nate Mercereau, whom Niño has been working and bonding extensively with in recent years), “Salon Winds”\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e (featuring Jamire Williams on drums and Aaron Shaw on flute), and “Togetherness” (featuring Dean and Devin Daniels on sax), the naturalist sentiments established in the exposition remain potently present.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is ripe with “ambient” passages that function like open portals between moments of consonance and clarity. But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft kinetic, cinematic sonic experience from dozens of independent, often rhythmically-ambiguous improvisational archive memories is more fluently displayed on 'More Energy Fields, Current' than anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: \"Real Time Interactive Imagination, Flow Texturization.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn 'More Energy Fields, Current', Niño immerses us in the watery depths of his world, spiriting us like a submarine through exotic nether-leagues of untouched sound. And when we arrive at the final, book-ending piece “Please, Wake Up.” (an extended version of the opening theme with transcendental counterpoint by saxophonist Shabaka Hutchings), it’s like a return, safely to shore.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e"}
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Leaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2021年5月に同国International Anthemからリリースしたレコードです。 Sam GendalやLaraajiといったLeavingでもおなじみの作家たちと共作したアンビエント・ジャズ10曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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![Ariel Kalma, Jeremiah Chiu & Marta Sofia Honer // The Closest Thing to Silence LP [BLACK/COLOR] / CD](http://tobirarecords.com/cdn/shop/files/clo1_medium.jpg?v=1708483075)
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{"id":8181362589946,"title":"Ariel Kalma, Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ The Closest Thing to Silence LP [BLACK\/COLOR] \/ CD","handle":"ariel-kalma-jeremiah-chiu-marta-sofia-honer-the-closest-thing-to-silence-lp-black-color-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフランスの4thワールド音楽家Ariel Kalmaと、アメリカ・LAのモジュラー奏者Jeremiah Chiu \u0026amp; Marta Sofia Honerが、2024年2月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年8月、オーストラリアを拠点にフランスで生まれた4thワールド音楽の伝説的作家Ariel Kalmaが、BBCラジオ3の特別コラボレーション番組「レイト・ジャンクション」シリーズに招かれた。この番組では、これまで一緒に仕事をしたことのないアーティストがペアを組み、共同で新しい音楽を創作する。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational AnthemのレコーディングアーティストであるJeremiah ChiuとMarta Sofia Honerは、数ヶ月前にデュオデビュー作『Recordings from the Åland Islands』をリリースし高い評価を得ていた。Chiuは以前からKalmaのファンで、エレクトロニックミュージック作曲へのアプローチに大きな影響を与えたとさえ語っていたからだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eレイト・ジャンクションのコラボレーションの基本的な構成は、アーティストが協力して約20分の音楽を創作するというものだった。Kalmaが始めた曲と、ChiuとHonorが始めた曲とが行き来し、それぞれがトラックを追加・編集してから、もう一方のアーティストに返す。音楽は数回行き来しただけで、最終的に完成する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e番組の20分の目標（計4曲）を達成した3人は、発表する内容に満足し、レイト・ジャンクションのプロデューサーに作品を送った。しかし、これで終わりではないのではないかという疑念があった。もう少しで完成しそうだったのに、ラジオ番組に収録するために送られなかった作品がいくつかあったし、完成した作品をさらに洗練させるためのアイデアもたくさんあった。このことを念頭に置いて3人は、音楽をさらに推し進めるために協力し続けることで合意した。生まれたばかりのトリオは、もっと言うべきこと、もっとやるべきことがたくさんあると感じていた。レイト・ジャンクションは2022年9月に放送された。同時に、3人は、放送のために始めた音楽をさらに発展させ始め、数ヶ月間、熱心に音楽制作に取り組んだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品に対する彼らの集団的なアプローチは、即興の中で生まれ、コラージュに基づく編集によって実現された。その結果、時には数十年の時を経て録音された、いくつかの異なる音楽的瞬間が互いに会話を交わし、古い音楽の積み重ねから新しい物語を形成している。各ミュージシャンの即興演奏の断片が、Kalmaが70年代にGRMで録音したものと一緒に編集され、最終的なミックスに入ることになる、Kalmaが自分のアイデアを説明するような音声メモの瞬間さえある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最終的に、この音楽集はChiuとHonorの『Recording from the Åland Islands』で聴かれた文脈への没入と、Kalmaの数十年にわたる作品群に対する世代を超えた敬愛（そして紛れもない存在感）とを絡めながら、3人のミュージシャンの作品を際立たせている。それは、彼をニューエイジと第4世界の音楽における真の超越的なパイオニアであり、賢人のひとりとして決定的に祀り上げた作品である。この敬愛の念は、グループが選んだアルバムタイトル「The Closest Thing to Silence」（静寂に最も近いもの）にも表れている。このタイトルは、RVNG Intlが2014年にリリースしたコンペンディウム／レトロスペクティブ『An Evolutionary Music』のドキュメンタリーに収録されたKalmaの言葉から取られている。おそらく偶然だろうが、Kalmaの言葉は、伝説的なECMレコードのモットーを少し変えたものだった： \"音楽は沈黙に最も近いものである\"。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4067863479\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black 140gram vinyl, 12\" 'silent grey' 140gram vinyl, or CD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTen Hour Wave 03:25\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits (Intro) 00:45\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits 05:59\u003c\/li\u003e\n\u003cli\u003eThe Closest Thing To Silence 03:52\u003c\/li\u003e\n\u003cli\u003eDizzy Ditty 04:33\u003c\/li\u003e\n\u003cli\u003eUne Ombre Légère 04:23\u003c\/li\u003e\n\u003cli\u003eNew Air 02:25\u003c\/li\u003e\n\u003cli\u003eÉcoute Au Loin 06:02 video\u003c\/li\u003e\n\u003cli\u003eA Treasure Chest 06:12\u003c\/li\u003e\n\u003cli\u003eStay Centered 02:15\u003c\/li\u003e\n\u003cli\u003eStack Attack 06:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"[...] \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe essential structure of the Late Junction collaboration was that the artists would work together to create around twenty minutes of music. They began passing music back and forth, some that Kalma had started, and some that Honer \u0026amp; Chiu had started, with each adding to or editing the track before returning it to the other. The music would only go back and forth a few times before being finalized.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter meeting their twenty minute goal for the program\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (four pieces total), the three musicians were satisfied in what they would present and sent along their work to the producers of Late Junction. However, there was a nagging suspicion that this wasn’t the end of the story. There were several pieces that they had nearly completed but that weren’t sent for inclusion in the radio program, and there were many ideas for refining those pieces that had. With this in mind Kalma, Chiu and Honer agreed that they would continue to work together to try to push the music further. The freshly minted trio felt like there was much more to be said and more work to be done. The Late Junction program was broadcast in September of 2022. Simultaneously, Kalma, Chiu and Honer began expanding upon the music they had started for the purpose of the broadcast, working diligently on the music for several months.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir collective approach to this work was born in improvisation and realized via collage-based editing. The end result brings several distinct musical moments — recorded sometimes decades apart — into conversation with one another, forming new narratives from building blocks of old ones. There are snippets of improvised playing from each musician, edited together with recordings that Kalma had made in the 70s at GRM, and even moments of audio notes — like Kalma explaining his ideas — that would make it into the final mixes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUltimately, the collection of music highlights the work of all three musicians, intertwining the contextual immersion heard on Chiu \u0026amp; Honer’s 'Recordings from the Åland Islands' with an intergenerational reverence for (and the undeniable presence of) Kalma’s decades-spanning body of work. It is work that has definitively enshrined him as one of the true, transcendent pioneers and sages of new age and fourth-world music. That reverence is affirmed by the album title chosen by the group — \"The Closest Thing to Silence\" — which is taken from a quote by Kalma included in a documentary by RVNG Intl (as part of their release of the 2014 compendium\/retrospective An Evolutionary Music). Perhaps coincidental, Kalma’s quote was a slight modulation of a legendary ECM Records motto, as he said: 'Music is the closest thing to silence.'\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ariel Kalma, Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eIARC0077 \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-02-22T09:36:22+09:00","created_at":"2024-02-21T11:37:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","jazz","lp","new","post newage","recommended"],"price":268000,"price_min":268000,"price_max":498000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45212419653882,"title":"LP [black]","option1":"LP [black]","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40535282450682,"product_id":8181362589946,"position":4,"created_at":"2024-02-21T11:37:53+09:00","updated_at":"2024-02-21T11:37:55+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo4.jpg?v=1708483075","variant_ids":[45212419653882]},"available":true,"name":"Ariel Kalma, Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ The Closest Thing to Silence LP [BLACK\/COLOR] \/ CD - LP [black]","public_title":"LP [black]","options":["LP [black]"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33212670279930,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo4.jpg?v=1708483075"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45212419686650,"title":"LP [color - 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style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフランスの4thワールド音楽家Ariel Kalmaと、アメリカ・LAのモジュラー奏者Jeremiah Chiu \u0026amp; Marta Sofia Honerが、2024年2月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年8月、オーストラリアを拠点にフランスで生まれた4thワールド音楽の伝説的作家Ariel Kalmaが、BBCラジオ3の特別コラボレーション番組「レイト・ジャンクション」シリーズに招かれた。この番組では、これまで一緒に仕事をしたことのないアーティストがペアを組み、共同で新しい音楽を創作する。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational AnthemのレコーディングアーティストであるJeremiah ChiuとMarta Sofia Honerは、数ヶ月前にデュオデビュー作『Recordings from the Åland Islands』をリリースし高い評価を得ていた。Chiuは以前からKalmaのファンで、エレクトロニックミュージック作曲へのアプローチに大きな影響を与えたとさえ語っていたからだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eレイト・ジャンクションのコラボレーションの基本的な構成は、アーティストが協力して約20分の音楽を創作するというものだった。Kalmaが始めた曲と、ChiuとHonorが始めた曲とが行き来し、それぞれがトラックを追加・編集してから、もう一方のアーティストに返す。音楽は数回行き来しただけで、最終的に完成する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e番組の20分の目標（計4曲）を達成した3人は、発表する内容に満足し、レイト・ジャンクションのプロデューサーに作品を送った。しかし、これで終わりではないのではないかという疑念があった。もう少しで完成しそうだったのに、ラジオ番組に収録するために送られなかった作品がいくつかあったし、完成した作品をさらに洗練させるためのアイデアもたくさんあった。このことを念頭に置いて3人は、音楽をさらに推し進めるために協力し続けることで合意した。生まれたばかりのトリオは、もっと言うべきこと、もっとやるべきことがたくさんあると感じていた。レイト・ジャンクションは2022年9月に放送された。同時に、3人は、放送のために始めた音楽をさらに発展させ始め、数ヶ月間、熱心に音楽制作に取り組んだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品に対する彼らの集団的なアプローチは、即興の中で生まれ、コラージュに基づく編集によって実現された。その結果、時には数十年の時を経て録音された、いくつかの異なる音楽的瞬間が互いに会話を交わし、古い音楽の積み重ねから新しい物語を形成している。各ミュージシャンの即興演奏の断片が、Kalmaが70年代にGRMで録音したものと一緒に編集され、最終的なミックスに入ることになる、Kalmaが自分のアイデアを説明するような音声メモの瞬間さえある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最終的に、この音楽集はChiuとHonorの『Recording from the Åland Islands』で聴かれた文脈への没入と、Kalmaの数十年にわたる作品群に対する世代を超えた敬愛（そして紛れもない存在感）とを絡めながら、3人のミュージシャンの作品を際立たせている。それは、彼をニューエイジと第4世界の音楽における真の超越的なパイオニアであり、賢人のひとりとして決定的に祀り上げた作品である。この敬愛の念は、グループが選んだアルバムタイトル「The Closest Thing to Silence」（静寂に最も近いもの）にも表れている。このタイトルは、RVNG Intlが2014年にリリースしたコンペンディウム／レトロスペクティブ『An Evolutionary Music』のドキュメンタリーに収録されたKalmaの言葉から取られている。おそらく偶然だろうが、Kalmaの言葉は、伝説的なECMレコードのモットーを少し変えたものだった： \"音楽は沈黙に最も近いものである\"。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4067863479\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black 140gram vinyl, 12\" 'silent grey' 140gram vinyl, or CD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTen Hour Wave 03:25\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits (Intro) 00:45\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits 05:59\u003c\/li\u003e\n\u003cli\u003eThe Closest Thing To Silence 03:52\u003c\/li\u003e\n\u003cli\u003eDizzy Ditty 04:33\u003c\/li\u003e\n\u003cli\u003eUne Ombre Légère 04:23\u003c\/li\u003e\n\u003cli\u003eNew Air 02:25\u003c\/li\u003e\n\u003cli\u003eÉcoute Au Loin 06:02 video\u003c\/li\u003e\n\u003cli\u003eA Treasure Chest 06:12\u003c\/li\u003e\n\u003cli\u003eStay Centered 02:15\u003c\/li\u003e\n\u003cli\u003eStack Attack 06:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"[...] \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe essential structure of the Late Junction collaboration was that the artists would work together to create around twenty minutes of music. They began passing music back and forth, some that Kalma had started, and some that Honer \u0026amp; Chiu had started, with each adding to or editing the track before returning it to the other. The music would only go back and forth a few times before being finalized.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter meeting their twenty minute goal for the program\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (four pieces total), the three musicians were satisfied in what they would present and sent along their work to the producers of Late Junction. However, there was a nagging suspicion that this wasn’t the end of the story. There were several pieces that they had nearly completed but that weren’t sent for inclusion in the radio program, and there were many ideas for refining those pieces that had. With this in mind Kalma, Chiu and Honer agreed that they would continue to work together to try to push the music further. The freshly minted trio felt like there was much more to be said and more work to be done. The Late Junction program was broadcast in September of 2022. Simultaneously, Kalma, Chiu and Honer began expanding upon the music they had started for the purpose of the broadcast, working diligently on the music for several months.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir collective approach to this work was born in improvisation and realized via collage-based editing. The end result brings several distinct musical moments — recorded sometimes decades apart — into conversation with one another, forming new narratives from building blocks of old ones. There are snippets of improvised playing from each musician, edited together with recordings that Kalma had made in the 70s at GRM, and even moments of audio notes — like Kalma explaining his ideas — that would make it into the final mixes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUltimately, the collection of music highlights the work of all three musicians, intertwining the contextual immersion heard on Chiu \u0026amp; Honer’s 'Recordings from the Åland Islands' with an intergenerational reverence for (and the undeniable presence of) Kalma’s decades-spanning body of work. It is work that has definitively enshrined him as one of the true, transcendent pioneers and sages of new age and fourth-world music. That reverence is affirmed by the album title chosen by the group — \"The Closest Thing to Silence\" — which is taken from a quote by Kalma included in a documentary by RVNG Intl (as part of their release of the 2014 compendium\/retrospective An Evolutionary Music). Perhaps coincidental, Kalma’s quote was a slight modulation of a legendary ECM Records motto, as he said: 'Music is the closest thing to silence.'\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ariel Kalma, Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eIARC0077 \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Ariel Kalma, Jeremiah Chiu & Marta Sofia Honer // The Closest Thing to Silence LP [BLACK/COLOR] / CD
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{"id":8176298819834,"title":"Jeremiah Chiu \/\/ In Electric Time LP [BLACK \/ COLOR]","handle":"jeremiah-chiu-in-electric-time-lp-black-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのモジュラー奏者Jeremiah Chiuが、2024年1月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eJeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e即興演奏のアプローチは、VSMのミキサーセットアップ（シンセサイザーのセクションがすべて1つのミキサー／パッチベイにルーティングされている）を採用し、スタジオの端から始めて、6つの異なるセクションを回るというものだった。私は、自分が最も慣れ親しんでいる、あるいは何年もかけて研究してきたシンセサイザーから始め、すぐに使いこなすことができると確信していた。ヴィンテージの機材で作業する場合、楽器がユニークに歌うスイートスポットが必ずある。フィルターや共鳴の仕方、鍵盤のアクション、トリガーやシーケンスに使用するコントロール・ボルテージ、搭載されているユニークな機能などだ。メロディやリズムが思いがけない形で現れる瞬間を見つけるのが好きで、彫刻というより考古学のように感じることもある。編集もかなり即興的で、生々しく自然な感じを維持するために、しばしば異なるセクションの断片を互いに対話させながら引っ張ってきた。ベンがテープを始めたり止めたりする瞬間を録音で聞くのが好きだったので、長くてその瞬間を超えたテイクは、新鮮なアイデアに直接ぶつかったりした。」\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nzPIe9zDAc?si=en4snVPe3Amiihgq\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1183930485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElectroComp 101 01:44\u003c\/li\u003e\n\u003cli\u003eSeawater Swell 04:31\u003c\/li\u003e\n\u003cli\u003eFor Voices 01:09\u003c\/li\u003e\n\u003cli\u003eRococco Rondo 07:32\u003c\/li\u003e\n\u003cli\u003eA Cloud Song 02:18\u003c\/li\u003e\n\u003cli\u003eRhythm Bell 01:44\u003c\/li\u003e\n\u003cli\u003eBrush with Thin Air 03:55\u003c\/li\u003e\n\u003cli\u003eRhythm Serge 01:24\u003c\/li\u003e\n\u003cli\u003eStatic Stone Railway 02:27\u003c\/li\u003e\n\u003cli\u003eTransparent Spheres 05:17\u003c\/li\u003e\n\u003cli\u003eEcho Arp Hold 01:07\u003c\/li\u003e\n\u003cli\u003eIn Electric Time 04:23 video\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder\/curator Lance Hill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHill recalls: \"Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he started programming a sound and sequence into the Gleeman Pentaphonic. By the time the engineer showed up, Jeremiah had built several other parts around the Gleeman that weren't synced by any control method but sounded like they were just calling and responding to each other. They plugged the Tascam 388 into the patch bay, and hit record. Jeremiah played with it, and that was it. First piece written and recorded in under an hour. It felt natural, fun and free. And that's pretty much how the rest of the session went. Constant ecstatic motion. It was the funnest non-HipHop session I've ever worked on.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe resulting album – In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic music conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to paint a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott’s electronic studio recordings — with sharp cuts and room chatter — and, in others, it conjures the in-the-moment magic of Harmonia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbout the work, Chiu says: “The approach to the improvisations was to embrace the mixer setups at VSM — where a section of synthesizers are all routed to a single mixer\/patchbay — and to start at one end of the studio and work our way around the six different sections. I began with the synths I was most familiar with — or had spent years researching — and was fairly certain I could reign in quickly. When working with vintage gear, there's always a sweet spot where the instrument sings in a unique way. This may be the idiosyncrasies of its filter and how it resonates, the action of the keys, the ability to trigger and use control voltage to sequence, or the unique onboard features. I love finding the moments where a melody or rhythm appears in an unexpected way — at times feeling more like archaeology than sculpture. I was quite improvisatory with the editing as well, often pulling bits from distinctly different sections in dialogue with each other, in order to maintain the raw, spontaneous feeling. I loved hearing moments in the recordings when Ben started or stopped tape, so a take that was running long and beyond its moment would hit directly against a fresh idea.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2024-02-17T12:47:07+09:00","created_at":"2024-02-17T12:43:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":438000,"price_min":438000,"price_max":498000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45196583338234,"title":"BLACK","option1":"BLACK","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40507771617530,"product_id":8176298819834,"position":3,"created_at":"2024-02-17T12:45:15+09:00","updated_at":"2024-02-17T12:45:20+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935243_10.jpg?v=1708141520","variant_ids":[45196583338234]},"available":true,"name":"Jeremiah Chiu \/\/ In Electric Time LP [BLACK \/ COLOR] - BLACK","public_title":"BLACK","options":["BLACK"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33183964004602,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935243_10.jpg?v=1708141520"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45196583371002,"title":"CLEAR MINT","option1":"CLEAR MINT","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40507771912442,"product_id":8176298819834,"position":4,"created_at":"2024-02-17T12:45:15+09:00","updated_at":"2024-02-17T12:45:20+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935205_10.jpg?v=1708141520","variant_ids":[45196583371002]},"available":false,"name":"Jeremiah Chiu \/\/ In Electric Time LP [BLACK \/ COLOR] - CLEAR MINT","public_title":"CLEAR MINT","options":["CLEAR MINT"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33183964037370,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935205_10.jpg?v=1708141520"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2eab54d8-7b8d-4322-b6d0-556d19921bc4.jpg?v=1708141402","\/\/tobirarecords.com\/cdn\/shop\/files\/0034935241_10.jpg?v=1708141520","\/\/tobirarecords.com\/cdn\/shop\/files\/0034935243_10.jpg?v=1708141520","\/\/tobirarecords.com\/cdn\/shop\/files\/0034935205_10.jpg?v=1708141520"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2eab54d8-7b8d-4322-b6d0-556d19921bc4.jpg?v=1708141402","options":["Color"],"media":[{"alt":null,"id":33183956238586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2eab54d8-7b8d-4322-b6d0-556d19921bc4.jpg?v=1708141402"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2eab54d8-7b8d-4322-b6d0-556d19921bc4.jpg?v=1708141402","width":700},{"alt":null,"id":33183964102906,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935241_10.jpg?v=1708141520"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935241_10.jpg?v=1708141520","width":1200},{"alt":null,"id":33183964004602,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935243_10.jpg?v=1708141520"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935243_10.jpg?v=1708141520","width":1200},{"alt":null,"id":33183964037370,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935205_10.jpg?v=1708141520"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034935205_10.jpg?v=1708141520","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのモジュラー奏者Jeremiah Chiuが、2024年1月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eJeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e即興演奏のアプローチは、VSMのミキサーセットアップ（シンセサイザーのセクションがすべて1つのミキサー／パッチベイにルーティングされている）を採用し、スタジオの端から始めて、6つの異なるセクションを回るというものだった。私は、自分が最も慣れ親しんでいる、あるいは何年もかけて研究してきたシンセサイザーから始め、すぐに使いこなすことができると確信していた。ヴィンテージの機材で作業する場合、楽器がユニークに歌うスイートスポットが必ずある。フィルターや共鳴の仕方、鍵盤のアクション、トリガーやシーケンスに使用するコントロール・ボルテージ、搭載されているユニークな機能などだ。メロディやリズムが思いがけない形で現れる瞬間を見つけるのが好きで、彫刻というより考古学のように感じることもある。編集もかなり即興的で、生々しく自然な感じを維持するために、しばしば異なるセクションの断片を互いに対話させながら引っ張ってきた。ベンがテープを始めたり止めたりする瞬間を録音で聞くのが好きだったので、長くてその瞬間を超えたテイクは、新鮮なアイデアに直接ぶつかったりした。」\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nzPIe9zDAc?si=en4snVPe3Amiihgq\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1183930485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElectroComp 101 01:44\u003c\/li\u003e\n\u003cli\u003eSeawater Swell 04:31\u003c\/li\u003e\n\u003cli\u003eFor Voices 01:09\u003c\/li\u003e\n\u003cli\u003eRococco Rondo 07:32\u003c\/li\u003e\n\u003cli\u003eA Cloud Song 02:18\u003c\/li\u003e\n\u003cli\u003eRhythm Bell 01:44\u003c\/li\u003e\n\u003cli\u003eBrush with Thin Air 03:55\u003c\/li\u003e\n\u003cli\u003eRhythm Serge 01:24\u003c\/li\u003e\n\u003cli\u003eStatic Stone Railway 02:27\u003c\/li\u003e\n\u003cli\u003eTransparent Spheres 05:17\u003c\/li\u003e\n\u003cli\u003eEcho Arp Hold 01:07\u003c\/li\u003e\n\u003cli\u003eIn Electric Time 04:23 video\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder\/curator Lance Hill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHill recalls: \"Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he started programming a sound and sequence into the Gleeman Pentaphonic. By the time the engineer showed up, Jeremiah had built several other parts around the Gleeman that weren't synced by any control method but sounded like they were just calling and responding to each other. They plugged the Tascam 388 into the patch bay, and hit record. Jeremiah played with it, and that was it. First piece written and recorded in under an hour. It felt natural, fun and free. And that's pretty much how the rest of the session went. Constant ecstatic motion. It was the funnest non-HipHop session I've ever worked on.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe resulting album – In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic music conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to paint a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott’s electronic studio recordings — with sharp cuts and room chatter — and, in others, it conjures the in-the-moment magic of Harmonia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbout the work, Chiu says: “The approach to the improvisations was to embrace the mixer setups at VSM — where a section of synthesizers are all routed to a single mixer\/patchbay — and to start at one end of the studio and work our way around the six different sections. I began with the synths I was most familiar with — or had spent years researching — and was fairly certain I could reign in quickly. When working with vintage gear, there's always a sweet spot where the instrument sings in a unique way. This may be the idiosyncrasies of its filter and how it resonates, the action of the keys, the ability to trigger and use control voltage to sequence, or the unique onboard features. I love finding the moments where a melody or rhythm appears in an unexpected way — at times feeling more like archaeology than sculpture. I was quite improvisatory with the editing as well, often pulling bits from distinctly different sections in dialogue with each other, in order to maintain the raw, spontaneous feeling. I loved hearing moments in the recordings when Ben started or stopped tape, so a take that was running long and beyond its moment would hit directly against a fresh idea.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・LAのモジュラー奏者Jeremiah Chiuが、2024年1月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。 2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。ヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。 Jeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。...
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{"id":8108860932346,"title":"Alabaster DePlume \/\/ Come With Fierce Grace LP \/ CD","handle":"alabaster-deplume-come-with-fierce-grace-lp-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが\u003c\/span\u003e、2023年9月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2272563853\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSibomandi (feat. Falle Nioke) 02:28\u003c\/li\u003e\n\u003cli\u003eWhat Can It Take 02:16\u003c\/li\u003e\n\u003cli\u003eTo That Voice And Say 02:44\u003c\/li\u003e\n\u003cli\u003eGreek Honey Slick (feat. Tom Skinner) 04:33\u003c\/li\u003e\n\u003cli\u003eGive Me Away 03:13\u003c\/li\u003e\n\u003cli\u003eFall On Flowers 04:53\u003c\/li\u003e\n\u003cli\u003eDid You Know (feat. Momoko Gill, MettaShiba) 03:54\u003c\/li\u003e\n\u003cli\u003eLevels of Human 01:52\u003c\/li\u003e\n\u003cli\u003eNot Even Sobbing 02:46\u003c\/li\u003e\n\u003cli\u003eThe Best Thing In The World 04:40\u003c\/li\u003e\n\u003cli\u003eNaked Like Water (feat. Donna Thompson) 02:54\u003c\/li\u003e\n\u003cli\u003eBroken Again 05:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn order to record the compositions in his critically-acclaimed 2022 release GOLD, Alabaster DePlume instilled a culture of creativity by leading his ensembles in spontaneous composition and development. To allow them to be present, he kept the musicians constantly creating across several weeks of sessions at London creative hub Total Refreshment Centre. This process resulted in an abundance of material, much more than he could fit onto the initial double LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter spending most of 2022 touring in support of GOLD, Alabaster spent much of early 2023 revisiting the additional material from those Total Refreshment Centre sessions – adding, subtracting, producing and arranging – resulting in an entirely new album, Come With Fierce Grace.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCome With Fierce Grace is an album made of authentic and unstipulated – yet welcomed – human interaction. It is for the most part an album of instrumentals, with exception of a few vocal features by Momoko Gill (aka MettaShiba), Falle Nioke, and Donna Thompson. However the instrumentals on this album are much more embryonic and unfiltered than the lush orchestrations heard on Alabaster’s breakout 2020 album To Cy \u0026amp; Lee: Instrumentals Vol. 1. Come With Fierce Grace is perhaps the most raw and candid\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e portrait of Alabaster’s creative compositional process we’ve yet to hear, as he’s captured vividly in the room with his collaborators – stretching, exploring, working to deepen and expand the emotions underlying his melodic and poetic frameworks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the process, Alabaster cites a similarity to how elements in nature contribute to shared work and beauty without a collective motive – a bee’s own motives result in the delivery of pollen. As he says: “The great thing wants to happen, let us allow it to happen.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the origin of the album’s name: On his first trip to perform in the US in March 2022, Alabaster collected messages from individuals, as he asked them if there is anything they would like him to share with his audiences. One message (from a person who preferred to remain anonymous) asked Alabaster to encourage people to “come with fierce grace.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-12-10T11:58:28+09:00","created_at":"2023-12-10T10:35:20+09:00","vendor":"Tobira Records","type":"","tags":["cd","international 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charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが\u003c\/span\u003e、2023年9月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2272563853\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSibomandi (feat. Falle Nioke) 02:28\u003c\/li\u003e\n\u003cli\u003eWhat Can It Take 02:16\u003c\/li\u003e\n\u003cli\u003eTo That Voice And Say 02:44\u003c\/li\u003e\n\u003cli\u003eGreek Honey Slick (feat. Tom Skinner) 04:33\u003c\/li\u003e\n\u003cli\u003eGive Me Away 03:13\u003c\/li\u003e\n\u003cli\u003eFall On Flowers 04:53\u003c\/li\u003e\n\u003cli\u003eDid You Know (feat. Momoko Gill, MettaShiba) 03:54\u003c\/li\u003e\n\u003cli\u003eLevels of Human 01:52\u003c\/li\u003e\n\u003cli\u003eNot Even Sobbing 02:46\u003c\/li\u003e\n\u003cli\u003eThe Best Thing In The World 04:40\u003c\/li\u003e\n\u003cli\u003eNaked Like Water (feat. Donna Thompson) 02:54\u003c\/li\u003e\n\u003cli\u003eBroken Again 05:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn order to record the compositions in his critically-acclaimed 2022 release GOLD, Alabaster DePlume instilled a culture of creativity by leading his ensembles in spontaneous composition and development. To allow them to be present, he kept the musicians constantly creating across several weeks of sessions at London creative hub Total Refreshment Centre. This process resulted in an abundance of material, much more than he could fit onto the initial double LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter spending most of 2022 touring in support of GOLD, Alabaster spent much of early 2023 revisiting the additional material from those Total Refreshment Centre sessions – adding, subtracting, producing and arranging – resulting in an entirely new album, Come With Fierce Grace.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCome With Fierce Grace is an album made of authentic and unstipulated – yet welcomed – human interaction. It is for the most part an album of instrumentals, with exception of a few vocal features by Momoko Gill (aka MettaShiba), Falle Nioke, and Donna Thompson. However the instrumentals on this album are much more embryonic and unfiltered than the lush orchestrations heard on Alabaster’s breakout 2020 album To Cy \u0026amp; Lee: Instrumentals Vol. 1. Come With Fierce Grace is perhaps the most raw and candid\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e portrait of Alabaster’s creative compositional process we’ve yet to hear, as he’s captured vividly in the room with his collaborators – stretching, exploring, working to deepen and expand the emotions underlying his melodic and poetic frameworks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the process, Alabaster cites a similarity to how elements in nature contribute to shared work and beauty without a collective motive – a bee’s own motives result in the delivery of pollen. As he says: “The great thing wants to happen, let us allow it to happen.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the origin of the album’s name: On his first trip to perform in the US in March 2022, Alabaster collected messages from individuals, as he asked them if there is anything they would like him to share with his audiences. One message (from a person who preferred to remain anonymous) asked Alabaster to encourage people to “come with fierce grace.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2023年9月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 アンビエント・ジャズ〜スピリチュアル・ジャズ12曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
¥2,680
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{"id":8100882252026,"title":"Makaya McCraven \/\/ Universal Beings 2xLP","handle":"makaya-mccraven-universal-beings-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズドラマーMakaya McCravenが、2018年にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eジャズ・ヒップホップ22曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1059062676\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eParis-born, New England-raised, long-time Chicago-residing Makaya McCraven has been at the forefront of genre-redefining movements in jazz since 2015, when he introduced the world to his unique brand of ‘organic beat music’ on the breakout album In The Moment. Culled, cut, post-produced \u0026amp; re-composed by Makaya using recordings of free improvisation he collected over dozens of live sessions in Chicago, through incubation \u0026amp; experimentation In The Moment established a procedural blueprint that he has since been sharpening \u0026amp; developing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHoning this process on narrower sets of source material, Makaya followed up In The Moment with 2 mixtape releases – 2017’s Highly Rare, a lo-fi free-jazz-meets-hip-hop suite he made from a live 4-track recording, and June 2018’s Where We Come From (CHICAGOxLONDON Mixtape), which he produced using live recordings from London jazz hub Total Refreshment Centre (captured at a showcase called CHICAGOxLONDON).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow, after 4+ years of refining his approach, Makaya McCraven puts forth an ambitious new work – Universal Beings – a culmination of concepts conceived by In The Moment, and his most elegant \u0026amp; articulated\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e work yet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpurred by a desire to connect with old friends \u0026amp; new collaborators in places where similar spirits \u0026amp; diasporic jazz innovations are thriving, Makaya worked with International Anthem across late 2017 \u0026amp; early 2018 to setup intimate live sessions in New York \u0026amp; Chicago, and pop-up “studio” sessions in London \u0026amp; Los Angeles. Though the contexts and logistics were D.I.Y. (as they almost always are with IARC), the friends \u0026amp; friends-of-friends that Makaya was able to enlist are top tier players across the board. Some might call them super groups of “new” jazz musicians from their respective cities, with Makaya as a common denominator. But more importantly, collectively they make an inspiring display of the organic global inter-connectedness of the Black American music tradition in 2018.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhysically spanning national \u0026amp; international borders to create an album that musically spans deep spiritual jazz meditations, pulsing post-bop grooves \u0026amp; straight-ahead boom-bap, Makaya McCraven defies the simplifications of revisionism \u0026amp; regionalism while celebrating the sounds, settings \u0026amp; stories that define the provenance of his work. Universal Beings projects an all-encompassing message of unity, peace \u0026amp; power by embracing transcendence in all its expressions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-12-05T11:02:08+09:00","created_at":"2023-12-05T10:56:12+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":519600,"price_min":519600,"price_max":519600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44843938283770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Makaya McCraven \/\/ Universal Beings 2xLP","public_title":null,"options":["Default Title"],"price":519600,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1027816009_16.jpg?v=1701741479","\/\/tobirarecords.com\/cdn\/shop\/files\/0014644948_10.jpg?v=1701741485","\/\/tobirarecords.com\/cdn\/shop\/files\/0014644950_10.jpg?v=1701741485"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1027816009_16.jpg?v=1701741479","options":["Title"],"media":[{"alt":null,"id":32794297925882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1027816009_16.jpg?v=1701741479"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1027816009_16.jpg?v=1701741479","width":700},{"alt":null,"id":32794298122490,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0014644948_10.jpg?v=1701741485"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0014644948_10.jpg?v=1701741485","width":1200},{"alt":null,"id":32794298056954,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0014644950_10.jpg?v=1701741485"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0014644950_10.jpg?v=1701741485","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズドラマーMakaya McCravenが、2018年にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eジャズ・ヒップホップ22曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1059062676\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eParis-born, New England-raised, long-time Chicago-residing Makaya McCraven has been at the forefront of genre-redefining movements in jazz since 2015, when he introduced the world to his unique brand of ‘organic beat music’ on the breakout album In The Moment. Culled, cut, post-produced \u0026amp; re-composed by Makaya using recordings of free improvisation he collected over dozens of live sessions in Chicago, through incubation \u0026amp; experimentation In The Moment established a procedural blueprint that he has since been sharpening \u0026amp; developing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHoning this process on narrower sets of source material, Makaya followed up In The Moment with 2 mixtape releases – 2017’s Highly Rare, a lo-fi free-jazz-meets-hip-hop suite he made from a live 4-track recording, and June 2018’s Where We Come From (CHICAGOxLONDON Mixtape), which he produced using live recordings from London jazz hub Total Refreshment Centre (captured at a showcase called CHICAGOxLONDON).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow, after 4+ years of refining his approach, Makaya McCraven puts forth an ambitious new work – Universal Beings – a culmination of concepts conceived by In The Moment, and his most elegant \u0026amp; articulated\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e work yet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpurred by a desire to connect with old friends \u0026amp; new collaborators in places where similar spirits \u0026amp; diasporic jazz innovations are thriving, Makaya worked with International Anthem across late 2017 \u0026amp; early 2018 to setup intimate live sessions in New York \u0026amp; Chicago, and pop-up “studio” sessions in London \u0026amp; Los Angeles. Though the contexts and logistics were D.I.Y. (as they almost always are with IARC), the friends \u0026amp; friends-of-friends that Makaya was able to enlist are top tier players across the board. Some might call them super groups of “new” jazz musicians from their respective cities, with Makaya as a common denominator. But more importantly, collectively they make an inspiring display of the organic global inter-connectedness of the Black American music tradition in 2018.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhysically spanning national \u0026amp; international borders to create an album that musically spans deep spiritual jazz meditations, pulsing post-bop grooves \u0026amp; straight-ahead boom-bap, Makaya McCraven defies the simplifications of revisionism \u0026amp; regionalism while celebrating the sounds, settings \u0026amp; stories that define the provenance of his work. Universal Beings projects an all-encompassing message of unity, peace \u0026amp; power by embracing transcendence in all its expressions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズドラマーMakaya McCravenが、2018年にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。 ジャズ・ヒップホップ22曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
¥5,196
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{"id":8098126790906,"title":"Resavoir \/\/ Resavoir LP \/ CD","handle":"resavoir-resavoir-lp-cd","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eトランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作\u003cmeta charset=\"utf-8\"\u003e『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1817381454\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=779391825\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1035673598\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Available on 12\" black vinyl or CD in 6-panel digipack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavenly 01:57\u003c\/li\u003e\n\u003cli\u003eInside Minds 02:37\u003c\/li\u003e\n\u003cli\u003eSunday Morning (featuring Elton Aura \u0026amp; Whitney) 03:31 video\u003c\/li\u003e\n\u003cli\u003eRobot Dreams 01:19\u003c\/li\u003e\n\u003cli\u003eMidday 03:53\u003c\/li\u003e\n\u003cli\u003eSunset 02:57\u003c\/li\u003e\n\u003cli\u003eFirst Light 06:23\u003c\/li\u003e\n\u003cli\u003eFuture 02:35\u003c\/li\u003e\n\u003cli\u003eOn n On 01:49\u003c\/li\u003e\n\u003cli\u003eBlutopia 03:40\u003c\/li\u003e\n\u003cli\u003eFacets 02:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eResavoir - the collaborative project led by Chicago producer\/composer Will Miller - presents their second self-titled album. The new 'Resavoir' is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagined, instigated and produced by Miller, who ties the diverse sounds into an expansive, coherent whole, 'Resavoir' features a wide and vibrant cast of collaborators, including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRooted in the collaborative spirit of the early 2010s indie hip-hop scene, Miller cut loose from his training at Oberlin jazz conservatory, taking a compositional assignment to write a tune about a reservoir as his cue to explore a beats and RnB-inspired sound that could function as a literal reservoir of music to draw from. Running his trumpet through MIDI keyboards, experimenting with samplers, drum machines and synths, he began to build a sound that could seamlessly collaborate with MCs, vocalists and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e instrumentalists.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Resavoir\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-12-01T19:44:22+09:00","created_at":"2023-11-30T10:55:51+09:00","vendor":"Tobira Records","type":"","tags":["cd","hiphop \/ funk","international anthem","jazz","lp","new"],"price":268000,"price_min":268000,"price_max":498000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44827502379258,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Resavoir \/\/ Resavoir LP \/ CD - LP","public_title":"LP","options":["LP"],"price":498000,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44827502412026,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Resavoir \/\/ Resavoir LP \/ CD - CD","public_title":"CD","options":["CD"],"price":268000,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","\/\/tobirarecords.com\/cdn\/shop\/files\/rvoi2.jpg?v=1701309353","\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353","\/\/tobirarecords.com\/cdn\/shop\/files\/voi4.jpg?v=1701309353"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","options":["Format"],"media":[{"alt":null,"id":32770513797370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","width":700},{"alt":null,"id":32770513830138,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rvoi2.jpg?v=1701309353"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rvoi2.jpg?v=1701309353","width":1200},{"alt":null,"id":32770513862906,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353","width":1200},{"alt":null,"id":32770513895674,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi4.jpg?v=1701309353"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi4.jpg?v=1701309353","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eトランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作\u003cmeta charset=\"utf-8\"\u003e『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1817381454\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=779391825\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1035673598\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Available on 12\" black vinyl or CD in 6-panel digipack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavenly 01:57\u003c\/li\u003e\n\u003cli\u003eInside Minds 02:37\u003c\/li\u003e\n\u003cli\u003eSunday Morning (featuring Elton Aura \u0026amp; Whitney) 03:31 video\u003c\/li\u003e\n\u003cli\u003eRobot Dreams 01:19\u003c\/li\u003e\n\u003cli\u003eMidday 03:53\u003c\/li\u003e\n\u003cli\u003eSunset 02:57\u003c\/li\u003e\n\u003cli\u003eFirst Light 06:23\u003c\/li\u003e\n\u003cli\u003eFuture 02:35\u003c\/li\u003e\n\u003cli\u003eOn n On 01:49\u003c\/li\u003e\n\u003cli\u003eBlutopia 03:40\u003c\/li\u003e\n\u003cli\u003eFacets 02:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eResavoir - the collaborative project led by Chicago producer\/composer Will Miller - presents their second self-titled album. The new 'Resavoir' is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagined, instigated and produced by Miller, who ties the diverse sounds into an expansive, coherent whole, 'Resavoir' features a wide and vibrant cast of collaborators, including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRooted in the collaborative spirit of the early 2010s indie hip-hop scene, Miller cut loose from his training at Oberlin jazz conservatory, taking a compositional assignment to write a tune about a reservoir as his cue to explore a beats and RnB-inspired sound that could function as a literal reservoir of music to draw from. Running his trumpet through MIDI keyboards, experimenting with samplers, drum machines and synths, he began to build a sound that could seamlessly collaborate with MCs, vocalists and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e instrumentalists.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Resavoir\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 トランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします "シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。" レーベルその他作品はこちら /// Click here to see more International...
