Faitiche
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{"id":8214917546234,"title":"Giuseppe Ielasi \/\/ Rhetorical Islands LP","handle":"giuseppe-ielasi-rhetorical-islands-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリア・ミラノの実験レーベルSenufo Editions主宰Giuseppe Ielashiが、2024年3月にドイツ・ベルリンの実験レーベルFaiticheからリリースした再発レコードです。（オリジナルは2012年CDリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフロア棒立ち系物音ミニマルテクノ〜物音コラージュ10曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=969073909\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3640597530\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=969073909\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=107806208\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=969073909\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1029501851\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=969073909\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4090670832\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Limited edition of 300. LP with text and image print on the sleeve. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. 01 03:09\u003cbr\u003e2. 02 02:28\u003cbr\u003e3. 03 04:29\u003cbr\u003e4. 04 03:43\u003cbr\u003e5. 05 02:22\u003cbr\u003e6. 06 02:24\u003cbr\u003e7. 07 02:19\u003cbr\u003e8. 08 01:58\u003cbr\u003e9. 09 02:52\u003cbr\u003e10. 10 03:52\u003c\/p\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"First vinyl edition of the album Rhetorical Islands, originally released by Giuseppe Ielasi in 2012 as a limited-edition CD on his Senufo Editions label, with recordings made in 2011 as a commission for l’Audible Festival, Paris.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album’s ten tracks have neither titles nor accompanying text, standing for themselves as what Ielasi himself has called “isolated sound worlds”. They are nonetheless unparalleled in their plasticity, acoustic events with a rare degree of tangibility. Ielasi evokes physical objects, some of which seem to have been constructed out of paper and cardboard, others based on a mechanics of elastic materials. Of course these objects are hallucinations, and precisely because Ielasi constructs them so masterfully there’s no need for any further information. Here’s to everyone creating their very own sculptures while listening to Rhetorical Islands!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe front and back cover features 0.058, a work on paper by the artists Thomas \u0026amp; Renée Rapedius. They make sculptures whose form and artistic inspiration are defined by their materials. Like Ielasi’s acoustic islands, their impact derives from self-referentiality, resulting in paradoxical objects that embody both a detailed material study and a potential for free association.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2024-03-08T08:07:12+09:00","created_at":"2024-03-08T07:58:55+09:00","vendor":"Tobira Records","type":"","tags":["faitiche","lp","monooto","new","recommended","techno \/ house"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45313025605882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giuseppe Ielasi \/\/ Rhetorical Islands LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/full-8.jpg?v=1709852433","\/\/tobirarecords.com\/cdn\/shop\/files\/giuseppe_front.jpg?v=1709852435","\/\/tobirarecords.com\/cdn\/shop\/files\/giuseppe_back.jpg?v=1709852436","\/\/tobirarecords.com\/cdn\/shop\/files\/0034806891_10.jpg?v=1709852473"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/full-8.jpg?v=1709852433","options":["Title"],"media":[{"alt":null,"id":33335443489018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/full-8.jpg?v=1709852433"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/full-8.jpg?v=1709852433","width":600},{"alt":null,"id":33335443521786,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/giuseppe_front.jpg?v=1709852435"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/giuseppe_front.jpg?v=1709852435","width":600},{"alt":null,"id":33335443554554,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/giuseppe_back.jpg?v=1709852436"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/giuseppe_back.jpg?v=1709852436","width":600},{"alt":null,"id":33335444603130,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034806891_10.jpg?v=1709852473"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034806891_10.jpg?v=1709852473","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリア・ミラノの実験レーベルSenufo Editions主宰Giuseppe Ielashiが、2024年3月にドイツ・ベルリンの実験レーベルFaiticheからリリースした再発レコードです。（オリジナルは2012年CDリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフロア棒立ち系物音ミニマルテクノ〜物音コラージュ10曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=969073909\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3640597530\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=969073909\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=107806208\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=969073909\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1029501851\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=969073909\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4090670832\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Limited edition of 300. LP with text and image print on the sleeve. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. 01 03:09\u003cbr\u003e2. 02 02:28\u003cbr\u003e3. 03 04:29\u003cbr\u003e4. 04 03:43\u003cbr\u003e5. 05 02:22\u003cbr\u003e6. 06 02:24\u003cbr\u003e7. 07 02:19\u003cbr\u003e8. 08 01:58\u003cbr\u003e9. 09 02:52\u003cbr\u003e10. 10 03:52\u003c\/p\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"First vinyl edition of the album Rhetorical Islands, originally released by Giuseppe Ielasi in 2012 as a limited-edition CD on his Senufo Editions label, with recordings made in 2011 as a commission for l’Audible Festival, Paris.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album’s ten tracks have neither titles nor accompanying text, standing for themselves as what Ielasi himself has called “isolated sound worlds”. They are nonetheless unparalleled in their plasticity, acoustic events with a rare degree of tangibility. Ielasi evokes physical objects, some of which seem to have been constructed out of paper and cardboard, others based on a mechanics of elastic materials. Of course these objects are hallucinations, and precisely because Ielasi constructs them so masterfully there’s no need for any further information. Here’s to everyone creating their very own sculptures while listening to Rhetorical Islands!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe front and back cover features 0.058, a work on paper by the artists Thomas \u0026amp; Renée Rapedius. They make sculptures whose form and artistic inspiration are defined by their materials. Like Ielasi’s acoustic islands, their impact derives from self-referentiality, resulting in paradoxical objects that embody both a detailed material study and a potential for free association.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Ielasi\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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イタリア・ミラノの実験レーベルSenufo Editions主宰Giuseppe Ielashiが、2024年3月にドイツ・ベルリンの実験レーベルFaiticheからリリースした再発レコードです。（オリジナルは2012年CDリリース） フロア棒立ち系物音ミニマルテクノ〜物音コラージュ10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Faitiche releases available at Tobira. ----------------------...
¥4,280
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{"id":8108861587706,"title":"Roméo Poirier \u0026 The Exposures (aka Jan Jelinek) \/\/ LOVE\/HATE 7\"","handle":"romeo-poirier-the-exposures-aka-jan-jelinek-love-hate-7","description":"\u003cp\u003eベルギー・ブリュッセルのRoméo Poirierとドイツの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Exposures aka Jan Jelinek\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント作家2名\u003c\/span\u003eが、2023年11月にドイツ・ベルリンの実験／アンビエントレーベル\u003cspan data-mce-fragment=\"1\"\u003eFaiticheからリリースしたスプリット7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・アンビエント〜Lo-Fiコラージュ・ヒップホップ14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3487127065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4174698182\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3487127065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoméo Poirier - Negative Feedback 03:36\u003c\/li\u003e\n\u003cli\u003eThe Exposures aka Jan Jelinek - Collage Of Digital Passion 03:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe vinyl single LOVE\/HATE brings together two sample collages on the theme of good and evil. Often evoked and sung about, but rarely in such concentrated, systematic form, these collages present the words LOVE and HATE in a variegated catalogue of articulations. Poirier’s miniature radio play is anything but misanthropic: never before has the message of hate been conveyed in such a wonderfully warm-hearted manner. The LOVE side features a track originally released by Jan Jelinek in 2005 on the Eastern Developments label under the long-forgotten pseudonym The Exposures.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roméo Poirier, The Exposures aka Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2023-12-10T12:05:38+09:00","created_at":"2023-12-10T10:42:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","faitiche","hiphop \/ funk","lp","new"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44868837441786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Roméo Poirier \u0026 The Exposures (aka Jan Jelinek) \/\/ LOVE\/HATE 7\"","public_title":null,"options":["Default Title"],"price":218000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_5ced248f-12e4-436a-8594-52ec21e97c71.jpg?v=1702172524","\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_2304012e-c898-4371-a8fc-dd0a2b5a2e6a.jpg?v=1702172523"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_5ced248f-12e4-436a-8594-52ec21e97c71.jpg?v=1702172524","options":["Title"],"media":[{"alt":null,"id":32817705025786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_5ced248f-12e4-436a-8594-52ec21e97c71.jpg?v=1702172524"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha1_5ced248f-12e4-436a-8594-52ec21e97c71.jpg?v=1702172524","width":700},{"alt":null,"id":32817705058554,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_2304012e-c898-4371-a8fc-dd0a2b5a2e6a.jpg?v=1702172523"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ha2_2304012e-c898-4371-a8fc-dd0a2b5a2e6a.jpg?v=1702172523","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ブリュッセルのRoméo Poirierとドイツの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Exposures aka Jan Jelinek\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eアンビエント作家2名\u003c\/span\u003eが、2023年11月にドイツ・ベルリンの実験／アンビエントレーベル\u003cspan data-mce-fragment=\"1\"\u003eFaiticheからリリースしたスプリット7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ・アンビエント〜Lo-Fiコラージュ・ヒップホップ14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3487127065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4174698182\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3487127065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRoméo Poirier - Negative Feedback 03:36\u003c\/li\u003e\n\u003cli\u003eThe Exposures aka Jan Jelinek - Collage Of Digital Passion 03:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe vinyl single LOVE\/HATE brings together two sample collages on the theme of good and evil. Often evoked and sung about, but rarely in such concentrated, systematic form, these collages present the words LOVE and HATE in a variegated catalogue of articulations. Poirier’s miniature radio play is anything but misanthropic: never before has the message of hate been conveyed in such a wonderfully warm-hearted manner. The LOVE side features a track originally released by Jan Jelinek in 2005 on the Eastern Developments label under the long-forgotten pseudonym The Exposures.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roméo Poirier, The Exposures aka Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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ベルギー・ブリュッセルのRoméo PoirierとドイツのThe Exposures aka Jan Jelinekアンビエント作家2名が、2023年11月にドイツ・ベルリンの実験／アンビエントレーベルFaiticheからリリースしたスプリット7"です。 コラージュ・アンビエント〜Lo-Fiコラージュ・ヒップホップ14曲を収録。 レーベルその他作品はこちら /// Click here to see more Faitiche releases available...
