contemporary / sound poetry
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{"id":9181414850810,"title":"Jhane P. \u0026 Janna Lee \/\/ Sick Like Love TAPE","handle":"jhane-p-janna-lee-sick-like-love-tape","description":"\u003cp\u003e\u003cspan\u003e実験音楽家Jhane P. \u0026amp; Janna Leeが、2026年2月にイギリスの実験／ノイズレーベルIndustrial Coastからリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eスカムなカバー3\u003c\/span\u003e\u003cspan\u003e曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=612395150\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u0026gt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. VALENTINE FOR JESUS 07:08\u003cbr\u003e2. HEY JOE (Patti Smith Cover) 06:12\u003cbr\u003e3. YOU LOVED ME (Patty Waters cover) 04:28\u003c\/p\u003e\n\u003cp\u003eArtist : Jhane P. \u0026amp; Janna Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e\n\u003cp\u003eRelease date : 14th February 2026\u003c\/p\u003e","published_at":"2026-04-08T13:54:52+09:00","created_at":"2026-04-08T08:29:01+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","industrial coast","monooto","new","tape"],"price":236600,"price_min":236600,"price_max":236600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48623754936570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jhane P. \u0026 Janna Lee \/\/ Sick Like Love TAPE","public_title":null,"options":["Default Title"],"price":236600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sick1.jpg?v=1775604475","\/\/tobirarecords.com\/cdn\/shop\/files\/sick2.jpg?v=1775604475"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sick1.jpg?v=1775604475","options":["Title"],"media":[{"alt":null,"id":38982172901626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sick1.jpg?v=1775604475"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sick1.jpg?v=1775604475","width":350},{"alt":null,"id":38982172934394,"position":2,"preview_image":{"aspect_ratio":0.667,"height":1200,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sick2.jpg?v=1775604475"},"aspect_ratio":0.667,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sick2.jpg?v=1775604475","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e実験音楽家Jhane P. \u0026amp; Janna Leeが、2026年2月にイギリスの実験／ノイズレーベルIndustrial Coastからリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eスカムなカバー3\u003c\/span\u003e\u003cspan\u003e曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=612395150\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u0026gt;\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. VALENTINE FOR JESUS 07:08\u003cbr\u003e2. HEY JOE (Patti Smith Cover) 06:12\u003cbr\u003e3. YOU LOVED ME (Patty Waters cover) 04:28\u003c\/p\u003e\n\u003cp\u003eArtist : Jhane P. \u0026amp; Janna Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e\n\u003cp\u003eRelease date : 14th February 2026\u003c\/p\u003e"}
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実験音楽家Jhane P. & Janna Leeが、2026年2月にイギリスの実験／ノイズレーベルIndustrial Coastからリリースした共作カセットです。 スカムなカバー3曲を収録。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ > レーベルその他作品はこちら /// Click here to see more Industrial...
¥2,366
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{"id":9174999597306,"title":"Eventless Plot | Spyros Emmanouilidis | Savvas Metaxas \/\/ Undertow TAPE","handle":"eventless-plot-spyros-emmanouilidis-savvas-metaxas-undertow-tape","description":"\u003cp\u003e\u003cspan\u003eギリシャ・テッサロニキ\u003c\/span\u003e\u003cspan\u003eの実験トリオ\u003c\/span\u003e\u003cspan\u003eEventless Plotと同国実験音楽家Spyros Emmanouilidis | Savvas Metaxasが、\u003c\/span\u003e2026年2月に70本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2029996703\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnvo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnvo\"\u003ehere\u003c\/a\u003e to see more INNOVO EDITIONS releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 70 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part A (feat. Marco Paltrinieri) 11:25\u003cbr\u003e2. Part B 13:26\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSpyros Emmanouilidis: piano, prepared piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSavvas Metaxas: electric guitar, effects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Paltrinieri : voice (Part A)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEventless Plot : percussion, electronics, objects, tapes, field recordings, electromagnetic mic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eventless Plot | Spyros Emmanouilidis | Savvas Metaxas\u003c\/p\u003e\n\u003cp\u003eLabel : INNOVO EDITIONS\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eINN 04\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 5th September 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-04T07:03:10+09:00","created_at":"2026-04-02T09:33:57+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","innovo editions","monooto","new","tape"],"price":214600,"price_min":214600,"price_max":214600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595304284410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eventless Plot | Spyros Emmanouilidis | Savvas Metaxas \/\/ Undertow TAPE","public_title":null,"options":["Default Title"],"price":214600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/plo1_04f9dc01-7d34-4648-94a7-b4da3727ca40.jpg?v=1775089975","\/\/tobirarecords.com\/cdn\/shop\/files\/plo2_ae8473b4-c3bc-4260-83ef-ad66bc67f37d.jpg?v=1775089975"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/plo1_04f9dc01-7d34-4648-94a7-b4da3727ca40.jpg?v=1775089975","options":["Title"],"media":[{"alt":null,"id":38928882663674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/plo1_04f9dc01-7d34-4648-94a7-b4da3727ca40.jpg?v=1775089975"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/plo1_04f9dc01-7d34-4648-94a7-b4da3727ca40.jpg?v=1775089975","width":350},{"alt":null,"id":38928882696442,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/plo2_ae8473b4-c3bc-4260-83ef-ad66bc67f37d.jpg?v=1775089975"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/plo2_ae8473b4-c3bc-4260-83ef-ad66bc67f37d.jpg?v=1775089975","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eギリシャ・テッサロニキ\u003c\/span\u003e\u003cspan\u003eの実験トリオ\u003c\/span\u003e\u003cspan\u003eEventless Plotと同国実験音楽家Spyros Emmanouilidis | Savvas Metaxasが、\u003c\/span\u003e2026年2月に70本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2029996703\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnvo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnvo\"\u003ehere\u003c\/a\u003e to see more INNOVO EDITIONS releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 70 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part A (feat. Marco Paltrinieri) 11:25\u003cbr\u003e2. Part B 13:26\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSpyros Emmanouilidis: piano, prepared piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSavvas Metaxas: electric guitar, effects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMarco Paltrinieri : voice (Part A)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEventless Plot : percussion, electronics, objects, tapes, field recordings, electromagnetic mic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eventless Plot | Spyros Emmanouilidis | Savvas Metaxas\u003c\/p\u003e\n\u003cp\u003eLabel : INNOVO EDITIONS\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eINN 04\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 5th September 2025\u003c\/span\u003e\u003c\/p\u003e"}
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¥2,146
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{"id":9174999400698,"title":"Eventless Plot | Bruno Duplant \/\/ Fail better TAPE","handle":"eventless-plot-bruno-duplant-fail-better-tape","description":"\u003cp\u003e\u003cspan\u003eギリシャ・テッサロニキ\u003c\/span\u003e\u003cspan\u003eの実験トリオ\u003c\/span\u003e\u003cspan\u003eEventless Plotとフランスのドローン作家Bruno Duplantが、\u003c\/span\u003e2026年2月に70本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3293313139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnvo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnvo\"\u003ehere\u003c\/a\u003e to see more INNOVO EDITIONS releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 70 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fail better (Part A) 12:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Fail better (Part B) 13:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBruno Duplant – instruments, electroacoustic devices\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEventless Plot – piano, percussion, field recordings, tapes, modular synth\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eventless Plot | Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : INNOVO EDITIONS\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eINN 05\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-04T07:01:26+09:00","created_at":"2026-04-02T09:31:14+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","innovo editions","monooto","new","tape"],"price":214600,"price_min":214600,"price_max":214600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595301564666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eventless Plot | Bruno Duplant \/\/ Fail better TAPE","public_title":null,"options":["Default Title"],"price":214600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fail1_2ede81f7-ec53-4c03-a7f2-ed09e1ec0318.jpg?v=1775089763","\/\/tobirarecords.com\/cdn\/shop\/files\/fail2.jpg?v=1775089763"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fail1_2ede81f7-ec53-4c03-a7f2-ed09e1ec0318.jpg?v=1775089763","options":["Title"],"media":[{"alt":null,"id":38928875553018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fail1_2ede81f7-ec53-4c03-a7f2-ed09e1ec0318.jpg?v=1775089763"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fail1_2ede81f7-ec53-4c03-a7f2-ed09e1ec0318.jpg?v=1775089763","width":350},{"alt":null,"id":38928875585786,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fail2.jpg?v=1775089763"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fail2.jpg?v=1775089763","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eギリシャ・テッサロニキ\u003c\/span\u003e\u003cspan\u003eの実験トリオ\u003c\/span\u003e\u003cspan\u003eEventless Plotとフランスのドローン作家Bruno Duplantが、\u003c\/span\u003e2026年2月に70本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3293313139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnvo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnvo\"\u003ehere\u003c\/a\u003e to see more INNOVO EDITIONS releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 70 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fail better (Part A) 12:05\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Fail better (Part B) 13:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBruno Duplant – instruments, electroacoustic devices\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEventless Plot – piano, percussion, field recordings, tapes, modular synth\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eventless Plot | Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : INNOVO EDITIONS\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eINN 05\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ギリシャ・テッサロニキの実験トリオEventless Plotとフランスのドローン作家Bruno Duplantが、2026年2月に70本限定でリリースした共作カセットです。 エレクトロアコースティック2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more INNOVO EDITIONS releases...
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{"id":9174998352122,"title":"John O'Neill \/\/ Optical Soundtracks Vol I (2016 - 2024) TAPE","handle":"john-oneill-optical-soundtracks-vol-i-2016-2024-tape","description":"\u003cp\u003e\u003cspan\u003eイギリスの実験音楽家John O'Neill が、2025年11月に同国実験／ノイズレーベルIndustrial Coastからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eコラージュ〜ドローン〜ノイズ15\u003c\/span\u003e\u003cspan\u003e曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"以下のテキストのPDFやスキャン画像から作成された楽譜：エレイン・ルイ著『Living With Textiles』、マイケル・タウシグ著『My Cocaine Museum』、セス・キム＝コーエン著『In The Blink Of An Ear』、スタン・ブラッヘイジ作「The Stars Are Beautiful」、および「モートン・フェルドマンの作品一覧」（ウィキペディア）； 写真：ジョシュ＆ジンのコリアタウンの天井（2016年大晦日）；テントの壁越しに写るキャンプファイヤー（エメラルド湖、2017年）；窓の網戸（ファウンテン＆ポインセチア・アパートメント、2016年）；その他\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAEO-Lightによる楽譜の演奏（サウスカロライナ大学がトミー・アッシェンバッハと緊密に協力して開発。本プロジェクトは全米人文科学基金の寛大な支援により実現しました）\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eピアノ編曲および演奏：MuseScore3（ヴェルナー・シュヴェール開発）\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの作品において、[プログラミング／本人の知らないところでの資金提供／技術的サポート／画面内または画面外での出演]をしてくれた、ニール・“クローカ”・ヤング、ライアン・マーティン、スティーブ・カド、ジョシュ・リム、ジン・ニウ、セリーナ・チャピン、エミリー・メイ、ハンナ・ジョンソン、UCLA GSEIS Labに深く感謝する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『オプティカル・サウンドトラック』は、遊び心あふれる誤訳の断片であり、「AI」が普及する以前の「機械の作者性」に対する問いかけである。これは、意味のある対象から疑わしい意味を、無意味なものから虚偽の意味を抽出するコンピュータ処理である。個人の写真、テキストのPDF、減法混色プリントの詳細スキャンが「スコア」として組み立てられ、AEO-Light（フィルムプリントのスキャンから光学サウンドトラックを実用的な同期音声WAVファイルに変換するために設計されたオープンソースのアーカイブソフトウェア）に入力される。これらの画像の連なりは（AEO-Lightによれば、その質感やコントラスト値において）、クリック音やハム音、そしてその恣意性に抗うかのようにうねり、吠え立てる愚かなメロディーでエンコードされている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eジョン・オニールは、過激な水平主義的対話型フリー・インプロヴィゼーション・ストリート・ギャング・ソーシャル・クラブ「ロサンゼルス・ウッドウィンド・スキル・シェア（LAWWSS）」のメンバーであり、ニール・ヤング・アーカイブスのアーカイブ・ディレクターである。\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=35344759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 142 Photographs of the Campfire by Emerald Lake, CA 02:40\u003cbr\u003e2. 147 Photographs Facing Northwest 00:52\u003cbr\u003e3. Complete Works of Morton Feldman 01:20\u003cbr\u003e4. Ink Tracing of a Sonogram 06:49\u003cbr\u003e5. In the Blink of an Ear 01:28\u003cbr\u003e6. Living With Textiles 1 01:00\u003cbr\u003e7. Living With Textiles 2 01:03\u003cbr\u003e8. Living With Textiles 3 01:04\u003cbr\u003e9. Living With Textiles 4 01:00\u003cbr\u003e10. Living With Textiles 5 01:03\u003cbr\u003e11. Living With Textiles 6 01:02\u003cbr\u003e12. Roof Access (Koreatown) 00:30\u003cbr\u003e13. My Cocaine Museum, I 01:00\u003cbr\u003e14. My Cocaine Museum, II 09:23\u003cbr\u003e15. Three Gradient Squares 12:37\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eScores assembled from PDFs and scans of the following texts: Living With Textiles by Elaine Louie, My Cocaine Museum by Michael Taussig, In The Blink Of An Ear by Seth Kim-Cohen, “The Stars Are Beautiful” by Stan Brakhage, “List of compositions by Morton Feldman” (Wikipedia); Photographs of: Josh \u0026amp; Jing’s Koreatown ceiling, New Years Eve 2016; campfire through a tent wall, Emerald Lake, 2017; window screen, Fountain \u0026amp; Poinsettia apartment, 2016; \u0026amp; misc.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScores performed by AEO-Light (developed by the University of South Carolina in close cooperation with Tommy Aschenbach; the project is made possible by the generous support of the National Endowment for the Humanities)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePiano interpretations transcribed and performed by MuseScore3 (developed by Werner Schweer)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks to Neil “Cloaca” Young, Ryan Martin, Steve Kado, Josh Lim, Jing Niu, Celina Chapin, Emily May, Hannah Johnson, UCLA GSEIS Lab for [programming \/ funding without their knowledge \/ providing technical support \/ appearing in or just out of frame of] these compositions\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Optical Soundtracks are pieces of playful\u003cspan class=\"bcTruncateMore\"\u003e mistranslation, interrogations of “machine authorship” before the widespread use of “AI,” a computer process for extracting suspect meanings from meaningful objects and spurious meanings from meaningless ones. Personal photographs, PDFs of texts, detail scans of subtractive color prints are assembled into “scores” and fed to AEO-Light, an open-source archival software designed to translate optical soundtracks on film print scans into usable sync-sound wav files. These sequences of images are encoded (in their textures and contrast values, according to AEO-Light) with clicks and hums and idiot melodies that writhe and yowl against their arbitrariness.\u003cbr\u003e\u003cbr\u003eJohn O’Neill is a member of the radically horizontal conversational free improv street gang social club the Los Angeles Woodwind Skill Share (LAWWSS) and archives director at Neil Young Archives. ''\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John O'Neill\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e\n\u003cp\u003eRelease date : November 2025\u003c\/p\u003e","published_at":"2026-04-04T07:15:14+09:00","created_at":"2026-04-02T09:20:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","industrial coast","monooto","new","noise","tape"],"price":236600,"price_min":236600,"price_max":236600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595283214586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John O'Neill \/\/ Optical Soundtracks Vol I (2016 - 2024) TAPE","public_title":null,"options":["Default Title"],"price":236600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_23af052a-65c3-4133-bd9a-34328f7744d4.jpg?v=1775089132"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_23af052a-65c3-4133-bd9a-34328f7744d4.jpg?v=1775089132","options":["Title"],"media":[{"alt":null,"id":38928850419962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_23af052a-65c3-4133-bd9a-34328f7744d4.jpg?v=1775089132"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_23af052a-65c3-4133-bd9a-34328f7744d4.jpg?v=1775089132","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリスの実験音楽家John O'Neill が、2025年11月に同国実験／ノイズレーベルIndustrial Coastからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eコラージュ〜ドローン〜ノイズ15\u003c\/span\u003e\u003cspan\u003e曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"以下のテキストのPDFやスキャン画像から作成された楽譜：エレイン・ルイ著『Living With Textiles』、マイケル・タウシグ著『My Cocaine Museum』、セス・キム＝コーエン著『In The Blink Of An Ear』、スタン・ブラッヘイジ作「The Stars Are Beautiful」、および「モートン・フェルドマンの作品一覧」（ウィキペディア）； 写真：ジョシュ＆ジンのコリアタウンの天井（2016年大晦日）；テントの壁越しに写るキャンプファイヤー（エメラルド湖、2017年）；窓の網戸（ファウンテン＆ポインセチア・アパートメント、2016年）；その他\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAEO-Lightによる楽譜の演奏（サウスカロライナ大学がトミー・アッシェンバッハと緊密に協力して開発。本プロジェクトは全米人文科学基金の寛大な支援により実現しました）\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eピアノ編曲および演奏：MuseScore3（ヴェルナー・シュヴェール開発）\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの作品において、[プログラミング／本人の知らないところでの資金提供／技術的サポート／画面内または画面外での出演]をしてくれた、ニール・“クローカ”・ヤング、ライアン・マーティン、スティーブ・カド、ジョシュ・リム、ジン・ニウ、セリーナ・チャピン、エミリー・メイ、ハンナ・ジョンソン、UCLA GSEIS Labに深く感謝する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『オプティカル・サウンドトラック』は、遊び心あふれる誤訳の断片であり、「AI」が普及する以前の「機械の作者性」に対する問いかけである。これは、意味のある対象から疑わしい意味を、無意味なものから虚偽の意味を抽出するコンピュータ処理である。個人の写真、テキストのPDF、減法混色プリントの詳細スキャンが「スコア」として組み立てられ、AEO-Light（フィルムプリントのスキャンから光学サウンドトラックを実用的な同期音声WAVファイルに変換するために設計されたオープンソースのアーカイブソフトウェア）に入力される。これらの画像の連なりは（AEO-Lightによれば、その質感やコントラスト値において）、クリック音やハム音、そしてその恣意性に抗うかのようにうねり、吠え立てる愚かなメロディーでエンコードされている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eジョン・オニールは、過激な水平主義的対話型フリー・インプロヴィゼーション・ストリート・ギャング・ソーシャル・クラブ「ロサンゼルス・ウッドウィンド・スキル・シェア（LAWWSS）」のメンバーであり、ニール・ヤング・アーカイブスのアーカイブ・ディレクターである。\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=35344759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 142 Photographs of the Campfire by Emerald Lake, CA 02:40\u003cbr\u003e2. 147 Photographs Facing Northwest 00:52\u003cbr\u003e3. Complete Works of Morton Feldman 01:20\u003cbr\u003e4. Ink Tracing of a Sonogram 06:49\u003cbr\u003e5. In the Blink of an Ear 01:28\u003cbr\u003e6. Living With Textiles 1 01:00\u003cbr\u003e7. Living With Textiles 2 01:03\u003cbr\u003e8. Living With Textiles 3 01:04\u003cbr\u003e9. Living With Textiles 4 01:00\u003cbr\u003e10. Living With Textiles 5 01:03\u003cbr\u003e11. Living With Textiles 6 01:02\u003cbr\u003e12. Roof Access (Koreatown) 00:30\u003cbr\u003e13. My Cocaine Museum, I 01:00\u003cbr\u003e14. My Cocaine Museum, II 09:23\u003cbr\u003e15. Three Gradient Squares 12:37\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eScores assembled from PDFs and scans of the following texts: Living With Textiles by Elaine Louie, My Cocaine Museum by Michael Taussig, In The Blink Of An Ear by Seth Kim-Cohen, “The Stars Are Beautiful” by Stan Brakhage, “List of compositions by Morton Feldman” (Wikipedia); Photographs of: Josh \u0026amp; Jing’s Koreatown ceiling, New Years Eve 2016; campfire through a tent wall, Emerald Lake, 2017; window screen, Fountain \u0026amp; Poinsettia apartment, 2016; \u0026amp; misc.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScores performed by AEO-Light (developed by the University of South Carolina in close cooperation with Tommy Aschenbach; the project is made possible by the generous support of the National Endowment for the Humanities)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePiano interpretations transcribed and performed by MuseScore3 (developed by Werner Schweer)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks to Neil “Cloaca” Young, Ryan Martin, Steve Kado, Josh Lim, Jing Niu, Celina Chapin, Emily May, Hannah Johnson, UCLA GSEIS Lab for [programming \/ funding without their knowledge \/ providing technical support \/ appearing in or just out of frame of] these compositions\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Optical Soundtracks are pieces of playful\u003cspan class=\"bcTruncateMore\"\u003e mistranslation, interrogations of “machine authorship” before the widespread use of “AI,” a computer process for extracting suspect meanings from meaningful objects and spurious meanings from meaningless ones. Personal photographs, PDFs of texts, detail scans of subtractive color prints are assembled into “scores” and fed to AEO-Light, an open-source archival software designed to translate optical soundtracks on film print scans into usable sync-sound wav files. These sequences of images are encoded (in their textures and contrast values, according to AEO-Light) with clicks and hums and idiot melodies that writhe and yowl against their arbitrariness.\u003cbr\u003e\u003cbr\u003eJohn O’Neill is a member of the radically horizontal conversational free improv street gang social club the Los Angeles Woodwind Skill Share (LAWWSS) and archives director at Neil Young Archives. ''\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John O'Neill\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e\n\u003cp\u003eRelease date : November 2025\u003c\/p\u003e"}
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イギリスの実験音楽家John O'Neill が、2025年11月に同国実験／ノイズレーベルIndustrial Coastからリリースしたカセットです。 コラージュ〜ドローン〜ノイズ15曲を収録。廃盤です。 以下、レーベルによる解説です。 "以下のテキストのPDFやスキャン画像から作成された楽譜：エレイン・ルイ著『Living With Textiles』、マイケル・タウシグ著『My Cocaine Museum』、セス・キム＝コーエン著『In The Blink Of...
¥2,366
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{"id":9173941616890,"title":"William Roper \/\/ Lost in the Sands LP","handle":"william-roper-lost-in-the-sands-lp","description":"\u003cp\u003eアメリカ・LAのチューバ奏者William Roperが、2025年11月にLAの老舗レーベルThe Villageからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜サウンドポエトリー〜ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2184954416\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thvi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thvi\"\u003ehere\u003c\/a\u003e to see more The Village releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wumpas 11:59\u003cbr\u003e2. Bleu 08:05\u003cbr\u003e3. Lost in the Sands 07:45\u003cbr\u003e4. Sweet Time 13:53\u003c\/p\u003e\n\u003cp\u003eFrom the artist : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI view this recording as the beginning of the final leg of my journey with Horace Tapscott and the Pan Afrikan Peoples Arkestra. This is true notwithstanding the fact that neither Horace nor the ARK are playing on it. Still it would not exist without the P.A.P.A., its various arms, its history, its members, fellow travelers and spirit. I am a Los Angeles native. I was born in the 1950’s. I started playing music in the 3rd grade. I grew up in the West Adams and South Central communities and, except for my last year of high school, attended public schools in those neighborhoods. Yet I had not heard of Horace Tapscott and the ARK until ¿1987?, when I was a little past 30. My friend Joseph Mitchell and others, tell me this is not true. He says that the ARK came to Locke High School and played in the gym; that I was there. This is plausible, even likely, but I don’t remember it. One evening in 1987, I came home to find a message on my answering machine. It went something like this: “Roper. This is Horace Tapscott. They tell me you play tuba. I need you, man!” So I called him back. The gig was, I think, for the first L.A. Fringe Festival. I figured it was just a gig. Little did I know that almost 40 years later, I would still be with the ARK. Not that I have been with them continuously. It is a special organization, often with some truly\u003cspan class=\"bcTruncateMore\"\u003e trying dynamics happening. For years at a time, I couldn’t handle those dynamics. For whatever reasons, I would leave and for whatever reasons I’d come back. This album is a tribute to that long-standing and ongoing relationship.\u003cbr\u003e\u003cbr\u003eOne thing about Horace is that he made room for everybody. It didn’t matter that when I started with him, my main focus was as a classical musician. My role when I was with the ARK, was to play the ARK’s music in the ARK’s tradition. So I had to get with it. But Horace was sincerely interested in making what I did work in his context. There was \/ is space for me to be me. This is not the case everywhere. This project is a reflection of that openness. These pieces trace the arc of the four decades of my ARK-adjacent musical life. They all require improvisation to varying degrees. One of them is a total improvisation. Two of them have spoken word. All of the players on here have had some association with Horace and the ARK. Joseph Mitchell played Horace’s “Ancestral Voices,” with Horace as soloist with the Watts Symphony. Vinny Golia shared the stage with Horace in Europe and played with the ARK at least once. Devin Daniels, the youth of America, is a present member of the ensemble.\u003cbr\u003e\u003cbr\u003eThis recording of Wumpas, is from a 1992 live performance given in the theater at Barnsdall Art Park, Los Angeles.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : William Roper\u003c\/p\u003e\n\u003cp\u003eLabel : The Village\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eVLG013 \u003c\/p\u003e\n\u003cp\u003eRelease date : 14th November 2025\u003c\/p\u003e","published_at":"2026-04-05T08:02:01+09:00","created_at":"2026-04-01T11:24:34+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","new","sound poetry","the village"],"price":494600,"price_min":494600,"price_max":494600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48586807869690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"William Roper \/\/ Lost in the Sands LP","public_title":null,"options":["Default Title"],"price":494600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/san1_2b27a957-ebc4-4fd6-b723-1e01d340c09b.jpg?v=1775010106","\/\/tobirarecords.com\/cdn\/shop\/files\/san2_5d2193a6-6050-4dcb-8821-dcab0c334dc3.jpg?v=1775010106"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_2b27a957-ebc4-4fd6-b723-1e01d340c09b.jpg?v=1775010106","options":["Title"],"media":[{"alt":null,"id":38919348617466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_2b27a957-ebc4-4fd6-b723-1e01d340c09b.jpg?v=1775010106"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_2b27a957-ebc4-4fd6-b723-1e01d340c09b.jpg?v=1775010106","width":350},{"alt":null,"id":38919348650234,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_5d2193a6-6050-4dcb-8821-dcab0c334dc3.jpg?v=1775010106"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_5d2193a6-6050-4dcb-8821-dcab0c334dc3.jpg?v=1775010106","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのチューバ奏者William Roperが、2025年11月にLAの老舗レーベルThe Villageからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜サウンドポエトリー〜ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2184954416\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thvi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thvi\"\u003ehere\u003c\/a\u003e to see more The Village releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wumpas 11:59\u003cbr\u003e2. Bleu 08:05\u003cbr\u003e3. Lost in the Sands 07:45\u003cbr\u003e4. Sweet Time 13:53\u003c\/p\u003e\n\u003cp\u003eFrom the artist : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI view this recording as the beginning of the final leg of my journey with Horace Tapscott and the Pan Afrikan Peoples Arkestra. This is true notwithstanding the fact that neither Horace nor the ARK are playing on it. Still it would not exist without the P.A.P.A., its various arms, its history, its members, fellow travelers and spirit. I am a Los Angeles native. I was born in the 1950’s. I started playing music in the 3rd grade. I grew up in the West Adams and South Central communities and, except for my last year of high school, attended public schools in those neighborhoods. Yet I had not heard of Horace Tapscott and the ARK until ¿1987?, when I was a little past 30. My friend Joseph Mitchell and others, tell me this is not true. He says that the ARK came to Locke High School and played in the gym; that I was there. This is plausible, even likely, but I don’t remember it. One evening in 1987, I came home to find a message on my answering machine. It went something like this: “Roper. This is Horace Tapscott. They tell me you play tuba. I need you, man!” So I called him back. The gig was, I think, for the first L.A. Fringe Festival. I figured it was just a gig. Little did I know that almost 40 years later, I would still be with the ARK. Not that I have been with them continuously. It is a special organization, often with some truly\u003cspan class=\"bcTruncateMore\"\u003e trying dynamics happening. For years at a time, I couldn’t handle those dynamics. For whatever reasons, I would leave and for whatever reasons I’d come back. This album is a tribute to that long-standing and ongoing relationship.\u003cbr\u003e\u003cbr\u003eOne thing about Horace is that he made room for everybody. It didn’t matter that when I started with him, my main focus was as a classical musician. My role when I was with the ARK, was to play the ARK’s music in the ARK’s tradition. So I had to get with it. But Horace was sincerely interested in making what I did work in his context. There was \/ is space for me to be me. This is not the case everywhere. This project is a reflection of that openness. These pieces trace the arc of the four decades of my ARK-adjacent musical life. They all require improvisation to varying degrees. One of them is a total improvisation. Two of them have spoken word. All of the players on here have had some association with Horace and the ARK. Joseph Mitchell played Horace’s “Ancestral Voices,” with Horace as soloist with the Watts Symphony. Vinny Golia shared the stage with Horace in Europe and played with the ARK at least once. Devin Daniels, the youth of America, is a present member of the ensemble.\u003cbr\u003e\u003cbr\u003eThis recording of Wumpas, is from a 1992 live performance given in the theater at Barnsdall Art Park, Los Angeles.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : William Roper\u003c\/p\u003e\n\u003cp\u003eLabel : The Village\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eVLG013 \u003c\/p\u003e\n\u003cp\u003eRelease date : 14th November 2025\u003c\/p\u003e"}
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アメリカ・LAのチューバ奏者William Roperが、2025年11月にLAの老舗レーベルThe Villageからリリースしたレコードです。 実験ジャズ〜サウンドポエトリー〜ドローン4曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more The Village...
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{"id":9173937258746,"title":"FOQL \/\/ Bug Poems TAPE","handle":"foql-bug-poems-tape","description":"\u003cp\u003eポーランドの実験レーベルPointless Geometry主宰FOQLが、2025年12月に40本限定で\u003cspan\u003eリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験アンビエント〜サウンドポエトリー〜エレクトロアコースティック12曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eFOQL aka Justyna Banaszczykが、10年ぶりにPointless Geometryへ新作アルバムを持って帰ってきた。このレーベルのカタログの幕開けを飾ったのは彼女の作品であり、今、象徴的に、彼女のリリースによって10年という節目を閉じ、新たな10年を切り開くことになる。『Bug Poems』はサウンドポエトリーの領域に傾き、声を探求し、奇妙な感情――異形の昆虫への恐怖、そしてそれに対する魅了――に触れている。これは、ある感情を捉えようとする試みである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFOQLのニューアルバムは、新たな音と詩の言語を求めて、詩、ポップカルチャー、哲学、昆虫学を探求した数ヶ月にわたる研究の成果だ。『Bug Poems』はサウンドアートとスポークンワードの間を行き来し、奇妙な感情、未知への恐怖、そして内省的な思索を織り交ぜている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれは聴覚的な詩であり、声は楽器であり物語となり、昆虫は私たちの内面世界のメタファーへと変容する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作には、Piotr Gwadera, Tomek Popakul, Martix Navrot aka Xenon, Natan Kryszk, Edka Jarząb, and Marcin Garncarek, Szymon “Pimpon” Gąsiorek, Kasumi Ozekiといったアーティストたちとのコラボレーションも収録されている。これは、ラジオドラマというジャンルを探求した、緻密に織り上げられた音響的物語だ。FOQLがこれほどまでに自身の声を強烈に用いたことはかつてなかった。もしあなたが彼女を、10年以上前に彼女が台頭したクラブシーンと結びつけていたなら、その糸は今や断ち切られたか、あるいは未知の領域へと引き継がれている。\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3078083547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003ehere\u003c\/a\u003e to see more Pointless Geometry releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 40. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. thx Karla 02:45\u003cbr\u003e2. Bug Poems (feat. Marcin Garncarek) 01:54\u003cbr\u003e3. Bugkiss 04:57\u003cbr\u003e4. The talk \/ The lesson of the moth 04:54\u003cbr\u003e5. Poltox (feat. Tomek Popakul) 04:11\u003cbr\u003e6. Rój (feat. Piotr Gwadera) 04:20\u003cbr\u003e7. mushi \/ lampa (feat. Kasumi Ozeki) 03:22\u003cbr\u003e8. Owady świecące (feat. Xenon \u0026amp; Natan Kryszk) 03:32\u003cbr\u003e9. thirty-six million little animals flying unseen above one square mile of the countryside 04:45\u003cbr\u003e10. seventeen year pitch (feat. Szymon „Pimpon” Gąsiorek) 04:04\u003cbr\u003e11. pa pa biedroneczko 03:54\u003cbr\u003e12. ladybird! (feat. Edka Jarząb) 00:48\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFOQL, aka Justyna Banaszczyk, returns to Pointless Geometry with a new album after 10 years. It was her record that opened the label’s catalog, and now, symbolically, we close a decade and open a new one with her release. Bug Poems leans towards sound poetry, exploring the voice, touching on strange emotions—the fear of the alien-insect, but also the fascination with it. It is an attempt to capture a feeling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe new album by FOQL is the result of months of research exploring poetry, pop culture, philosophy, and entomology in search of a new sonic and poetic language. Bug Poems moves between sound art and spoken word, weaving together strange emotions, fear of the unknown, and intimate reflection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s an audial poetry, where the voice becomes both instrument and narrative, and where insects turn into metaphors for our inner worlds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album also features collaborations with artists such as Piotr Gwadera, Tomek Popakul, Martix Navrot aka Xenon, Natan Kryszk, Edka Jarząb, and Marcin Garncarek, Szymon “Pimpon” Gąsiorek, Kasumi Ozeki. It is a densely woven sonic narrative, exploring the radio play as a genre. Never before has FOQL used her own voice so intensely. If you associated her with the club scene she\u003cspan class=\"bcTruncateMore\"\u003e emerged from over a decade ago, that thread is now either cut or carried into unknown territories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : FOQL\u003c\/p\u003e\n\u003cp\u003eLabel : Pointless Geometry\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePOINT#65\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th November 025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-01T15:36:32+09:00","created_at":"2026-04-01T10:59:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","monooto","new","pointless geometry","tape"],"price":299600,"price_min":299600,"price_max":299600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48586717036794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"FOQL \/\/ Bug Poems TAPE","public_title":null,"options":["Default Title"],"price":299600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bug1_89797051-a732-4952-b05b-9a5e6acc91eb.jpg?v=1775008813","\/\/tobirarecords.com\/cdn\/shop\/files\/bug3.jpg?v=1775008813"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bug1_89797051-a732-4952-b05b-9a5e6acc91eb.jpg?v=1775008813","options":["Title"],"media":[{"alt":null,"id":38919303921914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bug1_89797051-a732-4952-b05b-9a5e6acc91eb.jpg?v=1775008813"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bug1_89797051-a732-4952-b05b-9a5e6acc91eb.jpg?v=1775008813","width":350},{"alt":null,"id":38919303954682,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bug3.jpg?v=1775008813"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bug3.jpg?v=1775008813","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドの実験レーベルPointless Geometry主宰FOQLが、2025年12月に40本限定で\u003cspan\u003eリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験アンビエント〜サウンドポエトリー〜エレクトロアコースティック12曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eFOQL aka Justyna Banaszczykが、10年ぶりにPointless Geometryへ新作アルバムを持って帰ってきた。このレーベルのカタログの幕開けを飾ったのは彼女の作品であり、今、象徴的に、彼女のリリースによって10年という節目を閉じ、新たな10年を切り開くことになる。『Bug Poems』はサウンドポエトリーの領域に傾き、声を探求し、奇妙な感情――異形の昆虫への恐怖、そしてそれに対する魅了――に触れている。これは、ある感情を捉えようとする試みである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFOQLのニューアルバムは、新たな音と詩の言語を求めて、詩、ポップカルチャー、哲学、昆虫学を探求した数ヶ月にわたる研究の成果だ。『Bug Poems』はサウンドアートとスポークンワードの間を行き来し、奇妙な感情、未知への恐怖、そして内省的な思索を織り交ぜている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれは聴覚的な詩であり、声は楽器であり物語となり、昆虫は私たちの内面世界のメタファーへと変容する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作には、Piotr Gwadera, Tomek Popakul, Martix Navrot aka Xenon, Natan Kryszk, Edka Jarząb, and Marcin Garncarek, Szymon “Pimpon” Gąsiorek, Kasumi Ozekiといったアーティストたちとのコラボレーションも収録されている。これは、ラジオドラマというジャンルを探求した、緻密に織り上げられた音響的物語だ。FOQLがこれほどまでに自身の声を強烈に用いたことはかつてなかった。もしあなたが彼女を、10年以上前に彼女が台頭したクラブシーンと結びつけていたなら、その糸は今や断ち切られたか、あるいは未知の領域へと引き継がれている。\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3078083547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003ehere\u003c\/a\u003e to see more Pointless Geometry releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 40. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. thx Karla 02:45\u003cbr\u003e2. Bug Poems (feat. Marcin Garncarek) 01:54\u003cbr\u003e3. Bugkiss 04:57\u003cbr\u003e4. The talk \/ The lesson of the moth 04:54\u003cbr\u003e5. Poltox (feat. Tomek Popakul) 04:11\u003cbr\u003e6. Rój (feat. Piotr Gwadera) 04:20\u003cbr\u003e7. mushi \/ lampa (feat. Kasumi Ozeki) 03:22\u003cbr\u003e8. Owady świecące (feat. Xenon \u0026amp; Natan Kryszk) 03:32\u003cbr\u003e9. thirty-six million little animals flying unseen above one square mile of the countryside 04:45\u003cbr\u003e10. seventeen year pitch (feat. Szymon „Pimpon” Gąsiorek) 04:04\u003cbr\u003e11. pa pa biedroneczko 03:54\u003cbr\u003e12. ladybird! (feat. Edka Jarząb) 00:48\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFOQL, aka Justyna Banaszczyk, returns to Pointless Geometry with a new album after 10 years. It was her record that opened the label’s catalog, and now, symbolically, we close a decade and open a new one with her release. Bug Poems leans towards sound poetry, exploring the voice, touching on strange emotions—the fear of the alien-insect, but also the fascination with it. It is an attempt to capture a feeling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe new album by FOQL is the result of months of research exploring poetry, pop culture, philosophy, and entomology in search of a new sonic and poetic language. Bug Poems moves between sound art and spoken word, weaving together strange emotions, fear of the unknown, and intimate reflection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s an audial poetry, where the voice becomes both instrument and narrative, and where insects turn into metaphors for our inner worlds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album also features collaborations with artists such as Piotr Gwadera, Tomek Popakul, Martix Navrot aka Xenon, Natan Kryszk, Edka Jarząb, and Marcin Garncarek, Szymon “Pimpon” Gąsiorek, Kasumi Ozeki. It is a densely woven sonic narrative, exploring the radio play as a genre. Never before has FOQL used her own voice so intensely. If you associated her with the club scene she\u003cspan class=\"bcTruncateMore\"\u003e emerged from over a decade ago, that thread is now either cut or carried into unknown territories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : FOQL\u003c\/p\u003e\n\u003cp\u003eLabel : Pointless Geometry\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePOINT#65\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th November 025\u003c\/span\u003e\u003c\/p\u003e"}
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ポーランドの実験レーベルPointless Geometry主宰FOQLが、2025年12月に40本限定でリリースしたカセットです。 実験アンビエント〜サウンドポエトリー〜エレクトロアコースティック12曲を収録。DLコード付属。 以下、レーベルによる解説です。 "FOQL aka Justyna Banaszczykが、10年ぶりにPointless Geometryへ新作アルバムを持って帰ってきた。このレーベルのカタログの幕開けを飾ったのは彼女の作品であり、今、象徴的に、彼女のリリースによって10年という節目を閉じ、新たな10年を切り開くことになる。『Bug Poems』はサウンドポエトリーの領域に傾き、声を探求し、奇妙な感情――異形の昆虫への恐怖、そしてそれに対する魅了――に触れている。これは、ある感情を捉えようとする試みである。 FOQLのニューアルバムは、新たな音と詩の言語を求めて、詩、ポップカルチャー、哲学、昆虫学を探求した数ヶ月にわたる研究の成果だ。『Bug Poems』はサウンドアートとスポークンワードの間を行き来し、奇妙な感情、未知への恐怖、そして内省的な思索を織り交ぜている。 これは聴覚的な詩であり、声は楽器であり物語となり、昆虫は私たちの内面世界のメタファーへと変容する。 本作には、Piotr...
