Editions Basilic
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{"id":8521401696506,"title":"Giovanni di Domenico, Pak Yan Lau and John Also Bennett \/\/ Tidal Perspectives LP","handle":"gpj","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアのピアニストGiovanni di Domenicoとベルギーの実験音楽家Pak Yan Lau、アメリカ出身ギリシャ在住のマルチ奏者John Also Bennettが、2024年6月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやベースフルート、声によるアンビエント〜ポストニューエイジ・ジャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6fWY-Xvw7r4?si=j3H_xO3xtiWeIv5f\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Cxm7p9Hl_7Q?si=djugd06CjQbrhfH7\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pQbbvAVCOkY?si=t9rfiV2rClwjrBYb\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9rOPXpK7GsY?si=BgFROK19G1_k3bz5\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003ehere\u003c\/a\u003e to see more Editions Basilic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. Vernal (2:36)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Melt (10:49)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Generational (6:20)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Tidal Perspectives (18:07)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAccompanying text:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTidal Perspectives is an album by Giovanni Di Domenico, Pak Yan Lau, and John Also Bennett. Recorded across a single afternoon in Brussels, Belgium, the album’s four parts are a rippling alchemy of processed Rhodes piano, sizzling ceramics, and liquified bass flute, a rare meeting of three unique voices from the contemporary music landscape that manages to flow with the effortless inevitability of the oceanic tides.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGiovanni Di Domenico, an accomplished composer and prolific collaborator who has released albums with Jim O’Rourke, Eiko Ishibashi and Akira Sakata, among many others, initiated the collaboration with Bennett after the two met at a record fair in Saint-Gilles, Belgium and bonded over a shared inquisitiveness for unconventional sonic combinations. Along with Pak Yan Lau, a Belgian-born sound artist and improviser who has developed her own rich and unique sonic footprint, the trio entered the studio with little, if any, discussion beforehand, jumping right into playing without preconceived structures. The resulting recordings had a depth of sound and emotional resonance surprising even them, with finished pieces emerging from single live takes and minor edits.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBennett, known for his solo work as well as his\u003cspan class=\"bcTruncateMore\"\u003e collaborations with Christina Vantzou as CV \u0026amp; JAB, gives us here a taste of his bass flute in free flowing form. Unconstricted by concept, joyfully and lazily bouncing off the melodic shimmers of Di Domenico’s Rhodes, Bennett uses his flute’s pitch information to trigger long tones that emerge like rays of light piercing through low hanging clouds - moments of clarity among a clicking world of sonic stimuli. Meanwhile, Lau’s crackling and sometimes dissonant contributions on prepared piano, live hydrophone, and custom ceramic sound objects balance out the triangle, adding a sense of microcosmic intrigue that allows the music to seamlessly ebb and flow between moments of comfort and foggy uncertainty.\u003cbr\u003e\u003cbr\u003eThe album’s title track and climax, the eighteen minute “Tidal Perspectives”, drifts in with some kind of clarity, Lau’s glinting tonal waves edging in just beyond the horizon lines drawn by Di Domenico’s Rhodes and Bennett’s bass flute. But like the tidal flows of the Atlantic that inspired its title, just as you begin to perceive what’s happening, the currents have already taken you out to sea.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giovanni di Domenico, Pak Yan Lau and John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e","published_at":"2024-06-18T20:36:24+09:00","created_at":"2024-06-18T18:41:23+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Editions Basilic","jazz","lp","post newage","recommended"],"price":436000,"price_min":436000,"price_max":436000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46251763269882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giovanni di Domenico, Pak Yan Lau and John Also Bennett \/\/ Tidal Perspectives LP","public_title":null,"options":["Default Title"],"price":436000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pe1.jpg?v=1718703546","\/\/tobirarecords.com\/cdn\/shop\/files\/pe2.jpg?v=1718703546"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1.jpg?v=1718703546","options":["Title"],"media":[{"alt":null,"id":34357415411962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1.jpg?v=1718703546"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1.jpg?v=1718703546","width":700},{"alt":null,"id":34357415477498,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe2.jpg?v=1718703546"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe2.jpg?v=1718703546","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアのピアニストGiovanni di Domenicoとベルギーの実験音楽家Pak Yan Lau、アメリカ出身ギリシャ在住のマルチ奏者John Also Bennettが、2024年6月にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノやベースフルート、声によるアンビエント〜ポストニューエイジ・ジャズ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6fWY-Xvw7r4?si=j3H_xO3xtiWeIv5f\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Cxm7p9Hl_7Q?si=djugd06CjQbrhfH7\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pQbbvAVCOkY?si=t9rfiV2rClwjrBYb\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9rOPXpK7GsY?si=BgFROK19G1_k3bz5\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003ehere\u003c\/a\u003e to see more Editions Basilic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. Vernal (2:36)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Melt (10:49)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Generational (6:20)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Tidal Perspectives (18:07)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAccompanying text:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTidal Perspectives is an album by Giovanni Di Domenico, Pak Yan Lau, and John Also Bennett. Recorded across a single afternoon in Brussels, Belgium, the album’s four parts are a rippling alchemy of processed Rhodes piano, sizzling ceramics, and liquified bass flute, a rare meeting of three unique voices from the contemporary music landscape that manages to flow with the effortless inevitability of the oceanic tides.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGiovanni Di Domenico, an accomplished composer and prolific collaborator who has released albums with Jim O’Rourke, Eiko Ishibashi and Akira Sakata, among many others, initiated the collaboration with Bennett after the two met at a record fair in Saint-Gilles, Belgium and bonded over a shared inquisitiveness for unconventional sonic combinations. Along with Pak Yan Lau, a Belgian-born sound artist and improviser who has developed her own rich and unique sonic footprint, the trio entered the studio with little, if any, discussion beforehand, jumping right into playing without preconceived structures. The resulting recordings had a depth of sound and emotional resonance surprising even them, with finished pieces emerging from single live takes and minor edits.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBennett, known for his solo work as well as his\u003cspan class=\"bcTruncateMore\"\u003e collaborations with Christina Vantzou as CV \u0026amp; JAB, gives us here a taste of his bass flute in free flowing form. Unconstricted by concept, joyfully and lazily bouncing off the melodic shimmers of Di Domenico’s Rhodes, Bennett uses his flute’s pitch information to trigger long tones that emerge like rays of light piercing through low hanging clouds - moments of clarity among a clicking world of sonic stimuli. Meanwhile, Lau’s crackling and sometimes dissonant contributions on prepared piano, live hydrophone, and custom ceramic sound objects balance out the triangle, adding a sense of microcosmic intrigue that allows the music to seamlessly ebb and flow between moments of comfort and foggy uncertainty.\u003cbr\u003e\u003cbr\u003eThe album’s title track and climax, the eighteen minute “Tidal Perspectives”, drifts in with some kind of clarity, Lau’s glinting tonal waves edging in just beyond the horizon lines drawn by Di Domenico’s Rhodes and Bennett’s bass flute. But like the tidal flows of the Atlantic that inspired its title, just as you begin to perceive what’s happening, the currents have already taken you out to sea.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giovanni di Domenico, Pak Yan Lau and John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Self-released\u003c\/p\u003e"}
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イタリアのピアニストGiovanni di Domenicoとベルギーの実験音楽家Pak Yan Lau、アメリカ出身ギリシャ在住のマルチ奏者John Also Bennettが、2024年6月にリリースした共作レコードです。 ピアノやベースフルート、声によるアンビエント〜ポストニューエイジ・ジャズ4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see...
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{"id":9119238422778,"title":"Christina Vantzou \/\/ The Reintegration of the Ear LP","handle":"christina-vantzou-the-reintegration-of-the-ear-lp","description":"\u003cp\u003eギリシャ／アメリカのアンビエント作家Christina Vantzouが、2026年2月に彼女のパートナーJohn Also Bennett主宰レーベルEditions Basilicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなエレクトロアコースティック2曲を収録。DLコード付属。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説の抜粋です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"真に聴くことは受動的な行為ではなく、根源的で身体化された注意の行為である。Christina Vantzouの『耳の再統合』は、より遅い存在感——慈しみ、親密さ、内省に根ざした存在感——を提供する。言語を超えた行為。この再統合を通じて、耳は静かな抵抗の形態となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eギリシャ系アメリカ人作曲家Christina Vantzouが2023年から2025年にかけ、INA GRMの委嘱によりマルチチャンネル・アコースマティック作品として作曲した本作は、時間軸に沿って展開する電子音響組曲である。Christina Vantzouが緻密に構成し、アイリーン・クルカ（声）、ジョン・アルソ・ベネット（フルート、シンセサイザー）、 ロマン・ヒエレ（コントラバス）、オリバー・コーツ（チェロ）によって演奏される。形式的な構造ではなく、呼吸、共鳴、そして繊細な知性によって導かれる直感を通じて展開される。そこから浮かび上がるのは音響生態学——知覚と表現の絶え間ない交渉である。私たちを根源的なものへと再指向する倫理的行為。