¥2,180
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{"id":8018689884410,"title":"blackbody_radiation \/\/ Ultra-Materials LP","handle":"blackbody_radiation-ultra-materials-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのドローン作家blackbody_radiationが、2023年9月にドイツの実験レーベルFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングを加工したドローン〜アンビエントドローン7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Faiticheは、blackbody_radiationこと\u003cmeta charset=\"utf-8\"\u003eAndrew Blackを迎える。彼のデビューアルバム『Ultra-Materials』には、サウンドマスキングの助けを借りて制作された6つの幽霊のようなドローンが収録されている。\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAndrew Blackは、イギリス北西部の工業地帯のひとつであるミルタウン出身で、空間とその音響に対する繊細な感覚を持っている。デザイナーとして訓練を受け、建築や公共空間の領域で活動してきた彼にとって、フィールドレコーディングを操作することに興味を持つのは自然なことだった。\u2028\u2028Ultra-Materialsに収録された6つの作品は、Blackの非常に繊細なミニマリズムを見て取ることができる。部屋の音響と場所に関する微妙に蛇行した媒介を示すもので、特にサウンドマスキング（不要な音を隠すために人工的に発生させた周波数の追加や重ね合わせ）の助けを借りて操作されている。\u2028\u2028時には温かみのあるエンジン音を連想させ、時には注意深く捉えた自然現象を思い起こさせる。具体的な帰属や音楽的な位置づけがないため、出自を明らかにすることなく催眠術のような引きを繰り広げることができるのだ。ハーモニクスは時に揺らぎ、時にワーワーと鳴り、時に共存する。これは、私たちのリスニング能力に触れようとする試みなのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/840764364?h=50d9b3c68c\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1741288376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Rhyolite\u003cbr\u003eA2 Soft Fascination\u003cbr\u003eA3 Ferric Oxide\u003cbr\u003eB1 Silica\u003cbr\u003eB2 Xeskouriasma\u003cbr\u003eB3 Particle Float\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Faitiche welcomes Andrew Black aka \u003c\/span\u003eblackbody_radiation\u003cspan\u003e. His debut album \u003c\/span\u003e\u003cem\u003eUltra-Materials \u003c\/em\u003e\u003cspan\u003e(faitiche32) gathers six ghostly drones, created with the help of sound masking...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAndrew Black, who hails from one of the UK's post industrial North West Milltowns has a sensitive feeling for space and its acoustics. Having trained as a designer and operated within the realms of architecture and public space, it was only natural to extend his interest to manipulating field recordings.\u2028\u2028 The six pieces collected on Ultra-Materials provide an insight into Black's highly sensitive minimalism: they stand for a subtly meandering mediation on room acoustics and place, which are manipulated with the help of sound masking, among other things - that is, the addition and superimposition of artificially generated frequencies to mask unwanted sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSometimes the pieces are reminiscent of warm engine noise, sometimes one thinks of carefully captured natural phenomena. Their strength lies in their elusiveness: free of concrete attributions or musical location, they can unfold their hypnotic pull without revealing anything about their origins. Harmonics at times shimmer, at times warble and at times coexist. It is an attempt to get in touch with our listening abilities.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : blackbody_radiation\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2023-09-17T19:31:55+09:00","created_at":"2023-09-17T11:52:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","faitiche","lp","new"],"price":419200,"price_min":419200,"price_max":419200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44568240128250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"blackbody_radiation \/\/ Ultra-Materials LP","public_title":null,"options":["Default Title"],"price":419200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-09-17at11.50.24am.png?v=1694919166"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-09-17at11.50.24am.png?v=1694919166","options":["Title"],"media":[{"alt":null,"id":32463909781754,"position":1,"preview_image":{"aspect_ratio":1.004,"height":553,"width":555,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-09-17at11.50.24am.png?v=1694919166"},"aspect_ratio":1.004,"height":553,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2023-09-17at11.50.24am.png?v=1694919166","width":555}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのドローン作家blackbody_radiationが、2023年9月にドイツの実験レーベルFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングを加工したドローン〜アンビエントドローン7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Faiticheは、blackbody_radiationこと\u003cmeta charset=\"utf-8\"\u003eAndrew Blackを迎える。彼のデビューアルバム『Ultra-Materials』には、サウンドマスキングの助けを借りて制作された6つの幽霊のようなドローンが収録されている。\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAndrew Blackは、イギリス北西部の工業地帯のひとつであるミルタウン出身で、空間とその音響に対する繊細な感覚を持っている。デザイナーとして訓練を受け、建築や公共空間の領域で活動してきた彼にとって、フィールドレコーディングを操作することに興味を持つのは自然なことだった。\u2028\u2028Ultra-Materialsに収録された6つの作品は、Blackの非常に繊細なミニマリズムを見て取ることができる。部屋の音響と場所に関する微妙に蛇行した媒介を示すもので、特にサウンドマスキング（不要な音を隠すために人工的に発生させた周波数の追加や重ね合わせ）の助けを借りて操作されている。\u2028\u2028時には温かみのあるエンジン音を連想させ、時には注意深く捉えた自然現象を思い起こさせる。具体的な帰属や音楽的な位置づけがないため、出自を明らかにすることなく催眠術のような引きを繰り広げることができるのだ。ハーモニクスは時に揺らぎ、時にワーワーと鳴り、時に共存する。これは、私たちのリスニング能力に触れようとする試みなのだ。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/840764364?h=50d9b3c68c\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1741288376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Rhyolite\u003cbr\u003eA2 Soft Fascination\u003cbr\u003eA3 Ferric Oxide\u003cbr\u003eB1 Silica\u003cbr\u003eB2 Xeskouriasma\u003cbr\u003eB3 Particle Float\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Faitiche welcomes Andrew Black aka \u003c\/span\u003eblackbody_radiation\u003cspan\u003e. His debut album \u003c\/span\u003e\u003cem\u003eUltra-Materials \u003c\/em\u003e\u003cspan\u003e(faitiche32) gathers six ghostly drones, created with the help of sound masking...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eAndrew Black, who hails from one of the UK's post industrial North West Milltowns has a sensitive feeling for space and its acoustics. Having trained as a designer and operated within the realms of architecture and public space, it was only natural to extend his interest to manipulating field recordings.\u2028\u2028 The six pieces collected on Ultra-Materials provide an insight into Black's highly sensitive minimalism: they stand for a subtly meandering mediation on room acoustics and place, which are manipulated with the help of sound masking, among other things - that is, the addition and superimposition of artificially generated frequencies to mask unwanted sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSometimes the pieces are reminiscent of warm engine noise, sometimes one thinks of carefully captured natural phenomena. Their strength lies in their elusiveness: free of concrete attributions or musical location, they can unfold their hypnotic pull without revealing anything about their origins. Harmonics at times shimmer, at times warble and at times coexist. It is an attempt to get in touch with our listening abilities.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : blackbody_radiation\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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イギリスのドローン作家blackbody_radiationが、2023年9月にドイツの実験レーベルFaiticheからリリースしたレコードです。 フィールドレコーディングを加工したドローン〜アンビエントドローン7曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いします "Faiticheは、blackbody_radiationことAndrew Blackを迎える。彼のデビューアルバム『Ultra-Materials』には、サウンドマスキングの助けを借りて制作された6つの幽霊のようなドローンが収録されている。 Andrew Blackは、イギリス北西部の工業地帯のひとつであるミルタウン出身で、空間とその音響に対する繊細な感覚を持っている。デザイナーとして訓練を受け、建築や公共空間の領域で活動してきた彼にとって、フィールドレコーディングを操作することに興味を持つのは自然なことだった。
Ultra-Materialsに収録された6つの作品は、Blackの非常に繊細なミニマリズムを見て取ることができる。部屋の音響と場所に関する微妙に蛇行した媒介を示すもので、特にサウンドマスキング（不要な音を隠すために人工的に発生させた周波数の追加や重ね合わせ）の助けを借りて操作されている。
時には温かみのあるエンジン音を連想させ、時には注意深く捉えた自然現象を思い起こさせる。具体的な帰属や音楽的な位置づけがないため、出自を明らかにすることなく催眠術のような引きを繰り広げることができるのだ。ハーモニクスは時に揺らぎ、時にワーワーと鳴り、時に共存する。これは、私たちのリスニング能力に触れようとする試みなのだ。" レーベルその他作品はこちら /// Click here to see more Faitiche releases available...