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{"id":9173937193210,"title":"FOQL \/\/ Bug Poems LP","handle":"foql-bug-poems-lp","description":"\u003cp\u003eポーランドの実験レーベルPointless Geometry主宰FOQLが、2025年12月に100部限定で\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験アンビエント〜サウンドポエトリー〜エレクトロアコースティック12曲を収録。180g重量盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eFOQL aka Justyna Banaszczykが、10年ぶりにPointless Geometryへ新作アルバムを持って帰ってきた。このレーベルのカタログの幕開けを飾ったのは彼女の作品であり、今、象徴的に、彼女のリリースによって10年という節目を閉じ、新たな10年を切り開くことになる。『Bug Poems』はサウンドポエトリーの領域に傾き、声を探求し、奇妙な感情――異形の昆虫への恐怖、そしてそれに対する魅了――に触れている。これは、ある感情を捉えようとする試みである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFOQLのニューアルバムは、新たな音と詩の言語を求めて、詩、ポップカルチャー、哲学、昆虫学を探求した数ヶ月にわたる研究の成果だ。『Bug Poems』はサウンドアートとスポークンワードの間を行き来し、奇妙な感情、未知への恐怖、そして内省的な思索を織り交ぜている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれは聴覚的な詩であり、声は楽器であり物語となり、昆虫は私たちの内面世界のメタファーへと変容する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作には、Piotr Gwadera, Tomek Popakul, Martix Navrot aka Xenon, Natan Kryszk, Edka Jarząb, and Marcin Garncarek, Szymon “Pimpon” Gąsiorek, Kasumi Ozekiといったアーティストたちとのコラボレーションも収録されている。これは、ラジオドラマというジャンルを探求した、緻密に織り上げられた音響的物語だ。FOQLがこれほどまでに自身の声を強烈に用いたことはかつてなかった。もしあなたが彼女を、10年以上前に彼女が台頭したクラブシーンと結びつけていたなら、その糸は今や断ち切られたか、あるいは未知の領域へと引き継がれている。\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3078083547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003ehere\u003c\/a\u003e to see more Pointless Geometry releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black 180gram vinyl.\u003cbr\u003eIncludes art print insert. \u003cbr\u003eVinyl edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. thx Karla 02:45\u003cbr\u003e2. Bug Poems (feat. Marcin Garncarek) 01:54\u003cbr\u003e3. Bugkiss 04:57\u003cbr\u003e4. The talk \/ The lesson of the moth 04:54\u003cbr\u003e5. Poltox (feat. Tomek Popakul) 04:11\u003cbr\u003e6. Rój (feat. Piotr Gwadera) 04:20\u003cbr\u003e7. mushi \/ lampa (feat. Kasumi Ozeki) 03:22\u003cbr\u003e8. Owady świecące (feat. Xenon \u0026amp; Natan Kryszk) 03:32\u003cbr\u003e9. thirty-six million little animals flying unseen above one square mile of the countryside 04:45\u003cbr\u003e10. seventeen year pitch (feat. Szymon „Pimpon” Gąsiorek) 04:04\u003cbr\u003e11. pa pa biedroneczko 03:54\u003cbr\u003e12. ladybird! (feat. Edka Jarząb) 00:48\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFOQL, aka Justyna Banaszczyk, returns to Pointless Geometry with a new album after 10 years. It was her record that opened the label’s catalog, and now, symbolically, we close a decade and open a new one with her release. Bug Poems leans towards sound poetry, exploring the voice, touching on strange emotions—the fear of the alien-insect, but also the fascination with it. It is an attempt to capture a feeling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe new album by FOQL is the result of months of research exploring poetry, pop culture, philosophy, and entomology in search of a new sonic and poetic language. Bug Poems moves between sound art and spoken word, weaving together strange emotions, fear of the unknown, and intimate reflection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s an audial poetry, where the voice becomes both instrument and narrative, and where insects turn into metaphors for our inner worlds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album also features collaborations with artists such as Piotr Gwadera, Tomek Popakul, Martix Navrot aka Xenon, Natan Kryszk, Edka Jarząb, and Marcin Garncarek, Szymon “Pimpon” Gąsiorek, Kasumi Ozeki. It is a densely woven sonic narrative, exploring the radio play as a genre. Never before has FOQL used her own voice so intensely. If you associated her with the club scene she\u003cspan class=\"bcTruncateMore\"\u003e emerged from over a decade ago, that thread is now either cut or carried into unknown territories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : FOQL\u003c\/p\u003e\n\u003cp\u003eLabel : Pointless Geometry\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePOINT#65\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-01T15:35:15+09:00","created_at":"2026-04-01T10:59:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","monooto","new","pointless geometry"],"price":547200,"price_min":547200,"price_max":547200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48586716840186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"FOQL \/\/ Bug Poems LP","public_title":null,"options":["Default Title"],"price":547200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bug1_c52fa2b8-76f0-4aab-91c6-2d4c98e82d79.jpg?v=1775008622","\/\/tobirarecords.com\/cdn\/shop\/files\/bug2_300ca624-6c45-4a6e-91fa-8c60607a3609.jpg?v=1775008622"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bug1_c52fa2b8-76f0-4aab-91c6-2d4c98e82d79.jpg?v=1775008622","options":["Title"],"media":[{"alt":null,"id":38919297925370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bug1_c52fa2b8-76f0-4aab-91c6-2d4c98e82d79.jpg?v=1775008622"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bug1_c52fa2b8-76f0-4aab-91c6-2d4c98e82d79.jpg?v=1775008622","width":350},{"alt":null,"id":38919297958138,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bug2_300ca624-6c45-4a6e-91fa-8c60607a3609.jpg?v=1775008622"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bug2_300ca624-6c45-4a6e-91fa-8c60607a3609.jpg?v=1775008622","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドの実験レーベルPointless Geometry主宰FOQLが、2025年12月に100部限定で\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験アンビエント〜サウンドポエトリー〜エレクトロアコースティック12曲を収録。180g重量盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eFOQL aka Justyna Banaszczykが、10年ぶりにPointless Geometryへ新作アルバムを持って帰ってきた。このレーベルのカタログの幕開けを飾ったのは彼女の作品であり、今、象徴的に、彼女のリリースによって10年という節目を閉じ、新たな10年を切り開くことになる。『Bug Poems』はサウンドポエトリーの領域に傾き、声を探求し、奇妙な感情――異形の昆虫への恐怖、そしてそれに対する魅了――に触れている。これは、ある感情を捉えようとする試みである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFOQLのニューアルバムは、新たな音と詩の言語を求めて、詩、ポップカルチャー、哲学、昆虫学を探求した数ヶ月にわたる研究の成果だ。『Bug Poems』はサウンドアートとスポークンワードの間を行き来し、奇妙な感情、未知への恐怖、そして内省的な思索を織り交ぜている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれは聴覚的な詩であり、声は楽器であり物語となり、昆虫は私たちの内面世界のメタファーへと変容する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作には、Piotr Gwadera, Tomek Popakul, Martix Navrot aka Xenon, Natan Kryszk, Edka Jarząb, and Marcin Garncarek, Szymon “Pimpon” Gąsiorek, Kasumi Ozekiといったアーティストたちとのコラボレーションも収録されている。これは、ラジオドラマというジャンルを探求した、緻密に織り上げられた音響的物語だ。FOQLがこれほどまでに自身の声を強烈に用いたことはかつてなかった。もしあなたが彼女を、10年以上前に彼女が台頭したクラブシーンと結びつけていたなら、その糸は今や断ち切られたか、あるいは未知の領域へと引き継がれている。\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3078083547\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/poge\"\u003ehere\u003c\/a\u003e to see more Pointless Geometry releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black 180gram vinyl.\u003cbr\u003eIncludes art print insert. \u003cbr\u003eVinyl edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. thx Karla 02:45\u003cbr\u003e2. Bug Poems (feat. Marcin Garncarek) 01:54\u003cbr\u003e3. Bugkiss 04:57\u003cbr\u003e4. The talk \/ The lesson of the moth 04:54\u003cbr\u003e5. Poltox (feat. Tomek Popakul) 04:11\u003cbr\u003e6. Rój (feat. Piotr Gwadera) 04:20\u003cbr\u003e7. mushi \/ lampa (feat. Kasumi Ozeki) 03:22\u003cbr\u003e8. Owady świecące (feat. Xenon \u0026amp; Natan Kryszk) 03:32\u003cbr\u003e9. thirty-six million little animals flying unseen above one square mile of the countryside 04:45\u003cbr\u003e10. seventeen year pitch (feat. Szymon „Pimpon” Gąsiorek) 04:04\u003cbr\u003e11. pa pa biedroneczko 03:54\u003cbr\u003e12. ladybird! (feat. Edka Jarząb) 00:48\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFOQL, aka Justyna Banaszczyk, returns to Pointless Geometry with a new album after 10 years. It was her record that opened the label’s catalog, and now, symbolically, we close a decade and open a new one with her release. Bug Poems leans towards sound poetry, exploring the voice, touching on strange emotions—the fear of the alien-insect, but also the fascination with it. It is an attempt to capture a feeling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe new album by FOQL is the result of months of research exploring poetry, pop culture, philosophy, and entomology in search of a new sonic and poetic language. Bug Poems moves between sound art and spoken word, weaving together strange emotions, fear of the unknown, and intimate reflection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s an audial poetry, where the voice becomes both instrument and narrative, and where insects turn into metaphors for our inner worlds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album also features collaborations with artists such as Piotr Gwadera, Tomek Popakul, Martix Navrot aka Xenon, Natan Kryszk, Edka Jarząb, and Marcin Garncarek, Szymon “Pimpon” Gąsiorek, Kasumi Ozeki. It is a densely woven sonic narrative, exploring the radio play as a genre. Never before has FOQL used her own voice so intensely. If you associated her with the club scene she\u003cspan class=\"bcTruncateMore\"\u003e emerged from over a decade ago, that thread is now either cut or carried into unknown territories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : FOQL\u003c\/p\u003e\n\u003cp\u003eLabel : Pointless Geometry\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePOINT#65\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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ポーランドの実験レーベルPointless Geometry主宰FOQLが、2025年12月に100部限定でリリースしたレコードです。 実験アンビエント〜サウンドポエトリー〜エレクトロアコースティック12曲を収録。180g重量盤です。DLコード付属。 以下、レーベルによる解説です。 "FOQL aka Justyna Banaszczykが、10年ぶりにPointless Geometryへ新作アルバムを持って帰ってきた。このレーベルのカタログの幕開けを飾ったのは彼女の作品であり、今、象徴的に、彼女のリリースによって10年という節目を閉じ、新たな10年を切り開くことになる。『Bug Poems』はサウンドポエトリーの領域に傾き、声を探求し、奇妙な感情――異形の昆虫への恐怖、そしてそれに対する魅了――に触れている。これは、ある感情を捉えようとする試みである。 FOQLのニューアルバムは、新たな音と詩の言語を求めて、詩、ポップカルチャー、哲学、昆虫学を探求した数ヶ月にわたる研究の成果だ。『Bug Poems』はサウンドアートとスポークンワードの間を行き来し、奇妙な感情、未知への恐怖、そして内省的な思索を織り交ぜている。 これは聴覚的な詩であり、声は楽器であり物語となり、昆虫は私たちの内面世界のメタファーへと変容する。 本作には、Piotr...
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{"id":9170285953274,"title":"Annie A \/\/ The Wind That Had Not Touched Land LP","handle":"annie-a-the-wind-that-had-not-touched-land-lp","description":"\u003cp\u003eFélicia AtkinsonとMaxine Funke、Time is Away、Christina Petrie女性作家5人によるユニットAnnie Aが、2025年4月にオーストラリアのA Colourful Stormからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e静謐なアンビエントドローン〜サウンドポエトリー〜アンビエント５曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3946777583\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=490906245\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3946777583\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrflstm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrflstm\"\u003ehere\u003c\/a\u003e to see more A Colourful Storm releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. First the Crocus 04:36\u003cbr\u003e2. The Wind That Had Not Touched Land 07:23\u003cbr\u003e3. For Anni Albers 04:43\u003cbr\u003e4. Aria 03:06\u003cbr\u003e5. Like a Sail or a Bed 05:25\u003cbr\u003e6. Chaque Plante, Chaque Personne 03:47\u003cbr\u003e7. The Air Moving 06:15\u003cbr\u003e8. Maxine Funke - Nasturtium Runners (Read by the Rain) 04:12\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnnie A, the one-off collaborative project between Félicia Atkinson, Time is Away’s Jack Rollo and Elaine Tierney, Christina Petrie and Maxine Funke, arrives on A Colourful Storm with a profoundly inquisitive, exploratory composition evoking questions of inconstancy and reconciliation, vastness and finitude, and the sometimes cruel deception of human perception. Who will conduct our dreams if we never wake?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnnie A quietly observes and attempts to compartmentalise the answers. A geographically diverse yet determinedly like-minded ensemble, its seeds were sown during a spring night in London, where time on stage was shared and cherished by Atkinson, Time is Away and Petrie after years of mutual appreciation. Atkinson had found solace in Time is Away’s Ballads, Funke’s Seance and particularly the voice of poet and performer Petrie, whose remarkable delivery, first heard on Ballads, here drifts effortlessly from a wide-eyed stream of consciousness to crystalline sensory expression: “The wind is full of creases \/ It is shaking the weak threads in the cliff \/ The\u003cspan class=\"bcTruncateMore\"\u003e coast is releasing teeth and nails into the air”. It is the perfect accompaniment to Atkinson’s hushed tones - a sometimes textural, if not spectral, presence - spoken sensitively like a mother to a resting child, reflecting upon the forces of nature, the fragility of ecology and the surrendering of self to air, rain, and earth.\u003cbr\u003e\u003cbr\u003eDevotees of Atkinson’s practice will recognise the significance of the natural world in her work, her evocative sonic landscapes formed from a toolbox of keyboard, voice and materials collected from everyday life on the dramatic rocky coast of Normandy, as well as field recordings from places far and wide. She breathes life into liminal spaces, the sound of wind, whispers and the distant clatter of rocks conjuring visions of places both beautiful and eerily familiar. Petrie wanders curiously in these places. “First the Crocus” introduces her desirous cries above a wistful electronic signal, the alternation with Atkinson’s whispers suggestive of each other’s distant presence. “The wind that had not touched land, moving with the warm gyre of the sea \/ Is now touching land \/ And is beginning to draw the dust”. What is her fate when this wind touches land? The meeting of the other, the crossing of paths. Their voices, layered and dreamlike, drift and entrance each other with gossamer intensity.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annie A\u003c\/p\u003e\n\u003cp\u003eLabel : A Colurful Storm\u003c\/p\u003e\n\u003cp\u003ecat no : ACOLOUR052\u003c\/p\u003e\n\u003cp\u003eRelease date : 15th November 2024\u003c\/p\u003e","published_at":"2026-03-30T07:13:14+09:00","created_at":"2026-03-28T17:04:16+09:00","vendor":"Tobira Records","type":"","tags":["a colourful storm","ambient","contemporary \/ sound poetry","lp","new"],"price":466500,"price_min":466500,"price_max":466500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48569316999418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Annie A \/\/ The Wind That Had Not Touched Land LP","public_title":null,"options":["Default Title"],"price":466500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4251804184953","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/win1_96b09164-5a03-4a31-9c32-3f5803814f98.jpg?v=1774684932","\/\/tobirarecords.com\/cdn\/shop\/files\/win2_4e7caaca-994f-48f5-a1c8-a4d9b0e7150c.jpg?v=1774684932"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_96b09164-5a03-4a31-9c32-3f5803814f98.jpg?v=1774684932","options":["Title"],"media":[{"alt":null,"id":38890917724410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_96b09164-5a03-4a31-9c32-3f5803814f98.jpg?v=1774684932"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_96b09164-5a03-4a31-9c32-3f5803814f98.jpg?v=1774684932","width":350},{"alt":null,"id":38890917757178,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_4e7caaca-994f-48f5-a1c8-a4d9b0e7150c.jpg?v=1774684932"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_4e7caaca-994f-48f5-a1c8-a4d9b0e7150c.jpg?v=1774684932","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eFélicia AtkinsonとMaxine Funke、Time is Away、Christina Petrie女性作家5人によるユニットAnnie Aが、2025年4月にオーストラリアのA Colourful Stormからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e静謐なアンビエントドローン〜サウンドポエトリー〜アンビエント５曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3946777583\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=490906245\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3946777583\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrflstm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrflstm\"\u003ehere\u003c\/a\u003e to see more A Colourful Storm releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. First the Crocus 04:36\u003cbr\u003e2. The Wind That Had Not Touched Land 07:23\u003cbr\u003e3. For Anni Albers 04:43\u003cbr\u003e4. Aria 03:06\u003cbr\u003e5. Like a Sail or a Bed 05:25\u003cbr\u003e6. Chaque Plante, Chaque Personne 03:47\u003cbr\u003e7. The Air Moving 06:15\u003cbr\u003e8. Maxine Funke - Nasturtium Runners (Read by the Rain) 04:12\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnnie A, the one-off collaborative project between Félicia Atkinson, Time is Away’s Jack Rollo and Elaine Tierney, Christina Petrie and Maxine Funke, arrives on A Colourful Storm with a profoundly inquisitive, exploratory composition evoking questions of inconstancy and reconciliation, vastness and finitude, and the sometimes cruel deception of human perception. Who will conduct our dreams if we never wake?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnnie A quietly observes and attempts to compartmentalise the answers. A geographically diverse yet determinedly like-minded ensemble, its seeds were sown during a spring night in London, where time on stage was shared and cherished by Atkinson, Time is Away and Petrie after years of mutual appreciation. Atkinson had found solace in Time is Away’s Ballads, Funke’s Seance and particularly the voice of poet and performer Petrie, whose remarkable delivery, first heard on Ballads, here drifts effortlessly from a wide-eyed stream of consciousness to crystalline sensory expression: “The wind is full of creases \/ It is shaking the weak threads in the cliff \/ The\u003cspan class=\"bcTruncateMore\"\u003e coast is releasing teeth and nails into the air”. It is the perfect accompaniment to Atkinson’s hushed tones - a sometimes textural, if not spectral, presence - spoken sensitively like a mother to a resting child, reflecting upon the forces of nature, the fragility of ecology and the surrendering of self to air, rain, and earth.\u003cbr\u003e\u003cbr\u003eDevotees of Atkinson’s practice will recognise the significance of the natural world in her work, her evocative sonic landscapes formed from a toolbox of keyboard, voice and materials collected from everyday life on the dramatic rocky coast of Normandy, as well as field recordings from places far and wide. She breathes life into liminal spaces, the sound of wind, whispers and the distant clatter of rocks conjuring visions of places both beautiful and eerily familiar. Petrie wanders curiously in these places. “First the Crocus” introduces her desirous cries above a wistful electronic signal, the alternation with Atkinson’s whispers suggestive of each other’s distant presence. “The wind that had not touched land, moving with the warm gyre of the sea \/ Is now touching land \/ And is beginning to draw the dust”. What is her fate when this wind touches land? The meeting of the other, the crossing of paths. Their voices, layered and dreamlike, drift and entrance each other with gossamer intensity.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annie A\u003c\/p\u003e\n\u003cp\u003eLabel : A Colurful Storm\u003c\/p\u003e\n\u003cp\u003ecat no : ACOLOUR052\u003c\/p\u003e\n\u003cp\u003eRelease date : 15th November 2024\u003c\/p\u003e"}
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Félicia AtkinsonとMaxine Funke、Time is Away、Christina Petrie女性作家5人によるユニットAnnie Aが、2025年4月にオーストラリアのA Colourful Stormからリリースしたレコードです。 静謐なアンビエントドローン〜サウンドポエトリー〜アンビエント５曲を収録。 レーベルその他作品はこちら /// Click here...
¥4,665
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{"id":9147538669818,"title":"Enzo Minarelli \/\/ Live in San Francisco LP","handle":"enzo-minarelli-live-in-san-francisco-lp","description":"\u003cp\u003e イタリアの音響詩人Enzo Minarelligaが、2019年にオランダの実験レーベルSlowscanから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音14曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lLByXAdzB8g?si=fYKFY4mAlz7JbMbN\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSlowscan\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003ehere\u003c\/a\u003e to see more Slowscan releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eA1 Ptyx \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA2 The Grandeur Of Gengis Khan \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 Knowledge As Purpose Of Life \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 The Names Of Cities As National Anthem, to Sinclair Lewis \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5 Succeed Without Asking \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA6 Those Who Fear The Pain (Use The Medicine Of Religion) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA7 Seeking The Sound Pharmacopoeia \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA8 Poema \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 With Sound This Poem Expresses What The Word Cannot \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Dune (Parole in Libertà), 1914\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Subway, 1939\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Verbalizzazione Astratta Di Signora, 1927\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5 Grattacieli (Skyscrapers), 1929\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB6 Savoia, 1917\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBorn in 1951, Enzo Minarelli has been involved in relationships with sound, writing, and video since the early Seventies. \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eHe has published many books of poetry, as well as essays about the history of sound poetry in the twentieth century, plus several sound editions in records, CDs and audiocassettes in collaboration with international radios and tv institutions. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEdition of 200 copies, comes with printed inner sleeve.\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Enzo Minarelli\u003c\/p\u003e\n\u003cp\u003eLabel : Slowscan\u003c\/p\u003e","published_at":"2026-03-23T07:29:46+09:00","created_at":"2026-03-23T07:29:09+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","new","Slowscan"],"price":417200,"price_min":417200,"price_max":417200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48514603024634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Enzo Minarelli \/\/ Live in San Francisco LP","public_title":null,"options":["Default Title"],"price":417200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/enzo.jpg?v=1601086800","\/\/tobirarecords.com\/cdn\/shop\/products\/R-13250558-1550743292-8458_jpeg.jpg?v=1601157406"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/enzo.jpg?v=1601086800","options":["Title"],"media":[{"alt":null,"id":11442000920741,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/enzo.jpg?v=1601086800"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/enzo.jpg?v=1601086800","width":300},{"alt":null,"id":11455776358565,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-13250558-1550743292-8458_jpeg.jpg?v=1601157406"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-13250558-1550743292-8458_jpeg.jpg?v=1601157406","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e イタリアの音響詩人Enzo Minarelligaが、2019年にオランダの実験レーベルSlowscanから200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音14曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lLByXAdzB8g?si=fYKFY4mAlz7JbMbN\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSlowscan\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003ehere\u003c\/a\u003e to see more Slowscan releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eA1 Ptyx \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA2 The Grandeur Of Gengis Khan \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 Knowledge As Purpose Of Life \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 The Names Of Cities As National Anthem, to Sinclair Lewis \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5 Succeed Without Asking \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA6 Those Who Fear The Pain (Use The Medicine Of Religion) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA7 Seeking The Sound Pharmacopoeia \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA8 Poema \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 With Sound This Poem Expresses What The Word Cannot \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Dune (Parole in Libertà), 1914\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Subway, 1939\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Verbalizzazione Astratta Di Signora, 1927\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5 Grattacieli (Skyscrapers), 1929\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB6 Savoia, 1917\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBorn in 1951, Enzo Minarelli has been involved in relationships with sound, writing, and video since the early Seventies. \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eHe has published many books of poetry, as well as essays about the history of sound poetry in the twentieth century, plus several sound editions in records, CDs and audiocassettes in collaboration with international radios and tv institutions. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEdition of 200 copies, comes with printed inner sleeve.\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Enzo Minarelli\u003c\/p\u003e\n\u003cp\u003eLabel : Slowscan\u003c\/p\u003e"}
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イタリアの音響詩人Enzo Minarelligaが、2019年にオランダの実験レーベルSlowscanから200部限定でリリースしたレコードです。 ライブ録音14曲を収録。 レコードのみでの発表となります。 Slowscanその他作品はこちら /// Click here to see more Slowscan releases available at Tobira. --------------------------- A1...
¥4,172
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{"id":9147526119674,"title":"Henning Christiansen \/\/ Op. 41 BADET \/ Kom Frem For Satan \/ Min Døde Hest \/ Op.72 Bondeføreren Knud Lavard LP","handle":"henning-christiansen-op-41-badet-kom-frem-for-satan-min-dode-hest-op-72-bondeforeren-knud-lavard-lp","description":"\u003cp data-mce-fragment=\"1\"\u003eデンマークのフルクサス作家Henning Christiansenの再発レコードです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1967年から1972年に制作した4曲を収録。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。ポスターとポストカードが付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_3FMOQFc4gU\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eHenning Christiansen Archive:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThe second release on the Henning Christiansen Archive is a compilation of four works from 1967-1972 including a poem set in a bath, an unknown musical work, the musical backdrop to a horse sacrifice and a soundtrack to a school play. What binds these works together alongside the period when written is their basis in ‘song’ and some traditional ‘musical’ elements. What separates it from said tradition is that they were composed by Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOp.41 Badet is a simple work featuring 3 elements: Charlotte Strandgaard reading her poem Badet (The Bath), Henning playing melodica and the sound of water splashing in a bath. The result is an unusual and evocative lo-fi setting to the resigned nature of the reading.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eNot a lot is known about Kom Frem For Satan (Come Forward Satan). Possibly a soundtrack of sorts? It certainly carries that mood with it’ jazz inflicted interludes, melodic organ moments all interlaced with the diegetic sounds of cars, footsteps, gunshots, etc. The result comes across like a gangster tinged musique concrete radio play. Kom Frem For Satan also shares musical motifs that appear in Op.72 on side two of the lp.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eMin Død Hest was previously released as a single sided 10” under the name Hesteofringen, here restored under it’s correct name. Min Død Hest (My Dead Horse) was written to accompany the Bjørn Nørgaard performance Hesteofringen (The Horse Sacrifice) on the 30th of Jan 1970, one of the most notorious performances in Danish art history. Featuring a poem written by Lene Adler Pedersen, this is a recording made after the performance with Lene Adler Pedersen singing, accompanied by Christiansen on piano (as opposed to the green violin he used in the performance), Min Død Horse is a beautiful haunting fragile song laden with metaphor, a sad lullaby is as simple and unusual as anything in Christiansen’s output.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOp.72 Bondeføreren Knud Lavard is a the soundtrack to a school play performed on at the Fanefjord School on the island of Møn, Denmark, where he lived, in 1972. Another surprising work in Christiansen’s oeuvre the 6 pieces that make up this work shift between the sinister and sweet, often in the same track. Falling within the same period Henning made the soundtrack to The Executioner, Bondeføreren Knud Lavard mixes the melancholic romantic mood of that soundtrack whilst deep organ chords, military drumming and an acoustic guitar solo (played by Henning’s first son Esben Christiansen) all make an appearance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is an sublime collection from one the 20th Centuries most diverse composers at the bridge between his romantic and avant-garde phases.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : Henning Christiansen Archive\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","published_at":"2026-03-23T06:53:26+09:00","created_at":"2026-03-23T06:52:45+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","new","sound poetry","strange beats","The Henning Christiansen Archive"],"price":399500,"price_min":399500,"price_max":399500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48514536833274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Henning Christiansen \/\/ Op. 41 BADET \/ Kom Frem For Satan \/ Min Døde Hest \/ Op.72 Bondeføreren Knud Lavard LP","public_title":null,"options":["Default Title"],"price":399500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/HC2_HCA_web_2-500x500.jpg?v=1600161585","\/\/tobirarecords.com\/cdn\/shop\/products\/0021490049_10.jpg?v=1600161746"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/HC2_HCA_web_2-500x500.jpg?v=1600161585","options":["Title"],"media":[{"alt":null,"id":11154315739301,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/HC2_HCA_web_2-500x500.jpg?v=1600161585"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/HC2_HCA_web_2-500x500.jpg?v=1600161585","width":500},{"alt":null,"id":11154345099429,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021490049_10.jpg?v=1600161746"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021490049_10.jpg?v=1600161746","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-mce-fragment=\"1\"\u003eデンマークのフルクサス作家Henning Christiansenの再発レコードです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1967年から1972年に制作した4曲を収録。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。ポスターとポストカードが付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_3FMOQFc4gU\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eHenning Christiansen Archive:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThe second release on the Henning Christiansen Archive is a compilation of four works from 1967-1972 including a poem set in a bath, an unknown musical work, the musical backdrop to a horse sacrifice and a soundtrack to a school play. What binds these works together alongside the period when written is their basis in ‘song’ and some traditional ‘musical’ elements. What separates it from said tradition is that they were composed by Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOp.41 Badet is a simple work featuring 3 elements: Charlotte Strandgaard reading her poem Badet (The Bath), Henning playing melodica and the sound of water splashing in a bath. The result is an unusual and evocative lo-fi setting to the resigned nature of the reading.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eNot a lot is known about Kom Frem For Satan (Come Forward Satan). Possibly a soundtrack of sorts? It certainly carries that mood with it’ jazz inflicted interludes, melodic organ moments all interlaced with the diegetic sounds of cars, footsteps, gunshots, etc. The result comes across like a gangster tinged musique concrete radio play. Kom Frem For Satan also shares musical motifs that appear in Op.72 on side two of the lp.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eMin Død Hest was previously released as a single sided 10” under the name Hesteofringen, here restored under it’s correct name. Min Død Hest (My Dead Horse) was written to accompany the Bjørn Nørgaard performance Hesteofringen (The Horse Sacrifice) on the 30th of Jan 1970, one of the most notorious performances in Danish art history. Featuring a poem written by Lene Adler Pedersen, this is a recording made after the performance with Lene Adler Pedersen singing, accompanied by Christiansen on piano (as opposed to the green violin he used in the performance), Min Død Horse is a beautiful haunting fragile song laden with metaphor, a sad lullaby is as simple and unusual as anything in Christiansen’s output.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOp.72 Bondeføreren Knud Lavard is a the soundtrack to a school play performed on at the Fanefjord School on the island of Møn, Denmark, where he lived, in 1972. Another surprising work in Christiansen’s oeuvre the 6 pieces that make up this work shift between the sinister and sweet, often in the same track. Falling within the same period Henning made the soundtrack to The Executioner, Bondeføreren Knud Lavard mixes the melancholic romantic mood of that soundtrack whilst deep organ chords, military drumming and an acoustic guitar solo (played by Henning’s first son Esben Christiansen) all make an appearance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is an sublime collection from one the 20th Centuries most diverse composers at the bridge between his romantic and avant-garde phases.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : Henning Christiansen Archive\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e"}
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デンマークのフルクサス作家Henning Christiansenの再発レコードです。 1967年から1972年に制作した4曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。ポスターとポストカードが付属。 レーベルその他作品はこちら /// Click here to see more Henning Christiansen Archive releases available...
¥3,995
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{"id":9146755940602,"title":"Anna Clementi \u0026 Thomas Stern \/\/ DOPPELMOPPEL - Poems by Kurt Schwitters LP","handle":"anna-clementi-thomas-stern-doppelmoppel-poems-by-kurt-schwitters-lp","description":"\u003cp\u003eドイツの音響詩人Anna Clementi \u0026amp; Thomas Sternが、2024年にベルリンの実験レーベルCorvo Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー28曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1703237222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003ehere\u003c\/a\u003e to see more Corvo Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl in gatefold sleeve \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewith the original poems by Kurt Schwitters printed inside.\u003c\/span\u003e\u003cbr\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Husten Scherzo Das Ganze husten\/ Nießscherzo Das Ganze nießen 00:19\u003cbr\u003e2. Onkel Heini-Schlager 01:20\u003cbr\u003e3. Sie puppt mit Puppen 02:22\u003cbr\u003e4. Lied der Miss Elektrizität 00:50\u003cbr\u003e5. Simultangedicht kaa gee dee 00:47\u003cbr\u003e6. At first men were limited 00:21\u003cbr\u003e7. An Anna Blume\/Eve Blossom has wheels 03:35\u003cbr\u003e8. Das Lied der Dirnen 01:30\u003cbr\u003e9. Obervogelsang 01:22\u003cbr\u003e10. Alle Vögel… 00:16\u003cbr\u003e11. Regen 01:32\u003cbr\u003e12. Denaturierte Poesie 01:55\u003cbr\u003e13. Just in the middle\/Autumn (Love Song) 04:11\u003cbr\u003e14. The real disuda of the nightmare 02:37\u003cbr\u003e15. Count Sardinowhocount\/Doof 00:58\u003cbr\u003e16. A fishbone fish a fefishbone 01:29\u003cbr\u003e17. Cigarren 02:23\u003cbr\u003e18. Bin ich allein. An Helma 01:19\u003cbr\u003e19. Clap trap 00:58\u003cbr\u003e20. Kleines Gedicht für große Stotterer 01:19\u003cbr\u003e21. Organisation 01:09\u003cbr\u003e22. Doppelmoppel 00:27\u003cbr\u003e23. Sehnsucht 00:56\u003cbr\u003e24. Wunde Rosen bluten 01:39\u003cbr\u003e25. Fräulein Purzig 00:57\u003cbr\u003e26. Wenn mir einer sagte\/Rackedika 00:48\u003cbr\u003e27. Nicht in die Tute in der Tat 00:10\u003cbr\u003e28. Gewitter 00:46\u003c\/p\u003e\n\u003cp\u003eArtist : Anna Clementi \u0026amp; Thomas Stern\u003c\/p\u003e\n\u003cp\u003eLabel : Corvo Records\u003c\/p\u003e\n\u003cp\u003ecat no : core 025\u003c\/p\u003e\n\u003cp\u003eRelease date : 19th October 2024\u003c\/p\u003e","published_at":"2026-03-22T14:06:55+09:00","created_at":"2026-03-21T09:30:59+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","corvo","lp","new"],"price":435300,"price_min":435300,"price_max":435300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48508918137082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anna Clementi \u0026 Thomas Stern \/\/ DOPPELMOPPEL - Poems by Kurt Schwitters LP","public_title":null,"options":["Default Title"],"price":435300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dopp1.jpg?v=1774052943","\/\/tobirarecords.com\/cdn\/shop\/files\/dopp2.jpg?v=1774052943"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dopp1.jpg?v=1774052943","options":["Title"],"media":[{"alt":null,"id":38799988949242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dopp1.jpg?v=1774052943"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dopp1.jpg?v=1774052943","width":350},{"alt":null,"id":38799988982010,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dopp2.jpg?v=1774052943"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dopp2.jpg?v=1774052943","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの音響詩人Anna Clementi \u0026amp; Thomas Sternが、2024年にベルリンの実験レーベルCorvo Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー28曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1703237222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003ehere\u003c\/a\u003e to see more Corvo Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl in gatefold sleeve \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewith the original poems by Kurt Schwitters printed inside.\u003c\/span\u003e\u003cbr\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Husten Scherzo Das Ganze husten\/ Nießscherzo Das Ganze nießen 00:19\u003cbr\u003e2. Onkel Heini-Schlager 01:20\u003cbr\u003e3. Sie puppt mit Puppen 02:22\u003cbr\u003e4. Lied der Miss Elektrizität 00:50\u003cbr\u003e5. Simultangedicht kaa gee dee 00:47\u003cbr\u003e6. At first men were limited 00:21\u003cbr\u003e7. An Anna Blume\/Eve Blossom has wheels 03:35\u003cbr\u003e8. Das Lied der Dirnen 01:30\u003cbr\u003e9. Obervogelsang 01:22\u003cbr\u003e10. Alle Vögel… 00:16\u003cbr\u003e11. Regen 01:32\u003cbr\u003e12. Denaturierte Poesie 01:55\u003cbr\u003e13. Just in the middle\/Autumn (Love Song) 04:11\u003cbr\u003e14. The real disuda of the nightmare 02:37\u003cbr\u003e15. Count Sardinowhocount\/Doof 00:58\u003cbr\u003e16. A fishbone fish a fefishbone 01:29\u003cbr\u003e17. Cigarren 02:23\u003cbr\u003e18. Bin ich allein. An Helma 01:19\u003cbr\u003e19. Clap trap 00:58\u003cbr\u003e20. Kleines Gedicht für große Stotterer 01:19\u003cbr\u003e21. Organisation 01:09\u003cbr\u003e22. Doppelmoppel 00:27\u003cbr\u003e23. Sehnsucht 00:56\u003cbr\u003e24. Wunde Rosen bluten 01:39\u003cbr\u003e25. Fräulein Purzig 00:57\u003cbr\u003e26. Wenn mir einer sagte\/Rackedika 00:48\u003cbr\u003e27. Nicht in die Tute in der Tat 00:10\u003cbr\u003e28. Gewitter 00:46\u003c\/p\u003e\n\u003cp\u003eArtist : Anna Clementi \u0026amp; Thomas Stern\u003c\/p\u003e\n\u003cp\u003eLabel : Corvo Records\u003c\/p\u003e\n\u003cp\u003ecat no : core 025\u003c\/p\u003e\n\u003cp\u003eRelease date : 19th October 2024\u003c\/p\u003e"}
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ドイツの音響詩人Anna Clementi & Thomas Sternが、2024年にベルリンの実験レーベルCorvo Recordsからリリースした共作レコードです。 サウンドポエトリー28曲を収録。ゲートフォルド仕様です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see...
¥4,353
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{"id":9130950459642,"title":"Hyunhye Seo \/\/ Continuation LP","handle":"hyunhye-seo-continuation-lp","description":"\u003cp\u003eXiu Xiuメンバーとしても活動しているHyunhye Seoが、2026年1月にイタリアの実験／仏教レーベルUbi Kuからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eイタリアのNAM JUNE PAIKエキシビジョンで行ったライブ演奏の録音と、Phewによるリミックスを収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl + OBI.\u003cbr\u003eIncludes booklet.\u003cbr\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded live in Turin during the exhibition Rabbit Inhabits the Moon – The Art of Nam June Paik in the Mirror of Time.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Continuation\u003cbr\u003eB. Continuation Extension\u003c\/p\u003e\n\u003cp\u003eArtist : Hyunhye Seo\u003c\/p\u003e\n\u003cp\u003eLabel : Ubi Ku\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUNK002\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-11T10:28:06+09:00","created_at":"2026-03-11T09:40:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","Die Schachtel","jazz","lp","new"],"price":618000,"price_min":618000,"price_max":618000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48446761337082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hyunhye Seo \/\/ Continuation LP","public_title":null,"options":["Default Title"],"price":618000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/seo1_0724e415-f909-4b5f-9ad5-0398bede2450.jpg?v=1773189533","\/\/tobirarecords.com\/cdn\/shop\/files\/seo2_b3770ea2-10b4-44c0-82c2-2f30e1ca47a5.jpg?v=1773189533","\/\/tobirarecords.com\/cdn\/shop\/files\/seo3.jpg?v=1773189533","\/\/tobirarecords.com\/cdn\/shop\/files\/seo4.jpg?v=1773189533","\/\/tobirarecords.com\/cdn\/shop\/files\/seo5.jpg?v=1773189533","\/\/tobirarecords.com\/cdn\/shop\/files\/seo6.jpg?v=1773189533"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo1_0724e415-f909-4b5f-9ad5-0398bede2450.jpg?v=1773189533","options":["Title"],"media":[{"alt":null,"id":38662149669114,"position":1,"preview_image":{"aspect_ratio":0.993,"height":600,"width":596,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo1_0724e415-f909-4b5f-9ad5-0398bede2450.jpg?v=1773189533"},"aspect_ratio":0.993,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo1_0724e415-f909-4b5f-9ad5-0398bede2450.jpg?v=1773189533","width":596},{"alt":null,"id":38662149701882,"position":2,"preview_image":{"aspect_ratio":1.033,"height":580,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo2_b3770ea2-10b4-44c0-82c2-2f30e1ca47a5.jpg?v=1773189533"},"aspect_ratio":1.033,"height":580,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo2_b3770ea2-10b4-44c0-82c2-2f30e1ca47a5.jpg?v=1773189533","width":599},{"alt":null,"id":38662149734650,"position":3,"preview_image":{"aspect_ratio":1.014,"height":592,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo3.jpg?v=1773189533"},"aspect_ratio":1.014,"height":592,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo3.jpg?v=1773189533","width":600},{"alt":null,"id":38662149767418,"position":4,"preview_image":{"aspect_ratio":0.99,"height":599,"width":593,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo4.jpg?v=1773189533"},"aspect_ratio":0.99,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo4.jpg?v=1773189533","width":593},{"alt":null,"id":38662149800186,"position":5,"preview_image":{"aspect_ratio":0.975,"height":599,"width":584,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo5.jpg?v=1773189533"},"aspect_ratio":0.975,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo5.jpg?v=1773189533","width":584},{"alt":null,"id":38662149832954,"position":6,"preview_image":{"aspect_ratio":1.124,"height":533,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo6.jpg?v=1773189533"},"aspect_ratio":1.124,"height":533,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/seo6.jpg?v=1773189533","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eXiu Xiuメンバーとしても活動しているHyunhye Seoが、2026年1月にイタリアの実験／仏教レーベルUbi Kuからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eイタリアのNAM JUNE PAIKエキシビジョンで行ったライブ演奏の録音と、Phewによるリミックスを収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl + OBI.\u003cbr\u003eIncludes booklet.\u003cbr\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded live in Turin during the exhibition Rabbit Inhabits the Moon – The Art of Nam June Paik in the Mirror of Time.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Continuation\u003cbr\u003eB. Continuation Extension\u003c\/p\u003e\n\u003cp\u003eArtist : Hyunhye Seo\u003c\/p\u003e\n\u003cp\u003eLabel : Ubi Ku\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUNK002\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2025\u003c\/span\u003e\u003c\/p\u003e"}
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Xiu Xiuメンバーとしても活動しているHyunhye Seoが、2026年1月にイタリアの実験／仏教レーベルUbi Kuからリリースしたレコードです。 イタリアのNAM JUNE PAIKエキシビジョンで行ったライブ演奏の録音と、Phewによるリミックスを収録。8ページのブックレット付属。 マスタリングはGiuseppe Ielashiが担当しています。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ---------------------------------------------------- Ask us for...