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{"id":8098118566138,"title":"Thandi Ntuli with Carlos Niño \/\/ Rainbow Revisited LP \/ CD","handle":"thandi-ntuli-with-carlos-nino-rainbow-revisited-lp-cd","description":"\u003cp\u003e南アフリカのジャズ・ピアニストThandi Ntuliと、アメリカ・LAのパーカッショニストCarlos Niñoが、2023年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声とピアノを主体としたソウルフルなジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2929146464\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or CD in 4-panel digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSunrise (in California) 05:29\u003c\/li\u003e\n\u003cli\u003eRainbow Revisited 07:13\u003c\/li\u003e\n\u003cli\u003eBreath and Synth Experiment 03:38\u003c\/li\u003e\n\u003cli\u003eNomayoyo (Ingoma ka Mkhulu) 05:34\u003c\/li\u003e\n\u003cli\u003ePiano EDIT (Original Mix) 04:22\u003c\/li\u003e\n\u003cli\u003eSunset (in California) 05:51\u003c\/li\u003e\n\u003cli\u003eVoice and Tongo Experiment 02:18\u003c\/li\u003e\n\u003cli\u003eThe One (first part) 04:01\u003c\/li\u003e\n\u003cli\u003eThe One (second part) 04:17\u003c\/li\u003e\n\u003cli\u003eLihlanzekile 05:34\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Thandi Ntuli :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI travelled to Los Angeles and the USA for the first time in 2019. Although I had not met Carlos in person, we connected via Instagram where he saw a video of me playing a piano motif (titled ‘The One’ in this sequence) that he really liked and expressed a wish to record. This was around 2017. We tried a few times to get me over to Los Angeles, but the timing was always off. Through a performance organised by a creative collective called The Nonsemble at The Ford Theatre we finally got the opportunity to meet, play together and subsequently go into studio to record some improvisations as he guided the recording process.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving been aware of some of his work – in particular his collaborative projects as Carlos Niño \u0026amp; Friends, as well as with his friend and long-time collaborator, Miguel Atwood-Ferguson – I knew that, with Carlos as producer, the artistic direction of the album would likely take me to a place I’d never considered going. A fact that had me both curious and terrified (as one tends to be when stepping into the unknown) Lol!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInitially keen to record the song that he had seen\/heard me play on Instagram, our performance a few days before the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e session drew him to the song Rainbow off my sophomore album, Exiled (2018). On that zen-like California afternoon in Andy Kravitz’s cozy studio in Venice Beach, he encouraged me to play around with various iterations of Rainbow. “Try it this way”, “How about adding that?”, “Can you breathe into the mic?”, “What if you focus on the last section?”, and many other explorations that eventually went through a few cuts, edits, yays and nays to become this body of work. Rainbow Revisited was birthed through that session, another session a couple of days later, and a series of many small synchronicities that led up to that moment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA particularly special moment for me was when he invited me to play something from home, which lent itself to me recording a song originally written by my grandfather that we often sing when at family gatherings. The song is called Nomayoyo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo much has happened since that session in late 2019. Many changes in our personal and collective universes. Losses and gains, births and transitions into the next life, Mother Nature’s ever-constant cycles reminding me that through all the chaos there remains, just beneath, this perfect order in Her ebb and flow. And most importantly, reminding me to feel for Her and to listen.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thandi Ntuli with Carlos Niño\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-11-30T20:44:21+09:00","created_at":"2023-11-30T10:35:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","lp","new","recommended"],"price":268000,"price_min":268000,"price_max":498000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44827471249658,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40119072325882,"product_id":8098118566138,"position":3,"created_at":"2023-11-30T10:35:48+09:00","updated_at":"2023-11-30T10:35:50+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain3_26762486-399a-4059-963e-451c9e4036f4.jpg?v=1701308150","variant_ids":[44827471249658]},"available":true,"name":"Thandi Ntuli with Carlos Niño \/\/ Rainbow Revisited LP \/ CD - LP","public_title":"LP","options":["LP"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32770465497338,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain3_26762486-399a-4059-963e-451c9e4036f4.jpg?v=1701308150"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44827471282426,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40119072293114,"product_id":8098118566138,"position":5,"created_at":"2023-11-30T10:35:48+09:00","updated_at":"2023-11-30T10:35:50+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain5.jpg?v=1701308150","variant_ids":[44827471282426]},"available":true,"name":"Thandi Ntuli with Carlos Niño \/\/ Rainbow Revisited LP \/ CD - CD","public_title":"CD","options":["CD"],"price":268000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32770465562874,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain5.jpg?v=1701308150"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_3c126b6a-4448-4848-a0c5-87b788e29365.jpg?v=1701308150","\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_89ae9561-8817-4b9b-9012-95714056668a.jpg?v=1701308150","\/\/tobirarecords.com\/cdn\/shop\/files\/rain3_26762486-399a-4059-963e-451c9e4036f4.jpg?v=1701308150","\/\/tobirarecords.com\/cdn\/shop\/files\/rain4.jpg?v=1701308151","\/\/tobirarecords.com\/cdn\/shop\/files\/rain5.jpg?v=1701308150"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_3c126b6a-4448-4848-a0c5-87b788e29365.jpg?v=1701308150","options":["Format"],"media":[{"alt":null,"id":32770465431802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_3c126b6a-4448-4848-a0c5-87b788e29365.jpg?v=1701308150"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_3c126b6a-4448-4848-a0c5-87b788e29365.jpg?v=1701308150","width":700},{"alt":null,"id":32770465464570,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_89ae9561-8817-4b9b-9012-95714056668a.jpg?v=1701308150"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_89ae9561-8817-4b9b-9012-95714056668a.jpg?v=1701308150","width":1200},{"alt":null,"id":32770465497338,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain3_26762486-399a-4059-963e-451c9e4036f4.jpg?v=1701308150"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain3_26762486-399a-4059-963e-451c9e4036f4.jpg?v=1701308150","width":1200},{"alt":null,"id":32770465530106,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain4.jpg?v=1701308151"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain4.jpg?v=1701308151","width":1200},{"alt":null,"id":32770465562874,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain5.jpg?v=1701308150"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain5.jpg?v=1701308150","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカのジャズ・ピアニストThandi Ntuliと、アメリカ・LAのパーカッショニストCarlos Niñoが、2023年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声とピアノを主体としたソウルフルなジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2929146464\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or CD in 4-panel digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSunrise (in California) 05:29\u003c\/li\u003e\n\u003cli\u003eRainbow Revisited 07:13\u003c\/li\u003e\n\u003cli\u003eBreath and Synth Experiment 03:38\u003c\/li\u003e\n\u003cli\u003eNomayoyo (Ingoma ka Mkhulu) 05:34\u003c\/li\u003e\n\u003cli\u003ePiano EDIT (Original Mix) 04:22\u003c\/li\u003e\n\u003cli\u003eSunset (in California) 05:51\u003c\/li\u003e\n\u003cli\u003eVoice and Tongo Experiment 02:18\u003c\/li\u003e\n\u003cli\u003eThe One (first part) 04:01\u003c\/li\u003e\n\u003cli\u003eThe One (second part) 04:17\u003c\/li\u003e\n\u003cli\u003eLihlanzekile 05:34\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Thandi Ntuli :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI travelled to Los Angeles and the USA for the first time in 2019. Although I had not met Carlos in person, we connected via Instagram where he saw a video of me playing a piano motif (titled ‘The One’ in this sequence) that he really liked and expressed a wish to record. This was around 2017. We tried a few times to get me over to Los Angeles, but the timing was always off. Through a performance organised by a creative collective called The Nonsemble at The Ford Theatre we finally got the opportunity to meet, play together and subsequently go into studio to record some improvisations as he guided the recording process.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving been aware of some of his work – in particular his collaborative projects as Carlos Niño \u0026amp; Friends, as well as with his friend and long-time collaborator, Miguel Atwood-Ferguson – I knew that, with Carlos as producer, the artistic direction of the album would likely take me to a place I’d never considered going. A fact that had me both curious and terrified (as one tends to be when stepping into the unknown) Lol!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInitially keen to record the song that he had seen\/heard me play on Instagram, our performance a few days before the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e session drew him to the song Rainbow off my sophomore album, Exiled (2018). On that zen-like California afternoon in Andy Kravitz’s cozy studio in Venice Beach, he encouraged me to play around with various iterations of Rainbow. “Try it this way”, “How about adding that?”, “Can you breathe into the mic?”, “What if you focus on the last section?”, and many other explorations that eventually went through a few cuts, edits, yays and nays to become this body of work. Rainbow Revisited was birthed through that session, another session a couple of days later, and a series of many small synchronicities that led up to that moment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA particularly special moment for me was when he invited me to play something from home, which lent itself to me recording a song originally written by my grandfather that we often sing when at family gatherings. The song is called Nomayoyo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo much has happened since that session in late 2019. Many changes in our personal and collective universes. Losses and gains, births and transitions into the next life, Mother Nature’s ever-constant cycles reminding me that through all the chaos there remains, just beneath, this perfect order in Her ebb and flow. And most importantly, reminding me to feel for Her and to listen.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thandi Ntuli with Carlos Niño\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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南アフリカのジャズ・ピアニストThandi Ntuliと、アメリカ・LAのパーカッショニストCarlos Niñoが、2023年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 声とピアノを主体としたソウルフルなジャズ10曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
¥2,680
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{"id":8098115125498,"title":"Tom Skinner \/\/ Voices of Bishara Live At \"mu\" TAPE","handle":"tom-skinner-voices-of-bishara-live-at-mu-tape","description":"\u003cp\u003eイギリス・ロンドンのパーカッショニストTom Skinnerが、2023年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemから500本限定でリリースしたライブ録音カセットです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ5曲、1時間のライブ録音を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAcoustic Bass – Tom Herbert\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCello – Kareem Dayes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums – Tom Skinner\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTenor Saxophone – Robert Stillman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTenor Saxophone, Flute – Chelsea Carmichael\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1678979955\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleased for 2023 tour. Limited to 500 copies.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tom Skinner\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-12-01T14:37:26+09:00","created_at":"2023-11-30T10:31:36+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","new","tape"],"price":265700,"price_min":265700,"price_max":265700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44827461189882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tom Skinner \/\/ Voices of Bishara Live At \"mu\" TAPE","public_title":null,"options":["Default Title"],"price":265700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-11-30at10.29.06am.png?v=1701307898"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-11-30at10.29.06am.png?v=1701307898","options":["Title"],"media":[{"alt":null,"id":32770434859258,"position":1,"preview_image":{"aspect_ratio":1.154,"height":442,"width":510,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-11-30at10.29.06am.png?v=1701307898"},"aspect_ratio":1.154,"height":442,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-11-30at10.29.06am.png?v=1701307898","width":510}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのパーカッショニストTom Skinnerが、2023年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemから500本限定でリリースしたライブ録音カセットです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ5曲、1時間のライブ録音を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAcoustic Bass – Tom Herbert\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCello – Kareem Dayes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums – Tom Skinner\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTenor Saxophone – Robert Stillman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTenor Saxophone, Flute – Chelsea Carmichael\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1678979955\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleased for 2023 tour. Limited to 500 copies.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tom Skinner\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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¥2,657
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{"id":8096639156474,"title":"Jeff Parker \/\/ Suite for Max Brown LP \/ CD","handle":"jeff-parker-suite-for-max-brown-lp-cd","description":"\u003cp\u003e\u003cspan\u003eポストロックバンド\u003cmeta charset=\"utf-8\"\u003eTortoiseメンバーとしても活動していたアメリカのジャズギタリストJeff Parkerが、\u003c\/span\u003e\u003cspan\u003e2020年に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eソウルフルなスピリチュアル・ジャズ11曲を収録。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1020863419\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=218774934\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1020863419\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e International Anthem bio written by Michael Hill:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eParker is very much a solo artist on Suite for Max Brown. He constructs a digital bed of beats and samples; lays down tracks of his own on guitar, keyboards, bass, percussion, and occasionally voice; then invites his musician friends to play and improvise over his melodies. But unlike a traditional jazz session, Parker doesn’t assemble a full combo in the studio for a day or two of live takes. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams—warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e“In my own music I’ve always sought to deal with the intersection of improvisation and the digital era of making music, trying to merge these disparate elements into something cohesive,” Parker explains...\"\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-11-28T19:18:27+09:00","created_at":"2023-11-28T19:17:35+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","lp","new"],"price":233600,"price_min":233600,"price_max":407800,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44821489549562,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40110632894714,"product_id":8096639156474,"position":2,"created_at":"2023-11-28T19:17:43+09:00","updated_at":"2023-11-28T19:17:43+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su2_b0e12fa9-735b-4970-aee1-67c4be05a50d.jpg?v=1701166663","variant_ids":[44821489549562]},"available":true,"name":"Jeff Parker \/\/ Suite for Max Brown LP \/ CD - LP","public_title":"LP","options":["LP"],"price":407800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32761623511290,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su2_b0e12fa9-735b-4970-aee1-67c4be05a50d.jpg?v=1701166663"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44821489582330,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40110633058554,"product_id":8096639156474,"position":6,"created_at":"2023-11-28T19:17:43+09:00","updated_at":"2023-11-28T19:17:43+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018310453_10_636e311e-921d-43ea-aeec-18c38e30582b.jpg?v=1701166663","variant_ids":[44821489582330]},"available":true,"name":"Jeff Parker \/\/ Suite for Max Brown LP \/ CD - CD","public_title":"CD","options":["CD"],"price":233600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32761623675130,"position":6,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018310453_10_636e311e-921d-43ea-aeec-18c38e30582b.jpg?v=1701166663"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/su1_34c60cb8-3633-4c63-899e-20a7cf022e89.jpg?v=1701166663","\/\/tobirarecords.com\/cdn\/shop\/files\/su2_b0e12fa9-735b-4970-aee1-67c4be05a50d.jpg?v=1701166663","\/\/tobirarecords.com\/cdn\/shop\/files\/0018310439_10_d3adb5b4-a432-47fc-bf66-87438e55757e.jpg?v=1701166663","\/\/tobirarecords.com\/cdn\/shop\/files\/0018310440_10_8107ea8d-4d6b-4e7c-84b6-517094ed126c.jpg?v=1701166663","\/\/tobirarecords.com\/cdn\/shop\/files\/0018310458_10_d573d56b-c92d-4591-a530-4dd2baf6247b.jpg?v=1701166663","\/\/tobirarecords.com\/cdn\/shop\/files\/0018310453_10_636e311e-921d-43ea-aeec-18c38e30582b.jpg?v=1701166663"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_34c60cb8-3633-4c63-899e-20a7cf022e89.jpg?v=1701166663","options":["Format"],"media":[{"alt":null,"id":32761623478522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_34c60cb8-3633-4c63-899e-20a7cf022e89.jpg?v=1701166663"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su1_34c60cb8-3633-4c63-899e-20a7cf022e89.jpg?v=1701166663","width":700},{"alt":null,"id":32761623511290,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su2_b0e12fa9-735b-4970-aee1-67c4be05a50d.jpg?v=1701166663"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/su2_b0e12fa9-735b-4970-aee1-67c4be05a50d.jpg?v=1701166663","width":1200},{"alt":null,"id":32761623576826,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018310439_10_d3adb5b4-a432-47fc-bf66-87438e55757e.jpg?v=1701166663"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018310439_10_d3adb5b4-a432-47fc-bf66-87438e55757e.jpg?v=1701166663","width":1200},{"alt":null,"id":32761623609594,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018310440_10_8107ea8d-4d6b-4e7c-84b6-517094ed126c.jpg?v=1701166663"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018310440_10_8107ea8d-4d6b-4e7c-84b6-517094ed126c.jpg?v=1701166663","width":1200},{"alt":null,"id":32761623642362,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018310458_10_d573d56b-c92d-4591-a530-4dd2baf6247b.jpg?v=1701166663"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018310458_10_d573d56b-c92d-4591-a530-4dd2baf6247b.jpg?v=1701166663","width":1200},{"alt":null,"id":32761623675130,"position":6,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018310453_10_636e311e-921d-43ea-aeec-18c38e30582b.jpg?v=1701166663"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0018310453_10_636e311e-921d-43ea-aeec-18c38e30582b.jpg?v=1701166663","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eポストロックバンド\u003cmeta charset=\"utf-8\"\u003eTortoiseメンバーとしても活動していたアメリカのジャズギタリストJeff Parkerが、\u003c\/span\u003e\u003cspan\u003e2020年に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eソウルフルなスピリチュアル・ジャズ11曲を収録。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1020863419\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=218774934\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1020863419\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e International Anthem bio written by Michael Hill:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eParker is very much a solo artist on Suite for Max Brown. He constructs a digital bed of beats and samples; lays down tracks of his own on guitar, keyboards, bass, percussion, and occasionally voice; then invites his musician friends to play and improvise over his melodies. But unlike a traditional jazz session, Parker doesn’t assemble a full combo in the studio for a day or two of live takes. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams—warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e“In my own music I’ve always sought to deal with the intersection of improvisation and the digital era of making music, trying to merge these disparate elements into something cohesive,” Parker explains...\"\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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ポストロックバンドTortoiseメンバーとしても活動していたアメリカのジャズギタリストJeff Parkerが、2020年に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 ソウルフルなスピリチュアル・ジャズ11曲を収録。インサート付属。 International Anthem bio written by Michael Hill: "...Parker is very...
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{"id":8096619299066,"title":"Makaya McCraven \/\/ In the Moment 2xLP","handle":"makaya-mccraven-in-the-moment-2xlp-1","description":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発2枚組レコードです。（オリジナルは2015年リリース）\u003c\/p\u003e\n\u003cp\u003eジャズ・ヒップホップ19曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1579662125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2nd edition \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2xLP 140g Black Vinyl (pressed at Pallas in Germany) in a Heavyweight Gatefold Jacket, with IARC dome-pattern inner sleeve and OBI strip.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes extensive liner notes by Joe Darling \u0026amp; Scott McNiece, including personnel and recording dates for all tracks, with photos by Nathan Michael and Marcus Mader.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eNearly 48 hours of live improvised performance recorded at 1 venue over 12 months and 28 shows - culled, cut, rendered, and remixed into 19 potent pieces of organic beat music.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-11-28T19:02:39+09:00","created_at":"2023-11-28T19:02:19+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":537200,"price_min":537200,"price_max":537200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44821382529274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Makaya McCraven \/\/ In the Moment 2xLP","public_title":null,"options":["Default Title"],"price":537200,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_73b590bf-0df1-4132-aea3-de10db257540.jpg?v=1701165743","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_5dcda053-8774-494a-be40-5afa3fcceb91.jpg?v=1701165743"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_73b590bf-0df1-4132-aea3-de10db257540.jpg?v=1701165743","options":["Title"],"media":[{"alt":null,"id":32761594085626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_73b590bf-0df1-4132-aea3-de10db257540.jpg?v=1701165743"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_73b590bf-0df1-4132-aea3-de10db257540.jpg?v=1701165743","width":700},{"alt":null,"id":32761594118394,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_5dcda053-8774-494a-be40-5afa3fcceb91.jpg?v=1701165743"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_5dcda053-8774-494a-be40-5afa3fcceb91.jpg?v=1701165743","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発2枚組レコードです。（オリジナルは2015年リリース）\u003c\/p\u003e\n\u003cp\u003eジャズ・ヒップホップ19曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1579662125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2nd edition \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2xLP 140g Black Vinyl (pressed at Pallas in Germany) in a Heavyweight Gatefold Jacket, with IARC dome-pattern inner sleeve and OBI strip.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes extensive liner notes by Joe Darling \u0026amp; Scott McNiece, including personnel and recording dates for all tracks, with photos by Nathan Michael and Marcus Mader.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eNearly 48 hours of live improvised performance recorded at 1 venue over 12 months and 28 shows - culled, cut, rendered, and remixed into 19 potent pieces of organic beat music.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・シカゴのパーカッショニストMakaya McCravenが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発2枚組レコードです。（オリジナルは2015年リリース） ジャズ・ヒップホップ19曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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![Carlos Niño & Friends // EXTRA PRESENCE 2xLP [COLOR] / TAPE](http://tobirarecords.com/cdn/shop/files/a4286540031_16_medium.jpg?v=1701165226)
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{"id":8096614383866,"title":"Carlos Niño \u0026 Friends \/\/ EXTRA PRESENCE 2xLP [COLOR] \/ TAPE","handle":"carlos-nino-friends-extra-presence-2xlp-color-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのパーカッショニストCarlos Niñoが、2022年7月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e桃源郷スピリチュアル・アンビエントジャズ17曲、90分を収録。レコードは紫と緑盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=258248190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo limited edition color vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board single pocket jacket, two-sided insert sheet, and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eC90 Clear Shell Cassette, Real-Time Dubbed on RTM911 Premium Ferro Music Grade Tape from 24bit Masters, with 3-flap 2-sided J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"EXTRA PRESENCE is a 90 minute, 17-track collection showcasing Los Angeles modern music scene pioneer Carlos Niño’s unique, highly developed, self-described “Spiritual, Improvisational, Space Collage” sound, and featuring an incredible cast of collaborators (including Jamael Dean, Nate Mercereau, Shabazz Palaces, Deantoni Parks, Sam Gendel, Laraaji, Jamire Williams, Iasos, and more). It's an expanded edition of a 10-track suite called 'Actual Presence' that Niño self-released exclusively via his Bandcamp page in 2020.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEXTRA PRESENCE liner notes by Marty Sartini Garner (via International Anthem):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eWhen Carlos Niño is performing with his friends, he is embedded in the present. And from there, it seems like he can see anything: every possible place a song might go, how a sound might evolve, whether or not it will make his listeners and collaborators feel seen and appreciated. He is a maestro of arranging time and space into supportive containers, somehow completely in sync with the moment and beyond all chronology. And over the past couple of years, when the concepts of space and time have dilated and gone sideways for so many of us, Carlos’ attempts to crystallize the moments he and his friends produce and present us with songs ripe with possibility, chance, and the care that radiates naturally among\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e musicians who love and trust one another has felt like an act of profound kindness.\u003cbr\u003e\u003cbr\u003eIn 2020, when the world entered into lockdown, Carlos engaged in his studio in Woodland Hills, CA, where he pored over tapes from past improv sessions. One in particular stuck out, a February 2019 Just Jazz gig with Devin Daniels, Jamael Dean, Miguel Atwood-Ferguson, and Randy Gloss. On stage that night, he’d been confused and uncomfortable, he didn’t understand his relationship with an audience. “I had a revelation that night,” he says. “What I present in concert is sonic journeying—not a set of songs, or a program, or a performative energy.”\u003cbr\u003e\u003cbr\u003eUsing the Just Jazz tapes as a guide, he mixed and remixed, overdubbed synthesizer and pulled from his extensive battery of percussion instruments. He invited his collaborators—his friends, though we should all be so lucky to have friends as talented as these—to add their own overdubs, then, working the controls, he turned out a collection of songs that seem to have entire worlds encased within them. He worked with a sense of necessity. “The urgency was to share a message,” he says, “that we would get through this.”\u003cbr\u003e\u003cbr\u003eIt’s a feeling that was made manifest across Actual Presence, and is extended in this new version, entitled EXTRA PRESENCE. When I first heard these songs in 2020, I was astounded by how expertly Carlos was able to guide his listeners through a three-dimensional soundscape. It felt miraculous, as if we were getting a new view of free jazz and new age and hip-hop, being brought into the cells of the music to see how all its constituent parts fit together. The implication seemed to be that every moment of every song—not just these songs, but any song—was ripe with possibility, that decisions were being made at every moment, and that because of that, other decisions might be made. Free jazz and free improv are both predicated on this very idea, of course, but where that sense of freedom often yields dissonance and confusion, Actual Presence seemed to suggest that something like spiritual harmony could be reached on the fly, that it was hidden in everything if you were willing to try and find it.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear then, but hear now, is that this sense of harmony wasn’t just coming from Carlos’ remarkable studio skills. It was inherent in the playing itself, and in the way the players relate to one another. There is an emotional coherence to this music, a collective ache at its core that starts with the majesty of Jamael Dean’s piano and runs through even the smallest of instruments. No matter who’s playing on any given track—or when they were playing it—everyone is watching one another, patiently waiting, not moving forward until everyone is ready. That could feel ponderous, but here it feels generous. You expect “Youwillgetthroughthis” to move out its foyer, but the kalimba finds an interesting groove there, so they all gather around to explore it, which gives a deeply tender organ space to open the song in a completely new direction. It’s music as a series of cleansing exhales, as re-grounding, slowing down to move at a speed that allows it to examine itself.\u003cbr\u003e\u003cbr\u003eAs its title suggests, EXTRA PRESENCE gives us another hour of these explorations. The new tracks were all recorded around the time Carlos was working on Actual Presence and its followup, More Energy Fields, Current, and they show that the sense of possibility that first suggested itself in these songs wasn’t a mirage. Rather than simply remixing old tunes, Carlos opens new doors that reveal new rooms. “Youwillgetthroughthis with Koto” isn’t just augmented by a koto; it’s wound up in a new tension that was barely suggested in the original track. “Luis’ Special Shells,” an Actual Presence highlight, dips us into an subaquatic world painted in inky blues and forest greens, the shells themselves the only clear element that remains from the original.\u003cbr\u003e\u003cbr\u003eMost strikingly, it’s capped by the 23-minute ambient piece “Recurrent Reiki Dreams,” a dramatic extension of the album’s “Mushroomeclipse.” The track’s length, and the lightly undulating silkiness of its textures, makes it feel as though the entire album has been sliding into this primordial space, as if the whole of EXTRA PRESENCE is something like a symphony. Or maybe like all of those views Carlos and his friends have offered have all been different ways of saying this, variations on a way of articulating a feeling that exists here in its purest form. It’s like staring into the object with which this music has been abiding.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear in 2020 but hear now, as the world has changed and continues to, is that the sound of EXTRA PRESENCE is the sound of being ready to face yourself. Or, more precisely, it’s the sound of what happens when everyone pauses what they’re doing and rallies to support a wounded friend. Yes, these songs are technically dazzling, constantly surprising, and expertly constructed. But at its core, EXTRA PRESENCE is about sitting down, being with, trying to draw from a sensation or a mass that’s much bigger than we can understand. Yes, this is mystical language, but this is mystical music. “It is a way of describing the awareness of Eternal Now,” Carlos says.” “It is a way of expressing the consciousness of Being.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-11-28T18:57:03+09:00","created_at":"2023-11-28T18:49:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage","tape"],"price":248900,"price_min":248900,"price_max":596400,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44821345829114,"title":"2xLP","option1":"2xLP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40110591017210,"product_id":8096614383866,"position":4,"created_at":"2023-11-28T18:53:53+09:00","updated_at":"2023-11-28T18:53:54+09:00","alt":null,"width":144,"height":108,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234","variant_ids":[44821345829114]},"available":true,"name":"Carlos Niño \u0026 Friends \/\/ EXTRA PRESENCE 2xLP [COLOR] \/ TAPE - 2xLP","public_title":"2xLP","options":["2xLP"],"price":596400,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32761579929850,"position":4,"preview_image":{"aspect_ratio":1.333,"height":108,"width":144,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44821345861882,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":40110591836410,"product_id":8096614383866,"position":6,"created_at":"2023-11-28T18:54:36+09:00","updated_at":"2023-11-28T18:55:31+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331","variant_ids":[44821345861882]},"available":true,"name":"Carlos Niño \u0026 Friends \/\/ EXTRA PRESENCE 2xLP [COLOR] \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":248900,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32761580749050,"position":6,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226","\/\/tobirarecords.com\/cdn\/shop\/files\/0028727352_10.jpg?v=1701165229","\/\/tobirarecords.com\/cdn\/shop\/files\/0028762778_38.jpg?v=1701165231","\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234","\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10_a92b7462-55e1-435b-b529-3d3da8da18a6.jpg?v=1701165331","\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331","\/\/tobirarecords.com\/cdn\/shop\/files\/0029764999_10.jpg?v=1701165331"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226","options":["Format"],"media":[{"alt":null,"id":32761579602170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226","width":700},{"alt":null,"id":32761579798778,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028727352_10.jpg?v=1701165229"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028727352_10.jpg?v=1701165229","width":1200},{"alt":null,"id":32761579864314,"position":3,"preview_image":{"aspect_ratio":1.333,"height":108,"width":144,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762778_38.jpg?v=1701165231"},"aspect_ratio":1.333,"height":108,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762778_38.jpg?v=1701165231","width":144},{"alt":null,"id":32761579929850,"position":4,"preview_image":{"aspect_ratio":1.333,"height":108,"width":144,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234"},"aspect_ratio":1.333,"height":108,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234","width":144},{"alt":null,"id":32761581928698,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10_a92b7462-55e1-435b-b529-3d3da8da18a6.jpg?v=1701165331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10_a92b7462-55e1-435b-b529-3d3da8da18a6.jpg?v=1701165331","width":1200},{"alt":null,"id":32761580749050,"position":6,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331","width":1200},{"alt":null,"id":32761581830394,"position":7,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764999_10.jpg?v=1701165331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764999_10.jpg?v=1701165331","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのパーカッショニストCarlos Niñoが、2022年7月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e桃源郷スピリチュアル・アンビエントジャズ17曲、90分を収録。レコードは紫と緑盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=258248190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo limited edition color vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board single pocket jacket, two-sided insert sheet, and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eC90 Clear Shell Cassette, Real-Time Dubbed on RTM911 Premium Ferro Music Grade Tape from 24bit Masters, with 3-flap 2-sided J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"EXTRA PRESENCE is a 90 minute, 17-track collection showcasing Los Angeles modern music scene pioneer Carlos Niño’s unique, highly developed, self-described “Spiritual, Improvisational, Space Collage” sound, and featuring an incredible cast of collaborators (including Jamael Dean, Nate Mercereau, Shabazz Palaces, Deantoni Parks, Sam Gendel, Laraaji, Jamire Williams, Iasos, and more). It's an expanded edition of a 10-track suite called 'Actual Presence' that Niño self-released exclusively via his Bandcamp page in 2020.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEXTRA PRESENCE liner notes by Marty Sartini Garner (via International Anthem):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eWhen Carlos Niño is performing with his friends, he is embedded in the present. And from there, it seems like he can see anything: every possible place a song might go, how a sound might evolve, whether or not it will make his listeners and collaborators feel seen and appreciated. He is a maestro of arranging time and space into supportive containers, somehow completely in sync with the moment and beyond all chronology. And over the past couple of years, when the concepts of space and time have dilated and gone sideways for so many of us, Carlos’ attempts to crystallize the moments he and his friends produce and present us with songs ripe with possibility, chance, and the care that radiates naturally among\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e musicians who love and trust one another has felt like an act of profound kindness.\u003cbr\u003e\u003cbr\u003eIn 2020, when the world entered into lockdown, Carlos engaged in his studio in Woodland Hills, CA, where he pored over tapes from past improv sessions. One in particular stuck out, a February 2019 Just Jazz gig with Devin Daniels, Jamael Dean, Miguel Atwood-Ferguson, and Randy Gloss. On stage that night, he’d been confused and uncomfortable, he didn’t understand his relationship with an audience. “I had a revelation that night,” he says. “What I present in concert is sonic journeying—not a set of songs, or a program, or a performative energy.”\u003cbr\u003e\u003cbr\u003eUsing the Just Jazz tapes as a guide, he mixed and remixed, overdubbed synthesizer and pulled from his extensive battery of percussion instruments. He invited his collaborators—his friends, though we should all be so lucky to have friends as talented as these—to add their own overdubs, then, working the controls, he turned out a collection of songs that seem to have entire worlds encased within them. He worked with a sense of necessity. “The urgency was to share a message,” he says, “that we would get through this.”\u003cbr\u003e\u003cbr\u003eIt’s a feeling that was made manifest across Actual Presence, and is extended in this new version, entitled EXTRA PRESENCE. When I first heard these songs in 2020, I was astounded by how expertly Carlos was able to guide his listeners through a three-dimensional soundscape. It felt miraculous, as if we were getting a new view of free jazz and new age and hip-hop, being brought into the cells of the music to see how all its constituent parts fit together. The implication seemed to be that every moment of every song—not just these songs, but any song—was ripe with possibility, that decisions were being made at every moment, and that because of that, other decisions might be made. Free jazz and free improv are both predicated on this very idea, of course, but where that sense of freedom often yields dissonance and confusion, Actual Presence seemed to suggest that something like spiritual harmony could be reached on the fly, that it was hidden in everything if you were willing to try and find it.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear then, but hear now, is that this sense of harmony wasn’t just coming from Carlos’ remarkable studio skills. It was inherent in the playing itself, and in the way the players relate to one another. There is an emotional coherence to this music, a collective ache at its core that starts with the majesty of Jamael Dean’s piano and runs through even the smallest of instruments. No matter who’s playing on any given track—or when they were playing it—everyone is watching one another, patiently waiting, not moving forward until everyone is ready. That could feel ponderous, but here it feels generous. You expect “Youwillgetthroughthis” to move out its foyer, but the kalimba finds an interesting groove there, so they all gather around to explore it, which gives a deeply tender organ space to open the song in a completely new direction. It’s music as a series of cleansing exhales, as re-grounding, slowing down to move at a speed that allows it to examine itself.\u003cbr\u003e\u003cbr\u003eAs its title suggests, EXTRA PRESENCE gives us another hour of these explorations. The new tracks were all recorded around the time Carlos was working on Actual Presence and its followup, More Energy Fields, Current, and they show that the sense of possibility that first suggested itself in these songs wasn’t a mirage. Rather than simply remixing old tunes, Carlos opens new doors that reveal new rooms. “Youwillgetthroughthis with Koto” isn’t just augmented by a koto; it’s wound up in a new tension that was barely suggested in the original track. “Luis’ Special Shells,” an Actual Presence highlight, dips us into an subaquatic world painted in inky blues and forest greens, the shells themselves the only clear element that remains from the original.\u003cbr\u003e\u003cbr\u003eMost strikingly, it’s capped by the 23-minute ambient piece “Recurrent Reiki Dreams,” a dramatic extension of the album’s “Mushroomeclipse.” The track’s length, and the lightly undulating silkiness of its textures, makes it feel as though the entire album has been sliding into this primordial space, as if the whole of EXTRA PRESENCE is something like a symphony. Or maybe like all of those views Carlos and his friends have offered have all been different ways of saying this, variations on a way of articulating a feeling that exists here in its purest form. It’s like staring into the object with which this music has been abiding.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear in 2020 but hear now, as the world has changed and continues to, is that the sound of EXTRA PRESENCE is the sound of being ready to face yourself. Or, more precisely, it’s the sound of what happens when everyone pauses what they’re doing and rallies to support a wounded friend. Yes, these songs are technically dazzling, constantly surprising, and expertly constructed. But at its core, EXTRA PRESENCE is about sitting down, being with, trying to draw from a sensation or a mass that’s much bigger than we can understand. Yes, this is mystical language, but this is mystical music. “It is a way of describing the awareness of Eternal Now,” Carlos says.” “It is a way of expressing the consciousness of Being.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・LAのパーカッショニストCarlos Niñoが、2022年7月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 桃源郷スピリチュアル・アンビエントジャズ17曲、90分を収録。レコードは紫と緑盤です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":8096591544570,"title":"Ben Lumsdaine \/\/ Murmuration Without End TAPE","handle":"ben-lumsdaine-murmuration-without-end-tape","description":"\u003cp\u003eAnna ButtressやBex Burchのアルバムにも参加しているアメリカ・LAのパーカッショニストBen Lumsdaineが、2023年12月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003eパーカッシブなスピリチュアル・ジャズ5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Murmuration Without End \"は、プロデューサー、コンポーザー、パーカッショニスト、マルチインストゥルメンタリストのBen Lumsdaineによるリズムスタディ集である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e友人宅の地下スタジオにこもって録音した瞑想的なシンセのドローンから始まったトラックは、楽器レイヤーを重ねるごとに、シンセ固有の変調が意味するメーターやパルスを乱し、やがてマルチテクスチャーのポリリズムの音世界へと変化していった。また、サックス奏者の\u003cmeta charset=\"utf-8\"\u003eDustin Laurenzi (Bon Iver, Bill Callahan)、トランペット奏者の\u003cmeta charset=\"utf-8\"\u003eJohn Raymond (S. Carey, Sara Bareilles)、ギタリストの\u003cmeta charset=\"utf-8\"\u003eDrake Ritter (Durand Jones, Diane Coffee)など、ゲストミュージシャンも参加している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eキューバのベータ波の躍動感に触発されたBen Lumsdaineは、明確なパルスを持ちながらダウンビートがかなり不明瞭な音楽を構築することを自らに課し、最終的には未知の中に平和を見出すことを芸術的に明確に表現した。特に、現役ミュージシャンであるBen Lumsdaineの主な楽器が伝統的なドラムキット（\u003cmeta charset=\"utf-8\"\u003eDurand Jones、Chris Schlarb、\u003cmeta charset=\"utf-8\"\u003eAnna Butterss、Bex Burchのアルバムで彼のドラミングを聴くことができる）であることを考えると、この『Murmuration Without End』では、類まれなパレットでこれを達成している点が印象的だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1917028189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003ePro-dubbed C64 Cassette in Cactus Flower orange shell, housed in a transparent Norelco box with CMYK J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDallas\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMyopic\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRenormalizer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTough One\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHere's Your Next Clue\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMurmuration Without End is a collection of rhythmic studies by producer, composer, percussionist \u0026amp; multi-instrumentalist Ben Lumsdaine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhereas the tracks began as meditative synth drones recorded by Lumsdaine when quarantined in the basement studio of his friend’s home, over time they became multi-textural, poly-rhythmic sound worlds as he disrupted the meters and pulses implied by the synths’ inherent modulations with each instrumental layer added. He also enlisted guest musicians to help him achieve this, including saxophonist Dustin Laurenzi (Bon Iver, Bill Callahan), trumpeter John Raymond (S. Carey, Sara Bareilles), and guitarist Drake Ritter (Durand Jones, Diane Coffee).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInspired by the vibrance of Cuban bata rhythms, Lumsdaine set himself to construct music that has a clear pulse but a fairly indiscernible downbeat, and ultimately makes an articulate artistic expression about finding peace within the unknown. The way he achieves this with an uncommon palette is particularly impressive on Murmuration Without End, especially considering that, as a working musician, Lumsdaine’s primary instrument is a traditional drumkit (hear his drumming on albums by Durand Jones, Chris Schlarb, Anna Butterss, and Bex Burch); but in the context of this album, he challenged himself to completely refrain from playing his drums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Lumsdaine\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-11-28T17:31:48+09:00","created_at":"2023-11-28T17:08:08+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","new","recommended","tape"],"price":265700,"price_min":265700,"price_max":265700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44821200929018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Lumsdaine \/\/ Murmuration Without End TAPE","public_title":null,"options":["Default Title"],"price":265700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3963084246_16.jpg?v=1701159583","\/\/tobirarecords.com\/cdn\/shop\/files\/0034081323_10.jpg?v=1701159622","\/\/tobirarecords.com\/cdn\/shop\/files\/0034081326_10.jpg?v=1701159622","\/\/tobirarecords.com\/cdn\/shop\/files\/0034081324_10.jpg?v=1701159622","\/\/tobirarecords.com\/cdn\/shop\/files\/0034081329_10.jpg?v=1701159622"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3963084246_16.jpg?v=1701159583","options":["Title"],"media":[{"alt":null,"id":32761342886138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3963084246_16.jpg?v=1701159583"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3963084246_16.jpg?v=1701159583","width":700},{"alt":null,"id":32761344655610,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081323_10.jpg?v=1701159622"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081323_10.jpg?v=1701159622","width":1200},{"alt":null,"id":32761344721146,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081326_10.jpg?v=1701159622"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081326_10.jpg?v=1701159622","width":1200},{"alt":null,"id":32761343017210,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081324_10.jpg?v=1701159622"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081324_10.jpg?v=1701159622","width":1200},{"alt":null,"id":32761343049978,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081329_10.jpg?v=1701159622"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081329_10.jpg?v=1701159622","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAnna ButtressやBex Burchのアルバムにも参加しているアメリカ・LAのパーカッショニストBen Lumsdaineが、2023年12月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003eパーカッシブなスピリチュアル・ジャズ5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Murmuration Without End \"は、プロデューサー、コンポーザー、パーカッショニスト、マルチインストゥルメンタリストのBen Lumsdaineによるリズムスタディ集である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e友人宅の地下スタジオにこもって録音した瞑想的なシンセのドローンから始まったトラックは、楽器レイヤーを重ねるごとに、シンセ固有の変調が意味するメーターやパルスを乱し、やがてマルチテクスチャーのポリリズムの音世界へと変化していった。また、サックス奏者の\u003cmeta charset=\"utf-8\"\u003eDustin Laurenzi (Bon Iver, Bill Callahan)、トランペット奏者の\u003cmeta charset=\"utf-8\"\u003eJohn Raymond (S. Carey, Sara Bareilles)、ギタリストの\u003cmeta charset=\"utf-8\"\u003eDrake Ritter (Durand Jones, Diane Coffee)など、ゲストミュージシャンも参加している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eキューバのベータ波の躍動感に触発されたBen Lumsdaineは、明確なパルスを持ちながらダウンビートがかなり不明瞭な音楽を構築することを自らに課し、最終的には未知の中に平和を見出すことを芸術的に明確に表現した。特に、現役ミュージシャンであるBen Lumsdaineの主な楽器が伝統的なドラムキット（\u003cmeta charset=\"utf-8\"\u003eDurand Jones、Chris Schlarb、\u003cmeta charset=\"utf-8\"\u003eAnna Butterss、Bex Burchのアルバムで彼のドラミングを聴くことができる）であることを考えると、この『Murmuration Without End』では、類まれなパレットでこれを達成している点が印象的だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1917028189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003ePro-dubbed C64 Cassette in Cactus Flower orange shell, housed in a transparent Norelco box with CMYK J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDallas\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMyopic\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRenormalizer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTough One\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHere's Your Next Clue\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMurmuration Without End is a collection of rhythmic studies by producer, composer, percussionist \u0026amp; multi-instrumentalist Ben Lumsdaine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhereas the tracks began as meditative synth drones recorded by Lumsdaine when quarantined in the basement studio of his friend’s home, over time they became multi-textural, poly-rhythmic sound worlds as he disrupted the meters and pulses implied by the synths’ inherent modulations with each instrumental layer added. He also enlisted guest musicians to help him achieve this, including saxophonist Dustin Laurenzi (Bon Iver, Bill Callahan), trumpeter John Raymond (S. Carey, Sara Bareilles), and guitarist Drake Ritter (Durand Jones, Diane Coffee).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInspired by the vibrance of Cuban bata rhythms, Lumsdaine set himself to construct music that has a clear pulse but a fairly indiscernible downbeat, and ultimately makes an articulate artistic expression about finding peace within the unknown. The way he achieves this with an uncommon palette is particularly impressive on Murmuration Without End, especially considering that, as a working musician, Lumsdaine’s primary instrument is a traditional drumkit (hear his drumming on albums by Durand Jones, Chris Schlarb, Anna Butterss, and Bex Burch); but in the context of this album, he challenged himself to completely refrain from playing his drums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Lumsdaine\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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Anna ButtressやBex Burchのアルバムにも参加しているアメリカ・LAのパーカッショニストBen Lumsdaineが、2023年12月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースするカセットです。 パーカッシブなスピリチュアル・ジャズ5曲を収録。DLコード付属。 以下、レーベルによる解説です。 "Murmuration Without End "は、プロデューサー、コンポーザー、パーカッショニスト、マルチインストゥルメンタリストのBen Lumsdaineによるリズムスタディ集である。友人宅の地下スタジオにこもって録音した瞑想的なシンセのドローンから始まったトラックは、楽器レイヤーを重ねるごとに、シンセ固有の変調が意味するメーターやパルスを乱し、やがてマルチテクスチャーのポリリズムの音世界へと変化していった。また、サックス奏者のDustin Laurenzi (Bon...