¥4,192
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{"id":7930342899962,"title":"Muellie Messiah \u0026 Punk Not Punk \/\/ Exq I LP","handle":"mupun","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験テクノレーベル100Records主宰Muellie Messiah \u0026amp; Punk Not Punkが、2023年3月に\u003cmeta charset=\"utf-8\"\u003eFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e約40分のドローン・テクノ〜コラージュを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3238020050\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eText\/essay by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAlexis Waltz, 2023\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eFaitiche presents the album Exq I by Berlin underground techno legends Muellie Messiah \u0026amp; Punk not Punk, mainly known under their 100Records moniker. Weighing in at 36 minutes, the track was recorded in 2010, effortlessly intermingling dub, drone and collage, a blend achieved thanks to the duo’s jazz-inspired approach to improvisation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“100records is one of the last undiscovered treasures of the Berlin underground of the 1990s and 2000s. Like Elektro Music Department, 100records is unthinkable without techno and the club scene, but with a few exceptions the duo’s tracks are not aimed at the dancefloor. With a claim to universality and a broader frame of reference, 100records developed a more extensive understanding of sound that rests on three pillars: the understated analogue drums of the Roland TR-808, a blurred, dubby sound, and improvisation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn first hearing, Exq I has little in common with the groovy, detailed, variation-rich sound usually associated with100records. Recorded at the end of a highly productive decade, it is an echo speaking of exhaustion in which dub, drone and collage converge to form something whose jazz sensibility makes it readily identifiable as the work of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e 100records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e100records was founded in 1994 by Muellie Messiah (Dirk Budde) and Ekki 808 (Ekkehard Rau), who were joined in 1999 by Punk not Punk (Martin Osti). Around 2002, Ekki departed, leaving Budde and Osti to continue as a duo. Since then, their relationship has shaped 100records: Budde is the driven lone genius doggedly pursuing sounds, Osti the pragmatist who turns ideas into music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs well as making music, Budde is also a musicologist. In 1997 he published his PhD thesis entitled Take Three Chords... Punk Rock and the Development to American Hardcore. As well as being his specialization, punk is also part of his identity: in the 1980s he sang and played keyboards in various punk bands in Kassel, the best known being Haunted Henschel.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter the fall of the Wall, attracted by the freedom of the newly reunited Berlin, Budde packed his bags and drove to the formerly divided city, having already become acquainted with techno at Kassel’s influential Stammheim club.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter the move to Berlin, he no longer played in bands, but Budde and Ekki’s joint live act with countless analogue devices, often lasting entire speed-fuelled nights, were legendary. Just wiring up all the gear took hours. True to the motto “my way is the highway,” the speed was lined up on the table right next to the 808 – still the main instrument for 100records along with the Novation Bass Station.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRotary, the first record by 100records, was released on the label of the same name in 1995. After a second record in 1999 (100records 003), they were joined by Martin Osti. Growing up on the Swiss border in the Black Forest in the 1980s, he discovered music in various record shops in Zurich that received imports from the US and UK very week. The shops he frequented included the avant-garde institution Rec Rec and the legendary Halb Tanz, halb Schlaf. He was also influenced by his older brother’s record collection, where he discovered CAN, Kraftwerk’s Computerwelt, and later Public Enemy’s Fear of a Black Planet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAged 14, he joined the crew of the mobile disco Space Invaders that grew out of youth club. The crew had its own PA and built a lightshow using car windscreen wiper motors. In his DJ sets, Osti mixed new wave and synth-pop, Human League and Africa Bambaataa. On disco nights, it was a “victory for marginal groups” if it was possible to play Bela Lugosi’s Dead by Bauhaus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuring this period, Osti also experimented with electronic music, using a small synthesizer belonging to his father, a hearing-aid audiologist. At the time, noise was important, not least as a way to set oneself apart from hippies. In the basement of an abandoned restaurant in the Black Forest, he and his friends tried to recreate the music of the Residents, Tuxedomoon and the Dead Kennedys–concerts by this nameless industrial experimental band were attended by maybe 30 people.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOsti, too, was drawn to Berlin “because crazy stuff was happening there”. The radicality of bands like Einstürzende Neubauten both fascinated and intimidated him. In 1990, he moved to Berlin, initially living under “experimental” conditions, using cheap Roland equipment sourced from Italy by Parsec Productions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt first, Osti worked at the record store Bad Taste. At the same time, he was buying house records at Hard Wax and at Raw on Zossener Strasse. He took drumming lessons with future improv and noise icon Jason Kahn. At home, he conducted experiments in dub using various gear, with the Roland Space Echo as the central instrument. He played his way through the city’s dingy bars with two bands: trash rockers Johnny Zabala \u0026amp; The Signs, and the ambitious Deister, who saw themselves as a cross between Helmet and John Cale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1996 Osti opened On\/Off, his own record store in Friedrichshain that also functioned as a label, located in a small former hairdressing salon on Boxhagener Strasse. The long thin room had records down both sides and at the end Osti sat behind the counter in front of a cathode ray tube. His speciality was radical, out-of-the-way music of all kinds. Local DJs also wanted to be fed with vinyl, but he sold no trance and resisted the records included unasked by distributors.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe shop brought him into contact with various musicians, including Taymur Streng, a former member of East German underground electronic band Ornament und Verbrechen. Another customer at On\/Off was Dirk Budde. Their musical tastes overlapped in the fields of punk, techno and avant-garde, a spectrum covering Sun Ra, Lee Perry, Public Enemy, Drexciya and LFO. Over time, Osti gradually became part of 100records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAtari Cubase sequencing became their speciality, with Budde and Osti sometimes working several days on a single sequence. The counterpart to these prepared sequences was live improvisation – on stage and in the studio. The recordings were edited by Budde, circulating as a weekly series of CD-Rs among friends and fellow musicians. In 2010 they stopped making music because, as Osti says, “we couldn’t do it any more”. From then on, the material was edited into final versions. In 2020, they completed their “legacy” in the form of 101 tracks. A number of these tracks have been released on SJ Tequilla’s Shot of T label, on Dynamo Dreesen’s Acido Records – and now on Jan Jelinek’s faitiche.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe faitiche release Exq I was made in the late period, in 2010, referred to by Osti as the New Music phase, when their productions became sparser and simpler. “This track is special for us. It made itself in the production process while we fought a weeks-long sound battle. The analogue equipment got warmed up over a few days, it wanted to keep going. We were like: Wow!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the decade-long process of editing the track, the focus was on reduction and deceleration: heavy dub. “Once we took some strong ecstasy. That heightened the effect, giving us a direct experience of the hallucinatory impact of the extended modulations.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Muellie Messiah \u0026amp; Punk Not Punk\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2023-03-04T15:01:09+09:00","created_at":"2023-03-04T14:51:16+09:00","vendor":"Tobira Records","type":"","tags":["drone","faitiche","lp","monooto","new","strange beats","techno \/ house"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44044964299002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Muellie Messiah \u0026 Punk Not Punk \/\/ Exq I LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0284963004_16.jpg?v=1677909630","\/\/tobirarecords.com\/cdn\/shop\/products\/0031429137_10.jpg?v=1677909630","\/\/tobirarecords.com\/cdn\/shop\/products\/0031429139_10.jpg?v=1677909630"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0284963004_16.jpg?v=1677909630","options":["Title"],"media":[{"alt":null,"id":31626998612218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0284963004_16.jpg?v=1677909630"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0284963004_16.jpg?v=1677909630","width":700},{"alt":null,"id":31626998153466,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031429137_10.jpg?v=1677909630"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031429137_10.jpg?v=1677909630","width":1200},{"alt":null,"id":31626998186234,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031429139_10.jpg?v=1677909630"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031429139_10.jpg?v=1677909630","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験テクノレーベル100Records主宰Muellie Messiah \u0026amp; Punk Not Punkが、2023年3月に\u003cmeta charset=\"utf-8\"\u003eFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e約40分のドローン・テクノ〜コラージュを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3238020050\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eText\/essay by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAlexis Waltz, 2023\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eFaitiche presents the album Exq I by Berlin underground techno legends Muellie Messiah \u0026amp; Punk not Punk, mainly known under their 100Records moniker. Weighing in at 36 minutes, the track was recorded in 2010, effortlessly intermingling dub, drone and collage, a blend achieved thanks to the duo’s jazz-inspired approach to improvisation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“100records is one of the last undiscovered treasures of the Berlin underground of the 1990s and 2000s. Like Elektro Music Department, 100records is unthinkable without techno and the club scene, but with a few exceptions the duo’s tracks are not aimed at the dancefloor. With a claim to universality and a broader frame of reference, 100records developed a more extensive understanding of sound that rests on three pillars: the understated analogue drums of the Roland TR-808, a blurred, dubby sound, and improvisation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn first hearing, Exq I has little in common with the groovy, detailed, variation-rich sound usually associated with100records. Recorded at the end of a highly productive decade, it is an echo speaking of exhaustion in which dub, drone and collage converge to form something whose jazz sensibility makes it readily identifiable as the work of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e 100records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e100records was founded in 1994 by Muellie Messiah (Dirk Budde) and Ekki 808 (Ekkehard Rau), who were joined in 1999 by Punk not Punk (Martin Osti). Around 2002, Ekki departed, leaving Budde and Osti to continue as a duo. Since then, their relationship has shaped 100records: Budde is the driven lone genius doggedly pursuing sounds, Osti the pragmatist who turns ideas into music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs well as making music, Budde is also a musicologist. In 1997 he published his PhD thesis entitled Take Three Chords... Punk Rock and the Development to American Hardcore. As well as being his specialization, punk is also part of his identity: in the 1980s he sang and played keyboards in various punk bands in Kassel, the best known being Haunted Henschel.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter the fall of the Wall, attracted by the freedom of the newly reunited Berlin, Budde packed his bags and drove to the formerly divided city, having already become acquainted with techno at Kassel’s influential Stammheim club.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter the move to Berlin, he no longer played in bands, but Budde and Ekki’s joint live act with countless analogue devices, often lasting entire speed-fuelled nights, were legendary. Just wiring up all the gear took hours. True to the motto “my way is the highway,” the speed was lined up on the table right next to the 808 – still the main instrument for 100records along with the Novation Bass Station.