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「観察、編集、落ち着きのなさの治療法」と対をなす本作は、家庭的な断片と時間の漂流からなる連作組曲であり、内なる持続と外なる未解決の引力との対話として展開する。親密さと無限の間の浸透性のある境界線を辿る連続体だ。エレクトロニクス、フィールド・レコーディング、アコースティック楽器を通じ、Christina Vantzouは精神的・時間的な残滓に満ちた雰囲気をマッピングする。「観察、編集、落ち着きのなさの治療法」は、ほぼ10年にわたり収集された音響的印象を精密に配列した星座として展開する。現実と想像が互いに滲み合う様は、時間が折り畳まれ、漂流し、再構築される場所の変わりやすい気分のようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eここでは時間が具現化され、知覚が漂い、再形成され、伸び縮みし、自らを停止させる多孔質の媒体となる。存在と儚さの境界は曖昧に溶け合う。この流動的な時間性の中で、構造に代わって直感が支配する。音は到達点ではなく再生の場となる。あらゆる共鳴は過ぎ去ったものとこれから展開されるものの痕跡を運び、聴取が存在の形態となり、時間が道具であり証人であることを示す、絶えず移り変わる境界線を形成する...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=814943328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003ehere\u003c\/a\u003e to see more Editions Basilic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Reintegration of the Ear 20:12\u003cbr\u003e2. Observations, Edits, a Cure for Restlessness 20:00\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt written by Melis Özek, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eTo truly listen is not a passive gesture but a radical, embodied act of attention. Christina Vantzou’s The Reintegration of the Ear offers a slower presence: one rooted in care, intimacy, and reflection. An act beneath language. Through this reintegration, the ear becomes a quiet form of resistance.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed by the Greek-American composer between 2023 and 2025 after being commissioned by INA GRM as a multi-channel acousmatic work, The Reintegration of the Ear unfolds as a durational electroacoustic suite, meticulously arranged by Vantzou and performed with Irene Kurka (voice), John Also Bennett (flutes, synthesizers), Roman Hiele (double bass), and Oliver Coates (cello). Rather than a formal structure, the composition unfolds through intuition led by breath, resonance and subtle intelligence. What emerges is an acoustic ecology: an ongoing negotiation between perception and expression. An ethical act that reorients us toward the elemental.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePaired with \"Observations, edits, a cure for restlessness\", a companion suite of domestic fragments and temporal drift, the album unfolds as a dialogue between the inward persistence of what is felt and the outward pull of what remains unresolved. A\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e continuum that traces the porous boundaries between the intimate and the infinite. Through electronics, field recordings, and acoustic instrumentation, Vantzou maps atmospheres charged with psychic and temporal residue. \"Observations, edits, a cure for restlessness\" unfolds as a precisely sequenced constellation of sonic impressions gathered across nearly a decade, where the real and the imagined bleed into one another, like the mutable moods of places where time folds, drifts and reassembles itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTime here is embodied, a porous medium through which perception drifts and reforms, stretches, contracts, and suspends itself, blurring the boundary between presence and impermanence. Within this fluid temporality, intuition replaces structure; sound becomes a site of renewal rather than arrival. Each resonance carries the trace of what has passed and what is yet to unfold, an ever-shifting threshold where listening becomes a form of existence and time reveals itself as both instrument and witness...\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christina Vantzou\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Basilic\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEBS2010LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-04T15:49:47+09:00","created_at":"2026-03-04T10:23:24+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","Editions Basilic","lp","neo classical","new"],"price":536000,"price_min":536000,"price_max":536000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48414480400634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christina Vantzou \/\/ The Reintegration of the Ear LP","public_title":null,"options":["Default Title"],"price":536000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rein1.jpg?v=1772587170","\/\/tobirarecords.com\/cdn\/shop\/files\/rein2.jpg?v=1772587170","\/\/tobirarecords.com\/cdn\/shop\/files\/rein3.jpg?v=1772587170"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein1.jpg?v=1772587170","options":["Title"],"media":[{"alt":null,"id":38573018317050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein1.jpg?v=1772587170"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein1.jpg?v=1772587170","width":700},{"alt":null,"id":38573018349818,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein2.jpg?v=1772587170"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein2.jpg?v=1772587170","width":1200},{"alt":null,"id":38573018382586,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein3.jpg?v=1772587170"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein3.jpg?v=1772587170","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャ／アメリカのアンビエント作家Christina Vantzouが、2026年2月に彼女のパートナーJohn Also Bennett主宰レーベルEditions Basilicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなエレクトロアコースティック2曲を収録。