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{"id":8026763362554,"title":"Bex Burch \/\/ There is only love and fear LP \/ CD","handle":"bex-burch-there-is-only-love-and-fear-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリス・ロンドンのポストロック〜ジャズバンド\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vula-viel\"\u003e Vula Viel\u003c\/a\u003eメンバーとしても活動している木琴奏者Bex Burchが、2023年10月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたソロアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e西アフリカ・ガーナの木琴Gyilの音色が心地良いスピリチュアル・アンビエントジャズ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2956286718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDawn blessings 04:50 video\u003c\/li\u003e\n\u003cli\u003eIf I was you, I'd be doing exactly the same\u003c\/li\u003e\n\u003cli\u003eDon't go back to sleep 02:42\u003c\/li\u003e\n\u003cli\u003eFruit smoothie with peanut butter\u003c\/li\u003e\n\u003cli\u003ePardieu\u003c\/li\u003e\n\u003cli\u003eStart before you're ready\u003c\/li\u003e\n\u003cli\u003eYou thought you were free?\u003c\/li\u003e\n\u003cli\u003e\"Joy is not meant to be a crumb\"\u003c\/li\u003e\n\u003cli\u003eOn falling 02:46\u003c\/li\u003e\n\u003cli\u003eFollow me, I make you happy\u003c\/li\u003e\n\u003cli\u003eThis is the sound of one voice\u003c\/li\u003e\n\u003cli\u003eWhen love begins\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiner notes by Emma Warren, via International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eOn rare occasions, all the stars align. This is how it was when composer-musician and instrument-maker Bex Burch jumped into her car and drove eight hours across Europe to Utrecht in November 2021. “Mostly life isn’t like that,” she says. “We’re here to figure things out and struggle. But occasionally things just fall into place. Sometimes the world is magical.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe car trip began in Berlin, where she was living after a long stint in London, where she’d made her name in the layers that exist between jazz and improvised experimentalism. The journey ended at Le Guess Who? Festival and an invitation from International Anthem’s Alejandro Ayala. Or perhaps it ended in a ground floor studio in Chicago’s South Side with light streaming through a skylight onto her newly-finished wooden xylophone and a stream of musicians selected by International Anthem’s Scottie McNiece and Dave Vettraino. Or maybe, like a wave travelling across the ocean, the travels continued until Bex Burch finally finished editing thirty-two days of exceptionally tender improvised recording sessions into the forty gossamer minutes of this stunning debut solo record, which oscillates between modes of quiet open-heartedness and powerful\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e expression.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is only love and fear is the sound of Bex Burch in communion with some of the finest sonic communicators in International Anthem’s extended family. These include woodwind player Rob Frye, who gave Burch a tour of the Illinois Audubon Society’s Gremel Wildlife Sanctuary the day after she arrived in Chicago. Also Tortoise drummer Dan Bitney and Ben LaMar Gay, who both took Burch through her first few days in the studio, tuning into her communicative harmonics and responding with their own. And double bassist Anna Butterss and violinist Macie Stewart, who participated separately but both became key collaborators in the album’s post-production, accenting their respective string improvisations with additional sounds remotely recorded per Burch’s direction. Everyone on this record is highly skillful, a rare talent, but drawn together by Burch they were invited to inhabit something even more extraordinary: their most open selves, requested only to bring the sounds they liked – or even needed – in the moment of recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“What has come through in this album,” she says, “is a more domestic style of music: the simplicity of life and sound-making. The word I’m shy to use is ‘feminine’ but it’s true, and I reclaim it in all its power.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe describes her sound as “messy minimalism.” The twelve tracks evoke variously the sweet kind of zoning-in that allows the listener access to their own feelings; the generative meditations of First Thought, Best Thought-era Arthur Russell; Vivaldi or Laurie Anderson – if they’d been ultra-gentle satellite reflections of Chicago’s minimalist and avant-garde music histories.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBurch has previously released as part of Boing! with Leafcutter John, and with the critically acclaimed Strut-released Flock with Londoners including Sarathy Korwar and The Comet Is Coming’s Danalogue. She also runs the band and label Vula Viel and has collaborated with artists from Peter Zummo to Dame Evelyn Glennie.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album also welcomes in the sound of the natural world; ‘hip as fuck’ wood pigeons and resonant nightingales recorded in Berlin parks and forests, dreamy waves lilting onto the sand on the Baltic coast of Rügen Island for the unforgettable closing track ‘When Love Begins’ – and some extreme Chi-Town weather.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There was this ignition moment,” she says of ‘You thought you were free’, the carnival-coloured mid-point of the album. “There was a tornado warning, our phones were all going off: ‘go into the basement’.” The players collectively shrugged their shoulders – until siren sound waves began ghosting through the studio walls. “I turned one of the microphones up to catch the thunder and the rain under the skylight,” she says. “I was properly scared, not just because of the storm, but because I was nervous. I was trying to stay open and be conscious of the fact that I didn’t know what to expect – and that doing so means surrender. That knife edge of presence was really intense. We all just played through.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlaying through was possible, at least in part because of a 90-day practice Burch calls Dawn blessings, which also provided some of the ‘heard sounds’ that dance around the music generated during these collaborative recordings. The practice refers to a friend called Dawn, not daybreak, although at least one of the Dawn blessings that ended up on There is only love and fear was recorded when the sun came up. The Dawn blessings required Burch to make one piece of music daily, in answer to the question: ‘what sounds do I like today?’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“My intention was to cultivate this feeling of expansion and magic that I felt when I was invited to the US. The music is already there, and I have to let go and allow myself to be in it. The 90-day practice was to strengthen that muscle. You know if you do sit ups, you get a six-pack? Perhaps this was exercising my openness six-pack.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe was also exercising her hand-made xylophone. Burch lived in Ghana for three years, including an 18-month apprenticeship in instrument-making, in the Upper West of Ghana with master gyil player Thomas Sekgura. The new instrument isn’t of a particular tradition, indeed the harmonics are tuned to maximise the resonance and was made in collaboration with Jamie Linwood in Stroud, in the south west of England. “The question ‘what sounds do I like today?’ brought up harmonics, and this is the first instrument I’ve made because of what I want to hear. This record happens to be the first that features it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's quite a christening: a resonant, respectful, super-warm expression of asymmetry, repetitiveness and space. “It’s how the universe works, it’s how we’re all vibrating. We all resonate, literally, with these fundamentals. Tension and release, space, chaos and asymmetry in heard sounds in nature – I love it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe energy sent into the world when Bex Burch turned the ignition key of her car and drove to Utrecht has finally landed on the beach, in the shape of There is only love and fear. “It’s about choosing to act in love and choosing not to put more force or fear into the world,” she says. “Imagine it like I’m swimming: instead of just leaving a wake of love behind me, I’m pushing it ahead of me, and all around me as well, void of hierarchy, it’s beyond the linear and binary. We can lift people up when we do that.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSoak this music up – it will rejuvenate you.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Daniel Villarreal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-03T08:57:39+09:00","created_at":"2023-10-02T13:10:54+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","lp","new"],"price":269000,"price_min":269000,"price_max":448000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44776678981882,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bex Burch \/\/ There is only love and fear LP \/ CD - LP","public_title":"LP","options":["LP"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44776679014650,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bex Burch \/\/ There is only love and fear LP \/ CD - CD","public_title":"CD","options":["CD"],"price":269000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857","\/\/tobirarecords.com\/cdn\/shop\/files\/th2_f90b7985-34ad-4b4c-b10d-f801ede4853a.jpg?v=1696219856","\/\/tobirarecords.com\/cdn\/shop\/files\/th3_d756906c-f451-4f29-b9bf-e28ed8836582.jpg?v=1696219856"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857","options":["Format"],"media":[{"alt":null,"id":32516865294586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857","width":700},{"alt":null,"id":32516865327354,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th2_f90b7985-34ad-4b4c-b10d-f801ede4853a.jpg?v=1696219856"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th2_f90b7985-34ad-4b4c-b10d-f801ede4853a.jpg?v=1696219856","width":1200},{"alt":null,"id":32516865360122,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th3_d756906c-f451-4f29-b9bf-e28ed8836582.jpg?v=1696219856"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th3_d756906c-f451-4f29-b9bf-e28ed8836582.jpg?v=1696219856","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリス・ロンドンのポストロック〜ジャズバンド\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vula-viel\"\u003e Vula Viel\u003c\/a\u003eメンバーとしても活動している木琴奏者Bex Burchが、2023年10月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたソロアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e西アフリカ・ガーナの木琴Gyilの音色が心地良いスピリチュアル・アンビエントジャズ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2956286718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDawn blessings 04:50 video\u003c\/li\u003e\n\u003cli\u003eIf I was you, I'd be doing exactly the same\u003c\/li\u003e\n\u003cli\u003eDon't go back to sleep 02:42\u003c\/li\u003e\n\u003cli\u003eFruit smoothie with peanut butter\u003c\/li\u003e\n\u003cli\u003ePardieu\u003c\/li\u003e\n\u003cli\u003eStart before you're ready\u003c\/li\u003e\n\u003cli\u003eYou thought you were free?\u003c\/li\u003e\n\u003cli\u003e\"Joy is not meant to be a crumb\"\u003c\/li\u003e\n\u003cli\u003eOn falling 02:46\u003c\/li\u003e\n\u003cli\u003eFollow me, I make you happy\u003c\/li\u003e\n\u003cli\u003eThis is the sound of one voice\u003c\/li\u003e\n\u003cli\u003eWhen love begins\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiner notes by Emma Warren, via International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eOn rare occasions, all the stars align. This is how it was when composer-musician and instrument-maker Bex Burch jumped into her car and drove eight hours across Europe to Utrecht in November 2021. “Mostly life isn’t like that,” she says. “We’re here to figure things out and struggle. But occasionally things just fall into place. Sometimes the world is magical.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe car trip began in Berlin, where she was living after a long stint in London, where she’d made her name in the layers that exist between jazz and improvised experimentalism. The journey ended at Le Guess Who? Festival and an invitation from International Anthem’s Alejandro Ayala. Or perhaps it ended in a ground floor studio in Chicago’s South Side with light streaming through a skylight onto her newly-finished wooden xylophone and a stream of musicians selected by International Anthem’s Scottie McNiece and Dave Vettraino. Or maybe, like a wave travelling across the ocean, the travels continued until Bex Burch finally finished editing thirty-two days of exceptionally tender improvised recording sessions into the forty gossamer minutes of this stunning debut solo record, which oscillates between modes of quiet open-heartedness and powerful\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e expression.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is only love and fear is the sound of Bex Burch in communion with some of the finest sonic communicators in International Anthem’s extended family. These include woodwind player Rob Frye, who gave Burch a tour of the Illinois Audubon Society’s Gremel Wildlife Sanctuary the day after she arrived in Chicago. Also Tortoise drummer Dan Bitney and Ben LaMar Gay, who both took Burch through her first few days in the studio, tuning into her communicative harmonics and responding with their own. And double bassist Anna Butterss and violinist Macie Stewart, who participated separately but both became key collaborators in the album’s post-production, accenting their respective string improvisations with additional sounds remotely recorded per Burch’s direction. Everyone on this record is highly skillful, a rare talent, but drawn together by Burch they were invited to inhabit something even more extraordinary: their most open selves, requested only to bring the sounds they liked – or even needed – in the moment of recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“What has come through in this album,” she says, “is a more domestic style of music: the simplicity of life and sound-making. The word I’m shy to use is ‘feminine’ but it’s true, and I reclaim it in all its power.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe describes her sound as “messy minimalism.” The twelve tracks evoke variously the sweet kind of zoning-in that allows the listener access to their own feelings; the generative meditations of First Thought, Best Thought-era Arthur Russell; Vivaldi or Laurie Anderson – if they’d been ultra-gentle satellite reflections of Chicago’s minimalist and avant-garde music histories.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBurch has previously released as part of Boing! with Leafcutter John, and with the critically acclaimed Strut-released Flock with Londoners including Sarathy Korwar and The Comet Is Coming’s Danalogue. She also runs the band and label Vula Viel and has collaborated with artists from Peter Zummo to Dame Evelyn Glennie.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album also welcomes in the sound of the natural world; ‘hip as fuck’ wood pigeons and resonant nightingales recorded in Berlin parks and forests, dreamy waves lilting onto the sand on the Baltic coast of Rügen Island for the unforgettable closing track ‘When Love Begins’ – and some extreme Chi-Town weather.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There was this ignition moment,” she says of ‘You thought you were free’, the carnival-coloured mid-point of the album. “There was a tornado warning, our phones were all going off: ‘go into the basement’.” The players collectively shrugged their shoulders – until siren sound waves began ghosting through the studio walls. “I turned one of the microphones up to catch the thunder and the rain under the skylight,” she says. “I was properly scared, not just because of the storm, but because I was nervous. I was trying to stay open and be conscious of the fact that I didn’t know what to expect – and that doing so means surrender. That knife edge of presence was really intense. We all just played through.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlaying through was possible, at least in part because of a 90-day practice Burch calls Dawn blessings, which also provided some of the ‘heard sounds’ that dance around the music generated during these collaborative recordings. The practice refers to a friend called Dawn, not daybreak, although at least one of the Dawn blessings that ended up on There is only love and fear was recorded when the sun came up. The Dawn blessings required Burch to make one piece of music daily, in answer to the question: ‘what sounds do I like today?’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“My intention was to cultivate this feeling of expansion and magic that I felt when I was invited to the US. The music is already there, and I have to let go and allow myself to be in it. The 90-day practice was to strengthen that muscle. You know if you do sit ups, you get a six-pack? Perhaps this was exercising my openness six-pack.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe was also exercising her hand-made xylophone. Burch lived in Ghana for three years, including an 18-month apprenticeship in instrument-making, in the Upper West of Ghana with master gyil player Thomas Sekgura. The new instrument isn’t of a particular tradition, indeed the harmonics are tuned to maximise the resonance and was made in collaboration with Jamie Linwood in Stroud, in the south west of England. “The question ‘what sounds do I like today?’ brought up harmonics, and this is the first instrument I’ve made because of what I want to hear. This record happens to be the first that features it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's quite a christening: a resonant, respectful, super-warm expression of asymmetry, repetitiveness and space. “It’s how the universe works, it’s how we’re all vibrating. We all resonate, literally, with these fundamentals. Tension and release, space, chaos and asymmetry in heard sounds in nature – I love it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe energy sent into the world when Bex Burch turned the ignition key of her car and drove to Utrecht has finally landed on the beach, in the shape of There is only love and fear. “It’s about choosing to act in love and choosing not to put more force or fear into the world,” she says. “Imagine it like I’m swimming: instead of just leaving a wake of love behind me, I’m pushing it ahead of me, and all around me as well, void of hierarchy, it’s beyond the linear and binary. We can lift people up when we do that.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSoak this music up – it will rejuvenate you.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Daniel Villarreal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのポストロック〜ジャズバンド Vula Vielメンバーとしても活動している木琴奏者Bex Burchが、2023年10月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたソロアルバムです。 西アフリカ・ガーナの木琴Gyilの音色が心地良いスピリチュアル・アンビエントジャズ12曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":8026761658618,"title":"Asher Gamedze \/\/ Turbulence and Pulse 2xLP","handle":"asher-gamedze-turbulence-and-pulse-lp","description":"\u003cp\u003e南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3972533475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. Physical version includes 3 bonus tracks not included in the digital album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTurbulence's Pulse 04:08\u003c\/li\u003e\n\u003cli\u003eWynter Time 09:27 video\u003c\/li\u003e\n\u003cli\u003eLocomotion 04:07\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth 08:13\u003c\/li\u003e\n\u003cli\u003eMelancholia 04:37\u003c\/li\u003e\n\u003cli\u003eAlibama 02:59\u003c\/li\u003e\n\u003cli\u003eCan't See The Sun 05:04\u003c\/li\u003e\n\u003cli\u003eSometimes I Think To Myself 05:20\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim 06:34\u003c\/li\u003e\n\u003cli\u003eUnderground Formation 06:49\u003c\/li\u003e\n\u003cli\u003eMelancholia (Live in Cairo) 04:38\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth (Live in Cairo) 09:52\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim (Live in Cairo) 07:41\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAtiyyah Khan, via the label:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Cape Town, South Africa-based drummer Asher Gamedze explores relationships of time between music and history on his new album Turbulence and Pulse, out May 5th 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGamedze’s critically-acclaimed debut album Dialectic Soul was released at the height of the Covid-19 pandemic in July 2020. Around the release of that record, with friend and writer Teju Adeleye he organized and participated in a joint online discussion “Poesis,” with historian Robin D.G. Kelley and others. One of the notable comments made in this session was by the poet and scholar Fred Moten, who described Gamedze’s drumming as an “amazing interplay between turbulence and pulse. Pulse is supposed to regulate and also be regular, but the turbulence underneath it and on top of it, it’s just extraordinary.” Moten added that this concept is a fundamental element of the percussive approach in Black music more broadly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTurbulence and Pulse takes its title from this moment of synchronicities. Inspired by this description, Gamedze developed the metaphor further, expanding the concept of turbulence and pulse through the lens of history. “Time in music is a metaphor for thinking about time in history and how time moves,” he says. “The way we’re taught history is generally in a way that robs people of\u003cspan class=\"bcTruncateMore\"\u003e agency in imagining themselves as part of history and how it unfolds. It is something that happens to us. I think there's a productive metaphor in that because the sense of time in music is created by musicians playing together. If we can use that to think about history and time in history, you can see that, actually, history is created by people in a whole range of ways. At the heart of it, historical motion is created by people organized and acting together, whether for progressive or reactionary ends.”\u003cbr\u003e\u003cbr\u003eFor Gamedze, the underlying message of Turbulence and Pulse is “to claim a form of historical agency and realize that the future is not a foregone conclusion. As people we can organize, to transform our world in small and big ways.” This concept comes out of Gamedze’s involvement in radical cultural work and political organizing. He adds: “One of the ideas that I've had for a long time is to unsettle the way that people think about culture as something static or as something fixed. There’s this tension in Africa, because of the way that the colonists have constructed visions of African culture, where people speak about this need to conserve culture and document it. I think that's important, but you also have to understand that these things are moving. And we are the people who have to participate in that movement.”\u003cbr\u003e\u003cbr\u003eFor the album artwork, Gamedze extends the visual aesthetic of his previous release with a hand-drawn illustration. “I feel like my drawings represent the inside of my mind. It’s very free and improvisational,” he says. Friend and designer Naadira Patel worked with Gamedze to design the final cover layout, which includes liner notes penned by his sister, writer and artist Thuli Gamedze.\u003cbr\u003e\u003cbr\u003eTurbulence and Pulse comes via the partnership of Chicago-based International Anthem and Johannesburg-based Mushroom Hour Half Hour, as the first collaborative release by the two labels.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Asher Gamedze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-03T07:27:29+09:00","created_at":"2023-10-02T13:02:42+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":579000,"price_min":579000,"price_max":579000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44597311078650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Asher Gamedze \/\/ Turbulence and Pulse 2xLP","public_title":null,"options":["Default Title"],"price":579000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364","\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d311310-a8a0-4be7-a79d-7c79797813f3.jpg?v=1696219364","\/\/tobirarecords.com\/cdn\/shop\/files\/pu3_b8357b7c-5428-4024-b367-864e4a7a5f80.jpg?v=1696219364"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364","options":["Title"],"media":[{"alt":null,"id":32516849795322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364","width":700},{"alt":null,"id":32516849828090,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d311310-a8a0-4be7-a79d-7c79797813f3.jpg?v=1696219364"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d311310-a8a0-4be7-a79d-7c79797813f3.jpg?v=1696219364","width":1200},{"alt":null,"id":32516849860858,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu3_b8357b7c-5428-4024-b367-864e4a7a5f80.jpg?v=1696219364"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu3_b8357b7c-5428-4024-b367-864e4a7a5f80.jpg?v=1696219364","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3972533475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. Physical version includes 3 bonus tracks not included in the digital album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTurbulence's Pulse 04:08\u003c\/li\u003e\n\u003cli\u003eWynter Time 09:27 video\u003c\/li\u003e\n\u003cli\u003eLocomotion 04:07\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth 08:13\u003c\/li\u003e\n\u003cli\u003eMelancholia 04:37\u003c\/li\u003e\n\u003cli\u003eAlibama 02:59\u003c\/li\u003e\n\u003cli\u003eCan't See The Sun 05:04\u003c\/li\u003e\n\u003cli\u003eSometimes I Think To Myself 05:20\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim 06:34\u003c\/li\u003e\n\u003cli\u003eUnderground Formation 06:49\u003c\/li\u003e\n\u003cli\u003eMelancholia (Live in Cairo) 04:38\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth (Live in Cairo) 09:52\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim (Live in Cairo) 07:41\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAtiyyah Khan, via the label:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Cape Town, South Africa-based drummer Asher Gamedze explores relationships of time between music and history on his new album Turbulence and Pulse, out May 5th 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGamedze’s critically-acclaimed debut album Dialectic Soul was released at the height of the Covid-19 pandemic in July 2020. Around the release of that record, with friend and writer Teju Adeleye he organized and participated in a joint online discussion “Poesis,” with historian Robin D.G. Kelley and others. One of the notable comments made in this session was by the poet and scholar Fred Moten, who described Gamedze’s drumming as an “amazing interplay between turbulence and pulse. Pulse is supposed to regulate and also be regular, but the turbulence underneath it and on top of it, it’s just extraordinary.” Moten added that this concept is a fundamental element of the percussive approach in Black music more broadly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTurbulence and Pulse takes its title from this moment of synchronicities. Inspired by this description, Gamedze developed the metaphor further, expanding the concept of turbulence and pulse through the lens of history. “Time in music is a metaphor for thinking about time in history and how time moves,” he says. “The way we’re taught history is generally in a way that robs people of\u003cspan class=\"bcTruncateMore\"\u003e agency in imagining themselves as part of history and how it unfolds. It is something that happens to us. I think there's a productive metaphor in that because the sense of time in music is created by musicians playing together. If we can use that to think about history and time in history, you can see that, actually, history is created by people in a whole range of ways. At the heart of it, historical motion is created by people organized and acting together, whether for progressive or reactionary ends.”\u003cbr\u003e\u003cbr\u003eFor Gamedze, the underlying message of Turbulence and Pulse is “to claim a form of historical agency and realize that the future is not a foregone conclusion. As people we can organize, to transform our world in small and big ways.” This concept comes out of Gamedze’s involvement in radical cultural work and political organizing. He adds: “One of the ideas that I've had for a long time is to unsettle the way that people think about culture as something static or as something fixed. There’s this tension in Africa, because of the way that the colonists have constructed visions of African culture, where people speak about this need to conserve culture and document it. I think that's important, but you also have to understand that these things are moving. And we are the people who have to participate in that movement.”\u003cbr\u003e\u003cbr\u003eFor the album artwork, Gamedze extends the visual aesthetic of his previous release with a hand-drawn illustration. “I feel like my drawings represent the inside of my mind. It’s very free and improvisational,” he says. Friend and designer Naadira Patel worked with Gamedze to design the final cover layout, which includes liner notes penned by his sister, writer and artist Thuli Gamedze.\u003cbr\u003e\u003cbr\u003eTurbulence and Pulse comes via the partnership of Chicago-based International Anthem and Johannesburg-based Mushroom Hour Half Hour, as the first collaborative release by the two labels.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Asher Gamedze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。 スピリチュアル・ジャズ13曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":8026568818938,"title":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP \/ CD","handle":"daniel-villarreal-with-jeff-parker-anna-butterss-lados-b-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-01T17:42:37+09:00","created_at":"2023-10-01T17:42:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","lp","new","recommended"],"price":269000,"price_min":269000,"price_max":486000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44776674132218,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP \/ CD - LP","public_title":"LP","options":["LP"],"price":486000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44776674164986,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP \/ CD - CD","public_title":"CD","options":["CD"],"price":269000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","options":["Format"],"media":[{"alt":null,"id":32515111878906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","width":700},{"alt":null,"id":32515111944442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","width":1200},{"alt":null,"id":32515111977210,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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パナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。 3人が2020年10月15-16日に行ったスピリチュアル・ジャズセッション9曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker &...
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{"id":8017060036858,"title":"International Anthem Catalog TOTE","handle":"international-anthem-catalog-tote","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズレーベルInternational AnthemのBIG TOTEです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフルカタログがプリントされています。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn everyday tote bag for your essential items. Cream ink screenprinted seafoam green cotton bag with our full catalog of releases (to date) on one side, neo-IARC art on the other side.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e- Extra long 26\" cotton handles with reinforced stress point stitching\u003cbr\u003e- 5\" square bottom gusset\u003cbr\u003e- 14.75\" h 19.5\"w x 5\" (expanded width)\u003cbr\u003e- 14.75\" h x 14.75\" w x 5\" d (not expanded width)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-09-13T08:06:32+09:00","created_at":"2023-09-12T12:41:27+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","international anthem","new"],"price":568000,"price_min":568000,"price_max":568000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44556404162810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"International Anthem Catalog TOTE","public_title":null,"options":["Default Title"],"price":568000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca_17a0b948-14dd-4b63-b2d3-5c3f3630b72e.jpg?v=1694490089","\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_ad04c762-3946-4439-833d-bf0e9ecca555.jpg?v=1694490089","\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_4308bdc3-e62c-4814-94fc-80fadcf397c7.jpg?v=1694490089"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_17a0b948-14dd-4b63-b2d3-5c3f3630b72e.jpg?v=1694490089","options":["Title"],"media":[{"alt":null,"id":32436879360250,"position":1,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_17a0b948-14dd-4b63-b2d3-5c3f3630b72e.jpg?v=1694490089"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_17a0b948-14dd-4b63-b2d3-5c3f3630b72e.jpg?v=1694490089","width":1200},{"alt":null,"id":32436879393018,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_ad04c762-3946-4439-833d-bf0e9ecca555.jpg?v=1694490089"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_ad04c762-3946-4439-833d-bf0e9ecca555.jpg?v=1694490089","width":1200},{"alt":null,"id":32436879425786,"position":3,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_4308bdc3-e62c-4814-94fc-80fadcf397c7.jpg?v=1694490089"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_4308bdc3-e62c-4814-94fc-80fadcf397c7.jpg?v=1694490089","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズレーベルInternational AnthemのBIG TOTEです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフルカタログがプリントされています。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn everyday tote bag for your essential items. Cream ink screenprinted seafoam green cotton bag with our full catalog of releases (to date) on one side, neo-IARC art on the other side.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e- Extra long 26\" cotton handles with reinforced stress point stitching\u003cbr\u003e- 5\" square bottom gusset\u003cbr\u003e- 14.75\" h 19.5\"w x 5\" (expanded width)\u003cbr\u003e- 14.75\" h x 14.75\" w x 5\" d (not expanded width)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズレーベルInternational AnthemのBIG TOTEです。 フルカタログがプリントされています。 An everyday tote bag for your essential items. Cream ink...
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{"id":8017058791674,"title":"International Anthem Label T-SHIRT - BLACK - XL","handle":"international-anthem-label-t-shirt-black-xl","description":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemのロゴ入り綿100%Tシャツです。\u003c\/p\u003e\n\u003cp\u003eAvailable in XL size. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComfort Colors deluxe short sleeve black tee shirt with neo-IARC art printed on the front side.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e- Preshrunk, soft-washed, garment-dyed fabric\u003cbr\u003e- Made with sustainably and fairly grown USA cotton and sewn with USA cotton thread\u003cbr\u003e- Twill taped shoulder-to-shoulder\u003cbr\u003e- Set-in sleeves\u003cbr\u003e- Double-needle stitched sleeves and bottom hem\u003cbr\u003e- 1\" ribbed collar with double-needle topstitched neckline\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-09-13T08:04:24+09:00","created_at":"2023-09-12T12:39:07+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","international anthem","new"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44556402229498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"International Anthem Label T-SHIRT - BLACK - XL","public_title":null,"options":["Default Title"],"price":548000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_98a1a15f-364c-4577-910e-cdf54f299b67.jpg?v=1694489948"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_98a1a15f-364c-4577-910e-cdf54f299b67.jpg?v=1694489948","options":["Title"],"media":[{"alt":null,"id":32436869431546,"position":1,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_98a1a15f-364c-4577-910e-cdf54f299b67.jpg?v=1694489948"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_98a1a15f-364c-4577-910e-cdf54f299b67.jpg?v=1694489948","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemのロゴ入り綿100%Tシャツです。\u003c\/p\u003e\n\u003cp\u003eAvailable in XL size. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComfort Colors deluxe short sleeve black tee shirt with neo-IARC art printed on the front side.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e- Preshrunk, soft-washed, garment-dyed fabric\u003cbr\u003e- Made with sustainably and fairly grown USA cotton and sewn with USA cotton thread\u003cbr\u003e- Twill taped shoulder-to-shoulder\u003cbr\u003e- Set-in sleeves\u003cbr\u003e- Double-needle stitched sleeves and bottom hem\u003cbr\u003e- 1\" ribbed collar with double-needle topstitched neckline\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズレーベルInternational Anthemのロゴ入り綿100%Tシャツです。 Available in XL size. Comfort Colors deluxe short sleeve black tee shirt...
¥5,480
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{"id":8005111578874,"title":"Damon Locks \u0026 Rob Mazurek \/\/ New Future City Radio LP","handle":"damon-locks-rob-mazurek-new-future-city-radio-lp","description":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家Damon LocksとRob Mazurekが、2023年7月にシカゴのジャズ巣窟International Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e海賊ラジオ局をコンセプトにしており、シームレスに展開していくコラージュ・ジャズヒップホップ18曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"New Future City Radioは、長年のクリエイティブパートナーであるDamon LocksとRob Mazurekの初のデュオ・コラボレーションである。ラジカセのミックステープのような40分、18曲のハイパーアクティブな組曲で、2人の多作なマルチメディア・アーティストは、民衆のための海賊ラジオ局というプログラム形式を通して、コミュニティ、変革、未来について考察している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの2人のアーティストは、90年代後半／00年代前半のシカゴ音楽シーンの絶頂期から現在に至るまで共に活動しており、Loscksは、Mazurekが作曲／プロデュースし、IARCから2020年（Dimensional Stardust）と2023年（Lightning Dreamers）にリリースされ、高い評価を得たエクスプロディング・スター・オーケストラ（ESO）の複数のアルバムでリードヴォーカルを務めている。近年、Locksは革命的で広大な後期ゴスペル／ジャズ・プロジェクト、ブラック・モニュメント・アンサンブル（BME）でも大きな名声を獲得しており、IARCから2枚のアルバムをリリースしている（2019年『Where Future Unfolds』と2021年『NOW』）。New Future City Radioでは、この2つのプロジェクトのサウンドが自然でありながら革新的にブレンドされ、LocksのBMEスタイルのサンプルベースのサウンドコラージュが、ESOでの活動で培ったオーソン・ウェルズのような特徴的なヴォーカルの下に作曲のベッドを作り、MazurekのRoland SPの華やかさと印象的なブラスの即興演奏が並んでいる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音とテキストに基づくテーマはあらかじめ決まっているが、即興が旅をリードする。この2人が考案した音楽は、ある瞬間には激しく、次の瞬間には優しくトランスペアレントで、しばしばその中間のように聴こえるかもしれない。New Future City Radioについて尋ねられると、デュオは声を揃えてこう叫ぶ。レジリエンスと空中浮揚。私は人々のために、美しさと構造的完全性について話しているんだ。物語を語り、教育する光線の話だ。新しい未来を語りたいなら、その話をしよう！\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3841715634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3841715634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1239691172\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e Edition of 555.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e5-4-3-2-1 00:22\u003c\/li\u003e\n\u003cli\u003eYes! 02:15\u003c\/li\u003e\n\u003cli\u003eThe Sun Returns 02:27\u003c\/li\u003e\n\u003cli\u003eBreeze Of Time 02:39\u003c\/li\u003e\n\u003cli\u003eYour Name Gonna Ring The Bell 01:07\u003c\/li\u003e\n\u003cli\u003eNew Future 01:07\u003c\/li\u003e\n\u003cli\u003eDroids! 02:18\u003c\/li\u003e\n\u003cli\u003eThe Concord Hour 05:08\u003c\/li\u003e\n\u003cli\u003eFuture City 00:23\u003c\/li\u003e\n\u003cli\u003e10mins Past The Hour 00:17\u003c\/li\u003e\n\u003cli\u003eSupport The Youth (With Sound) 01:19\u003c\/li\u003e\n\u003cli\u003eThe Beat 00:55\u003c\/li\u003e\n\u003cli\u003eLas Niñas Estan Escuchando (The Children Are Listening) 00:19\u003c\/li\u003e\n\u003cli\u003eFlitting Splits Reverb Adage 03:56\u003c\/li\u003e\n\u003cli\u003eTwilight Shimmer 09:53\u003c\/li\u003e\n\u003cli\u003eSuspense In The Grip Of Suspense 03:58\u003c\/li\u003e\n\u003cli\u003ePolaris Radio 01:10\u003c\/li\u003e\n\u003cli\u003eDrop 00:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"New Future City Radio is the first duo collaboration of longtime creative partners Damon Locks \u0026amp; Rob Mazurek. In a hyperactive 40-minute, 18-track suite that runs like a boombox mixtape, the two prolific multi-media artists contemplate community, transformation, and the future through the programmatic format of a pirate radio station for the people.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese two artists have worked together from the peak days of the late 90s \/ early 00s Chicago music scene up through the present day, which has seen Locks featured as lead vocalist of multiple critically-acclaimed Exploding Star Orchestra (ESO) albums composed\/produced by Mazurek and released by International Anthem (IARC) in 2020 (Dimensional Stardust) and 2023 (Lightning Dreamers). In recent years, Locks has also earned great renown from his revolutionary, expansive latter-day gospel\/jazz project Black Monument Ensemble (BME), with which he’s released two albums on IARC (2019’s Where Future Unfolds and 2021’s NOW). New Future City Radio finds the artists creating a natural but innovatively-assembled blend of the sounds of those two projects, with Locks’s BME-style sample-based sound collage creating compositional beds underneath the signature Orson Welles-like vocal\u003cspan class=\"bcTruncateMore\"\u003e delivery he’s developed through his work with ESO, alongside Roland SP flourishes and arresting brass improvisations by Mazurek.\u003cbr\u003e\u003cbr\u003eThemes both sonic and text based were predetermined but improvisation leads the journey. The music these two have devised may sound hyper-charged one moment and gently transportive the next, and often somewhere in between. When asked about New Future City Radio the duo exclaim in one voice: \"I'm talking post, post, post, future. I'm talking resilience and levitation. I'm talking beauty and structural integrity for my people. I'm talking light beams that tell stories and educate. Let's talk about that if you wanna talk new future!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Damon Locks \u0026amp; Rob Mazurek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-14T13:48:29+09:00","created_at":"2023-08-14T11:56:42+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":449000,"price_min":449000,"price_max":449000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44460667699450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Damon Locks \u0026 Rob Mazurek \/\/ New Future City Radio LP","public_title":null,"options":["Default Title"],"price":449000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/new1_124b8c99-d09b-4360-8a2f-fdf103a82a14.jpg?v=1691981805","\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_d0989319-2b40-4f57-886e-938772c7dccd.jpg?v=1691981804"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_124b8c99-d09b-4360-8a2f-fdf103a82a14.jpg?v=1691981805","options":["Title"],"media":[{"alt":null,"id":32325913477370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_124b8c99-d09b-4360-8a2f-fdf103a82a14.jpg?v=1691981805"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_124b8c99-d09b-4360-8a2f-fdf103a82a14.jpg?v=1691981805","width":700},{"alt":null,"id":32325913510138,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_d0989319-2b40-4f57-886e-938772c7dccd.jpg?v=1691981804"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_d0989319-2b40-4f57-886e-938772c7dccd.jpg?v=1691981804","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家Damon LocksとRob Mazurekが、2023年7月にシカゴのジャズ巣窟International Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e海賊ラジオ局をコンセプトにしており、シームレスに展開していくコラージュ・ジャズヒップホップ18曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"New Future City Radioは、長年のクリエイティブパートナーであるDamon LocksとRob Mazurekの初のデュオ・コラボレーションである。ラジカセのミックステープのような40分、18曲のハイパーアクティブな組曲で、2人の多作なマルチメディア・アーティストは、民衆のための海賊ラジオ局というプログラム形式を通して、コミュニティ、変革、未来について考察している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの2人のアーティストは、90年代後半／00年代前半のシカゴ音楽シーンの絶頂期から現在に至るまで共に活動しており、Loscksは、Mazurekが作曲／プロデュースし、IARCから2020年（Dimensional Stardust）と2023年（Lightning Dreamers）にリリースされ、高い評価を得たエクスプロディング・スター・オーケストラ（ESO）の複数のアルバムでリードヴォーカルを務めている。近年、Locksは革命的で広大な後期ゴスペル／ジャズ・プロジェクト、ブラック・モニュメント・アンサンブル（BME）でも大きな名声を獲得しており、IARCから2枚のアルバムをリリースしている（2019年『Where Future Unfolds』と2021年『NOW』）。New Future City Radioでは、この2つのプロジェクトのサウンドが自然でありながら革新的にブレンドされ、LocksのBMEスタイルのサンプルベースのサウンドコラージュが、ESOでの活動で培ったオーソン・ウェルズのような特徴的なヴォーカルの下に作曲のベッドを作り、MazurekのRoland SPの華やかさと印象的なブラスの即興演奏が並んでいる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音とテキストに基づくテーマはあらかじめ決まっているが、即興が旅をリードする。この2人が考案した音楽は、ある瞬間には激しく、次の瞬間には優しくトランスペアレントで、しばしばその中間のように聴こえるかもしれない。New Future City Radioについて尋ねられると、デュオは声を揃えてこう叫ぶ。レジリエンスと空中浮揚。私は人々のために、美しさと構造的完全性について話しているんだ。物語を語り、教育する光線の話だ。新しい未来を語りたいなら、その話をしよう！\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3841715634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3841715634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1239691172\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e Edition of 555.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e5-4-3-2-1 00:22\u003c\/li\u003e\n\u003cli\u003eYes! 02:15\u003c\/li\u003e\n\u003cli\u003eThe Sun Returns 02:27\u003c\/li\u003e\n\u003cli\u003eBreeze Of Time 02:39\u003c\/li\u003e\n\u003cli\u003eYour Name Gonna Ring The Bell 01:07\u003c\/li\u003e\n\u003cli\u003eNew Future 01:07\u003c\/li\u003e\n\u003cli\u003eDroids! 02:18\u003c\/li\u003e\n\u003cli\u003eThe Concord Hour 05:08\u003c\/li\u003e\n\u003cli\u003eFuture City 00:23\u003c\/li\u003e\n\u003cli\u003e10mins Past The Hour 00:17\u003c\/li\u003e\n\u003cli\u003eSupport The Youth (With Sound) 01:19\u003c\/li\u003e\n\u003cli\u003eThe Beat 00:55\u003c\/li\u003e\n\u003cli\u003eLas Niñas Estan Escuchando (The Children Are Listening) 00:19\u003c\/li\u003e\n\u003cli\u003eFlitting Splits Reverb Adage 03:56\u003c\/li\u003e\n\u003cli\u003eTwilight Shimmer 09:53\u003c\/li\u003e\n\u003cli\u003eSuspense In The Grip Of Suspense 03:58\u003c\/li\u003e\n\u003cli\u003ePolaris Radio 01:10\u003c\/li\u003e\n\u003cli\u003eDrop 00:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"New Future City Radio is the first duo collaboration of longtime creative partners Damon Locks \u0026amp; Rob Mazurek. In a hyperactive 40-minute, 18-track suite that runs like a boombox mixtape, the two prolific multi-media artists contemplate community, transformation, and the future through the programmatic format of a pirate radio station for the people.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese two artists have worked together from the peak days of the late 90s \/ early 00s Chicago music scene up through the present day, which has seen Locks featured as lead vocalist of multiple critically-acclaimed Exploding Star Orchestra (ESO) albums composed\/produced by Mazurek and released by International Anthem (IARC) in 2020 (Dimensional Stardust) and 2023 (Lightning Dreamers). In recent years, Locks has also earned great renown from his revolutionary, expansive latter-day gospel\/jazz project Black Monument Ensemble (BME), with which he’s released two albums on IARC (2019’s Where Future Unfolds and 2021’s NOW). New Future City Radio finds the artists creating a natural but innovatively-assembled blend of the sounds of those two projects, with Locks’s BME-style sample-based sound collage creating compositional beds underneath the signature Orson Welles-like vocal\u003cspan class=\"bcTruncateMore\"\u003e delivery he’s developed through his work with ESO, alongside Roland SP flourishes and arresting brass improvisations by Mazurek.\u003cbr\u003e\u003cbr\u003eThemes both sonic and text based were predetermined but improvisation leads the journey. The music these two have devised may sound hyper-charged one moment and gently transportive the next, and often somewhere in between. When asked about New Future City Radio the duo exclaim in one voice: \"I'm talking post, post, post, future. I'm talking resilience and levitation. I'm talking beauty and structural integrity for my people. I'm talking light beams that tell stories and educate. Let's talk about that if you wanna talk new future!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Damon Locks \u0026amp; Rob Mazurek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのベテランジャズ作家Damon LocksとRob Mazurekが、2023年7月にシカゴのジャズ巣窟International Anthemからリリースした共作レコードです。 海賊ラジオ局をコンセプトにしており、シームレスに展開していくコラージュ・ジャズヒップホップ18曲を収録。 以下、レーベルによる解説です。 "New Future City Radioは、長年のクリエイティブパートナーであるDamon LocksとRob Mazurekの初のデュオ・コラボレーションである。ラジカセのミックステープのような40分、18曲のハイパーアクティブな組曲で、2人の多作なマルチメディア・アーティストは、民衆のための海賊ラジオ局というプログラム形式を通して、コミュニティ、変革、未来について考察している。この2人のアーティストは、90年代後半／00年代前半のシカゴ音楽シーンの絶頂期から現在に至るまで共に活動しており、Loscksは、Mazurekが作曲／プロデュースし、IARCから2020年（Dimensional Stardust）と2023年（Lightning Dreamers）にリリースされ、高い評価を得たエクスプロディング・スター・オーケストラ（ESO）の複数のアルバムでリードヴォーカルを務めている。近年、Locksは革命的で広大な後期ゴスペル／ジャズ・プロジェクト、ブラック・モニュメント・アンサンブル（BME）でも大きな名声を獲得しており、IARCから2枚のアルバムをリリースしている（2019年『Where...