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRotary, the first record by 100records, was released on the label of the same name in 1995. After a second record in 1999 (100records 003), they were joined by Martin Osti. Growing up on the Swiss border in the Black Forest in the 1980s, he discovered music in various record shops in Zurich that received imports from the US and UK very week. The shops he frequented included the avant-garde institution Rec Rec and the legendary Halb Tanz, halb Schlaf. He was also influenced by his older brother’s record collection, where he discovered CAN, Kraftwerk’s Computerwelt, and later Public Enemy’s Fear of a Black Planet.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAged 14, he joined the crew of the mobile disco Space Invaders that grew out of youth club. The crew had its own PA and built a lightshow using car windscreen wiper motors. In his DJ sets, Osti mixed new wave and synth-pop, Human League and Africa Bambaataa. On disco nights, it was a “victory for marginal groups” if it was possible to play Bela Lugosi’s Dead by Bauhaus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuring this period, Osti also experimented with electronic music, using a small synthesizer belonging to his father, a hearing-aid audiologist. At the time, noise was important, not least as a way to set oneself apart from hippies. In the basement of an abandoned restaurant in the Black Forest, he and his friends tried to recreate the music of the Residents, Tuxedomoon and the Dead Kennedys–concerts by this nameless industrial experimental band were attended by maybe 30 people.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOsti, too, was drawn to Berlin “because crazy stuff was happening there”. The radicality of bands like Einstürzende Neubauten both fascinated and intimidated him. In 1990, he moved to Berlin, initially living under “experimental” conditions, using cheap Roland equipment sourced from Italy by Parsec Productions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt first, Osti worked at the record store Bad Taste. At the same time, he was buying house records at Hard Wax and at Raw on Zossener Strasse. He took drumming lessons with future improv and noise icon Jason Kahn. At home, he conducted experiments in dub using various gear, with the Roland Space Echo as the central instrument. He played his way through the city’s dingy bars with two bands: trash rockers Johnny Zabala \u0026amp; The Signs, and the ambitious Deister, who saw themselves as a cross between Helmet and John Cale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1996 Osti opened On\/Off, his own record store in Friedrichshain that also functioned as a label, located in a small former hairdressing salon on Boxhagener Strasse. The long thin room had records down both sides and at the end Osti sat behind the counter in front of a cathode ray tube. His speciality was radical, out-of-the-way music of all kinds. Local DJs also wanted to be fed with vinyl, but he sold no trance and resisted the records included unasked by distributors.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe shop brought him into contact with various musicians, including Taymur Streng, a former member of East German underground electronic band Ornament und Verbrechen. Another customer at On\/Off was Dirk Budde. Their musical tastes overlapped in the fields of punk, techno and avant-garde, a spectrum covering Sun Ra, Lee Perry, Public Enemy, Drexciya and LFO. Over time, Osti gradually became part of 100records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAtari Cubase sequencing became their speciality, with Budde and Osti sometimes working several days on a single sequence. The counterpart to these prepared sequences was live improvisation – on stage and in the studio. The recordings were edited by Budde, circulating as a weekly series of CD-Rs among friends and fellow musicians. In 2010 they stopped making music because, as Osti says, “we couldn’t do it any more”. From then on, the material was edited into final versions. In 2020, they completed their “legacy” in the form of 101 tracks. A number of these tracks have been released on SJ Tequilla’s Shot of T label, on Dynamo Dreesen’s Acido Records – and now on Jan Jelinek’s faitiche.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe faitiche release Exq I was made in the late period, in 2010, referred to by Osti as the New Music phase, when their productions became sparser and simpler. “This track is special for us. It made itself in the production process while we fought a weeks-long sound battle. The analogue equipment got warmed up over a few days, it wanted to keep going. We were like: Wow!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the decade-long process of editing the track, the focus was on reduction and deceleration: heavy dub. “Once we took some strong ecstasy. That heightened the effect, giving us a direct experience of the hallucinatory impact of the extended modulations.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Muellie Messiah \u0026amp; Punk Not Punk\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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ドイツ・ベルリンの実験テクノレーベル100Records主宰Muellie Messiah & Punk Not Punkが、2023年3月にFaiticheからリリースしたレコードです。 約40分のドローン・テクノ〜コラージュを収録。 レーベルその他作品はこちら /// Click here to see more Faitiche releases available...
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{"id":8065829273850,"title":"SG (Andrew Pekler) \/\/ For Lovers Only \/ Rain Suite LP","handle":"sg-andrew-pekler-for-lovers-only-rain-suite-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの実験レーベルFaitiche主宰SG aka Andrew Peklerが、2023年10月にリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eエレキギターと数台のエフェクターで制作したアンビエント10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"SG \"は、Andrew Peklerがセンチメンタルなギターエスケーピズムのアルバムで\u003cmeta charset=\"utf-8\"\u003eFaiticheに帰ってきたことに他ならない。『For Lovers Only \/ Rain Suite』は、エレクトリックギターとわずかなエフェクター（さらに雨の録音も追加）だけで作られた10曲を収録しており、\u003cmeta charset=\"utf-8\"\u003ePeklerはキッチュ、実験、ミニマリズムへの傾向を再び再現しようとしている。\u2028\u2028\u003cmeta charset=\"utf-8\"\u003ePeklerのペンネームSGは何の略だろう？センチメンタル・ギター？サウンド・ギャラリー？シャイガイ？サッド・グノーシス？サウダージ・グラマー？ソフト・ゴス？わからないが、悪名高きシカゴのロマンチストSam Prekopにこのアルバムの感想を聞いてみた：\u003cbr\u003e\u003cbr\u003e『川がどこまで流れているのか、どこまで遠いのか、どこまで速いのか、遅いのか、不思議だ。\u003cbr\u003e\u003cbr\u003e思い出すのはほんの数秒、\u003cbr\u003e迷ったときに。\u003cbr\u003e\u003cbr\u003e一歩一歩を、両手で、目を開けて、雲を広げて、1、2、3......。\u003cbr\u003e一歩、二歩、三歩。\u003cbr\u003e\u003cbr\u003e苔の柔らかいところ、あなたは強いことを知っている。何時間、何日？\u003cbr\u003e気をつけたはずなのに、忘れてしまったのだろうか。\u003cbr\u003e\u003cbr\u003e気にしないで。\u003cbr\u003e目を覚ますと、この腕の中で、川が流れる場所で、ゆっくりと。\u003cbr\u003eワン・ツー・スリー、ワン・ツー・スリー』\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1988187633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSentimental Guitar Dream 05:02 \u003c\/li\u003e\n\u003cli\u003eWestern Affect 03:27\u003c\/li\u003e\n\u003cli\u003eRomantic Excursion 00:45\u003c\/li\u003e\n\u003cli\u003eHalf-Steps To Love 02:48\u003c\/li\u003e\n\u003cli\u003eForever (Is No Time At All) 03:50\u003c\/li\u003e\n\u003cli\u003eRain Nr.9 03:30\u003c\/li\u003e\n\u003cli\u003eRain Nr.5 04:54\u003c\/li\u003e\n\u003cli\u003eRain Nr.33 04:10\u003c\/li\u003e\n\u003cli\u003eRain Nr.2 02:59\u003c\/li\u003e\n\u003cli\u003eRain Nr.1 04:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"SG is none other than Andrew Pekler returning to faitiche with an album of sentimental guitar escapism. For Lovers Only \/ Rain Suite features ten tracks made using only an electric guitar and a handful of effects pedals (plus some additional recordings of rain) and finds Pekler once again attempting to reconicile his tendencies towards kitsch, experimentation and minimalism. \u2028\u2028What does Pekler's pseudonym SG stand for? Sentimental Guitar? Sound Gallery? Shy Guy? Sad Gnosis? Saudade Glamour? Soft Goth? We don't know, but we asked notorious Chicago romantic Sam Prekop for his take on the album – his reply:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s a wonder where the rivers go and far, how fast or slow. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJust seconds to remember, who can forget,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhen you are lost. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think to recount every step, in both hands, eyes open, the clouds unfold, one two three. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEvery other step, just as well.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere the moss is soft, you know strong. How many hours, days?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI could have been careful, did I forget? \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNever mind. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWaking up, in these arms, where the rivers go, slow. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOne two three, one two three.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SG\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2023-11-06T17:19:55+09:00","created_at":"2023-11-04T15:09:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","faitiche","lp","new"],"price":428000,"price_min":428000,"price_max":428000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728515395834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"SG (Andrew Pekler) \/\/ For Lovers Only \/ Rain Suite LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lov1_99eecf37-01ff-464d-b838-acfde4ca7594.jpg?v=1699078174","\/\/tobirarecords.com\/cdn\/shop\/files\/lov2.jpg?v=1699078175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lov1_99eecf37-01ff-464d-b838-acfde4ca7594.jpg?v=1699078174","options":["Title"],"media":[{"alt":null,"id":32641527939322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lov1_99eecf37-01ff-464d-b838-acfde4ca7594.jpg?v=1699078174"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lov1_99eecf37-01ff-464d-b838-acfde4ca7594.jpg?v=1699078174","width":700},{"alt":null,"id":32641527972090,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lov2.jpg?v=1699078175"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lov2.jpg?v=1699078175","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツの実験レーベルFaitiche主宰SG aka Andrew Peklerが、2023年10月にリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eエレキギターと数台のエフェクターで制作したアンビエント10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"SG \"は、Andrew Peklerがセンチメンタルなギターエスケーピズムのアルバムで\u003cmeta charset=\"utf-8\"\u003eFaiticheに帰ってきたことに他ならない。『For Lovers Only \/ Rain Suite』は、エレクトリックギターとわずかなエフェクター（さらに雨の録音も追加）だけで作られた10曲を収録しており、\u003cmeta charset=\"utf-8\"\u003ePeklerはキッチュ、実験、ミニマリズムへの傾向を再び再現しようとしている。\u2028\u2028\u003cmeta charset=\"utf-8\"\u003ePeklerのペンネームSGは何の略だろう？センチメンタル・ギター？サウンド・ギャラリー？シャイガイ？サッド・グノーシス？サウダージ・グラマー？ソフト・ゴス？わからないが、悪名高きシカゴのロマンチストSam Prekopにこのアルバムの感想を聞いてみた：\u003cbr\u003e\u003cbr\u003e『川がどこまで流れているのか、どこまで遠いのか、どこまで速いのか、遅いのか、不思議だ。\u003cbr\u003e\u003cbr\u003e思い出すのはほんの数秒、\u003cbr\u003e迷ったときに。\u003cbr\u003e\u003cbr\u003e一歩一歩を、両手で、目を開けて、雲を広げて、1、2、3......。\u003cbr\u003e一歩、二歩、三歩。\u003cbr\u003e\u003cbr\u003e苔の柔らかいところ、あなたは強いことを知っている。何時間、何日？\u003cbr\u003e気をつけたはずなのに、忘れてしまったのだろうか。\u003cbr\u003e\u003cbr\u003e気にしないで。\u003cbr\u003e目を覚ますと、この腕の中で、川が流れる場所で、ゆっくりと。\u003cbr\u003eワン・ツー・スリー、ワン・ツー・スリー』\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1988187633\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSentimental Guitar Dream 05:02 \u003c\/li\u003e\n\u003cli\u003eWestern Affect 03:27\u003c\/li\u003e\n\u003cli\u003eRomantic Excursion 00:45\u003c\/li\u003e\n\u003cli\u003eHalf-Steps To Love 02:48\u003c\/li\u003e\n\u003cli\u003eForever (Is No Time At All) 03:50\u003c\/li\u003e\n\u003cli\u003eRain Nr.9 03:30\u003c\/li\u003e\n\u003cli\u003eRain Nr.5 04:54\u003c\/li\u003e\n\u003cli\u003eRain Nr.33 04:10\u003c\/li\u003e\n\u003cli\u003eRain Nr.2 02:59\u003c\/li\u003e\n\u003cli\u003eRain Nr.1 04:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"SG is none other than Andrew Pekler returning to faitiche with an album of sentimental guitar escapism. For Lovers Only \/ Rain Suite features ten tracks made using only an electric guitar and a handful of effects pedals (plus some additional recordings of rain) and finds Pekler once again attempting to reconicile his tendencies towards kitsch, experimentation and minimalism. \u2028\u2028What does Pekler's pseudonym SG stand for? Sentimental Guitar? Sound Gallery? Shy Guy? Sad Gnosis? Saudade Glamour? Soft Goth? We don't know, but we asked notorious Chicago romantic Sam Prekop for his take on the album – his reply:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s a wonder where the rivers go and far, how fast or slow. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJust seconds to remember, who can forget,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhen you are lost. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think to recount every step, in both hands, eyes open, the clouds unfold, one two three. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEvery other step, just as well.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhere the moss is soft, you know strong. How many hours, days?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI could have been careful, did I forget? \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNever mind. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWaking up, in these arms, where the rivers go, slow. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eOne two three, one two three.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SG\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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ドイツの実験レーベルFaitiche主宰SG aka Andrew Peklerが、2023年10月にリリースしたレコードです。 エレキギターと数台のエフェクターで制作したアンビエント10曲を収録。 以下、レーベルによる解説です。 "SG "は、Andrew PeklerがセンチメンタルなギターエスケーピズムのアルバムでFaiticheに帰ってきたことに他ならない。『For Lovers Only / Rain Suite』は、エレクトリックギターとわずかなエフェクター（さらに雨の録音も追加）だけで作られた10曲を収録しており、Peklerはキッチュ、実験、ミニマリズムへの傾向を再び再現しようとしている。
PeklerのペンネームSGは何の略だろう？センチメンタル・ギター？サウンド・ギャラリー？シャイガイ？サッド・グノーシス？サウダージ・グラマー？ソフト・ゴス？わからないが、悪名高きシカゴのロマンチストSam...