DLコード付属。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説の抜粋です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"真に聴くことは受動的な行為ではなく、根源的で身体化された注意の行為である。Christina Vantzouの『耳の再統合』は、より遅い存在感——慈しみ、親密さ、内省に根ざした存在感——を提供する。言語を超えた行為。この再統合を通じて、耳は静かな抵抗の形態となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eギリシャ系アメリカ人作曲家Christina Vantzouが2023年から2025年にかけ、INA GRMの委嘱によりマルチチャンネル・アコースマティック作品として作曲した本作は、時間軸に沿って展開する電子音響組曲である。Christina Vantzouが緻密に構成し、アイリーン・クルカ（声）、ジョン・アルソ・ベネット（フルート、シンセサイザー）、 ロマン・ヒエレ（コントラバス）、オリバー・コーツ（チェロ）によって演奏される。形式的な構造ではなく、呼吸、共鳴、そして繊細な知性によって導かれる直感を通じて展開される。そこから浮かび上がるのは音響生態学——知覚と表現の絶え間ない交渉である。私たちを根源的なものへと再指向する倫理的行為。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「観察、編集、落ち着きのなさの治療法」と対をなす本作は、家庭的な断片と時間の漂流からなる連作組曲であり、内なる持続と外なる未解決の引力との対話として展開する。親密さと無限の間の浸透性のある境界線を辿る連続体だ。エレクトロニクス、フィールド・レコーディング、アコースティック楽器を通じ、Christina Vantzouは精神的・時間的な残滓に満ちた雰囲気をマッピングする。「観察、編集、落ち着きのなさの治療法」は、ほぼ10年にわたり収集された音響的印象を精密に配列した星座として展開する。現実と想像が互いに滲み合う様は、時間が折り畳まれ、漂流し、再構築される場所の変わりやすい気分のようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eここでは時間が具現化され、知覚が漂い、再形成され、伸び縮みし、自らを停止させる多孔質の媒体となる。存在と儚さの境界は曖昧に溶け合う。この流動的な時間性の中で、構造に代わって直感が支配する。音は到達点ではなく再生の場となる。あらゆる共鳴は過ぎ去ったものとこれから展開されるものの痕跡を運び、聴取が存在の形態となり、時間が道具であり証人であることを示す、絶えず移り変わる境界線を形成する...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=814943328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003ehere\u003c\/a\u003e to see more Editions Basilic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Reintegration of the Ear 20:12\u003cbr\u003e2. Observations, Edits, a Cure for Restlessness 20:00\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt written by Melis Özek, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eTo truly listen is not a passive gesture but a radical, embodied act of attention. Christina Vantzou’s The Reintegration of the Ear offers a slower presence: one rooted in care, intimacy, and reflection. An act beneath language. Through this reintegration, the ear becomes a quiet form of resistance.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed by the Greek-American composer between 2023 and 2025 after being commissioned by INA GRM as a multi-channel acousmatic work, The Reintegration of the Ear unfolds as a durational electroacoustic suite, meticulously arranged by Vantzou and performed with Irene Kurka (voice), John Also Bennett (flutes, synthesizers), Roman Hiele (double bass), and Oliver Coates (cello). Rather than a formal structure, the composition unfolds through intuition led by breath, resonance and subtle intelligence. What emerges is an acoustic ecology: an ongoing negotiation between perception and expression. An ethical act that reorients us toward the elemental.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePaired with \"Observations, edits, a cure for restlessness\", a companion suite of domestic fragments and temporal drift, the album unfolds as a dialogue between the inward persistence of what is felt and the outward pull of what remains unresolved. A\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e continuum that traces the porous boundaries between the intimate and the infinite. Through electronics, field recordings, and acoustic instrumentation, Vantzou maps atmospheres charged with psychic and temporal residue. \"Observations, edits, a cure for restlessness\" unfolds as a precisely sequenced constellation of sonic impressions gathered across nearly a decade, where the real and the imagined bleed into one another, like the mutable moods of places where time folds, drifts and reassembles itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTime here is embodied, a porous medium through which perception drifts and reforms, stretches, contracts, and suspends itself, blurring the boundary between presence and impermanence. Within this fluid temporality, intuition replaces structure; sound becomes a site of renewal rather than arrival. Each resonance carries the trace of what has passed and what is yet to unfold, an ever-shifting threshold where listening becomes a form of existence and time reveals itself as both instrument and witness...\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christina Vantzou\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Basilic\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEBS2010LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ギリシャ／アメリカのアンビエント作家Christina Vantzouが、2026年2月に彼女のパートナーJohn Also Bennett主宰レーベルEditions Basilicからリリースしたレコードです。 ロングフォームなエレクトロアコースティック2曲を収録。DLコード付属。 以下、レーベルによる解説の抜粋です。 "真に聴くことは受動的な行為ではなく、根源的で身体化された注意の行為である。Christina Vantzouの『耳の再統合』は、より遅い存在感——慈しみ、親密さ、内省に根ざした存在感——を提供する。言語を超えた行為。この再統合を通じて、耳は静かな抵抗の形態となる。 ギリシャ系アメリカ人作曲家Christina Vantzouが2023年から2025年にかけ、INA GRMの委嘱によりマルチチャンネル・アコースマティック作品として作曲した本作は、時間軸に沿って展開する電子音響組曲である。Christina Vantzouが緻密に構成し、アイリーン・クルカ（声）、ジョン・アルソ・ベネット（フルート、シンセサイザー）、 ロマン・ヒエレ（コントラバス）、オリバー・コーツ（チェロ）によって演奏される。形式的な構造ではなく、呼吸、共鳴、そして繊細な知性によって導かれる直感を通じて展開される。そこから浮かび上がるのは音響生態学——知覚と表現の絶え間ない交渉である。私たちを根源的なものへと再指向する倫理的行為。...
