Besom Presse
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{"id":8009509994746,"title":"ellen fullman \/\/ music for the man who grew common in wisdom LP","handle":"ellen-fullman-music-for-the-man-who-grew-common-in-wisdom-12","description":"\u003cp\u003eアメリカの実験音楽家ellen fullmanが、2020年にアメリカ・LAの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBesom Presseからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e長いワイヤーを使用した\u003ca href=\"https:\/\/tobirarecords.com\/products\/ellen-fullman-staggered-stasis-cd\"\u003e作品\u003c\/a\u003eが有名な彼女ですが、本作ではガラスや木屑、水などを使用した演劇用に制作した2曲を収録。 \u003c\/span\u003eDLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"besom presseは、ellen fullmanの『Music for the Man Who Grew Common in Wisdom』を発表する。彫刻的なロング・ストリングス・インストゥルメント（LSI）で知られるellen fullmanだが、このムジーク・コンクレートの作品では、ellen fullmanのサウンド探求の、あまり知られていない一面を披露している。2つの広大な作品の中で、ellen fullmanは、コミカルなもの、威嚇的なもの、そして至福的なものの中を旅し、彼女が広く賞賛されているユニークな運動性と音色の美学を呼び起こす。テキサス州オースティンに住んでいた1987年から1989年にかけて作曲されたこの音楽は、もともと振付家デボラ・ヘイの同名のダンス作品の伴奏として使われた。besom presseからのリリースは、全曲の最後の2楽章を収録している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1985年、ジャドソン・ダンス・シアターの創設メンバーであるヘイが、ellen fullmanに新作の共同制作を依頼した。ヘイは、マース・カニングハム・ダンス・カンパニーのメンバーとしての経験や、ジョン・ケージとカニングハムのコラボレーションのあり方に深く影響を受けていた。そのため、ellen fullmanの音楽と振付の間に予定されていた関係はタイミングだけだった。ヘイの自由闊達なアプローチに触発され、新しい音楽道具を使うことを奨励されたellen fullmanは、次のように説明した。「批判されないとわかっているから、不条理に対する自分の魅力を自由に掘り下げることができた。」 様々なアコースティック音源を使った『Music for the Man Who Grew Common in Wisdom』では、ellen fullmanはProphetサンプラーの可能性を追求している。このツールの使用経験について、彼女はこう説明する： 「Prophetで何ができるかに魅了され、以前、オープンリールのテープレコーダーを使っていたムジーク・コンクレート・アプローチからの発展ともいえる方法で仕事をした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e本作の最も興味深い文脈的側面のひとつは、この作品が制作された時の流動的な状況である。LSIの知識を深めることに多くの時間とエネルギーを捧げた後、最近、移転し、使い慣れない機材を使用したこのレコードは、ellen fullmanの作曲家としての旅路の超レアなスナップショットを提供している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの小旅行は、注意深く繰り返し聴くことができる。その音楽的な出来事は、詩的なものと無感動なものとの間の稀有なバランスを保ちながら、自然にやってくる。この作品は、そのテクノロジーによってタイムスタンプが押されているが、過去の多くの斬新なリリースを当惑させるような古めかしさはない。Music for the Gardener（庭師のための音楽）』と題されたA面では、コンクリート板の上に落とされたガラスの破片、吊るされた木屑の穏やかな音、前後に揺れる水、そして彼女自身の声など、様々なありふれた音源から絶妙に録音された音響の数々をトリガーとしている。作品は、半音階的に配置されたガラスから始まり、ellen fullmanは一連の和音形から個々の音をトリガーして、遊び心たっぷりに即興演奏する。チャイムとバウンスは、レンガの壁に突き刺さる6本パックのように、突然のクラスター・コードで中断される。これは、ガラス・サンプルの氷のようなデジタル・エイリアシングに寛大な音の箔を与える。再びフォーカスを移すと、バスタブの中の水の音がハイファイで再生され、バスタブの両端に配置されたマイクによって、目のくらむような広いステレオフィールドで聴こえる。サンプリングされたフルマンの声は、瞑想的なモーダル・メロディーを奏で、カランカランと鳴る木のリズムに支えられたコーダのようなものを意味する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサイドBの『Music for the Aviator』は、デボラの指令に根ざしている。ホドロフスキーの『サンタ・サングレ』に代わるサウンドトラックのように、スターターガン、泡、歓声、カリオペ・オルガンが、サーカスでのリゼルギーな一日を思い起こさせる。多かれ少なかれ、突然の騒動が随所で起こる。サーカスは鯨類の吹き穴の音に飲み込まれ、その音はバ・ベンゼレ・ピグミー音楽のヒンデウーの笛のようなもの（ハービー・ハンコックの『ウォーターメロン・マン』のイントロを思い浮かべてほしい）へとフェードアウトしていく。やがてこの作品は、倍音のスペクトルがぎっしり詰まった音が湧き出る一方で、うっすらとした声のループの雲の中に置かれた、調律された息の音の満足のいくリズムのパルスに落ち着く。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『The Man Who Grew Common In Wisdom』は2019年8月、ベルリンのTanz im August Festivalで開催された「RE-Perspective Deborah Hay, Works from 1968 to the Present」で上演された。ストックホルムのクルベリ・バレエ団のエヴァ・モーンがソリストを務め、この作品は彼らのレパートリーの一部となった。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2932127596\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003ehere\u003c\/a\u003e to see more besom presse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ethe gardener 17:48\u003c\/li\u003e\n\u003cli\u003ethe aviator 22:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ebesom presse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ebesom presse announces the release of Ellen Fullman’s Music for the Man Who Grew Common in Wisdom. Known prominently for her sculptural Long String Instrument (LSI), these musique concrete pieces showcase an underrecognized side of Fullman’s sound investigations. In two expansive works, Fullman voyages through the comic, the menacing and the blissful all while evoking the unique kinetic and timbral aesthetic for which she is widely praised. Composed between 1987-1989, while living in Austin, Texas, the music originally served as accompaniment to choreographer Deborah Hay's dance piece of the same name. The besom presse release presents the last two movements of the full composition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1985, Hay, a founding member of the Judson Dance Theater, commissioned Fullman to collaborate on a new work. Hay was deeply influenced by her experience as a member of the Merce Cunningham Dance Company and to the way John Cage and Cunningham collaborated. As such, the only relationship planned between Fullman’s music and the choreography was timing. Inspired by