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{"id":8011852153082,"title":"Roméo Poirier \/\/ Living Room LP","handle":"romeo-poirier-living-room-lp","description":"\u003cp\u003eベルギー・ブリュッセルのアンビエント作家Roméo Poirierが、2022年9月にドイツ・ベルリンの実験／アンビエントレーベル\u003cspan data-mce-fragment=\"1\"\u003eFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーによる\u003cmeta charset=\"utf-8\"\u003e実験アンビエント14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3414537225\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStatuario 03:57\u003c\/li\u003e\n\u003cli\u003eNeos Kosmos 02:48\u003c\/li\u003e\n\u003cli\u003eBespoke 02:46\u003c\/li\u003e\n\u003cli\u003ePorte contre 03:54\u003c\/li\u003e\n\u003cli\u003eAnna 03:14\u003c\/li\u003e\n\u003cli\u003eMuscle de sable 04:01\u003c\/li\u003e\n\u003cli\u003eRotation séance 04:43\u003c\/li\u003e\n\u003cli\u003eLe case degli altri 02:40\u003c\/li\u003e\n\u003cli\u003eVisiona 04:09\u003c\/li\u003e\n\u003cli\u003eImpression couleurs 01:15\u003c\/li\u003e\n\u003cli\u003eLes grandes lignes 03:43\u003c\/li\u003e\n\u003cli\u003eSuperstudio 02:40\u003c\/li\u003e\n\u003cli\u003eMuscle de sable - Jan Jelinek Remix 05:04\u003c\/li\u003e\n\u003cli\u003eMuscle de sable - Jan Jelinek Remix (remixed by Roméo Poirier) 02:43\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving Room (faitiche 28) is the third solo album by Roméo Poirier and, following his much praised Hotel Nota, his debut for Faitiche. The French musician and producer transforms the layering of different times into a free-flowing pulse that sounds both nostalgic and mysteriously ahistorical.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoirier takes music seriously as a time-based art – not just in the sense of duration, but also in the way time is refracted into autobiographical experience, historical dimensions and stages of evolution. By immersing and reflecting himself in these different layers, he creates a succession of new balances between various tempos, iterations and developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoirier’s music emerges from a continual questioning and reformulation of his own oeuvre and thus of his own past, drawing on an ever-expanding archive of self-recorded loops. “I always resample myself, using fragments of a track to make a new one, as an ongoing process,” he explains: “The sound is evolving with me in parallel and the loops carry in their DNA all transformational stages, filled with previous tracks, sedimented.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally a drummer, Poirier connects his various sources almost without a clearly identifiable beat. He prefers an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e organic pulse, mutable like the human sense of time and its fluidity. The aquatic feel of certain tracks on Living Room is no coincidence: among other devices, he uses a waterproof loudspeaker and a hydrophone to play back and rerecord tracks in the bathtub.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawing on a sample collection assembled by his father, also a musician, the human voice enters Poirier’s music for the first time. But it remains free of overly unambiguous signifiers. Besides its link to time, the fascinating thing about music is that it has meaning without needing to be decoded. Living Room goes back to the private but universal origin of human experience: “I liked the idea that a possible quest for a musician could be echoing the first encounter we had with language, in a prenatal state: its prosody, melody and tones, without being cluttered with meaning.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roméo Poirier\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2023-08-28T19:23:10+09:00","created_at":"2023-08-28T16:14:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","faitiche","lp","new"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44523037622522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"Roméo Poirier \/\/ Living Room LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/room1_ef07e2d8-373b-409d-a340-55c89e2755a1.jpg?v=1693206878","\/\/tobirarecords.com\/cdn\/shop\/files\/room2_4daa41f3-dab1-4693-ab08-6bcf04374371.jpg?v=1693206878"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/room1_ef07e2d8-373b-409d-a340-55c89e2755a1.jpg?v=1693206878","options":["Title"],"media":[{"alt":null,"id":32381178839290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room1_ef07e2d8-373b-409d-a340-55c89e2755a1.jpg?v=1693206878"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room1_ef07e2d8-373b-409d-a340-55c89e2755a1.jpg?v=1693206878","width":700},{"alt":null,"id":32381178872058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room2_4daa41f3-dab1-4693-ab08-6bcf04374371.jpg?v=1693206878"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room2_4daa41f3-dab1-4693-ab08-6bcf04374371.jpg?v=1693206878","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ブリュッセルのアンビエント作家Roméo Poirierが、2022年9月にドイツ・ベルリンの実験／アンビエントレーベル\u003cspan data-mce-fragment=\"1\"\u003eFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eモジュラーによる\u003cmeta charset=\"utf-8\"\u003e実験アンビエント14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3414537225\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ftche\"\u003ehere\u003c\/a\u003e to see more Faitiche releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStatuario 03:57\u003c\/li\u003e\n\u003cli\u003eNeos Kosmos 02:48\u003c\/li\u003e\n\u003cli\u003eBespoke 02:46\u003c\/li\u003e\n\u003cli\u003ePorte contre 03:54\u003c\/li\u003e\n\u003cli\u003eAnna 03:14\u003c\/li\u003e\n\u003cli\u003eMuscle de sable 04:01\u003c\/li\u003e\n\u003cli\u003eRotation séance 04:43\u003c\/li\u003e\n\u003cli\u003eLe case degli altri 02:40\u003c\/li\u003e\n\u003cli\u003eVisiona 04:09\u003c\/li\u003e\n\u003cli\u003eImpression couleurs 01:15\u003c\/li\u003e\n\u003cli\u003eLes grandes lignes 03:43\u003c\/li\u003e\n\u003cli\u003eSuperstudio 02:40\u003c\/li\u003e\n\u003cli\u003eMuscle de sable - Jan Jelinek Remix 05:04\u003c\/li\u003e\n\u003cli\u003eMuscle de sable - Jan Jelinek Remix (remixed by Roméo Poirier) 02:43\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLiving Room (faitiche 28) is the third solo album by Roméo Poirier and, following his much praised Hotel Nota, his debut for Faitiche. The French musician and producer transforms the layering of different times into a free-flowing pulse that sounds both nostalgic and mysteriously ahistorical.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoirier takes music seriously as a time-based art – not just in the sense of duration, but also in the way time is refracted into autobiographical experience, historical dimensions and stages of evolution. By immersing and reflecting himself in these different layers, he creates a succession of new balances between various tempos, iterations and developments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePoirier’s music emerges from a continual questioning and reformulation of his own oeuvre and thus of his own past, drawing on an ever-expanding archive of self-recorded loops. “I always resample myself, using fragments of a track to make a new one, as an ongoing process,” he explains: “The sound is evolving with me in parallel and the loops carry in their DNA all transformational stages, filled with previous tracks, sedimented.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally a drummer, Poirier connects his various sources almost without a clearly identifiable beat. He prefers an\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e organic pulse, mutable like the human sense of time and its fluidity. The aquatic feel of certain tracks on Living Room is no coincidence: among other devices, he uses a waterproof loudspeaker and a hydrophone to play back and rerecord tracks in the bathtub.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawing on a sample collection assembled by his father, also a musician, the human voice enters Poirier’s music for the first time. But it remains free of overly unambiguous signifiers. Besides its link to time, the fascinating thing about music is that it has meaning without needing to be decoded. Living Room goes back to the private but universal origin of human experience: “I liked the idea that a possible quest for a musician could be echoing the first encounter we had with language, in a prenatal state: its prosody, melody and tones, without being cluttered with meaning.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Roméo Poirier\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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ベルギー・ブリュッセルのアンビエント作家Roméo Poirierが、2022年9月にドイツ・ベルリンの実験／アンビエントレーベルFaiticheからリリースしたレコードです。 モジュラーによる実験アンビエント14曲を収録。 レーベルその他作品はこちら /// Click here to see more Faitiche releases available at Tobira. ---------------------- 12"...
