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{"id":7961170018554,"title":"Ellen Fullman \/\/ Staggered Stasis CD","handle":"ellen-fullman-staggered-stasis-cd","description":"\u003cp\u003eアメリカのドローン作家Ellen Fullmanのドローンパフォーマンス作品です。\u003c\/p\u003e\n\u003cp\u003e80フィート以上の巨大ワイヤーを使用したナチュラル・ドローン5曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1NSl1U_3fII\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Ellen Fullman – Section 1 16:43\u003cbr\u003e2 Ellen Fullman with Santiago Villareal – Section 2 3:46\u003cbr\u003e3 Ellen Fullman with Santiago Villareal – Section 3 25:14\u003cbr\u003e4 Ellen Fullman – Duration 23:16\u003cbr\u003e5 Ellen Fullman – Speed Duration 2:29\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e++\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAnomalous Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSince the early 1980s, Ellen Fullman has been perfecting her Long String Instrument. This unique instrument of her own design is some 80 feet in length and played by literally walking through it. The resulting sounds are beautiful gliding tones with a rich harmonic content. The CD presents two works from her time in Austin, Texas in the late 1980's which beautifully display a sound you can get inside of. These long tracks envelope you in their cascading overtones. Even though she has performed widely in the United States and Europe, this is only Ellen's third solo CD, following previous releases on XI Records and New Albion. So hearing these gorgeous and important pieces from her archive is cause for celebration.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e Ellen Fullman: \u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e'Staggered Stasis' (1989) was commissioned by the Deborah Hay Dance Company for part 1, 'The Navigator' in Hay's trilogy, 'The Man Who Grew Common In Wisdom'. Microtonal shifts in the coloring occur in a staggered fashion, traveling on an axis of Pythagorean intervals, (the circle of fifths). Chords created by stacking 3\/2s, or fifths, are referred to as 'suspended chords'. There is a flatness in this drama, what I imagine it must be like in the middle of an ocean, continually moving yet appearing the same. The four part score was plotted on a timeline. Each track was recorded and performed by myself. An excerpt of 'Staggered Stasis' was released on the Aerial CD series. 'Duration' (1986) was composed as a 13-limit study for the Long String Instrument, in the key of C. The fundamental tone is continually sounded, under chords constructed with pitches from the overtone series. The intention of the piece was to listen to the variations within each chord, as it is sounded continually while the performer walked the length of the instrument. As the performer's position changes, one clearly hears a cascade of overtones. 'Duration' was never previously released. The original recordings were made direct to a PCM digital processor using a vintage AKG C24 stereo tube condenser microphone placed about 15 feet from the resonators.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ellen Fullman\u003c\/p\u003e\n\u003cp\u003eLabel : Anomalous Records\u003c\/p\u003e","published_at":"2023-04-22T14:24:55+09:00","created_at":"2023-04-19T12:20:34+09:00","vendor":"Tobira Records","type":"","tags":["anomalous","cd","drone","new"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44179346882810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ellen Fullman \/\/ Staggered Stasis CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/el2_96e440af-38e7-4146-a48e-e0d77a6e2d78.jpg?v=1681874436","\/\/tobirarecords.com\/cdn\/shop\/products\/el3_10750081-a5c4-4a6a-8f6c-d1db5c3318ac.jpg?v=1681874436"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_96e440af-38e7-4146-a48e-e0d77a6e2d78.jpg?v=1681874436","options":["Title"],"media":[{"alt":null,"id":31851305173242,"position":1,"preview_image":{"aspect_ratio":1.014,"height":592,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_96e440af-38e7-4146-a48e-e0d77a6e2d78.jpg?v=1681874436"},"aspect_ratio":1.014,"height":592,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el2_96e440af-38e7-4146-a48e-e0d77a6e2d78.jpg?v=1681874436","width":600},{"alt":null,"id":31851305206010,"position":2,"preview_image":{"aspect_ratio":1.014,"height":592,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el3_10750081-a5c4-4a6a-8f6c-d1db5c3318ac.jpg?v=1681874436"},"aspect_ratio":1.014,"height":592,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/el3_10750081-a5c4-4a6a-8f6c-d1db5c3318ac.jpg?v=1681874436","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのドローン作家Ellen Fullmanのドローンパフォーマンス作品です。\u003c\/p\u003e\n\u003cp\u003e80フィート以上の巨大ワイヤーを使用したナチュラル・ドローン5曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1NSl1U_3fII\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1 Ellen Fullman – Section 1 16:43\u003cbr\u003e2 Ellen Fullman with Santiago Villareal – Section 2 3:46\u003cbr\u003e3 Ellen Fullman with Santiago Villareal – Section 3 25:14\u003cbr\u003e4 Ellen Fullman – Duration 23:16\u003cbr\u003e5 Ellen Fullman – Speed Duration 2:29\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e++\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAnomalous Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSince the early 1980s, Ellen Fullman has been perfecting her Long String Instrument. This unique instrument of her own design is some 80 feet in length and played by literally walking through it. The resulting sounds are beautiful gliding tones with a rich harmonic content. The CD presents two works from her time in Austin, Texas in the late 1980's which beautifully display a sound you can get inside of. These long tracks envelope you in their cascading overtones. Even though she has performed widely in the United States and Europe, this is only Ellen's third solo CD, following previous releases on XI Records and New Albion. So hearing these gorgeous and important pieces from her archive is cause for celebration.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e Ellen Fullman: \u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e'Staggered Stasis' (1989) was commissioned by the Deborah Hay Dance Company for part 1, 'The Navigator' in Hay's trilogy, 'The Man Who Grew Common In Wisdom'. Microtonal shifts in the coloring occur in a staggered fashion, traveling on an axis of Pythagorean intervals, (the circle of fifths). Chords created by stacking 3\/2s, or fifths, are referred to as 'suspended chords'. There is a flatness in this drama, what I imagine it must be like in the middle of an ocean, continually moving yet appearing the same. The four part score was plotted on a timeline. Each track was recorded and performed by myself. An excerpt of 'Staggered Stasis' was released on the Aerial CD series. 'Duration' (1986) was composed as a 13-limit study for the Long String Instrument, in the key of C. The fundamental tone is continually sounded, under chords constructed with pitches from the overtone series. The intention of the piece was to listen to the variations within each chord, as it is sounded continually while the performer walked the length of the instrument. As the performer's position changes, one clearly hears a cascade of overtones. 'Duration' was never previously released. The original recordings were made direct to a PCM digital processor using a vintage AKG C24 stereo tube condenser microphone placed about 15 feet from the resonators.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ellen Fullman\u003c\/p\u003e\n\u003cp\u003eLabel : Anomalous Records\u003c\/p\u003e"}
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アメリカのドローン作家Ellen Fullmanのドローンパフォーマンス作品です。 80フィート以上の巨大ワイヤーを使用したナチュラル・ドローン5曲を収録。 -------------------------------------- Tracklist: 1 Ellen Fullman – Section 1 ...
