Shelter Press / Recollection GRM / Ideologic Organ

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{"id":8921196691706,"title":"Jana Irmert \/ 7038634357 \/\/ Portals \/ Rope LP","handle":"jana-irmert-7038634357-portals-rope-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10\/3リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e実験音楽家Jana Irmertと7038634357が、\u003cspan\u003e2025年10月にフランスの実験レーベルShelter Pressからリリースするスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Portals\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eブラジルとコロンビアのアマゾン熱帯雨林で録音された音のみで制作された『Portals』は、私たちの知覚を超えた隠された音の世界を呼び起こす。超音波域に潜むか、水中の深淵に潜むか、これらの音は予想外の、そしてうごめく動物の活動を証言している。昆虫、カエル、コウモリ、淡水イルカが動き回り、私たちの目と耳から身を隠している。この音のパレットを、特に移調を通じて明らかにし、再び可聴領域へと戻すことで、Jana Irmerは私たちを魅惑的な探求へと誘い導く。それは予想外で、思索的で、非人間的な音の世界であり、彼女は敬意と個性を兼ね備えた手法でそれを露わにし再構成する。この豊かで魅惑的な音響素材を、極めて明快な音楽的ジェスチャーで伴奏しながら。『Portals』は、Jana Irmerが繊細に構築した脱中心化された聴取体験を通じて、破滅の瀬戸際に立つアマゾンの森が持つ喚起力を探ろうとする試みである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e7038634357\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e類まれなる熟練と精密さで、『Rope』は不気味さすら感じさせる宙吊りの時間の中で展開する。そのタイトルが示す通り、本作は合成繊維と天然繊維が絡み合い、保持し融合する「Rope」という形式的形象を探求する。緊張と摩擦の力によって結びつけられた存在だ。ネオ・ギブソンが説明する通り、ロープそのものは全長にわたって等間隔で結び目があり、人が掴み続けられるようになっている。『Rope』はゆっくりと展開し、知覚の閾値からより濃密で重みのある電子音響テクスチャーへと進化する。しかし常に、迫り来る激変の瀬戸際にある。やがて旋律的モチーフが現れ、不可能と思われる慰めを内包しているかのように響く。この点において、『Rope』は形式的な優雅さと音響的重力、そしてほとんど抑えきれない感情的な緊張感との間で、驚くべき均衡を保っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=217254866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 3rd October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jana Irmert - Portals\u003cbr\u003e2. 7038634357 - Rope\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePotraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eJ\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eana IRMERT « Portals »\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced entirely from sounds recorded in the Amazon rainforest in Brazil and Colombia, Portals evokes the hidden world of sounds that lie beyond our perception. Whether concealed in ultra-sonic frequency registers or in the depths of the aquatic medium, these sounds bear witness to an unsuspected and teeming animal activity. Insects, frogs, bats and freshwater dolphins move about, hiding from our eyes and ears. Revealing this palette of sounds, in particular through transposition, and placing it back in the realm of the audible, Jana Irmert invites and guides us on a fascinating exploration of an unsuspected, speculative and non-human world of sound, which she exposes and recomposes in a way that is both respectful and personal, accompanying this teeming and fascinating sound material in a musical gesture of great clarity. Portals is an attempt to access the evocative power of an Amazonian forest on the brink of catastrophe, through a decentring of the listening experience delicately composed by Jana Irmert.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e7038634357 « Rope »\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWith uncommon mastery and precision, Rope unfolds in a suspended time that seems nonetheless ominous. As its title suggests\u003cspan class=\"bcTruncateMore\"\u003e, Rope explores the formal figure of the rope, as an interweaving of synthetic and natural fibres that hold and amalgamate, held together by the forces of tension and friction. The rope itself, as Neo Gibson explains, is knotted at regular intervals along its entire length, so that you can hang on to it. Rope unfolds slowly, evolving from the threshold of the perceptible towards denser, more ballasted electronic textures, but always on the brink of an upheaval to come. Then a melodic motif appears, seeming to carry within it an impossible consolation. In this respect, Rope balances strikingly between formal elegance, sonic gravity and an emotional charge that is almost uncontainable.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jana Irmert \/ 7038634357\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSPGRM016lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-13T07:28:51+09:00","created_at":"2025-09-12T18:07:05+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","shelter press"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47715000680698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jana Irmert \/ 7038634357 \/\/ Portals \/ Rope LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411923","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jana1.jpg?v=1757667915","\/\/tobirarecords.com\/cdn\/shop\/files\/jana2.jpg?v=1757667915"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jana1.jpg?v=1757667915","options":["Title"],"media":[{"alt":null,"id":36791721328890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jana1.jpg?v=1757667915"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jana1.jpg?v=1757667915","width":700},{"alt":null,"id":36791721361658,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jana2.jpg?v=1757667915"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jana2.jpg?v=1757667915","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10\/3リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e実験音楽家Jana Irmertと7038634357が、\u003cspan\u003e2025年10月にフランスの実験レーベルShelter Pressからリリースするスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e物音コラージュ〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Portals\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eブラジルとコロンビアのアマゾン熱帯雨林で録音された音のみで制作された『Portals』は、私たちの知覚を超えた隠された音の世界を呼び起こす。超音波域に潜むか、水中の深淵に潜むか、これらの音は予想外の、そしてうごめく動物の活動を証言している。昆虫、カエル、コウモリ、淡水イルカが動き回り、私たちの目と耳から身を隠している。この音のパレットを、特に移調を通じて明らかにし、再び可聴領域へと戻すことで、Jana Irmerは私たちを魅惑的な探求へと誘い導く。それは予想外で、思索的で、非人間的な音の世界であり、彼女は敬意と個性を兼ね備えた手法でそれを露わにし再構成する。この豊かで魅惑的な音響素材を、極めて明快な音楽的ジェスチャーで伴奏しながら。『Portals』は、Jana Irmerが繊細に構築した脱中心化された聴取体験を通じて、破滅の瀬戸際に立つアマゾンの森が持つ喚起力を探ろうとする試みである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e7038634357\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e類まれなる熟練と精密さで、『Rope』は不気味さすら感じさせる宙吊りの時間の中で展開する。そのタイトルが示す通り、本作は合成繊維と天然繊維が絡み合い、保持し融合する「Rope」という形式的形象を探求する。緊張と摩擦の力によって結びつけられた存在だ。ネオ・ギブソンが説明する通り、ロープそのものは全長にわたって等間隔で結び目があり、人が掴み続けられるようになっている。『Rope』はゆっくりと展開し、知覚の閾値からより濃密で重みのある電子音響テクスチャーへと進化する。しかし常に、迫り来る激変の瀬戸際にある。やがて旋律的モチーフが現れ、不可能と思われる慰めを内包しているかのように響く。この点において、『Rope』は形式的な優雅さと音響的重力、そしてほとんど抑えきれない感情的な緊張感との間で、驚くべき均衡を保っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=217254866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 3rd October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jana Irmert - Portals\u003cbr\u003e2. 7038634357 - Rope\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePotraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eJ\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eana IRMERT « Portals »\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eProduced entirely from sounds recorded in the Amazon rainforest in Brazil and Colombia, Portals evokes the hidden world of sounds that lie beyond our perception. Whether concealed in ultra-sonic frequency registers or in the depths of the aquatic medium, these sounds bear witness to an unsuspected and teeming animal activity. Insects, frogs, bats and freshwater dolphins move about, hiding from our eyes and ears. Revealing this palette of sounds, in particular through transposition, and placing it back in the realm of the audible, Jana Irmert invites and guides us on a fascinating exploration of an unsuspected, speculative and non-human world of sound, which she exposes and recomposes in a way that is both respectful and personal, accompanying this teeming and fascinating sound material in a musical gesture of great clarity. Portals is an attempt to access the evocative power of an Amazonian forest on the brink of catastrophe, through a decentring of the listening experience delicately composed by Jana Irmert.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e7038634357 « Rope »\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWith uncommon mastery and precision, Rope unfolds in a suspended time that seems nonetheless ominous. As its title suggests\u003cspan class=\"bcTruncateMore\"\u003e, Rope explores the formal figure of the rope, as an interweaving of synthetic and natural fibres that hold and amalgamate, held together by the forces of tension and friction. The rope itself, as Neo Gibson explains, is knotted at regular intervals along its entire length, so that you can hang on to it. Rope unfolds slowly, evolving from the threshold of the perceptible towards denser, more ballasted electronic textures, but always on the brink of an upheaval to come. Then a melodic motif appears, seeming to carry within it an impossible consolation. In this respect, Rope balances strikingly between formal elegance, sonic gravity and an emotional charge that is almost uncontainable.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jana Irmert \/ 7038634357\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSPGRM016lp\u003c\/span\u003e\u003c\/p\u003e"}
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※10/3リリースです 実験音楽家Jana Irmertと7038634357が、2025年10月にフランスの実験レーベルShelter Pressからリリースするスプリットレコードです。 物音コラージュ〜ドローン2曲を収録。 以下、レーベルによる解説です。 "Portals ブラジルとコロンビアのアマゾン熱帯雨林で録音された音のみで制作された『Portals』は、私たちの知覚を超えた隠された音の世界を呼び起こす。超音波域に潜むか、水中の深淵に潜むか、これらの音は予想外の、そしてうごめく動物の活動を証言している。昆虫、カエル、コウモリ、淡水イルカが動き回り、私たちの目と耳から身を隠している。この音のパレットを、特に移調を通じて明らかにし、再び可聴領域へと戻すことで、Jana Irmerは私たちを魅惑的な探求へと誘い導く。それは予想外で、思索的で、非人間的な音の世界であり、彼女は敬意と個性を兼ね備えた手法でそれを露わにし再構成する。この豊かで魅惑的な音響素材を、極めて明快な音楽的ジェスチャーで伴奏しながら。『Portals』は、Jana Irmerが繊細に構築した脱中心化された聴取体験を通じて、破滅の瀬戸際に立つアマゾンの森が持つ喚起力を探ろうとする試みである。 7038634357 類まれなる熟練と精密さで、『Rope』は不気味さすら感じさせる宙吊りの時間の中で展開する。そのタイトルが示す通り、本作は合成繊維と天然繊維が絡み合い、保持し融合する「Rope」という形式的形象を探求する。緊張と摩擦の力によって結びつけられた存在だ。ネオ・ギブソンが説明する通り、ロープそのものは全長にわたって等間隔で結び目があり、人が掴み続けられるようになっている。『Rope』はゆっくりと展開し、知覚の閾値からより濃密で重みのある電子音響テクスチャーへと進化する。しかし常に、迫り来る激変の瀬戸際にある。やがて旋律的モチーフが現れ、不可能と思われる慰めを内包しているかのように響く。この点において、『Rope』は形式的な優雅さと音響的重力、そしてほとんど抑えきれない感情的な緊張感との間で、驚くべき均衡を保っている。" レーベルその他作品はこちら /// Click here to...
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{"id":8921195905274,"title":"Slomo \/\/ The Creep (20th anniversary edition) LP","handle":"slomo-the-creep-20th-anniversary-edition-lp","description":"\u003cp\u003eイギリスのドローンデュオSlomoが、\u003cspan\u003e2025年10月にフランスの実験レーベルIdeologic Organからリリースした再発レコード\u003c\/span\u003e\u003cspan\u003eです。(オリジナルは2005年リリース)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eドゥーム・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad Beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナー\u003cspan\u003eStephen O'Malley\u003c\/span\u003eによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Slomoによるアンビエント・ドゥームの傑作『The Creep』20周年記念盤が、Ideologic Organの手により初のヴァイナル盤としてリリース。このアルバムは口承の歴史を紡ぐ伝説的作品であり、深遠な思索の仮想空間に埋もれた比喩的な長墓から出現した。音響空間を逆転させた構造は、COILの余波から日本のサイケデリック最重火炎、2000年代初頭に凝固したドローンの記念碑に至る重厚な基盤を敷いている。2005年に限定100枚でリリースされた初版CDR版『The Creep』は、SUNN O)))、ジュリアン・コープ、GNOD、伝説的レコード店アクエリアス、そして『WIRE』誌といった重鎮たちの注目を集めた。Ideologic Organは本作を初となる限定LP化するという栄誉を担い、マスタリングの天才ラシャド・ベッカーと協力し、完璧なカットによる61分間のシングルLPを制作した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1524033303\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 3rd October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe 2025 reissue mastered and cut by Rashad Becker\u003c\/span\u003e - originally released in 2005. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Creep (LP side 1)\u003cbr\u003e2. The Creep (LP side 2)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStephen O'Malley, Stockholm May 2025:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"The 20th Anniversary Edition of \"The Creep\" by Slomo, this ambient doom masterwork, is now available on vinyl for the first time via Ideologic Organ. This is a storied album of verbal history, and emerged from a figurative long barrow deep within a virtual space of great depth and contemplation, an inverted framing of acoustic space with heavy floors ranging from the wake of COIL to the heaviest Japanese fire of psychedelia to the monuments of drone coagulating in the early 'aughts. A first tiny CDR edition (100 copies) of \"The Creep\" in 2005 garnered the focus of heavyweights like SUNN O))), Julian Cope, GNOD, the esoteric legendary record store Aquarius, and the Wire. Ideologic Organ is honoured to have been tasked with bringing this to a limited LP for the very first time, and has collaborated with mastering genius Rashad Becker to create a 61-minute single LP in perfect cut. The album will also be distributed widely on all digital channels.\u003c\/em\u003e\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Slomo\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSOMA071lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-13T07:54:23+09:00","created_at":"2025-09-12T18:03:53+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","shelter press"],"price":388500,"price_min":388500,"price_max":388500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47714998812922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Slomo \/\/ The Creep (20th anniversary edition) LP","public_title":null,"options":["Default Title"],"price":388500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408650","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/slomo1_c4f02f91-0199-4dac-8f95-5e29fafd2635.jpg?v=1757667670","\/\/tobirarecords.com\/cdn\/shop\/files\/slomo2.jpg?v=1757667670"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/slomo1_c4f02f91-0199-4dac-8f95-5e29fafd2635.jpg?v=1757667670","options":["Title"],"media":[{"alt":null,"id":36791714545914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/slomo1_c4f02f91-0199-4dac-8f95-5e29fafd2635.jpg?v=1757667670"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/slomo1_c4f02f91-0199-4dac-8f95-5e29fafd2635.jpg?v=1757667670","width":700},{"alt":null,"id":36791714578682,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/slomo2.jpg?v=1757667670"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/slomo2.jpg?v=1757667670","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのドローンデュオSlomoが、\u003cspan\u003e2025年10月にフランスの実験レーベルIdeologic Organからリリースした再発レコード\u003c\/span\u003e\u003cspan\u003eです。(オリジナルは2005年リリース)\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eドゥーム・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad Beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナー\u003cspan\u003eStephen O'Malley\u003c\/span\u003eによる解説です\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Slomoによるアンビエント・ドゥームの傑作『The Creep』20周年記念盤が、Ideologic Organの手により初のヴァイナル盤としてリリース。このアルバムは口承の歴史を紡ぐ伝説的作品であり、深遠な思索の仮想空間に埋もれた比喩的な長墓から出現した。音響空間を逆転させた構造は、COILの余波から日本のサイケデリック最重火炎、2000年代初頭に凝固したドローンの記念碑に至る重厚な基盤を敷いている。2005年に限定100枚でリリースされた初版CDR版『The Creep』は、SUNN O)))、ジュリアン・コープ、GNOD、伝説的レコード店アクエリアス、そして『WIRE』誌といった重鎮たちの注目を集めた。Ideologic Organは本作を初となる限定LP化するという栄誉を担い、マスタリングの天才ラシャド・ベッカーと協力し、完璧なカットによる61分間のシングルLPを制作した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1524033303\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 3rd October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe 2025 reissue mastered and cut by Rashad Becker\u003c\/span\u003e - originally released in 2005. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Creep (LP side 1)\u003cbr\u003e2. The Creep (LP side 2)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStephen O'Malley, Stockholm May 2025:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"The 20th Anniversary Edition of \"The Creep\" by Slomo, this ambient doom masterwork, is now available on vinyl for the first time via Ideologic Organ. This is a storied album of verbal history, and emerged from a figurative long barrow deep within a virtual space of great depth and contemplation, an inverted framing of acoustic space with heavy floors ranging from the wake of COIL to the heaviest Japanese fire of psychedelia to the monuments of drone coagulating in the early 'aughts. A first tiny CDR edition (100 copies) of \"The Creep\" in 2005 garnered the focus of heavyweights like SUNN O))), Julian Cope, GNOD, the esoteric legendary record store Aquarius, and the Wire. Ideologic Organ is honoured to have been tasked with bringing this to a limited LP for the very first time, and has collaborated with mastering genius Rashad Becker to create a 61-minute single LP in perfect cut. The album will also be distributed widely on all digital channels.\u003c\/em\u003e\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Slomo\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSOMA071lp\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのドローンデュオSlomoが、2025年10月にフランスの実験レーベルIdeologic Organからリリースした再発レコードです。(オリジナルは2005年リリース) ドゥーム・ドローン2曲を収録。 マスタリングはRashad Beckerが担当しています。 以下、レーベルオーナーStephen O'Malleyによる解説です "Slomoによるアンビエント・ドゥームの傑作『The Creep』20周年記念盤が、Ideologic Organの手により初のヴァイナル盤としてリリース。このアルバムは口承の歴史を紡ぐ伝説的作品であり、深遠な思索の仮想空間に埋もれた比喩的な長墓から出現した。音響空間を逆転させた構造は、COILの余波から日本のサイケデリック最重火炎、2000年代初頭に凝固したドローンの記念碑に至る重厚な基盤を敷いている。2005年に限定100枚でリリースされた初版CDR版『The Creep』は、SUNN O)))、ジュリアン・コープ、GNOD、伝説的レコード店アクエリアス、そして『WIRE』誌といった重鎮たちの注目を集めた。Ideologic Organは本作を初となる限定LP化するという栄誉を担い、マスタリングの天才ラシャド・ベッカーと協力し、完璧なカットによる61分間のシングルLPを制作した。" レーベルその他作品はこちら ///...
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{"id":8890624016634,"title":"okkyung lee \/\/ just like any other day (어느날): background music for your mundane activities LP","handle":"okkyung-lee-just-like-any-other-day-background-music-for-your-mundane-activities-lp","description":"\u003cp\u003e韓国のチェロ奏者okkyung leeが、\u003cspan\u003e2025年9月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eこれまでの作風とは異なり、アンビエントやバロックを主体とした10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=359558008\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. this is a never ending story (you just need to close it)\u003cbr\u003e2. hidden road (for yoo jae-ha)\u003cbr\u003e3. it must’ve been the sunset (that altered my memory from that day…)\u003cbr\u003e4. good morning, harrison, it’s time to go 03:02\u003cbr\u003e5. let’s walk down to the swamp together 04:10\u003cbr\u003e6. rainy night ride with roy\u003cbr\u003e7. crows over my shoulder (take me)\u003cbr\u003e8. spiral dance (up or down, i’m not too sure)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. dear oddie, today rainbows are falling from the sky\u003cbr\u003e\u003c\/span\u003e10. lying here half awake, i hear kids outside laughing with their hearts and i think this must be the end then…\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUnlike anything we’ve heard from her before, Okkyung Lee returns to Shelter Press with Just Like Any Other Day (어느날): Background Music For Your Mundane Activities, a deeply intimate body of recordings at the juncture of ambient music, minimalism, and the baroque, that stands as radical intervention with what experimental music can be, and the place that organisations of sound occupy in our lives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor more than two decades, Okkyung Lee has stood at the forefront of the most radical trajectories of experimental music: a virtuosic cellist and improviser, renowned for her creative rigour and emotive depth. Particularly noteworthy for her range, dexterity, and adaptability, over the last five years Lee’s output has revealed unexpected shifts and developments that move far afield from the realms of free improvisation for which she is most well know. 2020’s Yeo-Neun, a heart-wrenching, ambient chamber work - drawing inspiration from the Korean popular music of her youth - was issued by Shelter Press to great critical response, followed closely by Teum (The Silvery Slit) - one of a series engrossing electroacoustic works created at Groupe de Recherches Musicales in Paris - on Portraits GRM, and then 나를 (Na-Reul) in 2021, regarded by\u003cspan class=\"bcTruncateMore\"\u003e Lee as a closing statement of more than two decades living in New York, which set the precedent of her allowing her emotions to fully occupy the forefront of the music for the first time. Marking her return to Shelter press, Just Like Any Other Day (어느날): Background Music For Your Mundane Activities, encounters Lee upturning the apple cart once again, weaving a profoundly intimate artistic statement on completely unexpected terms...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : okkyung lee\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP158lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-19T11:43:21+09:00","created_at":"2025-08-17T11:21:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","shelter press"],"price":374000,"price_min":374000,"price_max":374000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47619608379642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"okkyung lee \/\/ just like any other day (어느날): background music for your mundane activities LP","public_title":null,"options":["Default Title"],"price":374000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411848","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/like1_bcf0b7da-2557-4d34-b3fc-5f6f86c87bbf.jpg?v=1755397167","\/\/tobirarecords.com\/cdn\/shop\/files\/like2_6b2ffff2-0916-4b65-b221-d9b38d6b62a8.jpg?v=1755397168"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/like1_bcf0b7da-2557-4d34-b3fc-5f6f86c87bbf.jpg?v=1755397167","options":["Title"],"media":[{"alt":null,"id":36567315546362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/like1_bcf0b7da-2557-4d34-b3fc-5f6f86c87bbf.jpg?v=1755397167"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/like1_bcf0b7da-2557-4d34-b3fc-5f6f86c87bbf.jpg?v=1755397167","width":700},{"alt":null,"id":36567315579130,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/like2_6b2ffff2-0916-4b65-b221-d9b38d6b62a8.jpg?v=1755397168"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/like2_6b2ffff2-0916-4b65-b221-d9b38d6b62a8.jpg?v=1755397168","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e韓国のチェロ奏者okkyung leeが、\u003cspan\u003e2025年9月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eこれまでの作風とは異なり、アンビエントやバロックを主体とした10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=359558008\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. this is a never ending story (you just need to close it)\u003cbr\u003e2. hidden road (for yoo jae-ha)\u003cbr\u003e3. it must’ve been the sunset (that altered my memory from that day…)\u003cbr\u003e4. good morning, harrison, it’s time to go 03:02\u003cbr\u003e5. let’s walk down to the swamp together 04:10\u003cbr\u003e6. rainy night ride with roy\u003cbr\u003e7. crows over my shoulder (take me)\u003cbr\u003e8. spiral dance (up or down, i’m not too sure)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. dear oddie, today rainbows are falling from the sky\u003cbr\u003e\u003c\/span\u003e10. lying here half awake, i hear kids outside laughing with their hearts and i think this must be the end then…\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUnlike anything we’ve heard from her before, Okkyung Lee returns to Shelter Press with Just Like Any Other Day (어느날): Background Music For Your Mundane Activities, a deeply intimate body of recordings at the juncture of ambient music, minimalism, and the baroque, that stands as radical intervention with what experimental music can be, and the place that organisations of sound occupy in our lives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor more than two decades, Okkyung Lee has stood at the forefront of the most radical trajectories of experimental music: a virtuosic cellist and improviser, renowned for her creative rigour and emotive depth. Particularly noteworthy for her range, dexterity, and adaptability, over the last five years Lee’s output has revealed unexpected shifts and developments that move far afield from the realms of free improvisation for which she is most well know. 2020’s Yeo-Neun, a heart-wrenching, ambient chamber work - drawing inspiration from the Korean popular music of her youth - was issued by Shelter Press to great critical response, followed closely by Teum (The Silvery Slit) - one of a series engrossing electroacoustic works created at Groupe de Recherches Musicales in Paris - on Portraits GRM, and then 나를 (Na-Reul) in 2021, regarded by\u003cspan class=\"bcTruncateMore\"\u003e Lee as a closing statement of more than two decades living in New York, which set the precedent of her allowing her emotions to fully occupy the forefront of the music for the first time. Marking her return to Shelter press, Just Like Any Other Day (어느날): Background Music For Your Mundane Activities, encounters Lee upturning the apple cart once again, weaving a profoundly intimate artistic statement on completely unexpected terms...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : okkyung lee\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP158lp\u003c\/span\u003e\u003c\/p\u003e"}
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韓国のチェロ奏者okkyung leeが、2025年9月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 これまでの作風とは異なり、アンビエントやバロックを主体とした10曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
¥3,740

クイックビュー
{"id":8819208913146,"title":"Hampus Lindwall \/\/ Brace for Impact CD","handle":"hampus-lindwall-brace-for-impact-cd","description":"\u003cp\u003eフランスのドローン作家Hampus Lindwallが、\u003cspan\u003e2025年6月に同国実験レーベルIdeologic OrganからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eオルガンによるドローン〜ノイズ・ドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1599678315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve with OBI. \u003cbr\u003eCD edition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Brace for Impact\u003cbr\u003e2. Swerve\u003cbr\u003e3. À Bruit Secret\u003cbr\u003e4. AFK\u003cbr\u003e5. Piping\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRobert Barry, February 2025, \u003c\/span\u003evia the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eBrace for Impact might just be the first album of post-internet organ music. Like a performance by Dutch artists JODI, it is a record weaned on networked processes and algorithmic thinking, a suite of tracks which build their own systems then push them to the point of collapse. Lindwall is not a programmer, but he will wield whatever technology is ready to hand much as Chopin made use of the richer, fuller sound of an Erard piano. From the software subtly weirding the interior textures of ‘Swerve’ and ‘Piping’ to the juddering, kernel panic of ‘AFK’ and ‘À bruit secret’, these are works of music unthinkable without the ubiquitous experience of life lived online. Imparting that hypermodern aesthetic sensibility through the austere sound of a baroque organ only heightens the anachronistic sense of temporal disjuncture characteristic of days spent rabbit-holing through ever-multiplying stacks of browser windows. The vernacular of Web 2.0 is here re-transcribed in the ornate script of a medieval illuminated manuscript...\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hampus Lindwall\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA062cd\u003c\/p\u003e","published_at":"2025-06-07T07:22:06+09:00","created_at":"2025-06-06T10:32:44+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","shelter press"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47385477480698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hampus Lindwall \/\/ Brace for Impact CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408407","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ham1_2050f41e-be25-4485-b97b-cd5f25bddd73.jpg?v=1749173611","\/\/tobirarecords.com\/cdn\/shop\/files\/ham3.jpg?v=1749173611"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham1_2050f41e-be25-4485-b97b-cd5f25bddd73.jpg?v=1749173611","options":["Title"],"media":[{"alt":null,"id":36137638199546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham1_2050f41e-be25-4485-b97b-cd5f25bddd73.jpg?v=1749173611"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham1_2050f41e-be25-4485-b97b-cd5f25bddd73.jpg?v=1749173611","width":700},{"alt":null,"id":36137638232314,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham3.jpg?v=1749173611"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham3.jpg?v=1749173611","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Hampus Lindwallが、\u003cspan\u003e2025年6月に同国実験レーベルIdeologic OrganからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eオルガンによるドローン〜ノイズ・ドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1599678315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve with OBI. \u003cbr\u003eCD edition of 300. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Brace for Impact\u003cbr\u003e2. Swerve\u003cbr\u003e3. À Bruit Secret\u003cbr\u003e4. AFK\u003cbr\u003e5. Piping\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRobert Barry, February 2025, \u003c\/span\u003evia the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eBrace for Impact might just be the first album of post-internet organ music. Like a performance by Dutch artists JODI, it is a record weaned on networked processes and algorithmic thinking, a suite of tracks which build their own systems then push them to the point of collapse. Lindwall is not a programmer, but he will wield whatever technology is ready to hand much as Chopin made use of the richer, fuller sound of an Erard piano. 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フランスのドローン作家Hampus Lindwallが、2025年6月に同国実験レーベルIdeologic OrganからリリースしたCDです。 オルガンによるドローン〜ノイズ・ドローン5曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
¥2,280

クイックビュー
{"id":8819208225018,"title":"Hampus Lindwall \/\/ Brace for Impact LP","handle":"hampus-lindwall-brace-for-impact-lp","description":"\u003cp\u003eフランスのドローン作家Hampus Lindwallが、\u003cspan\u003e2025年6月に同国実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eオルガンによるドローン〜ノイズ・ドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1599678315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eVinyl edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Brace for Impact\u003cbr\u003e2. Swerve\u003cbr\u003e3. À Bruit Secret\u003cbr\u003e4. AFK\u003cbr\u003e5. Piping\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRobert Barry, February 2025, \u003c\/span\u003evia the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eBrace for Impact might just be the first album of post-internet organ music. Like a performance by Dutch artists JODI, it is a record weaned on networked processes and algorithmic thinking, a suite of tracks which build their own systems then push them to the point of collapse. Lindwall is not a programmer, but he will wield whatever technology is ready to hand much as Chopin made use of the richer, fuller sound of an Erard piano. From the software subtly weirding the interior textures of ‘Swerve’ and ‘Piping’ to the juddering, kernel panic of ‘AFK’ and ‘À bruit secret’, these are works of music unthinkable without the ubiquitous experience of life lived online. Imparting that hypermodern aesthetic sensibility through the austere sound of a baroque organ only heightens the anachronistic sense of temporal disjuncture characteristic of days spent rabbit-holing through ever-multiplying stacks of browser windows. The vernacular of Web 2.0 is here re-transcribed in the ornate script of a medieval illuminated manuscript...\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hampus Lindwall\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA062lp\u003c\/p\u003e","published_at":"2025-06-07T07:21:27+09:00","created_at":"2025-06-06T10:32:21+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","shelter press"],"price":364000,"price_min":364000,"price_max":364000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47385476792570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hampus Lindwall \/\/ Brace for Impact LP","public_title":null,"options":["Default Title"],"price":364000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408391","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ham1_38f4ef40-0b76-4bc3-9de7-b1095604efc4.jpg?v=1749173387","\/\/tobirarecords.com\/cdn\/shop\/files\/ham2_767859c3-85e0-4519-a1be-4ec0b57da85d.jpg?v=1749173387"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham1_38f4ef40-0b76-4bc3-9de7-b1095604efc4.jpg?v=1749173387","options":["Title"],"media":[{"alt":null,"id":36137636593914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham1_38f4ef40-0b76-4bc3-9de7-b1095604efc4.jpg?v=1749173387"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham1_38f4ef40-0b76-4bc3-9de7-b1095604efc4.jpg?v=1749173387","width":700},{"alt":null,"id":36137636626682,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham2_767859c3-85e0-4519-a1be-4ec0b57da85d.jpg?v=1749173387"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ham2_767859c3-85e0-4519-a1be-4ec0b57da85d.jpg?v=1749173387","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Hampus Lindwallが、\u003cspan\u003e2025年6月に同国実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eオルガンによるドローン〜ノイズ・ドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1599678315\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eVinyl edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Brace for Impact\u003cbr\u003e2. Swerve\u003cbr\u003e3. À Bruit Secret\u003cbr\u003e4. AFK\u003cbr\u003e5. Piping\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRobert Barry, February 2025, \u003c\/span\u003evia the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eBrace for Impact might just be the first album of post-internet organ music. Like a performance by Dutch artists JODI, it is a record weaned on networked processes and algorithmic thinking, a suite of tracks which build their own systems then push them to the point of collapse. Lindwall is not a programmer, but he will wield whatever technology is ready to hand much as Chopin made use of the richer, fuller sound of an Erard piano. From the software subtly weirding the interior textures of ‘Swerve’ and ‘Piping’ to the juddering, kernel panic of ‘AFK’ and ‘À bruit secret’, these are works of music unthinkable without the ubiquitous experience of life lived online. Imparting that hypermodern aesthetic sensibility through the austere sound of a baroque organ only heightens the anachronistic sense of temporal disjuncture characteristic of days spent rabbit-holing through ever-multiplying stacks of browser windows. The vernacular of Web 2.0 is here re-transcribed in the ornate script of a medieval illuminated manuscript...\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hampus Lindwall\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA062lp\u003c\/p\u003e"}
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フランスのドローン作家Hampus Lindwallが、2025年6月に同国実験レーベルIdeologic Organからリリースしたレコードです。 オルガンによるドローン〜ノイズ・ドローン5曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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{"id":8792329027834,"title":"Joshua Bonnetta \/\/ Innse Gall LP+BOOKLET","handle":"joshua-bonnetta-innse-gall-lp-booklet","description":"\u003cp\u003eカナダの音響作家Joshua Bonnettaが、2022年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系フィールドレコーディング・コラージュ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e60ページのブックレットと\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eErika Balsomによるエッセイ、ポストカード、映像作品「The Two Sights」の視聴コード\u003c\/span\u003e\u003cspan\u003eが付属。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eボネッタは、フィルム、写真、録音を使い、互いに密接に、生成的な対話を行います。写真は音の近さと緊急性を示し、音は動画の必要性を示し、フィルムは眼球を利用して音波の領域を前進させるのです。フィルム、レコード、写真など、彼の作品を構成する各要素は、自律的であると同時に、相互に関連しています。- アーティストとオブジェクトは主観的なレンズとして機能し、人間の経験の本質と、受け継がれた歴史、文化、場所、自己の接点における多様で潜在的な心理的現実を探究します。それは、場所や状況との出会いから生まれる反応的な実践であり、心を驚かせ、伝説や神話へと導くような混沌とした抽象的なものに秩序を与えようとするものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eボネッタの作品は、コンクレートやジョンケージが追求した「個人の趣味や記憶(心理)から自由な」実験音楽のような抽象的で「純粋な」音色の状態ではなく、サウンド・コラージュの副産物であるが、ルック・フェラーリの「逸話的音楽」という概念に深い共感を示し、素材や録音に含まれる社会性や自伝的文脈、その意味の次元を説明し保持することが可能です。アーティストに関する固定観念を強制するのではなく、リスナーは自分自身の物語を構築するよう促されます。これは、2017年から19年にかけてアウター・ヘブリディーズ諸島のバーラ、ベルネレイ、ノース・ユイスト、ハリス、ルイスで行われたフィールド・レコーディングからボネッタが構成した2つのオーディオ作品、インス・ガル「The Islands of the Strangers」についても同様です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eボネッタの、場所と人々を調査する主要な手段としての音の魅力を引き出し、Innse Gall 'The Islands of the Strangers' は、ロブスターの巻き網で長時間かけて録音したハイドロフォンや泥炭地から漏れ出すガスの録音、インタビューの断片、海運業の音、歌、アザラシ、ウズラ、シギ、その他自然界の要素をとらえた野外録音など、幅広い音の素材に注目しています。このアルバムの2つの作品、Innse Gall IとInnse Gall IIは、島を構成するこれらの多様な要素が相互に関連する音響生態系を探求する中で、丹念にコラージュ(再構築)され、これらの古今の風景に埋め込まれた皮肉な物語が、その記憶を保持する消えゆくゲールの口頭伝承と照らし合わせられ、物語、環境、それらが互いに及ぼす影響の関係について深く聴覚的に考察する結果となりました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInnse Gall「The Islands of the Strangers」は、日常から深い詩、美、意味を引き出し、フィールドレコーディングとサウンドコラージュの条件を一歩一歩見直しています。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4021881724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 60-page booklet containing photographs \u0026amp; an essay be Erika Balsom. \u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Innse Gall I 22:00\u003cbr\u003e2. Innse Gall II 20:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJoshua Bonnetta - Innse Gall ‘The Islands of the Strangers’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBridging acoustic ecology and interdisciplinary creative practice, Joshua Bonnetta returns to Shelter Press with Innse Gall ‘The Islands of the Strangers’, his second LP for the label. Recorded and assembled between 2017 and 2020 and acting as a companion piece to Bonnetta’s film, An Dà Shealladh ‘The Two Sights’, these two interrelated side-long works - Innse Gall I and Innse Gall II - respectively deploy a rigorous approach to field recording and auditory phenomena, pursuing the complex relationship between landscape, place, language, and culture in the Outer Hebrides, where both the film and album’s source material was gathered. Representing a radical rethinking of the potential of sound collage, Innse Gall ‘The Islands of the Strangers’, is issued by Shelter Press as a limited edition, deluxe vinyl LP, housed in a 7mm reverse-board outer sleeve and a heavyweight reverse-board inner sleeve, accompanied by a sixty page booklet containing extensive photographic studies made for ‘The Two Sights’ by the artist and an essay by Erika Balsom, as well as a postcard to download the film An Dà Shealladh ‘The Two Sights’, generously provided by Cinema Guild, and Arsenal - Institut für Film und\u003cspan class=\"bcTruncateMore\"\u003e Videokunst.\u003cbr\u003eSince the late 2000s Canadian artist Joshua Bonnetta has cultivated a highly singular interdisciplinary creative practice that spans film, video, sound, performance, and installation. In addition to his previous LP on Shelter Press, Lago, he has released albums on Senufo Editions, Experimedia, and Canti Magnetici, and exhibited at The Berlin Film Festival, BFI London Film Festival, ICA London, MOMA, The New York Film Festival, Rotterdam Film Festival, Toronto International Film Festival, amongst others.\u003cbr\u003e\u003cbr\u003eBonnetta’s use of film, photography, and sound recording operate in close, generative dialog with each other; a photograph indicating the proximity and urgency of sound, a sound indicating the necessity for moving image, and a film utilising the ocular to forward a realm of sonority. Each discreet element of his output - a film, record, photograph, etc. - is regarded as autonomous while interconnected with, and dependent on, other realms of perception and experience; the artist and object acting as a subjective lens, inquiring after the nature of human experience and the diverse, latent psychological realities at juncture of inherited history, culture, place, and self. It is a responsive practice, emerging out of an encounter with place and circumstance, that attempts to give order to the chaos and abstractions that cause the mind wonder, and give way to legend and myth.\u003cbr\u003e\u003cbr\u003eWhile very much the byproduct of sound collage, rather than the states of abstraction and ‘pure’ sonority most often pursued by musique concrète, or an experimental music “free of individual taste and memory (psychology)”, as pursued by John Cage, Bonnetta’s work displays a deeper sympathy with Luc Ferrari’s notion of ‘anecdotal music’, in which the social and autobiographical contexts of the source material \/ recordings - with their embedded dimensions of meaning - is accounted for and retained. Rather than enforcing a fixed vision of the artist, the listener in encouraged construct a narrative of their own. This is no less the case for Innse Gall ‘The Islands of the Strangers’, comprising two audio works constructed by Bonnetta from field recordings made on the Outer Hebrides islands of Barra, Berneray, North Uist, Harris, \u0026amp; Lewis between 2017-19.\u003cbr\u003e\u003cbr\u003eDrawing upon Bonnetta’s fascination with sound as a primary means to survey place and people, Innse Gall ‘The Islands of the Strangers’ draws upon a vast range of sonorous material: hydrophone recordings made over extended periods in lobster creels and of gases escaping a peat bog, interview fragments, and field recordings feature capturing the sounds of maritime industry, song, seals, corncrake, snipe, and other elements of the natural world. Meticulously collaged and reworked within an exploration of the interrelated acoustic ecology of these diverse elements of the islands’ make-up, the album’s two works - Innse Gall I and Innse Gall II - bristle with the subcutaneous narratives embedded within these ancient and modern landscapes, played against the disappearing Gaelic oral traditions which hold their memories, resulting in a deep, auditory reflection on the relationship between narrative, environment, and the reciprocal influences they exact upon one another.