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{"id":8005031887098,"title":"Carlos Niño \u0026 Friends \/\/ (I'm just) Chillin', on Fire 2xLP \/ TAPE","handle":"carlos-nino-friends-im-just-chillin-on-fire-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャ\u003cspan data-mce-fragment=\"1\"\u003eズ\u003c\/span\u003e全17曲を収録。レコードには帯とブックレット付属。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcus J. Mooreによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？\"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？\" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cem\u003eでは、彼はスピリチュアルの指導者なのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私はただ冷静で、燃えているだけだ。「宗教的、伝統的なもの、ルールや教義にこだわったり、それを否定したりはしていない。私はただ、エネルギーに満ち溢れたものを提示しているだけで、旅をしている人たち、音楽的に創作している人たち、そして私たちと一緒に集う人たちのためのオープニングになることを意図しているんだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e実際、Carlos Niñoの自称エネルギッシュ・スペース・ミュージックには、共同体的なエッセンスがある。Carlos Niño \u0026amp; Friendsのリーダーとして、彼はコラボレーターたちに、サウンドがどうあるべきかという先入観なしに即興演奏することを勧めている。彼の新しいアルバム『(I'm just) Chillin', on Fire』には、12人以上のミュージシャンが参加し、ギタリストのネイト・マーセローやサックス奏者のカマシ・ワシントン、ニューエイジの礎石ララアジ、今やトレードマークとなったフルートを演奏するヒップホップ界の伝説アンドレ3000など、サウンドの実験に欠かせない面々が名を連ねている。Carlos Niñoは意図的に音楽を漂わせ、一体感を生み出すことで、（I'm just）Chillin', on Fireを近年の素晴らしい作品のもうひとつのハイライトにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、2020年の『Chicago Waves』（マルチ・インストゥルメンタリスト、ミゲル・アトウッド＝ファーガソンとの共作）や昨年の『Extra Presence』のようなアルバムがスピーカーの中で宙に浮いていたのに対し、『(I'm just) Chillin'』はジャズやエレクトロニック・ファンクに等しく依存したエネルギッシュなドラムによって、ある部分では先へと突き進んでいる。ジャンルにとらわれず、70年代のアンダーグラウンド・ジャズの信条が息づいている。50年前、ブラザー・アー、アンサンブル・アル・サラーム、ムトゥメ・ウモジャ・アンサンブルといったアーティストたちは、スピリチュアル・ジャズと謳いながら、さまざまな方向へと燃え上がる音楽を作り上げた。彼らは、それを売り込むための人工的な用語ではなく、音楽全体の超越性に傾倒していた。(I'm just）Chillin'」も同じ感情を発している： Mighty Stillness」では、実験的ヴァイオリニストのV.C.Rが休息する「先祖代々の権利」を宣言する場面で、彼女はジャンヌ・リー、ジェイン・コルテス、ベアトリス・パーカーのような黒人女性、同じ自由を体現したインディ・シーンの革新的ヴォーカリストたちを想起させる。そして \"Love Dedication (for Annelise) \"では、Carlos Niñoは繊細なベース（マイケル・アルビドレス）と静謐なピアノループ（スルヤ・ボトファシーナ）を使い、幅広い言葉で愛情を語る。「愛とは無条件のもので、どこにでも、すべてに、常に流れているものだ。「完全に生きていて、上限はない。ストラータ、ストラータ・イースト、トライブのような70年代のインディ・レーベルで聴かれたゆったりとしたアレンジメントとの比較を受け入れることをためらうが（それは彼が彼らの遺産をどれほど尊重しているかということであり、彼らのフィールドで場所を主張したくないからにほかならない）、過去30年近くにわたるロサンゼルスのジャズ、ヒップホップ、ビートシーンのアンカーとしての彼の地位、そして彼の作るものに彼の影響がいかに生きているかを否定することはできない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私にとって、これらのレーベルはすべて大きな影響力を持っています」とCarlos Niñoは言う。Strata-Eastについて考えるとき、私はすぐにPharaoh Sandersを思い浮かべるし、私のお気に入りのアルバムのひとつである『Live at the East』（Impulse! 私はそのコミュニティの出身ではない。イーストとの直接的なつながりは主張しないけど、イーストに対する意識と感謝はすごく大きいんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(I'm just）Chillin'のヴォーカルは、型破りな方法で編集された。「マイクのスイッチを入れるから、アルバムを通して聴いて、その時感じたことを何でも録音してくれ、という感じだった」とCarlos Niñoは創作過程について語る。「彼らの解釈は完全に自由だった。彼は、ボーカリストのカバナ・リー、マイア、ミア・ドイ・トッド、V.C.Rが同じような方法で音楽を解釈していることに気づいた： \"同じ部屋にいるわけでもなく、他の人がやったことを聞いているわけでもない人たちが、みんな本当にクールな織物を創り上げた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、過去3年間にヴェニス、ライマート・パーク、ウッドストックといった場所で録音されたライヴとスタジオ・アレンジをコンパイルしたものだが、まるですべてのミュージシャンが揃ったひとつの空間に収められたかのように調和がとれている。これはCarlos Niñoの指揮者、プロデューサーとしての能力を浮き彫りにしている。彼がこのような膨大な実験をシームレスなセットにまとめ上げたことは、それだけで価値ある偉業である。Carlos Niñoの他のLPと同様、この『(I'm just) Chillin'』は没入型リスニングであり、完全に吸収するには耳を澄ませる必要がある。ソーシャルメディアと24時間のニュースに支配された世界では、私たちは特に理由もなく急いでいるように見える。優しいメッセージとゆったりとしたテンポの音楽を作ることで、Carlos Niñoはリスナーに対して、人生の自然の驚異をゆっくりと鑑賞し、旅を味わい、急がないように促している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e「私にとってクリエイティビティとは、ある存在の状態、そしてその存在の状態の表現なんだ。「彼らがどのように感じているかを反映したり、報告したりすることなんだ。より深い \"理由 \"こそが、私がこの活動で得ようとしているものであり、その感情の内側にあるものであり、それは未知の領域ではない。私は、オーガナイズやキュレーション、提供にとても熱心な人間の一人で、深く分かち合うようなものなんだ。それは生きているもので、成長する。それは生き物であり、成長する。時には、自分の操縦の外にある力によって揺さぶられることもある。時には一方通行に見えることもある。しかし、それは生きている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kHwWFucJndo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2395829700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVenice 100720, Hands In Soil (feat. Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eMighty Stillness (feat. V.C.R, Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eLove Dedication (for Annelise) [feat. Surya Botofasina]\u003c\/li\u003e\n\u003cli\u003eFlutestargate (feat. Deantoni Parks, Nate Mercereau) 04:25\u003c\/li\u003e\n\u003cli\u003eMaha Rose North 102021, Breathwork (feat. Laraaji, Photay)\u003c\/li\u003e\n\u003cli\u003eTranscendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eTaaaud (feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) 05:50 video\u003c\/li\u003e\n\u003cli\u003eSpacial (feat. Sibusile Xaba, Jamael Dean)\u003c\/li\u003e\n\u003cli\u003eAm I Dreaming? (feat. Surya Botofasina, Luis Pérez Ixoneztli)\u003c\/li\u003e\n\u003cli\u003eEtheric Windsurfing, flips and twirls (feat. Adam Rudolph, Jesse Peterson)\u003c\/li\u003e\n\u003cli\u003eBoom Bap Spiritual (feat. Surya Botofasina)\u003c\/li\u003e\n\u003cli\u003eWoo, Acknowledgement (feat. Surya Botofasina, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eSandra's Willows (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eOne For Derf (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eConversations (feat. André 3000, Nate Mercereau, Cavana Lee, Mia Doi Todd)\u003c\/li\u003e\n\u003cli\u003eEssence, The Mermaids Call (feat. Woo, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eEightspace 082222 (feat. Kamasi Washington, Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eLiner Notes by Marcus J. Moore:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo what does he say to those wondering if he’s a spiritual teacher?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño \u0026amp; Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”\u003c\/span\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e","published_at":"2023-08-14T07:52:01+09:00","created_at":"2023-08-14T07:34:29+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international 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charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャ\u003cspan data-mce-fragment=\"1\"\u003eズ\u003c\/span\u003e全17曲を収録。レコードには帯とブックレット付属。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcus J. Mooreによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？\"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？\" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cem\u003eでは、彼はスピリチュアルの指導者なのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私はただ冷静で、燃えているだけだ。「宗教的、伝統的なもの、ルールや教義にこだわったり、それを否定したりはしていない。私はただ、エネルギーに満ち溢れたものを提示しているだけで、旅をしている人たち、音楽的に創作している人たち、そして私たちと一緒に集う人たちのためのオープニングになることを意図しているんだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e実際、Carlos Niñoの自称エネルギッシュ・スペース・ミュージックには、共同体的なエッセンスがある。Carlos Niño \u0026amp; Friendsのリーダーとして、彼はコラボレーターたちに、サウンドがどうあるべきかという先入観なしに即興演奏することを勧めている。彼の新しいアルバム『(I'm just) Chillin', on Fire』には、12人以上のミュージシャンが参加し、ギタリストのネイト・マーセローやサックス奏者のカマシ・ワシントン、ニューエイジの礎石ララアジ、今やトレードマークとなったフルートを演奏するヒップホップ界の伝説アンドレ3000など、サウンドの実験に欠かせない面々が名を連ねている。Carlos Niñoは意図的に音楽を漂わせ、一体感を生み出すことで、（I'm just）Chillin', on Fireを近年の素晴らしい作品のもうひとつのハイライトにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、2020年の『Chicago Waves』（マルチ・インストゥルメンタリスト、ミゲル・アトウッド＝ファーガソンとの共作）や昨年の『Extra Presence』のようなアルバムがスピーカーの中で宙に浮いていたのに対し、『(I'm just) Chillin'』はジャズやエレクトロニック・ファンクに等しく依存したエネルギッシュなドラムによって、ある部分では先へと突き進んでいる。ジャンルにとらわれず、70年代のアンダーグラウンド・ジャズの信条が息づいている。50年前、ブラザー・アー、アンサンブル・アル・サラーム、ムトゥメ・ウモジャ・アンサンブルといったアーティストたちは、スピリチュアル・ジャズと謳いながら、さまざまな方向へと燃え上がる音楽を作り上げた。彼らは、それを売り込むための人工的な用語ではなく、音楽全体の超越性に傾倒していた。(I'm just）Chillin'」も同じ感情を発している： Mighty Stillness」では、実験的ヴァイオリニストのV.C.Rが休息する「先祖代々の権利」を宣言する場面で、彼女はジャンヌ・リー、ジェイン・コルテス、ベアトリス・パーカーのような黒人女性、同じ自由を体現したインディ・シーンの革新的ヴォーカリストたちを想起させる。そして \"Love Dedication (for Annelise) \"では、Carlos Niñoは繊細なベース（マイケル・アルビドレス）と静謐なピアノループ（スルヤ・ボトファシーナ）を使い、幅広い言葉で愛情を語る。「愛とは無条件のもので、どこにでも、すべてに、常に流れているものだ。「完全に生きていて、上限はない。ストラータ、ストラータ・イースト、トライブのような70年代のインディ・レーベルで聴かれたゆったりとしたアレンジメントとの比較を受け入れることをためらうが（それは彼が彼らの遺産をどれほど尊重しているかということであり、彼らのフィールドで場所を主張したくないからにほかならない）、過去30年近くにわたるロサンゼルスのジャズ、ヒップホップ、ビートシーンのアンカーとしての彼の地位、そして彼の作るものに彼の影響がいかに生きているかを否定することはできない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私にとって、これらのレーベルはすべて大きな影響力を持っています」とCarlos Niñoは言う。Strata-Eastについて考えるとき、私はすぐにPharaoh Sandersを思い浮かべるし、私のお気に入りのアルバムのひとつである『Live at the East』（Impulse! 私はそのコミュニティの出身ではない。イーストとの直接的なつながりは主張しないけど、イーストに対する意識と感謝はすごく大きいんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(I'm just）Chillin'のヴォーカルは、型破りな方法で編集された。「マイクのスイッチを入れるから、アルバムを通して聴いて、その時感じたことを何でも録音してくれ、という感じだった」とCarlos Niñoは創作過程について語る。「彼らの解釈は完全に自由だった。彼は、ボーカリストのカバナ・リー、マイア、ミア・ドイ・トッド、V.C.Rが同じような方法で音楽を解釈していることに気づいた： \"同じ部屋にいるわけでもなく、他の人がやったことを聞いているわけでもない人たちが、みんな本当にクールな織物を創り上げた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、過去3年間にヴェニス、ライマート・パーク、ウッドストックといった場所で録音されたライヴとスタジオ・アレンジをコンパイルしたものだが、まるですべてのミュージシャンが揃ったひとつの空間に収められたかのように調和がとれている。これはCarlos Niñoの指揮者、プロデューサーとしての能力を浮き彫りにしている。彼がこのような膨大な実験をシームレスなセットにまとめ上げたことは、それだけで価値ある偉業である。Carlos Niñoの他のLPと同様、この『(I'm just) Chillin'』は没入型リスニングであり、完全に吸収するには耳を澄ませる必要がある。ソーシャルメディアと24時間のニュースに支配された世界では、私たちは特に理由もなく急いでいるように見える。優しいメッセージとゆったりとしたテンポの音楽を作ることで、Carlos Niñoはリスナーに対して、人生の自然の驚異をゆっくりと鑑賞し、旅を味わい、急がないように促している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e「私にとってクリエイティビティとは、ある存在の状態、そしてその存在の状態の表現なんだ。「彼らがどのように感じているかを反映したり、報告したりすることなんだ。より深い \"理由 \"こそが、私がこの活動で得ようとしているものであり、その感情の内側にあるものであり、それは未知の領域ではない。私は、オーガナイズやキュレーション、提供にとても熱心な人間の一人で、深く分かち合うようなものなんだ。それは生きているもので、成長する。それは生き物であり、成長する。時には、自分の操縦の外にある力によって揺さぶられることもある。時には一方通行に見えることもある。しかし、それは生きている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kHwWFucJndo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2395829700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVenice 100720, Hands In Soil (feat. Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eMighty Stillness (feat. V.C.R, Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eLove Dedication (for Annelise) [feat. Surya Botofasina]\u003c\/li\u003e\n\u003cli\u003eFlutestargate (feat. Deantoni Parks, Nate Mercereau) 04:25\u003c\/li\u003e\n\u003cli\u003eMaha Rose North 102021, Breathwork (feat. Laraaji, Photay)\u003c\/li\u003e\n\u003cli\u003eTranscendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eTaaaud (feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) 05:50 video\u003c\/li\u003e\n\u003cli\u003eSpacial (feat. Sibusile Xaba, Jamael Dean)\u003c\/li\u003e\n\u003cli\u003eAm I Dreaming? (feat. Surya Botofasina, Luis Pérez Ixoneztli)\u003c\/li\u003e\n\u003cli\u003eEtheric Windsurfing, flips and twirls (feat. Adam Rudolph, Jesse Peterson)\u003c\/li\u003e\n\u003cli\u003eBoom Bap Spiritual (feat. Surya Botofasina)\u003c\/li\u003e\n\u003cli\u003eWoo, Acknowledgement (feat. Surya Botofasina, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eSandra's Willows (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eOne For Derf (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eConversations (feat. André 3000, Nate Mercereau, Cavana Lee, Mia Doi Todd)\u003c\/li\u003e\n\u003cli\u003eEssence, The Mermaids Call (feat. Woo, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eEightspace 082222 (feat. Kamasi Washington, Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eLiner Notes by Marcus J. Moore:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo what does he say to those wondering if he’s a spiritual teacher?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño \u0026amp; Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”\u003c\/span\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e"}
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過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。 12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャズ全17曲を収録。レコードには帯とブックレット付属。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、ジャーナリストMarcus J. Mooreによる解説です。 "ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。...
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{"id":7947114381562,"title":"Angel Bat Dawid \/\/ Requiem for Jazz 2xLP","handle":"angel-bat-dawid-requiem-for-jazz-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawidが、2023年3月にリリースした最新2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e映画監督Edward O. Blandが1959年に発表した作品「The Cry of Jazz」にインスパイアされた実験ジャズ24曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1868330999\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black vinyl 2xLP, in Gatefold Heavyweight Reverse-Board Jacket, with A2 Poster Insert, IARC OBI strip and dome pattern innersleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Composer, clarinetist, singer and educator Angel Bat Dawid announces the release of a new work, Requiem For Jazz. A 12-movement suite composed, arranged, and inspired in part by dialogue from Edward O. Bland’s 1959 film The Cry of Jazz, the album is a wide-ranging treatise on the African American story from one of its most astute narrators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eItself an incisive critique of racial politics in the USA, The Cry of Jazz draws formal comparisons between the structure of jazz music and the African American experience - as one of freedom and restraint, of joy and suffering - that manifests in the triumph of spirit over the crushing prejudice of daily life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCutting together archive reels from Black neighborhoods in Chicago with live performance footage from Sun Ra and his Arkestra among others, the film remains a radical and prescient evocation of Black pride and its roots in the history of jazz, from spirituals to blues and beyond.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs South African writer Nombuso Mathibela captures in the album’s liner notes:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e[Music is our weapon of struggle]\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethat radiantly holds our positive aspiration\u003cspan class=\"bcTruncateMore\"\u003e, group pride and determination as Black people. Sonics! our beautiful fire that gave light to the world.\u003cbr\u003eAnd a world that gave us blues. The blues that gave us Black in jazz\u003cbr\u003e\u003cbr\u003eDrawing a through line to today’s vibrant avant-garde, Angel Bat Dawid’s Requiem For Jazz picks up the liberation work laid out by Bland’s film, taking the message of joy and suffering within the Black classical tradition into a contemporary setting.\u003cbr\u003e\u003cbr\u003eMusic from the project was originally premiered at the Hyde Park Jazz Festival in Chicago in 2019, where Angel conducted a multigenerational fifteen-piece instrumental ensemble of Black musicians from across Chicago’s creative community, alongside a four-person choir (featuring singers from Black Monument Ensemble) as well as dancers and visual artists.\u003cbr\u003e\u003cbr\u003eRecordings from the performance were then mixed and post-produced by Angel, who added interludes, vocals and additional sounds. As well as transcribing a piece from the film, Requiem For Jazz also alludes to The Cry of Jazz through contributions from the Sun Ra Arkestra’s Marshall Allen and Knoel Scott on the album’s final movement, which were recorded remotely at the historic Arkestral Institute of Sun Ra in Philadelphia in late 2020.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Angel Bat Dawid, Feb 2023 :\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I want us to have this very wonderful conversation that Ed Bland started over 50 years ago and I want to continue the conversation; because this is a loving conversation that we need to have with each other” \u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-03-31T14:55:44+09:00","created_at":"2023-03-31T13:52:47+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44137387557114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Angel Bat Dawid \/\/ Requiem for Jazz 2xLP","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_b65aa08d-1b02-4ec3-b098-fae78205233b.jpg?v=1680238369","\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_69b7e1ff-765e-4cbc-8bd1-5b41947e054d.jpg?v=1680238369"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_b65aa08d-1b02-4ec3-b098-fae78205233b.jpg?v=1680238369","options":["Title"],"media":[{"alt":null,"id":31758181105914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_b65aa08d-1b02-4ec3-b098-fae78205233b.jpg?v=1680238369"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_b65aa08d-1b02-4ec3-b098-fae78205233b.jpg?v=1680238369","width":700},{"alt":null,"id":31758181138682,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_69b7e1ff-765e-4cbc-8bd1-5b41947e054d.jpg?v=1680238369"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_69b7e1ff-765e-4cbc-8bd1-5b41947e054d.jpg?v=1680238369","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawidが、2023年3月にリリースした最新2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e映画監督Edward O. Blandが1959年に発表した作品「The Cry of Jazz」にインスパイアされた実験ジャズ24曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1868330999\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black vinyl 2xLP, in Gatefold Heavyweight Reverse-Board Jacket, with A2 Poster Insert, IARC OBI strip and dome pattern innersleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Composer, clarinetist, singer and educator Angel Bat Dawid announces the release of a new work, Requiem For Jazz. A 12-movement suite composed, arranged, and inspired in part by dialogue from Edward O. Bland’s 1959 film The Cry of Jazz, the album is a wide-ranging treatise on the African American story from one of its most astute narrators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eItself an incisive critique of racial politics in the USA, The Cry of Jazz draws formal comparisons between the structure of jazz music and the African American experience - as one of freedom and restraint, of joy and suffering - that manifests in the triumph of spirit over the crushing prejudice of daily life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCutting together archive reels from Black neighborhoods in Chicago with live performance footage from Sun Ra and his Arkestra among others, the film remains a radical and prescient evocation of Black pride and its roots in the history of jazz, from spirituals to blues and beyond.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs South African writer Nombuso Mathibela captures in the album’s liner notes:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e[Music is our weapon of struggle]\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethat radiantly holds our positive aspiration\u003cspan class=\"bcTruncateMore\"\u003e, group pride and determination as Black people. Sonics! our beautiful fire that gave light to the world.\u003cbr\u003eAnd a world that gave us blues. The blues that gave us Black in jazz\u003cbr\u003e\u003cbr\u003eDrawing a through line to today’s vibrant avant-garde, Angel Bat Dawid’s Requiem For Jazz picks up the liberation work laid out by Bland’s film, taking the message of joy and suffering within the Black classical tradition into a contemporary setting.\u003cbr\u003e\u003cbr\u003eMusic from the project was originally premiered at the Hyde Park Jazz Festival in Chicago in 2019, where Angel conducted a multigenerational fifteen-piece instrumental ensemble of Black musicians from across Chicago’s creative community, alongside a four-person choir (featuring singers from Black Monument Ensemble) as well as dancers and visual artists.\u003cbr\u003e\u003cbr\u003eRecordings from the performance were then mixed and post-produced by Angel, who added interludes, vocals and additional sounds. As well as transcribing a piece from the film, Requiem For Jazz also alludes to The Cry of Jazz through contributions from the Sun Ra Arkestra’s Marshall Allen and Knoel Scott on the album’s final movement, which were recorded remotely at the historic Arkestral Institute of Sun Ra in Philadelphia in late 2020.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Angel Bat Dawid, Feb 2023 :\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I want us to have this very wonderful conversation that Ed Bland started over 50 years ago and I want to continue the conversation; because this is a loving conversation that we need to have with each other” \u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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International Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawidが、2023年3月にリリースした最新2枚組レコードです。 映画監督Edward O. Blandが1959年に発表した作品「The Cry of Jazz」にインスパイアされた実験ジャズ24曲を収録。 レーベルその他作品はこちら /// Click here to see more...
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{"id":7921577722106,"title":"Ben LaMar Gay \/\/ Certain Reveries TAPE","handle":"ben-lamar-gay-certain-reveries-tape","description":"\u003cp\u003eアメリカのトランペット奏者Ben LaMar Gayが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜ストレンジビーツ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3415386951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eC35 Cassette\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn the tradition of toddler crayon scribbles on perfectly painted bedroom walls, multi-freshness composer Ben LaMar Gay expands on the teachings of Alabama star spirits and presents a collection of work involving sound, fabric, movement, rivers, shadows, Lagosian memories, light and listening.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Certain Reveries' is a long-form composition by Gay, performed in duo with percussionist Tommaso Moretti. It was originally filmed by Chris Strong for EFG London Jazz Fest’s 2020 live-stream program. Gay presented the original Certain Reveries visual program for EFG LJF in three parts, with the live performance portion dissected by a mesmerizing short film (or “revery”) he conceptualized, choreographed, and directed, alone in his Chicago apartment, as a tribute to the late inventor\/composer Eddie Harris. This new album release is the first time the unedited audio from the live performance portion of that program is made available.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-02-20T14:52:10+09:00","created_at":"2023-02-20T14:11:26+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","new","strange beats","tape"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44007329890554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben LaMar Gay \/\/ Certain Reveries TAPE","public_title":null,"options":["Default Title"],"price":258000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_d1edc14e-c9b2-41e3-abb5-a2f9da67492a.jpg?v=1676869888","\/\/tobirarecords.com\/cdn\/shop\/products\/ce2_0e07c121-57a5-4727-aee5-316a49553a34.jpg?v=1676869887"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_d1edc14e-c9b2-41e3-abb5-a2f9da67492a.jpg?v=1676869888","options":["Title"],"media":[{"alt":null,"id":31553911554298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_d1edc14e-c9b2-41e3-abb5-a2f9da67492a.jpg?v=1676869888"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_d1edc14e-c9b2-41e3-abb5-a2f9da67492a.jpg?v=1676869888","width":700},{"alt":null,"id":31553911587066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce2_0e07c121-57a5-4727-aee5-316a49553a34.jpg?v=1676869887"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce2_0e07c121-57a5-4727-aee5-316a49553a34.jpg?v=1676869887","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトランペット奏者Ben LaMar Gayが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜ストレンジビーツ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3415386951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eC35 Cassette\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn the tradition of toddler crayon scribbles on perfectly painted bedroom walls, multi-freshness composer Ben LaMar Gay expands on the teachings of Alabama star spirits and presents a collection of work involving sound, fabric, movement, rivers, shadows, Lagosian memories, light and listening.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Certain Reveries' is a long-form composition by Gay, performed in duo with percussionist Tommaso Moretti. It was originally filmed by Chris Strong for EFG London Jazz Fest’s 2020 live-stream program. Gay presented the original Certain Reveries visual program for EFG LJF in three parts, with the live performance portion dissected by a mesmerizing short film (or “revery”) he conceptualized, choreographed, and directed, alone in his Chicago apartment, as a tribute to the late inventor\/composer Eddie Harris. This new album release is the first time the unedited audio from the live performance portion of that program is made available.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカのトランペット奏者Ben LaMar Gayが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたカセットです。 スピリチュアル・ジャズ〜ストレンジビーツ11曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":7921577197818,"title":"Rob Mazurek - Exploding Star Orchestra \/\/ Lightning Dreamers LP","handle":"rob-mazurek-exploding-star-orchestra-lightning-dreamers-lp","description":"\u003cp\u003eアメリカ・シカゴのジャズ作家Rob Mazurekが、2023年3月にシカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなスピリチュアル・ジャズ5曲を収録。\u003c\/p\u003e\n\u003cp\u003eRob Mazurek - director, composer, trumpets, voice, launeddas, electronic treatments\u003cbr\u003eJeff Parker - guitar\u003cbr\u003eCraig Taborn - wurlitzer, moog matriarch\u003cbr\u003eAngelica Sanchez - wurlitzer, piano, moog sub 37\u003cbr\u003eDamon Locks - voice, electronics, samplers, text\u003cbr\u003eGerald Cleaver - drums\u003cbr\u003eMauricio Takara - electronic percussion, percussion\u003cbr\u003eNicole Mitchell - flute, voice\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Future Shaman\" co-produced by Jeff Parker, with additional synth bass played by Cathlene Pineda.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3753553015\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLightning Dreamers is new work by composer, trumpeter, interdisciplinary abstractivist and modern music mogul Rob Mazurek, who wrote the music for a compacted version of his long-running Exploding Star Orchestra. A follow-up to the acclaimed 2020 Mazurek\/ESO release Dimensional Stardust, the album features guitarist Jeff Parker, vocalist Damon Locks, drummer Gerald Cleaver, and pianists Angelica Sanchez and Craig Taborn, among others. It was recorded mostly at the remote Sonic Ranch studios in West Texas, not far from Mazurek’s current home in Marfa, in the days leading up to a debut of the music at Trans Pecos festival in September 2021. Mixing and post-production was headed by Dave Vettraino from IARC studios in Chicago across 2022.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s opener “Future Shaman” was co-produced by Parker and features added percussion by Mazurek’s longtime São Paulo Underground collaborator Mauricio Takara, as well as synth bass from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCathlene Pineda. The track finds Mazurek and ESO where they left off with Dimensional Stardust – deep in a chromatic funk fantasy of outer-space grooves and Bartok-ian riffs. Vocalist\/MC Locks brings the Orson Welles via Deltron 3030 energy while Taborn and Sanchez face-off from behind Wurlitzer pianos and Moog\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e synthesizers. On “Dream Sleeper” Locks’s poetry is swirled in drifting storm clouds of fractured atmospherics, both improvised and composed. “Shape Shifter” finds Mazurek recalling a past life of Isotope 217 – not just for the swinging grooves anchored by Moog basslines, but also in that he returns to the trumpet after years of playing cornet. Once the soaring melodic theme is established the ensemble shifts into On The Corner mode, creating a mangled rhythmic base for Taborn’s Wurlitzer runs and clean guitar soloing from Parker, before shapeshifting yet again under Mazurek’s rising polytonal electronics as Locks’s scattered vocal embellishments take us to the promised land.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album’s whole B-side is an immersive trip that spans two tracks – “Black River” and “White River” – for which Mazurek interwove takes from the Sonic Ranch sessions with live material from an expanded ESO performance recorded in February 2022 at Sons d’Hiver in Paris, France. In the liner notes for Lightning Dreamers, Mazurek writes that the music is “an evocation of a theme from the “Black River Suite,” which I have been revisiting and reimagining over time.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe elaborates: “I spent 3 years of my life on the great Rio Negro in Manaus, Brazil, where the Black and White Rivers meet. It is custom and a kind of rebirthing to take a boat to the dividing\/divining line of these 2 great rivers and dive into and through, as an affirmation of the simple premise (although We All Come from Somewhere Else) that we all come from the same place... the stars. The feeling of moving between and through these great bodies of water is etched in my soul forever. The visual and sonic material (both thematic and imagined) evokes the spirits past, present and future along this mighty river. The undercurrents of time, the movement of storm systems in the sky, the gentle sway of a boat moving upriver, the power and intensity when the wind decides to blow and the torrential rains fall. The sound of the electric eels below, the melodies of the inhabitants along the way, the\u003cbr data-mce-fragment=\"1\"\u003eshattering blasts from lightning in the sky. The river flows on and on and on.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the artists featured in the recording from Sons d’Hiver is the late jaimie branch, playing synthesizers \u0026amp; electronics behind the guiding trumpet improvisations of Mazurek (whom she long considered a mentor in multiple mediums). She passed away in August 2022, and her earthly absence has since imbued an otherworldly presence into the chaotic riptide of sound on “Black River.” As production wrapped on the album that Fall, Mazurek was moved to present Lightning Dreamers as a dedication to branch’s memory.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rob Mazurek - Exploding Star Orchestra\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-06-14T03:36:26+09:00","created_at":"2023-02-20T14:09:53+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":439000,"price_min":439000,"price_max":439000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44007328874746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rob Mazurek - Exploding Star Orchestra \/\/ Lightning Dreamers LP","public_title":null,"options":["Default Title"],"price":439000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_df80c56a-f26c-4667-804e-2773b3b84972.jpg?v=1676869795","\/\/tobirarecords.com\/cdn\/shop\/products\/ro2_b80cdfa6-e80e-4a65-bac6-1f56c3cc62ba.jpg?v=1676869796","\/\/tobirarecords.com\/cdn\/shop\/products\/ro3_3745e38a-0514-4d65-b31d-388515422015.jpg?v=1676869795"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_df80c56a-f26c-4667-804e-2773b3b84972.jpg?v=1676869795","options":["Title"],"media":[{"alt":null,"id":31553906802938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_df80c56a-f26c-4667-804e-2773b3b84972.jpg?v=1676869795"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_df80c56a-f26c-4667-804e-2773b3b84972.jpg?v=1676869795","width":700},{"alt":null,"id":31553906835706,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro2_b80cdfa6-e80e-4a65-bac6-1f56c3cc62ba.jpg?v=1676869796"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro2_b80cdfa6-e80e-4a65-bac6-1f56c3cc62ba.jpg?v=1676869796","width":1200},{"alt":null,"id":31553906868474,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro3_3745e38a-0514-4d65-b31d-388515422015.jpg?v=1676869795"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro3_3745e38a-0514-4d65-b31d-388515422015.jpg?v=1676869795","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズ作家Rob Mazurekが、2023年3月にシカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなスピリチュアル・ジャズ5曲を収録。\u003c\/p\u003e\n\u003cp\u003eRob Mazurek - director, composer, trumpets, voice, launeddas, electronic treatments\u003cbr\u003eJeff Parker - guitar\u003cbr\u003eCraig Taborn - wurlitzer, moog matriarch\u003cbr\u003eAngelica Sanchez - wurlitzer, piano, moog sub 37\u003cbr\u003eDamon Locks - voice, electronics, samplers, text\u003cbr\u003eGerald Cleaver - drums\u003cbr\u003eMauricio Takara - electronic percussion, percussion\u003cbr\u003eNicole Mitchell - flute, voice\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Future Shaman\" co-produced by Jeff Parker, with additional synth bass played by Cathlene Pineda.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3753553015\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLightning Dreamers is new work by composer, trumpeter, interdisciplinary abstractivist and modern music mogul Rob Mazurek, who wrote the music for a compacted version of his long-running Exploding Star Orchestra. A follow-up to the acclaimed 2020 Mazurek\/ESO release Dimensional Stardust, the album features guitarist Jeff Parker, vocalist Damon Locks, drummer Gerald Cleaver, and pianists Angelica Sanchez and Craig Taborn, among others. It was recorded mostly at the remote Sonic Ranch studios in West Texas, not far from Mazurek’s current home in Marfa, in the days leading up to a debut of the music at Trans Pecos festival in September 2021. Mixing and post-production was headed by Dave Vettraino from IARC studios in Chicago across 2022.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s opener “Future Shaman” was co-produced by Parker and features added percussion by Mazurek’s longtime São Paulo Underground collaborator Mauricio Takara, as well as synth bass from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCathlene Pineda. The track finds Mazurek and ESO where they left off with Dimensional Stardust – deep in a chromatic funk fantasy of outer-space grooves and Bartok-ian riffs. Vocalist\/MC Locks brings the Orson Welles via Deltron 3030 energy while Taborn and Sanchez face-off from behind Wurlitzer pianos and Moog\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e synthesizers. On “Dream Sleeper” Locks’s poetry is swirled in drifting storm clouds of fractured atmospherics, both improvised and composed. “Shape Shifter” finds Mazurek recalling a past life of Isotope 217 – not just for the swinging grooves anchored by Moog basslines, but also in that he returns to the trumpet after years of playing cornet. Once the soaring melodic theme is established the ensemble shifts into On The Corner mode, creating a mangled rhythmic base for Taborn’s Wurlitzer runs and clean guitar soloing from Parker, before shapeshifting yet again under Mazurek’s rising polytonal electronics as Locks’s scattered vocal embellishments take us to the promised land.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album’s whole B-side is an immersive trip that spans two tracks – “Black River” and “White River” – for which Mazurek interwove takes from the Sonic Ranch sessions with live material from an expanded ESO performance recorded in February 2022 at Sons d’Hiver in Paris, France. In the liner notes for Lightning Dreamers, Mazurek writes that the music is “an evocation of a theme from the “Black River Suite,” which I have been revisiting and reimagining over time.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe elaborates: “I spent 3 years of my life on the great Rio Negro in Manaus, Brazil, where the Black and White Rivers meet. It is custom and a kind of rebirthing to take a boat to the dividing\/divining line of these 2 great rivers and dive into and through, as an affirmation of the simple premise (although We All Come from Somewhere Else) that we all come from the same place... the stars. The feeling of moving between and through these great bodies of water is etched in my soul forever. The visual and sonic material (both thematic and imagined) evokes the spirits past, present and future along this mighty river. The undercurrents of time, the movement of storm systems in the sky, the gentle sway of a boat moving upriver, the power and intensity when the wind decides to blow and the torrential rains fall. The sound of the electric eels below, the melodies of the inhabitants along the way, the\u003cbr data-mce-fragment=\"1\"\u003eshattering blasts from lightning in the sky. The river flows on and on and on.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the artists featured in the recording from Sons d’Hiver is the late jaimie branch, playing synthesizers \u0026amp; electronics behind the guiding trumpet improvisations of Mazurek (whom she long considered a mentor in multiple mediums). She passed away in August 2022, and her earthly absence has since imbued an otherworldly presence into the chaotic riptide of sound on “Black River.” As production wrapped on the album that Fall, Mazurek was moved to present Lightning Dreamers as a dedication to branch’s memory.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rob Mazurek - Exploding Star Orchestra\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・シカゴのジャズ作家Rob Mazurekが、2023年3月にシカゴのジャズレーベルInternational Anthemからリリースしたレコードです。 エキゾチックなスピリチュアル・ジャズ5曲を収録。 Rob Mazurek - director, composer, trumpets, voice, launeddas, electronic treatmentsJeff...