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{"id":7979494375674,"title":"Jan Jelinek \/\/ SEASCAPE - polyptych LP","handle":"jan-jelinek-seascape-polyptych-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験音楽家Jan Jelinekが、2023年4月にベルリンの実験レーベルFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eメディアアートのサウンドトラックとして制作したコラージュ〜コラージュ・アンビエント10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e 以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"映画史上、最も悪名高い憎悪の権化の一人が、ジョン・ヒューストン監督の1956年の名作『モビーディック』のエイハブ船長です。彼の狂気的な独白は、何世代にもわたって視聴者に魔法をかけました。ベルリンを拠点に活動する音楽家でサウンドアーティストのJan Jelinekは、このエイハブの声を楽器に変身させました。\u2028\u2028Faiticheでは、2022年にカナダのニューメディアアーティストClive Holdenと共同開発したオーディオビジュアルソフトウェア「SEASCAPE - polyptych」のためのJan Jelinekのサウンドトラックを紹介します。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『SEASCAPE - polyptych』は、『モビーディック』の画像と音響のソースをベースにしています。\u003cmeta charset=\"utf-8\"\u003eHoldenがフィルムシーケンスの操作に取り組む一方で、\u003cmeta charset=\"utf-8\"\u003eJan Jelinekのサウンドトラックではエイハブの声が中心的な役割を担っています。船長のスピーチのダイナミックなボリュームとトーンは、エイハブの声を10の抽象的なサウンドスケープに変えるシンセサイザーシステムを制御します。\u2028\u2028この作品では、声は衝動を与え、物事をコントロールしますが、私たちが耳にするのは話し言葉の音そのものではありません。時折、音節や音を認識できるような音声の断片が聞こえるだけです。その代わり、ヒスノイズやサウンドスケープ、噴出する音で構成されたコンポジションが聞こえてきます。雰囲気は暗く、不吉なものです。しかし、どの曲も明確な音の構造を持っており、分かりやすいドラマチックな構成に則っています。この音楽は抽象的であるが、圧倒されることはありません。それどころか、SEASCAPE - polyptychは、リスナーに対して、音の流れに身を任せるようにと誘っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eメディアアート作品の一部ではありますが、このサウンドトラックは、このような接続の上部構造なしで楽しむことができます。何の予備知識もなく楽しめるのです。しかし、シンセサイザーのネットワークを制御しているのが人間の声の音波であることを知ったら、どうなるのでしょうか。\u2028\u2028エイハブが聴きたいなら、すべての音の断片からエイハブの合唱が聴こえるはずです。サブリミナル的な脅迫と、呪術的なエイハブ。そして、手下に鞭を打ち、共に破滅に向かうエイハブ。荘厳な「今、岸壁で、待ち、見ている」、圧迫感のある「渦の中心に向かって引き寄せられる」、これらはすべて音楽であり、音の言説です。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1475879923\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4185927729\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1475879923\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most notorious hatemongers in movie history is Captain Ahab from John Huston’s 1956 classic Moby Dick. His manic monologues cast a spell on generations of viewers. Berlin based musician and sound artist Jan Jelinek has now turned the voice of Ahab into a musical instrument. \u2028\u2028Faitiche presents Jan Jelinek's soundtrack for SEASCAPE – polyptych, an audio-visual software developed in collaboration with Canadian new media artist Clive Holden in 2022.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSEASCAPE – polyptych is based on image and acoustic source material from Moby Dick. While Holden works on manipulating film sequences, the voice of Ahab plays a central role in Jan Jelinek’s soundtrack. The dynamic volume and tone of the captain's speech control a synthesizer system that turns Ahab's voice into ten abstract soundscapes.\u2028\u2028In this production the voice gives the impulse and controls things but is not the sound of spoken word itself that we hear. Only occasionally can snippets of speech be heard so that syllables or sounds are recognisable. Instead we hear compositions made of hissing, soundscapes and eruptive sounds. The atmosphere is dark and sinister. Still every piece has a clear sonic structure and follows an understandable dramatic composition. This\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e music is abstract but not overwhelming. Quite the opposite, SEASCAPE – polyptych is an invitation to listeners to let themselves be carried by the stream of sonic events.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAlthough part of a media art work, the soundtrack can be enjoyed without any of this connecting superstructure. It works with no previous knowledge. But what happens when one does know that it’s the sonic waves of a human voice that is controlling a network of synthesizers?\u2028\u2028If you want to hear Ahab, you will hear a choir of Ahabs in every piece of sound. The subliminal threatening as well as the conjuring Ahab. Finally the Ahab who whips up his crew and tears them with him into their downfall. The majestic „on the quay now, waiting and watching“, the oppressive “drawn towards the whirlpools center” - they are all music as well as sonic discourse.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2023-05-27T18:19:12+09:00","created_at":"2023-05-27T15:34:17+09:00","vendor":"Tobira Records","type":"","tags":["ambient","faitiche","lp","monooto","new"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44255637340410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jan Jelinek \/\/ SEASCAPE - polyptych LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/po1_a824e5df-b779-4f9a-ae00-9d4fbf3c4639.jpg?v=1685169259","\/\/tobirarecords.com\/cdn\/shop\/files\/po2_f4e6d45b-5f9a-4bf4-b772-6892b83678cd.jpg?v=1685169259"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_a824e5df-b779-4f9a-ae00-9d4fbf3c4639.jpg?v=1685169259","options":["Title"],"media":[{"alt":null,"id":32025377505530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_a824e5df-b779-4f9a-ae00-9d4fbf3c4639.jpg?v=1685169259"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_a824e5df-b779-4f9a-ae00-9d4fbf3c4639.jpg?v=1685169259","width":700},{"alt":null,"id":32025377538298,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_f4e6d45b-5f9a-4bf4-b772-6892b83678cd.jpg?v=1685169259"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_f4e6d45b-5f9a-4bf4-b772-6892b83678cd.jpg?v=1685169259","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験音楽家Jan Jelinekが、2023年4月にベルリンの実験レーベルFaiticheからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eメディアアートのサウンドトラックとして制作したコラージュ〜コラージュ・アンビエント10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e 以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"映画史上、最も悪名高い憎悪の権化の一人が、ジョン・ヒューストン監督の1956年の名作『モビーディック』のエイハブ船長です。彼の狂気的な独白は、何世代にもわたって視聴者に魔法をかけました。ベルリンを拠点に活動する音楽家でサウンドアーティストのJan Jelinekは、このエイハブの声を楽器に変身させました。\u2028\u2028Faiticheでは、2022年にカナダのニューメディアアーティストClive Holdenと共同開発したオーディオビジュアルソフトウェア「SEASCAPE - polyptych」のためのJan Jelinekのサウンドトラックを紹介します。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『SEASCAPE - polyptych』は、『モビーディック』の画像と音響のソースをベースにしています。\u003cmeta charset=\"utf-8\"\u003eHoldenがフィルムシーケンスの操作に取り組む一方で、\u003cmeta charset=\"utf-8\"\u003eJan Jelinekのサウンドトラックではエイハブの声が中心的な役割を担っています。船長のスピーチのダイナミックなボリュームとトーンは、エイハブの声を10の抽象的なサウンドスケープに変えるシンセサイザーシステムを制御します。\u2028\u2028この作品では、声は衝動を与え、物事をコントロールしますが、私たちが耳にするのは話し言葉の音そのものではありません。時折、音節や音を認識できるような音声の断片が聞こえるだけです。その代わり、ヒスノイズやサウンドスケープ、噴出する音で構成されたコンポジションが聞こえてきます。雰囲気は暗く、不吉なものです。しかし、どの曲も明確な音の構造を持っており、分かりやすいドラマチックな構成に則っています。この音楽は抽象的であるが、圧倒されることはありません。それどころか、SEASCAPE - polyptychは、リスナーに対して、音の流れに身を任せるようにと誘っています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eメディアアート作品の一部ではありますが、このサウンドトラックは、このような接続の上部構造なしで楽しむことができます。何の予備知識もなく楽しめるのです。しかし、シンセサイザーのネットワークを制御しているのが人間の声の音波であることを知ったら、どうなるのでしょうか。\u2028\u2028エイハブが聴きたいなら、すべての音の断片からエイハブの合唱が聴こえるはずです。サブリミナル的な脅迫と、呪術的なエイハブ。そして、手下に鞭を打ち、共に破滅に向かうエイハブ。荘厳な「今、岸壁で、待ち、見ている」、圧迫感のある「渦の中心に向かって引き寄せられる」、これらはすべて音楽であり、音の言説です。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1475879923\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4185927729\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1475879923\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most notorious hatemongers in movie history is Captain Ahab from John Huston’s 1956 classic Moby Dick. His manic monologues cast a spell on generations of viewers. Berlin based musician and sound artist Jan Jelinek has now turned the voice of Ahab into a musical instrument. \u2028\u2028Faitiche presents Jan Jelinek's soundtrack for SEASCAPE – polyptych, an audio-visual software developed in collaboration with Canadian new media artist Clive Holden in 2022.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSEASCAPE – polyptych is based on image and acoustic source material from Moby Dick. While Holden works on manipulating film sequences, the voice of Ahab plays a central role in Jan Jelinek’s soundtrack. The dynamic volume and tone of the captain's speech control a synthesizer system that turns Ahab's voice into ten abstract soundscapes.\u2028\u2028In this production the voice gives the impulse and controls things but is not the sound of spoken word itself that we hear. Only occasionally can snippets of speech be heard so that syllables or sounds are recognisable. Instead we hear compositions made of hissing, soundscapes and eruptive sounds. The atmosphere is dark and sinister. Still every piece has a clear sonic structure and follows an understandable dramatic composition. This\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e music is abstract but not overwhelming. Quite the opposite, SEASCAPE – polyptych is an invitation to listeners to let themselves be carried by the stream of sonic events.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eAlthough part of a media art work, the soundtrack can be enjoyed without any of this connecting superstructure. It works with no previous knowledge. But what happens when one does know that it’s the sonic waves of a human voice that is controlling a network of synthesizers?\u2028\u2028If you want to hear Ahab, you will hear a choir of Ahabs in every piece of sound. The subliminal threatening as well as the conjuring Ahab. Finally the Ahab who whips up his crew and tears them with him into their downfall. The majestic „on the quay now, waiting and watching“, the oppressive “drawn towards the whirlpools center” - they are all music as well as sonic discourse.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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ドイツ・ベルリンの実験音楽家Jan Jelinekが、2023年4月にベルリンの実験レーベルFaiticheからリリースしたレコードです。 メディアアートのサウンドトラックとして制作したコラージュ〜コラージュ・アンビエント10曲を収録。 以下、レーベルによる解説です。 "映画史上、最も悪名高い憎悪の権化の一人が、ジョン・ヒューストン監督の1956年の名作『モビーディック』のエイハブ船長です。彼の狂気的な独白は、何世代にもわたって視聴者に魔法をかけました。ベルリンを拠点に活動する音楽家でサウンドアーティストのJan Jelinekは、このエイハブの声を楽器に変身させました。