Hay’s open-ended approach and encouraged to use a new set of musical implements, Fullman explained, “I found this way of working to be remarkably refreshing and respectful of my process. I felt free to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e delve into my attraction for absurdity, knowing that I would not be judged.” With a variety of acoustic sound sources, Music for the Man Who Grew Common in Wisdom finds Fullman exploring the possibilities of the Prophet sampler. Describing her experience of using this tool she explains: “I was fascinated by what could be done with the Prophet and worked in a way that could be seen as an outgrowth from the musique concrete approach that I had used with a reel-to-reel tape recorder in earlier years.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the most interesting contextual aspects of Music for the Man Who Grew Common in Wisdom is the flux under which it was created. Recently relocated and using unfamiliar equipment after having dedicated so much of her time and energy to advancing her knowledge of the LSI, this record provides an ultra-rare snapshot of Fullman’s journey as a composer: a suspended moment wherein her earlier phase of sound collaging comes into direct contact with her sensibilities of movement and sound as refined by her work with the LSI.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe excursion rewards careful, repeated listening. Its musical events arrive spontaneously while striking a rare balance between the poetical and unaffected. While the work is time-stamped by its technology, it evades the quaintness that beleaguers so many novel releases from the past. On side A, titled Music for the Gardener, Fullman triggers an assortment of exquisitely recorded acoustic sounds from a variety of quotidian sources including bits of glass dropped on a concrete slab, the gentle clanking of suspended woodscraps, water swishing back and forth, and her own voice. The piece begins with the glass, arranged chromatically, which Fullman playfully improvises with by triggering individual notes from a series of chord shapes. The effervescent chime and bounce is punctuated with sudden cluster chords that explode like a six-pack against a brick wall. This gives way to the round and muted tones of the swinging timber—a generous sonic foil to the icy digital aliasing of the glass samples. Shifting focus again, we hear the hi-fi swishing of water in a tub reproduced in a dazzlingly wide stereo field made possible by microphones arranged at either end of the bath. Fullman’s sampled voice, played in a meditative modal melody, signifies a kind of coda anchored by the rhythmic pulsing of clanking wood.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B’s Music for the Aviator is rooted in Deborah’s directive: \"We contain the mystery, but we don't know what it is.\" Like an alternative soundtrack to Jodorowsky’s Santa Sangre, starter guns, percolating bubbles, cheering crowds, and a calliope organ conjure a lysergic day at the circus. More or less abrupt disturbances take place throughout. The circus is consumed by cetaceous blowhole sounds, which in turn fade into something vaguely like the Hindewhu whistle of Ba-Benzélé Pygmy music (think the intro to Herbie Hancock’s Watermelon Man). Eventually the piece settles into a satisfying rhythmic pulse of tuned breath sounds set in a cloud of woozy voice loops while a tightly packed spectrum of overtones springs forth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Man Who Grew Common In Wisdom was performed in August 2019 at the Tanz im August Festival, Berlin, in their RE-Perspective Deborah Hay, Works from 1968 to the Present. Eva Mohn of the Cullberg Ballet, Stockholm, was the soloist, and the work has become part of their repertoire. Music from the first movement of this piece, The Navigator (aka “Staggered Stasis”), was made available earlier this year by Superior Viaduct on a reissue of Fullman's 1987 self-released cassette, In The Sea.