Oren Ambarchi // Live Hubris LP

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オーストラリアの実験レーベルBlack Truffle主宰Oren Ambarchiが、Editions Megoからリリースした作品Hubrisの楽曲をイギリス・ロンドンの実験音楽ライブスペースCafe Otoで演奏した模様を収録したライブ音源です。

レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira.

----------------------------

Coloured vinyl.

Black Truffle:

"Black Truffle is pleased to announce Live Hubris, documenting the hypnotic and electrifying live performance of Oren Ambarchi’s 2016 LP Hubris by a fifteen-strong band at London’s Café Oto. Over three days in May 2019, Oto toasted Oren Ambarchi at 50/Black Truffle at 10 with Ambarchi and a large group of close friends and collaborators in a series of performances that interspersed existing projects with new collective endeavours, culminating with this: fourteen members of the extended Black Truffle family together on stage, joined by one special virtual guest, to translate the intricately studio-constructed layers of Hubris into a muscular live band workout.

Operating with only the bare minimum of pre-gig preparation after the planned afternoon rehearsal had to be wrapped up prematurely due to noise complaints, the gargantuan group lurches into motion with a 21-minute rendition of ‘Hubris Part 1’, powered by the pulsating electronics of Konrad Sprenger (the ‘ringmaster’ at the ensemble’s core) and no less than seven electric guitars spinning a web of intricately interlocking palm-muted polyrhythms. The layers of closely related but metrically distinct lines create ripples of shifting accents, flickering changes in emphasis that ricochet along the endless central pulse. Gradually building in density, this motorik continuum becomes the backdrop for the haunting tones of Eiko Ishibashi’s processed flute and an extended feature from long-distance guest Jim O’Rourke on guitar synth.

After the brief interlude of the second part, where Albert Marcoeur-esque guitar arpeggios accompany a halting attempt at phone conversation, the full ensemble gears up for the epic side-long rendition of ‘Hubris Part 3’. Now joined by the astonishing triple drum line-up of Joe Talia, Will Guthrie and Andreas Werliin, the layered pulse of the opening piece becomes a burning funk-fusion groove. Beginning on a medium simmer, the ensemble initially stick to its pulsating one-note mantra, over which Ambarchi unfurls a beautiful example of his signature shimmering Leslie-toned guitar harmonics, eventually joined by Ishibashi’s flute and some brooding, distorted dissonance from Julia Reidy’s guitar. Building steadily for the first nine minutes, the heat then rises dramatically with a first, gloriously loose chord change: with the all drummers now rolling and tumbling like a twice-cloned Jack DeJohnette circa 1970, Mats Gustafsson enters on baritone, his tortured roars and shrieks driving the band to peaks of insane intensity. Finally, the exhausted ensemble drops out, leaving only the jagged, skittering fuzz of Ambarchi’s guitar, brought to an abrupt conclusion at the command of crys cole.

Arriving on hot pink vinyl with artwork by Lasse Marhaug and an extensive selection of live photos by Ivan Weiss and Fabio Lugaro, Live Hubris brings this ambitious and outrageous evening of music to the safety of the home stereo."

Artist : Oren Ambarchi

Label : Black Truffle

レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira.

----------------------------

Coloured vinyl.

Black Truffle:

Artist : Oren Ambarchi

Label : Black Truffle

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※12月上旬再入荷後発送します御年83歳のドイツの大御所パーカッショニストLimpe Fuchsとイギリスの実験エレクトロニック作家Mark Fellが、2024年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作3枚組レコードです。ミニマルなストレンジビーツ10曲を収録。レーベルその他作品はこちら /// Click here to see more Black Truffle releases available...

