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{"id":5868547506341,"title":"Maalem Mahmoud Gania \/\/ Aicha LP","handle":"maalem-mahmoud-gania-aicha-lp","description":"\u003cp\u003eモロッコのトランス音楽「グナワ」を代表する音楽家Maalem Mahmoud Gania が90年代にカセットのみでリリースしたアルバムを英国Hive MindがLP再発。2020年10月リリースにして廃盤間近です。バークレー教授にして名ブログ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMoroccan Tape Stash運営者\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTim Abdellah Fusonによるスリーブノート付き。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3181863308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/maalemmahmoudgania.bandcamp.com\/album\/aicha\"\u003eAicha by Maalem Mahmoud Gania\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAicha was previously released on cassette in Morocco only in the late 1990's. Maalem Mahmoud Gania was a particularly prolific artist recording for many labels in Morocco and many details about the recording of this particular album or the people involved are destined to remain a mystery. However, we do know the album was recorded in the Gania's home town of Essaouira with only a small and intimate group of supporting musicians.\u003c\/em\u003e\u003cbr\u003e- Hive Mind Records\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe album comes with extensive sleeve notes written by Tim Abdellah Fuson, Berkeley scholar and curator of the excellent Moroccan Tape Stash blog.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maalem Mahmoud Gania\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e","published_at":"2020-11-08T10:32:28+09:00","created_at":"2020-11-08T08:54:50+09:00","vendor":"Tobira Records","type":"","tags":["field recording","hiphop \/ house \/ techno","hive mind records","lp","new","strange beats","techno \/ house"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37034340712613,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Maalem Mahmoud Gania \/\/ Aicha LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/aicha1.jpg?v=1604793293","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/aicha2.jpg?v=1604793293"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/aicha1.jpg?v=1604793293","options":["Title"],"media":[{"alt":null,"id":13123674538149,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/aicha1.jpg?v=1604793293"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/aicha1.jpg?v=1604793293","width":700},{"alt":null,"id":13123674570917,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/aicha2.jpg?v=1604793293"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/aicha2.jpg?v=1604793293","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eモロッコのトランス音楽「グナワ」を代表する音楽家Maalem Mahmoud Gania が90年代にカセットのみでリリースしたアルバムを英国Hive MindがLP再発。2020年10月リリースにして廃盤間近です。バークレー教授にして名ブログ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMoroccan Tape Stash運営者\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTim Abdellah Fusonによるスリーブノート付き。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3181863308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/maalemmahmoudgania.bandcamp.com\/album\/aicha\"\u003eAicha by Maalem Mahmoud Gania\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAicha was previously released on cassette in Morocco only in the late 1990's. Maalem Mahmoud Gania was a particularly prolific artist recording for many labels in Morocco and many details about the recording of this particular album or the people involved are destined to remain a mystery. However, we do know the album was recorded in the Gania's home town of Essaouira with only a small and intimate group of supporting musicians.\u003c\/em\u003e\u003cbr\u003e- Hive Mind Records\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe album comes with extensive sleeve notes written by Tim Abdellah Fuson, Berkeley scholar and curator of the excellent Moroccan Tape Stash blog.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Maalem Mahmoud Gania\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e"}
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モロッコのトランス音楽「グナワ」を代表する音楽家Maalem Mahmoud Gania が90年代にカセットのみでリリースしたアルバムを英国Hive MindがLP再発。2020年10月リリースにして廃盤間近です。バークレー教授にして名ブログMoroccan Tape Stash運営者Tim Abdellah Fusonによるスリーブノート付き。 Aicha by Maalem Mahmoud Gania...