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{"id":7920696033530,"title":"Photay with Carlos Niño \/\/ More Offerings TAPE","handle":"photay-with-carlos-nino-more-offerings-tape","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年12月に同国シカゴのジャズレーベルInternational Anthemから111本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e様々な作家とコラボレートしたリズミカルなジャズ〜ポストニューエイジ・ジャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3524683238\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3658590335\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNotes by Carlos Niño:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"As the title makes clear, the 'More Offerings'\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecassette and digital release is a direct extension of\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhotay with Carlos Niño - 'An Offering' (IARC0062).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen Scottie McNiece of International Anthem\u003c\/em\u003e\u003cbr\u003e\u003cem\u003elet me know that he wanted to release a vinyl edition,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ean updated tape, and the full digital distribution for\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e'An Offering' on the Fall Equinox of 2022, I immediately\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethought about putting together a second set of music\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand energy to share soon after that. Photay and I had\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ealready been discussing the making of Remixes, or having\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eothers Remix, releasing source material, full versions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eof pieces that were sampled for songs on 'An Offering',\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand pieces that were in the same flow as the first release,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhile we were finishing the original project. International Anthem\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eagreed to release 'More Offerings' as well and so we\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eproceeded to finish it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'An Offering' was originally released exclusively on the\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhotay Bandcamp page, Friday, October 1, 2021.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe self-made tape run of 111 sold out in a\u003cspan class=\"bcTruncateMore\"\u003e couple weeks\u003cbr\u003eand we were stoked that people were feeling the sound.\u003cbr\u003eThat rippled on greatly with the next phases by\u003cbr\u003eInternational Anthem in September 2022.\u003cbr\u003e\u003cbr\u003eIf you listen to both records, in either order, you will\u003cbr\u003ehear the connections. These are kindred spirits that\u003cbr\u003etwin flame, dance, twirl, entwine, form concentric, eccentric,\u003cbr\u003ehelixing around each other . . . The same guest collaborators\u003cbr\u003eare present, and this time there are a few more pulses,\u003cbr\u003erhythms, two special doses of the inspirational Iasos talk,\u003cbr\u003ethe sound of Laraaji's Voice, additions by Diego Gaeta\u003cbr\u003eaka Club Diego, a live excerpt of Photay with Carlos Niño\u003cbr\u003eand Randal Fisher playing in front of the Marina in Los Angeles\u003cbr\u003eas part of the floating series ( \u003ca rel=\"nofollow ugc\" href=\"https:\/\/www.feelslikefloating.com\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ewww.feelslikefloating.com\u003c\/a\u003e )\u003cbr\u003eand the premier of the new Carlos Niño \u0026amp; Photay\u003cbr\u003eProduction Project: Sagegreenfloors - that samples\u003cbr\u003ethe Carlos Niño \u0026amp; Friends Improvisation from 053021\u003cbr\u003efeaturing Nate Mercereau, Aaron Shaw, and Diego -\u003cbr\u003ethat was previously sampled for \"H O N O R\" on 'An Offering'.\u003cbr\u003eIt's like rippling waves, wind in the trees,\u003cbr\u003ebreathing . . .\u003cbr\u003e\u003cbr\u003eThe Single, \"Feeling, Now\" (with accompanying Video by Photay)\u003cbr\u003eis the first taste of the new Beat Project by Sagegreenfloors,\u003cbr\u003ereleased here in this Loving Moreness . . .\u003cbr\u003eHope You enjoy it!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Photay with Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-02-19T09:52:45+09:00","created_at":"2023-02-19T09:52:45+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","new","post newage","recommended","tape"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44004633411834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Photay with Carlos Niño \/\/ More Offerings TAPE","public_title":null,"options":["Default Title"],"price":238000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2494758490_16.jpg?v=1676768067","\/\/tobirarecords.com\/cdn\/shop\/products\/0030808212_10.jpg?v=1676768068"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2494758490_16.jpg?v=1676768067","options":["Title"],"media":[{"alt":null,"id":31549983064314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2494758490_16.jpg?v=1676768067"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2494758490_16.jpg?v=1676768067","width":700},{"alt":null,"id":31549983097082,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030808212_10.jpg?v=1676768068"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030808212_10.jpg?v=1676768068","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年12月に同国シカゴのジャズレーベルInternational Anthemから111本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e様々な作家とコラボレートしたリズミカルなジャズ〜ポストニューエイジ・ジャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3524683238\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3658590335\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNotes by Carlos Niño:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"As the title makes clear, the 'More Offerings'\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecassette and digital release is a direct extension of\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhotay with Carlos Niño - 'An Offering' (IARC0062).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen Scottie McNiece of International Anthem\u003c\/em\u003e\u003cbr\u003e\u003cem\u003elet me know that he wanted to release a vinyl edition,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ean updated tape, and the full digital distribution for\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e'An Offering' on the Fall Equinox of 2022, I immediately\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethought about putting together a second set of music\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand energy to share soon after that. Photay and I had\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ealready been discussing the making of Remixes, or having\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eothers Remix, releasing source material, full versions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eof pieces that were sampled for songs on 'An Offering',\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand pieces that were in the same flow as the first release,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhile we were finishing the original project. International Anthem\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eagreed to release 'More Offerings' as well and so we\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eproceeded to finish it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'An Offering' was originally released exclusively on the\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhotay Bandcamp page, Friday, October 1, 2021.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe self-made tape run of 111 sold out in a\u003cspan class=\"bcTruncateMore\"\u003e couple weeks\u003cbr\u003eand we were stoked that people were feeling the sound.\u003cbr\u003eThat rippled on greatly with the next phases by\u003cbr\u003eInternational Anthem in September 2022.\u003cbr\u003e\u003cbr\u003eIf you listen to both records, in either order, you will\u003cbr\u003ehear the connections. These are kindred spirits that\u003cbr\u003etwin flame, dance, twirl, entwine, form concentric, eccentric,\u003cbr\u003ehelixing around each other . . . The same guest collaborators\u003cbr\u003eare present, and this time there are a few more pulses,\u003cbr\u003erhythms, two special doses of the inspirational Iasos talk,\u003cbr\u003ethe sound of Laraaji's Voice, additions by Diego Gaeta\u003cbr\u003eaka Club Diego, a live excerpt of Photay with Carlos Niño\u003cbr\u003eand Randal Fisher playing in front of the Marina in Los Angeles\u003cbr\u003eas part of the floating series ( \u003ca rel=\"nofollow ugc\" href=\"https:\/\/www.feelslikefloating.com\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ewww.feelslikefloating.com\u003c\/a\u003e )\u003cbr\u003eand the premier of the new Carlos Niño \u0026amp; Photay\u003cbr\u003eProduction Project: Sagegreenfloors - that samples\u003cbr\u003ethe Carlos Niño \u0026amp; Friends Improvisation from 053021\u003cbr\u003efeaturing Nate Mercereau, Aaron Shaw, and Diego -\u003cbr\u003ethat was previously sampled for \"H O N O R\" on 'An Offering'.\u003cbr\u003eIt's like rippling waves, wind in the trees,\u003cbr\u003ebreathing . . .\u003cbr\u003e\u003cbr\u003eThe Single, \"Feeling, Now\" (with accompanying Video by Photay)\u003cbr\u003eis the first taste of the new Beat Project by Sagegreenfloors,\u003cbr\u003ereleased here in this Loving Moreness . . .\u003cbr\u003eHope You enjoy it!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Photay with Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年12月に同国シカゴのジャズレーベルInternational Anthemから111本限定でリリースした共作カセットです。 様々な作家とコラボレートしたリズミカルなジャズ〜ポストニューエイジ・ジャズ9曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":7822246740218,"title":"Photay with Carlos Niño \/\/ An Offering LP \/ TAPE","handle":"carlos-nino-an-offering-by-photay-tape","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e春風に揺れるカーテンのように心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003eレコードは180g重量盤、見開きゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2022-10-28T14:26:32+09:00","created_at":"2022-10-28T14:16:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage","recommended","tape"],"price":229000,"price_min":229000,"price_max":439000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44004623450362,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Photay with Carlos Niño \/\/ An Offering LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":439000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44004623483130,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Photay with Carlos Niño \/\/ An Offering LP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":229000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/products\/0030074477_10.jpg?v=1676767732","\/\/tobirarecords.com\/cdn\/shop\/products\/0030074479_10.jpg?v=1676767733","\/\/tobirarecords.com\/cdn\/shop\/products\/0030074487_10.jpg?v=1676767738"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","options":["Format"],"media":[{"alt":null,"id":30864630743290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","width":700},{"alt":null,"id":30864630776058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218","width":1200},{"alt":null,"id":31549973135610,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030074477_10.jpg?v=1676767732"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030074477_10.jpg?v=1676767732","width":1200},{"alt":null,"id":31549973201146,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030074479_10.jpg?v=1676767733"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030074479_10.jpg?v=1676767733","width":1200},{"alt":null,"id":31549973496058,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030074487_10.jpg?v=1676767738"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030074487_10.jpg?v=1676767738","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e春風に揺れるカーテンのように心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003eレコードは180g重量盤、見開きゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。 春風に揺れるカーテンのように心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。 レコードは180g重量盤、見開きゲートフォルド仕様です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":7719404929274,"title":"Charles Stepney \/\/ Step on Step 2xLP \/ TAPE \/ CD","handle":"charles-stepney-step-on-step-2xlp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555 \/ Classic black double vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2022-08-30T05:59:29+09:00","created_at":"2022-08-27T12:05:31+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","lp","new","tape"],"price":238000,"price_min":238000,"price_max":538000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43167267422458,"title":"2xLP","option1":"2xLP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37780065059066,"product_id":7719404929274,"position":2,"created_at":"2022-08-27T12:05:31+09:00","updated_at":"2022-08-27T12:05:34+09:00","alt":null,"width":1200,"height":929,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on3_cd035725-c7fc-4aa7-838d-2009d543db33.jpg?v=1661569534","variant_ids":[43167267422458]},"available":true,"name":"Charles Stepney \/\/ Step on Step 2xLP \/ TAPE \/ CD - 2xLP","public_title":"2xLP","options":["2xLP"],"price":538000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":30364035612922,"position":2,"preview_image":{"aspect_ratio":1.292,"height":929,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on3_cd035725-c7fc-4aa7-838d-2009d543db33.jpg?v=1661569534"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":43167267455226,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38637099024634,"product_id":7719404929274,"position":3,"created_at":"2022-12-22T15:15:56+09:00","updated_at":"2022-12-22T15:15:57+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775635_10.jpg?v=1671689757","variant_ids":[43167267455226]},"available":false,"name":"Charles Stepney \/\/ Step on Step 2xLP \/ TAPE \/ CD - TAPE","public_title":"TAPE","options":["TAPE"],"price":238000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":31237478646010,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775635_10.jpg?v=1671689757"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44823375708410,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40112880484602,"product_id":7719404929274,"position":4,"created_at":"2023-11-29T06:01:28+09:00","updated_at":"2023-11-29T06:01:31+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030056542_10.jpg?v=1701205291","variant_ids":[44823375708410]},"available":true,"name":"Charles Stepney \/\/ Step on Step 2xLP \/ TAPE \/ CD - CD","public_title":"CD","options":["CD"],"price":238000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32763944534266,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030056542_10.jpg?v=1701205291"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","\/\/tobirarecords.com\/cdn\/shop\/products\/on3_cd035725-c7fc-4aa7-838d-2009d543db33.jpg?v=1661569534","\/\/tobirarecords.com\/cdn\/shop\/products\/0029775635_10.jpg?v=1671689757","\/\/tobirarecords.com\/cdn\/shop\/files\/0030056542_10.jpg?v=1701205291","\/\/tobirarecords.com\/cdn\/shop\/products\/0029775641_10.jpg?v=1701205291"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","options":["Format"],"media":[{"alt":null,"id":30364035514618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","width":700},{"alt":null,"id":30364035612922,"position":2,"preview_image":{"aspect_ratio":1.292,"height":929,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on3_cd035725-c7fc-4aa7-838d-2009d543db33.jpg?v=1661569534"},"aspect_ratio":1.292,"height":929,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on3_cd035725-c7fc-4aa7-838d-2009d543db33.jpg?v=1661569534","width":1200},{"alt":null,"id":31237478646010,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775635_10.jpg?v=1671689757"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775635_10.jpg?v=1671689757","width":1200},{"alt":null,"id":32763944534266,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030056542_10.jpg?v=1701205291"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030056542_10.jpg?v=1701205291","width":1200},{"alt":null,"id":31237478809850,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775641_10.jpg?v=1701205291"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029775641_10.jpg?v=1701205291","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555 \/ Classic black double vinyl.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。 今聴いても新鮮な21曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------...
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{"id":7570091540730,"title":"Alabaster DePlume \/\/ GOLD 2xLP","handle":"alabaster-deplume-gold-2xlp","description":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2022年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e21名ものゲストミュージシャンが参加したアンビエントジャズ19曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rXE2WceZCsQ?start=30\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=926402842\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo classic black vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board gatefold jacket stamped with metallic gold foil (!!!) and flooded black inner pockets, two-sided insert sheet, IARC obi strip and dome-patterned inner-sleeves.\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eAlbum review by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eEmma Warren\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eThe lightning rod for Alabaster DePlume’s luminous follow up to the widely-acclaimed 2020 release To Cy \u0026amp; Lee: Instrumentals Vol. 1 was personal. “Someone was going through a thing,” says the Mancunian poet-performer. “I said, ‘go forward in the courage of your love’. And then I thought 'yeah, that's what I need to hear as well’.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold is a sonorous double album that celebrates the communal act of making music and the relationships that can be explored when you purposefully avoid the standard way of doing things.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt contains filmic pieces that oscillate between the otherworldly and the trenchantly grounded, rendered maximally human through the recording process. There is laughter mid-track and studio chatter. There is the music of shouting and applause generated by a handful of people who were listening from the doorframe and the corridor. Complex vocal harmonies circle the songs like small birds and there’s an undercurrent of steely toughness, necessitated by the musician’s engagement with personal vulnerability and collective politics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn late summer 2020 Alabaster DePlume (real name Gus Fairbairn) booked two weeks of sessions at the influential Total Refreshment Centre in London, recording to tape with Kristian Craig Robinson (aka Capitol K). He invited a different set of musicians\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e each day, who would record the same tunes at the same speed so that DePlume – who produced the record – could cut them together later, like ingredients. “They didn’t have enough preparation to be able to hide behind this piece of material or skill,” he says. “They had to look up and respond to each other, and that’s what we've recorded.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were two rules that were essential to the process: that musicians wouldn’t be given enough time to rehearse and that they wouldn’t listen back to the music they recorded. “The method is part of the mission. It wasn’t like school. We had mayhem. We were having fun. That’s the story and the process – and I want to live that way,” he says.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe singer and percussionist Falle Nioke’s solo on “Again” is an example of the album’s unusual and liberating recording process. The tune was planned as an instrumental but Falle sang out spontaneously, and stilled the room with his arresting contribution. “He was just one voice in the choir but he suddenly sang lead because he felt it,” says DePlume. “It’s one example of what we were able to record,” he says, “because people felt genuinely personally welcome. Their own voices were made welcome. That is what this album is made of and it’s what the best things in our society are made of. We can either make people welcome or we can make them unwelcome; unseen.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter the recording, the artist made a map, because frankly he needed a map after recording more than 17 hours of music. The map dictated which bits of each session to pull into the orbit of the record and it was drawn on a long scroll of paper with lines drawn across it, each line representing one analog tape. The triangles, dots and colors – red for fire, pink for beauty and blue for breath – shaped what emerged. The map has since been requisitioned for a gallery exhibition, and a photograph appears on the Gold artwork.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music that emerged ranges from sparse understated bangers “Fucking Let Them” and the hypnotic pulse of “Visitors XT8B – Oak” to skilfully soothing instrumentals which will feel familiar to the many people who found To Cy \u0026amp; Lee a pandemic panacea (including Bon Iver, who sampled that album’s top track, “Visit Croatia”).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold opens with the Portuguese-titled “A Gente Acaba” which itself opens with the hum of voices, rich and human. There are gentle strings, gently strummed. The saxophone leaves vibrating trails in the air. “The Sound of My Feet On This Earth Is A Song To Your Spirit” is beauty and breath, generating the kind of deep warmth and connection that requires no lyrical explanation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is circularity. One piece of music arrives and leaves repeatedly, and a phrase is repeated:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have all I need for the glory of being. I recognise you and celebrate. I am brazen, like a baby, like the stupid sun and I go forward in the courage of my love.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I’m Good At Not Crying” is a self-accusatory lullaby that lists out the things he excels at (not eating much, not being the bad guy) whilst plaintive and harmonically-rich singers spill and spiral around the low tones of his voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn “People What’s The Difference” he unpicks the selective deafness that surrounds the refugee crisis within a gentle punk-funk frame and towards the end, there’s a lament for the broken earth marked out with plucked strings and harmonies that dip in and out like sharp bells. Softness, in the hands of this Mancunian poet-performer, can be a weapon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The reason for To Cy \u0026amp; Lee was to help people have peace,” he says. “The reason to make Gold is to give people courage and love by putting myself in a situation where I had to bring courage and love. It’s how I made it, it’s what it’s about. It’s what we need next.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the sound of an artist attempting full transparency and maximum relationship. It is also the sound of an artist who has achieved the sound he hoped for. This is the sound of soft power. It’s golden.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-20T13:46:03+09:00","created_at":"2022-03-20T11:57:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42545095344378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alabaster DePlume \/\/ GOLD 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041","\/\/tobirarecords.com\/cdn\/shop\/products\/go2_26a2f45a-7e53-40f2-9b01-455b084cb92b.jpg?v=1647745041"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041","options":["Title"],"media":[{"alt":null,"id":29338514456826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041","width":700},{"alt":null,"id":29338514489594,"position":2,"preview_image":{"aspect_ratio":1.361,"height":882,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_26a2f45a-7e53-40f2-9b01-455b084cb92b.jpg?v=1647745041"},"aspect_ratio":1.361,"height":882,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_26a2f45a-7e53-40f2-9b01-455b084cb92b.jpg?v=1647745041","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2022年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e21名ものゲストミュージシャンが参加したアンビエントジャズ19曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rXE2WceZCsQ?start=30\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=926402842\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo classic black vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board gatefold jacket stamped with metallic gold foil (!!!) and flooded black inner pockets, two-sided insert sheet, IARC obi strip and dome-patterned inner-sleeves.\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eAlbum review by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eEmma Warren\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eThe lightning rod for Alabaster DePlume’s luminous follow up to the widely-acclaimed 2020 release To Cy \u0026amp; Lee: Instrumentals Vol. 1 was personal. “Someone was going through a thing,” says the Mancunian poet-performer. “I said, ‘go forward in the courage of your love’. And then I thought 'yeah, that's what I need to hear as well’.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold is a sonorous double album that celebrates the communal act of making music and the relationships that can be explored when you purposefully avoid the standard way of doing things.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt contains filmic pieces that oscillate between the otherworldly and the trenchantly grounded, rendered maximally human through the recording process. There is laughter mid-track and studio chatter. There is the music of shouting and applause generated by a handful of people who were listening from the doorframe and the corridor. Complex vocal harmonies circle the songs like small birds and there’s an undercurrent of steely toughness, necessitated by the musician’s engagement with personal vulnerability and collective politics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn late summer 2020 Alabaster DePlume (real name Gus Fairbairn) booked two weeks of sessions at the influential Total Refreshment Centre in London, recording to tape with Kristian Craig Robinson (aka Capitol K). He invited a different set of musicians\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e each day, who would record the same tunes at the same speed so that DePlume – who produced the record – could cut them together later, like ingredients. “They didn’t have enough preparation to be able to hide behind this piece of material or skill,” he says. “They had to look up and respond to each other, and that’s what we've recorded.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were two rules that were essential to the process: that musicians wouldn’t be given enough time to rehearse and that they wouldn’t listen back to the music they recorded. “The method is part of the mission. It wasn’t like school. We had mayhem. We were having fun. That’s the story and the process – and I want to live that way,” he says.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe singer and percussionist Falle Nioke’s solo on “Again” is an example of the album’s unusual and liberating recording process. The tune was planned as an instrumental but Falle sang out spontaneously, and stilled the room with his arresting contribution. “He was just one voice in the choir but he suddenly sang lead because he felt it,” says DePlume. “It’s one example of what we were able to record,” he says, “because people felt genuinely personally welcome. Their own voices were made welcome. That is what this album is made of and it’s what the best things in our society are made of. We can either make people welcome or we can make them unwelcome; unseen.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter the recording, the artist made a map, because frankly he needed a map after recording more than 17 hours of music. The map dictated which bits of each session to pull into the orbit of the record and it was drawn on a long scroll of paper with lines drawn across it, each line representing one analog tape. The triangles, dots and colors – red for fire, pink for beauty and blue for breath – shaped what emerged. The map has since been requisitioned for a gallery exhibition, and a photograph appears on the Gold artwork.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music that emerged ranges from sparse understated bangers “Fucking Let Them” and the hypnotic pulse of “Visitors XT8B – Oak” to skilfully soothing instrumentals which will feel familiar to the many people who found To Cy \u0026amp; Lee a pandemic panacea (including Bon Iver, who sampled that album’s top track, “Visit Croatia”).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold opens with the Portuguese-titled “A Gente Acaba” which itself opens with the hum of voices, rich and human. There are gentle strings, gently strummed. The saxophone leaves vibrating trails in the air. “The Sound of My Feet On This Earth Is A Song To Your Spirit” is beauty and breath, generating the kind of deep warmth and connection that requires no lyrical explanation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is circularity. One piece of music arrives and leaves repeatedly, and a phrase is repeated:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have all I need for the glory of being. I recognise you and celebrate. I am brazen, like a baby, like the stupid sun and I go forward in the courage of my love.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I’m Good At Not Crying” is a self-accusatory lullaby that lists out the things he excels at (not eating much, not being the bad guy) whilst plaintive and harmonically-rich singers spill and spiral around the low tones of his voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn “People What’s The Difference” he unpicks the selective deafness that surrounds the refugee crisis within a gentle punk-funk frame and towards the end, there’s a lament for the broken earth marked out with plucked strings and harmonies that dip in and out like sharp bells. Softness, in the hands of this Mancunian poet-performer, can be a weapon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The reason for To Cy \u0026amp; Lee was to help people have peace,” he says. “The reason to make Gold is to give people courage and love by putting myself in a situation where I had to bring courage and love. It’s how I made it, it’s what it’s about. It’s what we need next.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the sound of an artist attempting full transparency and maximum relationship. It is also the sound of an artist who has achieved the sound he hoped for. This is the sound of soft power. It’s golden.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2022年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。 21名ものゲストミュージシャンが参加したアンビエントジャズ19曲を収録。ゲートフォルド仕様です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7540855144698,"title":"Junius Paul \/\/ Ism 2xLP","handle":"junius-paul-ism-2xlp","description":"\u003cp\u003eアメリカ・シカゴのジャズベーシストJunius Paulが、2019年にリリースしたデビューCDの再発レコード盤です。17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1246905825\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePolychromatic low tone poems,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efree form funk flight\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u0026amp; Great Black Music\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eturn the page to a brand new chapter in the Chicago sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e********************\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiner Notes by Ayana Contreras:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Ism opens audaciously with the spiritual mic-check “You Are Free To Choose,” a track that features Junius Paul alongside Vincent Davis (drums), Justin Dillard (piano), and Corey Wilkes (horns).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is by no accident. In many ways, “You Are Free To Choose” captures the spirit of Junius Paul’s artistic roots. Corey, Justin, and Vincent were among the multigenerational cadre of Chicago musicians present when Junius chose to follow his own path of creative discovery at the storied Velvet Lounge on the South Side of the city back in October of 2002.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThough the origins of his craft go back to playing in church, his creative instrumental voice really developed during jam sessions at clubs like The Velvet alongside members of the AACM, or Association for the Advancement of Creative Musicians. It was iron sharpening iron, the most natural form of knowledge transfer. He explained Velvet’s vibe in 2018: “It’s like in Africa.... If you had\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this society of diviners or medicine people, or you know, sages… The Velvet stuff is not secret; but there are certain aspects of it… if you weren’t there, you weren’t there.” The Velvet Lounge closed in 2010.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It was very much like church. I had some unbelievable spiritual experiences there. You can feel this thing inside of you. There were moments at the Velvet Lounge that were so magical that I’d get scared. I remember a night with Vincent Davis. It was like, oh my God. He can play with that intensity for that long. The Velvet Lounge was the first time I experienced anything like that. I didn’t think that people could do that. And it scared me. You think you’ve heard [some things]… and then you hear something that completely destroys anything that you thought you knew.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBack in the sixties and seventies, Chess Records’s Ter-Mar Studios was just a few blocks away from where The Velvet sat beginning in 1983. Chess was where some of Junius’s idols (like guitarist Pete Cosey and producer Charles Stepney) recorded some of his favorite albums. He sees himself as a part of that lineage. “I come from that... It’s special to be a part of that magic.” Junius still drives back to the club’s former location. “Every time I pass there” he notes, “the memories flood back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Fred Anderson and a Half” and “Ma and Dad” were both were recorded at the first of two June 2016 sessions Junius led at Comfort Station (a historic trolley stop turned art gallery on Chicago's Northwest side). They both were also named in tribute to people who helped form him. “Fred Anderson and a Half” for the musician and proprietor of The Velvet, and “Ma and Dad” for his parents, who helped guide his musical journey from an early age. Both of his parents are musical, his father was at one time a DJ. Meanwhile, his stepfather was instrumental in introducing Junius to deep cuts by artists like Miles Davis and Jackie McLean, helping to shape his musical worldview. All of these influences are clear in the Comfort Station recordings. “For a while, I wanted [these sessions] to be the album,” Junius adds. “They are very unique,” and come “from the Velvet Lounge family,” featuring Junius alongside Tomeka Reid and Isaiah Spencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Spocky Chainsey Has Re-Emerged” was recorded live one summer evening in 2016 at the Polish Triangle (the busy Chicago intersection of Division, Ashland and Milwaukee Avenue). The cut takes up a whole side of the LP, but stays lean, slinking and swinging for its duration. Junius notes that “the familiarity [of the players] showed itself… from playing together all of those years,” relationships that trace back to the Velvet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Georgia,” a sexy, smoky bop featuring Junius’ casual slap bass technique and Justin Dillard’s lounge-bred organ is flipped digitally by drummer and friend Makaya McCraven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Baker’s Dozen,” featuring Isaiah Spencer on drums, Rajiv Halim on sax and Jim Baker on his outrageous ARP synthesizer, was recorded live at the second of the two Comfort Station sessions and flipped by Makaya McCraven, who highlighted the crunchy Funkadelic meets Water Babies funk of that session to great effect. Jim was a last-minute addition to the set, providing the backbone of what Junius calls an “unassuming headbanger.” Jim is also part of the Velvet Lounge Family.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut, of course, the spirit of the Velvet Lounge is not dead. “Tune No. 6,” recorded live at the Co-Prosperity Sphere in Chicago, is a sweet interlude here to remind us that jazz is alive and bristling with what’s yet to come.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Paris” is another stand out track. It was born at The Hideout in Chicago, but developed (or “chopped”) by Makaya in Paris. The pair were working on a different project during the day, would head to a bistro for a meal (Junius favors duck confit and wine), then would work on edits at night. Junius notes that “Paris” is one for the clubs: “I want a 12” [extended DJ] cut!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Junius pushes forward as a creative musician, he is careful to carry with him the spirit and the knowledge he’s gathered from those who have come before him. He is very literally a bridge between generations of the Chicago vanguard, currently playing in Makaya McCraven’s combo and in the Art Ensemble of Chicago, in addition to fronting his own band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne morning on tour with the Art Ensemble in Australia, Roscoe Mitchell called Junius’s hotel room and asked if he was coming to breakfast. He was. “That will never get old,” he shared with me on the other line. To play in the Art Ensemble of Chicago is the culmination of “a dream.” One that started at The Velvet Lounge nearly twenty years ago while watching his heroes. “What they taught me is that you can be yourself, as long as you’re badass at it.” Ism is a testament to Junius Paul’s journey towards himself. And he’s graciously invited us along for the ride.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Junius Paul\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-15T19:34:52+09:00","created_at":"2022-02-14T12:01:51+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42424809816314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Junius Paul \/\/ Ism 2xLP","public_title":null,"options":["Default Title"],"price":389000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712","\/\/tobirarecords.com\/cdn\/shop\/products\/is2_4f945d82-8a83-4d65-8399-907bb3be409c.jpg?v=1644807712"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712","options":["Title"],"media":[{"alt":null,"id":29149148315898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712","width":700},{"alt":null,"id":29149148348666,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/is2_4f945d82-8a83-4d65-8399-907bb3be409c.jpg?v=1644807712"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/is2_4f945d82-8a83-4d65-8399-907bb3be409c.jpg?v=1644807712","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズベーシストJunius Paulが、2019年にリリースしたデビューCDの再発レコード盤です。17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1246905825\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePolychromatic low tone poems,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efree form funk flight\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u0026amp; Great Black Music\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eturn the page to a brand new chapter in the Chicago sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e********************\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiner Notes by Ayana Contreras:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Ism opens audaciously with the spiritual mic-check “You Are Free To Choose,” a track that features Junius Paul alongside Vincent Davis (drums), Justin Dillard (piano), and Corey Wilkes (horns).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is by no accident. In many ways, “You Are Free To Choose” captures the spirit of Junius Paul’s artistic roots. Corey, Justin, and Vincent were among the multigenerational cadre of Chicago musicians present when Junius chose to follow his own path of creative discovery at the storied Velvet Lounge on the South Side of the city back in October of 2002.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThough the origins of his craft go back to playing in church, his creative instrumental voice really developed during jam sessions at clubs like The Velvet alongside members of the AACM, or Association for the Advancement of Creative Musicians. It was iron sharpening iron, the most natural form of knowledge transfer. He explained Velvet’s vibe in 2018: “It’s like in Africa.... If you had\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this society of diviners or medicine people, or you know, sages… The Velvet stuff is not secret; but there are certain aspects of it… if you weren’t there, you weren’t there.” The Velvet Lounge closed in 2010.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It was very much like church. I had some unbelievable spiritual experiences there. You can feel this thing inside of you. There were moments at the Velvet Lounge that were so magical that I’d get scared. I remember a night with Vincent Davis. It was like, oh my God. He can play with that intensity for that long. The Velvet Lounge was the first time I experienced anything like that. I didn’t think that people could do that. And it scared me. You think you’ve heard [some things]… and then you hear something that completely destroys anything that you thought you knew.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBack in the sixties and seventies, Chess Records’s Ter-Mar Studios was just a few blocks away from where The Velvet sat beginning in 1983. Chess was where some of Junius’s idols (like guitarist Pete Cosey and producer Charles Stepney) recorded some of his favorite albums. He sees himself as a part of that lineage. “I come from that... It’s special to be a part of that magic.” Junius still drives back to the club’s former location. “Every time I pass there” he notes, “the memories flood back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Fred Anderson and a Half” and “Ma and Dad” were both were recorded at the first of two June 2016 sessions Junius led at Comfort Station (a historic trolley stop turned art gallery on Chicago's Northwest side). They both were also named in tribute to people who helped form him. “Fred Anderson and a Half” for the musician and proprietor of The Velvet, and “Ma and Dad” for his parents, who helped guide his musical journey from an early age. Both of his parents are musical, his father was at one time a DJ. Meanwhile, his stepfather was instrumental in introducing Junius to deep cuts by artists like Miles Davis and Jackie McLean, helping to shape his musical worldview. All of these influences are clear in the Comfort Station recordings. “For a while, I wanted [these sessions] to be the album,” Junius adds. “They are very unique,” and come “from the Velvet Lounge family,” featuring Junius alongside Tomeka Reid and Isaiah Spencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Spocky Chainsey Has Re-Emerged” was recorded live one summer evening in 2016 at the Polish Triangle (the busy Chicago intersection of Division, Ashland and Milwaukee Avenue). The cut takes up a whole side of the LP, but stays lean, slinking and swinging for its duration. Junius notes that “the familiarity [of the players] showed itself… from playing together all of those years,” relationships that trace back to the Velvet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Georgia,” a sexy, smoky bop featuring Junius’ casual slap bass technique and Justin Dillard’s lounge-bred organ is flipped digitally by drummer and friend Makaya McCraven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Baker’s Dozen,” featuring Isaiah Spencer on drums, Rajiv Halim on sax and Jim Baker on his outrageous ARP synthesizer, was recorded live at the second of the two Comfort Station sessions and flipped by Makaya McCraven, who highlighted the crunchy Funkadelic meets Water Babies funk of that session to great effect. Jim was a last-minute addition to the set, providing the backbone of what Junius calls an “unassuming headbanger.” Jim is also part of the Velvet Lounge Family.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut, of course, the spirit of the Velvet Lounge is not dead. “Tune No. 6,” recorded live at the Co-Prosperity Sphere in Chicago, is a sweet interlude here to remind us that jazz is alive and bristling with what’s yet to come.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Paris” is another stand out track. It was born at The Hideout in Chicago, but developed (or “chopped”) by Makaya in Paris. The pair were working on a different project during the day, would head to a bistro for a meal (Junius favors duck confit and wine), then would work on edits at night. Junius notes that “Paris” is one for the clubs: “I want a 12” [extended DJ] cut!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Junius pushes forward as a creative musician, he is careful to carry with him the spirit and the knowledge he’s gathered from those who have come before him. He is very literally a bridge between generations of the Chicago vanguard, currently playing in Makaya McCraven’s combo and in the Art Ensemble of Chicago, in addition to fronting his own band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne morning on tour with the Art Ensemble in Australia, Roscoe Mitchell called Junius’s hotel room and asked if he was coming to breakfast. He was. “That will never get old,” he shared with me on the other line. To play in the Art Ensemble of Chicago is the culmination of “a dream.” One that started at The Velvet Lounge nearly twenty years ago while watching his heroes. “What they taught me is that you can be yourself, as long as you’re badass at it.” Ism is a testament to Junius Paul’s journey towards himself. And he’s graciously invited us along for the ride.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Junius Paul\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズベーシストJunius Paulが、2019年にリリースしたデビューCDの再発レコード盤です。17曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------ International...
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{"id":7540854096122,"title":"Anteloper \/\/ Kudu LP [COLOR]","handle":"anteloper-kudu-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eトランペット奏者Jaimie BranchとドラマーのJason NazaryによるデュオAnteloperが、2018年にリリースしていたカセットの再発レコード盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシンセを交えたレフトフィールド・ジャズ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=595674653\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Melted Highlighter* colour vinyl LP (pressed by Smashed Plastic in Chicago) inside a heavyweight jacket with insert sheet, IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eANTELOPER is the electric brain child of JAIMIE BRANCH (fly or die, high life) and JASON NAZARY (little women, helado negro, bear in heaven). Branch and Nazary have been playing together as trumpeter and drummer for years, since meeting at the New England Conservatory of Music in 2002, but in this duo both musicians include synthesizers to push further into the spectral space ship ether. With deep rhythmic passages, telepathic improvisations and effortless melodic negotiations, Anteloper pushes forward, swinging its horns all the while.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e****************************\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiner Notes by Rob Mazurek:\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Making audible what is silent, Branch and Nazary punch clouds into audible spacetime. Perspectives shift in weight and wander, sometimes distilled into perfect shots of mystic rum and sometimes left alone in an overgrown petrified aluminum forest, dripping and seething into utopian oblivion. Shifting sequences, sky ships arriving...Turn on the slow cruise and mess with slo deep sound for a time... let the frequency of who YOU are mingle with the mindfulness fullness that Anteloper IS. Multiple dimensions collide and caress like a wooly tiger, kissing suns and embracing the nothingness, cracking this nothingness into sheets of corrugated dreams. The Sometimes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e is the Always is the Now is the Forever. Backwards, Forwards and Everywhere. Psychotronics in Plus in Minus. The constant sounds hovering just above the peach tree, glistening silver against the dark blue sky evaporate into the orange trunk and feeds us all. Spring is here, and all the stars seem to know. Slow moves to fast... Faster... It feeds itself in a constant tumble and tightrope stagger and roll... and now a handstand... and now the perfect hypnotic pose and shift and wait and hear. Look straight into the eyes. Don’t look away. Listen with eyes closed and don’t move. Simple lines fear nothing. Sound fears nothing. Ecstatic... Electric past, present and future outposts, never in one place only. They build themselves after long years of finding... Always shifting, always still, always in motion whether it happened or not... a moving stillness writhing in its own glorious invisible frame\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anteloper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-15T19:27:59+09:00","created_at":"2022-02-14T11:57:38+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":438000,"price_min":438000,"price_max":438000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42424802214138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anteloper \/\/ Kudu LP [COLOR]","public_title":null,"options":["Default Title"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460","\/\/tobirarecords.com\/cdn\/shop\/products\/ku2_7917e8aa-09d6-4a44-84ae-cca74409317c.jpg?v=1644807460"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460","options":["Title"],"media":[{"alt":null,"id":29149142221050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460","width":700},{"alt":null,"id":29149142253818,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku2_7917e8aa-09d6-4a44-84ae-cca74409317c.jpg?v=1644807460"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku2_7917e8aa-09d6-4a44-84ae-cca74409317c.jpg?v=1644807460","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eトランペット奏者Jaimie BranchとドラマーのJason NazaryによるデュオAnteloperが、2018年にリリースしていたカセットの再発レコード盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシンセを交えたレフトフィールド・ジャズ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=595674653\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Melted Highlighter* colour vinyl LP (pressed by Smashed Plastic in Chicago) inside a heavyweight jacket with insert sheet, IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eANTELOPER is the electric brain child of JAIMIE BRANCH (fly or die, high life) and JASON NAZARY (little women, helado negro, bear in heaven). Branch and Nazary have been playing together as trumpeter and drummer for years, since meeting at the New England Conservatory of Music in 2002, but in this duo both musicians include synthesizers to push further into the spectral space ship ether. With deep rhythmic passages, telepathic improvisations and effortless melodic negotiations, Anteloper pushes forward, swinging its horns all the while.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e****************************\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiner Notes by Rob Mazurek:\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Making audible what is silent, Branch and Nazary punch clouds into audible spacetime. Perspectives shift in weight and wander, sometimes distilled into perfect shots of mystic rum and sometimes left alone in an overgrown petrified aluminum forest, dripping and seething into utopian oblivion. Shifting sequences, sky ships arriving...Turn on the slow cruise and mess with slo deep sound for a time... let the frequency of who YOU are mingle with the mindfulness fullness that Anteloper IS. Multiple dimensions collide and caress like a wooly tiger, kissing suns and embracing the nothingness, cracking this nothingness into sheets of corrugated dreams. The Sometimes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e is the Always is the Now is the Forever. Backwards, Forwards and Everywhere. Psychotronics in Plus in Minus. The constant sounds hovering just above the peach tree, glistening silver against the dark blue sky evaporate into the orange trunk and feeds us all. Spring is here, and all the stars seem to know. Slow moves to fast... Faster... It feeds itself in a constant tumble and tightrope stagger and roll... and now a handstand... and now the perfect hypnotic pose and shift and wait and hear. Look straight into the eyes. Don’t look away. Listen with eyes closed and don’t move. Simple lines fear nothing. Sound fears nothing. Ecstatic... Electric past, present and future outposts, never in one place only. They build themselves after long years of finding... Always shifting, always still, always in motion whether it happened or not... a moving stillness writhing in its own glorious invisible frame\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anteloper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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トランペット奏者Jaimie BranchとドラマーのJason NazaryによるデュオAnteloperが、2018年にリリースしていたカセットの再発レコード盤です。 シンセを交えたレフトフィールド・ジャズ5曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
¥4,380
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{"id":7524436312314,"title":"Jeff Parker \/\/ Forfolks LP(Color) \/ CD","handle":"jeff-parker-forfolks-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e※4月中旬再入荷後発送します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2021年12月にInternational Anthemからリリースした最新アルバム\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエントジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードはクッキー＆クリームカラーです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-24T12:32:39+09:00","created_at":"2022-01-24T11:57:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","jazz","lp"],"price":238000,"price_min":238000,"price_max":478000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42359435034874,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37482802413818,"product_id":7524436312314,"position":3,"created_at":"2022-07-05T06:35:59+09:00","updated_at":"2022-07-05T06:35:59+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026752147_10.jpg?v=1656970559","variant_ids":[42359435034874]},"available":true,"name":"Jeff Parker \/\/ Forfolks LP(Color) \/ CD - 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I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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※4月中旬再入荷後発送します Tortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2021年12月にInternational Anthemからリリースした最新アルバムです。 ギターをメインソースとしたジャズ〜アンビエントジャズ8曲を収録。 レコードはクッキー＆クリームカラーです。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":7524436148474,"title":"Jamire Williams \/\/ But Only After You Have Suffered LP","handle":"jamire-williams-but-only-after-you-have-suffered-lp","description":"\u003cp\u003e過去にleaving recordsなどから発表しており、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJesse Boykins IIIやJeff Parker、Carlos Niñoなどのサポートも務めているドラマーJamire Williamsが、2021年12月にInternational Anthemからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=822409669\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e'But Only After You Have Suffered' is a densely layered and deeply personal new work from multidisciplinary artist, composer, percussionist \u0026amp; producer Jamire Williams.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConceived as a spiritual, autobiographical artistic statement, Jamire applies sound collage practice to modern jazz composition, beat production, MC\/vocalist features, and his uniquely impressionistic drumming style – making an album as akin to minimalist painting as an art-house film soundtrack or a classic hip-hop mixtape. A “self-reflective, almost testimonial work” that swiftly cycles across a vast spectrum of styles, it's the culmination of his five-year musical journey to the outer reaches of his own sound. It’s the album he has always wanted to make.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTo do so he engages his faith and the friends and family that shaped him, working with a host of close collaborators in a free and spontaneous manner. The shared musical, communal, and spiritual sensibility gives the album its sense of unity. “It’s a whole work,” Jamire explains. “It flows seamlessly, and it’s meant to keep playing until you really understand all the messages, prayers, and cries.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross twelve multi-faceted tracks, he brings together artists from his hometown of Houston (vocalists Corey King, Lisa E\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Harris, Fat Tony, Jawwaad Taylor), those he became close to over several years living in LA (Sam Gendel, Zeroh, Mic Holden, Josh Johnson, fellow International Anthem artist Carlos Niño), and other creative partners from his life-long journey in sound (Chassol, Svet, Kenneth Whalum).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs such, 'But Only After You Have Suffered' builds its own world from the pull between Jamire’s jazz heritage - eleven years as a drummer in NYC recording with world-renowned musicians like Jason Moran, Christian Scott, and Dr. Lonnie Smith - and the experimental, narrative art-pop of his more recent work with Solange, Moses Sumney, and Blood Orange.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIts origins can also be traced to his 2016 solo percussion album '\/\/\/\/\/\/\/ Effectual' (released by Leaving Records) - a turning point for Jamire, who has since embarked on a process of stripping back and breaking down his musical identity, creating a new sound from the fragments that most speak to his experience as a musician and a person.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRooted in his faith, Jamire opens the album with “Hands Up,” a devotional hymn cut against the stark reality of the modern world that sounds like an apocalyptic middle-grounding of Kendrick Lamar’s 'To Pimp A Butterfly' and Merry Clayton’s “Gimme Shelter.” Whether in the rousing, spiritual “Just Hold On” or the fluid verses of Fat Tony on “Safe Travels,” the music exists in the tension between higher realms and social realities - what Jamire calls the “duality of a personal thing and what I’m seeing in my community, in the Black community, as a Black man.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album reaches its climax on “Pause In His Presence,” which features a chilling operatic performance from Lisa E. Harris, recorded in one take off the back of a single conversation and a shared vision between the two artists. “Every time I hear that song, I cry,” Jamire says. “It’s so real.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving recently moved back to Houston, the release of 'But Only After You Have Suffered' marks a moment of Jamire coming full circle. A literal homecoming and his arrival as an undeniably multi-faceted artist in his own right.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jamire Williams\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-01-24T12:38:35+09:00","created_at":"2022-01-24T11:55:41+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp"],"price":364000,"price_min":364000,"price_max":364000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42359434346746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jamire Williams \/\/ But Only After You Have Suffered LP","public_title":null,"options":["Default Title"],"price":364000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_0fa12933-4b8f-418a-94e5-c323a2d2702f.jpg?v=1642992943","\/\/tobirarecords.com\/cdn\/shop\/products\/bu2_89d2c913-d5d5-4295-8d3d-14d7bfb2e48a.jpg?v=1642992943"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_0fa12933-4b8f-418a-94e5-c323a2d2702f.jpg?v=1642992943","options":["Title"],"media":[{"alt":null,"id":29050070008058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_0fa12933-4b8f-418a-94e5-c323a2d2702f.jpg?v=1642992943"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu1_0fa12933-4b8f-418a-94e5-c323a2d2702f.jpg?v=1642992943","width":700},{"alt":null,"id":29050070040826,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu2_89d2c913-d5d5-4295-8d3d-14d7bfb2e48a.jpg?v=1642992943"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bu2_89d2c913-d5d5-4295-8d3d-14d7bfb2e48a.jpg?v=1642992943","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にleaving recordsなどから発表しており、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJesse Boykins IIIやJeff Parker、Carlos Niñoなどのサポートも務めているドラマーJamire Williamsが、2021年12月にInternational Anthemからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=822409669\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e'But Only After You Have Suffered' is a densely layered and deeply personal new work from multidisciplinary artist, composer, percussionist \u0026amp; producer Jamire Williams.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConceived as a spiritual, autobiographical artistic statement, Jamire applies sound collage practice to modern jazz composition, beat production, MC\/vocalist features, and his uniquely impressionistic drumming style – making an album as akin to minimalist painting as an art-house film soundtrack or a classic hip-hop mixtape. A “self-reflective, almost testimonial work” that swiftly cycles across a vast spectrum of styles, it's the culmination of his five-year musical journey to the outer reaches of his own sound. It’s the album he has always wanted to make.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTo do so he engages his faith and the friends and family that shaped him, working with a host of close collaborators in a free and spontaneous manner. The shared musical, communal, and spiritual sensibility gives the album its sense of unity. “It’s a whole work,” Jamire explains. “It flows seamlessly, and it’s meant to keep playing until you really understand all the messages, prayers, and cries.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross twelve multi-faceted tracks, he brings together artists from his hometown of Houston (vocalists Corey King, Lisa E\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Harris, Fat Tony, Jawwaad Taylor), those he became close to over several years living in LA (Sam Gendel, Zeroh, Mic Holden, Josh Johnson, fellow International Anthem artist Carlos Niño), and other creative partners from his life-long journey in sound (Chassol, Svet, Kenneth Whalum).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs such, 'But Only After You Have Suffered' builds its own world from the pull between Jamire’s jazz heritage - eleven years as a drummer in NYC recording with world-renowned musicians like Jason Moran, Christian Scott, and Dr. Lonnie Smith - and the experimental, narrative art-pop of his more recent work with Solange, Moses Sumney, and Blood Orange.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIts origins can also be traced to his 2016 solo percussion album '\/\/\/\/\/\/\/ Effectual' (released by Leaving Records) - a turning point for Jamire, who has since embarked on a process of stripping back and breaking down his musical identity, creating a new sound from the fragments that most speak to his experience as a musician and a person.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRooted in his faith, Jamire opens the album with “Hands Up,” a devotional hymn cut against the stark reality of the modern world that sounds like an apocalyptic middle-grounding of Kendrick Lamar’s 'To Pimp A Butterfly' and Merry Clayton’s “Gimme Shelter.” Whether in the rousing, spiritual “Just Hold On” or the fluid verses of Fat Tony on “Safe Travels,” the music exists in the tension between higher realms and social realities - what Jamire calls the “duality of a personal thing and what I’m seeing in my community, in the Black community, as a Black man.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album reaches its climax on “Pause In His Presence,” which features a chilling operatic performance from Lisa E. Harris, recorded in one take off the back of a single conversation and a shared vision between the two artists. “Every time I hear that song, I cry,” Jamire says. “It’s so real.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving recently moved back to Houston, the release of 'But Only After You Have Suffered' marks a moment of Jamire coming full circle. A literal homecoming and his arrival as an undeniably multi-faceted artist in his own right.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jamire Williams\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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過去にleaving recordsなどから発表しており、Jesse Boykins IIIやJeff Parker、Carlos Niñoなどのサポートも務めているドラマーJamire Williamsが、2021年12月にInternational Anthemからリリースした最新作です。 レーベルその他作品はこちら /// Click here to see more International Anthem...