Faiticheでは、2022年にカナダのニューメディアアーティストClive Holdenと共同開発したオーディオビジュアルソフトウェア「SEASCAPE - polyptych」のためのJan Jelinekのサウンドトラックを紹介します。『SEASCAPE - polyptych』は、『モビーディック』の画像と音響のソースをベースにしています。Holdenがフィルムシーケンスの操作に取り組む一方で、Jan Jelinekのサウンドトラックではエイハブの声が中心的な役割を担っています。船長のスピーチのダイナミックなボリュームとトーンは、エイハブの声を10の抽象的なサウンドスケープに変えるシンセサイザーシステムを制御します。
この作品では、声は衝動を与え、物事をコントロールしますが、私たちが耳にするのは話し言葉の音そのものではありません。時折、音節や音を認識できるような音声の断片が聞こえるだけです。その代わり、ヒスノイズやサウンドスケープ、噴出する音で構成されたコンポジションが聞こえてきます。雰囲気は暗く、不吉なものです。しかし、どの曲も明確な音の構造を持っており、分かりやすいドラマチックな構成に則っています。この音楽は抽象的であるが、圧倒されることはありません。それどころか、SEASCAPE -...
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{"id":7928712200442,"title":"Jan Jelinek \/\/ Zwischen LP","handle":"jajez","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験音楽家Jan Jelinekが、2023年3月にベルリンの実験レーベルFaiticheからリリースした再発レコードです。（オリジナルは2018年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eラジオ劇用に制作したコラージュ13曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4131182757\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFaitiche is delighted to release a short version of the radio play Zwischen (German for ‘between’). Devised and produced by Jan Jelinek for German public broadcaster SWR2, Zwischen brings together twelve sound poetry collages using interview answers by public figures. Each collage consists of the brief moments between the spoken words: silences, pauses for breath and hesitations in which the interviewees utter non-semantic sound particles. These voice collages also control a synthesizer, creating electronic sounds that overlay and merge with the voices to make twelve acoustic structures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe all know the speaker’s fate: you falter, you mispronounce, there are breaks, silences and false starts. This results in delays, a language noise compared by Roland Barthes to the knocks made by a malfunctioning motor. Such gaps can be disconcerting, standing as they do for a failure of the speaker’s rhetorical skills. But what happens when they become a constitutive, poetic factor?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZwischen consists of twelve answers to twelve questions. The answers were all recorded in interview situations. From the speech of the interviewees – all eloquent public figures – the pauses are extracted and edited together. The result is a series of sound\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e collages of silence. But this silence is deceptive, as it is only meaning that falls silent. What remains audible is an archaic body language: modes of breathing, planning phases, seething word particles in search of sense that can break out into onomatopoeic tumult or drift off into sonorous noise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn a further step, each of the twelve collages controls a modular synthesizer via its amplitude and frequency. Supposedly defective speech acts conduct synthetic sounds and the speakers regain their composure – not via the spoken word, but through sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe opening questions in the various interviews are answered by: Alice Schwarzer, John Cage, Hubert Fichte, Slavoj Žižek, Joseph Beuys, Lady Gaga, Ernst Jandl, Karlheinz Stockhausen, Marcel Duchamp, Friederike Mayröcker, Yoko Ono and Max Ernst.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2023-03-05T06:16:26+09:00","created_at":"2023-03-02T15:03:04+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","faitiche","lp","monooto","new"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44038461784314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jan Jelinek \/\/ Zwischen LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_c8da010e-a1b2-46b9-b5bd-fb178c383888.jpg?v=1677736986","\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_73c2efb0-18b6-4be6-acfc-bbf122d02c29.jpg?v=1677736986"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_c8da010e-a1b2-46b9-b5bd-fb178c383888.jpg?v=1677736986","options":["Title"],"media":[{"alt":null,"id":31613274325242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_c8da010e-a1b2-46b9-b5bd-fb178c383888.jpg?v=1677736986"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_c8da010e-a1b2-46b9-b5bd-fb178c383888.jpg?v=1677736986","width":700},{"alt":null,"id":31613274358010,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_73c2efb0-18b6-4be6-acfc-bbf122d02c29.jpg?v=1677736986"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_73c2efb0-18b6-4be6-acfc-bbf122d02c29.jpg?v=1677736986","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験音楽家Jan Jelinekが、2023年3月にベルリンの実験レーベルFaiticheからリリースした再発レコードです。（オリジナルは2018年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eラジオ劇用に制作したコラージュ13曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4131182757\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eFaitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFaitiche is delighted to release a short version of the radio play Zwischen (German for ‘between’). Devised and produced by Jan Jelinek for German public broadcaster SWR2, Zwischen brings together twelve sound poetry collages using interview answers by public figures. Each collage consists of the brief moments between the spoken words: silences, pauses for breath and hesitations in which the interviewees utter non-semantic sound particles. These voice collages also control a synthesizer, creating electronic sounds that overlay and merge with the voices to make twelve acoustic structures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe all know the speaker’s fate: you falter, you mispronounce, there are breaks, silences and false starts. This results in delays, a language noise compared by Roland Barthes to the knocks made by a malfunctioning motor. Such gaps can be disconcerting, standing as they do for a failure of the speaker’s rhetorical skills. But what happens when they become a constitutive, poetic factor?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZwischen consists of twelve answers to twelve questions. The answers were all recorded in interview situations. From the speech of the interviewees – all eloquent public figures – the pauses are extracted and edited together. The result is a series of sound\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e collages of silence. But this silence is deceptive, as it is only meaning that falls silent. What remains audible is an archaic body language: modes of breathing, planning phases, seething word particles in search of sense that can break out into onomatopoeic tumult or drift off into sonorous noise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn a further step, each of the twelve collages controls a modular synthesizer via its amplitude and frequency. Supposedly defective speech acts conduct synthetic sounds and the speakers regain their composure – not via the spoken word, but through sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe opening questions in the various interviews are answered by: Alice Schwarzer, John Cage, Hubert Fichte, Slavoj Žižek, Joseph Beuys, Lady Gaga, Ernst Jandl, Karlheinz Stockhausen, Marcel Duchamp, Friederike Mayröcker, Yoko Ono and Max Ernst.\u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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ドイツ・ベルリンの実験音楽家Jan Jelinekが、2023年3月にベルリンの実験レーベルFaiticheからリリースした再発レコードです。（オリジナルは2018年リリース） ラジオ劇用に制作したコラージュ13曲を収録。 ----------------------------------- Faitiche: "Faitiche is delighted to release a short version of...