\u003cbr\u003e\u003cbr\u003eChallenging the perceived boundaries and interconnectedness of place and occupation - to what extent the perception of an environment is modelled by language, culture, and myth, or that the environment underscores the very becoming of those things - Bonnetta’s Innse Gall ‘The Islands of the Strangers’, draws profound poetry, beauty, and meaning from the everyday, rethinking the terms of field recording and sound collage every step of the way.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP127lp\u003c\/p\u003e","published_at":"2025-05-26T08:49:57+09:00","created_at":"2025-05-25T09:38:43+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","monooto","new","shelter press"],"price":538000,"price_min":538000,"price_max":538000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47340267733242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joshua Bonnetta \/\/ Innse Gall LP+BOOKLET","public_title":null,"options":["Default Title"],"price":538000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"769791978133","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_e1cf65a5-bd19-4faf-898b-fb9169b48779.jpg?v=1673155784","\/\/tobirarecords.com\/cdn\/shop\/products\/in3_516255a7-62d6-4b59-a30c-b4200724ec0b.jpg?v=1673155784","\/\/tobirarecords.com\/cdn\/shop\/products\/0030494222_10.jpg?v=1673160241"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785","options":["Title"],"media":[{"alt":null,"id":31336258502906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_2f65932f-f648-4b3b-a118-3a9a989d97ad.jpg?v=1673155785","width":700},{"alt":null,"id":31336258535674,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_e1cf65a5-bd19-4faf-898b-fb9169b48779.jpg?v=1673155784"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_e1cf65a5-bd19-4faf-898b-fb9169b48779.jpg?v=1673155784","width":1200},{"alt":null,"id":31336258568442,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_516255a7-62d6-4b59-a30c-b4200724ec0b.jpg?v=1673155784"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in3_516255a7-62d6-4b59-a30c-b4200724ec0b.jpg?v=1673155784","width":1200},{"alt":null,"id":31336475263226,"position":4,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030494222_10.jpg?v=1673160241"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030494222_10.jpg?v=1673160241","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの音響作家Joshua Bonnettaが、2022年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系フィールドレコーディング・コラージュ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e60ページのブックレットと\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eErika Balsomによるエッセイ、ポストカード、映像作品「The Two Sights」の視聴コード\u003c\/span\u003e\u003cspan\u003eが付属。以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003eボネッタは、フィルム、写真、録音を使い、互いに密接に、生成的な対話を行います。写真は音の近さと緊急性を示し、音は動画の必要性を示し、フィルムは眼球を利用して音波の領域を前進させるのです。フィルム、レコード、写真など、彼の作品を構成する各要素は、自律的であると同時に、相互に関連しています。- アーティストとオブジェクトは主観的なレンズとして機能し、人間の経験の本質と、受け継がれた歴史、文化、場所、自己の接点における多様で潜在的な心理的現実を探究します。それは、場所や状況との出会いから生まれる反応的な実践であり、心を驚かせ、伝説や神話へと導くような混沌とした抽象的なものに秩序を与えようとするものです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eボネッタの作品は、コンクレートやジョンケージが追求した「個人の趣味や記憶(心理)から自由な」実験音楽のような抽象的で「純粋な」音色の状態ではなく、サウンド・コラージュの副産物であるが、ルック・フェラーリの「逸話的音楽」という概念に深い共感を示し、素材や録音に含まれる社会性や自伝的文脈、その意味の次元を説明し保持することが可能です。アーティストに関する固定観念を強制するのではなく、リスナーは自分自身の物語を構築するよう促されます。これは、2017年から19年にかけてアウター・ヘブリディーズ諸島のバーラ、ベルネレイ、ノース・ユイスト、ハリス、ルイスで行われたフィールド・レコーディングからボネッタが構成した2つのオーディオ作品、インス・ガル「The Islands of the Strangers」についても同様です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eボネッタの、場所と人々を調査する主要な手段としての音の魅力を引き出し、Innse Gall 'The Islands of the Strangers' は、ロブスターの巻き網で長時間かけて録音したハイドロフォンや泥炭地から漏れ出すガスの録音、インタビューの断片、海運業の音、歌、アザラシ、ウズラ、シギ、その他自然界の要素をとらえた野外録音など、幅広い音の素材に注目しています。このアルバムの2つの作品、Innse Gall IとInnse Gall IIは、島を構成するこれらの多様な要素が相互に関連する音響生態系を探求する中で、丹念にコラージュ(再構築)され、これらの古今の風景に埋め込まれた皮肉な物語が、その記憶を保持する消えゆくゲールの口頭伝承と照らし合わせられ、物語、環境、それらが互いに及ぼす影響の関係について深く聴覚的に考察する結果となりました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInnse Gall「The Islands of the Strangers」は、日常から深い詩、美、意味を引き出し、フィールドレコーディングとサウンドコラージュの条件を一歩一歩見直しています。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4021881724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl + 60-page booklet containing photographs \u0026amp; an essay be Erika Balsom. \u003cbr\u003eEdition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Innse Gall I 22:00\u003cbr\u003e2. Innse Gall II 20:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eShelter Press:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJoshua Bonnetta - Innse Gall ‘The Islands of the Strangers’\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBridging acoustic ecology and interdisciplinary creative practice, Joshua Bonnetta returns to Shelter Press with Innse Gall ‘The Islands of the Strangers’, his second LP for the label. Recorded and assembled between 2017 and 2020 and acting as a companion piece to Bonnetta’s film, An Dà Shealladh ‘The Two Sights’, these two interrelated side-long works - Innse Gall I and Innse Gall II - respectively deploy a rigorous approach to field recording and auditory phenomena, pursuing the complex relationship between landscape, place, language, and culture in the Outer Hebrides, where both the film and album’s source material was gathered. Representing a radical rethinking of the potential of sound collage, Innse Gall ‘The Islands of the Strangers’, is issued by Shelter Press as a limited edition, deluxe vinyl LP, housed in a 7mm reverse-board outer sleeve and a heavyweight reverse-board inner sleeve, accompanied by a sixty page booklet containing extensive photographic studies made for ‘The Two Sights’ by the artist and an essay by Erika Balsom, as well as a postcard to download the film An Dà Shealladh ‘The Two Sights’, generously provided by Cinema Guild, and Arsenal - Institut für Film und\u003cspan class=\"bcTruncateMore\"\u003e Videokunst.\u003cbr\u003eSince the late 2000s Canadian artist Joshua Bonnetta has cultivated a highly singular interdisciplinary creative practice that spans film, video, sound, performance, and installation. In addition to his previous LP on Shelter Press, Lago, he has released albums on Senufo Editions, Experimedia, and Canti Magnetici, and exhibited at The Berlin Film Festival, BFI London Film Festival, ICA London, MOMA, The New York Film Festival, Rotterdam Film Festival, Toronto International Film Festival, amongst others.\u003cbr\u003e\u003cbr\u003eBonnetta’s use of film, photography, and sound recording operate in close, generative dialog with each other; a photograph indicating the proximity and urgency of sound, a sound indicating the necessity for moving image, and a film utilising the ocular to forward a realm of sonority. Each discreet element of his output - a film, record, photograph, etc. - is regarded as autonomous while interconnected with, and dependent on, other realms of perception and experience; the artist and object acting as a subjective lens, inquiring after the nature of human experience and the diverse, latent psychological realities at juncture of inherited history, culture, place, and self. It is a responsive practice, emerging out of an encounter with place and circumstance, that attempts to give order to the chaos and abstractions that cause the mind wonder, and give way to legend and myth.\u003cbr\u003e\u003cbr\u003eWhile very much the byproduct of sound collage, rather than the states of abstraction and ‘pure’ sonority most often pursued by musique concrète, or an experimental music “free of individual taste and memory (psychology)”, as pursued by John Cage, Bonnetta’s work displays a deeper sympathy with Luc Ferrari’s notion of ‘anecdotal music’, in which the social and autobiographical contexts of the source material \/ recordings - with their embedded dimensions of meaning - is accounted for and retained. Rather than enforcing a fixed vision of the artist, the listener in encouraged construct a narrative of their own. This is no less the case for Innse Gall ‘The Islands of the Strangers’, comprising two audio works constructed by Bonnetta from field recordings made on the Outer Hebrides islands of Barra, Berneray, North Uist, Harris, \u0026amp; Lewis between 2017-19.\u003cbr\u003e\u003cbr\u003eDrawing upon Bonnetta’s fascination with sound as a primary means to survey place and people, Innse Gall ‘The Islands of the Strangers’ draws upon a vast range of sonorous material: hydrophone recordings made over extended periods in lobster creels and of gases escaping a peat bog, interview fragments, and field recordings feature capturing the sounds of maritime industry, song, seals, corncrake, snipe, and other elements of the natural world. Meticulously collaged and reworked within an exploration of the interrelated acoustic ecology of these diverse elements of the islands’ make-up, the album’s two works - Innse Gall I and Innse Gall II - bristle with the subcutaneous narratives embedded within these ancient and modern landscapes, played against the disappearing Gaelic oral traditions which hold their memories, resulting in a deep, auditory reflection on the relationship between narrative, environment, and the reciprocal influences they exact upon one another.\u003cbr\u003e\u003cbr\u003eChallenging the perceived boundaries and interconnectedness of place and occupation - to what extent the perception of an environment is modelled by language, culture, and myth, or that the environment underscores the very becoming of those things - Bonnetta’s Innse Gall ‘The Islands of the Strangers’, draws profound poetry, beauty, and meaning from the everyday, rethinking the terms of field recording and sound collage every step of the way.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joshua Bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP127lp\u003c\/p\u003e"}
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カナダの音響作家Joshua Bonnettaが、2022年11月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 ディープリスニング系フィールドレコーディング・コラージュ2曲を収録。 60ページのブックレットとErika Balsomによるエッセイ、ポストカード、映像作品「The Two Sights」の視聴コードが付属。以下、レーベルによる解説です。 ボネッタは、フィルム、写真、録音を使い、互いに密接に、生成的な対話を行います。写真は音の近さと緊急性を示し、音は動画の必要性を示し、フィルムは眼球を利用して音波の領域を前進させるのです。フィルム、レコード、写真など、彼の作品を構成する各要素は、自律的であると同時に、相互に関連しています。- アーティストとオブジェクトは主観的なレンズとして機能し、人間の経験の本質と、受け継がれた歴史、文化、場所、自己の接点における多様で潜在的な心理的現実を探究します。それは、場所や状況との出会いから生まれる反応的な実践であり、心を驚かせ、伝説や神話へと導くような混沌とした抽象的なものに秩序を与えようとするものです。ボネッタの作品は、コンクレートやジョンケージが追求した「個人の趣味や記憶(心理)から自由な」実験音楽のような抽象的で「純粋な」音色の状態ではなく、サウンド・コラージュの副産物であるが、ルック・フェラーリの「逸話的音楽」という概念に深い共感を示し、素材や録音に含まれる社会性や自伝的文脈、その意味の次元を説明し保持することが可能です。アーティストに関する固定観念を強制するのではなく、リスナーは自分自身の物語を構築するよう促されます。これは、2017年から19年にかけてアウター・ヘブリディーズ諸島のバーラ、ベルネレイ、ノース・ユイスト、ハリス、ルイスで行われたフィールド・レコーディングからボネッタが構成した2つのオーディオ作品、インス・ガル「The Islands of the Strangers」についても同様です。ボネッタの、場所と人々を調査する主要な手段としての音の魅力を引き出し、Innse...
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{"id":8792328896762,"title":"Joshua Bonnetta \/\/ Lago LP","handle":"joshua-bonnetta-lago-lp-1","description":"\u003cp\u003eカナダの音響作家Joshua Bonnettaが、2016年にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系フィールドレコーディング・コラージュ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2815007469\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Everything That Was Ever Something 20:08\u003cbr\u003e2. What Lies in It 23:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLago is an LP recording created in dialogue with the photobook (of the same title) by American photographer Ron Jude, published by MACK (UK).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two compositions revisit the sites of Jude’s initial photographs in and around the Salton Sea in the Southern California desert, and use site specific field recordings and analogue processing to craft an aural counterpoint to the photographs themselves and the photographic process. Contact microphones and hydrophones were used to gather sounds from flora, desert refuse, architectural ruins and the Salton Sea itself to create an expanded study of the acoustic ecology of the area. The work weaves together location recordings alongside interviews to construct an acoustic portrait of the desert that is steeped in intimations of narrative dealing with loss, history and a landscape haunted by a spectre in darkness. Lago is an attempt to enter into the perceptual horizons of the desert whilst also engaging a past that shapes the encounter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : joshua bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP069lp\u003c\/p\u003e","published_at":"2025-05-26T08:52:07+09:00","created_at":"2025-05-25T09:37:41+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","lp","monooto","new","shelter press"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47340267503866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joshua Bonnetta \/\/ Lago LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"769791959651","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lago1.jpg?v=1748133388"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lago1.jpg?v=1748133388","options":["Title"],"media":[{"alt":null,"id":36086178414842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lago1.jpg?v=1748133388"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lago1.jpg?v=1748133388","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの音響作家Joshua Bonnettaが、2016年にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系フィールドレコーディング・コラージュ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2815007469\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Everything That Was Ever Something 20:08\u003cbr\u003e2. What Lies in It 23:53\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLago is an LP recording created in dialogue with the photobook (of the same title) by American photographer Ron Jude, published by MACK (UK).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two compositions revisit the sites of Jude’s initial photographs in and around the Salton Sea in the Southern California desert, and use site specific field recordings and analogue processing to craft an aural counterpoint to the photographs themselves and the photographic process. Contact microphones and hydrophones were used to gather sounds from flora, desert refuse, architectural ruins and the Salton Sea itself to create an expanded study of the acoustic ecology of the area. 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{"id":8771950215418,"title":"Kali Malone \/\/ The Sacrificial Code (2025 Edition) CD","handle":"kali-malone-the-sacrificial-code-2025-edition-cd","description":"\u003cp\u003eスウェーデン・ストックホルムのドローン作家Kali Maloneが、2025年4月にリリースした再発CDです。(オリジナルは2019年リリース)\u003c\/p\u003e\n\u003cp\u003eオルガンによるミニマル・ドローン10曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1430790623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve with OBI. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spectacle Of Ritual\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:53\u003cbr\u003e2. Sacrificial Code 05:29\u003cbr\u003e3. Rose Wreath Crown (for CW)\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:26\u003cbr\u003e4. Sacer Profanare\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e08:48\u003cbr\u003e5. Litanic Cloth Wrung\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e13:25\u003cbr\u003e6. Fifth Worship II 07:50\u003cbr\u003e7. Hagakyrka Bells 01:08\u003cbr\u003e8. Sacrificial Code II 13:22\u003cbr\u003e9. Sacrificial Code III 04:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Williger, February 2025\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eSix years after its initial release, Ideologic Organ has reissued The Sacrificial Code, adorned with striking archival organ photography by Malone and including a new arrangement of the titular composition recorded in 2023 on the 16th-century meantone organ at Malmö Konstmuseum. The album remains one of the defining works of 21st-century minimalism, singular in its approach and impact. Its legacy has been defined by the revelatory experiences of those who encountered it, passed from listener to listener by word of mouth. The intensely personal experience of taking in these sounds, sitting with them for over an hour, absorbing each chordal shift in countless repetitions and finding oneself within them, became the driver of its slow cultural saturation. As she began regularly performing these pieces in churches and concert halls around the world, their impact deepened.\u003cbr\u003e\u003cbr\u003eTo produce the reissue, Malone went so far as to return to the copy machine at the legendary EMS studios in Stockholm to lay out the typography, revisiting the physical spaces in which it was created and remaining faithful to its DIY roots. The album’s first three pieces - “Spectacle of Ritual,” “Sacrificial Code,” and “Rose Wreath Crown (for CW)” - were captured voice by voice, each in single takes, on the Mats Arvidsson organ in Kirnberger III temperament as a part of her thesis. They were realized in isolation, and were originally presented as electroacoustic works on multi-channel speaker arrays in acousmoniums, speaker domes, and an abandoned iron mine. “Sacer Profanare,” “Litanic Cloth Wrung,” and “Fifth Worship II” were all recorded within two-hours of borrowed studio time on the Woehl organ at Studio Acusticum in Piteå; their patient and deliberate nature cutting through the hasty timeline of their capture. With each, Malone was developing and deploying self-taught close micing techniques to reproduce the most granular, air-filled sound of the instrument, bringing the listener into its stoically heaving guts.\u003cbr\u003e\u003cbr\u003eThe effect of all this careful work is a sense of time dilation, the physicality of the sound itself - the thunderous rolls of bass, the pitched hiss of the flue, the quivering dance of air molecules animated by dissonance - drawing attention away from the clock. Each piece cycles through purposefully constructed chord progressions, the repetition creating moments that can feel anthemic or mournful depending on the harmonic resonance and duration of the piece. These reiterations become so steady and expected that at the end of “Fifth Worship II,” when Malone switches off the organ mid-stream and the harmonics wither and fall, it feels like the ground slips away from under us. Repetition becomes the magnetic force shaping and stabilizing space and time...\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA060cd\u003c\/p\u003e","published_at":"2025-04-26T09:32:24+09:00","created_at":"2025-04-25T22:21:42+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","shelter press"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275611357434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kali Malone \/\/ The Sacrificial Code (2025 Edition) CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408322","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kali2.jpg?v=1745587455","\/\/tobirarecords.com\/cdn\/shop\/files\/kali1.jpg?v=1745587455"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kali2.jpg?v=1745587455","options":["Title"],"media":[{"alt":null,"id":35935176950010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kali2.jpg?v=1745587455"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kali2.jpg?v=1745587455","width":700},{"alt":null,"id":35935176917242,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kali1.jpg?v=1745587455"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kali1.jpg?v=1745587455","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムのドローン作家Kali Maloneが、2025年4月にリリースした再発CDです。(オリジナルは2019年リリース)\u003c\/p\u003e\n\u003cp\u003eオルガンによるミニマル・ドローン10曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1430790623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve with OBI. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spectacle Of Ritual\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:53\u003cbr\u003e2. Sacrificial Code 05:29\u003cbr\u003e3. Rose Wreath Crown (for CW)\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:26\u003cbr\u003e4. Sacer Profanare\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e08:48\u003cbr\u003e5. Litanic Cloth Wrung\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e13:25\u003cbr\u003e6. Fifth Worship II 07:50\u003cbr\u003e7. Hagakyrka Bells 01:08\u003cbr\u003e8. Sacrificial Code II 13:22\u003cbr\u003e9. Sacrificial Code III 04:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Williger, February 2025\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eSix years after its initial release, Ideologic Organ has reissued The Sacrificial Code, adorned with striking archival organ photography by Malone and including a new arrangement of the titular composition recorded in 2023 on the 16th-century meantone organ at Malmö Konstmuseum. The album remains one of the defining works of 21st-century minimalism, singular in its approach and impact. Its legacy has been defined by the revelatory experiences of those who encountered it, passed from listener to listener by word of mouth. The intensely personal experience of taking in these sounds, sitting with them for over an hour, absorbing each chordal shift in countless repetitions and finding oneself within them, became the driver of its slow cultural saturation. As she began regularly performing these pieces in churches and concert halls around the world, their impact deepened.\u003cbr\u003e\u003cbr\u003eTo produce the reissue, Malone went so far as to return to the copy machine at the legendary EMS studios in Stockholm to lay out the typography, revisiting the physical spaces in which it was created and remaining faithful to its DIY roots. The album’s first three pieces - “Spectacle of Ritual,” “Sacrificial Code,” and “Rose Wreath Crown (for CW)” - were captured voice by voice, each in single takes, on the Mats Arvidsson organ in Kirnberger III temperament as a part of her thesis. They were realized in isolation, and were originally presented as electroacoustic works on multi-channel speaker arrays in acousmoniums, speaker domes, and an abandoned iron mine. “Sacer Profanare,” “Litanic Cloth Wrung,” and “Fifth Worship II” were all recorded within two-hours of borrowed studio time on the Woehl organ at Studio Acusticum in Piteå; their patient and deliberate nature cutting through the hasty timeline of their capture. With each, Malone was developing and deploying self-taught close micing techniques to reproduce the most granular, air-filled sound of the instrument, bringing the listener into its stoically heaving guts.\u003cbr\u003e\u003cbr\u003eThe effect of all this careful work is a sense of time dilation, the physicality of the sound itself - the thunderous rolls of bass, the pitched hiss of the flue, the quivering dance of air molecules animated by dissonance - drawing attention away from the clock. Each piece cycles through purposefully constructed chord progressions, the repetition creating moments that can feel anthemic or mournful depending on the harmonic resonance and duration of the piece. These reiterations become so steady and expected that at the end of “Fifth Worship II,” when Malone switches off the organ mid-stream and the harmonics wither and fall, it feels like the ground slips away from under us. Repetition becomes the magnetic force shaping and stabilizing space and time...\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA060cd\u003c\/p\u003e"}
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スウェーデン・ストックホルムのドローン作家Kali Maloneが、2025年4月にリリースした再発CDです。(オリジナルは2019年リリース) オルガンによるミニマル・ドローン10曲を収録。 マスタリングはRashad beckerが担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":8750131871994,"title":"Sissy Spacek \/\/ Entrance CD","handle":"sissy-spacek-entrance-cd","description":"\u003cp\u003e当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。CDは異なるアートワークになります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4)のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品(「Web Of Unfolding Appearance」、「Figure Of Reflected Light」、「Trancher And The Inheritors」、「True Dimension (From The Opaque - Spike)」)として再構築された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミュージックコンクレートの歴史的なジェスチャーが、楽器以外の音源を利用する傾向があるのに対して、Sissy Spacekは、音素材を、固有の意味や連想に縛られることなく、変容させ、音楽性を吹き込むための生の要素とみなしている。Sissy Spacekは、この立場を覆し、あらゆる意味や関連性を持つ楽器の音源だけでなく、演奏者の個性や性格も利用したミュージックコンクレートの作品を発表している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのため、『Entrance』は、稀有な親密さと人間性によって定義されたサウンド・コラージュの作品である。4つの作品は、しばしばグループの即興演奏のような様相を呈しているが、実際には、時間と場所の外で組み立てられたものである。John Wieseのテープ・トリートメントとマニピュレーションが常に存在し、このアルバムの4つのコンポジションはそれぞれ、音の抽象化とテクスチャーの浸透という驚くべき状態を展開し、ハードシフトする構造が印象的で、アンビエントミュージックの緊張感と推進力として結実している:擦り傷、鳴き声、ガラガラのフィードバック、転がるドラム、跳ねるトーン、ささやき声、曲がったエレクトロニクス、電気工芸品、その他太陽の下にあるようなあらゆるものが、最もありえない出来事から、没入感のある崇高な音の媒介として構成されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078710279\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eGlass-mastered CD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Web of Unfolding Appearance 09:53\u003cbr\u003e2. Figure of Reflected Light\u003cbr\u003e3. Trancher and the Inheritors\u003cbr\u003e4. True Dimension (From the Opaque-Spike) \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFounded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on its head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of its own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation\u003cspan class=\"bcTruncateMore\"\u003e and musique concrète. \u003cbr\u003e\u003cbr\u003eFiercely positioning its efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From its earliest releases - collage treatments of material gathered from the band’s full throttle practice sessions - the project’s conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regarding the location and action of their work. In recent years, this has led to an increasingly varied and diverse output. Percolating within, is a thread marked by a striking sense of delicacy and intimacy, driving forward while doubling as an unexpected challenge, in real time, to perceptions connected to the band’s past. Entrance is the most recent of these. \u003cbr\u003e\u003cbr\u003eEmbarking upon the four compositions that comprise the finalized four sides of Entrance, Wiese and Mumma enlisted longstanding collaborators, Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, and C Spencer Yeh, as well as new initiate, Ralf Wehowsky (of the seminal German electronic noise collective P16.D4), requesting a contribution of sounds from each, determined by a general set guidelines that dictated certain qualities the given sonorities, while allowing for the expression of each player’s distinct creative voice. The sets of resulting recordings were then chopped, harvested, manipulated, and reassembled as the four tape compositions that make up the album - Web Of Unfolding Appearance, Figure Of Reflected Light, Trancher And The Inheritors, True Dimension (From The Opaque - Spike) - each blurring the lines of authorship and clear creative proximity in remarkable ways. \u003cbr\u003e\u003cbr\u003eWhere historical gestures of musique concrète tend to draw upon non-instrumental sound sources - regarding its sonorous material as raw elements, unburdened by inherent meaning or association, to be transformed and imbued with musicality - Sissy Spacek turns this position on its head. Entrance comprises works of musique concrète that not only draw upon instrumental sound sources, with all their possible meanings or associations, but also individual characters and personalities of their players, crediting each resulting piece to its respective configuration of contributors. \u003cbr\u003e\u003cbr\u003eAs such, Entrance is an effort of sound collage defined by a rare sense of intimacy and humanity: four pieces that often take on the resemblance of group improvisation, but have, in fact, been assembled outside of time and place. Bent under the ever-present hand of Wiese’s tape treatments and manipulation, each of the album’s four compositions unfurl startling states of sonic abstraction and percolating texture, marked by a striking sense of hard-shifting structure, that culminate as tense, driven manifestations of ambient music: scrapes, squeals, rattles feedback, rolling drums, bouncing tones, whispers, bent electronics, electric artefacts, and seemingly everything else under the sun, configured into immersive, sublime mediations in sound from the most improbable events.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissy Spacek\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP161CD\u003c\/p\u003e","published_at":"2025-03-24T15:51:23+09:00","created_at":"2025-03-24T15:46:38+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","noise","shelter press"],"price":242000,"price_min":242000,"price_max":242000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47212682805498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sissy Spacek \/\/ Entrance CD","public_title":null,"options":["Default Title"],"price":242000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411619","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","\/\/tobirarecords.com\/cdn\/shop\/files\/0038591822_10.jpg?v=1742799101"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","options":["Title"],"media":[{"alt":null,"id":35785214656762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","width":1200},{"alt":null,"id":35785272492282,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038591822_10.jpg?v=1742799101"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038591822_10.jpg?v=1742799101","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。CDは異なるアートワークになります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4)のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品(「Web Of Unfolding Appearance」、「Figure Of Reflected Light」、「Trancher And The Inheritors」、「True Dimension (From The Opaque - Spike)」)として再構築された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミュージックコンクレートの歴史的なジェスチャーが、楽器以外の音源を利用する傾向があるのに対して、Sissy Spacekは、音素材を、固有の意味や連想に縛られることなく、変容させ、音楽性を吹き込むための生の要素とみなしている。Sissy Spacekは、この立場を覆し、あらゆる意味や関連性を持つ楽器の音源だけでなく、演奏者の個性や性格も利用したミュージックコンクレートの作品を発表している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのため、『Entrance』は、稀有な親密さと人間性によって定義されたサウンド・コラージュの作品である。4つの作品は、しばしばグループの即興演奏のような様相を呈しているが、実際には、時間と場所の外で組み立てられたものである。John Wieseのテープ・トリートメントとマニピュレーションが常に存在し、このアルバムの4つのコンポジションはそれぞれ、音の抽象化とテクスチャーの浸透という驚くべき状態を展開し、ハードシフトする構造が印象的で、アンビエントミュージックの緊張感と推進力として結実している:擦り傷、鳴き声、ガラガラのフィードバック、転がるドラム、跳ねるトーン、ささやき声、曲がったエレクトロニクス、電気工芸品、その他太陽の下にあるようなあらゆるものが、最もありえない出来事から、没入感のある崇高な音の媒介として構成されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078710279\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eGlass-mastered CD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Web of Unfolding Appearance 09:53\u003cbr\u003e2. Figure of Reflected Light\u003cbr\u003e3. Trancher and the Inheritors\u003cbr\u003e4. True Dimension (From the Opaque-Spike) \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFounded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on its head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of its own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation\u003cspan class=\"bcTruncateMore\"\u003e and musique concrète. \u003cbr\u003e\u003cbr\u003eFiercely positioning its efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From its earliest releases - collage treatments of material gathered from the band’s full throttle practice sessions - the project’s conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regarding the location and action of their work. In recent years, this has led to an increasingly varied and diverse output. Percolating within, is a thread marked by a striking sense of delicacy and intimacy, driving forward while doubling as an unexpected challenge, in real time, to perceptions connected to the band’s past. Entrance is the most recent of these. \u003cbr\u003e\u003cbr\u003eEmbarking upon the four compositions that comprise the finalized four sides of Entrance, Wiese and Mumma enlisted longstanding collaborators, Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, and C Spencer Yeh, as well as new initiate, Ralf Wehowsky (of the seminal German electronic noise collective P16.D4), requesting a contribution of sounds from each, determined by a general set guidelines that dictated certain qualities the given sonorities, while allowing for the expression of each player’s distinct creative voice. The sets of resulting recordings were then chopped, harvested, manipulated, and reassembled as the four tape compositions that make up the album - Web Of Unfolding Appearance, Figure Of Reflected Light, Trancher And The Inheritors, True Dimension (From The Opaque - Spike) - each blurring the lines of authorship and clear creative proximity in remarkable ways. \u003cbr\u003e\u003cbr\u003eWhere historical gestures of musique concrète tend to draw upon non-instrumental sound sources - regarding its sonorous material as raw elements, unburdened by inherent meaning or association, to be transformed and imbued with musicality - Sissy Spacek turns this position on its head. Entrance comprises works of musique concrète that not only draw upon instrumental sound sources, with all their possible meanings or associations, but also individual characters and personalities of their players, crediting each resulting piece to its respective configuration of contributors. \u003cbr\u003e\u003cbr\u003eAs such, Entrance is an effort of sound collage defined by a rare sense of intimacy and humanity: four pieces that often take on the resemblance of group improvisation, but have, in fact, been assembled outside of time and place. Bent under the ever-present hand of Wiese’s tape treatments and manipulation, each of the album’s four compositions unfurl startling states of sonic abstraction and percolating texture, marked by a striking sense of hard-shifting structure, that culminate as tense, driven manifestations of ambient music: scrapes, squeals, rattles feedback, rolling drums, bouncing tones, whispers, bent electronics, electric artefacts, and seemingly everything else under the sun, configured into immersive, sublime mediations in sound from the most improbable events.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissy Spacek\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP161CD\u003c\/p\u003e"}
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当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter PressからリリースしたCDです。 ミュージックコンクレート4曲を収録。CDは異なるアートワークになります。 以下、レーベルによる解説です。 "前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。 John Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。 『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4)のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品(「Web...
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{"id":8741204132090,"title":"François J. Bonnet \/ Sarah Davachi \/\/ Banshee \/ Basse Brevis LP","handle":"francois-j-bonnet-sarah-davachi-banshee-basse-brevis-lp","description":"\u003cp\u003eスイス/フランスのKassel Jaeger aka FRANCOIS J. BONNETとカナダのSarah Davachi実験音楽家2名が、\u003cspan\u003e2025年3月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=98331268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=815260979\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=98331268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. François J. Bonnet - Banshee\u003cbr\u003e2. Sarah Davachi - Brasse Brevis\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText via the label : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrançois J. Bonnet – Banshee\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBanshee is an ear directed towards the edges of the old world, where these infinite fines terrae cut and fractalize into coasts, harbours, fjords, peninsulas and archipelagos. Drawing its raw material from recordings made in the Inner Hebrides, Banshee tightly weaves a fabric where the sonic avatars of fauna, flora and climate merge with the human presence, its tools and its culture. Thus, a small boat cleaving through a loch becomes the voice of the mountains and wilderness, and the howling of the wind on the moors becomes the lament of a Banshee, harbinger of death, messenger of the Other World.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSarah Davachi – Basse Brevis\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCo-commissioned by Radio France and INA grm, Basse Brevis by Canadian composer Sarah Davachi was premiered at the Présences 2024 festival, which was dedicated to Steve Reich. Drawing on her own minimalist approach, Sarah Davachi explores, with extreme care, the weavings and complex relationships between the timbral, spatial and durational components of music. Using developments that can be appreciated over time, the composer manages to create music that is extremely precise, subtle and lively. But what is striking\u003cspan class=\"bcTruncateMore\"\u003e, and particularly evident in Basse Brevis, is that such an approach, both abstract and restrained, is nonetheless at times utterly poignant. The work combines moments of formal exploration with moments of pure emotion in a perfectly mastered fashion, creating a gentle tension as it swings between two modes of listening that navigate indecisively within both instrumental and concrete approaches, tracing, in parallel, a diagonal of sound that unfolds around perception, sensation and feeling.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : François J. Bonnet \/ Sarah Davachi\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Shelter Press, Recollection Grm) \u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM014lp\u003c\/p\u003e","published_at":"2025-03-11T14:41:45+09:00","created_at":"2025-03-10T14:35:12+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","recommended","shelter press"],"price":345000,"price_min":345000,"price_max":345000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47182258962682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"François J. Bonnet \/ Sarah Davachi \/\/ Banshee \/ Basse Brevis LP","public_title":null,"options":["Default Title"],"price":345000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411589","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_bb579d55-e474-4321-88cc-9029a84f2a8e.jpg?v=1741584816","\/\/tobirarecords.com\/cdn\/shop\/files\/ban2_a227b524-784a-42f2-87b3-75e6dc474df1.jpg?v=1741584816"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_bb579d55-e474-4321-88cc-9029a84f2a8e.jpg?v=1741584816","options":["Title"],"media":[{"alt":null,"id":35715238756602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_bb579d55-e474-4321-88cc-9029a84f2a8e.jpg?v=1741584816"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban1_bb579d55-e474-4321-88cc-9029a84f2a8e.jpg?v=1741584816","width":700},{"alt":null,"id":35715238789370,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban2_a227b524-784a-42f2-87b3-75e6dc474df1.jpg?v=1741584816"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ban2_a227b524-784a-42f2-87b3-75e6dc474df1.jpg?v=1741584816","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイス/フランスのKassel Jaeger aka FRANCOIS J. BONNETとカナダのSarah Davachi実験音楽家2名が、\u003cspan\u003e2025年3月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=98331268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=815260979\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=98331268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. François J. Bonnet - Banshee\u003cbr\u003e2. Sarah Davachi - Brasse Brevis\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText via the label : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrançois J. Bonnet – Banshee\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBanshee is an ear directed towards the edges of the old world, where these infinite fines terrae cut and fractalize into coasts, harbours, fjords, peninsulas and archipelagos. Drawing its raw material from recordings made in the Inner Hebrides, Banshee tightly weaves a fabric where the sonic avatars of fauna, flora and climate merge with the human presence, its tools and its culture. Thus, a small boat cleaving through a loch becomes the voice of the mountains and wilderness, and the howling of the wind on the moors becomes the lament of a Banshee, harbinger of death, messenger of the Other World.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSarah Davachi – Basse Brevis\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCo-commissioned by Radio France and INA grm, Basse Brevis by Canadian composer Sarah Davachi was premiered at the Présences 2024 festival, which was dedicated to Steve Reich. Drawing on her own minimalist approach, Sarah Davachi explores, with extreme care, the weavings and complex relationships between the timbral, spatial and durational components of music. Using developments that can be appreciated over time, the composer manages to create music that is extremely precise, subtle and lively. But what is striking\u003cspan class=\"bcTruncateMore\"\u003e, and particularly evident in Basse Brevis, is that such an approach, both abstract and restrained, is nonetheless at times utterly poignant. The work combines moments of formal exploration with moments of pure emotion in a perfectly mastered fashion, creating a gentle tension as it swings between two modes of listening that navigate indecisively within both instrumental and concrete approaches, tracing, in parallel, a diagonal of sound that unfolds around perception, sensation and feeling.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : François J. Bonnet \/ Sarah Davachi\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Shelter Press, Recollection Grm) \u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM014lp\u003c\/p\u003e"}
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スイス/フランスのKassel Jaeger aka FRANCOIS J. BONNETとカナダのSarah Davachi実験音楽家2名が、2025年3月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 ロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see...