¥3,640
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{"id":7431358021882,"title":"Jeff Parker \/\/ Blackman 7\" FLEXI","handle":"jeff-parker-blackman-7-flexi","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストロックバンドT\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eortoiseのギタリストとしても有名な\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeff Parkerが、2018年にリリースしたソノシート。\u003c\/span\u003eGeorgia anne MuldrowのBlackmanを彼なりの解釈で制作したキラートラックを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=541219158\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 333.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-05T17:04:33+09:00","created_at":"2021-11-05T15:12:07+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp"],"price":158000,"price_min":158000,"price_max":158000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41955471524090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker \/\/ Blackman 7\" FLEXI","public_title":null,"options":["Default Title"],"price":158000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_f80c422e-a592-4a83-a95d-6429ecf8d5f1.jpg?v=1636092729","\/\/tobirarecords.com\/cdn\/shop\/products\/bl3.jpg?v=1636092729"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_f80c422e-a592-4a83-a95d-6429ecf8d5f1.jpg?v=1636092729","options":["Title"],"media":[{"alt":null,"id":26801234706682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_f80c422e-a592-4a83-a95d-6429ecf8d5f1.jpg?v=1636092729"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_f80c422e-a592-4a83-a95d-6429ecf8d5f1.jpg?v=1636092729","width":700},{"alt":null,"id":26801234739450,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl3.jpg?v=1636092729"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl3.jpg?v=1636092729","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストロックバンドT\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eortoiseのギタリストとしても有名な\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeff Parkerが、2018年にリリースしたソノシート。\u003c\/span\u003eGeorgia anne MuldrowのBlackmanを彼なりの解釈で制作したキラートラックを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=541219158\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 333.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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ポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerが、2018年にリリースしたソノシート。Georgia anne MuldrowのBlackmanを彼なりの解釈で制作したキラートラックを収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7431356317946,"title":"Ben LaMar Gay \/\/ Open Arms to Open Us LP","handle":"ben-lamar-gay-open-arms-to-open-us-lp","description":"\u003cp\u003eアメリカ・シカゴのコルネット奏者Ben LaMar Gayが、2021年11月に同国コンテンポラリージャズ巣窟International Anthemからリリースした2ndアルバムです。\u003c\/p\u003e\n\u003cp\u003e幼少期の記憶をテーマにしたトロピカルなモダンジャズ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311848049\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP comes in heavyweight matte jacket with IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrologue by Ben LaMar Gay:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Growing up, spending summers in Alabama, one of my favorite chores was feeding the pigs that were on my great Aunt Lola’s land. Sometimes while on the path to the feeding grounds, Aunt Lola and I would stand still and listen together. We would immediately become aware of winds approaching through wavering pines, quail songs and the chatter of distant cousins just up the road.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnce she told me that during a certain time of day she can hear her father hammering away in the field near the old house where she grew up. Even though her father was long deceased, she could clearly hear the rhythm and feel his presence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was my first conscious experience with thermodynamics and its first law that states energy can neither be created nor destroyed, just transferred. The moment, environment, memory, and open listening of my great Aunt allowed a sound from the past to resonate in the present for my 7 year old ears.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe awareness of a moment, environment, memory, and open listening are also the makings of a great improviser. With the idea of freedom being a “dangling carrot” for most, my now mature and “forever learning” ears have realized that improvisation\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e is the one freedom that we all have access to. I remember the clarity of my great grandfather’s hammer. The silence in between each strike was what drew Aunt Lola and me in, closer. From that moment on, I’ve carried my curiosity of the world inside my front pocket at all times.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experience is at the root of this bundle of sound, Open Arms to Open Us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI started visualizing this music during the Spring of 2020, in the global thickness of being faced with mortality in a different way. If not mortality, faced once again with the crumbling of societal facades. Things aren’t okay. Things have never been okay, at least in this brief period of the planet where man sells and kills for ownership of the earth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlong with brief feelings of dismay and desires of survival, I began to think about future ears and the continuation of magic with or without me. I often found myself wondering: What can I leave behind for the young people in my life? These young messengers, these young creatives, these young listeners who know me or have heard about me from their parents via stories, pictures, or sounds from the house\/car stereo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll I could think about was my nieces and nephews… blood and beyond. If they ever look back and wonder what their uncle\/their messenger was thinking about during this interesting time or rotation of the earth, I want them to know that I was thinking about them, the future of this circle, the future of this curiosity, the future of this exploration. I spent my time believing in them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpen Arms to Open Us deals with rhythm as an inheritance of information – sort of like DNA or RNA. Coping with the present-day bombardment of data and recycled ideologies from sources essentially fed by the creed “Destroy Them. Own the Earth” often leaves me with only one thing to look forward to: Rhythm. More than anything, I’d like my babies to always trust in rhythm. It’s the one trueness that travels great distances and constantly survives the crumbling of facades.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile living inside the interesting rotations of the earth, we are constantly dealing with man-made loops that often leave us with questions such as: Who constructed this loop? Who does this loop benefit? Who does this loop exploit? How can I survive in this loop? How can I destroy this loop? Maybe if we reach beyond the generic names and virtuosic execution of rhythms to better understand the dialogue between rhythms and our bodies we could release the message that has been carried for centuries inside of them. These messages sent from the ancient and future loved ones could possibly be the key to revamp, upgrade, tweak, quell, and pacify particular loops.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpen Arms to Open Us is full of rhythm or information that will assist my young folk in dealing with the repetition of things that aim to harm them or stunt their holistic progression. The title is a suggestion of a body movement that is used in many spiritual practices and is also a gesture that represents a type of understanding that leads to touch or a hug. The music is for dancing, reflecting, celebrating, bellowing, bawling, stimulation, focus and deciphering messages from loved ones here and beyond. It was the space in between the sound of my great grandfather’s hammer that made me understand that, no matter what, We Gon Win.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e– BLG, August 2021\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-30T18:53:09+09:00","created_at":"2021-11-05T15:07:08+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41955454681338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben LaMar Gay \/\/ Open Arms to Open Us LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/op1_2ee1accd-d613-4399-814a-ad5e9bd71720.jpg?v=1636092430","\/\/tobirarecords.com\/cdn\/shop\/products\/op3.jpg?v=1636092430"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_2ee1accd-d613-4399-814a-ad5e9bd71720.jpg?v=1636092430","options":["Title"],"media":[{"alt":null,"id":26801223172346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_2ee1accd-d613-4399-814a-ad5e9bd71720.jpg?v=1636092430"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_2ee1accd-d613-4399-814a-ad5e9bd71720.jpg?v=1636092430","width":700},{"alt":null,"id":26801223237882,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op3.jpg?v=1636092430"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op3.jpg?v=1636092430","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのコルネット奏者Ben LaMar Gayが、2021年11月に同国コンテンポラリージャズ巣窟International Anthemからリリースした2ndアルバムです。\u003c\/p\u003e\n\u003cp\u003e幼少期の記憶をテーマにしたトロピカルなモダンジャズ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311848049\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP comes in heavyweight matte jacket with IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrologue by Ben LaMar Gay:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Growing up, spending summers in Alabama, one of my favorite chores was feeding the pigs that were on my great Aunt Lola’s land. Sometimes while on the path to the feeding grounds, Aunt Lola and I would stand still and listen together. We would immediately become aware of winds approaching through wavering pines, quail songs and the chatter of distant cousins just up the road.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnce she told me that during a certain time of day she can hear her father hammering away in the field near the old house where she grew up. Even though her father was long deceased, she could clearly hear the rhythm and feel his presence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was my first conscious experience with thermodynamics and its first law that states energy can neither be created nor destroyed, just transferred. The moment, environment, memory, and open listening of my great Aunt allowed a sound from the past to resonate in the present for my 7 year old ears.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe awareness of a moment, environment, memory, and open listening are also the makings of a great improviser. With the idea of freedom being a “dangling carrot” for most, my now mature and “forever learning” ears have realized that improvisation\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e is the one freedom that we all have access to. I remember the clarity of my great grandfather’s hammer. The silence in between each strike was what drew Aunt Lola and me in, closer. From that moment on, I’ve carried my curiosity of the world inside my front pocket at all times.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experience is at the root of this bundle of sound, Open Arms to Open Us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI started visualizing this music during the Spring of 2020, in the global thickness of being faced with mortality in a different way. If not mortality, faced once again with the crumbling of societal facades. Things aren’t okay. Things have never been okay, at least in this brief period of the planet where man sells and kills for ownership of the earth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlong with brief feelings of dismay and desires of survival, I began to think about future ears and the continuation of magic with or without me. I often found myself wondering: What can I leave behind for the young people in my life? These young messengers, these young creatives, these young listeners who know me or have heard about me from their parents via stories, pictures, or sounds from the house\/car stereo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll I could think about was my nieces and nephews… blood and beyond. If they ever look back and wonder what their uncle\/their messenger was thinking about during this interesting time or rotation of the earth, I want them to know that I was thinking about them, the future of this circle, the future of this curiosity, the future of this exploration. I spent my time believing in them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpen Arms to Open Us deals with rhythm as an inheritance of information – sort of like DNA or RNA. Coping with the present-day bombardment of data and recycled ideologies from sources essentially fed by the creed “Destroy Them. Own the Earth” often leaves me with only one thing to look forward to: Rhythm. More than anything, I’d like my babies to always trust in rhythm. It’s the one trueness that travels great distances and constantly survives the crumbling of facades.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile living inside the interesting rotations of the earth, we are constantly dealing with man-made loops that often leave us with questions such as: Who constructed this loop? Who does this loop benefit? Who does this loop exploit? How can I survive in this loop? How can I destroy this loop? Maybe if we reach beyond the generic names and virtuosic execution of rhythms to better understand the dialogue between rhythms and our bodies we could release the message that has been carried for centuries inside of them. These messages sent from the ancient and future loved ones could possibly be the key to revamp, upgrade, tweak, quell, and pacify particular loops.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpen Arms to Open Us is full of rhythm or information that will assist my young folk in dealing with the repetition of things that aim to harm them or stunt their holistic progression. The title is a suggestion of a body movement that is used in many spiritual practices and is also a gesture that represents a type of understanding that leads to touch or a hug. The music is for dancing, reflecting, celebrating, bellowing, bawling, stimulation, focus and deciphering messages from loved ones here and beyond. It was the space in between the sound of my great grandfather’s hammer that made me understand that, no matter what, We Gon Win.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e– BLG, August 2021\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのコルネット奏者Ben LaMar Gayが、2021年11月に同国コンテンポラリージャズ巣窟International Anthemからリリースした2ndアルバムです。 幼少期の記憶をテーマにしたトロピカルなモダンジャズ16曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":7097547620517,"title":"jaimie branch \/\/ FLY or DIE LIVE 2xLP","handle":"jaimie-branch-fly-or-die-live-2xlp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branchが、2021年10月に同国シカゴのジャズ巣窟International Anthemからリリースした2枚組ライブ盤です。\u003c\/p\u003e\n\u003cp\u003e2017年と2019年にリリースしたアルバムのほぼ全曲を収録。ライブに重きを置く彼女の真の演奏力が堪能できる特大ボリュームのライブアルバムです。インサートと帯が付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=526897601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP comes in old-style tip-on jacket with IARC obi strip and dome pattern innersleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFull flight capture of the full Fly or Die suite, parts 1 \u0026amp; 2 compounded \u0026amp; flawlessly communicated in a singular epic of raw cosmic brilliance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003efull story in the words of Piotr Orlov here:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a moment near the top of jaimie branch’s FLY or DIE LIVE, the new album recorded by the trumpeter’s quartet in Zurich, Switzerland on January 23rd, 2020, which feels like it bears the weight of both that specific pocket of time, and a prophecy for all that was soon to come. branch and her Fly or Die crew — cellist Lester St. Louis, double bassist Jason Ajemian, and drummer\/percussionist\/mbira player Chad Taylor — had just kicked off the concert at Moods, with the opening tracks off their then-new studio album FLY or DIE II: Bird Dogs of Paradise, the second of which, “Prayer for Amerikkka” is among the best political songs written during the Tr*mp Era, and when the moment in question pops off.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe multi-part “Prayer” begins as a goth-blues stomp, its moaning ghosts flying around the room. A week into a European tour and after three months of constant live performance, Fly or Die is at home in this new song’s contours, messing with its internal machinery while guiding its meaning. By now, “Prayer” had gained a tough\u003cspan class=\"bcTruncateMore\"\u003e spoken-word intro, bringing the context as it slowly gearshifts the intensity: “It’s a song about America,” off-the-cuffs branch while the band seethes behind her, “but it’s about a whole lotta places — ‘cause it’s not just America where shit’s fucked up...” Then arrives the climax, at once site-specific and far-reaching: “...and it’s not always time to be neutral, do you know what I mean?” The gathered Swiss crowd knows, understands, and responds vocally, as Taylor’s backbeats cue branch to bring the trumpet to her lips, and let out a high-pitched wail. Her horn doesn’t know what’s about to happen to our world, and yet, somehow, it does — with only the catastrophic details needing to be worked out. For the next 12 minutes, “Prayer” careens through its twists of wide-eyed racism and family separation, Ajemian and Taylor driving branch’s punk-jazz Morricone horn line. “This is a warning, honey…” cries the song, and over the ensuing 70 minutes, the band echoes its sentiment, filled with glee and terror.\u003cbr\u003e\u003cbr\u003eWhere were you in January of 2020, those last moments of the Before Times? Where was your mind, your body, your soul? Did you have plans, hopes and aspirations for the oncoming calendar trip around the sun just starting its initial turn? Were you embroiled in the turmoil continuing to roil the feeds and the headlines, or steeling yourself for the ones that we all knew were incoming during an especially contentious American election year? Maybe both. Or maybe you felt there was some hope blowing in the air.\u003cbr\u003e\u003cbr\u003e“There was so much promise for the year,” remembers branch. A world of possibilities was certainly pending for Fly or Die leading into 2020 and that Zurich gig. The group was in their favored environment, the stage, where their individual relationships had been molded. branch and Ajemian had been playing together since the mid-’00s in Chicago, and admiring Taylor’s work with the Chicago Underground and at the city’s legendary Velvet Lounge jam-session for just as long. When Fly or Die made its debut at Brooklyn’s Manhattan Inn in 2016, they made up three-quarters of the band. branch and St. Louis met in 2015 after jaimie first moved to New York, while St. Louis was working at the Spectrum club where branch played on occasion. (Soon St. Louis replaced original Fly or Die cellist Tomeka Reid, who departed the band to concentrate on her own myriad of commitments.) In the years since, this quartet had grown into a powerful unit, adept at conjuring musical environments that could be forceful and rhythmic one moment, and fragile the next.\u003cbr\u003e\u003cbr\u003e“So much of what the band is about is the trust between the players and the rapport on stage,” says branch. “The trust means no one's going to drop the ball. The band is all improvisers, that's a really key thing. (A lot of people improvise, but not everybody's an improviser.) And I feel like this band especially is made up of them. So much of the music is led with the ears first.”\u003cbr\u003e\u003cbr\u003eOn Fly or Die’s sophomore album Bird Dogs of Paradise, which dropped in October 2019, branch had composed and recorded a batch of songs that showcased a political perspective and cutting sense of humor, balancing experimentalism and accessibility, party and erudition, “jazz” and the next thing. They were now headed out on the road to show off these songs — “the most touring this band would have ever done,” according to branch — integrating them in suite-like fashion with music from branch’s critically acclaimed 2017 debut. High on the work they were presenting, ready to lock into, and have some fun with it.\u003cbr\u003e\u003cbr\u003eThe late fall saw a month-long tour of Europe; December featured record release shows in LA, Brooklyn and Chicago; then in January, it was back to the EU for a two-week (no days off) sprint, of which the Thursday night at Zurich fell almost directly in the middle. The night before, January 22nd, at Oslo’s Victoria Nasjonal Jazzscene was an upbeat one — St. Louis’ partner had surprised him by flying in from the States; and branch, who earlier thought she’d lost a bag with her passport, documents and cash, had it returned by their van driver after the gig. (No reason for anyone to notice that the Coronavirus had made its debut on the front-page of the New York Times that day.) The positive energy carried over to Switzerland. Soundcheck at Moods, “a big, nice theater in the middle of Zurich,” went well. branch had to talk the venue into the band doing one long set instead of two, but she also agreed to them making a multi-track recording of the set. “The vibe in the band was pretty high,” says branch.\u003cbr\u003e\u003cbr\u003eFrom the offset, it sounds like that’s the case on both sides of the stage. The calm before the “Prayer” storm finds Taylor’s mbira and branch’s muted horn in a gentle duet, interweaving textures and melodies. The storm’s aftermath, “Lesterlude,” is a St. Louis-bowed solo feature turn, moving the strings towards the noise. Each individual song connects to the next, performed in a continuous, no-stop style, a part of the group’s DNA on record as well as stage. By “Twenty-Three N Me,” they are beginning to stretch into free spaces, and the crowd’s timely enunciations betray the fact that the audience too is up on every note. “Whales,” an Ajemian-led interlude, brings the sound palette to the bottom of the ocean, before Taylor’s intricate, rim-heavy beat returns us to the surface and gets the debut album’s “Theme 001” rolling into a full-on dance number. Approving screams pile up. The quiet-loud\/fast-slow alteration continues: Taylor solos softly (“Meanwhile”), before exploding alongside Ajemian to push branch on a supple, double-time swing (“Theme 002,” with branch in Cootie Williams mode). Later Ajemian’s bass is joined by Taylor’s thumb-piano and St. Louis’ arco, before going on a solo stroll, upping the tempo and ending in the funky second-line swagger of “Simple Silver Surfer” (with great melodic counterpoint by St. Louis). It’s crisp and fun, the laughter in the audience answered on-stage. By the forever set-ending, self-indicting new-bar-standard, “Love Song (For Assholes and Clowns),” branch is conducting the sing-along. Then, soon, it is over.\u003cbr\u003e\u003cbr\u003eSo, how was it? At the time, Moods was just another stop on a never-ending tour. Italy next, we gotta go. The following month and a half was a blur too, amidst the increasingly dire headlines: the February Pacific Northwest dates found Fly or Die slaying PDX Jazz, but “we keep hearing whispers of this COVID stuff,” and less than 10 days after playing in Seattle, the city finds itself as the first American virus hotspot. In early March, before a gig at DC’s Kennedy Center, there’s a cancellation or two (“a little bit of gloom”). The following night at Brooklyn’s Roulette — the last gig many in attendance would see before quarantine — the bottom drops out (“six cancellations in an hour”). The tour ends, and everything stops. Forever — or what increasingly feels like it. Though a tape arrived from Zurich in early May, branch didn’t actually listen to it until the Fall. “I didn't want to be disappointed,” she says. Such was the headspace.\u003cbr\u003e\u003cbr\u003e“I didn't have a memory of the show being an amazing show,” branch says. “But sometimes when you have zero memory of it being good or bad, those are the best shows. Because when you're in the zone, in those moments of channeling creativity, there isn't time for judgment. So oftentimes a memory is not created around that judgment, and that's actually a good indication.” When branch did pop the tape in, she was unequivocal: “I think this is like the best that we've ever played.”\u003cbr\u003e\u003cbr\u003ebranch’s personal highlight of FLY or DIE LIVE also comes on “Prayer,” and it too speaks of something greater than what you’ll hear on the recordings, or that the audience at Moods is likely to have picked up on: “There’s a moment in Part Two of the song when Jason flips the bassline and there's this moment of weirdness, but nobody even stops—this is what I'm talking about with trust. So I just added half a bar more of a vocal, because I heard Jason got wonky. And then Chad added a [verbalizes a fill]. It's my favorite part of the whole record because I hear the mistake and I hear us bulldoze through it, turn the mistake into a dance — because that's really what it is at the core of all of this, music as dance.” No neutrality there either.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : jaimie branch\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-10-12T15:35:18+09:00","created_at":"2021-10-12T15:35:18+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40975409512613,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"jaimie branch \/\/ FLY or DIE LIVE 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0259433205_16.jpg?v=1712739376","\/\/tobirarecords.com\/cdn\/shop\/products\/0024638718_10.jpg?v=1712739376","\/\/tobirarecords.com\/cdn\/shop\/products\/0024640199_10.jpg?v=1712739376","\/\/tobirarecords.com\/cdn\/shop\/products\/0024640196_10.jpg?v=1712739376"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0259433205_16.jpg?v=1712739376","options":["Title"],"media":[{"alt":null,"id":33660535570682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0259433205_16.jpg?v=1712739376"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0259433205_16.jpg?v=1712739376","width":700},{"alt":null,"id":24023832297637,"position":2,"preview_image":{"aspect_ratio":1.442,"height":832,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024638718_10.jpg?v=1712739376"},"aspect_ratio":1.442,"height":832,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024638718_10.jpg?v=1712739376","width":1200},{"alt":null,"id":24023834525861,"position":3,"preview_image":{"aspect_ratio":1.542,"height":778,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024640199_10.jpg?v=1712739376"},"aspect_ratio":1.542,"height":778,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024640199_10.jpg?v=1712739376","width":1200},{"alt":null,"id":24023834689701,"position":4,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024640196_10.jpg?v=1712739376"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024640196_10.jpg?v=1712739376","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branchが、2021年10月に同国シカゴのジャズ巣窟International Anthemからリリースした2枚組ライブ盤です。\u003c\/p\u003e\n\u003cp\u003e2017年と2019年にリリースしたアルバムのほぼ全曲を収録。ライブに重きを置く彼女の真の演奏力が堪能できる特大ボリュームのライブアルバムです。インサートと帯が付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=526897601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP comes in old-style tip-on jacket with IARC obi strip and dome pattern innersleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFull flight capture of the full Fly or Die suite, parts 1 \u0026amp; 2 compounded \u0026amp; flawlessly communicated in a singular epic of raw cosmic brilliance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003efull story in the words of Piotr Orlov here:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a moment near the top of jaimie branch’s FLY or DIE LIVE, the new album recorded by the trumpeter’s quartet in Zurich, Switzerland on January 23rd, 2020, which feels like it bears the weight of both that specific pocket of time, and a prophecy for all that was soon to come. branch and her Fly or Die crew — cellist Lester St. Louis, double bassist Jason Ajemian, and drummer\/percussionist\/mbira player Chad Taylor — had just kicked off the concert at Moods, with the opening tracks off their then-new studio album FLY or DIE II: Bird Dogs of Paradise, the second of which, “Prayer for Amerikkka” is among the best political songs written during the Tr*mp Era, and when the moment in question pops off.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe multi-part “Prayer” begins as a goth-blues stomp, its moaning ghosts flying around the room. A week into a European tour and after three months of constant live performance, Fly or Die is at home in this new song’s contours, messing with its internal machinery while guiding its meaning. By now, “Prayer” had gained a tough\u003cspan class=\"bcTruncateMore\"\u003e spoken-word intro, bringing the context as it slowly gearshifts the intensity: “It’s a song about America,” off-the-cuffs branch while the band seethes behind her, “but it’s about a whole lotta places — ‘cause it’s not just America where shit’s fucked up...” Then arrives the climax, at once site-specific and far-reaching: “...and it’s not always time to be neutral, do you know what I mean?” The gathered Swiss crowd knows, understands, and responds vocally, as Taylor’s backbeats cue branch to bring the trumpet to her lips, and let out a high-pitched wail. Her horn doesn’t know what’s about to happen to our world, and yet, somehow, it does — with only the catastrophic details needing to be worked out. For the next 12 minutes, “Prayer” careens through its twists of wide-eyed racism and family separation, Ajemian and Taylor driving branch’s punk-jazz Morricone horn line. “This is a warning, honey…” cries the song, and over the ensuing 70 minutes, the band echoes its sentiment, filled with glee and terror.\u003cbr\u003e\u003cbr\u003eWhere were you in January of 2020, those last moments of the Before Times? Where was your mind, your body, your soul? Did you have plans, hopes and aspirations for the oncoming calendar trip around the sun just starting its initial turn? Were you embroiled in the turmoil continuing to roil the feeds and the headlines, or steeling yourself for the ones that we all knew were incoming during an especially contentious American election year? Maybe both. Or maybe you felt there was some hope blowing in the air.\u003cbr\u003e\u003cbr\u003e“There was so much promise for the year,” remembers branch. A world of possibilities was certainly pending for Fly or Die leading into 2020 and that Zurich gig. The group was in their favored environment, the stage, where their individual relationships had been molded. branch and Ajemian had been playing together since the mid-’00s in Chicago, and admiring Taylor’s work with the Chicago Underground and at the city’s legendary Velvet Lounge jam-session for just as long. When Fly or Die made its debut at Brooklyn’s Manhattan Inn in 2016, they made up three-quarters of the band. branch and St. Louis met in 2015 after jaimie first moved to New York, while St. Louis was working at the Spectrum club where branch played on occasion. (Soon St. Louis replaced original Fly or Die cellist Tomeka Reid, who departed the band to concentrate on her own myriad of commitments.) In the years since, this quartet had grown into a powerful unit, adept at conjuring musical environments that could be forceful and rhythmic one moment, and fragile the next.\u003cbr\u003e\u003cbr\u003e“So much of what the band is about is the trust between the players and the rapport on stage,” says branch. “The trust means no one's going to drop the ball. The band is all improvisers, that's a really key thing. (A lot of people improvise, but not everybody's an improviser.) And I feel like this band especially is made up of them. So much of the music is led with the ears first.”\u003cbr\u003e\u003cbr\u003eOn Fly or Die’s sophomore album Bird Dogs of Paradise, which dropped in October 2019, branch had composed and recorded a batch of songs that showcased a political perspective and cutting sense of humor, balancing experimentalism and accessibility, party and erudition, “jazz” and the next thing. They were now headed out on the road to show off these songs — “the most touring this band would have ever done,” according to branch — integrating them in suite-like fashion with music from branch’s critically acclaimed 2017 debut. High on the work they were presenting, ready to lock into, and have some fun with it.\u003cbr\u003e\u003cbr\u003eThe late fall saw a month-long tour of Europe; December featured record release shows in LA, Brooklyn and Chicago; then in January, it was back to the EU for a two-week (no days off) sprint, of which the Thursday night at Zurich fell almost directly in the middle. The night before, January 22nd, at Oslo’s Victoria Nasjonal Jazzscene was an upbeat one — St. Louis’ partner had surprised him by flying in from the States; and branch, who earlier thought she’d lost a bag with her passport, documents and cash, had it returned by their van driver after the gig. (No reason for anyone to notice that the Coronavirus had made its debut on the front-page of the New York Times that day.) The positive energy carried over to Switzerland. Soundcheck at Moods, “a big, nice theater in the middle of Zurich,” went well. branch had to talk the venue into the band doing one long set instead of two, but she also agreed to them making a multi-track recording of the set. “The vibe in the band was pretty high,” says branch.\u003cbr\u003e\u003cbr\u003eFrom the offset, it sounds like that’s the case on both sides of the stage. The calm before the “Prayer” storm finds Taylor’s mbira and branch’s muted horn in a gentle duet, interweaving textures and melodies. The storm’s aftermath, “Lesterlude,” is a St. Louis-bowed solo feature turn, moving the strings towards the noise. Each individual song connects to the next, performed in a continuous, no-stop style, a part of the group’s DNA on record as well as stage. By “Twenty-Three N Me,” they are beginning to stretch into free spaces, and the crowd’s timely enunciations betray the fact that the audience too is up on every note. “Whales,” an Ajemian-led interlude, brings the sound palette to the bottom of the ocean, before Taylor’s intricate, rim-heavy beat returns us to the surface and gets the debut album’s “Theme 001” rolling into a full-on dance number. Approving screams pile up. The quiet-loud\/fast-slow alteration continues: Taylor solos softly (“Meanwhile”), before exploding alongside Ajemian to push branch on a supple, double-time swing (“Theme 002,” with branch in Cootie Williams mode). Later Ajemian’s bass is joined by Taylor’s thumb-piano and St. Louis’ arco, before going on a solo stroll, upping the tempo and ending in the funky second-line swagger of “Simple Silver Surfer” (with great melodic counterpoint by St. Louis). It’s crisp and fun, the laughter in the audience answered on-stage. By the forever set-ending, self-indicting new-bar-standard, “Love Song (For Assholes and Clowns),” branch is conducting the sing-along. Then, soon, it is over.\u003cbr\u003e\u003cbr\u003eSo, how was it? At the time, Moods was just another stop on a never-ending tour. Italy next, we gotta go. The following month and a half was a blur too, amidst the increasingly dire headlines: the February Pacific Northwest dates found Fly or Die slaying PDX Jazz, but “we keep hearing whispers of this COVID stuff,” and less than 10 days after playing in Seattle, the city finds itself as the first American virus hotspot. In early March, before a gig at DC’s Kennedy Center, there’s a cancellation or two (“a little bit of gloom”). The following night at Brooklyn’s Roulette — the last gig many in attendance would see before quarantine — the bottom drops out (“six cancellations in an hour”). The tour ends, and everything stops. Forever — or what increasingly feels like it. Though a tape arrived from Zurich in early May, branch didn’t actually listen to it until the Fall. “I didn't want to be disappointed,” she says. Such was the headspace.\u003cbr\u003e\u003cbr\u003e“I didn't have a memory of the show being an amazing show,” branch says. “But sometimes when you have zero memory of it being good or bad, those are the best shows. Because when you're in the zone, in those moments of channeling creativity, there isn't time for judgment. So oftentimes a memory is not created around that judgment, and that's actually a good indication.” When branch did pop the tape in, she was unequivocal: “I think this is like the best that we've ever played.”\u003cbr\u003e\u003cbr\u003ebranch’s personal highlight of FLY or DIE LIVE also comes on “Prayer,” and it too speaks of something greater than what you’ll hear on the recordings, or that the audience at Moods is likely to have picked up on: “There’s a moment in Part Two of the song when Jason flips the bassline and there's this moment of weirdness, but nobody even stops—this is what I'm talking about with trust. So I just added half a bar more of a vocal, because I heard Jason got wonky. And then Chad added a [verbalizes a fill]. It's my favorite part of the whole record because I hear the mistake and I hear us bulldoze through it, turn the mistake into a dance — because that's really what it is at the core of all of this, music as dance.” No neutrality there either.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : jaimie branch\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ロングアイランドのトランペット奏者jaimie branchが、2021年10月に同国シカゴのジャズ巣窟International Anthemからリリースした2枚組ライブ盤です。 2017年と2019年にリリースしたアルバムのほぼ全曲を収録。ライブに重きを置く彼女の真の演奏力が堪能できる特大ボリュームのライブアルバムです。インサートと帯が付属。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7042465956005,"title":"Damon Locks - Black Monument Ensemble \/\/ NOW LP","handle":"damon-locks-black-monument-ensemble-now-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストロックやポストハードコア、ジャズと刻一刻と変化するシカゴ地下音楽シーンで暗躍しているジャズ作家Damon Locksが、2021年4月にリリースした最新作。総勢15名にも及ぶオーケストラ級のスピリチュアルジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=457843155\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP inside a reverse-board jacket, with Eastside IARC obi strip, 17\"x22\" folded broadsheet insert (with liner notes, photos, and illustrations), and dome patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text \u0026amp; artist bio by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"'\u003cem\u003eTime is just the difference between knowing now and knowing nothing. Because if you know now fully, it’s past, present, and future.'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e— Mattie Humphries, 1968\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDamon Locks \u0026amp; Black Monument Ensemble’s new album \"NOW\" was created in the final throes of Summer 2020, following months of pandemic-induced fear \u0026amp; isolation, the explosion of social unrest, struggle \u0026amp; violence in the streets, and as the certain presence of a new reality had fully settled in. Set up safely in the garden behind Chicago’s Experimental Sound Studio, the music was recorded in only a few takes, capturing the first times members of BME had ever played or sang the tunes. For Locks, the impetus was more about getting together to commune and make art than it was about producing an album. In his words: “It was about offering a new thought. It was about resisting the darkness. It was about expressing possibility. It was about asking the question, ‘Since the future has unfolded and taken a new and dangerous shape... what happens NOW?’”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e...about Black Monument Ensemble...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally conceived as a medium for Chicago-based multi-media artist\/activist Damon Locks’s sample-based sound\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e collage work, Black Monument Ensemble (BME) has evolved from a solo mission into a vibrant collective of artists, musicians, singers, and dancers making work with common goals of joy, compassion, and intention. Galvanized by Locks’s conceptualizing, poeticizing, and guiding vision, the contributors come from all facets of the diverse wellspring of Black artistic excellence in Chicago, bringing their unique perspectives and experiences to uplifting, anthemic, and highly animated musical performance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBME is a genuinely multi-generational collective; ages of the members range from 9 to 52 years old. In addition to Locks, current and consistent BME members include: instrumentalists Angel Bat Dawid, Ben LaMar Gay, Dana Hall, and Arif Smith; singers Phillip Armstrong, Monique Golding, Rayna Golding, Tramaine Parker, Richie Parks, Erica Rene, and Eric Tre’von; and dancers Raven Lewis, Cheyenne Spencer, Mary Thomas, Bryonna Young, Tiarra Young, and Keisha Janae.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLocks has a stated interest in work that explores “The Black Nod” which, as he explains, is “an unspoken acknowledgment that happens often out in the world – a sort of ‘I see you’ moment exchanged between Black people.” His work with BME attempts to do the same. Fronted by a jubilant choir, the ensemble embraces a kind of civically engaged, artistic approach to activism originally heard in the 1960s from bands like the Voices of East Harlem and on albums like Max Roach’s We Insist; or originally seen in the photography of Kwame Brathwaite and the art of Emory Douglas. Merging influence from the subsequent half-century of artistic \u0026amp; technological evolution, Locks employs a cyber-punk palette of disparate implements (including beatbox, boombox, telephone, and megaphone) to make narrative compositions of mined sound, beats \u0026amp; archival speech (a la Madlib or Supa K) which are brought to life by the ensemble in electric, improvisational performance. It’s a truly multi-dimensional sound that spans mediums, genres, and generations; past, present, \u0026amp; future.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...about Damon Locks...\u003cbr data-mce-fragment=\"1\"\u003eDamon Locks is a Chicago-based visual artist, educator, vocalist, musician, and deejay. Known for decades of varied projects in Chicago’s underground music \u0026amp; art scenes, Locks’ CV starts in the late 1980s with the band Trenchmouth, and is highlighted by work with The Eternals (co-led by Trenchmouth bandmate Wayne Montana), Rob Mazurek’s Exploding Star Orchestra, collaborations with Nicole Mitchell, Ben LaMar Gay, and many others. In recent years Locks has traversed almost every media discipline… including sound\/animation work using unheard Sun Ra recordings from Experimental Sound Studio’s archive (with Terri Kapsalis, Wayne Montana, and Rob Shaw); various collaborations with contemporary dancers \u0026amp; choreographers including Onye Ozuzu, Ayesha Jaco (of Move Me Soul), and Anna Martine Whitehead (on presentations \u0026amp; workshops with the Detroit Justice Center); participating in artist residencies at The New Quorum in New Orleans (alongside Nicole Mitchell, Lisa E Harris, Wadada Leo Smith, and others); teaching work with incarcerated artists for the Prison and Neighborhood Arts\/Education Project at Stateville maximum security prison; and producing cover art for dozens of albums, including several International Anthem releases by Makaya McCraven, Hear In Now, Irreversible Entanglements, and more.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damon Locks - Black Monument Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-09-13T16:22:56+09:00","created_at":"2021-09-13T10:56:09+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40800498122917,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Damon Locks - Black Monument Ensemble \/\/ NOW LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/no1_5b5b9eda-45c2-4583-b877-c2e89e0c1c2f.jpg?v=1631498171","\/\/tobirarecords.com\/cdn\/shop\/products\/no2_53fb731b-e6a5-4723-b44a-3a9de028184e.jpg?v=1631498171","\/\/tobirarecords.com\/cdn\/shop\/products\/no3.jpg?v=1631498171"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_5b5b9eda-45c2-4583-b877-c2e89e0c1c2f.jpg?v=1631498171","options":["Title"],"media":[{"alt":null,"id":23693997867173,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_5b5b9eda-45c2-4583-b877-c2e89e0c1c2f.jpg?v=1631498171"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_5b5b9eda-45c2-4583-b877-c2e89e0c1c2f.jpg?v=1631498171","width":700},{"alt":null,"id":23693997899941,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_53fb731b-e6a5-4723-b44a-3a9de028184e.jpg?v=1631498171"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_53fb731b-e6a5-4723-b44a-3a9de028184e.jpg?v=1631498171","width":1200},{"alt":null,"id":23693997932709,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no3.jpg?v=1631498171"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no3.jpg?v=1631498171","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストロックやポストハードコア、ジャズと刻一刻と変化するシカゴ地下音楽シーンで暗躍しているジャズ作家Damon Locksが、2021年4月にリリースした最新作。総勢15名にも及ぶオーケストラ級のスピリチュアルジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=457843155\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP inside a reverse-board jacket, with Eastside IARC obi strip, 17\"x22\" folded broadsheet insert (with liner notes, photos, and illustrations), and dome patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text \u0026amp; artist bio by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"'\u003cem\u003eTime is just the difference between knowing now and knowing nothing. Because if you know now fully, it’s past, present, and future.'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e— Mattie Humphries, 1968\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDamon Locks \u0026amp; Black Monument Ensemble’s new album \"NOW\" was created in the final throes of Summer 2020, following months of pandemic-induced fear \u0026amp; isolation, the explosion of social unrest, struggle \u0026amp; violence in the streets, and as the certain presence of a new reality had fully settled in. Set up safely in the garden behind Chicago’s Experimental Sound Studio, the music was recorded in only a few takes, capturing the first times members of BME had ever played or sang the tunes. For Locks, the impetus was more about getting together to commune and make art than it was about producing an album. In his words: “It was about offering a new thought. It was about resisting the darkness. It was about expressing possibility. It was about asking the question, ‘Since the future has unfolded and taken a new and dangerous shape... what happens NOW?’”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e...about Black Monument Ensemble...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally conceived as a medium for Chicago-based multi-media artist\/activist Damon Locks’s sample-based sound\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e collage work, Black Monument Ensemble (BME) has evolved from a solo mission into a vibrant collective of artists, musicians, singers, and dancers making work with common goals of joy, compassion, and intention. Galvanized by Locks’s conceptualizing, poeticizing, and guiding vision, the contributors come from all facets of the diverse wellspring of Black artistic excellence in Chicago, bringing their unique perspectives and experiences to uplifting, anthemic, and highly animated musical performance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBME is a genuinely multi-generational collective; ages of the members range from 9 to 52 years old. In addition to Locks, current and consistent BME members include: instrumentalists Angel Bat Dawid, Ben LaMar Gay, Dana Hall, and Arif Smith; singers Phillip Armstrong, Monique Golding, Rayna Golding, Tramaine Parker, Richie Parks, Erica Rene, and Eric Tre’von; and dancers Raven Lewis, Cheyenne Spencer, Mary Thomas, Bryonna Young, Tiarra Young, and Keisha Janae.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLocks has a stated interest in work that explores “The Black Nod” which, as he explains, is “an unspoken acknowledgment that happens often out in the world – a sort of ‘I see you’ moment exchanged between Black people.” His work with BME attempts to do the same. Fronted by a jubilant choir, the ensemble embraces a kind of civically engaged, artistic approach to activism originally heard in the 1960s from bands like the Voices of East Harlem and on albums like Max Roach’s We Insist; or originally seen in the photography of Kwame Brathwaite and the art of Emory Douglas. Merging influence from the subsequent half-century of artistic \u0026amp; technological evolution, Locks employs a cyber-punk palette of disparate implements (including beatbox, boombox, telephone, and megaphone) to make narrative compositions of mined sound, beats \u0026amp; archival speech (a la Madlib or Supa K) which are brought to life by the ensemble in electric, improvisational performance. It’s a truly multi-dimensional sound that spans mediums, genres, and generations; past, present, \u0026amp; future.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...about Damon Locks...\u003cbr data-mce-fragment=\"1\"\u003eDamon Locks is a Chicago-based visual artist, educator, vocalist, musician, and deejay. Known for decades of varied projects in Chicago’s underground music \u0026amp; art scenes, Locks’ CV starts in the late 1980s with the band Trenchmouth, and is highlighted by work with The Eternals (co-led by Trenchmouth bandmate Wayne Montana), Rob Mazurek’s Exploding Star Orchestra, collaborations with Nicole Mitchell, Ben LaMar Gay, and many others. In recent years Locks has traversed almost every media discipline… including sound\/animation work using unheard Sun Ra recordings from Experimental Sound Studio’s archive (with Terri Kapsalis, Wayne Montana, and Rob Shaw); various collaborations with contemporary dancers \u0026amp; choreographers including Onye Ozuzu, Ayesha Jaco (of Move Me Soul), and Anna Martine Whitehead (on presentations \u0026amp; workshops with the Detroit Justice Center); participating in artist residencies at The New Quorum in New Orleans (alongside Nicole Mitchell, Lisa E Harris, Wadada Leo Smith, and others); teaching work with incarcerated artists for the Prison and Neighborhood Arts\/Education Project at Stateville maximum security prison; and producing cover art for dozens of albums, including several International Anthem releases by Makaya McCraven, Hear In Now, Irreversible Entanglements, and more.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damon Locks - Black Monument Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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ポストロックやポストハードコア、ジャズと刻一刻と変化するシカゴ地下音楽シーンで暗躍しているジャズ作家Damon Locksが、2021年4月にリリースした最新作。総勢15名にも及ぶオーケストラ級のスピリチュアルジャズ6曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------ Vinyl...