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{"id":8008794505466,"title":"CV \u0026 JAB - Κλίμα (Klima) LP","handle":"cvjab","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・NYの老舗レーベルRVNG運営にも携わるマルチ奏者John Also Bennettと、ギリシャのアンビエント作家Christina Vantzouが、2023年10月にJAB主宰プライベートレーベルEditions Basilicからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e静謐なネオクラシカル・アンビエント〜アンビエント・ジャズ10曲を収録。DLコード付属。2023年下半期最重要ネオクラシカル作品の一枚です。\u003c\/p\u003e\n\u003cp\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVittoria de Franchisによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Κλίμα（Klima）\"は、\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eChristina Vantzou\u003c\/span\u003eと\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eJohn Also Bennett\u003c\/span\u003eによるデュオ、CV \u0026amp; JABの3作目のアルバムである。メロディックな相互作用、音響処理、フィールドレコーディングなど、2人のアーティストによる探求が一歩前進した本作は、未聴のサウンドスケープを探し求める考古学者のような手口を想起させる。Κλίμα（Klima）は、旅するミスエンアビームとして構成され、突発的な発見と進歩的な再遭遇によって、世界的な海底回路と対流圏を召喚する。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2021年、ポルトガルのブラガにあるユネスコの世界遺産、サントゥアリオ・ボム・ド・ジェス・ド・モンテでの公演に招かれたことをきっかけに、Κλίμα（クリマ）の音楽は2年間かけて発酵し、その間にライブ実験、周期的なスタジオセッション、テネリフェ島のほとばしるようなアンビエンスを旅することで、徐々に完成していった。アルバムの核となる物語が生まれたのは、火山島でのことで、風景を彩る極端に異なる微気候の中で1ヵ月にわたってレコーディングが行われた。砂漠から熱帯雨林へと移り変わるCV \u0026amp; JABの閃光は、10曲にわたって、作品に浸透する外界と内界の抽象的なオーディオガイドとして呼び起こされる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eパーカッション、屈折した声、さえずりやうなり声、別世界のような合成音、反響するピアノの和音、憧憬のフルートなど、すべてが時にソロで、時にシンクロして現れ、やがてまた消えていく。また、\"Dwelling \"や \"Pottery Fragments \"ではJABのバス・フルートと、\"Jetstream \"ではCVの揺らめくプラズマ・ヴォイスと、この楽器が戯れるように絡み合うことで、突き抜けるような感情的共鳴が生まれる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアンビエントエチュードとクラシカル・ミニマリズムの時代を超えた彷徨を示唆するこのアルバムは、蜃気楼のように展開し、芳醇な反復と沖合でのSF的な抑揚によってリスナーを瞑想状態へと誘う。音と和音は、私たちが長い旅路の中で半ば眠りながら見つめる風景のように、実体化し、非物質化する。CVとJABが5年以上にわたって共に音の放浪と驚きを続けてきたことで、音に新たな広がりが感じられる。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4094846713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3288414356\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4094846713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=335419223\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4094846713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e ---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code. 12\" black vinyl edition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVittoria de Franchis, July 2023 \u003c\/span\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eΚλίμα (Klima) is the third album by CV \u0026amp; JAB, the duo of Christina Vantzou and John Also Bennett. An assertive step forward in the two artists' investigations into melodic interplay, acoustic processing and field recordings, the full-length conjures the modus operandi of archaeologists searching for unheard soundscapes. Structured as an itinerant mise-en-abyme, Κλίμα (Klima) summons worldwide submarine circuits and tropospheres populated by sudden findings and progressive re-encounters - hazy dreams amalgamate with mosaics of reality.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCatalyzed by a 2021 invitation to perform at the UNESCO world heritage site Santuário Bom do Jesus do Monte in Braga, Portugal, the music of Κλίμα (Klima) then fermented across a period of two years, during which live experiments, cyclical studio sessions, and travels across the Island of Tenerife’s effervescent ambiences gradually contributed to its completion. It is on the volcanic island that the narrative core of the album materialized, prompted by a month of recordings across the radically different microclimates populating the landscape. CV \u0026amp; JAB’s flashing transpositions from desert to rainforest are evoked over ten tracks operating as an abstract audio-guide of the outer and inner realms permeating the pieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eΚλίμα (Klima) is conceived as a rhizomatic composition rather than a sequential excursus; percussion, refracted voices, chirps and gurgles, other-worldly synthetic winks, reverberated piano chords, and yearning flute circumnavigations all surface sometimes in solo, sometimes synchronically to eventually dissipate again. The remote and enigmatic atmospheres that characterized previous CV \u0026amp; JAB albums acquire an intimate intensity in the solo piano excursions - “Klima” and “Lands of Permanent Mist” - and a penetrating emotional resonance with the instrument’s flirtatious entanglements with JAB’s bass flute on “Dwelling” and “Pottery Fragments” or with CV’s flickering plasma voice in “Jetstream”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSuggesting timeless wanderings in ambient études and classical minimalism, the album deploys as a mirage, inducing listeners into a contemplative state through mellifluous repetitions and offshore sci-fi inflections. The palpable depth of the recordings bestows each track with a distinctive density and presence: sounds and chords materialize and dematerialise as landscapes at which we gaze, half-asleep over a long journey. Ten sips of a familiar rapture which ooze a renewed sense of expansion in sound, informed by more than five years of CV \u0026amp; JAB’s continuous sonic wanderings and wonderings together.