¥3,450

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{"id":8693876130042,"title":"Nate Wooley \/\/ Henry House CD","handle":"nate-wooley-henry-house-cd","description":"\u003cp\u003eアメリカのトランペッターNate Wooleyが、2025年1月にフランス/アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜ドローン5曲を収録。12ページのブックレット付属。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664223308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2937514746\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664223308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. Includes 12-page booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Acacia, Burnt Myrrh\u003cbr\u003e2. Stump The World I \u003cbr\u003e3. Clipped Prose of Juncos\u003cbr\u003e4. Stump The World II\u003cbr\u003e5. Aleatory Half Sentences\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHenry House is a recurring dream song. Combining closely tuned instruments and sinetones, tape-music editing techniques, field recordings, and voice, this eighty-minute, five-part song cycle is an evolutionary step away from the spontaneity of the free jazz\/noise aesthetic usually found in the music of Nate Wooley. Henry House expands on the ecstatic, durational work found in Wooley’s Seven Storey Mountain, a six-part composition that has been premiered over the last ten years by an ensemble that now includes multiple drummers, guitarists, a twenty-one-person choir, and the composer on amplified trumpet. But its ritual is more serene, more natural, slower. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHenry House is the first long-form piece that doesn’t feature Wooley’s trumpet. It is also the first to be constructed around his poetic writing. Wooley weaves a strange funeral mass for a fictional everyman from isolated phrases culled from essays, poems, and non-fiction written by Wendell Berry, John Berryman, Joseph Mitchell, and Reiner Stach. After organizing the fragments into a dream narrative, Wooley rewrote the text dozens of times, manipulating the stitched-together story until only glimpses of its sources remained. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese texts become a slowly developing story of care\u003cspan class=\"bcTruncateMore\"\u003e and too much care in living. They are spoken by Mat Maneri and Megan Schubert and set amidst masses of instruments. The outer and middle movements explore the interactions between slowly shifting sine tone frequencies and massed, slightly detuned instruments—vibraphones, brass, pianos—to affect a warmly wobbling harmonic pad that undulates and revolves under Maneri’s performance of the text. The remaining movements move quickly, combining field recordings with hard cuts of Schubert’s singing voice constructed into a massive, tape-affected choir interspersed with her readings.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nate Wooley\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT no : SOMA061\u003c\/p\u003e","published_at":"2025-01-17T08:21:01+09:00","created_at":"2025-01-06T13:26:52+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","new","shelter press"],"price":225000,"price_min":225000,"price_max":225000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47013017190650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nate Wooley \/\/ Henry House CD","public_title":null,"options":["Default Title"],"price":225000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408179","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hous1_cb6a61f7-9685-4abe-8ab2-5d03aef462d0.jpg?v=1736137445","\/\/tobirarecords.com\/cdn\/shop\/files\/hous2.jpg?v=1736137445"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hous1_cb6a61f7-9685-4abe-8ab2-5d03aef462d0.jpg?v=1736137445","options":["Title"],"media":[{"alt":null,"id":35382761619706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hous1_cb6a61f7-9685-4abe-8ab2-5d03aef462d0.jpg?v=1736137445"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hous1_cb6a61f7-9685-4abe-8ab2-5d03aef462d0.jpg?v=1736137445","width":700},{"alt":null,"id":35382761652474,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hous2.jpg?v=1736137445"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hous2.jpg?v=1736137445","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトランペッターNate Wooleyが、2025年1月にフランス/アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー〜ドローン5曲を収録。12ページのブックレット付属。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664223308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2937514746\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1664223308\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. Includes 12-page booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Acacia, Burnt Myrrh\u003cbr\u003e2. Stump The World I \u003cbr\u003e3. Clipped Prose of Juncos\u003cbr\u003e4. Stump The World II\u003cbr\u003e5. Aleatory Half Sentences\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHenry House is a recurring dream song. Combining closely tuned instruments and sinetones, tape-music editing techniques, field recordings, and voice, this eighty-minute, five-part song cycle is an evolutionary step away from the spontaneity of the free jazz\/noise aesthetic usually found in the music of Nate Wooley. Henry House expands on the ecstatic, durational work found in Wooley’s Seven Storey Mountain, a six-part composition that has been premiered over the last ten years by an ensemble that now includes multiple drummers, guitarists, a twenty-one-person choir, and the composer on amplified trumpet. But its ritual is more serene, more natural, slower. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHenry House is the first long-form piece that doesn’t feature Wooley’s trumpet. It is also the first to be constructed around his poetic writing. Wooley weaves a strange funeral mass for a fictional everyman from isolated phrases culled from essays, poems, and non-fiction written by Wendell Berry, John Berryman, Joseph Mitchell, and Reiner Stach. After organizing the fragments into a dream narrative, Wooley rewrote the text dozens of times, manipulating the stitched-together story until only glimpses of its sources remained. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese texts become a slowly developing story of care\u003cspan class=\"bcTruncateMore\"\u003e and too much care in living. They are spoken by Mat Maneri and Megan Schubert and set amidst masses of instruments. The outer and middle movements explore the interactions between slowly shifting sine tone frequencies and massed, slightly detuned instruments—vibraphones, brass, pianos—to affect a warmly wobbling harmonic pad that undulates and revolves under Maneri’s performance of the text. The remaining movements move quickly, combining field recordings with hard cuts of Schubert’s singing voice constructed into a massive, tape-affected choir interspersed with her readings.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nate Wooley\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT no : SOMA061\u003c\/p\u003e"}
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アメリカのトランペッターNate Wooleyが、2025年1月にフランス/アメリカの実験レーベルIdeologic Organからリリースしたレコードです。 サウンドポエトリー〜ドローン5曲を収録。12ページのブックレット付属。6面デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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{"id":8605242228986,"title":"Lukas De Clerck \/\/ The Telescopic Aulos of Atlas LP","handle":"lukas-de-clerck-the-telescopic-aulos-of-atlas-lp","description":"\u003cp\u003eベルギー・ブリュッセルの実験音楽家Lukas De Clerckが、2024年8月にフランス・パリの実験/ドローンレーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギリシャ神話にも登場する古楽器アウロスを用いたドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Lukas De Clerckは、この驚異的なレコーディングで、彼の新しい解釈による長大な表現力を引き出した伸縮自在のアウロスをもたらした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLukas De Clerckは、音楽における考古学的研究のニッチを探求している。アウロスはギリシャの歴史的楽器であり、ルーカスはそれを分析し、現代のルシアーによって再解釈した。Lukas De Clerckは、古典期の貴重な考古学的資料や視覚芸術から得た情報を解釈し、この楽器の演奏技法と可能な音色の両方を再現した。ドローン、ポスト・ミニマリズム音楽、コンテンポラリー・フォークへの彼の現代的なアプローチにより、私たちは深く満足させられ、説得力のある、遊び心さえ感じさせる歌、音色の練習、作曲のセットを見つけることができる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「アウロスの形態は、その葦によって定義される。植物の繊維の内側にある管状のメモリが、内側に息を吹き込む口のように、自然に閉じたり開いたりすることを保証する。リードは核であり、音源であり、裸の楽器である。リードは2つのオシレーターのような役割を果たし、高音をビートに変化させる。パイプはコンテクストであり、音のチャンネルだ。物語を創り出すのだ」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eStephen O'Malley\u003c\/span\u003e aka SUNN O)))のレーベル Ideologic Organによる、ニューミュージックと現代の古音楽学研究の出会いの重要なドキュメントである。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=932804915\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jot's Phorbela\u003cbr\u003e2. Singing Phragmites of Pont’Etzu\u003cbr\u003e3. The Cats of Medir\u003cbr\u003e4. Sacrifice of a Reed \u003cbr\u003e5. A Gargling Aulete\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLUKAS DE CLERCK brings the telescopic aulos, which his new interpretation of long-form expression coaxed forth on this tremendous recording.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLukas de Clerck explores a niche of archaeological research in music; the aulos is a historical Greek instrument that Lukas analyzed and reinterpreted by a luthier in modern times—navigating this impression as an artwork or living sculptural object, as there is an absence of historical partitions or written information about how to recreate technique on the instrument. Lukas de Clerck has interpreted information from the rare archaeological resources and visual art of the classical period to recreate both playing technique and possible sound timbres with the instrument. With his contemporary approach to drone, post-minimalist music, and contemporary folk, we find a deeply satisfying and compelling, even playful set of songs, timbral exercises and compositions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The morphology of the aulos is defined by its reeds. The tubular memory inside the plant's fibre will ensure it closes and opens naturally, like the mouth that blows breath inside. The reeds are the core, the sound source—the naked instrument. They behave like two oscillators, bending high-pitched notes into beatings. The\u003cspan class=\"bcTruncateMore\"\u003e pipes are a context, a channel for the sound. They create a narrative.\"\u003cbr\u003e\u003cbr\u003eAn essential document of new music meets contemporary archaemusicological research via Stephen O'Malley of SUNN O)))'s label Ideologic Organ.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lukas De Clerck\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No : SOMA046lp\u003c\/p\u003e","published_at":"2024-08-25T09:06:13+09:00","created_at":"2024-08-23T18:45:31+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","shelter press"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46598524600570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lukas De Clerck \/\/ The Telescopic Aulos of Atlas LP","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408063","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/au1_50ad867c-6358-4c62-9752-135972a51056.jpg?v=1724406211","\/\/tobirarecords.com\/cdn\/shop\/files\/au2_3a70e01f-172b-408b-9cf1-c88c0e1a6977.jpg?v=1724406211"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_50ad867c-6358-4c62-9752-135972a51056.jpg?v=1724406211","options":["Title"],"media":[{"alt":null,"id":34763438915834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_50ad867c-6358-4c62-9752-135972a51056.jpg?v=1724406211"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_50ad867c-6358-4c62-9752-135972a51056.jpg?v=1724406211","width":700},{"alt":null,"id":34763438948602,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au2_3a70e01f-172b-408b-9cf1-c88c0e1a6977.jpg?v=1724406211"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au2_3a70e01f-172b-408b-9cf1-c88c0e1a6977.jpg?v=1724406211","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー・ブリュッセルの実験音楽家Lukas De Clerckが、2024年8月にフランス・パリの実験/ドローンレーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギリシャ神話にも登場する古楽器アウロスを用いたドローン5曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Lukas De Clerckは、この驚異的なレコーディングで、彼の新しい解釈による長大な表現力を引き出した伸縮自在のアウロスをもたらした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLukas De Clerckは、音楽における考古学的研究のニッチを探求している。アウロスはギリシャの歴史的楽器であり、ルーカスはそれを分析し、現代のルシアーによって再解釈した。Lukas De Clerckは、古典期の貴重な考古学的資料や視覚芸術から得た情報を解釈し、この楽器の演奏技法と可能な音色の両方を再現した。ドローン、ポスト・ミニマリズム音楽、コンテンポラリー・フォークへの彼の現代的なアプローチにより、私たちは深く満足させられ、説得力のある、遊び心さえ感じさせる歌、音色の練習、作曲のセットを見つけることができる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「アウロスの形態は、その葦によって定義される。植物の繊維の内側にある管状のメモリが、内側に息を吹き込む口のように、自然に閉じたり開いたりすることを保証する。リードは核であり、音源であり、裸の楽器である。リードは2つのオシレーターのような役割を果たし、高音をビートに変化させる。パイプはコンテクストであり、音のチャンネルだ。物語を創り出すのだ」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eStephen O'Malley\u003c\/span\u003e aka SUNN O)))のレーベル Ideologic Organによる、ニューミュージックと現代の古音楽学研究の出会いの重要なドキュメントである。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=932804915\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jot's Phorbela\u003cbr\u003e2. Singing Phragmites of Pont’Etzu\u003cbr\u003e3. The Cats of Medir\u003cbr\u003e4. Sacrifice of a Reed \u003cbr\u003e5. A Gargling Aulete\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLUKAS DE CLERCK brings the telescopic aulos, which his new interpretation of long-form expression coaxed forth on this tremendous recording.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLukas de Clerck explores a niche of archaeological research in music; the aulos is a historical Greek instrument that Lukas analyzed and reinterpreted by a luthier in modern times—navigating this impression as an artwork or living sculptural object, as there is an absence of historical partitions or written information about how to recreate technique on the instrument. Lukas de Clerck has interpreted information from the rare archaeological resources and visual art of the classical period to recreate both playing technique and possible sound timbres with the instrument. With his contemporary approach to drone, post-minimalist music, and contemporary folk, we find a deeply satisfying and compelling, even playful set of songs, timbral exercises and compositions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"The morphology of the aulos is defined by its reeds. The tubular memory inside the plant's fibre will ensure it closes and opens naturally, like the mouth that blows breath inside. The reeds are the core, the sound source—the naked instrument. They behave like two oscillators, bending high-pitched notes into beatings. The\u003cspan class=\"bcTruncateMore\"\u003e pipes are a context, a channel for the sound. They create a narrative.\"\u003cbr\u003e\u003cbr\u003eAn essential document of new music meets contemporary archaemusicological research via Stephen O'Malley of SUNN O)))'s label Ideologic Organ.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lukas De Clerck\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No : SOMA046lp\u003c\/p\u003e"}
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ベルギー・ブリュッセルの実験音楽家Lukas De Clerckが、2024年8月にフランス・パリの実験/ドローンレーベルIdeologic Organからリリースしたレコードです。 ギリシャ神話にも登場する古楽器アウロスを用いたドローン5曲を収録。 以下、レーベルによる解説です。 "Lukas De Clerckは、この驚異的なレコーディングで、彼の新しい解釈による長大な表現力を引き出した伸縮自在のアウロスをもたらした。 Lukas De Clerckは、音楽における考古学的研究のニッチを探求している。アウロスはギリシャの歴史的楽器であり、ルーカスはそれを分析し、現代のルシアーによって再解釈した。Lukas De Clerckは、古典期の貴重な考古学的資料や視覚芸術から得た情報を解釈し、この楽器の演奏技法と可能な音色の両方を再現した。ドローン、ポスト・ミニマリズム音楽、コンテンポラリー・フォークへの彼の現代的なアプローチにより、私たちは深く満足させられ、説得力のある、遊び心さえ感じさせる歌、音色の練習、作曲のセットを見つけることができる。...
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{"id":8386910028026,"title":"Carlos Giffoni \/\/ Dream Walker LP","handle":"carlos-giffoni-dream-walker-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベネズエラ出身アメリカ在住の実験音楽家Carlos Giffoniが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eシンセによるアンビエント・ノイズ〜ドローン11曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=578814065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. LP edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Now Dream 06:18\u003cbr\u003e2. Saltos 03:51\u003cbr\u003e3. Ticking Clock 03:37\u003cbr\u003e4. Euphoria Part 2 02:51\u003cbr\u003e5. Euphoria Part 1 01:54\u003cbr\u003e6. Sleep Walker 03:42 video\u003cbr\u003e7. Episode 02:21\u003cbr\u003e8. One Breath 04:10\u003cbr\u003e9. Lost in Descanso 03:00\u003cbr\u003e10. Sunrise 02:52\u003cbr\u003e11. The Hidden Path 02:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlan Licht, New York, December 2023:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"About 20 years ago, Carlos Giffoni quickly made a name for himself both as a noise guitarist and a laptop noisician upon arriving in New York (via Florida and Venezuela). His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of connections being made between geographically disparate artists as a result of the (still relatively nascent) internet. Back then Carlos would play his laptop like a pinball machine, in contrast to the static stage presence of most laptop performers, and his solo music, like many others’ at that time, expressed a less dark and dour vision of the implications of harsh noise. By the close of the 2000s, he had stopped doing the festival, switched gears musically to playing the lighter No Fun Acid sets, and moved to LA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow he has re-emerged in a big way with Dream Walker, his first full-length since 2018’s Vain (and only his second since 2010). Inspired by the masterful performances and diffusions he heard at the February 2023 GRM electronic music festival in Paris, particularly sets by old friends Lasse Marhaug, Jim O’Rourke, and Eiko Ishibashi\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, he began conceptualizing new music of his own in response, turning to synthesizers and other hardware to produce a work more firmly in the tradition of European electronic music than anything else he’s done. Intended as a late night listen that evokes the edge of consciousness, with Carlos getting as close as possible to a trance state during the actual recording and mixing, each of the eleven tracks transition into one another rather than being standalone discrete pieces, forming two side-long suites that proceed like stages of a dream...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Giffoni\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No: SOMA053lp\u003c\/p\u003e","published_at":"2024-04-27T18:31:05+09:00","created_at":"2024-04-27T12:59:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","shelter press"],"price":384000,"price_min":384000,"price_max":384000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45794964242682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Giffoni \/\/ Dream Walker LP","public_title":null,"options":["Default Title"],"price":384000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/walk1_f7ae9274-822c-4294-a5c1-b6b5dc09417a.jpg?v=1714190362","\/\/tobirarecords.com\/cdn\/shop\/files\/walk2.jpg?v=1714190362"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/walk1_f7ae9274-822c-4294-a5c1-b6b5dc09417a.jpg?v=1714190362","options":["Title"],"media":[{"alt":null,"id":33869655310586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/walk1_f7ae9274-822c-4294-a5c1-b6b5dc09417a.jpg?v=1714190362"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/walk1_f7ae9274-822c-4294-a5c1-b6b5dc09417a.jpg?v=1714190362","width":700},{"alt":null,"id":33869655343354,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/walk2.jpg?v=1714190362"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/walk2.jpg?v=1714190362","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベネズエラ出身アメリカ在住の実験音楽家Carlos Giffoniが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eシンセによるアンビエント・ノイズ〜ドローン11曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=578814065\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. LP edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Now Dream 06:18\u003cbr\u003e2. Saltos 03:51\u003cbr\u003e3. Ticking Clock 03:37\u003cbr\u003e4. Euphoria Part 2 02:51\u003cbr\u003e5. Euphoria Part 1 01:54\u003cbr\u003e6. Sleep Walker 03:42 video\u003cbr\u003e7. Episode 02:21\u003cbr\u003e8. One Breath 04:10\u003cbr\u003e9. Lost in Descanso 03:00\u003cbr\u003e10. Sunrise 02:52\u003cbr\u003e11. The Hidden Path 02:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlan Licht, New York, December 2023:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"About 20 years ago, Carlos Giffoni quickly made a name for himself both as a noise guitarist and a laptop noisician upon arriving in New York (via Florida and Venezuela). His expertly curated annual No Fun Festival, as well as his No Fun label, further solidified him as a key figure in the international noise scene. The festival’s success proved the formula for experimental and improvised music fests could work with the noise underground as well, but it also capitalized on the faster rate of connections being made between geographically disparate artists as a result of the (still relatively nascent) internet. Back then Carlos would play his laptop like a pinball machine, in contrast to the static stage presence of most laptop performers, and his solo music, like many others’ at that time, expressed a less dark and dour vision of the implications of harsh noise. By the close of the 2000s, he had stopped doing the festival, switched gears musically to playing the lighter No Fun Acid sets, and moved to LA.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow he has re-emerged in a big way with Dream Walker, his first full-length since 2018’s Vain (and only his second since 2010). Inspired by the masterful performances and diffusions he heard at the February 2023 GRM electronic music festival in Paris, particularly sets by old friends Lasse Marhaug, Jim O’Rourke, and Eiko Ishibashi\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, he began conceptualizing new music of his own in response, turning to synthesizers and other hardware to produce a work more firmly in the tradition of European electronic music than anything else he’s done. Intended as a late night listen that evokes the edge of consciousness, with Carlos getting as close as possible to a trance state during the actual recording and mixing, each of the eleven tracks transition into one another rather than being standalone discrete pieces, forming two side-long suites that proceed like stages of a dream...\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Giffoni\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No: SOMA053lp\u003c\/p\u003e"}
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ベネズエラ出身アメリカ在住の実験音楽家Carlos Giffoniが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。 シンセによるアンビエント・ノイズ〜ドローン11曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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{"id":8255392448762,"title":"Attila Csihar \/\/ Void Ov Voices : Baalbek LP \/ CD","handle":"attila-csihar-void-ov-voices-baalbek-lp-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSUNN O)))としても活動しているAttila Csiharが、2023年2月に\u003cmeta charset=\"utf-8\"\u003eIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレバノンのバールベックで録音したドローン2セットを収録。16ページのブックレット付属。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「私は2006年にVoid Ov Voicesを立ち上げ、その場の空間と時間のエネルギーを捉え、干渉しながら、その場のための儀式的な音楽を作り、ライブパフォーマンスのみを行うようになりました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2008年に初めてレバノンを訪れたのは、トリトンやバールベックの巨大なモノリスを訪れるという特別な理由からでした。そのとき、古代文明の工学技術の高さと、地域全体が持つ強烈な幻想的な雰囲気に深い感銘を受けたのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は長い間、古代遺跡や先史時代の遺跡、モノリスに魅了されてきました。この数十年間、私は世界中の多くの場所を訪れました。私はいつも、これらの古代遺跡の中に非常に独特な物理的エネルギーを感じ、それが私の想像力と心の目を興味深く開かせてくれました。さらに、これらの建造物はすべて、忘れ去られた高度なテクノロジーと文明の足跡なのです。さらに、これらの石の塊は、しばしば占星術の事象や神聖幾何学と一直線上に並んでいます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックのトリトンは、ローマ時代以前の技術の純粋な証拠であり、重さ約900トン(VWゴルフ900台分に相当)の石のブロックを持ち上げて運ぶことができる技術であるため、私にとって特別な存在なのです。その輸送そのものを現代で行うことは可能であるとしても、最先端の技術をもってしても大変なことです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックには、このような大きさの石でできた巨大な台地があり、その上にローマ人が世界最大級のローマ建築といわれるジュピター神殿を建てたのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックは古代には「太陽の町」と呼ばれていたそうですが、「バベルの塔」の話と関係があるのでしょうか?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのような神秘的な場所には、さまざまな物語や説があります。しかし、これらの石は、歴史の中で時空を超えて、ただそこに立って待っているのです。そして、最後までそこにあるのです...。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらのユニークな構造物にできるだけ近い録音をすることは、常に私の心を揺り動かすものでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eついにバールベックの「南の石」の頂上でレコーディングをすることができたとき、私はトランス状態のような瞑想状態に陥ったのです。音楽は、耳の感覚だけでなく、私たちの身体のすべてを通過していくので、さまざまなレベルで不思議なものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e年月が経つにつれ、私はバールベックについてさらに調べていきました。ハンガリーで最も重要な画家の一人、チョントヴァーリ・コシュトカ・ティヴァダー(1853-1919)も、レバノンの同じ場所で深い感動を受けました。彼の生涯を詳しく調べてみると、私と彼の性格や芸術哲学には多くの共通点があることがわかりました。彼は、深い精神性を持っていましたが、宗教的ではありませんでした。\u003cmeta charset=\"utf-8\"\u003e薬剤師で科学者だった彼が、中年になって絵を描き始めたのは、超越的な衝動に駆られたからにほかなりません。彼は薬剤師のキャリアをあきらめ、残りの人生、魂の欲求を満たすために芸術と絵画にのみ集中し、それ以外の地上的、エゴイスティックな理由ではありませんでした。展覧会を開くこともなく、自分の絵を売るつもりもありませんでした。ベジタリアンになり、社会のアウトサイダーとなりました。晩年には、政府や世界の指導者たちの背後にある隠された手に挑戦する、高度な哲学的文章も書いています。しかし残念なことに、そして典型的な例として、彼の存在が認識されたのは、死後数十年経ってからでした。彼の絵は忘れ去られ、第二次世界大戦後、トラックの荷台のキャンバスとして売られそうになっていました。しかしオークションの最後の最後に、誰かがその芸術的価値を認め、買い上げ、保存してくれたのです。今では、ハンガリーで最も重要で影響力のある画家の一人と言われています。ハンガリーの暗い歴史の中で、どれだけの貴重な美術品が消えていったのだろうかと思うことがあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eとにかく、ツォントヴァーリ・コシュトカ・ティヴァダールとバールベックは私に深いインスピレーションを与えてくれました。2012年、私は再びレバノンのバールベックにある同じ遺跡に行き、儀式的な記録を作り、そのエネルギーを自分のために、永遠に留めておこうと決心したのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバムのジャケットアートワークに選んだのは、チョントヴァーリが描いた「Sacrificial Stone」という珍しい絵画です。彼はこのシュールな絵をバールベックでも描いているのです。彼が「南の石」にインスピレーションを受け、それが彼のビジョンの中で「サクリファイス・ストーン」になったというのは、私にとって借りのない話です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVoid Ov Voicesでは、音のブロックを繰り返し使って、音の壁を作り出しています。この美しい絵の上で、チョントヴァーリ以上に自分の音楽をイメージすることはできませんでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの個人的な録音をリリースすべきかどうか迷いましたが、友人のスティーブン・オマリーの長年にわたる強いインスピレーションに感謝します。ついに実現することができました。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=940589157\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNight of 29th of March (on my 41st birthday) in Hotel Jupiter in Baalbek while looking at the Thrilitons of the Jupiter Temple. 27:44\u003c\/li\u003e\n\u003cli\u003eDaytime of 30th of March, on the top of the biggest ever human-made Monolith called Stone Of The South. 20:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAttila Csihar. Budapest, September 2021\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"I started Void Ov Voices in 2006 to create ritualistic music for the moment, to play only live performances while capturing and interfering with the energy of the space and the time of the location.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first time I travelled to Lebanon was in 2008 for one particular reason: to visit the Trilitons and the giant Monoliths of Baalbek. I was deeply impressed by the level of ancient civilisations engineering technology and the intense magical atmosphere of the whole area.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have been fascinated by ancient ruins, prehistorical sites and monoliths for a long time. In the last decades, I visited many of these places around the world. I always felt this very particular fine physical energy among those ancient ruins, which interestingly opened my imagination and mind’s eye. Besides that, all these structures are footprints of a forgotten high advanced technology and civilisations. Moreover, these masses of stone often lie in alignment with astrological events and sacred geometry.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Trilitons of Baalbek are extraordinarily special to me as they are pure evidence of technology from before the Roman period, a technology which could lift and transport blocks of stones, each weighing around approximately 900 tons (which equals\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e approximately the weight of 900 VW Golfs, but in one piece!). To do that transportation itself today would be a huge challenge even with our cutting edge technology, if it’s possible at all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a massive plateau in Baalbek made of these sized stones, on top of which the Romans built their famous Jupiter Temple, considered to be one of the largest Roman structures in the world.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBaalbek used to be called The City Of The Sun in ancient times, and I might have one theoretical question: could it be connected to the story of The Tower Of Babel?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThere are many stories and theories around these mystical places. But, those stones have been just standing and waiting there in time and space throughout history. And they will be there till the end…\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo make recordings as close as possible to these unique structures always triggered my mind.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen finally I could make a recording outdoor on the top of the “Stone of the South” in Baalbek, I fell into a trance kind of meditative state of mind, in that welcoming an enormous ancient energy which is present and is also captured on these recordings. Music is magical itself on many levels as it goes through all of our bodies, not only through the sensations of our ears.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs years passed, I researched Baalbek more. One of Hungary’s most significant painters, Csontváry Kosztka Tivadar (1853-1919), was also deeply touched by the same spot in Lebanon. When I dug more into Csontváry’s life story, I found many similarities between his and my personality and artistic philosophy. He was profoundly spiritual yet not religious. He was an apothecary and scientist who started to paint in his middle age only because of a transcendental impulse he received. He gave up his pharmacist career and, for the rest of his life, focused only on art and painting to fulfil his soul’s desires and not for any other earthly or egoistic reason. He never had an exhibition, and he never intended to sell any of his paintings. He became a vegetarian and an outsider of society. Towards the end of his life, he even wrote some advanced philosophical writings challenging the hidden hands behind the governments and world leaders. Unfortunately and typically, he was only recognised decades after his death. His paintings were forgotten and almost sold as canvas to cover trucks after WWII. Then, at the last minute of an auction, somebody recognised their artistic value, bought up and saved these priceless paintings, which was like a miracle itself. Csontváry is now considered to be one of the most critical and influential Hungarian painters of all time! Sometimes I wonder how much invaluable art might have disappeared through the dark times of our history.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnyway, Csontváry Kosztka Tivadar and Baalbek gave me such deep inspiration that in 2012 I decided to travel back to Lebanon to the same ruins to Baalbek to create a ritualistic recording and try to capture that energy for myself and for forever.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI chose this rare painting from Csontváry called “Sacrificial Stone” for the album’s cover artwork. He painted this surrealistic painting in Baalbek too. No debt to me that he was inspired by “The Stone Of The South”, which became the “Sacrificial Stone” in his vision.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen I first saw that painting, I could not believe my eyes: in Void Ov Voices, I use blocks of sounds repeatedly to create a wall of sound. I could not visualise my music better than Csontváry on this beautiful painting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was not sure if I should ever release this personal recording but thank my friend Stephen O’Malley’s strong inspiration through the years. Finally, it can happen.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Attila Csihar\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eSOMA047\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-03T08:36:34+09:00","created_at":"2024-04-01T10:00:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","lp","shelter press"],"price":228000,"price_min":228000,"price_max":478000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45484061720826,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40828484354298,"product_id":8255392448762,"position":2,"created_at":"2024-04-01T10:00:48+09:00","updated_at":"2024-04-01T10:00:48+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/baa2.jpg?v=1711933248","variant_ids":[45484061720826]},"available":true,"name":"Attila Csihar \/\/ Void Ov Voices : Baalbek LP \/ CD - LP","public_title":"LP","options":["LP"],"price":478000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33520263987450,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/baa2.jpg?v=1711933248"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45484061753594,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40828484321530,"product_id":8255392448762,"position":1,"created_at":"2024-04-01T10:00:48+09:00","updated_at":"2024-04-01T10:00:48+09:00","alt":null,"width":700,"height":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/baa1.jpg?v=1711933248","variant_ids":[45484061753594]},"available":true,"name":"Attila Csihar \/\/ Void Ov Voices : Baalbek LP \/ CD - CD","public_title":"CD","options":["CD"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33520263954682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/baa1.jpg?v=1711933248"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/baa1.jpg?v=1711933248","\/\/tobirarecords.com\/cdn\/shop\/files\/baa2.jpg?v=1711933248"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/baa1.jpg?v=1711933248","options":["Format"],"media":[{"alt":null,"id":33520263954682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/baa1.jpg?v=1711933248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/baa1.jpg?v=1711933248","width":700},{"alt":null,"id":33520263987450,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/baa2.jpg?v=1711933248"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/baa2.jpg?v=1711933248","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSUNN O)))としても活動しているAttila Csiharが、2023年2月に\u003cmeta charset=\"utf-8\"\u003eIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレバノンのバールベックで録音したドローン2セットを収録。16ページのブックレット付属。以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「私は2006年にVoid Ov Voicesを立ち上げ、その場の空間と時間のエネルギーを捉え、干渉しながら、その場のための儀式的な音楽を作り、ライブパフォーマンスのみを行うようになりました。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e2008年に初めてレバノンを訪れたのは、トリトンやバールベックの巨大なモノリスを訪れるという特別な理由からでした。そのとき、古代文明の工学技術の高さと、地域全体が持つ強烈な幻想的な雰囲気に深い感銘を受けたのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e私は長い間、古代遺跡や先史時代の遺跡、モノリスに魅了されてきました。この数十年間、私は世界中の多くの場所を訪れました。私はいつも、これらの古代遺跡の中に非常に独特な物理的エネルギーを感じ、それが私の想像力と心の目を興味深く開かせてくれました。さらに、これらの建造物はすべて、忘れ去られた高度なテクノロジーと文明の足跡なのです。さらに、これらの石の塊は、しばしば占星術の事象や神聖幾何学と一直線上に並んでいます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックのトリトンは、ローマ時代以前の技術の純粋な証拠であり、重さ約900トン(VWゴルフ900台分に相当)の石のブロックを持ち上げて運ぶことができる技術であるため、私にとって特別な存在なのです。その輸送そのものを現代で行うことは可能であるとしても、最先端の技術をもってしても大変なことです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックには、このような大きさの石でできた巨大な台地があり、その上にローマ人が世界最大級のローマ建築といわれるジュピター神殿を建てたのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eバールベックは古代には「太陽の町」と呼ばれていたそうですが、「バベルの塔」の話と関係があるのでしょうか?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのような神秘的な場所には、さまざまな物語や説があります。しかし、これらの石は、歴史の中で時空を超えて、ただそこに立って待っているのです。そして、最後までそこにあるのです...。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらのユニークな構造物にできるだけ近い録音をすることは、常に私の心を揺り動かすものでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eついにバールベックの「南の石」の頂上でレコーディングをすることができたとき、私はトランス状態のような瞑想状態に陥ったのです。音楽は、耳の感覚だけでなく、私たちの身体のすべてを通過していくので、さまざまなレベルで不思議なものです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e年月が経つにつれ、私はバールベックについてさらに調べていきました。ハンガリーで最も重要な画家の一人、チョントヴァーリ・コシュトカ・ティヴァダー(1853-1919)も、レバノンの同じ場所で深い感動を受けました。彼の生涯を詳しく調べてみると、私と彼の性格や芸術哲学には多くの共通点があることがわかりました。彼は、深い精神性を持っていましたが、宗教的ではありませんでした。\u003cmeta charset=\"utf-8\"\u003e薬剤師で科学者だった彼が、中年になって絵を描き始めたのは、超越的な衝動に駆られたからにほかなりません。彼は薬剤師のキャリアをあきらめ、残りの人生、魂の欲求を満たすために芸術と絵画にのみ集中し、それ以外の地上的、エゴイスティックな理由ではありませんでした。展覧会を開くこともなく、自分の絵を売るつもりもありませんでした。ベジタリアンになり、社会のアウトサイダーとなりました。晩年には、政府や世界の指導者たちの背後にある隠された手に挑戦する、高度な哲学的文章も書いています。しかし残念なことに、そして典型的な例として、彼の存在が認識されたのは、死後数十年経ってからでした。彼の絵は忘れ去られ、第二次世界大戦後、トラックの荷台のキャンバスとして売られそうになっていました。しかしオークションの最後の最後に、誰かがその芸術的価値を認め、買い上げ、保存してくれたのです。今では、ハンガリーで最も重要で影響力のある画家の一人と言われています。ハンガリーの暗い歴史の中で、どれだけの貴重な美術品が消えていったのだろうかと思うことがあります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eとにかく、ツォントヴァーリ・コシュトカ・ティヴァダールとバールベックは私に深いインスピレーションを与えてくれました。2012年、私は再びレバノンのバールベックにある同じ遺跡に行き、儀式的な記録を作り、そのエネルギーを自分のために、永遠に留めておこうと決心したのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアルバムのジャケットアートワークに選んだのは、チョントヴァーリが描いた「Sacrificial Stone」という珍しい絵画です。彼はこのシュールな絵をバールベックでも描いているのです。彼が「南の石」にインスピレーションを受け、それが彼のビジョンの中で「サクリファイス・ストーン」になったというのは、私にとって借りのない話です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVoid Ov Voicesでは、音のブロックを繰り返し使って、音の壁を作り出しています。この美しい絵の上で、チョントヴァーリ以上に自分の音楽をイメージすることはできませんでした。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの個人的な録音をリリースすべきかどうか迷いましたが、友人のスティーブン・オマリーの長年にわたる強いインスピレーションに感謝します。ついに実現することができました。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=940589157\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNight of 29th of March (on my 41st birthday) in Hotel Jupiter in Baalbek while looking at the Thrilitons of the Jupiter Temple. 27:44\u003c\/li\u003e\n\u003cli\u003eDaytime of 30th of March, on the top of the biggest ever human-made Monolith called Stone Of The South. 20:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist statement by \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAttila Csihar. Budapest, September 2021\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"I started Void Ov Voices in 2006 to create ritualistic music for the moment, to play only live performances while capturing and interfering with the energy of the space and the time of the location.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first time I travelled to Lebanon was in 2008 for one particular reason: to visit the Trilitons and the giant Monoliths of Baalbek. I was deeply impressed by the level of ancient civilisations engineering technology and the intense magical atmosphere of the whole area.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have been fascinated by ancient ruins, prehistorical sites and monoliths for a long time. In the last decades, I visited many of these places around the world. I always felt this very particular fine physical energy among those ancient ruins, which interestingly opened my imagination and mind’s eye. Besides that, all these structures are footprints of a forgotten high advanced technology and civilisations. Moreover, these masses of stone often lie in alignment with astrological events and sacred geometry.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Trilitons of Baalbek are extraordinarily special to me as they are pure evidence of technology from before the Roman period, a technology which could lift and transport blocks of stones, each weighing around approximately 900 tons (which equals\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e approximately the weight of 900 VW Golfs, but in one piece!). To do that transportation itself today would be a huge challenge even with our cutting edge technology, if it’s possible at all.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a massive plateau in Baalbek made of these sized stones, on top of which the Romans built their famous Jupiter Temple, considered to be one of the largest Roman structures in the world.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBaalbek used to be called The City Of The Sun in ancient times, and I might have one theoretical question: could it be connected to the story of The Tower Of Babel?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThere are many stories and theories around these mystical places. But, those stones have been just standing and waiting there in time and space throughout history. And they will be there till the end…\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTo make recordings as close as possible to these unique structures always triggered my mind.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen finally I could make a recording outdoor on the top of the “Stone of the South” in Baalbek, I fell into a trance kind of meditative state of mind, in that welcoming an enormous ancient energy which is present and is also captured on these recordings. Music is magical itself on many levels as it goes through all of our bodies, not only through the sensations of our ears.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs years passed, I researched Baalbek more. One of Hungary’s most significant painters, Csontváry Kosztka Tivadar (1853-1919), was also deeply touched by the same spot in Lebanon. When I dug more into Csontváry’s life story, I found many similarities between his and my personality and artistic philosophy. He was profoundly spiritual yet not religious. He was an apothecary and scientist who started to paint in his middle age only because of a transcendental impulse he received. He gave up his pharmacist career and, for the rest of his life, focused only on art and painting to fulfil his soul’s desires and not for any other earthly or egoistic reason. He never had an exhibition, and he never intended to sell any of his paintings. He became a vegetarian and an outsider of society. Towards the end of his life, he even wrote some advanced philosophical writings challenging the hidden hands behind the governments and world leaders. Unfortunately and typically, he was only recognised decades after his death. His paintings were forgotten and almost sold as canvas to cover trucks after WWII. Then, at the last minute of an auction, somebody recognised their artistic value, bought up and saved these priceless paintings, which was like a miracle itself. Csontváry is now considered to be one of the most critical and influential Hungarian painters of all time! Sometimes I wonder how much invaluable art might have disappeared through the dark times of our history.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnyway, Csontváry Kosztka Tivadar and Baalbek gave me such deep inspiration that in 2012 I decided to travel back to Lebanon to the same ruins to Baalbek to create a ritualistic recording and try to capture that energy for myself and for forever.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI chose this rare painting from Csontváry called “Sacrificial Stone” for the album’s cover artwork. He painted this surrealistic painting in Baalbek too. No debt to me that he was inspired by “The Stone Of The South”, which became the “Sacrificial Stone” in his vision.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen I first saw that painting, I could not believe my eyes: in Void Ov Voices, I use blocks of sounds repeatedly to create a wall of sound. I could not visualise my music better than Csontváry on this beautiful painting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was not sure if I should ever release this personal recording but thank my friend Stephen O’Malley’s strong inspiration through the years. Finally, it can happen.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Attila Csihar\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eSOMA047\u003c\/span\u003e\u003c\/p\u003e"}
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SUNN O)))としても活動しているAttila Csiharが、2023年2月にIdeologic Organからリリースしたレコードです。 レバノンのバールベックで録音したドローン2セットを収録。16ページのブックレット付属。以下、作家本人による解説です。 「私は2006年にVoid Ov Voicesを立ち上げ、その場の空間と時間のエネルギーを捉え、干渉しながら、その場のための儀式的な音楽を作り、ライブパフォーマンスのみを行うようになりました。2008年に初めてレバノンを訪れたのは、トリトンやバールベックの巨大なモノリスを訪れるという特別な理由からでした。そのとき、古代文明の工学技術の高さと、地域全体が持つ強烈な幻想的な雰囲気に深い感銘を受けたのです。私は長い間、古代遺跡や先史時代の遺跡、モノリスに魅了されてきました。この数十年間、私は世界中の多くの場所を訪れました。私はいつも、これらの古代遺跡の中に非常に独特な物理的エネルギーを感じ、それが私の想像力と心の目を興味深く開かせてくれました。さらに、これらの建造物はすべて、忘れ去られた高度なテクノロジーと文明の足跡なのです。さらに、これらの石の塊は、しばしば占星術の事象や神聖幾何学と一直線上に並んでいます。バールベックのトリトンは、ローマ時代以前の技術の純粋な証拠であり、重さ約900トン(VWゴルフ900台分に相当)の石のブロックを持ち上げて運ぶことができる技術であるため、私にとって特別な存在なのです。その輸送そのものを現代で行うことは可能であるとしても、最先端の技術をもってしても大変なことです。バールベックには、このような大きさの石でできた巨大な台地があり、その上にローマ人が世界最大級のローマ建築といわれるジュピター神殿を建てたのです。バールベックは古代には「太陽の町」と呼ばれていたそうですが、「バベルの塔」の話と関係があるのでしょうか?このような神秘的な場所には、さまざまな物語や説があります。しかし、これらの石は、歴史の中で時空を超えて、ただそこに立って待っているのです。そして、最後までそこにあるのです...。これらのユニークな構造物にできるだけ近い録音をすることは、常に私の心を揺り動かすものでした。ついにバールベックの「南の石」の頂上でレコーディングをすることができたとき、私はトランス状態のような瞑想状態に陥ったのです。音楽は、耳の感覚だけでなく、私たちの身体のすべてを通過していくので、さまざまなレベルで不思議なものです。年月が経つにつれ、私はバールベックについてさらに調べていきました。ハンガリーで最も重要な画家の一人、チョントヴァーリ・コシュトカ・ティヴァダー(1853-1919)も、レバノンの同じ場所で深い感動を受けました。彼の生涯を詳しく調べてみると、私と彼の性格や芸術哲学には多くの共通点があることがわかりました。彼は、深い精神性を持っていましたが、宗教的ではありませんでした。薬剤師で科学者だった彼が、中年になって絵を描き始めたのは、超越的な衝動に駆られたからにほかなりません。彼は薬剤師のキャリアをあきらめ、残りの人生、魂の欲求を満たすために芸術と絵画にのみ集中し、それ以外の地上的、エゴイスティックな理由ではありませんでした。展覧会を開くこともなく、自分の絵を売るつもりもありませんでした。ベジタリアンになり、社会のアウトサイダーとなりました。晩年には、政府や世界の指導者たちの背後にある隠された手に挑戦する、高度な哲学的文章も書いています。しかし残念なことに、そして典型的な例として、彼の存在が認識されたのは、死後数十年経ってからでした。彼の絵は忘れ去られ、第二次世界大戦後、トラックの荷台のキャンバスとして売られそうになっていました。しかしオークションの最後の最後に、誰かがその芸術的価値を認め、買い上げ、保存してくれたのです。今では、ハンガリーで最も重要で影響力のある画家の一人と言われています。ハンガリーの暗い歴史の中で、どれだけの貴重な美術品が消えていったのだろうかと思うことがあります。とにかく、ツォントヴァーリ・コシュトカ・ティヴァダールとバールベックは私に深いインスピレーションを与えてくれました。2012年、私は再びレバノンのバールベックにある同じ遺跡に行き、儀式的な記録を作り、そのエネルギーを自分のために、永遠に留めておこうと決心したのです。アルバムのジャケットアートワークに選んだのは、チョントヴァーリが描いた「Sacrificial Stone」という珍しい絵画です。彼はこのシュールな絵をバールベックでも描いているのです。彼が「南の石」にインスピレーションを受け、それが彼のビジョンの中で「サクリファイス・ストーン」になったというのは、私にとって借りのない話です。Void Ov Voicesでは、音のブロックを繰り返し使って、音の壁を作り出しています。この美しい絵の上で、チョントヴァーリ以上に自分の音楽をイメージすることはできませんでした。この個人的な録音をリリースすべきかどうか迷いましたが、友人のスティーブン・オマリーの長年にわたる強いインスピレーションに感謝します。ついに実現することができました。" レーベルその他作品はこちら /// Click here to see...