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{"id":9128234025210,"title":"Suzan Peeters \/\/ Cassotto LP","handle":"suzan-peeters-cassotto-lp","description":"\u003cp\u003e\u003cspan\u003eベルギーのアコーディオン奏者\u003c\/span\u003e\u003cspan\u003eSuzan Peetersが、2026年2月に同国アンビエントレーベルdauw傘下Blickwinkelから200部限定でリリースした再発レコードです。（オリジナルは2025年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e題名の通りカソット（アコーディオン内のサウンドチャンバー）をコンセプトにした\u003c\/span\u003e\u003cspan\u003eアンビエント〜アンビエントドローン8曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"10月10日、ブリュッセルを拠点とするアコーディオン奏者Suzan Peetersが、ベルギーのレーベルblickwinkelよりデビューアルバム『Cassotto』をリリースする。『Cassotto』は、音の隠された部屋への扉を開く。タイトルは「Cassotto」——アコーディオン内部の小さな共鳴室を指し、音色を温かく柔らかく深みのあるものへと変える。このレコードを聴くことは、あたかも自らその部屋に足を踏み入れ、親密さと壮大さが交錯する世界に包み込まれるような感覚をもたらす。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれは彼女の初リリース作品ではあるが、Peetersはすでにベルギーの実験音楽シーンで最も有望な新鋭の一人として認知されている。ベルギー各地の主要会場からロンドンのカフェ・オトに至るまで、彼女の特徴的なライブパフォーマンスは、アコーディオン、エレクトロニクス、マッサージボードのような非伝統的なオブジェクトを組み合わせ、対照的な要素が予想外の形で融合する圧倒的な世界観を創出することで評判を確立している。『Cassotto』はこの手法を録音媒体で捉え、アルバムタイトルが示唆する親密な空間の中で、コンサートと同様の臨場感を聴き手に届ける。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカソットのサウンドチャンバーがアコーディオンに柔らかくビロードのような音色を与える一方で、Peetersはその温かみを駆使して極限を探求する——ささやくような細部から、部屋を満たす大胆で広がりのあるジェスチャーまで。こうしてアルバムは、アコースティックとエレクトロニック、優しい音と荒々しい音、静的なものと動的なもの、伝統的なものと実験的なものの間を行き来する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Cassotto』でPeetersは、アコーディオンを冒険的で現代的な音の世界の中心に据えたデビュー作を発表する。伝統と想像力が絡み合うとき、アコーディオンがどこまで到達しうるのか体験してほしい 。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3607768534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3607768534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2643086641\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e to see more Dauw \/ Blickwinkel releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl and a booklet.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jaco 01:12\u003cbr\u003e2. Skin 05:00\u003cbr\u003e3. Edith 01:22\u003cbr\u003e4. Vroem 04:45\u003cbr\u003e5. Linnen 03:04\u003cbr\u003e6. Turbo 04:18\u003cbr\u003e7. Ratel 04:56\u003cbr\u003e8. Mucci 03:32\u003c\/p\u003e\n\u003cp\u003eBlickwinkel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn October 10, Brussels-based accordionist Suzan Peeters releases her debut album 'Cassotto' on the Belgian label blickwinkel. With 'Cassotto', she opens a door into a hidden chamber of sound. The title refers to the “cassotto” — a small resonating chamber inside the accordion that warms, softens, and deepens its tone. Listening to this record feels as if you’ve stepped into that room yourself, enveloped in a world where intimacy and grandeur collide.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough this is her first release, Peeters is already recognised as one of the most promising names in Belgium’s experimental music scene. Her distinctive live shows — from leading venues across Belgium to a packed Café Oto in London — have earned her a reputation for combining accordion, electronics and unconventional objects such as a massage board into a compelling whole where contrasts come together in an unexpected way. 'Cassotto' captures this approach in recorded form, giving listeners the same sense of immediacy as her concerts, but framed within the intimate space suggested by the album’s title.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile the cassotto chamber naturally gives the accordion\u003cspan class=\"bcTruncateMore\"\u003e a soft and velvety voice, Peeters harnesses that warmth to explore extremes — from hushed detail to bold, expansive gestures that fill the room. As such, the album moves between the acoustic and the electronic, the tender and the abrasive, the static and the dynamic, the traditional and the experimental.\u003cbr\u003e\u003cbr\u003eWith 'Cassotto', Suzan Peeters presents a debut that places the accordion at the centre of an adventurous and contemporary sound world — one that invites to discover how far an accordion can reach when tradition and imagination intertwine.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Suzan Peeters\u003c\/p\u003e\n\u003cp\u003eLabel : Blickwinkel\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eblickwinkel 21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date : 10th October 2025\u003c\/p\u003e","published_at":"2026-03-10T07:24:42+09:00","created_at":"2026-03-10T07:22:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","dauw","jazz","lp","new","recommended"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48441094111482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Suzan Peeters \/\/ Cassotto LP","public_title":null,"options":["Default Title"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cas1_e72561fc-0b96-49b1-969f-0c7482423c91.jpg?v=1766277811","\/\/tobirarecords.com\/cdn\/shop\/files\/cas2_a0b67e60-de07-4105-89c6-849afd011589.jpg?v=1766277811"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cas1_e72561fc-0b96-49b1-969f-0c7482423c91.jpg?v=1766277811","options":["Title"],"media":[{"alt":null,"id":37861870829818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cas1_e72561fc-0b96-49b1-969f-0c7482423c91.jpg?v=1766277811"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cas1_e72561fc-0b96-49b1-969f-0c7482423c91.jpg?v=1766277811","width":700},{"alt":null,"id":37861870862586,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cas2_a0b67e60-de07-4105-89c6-849afd011589.jpg?v=1766277811"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cas2_a0b67e60-de07-4105-89c6-849afd011589.jpg?v=1766277811","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eベルギーのアコーディオン奏者\u003c\/span\u003e\u003cspan\u003eSuzan Peetersが、2026年2月に同国アンビエントレーベルdauw傘下Blickwinkelから200部限定でリリースした再発レコードです。（オリジナルは2025年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e題名の通りカソット（アコーディオン内のサウンドチャンバー）をコンセプトにした\u003c\/span\u003e\u003cspan\u003eアンビエント〜アンビエントドローン8曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"10月10日、ブリュッセルを拠点とするアコーディオン奏者Suzan Peetersが、ベルギーのレーベルblickwinkelよりデビューアルバム『Cassotto』をリリースする。『Cassotto』は、音の隠された部屋への扉を開く。タイトルは「Cassotto」——アコーディオン内部の小さな共鳴室を指し、音色を温かく柔らかく深みのあるものへと変える。このレコードを聴くことは、あたかも自らその部屋に足を踏み入れ、親密さと壮大さが交錯する世界に包み込まれるような感覚をもたらす。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれは彼女の初リリース作品ではあるが、Peetersはすでにベルギーの実験音楽シーンで最も有望な新鋭の一人として認知されている。ベルギー各地の主要会場からロンドンのカフェ・オトに至るまで、彼女の特徴的なライブパフォーマンスは、アコーディオン、エレクトロニクス、マッサージボードのような非伝統的なオブジェクトを組み合わせ、対照的な要素が予想外の形で融合する圧倒的な世界観を創出することで評判を確立している。『Cassotto』はこの手法を録音媒体で捉え、アルバムタイトルが示唆する親密な空間の中で、コンサートと同様の臨場感を聴き手に届ける。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカソットのサウンドチャンバーがアコーディオンに柔らかくビロードのような音色を与える一方で、Peetersはその温かみを駆使して極限を探求する——ささやくような細部から、部屋を満たす大胆で広がりのあるジェスチャーまで。こうしてアルバムは、アコースティックとエレクトロニック、優しい音と荒々しい音、静的なものと動的なもの、伝統的なものと実験的なものの間を行き来する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Cassotto』でPeetersは、アコーディオンを冒険的で現代的な音の世界の中心に据えたデビュー作を発表する。伝統と想像力が絡み合うとき、アコーディオンがどこまで到達しうるのか体験してほしい 。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3607768534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3607768534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2643086641\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e to see more Dauw \/ Blickwinkel releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl and a booklet.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jaco 01:12\u003cbr\u003e2. Skin 05:00\u003cbr\u003e3. Edith 01:22\u003cbr\u003e4. Vroem 04:45\u003cbr\u003e5. Linnen 03:04\u003cbr\u003e6. Turbo 04:18\u003cbr\u003e7. Ratel 04:56\u003cbr\u003e8. Mucci 03:32\u003c\/p\u003e\n\u003cp\u003eBlickwinkel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn October 10, Brussels-based accordionist Suzan Peeters releases her debut album 'Cassotto' on the Belgian label blickwinkel. With 'Cassotto', she opens a door into a hidden chamber of sound. The title refers to the “cassotto” — a small resonating chamber inside the accordion that warms, softens, and deepens its tone. Listening to this record feels as if you’ve stepped into that room yourself, enveloped in a world where intimacy and grandeur collide.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough this is her first release, Peeters is already recognised as one of the most promising names in Belgium’s experimental music scene. Her distinctive live shows — from leading venues across Belgium to a packed Café Oto in London — have earned her a reputation for combining accordion, electronics and unconventional objects such as a massage board into a compelling whole where contrasts come together in an unexpected way. 'Cassotto' captures this approach in recorded form, giving listeners the same sense of immediacy as her concerts, but framed within the intimate space suggested by the album’s title.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile the cassotto chamber naturally gives the accordion\u003cspan class=\"bcTruncateMore\"\u003e a soft and velvety voice, Peeters harnesses that warmth to explore extremes — from hushed detail to bold, expansive gestures that fill the room. As such, the album moves between the acoustic and the electronic, the tender and the abrasive, the static and the dynamic, the traditional and the experimental.\u003cbr\u003e\u003cbr\u003eWith 'Cassotto', Suzan Peeters presents a debut that places the accordion at the centre of an adventurous and contemporary sound world — one that invites to discover how far an accordion can reach when tradition and imagination intertwine.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Suzan Peeters\u003c\/p\u003e\n\u003cp\u003eLabel : Blickwinkel\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eblickwinkel 21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date : 10th October 2025\u003c\/p\u003e"}
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ベルギーのアコーディオン奏者Suzan Peetersが、2026年2月に同国アンビエントレーベルdauw傘下Blickwinkelから200部限定でリリースした再発レコードです。（オリジナルは2025年リリース） 題名の通りカソット（アコーディオン内のサウンドチャンバー）をコンセプトにしたアンビエント〜アンビエントドローン8曲を収録。ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "10月10日、ブリュッセルを拠点とするアコーディオン奏者Suzan Peetersが、ベルギーのレーベルblickwinkelよりデビューアルバム『Cassotto』をリリースする。『Cassotto』は、音の隠された部屋への扉を開く。タイトルは「Cassotto」——アコーディオン内部の小さな共鳴室を指し、音色を温かく柔らかく深みのあるものへと変える。このレコードを聴くことは、あたかも自らその部屋に足を踏み入れ、親密さと壮大さが交錯する世界に包み込まれるような感覚をもたらす。 これは彼女の初リリース作品ではあるが、Peetersはすでにベルギーの実験音楽シーンで最も有望な新鋭の一人として認知されている。ベルギー各地の主要会場からロンドンのカフェ・オトに至るまで、彼女の特徴的なライブパフォーマンスは、アコーディオン、エレクトロニクス、マッサージボードのような非伝統的なオブジェクトを組み合わせ、対照的な要素が予想外の形で融合する圧倒的な世界観を創出することで評判を確立している。『Cassotto』はこの手法を録音媒体で捉え、アルバムタイトルが示唆する親密な空間の中で、コンサートと同様の臨場感を聴き手に届ける。 カソットのサウンドチャンバーがアコーディオンに柔らかくビロードのような音色を与える一方で、Peetersはその温かみを駆使して極限を探求する——ささやくような細部から、部屋を満たす大胆で広がりのあるジェスチャーまで。こうしてアルバムは、アコースティックとエレクトロニック、優しい音と荒々しい音、静的なものと動的なもの、伝統的なものと実験的なものの間を行き来する。 『Cassotto』でPeetersは、アコーディオンを冒険的で現代的な音の世界の中心に据えたデビュー作を発表する。伝統と想像力が絡み合うとき、アコーディオンがどこまで到達しうるのか体験してほしい 。" レーベルその他作品はこちら /// Click here to...
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{"id":9127349551354,"title":"Emily Wittbrodt \/\/ Wearing Words LP","handle":"emily-wittbrodt-wearing-words-lp","description":"\u003cp\u003eドイツのチェリストEmily Wittbrodtが、2026年2月にベルギーの実験レーベルFutura Resistenzaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・ポップ〜アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Emily Wittbrodtの『Wearing Words』は、10曲からなるインストゥルメンタルと歌の連作で、ハープシコード、チェロ、ドラム、クラリネット、アコーディオン、テノールという異例の編成が特徴だ。Emily Wittbrodtの歌詞は繊細な旋律の中に埋め込まれ、オペラ歌手サンドロ・ヘーネルの驚くべき歌声によって表現されている。精密さとユーモア、優雅さを兼ね備えた本作は、ルーファス・ウェインライトやアノニを思わせるような哀愁を帯びつつ、ほぼバロック的な感性をポップミュージックの領域へと翻訳している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作においてEmily Wittbrodtは、メロディの骨組みとなる仮のテキストを作成する手法を採用。自身が作曲した旋律の形状に合う言葉や音節を配置した。メロディの空白の型を手に、Emily Wittbrodtは旋律の形状を埋める言葉を慎重に探した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Wearing Words』において、Emily Wittbrodtは生涯にわたる言語と詩への傾倒を、リートや音楽劇、バロックのレチタティーヴォやアリアといった古典的作曲形式や異色の楽器編成への深い関心と融合させている。\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2101749687\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Futura Resistenza\" href=\"https:\/\/soundcloud.com\/futuraresistenza\" target=\"_blank\"\u003eFutura Resistenza\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Emily Wittbrodt - Wearing Words (RESLP042) PREVIEW\" href=\"https:\/\/soundcloud.com\/futuraresistenza\/sets\/emily-wittbrodt-wearing-words-reslp042-preview\" target=\"_blank\"\u003eEmily Wittbrodt - Wearing Words (RESLP042) PREVIEW\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/futres\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/futres\"\u003ehere\u003c\/a\u003e to see more Futura Resistenza releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Prelude 01:46\u003cbr\u003e2. Safe Pair of Hands 03:09\u003cbr\u003e3. Now Rain 02:45\u003cbr\u003e4. Cold Shelter 03:09\u003cbr\u003e5. Porous 02:30\u003cbr\u003e6. Lied 03:03\u003cbr\u003e7. Wearing Words 04:00\u003cbr\u003e8. Lost Ground 01:04\u003cbr\u003e9. The Angry Men 03:48\u003cbr\u003e10. Coda 02:04\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmily Wittbrodt's „Wearing Words“ is a cycle of ten instrumentals and songs with an unusual instrumentation: harpsichord, cello, drums, clarinet, accordion and tenor. Wittbrodt's lyrics are embedded in vulnerable melodic shapes, articulated by the astonishing voice of the opera singer Sandro Hähnel. With precision, humor and grace Wearing Words is translating an almost baroque sensibility into pop music terrain, with the sort of pathos one expects from Rufus Wainwright or Anohni.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Wearing Words Wittbrodt decided to write the melodies using a kind of dummy text, laying in words and syllables that fit the shape of the melodic forms she had composed. Having an empty imprint of a melody, Wittbrodt carefully searched for words to fill the melodic shapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Wearing Words Wittbrodt is combining her lifelong fascination for language and poetry with her deep interest for unusual instrumentations and classical forms of composition, like Lied, music theater or baroque recitatives and arias.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emily Wittbrodt\u003c\/p\u003e\n\u003cp\u003eLabel : Futura Resistenza\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRESLP042\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-13T07:49:21+09:00","created_at":"2026-03-09T16:23:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","folk \/ left-field pop","futura resistenza","lp","neo classical","new"],"price":462900,"price_min":462900,"price_max":462900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48438044066042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Emily Wittbrodt \/\/ Wearing Words LP","public_title":null,"options":["Default Title"],"price":462900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/we1_2c0bb430-b006-4b95-8227-817a65760ca5.jpg?v=1773040892","\/\/tobirarecords.com\/cdn\/shop\/files\/we2_3268269c-78a1-42d9-9435-5688a52b30a9.jpg?v=1773040892","\/\/tobirarecords.com\/cdn\/shop\/files\/we3_55c612ba-dccb-42e5-bfd1-463da825a744.jpg?v=1773040892"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_2c0bb430-b006-4b95-8227-817a65760ca5.jpg?v=1773040892","options":["Title"],"media":[{"alt":null,"id":38633846079738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_2c0bb430-b006-4b95-8227-817a65760ca5.jpg?v=1773040892"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_2c0bb430-b006-4b95-8227-817a65760ca5.jpg?v=1773040892","width":700},{"alt":null,"id":38633846112506,"position":2,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we2_3268269c-78a1-42d9-9435-5688a52b30a9.jpg?v=1773040892"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we2_3268269c-78a1-42d9-9435-5688a52b30a9.jpg?v=1773040892","width":1200},{"alt":null,"id":38633846145274,"position":3,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we3_55c612ba-dccb-42e5-bfd1-463da825a744.jpg?v=1773040892"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we3_55c612ba-dccb-42e5-bfd1-463da825a744.jpg?v=1773040892","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのチェリストEmily Wittbrodtが、2026年2月にベルギーの実験レーベルFutura Resistenzaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・ポップ〜アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Emily Wittbrodtの『Wearing Words』は、10曲からなるインストゥルメンタルと歌の連作で、ハープシコード、チェロ、ドラム、クラリネット、アコーディオン、テノールという異例の編成が特徴だ。Emily Wittbrodtの歌詞は繊細な旋律の中に埋め込まれ、オペラ歌手サンドロ・ヘーネルの驚くべき歌声によって表現されている。精密さとユーモア、優雅さを兼ね備えた本作は、ルーファス・ウェインライトやアノニを思わせるような哀愁を帯びつつ、ほぼバロック的な感性をポップミュージックの領域へと翻訳している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作においてEmily Wittbrodtは、メロディの骨組みとなる仮のテキストを作成する手法を採用。自身が作曲した旋律の形状に合う言葉や音節を配置した。メロディの空白の型を手に、Emily Wittbrodtは旋律の形状を埋める言葉を慎重に探した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Wearing Words』において、Emily Wittbrodtは生涯にわたる言語と詩への傾倒を、リートや音楽劇、バロックのレチタティーヴォやアリアといった古典的作曲形式や異色の楽器編成への深い関心と融合させている。\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2101749687\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Futura Resistenza\" href=\"https:\/\/soundcloud.com\/futuraresistenza\" target=\"_blank\"\u003eFutura Resistenza\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Emily Wittbrodt - Wearing Words (RESLP042) PREVIEW\" href=\"https:\/\/soundcloud.com\/futuraresistenza\/sets\/emily-wittbrodt-wearing-words-reslp042-preview\" target=\"_blank\"\u003eEmily Wittbrodt - Wearing Words (RESLP042) PREVIEW\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/futres\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/futres\"\u003ehere\u003c\/a\u003e to see more Futura Resistenza releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Prelude 01:46\u003cbr\u003e2. Safe Pair of Hands 03:09\u003cbr\u003e3. Now Rain 02:45\u003cbr\u003e4. Cold Shelter 03:09\u003cbr\u003e5. Porous 02:30\u003cbr\u003e6. Lied 03:03\u003cbr\u003e7. Wearing Words 04:00\u003cbr\u003e8. Lost Ground 01:04\u003cbr\u003e9. The Angry Men 03:48\u003cbr\u003e10. Coda 02:04\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmily Wittbrodt's „Wearing Words“ is a cycle of ten instrumentals and songs with an unusual instrumentation: harpsichord, cello, drums, clarinet, accordion and tenor. Wittbrodt's lyrics are embedded in vulnerable melodic shapes, articulated by the astonishing voice of the opera singer Sandro Hähnel. With precision, humor and grace Wearing Words is translating an almost baroque sensibility into pop music terrain, with the sort of pathos one expects from Rufus Wainwright or Anohni.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Wearing Words Wittbrodt decided to write the melodies using a kind of dummy text, laying in words and syllables that fit the shape of the melodic forms she had composed. Having an empty imprint of a melody, Wittbrodt carefully searched for words to fill the melodic shapes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Wearing Words Wittbrodt is combining her lifelong fascination for language and poetry with her deep interest for unusual instrumentations and classical forms of composition, like Lied, music theater or baroque recitatives and arias.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emily Wittbrodt\u003c\/p\u003e\n\u003cp\u003eLabel : Futura Resistenza\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRESLP042\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツのチェリストEmily Wittbrodtが、2026年2月にベルギーの実験レーベルFutura Resistenzaからリリースしたレコードです。 ネオクラシカル・ポップ〜アンビエント10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Emily Wittbrodtの『Wearing Words』は、10曲からなるインストゥルメンタルと歌の連作で、ハープシコード、チェロ、ドラム、クラリネット、アコーディオン、テノールという異例の編成が特徴だ。Emily Wittbrodtの歌詞は繊細な旋律の中に埋め込まれ、オペラ歌手サンドロ・ヘーネルの驚くべき歌声によって表現されている。精密さとユーモア、優雅さを兼ね備えた本作は、ルーファス・ウェインライトやアノニを思わせるような哀愁を帯びつつ、ほぼバロック的な感性をポップミュージックの領域へと翻訳している。 本作においてEmily Wittbrodtは、メロディの骨組みとなる仮のテキストを作成する手法を採用。自身が作曲した旋律の形状に合う言葉や音節を配置した。メロディの空白の型を手に、Emily Wittbrodtは旋律の形状を埋める言葉を慎重に探した。 『Wearing...
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{"id":9119238422778,"title":"Christina Vantzou \/\/ The Reintegration of the Ear LP","handle":"christina-vantzou-the-reintegration-of-the-ear-lp","description":"\u003cp\u003eギリシャ／アメリカのアンビエント作家Christina Vantzouが、2026年2月に彼女のパートナーJohn Also Bennett主宰レーベルEditions Basilicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなエレクトロアコースティック2曲を収録。DLコード付属。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説の抜粋です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"真に聴くことは受動的な行為ではなく、根源的で身体化された注意の行為である。Christina Vantzouの『耳の再統合』は、より遅い存在感——慈しみ、親密さ、内省に根ざした存在感——を提供する。言語を超えた行為。この再統合を通じて、耳は静かな抵抗の形態となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eギリシャ系アメリカ人作曲家Christina Vantzouが2023年から2025年にかけ、INA GRMの委嘱によりマルチチャンネル・アコースマティック作品として作曲した本作は、時間軸に沿って展開する電子音響組曲である。Christina Vantzouが緻密に構成し、アイリーン・クルカ（声）、ジョン・アルソ・ベネット（フルート、シンセサイザー）、 ロマン・ヒエレ（コントラバス）、オリバー・コーツ（チェロ）によって演奏される。形式的な構造ではなく、呼吸、共鳴、そして繊細な知性によって導かれる直感を通じて展開される。そこから浮かび上がるのは音響生態学——知覚と表現の絶え間ない交渉である。私たちを根源的なものへと再指向する倫理的行為。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「観察、編集、落ち着きのなさの治療法」と対をなす本作は、家庭的な断片と時間の漂流からなる連作組曲であり、内なる持続と外なる未解決の引力との対話として展開する。親密さと無限の間の浸透性のある境界線を辿る連続体だ。エレクトロニクス、フィールド・レコーディング、アコースティック楽器を通じ、Christina Vantzouは精神的・時間的な残滓に満ちた雰囲気をマッピングする。「観察、編集、落ち着きのなさの治療法」は、ほぼ10年にわたり収集された音響的印象を精密に配列した星座として展開する。現実と想像が互いに滲み合う様は、時間が折り畳まれ、漂流し、再構築される場所の変わりやすい気分のようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eここでは時間が具現化され、知覚が漂い、再形成され、伸び縮みし、自らを停止させる多孔質の媒体となる。存在と儚さの境界は曖昧に溶け合う。この流動的な時間性の中で、構造に代わって直感が支配する。音は到達点ではなく再生の場となる。あらゆる共鳴は過ぎ去ったものとこれから展開されるものの痕跡を運び、聴取が存在の形態となり、時間が道具であり証人であることを示す、絶えず移り変わる境界線を形成する...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=814943328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003ehere\u003c\/a\u003e to see more Editions Basilic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Reintegration of the Ear 20:12\u003cbr\u003e2. Observations, Edits, a Cure for Restlessness 20:00\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt written by Melis Özek, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eTo truly listen is not a passive gesture but a radical, embodied act of attention. Christina Vantzou’s The Reintegration of the Ear offers a slower presence: one rooted in care, intimacy, and reflection. An act beneath language. Through this reintegration, the ear becomes a quiet form of resistance.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed by the Greek-American composer between 2023 and 2025 after being commissioned by INA GRM as a multi-channel acousmatic work, The Reintegration of the Ear unfolds as a durational electroacoustic suite, meticulously arranged by Vantzou and performed with Irene Kurka (voice), John Also Bennett (flutes, synthesizers), Roman Hiele (double bass), and Oliver Coates (cello). Rather than a formal structure, the composition unfolds through intuition led by breath, resonance and subtle intelligence. What emerges is an acoustic ecology: an ongoing negotiation between perception and expression. An ethical act that reorients us toward the elemental.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePaired with \"Observations, edits, a cure for restlessness\", a companion suite of domestic fragments and temporal drift, the album unfolds as a dialogue between the inward persistence of what is felt and the outward pull of what remains unresolved. A\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e continuum that traces the porous boundaries between the intimate and the infinite. Through electronics, field recordings, and acoustic instrumentation, Vantzou maps atmospheres charged with psychic and temporal residue. \"Observations, edits, a cure for restlessness\" unfolds as a precisely sequenced constellation of sonic impressions gathered across nearly a decade, where the real and the imagined bleed into one another, like the mutable moods of places where time folds, drifts and reassembles itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTime here is embodied, a porous medium through which perception drifts and reforms, stretches, contracts, and suspends itself, blurring the boundary between presence and impermanence. Within this fluid temporality, intuition replaces structure; sound becomes a site of renewal rather than arrival. Each resonance carries the trace of what has passed and what is yet to unfold, an ever-shifting threshold where listening becomes a form of existence and time reveals itself as both instrument and witness...\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christina Vantzou\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Basilic\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEBS2010LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-04T15:49:47+09:00","created_at":"2026-03-04T10:23:24+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","Editions Basilic","lp","neo classical","new"],"price":536000,"price_min":536000,"price_max":536000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48414480400634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christina Vantzou \/\/ The Reintegration of the Ear LP","public_title":null,"options":["Default Title"],"price":536000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rein1.jpg?v=1772587170","\/\/tobirarecords.com\/cdn\/shop\/files\/rein2.jpg?v=1772587170","\/\/tobirarecords.com\/cdn\/shop\/files\/rein3.jpg?v=1772587170"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein1.jpg?v=1772587170","options":["Title"],"media":[{"alt":null,"id":38573018317050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein1.jpg?v=1772587170"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein1.jpg?v=1772587170","width":700},{"alt":null,"id":38573018349818,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein2.jpg?v=1772587170"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein2.jpg?v=1772587170","width":1200},{"alt":null,"id":38573018382586,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein3.jpg?v=1772587170"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rein3.jpg?v=1772587170","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャ／アメリカのアンビエント作家Christina Vantzouが、2026年2月に彼女のパートナーJohn Also Bennett主宰レーベルEditions Basilicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなエレクトロアコースティック2曲を収録。DLコード付属。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説の抜粋です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"真に聴くことは受動的な行為ではなく、根源的で身体化された注意の行為である。Christina Vantzouの『耳の再統合』は、より遅い存在感——慈しみ、親密さ、内省に根ざした存在感——を提供する。言語を超えた行為。この再統合を通じて、耳は静かな抵抗の形態となる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eギリシャ系アメリカ人作曲家Christina Vantzouが2023年から2025年にかけ、INA GRMの委嘱によりマルチチャンネル・アコースマティック作品として作曲した本作は、時間軸に沿って展開する電子音響組曲である。Christina Vantzouが緻密に構成し、アイリーン・クルカ（声）、ジョン・アルソ・ベネット（フルート、シンセサイザー）、 ロマン・ヒエレ（コントラバス）、オリバー・コーツ（チェロ）によって演奏される。形式的な構造ではなく、呼吸、共鳴、そして繊細な知性によって導かれる直感を通じて展開される。そこから浮かび上がるのは音響生態学——知覚と表現の絶え間ない交渉である。私たちを根源的なものへと再指向する倫理的行為。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「観察、編集、落ち着きのなさの治療法」と対をなす本作は、家庭的な断片と時間の漂流からなる連作組曲であり、内なる持続と外なる未解決の引力との対話として展開する。親密さと無限の間の浸透性のある境界線を辿る連続体だ。エレクトロニクス、フィールド・レコーディング、アコースティック楽器を通じ、Christina Vantzouは精神的・時間的な残滓に満ちた雰囲気をマッピングする。「観察、編集、落ち着きのなさの治療法」は、ほぼ10年にわたり収集された音響的印象を精密に配列した星座として展開する。現実と想像が互いに滲み合う様は、時間が折り畳まれ、漂流し、再構築される場所の変わりやすい気分のようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eここでは時間が具現化され、知覚が漂い、再形成され、伸び縮みし、自らを停止させる多孔質の媒体となる。存在と儚さの境界は曖昧に溶け合う。この流動的な時間性の中で、構造に代わって直感が支配する。音は到達点ではなく再生の場となる。あらゆる共鳴は過ぎ去ったものとこれから展開されるものの痕跡を運び、聴取が存在の形態となり、時間が道具であり証人であることを示す、絶えず移り変わる境界線を形成する...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=814943328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edba\"\u003ehere\u003c\/a\u003e to see more Editions Basilic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Reintegration of the Ear 20:12\u003cbr\u003e2. Observations, Edits, a Cure for Restlessness 20:00\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt written by Melis Özek, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eTo truly listen is not a passive gesture but a radical, embodied act of attention. Christina Vantzou’s The Reintegration of the Ear offers a slower presence: one rooted in care, intimacy, and reflection. An act beneath language. Through this reintegration, the ear becomes a quiet form of resistance.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed by the Greek-American composer between 2023 and 2025 after being commissioned by INA GRM as a multi-channel acousmatic work, The Reintegration of the Ear unfolds as a durational electroacoustic suite, meticulously arranged by Vantzou and performed with Irene Kurka (voice), John Also Bennett (flutes, synthesizers), Roman Hiele (double bass), and Oliver Coates (cello). Rather than a formal structure, the composition unfolds through intuition led by breath, resonance and subtle intelligence. What emerges is an acoustic ecology: an ongoing negotiation between perception and expression. An ethical act that reorients us toward the elemental.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePaired with \"Observations, edits, a cure for restlessness\", a companion suite of domestic fragments and temporal drift, the album unfolds as a dialogue between the inward persistence of what is felt and the outward pull of what remains unresolved. A\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e continuum that traces the porous boundaries between the intimate and the infinite. Through electronics, field recordings, and acoustic instrumentation, Vantzou maps atmospheres charged with psychic and temporal residue. \"Observations, edits, a cure for restlessness\" unfolds as a precisely sequenced constellation of sonic impressions gathered across nearly a decade, where the real and the imagined bleed into one another, like the mutable moods of places where time folds, drifts and reassembles itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTime here is embodied, a porous medium through which perception drifts and reforms, stretches, contracts, and suspends itself, blurring the boundary between presence and impermanence. Within this fluid temporality, intuition replaces structure; sound becomes a site of renewal rather than arrival. Each resonance carries the trace of what has passed and what is yet to unfold, an ever-shifting threshold where listening becomes a form of existence and time reveals itself as both instrument and witness...\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christina Vantzou\u003c\/p\u003e\n\u003cp\u003eLabel : Editions Basilic\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEBS2010LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ギリシャ／アメリカのアンビエント作家Christina Vantzouが、2026年2月に彼女のパートナーJohn Also Bennett主宰レーベルEditions Basilicからリリースしたレコードです。 ロングフォームなエレクトロアコースティック2曲を収録。DLコード付属。 以下、レーベルによる解説の抜粋です。 "真に聴くことは受動的な行為ではなく、根源的で身体化された注意の行為である。Christina Vantzouの『耳の再統合』は、より遅い存在感——慈しみ、親密さ、内省に根ざした存在感——を提供する。言語を超えた行為。この再統合を通じて、耳は静かな抵抗の形態となる。 ギリシャ系アメリカ人作曲家Christina Vantzouが2023年から2025年にかけ、INA GRMの委嘱によりマルチチャンネル・アコースマティック作品として作曲した本作は、時間軸に沿って展開する電子音響組曲である。Christina Vantzouが緻密に構成し、アイリーン・クルカ（声）、ジョン・アルソ・ベネット（フルート、シンセサイザー）、 ロマン・ヒエレ（コントラバス）、オリバー・コーツ（チェロ）によって演奏される。形式的な構造ではなく、呼吸、共鳴、そして繊細な知性によって導かれる直感を通じて展開される。そこから浮かび上がるのは音響生態学——知覚と表現の絶え間ない交渉である。私たちを根源的なものへと再指向する倫理的行為。...
¥5,360
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{"id":9116728328442,"title":"Robert Ridley-Shackleton \/\/ Stone Cold Crazy TAPE","handle":"robert-ridley-shackleton-stone-cold-crazy-tape","description":"\u003cp\u003e過去にchocolate monkやturgid animal、beartownなどから発表しているイギリスの実験音楽家Robert Ridley-Shackletonが、同国Crow Versus Crowから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスカム・コラージュポップ6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1024006314\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Robert Ridley-Shackleton\u003c\/p\u003e\n\u003cp\u003elabel : crow versus crow\u003c\/p\u003e","published_at":"2026-03-03T07:16:59+09:00","created_at":"2026-03-03T07:16:32+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","crow versus crow","monooto","new","noise","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48404795883770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Robert Ridley-Shackleton \/\/ Stone Cold Crazy TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0014511712_10.jpg?v=1772489840","\/\/tobirarecords.com\/cdn\/shop\/products\/0014511718_10.jpg?v=1602027702"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0014511712_10.jpg?v=1772489840","options":["Title"],"media":[{"alt":null,"id":11850632888485,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0014511712_10.jpg?v=1772489840"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0014511712_10.jpg?v=1772489840","width":800},{"alt":null,"id":11850632986789,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0014511718_10.jpg?v=1602027702"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0014511718_10.jpg?v=1602027702","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にchocolate monkやturgid animal、beartownなどから発表しているイギリスの実験音楽家Robert Ridley-Shackletonが、同国Crow Versus Crowから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスカム・コラージュポップ6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1024006314\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Robert Ridley-Shackleton\u003c\/p\u003e\n\u003cp\u003elabel : crow versus crow\u003c\/p\u003e"}
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過去にchocolate monkやturgid animal、beartownなどから発表しているイギリスの実験音楽家Robert Ridley-Shackletonが、同国Crow Versus Crowから50本限定でリリースしたカセットです。 スカム・コラージュポップ6曲を収録。廃盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Crow Versus...
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{"id":9113096356090,"title":"John Cage, Lowell Cross, Toshi Ichiyanagi, Alvin Lucier and David Tudor \/\/ Appearance\/Music for Solo Performer: Compositions by Toshi Ichiyanagi and Alvin Lucier, featuring John Cage and David Tudor LP","handle":"jlt","description":"\u003cp\u003e実験音楽家John CageとLowell Cross、Toshi Ichiyanagi、Alvin Lucier、David Tudorが、2026年2月に大阪のEm Recordsからリリースした再発レコードです。（オリジナルは1967年リリース）\u003c\/p\u003e\n\u003cp\u003eライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=854264646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003ehere\u003c\/a\u003e to see more EM Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003eIncludes liner notes in English and Japanese.\u003cbr\u003e2026 vinyl pressing - originally recorded in 1967 and recently discovered in a Japanese archive. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide A:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eToshi Ichiyanagi \"Appearance\" for three instruments, two \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eoscillators, two ring modulators (1967) [20’31\"]\u003cbr\u003e一柳慧「アピアランス」三つの楽器\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e、二台のオシレーターと二台のリング変調器のための（1967）\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eSide B:\u003cbr\u003eAlvin Lucier \"Music for Solo Performer\" (1965) [14’40”]\u003cbr\u003eアルヴィン・ルシエ「一人の演奏家のための音楽」（1965）\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, \"Music for Solo Performer”, was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell Cross, using alpha waves to activate a wide range of percussion instruments. This proto-industrial version is heavily influenced by the amplified performance techniques pioneered by Cage and Tudor in the 1960s; quite different from the 1982 Lucier\/Pauline Oliveros realization on Lovely Music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIchiyanagi’s 1967 composition “Appearance” combines live electronics with acoustic instruments and adds Cage to the list of performers. This is the same piece which was released in 2006 by Omega Point, but the source tape used here is believed to be the master tape, resulting in a significant improvement in audio quality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese are historically significant and musically fascinating recordings, available on LP and CD. The release includes liner notes by Ibe Osamu of Omega Point, who explains how the tape was discovered, as well as liner notes by sound artist Minoru Sato, a researcher of Lucier's work who was in contact with the composer during his lifetime. Ichiyanagi contributes a note about “Appearance”.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Cage, Lowell Cross, Toshi Ichiyanagi, Alvin Lucier and David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : EM Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEM-028LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-01T14:47:17+09:00","created_at":"2026-03-01T09:38:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","em records","lp","monooto","new"],"price":440000,"price_min":440000,"price_max":440000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48397051298042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Cage, Lowell Cross, Toshi Ichiyanagi, Alvin Lucier and David Tudor \/\/ Appearance\/Music for Solo Performer: Compositions by Toshi Ichiyanagi and Alvin Lucier, featuring John Cage and David Tudor LP","public_title":null,"options":["Default Title"],"price":440000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/app1_756a02f9-0092-4abb-a058-f5931972916f.jpg?v=1772325254","\/\/tobirarecords.com\/cdn\/shop\/files\/app2_6737ef3e-383c-4934-a0fc-e6c0b3999001.jpg?v=1772325255"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/app1_756a02f9-0092-4abb-a058-f5931972916f.jpg?v=1772325254","options":["Title"],"media":[{"alt":null,"id":38525238837498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/app1_756a02f9-0092-4abb-a058-f5931972916f.jpg?v=1772325254"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/app1_756a02f9-0092-4abb-a058-f5931972916f.jpg?v=1772325254","width":700},{"alt":null,"id":38525238870266,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/app2_6737ef3e-383c-4934-a0fc-e6c0b3999001.jpg?v=1772325255"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/app2_6737ef3e-383c-4934-a0fc-e6c0b3999001.jpg?v=1772325255","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験音楽家John CageとLowell Cross、Toshi Ichiyanagi、Alvin Lucier、David Tudorが、2026年2月に大阪のEm Recordsからリリースした再発レコードです。（オリジナルは1967年リリース）\u003c\/p\u003e\n\u003cp\u003eライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=854264646\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/emrec\"\u003ehere\u003c\/a\u003e to see more EM Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003eIncludes liner notes in English and Japanese.\u003cbr\u003e2026 vinyl pressing - originally recorded in 1967 and recently discovered in a Japanese archive. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSide A:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eToshi Ichiyanagi \"Appearance\" for three instruments, two \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eoscillators, two ring modulators (1967) [20’31\"]\u003cbr\u003e一柳慧「アピアランス」三つの楽器\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e、二台のオシレーターと二台のリング変調器のための（1967）\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eSide B:\u003cbr\u003eAlvin Lucier \"Music for Solo Performer\" (1965) [14’40”]\u003cbr\u003eアルヴィン・ルシエ「一人の演奏家のための音楽」（1965）\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBeyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, \"Music for Solo Performer”, was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell Cross, using alpha waves to activate a wide range of percussion instruments. This proto-industrial version is heavily influenced by the amplified performance techniques pioneered by Cage and Tudor in the 1960s; quite different from the 1982 Lucier\/Pauline Oliveros realization on Lovely Music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIchiyanagi’s 1967 composition “Appearance” combines live electronics with acoustic instruments and adds Cage to the list of performers. This is the same piece which was released in 2006 by Omega Point, but the source tape used here is believed to be the master tape, resulting in a significant improvement in audio quality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese are historically significant and musically fascinating recordings, available on LP and CD. The release includes liner notes by Ibe Osamu of Omega Point, who explains how the tape was discovered, as well as liner notes by sound artist Minoru Sato, a researcher of Lucier's work who was in contact with the composer during his lifetime. Ichiyanagi contributes a note about “Appearance”.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Cage, Lowell Cross, Toshi Ichiyanagi, Alvin Lucier and David Tudor\u003c\/p\u003e\n\u003cp\u003eLabel : EM Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEM-028LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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実験音楽家John CageとLowell Cross、Toshi Ichiyanagi、Alvin Lucier、David Tudorが、2026年2月に大阪のEm Recordsからリリースした再発レコードです。（オリジナルは1967年リリース） ライナーノーツ付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more EM...