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{"id":7961169690874,"title":"Little Skull \/\/ untitled LP","handle":"litskuu","description":"\u003cp\u003e90年代から活動しているニュージーランド出身イギリス在住のドローン・フォーク作家Little Skull aka Dear Brownが、2023年4月にアメリカの実験レーベルAnomalousから210部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとオルガン、ハープ、ギターを用いたLo-Fiアンビエント〜ローエンド・ドローン〜アンビエントドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e手作りジャケットです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=245262243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1687039276\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=245262243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cspan class=\"bcTruncateMore\"\u003eNick Hamilton\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFirst full LP of new material from Dean Brown's Little Skull project since 2019's 'A Light in the Window Will Guide Us Safely Home' on Planam.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLittle Skull began in the mid-2000's, shortly before Brown relocated to London. Although the trademark NZ\/Aoteara underground sound is evident, comparisons to the contemporary Gothenburg underground or outliers like Richard Youngs \u0026amp; Genghis Cohn can also be drawn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis particular, 'Untitled', LP began while Brown was preparing for his first London performance at the end of 2021. It's stripped-down, mainly improvised, sound was dictated by practical rather than aesthetic decisions. Despite his economy of means, Brown has a keen sense of sequencing and narrative with both his live sets and recorded output resulting in an immersive and engaging listen. The set incorporates piano, organ, saw, harp, and guitars (both ebowed and played with a screwdriver) bathed in tape hiss and amp hum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough it's probably the darkest and most minimal Little Skull LP to date, there are still moments where the light shines through. Similar to Andrew Chalk, for example, even when Brown is in pastoral, melodic territory, his noise roots are still evident. Perhaps it's this inner tension that gives Little Skull releases such an irresistable\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e sound?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist : Little Skull\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eLabel : Anomalous\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-19T15:37:33+09:00","created_at":"2023-04-19T12:14:09+09:00","vendor":"Tobira Records","type":"","tags":["ambient","anomalous","drone","lp","new","recommended"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44179342721274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Little Skull \/\/ untitled LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_2be554bd-0015-4de0-9c78-c44a0375fd4e.jpg?v=1681874051"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_2be554bd-0015-4de0-9c78-c44a0375fd4e.jpg?v=1681874051","options":["Title"],"media":[{"alt":null,"id":31851294490874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_2be554bd-0015-4de0-9c78-c44a0375fd4e.jpg?v=1681874051"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_2be554bd-0015-4de0-9c78-c44a0375fd4e.jpg?v=1681874051","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e90年代から活動しているニュージーランド出身イギリス在住のドローン・フォーク作家Little Skull aka Dear Brownが、2023年4月にアメリカの実験レーベルAnomalousから210部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとオルガン、ハープ、ギターを用いたLo-Fiアンビエント〜ローエンド・ドローン〜アンビエントドローン7曲を収録。\u003c\/p\u003e\n\u003cp\u003e手作りジャケットです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=245262243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1687039276\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=245262243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cspan class=\"bcTruncateMore\"\u003eNick Hamilton\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFirst full LP of new material from Dean Brown's Little Skull project since 2019's 'A Light in the Window Will Guide Us Safely Home' on Planam.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLittle Skull began in the mid-2000's, shortly before Brown relocated to London. Although the trademark NZ\/Aoteara underground sound is evident, comparisons to the contemporary Gothenburg underground or outliers like Richard Youngs \u0026amp; Genghis Cohn can also be drawn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis particular, 'Untitled', LP began while Brown was preparing for his first London performance at the end of 2021. It's stripped-down, mainly improvised, sound was dictated by practical rather than aesthetic decisions. Despite his economy of means, Brown has a keen sense of sequencing and narrative with both his live sets and recorded output resulting in an immersive and engaging listen. The set incorporates piano, organ, saw, harp, and guitars (both ebowed and played with a screwdriver) bathed in tape hiss and amp hum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough it's probably the darkest and most minimal Little Skull LP to date, there are still moments where the light shines through. Similar to Andrew Chalk, for example, even when Brown is in pastoral, melodic territory, his noise roots are still evident. Perhaps it's this inner tension that gives Little Skull releases such an irresistable\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e sound?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist : Little Skull\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eLabel : Anomalous\u003c\/span\u003e\u003c\/p\u003e"}
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90年代から活動しているニュージーランド出身イギリス在住のドローン・フォーク作家Little Skull aka Dear Brownが、2023年4月にアメリカの実験レーベルAnomalousから210部限定でリリースしたレコードです。 ピアノとオルガン、ハープ、ギターを用いたLo-Fiアンビエント〜ローエンド・ドローン〜アンビエントドローン7曲を収録。 手作りジャケットです。 ----------------------------------- Text by Nick Hamilton : "First full LP...