¥2,280

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{"id":8255391432954,"title":"Gammelsæter \u0026 Marhaug \/\/ Higgs Boson LP","handle":"gammelsaeter-marhaug-higgs-boson-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eノルウェーの実験音楽家Runhild GammelsæterとLasse Marhaugが、2022年にフランスの実験レーベルIdeologic Organからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e声やギター、シンセによるコラージュ・ドローン8曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=820210201\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 700. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Stark Effect 02:52\u003c\/li\u003e\n\u003cli\u003eThe Magus 04:43\u003c\/li\u003e\n\u003cli\u003eStatic Case 03:56\u003c\/li\u003e\n\u003cli\u003eOndes De Fase 04:00\u003c\/li\u003e\n\u003cli\u003eForces 05:50\u003c\/li\u003e\n\u003cli\u003ePropeller Arc 06:46\u003c\/li\u003e\n\u003cli\u003eHadron Collider 05:34\u003c\/li\u003e\n\u003cli\u003eThese Questions 09:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Ideologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eThroughout the profound process of creating\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e “Higgs Boson”, Gammelsæter and Marhaug drew inspiration from various subjects and artists. For Marhaug, it was concepts informed by the structuralist experimental cinema of Japanese directors Takashi Ito and Toshio Matsumoto, futurist worlds of French comic book artists Philippe Druillet and Jean Moebius Giraud, landscape photography of Fay Godwin, Kåre Kivijärvi, and Tamiko Nishimura, amongst others. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt became a metaphysical juxtaposition involving Gammelsaeter’s research and lyrical ideas based on several seemingly unrelated principles. A process of association inspired by “the Glass Bead Game” by Herman Hesse. The discovery of the Higgs Boson as a confirmation of the physical universe. The work of Ernst Schrödinger on the uncertainty principle. The four forces of physics. The Force. Helplessness under armed forces - as the war sailors in World War II. The influence of magic as expressed in tarot. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGammelsæter experiments with a boundary involving the thresholds amongst various states of focus and legibility by forensic experimentation with techniques such as exclusive expression of consonants, syllabic repetition, retrograde text vocalisations and multi-lingual layering. Her vocal inspirational sources include Sidsel Endresen, Diamanda Galas, Natacha Atlas, the choral works of Rachmaninov, and the bands Carcass and Grave...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gammelsæter \u0026amp; Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eSOMA043lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-03T08:35:57+09:00","created_at":"2024-04-01T09:58:52+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":357700,"price_min":357700,"price_max":357700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45484059427066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gammelsæter \u0026 Marhaug \/\/ Higgs Boson LP","public_title":null,"options":["Default Title"],"price":357700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/higg1.jpg?v=1711933134","\/\/tobirarecords.com\/cdn\/shop\/files\/higg2.jpg?v=1711933134"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/higg1.jpg?v=1711933134","options":["Title"],"media":[{"alt":null,"id":33520259793146,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/higg1.jpg?v=1711933134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/higg1.jpg?v=1711933134","width":700},{"alt":null,"id":33520259825914,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/higg2.jpg?v=1711933134"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/higg2.jpg?v=1711933134","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eノルウェーの実験音楽家Runhild GammelsæterとLasse Marhaugが、2022年にフランスの実験レーベルIdeologic Organからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e声やギター、シンセによるコラージュ・ドローン8曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=820210201\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 700. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Stark Effect 02:52\u003c\/li\u003e\n\u003cli\u003eThe Magus 04:43\u003c\/li\u003e\n\u003cli\u003eStatic Case 03:56\u003c\/li\u003e\n\u003cli\u003eOndes De Fase 04:00\u003c\/li\u003e\n\u003cli\u003eForces 05:50\u003c\/li\u003e\n\u003cli\u003ePropeller Arc 06:46\u003c\/li\u003e\n\u003cli\u003eHadron Collider 05:34\u003c\/li\u003e\n\u003cli\u003eThese Questions 09:54\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Ideologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eThroughout the profound process of creating\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e “Higgs Boson”, Gammelsæter and Marhaug drew inspiration from various subjects and artists. For Marhaug, it was concepts informed by the structuralist experimental cinema of Japanese directors Takashi Ito and Toshio Matsumoto, futurist worlds of French comic book artists Philippe Druillet and Jean Moebius Giraud, landscape photography of Fay Godwin, Kåre Kivijärvi, and Tamiko Nishimura, amongst others. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt became a metaphysical juxtaposition involving Gammelsaeter’s research and lyrical ideas based on several seemingly unrelated principles. A process of association inspired by “the Glass Bead Game” by Herman Hesse. The discovery of the Higgs Boson as a confirmation of the physical universe. The work of Ernst Schrödinger on the uncertainty principle. The four forces of physics. The Force. Helplessness under armed forces - as the war sailors in World War II. The influence of magic as expressed in tarot. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGammelsæter experiments with a boundary involving the thresholds amongst various states of focus and legibility by forensic experimentation with techniques such as exclusive expression of consonants, syllabic repetition, retrograde text vocalisations and multi-lingual layering. Her vocal inspirational sources include Sidsel Endresen, Diamanda Galas, Natacha Atlas, the choral works of Rachmaninov, and the bands Carcass and Grave...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gammelsæter \u0026amp; Marhaug\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eSOMA043lp\u003c\/span\u003e\u003c\/p\u003e"}
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ノルウェーの実験音楽家Runhild GammelsæterとLasse Marhaugが、2022年にフランスの実験レーベルIdeologic Organからリリースした共作レコードです。 声やギター、シンセによるコラージュ・ドローン8曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM...
¥3,577

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{"id":7977697870074,"title":"Kassel Jaeger \/\/ Shifted in Dreams LP","handle":"copy-of-kassel-jaeger-shifted-in-dreams-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスのアンビエント作家Kassel Jaegerが、2023年3月にフランス・パリの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e淡いアンビエントドローン7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1043935200\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000. Black 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFranco-Swiss composer François J. Bonnet, aka Kassel Jaeger, returns to Shelter Press with his new solo album, Shifted in Dreams. Over the years, Bonnet has been working closely with Shelter Press on different projects, whether as a musician (Zauberberg, Swamps \/ Things), a theorist (The Music To Come) or as Director of parisian institution INA GRM (SPECTRES, Recollection GRM, Portraits GRM). The common axis of all these actions is the exploration of the deep causes of music, its own potential and its possible appearances.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShifted in Dreams is a continuation of such research but takes a somewhat deviated path. If we use the metaphor of music as a paradoxical mountain — an unreachable \"Mont Analogue\", then this record tries to opens up a way that at first seems simpler and marked out by the distinct presence of familiar harmonic and temporal elements. This path, however, is simple only in appearance, for soon it becomes less clear: its contours get blurred, drowned in the mist. Silhouettes form in the distance, like uncertain shadows. We grope our way forward, in this infra-sensitive thickness of the world outside of signs. The recognized markers disappear, giving way, at best, to reminiscences, but increasingly making way to qualities, occurrences, events. We leave the known world of musical codes to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e join that of sound apparitions, their memorial imprints and the impressions they produce.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowing a compositional approach stemming from the musique concrète tradition, without adopting a structuralist aesthetic, Shifted in Dreams explores a wide range of instruments and techniques, going seamlessly from instrumental improvisation to field recording, via micro-editing and asynchronous looping. Mixing the electronic waves of an ARP 2500 synthesizer with the acoustic drones of a positive organ, articulating guitar layers with resonances of a Cristal Baschet, bringing together recordings of slamming windows and sounds produced by complex modular synthesis patches, among other things, Bonnet offers a rich and generous palette of sounds, inviting a constantly renewed sonic investigation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShifted in Dreams, despite its title, is not a dreamlike record. The dream here does not designate the symbolical space of interpretation and reinterpretation of reality through cultural patterns. It designates the intermediate, blurred and uncertain state where the reality of signs loses its consistency, while, paradoxically, the reality of senses and impressions becomes imperative, obvious. The reality of demons.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kassel Jaeger\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-05-22T08:40:24+09:00","created_at":"2023-05-21T20:41:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","shelter press"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44246689743098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kassel Jaeger \/\/ Shifted in Dreams LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_7d117861-7aa3-4ab6-988b-6cbb8d2e887e.jpg?v=1684669299","\/\/tobirarecords.com\/cdn\/shop\/files\/dr2_bf3fddcf-0e5a-4047-8b90-0a047e31e2f6.jpg?v=1684669299"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_7d117861-7aa3-4ab6-988b-6cbb8d2e887e.jpg?v=1684669299","options":["Title"],"media":[{"alt":null,"id":31999992725754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_7d117861-7aa3-4ab6-988b-6cbb8d2e887e.jpg?v=1684669299"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr1_7d117861-7aa3-4ab6-988b-6cbb8d2e887e.jpg?v=1684669299","width":700},{"alt":null,"id":31999992758522,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr2_bf3fddcf-0e5a-4047-8b90-0a047e31e2f6.jpg?v=1684669299"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dr2_bf3fddcf-0e5a-4047-8b90-0a047e31e2f6.jpg?v=1684669299","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスのアンビエント作家Kassel Jaegerが、2023年3月にフランス・パリの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e淡いアンビエントドローン7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1043935200\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000. Black 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFranco-Swiss composer François J. Bonnet, aka Kassel Jaeger, returns to Shelter Press with his new solo album, Shifted in Dreams. Over the years, Bonnet has been working closely with Shelter Press on different projects, whether as a musician (Zauberberg, Swamps \/ Things), a theorist (The Music To Come) or as Director of parisian institution INA GRM (SPECTRES, Recollection GRM, Portraits GRM). The common axis of all these actions is the exploration of the deep causes of music, its own potential and its possible appearances.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eShifted in Dreams is a continuation of such research but takes a somewhat deviated path. If we use the metaphor of music as a paradoxical mountain — an unreachable \"Mont Analogue\", then this record tries to opens up a way that at first seems simpler and marked out by the distinct presence of familiar harmonic and temporal elements. This path, however, is simple only in appearance, for soon it becomes less clear: its contours get blurred, drowned in the mist. Silhouettes form in the distance, like uncertain shadows. We grope our way forward, in this infra-sensitive thickness of the world outside of signs. The recognized markers disappear, giving way, at best, to reminiscences, but increasingly making way to qualities, occurrences, events. We leave the known world of musical codes to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e join that of sound apparitions, their memorial imprints and the impressions they produce.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowing a compositional approach stemming from the musique concrète tradition, without adopting a structuralist aesthetic, Shifted in Dreams explores a wide range of instruments and techniques, going seamlessly from instrumental improvisation to field recording, via micro-editing and asynchronous looping. Mixing the electronic waves of an ARP 2500 synthesizer with the acoustic drones of a positive organ, articulating guitar layers with resonances of a Cristal Baschet, bringing together recordings of slamming windows and sounds produced by complex modular synthesis patches, among other things, Bonnet offers a rich and generous palette of sounds, inviting a constantly renewed sonic investigation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShifted in Dreams, despite its title, is not a dreamlike record. The dream here does not designate the symbolical space of interpretation and reinterpretation of reality through cultural patterns. It designates the intermediate, blurred and uncertain state where the reality of signs loses its consistency, while, paradoxically, the reality of senses and impressions becomes imperative, obvious. The reality of demons.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kassel Jaeger\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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過去にEditions MegoやSenufo Editionsなどから多数発表しているフランスのアンビエント作家Kassel Jaegerが、2023年3月にフランス・パリの実験レーベルShelter Pressからリリースしたレコードです。 淡いアンビエントドローン7曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
¥3,580

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{"id":7960207032570,"title":"Alexandre Babel \u0026 Latifa Echakhch \/\/ The Concert LP","handle":"alexandre-babel-latifa-echakhch-the-concert-12","description":"\u003cp\u003eドイツのパーカッショニストAlexandre BabelとスイスのビジュアルアーティストLatifa Echakhchが、2023年3月にフランスの実験レーベルShelter Pressからリリースした共作片面レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン〜パーカッシブ・ドローン作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=32142164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSingle-sided black 12\" vinyl. Edition of 1000.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Concert' is the first discographic collaboration between percussionist Alexandre Babel and visual artist Latifa Echakhch. The record is intimately linked to the eponymous exhibition presented at the Swiss Pavilion during the 59th Venice Art Bienniale.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor her exhibition in the Swiss Pavilion, Latifa Echakhch created an orchestrated and enveloping experience, a rhythmic and spatial proposal that allowed the visitor a complete perception of time and of his own body. What is the origin of rhythm? How does the body perceive time? How does the mind rearrange it? Can we substitute one perception for another, the visual for the sound? Can fragments of memory go back in time and recreate a different story?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHer proposal entered a dialogue with the building around it, designed by Bruno Giacometti. The artist revisited its architectural programme as well as the prototypical progression of these exhibition spaces, originally defined for the display of classical art. She appropriated the entirety of the spaces, simultaneously exploring continuity, movement and sequence. Their relationship to light, and the different sounds that emerge from them. Yet the exhibition was entirely silent and the musical composition “The Concert” functions as its sound rendering, by following a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e similar path.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis one-sided vinyl is a complementary and inseparable partner piece to the exhibition and its eponymous catalogue, the latter having been published in April 2022 by Sternberg Press. The music features field recordings made at the Swiss Pavilion itself as well as pre-recorded percussion sounds and significant contributions by the Berlin-based musicians Jon Heilbronn, Rebecca Lenton, Theo Nabicht, Nikolaus Schlierf.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record, available only after the closing of Latifa Echakhch’s exhibition offers a concluding phase to the project. The resonance of its sensory score. It reactivates the experience of the physical journey of the installation, without imposing itself as a transcription or an illustration. Through texture, temporality and its totality, the record stands as a resonance of the rhythms that have structured the pavilion, the harmonies that have composed it and the sounds that have inhabited it.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alexandre Babel \u0026amp; Latifa Echakhch\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2023-04-22T13:36:36+09:00","created_at":"2023-04-18T11:10:32+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","shelter press","strange beats"],"price":338000,"price_min":338000,"price_max":338000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44176599286010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alexandre Babel \u0026 Latifa Echakhch \/\/ The Concert LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834","\/\/tobirarecords.com\/cdn\/shop\/products\/al2_575e7e90-0b15-46bb-91e1-cf4e1c10c947.jpg?v=1681783834"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834","options":["Title"],"media":[{"alt":null,"id":31846397280506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al_35c67a7d-9e80-46fc-ae7c-31a52ce2921b.jpg?v=1681783834","width":700},{"alt":null,"id":31846397313274,"position":2,"preview_image":{"aspect_ratio":1.179,"height":1018,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_575e7e90-0b15-46bb-91e1-cf4e1c10c947.jpg?v=1681783834"},"aspect_ratio":1.179,"height":1018,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_575e7e90-0b15-46bb-91e1-cf4e1c10c947.jpg?v=1681783834","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのパーカッショニストAlexandre BabelとスイスのビジュアルアーティストLatifa Echakhchが、2023年3月にフランスの実験レーベルShelter Pressからリリースした共作片面レコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン〜パーカッシブ・ドローン作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=32142164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eSingle-sided black 12\" vinyl. Edition of 1000.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Concert' is the first discographic collaboration between percussionist Alexandre Babel and visual artist Latifa Echakhch. The record is intimately linked to the eponymous exhibition presented at the Swiss Pavilion during the 59th Venice Art Bienniale.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor her exhibition in the Swiss Pavilion, Latifa Echakhch created an orchestrated and enveloping experience, a rhythmic and spatial proposal that allowed the visitor a complete perception of time and of his own body. What is the origin of rhythm? How does the body perceive time? How does the mind rearrange it? Can we substitute one perception for another, the visual for the sound? Can fragments of memory go back in time and recreate a different story?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHer proposal entered a dialogue with the building around it, designed by Bruno Giacometti. The artist revisited its architectural programme as well as the prototypical progression of these exhibition spaces, originally defined for the display of classical art. She appropriated the entirety of the spaces, simultaneously exploring continuity, movement and sequence. Their relationship to light, and the different sounds that emerge from them. Yet the exhibition was entirely silent and the musical composition “The Concert” functions as its sound rendering, by following a\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e similar path.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis one-sided vinyl is a complementary and inseparable partner piece to the exhibition and its eponymous catalogue, the latter having been published in April 2022 by Sternberg Press. The music features field recordings made at the Swiss Pavilion itself as well as pre-recorded percussion sounds and significant contributions by the Berlin-based musicians Jon Heilbronn, Rebecca Lenton, Theo Nabicht, Nikolaus Schlierf.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe record, available only after the closing of Latifa Echakhch’s exhibition offers a concluding phase to the project. The resonance of its sensory score. It reactivates the experience of the physical journey of the installation, without imposing itself as a transcription or an illustration. Through texture, temporality and its totality, the record stands as a resonance of the rhythms that have structured the pavilion, the harmonies that have composed it and the sounds that have inhabited it.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alexandre Babel \u0026amp; Latifa Echakhch\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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ドイツのパーカッショニストAlexandre BabelとスイスのビジュアルアーティストLatifa Echakhchが、2023年3月にフランスの実験レーベルShelter Pressからリリースした共作片面レコードです。 コラージュ・ドローン〜パーカッシブ・ドローン作品です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":7915798823162,"title":"Bernard Fort \/\/ FRACTALS \/ Brain Fever LP","handle":"bernard-fort-fractals-brain-fever-lp","description":"\u003cp\u003eフランスの実験音楽家Bernard Fortの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1979-1981年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=690079546\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack info \/ text by the artist :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"FRACTALS (1981), 21’26\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS, music pieces sculpted in four dimensions, are vast microcosms that can only be inhabited by the mind. Each Fractal can be approached from several angles, far, near, etc. Some can be listened to at different speeds, forwards or backwards.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS: amorphous and endless music pieces whose centre is everywhere and circumference nowhere.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS are available in stereo (34'32), in 8 tracks for concerts, and as \"spare parts\" (separate mixing tracks open to new combinations).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBrain Fever (2017), 18'00\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWherever you may be in the forest of South India, the Brain Fever bird, together with the Seven Sisters, literally gets into\u003cspan class=\"bcTruncateMore\"\u003e your head. Whether it be early morning, daytime, or nighttime, amidst the stridulations of insects, its song utterly reflects Indian life: sonorous, noisy, insistent, dense, overcrowded, mobile, swarming, frantic, overheated, deprived of rest and sleep.\u003cbr\u003eBrain Fever echoes sonic images caught in the Aurovillian forest, near Pondicherry, and rich fragments of improvisations made in Lyon on analog sound synthesis or feedback devices, the kind I used to do in the first GMVL studios.\u003cbr\u003e\u003cbr\u003eBrain Fever is dedicated to Sofia Jannok, a musician and sàmi singer.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Fort\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-02-13T08:17:42+09:00","created_at":"2023-02-11T14:29:13+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","shelter press"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43979981684986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bernard Fort \/\/ FRACTALS \/ Brain Fever LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ber1.jpg?v=1676093356","\/\/tobirarecords.com\/cdn\/shop\/products\/ber2.jpg?v=1676093355"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ber1.jpg?v=1676093356","options":["Title"],"media":[{"alt":null,"id":31510501359866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ber1.jpg?v=1676093356"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ber1.jpg?v=1676093356","width":700},{"alt":null,"id":31510501392634,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ber2.jpg?v=1676093355"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ber2.jpg?v=1676093355","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Bernard Fortの再発レコードです。\u003c\/p\u003e\n\u003cp\u003e1979-1981年に録音した2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=690079546\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eTrack info \/ text by the artist :\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"FRACTALS (1981), 21’26\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComposed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS, music pieces sculpted in four dimensions, are vast microcosms that can only be inhabited by the mind. Each Fractal can be approached from several angles, far, near, etc. Some can be listened to at different speeds, forwards or backwards.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS: amorphous and endless music pieces whose centre is everywhere and circumference nowhere.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFRACTALS are available in stereo (34'32), in 8 tracks for concerts, and as \"spare parts\" (separate mixing tracks open to new combinations).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBrain Fever (2017), 18'00\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWherever you may be in the forest of South India, the Brain Fever bird, together with the Seven Sisters, literally gets into\u003cspan class=\"bcTruncateMore\"\u003e your head. Whether it be early morning, daytime, or nighttime, amidst the stridulations of insects, its song utterly reflects Indian life: sonorous, noisy, insistent, dense, overcrowded, mobile, swarming, frantic, overheated, deprived of rest and sleep.\u003cbr\u003eBrain Fever echoes sonic images caught in the Aurovillian forest, near Pondicherry, and rich fragments of improvisations made in Lyon on analog sound synthesis or feedback devices, the kind I used to do in the first GMVL studios.\u003cbr\u003e\u003cbr\u003eBrain Fever is dedicated to Sofia Jannok, a musician and sàmi singer.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Fort\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e"}
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フランスの実験音楽家Bernard Fortの再発レコードです。 1979-1981年に録音した2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases available...