¥4,400
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{"id":9099206164730,"title":"Irrflug \/\/ Silver LP","handle":"irrflug-silver-lp","description":"\u003cp\u003eドイツの実験エレクトロニック作家\u003cspan\u003eMark Kanak\u003c\/span\u003eが、2026年1月にフィンランドの老舗実験テクノレーベル\u003cspan\u003eSÄHKÖ RECORDINGS\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ポストインダストリアル・テクノ〜ドローン〜サウンドポエトリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536382689\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Is this what you wanted? 04:27\u003cbr\u003e2. Odeon 03:19\u003cbr\u003e3. Spirals 05:13\u003cbr\u003e4. 448 03:22\u003cbr\u003e5. Pulse 03:00\u003cbr\u003e6. She lights the earth with her silver 04:10\u003cbr\u003e7. Silver 04:29\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIrrflug are:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMark Kanak - Concept, sound design, electronics, noise, lyrics\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIan King - Voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoBo - Voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eElla Sturmvogel - Voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irrflug\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePUU-61\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-22T07:23:34+09:00","created_at":"2026-02-21T11:17:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","sahko recordings","techno \/ house"],"price":452000,"price_min":452000,"price_max":452000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48355696541946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Irrflug \/\/ Silver LP","public_title":null,"options":["Default Title"],"price":452000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/irr1_7aa87f20-31da-451e-9892-3a90993c828f.jpg?v=1771640174","\/\/tobirarecords.com\/cdn\/shop\/files\/irr3.jpg?v=1771640174","\/\/tobirarecords.com\/cdn\/shop\/files\/irr2_4eed5930-f7f8-4a43-b296-9bcfdd4ab9c7.jpg?v=1771640174"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr1_7aa87f20-31da-451e-9892-3a90993c828f.jpg?v=1771640174","options":["Title"],"media":[{"alt":null,"id":38419912261882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr1_7aa87f20-31da-451e-9892-3a90993c828f.jpg?v=1771640174"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr1_7aa87f20-31da-451e-9892-3a90993c828f.jpg?v=1771640174","width":700},{"alt":null,"id":38419912327418,"position":2,"preview_image":{"aspect_ratio":1.917,"height":626,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr3.jpg?v=1771640174"},"aspect_ratio":1.917,"height":626,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr3.jpg?v=1771640174","width":1200},{"alt":null,"id":38419912294650,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr2_4eed5930-f7f8-4a43-b296-9bcfdd4ab9c7.jpg?v=1771640174"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/irr2_4eed5930-f7f8-4a43-b296-9bcfdd4ab9c7.jpg?v=1771640174","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの実験エレクトロニック作家\u003cspan\u003eMark Kanak\u003c\/span\u003eが、2026年1月にフィンランドの老舗実験テクノレーベル\u003cspan\u003eSÄHKÖ RECORDINGS\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ポストインダストリアル・テクノ〜ドローン〜サウンドポエトリー7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536382689\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Is this what you wanted? 04:27\u003cbr\u003e2. Odeon 03:19\u003cbr\u003e3. Spirals 05:13\u003cbr\u003e4. 448 03:22\u003cbr\u003e5. Pulse 03:00\u003cbr\u003e6. She lights the earth with her silver 04:10\u003cbr\u003e7. Silver 04:29\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIrrflug are:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMark Kanak - Concept, sound design, electronics, noise, lyrics\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIan King - Voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoBo - Voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eElla Sturmvogel - Voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irrflug\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePUU-61\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツの実験エレクトロニック作家Mark Kanakが、2026年1月にフィンランドの老舗実験テクノレーベルSÄHKÖ RECORDINGSからリリースしたレコードです。 実験ポストインダストリアル・テクノ〜ドローン〜サウンドポエトリー7曲を収録。 レーベルその他作品はこちら /// Click here to see more Sahko Recordings releases available at Tobira....
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{"id":9081940345082,"title":"Carrie DeCunzo Mirande \/\/ My Shadow LP","handle":"carrie-decunzo-mirande-my-shadow-lp","description":"\u003cp\u003eアメリカ・フィラデルフィアの実験音楽家Carrie DeCunzo Mirandeが、2026年2月にスウェーデンの実験レーベルDiscreet Musicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンクレート11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2644031413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/discreet-music\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/discreet-music\"\u003ehere\u003c\/a\u003e to see more Discreet Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Opening 02:57\u003cbr\u003e2. Tool 01:15\u003cbr\u003e3. I Know About This 01:20\u003cbr\u003e4. Hurdle 04:28\u003cbr\u003e5. The Word 05:15\u003cbr\u003e6. Desperation 02:46\u003cbr\u003e7. The Wound 03:22\u003cbr\u003e8. End Tests 06:46\u003cbr\u003e9. One More Thing 00:43\u003cbr\u003e10. Humm 00:47\u003cbr\u003e11. Bird Bush 00:41\u003c\/p\u003e\n\u003cp\u003eArtist : Carrie DeCunzo Mirande\u003c\/p\u003e\n\u003cp\u003eLabel : Discreet Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDM31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-17T08:13:07+09:00","created_at":"2026-02-16T10:19:39+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","discreet music","drone","lp","monooto","new"],"price":485400,"price_min":485400,"price_max":485400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48326968738042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carrie DeCunzo Mirande \/\/ My Shadow LP","public_title":null,"options":["Default Title"],"price":485400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_57898859-2a16-4272-949a-a17fcf3e3be7.jpg?v=1771204732"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_57898859-2a16-4272-949a-a17fcf3e3be7.jpg?v=1771204732","options":["Title"],"media":[{"alt":null,"id":38345366012154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_57898859-2a16-4272-949a-a17fcf3e3be7.jpg?v=1771204732"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_57898859-2a16-4272-949a-a17fcf3e3be7.jpg?v=1771204732","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フィラデルフィアの実験音楽家Carrie DeCunzo Mirandeが、2026年2月にスウェーデンの実験レーベルDiscreet Musicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンクレート11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2644031413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/discreet-music\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/discreet-music\"\u003ehere\u003c\/a\u003e to see more Discreet Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Opening 02:57\u003cbr\u003e2. Tool 01:15\u003cbr\u003e3. I Know About This 01:20\u003cbr\u003e4. Hurdle 04:28\u003cbr\u003e5. The Word 05:15\u003cbr\u003e6. Desperation 02:46\u003cbr\u003e7. The Wound 03:22\u003cbr\u003e8. End Tests 06:46\u003cbr\u003e9. One More Thing 00:43\u003cbr\u003e10. Humm 00:47\u003cbr\u003e11. Bird Bush 00:41\u003c\/p\u003e\n\u003cp\u003eArtist : Carrie DeCunzo Mirande\u003c\/p\u003e\n\u003cp\u003eLabel : Discreet Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDM31\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・フィラデルフィアの実験音楽家Carrie DeCunzo Mirandeが、2026年2月にスウェーデンの実験レーベルDiscreet Musicからリリースしたレコードです。 コンクレート11曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Discreet Music releases available...
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{"id":9077987442938,"title":"Anar Band with E.M. de Melo e Castro \/\/ Dou Dou Doudo: Ao Vivo Na Cooperativa Árvore LP","handle":"anar-band-with-e-m-de-melo-e-castro-dou-dou-doudo-ao-vivo-na-cooperativa-arvore-lp","description":"\u003cp\u003e1970年代に活動していたポルトガルのノーウェーブデュオAnar Bandと詩人E.M. de Melo e Castroが、2026年1月に同国実験レーベルHoluzamからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e1978年に録音した4曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1978年11月、ポルトのクーパーティバ・アルヴォレで、Anar BandがE.M. de Melo e Castroと共演したライブ演奏から録音。この演奏は撮影され、その一部が、アナ・アザリーが公共テレビのセカンドチャンネルで司会を務めた週刊番組「Obrigatório Não Ver」で放映された。このイベントの正確な開催日は特定できず、関連アーカイブにも資料は残っていないようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e「Encontro que Tenho」と「Profissões」：これらのタイトルは、このリリースにのみ使用されている。E.M. de Melo e Castro の作品群を徹底的に調査したが、それぞれの詩を見つけることはできなかったため、両方のテキストはこの機会のために作成されたものと推測される。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e文脈を完全に把握していなくとも、この音はセッション特有の文化的動揺の精神を伝えている。この公演当時、Anar Bandはホルヘ・リマ・バレット（ARPオデッセイ・シンセサイザー）とルイ・レイニニョ（イバニェス・ダブルネックギター）で構成され、E.M. de Melo e Castroが加わっていた。彼を詩人と呼ぶが、その創造的介入は広範に及んだ。詩作に加え、多様な芸術領域（絵画、ドローイング、コラージュ、パフォーマンス、ビデオ）の連携を継続的に模索し、繊維工学の正式な訓練も受けていた。1966年にはアンリ・ショパンの『OU Revue』に掲載されるなど、ヨーロッパの具体詩／視覚詩／音響詩の先鋭的な潮流との自然な繋がりを確立。E.M. de Melo e Castroは精神の撹乱と政治的意識の喚起にも長けていた。その好例が「職業たち」である。ここでは当初別個に存在した職業人（知識人、漁師、兵士、工場労働者）が次第に混ざり合い、相互依存性を示す。象徴的に、彼の言葉を通して社会の変容が聴こえてくるが、同じ結論が二度導かれる：余剰は常に資本家の手に渡るのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e多くの者が変革を望んでいた状況、すなわち1974年のポルトガル革命によって完全に露呈した経済的・社会的停滞が、異議を唱える声がようやく公の場で聞かれるようになった。この録音に参加した三人はそれぞれ独自の方法で、提示された社会構造を信じなかった。ジョルジェ・リマ・バレットは、主にジャズに関する著書や評論を通じて、1960年代後半からポルトガルの芸術・批評界に切り込んでいった。意識的かつ無意識的に敵を作り出し、その名を挙げて非難した。彼らが反動的とレッテルを貼った者たち、進歩や社会的・文化的融合、前衛芸術さえも遅らせ、新たな形態や態度が生まれる混沌さえも遅らせた者たちである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e生来の反逆者ルイ・レイニーニョは幼少期から理解されない存在だった。服飾や装身具の選択、公の場での振る舞い、そして「現実生活」におけるパフォーマンスを通じて、彼の無秩序な性質や他者を困惑させる傾向が露わになった。リマ・バレットと同様に、あるいは彼と共に行動しながら、彼は両極端を挑発することを楽しんだ——一方には毛沢東主義者、他方には右派保守派を。左翼の書籍を翻訳し、Anar Bandに加入したのは、1976年ポルトで鴨か白鳥かガチョウ（いずれか）がステージに投げ込まれたまさにその日だった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのレコードは具体的な行動、騒動のスナップショットを記録している。我々がパンク・アクティビズムと呼ぶのに何の躊躇もないものであり、音楽的訓練がほとんど、あるいは全くない二人が音楽を演奏し録音することを可能にしたものだ。当時、Anar Bandは1977年に唯一のLPをリリースしていた。しかしこの演奏こそが、音楽のむき出しの生々しさを露わにしている：即興、相互の聴取、そして二人のミュージシャンとMelo e Castroによる介入の選択——シンセが音色を変えるべき時、声が間を取るべき時、ギターが両者を強調しつつ叫ぶための空間を見出す瞬間を、彼らは明確に感じ取っていた。映像スタッフが捉えた音は、その生々しさをさらに増幅させる。楽器の質感は手に取るように感じられ、声はしばしばマイクに近すぎるほどだ。すべてがそのまま保存された。初めてディスクに収録される。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1769588677\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies.\u003cbr\u003eLive performance recorded in November of 1978 at Cooperativa Árvore, Porto.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1 Bloco Branco\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2 Diálogos (Excerto)\u003cbr\u003e\u003c\/span\u003eB1 Encontro Que Tenho\u003cbr\u003eB2 Profissões\u003c\/p\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAudio taken from a live performance by Anar Band (Jorge Lima Barreto and Rui Reininho) with E.M. de Melo e Castro in November of 1978 at Cooperativa Árvore, Porto. The performance was filmed. A segment was included in Obrigatório Não Ver, a weekly programme presented by Ana Hatherly on public television’s Second Channel. It was not possible to determine the exact date of the event and no documentation seems to be available in the relevant archives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Encontro que Tenho\" and \"Profissões\": these titles are specific to this release. Having failed to locate the respective poems after a thorough search in E.M. de Melo e Castro’s body of work, it was deduced both texts were created for the occasion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e+\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEven without a full contextualization, the sound transmits the spirit of cultural agitation proper to these sessions. When this show happened, Anar Band were Jorge Lima Barreto (ARP Odyssey synthesizer) and Rui Reininho (Ibañez double neck guitar)\u003cspan class=\"bcTruncateMore\"\u003e, with the addition of E.M. de Melo e Castro, whom we shall call a poet but whose creative intervention was far reaching. Besides poetry, also continued efforts in linking up diverse artistic areas (painting, drawing, collage, performance, video) and his official training in textile engineering. He was one of the artists featured in Henri Chopin's OU Revue in 1966, establishing his natural connection to the European concrete\/visual\/sound poetry avantgarde. Melo e Castro was also proficient in the agitation of minds and political awareness. A good example in \"Profissões\", where initially separate professionals (an intelectual, a fisherman, a soldier, a factory worker) are gradually mixed in a show of interdependency. Symbolically, through his words one listens to a transformation of society, although the same conclusion arises twice: surplus always finds its way to the hands of the capitalists.\u003cbr\u003e\u003cbr\u003eThat was the state of affairs many were looking to change, an economic and social malaise that the 1974 Revolution in Portugal fully uncovered, when dissident voices could finally be heard in public. Each in his own way, all three participants in this recording were non-believers in the stucture of society such as it was presented. Through his books and press writings, mainly concerned with Jazz, Jorge Lima Barreto pushed his way into Portuguese artistic and critical circles since the late 1960s. Consciusly and unwittingly, he collected enemies and pointed them by name, people he labeled as reactionary, people who delayed progress, social and cultural mixes, the avantgarde, they even delayed the chaos from which new forms and attitudes arise.\u003cbr\u003e\u003cbr\u003eRui Reininho, a non-conformist by heart, experienced incomprehension from an early age. His anarchic ways, a tendency to baffle others, were revealed through the choice of clothes and accessories, public behaviour and \"real life\" performances. Just as Lima Barreto, and even together with him, he enjoyed provoking the extremes: maoists on one side, right-wing conservatives on the other. He translated Leftist books and joined Anar Band precisely on the day a duck or swan or goose (one of them) was thrown on stage in Porto, 1976.\u003cbr\u003e\u003cbr\u003eThis record documents a concrete action, a snapshot of the agitation, something we have no problem calling punk activism, something which allowed two people with little to no musical training to play and record music. By then, Anar Band had managed to release their only LP, in 1977. It's this performance, however, that reveals the naked rawness of the music: improvisation, mutual listening and choice of intervention between both musicians and Melo e Castro, clearly sensing when the synth has to change tone, the voice has to make pauses, the guitar punctuates both and finds the space to... scream. The sound was captured by the film crew, addding to the rawness: the instruments are palpable, the voice often too close to the mic. Everything was preserved. First time on disc.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anar Band with E.M. de Melo e Castro\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam \u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZAM042\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-24T15:14:23+09:00","created_at":"2026-02-11T10:26:11+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","holuzam","lp","new"],"price":528000,"price_min":528000,"price_max":528000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48311418290426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anar Band with E.M. de Melo e Castro \/\/ Dou Dou Doudo: Ao Vivo Na Cooperativa Árvore LP","public_title":null,"options":["Default Title"],"price":528000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_dc816511-f055-48c3-9e01-a037c5f53133.jpg?v=1770773003","\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_4c4c913d-5f0a-40b3-99a4-0bc55d9d63d1.jpg?v=1770773002"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_dc816511-f055-48c3-9e01-a037c5f53133.jpg?v=1770773003","options":["Title"],"media":[{"alt":null,"id":38303115575546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_dc816511-f055-48c3-9e01-a037c5f53133.jpg?v=1770773003"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou1_dc816511-f055-48c3-9e01-a037c5f53133.jpg?v=1770773003","width":700},{"alt":null,"id":38303115608314,"position":2,"preview_image":{"aspect_ratio":1.6,"height":750,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_4c4c913d-5f0a-40b3-99a4-0bc55d9d63d1.jpg?v=1770773002"},"aspect_ratio":1.6,"height":750,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dou2_4c4c913d-5f0a-40b3-99a4-0bc55d9d63d1.jpg?v=1770773002","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1970年代に活動していたポルトガルのノーウェーブデュオAnar Bandと詩人E.M. de Melo e Castroが、2026年1月に同国実験レーベルHoluzamからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e1978年に録音した4曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"1978年11月、ポルトのクーパーティバ・アルヴォレで、Anar BandがE.M. de Melo e Castroと共演したライブ演奏から録音。この演奏は撮影され、その一部が、アナ・アザリーが公共テレビのセカンドチャンネルで司会を務めた週刊番組「Obrigatório Não Ver」で放映された。このイベントの正確な開催日は特定できず、関連アーカイブにも資料は残っていないようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e「Encontro que Tenho」と「Profissões」：これらのタイトルは、このリリースにのみ使用されている。E.M. de Melo e Castro の作品群を徹底的に調査したが、それぞれの詩を見つけることはできなかったため、両方のテキストはこの機会のために作成されたものと推測される。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e文脈を完全に把握していなくとも、この音はセッション特有の文化的動揺の精神を伝えている。この公演当時、Anar Bandはホルヘ・リマ・バレット（ARPオデッセイ・シンセサイザー）とルイ・レイニニョ（イバニェス・ダブルネックギター）で構成され、E.M. de Melo e Castroが加わっていた。彼を詩人と呼ぶが、その創造的介入は広範に及んだ。詩作に加え、多様な芸術領域（絵画、ドローイング、コラージュ、パフォーマンス、ビデオ）の連携を継続的に模索し、繊維工学の正式な訓練も受けていた。1966年にはアンリ・ショパンの『OU Revue』に掲載されるなど、ヨーロッパの具体詩／視覚詩／音響詩の先鋭的な潮流との自然な繋がりを確立。E.M. de Melo e Castroは精神の撹乱と政治的意識の喚起にも長けていた。その好例が「職業たち」である。ここでは当初別個に存在した職業人（知識人、漁師、兵士、工場労働者）が次第に混ざり合い、相互依存性を示す。象徴的に、彼の言葉を通して社会の変容が聴こえてくるが、同じ結論が二度導かれる：余剰は常に資本家の手に渡るのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e多くの者が変革を望んでいた状況、すなわち1974年のポルトガル革命によって完全に露呈した経済的・社会的停滞が、異議を唱える声がようやく公の場で聞かれるようになった。この録音に参加した三人はそれぞれ独自の方法で、提示された社会構造を信じなかった。ジョルジェ・リマ・バレットは、主にジャズに関する著書や評論を通じて、1960年代後半からポルトガルの芸術・批評界に切り込んでいった。意識的かつ無意識的に敵を作り出し、その名を挙げて非難した。彼らが反動的とレッテルを貼った者たち、進歩や社会的・文化的融合、前衛芸術さえも遅らせ、新たな形態や態度が生まれる混沌さえも遅らせた者たちである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e生来の反逆者ルイ・レイニーニョは幼少期から理解されない存在だった。服飾や装身具の選択、公の場での振る舞い、そして「現実生活」におけるパフォーマンスを通じて、彼の無秩序な性質や他者を困惑させる傾向が露わになった。リマ・バレットと同様に、あるいは彼と共に行動しながら、彼は両極端を挑発することを楽しんだ——一方には毛沢東主義者、他方には右派保守派を。左翼の書籍を翻訳し、Anar Bandに加入したのは、1976年ポルトで鴨か白鳥かガチョウ（いずれか）がステージに投げ込まれたまさにその日だった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのレコードは具体的な行動、騒動のスナップショットを記録している。我々がパンク・アクティビズムと呼ぶのに何の躊躇もないものであり、音楽的訓練がほとんど、あるいは全くない二人が音楽を演奏し録音することを可能にしたものだ。当時、Anar Bandは1977年に唯一のLPをリリースしていた。しかしこの演奏こそが、音楽のむき出しの生々しさを露わにしている：即興、相互の聴取、そして二人のミュージシャンとMelo e Castroによる介入の選択——シンセが音色を変えるべき時、声が間を取るべき時、ギターが両者を強調しつつ叫ぶための空間を見出す瞬間を、彼らは明確に感じ取っていた。映像スタッフが捉えた音は、その生々しさをさらに増幅させる。楽器の質感は手に取るように感じられ、声はしばしばマイクに近すぎるほどだ。すべてがそのまま保存された。初めてディスクに収録される。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1769588677\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/holuzam\"\u003ehere\u003c\/a\u003e to see more Holuzam releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies.\u003cbr\u003eLive performance recorded in November of 1978 at Cooperativa Árvore, Porto.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1 Bloco Branco\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2 Diálogos (Excerto)\u003cbr\u003e\u003c\/span\u003eB1 Encontro Que Tenho\u003cbr\u003eB2 Profissões\u003c\/p\u003e\n\u003cp\u003eHoluzam:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAudio taken from a live performance by Anar Band (Jorge Lima Barreto and Rui Reininho) with E.M. de Melo e Castro in November of 1978 at Cooperativa Árvore, Porto. The performance was filmed. A segment was included in Obrigatório Não Ver, a weekly programme presented by Ana Hatherly on public television’s Second Channel. It was not possible to determine the exact date of the event and no documentation seems to be available in the relevant archives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Encontro que Tenho\" and \"Profissões\": these titles are specific to this release. Having failed to locate the respective poems after a thorough search in E.M. de Melo e Castro’s body of work, it was deduced both texts were created for the occasion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e+\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEven without a full contextualization, the sound transmits the spirit of cultural agitation proper to these sessions. When this show happened, Anar Band were Jorge Lima Barreto (ARP Odyssey synthesizer) and Rui Reininho (Ibañez double neck guitar)\u003cspan class=\"bcTruncateMore\"\u003e, with the addition of E.M. de Melo e Castro, whom we shall call a poet but whose creative intervention was far reaching. Besides poetry, also continued efforts in linking up diverse artistic areas (painting, drawing, collage, performance, video) and his official training in textile engineering. He was one of the artists featured in Henri Chopin's OU Revue in 1966, establishing his natural connection to the European concrete\/visual\/sound poetry avantgarde. Melo e Castro was also proficient in the agitation of minds and political awareness. A good example in \"Profissões\", where initially separate professionals (an intelectual, a fisherman, a soldier, a factory worker) are gradually mixed in a show of interdependency. Symbolically, through his words one listens to a transformation of society, although the same conclusion arises twice: surplus always finds its way to the hands of the capitalists.\u003cbr\u003e\u003cbr\u003eThat was the state of affairs many were looking to change, an economic and social malaise that the 1974 Revolution in Portugal fully uncovered, when dissident voices could finally be heard in public. Each in his own way, all three participants in this recording were non-believers in the stucture of society such as it was presented. Through his books and press writings, mainly concerned with Jazz, Jorge Lima Barreto pushed his way into Portuguese artistic and critical circles since the late 1960s. Consciusly and unwittingly, he collected enemies and pointed them by name, people he labeled as reactionary, people who delayed progress, social and cultural mixes, the avantgarde, they even delayed the chaos from which new forms and attitudes arise.\u003cbr\u003e\u003cbr\u003eRui Reininho, a non-conformist by heart, experienced incomprehension from an early age. His anarchic ways, a tendency to baffle others, were revealed through the choice of clothes and accessories, public behaviour and \"real life\" performances. Just as Lima Barreto, and even together with him, he enjoyed provoking the extremes: maoists on one side, right-wing conservatives on the other. He translated Leftist books and joined Anar Band precisely on the day a duck or swan or goose (one of them) was thrown on stage in Porto, 1976.\u003cbr\u003e\u003cbr\u003eThis record documents a concrete action, a snapshot of the agitation, something we have no problem calling punk activism, something which allowed two people with little to no musical training to play and record music. By then, Anar Band had managed to release their only LP, in 1977. It's this performance, however, that reveals the naked rawness of the music: improvisation, mutual listening and choice of intervention between both musicians and Melo e Castro, clearly sensing when the synth has to change tone, the voice has to make pauses, the guitar punctuates both and finds the space to... scream. The sound was captured by the film crew, addding to the rawness: the instruments are palpable, the voice often too close to the mic. Everything was preserved. First time on disc.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anar Band with E.M. de Melo e Castro\u003c\/p\u003e\n\u003cp\u003eLabel : Holuzam \u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZAM042\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e"}
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1970年代に活動していたポルトガルのノーウェーブデュオAnar Bandと詩人E.M. de Melo e Castroが、2026年1月に同国実験レーベルHoluzamからリリースした共作レコードです。 1978年に録音した4曲を収録。 レコードのみでの発表となります。 以下、レーベルによる解説です。 "1978年11月、ポルトのクーパーティバ・アルヴォレで、Anar BandがE.M. de Melo e...
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{"id":9075174736122,"title":"Clinton Green \u0026 Barnaby Oliver \/\/ The Interstices Of These Epidemics CD","handle":"clinton-green-barnaby-oliver-the-interstices-of-these-epidemics-cd-1","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenと、メルボルのピアニストBarnaby Oliverが、2020年に200部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノ、バイオリン、ボウルによるコンテンポラリー〜アンビエント〜ドローン2曲を収録。4面カードストックスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=502920614\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3089817580\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=502920614\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCD in 4-panel cardstock sleeve.\u003cbr\u003eEdition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Interstices 19:37\u003cbr\u003e2. Of These Epidemics 23:01\u003c\/p\u003e\n\u003cp\u003eFrom the artist (Clinton Green) :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eIn April 2017, Barnaby Oliver and I started recording with the aim of improvising long-form pieces made up of a restricted palette of gestures and sound sources. Throughout the next two years we came together sporadically as we continued this quest, working through various ideas and changing instrumentation. Our work was gradually refined done to what you hear on this album: a combination of harmonics arising from bowed metal bowls and violin (or piano), coalescing into other-worldly music that at first appears static, yet constantly shifts and re-grounds itself\"\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green \u0026amp; Barnaby Oliver\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003esham109\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : June 2020\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-07T14:42:14+09:00","created_at":"2026-02-07T14:20:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","new","shame file music"],"price":229000,"price_min":229000,"price_max":229000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48297459319034,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Clinton Green \u0026 Barnaby Oliver \/\/ The Interstices Of These Epidemics CD","public_title":null,"options":["Default Title"],"price":229000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/epi1_0e360a1c-0130-479c-8c56-40574fb7f069.jpg?v=1770441530","\/\/tobirarecords.com\/cdn\/shop\/files\/epi2_ddd29cf9-a5c8-4d1b-b315-5799be65fe33.jpg?v=1770441530"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/epi1_0e360a1c-0130-479c-8c56-40574fb7f069.jpg?v=1770441530","options":["Title"],"media":[{"alt":null,"id":38269938663674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/epi1_0e360a1c-0130-479c-8c56-40574fb7f069.jpg?v=1770441530"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/epi1_0e360a1c-0130-479c-8c56-40574fb7f069.jpg?v=1770441530","width":700},{"alt":null,"id":38269938696442,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/epi2_ddd29cf9-a5c8-4d1b-b315-5799be65fe33.jpg?v=1770441530"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/epi2_ddd29cf9-a5c8-4d1b-b315-5799be65fe33.jpg?v=1770441530","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenと、メルボルのピアニストBarnaby Oliverが、2020年に200部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノ、バイオリン、ボウルによるコンテンポラリー〜アンビエント〜ドローン2曲を収録。4面カードストックスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=502920614\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3089817580\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=502920614\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCD in 4-panel cardstock sleeve.\u003cbr\u003eEdition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Interstices 19:37\u003cbr\u003e2. Of These Epidemics 23:01\u003c\/p\u003e\n\u003cp\u003eFrom the artist (Clinton Green) :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eIn April 2017, Barnaby Oliver and I started recording with the aim of improvising long-form pieces made up of a restricted palette of gestures and sound sources. Throughout the next two years we came together sporadically as we continued this quest, working through various ideas and changing instrumentation. Our work was gradually refined done to what you hear on this album: a combination of harmonics arising from bowed metal bowls and violin (or piano), coalescing into other-worldly music that at first appears static, yet constantly shifts and re-grounds itself\"\u003c\/em\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green \u0026amp; Barnaby Oliver\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003esham109\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : June 2020\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenと、メルボルのピアニストBarnaby Oliverが、2020年に200部限定でリリースした共作レコードです。 ピアノ、バイオリン、ボウルによるコンテンポラリー〜アンビエント〜ドローン2曲を収録。4面カードストックスリーブ仕様です。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases...
¥2,290
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{"id":9075173720314,"title":"Clinton Green \u0026 Barnaby Oliver \/\/ Steady State LP","handle":"clinton-green-barnaby-oliver-steady-state-lp","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenと、メルボルのピアニストBarnaby Oliverが、2025年10月に100部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノ、バンジョー、ボウルによるコンテンポラリー〜アンビエント〜ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Steady State』はClinton Green \u0026amp; Barnaby Oliverの3作目のアルバムである。アルミニウム製のボウル、ピアノ、弦楽器を用いて移り変わる共鳴を組み合わせ、一見静止しているように見えながらも絶えず変化し、自らを再構築する異世界的な音楽へと融合させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2022年8月、彼らはオーストラリアのメルボルンにあるテンポ・ルバートでコンサートを行い、2つの新曲を初披露した。同年10月、彼らは再びこの会場を訪れ、観客を入れずに、この会場が誇る102鍵のスチュワート＆サンズ製グランドコンサートピアノ（オリバーが「State」で演奏）を利用して、新曲を録音した。このアルバムは、そのセッションの成果である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1421040300\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. State 21:13\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Steady 20:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"'\u003cem\u003eSteady State' is the third album by Clinton Green \u0026amp; Barnaby Oliver. They use aluminium bowls, piano and strings to create a combination of shifting resonances, coalescing into other-worldly music that at first appears static, yet constantly shifts and re-grounds itself.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn August 2022, they performed a concert at Tempo Rubato in Melbourne, Australia, premiering two new pieces. They returned to the venue in October of the same year to record the new works, sans audience, taking advantage of the venue's sublime 102-key Stuart \u0026amp; Sons grand concert piano (which Oliver plays on \"State\"). This album is the result of that session.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green \u0026amp; Barnaby Oliver\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003esham131\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eRelease date : 29th October 2025\u003c\/p\u003e","published_at":"2026-02-07T14:38:52+09:00","created_at":"2026-02-07T14:17:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","new","shame file music"],"price":534800,"price_min":534800,"price_max":534800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48297440674042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Clinton Green \u0026 Barnaby Oliver \/\/ Steady State LP","public_title":null,"options":["Default Title"],"price":534800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/clin1_f9c9a6e1-9177-46f3-a18a-f2446ba61ec6.jpg?v=1770441375","\/\/tobirarecords.com\/cdn\/shop\/files\/clin2_46b39331-4bf2-413c-b33d-0527e1eac85c.jpg?v=1770441376"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/clin1_f9c9a6e1-9177-46f3-a18a-f2446ba61ec6.jpg?v=1770441375","options":["Title"],"media":[{"alt":null,"id":38269933224186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clin1_f9c9a6e1-9177-46f3-a18a-f2446ba61ec6.jpg?v=1770441375"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clin1_f9c9a6e1-9177-46f3-a18a-f2446ba61ec6.jpg?v=1770441375","width":700},{"alt":null,"id":38269933256954,"position":2,"preview_image":{"aspect_ratio":1.423,"height":843,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clin2_46b39331-4bf2-413c-b33d-0527e1eac85c.jpg?v=1770441376"},"aspect_ratio":1.423,"height":843,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clin2_46b39331-4bf2-413c-b33d-0527e1eac85c.jpg?v=1770441376","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenと、メルボルのピアニストBarnaby Oliverが、2025年10月に100部限定でリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eピアノ、バンジョー、ボウルによるコンテンポラリー〜アンビエント〜ドローン2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Steady State』はClinton Green \u0026amp; Barnaby Oliverの3作目のアルバムである。アルミニウム製のボウル、ピアノ、弦楽器を用いて移り変わる共鳴を組み合わせ、一見静止しているように見えながらも絶えず変化し、自らを再構築する異世界的な音楽へと融合させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2022年8月、彼らはオーストラリアのメルボルンにあるテンポ・ルバートでコンサートを行い、2つの新曲を初披露した。同年10月、彼らは再びこの会場を訪れ、観客を入れずに、この会場が誇る102鍵のスチュワート＆サンズ製グランドコンサートピアノ（オリバーが「State」で演奏）を利用して、新曲を録音した。このアルバムは、そのセッションの成果である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1421040300\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. State 21:13\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Steady 20:20\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eShame File Music:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"'\u003cem\u003eSteady State' is the third album by Clinton Green \u0026amp; Barnaby Oliver. They use aluminium bowls, piano and strings to create a combination of shifting resonances, coalescing into other-worldly music that at first appears static, yet constantly shifts and re-grounds itself.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn August 2022, they performed a concert at Tempo Rubato in Melbourne, Australia, premiering two new pieces. They returned to the venue in October of the same year to record the new works, sans audience, taking advantage of the venue's sublime 102-key Stuart \u0026amp; Sons grand concert piano (which Oliver plays on \"State\"). This album is the result of that session.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Clinton Green \u0026amp; Barnaby Oliver\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003esham131\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eRelease date : 29th October 2025\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験レーベルShame File Music主宰Clinton Greenと、メルボルのピアニストBarnaby Oliverが、2025年10月に100部限定でリリースした共作レコードです。 ピアノ、バンジョー、ボウルによるコンテンポラリー〜アンビエント〜ドローン2曲を収録。DLコード付属。 以下、レーベルによる解説です。 "『Steady State』はClinton Green & Barnaby Oliverの3作目のアルバムである。アルミニウム製のボウル、ピアノ、弦楽器を用いて移り変わる共鳴を組み合わせ、一見静止しているように見えながらも絶えず変化し、自らを再構築する異世界的な音楽へと融合させている。 2022年8月、彼らはオーストラリアのメルボルンにあるテンポ・ルバートでコンサートを行い、2つの新曲を初披露した。同年10月、彼らは再びこの会場を訪れ、観客を入れずに、この会場が誇る102鍵のスチュワート＆サンズ製グランドコンサートピアノ（オリバーが「State」で演奏）を利用して、新曲を録音した。このアルバムは、そのセッションの成果である。"...