\u2028\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ellen fullman\u003c\/p\u003e\n\u003cp\u003eLabel : besom presse\u003c\/p\u003e","published_at":"2023-08-23T13:05:09+09:00","created_at":"2023-08-22T16:23:34+09:00","vendor":"Tobira Records","type":"","tags":["besom presse","contemporary \/ sound poetry","drone","lp","monooto","new","strange beats"],"price":381400,"price_min":381400,"price_max":381400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44508088467706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"ellen fullman \/\/ music for the man who grew common in wisdom LP","public_title":null,"options":["Default Title"],"price":381400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_795cfc29-3065-4208-979a-516e71d74917.jpg?v=1692689017","\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_398cbc1f-6b07-4583-b285-8a02512a13cf.jpg?v=1692689016"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_795cfc29-3065-4208-979a-516e71d74917.jpg?v=1692689017","options":["Title"],"media":[{"alt":null,"id":32359479902458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_795cfc29-3065-4208-979a-516e71d74917.jpg?v=1692689017"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu1_795cfc29-3065-4208-979a-516e71d74917.jpg?v=1692689017","width":700},{"alt":null,"id":32359479935226,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_398cbc1f-6b07-4583-b285-8a02512a13cf.jpg?v=1692689016"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mu2_398cbc1f-6b07-4583-b285-8a02512a13cf.jpg?v=1692689016","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家ellen fullmanが、2020年にアメリカ・LAの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBesom Presseからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e長いワイヤーを使用した\u003ca href=\"https:\/\/tobirarecords.com\/products\/ellen-fullman-staggered-stasis-cd\"\u003e作品\u003c\/a\u003eが有名な彼女ですが、本作ではガラスや木屑、水などを使用した演劇用に制作した2曲を収録。 \u003c\/span\u003eDLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"besom presseは、ellen fullmanの『Music for the Man Who Grew Common in Wisdom』を発表する。彫刻的なロング・ストリングス・インストゥルメント（LSI）で知られるellen fullmanだが、このムジーク・コンクレートの作品では、ellen fullmanのサウンド探求の、あまり知られていない一面を披露している。2つの広大な作品の中で、ellen fullmanは、コミカルなもの、威嚇的なもの、そして至福的なものの中を旅し、彼女が広く賞賛されているユニークな運動性と音色の美学を呼び起こす。テキサス州オースティンに住んでいた1987年から1989年にかけて作曲されたこの音楽は、もともと振付家デボラ・ヘイの同名のダンス作品の伴奏として使われた。besom presseからのリリースは、全曲の最後の2楽章を収録している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e1985年、ジャドソン・ダンス・シアターの創設メンバーであるヘイが、ellen fullmanに新作の共同制作を依頼した。ヘイは、マース・カニングハム・ダンス・カンパニーのメンバーとしての経験や、ジョン・ケージとカニングハムのコラボレーションのあり方に深く影響を受けていた。そのため、ellen fullmanの音楽と振付の間に予定されていた関係はタイミングだけだった。ヘイの自由闊達なアプローチに触発され、新しい音楽道具を使うことを奨励されたellen fullmanは、次のように説明した。「批判されないとわかっているから、不条理に対する自分の魅力を自由に掘り下げることができた。」 様々なアコースティック音源を使った『Music for the Man Who Grew Common in Wisdom』では、ellen fullmanはProphetサンプラーの可能性を追求している。このツールの使用経験について、彼女はこう説明する： 「Prophetで何ができるかに魅了され、以前、オープンリールのテープレコーダーを使っていたムジーク・コンクレート・アプローチからの発展ともいえる方法で仕事をした。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e本作の最も興味深い文脈的側面のひとつは、この作品が制作された時の流動的な状況である。LSIの知識を深めることに多くの時間とエネルギーを捧げた後、最近、移転し、使い慣れない機材を使用したこのレコードは、ellen fullmanの作曲家としての旅路の超レアなスナップショットを提供している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの小旅行は、注意深く繰り返し聴くことができる。その音楽的な出来事は、詩的なものと無感動なものとの間の稀有なバランスを保ちながら、自然にやってくる。この作品は、そのテクノロジーによってタイムスタンプが押されているが、過去の多くの斬新なリリースを当惑させるような古めかしさはない。Music for the Gardener（庭師のための音楽）』と題されたA面では、コンクリート板の上に落とされたガラスの破片、吊るされた木屑の穏やかな音、前後に揺れる水、そして彼女自身の声など、様々なありふれた音源から絶妙に録音された音響の数々をトリガーとしている。作品は、半音階的に配置されたガラスから始まり、ellen fullmanは一連の和音形から個々の音をトリガーして、遊び心たっぷりに即興演奏する。チャイムとバウンスは、レンガの壁に突き刺さる6本パックのように、突然のクラスター・コードで中断される。これは、ガラス・サンプルの氷のようなデジタル・エイリアシングに寛大な音の箔を与える。再びフォーカスを移すと、バスタブの中の水の音がハイファイで再生され、バスタブの両端に配置されたマイクによって、目のくらむような広いステレオフィールドで聴こえる。サンプリングされたフルマンの声は、瞑想的なモーダル・メロディーを奏で、カランカランと鳴る木のリズムに支えられたコーダのようなものを意味する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eサイドBの『Music for the Aviator』は、デボラの指令に根ざしている。ホドロフスキーの『サンタ・サングレ』に代わるサウンドトラックのように、スターターガン、泡、歓声、カリオペ・オルガンが、サーカスでのリゼルギーな一日を思い起こさせる。多かれ少なかれ、突然の騒動が随所で起こる。サーカスは鯨類の吹き穴の音に飲み込まれ、その音はバ・ベンゼレ・ピグミー音楽のヒンデウーの笛のようなもの（ハービー・ハンコックの『ウォーターメロン・マン』のイントロを思い浮かべてほしい）へとフェードアウトしていく。やがてこの作品は、倍音のスペクトルがぎっしり詰まった音が湧き出る一方で、うっすらとした声のループの雲の中に置かれた、調律された息の音の満足のいくリズムのパルスに落ち着く。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『The Man Who Grew Common In Wisdom』は2019年8月、ベルリンのTanz im August Festivalで開催された「RE-Perspective Deborah Hay, Works from 1968 to the Present」で上演された。ストックホルムのクルベリ・バレエ団のエヴァ・モーンがソリストを務め、この作品は彼らのレパートリーの一部となった。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2932127596\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003ehere\u003c\/a\u003e to see more besom presse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ethe gardener 17:48\u003c\/li\u003e\n\u003cli\u003ethe aviator 22:10\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003ebesom presse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ebesom presse announces the release of Ellen Fullman’s Music for the Man Who Grew Common in Wisdom. Known prominently for her sculptural Long String Instrument (LSI), these musique concrete pieces showcase an underrecognized side of Fullman’s sound investigations. In two expansive works, Fullman voyages through the comic, the menacing and the blissful all while evoking