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CV \u0026amp; JAB\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Basilic\u003c\/p\u003e","published_at":"2023-08-22T14:51:11+09:00","created_at":"2023-08-20T14:47:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Editions Basilic","jazz","lp","neo classical","recommended"],"price":384500,"price_min":384500,"price_max":384500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44497963155706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"CV \u0026 JAB - Κλίμα (Klima) LP","public_title":null,"options":["Default Title"],"price":384500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/EBS2005-CV_JAB-Klima-DIGITALCOVER.jpg?v=1692518148"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/EBS2005-CV_JAB-Klima-DIGITALCOVER.jpg?v=1692518148","options":["Title"],"media":[{"alt":null,"id":32352589709562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3685,"width":3685,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/EBS2005-CV_JAB-Klima-DIGITALCOVER.jpg?v=1692518148"},"aspect_ratio":1.0,"height":3685,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/EBS2005-CV_JAB-Klima-DIGITALCOVER.jpg?v=1692518148","width":3685}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・NYの老舗レーベルRVNG運営にも携わるマルチ奏者John Also Bennettと、ギリシャのアンビエント作家Christina Vantzouが、2023年10月にJAB主宰プライベートレーベルEditions Basilicからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e静謐なネオクラシカル・アンビエント〜アンビエント・ジャズ10曲を収録。DLコード付属。2023年下半期最重要ネオクラシカル作品の一枚です。\u003c\/p\u003e\n\u003cp\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVittoria de Franchisによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Κλίμα（Klima）\"は、\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eChristina Vantzou\u003c\/span\u003eと\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eJohn Also Bennett\u003c\/span\u003eによるデュオ、CV \u0026amp; JABの3作目のアルバムである。メロディックな相互作用、音響処理、フィールドレコーディングなど、2人のアーティストによる探求が一歩前進した本作は、未聴のサウンドスケープを探し求める考古学者のような手口を想起させる。Κλίμα（Klima）は、旅するミスエンアビームとして構成され、突発的な発見と進歩的な再遭遇によって、世界的な海底回路と対流圏を召喚する。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2021年、ポルトガルのブラガにあるユネスコの世界遺産、サントゥアリオ・ボム・ド・ジェス・ド・モンテでの公演に招かれたことをきっかけに、Κλίμα（クリマ）の音楽は2年間かけて発酵し、その間にライブ実験、周期的なスタジオセッション、テネリフェ島のほとばしるようなアンビエンスを旅することで、徐々に完成していった。アルバムの核となる物語が生まれたのは、火山島でのことで、風景を彩る極端に異なる微気候の中で1ヵ月にわたってレコーディングが行われた。砂漠から熱帯雨林へと移り変わるCV \u0026amp; JABの閃光は、10曲にわたって、作品に浸透する外界と内界の抽象的なオーディオガイドとして呼び起こされる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"UTF-8\"\u003eパーカッション、屈折した声、さえずりやうなり声、別世界のような合成音、反響するピアノの和音、憧憬のフルートなど、すべてが時にソロで、時にシンクロして現れ、やがてまた消えていく。また、\"Dwelling \"や \"Pottery Fragments \"ではJABのバス・フルートと、\"Jetstream \"ではCVの揺らめくプラズマ・ヴォイスと、この楽器が戯れるように絡み合うことで、突き抜けるような感情的共鳴が生まれる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアンビエントエチュードとクラシカル・ミニマリズムの時代を超えた彷徨を示唆するこのアルバムは、蜃気楼のように展開し、芳醇な反復と沖合でのSF的な抑揚によってリスナーを瞑想状態へと誘う。音と和音は、私たちが長い旅路の中で半ば眠りながら見つめる風景のように、実体化し、非物質化する。CVとJABが5年以上にわたって共に音の放浪と驚きを続けてきたことで、音に新たな広がりが感じられる。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4094846713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3288414356\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4094846713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=335419223\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4094846713\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e ---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code. 12\" black vinyl edition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVittoria de Franchis, July 2023 \u003c\/span\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eΚλίμα (Klima) is the third album by CV \u0026amp; JAB, the duo of Christina Vantzou and John Also Bennett. An assertive step forward in the two artists' investigations into melodic interplay, acoustic processing and field recordings, the full-length conjures the modus operandi of archaeologists searching for unheard soundscapes. Structured as an itinerant mise-en-abyme, Κλίμα (Klima) summons worldwide submarine circuits and tropospheres populated by sudden findings and progressive re-encounters - hazy dreams amalgamate with mosaics of reality.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCatalyzed by a 2021 invitation to perform at the UNESCO world heritage site Santuário Bom do Jesus do Monte in Braga, Portugal, the music of Κλίμα (Klima) then fermented across a period of two years, during which live experiments, cyclical studio sessions, and travels across the Island of Tenerife’s effervescent ambiences gradually contributed to its completion. It is on the volcanic island that the narrative core of the album materialized, prompted by a month of recordings across the radically different microclimates populating the landscape. CV \u0026amp; JAB’s flashing transpositions from desert to rainforest are evoked over ten tracks operating as an abstract audio-guide of the outer and inner realms permeating the pieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eΚλίμα (Klima) is conceived as a rhizomatic composition rather than a sequential excursus; percussion, refracted voices, chirps and gurgles, other-worldly synthetic winks, reverberated piano chords, and yearning flute circumnavigations all surface sometimes in solo, sometimes synchronically to eventually dissipate again. The remote and enigmatic atmospheres that characterized previous CV \u0026amp; JAB albums acquire an intimate intensity in the solo piano excursions - “Klima” and “Lands of Permanent Mist” - and a penetrating emotional resonance with the instrument’s flirtatious entanglements with JAB’s bass flute on “Dwelling” and “Pottery Fragments” or with CV’s flickering plasma voice in “Jetstream”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSuggesting timeless wanderings in ambient études and classical minimalism, the album deploys as a mirage, inducing listeners into a contemplative state through mellifluous repetitions and offshore sci-fi inflections. The palpable depth of the recordings bestows each track with a distinctive density and presence: sounds and chords materialize and dematerialise as landscapes at which we gaze, half-asleep over a long journey. Ten sips of a familiar rapture which ooze a renewed sense of expansion in sound, informed by more than five years of CV \u0026amp; JAB’s continuous sonic wanderings and wonderings together.