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In Ahti’s work, we do not encounter spectacular metamorphoses à la Parmegiani but rather a state of ambiguity where the listener is often unsure what is organic and what is inorganic, where the careful productions of the synthesizer might end and sounds discovered in the environment begin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat Ahti calls her ‘poetic way of experiencing and organising the familiar and the unfamiliar’ is sustained throughout Tender Membranes, but each piece has its own character. On Dust \/ Light, human presence is more overt, as what appear to be whispers, singing, and distant speech thread between high frequencies, untraceable drips and pops, and metallic shimmers. In all this there is a melody that you can sing and to which you may dance makes more prominent use of musical instruments, gaining a sombre beauty from half-buried piano chords and organ tones. On the closing Oh Fragrant Witness, a delicate cloud of subtly bending pitches is repeatedly disrupted by a resounding, almost ominous mass of low tones, at once a strange detour from much of what has gone before and an almost classical finale. Arriving in a sleeve reproducing contemporary Finnish photographer Sini Pelkki’s fragmented visions of the everyday, Tender Membranes is a balm to reawaken tired ears.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marja Ahti\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2023-10-10T13:24:27+09:00","created_at":"2023-10-08T09:58:49+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","lp","monooto","new"],"price":428000,"price_min":428000,"price_max":428000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44613623644410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marja Ahti \/\/ Tender Membranes LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731","\/\/tobirarecords.com\/cdn\/shop\/files\/mem2_2889e28a-b76f-4905-9af6-98bfbeb85eba.jpg?v=1696726731"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731","options":["Title"],"media":[{"alt":null,"id":32535225270522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem1_e4cf0696-0973-4e3b-8c34-80402705ec4c.jpg?v=1696726731","width":700},{"alt":null,"id":32535225303290,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem2_2889e28a-b76f-4905-9af6-98bfbeb85eba.jpg?v=1696726731"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mem2_2889e28a-b76f-4905-9af6-98bfbeb85eba.jpg?v=1696726731","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にHallow GroundやStudents of Decayなどから発表しているスウェーデン出身フィンランド在住の音響作家Marja Ahtiが、2023年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな物音ドローン4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1877754458\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShrine (Aether) 11:38\u003c\/li\u003e\n\u003cli\u003eDust \/ Light 06:40\u003c\/li\u003e\n\u003cli\u003eIn all this, there is a melody that you can sing and to which you may dance 10:48\u003c\/li\u003e\n\u003cli\u003eOh Fragrant Witness 05:46\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBlack Truffle is pleased to announce Tender Membranes, the label’s first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti. Active for a decade in the Finnish underground music scene, in recent years Ahti has developed a distinctive approach to patiently unfolding electro-acoustic constructions, documented on a string of solo releases and collaborative projects with Judith Hamann and her husband Niko-Matti Ahti. Working with concrete and instrumental sounds, field recordings, and electronics, Ahti favours neither disjunctive collage nor monolithic consistency; rather, her work is composed of organically unfolding sequences of details and textures, which, as she says, ‘can stretch out or cut fast as long as they have a sense of inner stillness’, a sense that she connects to moments of heightened attention in everyday life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTender Membranes consists of four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world. Ahti’s unhurried pacing encourages this sense of listening as an opening or surrender to sound, which can often create the impression that the listener is moving through a space zooming in on details. The opening Shrine (Aether) exemplifies this\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e aspect of Ahti’s approach: a bell clears the air with a single long tone, followed by the ambience of outdoor spaces, crackling electronics, an archival recording of a horsefly on a windowpane. Dozens of these moments, varying in length, density, and intensity, move past the listener’s attention, momentarily brought into focus then slipping away. Like those of the masters of the French musique concrète tradition, Ahti’s sounds are not often recognisable, though they might suggest proximity or distance, open environments or closed spaces, the urban or rural, day or night. In Ahti’s work, we do not encounter spectacular metamorphoses à la Parmegiani but rather a state of ambiguity where the listener is often unsure what is organic and what is inorganic, where the careful productions of the synthesizer might end and sounds discovered in the environment begin.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat Ahti calls her ‘poetic way of experiencing and organising the familiar and the unfamiliar’ is sustained throughout Tender Membranes, but each piece has its own character. On Dust \/ Light, human presence is more overt, as what appear to be whispers, singing, and distant speech thread between high frequencies, untraceable drips and pops, and metallic shimmers. In all this there is a melody that you can sing and to which you may dance makes more prominent use of musical instruments, gaining a sombre beauty from half-buried piano chords and organ tones. On the closing Oh Fragrant Witness, a delicate cloud of subtly bending pitches is repeatedly disrupted by a resounding, almost ominous mass of low tones, at once a strange detour from much of what has gone before and an almost classical finale. Arriving in a sleeve reproducing contemporary Finnish photographer Sini Pelkki’s fragmented visions of the everyday, Tender Membranes is a balm to reawaken tired ears.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marja Ahti\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}

過去にHallow GroundやStudents of Decayなどから発表しているスウェーデン出身フィンランド在住の音響作家Marja Ahtiが、2023年9月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。ミニマルな物音ドローン4曲を収録。レーベルその他作品はこちら /// Click here to see more Black Truffle releases...