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{"id":7961170346234,"title":"Steve Roden \/\/ O.T.R And U.T.R 7\"","handle":"steve-roden-otr-and-utr-7","description":"\u003cp\u003eアメリカ・LAの実験音楽家Steve Rodenが、2021年に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnomalousから100部限定でリリースした7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e母から譲り受けたthe dimensions「Somewhere Over the Rainbow」のレコード盤の最初と最後の音だけで展開する物音コラージュ2曲を収録。一点一点異なるコラージュジャケット仕様です。以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e数年前、母が子供の頃に好きだったチャック・ベリーやプラターズなどのドーナツ盤の束をくれました。レコードを聴き始めたとき、私は音楽だけでなく、母が何年もかけて繰り返し聴いてきたことによる表面の傷にも興奮しました。U.T.R.とO.T.R.のソースは、the dimensionsの「Somewhere Over the Rainbow」の録音です。あなたが\u003cmeta charset=\"utf-8\"\u003e聴いているのは、レコードの最初と最後、つまり曲の最初の音と最後の音の表面ノイズの処理音です。レコードを聴くという体験は、時間的な体験だけでなく、身体的な体験でもあります。最初にレコードに針を落とし、最後にそれを拾うとき、それは一種のパフォーマンスです。この作品では、意図しない音を探求し、「歌の前」と「歌の後」を強調したいと思いました。レコードが演奏されるたびに、新しいしわ、傷、擦れ、欠け、汚物が生まれます。そこで、ここでは、完璧なベニヤ板から離れるために、取り扱いによって生じる意図しない音を強調したかったのです。母のレコードの最後の溝に閉じ込められた針の音を聞いていると、私が生まれる10年前に同じものを聞いていた母の声と同じものを聞いているのだろうと思いましう。レコードがクリック音だけを出し続けているとき、私は母がお気に入りの曲で眠りにつくのを想像します。母は暗い寝室で、針が溝にはまった後の音を聞きながら眠っています。眠りながら、母の耳は子守唄のようにミニマリズムのクリックを吸収します。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/R28OdR9tZBA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. O.T.R\u003cbr\u003e2. U.T.R\u003c\/p\u003e\n\u003cp\u003eEdition of 157 copies. 7\" presented in unique hand made collages on every cover.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by Steve Roden:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"a few years ago, my mother gave me a small stack of 45s of some of her favorite songs as a kid; chuck berry, the platters, and others. when i began to listen to the records, i was not only excited about the music, but the surface-scuffs from my mother’s repeated listening over the years of wear and tear. the source for u.t.r. and o.t.r. is a recording of 'somewhere over the rainbow' by the dimensions. what you are hearing are the processed sounds of the surface noise at the beginning and end of the record - the first and last notes of the song. the experience of listening to a vinyl record is not only a durational experience, but a physical experience. when the needle is dropped upon the record at the beginning and picking it up at the end, it is a kind of performance. in this piece, i wanted to explore the unintentional sounds - to emphasize the 'before-song' and the 'after-song'. in the final seconds of listening to a 45, when the needle becomes trapped in the repetitive rhythm that is born of a locked groove, these clicks become a process of disintegration. the constant clicks offer a kind of lullaby like the aging process of a human being’s body and skin as it changes. every time a piece of vinyl is played, new wrinkles, scars, scratches, scrapes, chips, and detritus are created and so here, i wanted to highlight the unintentional soundings caused by handling, to move away from the perfect veneer. the more a record is handled, the more the music is transformed to an entirely different atmosphere - where disturbances and interruptions can overwhelm a song. listening to the sound of a needle trapped within the final groove of one of my mother's records, i think i must be hearing the exact thing she heard while listening to the same object possibly 10 years before i was born. as the record continues to offer the clicks and nothing else, i imagine my mother falling asleep to one of her favorite songs. there, in her darkened bedroom, she sleeps to the after-sound of the needle stuck in a groove. as she sleeps, her ears absorb the minimalist rhythmic click, like a lullaby - and as the needle endlessly circles the outer realm of the record label clicking until morning...