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{"id":7911652294906,"title":"Groupshow \/\/ Greatest Hits LP","handle":"grgh","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験音楽家Andrew PeklerとHanno Leichtmann、Jan JelinekによるインプロトリオGroupshowが、2023年1月に\u003cmeta charset=\"utf-8\"\u003eFaiticheからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eインプロ・ストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielasiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3483127579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eArno Raffeiner, 2023: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003efaitiche presents Groupshow’s Greatest Hits: The ten tracks on this first vinyl album by Groupshow (Hanno Leichtmann, Andrew Pekler, Jan Jelinek), recorded between 2005 and 2018, document concert recordings and studio improvisations by the trio.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn improvisation there are no mistakes, only missed opportunities. Groupshow found their first opportunity in the routines of live performance and they used this opportunity to break with these routines. The trio consisting of Jan Jelinek, Hanno Leichtmann and Andrew Pekler came together in the context of Kosmischer Pitch, playing live versions of the music from Jelinek’s 2005 studio album of that name. During this project, the musical interaction between the three participants quickly emancipated itself from the original programme, departing from fixed roles and finding a distinct form in constant change.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGroupshow sessions – rehearsal, concert or recording – are always improvised. The interplay of the various sound sources, converging from the directions of “electronics”, “percussion” and “guitar”, does not follow the Krautrock wave logic of crescendo and morendo. Jelinek, Leichtmann and Pekler have established a method of transparent density in which links and breaks are not\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e concealed but remain audible. The music works through attraction and repulsion, with a loosely organized structure that always leaves enough room for the next intervention.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe principle here, repeated even in the smallest units, is that of duration. Groupshow think of their music in terms of an installation: no starting point, no dramaturgy, and ideally no end. Concerts take place not raised up on a podium, but in the middle of the room on a level with the audience, who only enter the space with the musicians and instruments once their interaction is already underway. In 2008, Groupshow used this approach to create a live soundtrack for Andy Warhol’s film Empire, over the full length of eight hours and five minutes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecordings in general and the “Greatest Hits” format in particular are another key aspect of this ongoing work on a collectively modulated continuum. The ten tracks on this first vinyl album by Groupshow, recorded between 2005 and 2018, document the ephemeral capturing of opportunities that were not missed. Extracts and essences of an endless movement of searching. The sprawling form of the whole, suspended in succinct, separate units.\u2028To paraphrase Lao Tzu and Roland Barthes, one might say: Once their work is done, they are no longer attached to it. And because they’re not attached to it, it will remain.\u003c\/span\u003e\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Groupshow\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2023-02-05T06:24:18+09:00","created_at":"2023-02-04T12:29:38+09:00","vendor":"Tobira Records","type":"","tags":["faitiche","jazz","lp","new","strange beats"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43961994936570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Groupshow \/\/ Greatest Hits LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/hi1_bac2ee8f-7c5f-466d-ba5a-06cd82bc89cf.jpg?v=1675481380","\/\/tobirarecords.com\/cdn\/shop\/products\/hi2_5ef77114-ea4e-4cb8-b9a4-c5f0dec48f52.jpg?v=1675481380"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/hi1_bac2ee8f-7c5f-466d-ba5a-06cd82bc89cf.jpg?v=1675481380","options":["Title"],"media":[{"alt":null,"id":31478596174074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hi1_bac2ee8f-7c5f-466d-ba5a-06cd82bc89cf.jpg?v=1675481380"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hi1_bac2ee8f-7c5f-466d-ba5a-06cd82bc89cf.jpg?v=1675481380","width":700},{"alt":null,"id":31478596206842,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hi2_5ef77114-ea4e-4cb8-b9a4-c5f0dec48f52.jpg?v=1675481380"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/hi2_5ef77114-ea4e-4cb8-b9a4-c5f0dec48f52.jpg?v=1675481380","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンの実験音楽家Andrew PeklerとHanno Leichtmann、Jan JelinekによるインプロトリオGroupshowが、2023年1月に\u003cmeta charset=\"utf-8\"\u003eFaiticheからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eインプロ・ストレンジビーツ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielasiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3483127579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eArno Raffeiner, 2023: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003efaitiche presents Groupshow’s Greatest Hits: The ten tracks on this first vinyl album by Groupshow (Hanno Leichtmann, Andrew Pekler, Jan Jelinek), recorded between 2005 and 2018, document concert recordings and studio improvisations by the trio.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn improvisation there are no mistakes, only missed opportunities. Groupshow found their first opportunity in the routines of live performance and they used this opportunity to break with these routines. The trio consisting of Jan Jelinek, Hanno Leichtmann and Andrew Pekler came together in the context of Kosmischer Pitch, playing live versions of the music from Jelinek’s 2005 studio album of that name. During this project, the musical interaction between the three participants quickly emancipated itself from the original programme, departing from fixed roles and finding a distinct form in constant change.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGroupshow sessions – rehearsal, concert or recording – are always improvised. The interplay of the various sound sources, converging from the directions of “electronics”, “percussion” and “guitar”, does not follow the Krautrock wave logic of crescendo and morendo. Jelinek, Leichtmann and Pekler have established a method of transparent density in which links and breaks are not\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e concealed but remain audible. The music works through attraction and repulsion, with a loosely organized structure that always leaves enough room for the next intervention.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe principle here, repeated even in the smallest units, is that of duration. Groupshow think of their music in terms of an installation: no starting point, no dramaturgy, and ideally no end. Concerts take place not raised up on a podium, but in the middle of the room on a level with the audience, who only enter the space with the musicians and instruments once their interaction is already underway. In 2008, Groupshow used this approach to create a live soundtrack for Andy Warhol’s film Empire, over the full length of eight hours and five minutes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecordings in general and the “Greatest Hits” format in particular are another key aspect of this ongoing work on a collectively modulated continuum. The ten tracks on this first vinyl album by Groupshow, recorded between 2005 and 2018, document the ephemeral capturing of opportunities that were not missed. Extracts and essences of an endless movement of searching. The sprawling form of the whole, suspended in succinct, separate units.\u2028To paraphrase Lao Tzu and Roland Barthes, one might say: Once their work is done, they are no longer attached to it. And because they’re not attached to it, it will remain.\u003c\/span\u003e\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Groupshow\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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ドイツ・ベルリンの実験音楽家Andrew PeklerとHanno Leichtmann、Jan JelinekによるインプロトリオGroupshowが、2023年1月にFaiticheからリリースしたデビューレコードです。 インプロ・ストレンジビーツ10曲を収録。 マスタリングはGiuseppe Ielasiが担当しています。 ------------------------------------- Text by Arno Raffeiner, 2023: "faitiche presents...
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{"id":7477898608890,"title":"Jan Jelinek \/\/ The Raw and The Cooked LP","handle":"jan-jelinek-the-raw-and-the-cooked-lp","description":"\u003cp\u003eドイツの音響作家Jan Jelinekが、2021年9月に自身主宰レーベルFaiticheからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e本作は、彼が国営放送SWR2のために制作したラジオ曲「Vom Rohen und Gekochten (The Raw and The Cooked)」のアルバム版です。ガラスや金属の破壊音や液状化する音、木が燃える音などに着目した物音コラージュ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2509619138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e -------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Faitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFaitiche is delighted to release an album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2. The album The Raw and The Cooked brings together five sound collages that deal with the consistency of material and its mutability.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSolid, raw, boiling, powdery, liquid, broken and folded - categories which describe the nature of material. They can also be read in a chronological sequence: solid becomes broken becomes liquid becomes powdery... Material tells of its essence as it drifts through its states, always in correspondence with external energies. The Raw and The Cooked observes the artists Thomas \u0026amp; Renée Rapedius as they design their paper and metal objects and the artist Peter Granser as he ritually prepares Japanese tea, it shatters glass, bends metal and burns wood. The resulting audio documents capture processes of material transformation as sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Raw and The Cooked was created with the help of ITO Raum Stuttgart and Thomas \u0026amp; Renée Rapedius. Originally produced for radio broadcast on Südwestrundfunk in 2020 it contains a variation of the collage Zwischen\/Raum that was made with funding from Musikfonds. Many thanks to Eckhart Holzboog and Beatrice Theil, as well as Frank Halbig\/SWR.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e","published_at":"2021-12-02T18:27:48+09:00","created_at":"2021-12-02T13:01:11+09:00","vendor":"Tobira Records","type":"","tags":["faitiche","lp","monooto"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42135566844154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jan Jelinek \/\/ The Raw and The Cooked LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_5183f420-6b6d-450e-8d8a-636585b2f02f.jpg?v=1638417673","\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b023aa73-f883-4ff2-b86e-d2b3fb7fa8db.jpg?v=1638417673"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_5183f420-6b6d-450e-8d8a-636585b2f02f.jpg?v=1638417673","options":["Title"],"media":[{"alt":null,"id":28792266555642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_5183f420-6b6d-450e-8d8a-636585b2f02f.jpg?v=1638417673"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_5183f420-6b6d-450e-8d8a-636585b2f02f.jpg?v=1638417673","width":700},{"alt":null,"id":28792266588410,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b023aa73-f883-4ff2-b86e-d2b3fb7fa8db.jpg?v=1638417673"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b023aa73-f883-4ff2-b86e-d2b3fb7fa8db.jpg?v=1638417673","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの音響作家Jan Jelinekが、2021年9月に自身主宰レーベルFaiticheからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e本作は、彼が国営放送SWR2のために制作したラジオ曲「Vom Rohen und Gekochten (The Raw and The Cooked)」のアルバム版です。ガラスや金属の破壊音や液状化する音、木が燃える音などに着目した物音コラージュ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2509619138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e -------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Faitiche:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFaitiche is delighted to release an album version of the radio piece Vom Rohen und Gekochten (The Raw and The Cooked) originally composed and produced by Jan Jelinek for the state broadcaster SWR2. The album The Raw and The Cooked brings together five sound collages that deal with the consistency of material and its mutability.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSolid, raw, boiling, powdery, liquid, broken and folded - categories which describe the nature of material. They can also be read in a chronological sequence: solid becomes broken becomes liquid becomes powdery... Material tells of its essence as it drifts through its states, always in correspondence with external energies. The Raw and The Cooked observes the artists Thomas \u0026amp; Renée Rapedius as they design their paper and metal objects and the artist Peter Granser as he ritually prepares Japanese tea, it shatters glass, bends metal and burns wood. The resulting audio documents capture processes of material transformation as sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Raw and The Cooked was created with the help of ITO Raum Stuttgart and Thomas \u0026amp; Renée Rapedius. Originally produced for radio broadcast on Südwestrundfunk in 2020 it contains a variation of the collage Zwischen\/Raum that was made with funding from Musikfonds. Many thanks to Eckhart Holzboog and Beatrice Theil, as well as Frank Halbig\/SWR.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jan Jelinek\u003c\/p\u003e\n\u003cp\u003eLabel : Faitiche\u003c\/p\u003e"}
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ドイツの音響作家Jan Jelinekが、2021年9月に自身主宰レーベルFaiticheからリリースした最新作です。 本作は、彼が国営放送SWR2のために制作したラジオ曲「Vom Rohen und Gekochten (The Raw and The Cooked)」のアルバム版です。ガラスや金属の破壊音や液状化する音、木が燃える音などに着目した物音コラージュ5曲を収録。 ------------------------------- Text by...
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