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{"id":7911655899386,"title":"Daniel Teruggi \/\/ Sphæra LP","handle":"daniel-teruggi-sphaera-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・パリの実験音楽家Daniel Teruggiが、2023年1月にRECOLLECTION GRMからリリースしたレコードです。DLコード付属。 以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1984年から1989年にかけて、私の音響学的研究は、4つの基本的な物質を加工し、融合させることに焦点をあてていました。それぞれの「要素」は、徐々に他の要素と連結され、その物質性に対する私の主観的な知覚を結晶化させました。長年にわたり、私をソクラテスの世界へと駆り立てたギリシャ人の友人の熱意に助けられ、当初は探求の道であったものが、円形で球状の統一体となり、それぞれの出来事が4つの物質の1つに属すると同時に、全体にも帰属するようになったのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの4つのセクションの長さはまちまちで、それぞれの「要素」が私のイマジネーションに与える異なる響きを体現しています。その動きは構成的に順序付けられ、空気の無機質なものから地球の極端な密度に至るまで様々です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEtereaでは、音の伝播のための空間と移動する大衆のための環境という空気の二重の性質が、作品とその形態の発展を形作りました。組織化された動きとしての粒子の広大な広がりであれ、私たちの三次元の知覚における音源の変位であれ、エーテル状の空気が空間を満たし、非物質的な動きや身振りを駆動します。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAquaticaは、水の物質性をその驚くべき極限状態との関連において位置づけます。水滴から海まで、再構築された液体のさまざまな段階を経て広範な旅が展開されます。静止した水、致命的な水、荒れ狂う水が互いに続き、やがて取り戻された原初の均衡の空中融合に至ります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、フォコラリアと不安定な火、地底に通じる門を開き、飾る、とらえどころのない野生の魔法使いたちが登場します。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eテラの地には大気がなく、生命が誕生する前の物質が存在します。原初の物質の音は融合し、より純粋な形へと進化します。生命の誕生に必要な究極の融合、最後の試みに向けた新たな力の均衡に向けた運動の引き金となります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e球体は完成し、世界は創造の準備に入りました......。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3988273884\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eDaniel Teruggi:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBetween 1984 and 1989, my acousmatic work was focused on processing and merging the four fundamental substances. Each « element » gradually became articulated with the others, thus crystallizing my subjective perception of their materiality. Over the years, helped by the enthusiasm of a Greek friend who propelled me into the Socratic universe, what started out as an exploratory path has become a circular, spherical unity, in which each occurrence simultaneously belongs to one of the four substances as well as the whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese four sections, of uneven durations, embody the different resonances of each « element » upon my imagination. The movements are ordered compositionally and range from the intangibility of the air to the extreme density of the earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Eterea, the dual nature of air, a space for the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e dissemination of sounds and an environment for mobile masses, shaped the work and the development of its forms. Whether it be the vast expanse of particles as organised movement or the displacement of sources in our three-dimensional perception, ethereal air fills the space and drives the immaterial motions and gestures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAquatica locates the materiality of water in relation to its amazing extremes: from the drop to the ocean, an extensive journey unfolds through the various phases of the reinvented liquid. Still waters, deadly waters, raging waters follow one another, leading to the aerial fusion of a primordial equilibrium eventually retrieved.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThen comes Focolaria and the unsteady fires, the elusive and wild will-o’-the-wisps that open and adorn the gates leading to the depths of the earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe land of Terra is devoid of atmosphere, a land of matters before the advent of life. The sounds of the original matter merge and evolve into purer forms. The motions trigger progressions towards new equilibriums of forces, the ultimate fusion, the very last attempt, needed for the emergence of life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sphere is now complete, the world ready for creation…\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniel Teruggi\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM \u003c\/p\u003e","published_at":"2023-02-05T06:43:19+09:00","created_at":"2023-02-04T12:32:30+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","shelter press"],"price":346000,"price_min":346000,"price_max":346000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43962001817850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Daniel Teruggi \/\/ Sphæra LP","public_title":null,"options":["Default Title"],"price":346000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_f91c1e43-5643-432c-9dd6-3c9432bcabb3.jpg?v=1675481552","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_1199c921-f4ec-4a02-8fcc-74b07cffb5d5.jpg?v=1675481552"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_f91c1e43-5643-432c-9dd6-3c9432bcabb3.jpg?v=1675481552","options":["Title"],"media":[{"alt":null,"id":31478606233850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_f91c1e43-5643-432c-9dd6-3c9432bcabb3.jpg?v=1675481552"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_f91c1e43-5643-432c-9dd6-3c9432bcabb3.jpg?v=1675481552","width":700},{"alt":null,"id":31478606266618,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_1199c921-f4ec-4a02-8fcc-74b07cffb5d5.jpg?v=1675481552"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_1199c921-f4ec-4a02-8fcc-74b07cffb5d5.jpg?v=1675481552","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・パリの実験音楽家Daniel Teruggiが、2023年1月にRECOLLECTION GRMからリリースしたレコードです。DLコード付属。 以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1984年から1989年にかけて、私の音響学的研究は、4つの基本的な物質を加工し、融合させることに焦点をあてていました。それぞれの「要素」は、徐々に他の要素と連結され、その物質性に対する私の主観的な知覚を結晶化させました。長年にわたり、私をソクラテスの世界へと駆り立てたギリシャ人の友人の熱意に助けられ、当初は探求の道であったものが、円形で球状の統一体となり、それぞれの出来事が4つの物質の1つに属すると同時に、全体にも帰属するようになったのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの4つのセクションの長さはまちまちで、それぞれの「要素」が私のイマジネーションに与える異なる響きを体現しています。その動きは構成的に順序付けられ、空気の無機質なものから地球の極端な密度に至るまで様々です。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEtereaでは、音の伝播のための空間と移動する大衆のための環境という空気の二重の性質が、作品とその形態の発展を形作りました。組織化された動きとしての粒子の広大な広がりであれ、私たちの三次元の知覚における音源の変位であれ、エーテル状の空気が空間を満たし、非物質的な動きや身振りを駆動します。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAquaticaは、水の物質性をその驚くべき極限状態との関連において位置づけます。水滴から海まで、再構築された液体のさまざまな段階を経て広範な旅が展開されます。静止した水、致命的な水、荒れ狂う水が互いに続き、やがて取り戻された原初の均衡の空中融合に至ります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eそして、フォコラリアと不安定な火、地底に通じる門を開き、飾る、とらえどころのない野生の魔法使いたちが登場します。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eテラの地には大気がなく、生命が誕生する前の物質が存在します。原初の物質の音は融合し、より純粋な形へと進化します。生命の誕生に必要な究極の融合、最後の試みに向けた新たな力の均衡に向けた運動の引き金となります。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e球体は完成し、世界は創造の準備に入りました......。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3988273884\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eDaniel Teruggi:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBetween 1984 and 1989, my acousmatic work was focused on processing and merging the four fundamental substances. Each « element » gradually became articulated with the others, thus crystallizing my subjective perception of their materiality. Over the years, helped by the enthusiasm of a Greek friend who propelled me into the Socratic universe, what started out as an exploratory path has become a circular, spherical unity, in which each occurrence simultaneously belongs to one of the four substances as well as the whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese four sections, of uneven durations, embody the different resonances of each « element » upon my imagination. The movements are ordered compositionally and range from the intangibility of the air to the extreme density of the earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn Eterea, the dual nature of air, a space for the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e dissemination of sounds and an environment for mobile masses, shaped the work and the development of its forms. Whether it be the vast expanse of particles as organised movement or the displacement of sources in our three-dimensional perception, ethereal air fills the space and drives the immaterial motions and gestures.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAquatica locates the materiality of water in relation to its amazing extremes: from the drop to the ocean, an extensive journey unfolds through the various phases of the reinvented liquid. Still waters, deadly waters, raging waters follow one another, leading to the aerial fusion of a primordial equilibrium eventually retrieved.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThen comes Focolaria and the unsteady fires, the elusive and wild will-o’-the-wisps that open and adorn the gates leading to the depths of the earth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe land of Terra is devoid of atmosphere, a land of matters before the advent of life. The sounds of the original matter merge and evolve into purer forms. The motions trigger progressions towards new equilibriums of forces, the ultimate fusion, the very last attempt, needed for the emergence of life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sphere is now complete, the world ready for creation…\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniel Teruggi\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM \u003c\/p\u003e"}
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フランス・パリの実験音楽家Daniel Teruggiが、2023年1月にRECOLLECTION GRMからリリースしたレコードです。DLコード付属。 以下、作家本人による解説です。 1984年から1989年にかけて、私の音響学的研究は、4つの基本的な物質を加工し、融合させることに焦点をあてていました。それぞれの「要素」は、徐々に他の要素と連結され、その物質性に対する私の主観的な知覚を結晶化させました。長年にわたり、私をソクラテスの世界へと駆り立てたギリシャ人の友人の熱意に助けられ、当初は探求の道であったものが、円形で球状の統一体となり、それぞれの出来事が4つの物質の1つに属すると同時に、全体にも帰属するようになったのです。この4つのセクションの長さはまちまちで、それぞれの「要素」が私のイマジネーションに与える異なる響きを体現しています。その動きは構成的に順序付けられ、空気の無機質なものから地球の極端な密度に至るまで様々です。Etereaでは、音の伝播のための空間と移動する大衆のための環境という空気の二重の性質が、作品とその形態の発展を形作りました。組織化された動きとしての粒子の広大な広がりであれ、私たちの三次元の知覚における音源の変位であれ、エーテル状の空気が空間を満たし、非物質的な動きや身振りを駆動します。Aquaticaは、水の物質性をその驚くべき極限状態との関連において位置づけます。水滴から海まで、再構築された液体のさまざまな段階を経て広範な旅が展開されます。静止した水、致命的な水、荒れ狂う水が互いに続き、やがて取り戻された原初の均衡の空中融合に至ります。そして、フォコラリアと不安定な火、地底に通じる門を開き、飾る、とらえどころのない野生の魔法使いたちが登場します。テラの地には大気がなく、生命が誕生する前の物質が存在します。原初の物質の音は融合し、より純粋な形へと進化します。生命の誕生に必要な究極の融合、最後の試みに向けた新たな力の均衡に向けた運動の引き金となります。球体は完成し、世界は創造の準備に入りました......。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":7895855497466,"title":"Beatriz Ferreyra \/\/ Senderos de luz y sombras LP","handle":"beatriz-ferreyra-senderos-de-luz-y-sombras-lp","description":"\u003cp\u003e1960年初頭にPierre Schaefferの助手としてキャリアを開始して以降、エレクトロアコースティックの分野で活躍している作家Beatriz Ferreyraが、2023年1月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRMから\u003c\/span\u003eリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・ドローンスケープ2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546910074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eFrançois Bonnet, Paris, 2021:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn memoriam Bernard Baschet, Bernard Parmegiani and Carlos Pellegrino.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 16-channel piece inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe themes that permeate Senderos de luz y sombras simultaneously engage the overwhelming, unyielding immensity of the beginnings of the universe and the forces at work in the unconscious mind. What connects these themes are the dark energies operating outside our knowledge, far beyond the conceptual scope of our limited thinking. How to convey all this and build music from these concealed forces? What Beatriz Ferreyra achieves, thanks to her trademark virtuosity, is precisely to summon energies, to bring in the raw forces that govern the laws of Acoustics, so as to trigger sonic storms as one would call the rain, to transform all sound matters into the core of a ritual. Indeed, Beatriz Ferreyra addresses the mind-body reconciliation, for in providing this unique sound and musical experience, with a rare sensitive intensity, the great composer simultaneously invites us to engage in a personal experience.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatriz Ferreyra\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e","published_at":"2023-01-16T15:47:02+09:00","created_at":"2023-01-16T14:37:00+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","shelter press"],"price":345000,"price_min":345000,"price_max":345000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43897219711226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Beatriz Ferreyra \/\/ Senderos de luz y sombras LP","public_title":null,"options":["Default Title"],"price":345000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/be1_1eee8f97-b285-418d-aa17-7312f30cfa0b.jpg?v=1673847422","\/\/tobirarecords.com\/cdn\/shop\/products\/be2_cf6ca50a-a3f3-40cf-97b5-3ed37dd3f7a7.jpg?v=1673847422"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_1eee8f97-b285-418d-aa17-7312f30cfa0b.jpg?v=1673847422","options":["Title"],"media":[{"alt":null,"id":31380818952442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_1eee8f97-b285-418d-aa17-7312f30cfa0b.jpg?v=1673847422"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be1_1eee8f97-b285-418d-aa17-7312f30cfa0b.jpg?v=1673847422","width":700},{"alt":null,"id":31380818985210,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_cf6ca50a-a3f3-40cf-97b5-3ed37dd3f7a7.jpg?v=1673847422"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/be2_cf6ca50a-a3f3-40cf-97b5-3ed37dd3f7a7.jpg?v=1673847422","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1960年初頭にPierre Schaefferの助手としてキャリアを開始して以降、エレクトロアコースティックの分野で活躍している作家Beatriz Ferreyraが、2023年1月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRMから\u003c\/span\u003eリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・ドローンスケープ2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546910074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eFrançois Bonnet, Paris, 2021:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn memoriam Bernard Baschet, Bernard Parmegiani and Carlos Pellegrino.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 16-channel piece inspired by astrophysics, the mystery of the pre-Big Bang era and some of the uncanny motions of the unconscious mind, where strangeness meets the ordinary.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe themes that permeate Senderos de luz y sombras simultaneously engage the overwhelming, unyielding immensity of the beginnings of the universe and the forces at work in the unconscious mind. 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1960年初頭にPierre Schaefferの助手としてキャリアを開始して以降、エレクトロアコースティックの分野で活躍している作家Beatriz Ferreyraが、2023年1月にRecollection GRMからリリースしたレコードです。 ロングフォームなコラージュ・ドローンスケープ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
¥3,450

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{"id":7641880527098,"title":"Marina Rosenfeld \/\/ Deathstar 2xLP","handle":"marina-rosenfeld-deathstar-2xlp","description":"\u003cp\u003eアメリカ・NYの音響作家/映像作家Marina Rosenfeldが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女がドイツ・フランクフルトで行った個展を基に制作した作品5曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1057017583\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince 2017, Deathstar has been a project about the microphone — in Marina Rosenfeld’s hands, a void, a mirror, an unruly instrument of transformation and mediation. This music is heard in traces, through thickly amplified silences punctuated by momentary eruptions of noise or a voice at the threshold of intelligibility. The sculpture at the center of the action—a plexiglas orb housing a 7-microphone array originally installed as part of an exhibition the artist mounted at Portikus, in Frankfurt Germany— performs a recursive operation, listening to and recirculating sounds continuously morphed by feedback and reflection. This machine music repeats itself in seemingly endless versions, abstractly and in an evolving relationship to the grammars of reproduction and performance, presence, absence, and accumulation. Later, recorded traces of this installation rendered as musical notation produce a series of events—concerts that explore the outcomes of the acts of amplifying, writing, and listening.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe four sides of the album Deathstar follow four such events: first, the installation of the Deathstar in exhibition space; then, a piano performance, also within the Deathstar’s machinic environment, of a recording of the installation that Rosenfeld\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e notated on paper; then, her re-notation of these recorded traces in the form of a concerto for piano and chamber orchestra, all aggressively amplified through a wall of guitar amps; and finally, the orchestration’s reduction to something like chamber music, with acoustic instruments tasked with the representation of an ever more attenuated body of traces. Throughout, the extraordinary virtuoso pianist Marino Formenti and ensembles MusikFabrik (Cologne) and Yarn\/Wire (New York) extract a dazzling variety of sounds from their readings of the work’s written and acoustic forms. Deathstar is a complex and monumental work from a composer who has long explored the limits of form as an artist and as a listener.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2022-06-18T14:49:39+09:00","created_at":"2022-06-14T11:17:45+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","shelter press"],"price":379000,"price_min":379000,"price_max":379000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42875831451898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marina Rosenfeld \/\/ Deathstar 2xLP","public_title":null,"options":["Default Title"],"price":379000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d7c29ee6-ac64-4092-bb6b-45658f9f6fbb.jpg?v=1655173067","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_95d9b6a8-4959-4f4a-ae1e-5f4dcc88e67a.jpg?v=1655173067"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d7c29ee6-ac64-4092-bb6b-45658f9f6fbb.jpg?v=1655173067","options":["Title"],"media":[{"alt":null,"id":29897049080058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d7c29ee6-ac64-4092-bb6b-45658f9f6fbb.jpg?v=1655173067"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_d7c29ee6-ac64-4092-bb6b-45658f9f6fbb.jpg?v=1655173067","width":700},{"alt":null,"id":29897049112826,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_95d9b6a8-4959-4f4a-ae1e-5f4dcc88e67a.jpg?v=1655173067"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_95d9b6a8-4959-4f4a-ae1e-5f4dcc88e67a.jpg?v=1655173067","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの音響作家/映像作家Marina Rosenfeldが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼女がドイツ・フランクフルトで行った個展を基に制作した作品5曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1057017583\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 1000.\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSince 2017, Deathstar has been a project about the microphone — in Marina Rosenfeld’s hands, a void, a mirror, an unruly instrument of transformation and mediation. This music is heard in traces, through thickly amplified silences punctuated by momentary eruptions of noise or a voice at the threshold of intelligibility. The sculpture at the center of the action—a plexiglas orb housing a 7-microphone array originally installed as part of an exhibition the artist mounted at Portikus, in Frankfurt Germany— performs a recursive operation, listening to and recirculating sounds continuously morphed by feedback and reflection. This machine music repeats itself in seemingly endless versions, abstractly and in an evolving relationship to the grammars of reproduction and performance, presence, absence, and accumulation. Later, recorded traces of this installation rendered as musical notation produce a series of events—concerts that explore the outcomes of the acts of amplifying, writing, and listening.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe four sides of the album Deathstar follow four such events: first, the installation of the Deathstar in exhibition space; then, a piano performance, also within the Deathstar’s machinic environment, of a recording of the installation that Rosenfeld\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e notated on paper; then, her re-notation of these recorded traces in the form of a concerto for piano and chamber orchestra, all aggressively amplified through a wall of guitar amps; and finally, the orchestration’s reduction to something like chamber music, with acoustic instruments tasked with the representation of an ever more attenuated body of traces. Throughout, the extraordinary virtuoso pianist Marino Formenti and ensembles MusikFabrik (Cologne) and Yarn\/Wire (New York) extract a dazzling variety of sounds from their readings of the work’s written and acoustic forms. Deathstar is a complex and monumental work from a composer who has long explored the limits of form as an artist and as a listener.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marina Rosenfeld\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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アメリカ・NYの音響作家/映像作家Marina Rosenfeldが、2020年にフランス・パリの実験レーベルShelter Pressからリリースした2枚組レコードです。 彼女がドイツ・フランクフルトで行った個展を基に制作した作品5曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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{"id":7450449740026,"title":"Black Zone Magick Chant \/\/ Voyage Sacrifice LP","handle":"black-zone-magick-chant-voyage-sacrifice-lp","description":"\u003cp\u003eフランスのエセ密林系鬼才High Wolfが、別名義Black Zone Magick Chantで同国実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003e独特のサイケ感は残しつつも、High Wolfに比べてよりダークな印象を受けるコラージュ・ストレンジビーツ3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=626382735\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe latest liminal low-end odyssey from French shape-shifter Maxime Primault’s BZMC entity swaps the screwed alien dancehall of past outings in favor of miasmic subterranean ritual, with compelling results. Born of “a few very intense sessions, in altered states of consciousness,” the three sprawling compositions comprising Voyage Sacrifice ooze in slow, smoke-choked darkness, awash with dungeon groans, insectoid noise, reverbed bells, molten bass, and distant demonic mumblings. Primault speaks of recent creative strategies attempting to “delete time, or escape time,” at which these pieces certainly succeed, entrancing the listener in their spiral sinkhole infinity: beatless, lightless, limitless.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOccasionally a rusted, lurching metronome emerges, infusing a drugged sense of forward motion, but the essence of Voyage Sacrifice is textural and tantric – “almost like some kind of prayer.” Chants are chanted; the zone is black. The specter of dub still looms in the disorienting fog of FX and negative space but ultimately these sides exist outside (and deep beneath) any recognizable sonic lineage. This is cultic, questing music, deprivation chamber hallucinations “beyond good and evil, beyond sense and non-sense.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis Rorschach enigma dimension is foundational, as Primault admits: “It’s a mental journey. I handled the sacrifice; the voyage is yours.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Black Zone Magick Chant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-17T07:31:22+09:00","created_at":"2021-11-15T16:17:29+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","shelter press","strange beats"],"price":308000,"price_min":308000,"price_max":308000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42057956294906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Black Zone Magick Chant \/\/ Voyage Sacrifice LP","public_title":null,"options":["Default Title"],"price":308000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_df0796dd-cb10-440f-9996-323e7e7f0b5b.jpg?v=1636960651","\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_8d099440-004b-4bc2-812e-09551bbcacb4.jpg?v=1636960652"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_df0796dd-cb10-440f-9996-323e7e7f0b5b.jpg?v=1636960651","options":["Title"],"media":[{"alt":null,"id":26931242762490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_df0796dd-cb10-440f-9996-323e7e7f0b5b.jpg?v=1636960651"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_df0796dd-cb10-440f-9996-323e7e7f0b5b.jpg?v=1636960651","width":700},{"alt":null,"id":26931242795258,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_8d099440-004b-4bc2-812e-09551bbcacb4.jpg?v=1636960652"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_8d099440-004b-4bc2-812e-09551bbcacb4.jpg?v=1636960652","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのエセ密林系鬼才High Wolfが、別名義Black Zone Magick Chantで同国実験レーベルShelter Pressからリリースしたレコード。\u003c\/p\u003e\n\u003cp\u003e独特のサイケ感は残しつつも、High Wolfに比べてよりダークな印象を受けるコラージュ・ストレンジビーツ3曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=626382735\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe latest liminal low-end odyssey from French shape-shifter Maxime Primault’s BZMC entity swaps the screwed alien dancehall of past outings in favor of miasmic subterranean ritual, with compelling results. Born of “a few very intense sessions, in altered states of consciousness,” the three sprawling compositions comprising Voyage Sacrifice ooze in slow, smoke-choked darkness, awash with dungeon groans, insectoid noise, reverbed bells, molten bass, and distant demonic mumblings. Primault speaks of recent creative strategies attempting to “delete time, or escape time,” at which these pieces certainly succeed, entrancing the listener in their spiral sinkhole infinity: beatless, lightless, limitless.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOccasionally a rusted, lurching metronome emerges, infusing a drugged sense of forward motion, but the essence of Voyage Sacrifice is textural and tantric – “almost like some kind of prayer.” Chants are chanted; the zone is black. The specter of dub still looms in the disorienting fog of FX and negative space but ultimately these sides exist outside (and deep beneath) any recognizable sonic lineage. This is cultic, questing music, deprivation chamber hallucinations “beyond good and evil, beyond sense and non-sense.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis Rorschach enigma dimension is foundational, as Primault admits: “It’s a mental journey. I handled the sacrifice; the voyage is yours.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Black Zone Magick Chant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShelter Press\u003c\/span\u003e\u003c\/p\u003e"}
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フランスのエセ密林系鬼才High Wolfが、別名義Black Zone Magick Chantで同国実験レーベルShelter Pressからリリースしたレコード。 独特のサイケ感は残しつつも、High Wolfに比べてよりダークな印象を受けるコラージュ・ストレンジビーツ3曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press...
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{"id":8890623918330,"title":"BJ Nilsen \/\/ True than Nature CD","handle":"bjnilsen-true-than-nature-cd","description":"\u003cp\u003eスウェーデンの実験音楽家BJ Nilsenが、\u003cspan\u003e2025年8月にフランスの実験レーベルShelter PressからリリースしたCD\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e物音ドローン6曲を収録。12ページのブックレット付属。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=683781592\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digipack.\u003cbr\u003eIncludes 12-page booklet.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Where are we at night\u003cbr\u003e2. Solids\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Essence and accidents\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Insofar\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Permanent shadows 09:03\u003cbr\u003e\u003c\/span\u003e6. Unseen pull\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"True than Nature encourages active listening. There is sound that exists seemingly for its own sake – a continuing drone that slowly evolves, sound of nature – and there are sounds that refer to a momentary action, and sudden intrusions of sound. BJ Nilsen triggers shifts in the perception for the listener that alter how you perceive and experience the world through sound, and how you think about sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to True than Nature is full of moments of instability. The shifts between sound spaces refocus your listening, or throw you out of a world you were imagining. You recognize sounds, wind, rain, metal bending, a hammer on stone, the background noise of a city, but often there is an unfamiliarity about these sounds. You think you recognize them, but often you are not sure, because you are not there, and different worlds clash or coexist at the same time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTrue than Nature makes you wonder about how sounds exist, how they are brought forward, how they are made by objects, how they are perceived and how they are changed by the attention given to it. And all the time, you might ask yourself: What is that world that I am listening to? How does it exist?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e:::::\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title True than Nature comes from Jean-Paul Sartre\u003cspan class=\"bcTruncateMore\"\u003e. BJ Nilsen’s previous release Irreal was also accompanied by a reference to Sartre: his idea that in order to imagine, a consciousness must be able to posit an object as irreal. Sartre is not mentioned often in sound studies, but his early book L’Imaginaire: Psychologie phénoménologique de l’imagination is a meticulous analysis of what happens when we imagine something. In the chapter on hypnagogic images – the images that appear in our mind just before we fall asleep – Sartre writes ‘Thus the image is given as “truer than nature”, in the sense in which one could say of a particularly suggestive portrait that it is truer than its model’.‘Plus vraie que nature’ – here’s the source for the title of the current release.\u003cbr\u003e\u003cbr\u003eWhile listening to the tracks with the knowledge of how BJ Nilsen creates them, the quote by Sartre elicited thoughts on the ontological status of sound, field recordings, and the work of art. What exactly am I listening to? What is it that I am imagining while listening? What is the role of listening in understanding the world? In what sense are these sound images – if that is what they are – ‘more true than nature’?\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BJNilsen\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSOMA070cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-19T11:48:13+09:00","created_at":"2025-08-17T11:17:09+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","noise","shelter press"],"price":234800,"price_min":234800,"price_max":234800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47619608248570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"BJ Nilsen \/\/ True than Nature CD","public_title":null,"options":["Default Title"],"price":234800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408681","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nat.jpg?v=1755396885","\/\/tobirarecords.com\/cdn\/shop\/files\/nat2_2f637925-615b-495a-a084-a4d718957271.jpg?v=1755396887"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nat.jpg?v=1755396885","options":["Title"],"media":[{"alt":null,"id":36567314727162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nat.jpg?v=1755396885"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nat.jpg?v=1755396885","width":700},{"alt":null,"id":36567314759930,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nat2_2f637925-615b-495a-a084-a4d718957271.jpg?v=1755396887"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nat2_2f637925-615b-495a-a084-a4d718957271.jpg?v=1755396887","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの実験音楽家BJ Nilsenが、\u003cspan\u003e2025年8月にフランスの実験レーベルShelter PressからリリースしたCD\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e物音ドローン6曲を収録。12ページのブックレット付属。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=683781592\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digipack.\u003cbr\u003eIncludes 12-page booklet.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Where are we at night\u003cbr\u003e2. Solids\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Essence and accidents\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Insofar\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Permanent shadows 09:03\u003cbr\u003e\u003c\/span\u003e6. Unseen pull\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"True than Nature encourages active listening. There is sound that exists seemingly for its own sake – a continuing drone that slowly evolves, sound of nature – and there are sounds that refer to a momentary action, and sudden intrusions of sound. BJ Nilsen triggers shifts in the perception for the listener that alter how you perceive and experience the world through sound, and how you think about sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to True than Nature is full of moments of instability. The shifts between sound spaces refocus your listening, or throw you out of a world you were imagining. You recognize sounds, wind, rain, metal bending, a hammer on stone, the background noise of a city, but often there is an unfamiliarity about these sounds. You think you recognize them, but often you are not sure, because you are not there, and different worlds clash or coexist at the same time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTrue than Nature makes you wonder about how sounds exist, how they are brought forward, how they are made by objects, how they are perceived and how they are changed by the attention given to it. And all the time, you might ask yourself: What is that world that I am listening to? How does it exist?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e:::::\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title True than Nature comes from Jean-Paul Sartre\u003cspan class=\"bcTruncateMore\"\u003e. BJ Nilsen’s previous release Irreal was also accompanied by a reference to Sartre: his idea that in order to imagine, a consciousness must be able to posit an object as irreal. 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In what sense are these sound images – if that is what they are – ‘more true than nature’?\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BJNilsen\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSOMA070cd\u003c\/span\u003e\u003c\/p\u003e"}
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スウェーデンの実験音楽家BJ Nilsenが、2025年8月にフランスの実験レーベルShelter PressからリリースしたCDです。 物音ドローン6曲を収録。12ページのブックレット付属。6面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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{"id":8877872775418,"title":"John Also Bennett \/\/ Στον Ελαιώνα \/ Ston Elaióna CD","handle":"john-also-bennett-στον-ελαιώνα-ston-elaiona-cd","description":"\u003cp\u003eアメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、\u003cspan\u003e2025年8月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズドローン9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3252390652\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ston Elaióna 04:31\u003cbr\u003e2. Gecko Pads\u003cbr\u003e3. Hailstorm\u003cbr\u003e4. A Handful of Olives\u003cbr\u003e5. Sacred House\u003cbr\u003e6. Seikilos Epitaph\u003cbr\u003e7. First Lament\u003cbr\u003e8. Oracle\u003cbr\u003e9. Easter Daydream 03:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by John Also Bennett:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSton Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInitially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV \u0026amp; JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. However, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, extensive tours, and Greece, where he finally came to rest in Athens last year. Drawing upon a carefully honed attentiveness to the environments and\u003cspan class=\"bcTruncateMore\"\u003e experiences of everyday life, Ston Elaióna is a suite of nine pieces (with an additional track exclusive to physical formats), many of them composed and played live as the early morning sun touched the Parthenon, in full view from Bennett’s studio window in Athens. Bennett’s refinement and restraint, honed over his years adrift, led him to adopt a limited palette focused on his primary instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to just intonation scales. Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides.\u003cbr\u003e\u003cbr\u003eFollowing two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 \u0026amp; 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Στον Ελαιώνα (Ston Elaióna)’s two sides...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP162lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-03T07:32:49+09:00","created_at":"2025-08-03T07:31:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","jazz","new","shelter press"],"price":229400,"price_min":229400,"price_max":229400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47578533363962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Also Bennett \/\/ Στον Ελαιώνα \/ Ston Elaióna CD","public_title":null,"options":["Default Title"],"price":229400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411916","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471","\/\/tobirarecords.com\/cdn\/shop\/files\/john.jpg?v=1753062471"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471","options":["Title"],"media":[{"alt":null,"id":36408565661946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471","width":700},{"alt":null,"id":36408565629178,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john.jpg?v=1753062471"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john.jpg?v=1753062471","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、\u003cspan\u003e2025年8月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズドローン9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3252390652\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ston Elaióna 04:31\u003cbr\u003e2. Gecko Pads\u003cbr\u003e3. Hailstorm\u003cbr\u003e4. A Handful of Olives\u003cbr\u003e5. Sacred House\u003cbr\u003e6. Seikilos Epitaph\u003cbr\u003e7. First Lament\u003cbr\u003e8. Oracle\u003cbr\u003e9. Easter Daydream 03:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by John Also Bennett:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSton Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInitially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV \u0026amp; JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. However, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, extensive tours, and Greece, where he finally came to rest in Athens last year. Drawing upon a carefully honed attentiveness to the environments and\u003cspan class=\"bcTruncateMore\"\u003e experiences of everyday life, Ston Elaióna is a suite of nine pieces (with an additional track exclusive to physical formats), many of them composed and played live as the early morning sun touched the Parthenon, in full view from Bennett’s studio window in Athens. Bennett’s refinement and restraint, honed over his years adrift, led him to adopt a limited palette focused on his primary instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to just intonation scales. Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides.\u003cbr\u003e\u003cbr\u003eFollowing two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 \u0026amp; 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Στον Ελαιώνα (Ston Elaióna)’s two sides...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP162lp\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、2025年8月にフランスの実験レーベルShelter PressからリリースしたCDです。 アンビエント・ジャズドローン9曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":8864524599546,"title":"John Also Bennett \/\/ Στον Ελαιώνα \/ Ston Elaióna LP","handle":"john-also-bennett-στον-ελαιώνα-ston-elaiona-lp","description":"\u003cp\u003eアメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、\u003cspan\u003e2025年7月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズドローン9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3252390652\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ston Elaióna 04:31\u003cbr\u003e2. Gecko Pads\u003cbr\u003e3. Hailstorm\u003cbr\u003e4. A Handful of Olives\u003cbr\u003e5. Sacred House\u003cbr\u003e6. Seikilos Epitaph\u003cbr\u003e7. First Lament\u003cbr\u003e8. Oracle\u003cbr\u003e9. Easter Daydream 03:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by John Also Bennett:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSton Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInitially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV \u0026amp; JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. However, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, extensive tours, and Greece, where he finally came to rest in Athens last year. Drawing upon a carefully honed attentiveness to the environments and\u003cspan class=\"bcTruncateMore\"\u003e experiences of everyday life, Ston Elaióna is a suite of nine pieces (with an additional track exclusive to physical formats), many of them composed and played live as the early morning sun touched the Parthenon, in full view from Bennett’s studio window in Athens. Bennett’s refinement and restraint, honed over his years adrift, led him to adopt a limited palette focused on his primary instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to just intonation scales. Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides.\u003cbr\u003e\u003cbr\u003eFollowing two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 \u0026amp; 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Στον Ελαιώνα (Ston Elaióna)’s two sides...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP162lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-22T06:00:14+09:00","created_at":"2025-07-21T10:19:30+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","lp","new","shelter press"],"price":389400,"price_min":389400,"price_max":389400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47528460943610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Also Bennett \/\/ Στον Ελαιώνα \/ Ston Elaióna LP","public_title":null,"options":["Default Title"],"price":389400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411909","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471","\/\/tobirarecords.com\/cdn\/shop\/files\/john.jpg?v=1753062471"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471","options":["Title"],"media":[{"alt":null,"id":36408565661946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471","width":700},{"alt":null,"id":36408565629178,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john.jpg?v=1753062471"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john.jpg?v=1753062471","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、\u003cspan\u003e2025年7月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズドローン9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3252390652\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ston Elaióna 04:31\u003cbr\u003e2. Gecko Pads\u003cbr\u003e3. Hailstorm\u003cbr\u003e4. A Handful of Olives\u003cbr\u003e5. Sacred House\u003cbr\u003e6. Seikilos Epitaph\u003cbr\u003e7. First Lament\u003cbr\u003e8. Oracle\u003cbr\u003e9. Easter Daydream 03:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by John Also Bennett:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSton Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInitially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV \u0026amp; JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. However, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, extensive tours, and Greece, where he finally came to rest in Athens last year. Drawing upon a carefully honed attentiveness to the environments and\u003cspan class=\"bcTruncateMore\"\u003e experiences of everyday life, Ston Elaióna is a suite of nine pieces (with an additional track exclusive to physical formats), many of them composed and played live as the early morning sun touched the Parthenon, in full view from Bennett’s studio window in Athens. Bennett’s refinement and restraint, honed over his years adrift, led him to adopt a limited palette focused on his primary instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to just intonation scales. Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides.\u003cbr\u003e\u003cbr\u003eFollowing two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 \u0026amp; 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Στον Ελαιώνα (Ston Elaióna)’s two sides...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP162lp\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、2025年7月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 アンビエント・ジャズドローン9曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...
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{"id":8819227132154,"title":"Stephen O'Malley \/\/ But remember what you have had CD [PRE-ORDER]","handle":"stephen-omalley-but-remember-what-you-have-had-lp-pre-order-copy","description":"\u003cp\u003eフランスのドローン作家Stephen O'Malleyが、\u003cspan\u003e2025年6月に自身主宰レーベルIdeologic OrganからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなドローン作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2126230956\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: June 27th 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eCD in 6-panel digisleeve.\u003cbr\u003eCD edition of 750. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. But remember what you have had\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePotraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith But remember what you have had, Stephen O’Malley continues and expands his musical approach by transposing it to multiphonic electroacoustic writing and acousmatic listening. Drawing not only on his extensive experience as a composer and live instrumentalist, but also on the countless studio production and mixing sessions he has taken part in the course of his many projects (in solo, with SUNN O))) or KTL, to name but a few), Stephen O’Malley’s work on this new piece is ambitious, engaging in an inspired research that delves into the deep intricacies between polyphony, intonation and timbrality, enhanced by melodic motifs. To do this, O’Malley summons up his own very personal sound universe, constellated with amplified textures, instrumental sustained tones and raw energy, in order to diffract them into wavefronts, waves and blows that weave a complex, rich and fascinating matter. But remember what you have had stands out as an important work in Stephen O’Malley’s repertoire: it brings together the multiplicity of his musical approach in an exemplary way, while laying the foundations and promises for the future of an already extraordinary journey.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen O'Malley\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM015cd\u003c\/p\u003e","published_at":"2025-06-07T09:34:34+09:00","created_at":"2025-06-06T10:42:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","new","shelter press"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47385498943738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Stephen O'Malley \/\/ But remember what you have had CD [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411763","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/but1_9df03ce4-ea50-4d36-a155-53bf2c1c4912.jpg?v=1749174182","\/\/tobirarecords.com\/cdn\/shop\/files\/but3.jpg?v=1749174182"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/but1_9df03ce4-ea50-4d36-a155-53bf2c1c4912.jpg?v=1749174182","options":["Title"],"media":[{"alt":null,"id":36137643507962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/but1_9df03ce4-ea50-4d36-a155-53bf2c1c4912.jpg?v=1749174182"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/but1_9df03ce4-ea50-4d36-a155-53bf2c1c4912.jpg?v=1749174182","width":700},{"alt":null,"id":36137643540730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/but3.jpg?v=1749174182"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/but3.jpg?v=1749174182","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Stephen O'Malleyが、\u003cspan\u003e2025年6月に自身主宰レーベルIdeologic OrganからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなドローン作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2126230956\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: June 27th 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eCD in 6-panel digisleeve.\u003cbr\u003eCD edition of 750. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. But remember what you have had\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePotraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith But remember what you have had, Stephen O’Malley continues and expands his musical approach by transposing it to multiphonic electroacoustic writing and acousmatic listening. Drawing not only on his extensive experience as a composer and live instrumentalist, but also on the countless studio production and mixing sessions he has taken part in the course of his many projects (in solo, with SUNN O))) or KTL, to name but a few), Stephen O’Malley’s work on this new piece is ambitious, engaging in an inspired research that delves into the deep intricacies between polyphony, intonation and timbrality, enhanced by melodic motifs. To do this, O’Malley summons up his own very personal sound universe, constellated with amplified textures, instrumental sustained tones and raw energy, in order to diffract them into wavefronts, waves and blows that weave a complex, rich and fascinating matter. But remember what you have had stands out as an important work in Stephen O’Malley’s repertoire: it brings together the multiplicity of his musical approach in an exemplary way, while laying the foundations and promises for the future of an already extraordinary journey.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen O'Malley\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM015cd\u003c\/p\u003e"}
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フランスのドローン作家Stephen O'Malleyが、2025年6月に自身主宰レーベルIdeologic OrganからリリースしたCDです。 ロングフォームなドローン作品です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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{"id":8819226607866,"title":"Stephen O'Malley \/\/ But remember what you have had LP","handle":"stephen-omalley-but-remember-what-you-have-had-lp-pre-order","description":"\u003cp\u003eフランスのドローン作家Stephen O'Malleyが、\u003cspan\u003e2025年6月に自身主宰レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなドローン作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2126230956\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: June 27th 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eVinyl 1st edition of 1000. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. But remember what you have had\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePotraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith But remember what you have had, Stephen O’Malley continues and expands his musical approach by transposing it to multiphonic electroacoustic writing and acousmatic listening. Drawing not only on his extensive experience as a composer and live instrumentalist, but also on the countless studio production and mixing sessions he has taken part in the course of his many projects (in solo, with SUNN O))) or KTL, to name but a few), Stephen O’Malley’s work on this new piece is ambitious, engaging in an inspired research that delves into the deep intricacies between polyphony, intonation and timbrality, enhanced by melodic motifs. To do this, O’Malley summons up his own very personal sound universe, constellated with amplified textures, instrumental sustained tones and raw energy, in order to diffract them into wavefronts, waves and blows that weave a complex, rich and fascinating matter. But remember what you have had stands out as an important work in Stephen O’Malley’s repertoire: it brings together the multiplicity of his musical approach in an exemplary way, while laying the foundations and promises for the future of an already extraordinary journey.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stephen O'Malley\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM015lp\u003c\/p\u003e","published_at":"2025-06-07T07:24:13+09:00","created_at":"2025-06-06T10:41:59+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","shelter press"],"price":327000,"price_min":327000,"price_max":327000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47385498386682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Stephen O'Malley \/\/ But remember what you have had LP","public_title":null,"options":["Default Title"],"price":327000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411756","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/but1.jpg?v=1749174013","\/\/tobirarecords.com\/cdn\/shop\/files\/but2.jpg?v=1749174013"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/but1.jpg?v=1749174013","options":["Title"],"media":[{"alt":null,"id":36137641738490,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/but1.jpg?v=1749174013"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/but1.jpg?v=1749174013","width":700},{"alt":null,"id":36137641771258,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/but2.jpg?v=1749174013"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/but2.jpg?v=1749174013","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Stephen O'Malleyが、\u003cspan\u003e2025年6月に自身主宰レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなドローン作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2126230956\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: June 27th 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eVinyl 1st edition of 1000. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. But remember what you have had\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePotraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWith But remember what you have had, Stephen O’Malley continues and expands his musical approach by transposing it to multiphonic electroacoustic writing and acousmatic listening. Drawing not only on his extensive experience as a composer and live instrumentalist, but also on the countless studio production and mixing sessions he has taken part in the course of his many projects (in solo, with SUNN O))) or KTL, to name but a few), Stephen O’Malley’s work on this new piece is ambitious, engaging in an inspired research that delves into the deep intricacies between polyphony, intonation and timbrality, enhanced by melodic motifs. 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{"id":8817803428090,"title":"Jim O'Rourke \/\/ Shutting Down Here CD","handle":"jim-orourke-shutting-down-here-cd","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6\/27リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeが、\u003cspan\u003e2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発CDです。(オリジナルは2020年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン作品です。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4004532621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve. \u003cbr\u003e2025 repress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Shutting Down Here 34:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures and cybernetic becomings, dynamic spaces, harmonic spaces, silent spans . This variety of approach, strangely, does not in any way weaken the coherence of the whole and this is the talent of Jim O'Rourke, a talent, properly speaking, of composition, where all the sound elements compete and participate to stakes that exceed them and of a common destiny, that is to say of an apparition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM x Editions Mego\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM001cd\u003c\/p\u003e","published_at":"2025-06-05T13:10:21+09:00","created_at":"2025-06-05T11:35:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","new","shelter press"],"price":222600,"price_min":222600,"price_max":222600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47382639837434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jim O'Rourke \/\/ Shutting Down Here CD","public_title":null,"options":["Default Title"],"price":222600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411787","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984","\/\/tobirarecords.com\/cdn\/shop\/files\/do3.jpg?v=1749090984"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984","options":["Title"],"media":[{"alt":null,"id":36133529059578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984","width":700},{"alt":null,"id":36133529092346,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do3.jpg?v=1749090984"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do3.jpg?v=1749090984","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※6\/27リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeが、\u003cspan\u003e2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発CDです。(オリジナルは2020年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン作品です。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4004532621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve. \u003cbr\u003e2025 repress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Shutting Down Here 34:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures and cybernetic becomings, dynamic spaces, harmonic spaces, silent spans . This variety of approach, strangely, does not in any way weaken the coherence of the whole and this is the talent of Jim O'Rourke, a talent, properly speaking, of composition, where all the sound elements compete and participate to stakes that exceed them and of a common destiny, that is to say of an apparition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM x Editions Mego\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM001cd\u003c\/p\u003e"}
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※6/27リリースです アメリカ出身日本在住の実験音楽家Jim O'Rourkeが、2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発CDです。(オリジナルは2020年リリース) ロングフォームなコラージュ・アンビエント〜ドローン作品です。6面デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":8817802871034,"title":"Jim O'Rourke \/\/ Shutting Down Here LP","handle":"jim-orourke-shutting-down-here-lp","description":"\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeが、\u003cspan\u003e2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発レコードです。(オリジナルは2020年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4004532621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2025 repress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Shutting Down Here 34:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures and cybernetic becomings, dynamic spaces, harmonic spaces, silent spans . This variety of approach, strangely, does not in any way weaken the coherence of the whole and this is the talent of Jim O'Rourke, a talent, properly speaking, of composition, where all the sound elements compete and participate to stakes that exceed them and of a common destiny, that is to say of an apparition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM x Editions Mego\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM001lp\u003c\/p\u003e","published_at":"2025-06-05T13:09:28+09:00","created_at":"2025-06-05T11:35:29+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","new","shelter press"],"price":327000,"price_min":327000,"price_max":327000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47382636757242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jim O'Rourke \/\/ Shutting Down Here LP","public_title":null,"options":["Default Title"],"price":327000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411770","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/do1_7b20138a-564d-4395-aaaf-caae668fd59d.jpg?v=1749090824","\/\/tobirarecords.com\/cdn\/shop\/files\/do2_d6fc06a0-2abd-420c-a130-2b998227bbe8.jpg?v=1749090824"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_7b20138a-564d-4395-aaaf-caae668fd59d.jpg?v=1749090824","options":["Title"],"media":[{"alt":null,"id":36133520474362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_7b20138a-564d-4395-aaaf-caae668fd59d.jpg?v=1749090824"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_7b20138a-564d-4395-aaaf-caae668fd59d.jpg?v=1749090824","width":700},{"alt":null,"id":36133520507130,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do2_d6fc06a0-2abd-420c-a130-2b998227bbe8.jpg?v=1749090824"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do2_d6fc06a0-2abd-420c-a130-2b998227bbe8.jpg?v=1749090824","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeが、\u003cspan\u003e2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発レコードです。(オリジナルは2020年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン作品です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4004532621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2025 repress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Shutting Down Here 34:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures and cybernetic becomings, dynamic spaces, harmonic spaces, silent spans . This variety of approach, strangely, does not in any way weaken the coherence of the whole and this is the talent of Jim O'Rourke, a talent, properly speaking, of composition, where all the sound elements compete and participate to stakes that exceed them and of a common destiny, that is to say of an apparition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM x Editions Mego\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM001lp\u003c\/p\u003e"}
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アメリカ出身日本在住の実験音楽家Jim O'Rourkeが、2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発レコードです。(オリジナルは2020年リリース) ロングフォームなコラージュ・アンビエント〜ドローン作品です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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{"id":8792329552122,"title":"Beatrice Dillon \/ Hideki Umezawa \/\/ Basho \/ Still Forms split LP","handle":"beatrice-dillon-hideki-umezawa-basho-still-forms-split-lp","description":"\u003cp\u003eイギリスのBeatrice Dillonと日本のHideki Umezawa実験音楽家2名が、\u003cspan\u003e2025年5月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eグリッチ・テクノ〜コラージュ・ドローン2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2750196906\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Beatrice Dillon - Basho 20:48\u003cbr\u003e2. Hideki Umezawa - Still Forms 17:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePotraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe title of this work by Beatrice Dillon is taken from the notion of ‘basho’, developed by Kitarō Nishida, Japanese philosopher and father of the Kyoto school. Kitaro’s ‘basho’ (場所) refers to a fundamental ‘place’ or ‘field’ where things exist and interact. Not just a physical location, but a more abstract space where all experiences, thoughts, and phenomena are interconnected. In Nishida’s philosophy, ‘basho’ is a dynamic, living ground where subject and object, self and world, are not separate but mutually interrelated. Inspired by this, Beatrice Dillon develops a music of a complex nature, that never ceases to constitute itself as pure presentation, constantly re-exposed, reactivating at every moment both the object of attention and the listener who aims at it. Borrowing both its sounds (which have no real origin or internal space) and its idioms from electronic music, Dillon's Basho is a diversion, a rearrangement that places us, through elements that are familiar but suddenly alien, back into a field of pure listening.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStill Forms, by Japanese composer Hideki Umezawa, draws its sound material from the exploration of Baschet sound structures, instruments developed by the brothers Bernard and François\u003cspan class=\"bcTruncateMore\"\u003e Baschet in the 1950s that have since been highly prized by the world of contemporary musical creation. These structures were presented at the 1970 Osaka World’s Fair, and some remained in Japan. Through various recording sessions, in Japan but also in France, Hideki Umezawa re-explores the fascinating sonic potential of these atypical instruments to include them in a highly mastered composition where sounds of acoustic origin and electronic textures respond to each other, as in the distorted reflection of the resonators of the Baschet structures. Still Forms is thus a tribute to, and a journey through time through, the incredible power of inspiration and invention of these sound structures, but also a sharpened proposal of contemporary electroacoustic composition that knows how to renew itself without denying its origins.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatrice Dillon \/ Hideki Umezawa\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM012lp\u003c\/p\u003e","published_at":"2025-05-26T08:28:49+09:00","created_at":"2025-05-25T09:44:45+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","shelter press","techno \/ house"],"price":327000,"price_min":327000,"price_max":327000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47340275073274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Beatrice Dillon \/ Hideki Umezawa \/\/ Basho \/ Still Forms split LP","public_title":null,"options":["Default Title"],"price":327000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411701","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/basho1.jpg?v=1748133805","\/\/tobirarecords.com\/cdn\/shop\/files\/basho2.jpg?v=1748133805"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/basho1.jpg?v=1748133805","options":["Title"],"media":[{"alt":null,"id":36086184542458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/basho1.jpg?v=1748133805"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/basho1.jpg?v=1748133805","width":700},{"alt":null,"id":36086184575226,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/basho2.jpg?v=1748133805"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/basho2.jpg?v=1748133805","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのBeatrice Dillonと日本のHideki Umezawa実験音楽家2名が、\u003cspan\u003e2025年5月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eグリッチ・テクノ〜コラージュ・ドローン2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2750196906\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Beatrice Dillon - Basho 20:48\u003cbr\u003e2. Hideki Umezawa - Still Forms 17:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePotraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe title of this work by Beatrice Dillon is taken from the notion of ‘basho’, developed by Kitarō Nishida, Japanese philosopher and father of the Kyoto school. Kitaro’s ‘basho’ (場所) refers to a fundamental ‘place’ or ‘field’ where things exist and interact. Not just a physical location, but a more abstract space where all experiences, thoughts, and phenomena are interconnected. In Nishida’s philosophy, ‘basho’ is a dynamic, living ground where subject and object, self and world, are not separate but mutually interrelated. Inspired by this, Beatrice Dillon develops a music of a complex nature, that never ceases to constitute itself as pure presentation, constantly re-exposed, reactivating at every moment both the object of attention and the listener who aims at it. Borrowing both its sounds (which have no real origin or internal space) and its idioms from electronic music, Dillon's Basho is a diversion, a rearrangement that places us, through elements that are familiar but suddenly alien, back into a field of pure listening.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStill Forms, by Japanese composer Hideki Umezawa, draws its sound material from the exploration of Baschet sound structures, instruments developed by the brothers Bernard and François\u003cspan class=\"bcTruncateMore\"\u003e Baschet in the 1950s that have since been highly prized by the world of contemporary musical creation. These structures were presented at the 1970 Osaka World’s Fair, and some remained in Japan. Through various recording sessions, in Japan but also in France, Hideki Umezawa re-explores the fascinating sonic potential of these atypical instruments to include them in a highly mastered composition where sounds of acoustic origin and electronic textures respond to each other, as in the distorted reflection of the resonators of the Baschet structures. Still Forms is thus a tribute to, and a journey through time through, the incredible power of inspiration and invention of these sound structures, but also a sharpened proposal of contemporary electroacoustic composition that knows how to renew itself without denying its origins.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Beatrice Dillon \/ Hideki Umezawa\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM012lp\u003c\/p\u003e"}
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イギリスのBeatrice Dillonと日本のHideki Umezawa実験音楽家2名が、2025年5月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 グリッチ・テクノ〜コラージュ・ドローン2曲を収録。廃盤です。 マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection...