the unique kinetic and timbral aesthetic for which she is widely praised. Composed between 1987-1989, while living in Austin, Texas, the music originally served as accompaniment to choreographer Deborah Hay's dance piece of the same name. The besom presse release presents the last two movements of the full composition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1985, Hay, a founding member of the Judson Dance Theater, commissioned Fullman to collaborate on a new work. Hay was deeply influenced by her experience as a member of the Merce Cunningham Dance Company and to the way John Cage and Cunningham collaborated. As such, the only relationship planned between Fullman’s music and the choreography was timing. Inspired by Hay’s open-ended approach and encouraged to use a new set of musical implements, Fullman explained, “I found this way of working to be remarkably refreshing and respectful of my process. I felt free to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e delve into my attraction for absurdity, knowing that I would not be judged.” With a variety of acoustic sound sources, Music for the Man Who Grew Common in Wisdom finds Fullman exploring the possibilities of the Prophet sampler. Describing her experience of using this tool she explains: “I was fascinated by what could be done with the Prophet and worked in a way that could be seen as an outgrowth from the musique concrete approach that I had used with a reel-to-reel tape recorder in earlier years.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the most interesting contextual aspects of Music for the Man Who Grew Common in Wisdom is the flux under which it was created. Recently relocated and using unfamiliar equipment after having dedicated so much of her time and energy to advancing her knowledge of the LSI, this record provides an ultra-rare snapshot of Fullman’s journey as a composer: a suspended moment wherein her earlier phase of sound collaging comes into direct contact with her sensibilities of movement and sound as refined by her work with the LSI.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe excursion rewards careful, repeated listening. Its musical events arrive spontaneously while striking a rare balance between the poetical and unaffected. While the work is time-stamped by its technology, it evades the quaintness that beleaguers so many novel releases from the past. On side A, titled Music for the Gardener, Fullman triggers an assortment of exquisitely recorded acoustic sounds from a variety of quotidian sources including bits of glass dropped on a concrete slab, the gentle clanking of suspended woodscraps, water swishing back and forth, and her own voice. The piece begins with the glass, arranged chromatically, which Fullman playfully improvises with by triggering individual notes from a series of chord shapes. The effervescent chime and bounce is punctuated with sudden cluster chords that explode like a six-pack against a brick wall. This gives way to the round and muted tones of the swinging timber—a generous sonic foil to the icy digital aliasing of the glass samples. Shifting focus again, we hear the hi-fi swishing of water in a tub reproduced in a dazzlingly wide stereo field made possible by microphones arranged at either end of the bath. Fullman’s sampled voice, played in a meditative modal melody, signifies a kind of coda anchored by the rhythmic pulsing of clanking wood.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B’s Music for the Aviator is rooted in Deborah’s directive: \"We contain the mystery, but we don't know what it is.\" Like an alternative soundtrack to Jodorowsky’s Santa Sangre, starter guns, percolating bubbles, cheering crowds, and a calliope organ conjure a lysergic day at the circus. More or less abrupt disturbances take place throughout. The circus is consumed by cetaceous blowhole sounds, which in turn fade into something vaguely like the Hindewhu whistle of Ba-Benzélé Pygmy music (think the intro to Herbie Hancock’s Watermelon Man). Eventually the piece settles into a satisfying rhythmic pulse of tuned breath sounds set in a cloud of woozy voice loops while a tightly packed spectrum of overtones springs forth.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Man Who Grew Common In Wisdom was performed in August 2019 at the Tanz im August Festival, Berlin, in their RE-Perspective Deborah Hay, Works from 1968 to the Present. Eva Mohn of the Cullberg Ballet, Stockholm, was the soloist, and the work has become part of their repertoire. Music from the first movement of this piece, The Navigator (aka “Staggered Stasis”), was made available earlier this year by Superior Viaduct on a reissue of Fullman's 1987 self-released cassette, In The Sea.\u2028\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ellen fullman\u003c\/p\u003e\n\u003cp\u003eLabel : besom presse\u003c\/p\u003e"}