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CV \u0026amp; JAB\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Basilic\u003c\/p\u003e"}
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アメリカ・NYの老舗レーベルRVNG運営にも携わるマルチ奏者John Also Bennettと、ギリシャのアンビエント作家Christina Vantzouが、2023年10月にJAB主宰プライベートレーベルEditions Basilicからリリースした共作レコードです。 静謐なネオクラシカル・アンビエント〜アンビエント・ジャズ10曲を収録。DLコード付属。2023年下半期最重要ネオクラシカル作品の一枚です。 以下、ジャーナリストVittoria de Franchisによる解説です。 "Κλίμα（Klima）"は、 Christina Vantzouと John Also...
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{"id":8255401001210,"title":"John Also Bennett \/\/ Music for Save Rooms 1 \u0026 2 2xCD","handle":"jabm","description":"\u003cp\u003eアメリカ出身ギリシャ在住のアンビエント作家John Also Bennettが、2024年3月に自主リリースした2枚組CDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eフルートやシンセサイザーによるミニマルな実験アンビエント怒涛の15曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3849163470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3200896182\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3849163470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=9172248\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3849163470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=467888280\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3849163470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3849163470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2282554256\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2xCD. 2nd edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusic for Save Rooms 1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Still Inside the Deku Tree (5:37)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Save Room 3 (11:21)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Utopia and Oblivion (8:44)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. Save Room 6 (9:55)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. Utopia and Oblivion (Return) (9:24)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\"\u003eSpiegel im Spiegel (8:08)\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eMusic for Save Rooms 2\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e01. Sky Music (5:26)\u003cbr data-mce-fragment=\"1\"\u003e02. Power\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePlant (5:35)\u003cbr data-mce-fragment=\"1\"\u003e03. Desolation (5:18)\u003cbr data-mce-fragment=\"1\"\u003e04. Glass Castle (3:44)\u003cbr data-mce-fragment=\"1\"\u003e05. Out Back (2:40)\u003cbr data-mce-fragment=\"1\"\u003e06. Embarkation (3:20)\u003cbr data-mce-fragment=\"1\"\u003e07. Computer Terminal (2:15)\u003cbr data-mce-fragment=\"1\"\u003e08. Letter from Home (5:33)\u003cbr data-mce-fragment=\"1\"\u003e09. Ambling (2:58)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Editions Basilica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eJohn Also Bennett (JAB)’s Music for Save Rooms 1 \u0026amp; 2 compiles two volumes of minimal music conceived as infinitely looping and morphing compositions for “save rooms” - temporary safe spaces within video game maps. The compositions primarily stem from a week spent at work in a former military barn in the Marin Headlands just north of San Francisco, spurred on by multimedia artist and Bennett’s frequent collaborator Peter Burr (for whom a handful of the pieces on these albums were initially composed). Consumed with the idea of music that could create an effortless sense of stasis, yet never exactly repeat itself, Bennett spent days alone in the remote, empty barn composing endless loops, experimenting with phasing techniques, and melding with the surrounding ambience.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe groundwork was laid for over 11 compositions, a few of which at that time were finished. But in early 2020, faced with a pandemic-canceled tour and non-refundable plane tickets, Bennett digitally released a premature version of Music for Save Rooms containing two finished ‘Save Room’ pieces plus various unreleased odds and ends - a synthesized version of Arvo Pärt’s “Spiegel im Spiegel”, “Still Inside the Deku Tree”, an alto flute piece and live staple referencing Koji Kondo’s classic score for The Legend of Zelda:\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Ocarina of Time, and “Utopia and Oblivion”, a work for a virtual just intonation piano \u0026amp; DX7. Bennett presents here a definitely mixed, mastered, and expanded version of Music for Save Rooms (now Music for Save Rooms 1), alongside Music for Save Rooms 2, a fully realized album of new music stemming directly from those original sessions in Marin County.