¥5,348
Quickview
{"id":9068226150650,"title":"Rachel Beetz \/\/ Tone Keepers TAPE","handle":"rachel-beetz-tone-keepers-tape","description":"\u003cp\u003e\u003cspan\u003eアメリカのフルート奏者Rachel Beetzが、2026年2月にワシントンDCの実験レーベルOutside Timeから100本限定リリースしたデビューカセットです。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eフルートの可能性を探求した、コンセプチュアルな実験ジャズ〜ドローン〜インプロ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"時折、一歩引いてみるのはどんなに心地よいことか。余分なもの、過剰なものを本当に手放し、意図を持って一つの道を歩むこと。一つのものを探求することは、欲望の多方向的な循環に押し流される心が見落としてきた世界の隅々を照らし出す。『Tone Keepers』は、フルート奏者、作曲家、サウンドアーティストであるRachel Beetzによる四つの作品集であり、一直線に予想外の領域へと導く。各作品は、音響を生成するシンプルでありながら独創的な技法と、独立した電子処理モードを軸に展開し、そこから生まれる独特の効果が織りなす変奏を紡ぎ出す。Rachel Beetzは音を拡散させるのではなく結晶化させ、好奇心が彼女を導くにつれ新たな組み合わせと感情の次元を解き明かす。聴く者の耳は拡大鏡となり、心が音楽に吸い寄せられるにつれ、周期的な回帰ごとにその焦点は鋭さを増していく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRachel Beetzの音楽は、奇妙な角度や喜びに満ちた交わり、そして不可解な謎をすべて抱えた、この世界の音と動きそのものに浸っている。彼女の創作は周囲の人々によって形作られており、それは親切な導き手であると同時に、最も苛立たしい性質のトロールでもある。このことは『Tone Keepers』の詳細なライナーノーツで探求されている。「Gate」では、Rachel Beetzは閉じたピッコロに息を切らしたような息吹を吹き込み、その音は繊細なデジタルゲートによって切り取られ、ヒス音、息遣い、鍵盤の打鍵音のみが残される。これは「適切な音色」の名の下に設けられた数々の障壁や、音楽制作に対する規範的な期待を処理する手段として演奏されている。「feedback」では、フルートが共鳴管となり、小型マイクとイヤホンを繋いで膨らんだような揺れる周波数を生み出す。これは予想通り女性蔑視的なサウンド・エンジニアとの経験を受けて制作された。刺々しい格子状のパターンが特徴の「delay」は、音楽の時間的変容性を探るためにRachel Beetzが考案したリスニング・ゲームから生まれた。それは、最も近い過去の自分を映す鏡を深く覗き込む行為である。 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Tone Keepers』の各楽曲は「これをやったらどうなるだろう？」という問いへの答えを探る喜びに満ちている。遊び心と精密さが等分に織り込まれた本作は、新たな発見に胸躍る感覚に満ちている。表面のすぐ下には、Rachel Beetzによる音の触覚的性質への実験が潜んでいる。廃穀物サイロの雰囲気を捉えたり、蒸し卵のための楽譜を作ったり、先駆的なアンサンブル「ワイルド・アップ」での活動を通じて前衛芸術の複雑な歴史と向き合ってきた。しかしここではそれらの枝葉が研ぎ澄まされ、壮大さが優雅さに凝縮されている。十分な時間を与えれば、たった一つのものが、まさに全てのように感じられ始めるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1116180664\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/outi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/outi\"\u003ehere\u003c\/a\u003e to see more Outside Time releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContains 4-panel j-card with extensive liner notes.\u003c\/span\u003e\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gate (06:51)\u003cbr\u003e2. Delay\u003cbr\u003e3. Feedback\u003cbr\u003e4. Reverb (15:26)\u003c\/p\u003e\n\u003cp\u003eOutside Time:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHow good does it feel to pull back from time to time? To really shed excess, more-ness, and follow a single path with intention? The exploration of one thing can illuminate corners of the world overlooked by minds pushed in increasingly omnidirectional cycles of want. Tone Keepers is a collection of four compositions by flutist, composer, and sound artist Rachel Beetz that follow a straight line into unexpected territory. Each piece revolves around a simple but inventive technique for generating acoustic sound coupled with a discrete mode of electronic processing, spinning out variations on the unique effect it produces. Beetz encourages sounds to crystalize rather than expand, uncovering new permutations and emotional dimensions as curiosity leads her forward. The ear of the listener becomes a magnifying glass as the mind affixes itself to the music, its focus sharpening with each cyclical return.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeetz’s music luxuriates in the sound and motion of the world as it exists, with all its odd angles, joyful confluences, and irreconcilable mysteries. Her practice is shaped by the people around her, both the helpful guides and trolls of the most frustrating nature, which she explores in the extensive liner notes for Tone Keepers. On “Gate,” Beetz blows gasping rushes of air through a\u003cspan class=\"bcTruncateMore\"\u003e closed piccolo, the sound clipped by a sensitive digital gate that erases everything except the hiss, huffs, and key-taps. It is performed as a way of processing the many gates kept in the name of “proper tone” and normative expectations of how music should be made. “Feedback,” in which the flute becomes a resonating tube connecting a small microphone and earbud to create bulbous wobbling frequencies, was made in the wake of an experience with a predictably misogynistic sound guy. The prickly lattice patterns of “Delay” were born of a listening game Beetz created to explore the time-shifting qualities of music, a deep peering into a mirror reflecting one’s most recent past self.\u003cbr\u003e\u003cbr\u003eEach piece on Tone Keepers glows with the delight of answering the question “what happens if I do this?” The album is crafted with equal parts play and precision, full of the thrilling feeling of learning something new. Hovering just beneath the surface are Beetz’s experiments with the tactile nature of sound, which have included capturing the ambience of abandoned grain silos and creating scores for steamed eggs, as well as her work with pioneering ensemble Wild Up, where she engages with the winding history of the avant-garde. But here those branches are filed away to a fine tip, distilling magnificence into elegance. Give it enough time and just one thing can start to feel like absolutely everything.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rachel Beetz\u003c\/p\u003e\n\u003cp\u003eLabel : Outside Time\u003c\/p\u003e\n\u003cp\u003ecat no : OT-008\u003c\/p\u003e","published_at":"2026-02-07T07:05:02+09:00","created_at":"2026-01-31T11:12:57+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","jazz","new","Outside Time","tape"],"price":259500,"price_min":259500,"price_max":259500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48270285897978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rachel Beetz \/\/ Tone Keepers TAPE","public_title":null,"options":["Default Title"],"price":259500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ton1_a2b5102e-006f-4ede-ad45-0d68885f7b2f.jpg?v=1769825464","\/\/tobirarecords.com\/cdn\/shop\/files\/ton2_e60e72dc-10ca-4af1-ad04-aa845619aa32.jpg?v=1769825464"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ton1_a2b5102e-006f-4ede-ad45-0d68885f7b2f.jpg?v=1769825464","options":["Title"],"media":[{"alt":null,"id":38202274218234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ton1_a2b5102e-006f-4ede-ad45-0d68885f7b2f.jpg?v=1769825464"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ton1_a2b5102e-006f-4ede-ad45-0d68885f7b2f.jpg?v=1769825464","width":700},{"alt":null,"id":38202274251002,"position":2,"preview_image":{"aspect_ratio":0.996,"height":1200,"width":1195,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ton2_e60e72dc-10ca-4af1-ad04-aa845619aa32.jpg?v=1769825464"},"aspect_ratio":0.996,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ton2_e60e72dc-10ca-4af1-ad04-aa845619aa32.jpg?v=1769825464","width":1195}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカのフルート奏者Rachel Beetzが、2026年2月にワシントンDCの実験レーベルOutside Timeから100本限定リリースしたデビューカセットです。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eフルートの可能性を探求した、コンセプチュアルな実験ジャズ〜ドローン〜インプロ4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"時折、一歩引いてみるのはどんなに心地よいことか。余分なもの、過剰なものを本当に手放し、意図を持って一つの道を歩むこと。一つのものを探求することは、欲望の多方向的な循環に押し流される心が見落としてきた世界の隅々を照らし出す。『Tone Keepers』は、フルート奏者、作曲家、サウンドアーティストであるRachel Beetzによる四つの作品集であり、一直線に予想外の領域へと導く。各作品は、音響を生成するシンプルでありながら独創的な技法と、独立した電子処理モードを軸に展開し、そこから生まれる独特の効果が織りなす変奏を紡ぎ出す。Rachel Beetzは音を拡散させるのではなく結晶化させ、好奇心が彼女を導くにつれ新たな組み合わせと感情の次元を解き明かす。聴く者の耳は拡大鏡となり、心が音楽に吸い寄せられるにつれ、周期的な回帰ごとにその焦点は鋭さを増していく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRachel Beetzの音楽は、奇妙な角度や喜びに満ちた交わり、そして不可解な謎をすべて抱えた、この世界の音と動きそのものに浸っている。彼女の創作は周囲の人々によって形作られており、それは親切な導き手であると同時に、最も苛立たしい性質のトロールでもある。このことは『Tone Keepers』の詳細なライナーノーツで探求されている。「Gate」では、Rachel Beetzは閉じたピッコロに息を切らしたような息吹を吹き込み、その音は繊細なデジタルゲートによって切り取られ、ヒス音、息遣い、鍵盤の打鍵音のみが残される。これは「適切な音色」の名の下に設けられた数々の障壁や、音楽制作に対する規範的な期待を処理する手段として演奏されている。「feedback」では、フルートが共鳴管となり、小型マイクとイヤホンを繋いで膨らんだような揺れる周波数を生み出す。これは予想通り女性蔑視的なサウンド・エンジニアとの経験を受けて制作された。刺々しい格子状のパターンが特徴の「delay」は、音楽の時間的変容性を探るためにRachel Beetzが考案したリスニング・ゲームから生まれた。それは、最も近い過去の自分を映す鏡を深く覗き込む行為である。 \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Tone Keepers』の各楽曲は「これをやったらどうなるだろう？」という問いへの答えを探る喜びに満ちている。遊び心と精密さが等分に織り込まれた本作は、新たな発見に胸躍る感覚に満ちている。表面のすぐ下には、Rachel Beetzによる音の触覚的性質への実験が潜んでいる。廃穀物サイロの雰囲気を捉えたり、蒸し卵のための楽譜を作ったり、先駆的なアンサンブル「ワイルド・アップ」での活動を通じて前衛芸術の複雑な歴史と向き合ってきた。しかしここではそれらの枝葉が研ぎ澄まされ、壮大さが優雅さに凝縮されている。十分な時間を与えれば、たった一つのものが、まさに全てのように感じられ始めるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1116180664\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/outi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/outi\"\u003ehere\u003c\/a\u003e to see more Outside Time releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContains 4-panel j-card with extensive liner notes.\u003c\/span\u003e\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gate (06:51)\u003cbr\u003e2. Delay\u003cbr\u003e3. Feedback\u003cbr\u003e4. Reverb (15:26)\u003c\/p\u003e\n\u003cp\u003eOutside Time:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHow good does it feel to pull back from time to time? To really shed excess, more-ness, and follow a single path with intention? The exploration of one thing can illuminate corners of the world overlooked by minds pushed in increasingly omnidirectional cycles of want. Tone Keepers is a collection of four compositions by flutist, composer, and sound artist Rachel Beetz that follow a straight line into unexpected territory. Each piece revolves around a simple but inventive technique for generating acoustic sound coupled with a discrete mode of electronic processing, spinning out variations on the unique effect it produces. Beetz encourages sounds to crystalize rather than expand, uncovering new permutations and emotional dimensions as curiosity leads her forward. The ear of the listener becomes a magnifying glass as the mind affixes itself to the music, its focus sharpening with each cyclical return.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeetz’s music luxuriates in the sound and motion of the world as it exists, with all its odd angles, joyful confluences, and irreconcilable mysteries. Her practice is shaped by the people around her, both the helpful guides and trolls of the most frustrating nature, which she explores in the extensive liner notes for Tone Keepers. On “Gate,” Beetz blows gasping rushes of air through a\u003cspan class=\"bcTruncateMore\"\u003e closed piccolo, the sound clipped by a sensitive digital gate that erases everything except the hiss, huffs, and key-taps. It is performed as a way of processing the many gates kept in the name of “proper tone” and normative expectations of how music should be made. “Feedback,” in which the flute becomes a resonating tube connecting a small microphone and earbud to create bulbous wobbling frequencies, was made in the wake of an experience with a predictably misogynistic sound guy. The prickly lattice patterns of “Delay” were born of a listening game Beetz created to explore the time-shifting qualities of music, a deep peering into a mirror reflecting one’s most recent past self.\u003cbr\u003e\u003cbr\u003eEach piece on Tone Keepers glows with the delight of answering the question “what happens if I do this?” The album is crafted with equal parts play and precision, full of the thrilling feeling of learning something new. Hovering just beneath the surface are Beetz’s experiments with the tactile nature of sound, which have included capturing the ambience of abandoned grain silos and creating scores for steamed eggs, as well as her work with pioneering ensemble Wild Up, where she engages with the winding history of the avant-garde. But here those branches are filed away to a fine tip, distilling magnificence into elegance. Give it enough time and just one thing can start to feel like absolutely everything.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rachel Beetz\u003c\/p\u003e\n\u003cp\u003eLabel : Outside Time\u003c\/p\u003e\n\u003cp\u003ecat no : OT-008\u003c\/p\u003e"}
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アメリカのフルート奏者Rachel Beetzが、2026年2月にワシントンDCの実験レーベルOutside Timeから100本限定リリースしたデビューカセットです。 フルートの可能性を探求した、コンセプチュアルな実験ジャズ〜ドローン〜インプロ4曲を収録。DLコード付属。 以下、レーベルによる解説です "時折、一歩引いてみるのはどんなに心地よいことか。余分なもの、過剰なものを本当に手放し、意図を持って一つの道を歩むこと。一つのものを探求することは、欲望の多方向的な循環に押し流される心が見落としてきた世界の隅々を照らし出す。『Tone Keepers』は、フルート奏者、作曲家、サウンドアーティストであるRachel Beetzによる四つの作品集であり、一直線に予想外の領域へと導く。各作品は、音響を生成するシンプルでありながら独創的な技法と、独立した電子処理モードを軸に展開し、そこから生まれる独特の効果が織りなす変奏を紡ぎ出す。Rachel Beetzは音を拡散させるのではなく結晶化させ、好奇心が彼女を導くにつれ新たな組み合わせと感情の次元を解き明かす。聴く者の耳は拡大鏡となり、心が音楽に吸い寄せられるにつれ、周期的な回帰ごとにその焦点は鋭さを増していく。 Rachel Beetzの音楽は、奇妙な角度や喜びに満ちた交わり、そして不可解な謎をすべて抱えた、この世界の音と動きそのものに浸っている。彼女の創作は周囲の人々によって形作られており、それは親切な導き手であると同時に、最も苛立たしい性質のトロールでもある。このことは『Tone Keepers』の詳細なライナーノーツで探求されている。「Gate」では、Rachel Beetzは閉じたピッコロに息を切らしたような息吹を吹き込み、その音は繊細なデジタルゲートによって切り取られ、ヒス音、息遣い、鍵盤の打鍵音のみが残される。これは「適切な音色」の名の下に設けられた数々の障壁や、音楽制作に対する規範的な期待を処理する手段として演奏されている。「feedback」では、フルートが共鳴管となり、小型マイクとイヤホンを繋いで膨らんだような揺れる周波数を生み出す。これは予想通り女性蔑視的なサウンド・エンジニアとの経験を受けて制作された。刺々しい格子状のパターンが特徴の「delay」は、音楽の時間的変容性を探るためにRachel Beetzが考案したリスニング・ゲームから生まれた。それは、最も近い過去の自分を映す鏡を深く覗き込む行為である。...
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{"id":9064207515898,"title":"Charlemagne Palestine \/\/ Battling The Invisible LP","handle":"charlemagne-palestine-battling-the-invisible-lp","description":"\u003cp\u003eアメリカの実験音楽家Charlemagne Palestineが、2025年12月にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1969年の電子音作品と1972年のピアノ作品計4曲の未発表音源を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes 12-page booklet.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Low Sounds 3 (Electronic Music 1969) 15:07\u003cbr\u003eA2. 1972 Bosendorfer Take 2 7:26\u003cbr\u003eB1. Sine Tone Study (Electronic Music 1969) 18:43\u003cbr\u003eB2. 1972 Bosendorfer Take 3 4:28\u003c\/p\u003e\n\u003cp\u003eArtist : Charlemagne Palestine \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-P 57NMN184\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st December 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-13T07:18:46+09:00","created_at":"2026-01-23T11:10:46+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","drone","lp","new"],"price":446000,"price_min":446000,"price_max":446000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48250273988858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charlemagne Palestine \/\/ Battling The Invisible LP","public_title":null,"options":["Default Title"],"price":446000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ba2_1b6c4cf8-30f7-4892-beb5-306b295cb633.jpg?v=1770934780"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ba2_1b6c4cf8-30f7-4892-beb5-306b295cb633.jpg?v=1770934780","options":["Title"],"media":[{"alt":null,"id":38147157885178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":589,"width":589,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ba2_1b6c4cf8-30f7-4892-beb5-306b295cb633.jpg?v=1770934780"},"aspect_ratio":1.0,"height":589,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ba2_1b6c4cf8-30f7-4892-beb5-306b295cb633.jpg?v=1770934780","width":589}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Charlemagne Palestineが、2025年12月にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1969年の電子音作品と1972年のピアノ作品計4曲の未発表音源を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes 12-page booklet.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Low Sounds 3 (Electronic Music 1969) 15:07\u003cbr\u003eA2. 1972 Bosendorfer Take 2 7:26\u003cbr\u003eB1. Sine Tone Study (Electronic Music 1969) 18:43\u003cbr\u003eB2. 1972 Bosendorfer Take 3 4:28\u003c\/p\u003e\n\u003cp\u003eArtist : Charlemagne Palestine \u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-P 57NMN184\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st December 2025\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":9059946004730,"title":"Gregory Corso \/\/ DIE ON ME LP [COLOR]","handle":"gregory-corso-die-on-me-lp-color","description":"\u003cp\u003eビート系詩人Gregory Corsoが、2026年1月にShimmy-Disからリリースした再発レコードです。（オリジナルは2002年CDリリース）\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー15曲を収録。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"親密で生々しく、彼は友人アレン・ギンズバーグ、マリアンヌ・フェイスフル、そして伝説的なシカゴの作家スタッド・ターケルとの会話の中で自らの人生を回想し、最も愛された詩の数々を語り、朗読する。この録音過程は、コルソ自身の作品に対する思考を深く明かす詳細で照らし出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれほど対象を鮮明に照らし出す朗読LPは他にない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマリアンヌ・フェイスフルは遊び心で彼に物語を語らせ、彼の依頼に応じて自ら彼の詩を朗読する栄誉を授ける。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作は、アメリカ詩界で最も過小評価された巨匠の作品を網羅した唯一無二の集成盤であり、故ハル・ウィナーがプロデュースを手掛けた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eコルソの親友アレン・ギンズバーグはクレイマーにこう語った。「人々は俺を20世紀最高のアメリカ詩人と言う。俺は間違っていると言うんだ。グレゴリー・コルソこそが遥かに偉大な詩人だと」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eグレゴリー・コルソは2001年1月17日、70歳で死去した。この歴史的録音の多くが完成したわずか数日後のことだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eコルソの遺灰は2001年5月5日、ローマの非カトリック墓地（Cimitero Acattolico）にあるパーシー・ビッシュ・シェリーの墓の足元に安置された。ジョン・キーツの墓も近くにある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2117605615\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smydsc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smydsc\"\u003ehere\u003c\/a\u003e to see more Shimmy-Disc releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl.\u003cbr\u003e2026 vinyl reissue - originally recorded in and around 1959 + recordings by Hal Willner from 2001, released on CD in 2002. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. For Homer 03:10\u003cbr\u003e2. Ode to Coit Tower 05:12\u003cbr\u003e3. Inner Outer Rhyme 00:52\u003cbr\u003e4. Ode to The West Wind 04:16\u003cbr\u003e5. A Bed's Lament 00:42\u003cbr\u003e6. Hair 06:01\u003cbr\u003e7. Mythology 04:56\u003cbr\u003e8. Bomb 08:57\u003cbr\u003e9. The Truth 01:03\u003cbr\u003e10. Don't Shoot the Warthog 01:39\u003cbr\u003e11. Prophecy 07:02\u003cbr\u003e12. No Arrangement Was Made 02:32\u003cbr\u003e13. As Rome Burned 01:42\u003cbr\u003e14. Last Night I Drove a Car 00:42\u003cbr\u003e15. Getting To The Poem 01:39\u003c\/p\u003e\n\u003cp\u003eShimmy-Disc:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOriginally released on CD in 2002, this LP features archival recordings dating back to 1959 alongside recordings made by Hal Willner in January 2001 (Jan 7th - 10th).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the first time ever on vinyl, ‘DIE ON ME’ has been re-mastered \u0026amp;amp; newly edited by Kramer. Within this historic collection are the last voice recordings of the legendary Beat poet Gregory Corso.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIntimate and raw, he muses on his life in conversation with friends Allen Ginsberg, Marianne Faithfull, and the legendary Chicago writer Studs Terkel, discussing and reciting some of his most beloved poems. The recording process illuminates Corso’s thoughts on his own work in deeply revealing detail.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo other spoken-word LP shines a brighter light on its subject.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMarianne Faithfull playfully incites him to tell stories, and upon his request, graces him with her own recitations of his poems.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis LP is a unique compendium collecting the works of the single most underappreciated master of American poetry, produced by the late great Hal Willner.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCorso's closest friend Allen Ginsberg told Kramer, “People say that I’m the greatest American poet of the 20th Century. I tell them they’re wrong. GREGORY CORSO is a far\u003cspan class=\"bcTruncateMore\"\u003e greater poet.”\u003cbr\u003e\u003cbr\u003eGregory Corso died on January 17th, 2001 at the age of 70, just a few days after many of these historic recordings were completed.\u003cbr\u003e\u003cbr\u003eCorso’s ashes were laid to rest in Rome on May 5th, 2001 at the foot of Percy Bysshe Shelley’s grave in the Cimitero Acattolico. John Keats lay nearby.\u003cbr\u003e\u003cbr\u003eGregory Corso was both the youngest and one of the most prominent members of the Beat generation, alongside notable figures like Jack Kerouac and Allen Ginsberg. Born in 1930 in Greenwich VIllage, Corso survived a traumatic childhood which included orphanages, foster homes, reform school, prison and mental hospital experiences. It was during his prison term he was able to self-educate and develop a unique poetic style that combined classical language alongside the newer lexicons of modern verse.\u003cbr\u003eHe became involved with the Beat literary scene, meeting influential writers and traveling with them extensively. His first book of poetry, ‘The Vestal Lady on Brattle’ was published in 1955. His subsequent published output was sparse, as he would labour for years over a handful of poems.\u003cbr\u003eHis closest friend Allen Ginsberg told Kramer, “People say that I’m the greatest American poet of the 20th Century. I tell them they’re wrong. GREGORY CORSO is a far greater poet.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gregory Corso\u003c\/p\u003e\n\u003cp\u003eLabel : Shimmy-Disc\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSHIMMY-2033lp-C1 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 9th January 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-29T09:26:21+09:00","created_at":"2026-01-16T11:11:14+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","new","shimmy-disc"],"price":364000,"price_min":364000,"price_max":364000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48228863901946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gregory Corso \/\/ DIE ON ME LP [COLOR]","public_title":null,"options":["Default Title"],"price":364000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634413121160","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_d7f12933-f2d0-43f7-a6ce-ca03ad72153f.jpg?v=1768529218","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_ad2c6441-4588-4e9a-ac2c-4255cd374f27.jpg?v=1768529217"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_d7f12933-f2d0-43f7-a6ce-ca03ad72153f.jpg?v=1768529218","options":["Title"],"media":[{"alt":null,"id":38099017302266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_d7f12933-f2d0-43f7-a6ce-ca03ad72153f.jpg?v=1768529218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_d7f12933-f2d0-43f7-a6ce-ca03ad72153f.jpg?v=1768529218","width":700},{"alt":null,"id":38099017335034,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_ad2c6441-4588-4e9a-ac2c-4255cd374f27.jpg?v=1768529217"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_ad2c6441-4588-4e9a-ac2c-4255cd374f27.jpg?v=1768529217","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eビート系詩人Gregory Corsoが、2026年1月にShimmy-Disからリリースした再発レコードです。（オリジナルは2002年CDリリース）\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー15曲を収録。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"親密で生々しく、彼は友人アレン・ギンズバーグ、マリアンヌ・フェイスフル、そして伝説的なシカゴの作家スタッド・ターケルとの会話の中で自らの人生を回想し、最も愛された詩の数々を語り、朗読する。この録音過程は、コルソ自身の作品に対する思考を深く明かす詳細で照らし出している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれほど対象を鮮明に照らし出す朗読LPは他にない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマリアンヌ・フェイスフルは遊び心で彼に物語を語らせ、彼の依頼に応じて自ら彼の詩を朗読する栄誉を授ける。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e本作は、アメリカ詩界で最も過小評価された巨匠の作品を網羅した唯一無二の集成盤であり、故ハル・ウィナーがプロデュースを手掛けた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eコルソの親友アレン・ギンズバーグはクレイマーにこう語った。「人々は俺を20世紀最高のアメリカ詩人と言う。俺は間違っていると言うんだ。グレゴリー・コルソこそが遥かに偉大な詩人だと」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eグレゴリー・コルソは2001年1月17日、70歳で死去した。この歴史的録音の多くが完成したわずか数日後のことだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eコルソの遺灰は2001年5月5日、ローマの非カトリック墓地（Cimitero Acattolico）にあるパーシー・ビッシュ・シェリーの墓の足元に安置された。ジョン・キーツの墓も近くにある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2117605615\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smydsc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smydsc\"\u003ehere\u003c\/a\u003e to see more Shimmy-Disc releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl.\u003cbr\u003e2026 vinyl reissue - originally recorded in and around 1959 + recordings by Hal Willner from 2001, released on CD in 2002. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. For Homer 03:10\u003cbr\u003e2. Ode to Coit Tower 05:12\u003cbr\u003e3. Inner Outer Rhyme 00:52\u003cbr\u003e4. Ode to The West Wind 04:16\u003cbr\u003e5. A Bed's Lament 00:42\u003cbr\u003e6. Hair 06:01\u003cbr\u003e7. Mythology 04:56\u003cbr\u003e8. Bomb 08:57\u003cbr\u003e9. The Truth 01:03\u003cbr\u003e10. Don't Shoot the Warthog 01:39\u003cbr\u003e11. Prophecy 07:02\u003cbr\u003e12. No Arrangement Was Made 02:32\u003cbr\u003e13. As Rome Burned 01:42\u003cbr\u003e14. Last Night I Drove a Car 00:42\u003cbr\u003e15. Getting To The Poem 01:39\u003c\/p\u003e\n\u003cp\u003eShimmy-Disc:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOriginally released on CD in 2002, this LP features archival recordings dating back to 1959 alongside recordings made by Hal Willner in January 2001 (Jan 7th - 10th).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor the first time ever on vinyl, ‘DIE ON ME’ has been re-mastered \u0026amp;amp; newly edited by Kramer. Within this historic collection are the last voice recordings of the legendary Beat poet Gregory Corso.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIntimate and raw, he muses on his life in conversation with friends Allen Ginsberg, Marianne Faithfull, and the legendary Chicago writer Studs Terkel, discussing and reciting some of his most beloved poems. The recording process illuminates Corso’s thoughts on his own work in deeply revealing detail.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNo other spoken-word LP shines a brighter light on its subject.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMarianne Faithfull playfully incites him to tell stories, and upon his request, graces him with her own recitations of his poems.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis LP is a unique compendium collecting the works of the single most underappreciated master of American poetry, produced by the late great Hal Willner.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCorso's closest friend Allen Ginsberg told Kramer, “People say that I’m the greatest American poet of the 20th Century. I tell them they’re wrong. GREGORY CORSO is a far\u003cspan class=\"bcTruncateMore\"\u003e greater poet.”\u003cbr\u003e\u003cbr\u003eGregory Corso died on January 17th, 2001 at the age of 70, just a few days after many of these historic recordings were completed.\u003cbr\u003e\u003cbr\u003eCorso’s ashes were laid to rest in Rome on May 5th, 2001 at the foot of Percy Bysshe Shelley’s grave in the Cimitero Acattolico. John Keats lay nearby.\u003cbr\u003e\u003cbr\u003eGregory Corso was both the youngest and one of the most prominent members of the Beat generation, alongside notable figures like Jack Kerouac and Allen Ginsberg. Born in 1930 in Greenwich VIllage, Corso survived a traumatic childhood which included orphanages, foster homes, reform school, prison and mental hospital experiences. It was during his prison term he was able to self-educate and develop a unique poetic style that combined classical language alongside the newer lexicons of modern verse.\u003cbr\u003eHe became involved with the Beat literary scene, meeting influential writers and traveling with them extensively. His first book of poetry, ‘The Vestal Lady on Brattle’ was published in 1955. His subsequent published output was sparse, as he would labour for years over a handful of poems.\u003cbr\u003eHis closest friend Allen Ginsberg told Kramer, “People say that I’m the greatest American poet of the 20th Century. I tell them they’re wrong. GREGORY CORSO is a far greater poet.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gregory Corso\u003c\/p\u003e\n\u003cp\u003eLabel : Shimmy-Disc\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSHIMMY-2033lp-C1 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 9th January 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ビート系詩人Gregory Corsoが、2026年1月にShimmy-Disからリリースした再発レコードです。（オリジナルは2002年CDリリース） サウンドポエトリー15曲を収録。クリア盤です。 以下、レーベルによる解説です。 "親密で生々しく、彼は友人アレン・ギンズバーグ、マリアンヌ・フェイスフル、そして伝説的なシカゴの作家スタッド・ターケルとの会話の中で自らの人生を回想し、最も愛された詩の数々を語り、朗読する。この録音過程は、コルソ自身の作品に対する思考を深く明かす詳細で照らし出している。 これほど対象を鮮明に照らし出す朗読LPは他にない。 マリアンヌ・フェイスフルは遊び心で彼に物語を語らせ、彼の依頼に応じて自ら彼の詩を朗読する栄誉を授ける。 本作は、アメリカ詩界で最も過小評価された巨匠の作品を網羅した唯一無二の集成盤であり、故ハル・ウィナーがプロデュースを手掛けた。 コルソの親友アレン・ギンズバーグはクレイマーにこう語った。「人々は俺を20世紀最高のアメリカ詩人と言う。俺は間違っていると言うんだ。グレゴリー・コルソこそが遥かに偉大な詩人だと」 グレゴリー・コルソは2001年1月17日、70歳で死去した。この歴史的録音の多くが完成したわずか数日後のことだった。 コルソの遺灰は2001年5月5日、ローマの非カトリック墓地（Cimitero Acattolico）にあるパーシー・ビッシュ・シェリーの墓の足元に安置された。ジョン・キーツの墓も近くにある。" レーベルその他作品はこちら ///...
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{"id":9058775073018,"title":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","handle":"percussion-in-surround-memory-in-motion-mode-325-dvd","description":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。\u003c\/p\u003e\n\u003cp\u003e映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. The recording on this Mode release accurately places each percussionist in the soundstage (in the stereo version as well as the surround).\u003cbr\u003e\u003cbr\u003eContrasting, Malaysian born Zihua Tan’s “Sorites” is full of mystery. It’s orchestration of grainy-sounding brush strokes not only soften the attacks, but also blur the boundaries between different sounds, between one performer and another.\u003cbr\u003e\u003cbr\u003eMâche’s “Aera” is also for 6 percussionists. Using tuned gongs, vibraphones, marimbas, tubular bells, and timpani as the main colors in this 20-minute work, Mâche directs our ears to hear the inner resonance of these instruments and how the timbres and harmonies mingle and evolve when combinations of instruments shift.\u003cbr\u003e\u003cbr\u003eLanza’s two works are scored for percussion quartet. “sensor VI” was inspired by the first moon-landing by the Apollo astronauts in 1969. Lanza chose to reference the devices that sensed and transmitted the astronauts’ life-signs through space to technicians on the ground, and the relation these instruments have to the body's sense organs.\u003cbr\u003eHis “mnais mnemes” draws formal and textural inspiration from freely-derived characteristics of the mnais mneme, a unique dragonfly found in China — its very elongated cylindrical body contrasts strongly with its large head and enormous glassy spherical eyes.\u003cbr\u003e\u003cbr\u003eDVD comes with a booklet of liner notes by director Aiyun Huang\u003cbr\u003e\u003cbr\u003e• Audio options of 5.1 Dolby Digital or 24-bit 5.1 DTS, plus a\u003cbr\u003ededicated Dolby stereo mix\u003cbr\u003e• All 5 works are filmed with multiple cameras\u003cbr\u003e• BONUS: High resolution 24-bit, 96 khz PCM stereo audio (no video with this option)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003c\/span\u003ePercussion in Surround\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e","published_at":"2026-01-15T06:16:08+09:00","created_at":"2026-01-15T06:15:43+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contemporary \/ sound poetry","mode","new","sale22"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48225230553338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","public_title":null,"options":["Default Title"],"price":298000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","options":["Title"],"media":[{"alt":null,"id":23256482545829,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。\u003c\/p\u003e\n\u003cp\u003e映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. The recording on this Mode release accurately places each percussionist in the soundstage (in the stereo version as well as the surround).\u003cbr\u003e\u003cbr\u003eContrasting, Malaysian born Zihua Tan’s “Sorites” is full of mystery. It’s orchestration of grainy-sounding brush strokes not only soften the attacks, but also blur the boundaries between different sounds, between one performer and another.\u003cbr\u003e\u003cbr\u003eMâche’s “Aera” is also for 6 percussionists. Using tuned gongs, vibraphones, marimbas, tubular bells, and timpani as the main colors in this 20-minute work, Mâche directs our ears to hear the inner resonance of these instruments and how the timbres and harmonies mingle and evolve when combinations of instruments shift.\u003cbr\u003e\u003cbr\u003eLanza’s two works are scored for percussion quartet. “sensor VI” was inspired by the first moon-landing by the Apollo astronauts in 1969. Lanza chose to reference the devices that sensed and transmitted the astronauts’ life-signs through space to technicians on the ground, and the relation these instruments have to the body's sense organs.\u003cbr\u003eHis “mnais mnemes” draws formal and textural inspiration from freely-derived characteristics of the mnais mneme, a unique dragonfly found in China — its very elongated cylindrical body contrasts strongly with its large head and enormous glassy spherical eyes.\u003cbr\u003e\u003cbr\u003eDVD comes with a booklet of liner notes by director Aiyun Huang\u003cbr\u003e\u003cbr\u003e• Audio options of 5.1 Dolby Digital or 24-bit 5.1 DTS, plus a\u003cbr\u003ededicated Dolby stereo mix\u003cbr\u003e• All 5 works are filmed with multiple cameras\u003cbr\u003e• BONUS: High resolution 24-bit, 96 khz PCM stereo audio (no video with this option)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003c\/span\u003ePercussion in Surround\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e"}
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アンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。 映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。 収録曲： Iannis Xenakis Persephassa (1969) for six percussionits 28:10Zihua TanSorites (2015)...
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{"id":9058171388154,"title":"FPBJPC \/\/ Jubilee LP","handle":"fpbjpc-jubilee-lp","description":"\u003cp\u003eアメリカのFluxus直系アート集団FPBJPCが、2020年にSean McCann主宰Recitalからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリーフォーム8曲を収録。20ページの写真集が付属。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/890695333\u0026amp;color=d1cab8\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eJubilee is an album of selections from the last five years of multifarious output by the art collective FPBJPC, including Jonathan Gean, Michael Pollard, Ben Schumacher, and Peter Friel. Including 8-hand piano arrangements of Schiller’s “An Die Freude,” helpful techno, free guitar quartets, music from their film The China Chalet Group, and more, Jubilee is an incomplete picture of FPBJPC’s life-long research into ways of hanging out. Side A ends with an anthemic Interpol “cover” performed at the collective’s own Responsibility Festival, which took over southern Ontario’s Wolfe Island for a weekend in the summer of 2019.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEverything in FPBJPC’s oeuvre requires you to tilt your head to adjust where the glare obscures the picture. Or there’s no glare, but we’re accustomed to thinking there ought to be one. I was in the audience for the 2019 Recital Earth Day Gala concert, and during FPBJPC’s set someone in the audience muttered to me, “perfect music.” At the Interpol concert, I was also in the audience. I didn’t know the words and didn’t feel like crowdsurfing, but I was very happy to be there. This music helps me remember how to learn how to love. Maybe in the last seventy years or so the loveless mistrust of fucks given has become the cruel, background fuck whose givenness is a given. FPBJPC invites us to relieve ourselves of that cruelty and, thereby, invites us back into love. Perfect music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : FPBJPC\u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e","published_at":"2026-01-14T07:42:43+09:00","created_at":"2026-01-14T07:42:16+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","new","recital","sound poetry","strange beats"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221790601466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"FPBJPC \/\/ Jubilee LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R77cover.png?v=1602280423","\/\/tobirarecords.com\/cdn\/shop\/products\/0021449932_10.jpg?v=1602280423"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R77cover.png?v=1602280423","options":["Title"],"media":[{"alt":null,"id":12030588584101,"position":1,"preview_image":{"aspect_ratio":1.001,"height":1380,"width":1382,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R77cover.png?v=1602280423"},"aspect_ratio":1.001,"height":1380,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R77cover.png?v=1602280423","width":1382},{"alt":null,"id":12030588616869,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021449932_10.jpg?v=1602280423"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021449932_10.jpg?v=1602280423","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのFluxus直系アート集団FPBJPCが、2020年にSean McCann主宰Recitalからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリーフォーム8曲を収録。20ページの写真集が付属。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/890695333\u0026amp;color=d1cab8\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eJubilee is an album of selections from the last five years of multifarious output by the art collective FPBJPC, including Jonathan Gean, Michael Pollard, Ben Schumacher, and Peter Friel. Including 8-hand piano arrangements of Schiller’s “An Die Freude,” helpful techno, free guitar quartets, music from their film The China Chalet Group, and more, Jubilee is an incomplete picture of FPBJPC’s life-long research into ways of hanging out. Side A ends with an anthemic Interpol “cover” performed at the collective’s own Responsibility Festival, which took over southern Ontario’s Wolfe Island for a weekend in the summer of 2019.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEverything in FPBJPC’s oeuvre requires you to tilt your head to adjust where the glare obscures the picture. Or there’s no glare, but we’re accustomed to thinking there ought to be one. I was in the audience for the 2019 Recital Earth Day Gala concert, and during FPBJPC’s set someone in the audience muttered to me, “perfect music.” At the Interpol concert, I was also in the audience. I didn’t know the words and didn’t feel like crowdsurfing, but I was very happy to be there. This music helps me remember how to learn how to love. Maybe in the last seventy years or so the loveless mistrust of fucks given has become the cruel, background fuck whose givenness is a given. FPBJPC invites us to relieve ourselves of that cruelty and, thereby, invites us back into love. Perfect music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : FPBJPC\u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e"}
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{"id":9058170372346,"title":"Duncan Harrison \u0026 Ian Murphy \/\/ Slow Lightning LP","handle":"duncan-harrison-ian-murphy-slow-lightning-lp","description":"\u003cp\u003eイギリスの実験音楽家Duncan Harrison \u0026amp; Ian Murphyが、2020年に同国実験レーベルSham Reproからリリースしたスプリットレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA面はRRRecordsやSound Holes、Chocolate Monk等から発表しているDuncan Harrison、B面はThe Trilogy TapesやSick Headから発表しているIan Murphyによる、それぞれ20分弱の物音コラージュスケープを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3815563456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eDylan Nyoukis:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Sometimes the old hands tell the truth. Cherry made it known some years ago that the cosmic hummus resonates. Bound by bread \u0026amp; blub High Wycombe Wullie (Harrison) \u0026amp; The Guildford Grouch (Murphy) took to Roedale Valley allotments some years back to sow the seeds for 'Slow Lightning'. Which is neither a split or a collab, but rather a love letter forged between close pals of the sonic ital. Let the Lion's gaze turn the weeds to stone!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHarrison shows his delicate hand with thin precision loops and strange little snapshots. Scuttering gadgets wheeze ominous scents into the faces of yelping robotic kittens and the dictaphone player in yr mind just keeps intoning “let the low tide tingle, fella!”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMurphy proves he is no recycled revenant with a brave and bold bowl of text-sound tit pickle. Huff the high fidelity and let tribute be paid to those voices as they have teachings. The loops and the breaks keep it simmering nice, while flabbergasted turntables press cheeks with prime Bohman-esque yabber. Like Don probably never said “Let the duck honk rasp yr brain, man! '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDylan Nyoukis, October 2020 \u003c\/p\u003e\n\u003cp\u003eartist : Duncan Harrison \u0026amp; Ian Murphy\u003c\/p\u003e\n\u003cp\u003elabel : Sham Repro\u003c\/p\u003e","published_at":"2026-01-14T07:40:09+09:00","created_at":"2026-01-14T07:39:29+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","new","Sham Repro"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221788111098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Duncan Harrison \u0026 Ian Murphy \/\/ Slow Lightning LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3149889471_16.jpg?v=1606370723","\/\/tobirarecords.com\/cdn\/shop\/products\/0022229748_10_1.jpg?v=1606370723"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3149889471_16.jpg?v=1606370723","options":["Title"],"media":[{"alt":null,"id":14274394751141,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3149889471_16.jpg?v=1606370723"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3149889471_16.jpg?v=1606370723","width":700},{"alt":null,"id":14274394783909,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0022229748_10_1.jpg?v=1606370723"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0022229748_10_1.jpg?v=1606370723","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Duncan Harrison \u0026amp; Ian Murphyが、2020年に同国実験レーベルSham Reproからリリースしたスプリットレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA面はRRRecordsやSound Holes、Chocolate Monk等から発表しているDuncan Harrison、B面はThe Trilogy TapesやSick Headから発表しているIan Murphyによる、それぞれ20分弱の物音コラージュスケープを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3815563456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eDylan Nyoukis:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Sometimes the old hands tell the truth. Cherry made it known some years ago that the cosmic hummus resonates. Bound by bread \u0026amp; blub High Wycombe Wullie (Harrison) \u0026amp; The Guildford Grouch (Murphy) took to Roedale Valley allotments some years back to sow the seeds for 'Slow Lightning'. Which is neither a split or a collab, but rather a love letter forged between close pals of the sonic ital. Let the Lion's gaze turn the weeds to stone!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHarrison shows his delicate hand with thin precision loops and strange little snapshots. Scuttering gadgets wheeze ominous scents into the faces of yelping robotic kittens and the dictaphone player in yr mind just keeps intoning “let the low tide tingle, fella!”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMurphy proves he is no recycled revenant with a brave and bold bowl of text-sound tit pickle. Huff the high fidelity and let tribute be paid to those voices as they have teachings. The loops and the breaks keep it simmering nice, while flabbergasted turntables press cheeks with prime Bohman-esque yabber. Like Don probably never said “Let the duck honk rasp yr brain, man! '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDylan Nyoukis, October 2020 \u003c\/p\u003e\n\u003cp\u003eartist : Duncan Harrison \u0026amp; Ian Murphy\u003c\/p\u003e\n\u003cp\u003elabel : Sham Repro\u003c\/p\u003e"}
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イギリスの実験音楽家Duncan Harrison & Ian Murphyが、2020年に同国実験レーベルSham Reproからリリースしたスプリットレコードです。 A面はRRRecordsやSound Holes、Chocolate Monk等から発表しているDuncan Harrison、B面はThe Trilogy TapesやSick Headから発表しているIan Murphyによる、それぞれ20分弱の物音コラージュスケープを収録。...
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![Saul Williams, Carlos Niño & Friends // Saul Williams meets Carlos Niño & Friends at TreePeople 2xLP [BLACK]](http://tobirarecords.com/cdn/shop/files/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2_medium.jpg?v=1753945219)
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{"id":9058121613562,"title":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP [BLACK]","handle":"saul-williams-carlos-nino-friends-saul-williams-meets-carlos-nino-friends-at-treepeople-2xlp-black","description":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e","published_at":"2026-01-14T05:38:27+09:00","created_at":"2026-01-14T05:37:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","international anthem","jazz","lp","new"],"price":565000,"price_min":565000,"price_max":565000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221665624314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP [BLACK]","public_title":null,"options":["Default Title"],"price":565000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457216686","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219","\/\/tobirarecords.com\/cdn\/shop\/files\/will2_9a043076-521b-4f50-905f-9db35e8eb0ab.jpg?v=1753945219"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219","options":["Title"],"media":[{"alt":null,"id":36458580410618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_202ed7fd-08d3-4fd1-9fee-15af04beb8e2.jpg?v=1753945219","width":700},{"alt":null,"id":36458580443386,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will2_9a043076-521b-4f50-905f-9db35e8eb0ab.jpg?v=1753945219"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will2_9a043076-521b-4f50-905f-9db35e8eb0ab.jpg?v=1753945219","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e"}
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アメリカのラッパーSaul Williamsと当店おなじみCarlos Niño & Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。 アンビエント・ジャズ〜スポークンワード5曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします "2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño & Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。...
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{"id":9054528471290,"title":"Morton Feldman \/ Trios 6xCD BOX","handle":"morton-feldman-trios-6xcd-box","description":"\u003cp\u003eアメリカの作曲家Morton Feldman（1927-1987）が、2026年1月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした6枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003e彼が他界するまでの最後の10年間で完成させた、ピアノとフルート、打楽器のための3つの大作、6時間30分を収録。\u003c\/p\u003e\n\u003cp\u003eフルートはTaylor MacLennan、ピアノはSiwan Rhys、打楽器はGeorge Bartonによる演奏です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/beeitxGfwjM?si=0s1yldIpxZGxgvup\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e6xCD Box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1 Why Patterns? (1978) 29:55\u003cbr\u003eTaylor MacLennan, flutes Siwan Rhys, piano George Barton, glockenspiel\u003c\/p\u003e\n\u003cp\u003e2 Crippled Symmetry (1983) 90:47\u003cbr\u003eTaylor MacLennan, flute \u0026amp; bass flute Siwan Rhys, piano \u0026amp; celesta\u003cbr\u003eGeorge Barton, vibraphone \u0026amp; glockenspiel\u003c\/p\u003e\n\u003cp\u003e3 For Philip Guston (1984) 281:30\u003cbr\u003eTaylor MacLennan, flutes \u0026amp; piccolo Siwan Rhys, piano \u0026amp; celesta\u003cbr\u003eGeorge Barton, vibraphone, glockenspiel, marimba \u0026amp; tubular bells\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The box set consists of 6 CDs with six and a half hours music:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhy Patterns? (1979), Crippled Symmetry (1982) and For Philip Guston (1984)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSuperb music, brilliantly played by the GBSR Duo (Siwan Rhys, piano \u0026amp; George Barton, percussion) with Taylor MacLennan on flutes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cspan\u003eat251\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-10T19:01:25+09:00","created_at":"2026-01-10T18:38:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","new","recommended"],"price":992000,"price_min":992000,"price_max":992000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48209060954362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Morton Feldman \/ Trios 6xCD BOX","public_title":null,"options":["Default Title"],"price":992000,"weight":250,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/at251x6_front_cover_box.webp?v=1768038119"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/at251x6_front_cover_box.webp?v=1768038119","options":["Title"],"media":[{"alt":null,"id":38045194387706,"position":1,"preview_image":{"aspect_ratio":1.018,"height":1450,"width":1476,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/at251x6_front_cover_box.webp?v=1768038119"},"aspect_ratio":1.018,"height":1450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/at251x6_front_cover_box.webp?v=1768038119","width":1476}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの作曲家Morton Feldman（1927-1987）が、2026年1月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした6枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003e彼が他界するまでの最後の10年間で完成させた、ピアノとフルート、打楽器のための3つの大作、6時間30分を収録。\u003c\/p\u003e\n\u003cp\u003eフルートはTaylor MacLennan、ピアノはSiwan Rhys、打楽器はGeorge Bartonによる演奏です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/beeitxGfwjM?si=0s1yldIpxZGxgvup\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e6xCD Box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1 Why Patterns? (1978) 29:55\u003cbr\u003eTaylor MacLennan, flutes Siwan Rhys, piano George Barton, glockenspiel\u003c\/p\u003e\n\u003cp\u003e2 Crippled Symmetry (1983) 90:47\u003cbr\u003eTaylor MacLennan, flute \u0026amp; bass flute Siwan Rhys, piano \u0026amp; celesta\u003cbr\u003eGeorge Barton, vibraphone \u0026amp; glockenspiel\u003c\/p\u003e\n\u003cp\u003e3 For Philip Guston (1984) 281:30\u003cbr\u003eTaylor MacLennan, flutes \u0026amp; piccolo Siwan Rhys, piano \u0026amp; celesta\u003cbr\u003eGeorge Barton, vibraphone, glockenspiel, marimba \u0026amp; tubular bells\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The box set consists of 6 CDs with six and a half hours music:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhy Patterns? (1979), Crippled Symmetry (1982) and For Philip Guston (1984)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSuperb music, brilliantly played by the GBSR Duo (Siwan Rhys, piano \u0026amp; George Barton, percussion) with Taylor MacLennan on flutes.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cspan\u003eat251\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの作曲家Morton Feldman（1927-1987）が、2026年1月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした6枚組CD BOXです。 彼が他界するまでの最後の10年間で完成させた、ピアノとフルート、打楽器のための3つの大作、6時間30分を収録。 フルートはTaylor MacLennan、ピアノはSiwan Rhys、打楽器はGeorge Bartonによる演奏です。 レーベルその他作品はこちら /// Click here to see more Another...