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Steve Roden\u003c\/p\u003e\n\u003cp\u003eLabel : Anomalous\u003c\/p\u003e","published_at":"2023-04-22T11:09:07+09:00","created_at":"2023-04-19T12:26:20+09:00","vendor":"Tobira Records","type":"","tags":["anomalous","lp","monooto","new"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44179353436410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Steve Roden \/\/ O.T.R And U.T.R 7\"","public_title":null,"options":["Default Title"],"price":298000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_18ac99b9-778f-425c-a501-adbb605534e5.jpg?v=1681874782","\/\/tobirarecords.com\/cdn\/shop\/products\/ro2_6b081db7-76b4-4dca-ad81-5116c78a42db.jpg?v=1681874782"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_18ac99b9-778f-425c-a501-adbb605534e5.jpg?v=1681874782","options":["Title"],"media":[{"alt":null,"id":31851316674810,"position":1,"preview_image":{"aspect_ratio":1.015,"height":590,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_18ac99b9-778f-425c-a501-adbb605534e5.jpg?v=1681874782"},"aspect_ratio":1.015,"height":590,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_18ac99b9-778f-425c-a501-adbb605534e5.jpg?v=1681874782","width":599},{"alt":null,"id":31851316707578,"position":2,"preview_image":{"aspect_ratio":1.015,"height":590,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro2_6b081db7-76b4-4dca-ad81-5116c78a42db.jpg?v=1681874782"},"aspect_ratio":1.015,"height":590,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro2_6b081db7-76b4-4dca-ad81-5116c78a42db.jpg?v=1681874782","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAの実験音楽家Steve Rodenが、2021年に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnomalousから100部限定でリリースした7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e母から譲り受けたthe dimensions「Somewhere Over the Rainbow」のレコード盤の最初と最後の音だけで展開する物音コラージュ2曲を収録。一点一点異なるコラージュジャケット仕様です。以下、作家による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e数年前、母が子供の頃に好きだったチャック・ベリーやプラターズなどのドーナツ盤の束をくれました。レコードを聴き始めたとき、私は音楽だけでなく、母が何年もかけて繰り返し聴いてきたことによる表面の傷にも興奮しました。U.T.R.とO.T.R.のソースは、the dimensionsの「Somewhere Over the Rainbow」の録音です。あなたが\u003cmeta charset=\"utf-8\"\u003e聴いているのは、レコードの最初と最後、つまり曲の最初の音と最後の音の表面ノイズの処理音です。レコードを聴くという体験は、時間的な体験だけでなく、身体的な体験でもあります。最初にレコードに針を落とし、最後にそれを拾うとき、それは一種のパフォーマンスです。この作品では、意図しない音を探求し、「歌の前」と「歌の後」を強調したいと思いました。レコードが演奏されるたびに、新しいしわ、傷、擦れ、欠け、汚物が生まれます。そこで、ここでは、完璧なベニヤ板から離れるために、取り扱いによって生じる意図しない音を強調したかったのです。母のレコードの最後の溝に閉じ込められた針の音を聞いていると、私が生まれる10年前に同じものを聞いていた母の声と同じものを聞いているのだろうと思いましう。レコードがクリック音だけを出し続けているとき、私は母がお気に入りの曲で眠りにつくのを想像します。母は暗い寝室で、針が溝にはまった後の音を聞きながら眠っています。眠りながら、母の耳は子守唄のようにミニマリズムのクリックを吸収します。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/R28OdR9tZBA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. O.T.R\u003cbr\u003e2. U.T.R\u003c\/p\u003e\n\u003cp\u003eEdition of 157 copies. 7\" presented in unique hand made collages on every cover.