¥4,280

Keiji Haino / Jim O'Rourke / Oren Ambarchi // "Caught in the dilemma of being made to choose" This makes the modesty which should never been closed off itself Continue to ask itself: "Ready or not?" 2xLP

Quickview {"id":7830384935162,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ \"Caught in the dilemma of being made to choose\" This makes the modesty which should never been closed off itself Continue to ask itself: \"Ready or not?\" 2xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-caught-in-the-dilemma-of-being-made-to-choose-this-makes-the-modesty-which-should-never-been-closed-off-itself-continue-to-ask-itself-ready-or-not-2xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchi3名が、2022年10月にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第11弾です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKeiji Hainoがメタルパーカッション、\u003cmeta charset=\"utf-8\"\u003eJim O'Rourkeがエレクトロニクス、\u003cmeta charset=\"utf-8\"\u003eOren Ambarchiがゴングを演奏した\u003cmeta charset=\"utf-8\"\u003eチベットの仏教音楽を思わせるような1曲目をはじめ、バリエーション豊かなライブ録音3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998042273\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2LP set presented in a lavish gatefold sleeve on heavy stock along with inner sleeves containing live pics by Tsuyoshi Kamaike. Photography by Jim O’Rourke, design by Lasse Marhaug and translation by Alan Cummings.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe renowned trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return to Black Truffle with their 11th release, “Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York’s Issue Project Room in 2021 during widespread lockdowns and travel limitations. A unique piece in the trio’s extensive body of work, this side-long epic finds Haino performing on metal percussion, O’Rourke on electronics and Ambarchi on gongs and bells. Initially dominated by rapid patterns on resonant, high-pitched tuned percussion, the piece sets Haino’s dynamic and dramatic performance against a calm backdrop of cycling electronics, thrumming gong strikes and hanging bell tones. The performance develops a heightened, intensely concentrated atmosphere reminiscent of Haino’s classic Tenshi No Ginjinka or his Nijiumu project; when Haino moves to clashing hand cymbals in its second half, the piece’s ritualistic energy suggests aspects of the music of Tibetan\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Buddhism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe remainder of the double LP documents the trio live at Tokyo’s SuperDeluxe (the location of all but their very first recording) in a wide-ranging set recorded in December 2017. The concert opens, in another first for the trio, with Haino on drums, O’Rourke on Hammond organ and Ambarchi on his signature Leslie cabinet guitar tones. Haino’s explosively untutored approach to the drumkit will be familiar to some listeners from the radical duo iteration of Fushitsusha heard on Origin’s Hesitation. Setting flurries of rapid activity against moments of silence, his drumming here at times suggests Milford Graves in its tumbling toms and thudding kick-drum propulsion. Accompanied by O’Rourke’s organ and Ambarchi’s guitar, which in their shared use of long tones and shifting modulation speeds almost blend into a single voice, the opening sections of this performance are some of the most magical music the trio has committed to tape thus far.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter an interlude of spoken vocals in both Japanese and English, Haino makes a dramatic entrance on guitar. Against O’Rourke and Ambarchi’s increasingly intense electronic backdrop, Haino unleashes a stunning passage of slowly moving chromatic melodies and sudden shrieking explosions bathed in distortion and reverb. By the time we reach the third side, the guitar\/bass\/drums power trio is established and lurches into a passage of massive, lumbering rock that threatens to fall apart at every beat, O’Rourke’s strummed chordal work on six string bass creating a harmonic density equivalent to a second guitar. An abrupt edit throws the listener in media res into a frantic locked groove grounded by fuzzed out bass patterns and caveman drums. As Haino moves through a variety of approaches, from massive edifices of stuttering fuzz to ominous swarms of feedback, the trio eventually stumble into a kind of Harmolodic military tattoo, Haino’s guitar weaving and slashing across the rhythm section’s irregular accents. Moving through an epic opening duet for O’Rourke on Hammond and Haino’s wailing guitar, the fourth side eventually ramps up into a frenetic finale of mad bass riffing, crackling snare hits and guitar squall.“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” is a testament to the continuing power and invention of this trio, who continue to seek out new terrain after over a decade working together.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e","published_at":"2022-11-07T13:24:32+09:00","created_at":"2022-11-07T11:45:10+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","strange beats"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622684000506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ \"Caught in the dilemma of being made to choose\" This makes the modesty which should never been closed off itself Continue to ask itself: \"Ready or not?