¥9,920
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{"id":9053085663482,"title":"Francisco del Pino\/Charlotte Mundy \/\/ The Sea TAPE","handle":"francisco-del-pino-charlotte-mundy-the-sea-tape","description":"\u003cp\u003eアルゼンチンの実験音楽家Francisco del Pinoとカナダのソプラノ歌手Charlotte Mundyが、2025年2月にNYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e実験ネオクラシカル・アンビエント2曲、50分を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=268599984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eCassette in norelco case. \u003cbr\u003eJ-Card printed with m\u003cspan\u003earoon ink on ~70lb grey stock.\u003c\/span\u003e\u003cbr\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Material 31:47\u003cbr\u003e2. The Sea 20:14\u003c\/p\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Sea is a fine example of a beautiful exchange between composer and performer, with Francisco del Pino’s precise and rhythmically intricate compositions brought vividly to life by Charlotte Mundy’s clear, subtly emotive and powerful voice. Despite having unmistakable reference points in early polyphony, The Sea employs harmonies, rhythms, and articulations that reach out gently but firmly. The repetition of syllables in “Material” brings out the thrill of small changes: sudden chords, dissonances, the fleeting emotion of Mundy’s meticulous phrasing. By contrast, “The Sea”—a text by Victoria Cóccaro—foregrounds words in a layered, roiling bed composed of ruminations on water, creation, mysteries of existence, and ecstatic passions for the mundane and beautiful. Repeated phrases and lines form a loamy foundation from which unfurls an expansive wave-like monologue that, through Mundy’s voice, alternately resembles a mantra, a recitation, and a desperate prayer. Simultaneously grieving, wildly optimistic, and in love with life. The layering of words necessitates a particular way of listening; comprehending only some phrases above the fray, with such fragmentation leading to heightened, momentary resonances as the brain tries to stay afloat. In a profound way, this\u003cspan class=\"bcTruncateMore\"\u003e deeply generous performance also brings to mind the role of recording technologies—multitrack digital recording, editing, panning, reverbs—in achieving a level of precision almost absolute in terms of both performance and emotional intent.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Francisco del Pino\/Charlotte Mundy\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : NTR091\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd February 2025\u003c\/p\u003e","published_at":"2026-01-10T15:17:02+09:00","created_at":"2026-01-09T11:35:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","neo classical","new","notice recordings","tape"],"price":212000,"price_min":212000,"price_max":212000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48204409078010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Francisco del Pino\/Charlotte Mundy \/\/ The Sea TAPE","public_title":null,"options":["Default Title"],"price":212000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fran1_5186033e-a0e3-42d8-80f0-b95af6beaf98.jpg?v=1767926008","\/\/tobirarecords.com\/cdn\/shop\/files\/fran2_75e70241-347e-4ebc-961e-5bab2bc463bc.jpg?v=1767926008"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fran1_5186033e-a0e3-42d8-80f0-b95af6beaf98.jpg?v=1767926008","options":["Title"],"media":[{"alt":null,"id":38032500654330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fran1_5186033e-a0e3-42d8-80f0-b95af6beaf98.jpg?v=1767926008"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fran1_5186033e-a0e3-42d8-80f0-b95af6beaf98.jpg?v=1767926008","width":700},{"alt":null,"id":38032500687098,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fran2_75e70241-347e-4ebc-961e-5bab2bc463bc.jpg?v=1767926008"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fran2_75e70241-347e-4ebc-961e-5bab2bc463bc.jpg?v=1767926008","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアルゼンチンの実験音楽家Francisco del Pinoとカナダのソプラノ歌手Charlotte Mundyが、2025年2月にNYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e実験ネオクラシカル・アンビエント2曲、50分を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=268599984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eCassette in norelco case. \u003cbr\u003eJ-Card printed with m\u003cspan\u003earoon ink on ~70lb grey stock.\u003c\/span\u003e\u003cbr\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Material 31:47\u003cbr\u003e2. The Sea 20:14\u003c\/p\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Sea is a fine example of a beautiful exchange between composer and performer, with Francisco del Pino’s precise and rhythmically intricate compositions brought vividly to life by Charlotte Mundy’s clear, subtly emotive and powerful voice. Despite having unmistakable reference points in early polyphony, The Sea employs harmonies, rhythms, and articulations that reach out gently but firmly. The repetition of syllables in “Material” brings out the thrill of small changes: sudden chords, dissonances, the fleeting emotion of Mundy’s meticulous phrasing. By contrast, “The Sea”—a text by Victoria Cóccaro—foregrounds words in a layered, roiling bed composed of ruminations on water, creation, mysteries of existence, and ecstatic passions for the mundane and beautiful. Repeated phrases and lines form a loamy foundation from which unfurls an expansive wave-like monologue that, through Mundy’s voice, alternately resembles a mantra, a recitation, and a desperate prayer. Simultaneously grieving, wildly optimistic, and in love with life. The layering of words necessitates a particular way of listening; comprehending only some phrases above the fray, with such fragmentation leading to heightened, momentary resonances as the brain tries to stay afloat. In a profound way, this\u003cspan class=\"bcTruncateMore\"\u003e deeply generous performance also brings to mind the role of recording technologies—multitrack digital recording, editing, panning, reverbs—in achieving a level of precision almost absolute in terms of both performance and emotional intent.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Francisco del Pino\/Charlotte Mundy\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : NTR091\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd February 2025\u003c\/p\u003e"}
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アルゼンチンの実験音楽家Francisco del Pinoとカナダのソプラノ歌手Charlotte Mundyが、2025年2月にNYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。 実験ネオクラシカル・アンビエント2曲、50分を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Notice Recordings releases...
¥2,120
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{"id":9049946849530,"title":"Acchiappashpirt \/\/ Siri SM TAPE","handle":"acchiappashpirt-siri-sm-tape","description":"\u003cp\u003e\u003cspan\u003eアルバニアの実験デュオAcchiappashpirtが、2019年にイタリアの実験レーベルCantiMagneticiから70本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eスポークンワード〜コラージュ2曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1224254872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/canti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/canti\"\u003ehere\u003c\/a\u003e to see more Canti Magnetici \/ \u003cspan\u003eInvisibilia Editions\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira.\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e-----------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eCassette in norelco case.\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e'Liri SM', the new tape release by Acchiappashpirt, is about ‘jumping into the void’. Albanian poet Jonida Prifti and Italian sound artist SDT address existentialism, our fear of total autonomy, and the freedom that comes when we embrace meaninglessness over two haunting compositions. Fuzz and static white noise billows like wind while Prifti’s voice warbles and echoes, eventually starting to sound like a swarm of bees. This release is dark yet compelling, encouraging us to find comfort in the uncomfortable space. \u003c\/em\u003e\u003cbr\u003e- Tobira Records\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eLiri SM is a word play between ‘liri’, the Albanian form for ‘freedom’, and ‘SM’, the widely used short form for ‘sadomasochism’ (which is a paradox of freedom). They melt together in the form of ‘lyricism’ (lirismo in Italian). Yet the first letters of ‘SM’ also hint at the Italian form ‘senza male’ (without harm, innocuous).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe idea is to explore the concept of freedom as something that sometimes scares, or rather terrorizes, petrifies people. Our daily freedoms are often a form of content, a mere protection from jumping into the void. Yet it is precisely in the void that freedom blossoms, as much as other related feelings, such as love. A situation where a whole nation, Albania, finds itself, when it is suddenly freed from the chains that once represented the only available form of freedom. In this very moment the act of jumping into the void finally becomes not only acceptable but also feasible, without too much thinking or feeling guilty, as we only have one life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Italy, Catholicism has heavily chained our behaviors, injecting the concept of ‘sin’ into our mental hard-disks, and surrounding this life of hypocrisy. The only way to set ourselves free is to rely on\u003cspan class=\"bcTruncateMore\"\u003e the void, to trust the risk of the void. In a word,the absence of freedom.\u003cbr\u003e\u003cbr\u003eFor the recording of Liri Sm a simple but effective system was used: In the first track the lyrics are a mix between SDT and Jonida. Jonida, in addition to a microphone with a digital effect, uses a mic triggered to the white noise of a vintage synthesizer, starting the sounds simply from the on - off of the microphone itself. While SDT deals live with the control of parameters and events.\u003cbr\u003e\u003cbr\u003eIn the second track the lyrics are entirely by Jonida: in this case his voice runs thru a vocoder and SDT, on the synthesizer, interprets her vocal inflections on the keyboard trying to imitate them. Everything was put into the digital effect, which expresses the digital vacuum vs. the analogical freedom that lives in its heart. In fact it has been recorded on two track analog tape recorder.\u003cbr\u003e\u003cbr\u003eAcchiappashpirt is a collaboration between the Albanian poet Jonida Prifti and sound artist SDT – a sound and video poetry\/poetronic project formed in 2008. Inspired by the ouija board concept “Poetry pilots the electronic sound through wirings and feedbacks and so turns it into poetry itself. Their concept is inspired by the ouija board, which is oral communication as a path to paranormal activities that passes through the linguistic Babel, used to free the sense”. \u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Acchiappashpirt\u003c\/p\u003e\n\u003cp\u003eLabel : CantiMagnetici \u003c\/p\u003e","published_at":"2026-01-08T06:22:06+09:00","created_at":"2026-01-08T06:21:25+09:00","vendor":"Tobira Records","type":"","tags":["CantiMagnetici","contemporary \/ sound poetry","drone","monooto","new","tape"],"price":167200,"price_min":167200,"price_max":167200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48195657990394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Acchiappashpirt \/\/ Siri SM TAPE","public_title":null,"options":["Default Title"],"price":167200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0015734504_10.jpg?v=1767820723"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015734504_10.jpg?v=1767820723","options":["Title"],"media":[{"alt":null,"id":15833177981093,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015734504_10.jpg?v=1767820723"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015734504_10.jpg?v=1767820723","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアルバニアの実験デュオAcchiappashpirtが、2019年にイタリアの実験レーベルCantiMagneticiから70本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eスポークンワード〜コラージュ2曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1224254872\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/canti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/canti\"\u003ehere\u003c\/a\u003e to see more Canti Magnetici \/ \u003cspan\u003eInvisibilia Editions\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira.\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e-----------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eCassette in norelco case.\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003e'Liri SM', the new tape release by Acchiappashpirt, is about ‘jumping into the void’. Albanian poet Jonida Prifti and Italian sound artist SDT address existentialism, our fear of total autonomy, and the freedom that comes when we embrace meaninglessness over two haunting compositions. Fuzz and static white noise billows like wind while Prifti’s voice warbles and echoes, eventually starting to sound like a swarm of bees. This release is dark yet compelling, encouraging us to find comfort in the uncomfortable space. \u003c\/em\u003e\u003cbr\u003e- Tobira Records\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eLiri SM is a word play between ‘liri’, the Albanian form for ‘freedom’, and ‘SM’, the widely used short form for ‘sadomasochism’ (which is a paradox of freedom). They melt together in the form of ‘lyricism’ (lirismo in Italian). Yet the first letters of ‘SM’ also hint at the Italian form ‘senza male’ (without harm, innocuous).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe idea is to explore the concept of freedom as something that sometimes scares, or rather terrorizes, petrifies people. Our daily freedoms are often a form of content, a mere protection from jumping into the void. Yet it is precisely in the void that freedom blossoms, as much as other related feelings, such as love. A situation where a whole nation, Albania, finds itself, when it is suddenly freed from the chains that once represented the only available form of freedom. In this very moment the act of jumping into the void finally becomes not only acceptable but also feasible, without too much thinking or feeling guilty, as we only have one life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Italy, Catholicism has heavily chained our behaviors, injecting the concept of ‘sin’ into our mental hard-disks, and surrounding this life of hypocrisy. The only way to set ourselves free is to rely on\u003cspan class=\"bcTruncateMore\"\u003e the void, to trust the risk of the void. In a word,the absence of freedom.\u003cbr\u003e\u003cbr\u003eFor the recording of Liri Sm a simple but effective system was used: In the first track the lyrics are a mix between SDT and Jonida. Jonida, in addition to a microphone with a digital effect, uses a mic triggered to the white noise of a vintage synthesizer, starting the sounds simply from the on - off of the microphone itself. While SDT deals live with the control of parameters and events.\u003cbr\u003e\u003cbr\u003eIn the second track the lyrics are entirely by Jonida: in this case his voice runs thru a vocoder and SDT, on the synthesizer, interprets her vocal inflections on the keyboard trying to imitate them. Everything was put into the digital effect, which expresses the digital vacuum vs. the analogical freedom that lives in its heart. In fact it has been recorded on two track analog tape recorder.\u003cbr\u003e\u003cbr\u003eAcchiappashpirt is a collaboration between the Albanian poet Jonida Prifti and sound artist SDT – a sound and video poetry\/poetronic project formed in 2008. Inspired by the ouija board concept “Poetry pilots the electronic sound through wirings and feedbacks and so turns it into poetry itself. Their concept is inspired by the ouija board, which is oral communication as a path to paranormal activities that passes through the linguistic Babel, used to free the sense”. \u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Acchiappashpirt\u003c\/p\u003e\n\u003cp\u003eLabel : CantiMagnetici \u003c\/p\u003e"}
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アルバニアの実験デュオAcchiappashpirtが、2019年にイタリアの実験レーベルCantiMagneticiから70本限定でリリースしたカセットです。 スポークンワード〜コラージュ2曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Canti Magnetici / Invisibilia Editions releases available at Tobira....
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{"id":9048958861562,"title":"Angelo Bignamini \/\/ Anna TAPE","handle":"angelo-bignamini-anna-tape","description":"\u003cp\u003eイタリアの実験音楽家Angelo Bignaminiが、2022年2月にドイツ・ベルリンの実験レーベルstaaltapeから40本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・アンビエント〜サウンドポエトリー8曲、36分を収録。一点一点異なるコラージュアートワーク、リサイクルテープ\u0026amp;ケース仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=726951989\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003ehere\u003c\/a\u003e to see more Staalplaat \/ Staaltape releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 40. Recycled tape. \u003c\/p\u003e\n\u003cp\u003eStaaltape:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eEight miniatures composed in the months February to August in the year 2021. The changes of seasons, social environment and personal life became a part of the process.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angelo Bignamini\u003c\/p\u003e\n\u003cp\u003eLabel : Staaltape\u003c\/p\u003e","published_at":"2026-01-07T15:17:45+09:00","created_at":"2026-01-07T15:17:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","monooto","new","staaltape","tape"],"price":211000,"price_min":211000,"price_max":211000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48193118830842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Angelo Bignamini \/\/ Anna TAPE","public_title":null,"options":["Default Title"],"price":211000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/an1_6627f254-7816-4a2c-8ed6-7b48d4a6ecbf.jpg?v=1664671831","\/\/tobirarecords.com\/cdn\/shop\/products\/an2_ae45e805-5326-4675-9ea0-78f7f8b29e09.jpg?v=1664671831","\/\/tobirarecords.com\/cdn\/shop\/products\/an3_e96b6659-a62b-4069-9a3d-bb1e555d1f1c.jpg?v=1664671832"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_6627f254-7816-4a2c-8ed6-7b48d4a6ecbf.jpg?v=1664671831","options":["Title"],"media":[{"alt":null,"id":30621104341242,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_6627f254-7816-4a2c-8ed6-7b48d4a6ecbf.jpg?v=1664671831"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an1_6627f254-7816-4a2c-8ed6-7b48d4a6ecbf.jpg?v=1664671831","width":700},{"alt":null,"id":30621104439546,"position":2,"preview_image":{"aspect_ratio":0.694,"height":1200,"width":833,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_ae45e805-5326-4675-9ea0-78f7f8b29e09.jpg?v=1664671831"},"aspect_ratio":0.694,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an2_ae45e805-5326-4675-9ea0-78f7f8b29e09.jpg?v=1664671831","width":833},{"alt":null,"id":30621104537850,"position":3,"preview_image":{"aspect_ratio":1.326,"height":905,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an3_e96b6659-a62b-4069-9a3d-bb1e555d1f1c.jpg?v=1664671832"},"aspect_ratio":1.326,"height":905,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/an3_e96b6659-a62b-4069-9a3d-bb1e555d1f1c.jpg?v=1664671832","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験音楽家Angelo Bignaminiが、2022年2月にドイツ・ベルリンの実験レーベルstaaltapeから40本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・アンビエント〜サウンドポエトリー8曲、36分を収録。一点一点異なるコラージュアートワーク、リサイクルテープ\u0026amp;ケース仕様です。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=726951989\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/staal\"\u003ehere\u003c\/a\u003e to see more Staalplaat \/ Staaltape releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 40. Recycled tape. \u003c\/p\u003e\n\u003cp\u003eStaaltape:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eEight miniatures composed in the months February to August in the year 2021. The changes of seasons, social environment and personal life became a part of the process.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angelo Bignamini\u003c\/p\u003e\n\u003cp\u003eLabel : Staaltape\u003c\/p\u003e"}
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¥2,110
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{"id":9045482406138,"title":"Etant Donnes \/\/ Royaume \/ Aimant + Aimant LP","handle":"etant-donnes-royaume-aimant-aimant-lp","description":"\u003cp\u003e\u003cspan\u003e80年代から活動しているモロッコ・ラバト出身の実験兄弟Etant Donnesが、オーストラリアの\u003c\/span\u003e\u003cspan\u003e実験レーベルPenultimate Pressからリリースした再発レコードです。（オリジナルは1991-1992年にCDリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e物音コラージュ〜スポークンワード〜ノイズ・ドローン7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/245709558\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003ehere\u003c\/a\u003e to see more Penultimate Press releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoyaume \/ Aimant + Aimant – is second in the three part re-issue series focussing on the works of Etant Donnes based around field recording\u003cbr\u003eand voice. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoyaume (originally a CD on Touch, 1991) is made up of 4 tracks and is a kind of purifying travel through the four elements which symbolically refers to the light evoked by the colour green, an allegory of the grail and of the light- carrier angel. As to the poems, they tend to amount to their essentials, as is the case in \u003c\/span\u003e\u003ci\u003eMatin \u003c\/i\u003e\u003cspan\u003ewhich is both Taoist and surrealistic. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eAimant + Aimant –\u003c\/i\u003e\u003cspan\u003e (originally as a split 10”\/CD on Danceteria,1992) presents itself as a magical alchemical mantra based upon the force of love, the force of life. \u003c\/span\u003e\u003ci\u003eTwo pole like two bodies like two hearts like two magnets.\u003c\/i\u003e\u003c\/p\u003e","published_at":"2026-01-03T07:19:21+09:00","created_at":"2026-01-03T07:18:50+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","noise","Penultimate Press","sound poetry"],"price":392800,"price_min":392800,"price_max":392800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48180462551290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Etant Donnes \/\/ Royaume \/ Aimant + Aimant LP","public_title":null,"options":["Default Title"],"price":392800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R-8956926-1472219695-1594_jpeg.jpg?v=1599614408"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-8956926-1472219695-1594_jpeg.jpg?v=1599614408","options":["Title"],"media":[{"alt":null,"id":11058652872869,"position":1,"preview_image":{"aspect_ratio":0.992,"height":372,"width":369,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-8956926-1472219695-1594_jpeg.jpg?v=1599614408"},"aspect_ratio":0.992,"height":372,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-8956926-1472219695-1594_jpeg.jpg?v=1599614408","width":369}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e80年代から活動しているモロッコ・ラバト出身の実験兄弟Etant Donnesが、オーストラリアの\u003c\/span\u003e\u003cspan\u003e実験レーベルPenultimate Pressからリリースした再発レコードです。（オリジナルは1991-1992年にCDリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e物音コラージュ〜スポークンワード〜ノイズ・ドローン7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/245709558\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pepr\"\u003ehere\u003c\/a\u003e to see more Penultimate Press releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoyaume \/ Aimant + Aimant – is second in the three part re-issue series focussing on the works of Etant Donnes based around field recording\u003cbr\u003eand voice. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoyaume (originally a CD on Touch, 1991) is made up of 4 tracks and is a kind of purifying travel through the four elements which symbolically refers to the light evoked by the colour green, an allegory of the grail and of the light- carrier angel. 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{"id":9044796145914,"title":"Yann Leguay \/\/ Ground TAPE","handle":"yann-leguay-ground-tape","description":"\u003cp\u003e過去にVlekなどから作品を発表しているベルギーの実験音楽家Yann Leguayが、2017年に同国実験レーベルTanukiからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA面は「Here I am」と連呼しながらベルリンの街を徘徊するフィールドレコーディング／サウンドウォークを、B面は誤作動ハードドライブや電子機器による演奏各26分を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1882360513\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=717481858\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1882360513\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanuki-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanuki-records\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eTanuki Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eArtist : Yann Leguay\u003c\/p\u003e\n\u003cp\u003eLabel : Tanuki Records\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2026-01-02T05:37:47+09:00","created_at":"2026-01-02T05:37:08+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","monooto","new","noise","sale22","Tanuki Records","tape"],"price":179300,"price_min":179300,"price_max":179300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48176946643194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yann Leguay \/\/ Ground TAPE","public_title":null,"options":["Default Title"],"price":179300,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ground.jpg?v=1767299765"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ground.jpg?v=1767299765","options":["Title"],"media":[{"alt":null,"id":10981212848293,"position":1,"preview_image":{"aspect_ratio":1.0,"height":804,"width":804,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ground.jpg?v=1767299765"},"aspect_ratio":1.0,"height":804,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ground.jpg?v=1767299765","width":804}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にVlekなどから作品を発表しているベルギーの実験音楽家Yann Leguayが、2017年に同国実験レーベルTanukiからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA面は「Here I am」と連呼しながらベルリンの街を徘徊するフィールドレコーディング／サウンドウォークを、B面は誤作動ハードドライブや電子機器による演奏各26分を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1882360513\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=717481858\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1882360513\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanuki-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tanuki-records\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eTanuki Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eArtist : Yann Leguay\u003c\/p\u003e\n\u003cp\u003eLabel : Tanuki Records\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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¥1,793
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{"id":9043995656442,"title":"Michel Samson \u0026 Rebecca Samson \/\/ The Claviorganum \u0026 the Violin LP","handle":"michel-samson-rebecca-samson-the-claviorganum-the-violin-lp","description":"\u003cp\u003eオランダのバイオリニストMichel Samsonとオルガン奏者Rebecca Samsonが、2019年にアメリカの実験音楽家Sean McCann主宰レーベルRecitalからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eクラヴィオルガンとバイオリンによるバロック6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/617127963\u0026amp;color=a04840\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"\u003cem\u003eThis is the first published recording of Michel Samson since his unparalleled work with Albert Ayler’s quintet in the late 1960s.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eSamson’s violin playing has changed me.\u003cspan class=\"Apple-converted-space\"\u003e His great\u003c\/span\u003e exuberance and ecstasy, all sliding through an interlocking sadness.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eSince I first began Recital, I have dreamt of contacting Michel to publish an album that gives reverence to his violin playing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eSeven years later, it has come to be.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe collection on this LP holds numerous 17th-Century works of the Italian baroque, performed by Michel Samson and his wife, Rebecca.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eIt showcases some of the earliest music composed for the violin as a featured soloist.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRebecca accompanies on a replica – believed to be the only extant replica in the United States – of the claviorganum, a rare and curious instrument that traces back to the 15th century.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eComprised of both an organ and a harpsichord integrated into a single case, the claviorganum harkens to a time of experimentation and artistry of design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMichel’s violin was made by Francesco Gobetti in 1718; its sound carries beautifully throughout the room.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eSamson worked as a dealer of rare and antique violins for many years, and has an ear for majestic craftsmanship.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe style adopted by Italian composers during the baroque was one of heightened lyricism, emotion, and ornamentation, especially when voiced through the violin; it is no accident that Michel’s unique approach to articulation and intonation speaks both to the present and the past.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eIn these recordings you can hear the same joy dripping across the strings, as in his days with Ayler.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eIt shows what beauty can be instilled inside someone.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRebecca’s playing is exquisite, too, complimenting each movement as they fold on.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ePlease enjoy this special album.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eSean McCann [with contributions by Sarah Davachi], April 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eLimited Edition LP of 250pc\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e8-page insert with program notes and paintings by Michel Samson\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eartist : Michel Samson \u0026amp; Rebecca Samson\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-01T06:43:28+09:00","created_at":"2026-01-01T06:42:45+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","new","Recital"],"price":386500,"price_min":386500,"price_max":386500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48174326153466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Michel Samson \u0026 Rebecca Samson \/\/ The Claviorganum \u0026 the Violin LP","public_title":null,"options":["Default Title"],"price":386500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R63coverSM.png?v=1587853150"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R63coverSM.png?v=1587853150","options":["Title"],"media":[{"alt":null,"id":7816303214724,"position":1,"preview_image":{"aspect_ratio":1.001,"height":883,"width":884,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R63coverSM.png?v=1587853150"},"aspect_ratio":1.001,"height":883,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R63coverSM.png?v=1587853150","width":884}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのバイオリニストMichel Samsonとオルガン奏者Rebecca Samsonが、2019年にアメリカの実験音楽家Sean McCann主宰レーベルRecitalからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eクラヴィオルガンとバイオリンによるバロック6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/617127963\u0026amp;color=a04840\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\"\u003cem\u003eThis is the first published recording of Michel Samson since his unparalleled work with Albert Ayler’s quintet in the late 1960s.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eSamson’s violin playing has changed me.\u003cspan class=\"Apple-converted-space\"\u003e His great\u003c\/span\u003e exuberance and ecstasy, all sliding through an interlocking sadness.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eSince I first began Recital, I have dreamt of contacting Michel to publish an album that gives reverence to his violin playing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eSeven years later, it has come to be.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe collection on this LP holds numerous 17th-Century works of the Italian baroque, performed by Michel Samson and his wife, Rebecca.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eIt showcases some of the earliest music composed for the violin as a featured soloist.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRebecca accompanies on a replica – believed to be the only extant replica in the United States – of the claviorganum, a rare and curious instrument that traces back to the 15th century.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eComprised of both an organ and a harpsichord integrated into a single case, the claviorganum harkens to a time of experimentation and artistry of design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMichel’s violin was made by Francesco Gobetti in 1718; its sound carries beautifully throughout the room.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eSamson worked as a dealer of rare and antique violins for many years, and has an ear for majestic craftsmanship.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe style adopted by Italian composers during the baroque was one of heightened lyricism, emotion, and ornamentation, especially when voiced through the violin; it is no accident that Michel’s unique approach to articulation and intonation speaks both to the present and the past.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eIn these recordings you can hear the same joy dripping across the strings, as in his days with Ayler.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eIt shows what beauty can be instilled inside someone.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRebecca’s playing is exquisite, too, complimenting each movement as they fold on.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003ePlease enjoy this special album.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eSean McCann [with contributions by Sarah Davachi], April 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eLimited Edition LP of 250pc\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e8-page insert with program notes and paintings by Michel Samson\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eartist : Michel Samson \u0026amp; Rebecca Samson\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e"}
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オランダのバイオリニストMichel Samsonとオルガン奏者Rebecca Samsonが、2019年にアメリカの実験音楽家Sean McCann主宰レーベルRecitalからリリースした共作レコードです。 クラヴィオルガンとバイオリンによるバロック6曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Recital releases available at...
¥3,865
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{"id":9040584016122,"title":"Frederik Croene \/\/ sans retour LP","handle":"frederik-croene-sans-retour-lp","description":"\u003cp\u003e\u003cspan\u003eベルギーのピアニストFrederik Croene\u003c\/span\u003eが、2025年12月に同国実験レーベルCortizonaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノ独奏6曲を収録。一点一点異なるアートワークです。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/frederik-croene-solastalgia-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ピアノリサイタル／アルバム『sans retour』は、Croeneの「絶望の三部作」（コルティゾーナ）の完結編を成す。全体を貫くテーマは、気候変動への対応に内在する破滅感である。破滅的なノスタルジアへの耽溺（『cul de sac』2019年）と、気候変動や人間の誤った管理によって失われた風景への破滅的な憧憬（『solastalgia』2022年）を経て、今や彼は『sans retour』を提示する——逃避という幻想が必然的に破綻する破滅を。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e6つのピアノ曲は、航空事故で命を落とした6人の勇敢なパイオニアたちへの追悼の意を込めている。アルバムは、人類初の有人宇宙飛行打ち上げ1分前のユーリ・ガガーリンと管制室との交信音で幕を開ける。A面の終わりとB面の始まりには、リチャード・ラッセルと航空管制官の会話の抜粋が聴こえる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eベートーヴェン的な単一作品として構想された本作で、Croeneはピアノが生み出す音色の幅広さを再び示している。共通の糸は『怒りの日』に基づく旋律であり、追悼の概念を体現するため6つの異なる形態をとる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=334243881\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEvery record has unique post mail stamped cover sent from Japan to Belgium.\u003cbr\u003eEdition of 300 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e1. Kosmonaut, in memoriam Yuri Gagarin (†27.03.1968) 14:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e2. Queen Bess, in memoriam Bessie Coleman (†30.04.1926) 10:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e3. Sky King, in memoriam Richard Russell (†10.08.2018) 04:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e4. Kamikaze, in memoriam Yukio Seki (†25.10.1944) 10:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Vol de nuit, in memoriam Antoine de Saint-Exupéry (†31.07.1944) 08:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. C’est Kiki, in memoriam Daniel Kinet (†15.07.1910) 02:01\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe piano recital\/album sans retour forms the concluding part of Croene’s ‘Trilogy of Hopelessness’ (Cortizona). The overarching theme is the sense of doom inherent in our responses to climate change. After the doomed indulgence in nostalgia (‘cul de sac’, 2019) and the doomed yearning for landscapes lost through climate change and human mismanagement (‘solastalgia’, 2022), he now presents ‘sans retour’: the doom of the inevitably failed fantasy of escape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSix piano pieces serve as an in memoriam for six fearless aviation pioneers who ultimately lost their lives in plane crashes. The album opens with a sound recording of the communication between Yuri Gagarin and mission control one minute before the launch of the first manned space flight. At the end of Side A and the beginning of Side B, excerpts from the conversation between Richard Russell and air traffic control can be heard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConceived as a single, Beethovenian composition, Croene once again demonstrates the wide range of sound palettes a piano can produce. The common thread is a melody based on the ‘Dies Irae’, which takes six different forms to embody the in memoriam concept.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Frederik Croene\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Cortizona\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eCORTIZONA034\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th December 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-27T14:58:27+09:00","created_at":"2025-12-27T09:52:40+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","cortizona","lp","new"],"price":554300,"price_min":554300,"price_max":554300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48162319270138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Frederik Croene \/\/ sans retour LP","public_title":null,"options":["Default Title"],"price":554300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fred1_72848e1c-66fc-4db1-8c45-95c1019b5381.jpg?v=1766796674","\/\/tobirarecords.com\/cdn\/shop\/files\/fred2_ddca400b-af37-4b29-8674-14b06dc9a51c.jpg?v=1766796674"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fred1_72848e1c-66fc-4db1-8c45-95c1019b5381.jpg?v=1766796674","options":["Title"],"media":[{"alt":null,"id":37905948508410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fred1_72848e1c-66fc-4db1-8c45-95c1019b5381.jpg?v=1766796674"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fred1_72848e1c-66fc-4db1-8c45-95c1019b5381.jpg?v=1766796674","width":700},{"alt":null,"id":37905948541178,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fred2_ddca400b-af37-4b29-8674-14b06dc9a51c.jpg?v=1766796674"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fred2_ddca400b-af37-4b29-8674-14b06dc9a51c.jpg?v=1766796674","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eベルギーのピアニストFrederik Croene\u003c\/span\u003eが、2025年12月に同国実験レーベルCortizonaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノ独奏6曲を収録。一点一点異なるアートワークです。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/frederik-croene-solastalgia-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ピアノリサイタル／アルバム『sans retour』は、Croeneの「絶望の三部作」（コルティゾーナ）の完結編を成す。全体を貫くテーマは、気候変動への対応に内在する破滅感である。破滅的なノスタルジアへの耽溺（『cul de sac』2019年）と、気候変動や人間の誤った管理によって失われた風景への破滅的な憧憬（『solastalgia』2022年）を経て、今や彼は『sans retour』を提示する——逃避という幻想が必然的に破綻する破滅を。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e6つのピアノ曲は、航空事故で命を落とした6人の勇敢なパイオニアたちへの追悼の意を込めている。アルバムは、人類初の有人宇宙飛行打ち上げ1分前のユーリ・ガガーリンと管制室との交信音で幕を開ける。A面の終わりとB面の始まりには、リチャード・ラッセルと航空管制官の会話の抜粋が聴こえる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eベートーヴェン的な単一作品として構想された本作で、Croeneはピアノが生み出す音色の幅広さを再び示している。共通の糸は『怒りの日』に基づく旋律であり、追悼の概念を体現するため6つの異なる形態をとる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=334243881\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cortizona\"\u003ehere\u003c\/a\u003e to see more Cortizona releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEvery record has unique post mail stamped cover sent from Japan to Belgium.\u003cbr\u003eEdition of 300 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e1. Kosmonaut, in memoriam Yuri Gagarin (†27.03.1968) 14:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e2. Queen Bess, in memoriam Bessie Coleman (†30.04.1926) 10:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e3. Sky King, in memoriam Richard Russell (†10.08.2018) 04:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003e4. Kamikaze, in memoriam Yukio Seki (†25.10.1944) 10:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Vol de nuit, in memoriam Antoine de Saint-Exupéry (†31.07.1944) 08:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. C’est Kiki, in memoriam Daniel Kinet (†15.07.1910) 02:01\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCortizona:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe piano recital\/album sans retour forms the concluding part of Croene’s ‘Trilogy of Hopelessness’ (Cortizona). The overarching theme is the sense of doom inherent in our responses to climate change. After the doomed indulgence in nostalgia (‘cul de sac’, 2019) and the doomed yearning for landscapes lost through climate change and human mismanagement (‘solastalgia’, 2022), he now presents ‘sans retour’: the doom of the inevitably failed fantasy of escape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSix piano pieces serve as an in memoriam for six fearless aviation pioneers who ultimately lost their lives in plane crashes. The album opens with a sound recording of the communication between Yuri Gagarin and mission control one minute before the launch of the first manned space flight. At the end of Side A and the beginning of Side B, excerpts from the conversation between Richard Russell and air traffic control can be heard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConceived as a single, Beethovenian composition, Croene once again demonstrates the wide range of sound palettes a piano can produce. The common thread is a melody based on the ‘Dies Irae’, which takes six different forms to embody the in memoriam concept.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Frederik Croene\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Cortizona\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eCORTIZONA034\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th December 2025\u003c\/span\u003e\u003c\/p\u003e"}
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ベルギーのピアニストFrederik Croeneが、2025年12月に同国実験レーベルCortizonaからリリースしたレコードです。 ピアノ独奏6曲を収録。一点一点異なるアートワークです。 前作もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ "ピアノリサイタル／アルバム『sans retour』は、Croeneの「絶望の三部作」（コルティゾーナ）の完結編を成す。全体を貫くテーマは、気候変動への対応に内在する破滅感である。破滅的なノスタルジアへの耽溺（『cul de sac』2019年）と、気候変動や人間の誤った管理によって失われた風景への破滅的な憧憬（『solastalgia』2022年）を経て、今や彼は『sans retour』を提示する——逃避という幻想が必然的に破綻する破滅を。 6つのピアノ曲は、航空事故で命を落とした6人の勇敢なパイオニアたちへの追悼の意を込めている。アルバムは、人類初の有人宇宙飛行打ち上げ1分前のユーリ・ガガーリンと管制室との交信音で幕を開ける。A面の終わりとB面の始まりには、リチャード・ラッセルと航空管制官の会話の抜粋が聴こえる。 ベートーヴェン的な単一作品として構想された本作で、Croeneはピアノが生み出す音色の幅広さを再び示している。共通の糸は『怒りの日』に基づく旋律であり、追悼の概念を体現するため6つの異なる形態をとる。" レーベルその他作品はこちら /// Click here to...