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{"id":8781750468858,"title":"Michelle Helene Mackenzie \u0026 Stefan Maier \/ Olivia Block \/\/ Orchid Mantis \/ Breach LP","handle":"michelle-helene-mackenzie-stefan-maier-olivia-block-orchid-mantis-breach-lp","description":"\u003cp\u003e実験音楽家Michelle Helene Mackenzie \u0026amp; Stefan MaierとOlivia Blockが、\u003cspan\u003e2025年5月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1617880926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Michelle Helene Mackenzie \u0026amp; Stefan Maier - Orchid Mantis\u003cbr\u003e2. Olivia Block - Breach\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOrchid Mantis, by Michelle Helene Mackenzie and Stefan Maier, is a work that draws its inspiration from the history of the Sanzhi Pod City, in northern Taiwan. Sanzhi Pod City was built from 1978 onwards, made up of buildings constructed from assemblages of ‘pods’ inspired by the futuro houses of Finnish architect Matti Suuronen. The project was abandoned in 1980, following a number of accidents during construction and persistent rumours that the site was haunted. However, this wasteland of a city has allowed insects to proliferate, in particular five species of orchid mantis. It is this strange environment, made up of utopian buildings, proliferating insects and vegetation reclaiming the site, that serves as the imaginary space for Michelle Helene Mackenzie and Stefan Maier’s music, a music of carefully designed pace and progression, drawing, through resonance and stridulation, subtle sonic materials that guide and accompany us into multiple worlds with admirable ease and grace. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBreach, by American composer Olivia Block, engages in a dialogue between field recordings and synthesised sounds, creating a vibrant plea for wild spaces that face an ever-growing threat to their survival from human activities. The work is based on recordings\u003cspan class=\"bcTruncateMore\"\u003e collected in the San Ignacio lagoon in the Mexican part of Southern California. This lagoon is known as a breeding ground for eastern Pacific grey whales. With the help of precise electronics, the music unfolds like a drift, depicting the subjective soundscape of whales caught up in the noise of the Anthropocene. The composer uses otoacoustic emissions in particular, representing the sound saturation caused by humans in the habitat of these large marine mammals. Going beyond a merely descriptive dimension, Olivia Block manages to transcend her subject to offer a fascinating musical form that engages the listener in a constantly renewed way.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Michelle Helene Mackenzie \u0026amp; Stefan Maier \/ Olivia Block\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Shelter Press sublabel)\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM013lp\u003c\/p\u003e","published_at":"2025-05-09T11:56:42+09:00","created_at":"2025-05-08T19:11:29+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","shelter press"],"price":327000,"price_min":327000,"price_max":327000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47303769227514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Michelle Helene Mackenzie \u0026 Stefan Maier \/ Olivia Block \/\/ Orchid Mantis \/ Breach LP","public_title":null,"options":["Default Title"],"price":327000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411732","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/br1_aaa5c631-7772-415f-8323-de19bb6a6fd5.jpg?v=1746698996","\/\/tobirarecords.com\/cdn\/shop\/files\/br2_8b07e6dc-21b3-4a9d-86f3-5081f00a462b.jpg?v=1746698996"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/br1_aaa5c631-7772-415f-8323-de19bb6a6fd5.jpg?v=1746698996","options":["Title"],"media":[{"alt":null,"id":35997852336378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br1_aaa5c631-7772-415f-8323-de19bb6a6fd5.jpg?v=1746698996"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br1_aaa5c631-7772-415f-8323-de19bb6a6fd5.jpg?v=1746698996","width":700},{"alt":null,"id":35997852369146,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br2_8b07e6dc-21b3-4a9d-86f3-5081f00a462b.jpg?v=1746698996"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/br2_8b07e6dc-21b3-4a9d-86f3-5081f00a462b.jpg?v=1746698996","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験音楽家Michelle Helene Mackenzie \u0026amp; Stefan MaierとOlivia Blockが、\u003cspan\u003e2025年5月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1617880926\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Michelle Helene Mackenzie \u0026amp; Stefan Maier - Orchid Mantis\u003cbr\u003e2. Olivia Block - Breach\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOrchid Mantis, by Michelle Helene Mackenzie and Stefan Maier, is a work that draws its inspiration from the history of the Sanzhi Pod City, in northern Taiwan. Sanzhi Pod City was built from 1978 onwards, made up of buildings constructed from assemblages of ‘pods’ inspired by the futuro houses of Finnish architect Matti Suuronen. The project was abandoned in 1980, following a number of accidents during construction and persistent rumours that the site was haunted. However, this wasteland of a city has allowed insects to proliferate, in particular five species of orchid mantis. It is this strange environment, made up of utopian buildings, proliferating insects and vegetation reclaiming the site, that serves as the imaginary space for Michelle Helene Mackenzie and Stefan Maier’s music, a music of carefully designed pace and progression, drawing, through resonance and stridulation, subtle sonic materials that guide and accompany us into multiple worlds with admirable ease and grace. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBreach, by American composer Olivia Block, engages in a dialogue between field recordings and synthesised sounds, creating a vibrant plea for wild spaces that face an ever-growing threat to their survival from human activities. The work is based on recordings\u003cspan class=\"bcTruncateMore\"\u003e collected in the San Ignacio lagoon in the Mexican part of Southern California. This lagoon is known as a breeding ground for eastern Pacific grey whales. 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実験音楽家Michelle Helene Mackenzie & Stefan MaierとOlivia Blockが、2025年5月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 ロングフォームなコラージュ〜ドローン2曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see...
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{"id":8781746307322,"title":"Joshua Bonnetta \/\/ The Pines 4xCD","handle":"joshua-bonnetta-the-pines-4xcd-pre-order","description":"\u003cp\u003eカナダのサウンドアーティスト/映画監督Joshua Bonnettaが、2025年2月にフランスの実験レーベルShelter Pressからリリースした4枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003e1本の松の木にマイクを仕掛け1年かけて録音したフィールドレコーディング4曲を収録。エッセイが付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"サウンドアーティストで映像作家のJoshua Bonnettaは、人間のリスナーがある風景から出たときに何が起こるかを知りたがっている。サウンドスケープはどう違うのか?私たちの存在は録音にどのような影響を与えているのだろうか?シェルター・プレスとディム・コーストから2025年2月28日にリリースされる彼の野心的な長編作品『The Pines I-IV』は、こうした疑問のいくつかを問うもので、ニューヨーク州北部にある一本の松の木の音の一生を、遠隔録音によって1年かけてとらえ、高名なネイチャーライター、ロバート・マクファーレンのエッセイとキュレーターのジェイク・ムーアが序文を寄せた4枚組CDとしてリリースされる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマクファーレンの光り輝くエッセイは、このプロジェクトが、森の中の木が誰もいないところで音を出しているのかという疑問に対する答えを提供するものだと提唱している。Bonnettaはこの疑問を覆し、周囲の環境と絡めて、人間の聞き手がいないときに木や他の動植物がどのような音を出すのかを問いかけ、私たちがフレームから一歩外に出たときにどのような音が前面に出てくるのか、また、マイクロフォンがどのような形で環境における私たちの聞き方を変えるのかを問うている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイオガ郡にある木の幹の10フィート(約1.5メートル)上に取り付けられたマイクによって、合計8760時間の音声がキャプチャーされた。天候や野生動物の声、コヨーテやフクロウの鳴き声、雪や氷の重みによる枝のきしみなど、すべてが人間のいないこの場所の音への窓として機能する。使用されたマイクや編集方法は、保全生物音響学やパッシブ音響モニタリングの技術を借用したもので、Bonnettaに通常のフィールドレコーディングよりもはるかに深く関わる方法を提供した...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464895804\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x CD in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eoversized digisleeves w\/ hardcover \u003c\/span\u003e\u003cspan\u003eslipcase.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e12page booklet with original text by Robert Macfarlane and foreward by jake moore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spring 59:38\u003cbr\u003e2. Summer 59:41\u003cbr\u003e3. Autumn 59:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Winter 59:40\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSound artist and filmmaker Joshua Bonnetta wants to know what happens when a human listener exits a landscape. How might the soundscape differ? How is our presence affecting the recording? His ambitious long-form work The Pines I-IV, released on February 28, 2025 via Shelter Press and The Dim Coast, looks to interrogate some of these questions, capturing the sonic life of a single pine tree in upstate New York over the course of a year via remote recordings, edited into four hours of audio which will be released as a 4CD set with essay by acclaimed nature writer Robert Macfarlane and a foreword by curator jake moore, who suggests the forest knows when it is being listened to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMacfarlane’s luminous essay proposes that this project offers an answer to the question of whether a tree in a forest makes any sound at all if nobody is there to hear it. Bonnetta turns that question around – entangling it in the surrounding environment, to ask what sort of noise it and other plants and animals make when there is no human listener; asking what sounds come to the fore when we step out of the frame, and in what ways a microphone might alter the way we listen in the environment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA total of 8760 hours of audio were captured by a\u003cspan class=\"bcTruncateMore\"\u003e microphone strapped 10ft up a tree’s trunk in Tioga County, which was then reworked into a single hour of sound for each season, each of which captured events in and around the tree’s branches and immediate environment. We hear weather and wildlife; coyotes and owls; the creaking of branches under the weight of snow and ice – all act as a window into the sound of this place absent of humans; a time lapse of the audible world around the circumference of a single tree. The microphones used, and the methods of editing, are tech borrowed from conservation bioacoustics and passive acoustic monitoring, which offered Bonnetta a way to engage much more deeply than any standard field recording would...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : joshua bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP157cd\u003c\/p\u003e","published_at":"2025-05-09T11:50:54+09:00","created_at":"2025-05-08T19:06:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","new","recommended","shelter press"],"price":785000,"price_min":785000,"price_max":785000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47303764410618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Joshua Bonnetta \/\/ The Pines 4xCD","public_title":null,"options":["Default Title"],"price":785000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411435","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn2.jpg?v=1746698611","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn3.jpg?v=1746698611","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn4.jpg?v=1746698610","\/\/tobirarecords.com\/cdn\/shop\/files\/bonn5.jpg?v=1746698610"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611","options":["Title"],"media":[{"alt":null,"id":35997820059898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn.jpg?v=1746698611","width":700},{"alt":null,"id":35997820092666,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn2.jpg?v=1746698611"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn2.jpg?v=1746698611","width":1200},{"alt":null,"id":35997820125434,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn3.jpg?v=1746698611"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn3.jpg?v=1746698611","width":1200},{"alt":null,"id":35997820158202,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn4.jpg?v=1746698610"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn4.jpg?v=1746698610","width":1200},{"alt":null,"id":35997820190970,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn5.jpg?v=1746698610"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bonn5.jpg?v=1746698610","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダのサウンドアーティスト/映画監督Joshua Bonnettaが、2025年2月にフランスの実験レーベルShelter Pressからリリースした4枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003e1本の松の木にマイクを仕掛け1年かけて録音したフィールドレコーディング4曲を収録。エッセイが付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"サウンドアーティストで映像作家のJoshua Bonnettaは、人間のリスナーがある風景から出たときに何が起こるかを知りたがっている。サウンドスケープはどう違うのか?私たちの存在は録音にどのような影響を与えているのだろうか?シェルター・プレスとディム・コーストから2025年2月28日にリリースされる彼の野心的な長編作品『The Pines I-IV』は、こうした疑問のいくつかを問うもので、ニューヨーク州北部にある一本の松の木の音の一生を、遠隔録音によって1年かけてとらえ、高名なネイチャーライター、ロバート・マクファーレンのエッセイとキュレーターのジェイク・ムーアが序文を寄せた4枚組CDとしてリリースされる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマクファーレンの光り輝くエッセイは、このプロジェクトが、森の中の木が誰もいないところで音を出しているのかという疑問に対する答えを提供するものだと提唱している。Bonnettaはこの疑問を覆し、周囲の環境と絡めて、人間の聞き手がいないときに木や他の動植物がどのような音を出すのかを問いかけ、私たちがフレームから一歩外に出たときにどのような音が前面に出てくるのか、また、マイクロフォンがどのような形で環境における私たちの聞き方を変えるのかを問うている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイオガ郡にある木の幹の10フィート(約1.5メートル)上に取り付けられたマイクによって、合計8760時間の音声がキャプチャーされた。天候や野生動物の声、コヨーテやフクロウの鳴き声、雪や氷の重みによる枝のきしみなど、すべてが人間のいないこの場所の音への窓として機能する。使用されたマイクや編集方法は、保全生物音響学やパッシブ音響モニタリングの技術を借用したもので、Bonnettaに通常のフィールドレコーディングよりもはるかに深く関わる方法を提供した...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3464895804\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x CD in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eoversized digisleeves w\/ hardcover \u003c\/span\u003e\u003cspan\u003eslipcase.\u003cbr\u003eIncludes \u003cmeta charset=\"utf-8\"\u003e12page booklet with original text by Robert Macfarlane and foreward by jake moore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spring 59:38\u003cbr\u003e2. Summer 59:41\u003cbr\u003e3. Autumn 59:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Winter 59:40\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSound artist and filmmaker Joshua Bonnetta wants to know what happens when a human listener exits a landscape. How might the soundscape differ? How is our presence affecting the recording? His ambitious long-form work The Pines I-IV, released on February 28, 2025 via Shelter Press and The Dim Coast, looks to interrogate some of these questions, capturing the sonic life of a single pine tree in upstate New York over the course of a year via remote recordings, edited into four hours of audio which will be released as a 4CD set with essay by acclaimed nature writer Robert Macfarlane and a foreword by curator jake moore, who suggests the forest knows when it is being listened to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMacfarlane’s luminous essay proposes that this project offers an answer to the question of whether a tree in a forest makes any sound at all if nobody is there to hear it. Bonnetta turns that question around – entangling it in the surrounding environment, to ask what sort of noise it and other plants and animals make when there is no human listener; asking what sounds come to the fore when we step out of the frame, and in what ways a microphone might alter the way we listen in the environment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA total of 8760 hours of audio were captured by a\u003cspan class=\"bcTruncateMore\"\u003e microphone strapped 10ft up a tree’s trunk in Tioga County, which was then reworked into a single hour of sound for each season, each of which captured events in and around the tree’s branches and immediate environment. We hear weather and wildlife; coyotes and owls; the creaking of branches under the weight of snow and ice – all act as a window into the sound of this place absent of humans; a time lapse of the audible world around the circumference of a single tree. The microphones used, and the methods of editing, are tech borrowed from conservation bioacoustics and passive acoustic monitoring, which offered Bonnetta a way to engage much more deeply than any standard field recording would...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : joshua bonnetta\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP157cd\u003c\/p\u003e"}
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カナダのサウンドアーティスト/映画監督Joshua Bonnettaが、2025年2月にフランスの実験レーベルShelter Pressからリリースした4枚組CD BOXです。 1本の松の木にマイクを仕掛け1年かけて録音したフィールドレコーディング4曲を収録。エッセイが付属。廃盤です。 以下、レーベルによる解説です。 "サウンドアーティストで映像作家のJoshua Bonnettaは、人間のリスナーがある風景から出たときに何が起こるかを知りたがっている。サウンドスケープはどう違うのか?私たちの存在は録音にどのような影響を与えているのだろうか?シェルター・プレスとディム・コーストから2025年2月28日にリリースされる彼の野心的な長編作品『The Pines I-IV』は、こうした疑問のいくつかを問うもので、ニューヨーク州北部にある一本の松の木の音の一生を、遠隔録音によって1年かけてとらえ、高名なネイチャーライター、ロバート・マクファーレンのエッセイとキュレーターのジェイク・ムーアが序文を寄せた4枚組CDとしてリリースされる。 マクファーレンの光り輝くエッセイは、このプロジェクトが、森の中の木が誰もいないところで音を出しているのかという疑問に対する答えを提供するものだと提唱している。Bonnettaはこの疑問を覆し、周囲の環境と絡めて、人間の聞き手がいないときに木や他の動植物がどのような音を出すのかを問いかけ、私たちがフレームから一歩外に出たときにどのような音が前面に出てくるのか、また、マイクロフォンがどのような形で環境における私たちの聞き方を変えるのかを問うている。 タイオガ郡にある木の幹の10フィート(約1.5メートル)上に取り付けられたマイクによって、合計8760時間の音声がキャプチャーされた。天候や野生動物の声、コヨーテやフクロウの鳴き声、雪や氷の重みによる枝のきしみなど、すべてが人間のいないこの場所の音への窓として機能する。使用されたマイクや編集方法は、保全生物音響学やパッシブ音響モニタリングの技術を借用したもので、Bonnettaに通常のフィールドレコーディングよりもはるかに深く関わる方法を提供した..." レーベルその他作品はこちら /// Click here to...
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{"id":8771950805242,"title":"Eliana Glass \/\/ E CD","handle":"eliana-glass-e-cd","description":"\u003cp\u003eオーストラリア出身アメリカ在住のピアニスト/シンガーソングライターが、2025年4月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eジャズ・ポップ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3140368094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. All My Life\u003cbr\u003e2. Shrine 03:51\u003cbr\u003e3. Good Friends Call Me E 03:55\u003cbr\u003e4. Flood\u003cbr\u003e5. Human Dust\u003cbr\u003e6. Solid Stone\u003cbr\u003e7. Dreams\u003cbr\u003e8. Sing Me Softly Of The Blues\u003cbr\u003e9. On The Way Down\u003cbr\u003e10. Song for Emahoy\u003cbr\u003e11. Da\u003cbr\u003e12. Good Friends Call Me E (reprise)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGlass’ experimental, improvisational works evoke the sensual minimalism of Annette Peacock, the joyful mysteriousness of Carla Bley, and the wistful intimacy of Sibylle Baier. Her reverence for leftfield jazz and free improv greats is evident, but it’s always filtered through her signature nascent, naturalistic sound. “Dreams” is a majestic take on Peacock’s spine-tingling 1971 track of the same name, “Sing Me Softly the Blues” is a minimal, arresting reimagination of Bley’s jazz standard with lyrics adapted by Norwegian vocalist Karin Krog, and “Emahoy” is a languorous tribute to Ethiopian pianist, composer, and nun Emahoy Tsegué-Maryam Guèbrou and her 2006 compilation Éthiopiques. Glass’ music rests on a tactile, mercurial sound and her vocal brawn and versatility. E’s slippery stabs of double bass and drums tickle the ear canal and accentuate the percussiveness of her distinctive low voice, which blends sonorous, androgynous poise with fluttering delicacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eE also has an enigmatic electronic bent that heightens the blurry emotions of Glass’ songwriting. From background hiss and windy vocals to kaleidoscopic synths, these subtle, tasteful adornments often came from specialized analog equipment: a 1960s underground echo chamber, a Cooper Time Cube (essentially, the hardware equivalent of processing audio through a garden hose), and a 1940s AEA ribbon microphone. But that doesn’t mean E sounds dated—Glass’ songs bloom with a forward-thinking spirit and ultimately function as vehicles for her heady emotions and fragmented memories and dreams...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eliana Glass\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP160cd\u003c\/p\u003e","published_at":"2025-04-26T09:33:56+09:00","created_at":"2025-04-25T22:26:56+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","jazz","new","shelter press"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275612569850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Eliana Glass \/\/ E CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411695","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/el1_615c73f9-5511-4c54-80fd-fbcf4eded4e7.jpg?v=1745587636","\/\/tobirarecords.com\/cdn\/shop\/files\/el2_60cac9db-86c4-45d0-8db8-52d9d004bc61.jpg?v=1745587636"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_615c73f9-5511-4c54-80fd-fbcf4eded4e7.jpg?v=1745587636","options":["Title"],"media":[{"alt":null,"id":35935191728378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_615c73f9-5511-4c54-80fd-fbcf4eded4e7.jpg?v=1745587636"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_615c73f9-5511-4c54-80fd-fbcf4eded4e7.jpg?v=1745587636","width":700},{"alt":null,"id":35935191761146,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_60cac9db-86c4-45d0-8db8-52d9d004bc61.jpg?v=1745587636"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2_60cac9db-86c4-45d0-8db8-52d9d004bc61.jpg?v=1745587636","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア出身アメリカ在住のピアニスト/シンガーソングライターが、2025年4月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eジャズ・ポップ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3140368094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. All My Life\u003cbr\u003e2. Shrine 03:51\u003cbr\u003e3. Good Friends Call Me E 03:55\u003cbr\u003e4. Flood\u003cbr\u003e5. Human Dust\u003cbr\u003e6. Solid Stone\u003cbr\u003e7. Dreams\u003cbr\u003e8. Sing Me Softly Of The Blues\u003cbr\u003e9. On The Way Down\u003cbr\u003e10. Song for Emahoy\u003cbr\u003e11. Da\u003cbr\u003e12. Good Friends Call Me E (reprise)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGlass’ experimental, improvisational works evoke the sensual minimalism of Annette Peacock, the joyful mysteriousness of Carla Bley, and the wistful intimacy of Sibylle Baier. Her reverence for leftfield jazz and free improv greats is evident, but it’s always filtered through her signature nascent, naturalistic sound. “Dreams” is a majestic take on Peacock’s spine-tingling 1971 track of the same name, “Sing Me Softly the Blues” is a minimal, arresting reimagination of Bley’s jazz standard with lyrics adapted by Norwegian vocalist Karin Krog, and “Emahoy” is a languorous tribute to Ethiopian pianist, composer, and nun Emahoy Tsegué-Maryam Guèbrou and her 2006 compilation Éthiopiques. Glass’ music rests on a tactile, mercurial sound and her vocal brawn and versatility. E’s slippery stabs of double bass and drums tickle the ear canal and accentuate the percussiveness of her distinctive low voice, which blends sonorous, androgynous poise with fluttering delicacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eE also has an enigmatic electronic bent that heightens the blurry emotions of Glass’ songwriting. From background hiss and windy vocals to kaleidoscopic synths, these subtle, tasteful adornments often came from specialized analog equipment: a 1960s underground echo chamber, a Cooper Time Cube (essentially, the hardware equivalent of processing audio through a garden hose), and a 1940s AEA ribbon microphone. But that doesn’t mean E sounds dated—Glass’ songs bloom with a forward-thinking spirit and ultimately function as vehicles for her heady emotions and fragmented memories and dreams...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eliana Glass\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP160cd\u003c\/p\u003e"}
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オーストラリア出身アメリカ在住のピアニスト/シンガーソングライターが、2025年4月にフランスの実験レーベルShelter PressからリリースしたCDです。 ジャズ・ポップ12曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases...
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{"id":8771950706938,"title":"Lucy Railton \/\/ Blue Veil CD","handle":"lucy-railton-blue-veil-cd","description":"\u003cp\u003e過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRailtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Blue Veil』は、キャサリン・ラムやエレン・アークブロの音楽、カリ・マローンやスティーヴン・オマリーとの共同作業、マリアンヌ・アマッハーやモートン・フェルドマンなどの作品を演奏する際の解釈の実践などから生まれた作品である。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1069641159\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phase I\u003cbr\u003e2. Phase II\u003cbr\u003e3. Phase III\u003cbr\u003e4. Phase IV\u003cbr\u003e5. Phase V\u003cbr\u003e6. Phase VI\u003cbr\u003e7. Phase VII\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first release to document the solo cello work of musician and composer Lucy Railton, the 40-minute composition Blue Veil recorded at Église du Saint-Esprit in Paris invites listeners into the realm of precision-tuned states of resonance: states made manifest through Railton’s careful traversal of her cello's most subtle acoustic characteristics as they harmonically interlock with mind’s embodied modalities of attention and imagination.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBlue Veil arises out of, is sustained in and finally dissolves back into Railton’s momentary presence with her intimate connection to the cello, a way of hearing that allows for a deeper engagement with harmonic resonance, one that opens a space for immediate encounters of mind and sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailton’s exploratory practice of harmonic perception emerges from a focus on the physical qualities of intervallic and chordal sounds, their textural qualities, degrees of friction, and inner pulsations. Composing in the moment guided by resonances within the cello’s body, her own, and their shared vibrational space, Railton moves through Blue Veil by giving sounds what they ask for: sounds of pure texture manifesting as a move through temporal transparency, sounds of rough texture marking regions of dimensionally\u003cspan class=\"bcTruncateMore\"\u003e dense space.\u003cbr\u003eRailton’s creative and highly refined use of just intonation harmony deforms sound's inner movements in ways that suggest a mode of listening that actively supplies imagery of sounds implied or completely absent rather than merely savouring those fully present. This active mode of “listening-with”, playfully and semi-metaphorically referred to by Railton as “sing-along music”, allows listening to reflexively participate in the music’s movement as it gradually passes through richly saturated domains of harmonic imagination. And just as the precision-tuned tones of Blue Veil lose their individuality when fusing multifaceted uniformity, listening’s structures of reference and recognition dissolve into nameless waves of intensity, continuously unfolding themselves upon and merging with the listener.\u003cbr\u003eBlue Veil is the result of a deep exploration of the inner worlds of tuning, an undertaking in turn informed by and emerging out of Railton’s realisations of the music of Catherine Lamb and Ellen Arkbro, her collaborative work with Kali Malone and Stephen O’Malley as well as her interpretive practice in performing the work of Maryanne Amacher, Morton Feldman and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA063cd\u003c\/p\u003e","published_at":"2025-04-26T09:33:20+09:00","created_at":"2025-04-25T22:25:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","new","recommended","shelter press"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47275612438778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lucy Railton \/\/ Blue Veil CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408292","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_a6980806-cae9-49ef-997a-7167d12ff5fd.jpg?v=1745587539"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539","options":["Title"],"media":[{"alt":null,"id":35935185404154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_46707b01-e0dc-49ad-bcb7-af9de5800613.jpg?v=1745587539","width":700},{"alt":null,"id":35935185436922,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_a6980806-cae9-49ef-997a-7167d12ff5fd.jpg?v=1745587539"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_a6980806-cae9-49ef-997a-7167d12ff5fd.jpg?v=1745587539","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRailtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Blue Veil』は、キャサリン・ラムやエレン・アークブロの音楽、カリ・マローンやスティーヴン・オマリーとの共同作業、マリアンヌ・アマッハーやモートン・フェルドマンなどの作品を演奏する際の解釈の実践などから生まれた作品である。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1069641159\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digisleeve. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phase I\u003cbr\u003e2. Phase II\u003cbr\u003e3. Phase III\u003cbr\u003e4. Phase IV\u003cbr\u003e5. Phase V\u003cbr\u003e6. Phase VI\u003cbr\u003e7. Phase VII\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first release to document the solo cello work of musician and composer Lucy Railton, the 40-minute composition Blue Veil recorded at Église du Saint-Esprit in Paris invites listeners into the realm of precision-tuned states of resonance: states made manifest through Railton’s careful traversal of her cello's most subtle acoustic characteristics as they harmonically interlock with mind’s embodied modalities of attention and imagination.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBlue Veil arises out of, is sustained in and finally dissolves back into Railton’s momentary presence with her intimate connection to the cello, a way of hearing that allows for a deeper engagement with harmonic resonance, one that opens a space for immediate encounters of mind and sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailton’s exploratory practice of harmonic perception emerges from a focus on the physical qualities of intervallic and chordal sounds, their textural qualities, degrees of friction, and inner pulsations. Composing in the moment guided by resonances within the cello’s body, her own, and their shared vibrational space, Railton moves through Blue Veil by giving sounds what they ask for: sounds of pure texture manifesting as a move through temporal transparency, sounds of rough texture marking regions of dimensionally\u003cspan class=\"bcTruncateMore\"\u003e dense space.\u003cbr\u003eRailton’s creative and highly refined use of just intonation harmony deforms sound's inner movements in ways that suggest a mode of listening that actively supplies imagery of sounds implied or completely absent rather than merely savouring those fully present. This active mode of “listening-with”, playfully and semi-metaphorically referred to by Railton as “sing-along music”, allows listening to reflexively participate in the music’s movement as it gradually passes through richly saturated domains of harmonic imagination. And just as the precision-tuned tones of Blue Veil lose their individuality when fusing multifaceted uniformity, listening’s structures of reference and recognition dissolve into nameless waves of intensity, continuously unfolding themselves upon and merging with the listener.\u003cbr\u003eBlue Veil is the result of a deep exploration of the inner worlds of tuning, an undertaking in turn informed by and emerging out of Railton’s realisations of the music of Catherine Lamb and Ellen Arkbro, her collaborative work with Kali Malone and Stephen O’Malley as well as her interpretive practice in performing the work of Maryanne Amacher, Morton Feldman and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA063cd\u003c\/p\u003e"}
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過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたCDです。 チェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。デジスリーブ、シュリンク仕様です。 以下、レーベルによる解説です。 "音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。 Railtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。Railtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。...