\" 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","options":["Title"],"media":[{"alt":null,"id":30937460539642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca1_45c7e5bd-7b39-46b7-b529-f37a465f22c7.jpg?v=1667789112","width":700},{"alt":null,"id":30937460572410,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_06145c6f-418d-4aca-b973-63eed8207f95.jpg?v=1667789112","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchi3名が、2022年10月にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第11弾です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKeiji Hainoがメタルパーカッション、\u003cmeta charset=\"utf-8\"\u003eJim O'Rourkeがエレクトロニクス、\u003cmeta charset=\"utf-8\"\u003eOren Ambarchiがゴングを演奏した\u003cmeta charset=\"utf-8\"\u003eチベットの仏教音楽を思わせるような1曲目をはじめ、バリエーション豊かなライブ録音3曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=998042273\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2LP set presented in a lavish gatefold sleeve on heavy stock along with inner sleeves containing live pics by Tsuyoshi Kamaike. Photography by Jim O’Rourke, design by Lasse Marhaug and translation by Alan Cummings.\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe renowned trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return to Black Truffle with their 11th release, “Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York’s Issue Project Room in 2021 during widespread lockdowns and travel limitations. A unique piece in the trio’s extensive body of work, this side-long epic finds Haino performing on metal percussion, O’Rourke on electronics and Ambarchi on gongs and bells. Initially dominated by rapid patterns on resonant, high-pitched tuned percussion, the piece sets Haino’s dynamic and dramatic performance against a calm backdrop of cycling electronics, thrumming gong strikes and hanging bell tones. The performance develops a heightened, intensely concentrated atmosphere reminiscent of Haino’s classic Tenshi No Ginjinka or his Nijiumu project; when Haino moves to clashing hand cymbals in its second half, the piece’s ritualistic energy suggests aspects of the music of Tibetan\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Buddhism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe remainder of the double LP documents the trio live at Tokyo’s SuperDeluxe (the location of all but their very first recording) in a wide-ranging set recorded in December 2017. The concert opens, in another first for the trio, with Haino on drums, O’Rourke on Hammond organ and Ambarchi on his signature Leslie cabinet guitar tones. Haino’s explosively untutored approach to the drumkit will be familiar to some listeners from the radical duo iteration of Fushitsusha heard on Origin’s Hesitation. Setting flurries of rapid activity against moments of silence, his drumming here at times suggests Milford Graves in its tumbling toms and thudding kick-drum propulsion. Accompanied by O’Rourke’s organ and Ambarchi’s guitar, which in their shared use of long tones and shifting modulation speeds almost blend into a single voice, the opening sections of this performance are some of the most magical music the trio has committed to tape thus far.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter an interlude of spoken vocals in both Japanese and English, Haino makes a dramatic entrance on guitar. Against O’Rourke and Ambarchi’s increasingly intense electronic backdrop, Haino unleashes a stunning passage of slowly moving chromatic melodies and sudden shrieking explosions bathed in distortion and reverb. By the time we reach the third side, the guitar\/bass\/drums power trio is established and lurches into a passage of massive, lumbering rock that threatens to fall apart at every beat, O’Rourke’s strummed chordal work on six string bass creating a harmonic density equivalent to a second guitar. An abrupt edit throws the listener in media res into a frantic locked groove grounded by fuzzed out bass patterns and caveman drums. As Haino moves through a variety of approaches, from massive edifices of stuttering fuzz to ominous swarms of feedback, the trio eventually stumble into a kind of Harmolodic military tattoo, Haino’s guitar weaving and slashing across the rhythm section’s irregular accents. Moving through an epic opening duet for O’Rourke on Hammond and Haino’s wailing guitar, the fourth side eventually ramps up into a frenetic finale of mad bass riffing, crackling snare hits and guitar squall.“Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: “Ready or not?” is a testament to the continuing power and invention of this trio, who continue to seek out new terrain after over a decade working together.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e"}

Keiji HainoとJim O'Rourke、Oren Ambarchi3名が、2022年10月にオーストラリアの実験レーベルBlack Truffleからリリースしたコラボレーションシリーズ第11弾です。 Keiji Hainoがメタルパーカッション、Jim O'Rourkeがエレクトロニクス、Oren Ambarchiがゴングを演奏したチベットの仏教音楽を思わせるような1曲目をはじめ、バリエーション豊かなライブ録音3曲を収録。レーベルその他作品はこちら /// Click here to see more Black...