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{"id":9033288253690,"title":"Deison \u0026 Mingle \/\/ Everything Collapse(d) (Piano Versions) CD","handle":"deison-mingle-everything-collapsed-piano-versions-cd","description":"\u003cp\u003eイタリアの実験音楽家Deison \u0026amp; Mingleが、2025年11月に同国アンビエントレーベルsilentesから200部限定でリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eピアノをメインソースにしたエレクトロアコースティック8曲を収録。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=583575655\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSilentesその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSilentes \/ BeTon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6 panel digisleeve.\u003cbr\u003eEdition of 200 copies. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThis is an unreleased ('lost') new album by Deison and Mingle conceived and recorded in 2014\/15 after the release of their debut collaboration-album 'Everything Collapse[d]', reimagining the album as a stripped back solo piano\/electronics work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Optokinetic Reflex (glassy eyes) 03:03\u003cbr\u003e2. Everything Collapses 03:13\u003cbr\u003e3. Nessun Desiderio (decimaction) 04:07\u003cbr\u003e4. Out Of The Blue (rain) 04:50\u003cbr\u003e5. Settled Apathy (hospital) 04:01\u003cbr\u003e6. One Million Parsec From Your Sun 03:49\u003cbr\u003e7. An Estanged Perspective (time off) 04:49\u003cbr\u003e8. Static Inertia 03:40\u003c\/p\u003e\n\u003cp\u003eSilentes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is an unreleased and “lost” new album by Deison and Mingle conceived in 2014 \/15 right after the recording and the release of their debut collaboration-album Everything Collapse[d].\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAfter the passing of Andrea Gastaldello (“Mingle”) in 2021 and founding these forgotten tracks led us to think that should have been listened to understand the essence of the original album.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePublished by a co-production of three label who have published various works by the duo in the past (Loud!, Final Muzik and Sr.An.Da.) the work has been mastered by Eraldo Bernocchi.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the artist (CD liner notes) :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003cem\u003eA few months after making our first album together, ('Everything collapse(d)', Aagoo records, 2014) Andrea proposed to me the idea of re-interpreting the pieces by stripping them of all the superfluous to leave only the \"melodic\" skeleton. A sort of reinterpretation of the album for solo piano and electronics. As usual, our fluent, spontaneous, and immediate way of working together led us to complete the work in a short amount of time and to plan a publication. The album was never published because at the same time we accumulated new material that was going to constitute the second chapter of our precious collaboration.Andrea has\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e always been enthusiastic about these pieces which represent his musical ability and sensitivity. Through process of making records together with him, I've discovered a composer of the highest level, particularly enthusiastic about experimenting with me new musical ways, who advised me and inspired new ideas; for this I thank him and I dedicate this album to him.”\u003cbr\u003e\u003cbr\u003e'Everything Collapse[d]- piano versions' is a perfect union of our two sounds: drones, field recordings and processed loops intermingled with melancholy harmonies and piano chimes. A gloomy and dirty electronic sound that turns into an extremely evocative score which is full of pathos.\u003cbr\u003eA more ethereal, almost meditative release, playing with shifting textures and minimal tones.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Deison \u0026amp; Mingle\u003c\/p\u003e\n\u003cp\u003eLabel : Silentes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSPS25101\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 31st October 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-19T07:42:51+09:00","created_at":"2025-12-18T07:46:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","neo classical","new","silentes"],"price":259800,"price_min":259800,"price_max":259800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48130935128314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Deison \u0026 Mingle \/\/ Everything Collapse(d) (Piano Versions) CD","public_title":null,"options":["Default Title"],"price":259800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_3db08fff-f6ff-4a05-a1a2-af370c5d5527.jpg?v=1766011354","\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_edc30b1e-9fbb-4cbd-96f7-dba168d8e4b7.jpg?v=1766011354","\/\/tobirarecords.com\/cdn\/shop\/files\/coll3_3d7408c1-1ac0-4be2-8484-b1cf49812d39.jpg?v=1766011354"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_3db08fff-f6ff-4a05-a1a2-af370c5d5527.jpg?v=1766011354","options":["Title"],"media":[{"alt":null,"id":37833865036026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_3db08fff-f6ff-4a05-a1a2-af370c5d5527.jpg?v=1766011354"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_3db08fff-f6ff-4a05-a1a2-af370c5d5527.jpg?v=1766011354","width":700},{"alt":null,"id":37833865068794,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_edc30b1e-9fbb-4cbd-96f7-dba168d8e4b7.jpg?v=1766011354"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_edc30b1e-9fbb-4cbd-96f7-dba168d8e4b7.jpg?v=1766011354","width":1200},{"alt":null,"id":37833865101562,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll3_3d7408c1-1ac0-4be2-8484-b1cf49812d39.jpg?v=1766011354"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll3_3d7408c1-1ac0-4be2-8484-b1cf49812d39.jpg?v=1766011354","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験音楽家Deison \u0026amp; Mingleが、2025年11月に同国アンビエントレーベルsilentesから200部限定でリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eピアノをメインソースにしたエレクトロアコースティック8曲を収録。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=583575655\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSilentesその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/silentes\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSilentes \/ BeTon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6 panel digisleeve.\u003cbr\u003eEdition of 200 copies. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThis is an unreleased ('lost') new album by Deison and Mingle conceived and recorded in 2014\/15 after the release of their debut collaboration-album 'Everything Collapse[d]', reimagining the album as a stripped back solo piano\/electronics work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Optokinetic Reflex (glassy eyes) 03:03\u003cbr\u003e2. Everything Collapses 03:13\u003cbr\u003e3. Nessun Desiderio (decimaction) 04:07\u003cbr\u003e4. Out Of The Blue (rain) 04:50\u003cbr\u003e5. Settled Apathy (hospital) 04:01\u003cbr\u003e6. One Million Parsec From Your Sun 03:49\u003cbr\u003e7. An Estanged Perspective (time off) 04:49\u003cbr\u003e8. Static Inertia 03:40\u003c\/p\u003e\n\u003cp\u003eSilentes:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is an unreleased and “lost” new album by Deison and Mingle conceived in 2014 \/15 right after the recording and the release of their debut collaboration-album Everything Collapse[d].\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAfter the passing of Andrea Gastaldello (“Mingle”) in 2021 and founding these forgotten tracks led us to think that should have been listened to understand the essence of the original album.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePublished by a co-production of three label who have published various works by the duo in the past (Loud!, Final Muzik and Sr.An.Da.) the work has been mastered by Eraldo Bernocchi.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the artist (CD liner notes) :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003cem\u003eA few months after making our first album together, ('Everything collapse(d)', Aagoo records, 2014) Andrea proposed to me the idea of re-interpreting the pieces by stripping them of all the superfluous to leave only the \"melodic\" skeleton. A sort of reinterpretation of the album for solo piano and electronics. As usual, our fluent, spontaneous, and immediate way of working together led us to complete the work in a short amount of time and to plan a publication. The album was never published because at the same time we accumulated new material that was going to constitute the second chapter of our precious collaboration.Andrea has\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e always been enthusiastic about these pieces which represent his musical ability and sensitivity. Through process of making records together with him, I've discovered a composer of the highest level, particularly enthusiastic about experimenting with me new musical ways, who advised me and inspired new ideas; for this I thank him and I dedicate this album to him.”\u003cbr\u003e\u003cbr\u003e'Everything Collapse[d]- piano versions' is a perfect union of our two sounds: drones, field recordings and processed loops intermingled with melancholy harmonies and piano chimes. A gloomy and dirty electronic sound that turns into an extremely evocative score which is full of pathos.\u003cbr\u003eA more ethereal, almost meditative release, playing with shifting textures and minimal tones.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Deison \u0026amp; Mingle\u003c\/p\u003e\n\u003cp\u003eLabel : Silentes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSPS25101\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 31st October 2025\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験音楽家Deison & Mingleが、2025年11月に同国アンビエントレーベルsilentesから200部限定でリリースした共作CDです。 ピアノをメインソースにしたエレクトロアコースティック8曲を収録。6面デジスリーブ、シュリンク仕様です。 Silentesその他作品はこちら /// Click here to see more Silentes / BeTon releases available at Tobira. ...
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{"id":9023231131898,"title":"Charlotte Moorman \/\/ Cello Anthology 4xCD+BOOK+LP BOX","handle":"charlotte-moorman-cello-anthology-4xcd-book-lp-box","description":"\u003cp\u003eアメリカのチェリストCharlotte Moorman（1933-1991）が、2025年11月にイタリアの実験レーベルAlga Marghenから80部限定でリリースしたART BOXです。\u003c\/p\u003e\n\u003cp\u003e4枚組CDと154ページのカラー本、未発表音源のレコード、16種類のフルカラーインサート付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 4xCD + 154-page book + posters in art box.\u003cbr\u003ePreviously unreleased vinyl contains \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eanswering machine messages and rare performances. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e16 full-color inserts reproduce the original posters and programs of the Annual Avant Garde Festival of New York.\u003cbr\u003eEdition of 80 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-1 John Cage - 26' 1.1499\" For A Stringplayer 32:36\u003cbr\u003e1-2 Earle Brown – Synergy 4:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-3 Giuseppe Chiari - Per Arco 3:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-4 Karlheinz Stockhausen - Plus-Minus 10:07\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-5 Terry Jennings - Piece For Cello And Saxophone 2:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-6 Toshi Ichiyanagi - Duet II 11:49\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2-1 Sylvano Bussotti - Sensitivo #7 2:20\u003cbr\u003e\u003c\/span\u003e2-2 Earle Brown - December 52 6:10\u003cbr\u003e2-3 Giuseppe Chiari - Ave Maria Di Schubert 1:47\u003cbr\u003e2-4 John Cage - 26' 1.1499\" For A Stringplayer 5:25\u003cbr\u003e2-5 Nam June Paik - Cello Sonata Opus 69 3:44\u003cbr\u003e2-6 Nam June Paik - Sonata No. 1 For Adults Only 7:57\u003cbr\u003e2-7 Toshi Ichiyanagi - Duet II 12:32\u003cbr\u003e2-8 Nam June Paik - Johann Sebastian Bussotti 3:17\u003cbr\u003e2-9 Toshi Ichiyanagi - Duet II 19:16\u003cbr\u003e2-10 John Cage - 26' 1.1499\" For A Stringplayer 2:44\u003cbr\u003e3-1 Charlotte Moorman \/ Paul Garrin \/ Nam June Paik - TV Cello Duets \/ Concerto For TV Cello And Videotapes 1:12:28\u003cbr\u003e4-1 Jackson Mac Low - The Long Hot Summer 12:45\u003cbr\u003e4-2 Charlotte Moorman \/ Harvey Matusow - Charlotte Moorman Interview By Harvey Matusow 33:42\u003cbr\u003e4-3 Nam June Paik \/ Russel Connor - Waiting For Commercials 8:13\u003cbr\u003e5-1 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-2 Charlotte Moorman - Piece For Cello And Saxophone With Terry Jennings\u003cbr\u003e5-3 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-4 John Cage - 26`1.1499\" For A String Player\u003cbr\u003e5-5 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-6 Charlotte Moorman - TV Cello Excerpt\u003cbr\u003e5-7 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-8 Charlotte Moorman - TV Cello Excerpt\u003cbr\u003e5-9 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-10 Charlotte Moorman - TV Cello Excerpt\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTracks 1-1 to 1-6 recorded in recital for Avant Garde Concert III at Judson Hall, New York on December 12, 1964. The concert was recorded by WBAI-FM.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 2-1 to 2-8 recorded in recital in Aachen (Germany), Theatersaal on July 25, 1966.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-9 is an unidentified recording.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-10 recorded onto 12\" aluminium base lacquer disc 33 rpm micro groove. No recording dates or locations mentioned.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 3-1, TV Cello Concert, recorded in Chicago, Museum of Contemporary Art in September 1982.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-1 recorded at the Second Avantgarde Festival of New York on September 3, 1964.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-2 is a Charlotte Moorman interview by Harvey Matusow recorded at BBC New York Studios, October 1969.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-3 is a soundtrack of the videotape \"Waiting for commercials\". No recording dates or locations mentioned.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Charlotte Moorman\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-M 27NMN.064\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-10T12:38:14+09:00","created_at":"2025-12-09T10:02:36+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","cd","contemporary \/ sound poetry","jazz","lp","new","recommended"],"price":2340000,"price_min":2340000,"price_max":2340000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48080663904506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charlotte Moorman \/\/ Cello Anthology 4xCD+BOOK+LP BOX","public_title":null,"options":["Default Title"],"price":2340000,"weight":1000,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXfront.jpg?v=1765241361","\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXback.jpg?v=1765241361","\/\/tobirarecords.com\/cdn\/shop\/files\/moor.jpg?v=1765241339","\/\/tobirarecords.com\/cdn\/shop\/files\/moor3.jpg?v=1765241339","\/\/tobirarecords.com\/cdn\/shop\/files\/moor4.jpg?v=1765241399"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXfront.jpg?v=1765241361","options":["Title"],"media":[{"alt":null,"id":37735071318266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3661,"width":3661,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXfront.jpg?v=1765241361"},"aspect_ratio":1.0,"height":3661,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXfront.jpg?v=1765241361","width":3661},{"alt":null,"id":37735071285498,"position":2,"preview_image":{"aspect_ratio":1.0,"height":3661,"width":3661,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXback.jpg?v=1765241361"},"aspect_ratio":1.0,"height":3661,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moormanBOXback.jpg?v=1765241361","width":3661},{"alt":null,"id":37735069712634,"position":3,"preview_image":{"aspect_ratio":2.199,"height":272,"width":598,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor.jpg?v=1765241339"},"aspect_ratio":2.199,"height":272,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor.jpg?v=1765241339","width":598},{"alt":null,"id":37735069745402,"position":4,"preview_image":{"aspect_ratio":0.988,"height":600,"width":593,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor3.jpg?v=1765241339"},"aspect_ratio":0.988,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor3.jpg?v=1765241339","width":593},{"alt":null,"id":37735074595066,"position":5,"preview_image":{"aspect_ratio":1.493,"height":402,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor4.jpg?v=1765241399"},"aspect_ratio":1.493,"height":402,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moor4.jpg?v=1765241399","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのチェリストCharlotte Moorman（1933-1991）が、2025年11月にイタリアの実験レーベルAlga Marghenから80部限定でリリースしたART BOXです。\u003c\/p\u003e\n\u003cp\u003e4枚組CDと154ページのカラー本、未発表音源のレコード、16種類のフルカラーインサート付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 4xCD + 154-page book + posters in art box.\u003cbr\u003ePreviously unreleased vinyl contains \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eanswering machine messages and rare performances. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e16 full-color inserts reproduce the original posters and programs of the Annual Avant Garde Festival of New York.\u003cbr\u003eEdition of 80 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1-1 John Cage - 26' 1.1499\" For A Stringplayer 32:36\u003cbr\u003e1-2 Earle Brown – Synergy 4:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-3 Giuseppe Chiari - Per Arco 3:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-4 Karlheinz Stockhausen - Plus-Minus 10:07\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-5 Terry Jennings - Piece For Cello And Saxophone 2:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1-6 Toshi Ichiyanagi - Duet II 11:49\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2-1 Sylvano Bussotti - Sensitivo #7 2:20\u003cbr\u003e\u003c\/span\u003e2-2 Earle Brown - December 52 6:10\u003cbr\u003e2-3 Giuseppe Chiari - Ave Maria Di Schubert 1:47\u003cbr\u003e2-4 John Cage - 26' 1.1499\" For A Stringplayer 5:25\u003cbr\u003e2-5 Nam June Paik - Cello Sonata Opus 69 3:44\u003cbr\u003e2-6 Nam June Paik - Sonata No. 1 For Adults Only 7:57\u003cbr\u003e2-7 Toshi Ichiyanagi - Duet II 12:32\u003cbr\u003e2-8 Nam June Paik - Johann Sebastian Bussotti 3:17\u003cbr\u003e2-9 Toshi Ichiyanagi - Duet II 19:16\u003cbr\u003e2-10 John Cage - 26' 1.1499\" For A Stringplayer 2:44\u003cbr\u003e3-1 Charlotte Moorman \/ Paul Garrin \/ Nam June Paik - TV Cello Duets \/ Concerto For TV Cello And Videotapes 1:12:28\u003cbr\u003e4-1 Jackson Mac Low - The Long Hot Summer 12:45\u003cbr\u003e4-2 Charlotte Moorman \/ Harvey Matusow - Charlotte Moorman Interview By Harvey Matusow 33:42\u003cbr\u003e4-3 Nam June Paik \/ Russel Connor - Waiting For Commercials 8:13\u003cbr\u003e5-1 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-2 Charlotte Moorman - Piece For Cello And Saxophone With Terry Jennings\u003cbr\u003e5-3 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-4 John Cage - 26`1.1499\" For A String Player\u003cbr\u003e5-5 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-6 Charlotte Moorman - TV Cello Excerpt\u003cbr\u003e5-7 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-8 Charlotte Moorman - TV Cello Excerpt\u003cbr\u003e5-9 Charlotte Moorman - Answering Machine Messages\u003cbr\u003e5-10 Charlotte Moorman - TV Cello Excerpt\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTracks 1-1 to 1-6 recorded in recital for Avant Garde Concert III at Judson Hall, New York on December 12, 1964. The concert was recorded by WBAI-FM.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTracks 2-1 to 2-8 recorded in recital in Aachen (Germany), Theatersaal on July 25, 1966.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-9 is an unidentified recording.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 2-10 recorded onto 12\" aluminium base lacquer disc 33 rpm micro groove. No recording dates or locations mentioned.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 3-1, TV Cello Concert, recorded in Chicago, Museum of Contemporary Art in September 1982.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-1 recorded at the Second Avantgarde Festival of New York on September 3, 1964.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-2 is a Charlotte Moorman interview by Harvey Matusow recorded at BBC New York Studios, October 1969.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrack 4-3 is a soundtrack of the videotape \"Waiting for commercials\". No recording dates or locations mentioned.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Charlotte Moorman\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-M 27NMN.064\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのチェリストCharlotte Moorman（1933-1991）が、2025年11月にイタリアの実験レーベルAlga Marghenから80部限定でリリースしたART BOXです。 4枚組CDと154ページのカラー本、未発表音源のレコード、16種類のフルカラーインサート付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available at...
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{"id":9022635344122,"title":"Rezo Glonti \/\/ Recollections V - VI 7inch","handle":"rezo-glonti-recollections-v-vi-7inch","description":"\u003cp\u003e過去にMuscut等から発表しているジョージアのアンビエント作家Rezo Glontiが、2025年12月にドイツのIntergalactic Research Institute for Soundからリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003eソビエト時代グルジアのクラシック音楽をサンプリングしたアンビエント〜アンビエントドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ソビエト時代、芸術はしばしばプロパガンダに沿わなければならず、国家と国民との共生関係を育んでいるように見えた。その結果、「社会的リアリズム（Social Realism）」の領域では、芸術的な実験のほとんどの形態は、強く抑制され、罰せられることさえあった。少数の例外を除いて、20世紀のグルジアのクラシック／室内楽は極めて保守的であり続けた。しかし、機能不全に陥った文化現象に直面したとき、抑圧された文化が歴史的遺産や独自のパラダイムを伝えることができる社会の壁の隙間は常に存在する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2018年、Rezo Glontiはトビリシの「ドライ・ブリッジ」フリーマーケットで、ソビエト時代のグルジアの作曲家のLPを集め始めた。レコードの大半は、ソビエト連邦の特異な国営レコードレーベルMelodiyaからリリースされたクラシックと室内楽だった。このような過程を経て、Glontiは増え続けるコレクションのサンプルを活用したアルバム制作を目指し、『Recollection』のアイデアが生まれた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2209928141\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Intergalactic Research Institute for Sound\" href=\"https:\/\/soundcloud.com\/intergalactic-research\" target=\"_blank\"\u003eIntergalactic Research Institute for Sound\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Rezo Glonti - Recollections V - VI\" href=\"https:\/\/soundcloud.com\/intergalactic-research\/rezo-glonti-recollections-v-vi\" target=\"_blank\"\u003eRezo Glonti - Recollections V - VI\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/irif\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/irif\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eIntergalactic Research Institute for Sound releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003cbr\u003eEdition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Recollections V (03:49)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Recollections VI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIntergalactic Research Institute for Sound:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThird Edition of Recollections by Rezo Glonti\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDuring the Soviet era, art often had to align with propaganda, seemingly fostering a symbiotic relationship between the state and its people. Consequently, in the realm of “Social Realism,” most forms of artistic experimentation were strongly discouraged and even punishable. With few exceptions, 20th-century Georgian classical\/chamber music remained quite conservative; however, when faced with dysfunctional cultural phenomena, there will always be gaps in societal walls through which oppressed cultures can carry their historical heritage and unique paradigms.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 2018, Glonti started collecting LPs of Soviet-era Georgian composers at Tbilisi’s “Dry Bridge” flea market.The records mostly consisted of classical and chamber music released on Melodiya, the singular, state owned record label of the USSR. It was through this process that the idea of Recollection was born, as Glonti aimed to create an album that would utilize samples from his growing collection.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe artwork by Dmytro Nikolaienko of Day Night reflects the generic qualities of Soviet-era cover art.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rezo Glonti\u003c\/p\u003e\n\u003cp\u003eLabel : Intergalatic Research Institute For Sound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIRIS019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 5th December 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-12T05:47:09+09:00","created_at":"2025-12-08T12:50:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","Intergalactic Research Institute for Sound","lp","neo classical","new"],"price":294900,"price_min":294900,"price_max":294900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48076615713018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rezo Glonti \/\/ Recollections V - VI 7inch","public_title":null,"options":["Default Title"],"price":294900,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rezo1.jpg?v=1765165763","\/\/tobirarecords.com\/cdn\/shop\/files\/rezo2.jpg?v=1765165763","\/\/tobirarecords.com\/cdn\/shop\/files\/rezo3.jpg?v=1765165763"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rezo1.jpg?v=1765165763","options":["Title"],"media":[{"alt":null,"id":37727407702266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rezo1.jpg?v=1765165763"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rezo1.jpg?v=1765165763","width":1200},{"alt":null,"id":37727407735034,"position":2,"preview_image":{"aspect_ratio":0.896,"height":1200,"width":1075,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rezo2.jpg?v=1765165763"},"aspect_ratio":0.896,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rezo2.jpg?v=1765165763","width":1075},{"alt":null,"id":37727407767802,"position":3,"preview_image":{"aspect_ratio":0.877,"height":1200,"width":1052,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rezo3.jpg?v=1765165763"},"aspect_ratio":0.877,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rezo3.jpg?v=1765165763","width":1052}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にMuscut等から発表しているジョージアのアンビエント作家Rezo Glontiが、2025年12月にドイツのIntergalactic Research Institute for Soundからリリースした7\"です。\u003c\/p\u003e\n\u003cp\u003eソビエト時代グルジアのクラシック音楽をサンプリングしたアンビエント〜アンビエントドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ソビエト時代、芸術はしばしばプロパガンダに沿わなければならず、国家と国民との共生関係を育んでいるように見えた。その結果、「社会的リアリズム（Social Realism）」の領域では、芸術的な実験のほとんどの形態は、強く抑制され、罰せられることさえあった。少数の例外を除いて、20世紀のグルジアのクラシック／室内楽は極めて保守的であり続けた。しかし、機能不全に陥った文化現象に直面したとき、抑圧された文化が歴史的遺産や独自のパラダイムを伝えることができる社会の壁の隙間は常に存在する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2018年、Rezo Glontiはトビリシの「ドライ・ブリッジ」フリーマーケットで、ソビエト時代のグルジアの作曲家のLPを集め始めた。レコードの大半は、ソビエト連邦の特異な国営レコードレーベルMelodiyaからリリースされたクラシックと室内楽だった。このような過程を経て、Glontiは増え続けるコレクションのサンプルを活用したアルバム制作を目指し、『Recollection』のアイデアが生まれた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2209928141\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Intergalactic Research Institute for Sound\" href=\"https:\/\/soundcloud.com\/intergalactic-research\" target=\"_blank\"\u003eIntergalactic Research Institute for Sound\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Rezo Glonti - Recollections V - VI\" href=\"https:\/\/soundcloud.com\/intergalactic-research\/rezo-glonti-recollections-v-vi\" target=\"_blank\"\u003eRezo Glonti - Recollections V - VI\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/irif\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/irif\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eIntergalactic Research Institute for Sound releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003cbr\u003eEdition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Recollections V (03:49)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Recollections VI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIntergalactic Research Institute for Sound:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThird Edition of Recollections by Rezo Glonti\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDuring the Soviet era, art often had to align with propaganda, seemingly fostering a symbiotic relationship between the state and its people. Consequently, in the realm of “Social Realism,” most forms of artistic experimentation were strongly discouraged and even punishable. With few exceptions, 20th-century Georgian classical\/chamber music remained quite conservative; however, when faced with dysfunctional cultural phenomena, there will always be gaps in societal walls through which oppressed cultures can carry their historical heritage and unique paradigms.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 2018, Glonti started collecting LPs of Soviet-era Georgian composers at Tbilisi’s “Dry Bridge” flea market.The records mostly consisted of classical and chamber music released on Melodiya, the singular, state owned record label of the USSR. It was through this process that the idea of Recollection was born, as Glonti aimed to create an album that would utilize samples from his growing collection.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe artwork by Dmytro Nikolaienko of Day Night reflects the generic qualities of Soviet-era cover art.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rezo Glonti\u003c\/p\u003e\n\u003cp\u003eLabel : Intergalatic Research Institute For Sound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIRIS019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 5th December 2025\u003c\/span\u003e\u003c\/p\u003e"}
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過去にMuscut等から発表しているジョージアのアンビエント作家Rezo Glontiが、2025年12月にドイツのIntergalactic Research Institute for Soundからリリースした7"です。 ソビエト時代グルジアのクラシック音楽をサンプリングしたアンビエント〜アンビエントドローン2曲を収録。 以下、レーベルによる解説です。 "ソビエト時代、芸術はしばしばプロパガンダに沿わなければならず、国家と国民との共生関係を育んでいるように見えた。その結果、「社会的リアリズム（Social Realism）」の領域では、芸術的な実験のほとんどの形態は、強く抑制され、罰せられることさえあった。少数の例外を除いて、20世紀のグルジアのクラシック／室内楽は極めて保守的であり続けた。しかし、機能不全に陥った文化現象に直面したとき、抑圧された文化が歴史的遺産や独自のパラダイムを伝えることができる社会の壁の隙間は常に存在する。 2018年、Rezo Glontiはトビリシの「ドライ・ブリッジ」フリーマーケットで、ソビエト時代のグルジアの作曲家のLPを集め始めた。レコードの大半は、ソビエト連邦の特異な国営レコードレーベルMelodiyaからリリースされたクラシックと室内楽だった。このような過程を経て、Glontiは増え続けるコレクションのサンプルを活用したアルバム制作を目指し、『Recollection』のアイデアが生まれた。" Intergalactic Research...
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{"id":9022615257338,"title":"Erik Carlson \/\/ 607 Tunings of a Major Ninth Chord CD","handle":"erik-carlson-607-tunings-of-a-major-ninth-chord-cd","description":"\u003cp\u003eアメリカのバイオリニストErik Carlsonが、2025年11月に同国実験音楽家\u003cspan\u003eJack Callahan\u003c\/span\u003e主宰レーベルFLEAからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eヴィオラ5本による、607種類ものMajor 9thの微分音を収録。\u003c\/p\u003e\n\u003cp\u003eCDのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2225842379\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-198195096\" title=\"tobirarecs\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-198195096\/erik-carlson\" title=\"Erik-Carlson\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eErik-Carlson\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more FLEA releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in cardstock sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eViolinist\/composer Erik Carlson plays 607 calculated microtuning variations of a major ninth chord for 5 violas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. 607 Tunings of a Major Ninth Chord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Erik Carlson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : FLEA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : FLEA014\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-08T12:28:25+09:00","created_at":"2025-12-08T11:47:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","flea","new"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48075930403066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Erik Carlson \/\/ 607 Tunings of a Major Ninth Chord CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-08at11.43.55am.png?v=1765161897","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-08at11.44.12am.png?v=1765161897"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-08at11.43.55am.png?v=1765161897","options":["Title"],"media":[{"alt":null,"id":37727176687866,"position":1,"preview_image":{"aspect_ratio":1.03,"height":403,"width":415,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-08at11.43.55am.png?v=1765161897"},"aspect_ratio":1.03,"height":403,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-08at11.43.55am.png?v=1765161897","width":415},{"alt":null,"id":37727176720634,"position":2,"preview_image":{"aspect_ratio":1.0,"height":415,"width":415,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-08at11.44.12am.png?v=1765161897"},"aspect_ratio":1.0,"height":415,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-08at11.44.12am.png?v=1765161897","width":415}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのバイオリニストErik Carlsonが、2025年11月に同国実験音楽家\u003cspan\u003eJack Callahan\u003c\/span\u003e主宰レーベルFLEAからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eヴィオラ5本による、607種類ものMajor 9thの微分音を収録。\u003c\/p\u003e\n\u003cp\u003eCDのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2225842379\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-198195096\" title=\"tobirarecs\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-198195096\/erik-carlson\" title=\"Erik-Carlson\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eErik-Carlson\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more FLEA releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in cardstock sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eViolinist\/composer Erik Carlson plays 607 calculated microtuning variations of a major ninth chord for 5 violas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. 607 Tunings of a Major Ninth Chord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Erik Carlson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : FLEA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : FLEA014\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのバイオリニストErik Carlsonが、2025年11月に同国実験音楽家Jack Callahan主宰レーベルFLEAからリリースしたCDです。 ヴィオラ5本による、607種類ものMajor 9thの微分音を収録。 CDのみでの発表となります。 tobirarecs · Erik-Carlson レーベルその他作品はこちら /// Click here to see more FLEA...
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{"id":9022614831354,"title":"Dante Boon \/\/ Boon Plays Callahan LP","handle":"dante-boon-boon-plays-callahan-lp","description":"\u003cp\u003eオランダのピアニストDante Boonが、2025年11月にアメリカの実験音楽家\u003cspan\u003eJack Callahan\u003c\/span\u003e主宰レーベルFLEAからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eJack Callahanが書いた楽譜をDante Boonが1890年製のピアノを用いて演奏した2曲、40分を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2154957206\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more FLEA releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl.\u003cbr\u003eDutch pianist\/composer \u003cspan class=\"il\"\u003eDante\u003c\/span\u003e \u003cspan class=\"il\"\u003eBoon\u003c\/span\u003e \u003cspan class=\"il\"\u003eplays\u003c\/span\u003e 2 side length piano pieces by Jack \u003cspan class=\"il\"\u003eCallahan\u003c\/span\u003e, \"Blue Dream Excerpt with Extended Ending\" (2016) and \"40 Thelonious Monk Endings\" (2020), beautifully recorded on a 135 year old piano in Brussels.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSide A: Jack Callahan - Blue Dream Excerpt with Extended Ending (2016)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSide B: \u003cmeta charset=\"utf-8\"\u003eJack Callahan - 40 Thelonious Monk Endings (2020)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Dante Boon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : FLEA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : FLEALP003\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-08T12:14:04+09:00","created_at":"2025-12-08T11:42:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","flea","jazz","lp","new","recommended"],"price":444600,"price_min":444600,"price_max":444600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48075928633594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dante Boon \/\/ Boon Plays Callahan LP","public_title":null,"options":["Default Title"],"price":444600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/Screen_Shot_2025-12-08_at_11.33.16_am.png?v=1765161767","\/\/tobirarecords.com\/cdn\/shop\/files\/boon.webp?v=1765161403","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-08at11.33.33am.png?v=1765161359"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/Screen_Shot_2025-12-08_at_11.33.16_am.png?v=1765161767","options":["Title"],"media":[{"alt":null,"id":37727171903738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":574,"width":574,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Screen_Shot_2025-12-08_at_11.33.16_am.png?v=1765161767"},"aspect_ratio":1.0,"height":574,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Screen_Shot_2025-12-08_at_11.33.16_am.png?v=1765161767","width":574},{"alt":null,"id":37727156797690,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/boon.webp?v=1765161403"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/boon.webp?v=1765161403","width":1024},{"alt":null,"id":37727155290362,"position":3,"preview_image":{"aspect_ratio":0.774,"height":695,"width":538,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-08at11.33.33am.png?v=1765161359"},"aspect_ratio":0.774,"height":695,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-08at11.33.33am.png?v=1765161359","width":538}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのピアニストDante Boonが、2025年11月にアメリカの実験音楽家\u003cspan\u003eJack Callahan\u003c\/span\u003e主宰レーベルFLEAからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eJack Callahanが書いた楽譜をDante Boonが1890年製のピアノを用いて演奏した2曲、40分を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2154957206\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more FLEA releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl.\u003cbr\u003eDutch pianist\/composer \u003cspan class=\"il\"\u003eDante\u003c\/span\u003e \u003cspan class=\"il\"\u003eBoon\u003c\/span\u003e \u003cspan class=\"il\"\u003eplays\u003c\/span\u003e 2 side length piano pieces by Jack \u003cspan class=\"il\"\u003eCallahan\u003c\/span\u003e, \"Blue Dream Excerpt with Extended Ending\" (2016) and \"40 Thelonious Monk Endings\" (2020), beautifully recorded on a 135 year old piano in Brussels.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSide A: Jack Callahan - Blue Dream Excerpt with Extended Ending (2016)\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSide B: \u003cmeta charset=\"utf-8\"\u003eJack Callahan - 40 Thelonious Monk Endings (2020)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Dante Boon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : FLEA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : FLEALP003\u003c\/span\u003e\u003c\/p\u003e"}
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オランダのピアニストDante Boonが、2025年11月にアメリカの実験音楽家Jack Callahan主宰レーベルFLEAからリリースしたレコードです。 Jack Callahanが書いた楽譜をDante Boonが1890年製のピアノを用いて演奏した2曲、40分を収録。 レコードのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more FLEA releases available...
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{"id":9022065541370,"title":"Arto Lindsay \/\/ 7 Types of Ambiguity - A Parade LP","handle":"arto-lindsay-7-types-of-ambiguity-a-parade-lp","description":"\u003cp\u003eアメリカの大御所ギタリスト／実験音楽家Arto Lindsayが、2024年2月にスイスのNo Salad Recordsからリリースしたレコードです。16ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Arto Lindsayの『7 Types of Ambiguity - A Parade』は、ティボー・ワルターとステファン・クロプフが率いる研究プロジェクト「Phantom Power」の一環として、2022年にスイスのローザンヌにあるECAL\/芸術デザイン大学に設置されたオリジナルサウンドインスタレーションのステレオミックスである。それは、Arto Lindsayがブラジルのバイーアの街角で何度も目撃したようなカーニバルのパレードを、ホワイトキューブの中で音だけで再現するというものだった。耳にした、あるいは空想で語られる複雑な物語、トラックに搭載された爆音システムの通りを横切るミュージシャンたちの小さなブロック、民衆の伝統と混ざり合う宗教的なリズム、ストリートレベルでの階級闘争や人種闘争、「セクシュアリティと宗教、伝統と斬新さ、真の社会的革新の場が近接している典型的な例」、そしてそのすべてが、完全に一部となり、あるいは全体の主体となっている傍観者に与える影響を、どうやって再現するのか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eArto Lindsayは、パレードの物語を頭に描きながらサルバドール・デ・バイアを訪れ、アフロブラジルの宗教寺院であるテレイロで、4人のミュージシャン（そのうち3人は以前一緒に仕事をしたことがある）と一緒に抜粋を録音した。これらのミックスされたトラックは、ローザンヌの部屋で27チャンネルの没入型インスタレーションで直接音の彫刻として作られ、部屋そのもの、幻覚、天候のパターンや場所、例えば、パレードがにわか雨の時に止まったり、波のパーカッションの音が聞こえなくなるほど海に近づいたりする時などに、何層もの意味を加える。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003cbr\u003e\u003cspan\u003eIncludes a 16 pages booklet with an original text and drawings by Arto Lindsay, plus an essay by Thibault Walter, curator and senior lecturer in sound studies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA. 7 Types of Ambiguity - A Parade\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB. 7 Types of Ambiguity - A Parade\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNo Salad:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eArto Lindsay's 7 Types of Ambiguity - A Parade is a stereo mix of an original sound installation that was installed at ECAL \/ University of Arts and Design, Lausanne, Switzerland, in 2022 as part of a research project led by Thibault Walter and Stéphane Kropf called Phantom Power. The idea was simple, and yet the process and level of collaborative work implied was enormous: how to recreate a carnival parade -of the kind Arto had witnessed in the streets of Bahia in Brazil numerous times- inside a white cube and using only sound. How to replicate the complex intrications of those stories, heard or fantasized, the smaller blocos of musicians crossing the path of blasting sound \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003esystems mounted on trucks, those religious\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e rythmes mingling with popular traditions, class and race struggle at street level \" prime example of the proximity of sexuality and religion, of tradition and novelty and a place for true social innovation \" and the effect it all has on the bystanders that are completely part, or even become the subjects of the whole?\u003cbr\u003eArto went to Salvador de Bahia with a narrative of a parade in his mind, and recorded excerpts in a terreiro, a temple of Afro-Brazilian religion, with four musicians leader of blocos, three of which he had previously worked with. Those mixed tracks were crafted into a sound sculpture directly in the room in Lausanne on a 27 channels immersive installation, adding layers of meaning within the room itself, hallucinations, weather patterns or places, like when the parade stops during a rain shower or gets so close to the ocean as to lose the sound of the percussions in waves.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arto Lindsay\u003c\/p\u003e\n\u003cp\u003eLabel : No Salad Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan\u003eNSR 006LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-07T10:28:53+09:00","created_at":"2025-12-07T10:27:43+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","new"],"price":529000,"price_min":529000,"price_max":529000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48073689628922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arto Lindsay \/\/ 7 Types of Ambiguity - A Parade LP","public_title":null,"options":["Default Title"],"price":529000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"7649988995415","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_ad79c24c-6dd3-429d-aa69-fc48e0e400d2.jpg?v=1714021813","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2.jpg?v=1714021813"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_ad79c24c-6dd3-429d-aa69-fc48e0e400d2.jpg?v=1714021813","options":["Title"],"media":[{"alt":null,"id":33845640528122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_ad79c24c-6dd3-429d-aa69-fc48e0e400d2.jpg?v=1714021813"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_ad79c24c-6dd3-429d-aa69-fc48e0e400d2.jpg?v=1714021813","width":700},{"alt":null,"id":33845640560890,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2.jpg?v=1714021813"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2.jpg?v=1714021813","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所ギタリスト／実験音楽家Arto Lindsayが、2024年2月にスイスのNo Salad Recordsからリリースしたレコードです。16ページのブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Arto Lindsayの『7 Types of Ambiguity - A Parade』は、ティボー・ワルターとステファン・クロプフが率いる研究プロジェクト「Phantom Power」の一環として、2022年にスイスのローザンヌにあるECAL\/芸術デザイン大学に設置されたオリジナルサウンドインスタレーションのステレオミックスである。それは、Arto Lindsayがブラジルのバイーアの街角で何度も目撃したようなカーニバルのパレードを、ホワイトキューブの中で音だけで再現するというものだった。耳にした、あるいは空想で語られる複雑な物語、トラックに搭載された爆音システムの通りを横切るミュージシャンたちの小さなブロック、民衆の伝統と混ざり合う宗教的なリズム、ストリートレベルでの階級闘争や人種闘争、「セクシュアリティと宗教、伝統と斬新さ、真の社会的革新の場が近接している典型的な例」、そしてそのすべてが、完全に一部となり、あるいは全体の主体となっている傍観者に与える影響を、どうやって再現するのか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eArto Lindsayは、パレードの物語を頭に描きながらサルバドール・デ・バイアを訪れ、アフロブラジルの宗教寺院であるテレイロで、4人のミュージシャン（そのうち3人は以前一緒に仕事をしたことがある）と一緒に抜粋を録音した。これらのミックスされたトラックは、ローザンヌの部屋で27チャンネルの没入型インスタレーションで直接音の彫刻として作られ、部屋そのもの、幻覚、天候のパターンや場所、例えば、パレードがにわか雨の時に止まったり、波のパーカッションの音が聞こえなくなるほど海に近づいたりする時などに、何層もの意味を加える。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003cbr\u003e\u003cspan\u003eIncludes a 16 pages booklet with an original text and drawings by Arto Lindsay, plus an essay by Thibault Walter, curator and senior lecturer in sound studies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA. 7 Types of Ambiguity - A Parade\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB. 7 Types of Ambiguity - A Parade\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNo Salad:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eArto Lindsay's 7 Types of Ambiguity - A Parade is a stereo mix of an original sound installation that was installed at ECAL \/ University of Arts and Design, Lausanne, Switzerland, in 2022 as part of a research project led by Thibault Walter and Stéphane Kropf called Phantom Power. The idea was simple, and yet the process and level of collaborative work implied was enormous: how to recreate a carnival parade -of the kind Arto had witnessed in the streets of Bahia in Brazil numerous times- inside a white cube and using only sound. How to replicate the complex intrications of those stories, heard or fantasized, the smaller blocos of musicians crossing the path of blasting sound \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003esystems mounted on trucks, those religious\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e rythmes mingling with popular traditions, class and race struggle at street level \" prime example of the proximity of sexuality and religion, of tradition and novelty and a place for true social innovation \" and the effect it all has on the bystanders that are completely part, or even become the subjects of the whole?\u003cbr\u003eArto went to Salvador de Bahia with a narrative of a parade in his mind, and recorded excerpts in a terreiro, a temple of Afro-Brazilian religion, with four musicians leader of blocos, three of which he had previously worked with. Those mixed tracks were crafted into a sound sculpture directly in the room in Lausanne on a 27 channels immersive installation, adding layers of meaning within the room itself, hallucinations, weather patterns or places, like when the parade stops during a rain shower or gets so close to the ocean as to lose the sound of the percussions in waves.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arto Lindsay\u003c\/p\u003e\n\u003cp\u003eLabel : No Salad Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan\u003eNSR 006LP\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの大御所ギタリスト／実験音楽家Arto Lindsayが、2024年2月にスイスのNo Salad Recordsからリリースしたレコードです。16ページのブックレットが付属。 以下、レーベルによる解説です。 "Arto Lindsayの『7 Types of Ambiguity - A Parade』は、ティボー・ワルターとステファン・クロプフが率いる研究プロジェクト「Phantom Power」の一環として、2022年にスイスのローザンヌにあるECAL/芸術デザイン大学に設置されたオリジナルサウンドインスタレーションのステレオミックスである。それは、Arto...