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アメリカの実験音楽家ellen fullmanが、2020年にアメリカ・LAの実験／ドローンレーベルBesom Presseからリリースしたレコードです。 長いワイヤーを使用した作品が有名な彼女ですが、本作ではガラスや木屑、水などを使用した演劇用に制作した2曲を収録。 DLコード付属。 以下、レーベルによる解説です。 "besom presseは、ellen fullmanの『Music for the Man Who Grew Common...
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{"id":8009509929210,"title":"tetuzi akiyama \/\/ thaumaturgy LP","handle":"tetuzi-akiyama-thaumaturgy-lp","description":"\u003cp\u003e東京のギタリストtetuzi akiyamaが、2020年にアメリカ・LAの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBesom Presseからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eひとりの時間におすすめのアコースティックギター独奏11曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2683589296\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2757326353\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2683589296\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003ehere\u003c\/a\u003e to see more besom presse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003epredawn 02:18\u003c\/li\u003e\n\u003cli\u003eproclamation 05:24\u003c\/li\u003e\n\u003cli\u003elament 04:56\u003c\/li\u003e\n\u003cli\u003etrajectory 03:17\u003c\/li\u003e\n\u003cli\u003eapparatus 04:10\u003c\/li\u003e\n\u003cli\u003epseudopsia 03:44\u003c\/li\u003e\n\u003cli\u003eperseverance 02:58\u003c\/li\u003e\n\u003cli\u003eforgetfulness 05:44\u003c\/li\u003e\n\u003cli\u003eterrace 05:47\u003c\/li\u003e\n\u003cli\u003eparallelism 01:55\u003c\/li\u003e\n\u003cli\u003ethaumaturgy 01:41\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003ebesom presse:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe intimacy of Akiyama’s Thaumaturgy is immense. In nine short through-composed pieces written over a ten-year period, Akiyama captures something melodic, simple, and utterly transfixing. In his first instrumental solo acoustic guitar record in more than a decade, Akiyama, widely known for his improvisatory collaborations as well as his hypnotizing boogie-drone guitar pieces, here works without effects and maintains a strict harmonic palette throughout. Every note is given ample space to ring out and decay, together slowly and deliberately building the frame that is to become the completed structure. The resulting atmosphere of his pared down grammar threads each individual track to the next as the songs work together with the gravity of a single object. In fact, one might think of each track like a room in a house.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record, as its name hints, is suffused with phenomenological magic. The pieces function architecturally, in a Bachelardian sense, sheltering the daydreamer and encouraging charged stillness. The record envelops like a long-vacant shelter, made sacred by memory. Repeated motifs, like building blocks, waft through the air, exacting the psycho-durational and transportive power of a music box. And while, like a music box, the music lends itself to the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e tracing of inner landscapes, critical listening reveals that this is no mere background music. The acoustic field is richly ornamented with combination tones that are intensified by a pacing in step with Rothko-philes, Morton Feldman and Loren Connors.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the enclosure of home serves for many as refuge from the world, Akiyama’s Thaumaturgy speaks to a basic drive for a sense of place in an epoch dominated by the disassociation of global nowhere-culture. The simplicity-bordering naivete of the pieces evokes a discomfiting nostalgia and melancholy pointing us home or, as Bachelard would suggest, to the 'miniscule phenomenon of the shimmering consciousness.