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{"id":7028872806565,"title":"Angel Bat Dawid \u0026 Tha Brothahood \/\/ Live 2xLP","handle":"angel-bat-dawid-tha-brothahood-live-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawid\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eと彼女のバンドTha Brothahoodによる、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2019年11月1日ドイツ・ベルリンで行われたJazzFest Berlin”Haus der Berliner Festspieleでのライブ録音を収録した2枚組レコード。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eメンバーの不慮の事故に対しての対応や現地に蔓延る人種差別に対する怒りをパフォーマンスを通して表現した圧巻のライブ作品です。ゲートフォールド仕様、ライナーノート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4255861154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eLP comes in \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eheavyweight reverse-board *gatefold jacket* with flooded black pockets, IARC obi strip and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAccompanying text by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLIVE was mostly recorded on November 1st, 2019, at Haus der Berliner Festspiele in Berlin, Germany, during the 2019 edition of JazzFest Berlin. For Angel Bat Dawid and her band Tha Brothahood – which includes Deacon Otis Cooke, Viktor Le Givens, Xristian Espinoza, Norman W. Long, Dr. Adam Zanolini, and Asher Simiso Gamedze – it was the first stop of their first European tour.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eForty-eight hours before the show, Angel and members of the band were on their way to the airport in Chicago when they received news that Viktor Le Givens had passed out on the street and subsequently woke up in a hospital with all his personal belongings missing. When they arrived in Berlin, the band’s manager Najee-Zaid Searcy reached out to the production staff of JazzFest Berlin to inform them of the situation. Their initial reply: “if you cannot find a substitute, we will have to reduce your fee.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOf the cold, insensitive response to Viktor’s unfortunate situation, Angel recalls: “It really put a whole damper on my spirit to have to deal with this a few hours before performing. How the fuck is this response ever acceptable anywhere?!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAngel continues: “I have issues in general about the way artists are treated because I see a difference in how tech folks treat\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e women and artist of color… I’m calling it out. A lot of the racism and things I’m talking about are steeped in microaggressions and are so subtle and can go unnoticed. But all those things happen a lot and it was very evident at the festival… Yes I am hyper sensitive to any infraction I ever see, feel or observe when it comes to racism, and I no longer pass it off as an over sensitivity but an opportunity to blow the whistle on intellectual and structural racism that is still a rampant and ugly beast, especially in the European music world.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAngel and her band had a handful of experiences over their two days in Berlin that contributed to her feelings, including an interaction at The Ellington Hotel (a place that’s named \u0026amp; themed in homage to the famous Black American composer), where the band was staying. The moment was recorded by Angel’s bandmate and she chose to include an excerpt at the beginning of the album’s first track, where she shouts repeatedly: “ever since I’ve been here y’all have treated me like shit!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe full story, from Angel: “The morning at the Duke Ellington Hotel was the result of a buildup of things… The insensitive way the festival dealt with Viktor… to mean stares walking down the street with my Brothers… A man came up to all of us and said he was frightened by our group. I went to another shop and they told me ‘don't go to East Berlin because they don’t like Blacks’... Berlin was leaving me feeling very isolated and angry. So the morning we were leaving this hotel, with its homage to Black musicians in every room… They had a piano in their bar area and I decided to play a tune, sing and praise, to leave on a good note. Deacon Otis was filming it as our way of just walking in love, no matter what. As I was singing someone on the staff runs up to me red face and angry saying ‘ma’am please don't do this in the lobby this is not allowed!’ And I just went the fux off. I had had enough of the reprimands... I just couldn't be my genuine Black self anywhere in Berlin without someone reprimanding me…”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnother sound that Angel chose to include in the album is an excerpt from a JazzFest Berlin panel discussion she participated in, which was moderated by writer Emma Warren – a friend of Angel’s – and recorded by Searcy. Angel’s powerful declamations from the panel stage are heard on the album’s last track “HELL,” through a dense layering of effects. “The discussion was led by Emma… so I was feeling very much myself and was going to tell the honest truth about how these festivals and music scenes still operate and support intellectual and structural racism, because they are never challenged,” Angel recalls.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDespite, or perhaps in light of the difficulties Angel and her band faced, they performed a set at Berliner Festspiele that Angel considers to be one of their best ever. “The show was very deep, and really helped me to process all the rage, and uncomfortable things I was feeling... It made me think of all the artists of the past who endured way more than I ever will with this music industry. It was a very freeing and beautiful show… we played our ass off!!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHarlem, NY-based journalist Shannon J. Effinger, who had interviewed Angel for Pitchfork earlier in 2019, was in Berlin to cover the festival and witnessed Angel’s performance. “I had no clue Shannon was there and I was so happy to see her... We had breakfast in the morning together and I was able to vent to her about my frustrations about being in Europe. She shared the same sentiments, because she too was experiencing all the subtle microaggressions that happen over there,” Angel says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShortly after Angel decided to make the Berlin recording into an album, in Summer 2020 she invited Effinger to write liner notes. In her notes for LIVE, Effinger touches on Angel’s mistreatment; but for the most part her attention is paid to the music that Angel \u0026amp; Tha Brothahood made during their performance. An excerpt: \"On Sun Ra’s “Enlightenment,” Dawid’s arpeggiated chords on keys brought us all to our own hush harbor meeting, a once haven for enslaved Blacks to gather in secret and release their hardships through shout and prayer. As Dawid, Cape Town drummer Asher Gamedze and Adam Zanolini on reeds build into a tense crescendo, it is their attempt, through music, to exorcise the generational pain that has plagued Blacks for far too long.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I feel Shannon really captured the moment I was feeling. The story of my unrest with the racist undertones of the music industry isn’t why I want this album out. I want this album out because the Brothahood kicked ass on the music. Because she was there at the actual show, her notes have the purest, most authentic and accurate take on the situation,” says Angel.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnother excerpt from Effinger's notes: \"From the unwavering strength of the “Black Family” as told through her clarinet, strong and resolute, to “We Are Starzz” which allowed the members of the Brothahood to dance and explore in their respective constellations over Zanolini’s walking bassline, Dawid strives to reconcile where Black life in America presently stands today—bestrided by a glorious yet troubled past, the disillusioned promise of our future, and a present that has never truly belonged to us.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAngel Bat Dawid: “I hope that this album will uplift and raise awareness to the world that we are still not in a good place when it comes to the relationship between whites other races. Universities, festivals, organizations etc that were built over 50 years ago, even though they have changed outwardly, have not changed internally, and still uphold the principles of their founders, who were racists. We still got a long way to go. And music is a great place to start in repairing this age old, distorted reality.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid \u0026amp; Tha Brothahood\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-08T12:05:37+09:00","created_at":"2021-09-07T14:28:57+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40745528066213,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Angel Bat Dawid \u0026 Tha Brothahood \/\/ Live 2xLP","public_title":null,"options":["Default Title"],"price":389000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_29d5923b-012c-42e1-a06e-1a39e768a7d7.jpg?v=1630992539","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_5b0d8c0f-5c3a-49b6-b74c-5c85fec6b2fc.jpg?v=1630992540","\/\/tobirarecords.com\/cdn\/shop\/products\/li3_9ef12383-7124-4e51-9fa1-19870e15499e.jpg?v=1630992540"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_29d5923b-012c-42e1-a06e-1a39e768a7d7.jpg?v=1630992539","options":["Title"],"media":[{"alt":null,"id":23632482009253,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_29d5923b-012c-42e1-a06e-1a39e768a7d7.jpg?v=1630992539"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_29d5923b-012c-42e1-a06e-1a39e768a7d7.jpg?v=1630992539","width":700},{"alt":null,"id":23632482042021,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_5b0d8c0f-5c3a-49b6-b74c-5c85fec6b2fc.jpg?v=1630992540"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_5b0d8c0f-5c3a-49b6-b74c-5c85fec6b2fc.jpg?v=1630992540","width":1200},{"alt":null,"id":23632482074789,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li3_9ef12383-7124-4e51-9fa1-19870e15499e.jpg?v=1630992540"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li3_9ef12383-7124-4e51-9fa1-19870e15499e.jpg?v=1630992540","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawid\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eと彼女のバンドTha Brothahoodによる、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2019年11月1日ドイツ・ベルリンで行われたJazzFest Berlin”Haus der Berliner Festspieleでのライブ録音を収録した2枚組レコード。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eメンバーの不慮の事故に対しての対応や現地に蔓延る人種差別に対する怒りをパフォーマンスを通して表現した圧巻のライブ作品です。ゲートフォールド仕様、ライナーノート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4255861154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eLP comes in \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eheavyweight reverse-board *gatefold jacket* with flooded black pockets, IARC obi strip and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAccompanying text by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLIVE was mostly recorded on November 1st, 2019, at Haus der Berliner Festspiele in Berlin, Germany, during the 2019 edition of JazzFest Berlin. For Angel Bat Dawid and her band Tha Brothahood – which includes Deacon Otis Cooke, Viktor Le Givens, Xristian Espinoza, Norman W. Long, Dr. Adam Zanolini, and Asher Simiso Gamedze – it was the first stop of their first European tour.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eForty-eight hours before the show, Angel and members of the band were on their way to the airport in Chicago when they received news that Viktor Le Givens had passed out on the street and subsequently woke up in a hospital with all his personal belongings missing. When they arrived in Berlin, the band’s manager Najee-Zaid Searcy reached out to the production staff of JazzFest Berlin to inform them of the situation. Their initial reply: “if you cannot find a substitute, we will have to reduce your fee.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOf the cold, insensitive response to Viktor’s unfortunate situation, Angel recalls: “It really put a whole damper on my spirit to have to deal with this a few hours before performing. How the fuck is this response ever acceptable anywhere?!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAngel continues: “I have issues in general about the way artists are treated because I see a difference in how tech folks treat\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e women and artist of color… I’m calling it out. A lot of the racism and things I’m talking about are steeped in microaggressions and are so subtle and can go unnoticed. But all those things happen a lot and it was very evident at the festival… Yes I am hyper sensitive to any infraction I ever see, feel or observe when it comes to racism, and I no longer pass it off as an over sensitivity but an opportunity to blow the whistle on intellectual and structural racism that is still a rampant and ugly beast, especially in the European music world.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAngel and her band had a handful of experiences over their two days in Berlin that contributed to her feelings, including an interaction at The Ellington Hotel (a place that’s named \u0026amp; themed in homage to the famous Black American composer), where the band was staying. The moment was recorded by Angel’s bandmate and she chose to include an excerpt at the beginning of the album’s first track, where she shouts repeatedly: “ever since I’ve been here y’all have treated me like shit!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe full story, from Angel: “The morning at the Duke Ellington Hotel was the result of a buildup of things… The insensitive way the festival dealt with Viktor… to mean stares walking down the street with my Brothers… A man came up to all of us and said he was frightened by our group. I went to another shop and they told me ‘don't go to East Berlin because they don’t like Blacks’... Berlin was leaving me feeling very isolated and angry. So the morning we were leaving this hotel, with its homage to Black musicians in every room… They had a piano in their bar area and I decided to play a tune, sing and praise, to leave on a good note. Deacon Otis was filming it as our way of just walking in love, no matter what. As I was singing someone on the staff runs up to me red face and angry saying ‘ma’am please don't do this in the lobby this is not allowed!’ And I just went the fux off. I had had enough of the reprimands... I just couldn't be my genuine Black self anywhere in Berlin without someone reprimanding me…”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnother sound that Angel chose to include in the album is an excerpt from a JazzFest Berlin panel discussion she participated in, which was moderated by writer Emma Warren – a friend of Angel’s – and recorded by Searcy. Angel’s powerful declamations from the panel stage are heard on the album’s last track “HELL,” through a dense layering of effects. “The discussion was led by Emma… so I was feeling very much myself and was going to tell the honest truth about how these festivals and music scenes still operate and support intellectual and structural racism, because they are never challenged,” Angel recalls.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDespite, or perhaps in light of the difficulties Angel and her band faced, they performed a set at Berliner Festspiele that Angel considers to be one of their best ever. “The show was very deep, and really helped me to process all the rage, and uncomfortable things I was feeling... It made me think of all the artists of the past who endured way more than I ever will with this music industry. It was a very freeing and beautiful show… we played our ass off!!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHarlem, NY-based journalist Shannon J. Effinger, who had interviewed Angel for Pitchfork earlier in 2019, was in Berlin to cover the festival and witnessed Angel’s performance. “I had no clue Shannon was there and I was so happy to see her... We had breakfast in the morning together and I was able to vent to her about my frustrations about being in Europe. She shared the same sentiments, because she too was experiencing all the subtle microaggressions that happen over there,” Angel says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShortly after Angel decided to make the Berlin recording into an album, in Summer 2020 she invited Effinger to write liner notes. In her notes for LIVE, Effinger touches on Angel’s mistreatment; but for the most part her attention is paid to the music that Angel \u0026amp; Tha Brothahood made during their performance. An excerpt: \"On Sun Ra’s “Enlightenment,” Dawid’s arpeggiated chords on keys brought us all to our own hush harbor meeting, a once haven for enslaved Blacks to gather in secret and release their hardships through shout and prayer. As Dawid, Cape Town drummer Asher Gamedze and Adam Zanolini on reeds build into a tense crescendo, it is their attempt, through music, to exorcise the generational pain that has plagued Blacks for far too long.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I feel Shannon really captured the moment I was feeling. The story of my unrest with the racist undertones of the music industry isn’t why I want this album out. I want this album out because the Brothahood kicked ass on the music. Because she was there at the actual show, her notes have the purest, most authentic and accurate take on the situation,” says Angel.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnother excerpt from Effinger's notes: \"From the unwavering strength of the “Black Family” as told through her clarinet, strong and resolute, to “We Are Starzz” which allowed the members of the Brothahood to dance and explore in their respective constellations over Zanolini’s walking bassline, Dawid strives to reconcile where Black life in America presently stands today—bestrided by a glorious yet troubled past, the disillusioned promise of our future, and a present that has never truly belonged to us.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAngel Bat Dawid: “I hope that this album will uplift and raise awareness to the world that we are still not in a good place when it comes to the relationship between whites other races. Universities, festivals, organizations etc that were built over 50 years ago, even though they have changed outwardly, have not changed internally, and still uphold the principles of their founders, who were racists. We still got a long way to go. And music is a great place to start in repairing this age old, distorted reality.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid \u0026amp; Tha Brothahood\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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International Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawidと彼女のバンドTha Brothahoodによる、2019年11月1日ドイツ・ベルリンで行われたJazzFest Berlin”Haus der Berliner Festspieleでのライブ録音を収録した2枚組レコード。メンバーの不慮の事故に対しての対応や現地に蔓延る人種差別に対する怒りをパフォーマンスを通して表現した圧巻のライブ作品です。ゲートフォールド仕様、ライナーノート付属。 レーベルその他作品はこちら /// Click here to see more International...
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{"id":7011607937189,"title":"Carlos Niño \u0026 Miguel Atwood-Ferguson \/\/ Chicago Waves TAPE \/ CD","handle":"carlos-nino-miguel-atwood-ferguson-chicago-waves-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのスピリチュアルマスターCarlos Niñoと、Flyng Lotusや\u003cmeta charset=\"utf-8\"\u003eThundercat作品にも参加しているヴィオラ奏者Miguel Atwood-Fergusonが、International Anthemより\u003cmeta charset=\"utf-8\"\u003e2020年6月に111部限定でリリースした共作アルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズからニューエイジリスナーまで幅広くおすすめできるインプロセッション44分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1689503347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTape edition of 111.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn late November of 2018, long-time collaborators (\u0026amp; life-long Los Angelenos) Carlos Niño \u0026amp; Miguel Atwood-Ferguson flew to Chicago to participate in the album release performance of Makaya McCraven’s Universal Beings. Just 11 months prior, Carlos \u0026amp; Miguel were part of recording the ‘Los Angeles Side’ of Universal Beings at Jeff Parker’s house in Altadena, California, and this performance in Chicago would be the first time that all of the musicians reunited to re-learn and perform the music they’d collectively composed during those sessions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Universal Beings performance and preceding days of rehearsal took place at the iconic South Shore Cultural Center – a historic gilded-era urban club-turned-public facility deep on Chicago’s Southside and right along the reedy shore of Lake Michigan, giving the building’s backdrop an infinitely blue Northern expanse.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe night after the performance at South Shore Cultural Center, friend of International Anthem Jeremy Cunningham was scheduled to debut new music (\"The Weather Up There,\" which has since been released on Northern Spy Records) at our HQ, Co-Prosperity Sphere. Since Carlos \u0026amp; Miguel were still in Chicago (before they’d head to New York City for a second Universal Beings performance at\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Le Poisson Rouge), we invited them to do a Special Guest duo set to open the show.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt the conclusion of their 44-minute improvised set that night, Carlos spontaneously dubbed the piece “Chicago Waves.” His proclamation gave us the distinct impression that the previous days spent in South Shore (and the many commutes to-and-from, along Lake Shore Drive) had imprinted the deep blue vastness of early-Winter Lake Michigan into Carlos \u0026amp; Miguel’s respective \u0026amp; collective consciousness, and thus, into the spirit of the luminous music they created that night at Co-Prosperity Sphere. We at IARC are happy to share this recording of Chicago Waves with the world in a time when peace-bringing sound and a sweet memory of live music, sparkling inside the collective breath of community in communal space, has potential to provide the utmost nourishment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist bios by Joe Darling\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eCarlos Niño – a multidimensional and catalytic producer, arranger, percussionist and DJ – made early in-roads through independent music in 1995, founding Spaceways Radio, the longstanding program for LA’s KPFK station and, shortly thereafter, co-founding non-profit internet radio giant Dublab. Moreover, Niño has been front-and-center in the forging of post-hip hop, contemporary Spiritual Jazz and New Age lexicons in Los Angeles. From community activism at Leimert Park’s The World Stage to kindred allyship within Leaving Records’ all-genre manifestations, his ensemble, Carlos Niño \u0026amp; Friends, is a living collaborative force that has engaged a fountain of inspired players such as Sam Gendel, Jamael Dean, Dexter Story, Jamire Williams, Josh Johnson, Deantoni Parks, Madlib, Kamasi Washington, and of course, Miguel Atwood-Ferguson.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAtwood-Ferguson – an arranger, composer, music director, producer and multi-instrumentalist – rose as a classically trained session musician to what the New York Times would call “a leader of skilled ensembles, a celebrator of repertories and an organizer of legacies.” He has composed string arrangements for everyone from Dr. Dre to Anderson .Paak, Thundercat and Flying Lotus (among many, many others). Suite for Ma Dukes, a towering homage to the late J Dilla, saw Atwood-Ferguson re-interpreting the legendary producer’s work for orchestra while assembling a 60-piece ensemble performance that featured Bilal, Talib Kweli, Karriem Riggins and others. His highly anticipated debut LP, Les Jardins Mystiques, is slated for release in 2021 via Brainfeeder Records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThough Niño and Atwood-Ferguson initially met some years before, the two lifelong Los Angelenos truly connected as artists and friends in 2005. It was in that year that Atwood-Ferguson joined Niño in the studio to record two different records – With Voices, the final album by Niño’s beatmaking duo Ammoncontact, and Living Room by The Life Force Trio, a group comprised of Niño, Dwight Trible and Dexter Story. That same year, Atwood-Ferguson also joined Niño’s ensemble, Build An Ark. The two became close.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Miguel Atwood-Ferguson is among my dearest, closest friends and collaborators. He is family,” says Niño. “I enjoy every opportunity that we find \/ create, or invitation that we agree to accept, to communicate with each other psychically.” Atwood-Ferguson says: “Carlos has been one of my greatest friends and teachers ever since 2005. I am joyously eternally indebted to him and can't wait to do as much with him as possible!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth prolific independent artists and consummate advocates of creative music in Los Angeles and beyond, Niño and Atwood-Ferguson reunited in 2007 to record their debut album for Alpha Pup, a stirring and plaintive duet entitled Fill the Heart-Shaped Cup. They would go on to play together often over the following decade but it’s not until 2020 that they release another recording as a duet. That recording is Chicago Waves.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Miguel Atwood-Ferguson\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-08-30T17:23:33+09:00","created_at":"2021-08-30T11:50:41+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","post newage","tape"],"price":185000,"price_min":185000,"price_max":218000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42424797364474,"title":"tape","option1":"tape","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":31162563395749,"product_id":7011607937189,"position":2,"created_at":"2021-08-30T11:50:41+09:00","updated_at":"2021-08-30T11:50:43+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_9558cf24-9a20-4ac3-9be2-e6be3a7540b6.jpg?v=1630291843","variant_ids":[42424797364474]},"available":false,"name":"Carlos Niño \u0026 Miguel Atwood-Ferguson \/\/ Chicago Waves TAPE \/ CD - tape","public_title":"tape","options":["tape"],"price":185000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":23539904610469,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_9558cf24-9a20-4ac3-9be2-e6be3a7540b6.jpg?v=1630291843"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":42424797397242,"title":"cd","option1":"cd","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":36590120632570,"product_id":7011607937189,"position":3,"created_at":"2022-02-14T11:51:26+09:00","updated_at":"2022-02-14T11:51:28+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_c1ddf2cb-0b79-4829-a603-7e1ecc2acd53.jpg?v=1644807088","variant_ids":[42424797397242]},"available":true,"name":"Carlos Niño \u0026 Miguel Atwood-Ferguson \/\/ Chicago Waves TAPE \/ CD - cd","public_title":"cd","options":["cd"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29149131997434,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_c1ddf2cb-0b79-4829-a603-7e1ecc2acd53.jpg?v=1644807088"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_555a76b5-aec8-4a6c-8ea7-06e1fdc4a7a5.jpg?v=1630291843","\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_9558cf24-9a20-4ac3-9be2-e6be3a7540b6.jpg?v=1630291843","\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_c1ddf2cb-0b79-4829-a603-7e1ecc2acd53.jpg?v=1644807088"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_555a76b5-aec8-4a6c-8ea7-06e1fdc4a7a5.jpg?v=1630291843","options":["format"],"media":[{"alt":null,"id":23539904577701,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_555a76b5-aec8-4a6c-8ea7-06e1fdc4a7a5.jpg?v=1630291843"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_555a76b5-aec8-4a6c-8ea7-06e1fdc4a7a5.jpg?v=1630291843","width":700},{"alt":null,"id":23539904610469,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_9558cf24-9a20-4ac3-9be2-e6be3a7540b6.jpg?v=1630291843"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_9558cf24-9a20-4ac3-9be2-e6be3a7540b6.jpg?v=1630291843","width":1200},{"alt":null,"id":29149131997434,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_c1ddf2cb-0b79-4829-a603-7e1ecc2acd53.jpg?v=1644807088"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_c1ddf2cb-0b79-4829-a603-7e1ecc2acd53.jpg?v=1644807088","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのスピリチュアルマスターCarlos Niñoと、Flyng Lotusや\u003cmeta charset=\"utf-8\"\u003eThundercat作品にも参加しているヴィオラ奏者Miguel Atwood-Fergusonが、International Anthemより\u003cmeta charset=\"utf-8\"\u003e2020年6月に111部限定でリリースした共作アルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスピリチュアルジャズからニューエイジリスナーまで幅広くおすすめできるインプロセッション44分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1689503347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTape edition of 111.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn late November of 2018, long-time collaborators (\u0026amp; life-long Los Angelenos) Carlos Niño \u0026amp; Miguel Atwood-Ferguson flew to Chicago to participate in the album release performance of Makaya McCraven’s Universal Beings. Just 11 months prior, Carlos \u0026amp; Miguel were part of recording the ‘Los Angeles Side’ of Universal Beings at Jeff Parker’s house in Altadena, California, and this performance in Chicago would be the first time that all of the musicians reunited to re-learn and perform the music they’d collectively composed during those sessions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Universal Beings performance and preceding days of rehearsal took place at the iconic South Shore Cultural Center – a historic gilded-era urban club-turned-public facility deep on Chicago’s Southside and right along the reedy shore of Lake Michigan, giving the building’s backdrop an infinitely blue Northern expanse.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe night after the performance at South Shore Cultural Center, friend of International Anthem Jeremy Cunningham was scheduled to debut new music (\"The Weather Up There,\" which has since been released on Northern Spy Records) at our HQ, Co-Prosperity Sphere. Since Carlos \u0026amp; Miguel were still in Chicago (before they’d head to New York City for a second Universal Beings performance at\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Le Poisson Rouge), we invited them to do a Special Guest duo set to open the show.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt the conclusion of their 44-minute improvised set that night, Carlos spontaneously dubbed the piece “Chicago Waves.” His proclamation gave us the distinct impression that the previous days spent in South Shore (and the many commutes to-and-from, along Lake Shore Drive) had imprinted the deep blue vastness of early-Winter Lake Michigan into Carlos \u0026amp; Miguel’s respective \u0026amp; collective consciousness, and thus, into the spirit of the luminous music they created that night at Co-Prosperity Sphere. We at IARC are happy to share this recording of Chicago Waves with the world in a time when peace-bringing sound and a sweet memory of live music, sparkling inside the collective breath of community in communal space, has potential to provide the utmost nourishment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist bios by Joe Darling\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eCarlos Niño – a multidimensional and catalytic producer, arranger, percussionist and DJ – made early in-roads through independent music in 1995, founding Spaceways Radio, the longstanding program for LA’s KPFK station and, shortly thereafter, co-founding non-profit internet radio giant Dublab. Moreover, Niño has been front-and-center in the forging of post-hip hop, contemporary Spiritual Jazz and New Age lexicons in Los Angeles. From community activism at Leimert Park’s The World Stage to kindred allyship within Leaving Records’ all-genre manifestations, his ensemble, Carlos Niño \u0026amp; Friends, is a living collaborative force that has engaged a fountain of inspired players such as Sam Gendel, Jamael Dean, Dexter Story, Jamire Williams, Josh Johnson, Deantoni Parks, Madlib, Kamasi Washington, and of course, Miguel Atwood-Ferguson.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAtwood-Ferguson – an arranger, composer, music director, producer and multi-instrumentalist – rose as a classically trained session musician to what the New York Times would call “a leader of skilled ensembles, a celebrator of repertories and an organizer of legacies.” He has composed string arrangements for everyone from Dr. Dre to Anderson .Paak, Thundercat and Flying Lotus (among many, many others). Suite for Ma Dukes, a towering homage to the late J Dilla, saw Atwood-Ferguson re-interpreting the legendary producer’s work for orchestra while assembling a 60-piece ensemble performance that featured Bilal, Talib Kweli, Karriem Riggins and others. His highly anticipated debut LP, Les Jardins Mystiques, is slated for release in 2021 via Brainfeeder Records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThough Niño and Atwood-Ferguson initially met some years before, the two lifelong Los Angelenos truly connected as artists and friends in 2005. It was in that year that Atwood-Ferguson joined Niño in the studio to record two different records – With Voices, the final album by Niño’s beatmaking duo Ammoncontact, and Living Room by The Life Force Trio, a group comprised of Niño, Dwight Trible and Dexter Story. That same year, Atwood-Ferguson also joined Niño’s ensemble, Build An Ark. The two became close.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Miguel Atwood-Ferguson is among my dearest, closest friends and collaborators. He is family,” says Niño. “I enjoy every opportunity that we find \/ create, or invitation that we agree to accept, to communicate with each other psychically.” Atwood-Ferguson says: “Carlos has been one of my greatest friends and teachers ever since 2005. I am joyously eternally indebted to him and can't wait to do as much with him as possible!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth prolific independent artists and consummate advocates of creative music in Los Angeles and beyond, Niño and Atwood-Ferguson reunited in 2007 to record their debut album for Alpha Pup, a stirring and plaintive duet entitled Fill the Heart-Shaped Cup. They would go on to play together often over the following decade but it’s not until 2020 that they release another recording as a duet. That recording is Chicago Waves.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Miguel Atwood-Ferguson\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・LAのスピリチュアルマスターCarlos Niñoと、Flyng LotusやThundercat作品にも参加しているヴィオラ奏者Miguel Atwood-Fergusonが、International Anthemより2020年6月に111部限定でリリースした共作アルバムです。 スピリチュアルジャズからニューエイジリスナーまで幅広くおすすめできるインプロセッション44分を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":6578587467941,"title":"Alabaster DePlume \/\/ To Cy \u0026 Lee: Instrumentals Vol. 1 LP","handle":"alabaster-deplume-to-cy-lee-instrumentals-vol-1-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eロンドンのサックス奏者Alabaster DePlumeの過去発表作品3作＋未発表曲でコンパイルされたレコード。エキゾチックな瞑想系ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=43264658\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eDePlume is a Manchester-born, London-based bandleader, composer, saxophonist, activist and orator. He’s a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for the off-grid, Scottish Hebridean island label Lost Map, and now the latest arrival into Chicago-based International Anthem’s growing family of progressive musical explorationists. Whilst much of his music contains vocals – often whispered imperatives – this is a collection of instrumentals, drenched in feeling and recorded over four albums and eight earth years in cities across the UK.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music of \"To Cy \u0026amp; Lee: Instrumentals Vol. 1\" contains naturally elegant orchestration wrapped around something visceral and primordial. Swirled inside the 11 pieces are shades of Japanese Min’yo folk, Celtic folk, the Ethio-jazz of saxophonist Getatchew Mekurya and hints of the pan-human ‘ancient music’ that sat underneath Arthur Russell’s melodies on First Thought, Best Thought. The music is filled with space, inspired, he says, by computer games and Japanese animation, particularly Joe Hisaishi’s\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e soundtrack for Studio Ghibli’s Castle In The Sky.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record combines new compositions alongside bygone instrumentals and understated lullabies that feel like they’ve been picked from between the cracks of civilisation. These songs were collected from albums \"Copernicus,\" \"The Jester,\" and \"Peach\" – under-the-radar records that preceded his critically acclaimed 2019 release The Corner of a Sphere. The new tunes feature Dan ‘Danalogue’ Leavers of The Comet Is Coming and Sarathy Korwar alongside a host of London’s finest musicians.\"\u003c\/em\u003e\u003cbr\u003e- Emma Warren, music journalist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-03-16T10:22:53+09:00","created_at":"2021-03-16T09:39:07+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39389543399589,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alabaster DePlume \/\/ To Cy \u0026 Lee: Instrumentals Vol. 1 LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cy1.jpg?v=1615855148","\/\/tobirarecords.com\/cdn\/shop\/products\/cy2.jpg?v=1615855148"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cy1.jpg?v=1615855148","options":["Title"],"media":[{"alt":null,"id":20774624002213,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cy1.jpg?v=1615855148"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cy1.jpg?v=1615855148","width":700},{"alt":null,"id":20774624034981,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cy2.jpg?v=1615855148"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cy2.jpg?v=1615855148","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eロンドンのサックス奏者Alabaster DePlumeの過去発表作品3作＋未発表曲でコンパイルされたレコード。エキゾチックな瞑想系ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=43264658\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eDePlume is a Manchester-born, London-based bandleader, composer, saxophonist, activist and orator. He’s a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for the off-grid, Scottish Hebridean island label Lost Map, and now the latest arrival into Chicago-based International Anthem’s growing family of progressive musical explorationists. Whilst much of his music contains vocals – often whispered imperatives – this is a collection of instrumentals, drenched in feeling and recorded over four albums and eight earth years in cities across the UK.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music of \"To Cy \u0026amp; Lee: Instrumentals Vol. 1\" contains naturally elegant orchestration wrapped around something visceral and primordial. Swirled inside the 11 pieces are shades of Japanese Min’yo folk, Celtic folk, the Ethio-jazz of saxophonist Getatchew Mekurya and hints of the pan-human ‘ancient music’ that sat underneath Arthur Russell’s melodies on First Thought, Best Thought. The music is filled with space, inspired, he says, by computer games and Japanese animation, particularly Joe Hisaishi’s\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e soundtrack for Studio Ghibli’s Castle In The Sky.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record combines new compositions alongside bygone instrumentals and understated lullabies that feel like they’ve been picked from between the cracks of civilisation. These songs were collected from albums \"Copernicus,\" \"The Jester,\" and \"Peach\" – under-the-radar records that preceded his critically acclaimed 2019 release The Corner of a Sphere. The new tunes feature Dan ‘Danalogue’ Leavers of The Comet Is Coming and Sarathy Korwar alongside a host of London’s finest musicians.\"\u003c\/em\u003e\u003cbr\u003e- Emma Warren, music journalist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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ロンドンのサックス奏者Alabaster DePlumeの過去発表作品3作＋未発表曲でコンパイルされたレコード。エキゾチックな瞑想系ジャズ11曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------ "DePlume...
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{"id":6578574622885,"title":"Dos Santos \/\/ Logos LP","handle":"dos-santos-logos-lp","description":"\u003cp\u003eシカゴのラテン〜ソウルバンドLogosによる5作目となるフルアルバムが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemよりリリース。インプロとコンポジションの境界線を行く11曲を収録。12ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=544986837\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eDos Santos is a quintet just 5 years working in Chicago but already established as one of the city’s most potent, impactful performers. A band known to be at home in a broad spectrum of venues and contexts – as proficient at nailing epic progressive arrangements for summer street festivals in the Latinx culture hub of Pilsen as they are at extended improvisational, experimental cumbia sets on the jazz-centric cabaret stage of the California Clipper, or the Chinook Lounge of The Hideout – Dos Santos’s elasticity \u0026amp; consistency in live performance has earned them an enthusiastic \u0026amp; highly diverse audience in the too-often segregated Chicago music scene...\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eWhat’s heard on the ultimate product of this homegrown process (Logos) is Dos Santos laying their voices bare, at once aware of cultural context, informed by aesthetic precursors, and yet fully irreverent to expectations or how any of this might be “appropriately” employed... each composition offers a bridge into a sonic landscape that speaks to histories of migration and arts of living that have been central to everything from house music to blues, Latinx punk to salsa in the City of Chicago. Logos presents an idealized new progressive American music, as rooted in Chicago as it is communicable with the world\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dos Santos\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-03-16T11:38:40+09:00","created_at":"2021-03-16T09:35:20+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":332700,"price_min":332700,"price_max":332700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39389516300453,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dos Santos \/\/ Logos LP","public_title":null,"options":["Default Title"],"price":332700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_46a34b53-cb79-4ac2-864a-cfd27acf40e5.jpg?v=1615854921","\/\/tobirarecords.com\/cdn\/shop\/products\/do2_1f2ed9cc-d6f4-4f02-8a34-0049ab5d6726.jpg?v=1615854921"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_46a34b53-cb79-4ac2-864a-cfd27acf40e5.jpg?v=1615854921","options":["Title"],"media":[{"alt":null,"id":20774579208357,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_46a34b53-cb79-4ac2-864a-cfd27acf40e5.jpg?v=1615854921"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_46a34b53-cb79-4ac2-864a-cfd27acf40e5.jpg?v=1615854921","width":700},{"alt":null,"id":20774579241125,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_1f2ed9cc-d6f4-4f02-8a34-0049ab5d6726.jpg?v=1615854921"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_1f2ed9cc-d6f4-4f02-8a34-0049ab5d6726.jpg?v=1615854921","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eシカゴのラテン〜ソウルバンドLogosによる5作目となるフルアルバムが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemよりリリース。インプロとコンポジションの境界線を行く11曲を収録。12ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=544986837\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eDos Santos is a quintet just 5 years working in Chicago but already established as one of the city’s most potent, impactful performers. A band known to be at home in a broad spectrum of venues and contexts – as proficient at nailing epic progressive arrangements for summer street festivals in the Latinx culture hub of Pilsen as they are at extended improvisational, experimental cumbia sets on the jazz-centric cabaret stage of the California Clipper, or the Chinook Lounge of The Hideout – Dos Santos’s elasticity \u0026amp; consistency in live performance has earned them an enthusiastic \u0026amp; highly diverse audience in the too-often segregated Chicago music scene...\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eWhat’s heard on the ultimate product of this homegrown process (Logos) is Dos Santos laying their voices bare, at once aware of cultural context, informed by aesthetic precursors, and yet fully irreverent to expectations or how any of this might be “appropriately” employed... each composition offers a bridge into a sonic landscape that speaks to histories of migration and arts of living that have been central to everything from house music to blues, Latinx punk to salsa in the City of Chicago. Logos presents an idealized new progressive American music, as rooted in Chicago as it is communicable with the world\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dos Santos\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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シカゴのラテン〜ソウルバンドLogosによる5作目となるフルアルバムがInternational Anthemよりリリース。インプロとコンポジションの境界線を行く11曲を収録。12ページのブックレットが付属。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------ "Dos...