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{"id":5868544458917,"title":"Idjah Hadidjah \u0026 Jugala Jaipongan \/\/ Jaipongan Music of West Java 2xLP","handle":"idjah-hadidjah-jugala-jaipongan-jaipongan-music-of-west-java-2lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1960年代初頭、インドネシア政府は自国特有の音楽文化を育てるべく、西洋音楽とりわけロックを全面的に禁止しました。しかし保守的になることを恐れた一部の音楽家が古典芸能を現代にアップデートしようと試み、生まれたジャンルがジャイポンガンです。ガムランの音色をベースにドラムが多用されているのが特徴です。1枚目にはジャイポンガン提唱者\u003cmeta charset=\"utf-8\"\u003eグンビラ率いるジュガラ・オーケストラと、\u003cmeta charset=\"utf-8\"\u003e国民的歌手イジャ・ハディジャによる演奏を、2枚目には各国のアーティストによるリワークを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=312150781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/hivemindrecords.bandcamp.com\/album\/jaipongan-music-of-west-java\"\u003eJaipongan Music of West Java by Idjah Hadidjah \u0026amp; Jugala Jaipongan\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe form of jaipongan we know today was born from the fields of Java where an early form of music called ketuk-tilu echoed over fields during harvest times. Known for intense and complex drumming coordinated with equally dynamic solo female dancing, ketuk-tilu performances included a rebab (a small upright bowed instrument), a gong, and ketuk-tilu (“three kettle gongs”). Though the original performance context of this music revolved around planting and harvesting rituals, with the singer accepting male dancing partners, over time ketuk-tilu became an outlet for village life expressing fertility, sensuality, eroticism, and, at times, socially accepted prostitution. Activities in the first half of the twentieth century that were best suited amongst the elements of harvest and outside of urban criticism.\u003cbr\u003e\u003c\/em\u003e- Hive Mind Records\u003c\/p\u003e\n\u003cp\u003eArtist : Idjah Hadidjah \u0026amp; Jugala Jaipongan\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e","published_at":"2020-11-08T10:25:46+09:00","created_at":"2020-11-08T08:48:02+09:00","vendor":"Tobira Records","type":"","tags":["asia","field recording","hive mind records","lp","new"],"price":319000,"price_min":319000,"price_max":319000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37034308436133,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Idjah Hadidjah \u0026 Jugala Jaipongan \/\/ Jaipongan Music of West Java 2xLP","public_title":null,"options":["Default Title"],"price":319000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jaipo.jpg?v=1604792886","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jaipo2.jpg?v=1604792886"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jaipo.jpg?v=1604792886","options":["Title"],"media":[{"alt":null,"id":13123634954405,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jaipo.jpg?v=1604792886"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jaipo.jpg?v=1604792886","width":700},{"alt":null,"id":13123634987173,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jaipo2.jpg?v=1604792886"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jaipo2.jpg?v=1604792886","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1960年代初頭、インドネシア政府は自国特有の音楽文化を育てるべく、西洋音楽とりわけロックを全面的に禁止しました。しかし保守的になることを恐れた一部の音楽家が古典芸能を現代にアップデートしようと試み、生まれたジャンルがジャイポンガンです。ガムランの音色をベースにドラムが多用されているのが特徴です。1枚目にはジャイポンガン提唱者\u003cmeta charset=\"utf-8\"\u003eグンビラ率いるジュガラ・オーケストラと、\u003cmeta charset=\"utf-8\"\u003e国民的歌手イジャ・ハディジャによる演奏を、2枚目には各国のアーティストによるリワークを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=312150781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"https:\/\/hivemindrecords.bandcamp.com\/album\/jaipongan-music-of-west-java\"\u003eJaipongan Music of West Java by Idjah Hadidjah \u0026amp; Jugala Jaipongan\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe form of jaipongan we know today was born from the fields of Java where an early form of music called ketuk-tilu echoed over fields during harvest times. Known for intense and complex drumming coordinated with equally dynamic solo female dancing, ketuk-tilu performances included a rebab (a small upright bowed instrument), a gong, and ketuk-tilu (“three kettle gongs”). Though the original performance context of this music revolved around planting and harvesting rituals, with the singer accepting male dancing partners, over time ketuk-tilu became an outlet for village life expressing fertility, sensuality, eroticism, and, at times, socially accepted prostitution. Activities in the first half of the twentieth century that were best suited amongst the elements of harvest and outside of urban criticism.\u003cbr\u003e\u003c\/em\u003e- Hive Mind Records\u003c\/p\u003e\n\u003cp\u003eArtist : Idjah Hadidjah \u0026amp; Jugala Jaipongan\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e"}
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1960年代初頭、インドネシア政府は自国特有の音楽文化を育てるべく、西洋音楽とりわけロックを全面的に禁止しました。しかし保守的になることを恐れた一部の音楽家が古典芸能を現代にアップデートしようと試み、生まれたジャンルがジャイポンガンです。ガムランの音色をベースにドラムが多用されているのが特徴です。1枚目にはジャイポンガン提唱者グンビラ率いるジュガラ・オーケストラと、国民的歌手イジャ・ハディジャによる演奏を、2枚目には各国のアーティストによるリワークを収録。 Jaipongan Music of West Java by Idjah Hadidjah & Jugala Jaipongan The form...
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