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : tetuzi akiyama\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : besom presse\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-23T12:55:13+09:00","created_at":"2023-08-22T16:21:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","besom presse","jazz","lp","new"],"price":381400,"price_min":381400,"price_max":381400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44508083028218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"tetuzi akiyama \/\/ thaumaturgy LP","public_title":null,"options":["Default Title"],"price":381400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_fde04932-df27-485c-8832-b160e23cb820.jpg?v=1692688890","\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_5c2b4427-935e-416b-9063-5fd8001e638e.jpg?v=1692688890"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_fde04932-df27-485c-8832-b160e23cb820.jpg?v=1692688890","options":["Title"],"media":[{"alt":null,"id":32359476396282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_fde04932-df27-485c-8832-b160e23cb820.jpg?v=1692688890"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_fde04932-df27-485c-8832-b160e23cb820.jpg?v=1692688890","width":700},{"alt":null,"id":32359476429050,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_5c2b4427-935e-416b-9063-5fd8001e638e.jpg?v=1692688890"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_5c2b4427-935e-416b-9063-5fd8001e638e.jpg?v=1692688890","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のギタリストtetuzi akiyamaが、2020年にアメリカ・LAの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBesom Presseからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eひとりの時間におすすめのアコースティックギター独奏11曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2683589296\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2757326353\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2683589296\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003ehere\u003c\/a\u003e to see more besom presse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003epredawn 02:18\u003c\/li\u003e\n\u003cli\u003eproclamation 05:24\u003c\/li\u003e\n\u003cli\u003elament 04:56\u003c\/li\u003e\n\u003cli\u003etrajectory 03:17\u003c\/li\u003e\n\u003cli\u003eapparatus 04:10\u003c\/li\u003e\n\u003cli\u003epseudopsia 03:44\u003c\/li\u003e\n\u003cli\u003eperseverance 02:58\u003c\/li\u003e\n\u003cli\u003eforgetfulness 05:44\u003c\/li\u003e\n\u003cli\u003eterrace 05:47\u003c\/li\u003e\n\u003cli\u003eparallelism 01:55\u003c\/li\u003e\n\u003cli\u003ethaumaturgy 01:41\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003ebesom presse:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe intimacy of Akiyama’s Thaumaturgy is immense. In nine short through-composed pieces written over a ten-year period, Akiyama captures something melodic, simple, and utterly transfixing. In his first instrumental solo acoustic guitar record in more than a decade, Akiyama, widely known for his improvisatory collaborations as well as his hypnotizing boogie-drone guitar pieces, here works without effects and maintains a strict harmonic palette throughout. Every note is given ample space to ring out and decay, together slowly and deliberately building the frame that is to become the completed structure. The resulting atmosphere of his pared down grammar threads each individual track to the next as the songs work together with the gravity of a single object. In fact, one might think of each track like a room in a house.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record, as its name hints, is suffused with phenomenological magic. The pieces function architecturally, in a Bachelardian sense, sheltering the daydreamer and encouraging charged stillness. The record envelops like a long-vacant shelter, made sacred by memory. Repeated motifs, like building blocks, waft through the air, exacting the psycho-durational and transportive power of a music box. And while, like a music box, the music lends itself to the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e tracing of inner landscapes, critical listening reveals that this is no mere background music. The acoustic field is richly ornamented with combination tones that are intensified by a pacing in step with Rothko-philes, Morton Feldman and Loren Connors.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the enclosure of home serves for many as refuge from the world, Akiyama’s Thaumaturgy speaks to a basic drive for a sense of place in an epoch dominated by the disassociation of global nowhere-culture. The simplicity-bordering naivete of the pieces evokes a discomfiting nostalgia and melancholy pointing us home or, as Bachelard would suggest, to the 'miniscule phenomenon of the shimmering consciousness.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : tetuzi akiyama\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : besom presse\u003c\/span\u003e\u003c\/p\u003e"}
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東京のギタリストtetuzi akiyamaが、2020年にアメリカ・LAの実験／ドローンレーベルBesom Presseからリリースしたレコードです。 ひとりの時間におすすめのアコースティックギター独奏11曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more besom presse releases available at Tobira....