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{"id":8768777912570,"title":"Eliana Glass \/\/ E LP","handle":"eliana-glass-e-lp","description":"\u003cp\u003eオーストラリア出身アメリカ在住のピアニスト/シンガーソングライターが、2025年4月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eジャズ・ポップ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3140368094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. All My Life\u003cbr\u003e2. Shrine 03:51\u003cbr\u003e3. Good Friends Call Me E 03:55\u003cbr\u003e4. Flood\u003cbr\u003e5. Human Dust\u003cbr\u003e6. Solid Stone\u003cbr\u003e7. Dreams\u003cbr\u003e8. Sing Me Softly Of The Blues\u003cbr\u003e9. On The Way Down\u003cbr\u003e10. Song for Emahoy\u003cbr\u003e11. Da\u003cbr\u003e12. Good Friends Call Me E (reprise)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGlass’ experimental, improvisational works evoke the sensual minimalism of Annette Peacock, the joyful mysteriousness of Carla Bley, and the wistful intimacy of Sibylle Baier. Her reverence for leftfield jazz and free improv greats is evident, but it’s always filtered through her signature nascent, naturalistic sound. “Dreams” is a majestic take on Peacock’s spine-tingling 1971 track of the same name, “Sing Me Softly the Blues” is a minimal, arresting reimagination of Bley’s jazz standard with lyrics adapted by Norwegian vocalist Karin Krog, and “Emahoy” is a languorous tribute to Ethiopian pianist, composer, and nun Emahoy Tsegué-Maryam Guèbrou and her 2006 compilation Éthiopiques. Glass’ music rests on a tactile, mercurial sound and her vocal brawn and versatility. E’s slippery stabs of double bass and drums tickle the ear canal and accentuate the percussiveness of her distinctive low voice, which blends sonorous, androgynous poise with fluttering delicacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eE also has an enigmatic electronic bent that heightens the blurry emotions of Glass’ songwriting. From background hiss and windy vocals to kaleidoscopic synths, these subtle, tasteful adornments often came from specialized analog equipment: a 1960s underground echo chamber, a Cooper Time Cube (essentially, the hardware equivalent of processing audio through a garden hose), and a 1940s AEA ribbon microphone. But that doesn’t mean E sounds dated—Glass’ songs bloom with a forward-thinking spirit and ultimately function as vehicles for her heady emotions and fragmented memories and dreams...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eliana Glass\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP160lp\u003c\/p\u003e","published_at":"2025-04-20T10:30:55+09:00","created_at":"2025-04-20T09:33:13+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","shelter press"],"price":354600,"price_min":354600,"price_max":354600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47266506768634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Eliana Glass \/\/ E LP","public_title":null,"options":["Default Title"],"price":354600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411688","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eli1_16dd9080-99a5-4c4f-9034-a66e8da8738c.jpg?v=1745109048","\/\/tobirarecords.com\/cdn\/shop\/files\/eli2_87781041-0764-42a2-9a63-99913771b03f.jpg?v=1745109048"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eli1_16dd9080-99a5-4c4f-9034-a66e8da8738c.jpg?v=1745109048","options":["Title"],"media":[{"alt":null,"id":35906656764154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eli1_16dd9080-99a5-4c4f-9034-a66e8da8738c.jpg?v=1745109048"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eli1_16dd9080-99a5-4c4f-9034-a66e8da8738c.jpg?v=1745109048","width":700},{"alt":null,"id":35906656796922,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eli2_87781041-0764-42a2-9a63-99913771b03f.jpg?v=1745109048"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eli2_87781041-0764-42a2-9a63-99913771b03f.jpg?v=1745109048","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア出身アメリカ在住のピアニスト/シンガーソングライターが、2025年4月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eジャズ・ポップ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3140368094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. All My Life\u003cbr\u003e2. Shrine 03:51\u003cbr\u003e3. Good Friends Call Me E 03:55\u003cbr\u003e4. Flood\u003cbr\u003e5. Human Dust\u003cbr\u003e6. Solid Stone\u003cbr\u003e7. Dreams\u003cbr\u003e8. Sing Me Softly Of The Blues\u003cbr\u003e9. On The Way Down\u003cbr\u003e10. Song for Emahoy\u003cbr\u003e11. Da\u003cbr\u003e12. Good Friends Call Me E (reprise)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGlass’ experimental, improvisational works evoke the sensual minimalism of Annette Peacock, the joyful mysteriousness of Carla Bley, and the wistful intimacy of Sibylle Baier. Her reverence for leftfield jazz and free improv greats is evident, but it’s always filtered through her signature nascent, naturalistic sound. “Dreams” is a majestic take on Peacock’s spine-tingling 1971 track of the same name, “Sing Me Softly the Blues” is a minimal, arresting reimagination of Bley’s jazz standard with lyrics adapted by Norwegian vocalist Karin Krog, and “Emahoy” is a languorous tribute to Ethiopian pianist, composer, and nun Emahoy Tsegué-Maryam Guèbrou and her 2006 compilation Éthiopiques. Glass’ music rests on a tactile, mercurial sound and her vocal brawn and versatility. E’s slippery stabs of double bass and drums tickle the ear canal and accentuate the percussiveness of her distinctive low voice, which blends sonorous, androgynous poise with fluttering delicacy.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eE also has an enigmatic electronic bent that heightens the blurry emotions of Glass’ songwriting. From background hiss and windy vocals to kaleidoscopic synths, these subtle, tasteful adornments often came from specialized analog equipment: a 1960s underground echo chamber, a Cooper Time Cube (essentially, the hardware equivalent of processing audio through a garden hose), and a 1940s AEA ribbon microphone. But that doesn’t mean E sounds dated—Glass’ songs bloom with a forward-thinking spirit and ultimately function as vehicles for her heady emotions and fragmented memories and dreams...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eliana Glass\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : SP160lp\u003c\/p\u003e"}
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オーストラリア出身アメリカ在住のピアニスト/シンガーソングライターが、2025年4月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 ジャズ・ポップ12曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ releases...
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{"id":8768776405242,"title":"Kali Malone \/\/ The Sacrificial Code (2025 Edition) 2xLP","handle":"kali-malone-the-sacrificial-code-2xlp-copy","description":"\u003cp\u003eスウェーデン・ストックホルムのドローン作家Kali Maloneが、2025年4月にリリースした再発2枚組レコードです。(オリジナルは2019年リリース)\u003c\/p\u003e\n\u003cp\u003eオルガンによるミニマル・ドローン10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3681884855\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl in gatefold sleeve. Includes DL code.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spectacle Of Ritual\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:53\u003cbr\u003e2. Sacrificial Code 05:29\u003cbr\u003e3. Rose Wreath Crown (for CW)\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:26\u003cbr\u003e4. Sacer Profanare\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e08:48\u003cbr\u003e5. Litanic Cloth Wrung\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e13:25\u003cbr\u003e6. Fifth Worship II 07:50\u003cbr\u003e7. Hagakyrka Bells 01:08\u003cbr\u003e8. Sacrificial Code II 13:22\u003cbr\u003e9. Sacrificial Code III 04:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Williger, February 2025\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eSix years after its initial release, Ideologic Organ has reissued The Sacrificial Code, adorned with striking archival organ photography by Malone and including a new arrangement of the titular composition recorded in 2023 on the 16th-century meantone organ at Malmö Konstmuseum. The album remains one of the defining works of 21st-century minimalism, singular in its approach and impact. Its legacy has been defined by the revelatory experiences of those who encountered it, passed from listener to listener by word of mouth. The intensely personal experience of taking in these sounds, sitting with them for over an hour, absorbing each chordal shift in countless repetitions and finding oneself within them, became the driver of its slow cultural saturation. As she began regularly performing these pieces in churches and concert halls around the world, their impact deepened.\u003cbr\u003e\u003cbr\u003eTo produce the reissue, Malone went so far as to return to the copy machine at the legendary EMS studios in Stockholm to lay out the typography, revisiting the physical spaces in which it was created and remaining faithful to its DIY roots. The album’s first three pieces - “Spectacle of Ritual,” “Sacrificial Code,” and “Rose Wreath Crown (for CW)” - were captured voice by voice, each in single takes, on the Mats Arvidsson organ in Kirnberger III temperament as a part of her thesis. They were realized in isolation, and were originally presented as electroacoustic works on multi-channel speaker arrays in acousmoniums, speaker domes, and an abandoned iron mine. “Sacer Profanare,” “Litanic Cloth Wrung,” and “Fifth Worship II” were all recorded within two-hours of borrowed studio time on the Woehl organ at Studio Acusticum in Piteå; their patient and deliberate nature cutting through the hasty timeline of their capture. With each, Malone was developing and deploying self-taught close micing techniques to reproduce the most granular, air-filled sound of the instrument, bringing the listener into its stoically heaving guts.\u003cbr\u003e\u003cbr\u003eThe effect of all this careful work is a sense of time dilation, the physicality of the sound itself - the thunderous rolls of bass, the pitched hiss of the flue, the quivering dance of air molecules animated by dissonance - drawing attention away from the clock. Each piece cycles through purposefully constructed chord progressions, the repetition creating moments that can feel anthemic or mournful depending on the harmonic resonance and duration of the piece. These reiterations become so steady and expected that at the end of “Fifth Worship II,” when Malone switches off the organ mid-stream and the harmonics wither and fall, it feels like the ground slips away from under us. Repetition becomes the magnetic force shaping and stabilizing space and time...\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA060\u003c\/p\u003e","published_at":"2025-04-23T10:23:45+09:00","created_at":"2025-04-20T09:20:11+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","shelter press"],"price":527000,"price_min":527000,"price_max":527000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47266499428602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kali Malone \/\/ The Sacrificial Code (2025 Edition) 2xLP","public_title":null,"options":["Default Title"],"price":527000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408315","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/code1_d318ce74-1df9-4b1c-bcbe-fe3b9d33f8a3.jpg?v=1745108693","\/\/tobirarecords.com\/cdn\/shop\/files\/code2_10adbfbd-3db3-47b2-9f7f-326761227658.jpg?v=1745108693"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/code1_d318ce74-1df9-4b1c-bcbe-fe3b9d33f8a3.jpg?v=1745108693","options":["Title"],"media":[{"alt":null,"id":35906654830842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/code1_d318ce74-1df9-4b1c-bcbe-fe3b9d33f8a3.jpg?v=1745108693"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/code1_d318ce74-1df9-4b1c-bcbe-fe3b9d33f8a3.jpg?v=1745108693","width":700},{"alt":null,"id":35906654863610,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/code2_10adbfbd-3db3-47b2-9f7f-326761227658.jpg?v=1745108693"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/code2_10adbfbd-3db3-47b2-9f7f-326761227658.jpg?v=1745108693","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムのドローン作家Kali Maloneが、2025年4月にリリースした再発2枚組レコードです。(オリジナルは2019年リリース)\u003c\/p\u003e\n\u003cp\u003eオルガンによるミニマル・ドローン10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはRashad beckerが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3681884855\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl in gatefold sleeve. Includes DL code.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spectacle Of Ritual\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:53\u003cbr\u003e2. Sacrificial Code 05:29\u003cbr\u003e3. Rose Wreath Crown (for CW)\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e10:26\u003cbr\u003e4. Sacer Profanare\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e08:48\u003cbr\u003e5. Litanic Cloth Wrung\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e13:25\u003cbr\u003e6. Fifth Worship II 07:50\u003cbr\u003e7. Hagakyrka Bells 01:08\u003cbr\u003e8. Sacrificial Code II 13:22\u003cbr\u003e9. Sacrificial Code III 04:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt, written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Williger, February 2025\u003c\/span\u003e :\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eSix years after its initial release, Ideologic Organ has reissued The Sacrificial Code, adorned with striking archival organ photography by Malone and including a new arrangement of the titular composition recorded in 2023 on the 16th-century meantone organ at Malmö Konstmuseum. The album remains one of the defining works of 21st-century minimalism, singular in its approach and impact. Its legacy has been defined by the revelatory experiences of those who encountered it, passed from listener to listener by word of mouth. The intensely personal experience of taking in these sounds, sitting with them for over an hour, absorbing each chordal shift in countless repetitions and finding oneself within them, became the driver of its slow cultural saturation. As she began regularly performing these pieces in churches and concert halls around the world, their impact deepened.\u003cbr\u003e\u003cbr\u003eTo produce the reissue, Malone went so far as to return to the copy machine at the legendary EMS studios in Stockholm to lay out the typography, revisiting the physical spaces in which it was created and remaining faithful to its DIY roots. The album’s first three pieces - “Spectacle of Ritual,” “Sacrificial Code,” and “Rose Wreath Crown (for CW)” - were captured voice by voice, each in single takes, on the Mats Arvidsson organ in Kirnberger III temperament as a part of her thesis. They were realized in isolation, and were originally presented as electroacoustic works on multi-channel speaker arrays in acousmoniums, speaker domes, and an abandoned iron mine. “Sacer Profanare,” “Litanic Cloth Wrung,” and “Fifth Worship II” were all recorded within two-hours of borrowed studio time on the Woehl organ at Studio Acusticum in Piteå; their patient and deliberate nature cutting through the hasty timeline of their capture. With each, Malone was developing and deploying self-taught close micing techniques to reproduce the most granular, air-filled sound of the instrument, bringing the listener into its stoically heaving guts.\u003cbr\u003e\u003cbr\u003eThe effect of all this careful work is a sense of time dilation, the physicality of the sound itself - the thunderous rolls of bass, the pitched hiss of the flue, the quivering dance of air molecules animated by dissonance - drawing attention away from the clock. Each piece cycles through purposefully constructed chord progressions, the repetition creating moments that can feel anthemic or mournful depending on the harmonic resonance and duration of the piece. These reiterations become so steady and expected that at the end of “Fifth Worship II,” when Malone switches off the organ mid-stream and the harmonics wither and fall, it feels like the ground slips away from under us. Repetition becomes the magnetic force shaping and stabilizing space and time...\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kali Malone\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA060\u003c\/p\u003e"}
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スウェーデン・ストックホルムのドローン作家Kali Maloneが、2025年4月にリリースした再発2枚組レコードです。(オリジナルは2019年リリース) オルガンによるミニマル・ドローン10曲を収録。DLコード付属。 マスタリングはRashad beckerが担当しています。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
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{"id":8758122414330,"title":"Lucy Railton \/\/ Blue Veil LP","handle":"lucy-railton-blue-veil-lp","description":"\u003cp\u003e過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRailtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Blue Veil』は、キャサリン・ラムやエレン・アークブロの音楽、カリ・マローンやスティーヴン・オマリーとの共同作業、マリアンヌ・アマッハーやモートン・フェルドマンなどの作品を演奏する際の解釈の実践などから生まれた作品である。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1069641159\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins on the 18th of April.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 700.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phase I\u003cbr\u003e2. Phase II\u003cbr\u003e3. Phase III\u003cbr\u003e4. Phase IV\u003cbr\u003e5. Phase V\u003cbr\u003e6. Phase VI\u003cbr\u003e7. Phase VII\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first release to document the solo cello work of musician and composer Lucy Railton, the 40-minute composition Blue Veil recorded at Église du Saint-Esprit in Paris invites listeners into the realm of precision-tuned states of resonance: states made manifest through Railton’s careful traversal of her cello's most subtle acoustic characteristics as they harmonically interlock with mind’s embodied modalities of attention and imagination.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBlue Veil arises out of, is sustained in and finally dissolves back into Railton’s momentary presence with her intimate connection to the cello, a way of hearing that allows for a deeper engagement with harmonic resonance, one that opens a space for immediate encounters of mind and sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailton’s exploratory practice of harmonic perception emerges from a focus on the physical qualities of intervallic and chordal sounds, their textural qualities, degrees of friction, and inner pulsations. Composing in the moment guided by resonances within the cello’s body, her own, and their shared vibrational space, Railton moves through Blue Veil by giving sounds what they ask for: sounds of pure texture manifesting as a move through temporal transparency, sounds of rough texture marking regions of dimensionally\u003cspan class=\"bcTruncateMore\"\u003e dense space.\u003cbr\u003eRailton’s creative and highly refined use of just intonation harmony deforms sound's inner movements in ways that suggest a mode of listening that actively supplies imagery of sounds implied or completely absent rather than merely savouring those fully present. This active mode of “listening-with”, playfully and semi-metaphorically referred to by Railton as “sing-along music”, allows listening to reflexively participate in the music’s movement as it gradually passes through richly saturated domains of harmonic imagination. And just as the precision-tuned tones of Blue Veil lose their individuality when fusing multifaceted uniformity, listening’s structures of reference and recognition dissolve into nameless waves of intensity, continuously unfolding themselves upon and merging with the listener.\u003cbr\u003eBlue Veil is the result of a deep exploration of the inner worlds of tuning, an undertaking in turn informed by and emerging out of Railton’s realisations of the music of Catherine Lamb and Ellen Arkbro, her collaborative work with Kali Malone and Stephen O’Malley as well as her interpretive practice in performing the work of Maryanne Amacher, Morton Feldman and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA063lp\u003c\/p\u003e","published_at":"2025-04-08T13:35:53+09:00","created_at":"2025-04-07T08:37:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","recommended","shelter press"],"price":412000,"price_min":412000,"price_max":412000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47241423028474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lucy Railton \/\/ Blue Veil LP","public_title":null,"options":["Default Title"],"price":412000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408308","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/blue1.jpg?v=1743982579","\/\/tobirarecords.com\/cdn\/shop\/files\/blue2.jpg?v=1743982580"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/blue1.jpg?v=1743982579","options":["Title"],"media":[{"alt":null,"id":35844166156538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blue1.jpg?v=1743982579"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blue1.jpg?v=1743982579","width":700},{"alt":null,"id":35844166189306,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blue2.jpg?v=1743982580"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/blue2.jpg?v=1743982580","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRailtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Blue Veil』は、キャサリン・ラムやエレン・アークブロの音楽、カリ・マローンやスティーヴン・オマリーとの共同作業、マリアンヌ・アマッハーやモートン・フェルドマンなどの作品を演奏する際の解釈の実践などから生まれた作品である。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1069641159\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins on the 18th of April.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 700.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phase I\u003cbr\u003e2. Phase II\u003cbr\u003e3. Phase III\u003cbr\u003e4. Phase IV\u003cbr\u003e5. Phase V\u003cbr\u003e6. Phase VI\u003cbr\u003e7. Phase VII\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first release to document the solo cello work of musician and composer Lucy Railton, the 40-minute composition Blue Veil recorded at Église du Saint-Esprit in Paris invites listeners into the realm of precision-tuned states of resonance: states made manifest through Railton’s careful traversal of her cello's most subtle acoustic characteristics as they harmonically interlock with mind’s embodied modalities of attention and imagination.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBlue Veil arises out of, is sustained in and finally dissolves back into Railton’s momentary presence with her intimate connection to the cello, a way of hearing that allows for a deeper engagement with harmonic resonance, one that opens a space for immediate encounters of mind and sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailton’s exploratory practice of harmonic perception emerges from a focus on the physical qualities of intervallic and chordal sounds, their textural qualities, degrees of friction, and inner pulsations. Composing in the moment guided by resonances within the cello’s body, her own, and their shared vibrational space, Railton moves through Blue Veil by giving sounds what they ask for: sounds of pure texture manifesting as a move through temporal transparency, sounds of rough texture marking regions of dimensionally\u003cspan class=\"bcTruncateMore\"\u003e dense space.\u003cbr\u003eRailton’s creative and highly refined use of just intonation harmony deforms sound's inner movements in ways that suggest a mode of listening that actively supplies imagery of sounds implied or completely absent rather than merely savouring those fully present. This active mode of “listening-with”, playfully and semi-metaphorically referred to by Railton as “sing-along music”, allows listening to reflexively participate in the music’s movement as it gradually passes through richly saturated domains of harmonic imagination. And just as the precision-tuned tones of Blue Veil lose their individuality when fusing multifaceted uniformity, listening’s structures of reference and recognition dissolve into nameless waves of intensity, continuously unfolding themselves upon and merging with the listener.\u003cbr\u003eBlue Veil is the result of a deep exploration of the inner worlds of tuning, an undertaking in turn informed by and emerging out of Railton’s realisations of the music of Catherine Lamb and Ellen Arkbro, her collaborative work with Kali Malone and Stephen O’Malley as well as her interpretive practice in performing the work of Maryanne Amacher, Morton Feldman and others.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy Railton\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA063lp\u003c\/p\u003e"}
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過去にAnother Timberなどから発表しているイギリスのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたレコードです。 チェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。 以下、レーベルによる解説です。 "音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。 Railtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。Railtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。...
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{"id":8750125875450,"title":"Sissy Spacek \/\/ Entrance 2xLP","handle":"sissy-spacek-entrance-2xlp","description":"\u003cp\u003e当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4)のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品(「Web Of Unfolding Appearance」、「Figure Of Reflected Light」、「Trancher And The Inheritors」、「True Dimension (From The Opaque - Spike)」)として再構築された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミュージックコンクレートの歴史的なジェスチャーが、楽器以外の音源を利用する傾向があるのに対して、Sissy Spacekは、音素材を、固有の意味や連想に縛られることなく、変容させ、音楽性を吹き込むための生の要素とみなしている。Sissy Spacekは、この立場を覆し、あらゆる意味や関連性を持つ楽器の音源だけでなく、演奏者の個性や性格も利用したミュージックコンクレートの作品を発表している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのため、『Entrance』は、稀有な親密さと人間性によって定義されたサウンド・コラージュの作品である。4つの作品は、しばしばグループの即興演奏のような様相を呈しているが、実際には、時間と場所の外で組み立てられたものである。John Wieseのテープ・トリートメントとマニピュレーションが常に存在し、このアルバムの4つのコンポジションはそれぞれ、音の抽象化とテクスチャーの浸透という驚くべき状態を展開し、ハードシフトする構造が印象的で、アンビエントミュージックの緊張感と推進力として結実している:擦り傷、鳴き声、ガラガラのフィードバック、転がるドラム、跳ねるトーン、ささやき声、曲がったエレクトロニクス、電気工芸品、その他太陽の下にあるようなあらゆるものが、最もありえない出来事から、没入感のある崇高な音の媒介として構成されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078710279\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" double black vinyl. Gatefold sleeve. Edition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Web of Unfolding Appearance 09:53\u003cbr\u003e2. Figure of Reflected Light\u003cbr\u003e3. Trancher and the Inheritors\u003cbr\u003e4. True Dimension (From the Opaque-Spike) \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFounded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on its head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of its own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation\u003cspan class=\"bcTruncateMore\"\u003e and musique concrète. \u003cbr\u003e\u003cbr\u003eFiercely positioning its efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From its earliest releases - collage treatments of material gathered from the band’s full throttle practice sessions - the project’s conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regarding the location and action of their work. In recent years, this has led to an increasingly varied and diverse output. Percolating within, is a thread marked by a striking sense of delicacy and intimacy, driving forward while doubling as an unexpected challenge, in real time, to perceptions connected to the band’s past. Entrance is the most recent of these. \u003cbr\u003e\u003cbr\u003eEmbarking upon the four compositions that comprise the finalized four sides of Entrance, Wiese and Mumma enlisted longstanding collaborators, Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, and C Spencer Yeh, as well as new initiate, Ralf Wehowsky (of the seminal German electronic noise collective P16.D4), requesting a contribution of sounds from each, determined by a general set guidelines that dictated certain qualities the given sonorities, while allowing for the expression of each player’s distinct creative voice. The sets of resulting recordings were then chopped, harvested, manipulated, and reassembled as the four tape compositions that make up the album - Web Of Unfolding Appearance, Figure Of Reflected Light, Trancher And The Inheritors, True Dimension (From The Opaque - Spike) - each blurring the lines of authorship and clear creative proximity in remarkable ways. \u003cbr\u003e\u003cbr\u003eWhere historical gestures of musique concrète tend to draw upon non-instrumental sound sources - regarding its sonorous material as raw elements, unburdened by inherent meaning or association, to be transformed and imbued with musicality - Sissy Spacek turns this position on its head. Entrance comprises works of musique concrète that not only draw upon instrumental sound sources, with all their possible meanings or associations, but also individual characters and personalities of their players, crediting each resulting piece to its respective configuration of contributors. \u003cbr\u003e\u003cbr\u003eAs such, Entrance is an effort of sound collage defined by a rare sense of intimacy and humanity: four pieces that often take on the resemblance of group improvisation, but have, in fact, been assembled outside of time and place. Bent under the ever-present hand of Wiese’s tape treatments and manipulation, each of the album’s four compositions unfurl startling states of sonic abstraction and percolating texture, marked by a striking sense of hard-shifting structure, that culminate as tense, driven manifestations of ambient music: scrapes, squeals, rattles feedback, rolling drums, bouncing tones, whispers, bent electronics, electric artefacts, and seemingly everything else under the sun, configured into immersive, sublime mediations in sound from the most improbable events.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissy Spacek\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP161LP\u003c\/p\u003e","published_at":"2025-03-24T15:45:04+09:00","created_at":"2025-03-24T15:30:29+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","noise","shelter press"],"price":463000,"price_min":463000,"price_max":463000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47212623888634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sissy Spacek \/\/ Entrance 2xLP","public_title":null,"options":["Default Title"],"price":463000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411602","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","\/\/tobirarecords.com\/cdn\/shop\/files\/0038591685_10.jpg?v=1742797915"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","options":["Title"],"media":[{"alt":null,"id":35785214656762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0331847051_10.jpg?v=1742797914","width":1200},{"alt":null,"id":35785214689530,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038591685_10.jpg?v=1742797915"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038591685_10.jpg?v=1742797915","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店おなじみアメリカ・LAのノイズ・グラインドバンドSissy Spacekが、2025年3月にフランスの実験レーベルShelter Pressからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート4曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前世紀末に結成されたロサンゼルスを拠点とするプロジェクトSissy Spacekは、1990年代のアメリカンノイズとグラインドコアの結びつきの激しい文脈の中から生まれた。その後、John WieseとCharlie Mummaのデュオに落ち着くまで、幾度もの変遷を経て、この25年間バンドは絶えず進化を遂げ、自らの文脈の期待を裏切り、ノイズの極限にフリーインプロヴィゼーションやミュージックコンクレートへの繊細で洗練されたアプローチを加えてきた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Wieseは、Sissy Spacekをミュージックコンクレートの実践と極限の追求を中心に据えたものだと考えている。バンドのフルスロットルの練習セッションから集めた素材をコラージュ処理した初期のリリースから、このプロジェクトのコンセプトの枠組みは、戦術的なアプローチだけでなく、作品の場所や行為に関する定義や認識も練り直し、深く関与した実験的なプロセスの中で継続的に進化してきた。ここ数年、これはますます多様で多彩なアウトプットにつながっている。その中で、印象的な繊細さと親密さを特徴とする糸が、バンドの過去と結びついた認識に対する予期せぬ挑戦として、リアルタイムで二重の役割を果たしながら前進している。『Entrance』は、その中でも最も新しいものである。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Entrance』の最終的な4面を構成する4つのコンポジションに着手するにあたり、ヴィースとマッマは、ドイツの代表的なエレクトロニック・ノイズ集団P16.D4のラルフ・ウェホフスキーという新たなメンバーを迎えた。 D4)のラルフ・ヴェホウスキーに、各プレイヤーの創造的な声を表現できるようにしながらも、与えられたソノリティの質を規定する一般的なガイドラインによって決定された音の提供を依頼した。その結果、録音された一連の音は、切り刻まれ、採取され、操作され、アルバムを構成する4つのテープ作品(「Web Of Unfolding Appearance」、「Figure Of Reflected Light」、「Trancher And The Inheritors」、「True Dimension (From The Opaque - Spike)」)として再構築された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミュージックコンクレートの歴史的なジェスチャーが、楽器以外の音源を利用する傾向があるのに対して、Sissy Spacekは、音素材を、固有の意味や連想に縛られることなく、変容させ、音楽性を吹き込むための生の要素とみなしている。Sissy Spacekは、この立場を覆し、あらゆる意味や関連性を持つ楽器の音源だけでなく、演奏者の個性や性格も利用したミュージックコンクレートの作品を発表している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそのため、『Entrance』は、稀有な親密さと人間性によって定義されたサウンド・コラージュの作品である。4つの作品は、しばしばグループの即興演奏のような様相を呈しているが、実際には、時間と場所の外で組み立てられたものである。John Wieseのテープ・トリートメントとマニピュレーションが常に存在し、このアルバムの4つのコンポジションはそれぞれ、音の抽象化とテクスチャーの浸透という驚くべき状態を展開し、ハードシフトする構造が印象的で、アンビエントミュージックの緊張感と推進力として結実している:擦り傷、鳴き声、ガラガラのフィードバック、転がるドラム、跳ねるトーン、ささやき声、曲がったエレクトロニクス、電気工芸品、その他太陽の下にあるようなあらゆるものが、最もありえない出来事から、没入感のある崇高な音の媒介として構成されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078710279\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" double black vinyl. Gatefold sleeve. Edition of 500.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Web of Unfolding Appearance 09:53\u003cbr\u003e2. Figure of Reflected Light\u003cbr\u003e3. Trancher and the Inheritors\u003cbr\u003e4. True Dimension (From the Opaque-Spike) \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Entering its 26th year of activity, the morphing, Los Angeles based experimental outfit, Sissy Spacek, joins Shelter Press with Entrance, among the project’s most captivating outings to date. Encountering the duo of John Wiese and Charlie Mumma joined in various configurations by an incredible cast of collaborators - Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, Ralf Wehowsky, and C Spencer Yeh - collectively transformed into a series a deeply intimate and delicate gestures of musique concrète, Entrance radically repositions the possibilities presented by group improvisation outside of time and place. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFounded at the end of the last millennium, the Los Angeles based project, Sissy Spacek, initially emerged from the knotted, fiery context 1990s American noise and grindcore, producing sheets of visceral sonority that quickly set the scene on its head. Going through numerous evolutions, before eventually settling as a duo of John Wiese and Charlie Mumma - joined by a rotating and often recurring cast collaborators - over the last 25 years the band has continuously entered states of evolution that have defied the expectations of its own context, seeding the sonic extremes noise with subtle and sophisticated approaches to free improvisation\u003cspan class=\"bcTruncateMore\"\u003e and musique concrète. \u003cbr\u003e\u003cbr\u003eFiercely positioning its efforts within the outer reaches of contemporary experimental music, while resisting the constraints of a singular sound or proximity, Wiese regards Sissy Spacek as being primarily centred around the practice of musique concrète and the pursuit of extremes. From its earliest releases - collage treatments of material gathered from the band’s full throttle practice sessions - the project’s conceptual framework has continuously evolved within a deeply engaged process of experimentation, not only reworking tactical approaches, but also definitions and perception regarding the location and action of their work. In recent years, this has led to an increasingly varied and diverse output. Percolating within, is a thread marked by a striking sense of delicacy and intimacy, driving forward while doubling as an unexpected challenge, in real time, to perceptions connected to the band’s past. Entrance is the most recent of these. \u003cbr\u003e\u003cbr\u003eEmbarking upon the four compositions that comprise the finalized four sides of Entrance, Wiese and Mumma enlisted longstanding collaborators, Tim Barnes, Marco Fusinato, Aaron Hemphill, Brad Laner, Katsura Mouri, and C Spencer Yeh, as well as new initiate, Ralf Wehowsky (of the seminal German electronic noise collective P16.D4), requesting a contribution of sounds from each, determined by a general set guidelines that dictated certain qualities the given sonorities, while allowing for the expression of each player’s distinct creative voice. The sets of resulting recordings were then chopped, harvested, manipulated, and reassembled as the four tape compositions that make up the album - Web Of Unfolding Appearance, Figure Of Reflected Light, Trancher And The Inheritors, True Dimension (From The Opaque - Spike) - each blurring the lines of authorship and clear creative proximity in remarkable ways. \u003cbr\u003e\u003cbr\u003eWhere historical gestures of musique concrète tend to draw upon non-instrumental sound sources - regarding its sonorous material as raw elements, unburdened by inherent meaning or association, to be transformed and imbued with musicality - Sissy Spacek turns this position on its head. Entrance comprises works of musique concrète that not only draw upon instrumental sound sources, with all their possible meanings or associations, but also individual characters and personalities of their players, crediting each resulting piece to its respective configuration of contributors. \u003cbr\u003e\u003cbr\u003eAs such, Entrance is an effort of sound collage defined by a rare sense of intimacy and humanity: four pieces that often take on the resemblance of group improvisation, but have, in fact, been assembled outside of time and place. Bent under the ever-present hand of Wiese’s tape treatments and manipulation, each of the album’s four compositions unfurl startling states of sonic abstraction and percolating texture, marked by a striking sense of hard-shifting structure, that culminate as tense, driven manifestations of ambient music: scrapes, squeals, rattles feedback, rolling drums, bouncing tones, whispers, bent electronics, electric artefacts, and seemingly everything else under the sun, configured into immersive, sublime mediations in sound from the most improbable events.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissy Spacek\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP161LP\u003c\/p\u003e"}