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{"id":9021390356730,"title":"Konstantin Shamray \/\/ Idle Hands CD","handle":"konstantin-shamray-idle-hands-cd","description":"\u003cp\u003eロシアのピアニストKonstantin Shamrayが、2020年にオーストラリア・アデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eオーストラリアの作曲家Luke Altmannの楽曲をKonstantin Shamrayが演奏した12曲を収録。デジパック、シュリンク仕様です。16ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3447157012\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eIncludes 16-page booklet.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A sort of introduction 08:00\u003cbr\u003e2. Idle Hands - Idyll 03:55\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Idle Hands - Crosscurrents 02:48\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Idle Hands - The Right Environment 07:42\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Idle Hands - Sprite Mockery 02:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Idle Hands - Berceuse 03:21\u003cbr\u003e\u003c\/span\u003e7. Three Little Pieces - I 00:57\u003cbr\u003e8. Three Little Pieces - II 05:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Three Little Pieces - III 01:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Leunig Fragments - It Comes Back 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Leunig Fragments - Distilled and Light Hearted 05:24\u003cbr\u003e\u003c\/span\u003e12. Leunig Fragments - The Age of Joan 05:45\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing his recordings of Russian masterpieces for Naxos and ABC Classics, Konstantin Shamray presents this intimate portrait of Port Adelaide composer Luke Altmann with a selection of twelve intriguing pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNotwithstanding flashes of virtuosity and humour, and\u003cspan class=\"bcTruncateMore\"\u003e moments of gravitas, Idle Hands inhabits a hushed world of stillness and wonder; familiar, but scattered with disquiet.\u003cbr\u003e\u003cbr\u003eIdle Hands spans 20 years of Luke’s career, and was supported by the Sidney Myer Fund and the Australian Cultural Fund.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Konstantin Shamray\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC002\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th November 2020\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-28T07:48:53+09:00","created_at":"2025-12-06T11:14:18+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","de la catessen","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069281120506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Konstantin Shamray \/\/ Idle Hands CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/han1_66969a57-f6e5-485a-a764-7e52e5a32cf9.jpg?v=1764987113","\/\/tobirarecords.com\/cdn\/shop\/files\/han2_4051308e-3e50-4689-aed5-3700a7b319c8.jpg?v=1764987112","\/\/tobirarecords.com\/cdn\/shop\/files\/han3.jpg?v=1764987169"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/han1_66969a57-f6e5-485a-a764-7e52e5a32cf9.jpg?v=1764987113","options":["Title"],"media":[{"alt":null,"id":37712560816378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han1_66969a57-f6e5-485a-a764-7e52e5a32cf9.jpg?v=1764987113"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han1_66969a57-f6e5-485a-a764-7e52e5a32cf9.jpg?v=1764987113","width":700},{"alt":null,"id":37712560849146,"position":2,"preview_image":{"aspect_ratio":1.429,"height":840,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han2_4051308e-3e50-4689-aed5-3700a7b319c8.jpg?v=1764987112"},"aspect_ratio":1.429,"height":840,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han2_4051308e-3e50-4689-aed5-3700a7b319c8.jpg?v=1764987112","width":1200},{"alt":null,"id":37712561373434,"position":3,"preview_image":{"aspect_ratio":1.667,"height":720,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han3.jpg?v=1764987169"},"aspect_ratio":1.667,"height":720,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/han3.jpg?v=1764987169","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eロシアのピアニストKonstantin Shamrayが、2020年にオーストラリア・アデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eオーストラリアの作曲家Luke Altmannの楽曲をKonstantin Shamrayが演奏した12曲を収録。デジパック、シュリンク仕様です。16ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3447157012\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eIncludes 16-page booklet.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A sort of introduction 08:00\u003cbr\u003e2. Idle Hands - Idyll 03:55\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Idle Hands - Crosscurrents 02:48\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Idle Hands - The Right Environment 07:42\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Idle Hands - Sprite Mockery 02:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Idle Hands - Berceuse 03:21\u003cbr\u003e\u003c\/span\u003e7. Three Little Pieces - I 00:57\u003cbr\u003e8. Three Little Pieces - II 05:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Three Little Pieces - III 01:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Leunig Fragments - It Comes Back 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Leunig Fragments - Distilled and Light Hearted 05:24\u003cbr\u003e\u003c\/span\u003e12. Leunig Fragments - The Age of Joan 05:45\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing his recordings of Russian masterpieces for Naxos and ABC Classics, Konstantin Shamray presents this intimate portrait of Port Adelaide composer Luke Altmann with a selection of twelve intriguing pieces.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNotwithstanding flashes of virtuosity and humour, and\u003cspan class=\"bcTruncateMore\"\u003e moments of gravitas, Idle Hands inhabits a hushed world of stillness and wonder; familiar, but scattered with disquiet.\u003cbr\u003e\u003cbr\u003eIdle Hands spans 20 years of Luke’s career, and was supported by the Sidney Myer Fund and the Australian Cultural Fund.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Konstantin Shamray\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC002\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 6th November 2020\u003c\/span\u003e\u003c\/p\u003e"}
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ロシアのピアニストKonstantin Shamrayが、2020年にオーストラリア・アデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。 オーストラリアの作曲家Luke Altmannの楽曲をKonstantin Shamrayが演奏した12曲を収録。デジパック、シュリンク仕様です。16ページのブックレット付属。 レーベルその他作品はこちら /// Click here to see more De la...
¥1,980
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{"id":9021389668602,"title":"Raymond Chapman Smith \/\/ Traktat vom Licht \/ Variations on a Minuet by Mozart CD","handle":"amir-farid-raymond-chapman-smith-traktat-vom-licht-variations-on-a-minuet-by-mozart-cd","description":"\u003cp\u003eオーストラリアの作曲家Raymond Chapman Smithが、2024年11月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e室内楽39曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eピアノはAmir Faridが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470781310\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Traktat vom Licht: 01. Andante con moto 01:48\u003cbr\u003e2. Traktat vom Licht: 02. Allegro assai 01:01\u003cbr\u003e3. Traktat vom Licht: 03. Moderato cantabile 01:18\u003cbr\u003e4. Traktat vom Licht: 04. Quasi allegretto 01:06\u003cbr\u003e5. Traktat vom Licht: 05. Allegro moderato 01:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Traktat vom Licht: 06. Allegro, ma non troppo 00:57\u003cbr\u003e\u003c\/span\u003e7. Traktat vom Licht: 07. Allegretto, con moto e cantabile 02:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Traktat vom Licht: 08. Molto grazioso 01:02\u003cbr\u003e\u003c\/span\u003e9. Traktat vom Licht: 09. Andante, molto sostenuto 01:44\u003cbr\u003e10. Traktat vom Licht: 10. Allegro 00:53\u003cbr\u003e11. Traktat vom Licht: 11. Molto moderato 02:09\u003cbr\u003e12. Traktat vom Licht: 12. Vivace assai 00:49\u003cbr\u003e13. Traktat vom Licht: 13. Poco adagio, espressivo e molto cantabile 02:09\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Traktat vom Licht: 14. Andante sostenuto 01:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Traktat vom Licht: 15. Allegro, ma non troppo 01:02\u003cbr\u003e\u003c\/span\u003e16. Traktat vom Licht: 16. Presto 00:36\u003cbr\u003e17. Traktat vom Licht: 17. Andantino 02:07\u003cbr\u003e18. Traktat vom Licht: 18. Andante, molto espressivo 02:32\u003cbr\u003e19. Traktat vom Licht: 19. Vivace, ma non troppo 01:18\u003cbr\u003e20. Traktat vom Licht: 20. Adagio, ma non troppo 02:08\u003cbr\u003e21. Traktat vom Licht: 21. Allegretto, quasi andante 01:29\u003cbr\u003e22. Traktat vom Licht: 22. Allegretto 00:59\u003cbr\u003e23. Traktat vom Licht: 23. Allegro assai 01:03\u003cbr\u003e24. Traktat vom Licht: 24. Andante cantabile 02:11\u003cbr\u003e25. Traktat vom Licht: 25. Quasi allegretto 01:13\u003cbr\u003e26. Traktat vom Licht: 26. Andante cantabile e con moto 02:00\u003cbr\u003e27. Variations on a Minuet by Mozart: Thema: Tempo di minuetto (Mozart K.1), G Major 00:52\u003cbr\u003e28. Variations on a Minuet by Mozart: Var. I Tempo di minuetto, E-flat Major 01:20\u003cbr\u003e29. Variations on a Minuet by Mozart: Var. II Allegretto, C minor 00:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e30. Variations on a Minuet by Mozart: Var. III Andante sostenuto, A-flat Major 02:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e31. Variations on a Minuet by Mozart: Var. IV Presto, F minor 00:26\u003cbr\u003e\u003c\/span\u003e32. Variations on a Minuet by Mozart: Var. V Adagio sostenuto, D-flat Major 02:15\u003cbr\u003e33. Variations on a Minuet by Mozart: Var. VI Allegro, ma non troppo, A Major 00:48\u003cbr\u003e34. Variations on a Minuet by Mozart: Var. VII Andante, F-sharp minor 01:17\u003cbr\u003e35. Variations on a Minuet by Mozart: Var. VIII Vivace, D Major 00:44\u003cbr\u003e36. Variations on a Minuet by Mozart: Var. IX Allegretto, B-flat Major 00:48\u003cbr\u003e37. Variations on a Minuet by Mozart: Var. X Allegro, G minor 00:46\u003cbr\u003e38. Variations on a Minuet by Mozart: Var. XI Larghetto 'For Sarastro', E-flat Major 02:10\u003cbr\u003e39. Variations on a Minuet by Mozart: Var XII Allegro molto, G Major (Coda) 02:03\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAmir Farid returns to De la Catessen Records with the premiere recordings of Traktat vom Licht \/ Variations on a Minuet by Mozart - the second volume in an ongoing survey of endearingly quixotic piano music by Adelaidean composer Raymond Chapman Smith. In this new collection, following on from 2023’s Nachschriften \/ Ländler, pianist Amir Farid sheds further light on a fruitful period of Chapman Smith’s work, in which he utters in a uniquely mellifluous voice a beautiful old language recognised by so many but spoken by so few.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChapman Smith’s musical journey, through Sydney’s experimental scene of the early ‘70s, to his study with Australian modernist doyen Richard Meale, and his leadership of the notorious ACME New Music through the ‘90s, has led him to - of all places - the green\u003cspan class=\"bcTruncateMore\"\u003e pastures of nineteenth century German romanticism, where he invites us to join him in thoughtful spiritual contentedness through the current phase of his craft.\u003cbr\u003e\u003cbr\u003eThe title of Chapman Smith’s 26-part Traktat vom Licht is borrowed from a cycle of 26 poetic-scientific-metaphysical fragments by Novalis, a crucial voice in the formulation of the first phase of German Romanticism.\u003cbr\u003e\u003cbr\u003eWritten in 2006 as an acknowledgement of the 250th anniversary of Mozart’s birth, Variations on a Minuet by Mozart takes the theme from the first piece in Mozart’s catalogue - his K1, written when he was five years old - and turns it through a set of twelve variations.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amir Farid, Raymond Chapman Smith\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th November 2024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-21T10:44:55+09:00","created_at":"2025-12-06T11:10:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","de la catessen","neo classical","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069280432378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Raymond Chapman Smith \/\/ Traktat vom Licht \/ Variations on a Minuet by Mozart CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/trak1.jpg?v=1764986805","\/\/tobirarecords.com\/cdn\/shop\/files\/trak2.jpg?v=1764986805"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/trak1.jpg?v=1764986805","options":["Title"],"media":[{"alt":null,"id":37712543088890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trak1.jpg?v=1764986805"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trak1.jpg?v=1764986805","width":700},{"alt":null,"id":37712543121658,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trak2.jpg?v=1764986805"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/trak2.jpg?v=1764986805","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの作曲家Raymond Chapman Smithが、2024年11月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e室内楽39曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eピアノはAmir Faridが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1470781310\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Traktat vom Licht: 01. Andante con moto 01:48\u003cbr\u003e2. Traktat vom Licht: 02. Allegro assai 01:01\u003cbr\u003e3. Traktat vom Licht: 03. Moderato cantabile 01:18\u003cbr\u003e4. Traktat vom Licht: 04. Quasi allegretto 01:06\u003cbr\u003e5. Traktat vom Licht: 05. Allegro moderato 01:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Traktat vom Licht: 06. Allegro, ma non troppo 00:57\u003cbr\u003e\u003c\/span\u003e7. Traktat vom Licht: 07. Allegretto, con moto e cantabile 02:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Traktat vom Licht: 08. Molto grazioso 01:02\u003cbr\u003e\u003c\/span\u003e9. Traktat vom Licht: 09. Andante, molto sostenuto 01:44\u003cbr\u003e10. Traktat vom Licht: 10. Allegro 00:53\u003cbr\u003e11. Traktat vom Licht: 11. Molto moderato 02:09\u003cbr\u003e12. Traktat vom Licht: 12. Vivace assai 00:49\u003cbr\u003e13. Traktat vom Licht: 13. Poco adagio, espressivo e molto cantabile 02:09\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Traktat vom Licht: 14. Andante sostenuto 01:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Traktat vom Licht: 15. Allegro, ma non troppo 01:02\u003cbr\u003e\u003c\/span\u003e16. Traktat vom Licht: 16. Presto 00:36\u003cbr\u003e17. Traktat vom Licht: 17. Andantino 02:07\u003cbr\u003e18. Traktat vom Licht: 18. Andante, molto espressivo 02:32\u003cbr\u003e19. Traktat vom Licht: 19. Vivace, ma non troppo 01:18\u003cbr\u003e20. Traktat vom Licht: 20. Adagio, ma non troppo 02:08\u003cbr\u003e21. Traktat vom Licht: 21. Allegretto, quasi andante 01:29\u003cbr\u003e22. Traktat vom Licht: 22. Allegretto 00:59\u003cbr\u003e23. Traktat vom Licht: 23. Allegro assai 01:03\u003cbr\u003e24. Traktat vom Licht: 24. Andante cantabile 02:11\u003cbr\u003e25. Traktat vom Licht: 25. Quasi allegretto 01:13\u003cbr\u003e26. Traktat vom Licht: 26. Andante cantabile e con moto 02:00\u003cbr\u003e27. Variations on a Minuet by Mozart: Thema: Tempo di minuetto (Mozart K.1), G Major 00:52\u003cbr\u003e28. Variations on a Minuet by Mozart: Var. I Tempo di minuetto, E-flat Major 01:20\u003cbr\u003e29. Variations on a Minuet by Mozart: Var. II Allegretto, C minor 00:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e30. Variations on a Minuet by Mozart: Var. III Andante sostenuto, A-flat Major 02:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e31. Variations on a Minuet by Mozart: Var. IV Presto, F minor 00:26\u003cbr\u003e\u003c\/span\u003e32. Variations on a Minuet by Mozart: Var. V Adagio sostenuto, D-flat Major 02:15\u003cbr\u003e33. Variations on a Minuet by Mozart: Var. VI Allegro, ma non troppo, A Major 00:48\u003cbr\u003e34. Variations on a Minuet by Mozart: Var. VII Andante, F-sharp minor 01:17\u003cbr\u003e35. Variations on a Minuet by Mozart: Var. VIII Vivace, D Major 00:44\u003cbr\u003e36. Variations on a Minuet by Mozart: Var. IX Allegretto, B-flat Major 00:48\u003cbr\u003e37. Variations on a Minuet by Mozart: Var. X Allegro, G minor 00:46\u003cbr\u003e38. Variations on a Minuet by Mozart: Var. XI Larghetto 'For Sarastro', E-flat Major 02:10\u003cbr\u003e39. Variations on a Minuet by Mozart: Var XII Allegro molto, G Major (Coda) 02:03\u003c\/p\u003e\n\u003cp\u003eDe la Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eAmir Farid returns to De la Catessen Records with the premiere recordings of Traktat vom Licht \/ Variations on a Minuet by Mozart - the second volume in an ongoing survey of endearingly quixotic piano music by Adelaidean composer Raymond Chapman Smith. In this new collection, following on from 2023’s Nachschriften \/ Ländler, pianist Amir Farid sheds further light on a fruitful period of Chapman Smith’s work, in which he utters in a uniquely mellifluous voice a beautiful old language recognised by so many but spoken by so few.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChapman Smith’s musical journey, through Sydney’s experimental scene of the early ‘70s, to his study with Australian modernist doyen Richard Meale, and his leadership of the notorious ACME New Music through the ‘90s, has led him to - of all places - the green\u003cspan class=\"bcTruncateMore\"\u003e pastures of nineteenth century German romanticism, where he invites us to join him in thoughtful spiritual contentedness through the current phase of his craft.\u003cbr\u003e\u003cbr\u003eThe title of Chapman Smith’s 26-part Traktat vom Licht is borrowed from a cycle of 26 poetic-scientific-metaphysical fragments by Novalis, a crucial voice in the formulation of the first phase of German Romanticism.\u003cbr\u003e\u003cbr\u003eWritten in 2006 as an acknowledgement of the 250th anniversary of Mozart’s birth, Variations on a Minuet by Mozart takes the theme from the first piece in Mozart’s catalogue - his K1, written when he was five years old - and turns it through a set of twelve variations.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amir Farid, Raymond Chapman Smith\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th November 2024\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリアの作曲家Raymond Chapman Smithが、2024年11月にアデレイドの実験レーベルde la Catessenから150部限定でリリースしたCDです。 室内楽39曲を収録。デジパック、シュリンク仕様です。 ピアノはAmir Faridが担当しています。 レーベルその他作品はこちら /// Click here to see more De...
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{"id":9021387505914,"title":"Raymond Chapman Smith \/\/ Nachschriften \/ Ländler CD","handle":"amir-farid-nachschriften-landler-cd","description":"\u003cp\u003eアメリカ出身オーストラリア在住のピアニストAmir Faridが、2023年7月にオーストラリア・アデレイドの実験レーベルde la Catessenから300部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e室内楽38曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=527219918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. No. 1 A flat major, Moderato cantabile molto espressivo 01:01\u003cbr\u003e2. No. 2 F minor, Andante con moto 01:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. No. 3 D flat major, Allegretto grazioso 00:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. No. 4 B flat minor, Andante non troppo e con molto espressione 01:37\u003cbr\u003e\u003c\/span\u003e5. No. 5 G flat major, Molto adagio 01:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. No. 6 E flat minor, Andante, ma non troppo 01:30\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. No. 7 B major, Vivace 00:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. No. 8 G sharp minor, Andante cantabile, quasi allegretto 01:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. No. 9 E major, Allegro vivace 00:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. No. 10 C sharp minor, Quasi allegretto 00:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. No. 11 A major, Allegretto 00:50\u003cbr\u003e\u003c\/span\u003e12. No. 12 F sharp minor, Andantino 01:02\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. No. 13 D major, Lento assai, tranquillo e ritenuto 01:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. No. 14 D major, Andante cantabile 01:26\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. No. 15 B minor, Tranquillo 01:13\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. No. 16 G major, Andante amabile e con moto 01:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e17. No. 17 E minor, Allegro ma non troppo 00:59\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18. No. 18 C major, Adagio molto semplice e cantabile 01:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e19. No. 19 A minor, Allegretto 00:48\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e20. No. 20 F major, Vivace moderato 00:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e21. No. 21 D minor, Un poco agitato 00:49\u003cbr\u003e\u003c\/span\u003e22. No. 22 B flat major, Adagio sostenuto 02:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e23. No. 23 G minor, Molto passionato, ma non troppo allegro 00:45\u003cbr\u003e\u003c\/span\u003e24. No. 24 E flat major, Dolce ed intimo 01:27\u003cbr\u003e25. No. 25 C minor, Andante con moto 01:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e26. No. 26 A flat major, Allegretto moderato 00:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e27. No. 1 A major, Con tenerezza 01:50\u003cbr\u003e\u003c\/span\u003e28. No. 2 F sharp minor, Andantino 01:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e29. No. 3 E major, Grazioso e giocoso 01:45\u003cbr\u003e\u003c\/span\u003e30. No. 4 C sharp minor, Andante moderato 02:29\u003cbr\u003e31. No. 5 D flat major, Allegretto, ma non troppo 01:14\u003cbr\u003e32. No. 6 B flat minor, Andante non troppo e con molto espressione 02:04\u003cbr\u003e33. No. 7 A flat major, Allegretto teneramente 01:46\u003cbr\u003e34. No. 8 F minor, un poco agitato 00:51\u003cbr\u003e35. No. 9 F major, Adagietto, molto lento e ritenuto 01:57\u003cbr\u003e36. No. 10 D minor, Vivace, molto grazioso 01:30\u003cbr\u003e37. No. 11 C major, Allegro con brio 00:45\u003cbr\u003e38. No. 12 A minor, Non presto 02:27\u003c\/p\u003e\n\u003cp\u003eExcerpt from De La Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs co-director of new music organisation The Firm, Raymond Chapman Smith has quietly presented over 130 concerts of new music. But his uncomplicated disinterest in recognition or recording means his music is rarely heard beyond the walls of Adelaide's Elder Hall, where The Firm's annual concert series is presented to a regular audience of 50-100 initiates. This is the first album of his work, played by US born Australian-Iranian pianist Amir Farid.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a teenager in 1970 Chapman Smith began performing in AZ Music in Sydney with the recently returned Australian assistant to Cardew and Stockhausen, David Ahern, feeding new ideas into the local music scene, and fielding phoned-in performance instructions from La Monte Young for their improvisations at Brett Whiteley's gallery. After moving to Adelaide to study with Richard Meale, through the '80s and '90s Chapman Smith founded and co-helmed\u003cspan class=\"bcTruncateMore\"\u003e loosely Cageian composer-performer collectives. Since 1996 he has co-directed new music organisation The Firm, revelling in the poetic aesthetic of 19th Century German romanticism.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amir Farid\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 19th July 2023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-21T09:32:02+09:00","created_at":"2025-12-06T10:54:35+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","de la catessen","neo classical","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48069275189498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Raymond Chapman Smith \/\/ Nachschriften \/ Ländler CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nach1.jpg?v=1764985887","\/\/tobirarecords.com\/cdn\/shop\/files\/nach2.jpg?v=1764985887"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nach1.jpg?v=1764985887","options":["Title"],"media":[{"alt":null,"id":37712434987258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nach1.jpg?v=1764985887"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nach1.jpg?v=1764985887","width":700},{"alt":null,"id":37712435020026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nach2.jpg?v=1764985887"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nach2.jpg?v=1764985887","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身オーストラリア在住のピアニストAmir Faridが、2023年7月にオーストラリア・アデレイドの実験レーベルde la Catessenから300部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e室内楽38曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=527219918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delaca\"\u003ehere\u003c\/a\u003e to see more De la Catessen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. No. 1 A flat major, Moderato cantabile molto espressivo 01:01\u003cbr\u003e2. No. 2 F minor, Andante con moto 01:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. No. 3 D flat major, Allegretto grazioso 00:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. No. 4 B flat minor, Andante non troppo e con molto espressione 01:37\u003cbr\u003e\u003c\/span\u003e5. No. 5 G flat major, Molto adagio 01:46\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. No. 6 E flat minor, Andante, ma non troppo 01:30\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. No. 7 B major, Vivace 00:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. No. 8 G sharp minor, Andante cantabile, quasi allegretto 01:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. No. 9 E major, Allegro vivace 00:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. No. 10 C sharp minor, Quasi allegretto 00:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. No. 11 A major, Allegretto 00:50\u003cbr\u003e\u003c\/span\u003e12. No. 12 F sharp minor, Andantino 01:02\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. No. 13 D major, Lento assai, tranquillo e ritenuto 01:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. No. 14 D major, Andante cantabile 01:26\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. No. 15 B minor, Tranquillo 01:13\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. No. 16 G major, Andante amabile e con moto 01:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e17. No. 17 E minor, Allegro ma non troppo 00:59\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18. No. 18 C major, Adagio molto semplice e cantabile 01:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e19. No. 19 A minor, Allegretto 00:48\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e20. No. 20 F major, Vivace moderato 00:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e21. No. 21 D minor, Un poco agitato 00:49\u003cbr\u003e\u003c\/span\u003e22. No. 22 B flat major, Adagio sostenuto 02:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e23. No. 23 G minor, Molto passionato, ma non troppo allegro 00:45\u003cbr\u003e\u003c\/span\u003e24. No. 24 E flat major, Dolce ed intimo 01:27\u003cbr\u003e25. No. 25 C minor, Andante con moto 01:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e26. No. 26 A flat major, Allegretto moderato 00:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e27. No. 1 A major, Con tenerezza 01:50\u003cbr\u003e\u003c\/span\u003e28. No. 2 F sharp minor, Andantino 01:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e29. No. 3 E major, Grazioso e giocoso 01:45\u003cbr\u003e\u003c\/span\u003e30. No. 4 C sharp minor, Andante moderato 02:29\u003cbr\u003e31. No. 5 D flat major, Allegretto, ma non troppo 01:14\u003cbr\u003e32. No. 6 B flat minor, Andante non troppo e con molto espressione 02:04\u003cbr\u003e33. No. 7 A flat major, Allegretto teneramente 01:46\u003cbr\u003e34. No. 8 F minor, un poco agitato 00:51\u003cbr\u003e35. No. 9 F major, Adagietto, molto lento e ritenuto 01:57\u003cbr\u003e36. No. 10 D minor, Vivace, molto grazioso 01:30\u003cbr\u003e37. No. 11 C major, Allegro con brio 00:45\u003cbr\u003e38. No. 12 A minor, Non presto 02:27\u003c\/p\u003e\n\u003cp\u003eExcerpt from De La Catessen:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs co-director of new music organisation The Firm, Raymond Chapman Smith has quietly presented over 130 concerts of new music. But his uncomplicated disinterest in recognition or recording means his music is rarely heard beyond the walls of Adelaide's Elder Hall, where The Firm's annual concert series is presented to a regular audience of 50-100 initiates. This is the first album of his work, played by US born Australian-Iranian pianist Amir Farid.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a teenager in 1970 Chapman Smith began performing in AZ Music in Sydney with the recently returned Australian assistant to Cardew and Stockhausen, David Ahern, feeding new ideas into the local music scene, and fielding phoned-in performance instructions from La Monte Young for their improvisations at Brett Whiteley's gallery. After moving to Adelaide to study with Richard Meale, through the '80s and '90s Chapman Smith founded and co-helmed\u003cspan class=\"bcTruncateMore\"\u003e loosely Cageian composer-performer collectives. Since 1996 he has co-directed new music organisation The Firm, revelling in the poetic aesthetic of 19th Century German romanticism.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amir Farid\u003c\/p\u003e\n\u003cp\u003eLabel : De la Catessen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLC013\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 19th July 2023\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ出身オーストラリア在住のピアニストAmir Faridが、2023年7月にオーストラリア・アデレイドの実験レーベルde la Catessenから300部限定でリリースしたCDです。 室内楽38曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more De la Catessen releases...
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{"id":9014168060154,"title":"Eldritch Priest \/\/ dead-wall reveries CD","handle":"eldritch-priest-dead-wall-reveries-cd","description":"\u003cp\u003eカナダの作曲家Eldritch Priestが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eストリングスとピアノによる室内楽3曲、1時間を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1050638364\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2950531819\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1050638364\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dust breeding 25:48\u003cbr\u003e2. dormitive virtue 21:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. dead-wall reveries 27:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThree taut, restless chamber works by the Canadian composer: a string quartet played by Apartment House, a piece for solo piano played by the composer, and a new work for ensemble, played by Arraymusic in Toronto.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEldritch Priest’s works have been described as \"exemplary models of artistic investigation\" which never follow an easy path: \"Art as open dialogue, as subversion, as non-hierarchical—a means of returning the listener’s sense of the world to one imbued with wonder and amazement.\" (Marc Couroux)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSometimes lyrical, sometimes sharp, Priest likens his music to “daydreaming, straying impassively from one moment to another… (in a way that) reflects my interest in improvisation and a long-held love for melodies that go wonderfully nowhere.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eldritch Priest\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat246\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-30T07:08:54+09:00","created_at":"2025-11-29T09:36:20+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","new"],"price":256500,"price_min":256500,"price_max":256500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025796215034,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eldritch Priest \/\/ dead-wall reveries CD","public_title":null,"options":["Default Title"],"price":256500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dead1_d0401fff-1f5f-4535-b8a3-683e57a0c404.jpg?v=1764376521","\/\/tobirarecords.com\/cdn\/shop\/files\/dead2_6710f9a6-e305-406e-ab27-61c129991223.jpg?v=1764376521"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dead1_d0401fff-1f5f-4535-b8a3-683e57a0c404.jpg?v=1764376521","options":["Title"],"media":[{"alt":null,"id":37647129903354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dead1_d0401fff-1f5f-4535-b8a3-683e57a0c404.jpg?v=1764376521"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dead1_d0401fff-1f5f-4535-b8a3-683e57a0c404.jpg?v=1764376521","width":700},{"alt":null,"id":37647129936122,"position":2,"preview_image":{"aspect_ratio":1.019,"height":1178,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dead2_6710f9a6-e305-406e-ab27-61c129991223.jpg?v=1764376521"},"aspect_ratio":1.019,"height":1178,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dead2_6710f9a6-e305-406e-ab27-61c129991223.jpg?v=1764376521","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの作曲家Eldritch Priestが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eストリングスとピアノによる室内楽3曲、1時間を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1050638364\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2950531819\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1050638364\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dust breeding 25:48\u003cbr\u003e2. dormitive virtue 21:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. dead-wall reveries 27:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThree taut, restless chamber works by the Canadian composer: a string quartet played by Apartment House, a piece for solo piano played by the composer, and a new work for ensemble, played by Arraymusic in Toronto.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEldritch Priest’s works have been described as \"exemplary models of artistic investigation\" which never follow an easy path: \"Art as open dialogue, as subversion, as non-hierarchical—a means of returning the listener’s sense of the world to one imbued with wonder and amazement.\" (Marc Couroux)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSometimes lyrical, sometimes sharp, Priest likens his music to “daydreaming, straying impassively from one moment to another… (in a way that) reflects my interest in improvisation and a long-held love for melodies that go wonderfully nowhere.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eldritch Priest\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat246\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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カナダの作曲家Eldritch Priestが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。 ストリングスとピアノによる室内楽3曲、1時間を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at Tobira....
¥2,565
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{"id":9014167732474,"title":"Marja Ahti \/\/ Visiting Cloud CD","handle":"marja-ahti-visiting-cloud-cd","description":"\u003cp\u003e過去にHallow GroundやStudents of Decay、Black Truffleなどから発表しているスウェーデン出身フィンランド在住の実験音楽家Marja Ahtiが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e彼女のエレクトロアコースティック作品をアコースティックアンサンブルBlutwurstがリワークした2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1354113543\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Chora (2019 \/ 2024) 21:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Fluctuating Streams (2020\/2024) 19:48\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'\u003cem\u003eVisiting Cloud (two translations)' features two compositions by the Swedish composer Marja Ahti, who now lives in Finland. Both pieces are arrangements \/ translations of works originally composed as electro-acoustic pieces, but which have been recomposed for the acoustic ensemble Blutwurst.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe collaboration between Marja Ahti and ensemble was initiated by the ensemble in 2021, with Marja traveling to Firenze to supervise the project and work with the musicians leading up to a concert performance in June 2024. The recordings were made at the same time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn both pieces this process of translation has considerably slowed and lengthened the works: “This slowness and gravitas is something I very much associate with Blutwurst’s aesthetic….The aim was to use the originals as a creative starting point for a new soundworld and to investigate how the idea and spirit of the original pieces would carry through into a new medium”. Beautiful, breath-taking music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marja Ahti\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat247\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-30T07:13:48+09:00","created_at":"2025-11-29T09:34:12+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone","new"],"price":256500,"price_min":256500,"price_max":256500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025795723514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marja Ahti \/\/ Visiting Cloud CD","public_title":null,"options":["Default Title"],"price":256500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/clou1_7ac9c85a-2126-4b0c-b8aa-bfdf875a374f.jpg?v=1764376385","\/\/tobirarecords.com\/cdn\/shop\/files\/clou2_946534f7-5564-44bf-b3f4-38d9b29ec2b8.jpg?v=1764376385"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/clou1_7ac9c85a-2126-4b0c-b8aa-bfdf875a374f.jpg?v=1764376385","options":["Title"],"media":[{"alt":null,"id":37647117910266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clou1_7ac9c85a-2126-4b0c-b8aa-bfdf875a374f.jpg?v=1764376385"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clou1_7ac9c85a-2126-4b0c-b8aa-bfdf875a374f.jpg?v=1764376385","width":700},{"alt":null,"id":37647117943034,"position":2,"preview_image":{"aspect_ratio":1.156,"height":1038,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clou2_946534f7-5564-44bf-b3f4-38d9b29ec2b8.jpg?v=1764376385"},"aspect_ratio":1.156,"height":1038,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clou2_946534f7-5564-44bf-b3f4-38d9b29ec2b8.jpg?v=1764376385","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にHallow GroundやStudents of Decay、Black Truffleなどから発表しているスウェーデン出身フィンランド在住の実験音楽家Marja Ahtiが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e彼女のエレクトロアコースティック作品をアコースティックアンサンブルBlutwurstがリワークした2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1354113543\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Chora (2019 \/ 2024) 21:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Fluctuating Streams (2020\/2024) 19:48\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'\u003cem\u003eVisiting Cloud (two translations)' features two compositions by the Swedish composer Marja Ahti, who now lives in Finland. Both pieces are arrangements \/ translations of works originally composed as electro-acoustic pieces, but which have been recomposed for the acoustic ensemble Blutwurst.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe collaboration between Marja Ahti and ensemble was initiated by the ensemble in 2021, with Marja traveling to Firenze to supervise the project and work with the musicians leading up to a concert performance in June 2024. The recordings were made at the same time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn both pieces this process of translation has considerably slowed and lengthened the works: “This slowness and gravitas is something I very much associate with Blutwurst’s aesthetic….The aim was to use the originals as a creative starting point for a new soundworld and to investigate how the idea and spirit of the original pieces would carry through into a new medium”. Beautiful, breath-taking music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marja Ahti\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat247\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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過去にHallow GroundやStudents of Decay、Black Truffleなどから発表しているスウェーデン出身フィンランド在住の実験音楽家Marja Ahtiが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。 彼女のエレクトロアコースティック作品をアコースティックアンサンブルBlutwurstがリワークした2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Another Timbre...
¥2,565
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{"id":9014167503098,"title":"Santiago Diez Fischer \/\/ SONGS CD","handle":"santiago-diez-fischer-songs-cd","description":"\u003cp\u003eアルゼンチンの作曲家Santiago Diez Fischerが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアコーディオンとサックス、パーカッションによる室内楽5曲、1時間を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2387617921\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. and your mouth is like the sound of many waters 09:32\u003cbr\u003e2. tres ciegos 13:36\u003cbr\u003e3. under the redwood tree 12:32\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. rise in the sky to be a reminder of comfort 08:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. sappho's song 12:25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA cycle of five chamber works by the Argentine composer, written for and performed by ensemble Gyre:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAlejandro Oliván López, baritone Saxophone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStefanie Mirwald-Keiser, accordion\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eChristian Streit Smith, percussion\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTwo of the pieces are for the full trio, the others being solos for each of the instrumentalists, but the music is augmented with electronics designed by the composer, as well as adding subtle vocal accompaniments: “the voice I have in mind is not a classical or trained voice — it’s an everyday voice, the voice with which we hum a song we love….the voice with which, I imagine, our ancestors once sang.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFantastically original, occasionally abrasive music which has been described as ‘punk-poetic’, and which the composer himself likens to sculpture which is 'unfinished…(coming from) that place where stone ceases to be stone and becomes sculpture, and where the sculpture merges again with the raw stone'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Santiago Diez Fischer\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat248\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-30T07:38:36+09:00","created_at":"2025-11-29T09:32:04+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone","new"],"price":256500,"price_min":256500,"price_max":256500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025795330298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Santiago Diez Fischer \/\/ SONGS CD","public_title":null,"options":["Default Title"],"price":256500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/san1_67242524-704d-4eff-b769-4afe47ef444e.jpg?v=1764376215","\/\/tobirarecords.com\/cdn\/shop\/files\/san2_eb125d4a-b7e5-4d8c-9731-5fb4f5ba65e4.jpg?v=1764376215"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_67242524-704d-4eff-b769-4afe47ef444e.jpg?v=1764376215","options":["Title"],"media":[{"alt":null,"id":37647100248314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_67242524-704d-4eff-b769-4afe47ef444e.jpg?v=1764376215"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_67242524-704d-4eff-b769-4afe47ef444e.jpg?v=1764376215","width":700},{"alt":null,"id":37647100281082,"position":2,"preview_image":{"aspect_ratio":1.019,"height":1178,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_eb125d4a-b7e5-4d8c-9731-5fb4f5ba65e4.jpg?v=1764376215"},"aspect_ratio":1.019,"height":1178,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_eb125d4a-b7e5-4d8c-9731-5fb4f5ba65e4.jpg?v=1764376215","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアルゼンチンの作曲家Santiago Diez Fischerが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eアコーディオンとサックス、パーカッションによる室内楽5曲、1時間を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2387617921\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. and your mouth is like the sound of many waters 09:32\u003cbr\u003e2. tres ciegos 13:36\u003cbr\u003e3. under the redwood tree 12:32\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. rise in the sky to be a reminder of comfort 08:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. sappho's song 12:25\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA cycle of five chamber works by the Argentine composer, written for and performed by ensemble Gyre:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAlejandro Oliván López, baritone Saxophone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eStefanie Mirwald-Keiser, accordion\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eChristian Streit Smith, percussion\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTwo of the pieces are for the full trio, the others being solos for each of the instrumentalists, but the music is augmented with electronics designed by the composer, as well as adding subtle vocal accompaniments: “the voice I have in mind is not a classical or trained voice — it’s an everyday voice, the voice with which we hum a song we love….the voice with which, I imagine, our ancestors once sang.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFantastically original, occasionally abrasive music which has been described as ‘punk-poetic’, and which the composer himself likens to sculpture which is 'unfinished…(coming from) that place where stone ceases to be stone and becomes sculpture, and where the sculpture merges again with the raw stone'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Santiago Diez Fischer\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat248\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アルゼンチンの作曲家Santiago Diez Fischerが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。 アコーディオンとサックス、パーカッションによる室内楽5曲、1時間を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at...
¥2,565
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{"id":9014166782202,"title":"Jakob Ullmann \/\/ Solo I \/ Solo IV CD","handle":"jakob-ullmann-solo-i-solo-iv-cd","description":"\u003cp\u003eドイツの作曲家Jakob Ullmannが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフルートとコントラバスによるドローン2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"渦巻き、移り変わる音の儚い音楽が、焦点を合わせたり外したりする。二人の音楽家はそれぞれ独立して楽譜を構築し、複数の異なる要素を解釈する：グラフィック画像の組み合わせ、与えられた音高の連なり、グリッサンドやマルチフォニックを示す線が入った透明フィルム、そして合意された時間構造である。一つの演奏に収まりきらないほどの素材があるため、両音楽家は事前に準備した「余剰」音の一部をライブ再生で制御する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこれらの作品の各実演は唯一無二のものとなる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=25534424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Solo I \/ Solo IV 48:48\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e++\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSimultaneous performance for instruments and playback of two of Jakob Ullmann's compositions:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSolo I (1992\/93-2010) for flute\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSolo IV (2013\/14) for low string instrument\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA fragile music of swirling, shifting sounds which drift in and out of focus. The two musicians construct their scores independently, interpreting a number of different elements: a combination of graphic images, a series of given pitches, transparencies with lines indicating glissandi and multiphonics, and an agreed time-structure. There is more material than can be included in a single performance, so both musicians also control live playback of some of the ‘extra’ sounds that they have prepared.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach realisation of these pieces is unique\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jakob Ullmann\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat250\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-30T06:51:26+09:00","created_at":"2025-11-29T09:26:50+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone","new"],"price":256500,"price_min":256500,"price_max":256500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025792282874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jakob Ullmann \/\/ Solo I \/ Solo IV CD","public_title":null,"options":["Default Title"],"price":256500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jak2_e315ceac-9838-4bd0-a271-214494507fa2.jpg?v=1764453371","\/\/tobirarecords.com\/cdn\/shop\/files\/jak1_34a27e1a-71d3-41b5-8f54-0738d75085e7.jpg?v=1764453371"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jak2_e315ceac-9838-4bd0-a271-214494507fa2.jpg?v=1764453371","options":["Title"],"media":[{"alt":null,"id":37647066759418,"position":1,"preview_image":{"aspect_ratio":1.056,"height":1136,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jak2_e315ceac-9838-4bd0-a271-214494507fa2.jpg?v=1764453371"},"aspect_ratio":1.056,"height":1136,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jak2_e315ceac-9838-4bd0-a271-214494507fa2.jpg?v=1764453371","width":1200},{"alt":null,"id":37647066726650,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jak1_34a27e1a-71d3-41b5-8f54-0738d75085e7.jpg?v=1764453371"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jak1_34a27e1a-71d3-41b5-8f54-0738d75085e7.jpg?v=1764453371","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの作曲家Jakob Ullmannが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフルートとコントラバスによるドローン2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"渦巻き、移り変わる音の儚い音楽が、焦点を合わせたり外したりする。二人の音楽家はそれぞれ独立して楽譜を構築し、複数の異なる要素を解釈する：グラフィック画像の組み合わせ、与えられた音高の連なり、グリッサンドやマルチフォニックを示す線が入った透明フィルム、そして合意された時間構造である。一つの演奏に収まりきらないほどの素材があるため、両音楽家は事前に準備した「余剰」音の一部をライブ再生で制御する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこれらの作品の各実演は唯一無二のものとなる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=25534424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Solo I \/ Solo IV 48:48\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e++\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSimultaneous performance for instruments and playback of two of Jakob Ullmann's compositions:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSolo I (1992\/93-2010) for flute\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSolo IV (2013\/14) for low string instrument\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA fragile music of swirling, shifting sounds which drift in and out of focus. The two musicians construct their scores independently, interpreting a number of different elements: a combination of graphic images, a series of given pitches, transparencies with lines indicating glissandi and multiphonics, and an agreed time-structure. There is more material than can be included in a single performance, so both musicians also control live playback of some of the ‘extra’ sounds that they have prepared.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach realisation of these pieces is unique\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jakob Ullmann\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat250\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 16th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツの作曲家Jakob Ullmannが、2025年11月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。 フルートとコントラバスによるドローン2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。 以下、レーベルによる解説です。 "渦巻き、移り変わる音の儚い音楽が、焦点を合わせたり外したりする。二人の音楽家はそれぞれ独立して楽譜を構築し、複数の異なる要素を解釈する：グラフィック画像の組み合わせ、与えられた音高の連なり、グリッサンドやマルチフォニックを示す線が入った透明フィルム、そして合意された時間構造である。一つの演奏に収まりきらないほどの素材があるため、両音楽家は事前に準備した「余剰」音の一部をライブ再生で制御する。これらの作品の各実演は唯一無二のものとなる。" レーベルその他作品はこちら /// Click here to see more Another Timbre releases available...
¥2,565