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{"id":8009509732602,"title":"david watson and tony buck \/\/ ask the axes 12\"","handle":"david-watson-and-tony-buck-ask-the-axes-12","description":"\u003cp\u003eニュージーランドのバグパイプ奏者david watsonとオーストラリアのパーカッショニストtony buckが、2019年にアメリカ・LAの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBesom Presseからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックでロングフォームなドローン2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1666202287\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003ehere\u003c\/a\u003e to see more besom presse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ebeating 22:49\u003c\/li\u003e\n\u003cli\u003eexhale 19:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003ebesom presse:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ebesom presse announces \"ask the axes,\" the first collaborative release by the duo of experimental bagpiper david watson and famed percussionist of the necks, tony buck. watson and buck’s premiere recording documents two twenty-plus minute tracks featuring the hallucinatory sound palette of the highland bagpipes, drums and percussion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eask the axes leads with watson blowing out a grounding and sonorous fundamental tone. moments later it’s redoubled with the serrated buzz of a higher register saw wave, suggesting a startling revelation of the untapped potential of the highland pipes. as watson steadily accumulates layers, the sound takes on a prismatic effect. from the droning choir of reeds, phantasmic overtones suddenly surface and are submerged in a fizzing backdrop like aural phosphenes. when buck enters he manages to do so without interrupting watson’s uncanny suspension of time. his toms and snare splinter with a giddy phasing effect as he shakes a number of bells into a thrumming substratum.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eon side b, the duo evolve into an ecstatic kinesis, expanding and accelerating sensations of space and time. buck’s measured crescendo conjures the trance-inducing meditations of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the sufi dervishes while watson’s pipes peal out glossolalic spasms that sound like a long lost maclise ritual. as the record closes in heaves and gasps, a warm afterglow settles in ahead of a startling conclusion.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : david watson and tony buck\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Besom Presse\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-23T12:49:54+09:00","created_at":"2023-08-22T16:19:22+09:00","vendor":"Tobira Records","type":"","tags":["besom presse","drone","lp","new","strange beats"],"price":381400,"price_min":381400,"price_max":381400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44508071493882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"david watson and tony buck \/\/ ask the axes 12\"","public_title":null,"options":["Default Title"],"price":381400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ask1.jpg?v=1692688764","\/\/tobirarecords.com\/cdn\/shop\/files\/ask2.jpg?v=1692688764"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ask1.jpg?v=1692688764","options":["Title"],"media":[{"alt":null,"id":32359471153402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ask1.jpg?v=1692688764"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ask1.jpg?v=1692688764","width":700},{"alt":null,"id":32359471186170,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ask2.jpg?v=1692688764"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ask2.jpg?v=1692688764","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eニュージーランドのバグパイプ奏者david watsonとオーストラリアのパーカッショニストtony buckが、2019年にアメリカ・LAの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBesom Presseからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサイケデリックでロングフォームなドローン2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1666202287\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003ehere\u003c\/a\u003e to see more besom presse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ebeating 22:49\u003c\/li\u003e\n\u003cli\u003eexhale 19:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003ebesom presse:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ebesom presse announces \"ask the axes,\" the first collaborative release by the duo of experimental bagpiper david watson and famed percussionist of the necks, tony buck. watson and buck’s premiere recording documents two twenty-plus minute tracks featuring the hallucinatory sound palette of the highland bagpipes, drums and percussion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eask the axes leads with watson blowing out a grounding and sonorous fundamental tone. moments later it’s redoubled with the serrated buzz of a higher register saw wave, suggesting a startling revelation of the untapped potential of the highland pipes. as watson steadily accumulates layers, the sound takes on a prismatic effect. from the droning choir of reeds, phantasmic overtones suddenly surface and are submerged in a fizzing backdrop like aural phosphenes. when buck enters he manages to do so without interrupting watson’s uncanny suspension of time. his toms and snare splinter with a giddy phasing effect as he shakes a number of bells into a thrumming substratum.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eon side b, the duo evolve into an ecstatic kinesis, expanding and accelerating sensations of space and time. buck’s measured crescendo conjures the trance-inducing meditations of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the sufi dervishes while watson’s pipes peal out glossolalic spasms that sound like a long lost maclise ritual. as the record closes in heaves and gasps, a warm afterglow settles in ahead of a startling conclusion.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : david watson and tony buck\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Besom Presse\u003c\/span\u003e\u003c\/p\u003e"}
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ニュージーランドのバグパイプ奏者david watsonとオーストラリアのパーカッショニストtony buckが、2019年にアメリカ・LAの実験／ドローンレーベルBesom Presseからリリースした共作レコードです。 サイケデリックでロングフォームなドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more besom presse releases available at...