¥3,327
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{"id":8096620413178,"title":"Makaya McCraven \/\/ Universal Beings E\u0026F Sides LP","handle":"makaya-mccraven-universal-beings-e-f-sides-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズドラマーMakaya McCravenが、2020年7月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e90年代ヒップホップをを彷彿とさせるジャズ meets ビートミュージック14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eKamaal WilliamsやNubya Garcia、Miguel Atwood-Ferguson、Jeff Parker、Shabaka Hutchingsが参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2857185688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn addendum to Makaya McCraven's critically-acclaimed 2018 release Universal Beings, which The New York Times said \"affirms the drummer and beatsmith's position as a major figure in creative music,\" Universal Beings E\u0026amp;F Sides presents fourteen new pieces of organic beat music cut from the original sessions, prepared and produced by Makaya as a soundtrack to the Universal Beings documentary film.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDirected by Mark Pallman, the Universal Beings documentary follows Makaya to Los Angeles, Chicago, London and New York City for a behind the scenes look into the making of the artists breakthrough album, taking the viewer through the story of Makaya's life, his process and the community of musicians that helped bring this project to life. The Universal Beings documentary and Universal Beings E\u0026amp;F Sides album release July 31st 2020.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNamed one of the best albums of 2018 by The New York Times, Rolling Stone, NPR, Stereogum, Billboard, SPIN, The Wall Street Journal, The Chicago Tribune, and more, Universal Beings was recorded at four sessions in New York, Chicago, London and Los Angeles, and features some of the best \"new\" jazz players from those hot bed cities: Brandee Younger, Tomeka Reid, Dezron\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Douglas, Joel Ross, Shabaka Hutchings, Junius Paul, Nubya Garcia, Daniel Casimir, Ashley Henry, Josh Johnson, Jeff Parker, Anna Butters, Carlos Niño and Miguel-Atwood Ferguson - all of whom feature on Universal Beings E\u0026amp;F Sides.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-28T19:07:36+09:00","created_at":"2023-11-28T19:04:07+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":446400,"price_min":446400,"price_max":446400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44821396259066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Makaya McCraven \/\/ Universal Beings E\u0026F Sides LP","public_title":null,"options":["Default Title"],"price":446400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/un1_d02b1f36-6ef9-4a46-a44c-be91f1ac2a20.jpg?v=1701165851","\/\/tobirarecords.com\/cdn\/shop\/files\/un2_b41e2de6-5054-4379-8588-a7b770ed228a.jpg?v=1701165851"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_d02b1f36-6ef9-4a46-a44c-be91f1ac2a20.jpg?v=1701165851","options":["Title"],"media":[{"alt":null,"id":32761597067514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_d02b1f36-6ef9-4a46-a44c-be91f1ac2a20.jpg?v=1701165851"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_d02b1f36-6ef9-4a46-a44c-be91f1ac2a20.jpg?v=1701165851","width":700},{"alt":null,"id":32761597100282,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_b41e2de6-5054-4379-8588-a7b770ed228a.jpg?v=1701165851"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_b41e2de6-5054-4379-8588-a7b770ed228a.jpg?v=1701165851","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズドラマーMakaya McCravenが、2020年7月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e90年代ヒップホップをを彷彿とさせるジャズ meets ビートミュージック14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eKamaal WilliamsやNubya Garcia、Miguel Atwood-Ferguson、Jeff Parker、Shabaka Hutchingsが参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2857185688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn addendum to Makaya McCraven's critically-acclaimed 2018 release Universal Beings, which The New York Times said \"affirms the drummer and beatsmith's position as a major figure in creative music,\" Universal Beings E\u0026amp;F Sides presents fourteen new pieces of organic beat music cut from the original sessions, prepared and produced by Makaya as a soundtrack to the Universal Beings documentary film.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDirected by Mark Pallman, the Universal Beings documentary follows Makaya to Los Angeles, Chicago, London and New York City for a behind the scenes look into the making of the artists breakthrough album, taking the viewer through the story of Makaya's life, his process and the community of musicians that helped bring this project to life. The Universal Beings documentary and Universal Beings E\u0026amp;F Sides album release July 31st 2020.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNamed one of the best albums of 2018 by The New York Times, Rolling Stone, NPR, Stereogum, Billboard, SPIN, The Wall Street Journal, The Chicago Tribune, and more, Universal Beings was recorded at four sessions in New York, Chicago, London and Los Angeles, and features some of the best \"new\" jazz players from those hot bed cities: Brandee Younger, Tomeka Reid, Dezron\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Douglas, Joel Ross, Shabaka Hutchings, Junius Paul, Nubya Garcia, Daniel Casimir, Ashley Henry, Josh Johnson, Jeff Parker, Anna Butters, Carlos Niño and Miguel-Atwood Ferguson - all of whom feature on Universal Beings E\u0026amp;F Sides.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズドラマーMakaya McCravenが、2020年7月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 90年代ヒップホップをを彷彿とさせるジャズ meets ビートミュージック14曲を収録。 Kamaal WilliamsやNubya Garcia、Miguel Atwood-Ferguson、Jeff Parker、Shabaka Hutchingsが参加しています。 レーベルその他作品はこちら /// Click here to...
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{"id":8026760708346,"title":"Jeremiah Chiu \/\/ In Electric Time TAPE","handle":"jeremiah-chiu-in-electric-time-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※12月上旬再入荷後発送します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・LAのモジュラー奏者Jeremiah Chiuが、2023年9月に同国シカゴのジャズレーベルInternational Anthemからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eJeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e即興演奏のアプローチは、VSMのミキサーセットアップ（シンセサイザーのセクションがすべて1つのミキサー／パッチベイにルーティングされている）を採用し、スタジオの端から始めて、6つの異なるセクションを回るというものだった。私は、自分が最も慣れ親しんでいる、あるいは何年もかけて研究してきたシンセサイザーから始め、すぐに使いこなすことができると確信していた。ヴィンテージの機材で作業する場合、楽器がユニークに歌うスイートスポットが必ずある。フィルターや共鳴の仕方、鍵盤のアクション、トリガーやシーケンスに使用するコントロール・ボルテージ、搭載されているユニークな機能などだ。メロディやリズムが思いがけない形で現れる瞬間を見つけるのが好きで、彫刻というより考古学のように感じることもある。編集もかなり即興的で、生々しく自然な感じを維持するために、しばしば異なるセクションの断片を互いに対話させながら引っ張ってきた。ベンがテープを始めたり止めたりする瞬間を録音で聞くのが好きだったので、長くてその瞬間を超えたテイクは、新鮮なアイデアに直接ぶつかったりした。」\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nzPIe9zDAc?si=en4snVPe3Amiihgq\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1183930485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 333. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElectroComp 101 01:44\u003c\/li\u003e\n\u003cli\u003eSeawater Swell 04:31\u003c\/li\u003e\n\u003cli\u003eFor Voices 01:09\u003c\/li\u003e\n\u003cli\u003eRococco Rondo 07:32\u003c\/li\u003e\n\u003cli\u003eA Cloud Song 02:18\u003c\/li\u003e\n\u003cli\u003eRhythm Bell 01:44\u003c\/li\u003e\n\u003cli\u003eBrush with Thin Air 03:55\u003c\/li\u003e\n\u003cli\u003eRhythm Serge 01:24\u003c\/li\u003e\n\u003cli\u003eStatic Stone Railway 02:27\u003c\/li\u003e\n\u003cli\u003eTransparent Spheres 05:17\u003c\/li\u003e\n\u003cli\u003eEcho Arp Hold 01:07\u003c\/li\u003e\n\u003cli\u003eIn Electric Time 04:23 video\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder\/curator Lance Hill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHill recalls: \"Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he started programming a sound and sequence into the Gleeman Pentaphonic. By the time the engineer showed up, Jeremiah had built several other parts around the Gleeman that weren't synced by any control method but sounded like they were just calling and responding to each other. They plugged the Tascam 388 into the patch bay, and hit record. Jeremiah played with it, and that was it. First piece written and recorded in under an hour. It felt natural, fun and free. And that's pretty much how the rest of the session went. Constant ecstatic motion. It was the funnest non-HipHop session I've ever worked on.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe resulting album – In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic music conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to paint a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott’s electronic studio recordings — with sharp cuts and room chatter — and, in others, it conjures the in-the-moment magic of Harmonia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbout the work, Chiu says: “The approach to the improvisations was to embrace the mixer setups at VSM — where a section of synthesizers are all routed to a single mixer\/patchbay — and to start at one end of the studio and work our way around the six different sections. I began with the synths I was most familiar with — or had spent years researching — and was fairly certain I could reign in quickly. When working with vintage gear, there's always a sweet spot where the instrument sings in a unique way. This may be the idiosyncrasies of its filter and how it resonates, the action of the keys, the ability to trigger and use control voltage to sequence, or the unique onboard features. I love finding the moments where a melody or rhythm appears in an unexpected way — at times feeling more like archaeology than sculpture. I was quite improvisatory with the editing as well, often pulling bits from distinctly different sections in dialogue with each other, in order to maintain the raw, spontaneous feeling. I loved hearing moments in the recordings when Ben started or stopped tape, so a take that was running long and beyond its moment would hit directly against a fresh idea.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-10-02T20:26:40+09:00","created_at":"2023-10-02T12:58:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","new","post newage","tape"],"price":264000,"price_min":264000,"price_max":264000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44597301707002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeremiah Chiu \/\/ In Electric Time TAPE","public_title":null,"options":["Default Title"],"price":264000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3c68cb7-41a5-4d50-9e5f-bba82a3db5ef.jpg?v=1696219134","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_89e3ddf6-7b48-46e1-b359-a720b75c7113.jpg?v=1696219134"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3c68cb7-41a5-4d50-9e5f-bba82a3db5ef.jpg?v=1696219134","options":["Title"],"media":[{"alt":null,"id":32516844781818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3c68cb7-41a5-4d50-9e5f-bba82a3db5ef.jpg?v=1696219134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3c68cb7-41a5-4d50-9e5f-bba82a3db5ef.jpg?v=1696219134","width":700},{"alt":null,"id":32516844814586,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_89e3ddf6-7b48-46e1-b359-a720b75c7113.jpg?v=1696219134"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_89e3ddf6-7b48-46e1-b359-a720b75c7113.jpg?v=1696219134","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※12月上旬再入荷後発送します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・LAのモジュラー奏者Jeremiah Chiuが、2023年9月に同国シカゴのジャズレーベルInternational Anthemからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eJeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e即興演奏のアプローチは、VSMのミキサーセットアップ（シンセサイザーのセクションがすべて1つのミキサー／パッチベイにルーティングされている）を採用し、スタジオの端から始めて、6つの異なるセクションを回るというものだった。私は、自分が最も慣れ親しんでいる、あるいは何年もかけて研究してきたシンセサイザーから始め、すぐに使いこなすことができると確信していた。ヴィンテージの機材で作業する場合、楽器がユニークに歌うスイートスポットが必ずある。フィルターや共鳴の仕方、鍵盤のアクション、トリガーやシーケンスに使用するコントロール・ボルテージ、搭載されているユニークな機能などだ。メロディやリズムが思いがけない形で現れる瞬間を見つけるのが好きで、彫刻というより考古学のように感じることもある。編集もかなり即興的で、生々しく自然な感じを維持するために、しばしば異なるセクションの断片を互いに対話させながら引っ張ってきた。ベンがテープを始めたり止めたりする瞬間を録音で聞くのが好きだったので、長くてその瞬間を超えたテイクは、新鮮なアイデアに直接ぶつかったりした。」\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nzPIe9zDAc?si=en4snVPe3Amiihgq\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1183930485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 333. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElectroComp 101 01:44\u003c\/li\u003e\n\u003cli\u003eSeawater Swell 04:31\u003c\/li\u003e\n\u003cli\u003eFor Voices 01:09\u003c\/li\u003e\n\u003cli\u003eRococco Rondo 07:32\u003c\/li\u003e\n\u003cli\u003eA Cloud Song 02:18\u003c\/li\u003e\n\u003cli\u003eRhythm Bell 01:44\u003c\/li\u003e\n\u003cli\u003eBrush with Thin Air 03:55\u003c\/li\u003e\n\u003cli\u003eRhythm Serge 01:24\u003c\/li\u003e\n\u003cli\u003eStatic Stone Railway 02:27\u003c\/li\u003e\n\u003cli\u003eTransparent Spheres 05:17\u003c\/li\u003e\n\u003cli\u003eEcho Arp Hold 01:07\u003c\/li\u003e\n\u003cli\u003eIn Electric Time 04:23 video\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder\/curator Lance Hill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHill recalls: \"Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he started programming a sound and sequence into the Gleeman Pentaphonic. By the time the engineer showed up, Jeremiah had built several other parts around the Gleeman that weren't synced by any control method but sounded like they were just calling and responding to each other. They plugged the Tascam 388 into the patch bay, and hit record. Jeremiah played with it, and that was it. First piece written and recorded in under an hour. It felt natural, fun and free. And that's pretty much how the rest of the session went. Constant ecstatic motion. It was the funnest non-HipHop session I've ever worked on.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe resulting album – In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic music conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to paint a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott’s electronic studio recordings — with sharp cuts and room chatter — and, in others, it conjures the in-the-moment magic of Harmonia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbout the work, Chiu says: “The approach to the improvisations was to embrace the mixer setups at VSM — where a section of synthesizers are all routed to a single mixer\/patchbay — and to start at one end of the studio and work our way around the six different sections. I began with the synths I was most familiar with — or had spent years researching — and was fairly certain I could reign in quickly. When working with vintage gear, there's always a sweet spot where the instrument sings in a unique way. This may be the idiosyncrasies of its filter and how it resonates, the action of the keys, the ability to trigger and use control voltage to sequence, or the unique onboard features. I love finding the moments where a melody or rhythm appears in an unexpected way — at times feeling more like archaeology than sculpture. I was quite improvisatory with the editing as well, often pulling bits from distinctly different sections in dialogue with each other, in order to maintain the raw, spontaneous feeling. I loved hearing moments in the recordings when Ben started or stopped tape, so a take that was running long and beyond its moment would hit directly against a fresh idea.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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※12月上旬再入荷後発送します アメリカ・LAのモジュラー奏者Jeremiah Chiuが、2023年9月に同国シカゴのジャズレーベルInternational Anthemからリリースしたカセットです。 2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。DLコード付属。 以下、レーベルによる解説です。 "2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。ヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。 Jeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。...
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{"id":8005113282810,"title":"International Anthem Catalog Pocket T-SHIRT - CREAM - M, L, XL","handle":"international-anthem-catalog-pocket-t-shirt-cream-m-l-xl","description":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemのヘビーウェイト100%綿Tシャツです。\u003c\/p\u003e\n\u003cp\u003eバッグプリントには過去のカタログ名が記載されています。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eComfort Colors deluxe short sleeve ivory tee shirt with minimal IARC dome printed on the front-side breast pocket, and our full catalog of releases (to date) on the back side. Printed in Chicago. Comes in sizes M, L, XL. Other specs:\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003e- 6.1 oz., 100% ring spun USA cotton\u003cbr\u003e- Preshrunk, soft-washed, garment-dyed fabric\u003cbr\u003e- Made with sustainably and fairly grown USA cotton and sewn with USA cotton thread\u003cbr\u003e- Twill taped shoulder-to-shoulder\u003cbr\u003e- Set-in sleeves\u003cbr\u003e- Double-needle stitched sleeves and bottom hem\u003cbr\u003e- Left-chest pocket\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003e \u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003e++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","published_at":"2023-08-14T13:25:32+09:00","created_at":"2023-08-14T12:02:55+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","international anthem","jazz","new"],"price":599000,"price_min":599000,"price_max":599000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44460679528698,"title":"M","option1":"M","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39702267068666,"product_id":8005113282810,"position":1,"created_at":"2023-08-14T12:02:55+09:00","updated_at":"2023-08-14T12:02:57+09:00","alt":null,"width":1500,"height":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tee1.png?v=1691982177","variant_ids":[44460679528698,44460679627002,44460679659770]},"available":false,"name":"International Anthem Catalog Pocket T-SHIRT - CREAM - M, L, XL - M","public_title":"M","options":["M"],"price":599000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32325933236474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tee1.png?v=1691982177"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44460679627002,"title":"L","option1":"L","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39702267068666,"product_id":8005113282810,"position":1,"created_at":"2023-08-14T12:02:55+09:00","updated_at":"2023-08-14T12:02:57+09:00","alt":null,"width":1500,"height":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tee1.png?v=1691982177","variant_ids":[44460679528698,44460679627002,44460679659770]},"available":false,"name":"International Anthem Catalog Pocket T-SHIRT - CREAM - M, L, XL - L","public_title":"L","options":["L"],"price":599000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32325933236474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tee1.png?v=1691982177"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44460679659770,"title":"XL","option1":"XL","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39702267068666,"product_id":8005113282810,"position":1,"created_at":"2023-08-14T12:02:55+09:00","updated_at":"2023-08-14T12:02:57+09:00","alt":null,"width":1500,"height":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tee1.png?v=1691982177","variant_ids":[44460679528698,44460679627002,44460679659770]},"available":false,"name":"International Anthem Catalog Pocket T-SHIRT - CREAM - M, L, XL - XL","public_title":"XL","options":["XL"],"price":599000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32325933236474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tee1.png?v=1691982177"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tee1.png?v=1691982177","\/\/tobirarecords.com\/cdn\/shop\/files\/tee2.png?v=1691982177","\/\/tobirarecords.com\/cdn\/shop\/files\/PocketTeesizeguide_1024x1024_165453c1-e4dd-41fa-9cb7-9add847a9cd4.webp?v=1692008321"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tee1.png?v=1691982177","options":["Size"],"media":[{"alt":null,"id":32325933236474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tee1.png?v=1691982177"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tee1.png?v=1691982177","width":1500},{"alt":null,"id":32325933269242,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tee2.png?v=1691982177"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tee2.png?v=1691982177","width":1500},{"alt":null,"id":32326717178106,"position":3,"preview_image":{"aspect_ratio":3.697,"height":277,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/PocketTeesizeguide_1024x1024_165453c1-e4dd-41fa-9cb7-9add847a9cd4.webp?v=1692008321"},"aspect_ratio":3.697,"height":277,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/PocketTeesizeguide_1024x1024_165453c1-e4dd-41fa-9cb7-9add847a9cd4.webp?v=1692008321","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemのヘビーウェイト100%綿Tシャツです。\u003c\/p\u003e\n\u003cp\u003eバッグプリントには過去のカタログ名が記載されています。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eComfort Colors deluxe short sleeve ivory tee shirt with minimal IARC dome printed on the front-side breast pocket, and our full catalog of releases (to date) on the back side. Printed in Chicago. Comes in sizes M, L, XL. Other specs:\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003e- 6.1 oz., 100% ring spun USA cotton\u003cbr\u003e- Preshrunk, soft-washed, garment-dyed fabric\u003cbr\u003e- Made with sustainably and fairly grown USA cotton and sewn with USA cotton thread\u003cbr\u003e- Twill taped shoulder-to-shoulder\u003cbr\u003e- Set-in sleeves\u003cbr\u003e- Double-needle stitched sleeves and bottom hem\u003cbr\u003e- Left-chest pocket\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003e \u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003e++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e"}
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アメリカ・シカゴのジャズレーベルInternational Anthemのヘビーウェイト100%綿Tシャツです。 バッグプリントには過去のカタログ名が記載されています。 Comfort Colors deluxe short sleeve ivory tee shirt with minimal...
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{"id":8005110530298,"title":"jaimie branch \/\/ Fly or Die Fly or Die Fly or Die ((world war)) LP","handle":"jaimie-branch-fly-or-die-fly-or-die-fly-or-die-world-war-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branch(2022年7月に他界)が、2023年8月に同国シカゴのジャズ巣窟International Anthemからリリースした遺作です。\u003c\/p\u003e\n\u003cp\u003eスリリングなスピリチュアル・ジャズ9曲を収録。インサートと帯が付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年7月、jaimie branchの死が世界中に衝撃を与えるわずか1ヶ月前、トランペット奏者であり作曲家でもある彼女は、シカゴのインターナショナル・アンセム・スタジオでアルバムの仕上げ作業を行っていた。それは、彼女が作曲し、ネブラスカ州オマハのベミス・センター・フォー・コンテンポラリー・アーツでのレジデンスの間に、彼女の代表的アンサンブルであるフライ・オア・ダイとともにレコーディングした音楽の組曲だった。彼女の後では、アルバムはほぼ完成しており、ミキシングの微調整、最終的なタイトル、アートワークだけが完全に実現されていた。その後数ヶ月間、妹のケイト・ブランチを中心とする彼女の家族、彼女のバンド（ジェイソン・エイジェミアン、レスター・セントルイス、チャド・テイラー）、そしてIARCの協力者たちが、ジェイミーの思い出、テキスト、Eメール、写真、アートワーク、断片を集め、前途を照らした。目標は常に、ジェイミーがしたであろうことをすることだった。ジョン・ハーンドン、デイモン・ロックス、そしてブランチ自身による素晴らしいアートワークに包まれた『Fly or Die Fly or Die ((world war))』は、ジェイミーがフライ・オア・ダイ・カルテットで残した最後のアルバムである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1266839691\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"In July of 2022, just one month before jaimie branch’s death sent shockwaves around the world, the trumpet player and composer was in Chicago at International Anthem studios putting finishing touches on an album. It was a suite of music she had composed and then recorded with her flagship ensemble, Fly or Die, over the course of a residency at the Bemis Center for Contemporary Arts in Omaha, Nebraska. In her wake, the album was near complete, with only mixing tweaks, final titles, and artwork to be fully realized. In the months following, her family (led by sister Kate Branch), her band (Jason Ajemian, Lester St. Louis, and Chad Taylor), and her collaborators at IARC banded together to gather memories, texts, emails, photographs, artwork and fragments belonging to jaimie to light the path forward. The goal was always to do what jaimie would have done. Packaged in stunning artwork by John Herndon, Damon Locks, and branch herself, Fly or Die Fly or Die Fly or Die ((world war)) is jaimie’s final album with her Fly or Die quartet.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e++\u003cbr\u003e\u003cbr\u003eFrom the album's liner notes, written by jaimie's Fly or Die bandmates:\u003cbr\u003e\u003cbr\u003e“\u003cem\u003ejaimie never had small ideas. She always thought big. The minute you told her she couldn’t do something, or that something\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e would be too difficult to accomplish, the more determined and focused she became. And this album is big. Far bigger and more demanding — for us, and for you — than any other Fly or Die record. For this, jaimie wanted to play with longer forms, more modulations, more noise, more singing, and as always, grooves and melodies. She was a dynamic melodicist. jaimie wanted this album to be lush, grand and full of life, just as she was. Every time we take a listen, we feel the deep imprint of her all over the music, and we see all of us making it together.\u003c\/em\u003e”\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : jaimie branch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-14T13:37:06+09:00","created_at":"2023-08-14T11:53:22+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":468000,"price_min":468000,"price_max":468000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44460663341306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"jaimie branch \/\/ Fly or Die Fly or Die Fly or Die ((world war)) LP","public_title":null,"options":["Default Title"],"price":468000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/die1_5b9e6ca6-063b-40d2-a6e8-85f5018a9737.jpg?v=1691981604","\/\/tobirarecords.com\/cdn\/shop\/files\/die2_b75a4384-3942-4c26-821a-1e6c17536251.jpg?v=1691981605"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/die1_5b9e6ca6-063b-40d2-a6e8-85f5018a9737.jpg?v=1691981604","options":["Title"],"media":[{"alt":null,"id":32325905678586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/die1_5b9e6ca6-063b-40d2-a6e8-85f5018a9737.jpg?v=1691981604"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/die1_5b9e6ca6-063b-40d2-a6e8-85f5018a9737.jpg?v=1691981604","width":700},{"alt":null,"id":32325905711354,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/die2_b75a4384-3942-4c26-821a-1e6c17536251.jpg?v=1691981605"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/die2_b75a4384-3942-4c26-821a-1e6c17536251.jpg?v=1691981605","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branch(2022年7月に他界)が、2023年8月に同国シカゴのジャズ巣窟International Anthemからリリースした遺作です。\u003c\/p\u003e\n\u003cp\u003eスリリングなスピリチュアル・ジャズ9曲を収録。インサートと帯が付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年7月、jaimie branchの死が世界中に衝撃を与えるわずか1ヶ月前、トランペット奏者であり作曲家でもある彼女は、シカゴのインターナショナル・アンセム・スタジオでアルバムの仕上げ作業を行っていた。それは、彼女が作曲し、ネブラスカ州オマハのベミス・センター・フォー・コンテンポラリー・アーツでのレジデンスの間に、彼女の代表的アンサンブルであるフライ・オア・ダイとともにレコーディングした音楽の組曲だった。彼女の後では、アルバムはほぼ完成しており、ミキシングの微調整、最終的なタイトル、アートワークだけが完全に実現されていた。その後数ヶ月間、妹のケイト・ブランチを中心とする彼女の家族、彼女のバンド（ジェイソン・エイジェミアン、レスター・セントルイス、チャド・テイラー）、そしてIARCの協力者たちが、ジェイミーの思い出、テキスト、Eメール、写真、アートワーク、断片を集め、前途を照らした。目標は常に、ジェイミーがしたであろうことをすることだった。ジョン・ハーンドン、デイモン・ロックス、そしてブランチ自身による素晴らしいアートワークに包まれた『Fly or Die Fly or Die ((world war))』は、ジェイミーがフライ・オア・ダイ・カルテットで残した最後のアルバムである。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1266839691\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"In July of 2022, just one month before jaimie branch’s death sent shockwaves around the world, the trumpet player and composer was in Chicago at International Anthem studios putting finishing touches on an album. It was a suite of music she had composed and then recorded with her flagship ensemble, Fly or Die, over the course of a residency at the Bemis Center for Contemporary Arts in Omaha, Nebraska. In her wake, the album was near complete, with only mixing tweaks, final titles, and artwork to be fully realized. In the months following, her family (led by sister Kate Branch), her band (Jason Ajemian, Lester St. Louis, and Chad Taylor), and her collaborators at IARC banded together to gather memories, texts, emails, photographs, artwork and fragments belonging to jaimie to light the path forward. The goal was always to do what jaimie would have done. Packaged in stunning artwork by John Herndon, Damon Locks, and branch herself, Fly or Die Fly or Die Fly or Die ((world war)) is jaimie’s final album with her Fly or Die quartet.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e++\u003cbr\u003e\u003cbr\u003eFrom the album's liner notes, written by jaimie's Fly or Die bandmates:\u003cbr\u003e\u003cbr\u003e“\u003cem\u003ejaimie never had small ideas. She always thought big. The minute you told her she couldn’t do something, or that something\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e would be too difficult to accomplish, the more determined and focused she became. And this album is big. Far bigger and more demanding — for us, and for you — than any other Fly or Die record. For this, jaimie wanted to play with longer forms, more modulations, more noise, more singing, and as always, grooves and melodies. She was a dynamic melodicist. jaimie wanted this album to be lush, grand and full of life, just as she was. Every time we take a listen, we feel the deep imprint of her all over the music, and we see all of us making it together.\u003c\/em\u003e”\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : jaimie branch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ロングアイランドのトランペット奏者jaimie branch(2022年7月に他界)が、2023年8月に同国シカゴのジャズ巣窟International Anthemからリリースした遺作です。 スリリングなスピリチュアル・ジャズ9曲を収録。インサートと帯が付属。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "2022年7月、jaimie branchの死が世界中に衝撃を与えるわずか1ヶ月前、トランペット奏者であり作曲家でもある彼女は、シカゴのインターナショナル・アンセム・スタジオでアルバムの仕上げ作業を行っていた。それは、彼女が作曲し、ネブラスカ州オマハのベミス・センター・フォー・コンテンポラリー・アーツでのレジデンスの間に、彼女の代表的アンサンブルであるフライ・オア・ダイとともにレコーディングした音楽の組曲だった。彼女の後では、アルバムはほぼ完成しており、ミキシングの微調整、最終的なタイトル、アートワークだけが完全に実現されていた。その後数ヶ月間、妹のケイト・ブランチを中心とする彼女の家族、彼女のバンド（ジェイソン・エイジェミアン、レスター・セントルイス、チャド・テイラー）、そしてIARCの協力者たちが、ジェイミーの思い出、テキスト、Eメール、写真、アートワーク、断片を集め、前途を照らした。目標は常に、ジェイミーがしたであろうことをすることだった。ジョン・ハーンドン、デイモン・ロックス、そしてブランチ自身による素晴らしいアートワークに包まれた『Fly or Die Fly or Die ((world...
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{"id":7947117723898,"title":"Makaya McCraven \/\/ Where We Come From (CHICAGOxLONDON Mixtape) LP","handle":"makaya-mccraven-where-we-come-from-chicagoxlondon-mixtape-lp","description":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2023年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音とリミックスあわせて14曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=770961976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black Vinyl LP in a heavyweight matte LP Jacket with Black Flood inner pocket, includes insert sheet, IARC dome-pattern inner sleeve and OBI Strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded live at Total Refreshment Centre 18 \u0026amp; 19 October 2017 (CHICAGOxLONDON).\u003cbr\u003e\u003cbr\u003eLive recordings mixed at Total Refreshment Studios 20 \u0026amp; 21 October 2017.\u003cbr\u003e\u003cbr\u003eRemixed live at Total Refreshment Centre 22 October 2017 (FRESH ROASTED: Live Beat-Making \u0026amp; Battle).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-03-31T15:00:34+09:00","created_at":"2023-03-31T13:57:36+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44137401516282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Makaya McCraven \/\/ Where We Come From (CHICAGOxLONDON Mixtape) LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657","\/\/tobirarecords.com\/cdn\/shop\/products\/we2_26bfe15e-1948-4a0a-9fdd-9d9187eab438.jpg?v=1680238657","\/\/tobirarecords.com\/cdn\/shop\/products\/we3_b2c8935d-bc78-4f8e-8f0d-8e94127cf441.jpg?v=1680238657"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657","options":["Title"],"media":[{"alt":null,"id":31758196015354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657","width":700},{"alt":null,"id":31758196048122,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we2_26bfe15e-1948-4a0a-9fdd-9d9187eab438.jpg?v=1680238657"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we2_26bfe15e-1948-4a0a-9fdd-9d9187eab438.jpg?v=1680238657","width":1200},{"alt":null,"id":31758196113658,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we3_b2c8935d-bc78-4f8e-8f0d-8e94127cf441.jpg?v=1680238657"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we3_b2c8935d-bc78-4f8e-8f0d-8e94127cf441.jpg?v=1680238657","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2023年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音とリミックスあわせて14曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=770961976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black Vinyl LP in a heavyweight matte LP Jacket with Black Flood inner pocket, includes insert sheet, IARC dome-pattern inner sleeve and OBI Strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded live at Total Refreshment Centre 18 \u0026amp; 19 October 2017 (CHICAGOxLONDON).\u003cbr\u003e\u003cbr\u003eLive recordings mixed at Total Refreshment Studios 20 \u0026amp; 21 October 2017.\u003cbr\u003e\u003cbr\u003eRemixed live at Total Refreshment Centre 22 October 2017 (FRESH ROASTED: Live Beat-Making \u0026amp; Battle).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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{"id":7947116249338,"title":"Tom Skinner \/\/ Voices of Bishara LP","handle":"tom-skinner-voices-of-bishara-lp","description":"\u003cp\u003eイギリス・ロンドンのパーカッショニストTom Skinnerが、2022年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e6つのセッションを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3960316375\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eClassic Black 160g LP in Heavyweight Reverse-Board Jacket, with Glossy Photo Insert Sheet, IARC OBI strip \u0026amp; dome-pattern inner sleeve. 45rpm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe title of Tom Skinner’s first release under his own name is a reference to cellist Abdul Wadud’s ultra-rare 1978 solo album ‘By Myself’, which Skinner listened to repeatedly during lockdown. Wadud’s album was privately pressed on his own label, Bisharra, and whilst Skinner’s title uses the more conventional spelling of this common Arabic name, they both have the same intention or meaning: it translates as ‘good news’, or ‘the bringer of good news’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is a classic-sounding record that connects backwards to Skinner’s 2017 Hello Skinny collaboration with American composer and Arthur Russell-collaborator Peter Zummo on ‘Watermelon Sun’. It links sideways to Makaya McCraven’s beat maker-inspired treatments of jazz sessions, and it offers a musical bridge to Sons of Kemet’s most meditative moments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Voices of Bishara’ began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. The regular event had a simple format: play a classic album in full through their audiophile system and then have an elite ensemble improvise their response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album ‘Life Time’ and the music he and his friends conjured up was so special\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e that it inspired Skinner to write an albums-worth of phenomenal new music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSkinner, a cellist, a bass player and two saxophonists recorded the results classic album-style, with everyone in the same room. He took the music home and it was put to the side, occasionally coming out for some attention in between Tom’s many other creative projects. This was a slow burn creation, and gradually, a new album began appearing as he embraced the studio recordings and accentuated their sublime idiosyncrasies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I took a very liberal approach with the scissors and started going really hard into the edits between instruments. It breathed new life into the music. I was taking my cue from the great disco re-edits, people like Theo Parrish chopping up tunes and looping sections. I’m not a purist. I don’t want to get hung up on the past. It was really empowering to fuck it up a bit, to mess around with the music and see what happened. It felt right”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is a tight, hypnotic and unique 31-minutes of music. ‘Voices of Bishara’ is sculpted around timeless and deeply emotional music that contains masses of movement and exceptional harmonic depth and texture. It sweeps and soars through soundworlds, rich in musicality and always anchored by the deep doubling of cello and bass. It also, of course, contains Skinner’s percussive magic – drumming skills that have brought artists from Grace Jones to Jonny Greenwood to request him on their records and tours.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“We’re individual voices, coming together collectively. The idea was that we could collectively bring something more positive to the table. It’s the start of something.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTom Skinner and ‘Voices of Bishara’: bringers of good news.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tom Skinner\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-04-02T14:19:49+09:00","created_at":"2023-03-31T13:55:02+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":389000,"price_min":389000,"price_max":389000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44137396142330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tom Skinner \/\/ Voices of Bishara LP","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504","\/\/tobirarecords.com\/cdn\/shop\/products\/vo2_67c5da55-a4ec-4a12-9c1c-9df9ee7a39fd.jpg?v=1680238504","\/\/tobirarecords.com\/cdn\/shop\/products\/vo3_5f771516-de07-42e9-a41f-b928fe2142bf.jpg?v=1680238504"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504","options":["Title"],"media":[{"alt":null,"id":31758188806394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504","width":700},{"alt":null,"id":31758188839162,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo2_67c5da55-a4ec-4a12-9c1c-9df9ee7a39fd.jpg?v=1680238504"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo2_67c5da55-a4ec-4a12-9c1c-9df9ee7a39fd.jpg?v=1680238504","width":1200},{"alt":null,"id":31758188871930,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo3_5f771516-de07-42e9-a41f-b928fe2142bf.jpg?v=1680238504"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo3_5f771516-de07-42e9-a41f-b928fe2142bf.jpg?v=1680238504","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのパーカッショニストTom Skinnerが、2022年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e6つのセッションを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3960316375\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eClassic Black 160g LP in Heavyweight Reverse-Board Jacket, with Glossy Photo Insert Sheet, IARC OBI strip \u0026amp; dome-pattern inner sleeve. 45rpm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe title of Tom Skinner’s first release under his own name is a reference to cellist Abdul Wadud’s ultra-rare 1978 solo album ‘By Myself’, which Skinner listened to repeatedly during lockdown. Wadud’s album was privately pressed on his own label, Bisharra, and whilst Skinner’s title uses the more conventional spelling of this common Arabic name, they both have the same intention or meaning: it translates as ‘good news’, or ‘the bringer of good news’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is a classic-sounding record that connects backwards to Skinner’s 2017 Hello Skinny collaboration with American composer and Arthur Russell-collaborator Peter Zummo on ‘Watermelon Sun’. It links sideways to Makaya McCraven’s beat maker-inspired treatments of jazz sessions, and it offers a musical bridge to Sons of Kemet’s most meditative moments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Voices of Bishara’ began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. The regular event had a simple format: play a classic album in full through their audiophile system and then have an elite ensemble improvise their response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album ‘Life Time’ and the music he and his friends conjured up was so special\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e that it inspired Skinner to write an albums-worth of phenomenal new music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSkinner, a cellist, a bass player and two saxophonists recorded the results classic album-style, with everyone in the same room. He took the music home and it was put to the side, occasionally coming out for some attention in between Tom’s many other creative projects. This was a slow burn creation, and gradually, a new album began appearing as he embraced the studio recordings and accentuated their sublime idiosyncrasies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I took a very liberal approach with the scissors and started going really hard into the edits between instruments. It breathed new life into the music. I was taking my cue from the great disco re-edits, people like Theo Parrish chopping up tunes and looping sections. I’m not a purist. I don’t want to get hung up on the past. It was really empowering to fuck it up a bit, to mess around with the music and see what happened. It felt right”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is a tight, hypnotic and unique 31-minutes of music. ‘Voices of Bishara’ is sculpted around timeless and deeply emotional music that contains masses of movement and exceptional harmonic depth and texture. It sweeps and soars through soundworlds, rich in musicality and always anchored by the deep doubling of cello and bass. It also, of course, contains Skinner’s percussive magic – drumming skills that have brought artists from Grace Jones to Jonny Greenwood to request him on their records and tours.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“We’re individual voices, coming together collectively. The idea was that we could collectively bring something more positive to the table. It’s the start of something.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTom Skinner and ‘Voices of Bishara’: bringers of good news.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tom Skinner\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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イギリス・ロンドンのパーカッショニストTom Skinnerが、2022年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 6つのセッションを収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7877336269050,"title":"Dezron Douglas \/\/ ATALAYA LP","handle":"dezron-douglas-atalaya-lp","description":"\u003cp\u003eアメリカ・コネチカットのベーシストDezron Douglasが、2022年12月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアップテンポからバラードまで10曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3561225918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e60g Classic Black LP in Heavyweight Reverse-Board Jacket, with IARC OBI strip \u0026amp; dome-pattern inner sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ATALAYA is new work by bassist Dezron Douglas, and it is alive. That is, ‘alive’ in all the ways that jazz is at its best – as a pure and personal expression of Black Music channeled through time-honored traditions by a group of musicians who practice sonic coherence through musical unity. As Dezron puts it in the opening statement of his liner notes for the album: “Mysticism, Magic, Faith, Love, Power, Discernment! These are words that embody the creative process of Music.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowers of contemporary jazz might recognize Dezron for his bass work behind Pharoah Sanders, Louis Hayes, or Ravi Coltrane. Others might know him as the newest full-time member of the Trey Anastasio Band. Steady International Anthem listeners might remember him from the New York side of Makaya McCraven's Universal Beings. More recently we presented Force Majeure, Dezron’s sublime duo record with harpist Brandee Younger, which compiled the best of livestream performances from their Harlem apartment during the original covid lockdown. That album, which came out in December of 2020, reflected the speed and feeling of the moment while somehow simultaneously distracting from the harsh reality of it. It also captured a very vulnerable, intimate, and real impression of Dezron\u003cspan class=\"bcTruncateMore\"\u003e on double bass, sharing his power and truth without abandon.\u003cbr\u003e\u003cbr\u003eATALAYA, similarly, wasn’t processed in the lab, but rather, captured in the room. The realness factor is once again forefront in the sound; but the difference is in the energy and ambition of the music, which reaches for the stratosphere. Again, let’s defer to Dezron here: “Welcome to the Black Lion rocket ship.”\u003cbr\u003e\u003cbr\u003eWith Emilio Modeste on saxes, George Burton on keys, and Joe Dyson Jr. on drums, Dezron’s crew summons the dynamism of Coltrane’s classic Quartet, or Dave Holland’s Quintet on Prime Directive, or Charles Mingus on Nostalgia In Times Square… swinging virtuosically and firing on all 4 cylinders. But there’s nothing remotely revisionist here – Dezron and his quartet embody poetry, presence, artistic and emotional clarity in every note they play. Free and dissonant, sweet and consonant, sweeping and pure… This is the band you hope is playing every time you walk into a club.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dezron Douglas\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2022-12-25T11:25:22+09:00","created_at":"2022-12-25T10:24:32+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":425000,"price_min":425000,"price_max":425000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43811645849850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dezron Douglas \/\/ ATALAYA LP","public_title":null,"options":["Default Title"],"price":425000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de_54dda656-70a4-4dc1-97aa-1253bdb76a51.jpg?v=1671931474","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_53cc52b9-2361-41f4-a516-b8f6a1b1c613.jpg?v=1671931474"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de_54dda656-70a4-4dc1-97aa-1253bdb76a51.jpg?v=1671931474","options":["Title"],"media":[{"alt":null,"id":31252112736506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de_54dda656-70a4-4dc1-97aa-1253bdb76a51.jpg?v=1671931474"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de_54dda656-70a4-4dc1-97aa-1253bdb76a51.jpg?v=1671931474","width":700},{"alt":null,"id":31252112769274,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_53cc52b9-2361-41f4-a516-b8f6a1b1c613.jpg?v=1671931474"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_53cc52b9-2361-41f4-a516-b8f6a1b1c613.jpg?v=1671931474","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・コネチカットのベーシストDezron Douglasが、2022年12月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアップテンポからバラードまで10曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3561225918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e60g Classic Black LP in Heavyweight Reverse-Board Jacket, with IARC OBI strip \u0026amp; dome-pattern inner sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ATALAYA is new work by bassist Dezron Douglas, and it is alive. That is, ‘alive’ in all the ways that jazz is at its best – as a pure and personal expression of Black Music channeled through time-honored traditions by a group of musicians who practice sonic coherence through musical unity. As Dezron puts it in the opening statement of his liner notes for the album: “Mysticism, Magic, Faith, Love, Power, Discernment! These are words that embody the creative process of Music.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowers of contemporary jazz might recognize Dezron for his bass work behind Pharoah Sanders, Louis Hayes, or Ravi Coltrane. Others might know him as the newest full-time member of the Trey Anastasio Band. Steady International Anthem listeners might remember him from the New York side of Makaya McCraven's Universal Beings. More recently we presented Force Majeure, Dezron’s sublime duo record with harpist Brandee Younger, which compiled the best of livestream performances from their Harlem apartment during the original covid lockdown. That album, which came out in December of 2020, reflected the speed and feeling of the moment while somehow simultaneously distracting from the harsh reality of it. It also captured a very vulnerable, intimate, and real impression of Dezron\u003cspan class=\"bcTruncateMore\"\u003e on double bass, sharing his power and truth without abandon.\u003cbr\u003e\u003cbr\u003eATALAYA, similarly, wasn’t processed in the lab, but rather, captured in the room. The realness factor is once again forefront in the sound; but the difference is in the energy and ambition of the music, which reaches for the stratosphere. Again, let’s defer to Dezron here: “Welcome to the Black Lion rocket ship.”\u003cbr\u003e\u003cbr\u003eWith Emilio Modeste on saxes, George Burton on keys, and Joe Dyson Jr. on drums, Dezron’s crew summons the dynamism of Coltrane’s classic Quartet, or Dave Holland’s Quintet on Prime Directive, or Charles Mingus on Nostalgia In Times Square… swinging virtuosically and firing on all 4 cylinders. But there’s nothing remotely revisionist here – Dezron and his quartet embody poetry, presence, artistic and emotional clarity in every note they play. Free and dissonant, sweet and consonant, sweeping and pure… This is the band you hope is playing every time you walk into a club.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dezron Douglas\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・コネチカットのベーシストDezron Douglasが、2022年12月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 アップテンポからバラードまで10曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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