¥5,480

Quickview {"id":8214972662010,"title":"Dagar Brothers \/\/ Berlin 1964 - Live CD","handle":"dagar-brothers-berlin-1964-live-cd","description":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack TruffleからリリースしたCDです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1423013239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRāga Miyān kī Todī (Dhamār) 38:18\u003c\/li\u003e\n\u003cli\u003eRāga Gaud Sārang (Chartāl) 27:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFamed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside BT114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 115 CD\u003c\/p\u003e","published_at":"2024-03-09T08:19:09+09:00","created_at":"2024-03-08T10:51:37+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","cd","field recording","new"],"price":248900,"price_min":248900,"price_max":248900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45313299906810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dagar Brothers \/\/ Berlin 1964 - Live CD","public_title":null,"options":["Default Title"],"price":248900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","options":["Title"],"media":[{"alt":null,"id":33335982260474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_25909ad6-42ec-441b-bc79-b6e99358d8dd.jpg?v=1709862699","width":700},{"alt":null,"id":33335982293242,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live2_840e183a-fbe2-4ce5-949f-7644ab8d052b.jpg?v=1709862698","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北インド古典ドゥルパドの継承者Dagar兄弟が、2024年3月にBlack TruffleからリリースしたCDです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1423013239\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRāga Miyān kī Todī (Dhamār) 38:18\u003c\/li\u003e\n\u003cli\u003eRāga Gaud Sārang (Chartāl) 27:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFollowing on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a family of musicians in which dhrupad tradition has been kept alive through patrilinear transmission, each generation undergoing a rigorous education of many years’ duration that can include singing up to twelve hours each day.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFamed for the meditative purity of their approach to dhrupad, the Dagar Brothers helped to keep the tradition alive in the years after Indian independence in 1947, when the royal courts that had traditionally patronised dhrupad musicians were abolished. Many Western listeners were first introduced to dhrupad by the Dagar Brothers’ tour of Europe in 1964-65 and their LP in UNESCO’s ‘Musical Anthology of the Orient’ collection\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, both organised by pioneering musicologist and scholar of Indian culture Alain Daniélou. Documents from this tour are especially precious, as Moinuddin Dagar passed away in 1966. Unheard until now, Berlin 1964 – Live (released alongside BT114, a newly discovered studio session from the same trip) documents a concert held at the Charlottenburg Palace in September 1964.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAccompanied only by Moinuddin’s wife Saiyur on tanpura and Raja Chatrapati Singh on pakhawaj (a large double-headed drum), the brothers present stunning performances of two ragas stretching out over 65 minutes, exemplifying what a journalist at the time called the ‘pristine severity’ of their style. Much of each piece is taken up by the alap, the highly improvised exposition section where the notes of the raga are gradually introduced as the singing builds in intensity. As Francesca Cassio points out in her extensive liner notes, both performances are somewhat unorthodox in beginning with the raga scale being sung in its entirety, ascending and descending; this is probably, as she suggests, a strategy to introduce the European audience to the language of the music they are about to hear. From there, both ragas settle into alaps of breathtaking beauty, with the two brothers trading long solo passages that move gradually from extended held notes at the bottom of the scale to animated melodic variations as it ascends in pitch. Within the atmosphere of meditative attention, the range of melodic, rhythmic, and timbral invention is remarkable. Especially on the opening ‘Rāga Miyān kī Todī’, the final moments of the alap find the voices at a peak of intensity, their microtonal ornamentation taking on an ecstatic, warbling quality. Only once the wordless, free-floating alap is over and the composition proper begins to the brothers sing in unison, joined by the pakhawaj for a rhythmic section that in both ragas develops gradually into a propulsive display of melodic invention and metrical nuance. Accompanied by detailed liner notes and striking archival images, Berlin 1964 – Live is a rare document of these masterful exponents of one of the world’s most profound musical traditions.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dagar Brothers\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCAT No.: Black Truffle 115 CD\u003c\/p\u003e"}