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{"id":8009509568762,"title":"werner durand with amelia cuni and victor meertens \/\/ processions 2xLP","handle":"werner-durand-with-amelia-cuni-and-victor-meertens-processions-2x12","description":"\u003cp\u003eドイツ・ベルリンの実験音楽家／楽器製作者werner durandが、2019年にアメリカ・LAの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBesom Presseからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e自作の管楽器やリード楽器、サロード、ミルリトン、バイ（ベトナムのフリーリード楽器）、トランペット、打ち込みのエレキギターを用いたロングフォームなアコースティック・ドローン〜実験アンビエント4曲を収録。DLコード付属。 \u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=527728225\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003ehere\u003c\/a\u003e to see more Besom Presse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ecaressing the air 17:20\u003c\/li\u003e\n\u003cli\u003eprocession 12:48\u003c\/li\u003e\n\u003cli\u003esandal 21:00\u003c\/li\u003e\n\u003cli\u003ekhus 18:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBesom Presse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ebesom presse is pleased to announce the release of \"processions,\" a double lp by composer, performer, and instrument-maker werner durand, with amelia cuni and victor meertens. recorded and mixed in his home studio in berlin from 2012-16, durand offers four just-intoned drone works distilling global influence into compositions of singular beauty. the pieces presented here are rooted in durand’s past work with meertens (an australian visual artist), a partnership that dates back to the early 90’s. performed on an unlikely array of instruments including various self-made wind and reed instruments, sarod, mirliton, bi (a vietnamese free reed instrument), trumpet, and hammered electric guitar, the result is narcotic.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eeach piece is a rich tapestry woven by timbral combinations that cut clearly defined swaths of the spectral field, yet cradle each other with mandala-like elegance. processions opens with meertens’ hammered guitar percolating within the glacial flow of durand’s omnipresent hum—like an embryonic dreyblatt excitation set adrift in the bardo of lamonte young’s eternal music. dhrupad singer amelia cuni’s voice enters, beckoning like an oneiric shepherd. as the record proceeds, durand doubles down on his elemental sound—before long the listener, without realizing it, sits straddling a borderline in a hypnagogic state of fleeting consciousness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : werner durand \/ amelia cuni \/ victor meertens\u003c\/p\u003e\n\u003cp\u003eLabel : Besom Presse\u003c\/p\u003e","published_at":"2023-08-23T12:21:20+09:00","created_at":"2023-08-22T16:16:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","besom presse","drone","lp","new"],"price":578000,"price_min":578000,"price_max":578000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44508061925626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"werner durand with amelia cuni and victor meertens \/\/ processions 2xLP","public_title":null,"options":["Default Title"],"price":578000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pro1.jpg?v=1692688598","\/\/tobirarecords.com\/cdn\/shop\/files\/pro2.jpg?v=1692688598"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1.jpg?v=1692688598","options":["Title"],"media":[{"alt":null,"id":32359461028090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1.jpg?v=1692688598"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1.jpg?v=1692688598","width":700},{"alt":null,"id":32359461060858,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro2.jpg?v=1692688598"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro2.jpg?v=1692688598","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験音楽家／楽器製作者werner durandが、2019年にアメリカ・LAの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBesom Presseからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e自作の管楽器やリード楽器、サロード、ミルリトン、バイ（ベトナムのフリーリード楽器）、トランペット、打ち込みのエレキギターを用いたロングフォームなアコースティック・ドローン〜実験アンビエント4曲を収録。DLコード付属。 \u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=527728225\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003ehere\u003c\/a\u003e to see more Besom Presse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ecaressing the air 17:20\u003c\/li\u003e\n\u003cli\u003eprocession 12:48\u003c\/li\u003e\n\u003cli\u003esandal 21:00\u003c\/li\u003e\n\u003cli\u003ekhus 18:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBesom Presse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ebesom presse is pleased to announce the release of \"processions,\" a double lp by composer, performer, and instrument-maker werner durand, with amelia cuni and victor meertens. recorded and mixed in his home studio in berlin from 2012-16, durand offers four just-intoned drone works distilling global influence into compositions of singular beauty. the pieces presented here are rooted in durand’s past work with meertens (an australian visual artist), a partnership that dates back to the early 90’s. performed on an unlikely array of instruments including various self-made wind and reed instruments, sarod, mirliton, bi (a vietnamese free reed instrument), trumpet, and hammered electric guitar, the result is narcotic.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eeach piece is a rich tapestry woven by timbral combinations that cut clearly defined swaths of the spectral field, yet cradle each other with mandala-like elegance. processions opens with meertens’ hammered guitar percolating within the glacial flow of durand’s omnipresent hum—like an embryonic dreyblatt excitation set adrift in the bardo of lamonte young’s eternal music. dhrupad singer amelia cuni’s voice enters, beckoning like an oneiric shepherd. as the record proceeds, durand doubles down on his elemental sound—before long the listener, without realizing it, sits straddling a borderline in a hypnagogic state of fleeting consciousness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : werner durand \/ amelia cuni \/ victor meertens\u003c\/p\u003e\n\u003cp\u003eLabel : Besom Presse\u003c\/p\u003e"}
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ドイツ・ベルリンの実験音楽家／楽器製作者werner durandが、2019年にアメリカ・LAの実験／ドローンレーベルBesom Presseからリリースした2枚組レコードです。 自作の管楽器やリード楽器、サロード、ミルリトン、バイ（ベトナムのフリーリード楽器）、トランペット、打ち込みのエレキギターを用いたロングフォームなアコースティック・ドローン〜実験アンビエント4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Besom Presse releases available at Tobira....
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