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Basilic\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eEBS2007CD\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-01T19:24:54+09:00","created_at":"2024-04-01T10:28:14+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","Editions Basilic","recommended","self-released"],"price":263000,"price_min":263000,"price_max":263000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45484110872826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Also Bennett \/\/ Music for Save Rooms 1 \u0026 2 2xCD","public_title":null,"options":["Default Title"],"price":263000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/music1.jpg?v=1711934909"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/music1.jpg?v=1711934909","options":["Title"],"media":[{"alt":null,"id":33520386441466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/music1.jpg?v=1711934909"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/music1.jpg?v=1711934909","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身ギリシャ在住のアンビエント作家John Also Bennettが、2024年3月に自主リリースした2枚組CDです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eフルートやシンセサイザーによるミニマルな実験アンビエント怒涛の15曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3849163470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3200896182\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3849163470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=9172248\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3849163470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=467888280\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3849163470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3849163470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2282554256\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2xCD. 2nd edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMusic for Save Rooms 1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Still Inside the Deku Tree (5:37)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. Save Room 3 (11:21)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Utopia and Oblivion (8:44)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. Save Room 6 (9:55)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. Utopia and Oblivion (Return) (9:24)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\"\u003eSpiegel im Spiegel (8:08)\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003eMusic for Save Rooms 2\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e01. Sky Music (5:26)\u003cbr data-mce-fragment=\"1\"\u003e02. Power\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"peekaboo-text\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePlant (5:35)\u003cbr data-mce-fragment=\"1\"\u003e03. Desolation (5:18)\u003cbr data-mce-fragment=\"1\"\u003e04. Glass Castle (3:44)\u003cbr data-mce-fragment=\"1\"\u003e05. Out Back (2:40)\u003cbr data-mce-fragment=\"1\"\u003e06. Embarkation (3:20)\u003cbr data-mce-fragment=\"1\"\u003e07. Computer Terminal (2:15)\u003cbr data-mce-fragment=\"1\"\u003e08. Letter from Home (5:33)\u003cbr data-mce-fragment=\"1\"\u003e09. Ambling (2:58)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Editions Basilica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eJohn Also Bennett (JAB)’s Music for Save Rooms 1 \u0026amp; 2 compiles two volumes of minimal music conceived as infinitely looping and morphing compositions for “save rooms” - temporary safe spaces within video game maps. The compositions primarily stem from a week spent at work in a former military barn in the Marin Headlands just north of San Francisco, spurred on by multimedia artist and Bennett’s frequent collaborator Peter Burr (for whom a handful of the pieces on these albums were initially composed). Consumed with the idea of music that could create an effortless sense of stasis, yet never exactly repeat itself, Bennett spent days alone in the remote, empty barn composing endless loops, experimenting with phasing techniques, and melding with the surrounding ambience.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe groundwork was laid for over 11 compositions, a few of which at that time were finished. But in early 2020, faced with a pandemic-canceled tour and non-refundable plane tickets, Bennett digitally released a premature version of Music for Save Rooms containing two finished ‘Save Room’ pieces plus various unreleased odds and ends - a synthesized version of Arvo Pärt’s “Spiegel im Spiegel”, “Still Inside the Deku Tree”, an alto flute piece and live staple referencing Koji Kondo’s classic score for The Legend of Zelda:\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Ocarina of Time, and “Utopia and Oblivion”, a work for a virtual just intonation piano \u0026amp; DX7. Bennett presents here a definitely mixed, mastered, and expanded version of Music for Save Rooms (now Music for Save Rooms 1), alongside Music for Save Rooms 2, a fully realized album of new music stemming directly from those original sessions in Marin County.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Basilic\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eEBS2007CD\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ出身ギリシャ在住のアンビエント作家John Also Bennettが、2024年3月に自主リリースした2枚組CDです。 フルートやシンセサイザーによるミニマルな実験アンビエント怒涛の15曲を収録。 ---------------------------------------- 2xCD. 2nd edition of 100. Tracklist: Music for Save...
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