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by Steve Roden:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"a few years ago, my mother gave me a small stack of 45s of some of her favorite songs as a kid; chuck berry, the platters, and others. when i began to listen to the records, i was not only excited about the music, but the surface-scuffs from my mother’s repeated listening over the years of wear and tear. the source for u.t.r. and o.t.r. is a recording of 'somewhere over the rainbow' by the dimensions. what you are hearing are the processed sounds of the surface noise at the beginning and end of the record - the first and last notes of the song. the experience of listening to a vinyl record is not only a durational experience, but a physical experience. when the needle is dropped upon the record at the beginning and picking it up at the end, it is a kind of performance. in this piece, i wanted to explore the unintentional sounds - to emphasize the 'before-song' and the 'after-song'. in the final seconds of listening to a 45, when the needle becomes trapped in the repetitive rhythm that is born of a locked groove, these clicks become a process of disintegration. the constant clicks offer a kind of lullaby like the aging process of a human being’s body and skin as it changes. every time a piece of vinyl is played, new wrinkles, scars, scratches, scrapes, chips, and detritus are created and so here, i wanted to highlight the unintentional soundings caused by handling, to move away from the perfect veneer. the more a record is handled, the more the music is transformed to an entirely different atmosphere - where disturbances and interruptions can overwhelm a song. listening to the sound of a needle trapped within the final groove of one of my mother's records, i think i must be hearing the exact thing she heard while listening to the same object possibly 10 years before i was born. as the record continues to offer the clicks and nothing else, i imagine my mother falling asleep to one of her favorite songs. there, in her darkened bedroom, she sleeps to the after-sound of the needle stuck in a groove. as she sleeps, her ears absorb the minimalist rhythmic click, like a lullaby - and as the needle endlessly circles the outer realm of the record label clicking until morning...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Steve Roden\u003c\/p\u003e\n\u003cp\u003eLabel : Anomalous\u003c\/p\u003e"}
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アメリカ・LAの実験音楽家Steve Rodenが、2021年に同国実験レーベルAnomalousから100部限定でリリースした7"です。 母から譲り受けたthe dimensions「Somewhere Over the Rainbow」のレコード盤の最初と最後の音だけで展開する物音コラージュ2曲を収録。一点一点異なるコラージュジャケット仕様です。以下、作家による解説です。 数年前、母が子供の頃に好きだったチャック・ベリーやプラターズなどのドーナツ盤の束をくれました。レコードを聴き始めたとき、私は音楽だけでなく、母が何年もかけて繰り返し聴いてきたことによる表面の傷にも興奮しました。U.T.R.とO.T.R.のソースは、the dimensionsの「Somewhere Over the Rainbow」の録音です。あなたが聴いているのは、レコードの最初と最後、つまり曲の最初の音と最後の音の表面ノイズの処理音です。レコードを聴くという体験は、時間的な体験だけでなく、身体的な体験でもあります。最初にレコードに針を落とし、最後にそれを拾うとき、それは一種のパフォーマンスです。この作品では、意図しない音を探求し、「歌の前」と「歌の後」を強調したいと思いました。レコードが演奏されるたびに、新しいしわ、傷、擦れ、欠け、汚物が生まれます。そこで、ここでは、完璧なベニヤ板から離れるために、取り扱いによって生じる意図しない音を強調したかったのです。母のレコードの最後の溝に閉じ込められた針の音を聞いていると、私が生まれる10年前に同じものを聞いていた母の声と同じものを聞いているのだろうと思いましう。レコードがクリック音だけを出し続けているとき、私は母がお気に入りの曲で眠りにつくのを想像します。母は暗い寝室で、針が溝にはまった後の音を聞きながら眠っています。眠りながら、母の耳は子守唄のようにミニマリズムのクリックを吸収します。 ------------------------------------ Tracklist:...
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