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{"id":8741203673338,"title":"Golem Mecanique \/\/ Siamo tutti in pericolo LP","handle":"golem-mecanique-siamo-tutti-in-pericolo-lp","description":"\u003cp\u003eフランスのドローン作家Golem Mecaniqueが、2025年3月にフランス/アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eハーディガーディやチター、声による儀式的なドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=785053362\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. La notte 08:35\u003cbr\u003e2. Il giorno prima\u003cbr\u003e3. Teorema\u003cbr\u003e4. Il giorno\u003cbr\u003e5. La tua ultima serata\u003cbr\u003e6. Le lacrime di Maria\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eStephen O'Malley, 1 Sept 2024, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003eSiamo tutti in pericolo\" is the third album by Golem Mecanique, the nom de plume of French multi-instrumentalist composer Karen Jebane, to be released on Ideologic Organ. Jebane works within the fringes of contemporary folk (aka La Novea community), microtonal and early modern spheres, as well as touching upon the ashes and fibres of back metal and the DNA of gothic music, literature, sorcery and most of all - poetry. Jebane's work with the \"drone box\" (a mechanised hurdy-gurdy) and zither as a smooth and rippling surface for her singing is immediately evident in a nearly ceremonial way, inviting into a space of clear-dark creativity-beauty. On \"Siamo tutti in pericolo\", Jebane works with her forms of composition in new ways, poetic and spare execution of her techniques, through her homage\/hymns\/meditations on the highly irregular circumstances and questions\/mysteries of the passing of the soul of master artist Pier Paolo Pasolini. A perfect pairing with collage artist Julien Langendorff's cover art, \"Siamo tutti in pericolo\", presents a pure presentation of Jebane's \"Golem Mecanique\".\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Golem Mecanique\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA058lp\u003c\/p\u003e","published_at":"2025-03-11T14:52:14+09:00","created_at":"2025-03-10T14:31:30+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","shelter press"],"price":367000,"price_min":367000,"price_max":367000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47182227243258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Golem Mecanique \/\/ Siamo tutti in pericolo LP","public_title":null,"options":["Default Title"],"price":367000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408131","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tutti1.jpg?v=1741584516","\/\/tobirarecords.com\/cdn\/shop\/files\/tutti2.jpg?v=1741584516"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tutti1.jpg?v=1741584516","options":["Title"],"media":[{"alt":null,"id":35715133735162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tutti1.jpg?v=1741584516"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tutti1.jpg?v=1741584516","width":700},{"alt":null,"id":35715133767930,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tutti2.jpg?v=1741584516"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tutti2.jpg?v=1741584516","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのドローン作家Golem Mecaniqueが、2025年3月にフランス/アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eハーディガーディやチター、声による儀式的なドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=785053362\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. La notte 08:35\u003cbr\u003e2. Il giorno prima\u003cbr\u003e3. Teorema\u003cbr\u003e4. Il giorno\u003cbr\u003e5. La tua ultima serata\u003cbr\u003e6. Le lacrime di Maria\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eStephen O'Malley, 1 Sept 2024, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003eSiamo tutti in pericolo\" is the third album by Golem Mecanique, the nom de plume of French multi-instrumentalist composer Karen Jebane, to be released on Ideologic Organ. Jebane works within the fringes of contemporary folk (aka La Novea community), microtonal and early modern spheres, as well as touching upon the ashes and fibres of back metal and the DNA of gothic music, literature, sorcery and most of all - poetry. Jebane's work with the \"drone box\" (a mechanised hurdy-gurdy) and zither as a smooth and rippling surface for her singing is immediately evident in a nearly ceremonial way, inviting into a space of clear-dark creativity-beauty. On \"Siamo tutti in pericolo\", Jebane works with her forms of composition in new ways, poetic and spare execution of her techniques, through her homage\/hymns\/meditations on the highly irregular circumstances and questions\/mysteries of the passing of the soul of master artist Pier Paolo Pasolini. A perfect pairing with collage artist Julien Langendorff's cover art, \"Siamo tutti in pericolo\", presents a pure presentation of Jebane's \"Golem Mecanique\".\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Golem Mecanique\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : SOMA058lp\u003c\/p\u003e"}
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フランスのドローン作家Golem Mecaniqueが、2025年3月にフランス/アメリカの実験レーベルIdeologic Organからリリースしたレコードです。 ハーディガーディやチター、声による儀式的なドローン6曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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![Judith Hamann // Aunes LP [PRE-ORDER]](http://tobirarecords.com/cdn/shop/files/aun1_medium.jpg?v=1740215395)
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{"id":8728893980922,"title":"Judith Hamann \/\/ Aunes LP [PRE-ORDER]","handle":"judith-hamann-aunes-lp","description":"\u003cp\u003e過去にAnother TimbreやBlank Formsなどから発表しているオーストラリアのチェロ奏者Judith Hamannが、2025年3月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチェロや声によるアコースティック・ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"オーストラリアのチェリスト、作曲家、演奏家であるJudith Hamannによる貴重なソロ・アルバム。前作で聴かれたコラージュ・テクニックと拡張されたサウンドパレットを発展させ、シンセサイザー、オルガン、声、ロケーションレコーディングを、Hamannが奏でるまばゆいばかりにピュアで包み込むようなチェロの音色とともに駆使している。このレコードの名前は、国や素材によって異なるフランスの古い布地の測定単位に由来する。革命後、不動の基準として国立公文書館に寄託されたプラチナのメートルバーとは異なり、シルクのオーネとリネンのオーネは異なる。これと同じように、Hamannが「歌」と考えているこの6つの作品では、調律、拍子、旋律の形、音色といった形式的な側面は、音楽素材に普遍的に適用される抽象的なものではなく、使用された楽器や音、さらには音楽が作られた場所や共同体から切り離すことのできないものなのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e教会オルガンと無言歌のための繊細な二重唱「schloss, night」では、残響の多い教会空間でのざわめきや雑踏が幻の伴奏となり、半開きになったオルガンのストップから揺らめく音色の不穏な揺らぎによって徐々にその場を離れていく。「Casa Di Riposo, Gesu' Redentore」は、キウシュレの野外ミサに向かうために丘を登っていく様子を記録したもので、足音や虫の音、その他の付随音に近くて遠い声を重ねている。モニエク・ダージやリュック・フェラーリの作品のように、録音された場所は空間と時間の中で折りたたまれ、その記録的な機能は夢のような効果をもたらすために脱臼している。他の作品では、Hamannが柔らかく歌い、ハミングするヴォーカルの親密な儚さや、冒頭の「by the line」でマイクの向こう側でそよぐ衣服など、演奏する身体の存在が強調され、音楽の根拠となっている。Hamannが喘息の発作に苦しんでいる間に録音された口笛のレイヤーから作曲されたもので、想像上の鳥小屋のフィールドレコーディングとアンリ・ショパンのオーディオポエムの中間のような仕上がりとなっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHamannのこれまでのどのソロ作品よりも、Aunesには強いメロディセンスが貫かれている。たとえ「seventeen fabrics of measure」のように、音楽がほんの一本の糸でつながっているような場合でも。豊かなシンセのハーモニーを奏でる「by the line」は、『ハウンズ・オブ・ラヴ』のバックトラックの断片が溶け出したような曲だ。この曲は、オーバーダビングされた2人の声と、ジャスト・イントンのチェロの音の限りない深みとハーモニーの豊かさが組み合わされており、そのエレガントなスローモーションの弧の中でオッケガムやリンダ・ケイトリン・スミスを呼び起こす。Hamannにとって最も個人的な作品である『Aunes』は、この曲の多くが録音された仮設住宅のひとつ、アカデミー・シュロス・ソリチュードの友人であり住人でもあったウィルダー・アリソンが、染めた羊毛を縫い合わせて描いた絵の一部を再現した印象的なスリーブに入っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1362798960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases March 14, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. by the line\u003cbr\u003e2. Casa Di Riposo, Gesu’ Redentore\u003cbr\u003e3. seventeen fabrics of measure 06:15\u003cbr\u003e4. bruststärke (lung song)\u003cbr\u003e5. schloss, night\u003cbr\u003e6. neither from nor towards\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country and from material to material. Unlike the platinum metre bar deposited in the National Archives after the Revolution as an immovable standard, an aune of silk differed from an aune of linen: the measure could not be separated from the material. In much the same way, in these six pieces—which Hamann thinks of as ‘songs’—formal aspects such as tuning, pacing, melodic shape and timbre are not abstractions applied universally to musical material but are inextricable from the instruments and sounds used, even from the places and communities in which the music was made.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAudible location sound embeds the music in its place of making, as in the delicate duet for church organ and wordless singing ‘schloss, night’, where shuffles and cluttering in the\u003cspan class=\"bcTruncateMore\"\u003e reverberant church space form a phantom accompaniment, gradually displaced by a uneasy shimmer of wavering tones from half-opened organ stops. ‘Casa Di Riposo, Gesu’ Redentore’ documents a walk up a hill to an outdoor mass in Chiusure, layering voices near and far with footsteps, insects and other incidental sounds. Like in the work of Moniek Darge or Luc Ferrari, location recordings are folded on themselves in space and time, their documentary function dislocated to dreamlike effect. On other pieces, it is the emphatic presence of the performing body that grounds the music, whether in the intimate fragility of Hamann’s softly sung and hummed vocal tones or the clothing that rustles across a microphone on the opening ‘by the line’. The idea of a music inextricable from its material conditions is perhaps most strikingly communicated on the album’s briefest piece ‘bruststärke (lung song)’, composed from layered whistling recorded while Hamann suffered through an asthma flare up, the results halfway between field recordings of an imaginary aviary and the audiopoems of Henri Chopin.\u003cbr\u003e\u003cbr\u003eMore than any of Hamann’s previous solo works, a strong melodic sensibility runs through Aunes, even when, like on ‘seventeen fabrics of measure’, the music hangs together by the merest thread. At other points, Hamann’s love of pop music is more obvious: the rich synth harmonies of ‘by the line’ could almost be a melting fragment of a backing track from Hounds of Love. The expansive closing piece ‘neither from nor toward’ exemplifies the highly personal musical language that Hamann has developed in recent years through constant solo performance (and a rigorous discipline of instrumental practice), pairing two overdubbed voices with the boundless depth and harmonic richness of just-intoned cello notes, calling up Ockegham or Linda Caitlin Smith in its elegiac slow motion arcs. Hamann’s most personal work yet, Aunes arrives in a striking sleeve reproducing a section of a painting made from sewn pieces of dyed wool by Wilder Alison, a friend and fellow resident at Akademie Schloss Solitude, one of the temporary homes where much of this music was recorded.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Judith Hamann\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP154lp\u003c\/p\u003e","published_at":"2025-02-23T11:07:23+09:00","created_at":"2025-02-22T18:11:16+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","shelter press"],"price":369000,"price_min":369000,"price_max":369000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145080520954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Judith Hamann \/\/ Aunes LP [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":369000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411459","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395","\/\/tobirarecords.com\/cdn\/shop\/files\/aun2.jpg?v=1740215394"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395","options":["Title"],"media":[{"alt":null,"id":35610026836218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395","width":700},{"alt":null,"id":35610026868986,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun2.jpg?v=1740215394"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun2.jpg?v=1740215394","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にAnother TimbreやBlank Formsなどから発表しているオーストラリアのチェロ奏者Judith Hamannが、2025年3月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチェロや声によるアコースティック・ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"オーストラリアのチェリスト、作曲家、演奏家であるJudith Hamannによる貴重なソロ・アルバム。前作で聴かれたコラージュ・テクニックと拡張されたサウンドパレットを発展させ、シンセサイザー、オルガン、声、ロケーションレコーディングを、Hamannが奏でるまばゆいばかりにピュアで包み込むようなチェロの音色とともに駆使している。このレコードの名前は、国や素材によって異なるフランスの古い布地の測定単位に由来する。革命後、不動の基準として国立公文書館に寄託されたプラチナのメートルバーとは異なり、シルクのオーネとリネンのオーネは異なる。これと同じように、Hamannが「歌」と考えているこの6つの作品では、調律、拍子、旋律の形、音色といった形式的な側面は、音楽素材に普遍的に適用される抽象的なものではなく、使用された楽器や音、さらには音楽が作られた場所や共同体から切り離すことのできないものなのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e教会オルガンと無言歌のための繊細な二重唱「schloss, night」では、残響の多い教会空間でのざわめきや雑踏が幻の伴奏となり、半開きになったオルガンのストップから揺らめく音色の不穏な揺らぎによって徐々にその場を離れていく。「Casa Di Riposo, Gesu' Redentore」は、キウシュレの野外ミサに向かうために丘を登っていく様子を記録したもので、足音や虫の音、その他の付随音に近くて遠い声を重ねている。モニエク・ダージやリュック・フェラーリの作品のように、録音された場所は空間と時間の中で折りたたまれ、その記録的な機能は夢のような効果をもたらすために脱臼している。他の作品では、Hamannが柔らかく歌い、ハミングするヴォーカルの親密な儚さや、冒頭の「by the line」でマイクの向こう側でそよぐ衣服など、演奏する身体の存在が強調され、音楽の根拠となっている。Hamannが喘息の発作に苦しんでいる間に録音された口笛のレイヤーから作曲されたもので、想像上の鳥小屋のフィールドレコーディングとアンリ・ショパンのオーディオポエムの中間のような仕上がりとなっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHamannのこれまでのどのソロ作品よりも、Aunesには強いメロディセンスが貫かれている。たとえ「seventeen fabrics of measure」のように、音楽がほんの一本の糸でつながっているような場合でも。豊かなシンセのハーモニーを奏でる「by the line」は、『ハウンズ・オブ・ラヴ』のバックトラックの断片が溶け出したような曲だ。この曲は、オーバーダビングされた2人の声と、ジャスト・イントンのチェロの音の限りない深みとハーモニーの豊かさが組み合わされており、そのエレガントなスローモーションの弧の中でオッケガムやリンダ・ケイトリン・スミスを呼び起こす。Hamannにとって最も個人的な作品である『Aunes』は、この曲の多くが録音された仮設住宅のひとつ、アカデミー・シュロス・ソリチュードの友人であり住人でもあったウィルダー・アリソンが、染めた羊毛を縫い合わせて描いた絵の一部を再現した印象的なスリーブに入っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1362798960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases March 14, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. by the line\u003cbr\u003e2. Casa Di Riposo, Gesu’ Redentore\u003cbr\u003e3. seventeen fabrics of measure 06:15\u003cbr\u003e4. bruststärke (lung song)\u003cbr\u003e5. schloss, night\u003cbr\u003e6. neither from nor towards\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country and from material to material. Unlike the platinum metre bar deposited in the National Archives after the Revolution as an immovable standard, an aune of silk differed from an aune of linen: the measure could not be separated from the material. In much the same way, in these six pieces—which Hamann thinks of as ‘songs’—formal aspects such as tuning, pacing, melodic shape and timbre are not abstractions applied universally to musical material but are inextricable from the instruments and sounds used, even from the places and communities in which the music was made.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAudible location sound embeds the music in its place of making, as in the delicate duet for church organ and wordless singing ‘schloss, night’, where shuffles and cluttering in the\u003cspan class=\"bcTruncateMore\"\u003e reverberant church space form a phantom accompaniment, gradually displaced by a uneasy shimmer of wavering tones from half-opened organ stops. ‘Casa Di Riposo, Gesu’ Redentore’ documents a walk up a hill to an outdoor mass in Chiusure, layering voices near and far with footsteps, insects and other incidental sounds. Like in the work of Moniek Darge or Luc Ferrari, location recordings are folded on themselves in space and time, their documentary function dislocated to dreamlike effect. On other pieces, it is the emphatic presence of the performing body that grounds the music, whether in the intimate fragility of Hamann’s softly sung and hummed vocal tones or the clothing that rustles across a microphone on the opening ‘by the line’. The idea of a music inextricable from its material conditions is perhaps most strikingly communicated on the album’s briefest piece ‘bruststärke (lung song)’, composed from layered whistling recorded while Hamann suffered through an asthma flare up, the results halfway between field recordings of an imaginary aviary and the audiopoems of Henri Chopin.\u003cbr\u003e\u003cbr\u003eMore than any of Hamann’s previous solo works, a strong melodic sensibility runs through Aunes, even when, like on ‘seventeen fabrics of measure’, the music hangs together by the merest thread. At other points, Hamann’s love of pop music is more obvious: the rich synth harmonies of ‘by the line’ could almost be a melting fragment of a backing track from Hounds of Love. The expansive closing piece ‘neither from nor toward’ exemplifies the highly personal musical language that Hamann has developed in recent years through constant solo performance (and a rigorous discipline of instrumental practice), pairing two overdubbed voices with the boundless depth and harmonic richness of just-intoned cello notes, calling up Ockegham or Linda Caitlin Smith in its elegiac slow motion arcs. Hamann’s most personal work yet, Aunes arrives in a striking sleeve reproducing a section of a painting made from sewn pieces of dyed wool by Wilder Alison, a friend and fellow resident at Akademie Schloss Solitude, one of the temporary homes where much of this music was recorded.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Judith Hamann\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP154lp\u003c\/p\u003e"}
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過去にAnother TimbreやBlank Formsなどから発表しているオーストラリアのチェロ奏者Judith Hamannが、2025年3月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 チェロや声によるアコースティック・ドローン6曲を収録。 以下、レーベルによる解説です。 "オーストラリアのチェリスト、作曲家、演奏家であるJudith Hamannによる貴重なソロ・アルバム。前作で聴かれたコラージュ・テクニックと拡張されたサウンドパレットを発展させ、シンセサイザー、オルガン、声、ロケーションレコーディングを、Hamannが奏でるまばゆいばかりにピュアで包み込むようなチェロの音色とともに駆使している。このレコードの名前は、国や素材によって異なるフランスの古い布地の測定単位に由来する。革命後、不動の基準として国立公文書館に寄託されたプラチナのメートルバーとは異なり、シルクのオーネとリネンのオーネは異なる。これと同じように、Hamannが「歌」と考えているこの6つの作品では、調律、拍子、旋律の形、音色といった形式的な側面は、音楽素材に普遍的に適用される抽象的なものではなく、使用された楽器や音、さらには音楽が作られた場所や共同体から切り離すことのできないものなのだ。 教会オルガンと無言歌のための繊細な二重唱「schloss, night」では、残響の多い教会空間でのざわめきや雑踏が幻の伴奏となり、半開きになったオルガンのストップから揺らめく音色の不穏な揺らぎによって徐々にその場を離れていく。「Casa Di Riposo, Gesu'...
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{"id":8722398281978,"title":"Nina Garcia \/\/ Bye Bye Bird LP","handle":"nina-garcia-bye-bye-bird-lp","description":"\u003cp\u003eフランスのギタリストNina Garciaが、2025年1月にフランス/アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターによるドローン〜インプロ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナー\u003cspan\u003eThurston Moore\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Nina Garciaは、ノイズギターの芸術を驚くほど魅力的な新しい空間へと積極的に導いてきた。彼女はここしばらくの間、秘密兵器のように見え隠れしていた。彼女の音楽を聴き、彼女のパフォーマンスを見て反芻していると、ごく少数のミュージシャンにしかない気づきがある。少なくともNinaの音楽は、真剣かつ過激で、創造的衝動の瞬間に全面的に取り組んでいるように感じられる。『Bye Bye Bird』は、最も高貴で崇高なレコーディング・コレクションである。素晴らしいアルバムだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2191920208\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. 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As I listen to her music and ruminate upon seeing her perform it brings me to a realization which I have with very few musicians: the ego inherent in making art can be transcended through a purity of direct action. At least that’s the feeling I have when experiencing Nina’s music which comes across as serious and radical and wholly engaged in the moment of its creative impulse. With Bye Bye Bird she delivers her most exalted and sublime collection of recordings for all adventurous hearts to hear. A fantastic album.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nina Garcia\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT NO : SOMA059lp\u003c\/p\u003e","published_at":"2025-02-14T13:26:56+09:00","created_at":"2025-02-13T18:16:06+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","new","shelter press"],"price":376000,"price_min":376000,"price_max":376000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47125775483130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nina Garcia \/\/ Bye Bye Bird LP","public_title":null,"options":["Default Title"],"price":376000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408261","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/by1_18f33016-8f32-4010-bcbb-b896cbc76030.jpg?v=1739438068","\/\/tobirarecords.com\/cdn\/shop\/files\/by2.jpg?v=1739438067"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/by1_18f33016-8f32-4010-bcbb-b896cbc76030.jpg?v=1739438068","options":["Title"],"media":[{"alt":null,"id":35566530232570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/by1_18f33016-8f32-4010-bcbb-b896cbc76030.jpg?v=1739438068"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/by1_18f33016-8f32-4010-bcbb-b896cbc76030.jpg?v=1739438068","width":700},{"alt":null,"id":35566530265338,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/by2.jpg?v=1739438067"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/by2.jpg?v=1739438067","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのギタリストNina Garciaが、2025年1月にフランス/アメリカの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターによるドローン〜インプロ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルオーナー\u003cspan\u003eThurston Moore\u003c\/span\u003eによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Nina Garciaは、ノイズギターの芸術を驚くほど魅力的な新しい空間へと積極的に導いてきた。彼女はここしばらくの間、秘密兵器のように見え隠れしていた。彼女の音楽を聴き、彼女のパフォーマンスを見て反芻していると、ごく少数のミュージシャンにしかない気づきがある。少なくともNinaの音楽は、真剣かつ過激で、創造的衝動の瞬間に全面的に取り組んでいるように感じられる。『Bye Bye Bird』は、最も高貴で崇高なレコーディング・コレクションである。素晴らしいアルバムだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2191920208\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bye Bye Bird 07:48\u003cbr\u003e2. Le Leurre\u003cbr\u003e3. Ballade des Souffles 01:28\u003cbr\u003e4. Pick-up tentative\u003cbr\u003e5. Dans I'alios\u003cbr\u003e6. Harsh hopping\u003cbr\u003e7. Aubé\u003cbr\u003e8. Whistling Memories\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThurston Moore, London 2024, via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Nina Garcia has been actively moving the art of noise guitar into surprising and intriguing new spaces. She has been at it for some time now, a bit of a secret weapon all the while hiding in plain sight. As I listen to her music and ruminate upon seeing her perform it brings me to a realization which I have with very few musicians: the ego inherent in making art can be transcended through a purity of direct action. At least that’s the feeling I have when experiencing Nina’s music which comes across as serious and radical and wholly engaged in the moment of its creative impulse. With Bye Bye Bird she delivers her most exalted and sublime collection of recordings for all adventurous hearts to hear. A fantastic album.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nina Garcia\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT NO : SOMA059lp\u003c\/p\u003e"}
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フランスのギタリストNina Garciaが、2025年1月にフランス/アメリカの実験レーベルIdeologic Organからリリースしたレコードです。 ギターによるドローン〜インプロ8曲を収録。 以下、レーベルオーナーThurston Mooreによる解説です。 "Nina Garciaは、ノイズギターの芸術を驚くほど魅力的な新しい空間へと積極的に導いてきた。彼女はここしばらくの間、秘密兵器のように見え隠れしていた。彼女の音楽を聴き、彼女のパフォーマンスを見て反芻していると、ごく少数のミュージシャンにしかない気づきがある。少なくともNinaの音楽は、真剣かつ過激で、創造的衝動の瞬間に全面的に取り組んでいるように感じられる。『Bye Bye Bird』は、最も高貴で崇高なレコーディング・コレクションである。素晴らしいアルバムだ。" レーベルその他作品はこちら /// Click here to see more...
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{"id":8682617569530,"title":"Lisa Lerkenfeldt \/\/ Collagen LP","handle":"lisa-lerkenfeldt-collagen-lp","description":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2020年にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン6曲を収録。16ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259296074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Comes with 16-page booklet. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. In Her Hair 05:21\u003cbr\u003e2. Collagen 12:22\u003cbr\u003e3. Gates Of Desire 02:55\u003cbr\u003e4. Music For Three Combs 04:43\u003cbr\u003e5. The Weight Of History 06:30\u003cbr\u003e6. Champagne Smoke 04:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe music of Naarm\/Melbourne composer Lisa Lerkenfeldt channels a unique wavelength of foreboding, interstitial electronics, incorporating strategies of musique concréte threaded with veiled currents of melody and hypnosis. Recent recordings for Vienna Press, Longform Editions and Aught Void have demonstrated different depths of process and finesse but her latest, Collagen, captures perhaps the most complete and complex manifestation of her craft to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on a disciplined palette of peach wood combs, contact microphones, piano, strings, and feedback, the album moves in low, looming arcs, ascending to strange purgatories of opaque atmosphere. Lerkenfeldt cites a core aspiration to “elevate the everyday,” transforming common objects into otherworldly sound sources, which colors Collagen with a beguiling tactility, like vibrations traced in sand. The tracks shift in frequency and feeling, alternately heady and bodily, acoustic and synthetic, isolated states of static, light, and undertow skirting the outer rings of ambient, noise, and modern composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough each piece exists in its own rare air the composite panorama they present is striking in its sweep\u003cspan class=\"bcTruncateMore\"\u003e and subtlety. Lerkenfeldt's muse seems one of evasion as much as evocation, navigating negative spaces for their subliminal whispers of dread or beauty. It's an aesthetic both ascetic and exploratory, minimalist mirages of resonance, texture, and gravity skewed through the pensive glow of room tone.\u003cbr\u003e\u003cbr\u003eBut Lerkenfeldt is too versatile an artist for purist restraint, which Collagen demonstrates dramatically in its closing cut, “Champagne Smoke.” A quivering bowed eulogy ebbs under a flickering film of distortion, slowly swelling in sorrow until suddenly the screech goes silent, revealing a murmuring phantom haze hidden beneath the strings, like a specter lost in an abandoned house.\u003cbr\u003e\u003cbr\u003e14 Gestures associated with this album will be performed in experimental film and online viewing room of graphic notation at 14gestures.com from 29th July to 29th October, 2020.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Lerkenfeldt\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e","published_at":"2024-12-19T15:39:38+09:00","created_at":"2024-12-16T20:51:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","shelter press"],"price":377700,"price_min":377700,"price_max":377700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46956424593658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lisa Lerkenfeldt \/\/ Collagen LP","public_title":null,"options":["Default Title"],"price":377700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_87c31ee0-9121-447a-8844-73d45af4ad87.jpg?v=1734349769","\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_e0ecc443-b529-4b5e-a823-711569e3a531.jpg?v=1734349769"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_87c31ee0-9121-447a-8844-73d45af4ad87.jpg?v=1734349769","options":["Title"],"media":[{"alt":null,"id":35310654882042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_87c31ee0-9121-447a-8844-73d45af4ad87.jpg?v=1734349769"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_87c31ee0-9121-447a-8844-73d45af4ad87.jpg?v=1734349769","width":700},{"alt":null,"id":35310654914810,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_e0ecc443-b529-4b5e-a823-711569e3a531.jpg?v=1734349769"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_e0ecc443-b529-4b5e-a823-711569e3a531.jpg?v=1734349769","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2020年にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン6曲を収録。16ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259296074\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Comes with 16-page booklet. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. In Her Hair 05:21\u003cbr\u003e2. Collagen 12:22\u003cbr\u003e3. Gates Of Desire 02:55\u003cbr\u003e4. Music For Three Combs 04:43\u003cbr\u003e5. The Weight Of History 06:30\u003cbr\u003e6. Champagne Smoke 04:28\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe music of Naarm\/Melbourne composer Lisa Lerkenfeldt channels a unique wavelength of foreboding, interstitial electronics, incorporating strategies of musique concréte threaded with veiled currents of melody and hypnosis. Recent recordings for Vienna Press, Longform Editions and Aught Void have demonstrated different depths of process and finesse but her latest, Collagen, captures perhaps the most complete and complex manifestation of her craft to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on a disciplined palette of peach wood combs, contact microphones, piano, strings, and feedback, the album moves in low, looming arcs, ascending to strange purgatories of opaque atmosphere. Lerkenfeldt cites a core aspiration to “elevate the everyday,” transforming common objects into otherworldly sound sources, which colors Collagen with a beguiling tactility, like vibrations traced in sand. The tracks shift in frequency and feeling, alternately heady and bodily, acoustic and synthetic, isolated states of static, light, and undertow skirting the outer rings of ambient, noise, and modern composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough each piece exists in its own rare air the composite panorama they present is striking in its sweep\u003cspan class=\"bcTruncateMore\"\u003e and subtlety. Lerkenfeldt's muse seems one of evasion as much as evocation, navigating negative spaces for their subliminal whispers of dread or beauty. It's an aesthetic both ascetic and exploratory, minimalist mirages of resonance, texture, and gravity skewed through the pensive glow of room tone.\u003cbr\u003e\u003cbr\u003eBut Lerkenfeldt is too versatile an artist for purist restraint, which Collagen demonstrates dramatically in its closing cut, “Champagne Smoke.” A quivering bowed eulogy ebbs under a flickering film of distortion, slowly swelling in sorrow until suddenly the screech goes silent, revealing a murmuring phantom haze hidden beneath the strings, like a specter lost in an abandoned house.\u003cbr\u003e\u003cbr\u003e14 Gestures associated with this album will be performed in experimental film and online viewing room of graphic notation at 14gestures.com from 29th July to 29th October, 2020.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa Lerkenfeldt\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験音楽家Lisa Lerkenfeldtが、2020年にフランスの実験レーベルShelter Pressからリリースしたレコードです。 アンビエントドローン6曲を収録。16ページのブックレット付属。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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{"id":8682349363450,"title":"Ben Vida with Yarn\/Wire and Nina Dante \/\/ The Beat My Head Hit LP","handle":"ben-vida-with-yarn-wire-and-nina-dante-the-beat-my-head-hit-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカのエレクトロニック作家Ben Vidaが、2023年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eYarn\/WireアンサンブルとボーカリストNina Danteの共作となっており、声とピアノ、パーカッションをメインソースとして使用しております。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eこれまでの作風とは異なり、\u003c\/span\u003eアコースティック・アンビエント色が強く押し出た5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ben Vidaの音楽は、これまで電子音楽の外側でテキストの響きを探求してきましたが、ここではYarn\/WireカルテットとヴォーカリストのNina Dante とのコラボレーションにより、声とそれが宿る言葉が歌の時間軸に戻されます。抑制されたメロディと高められた雰囲気の組み合わせは、この音楽に親しみやすさを感じさせます。ピアノ、パーカッション、声というバンドで作られたような、柔らかな感触があります。4人の執事が同時並行的に努力することで、空中に浮いているような構成になっているます。5つの作品のペースは、急いだり緩んだりしながらも、決して言葉を追い越したり歪ませたりすることはありません。歌われている言葉の中に物語を見出すことができるでしょう、もしそれが必要なら。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eしかし、そこには見慣れない次元もあります。たくさんの糸、たくさんの時間軸があります。1つの物語、あるいは1000の物語、あるいはスクラップの羅列......完全でありながら生の言語、翻訳できる言語とできない言語。呼吸で融合する歌い手たち。質問と答え、対立の両側、ここにいるのかあそこにいるのかという感覚など、対立や二面性が一つの感情に引き寄せられ、感情とともに複数形になります。声は、あるスタンスをどのように表現するか、一体となって交渉しています。音楽的な合図は、必要に応じて緊張を与えます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe beat my head hitを構成する5つの作品は、Vidaが2018年にブルックリンのBAMで行った4つの声とエレクトロニクスのためのパフォーマンス「And So Now」をルーツに、この4年間でYarn\/Wireと共に開発されたものです。2005年に設立されたYarn\/Wireアンサンブルは、設立当初から幅広い実験的作曲家やサウンドアーティストとコラボレーションしており、最近ではサラ・ヘニーズ、アンネア・ロックウッド、キャサリン・ラム、アルヴィン・ルシエなどの作品を上演しています。一方、Vidaは音楽家とヴィジュアル・アーティストの両方の活動を続けており、エレクトロニクスのためのドローン調のソロ作品や、マルティナ・ローゼンフェルド、レア・ベルトゥッチなどのミュージシャンとの即興的なコラボレーションを行っています。VidaにとってYarn\/Wireとの共同作業は、まるでバンドに参加するようなものでした。初期の数回のライブ・パフォーマンスの後、スタジオで素材が何通りにも変化し、その過程でヴィダ、ダンテ、ラッセル・グリーンバーグ、ローラ・バーガーは、ヴィダが「4人の声のブレンドからなるメタ・ヴォイス」と呼ぶものを作り上げました。持続的なプレゼンス(言語がグループをユニゾンで呼吸する場所へと導くこと)は、この作品のバックボーンとなっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその存在感はエンジンでありながら、ネガティブ・スペースと吐息に満ちています。例えば、ヴィーダとダンテの声の距離が必然的に小さくなることで生まれる微妙なハーモニーに、思わず脱力してしまうようなスリリングさがあります。また、\"Drawn Evening \"の地中低音の導入は、息が詰まる?タイトル曲の早口言葉の代わりに、突然アンビエントな静けさが入り込んできたとき、言葉の退避もまた、ある種の呼吸の形なのだと感じます。The Beat My Head Hitは、周辺に起こることに真実や現実を見出すのではなく、ある種の平和を見出すのです。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165056358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn\/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by its four stewards through a simultaneity of effort. The pace, across five pieces, hurries and relaxes but never outruns or distends language. You could find a story in the words being sung, if that’s what you need.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut there are unfamiliar dimensions too. So many threads, so many timelines. A story or a thousand, or a litany of scraps: language complete but raw, language that can or cannot be translated. Singers fused at the breath. Oppositions or dualities—a question and an answer, two sides of a conflict, the sense of being here or over there—are drawn together into a single sentiment, plural with feeling. Voices negotiating in unison how to articulate a stance. Musical cues doling out tension as needed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe five pieces that make up The beat my head hit were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e developed with Yarn\/Wire over the last four years, with roots in Vida’s 2018 performance for four voices and electronics “And So Now” at BAM in Brooklyn. The Yarn\/Wire ensemble, founded in 2005, has been collaborating with a broad range of experimental composers and sound artists since its inception: most recently, they have performed work by the likes of Sarah Hennies, Annea Lockwood, Catherine Lamb, and Alvin Lucier. Vida, meanwhile, has maintained a practice as both a musician and a visual artist, which has included drone-leaning solo work for electronics as well as improvisatory collaborations with musicians including Martina Rosenfeld and Lea Bertucci. Working with Yarn\/Wire, for Vida, was something like joining a band. Following a few early live performances, the material was worked through in the studio across many permutations, a process during which Vida, Dante, Russell Greenberg, Laura Barger created what Vida calls “a meta-voice out of the blending of our four voices.” Sustained presence—language bringing a group to the place of breathing in unison—becomes the backbone of the piece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat presence is an engine, but it's still full of negative spaces and exhales. It's thrilling, for example, to find oneself disarmed by the subtle harmonies introduced by the inevitable but infinitesimal distance between Vida and Dante’s voices. Or the introduction of subterranean bass on “Drawn Evening”: breath trapped? When ambient stillness steps in out of nowhere to replace fast talk on the title track, the evacuation of language is some other form of breath, too. The beat my head hit finds not just truth or reality in what happens at the periphery, but a kind of peace.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida w\/ Yarn\/Wire and Nina Dante\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP145\u003c\/p\u003e","published_at":"2024-12-16T08:26:42+09:00","created_at":"2024-12-16T08:26:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","shelter press"],"price":457600,"price_min":457600,"price_max":457600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46955171971322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ben Vida with Yarn\/Wire and Nina Dante \/\/ The Beat My Head Hit LP","public_title":null,"options":["Default Title"],"price":457600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","options":["Title"],"media":[{"alt":null,"id":31999976767738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","width":700},{"alt":null,"id":31999976800506,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカのエレクトロニック作家Ben Vidaが、2023年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eYarn\/WireアンサンブルとボーカリストNina Danteの共作となっており、声とピアノ、パーカッションをメインソースとして使用しております。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eこれまでの作風とは異なり、\u003c\/span\u003eアコースティック・アンビエント色が強く押し出た5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ben Vidaの音楽は、これまで電子音楽の外側でテキストの響きを探求してきましたが、ここではYarn\/WireカルテットとヴォーカリストのNina Dante とのコラボレーションにより、声とそれが宿る言葉が歌の時間軸に戻されます。抑制されたメロディと高められた雰囲気の組み合わせは、この音楽に親しみやすさを感じさせます。ピアノ、パーカッション、声というバンドで作られたような、柔らかな感触があります。4人の執事が同時並行的に努力することで、空中に浮いているような構成になっているます。5つの作品のペースは、急いだり緩んだりしながらも、決して言葉を追い越したり歪ませたりすることはありません。歌われている言葉の中に物語を見出すことができるでしょう、もしそれが必要なら。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eしかし、そこには見慣れない次元もあります。たくさんの糸、たくさんの時間軸があります。1つの物語、あるいは1000の物語、あるいはスクラップの羅列......完全でありながら生の言語、翻訳できる言語とできない言語。呼吸で融合する歌い手たち。質問と答え、対立の両側、ここにいるのかあそこにいるのかという感覚など、対立や二面性が一つの感情に引き寄せられ、感情とともに複数形になります。声は、あるスタンスをどのように表現するか、一体となって交渉しています。音楽的な合図は、必要に応じて緊張を与えます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe beat my head hitを構成する5つの作品は、Vidaが2018年にブルックリンのBAMで行った4つの声とエレクトロニクスのためのパフォーマンス「And So Now」をルーツに、この4年間でYarn\/Wireと共に開発されたものです。2005年に設立されたYarn\/Wireアンサンブルは、設立当初から幅広い実験的作曲家やサウンドアーティストとコラボレーションしており、最近ではサラ・ヘニーズ、アンネア・ロックウッド、キャサリン・ラム、アルヴィン・ルシエなどの作品を上演しています。一方、Vidaは音楽家とヴィジュアル・アーティストの両方の活動を続けており、エレクトロニクスのためのドローン調のソロ作品や、マルティナ・ローゼンフェルド、レア・ベルトゥッチなどのミュージシャンとの即興的なコラボレーションを行っています。VidaにとってYarn\/Wireとの共同作業は、まるでバンドに参加するようなものでした。初期の数回のライブ・パフォーマンスの後、スタジオで素材が何通りにも変化し、その過程でヴィダ、ダンテ、ラッセル・グリーンバーグ、ローラ・バーガーは、ヴィダが「4人の声のブレンドからなるメタ・ヴォイス」と呼ぶものを作り上げました。持続的なプレゼンス(言語がグループをユニゾンで呼吸する場所へと導くこと)は、この作品のバックボーンとなっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその存在感はエンジンでありながら、ネガティブ・スペースと吐息に満ちています。例えば、ヴィーダとダンテの声の距離が必然的に小さくなることで生まれる微妙なハーモニーに、思わず脱力してしまうようなスリリングさがあります。また、\"Drawn Evening \"の地中低音の導入は、息が詰まる?タイトル曲の早口言葉の代わりに、突然アンビエントな静けさが入り込んできたとき、言葉の退避もまた、ある種の呼吸の形なのだと感じます。The Beat My Head Hitは、周辺に起こることに真実や現実を見出すのではなく、ある種の平和を見出すのです。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165056358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn\/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by its four stewards through a simultaneity of effort. The pace, across five pieces, hurries and relaxes but never outruns or distends language. You could find a story in the words being sung, if that’s what you need.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut there are unfamiliar dimensions too. So many threads, so many timelines. A story or a thousand, or a litany of scraps: language complete but raw, language that can or cannot be translated. Singers fused at the breath. Oppositions or dualities—a question and an answer, two sides of a conflict, the sense of being here or over there—are drawn together into a single sentiment, plural with feeling. Voices negotiating in unison how to articulate a stance. Musical cues doling out tension as needed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe five pieces that make up The beat my head hit were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e developed with Yarn\/Wire over the last four years, with roots in Vida’s 2018 performance for four voices and electronics “And So Now” at BAM in Brooklyn. The Yarn\/Wire ensemble, founded in 2005, has been collaborating with a broad range of experimental composers and sound artists since its inception: most recently, they have performed work by the likes of Sarah Hennies, Annea Lockwood, Catherine Lamb, and Alvin Lucier. Vida, meanwhile, has maintained a practice as both a musician and a visual artist, which has included drone-leaning solo work for electronics as well as improvisatory collaborations with musicians including Martina Rosenfeld and Lea Bertucci. Working with Yarn\/Wire, for Vida, was something like joining a band. Following a few early live performances, the material was worked through in the studio across many permutations, a process during which Vida, Dante, Russell Greenberg, Laura Barger created what Vida calls “a meta-voice out of the blending of our four voices.” Sustained presence—language bringing a group to the place of breathing in unison—becomes the backbone of the piece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat presence is an engine, but it's still full of negative spaces and exhales. It's thrilling, for example, to find oneself disarmed by the subtle harmonies introduced by the inevitable but infinitesimal distance between Vida and Dante’s voices. Or the introduction of subterranean bass on “Drawn Evening”: breath trapped? When ambient stillness steps in out of nowhere to replace fast talk on the title track, the evacuation of language is some other form of breath, too. The beat my head hit finds not just truth or reality in what happens at the periphery, but a kind of peace.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida w\/ Yarn\/Wire and Nina Dante\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP145\u003c\/p\u003e"}
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アメリカのエレクトロニック作家Ben Vidaが、2023年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 Yarn/WireアンサンブルとボーカリストNina Danteの共作となっており、声とピアノ、パーカッションをメインソースとして使用しております。 これまでの作風とは異なり、アコースティック・アンビエント色が強く押し出た5曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Ben Vidaの音楽は、これまで電子音楽の外側でテキストの響きを探求してきましたが、ここではYarn/WireカルテットとヴォーカリストのNina Dante とのコラボレーションにより、声とそれが宿る言葉が歌の時間軸に戻されます。抑制されたメロディと高められた雰囲気の組み合わせは、この音楽に親しみやすさを感じさせます。ピアノ、パーカッション、声というバンドで作られたような、柔らかな感触があります。4人の執事が同時並行的に努力することで、空中に浮いているような構成になっているます。5つの作品のペースは、急いだり緩んだりしながらも、決して言葉を追い越したり歪ませたりすることはありません。歌われている言葉の中に物語を見出すことができるでしょう、もしそれが必要なら。しかし、そこには見慣れない次元もあります。たくさんの糸、たくさんの時間軸があります。1つの物語、あるいは1000の物語、あるいはスクラップの羅列......完全でありながら生の言語、翻訳できる言語とできない言語。呼吸で融合する歌い手たち。質問と答え、対立の両側、ここにいるのかあそこにいるのかという感覚など、対立や二面性が一つの感情に引き寄せられ、感情とともに複数形になります。声は、あるスタンスをどのように表現するか、一体となって交渉しています。音楽的な合図は、必要に応じて緊張を与えます。The beat my head...
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{"id":8657231806714,"title":"Bernard Parmegiani \u0026 François Bayle \/\/ Divine Comédie 4xLP","handle":"bernard-parmegiani-francois-bayle-divine-comedie-4xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの大御所実験音楽家Bernard Parmegiani(1927-2013)とFrançois Bayleが、2024年11月に同国実験レーベルRecollection GRMからリリースした4枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの詩人ダンテの『神曲』を彼らなりのコンポジションに落とし込んだ47曲を収録。ポスターとDLコード付属。ゲートフォルド仕様です。\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"ダンテの詩と、サンドロ・ボッティチェリやギュスターヴ・ドレによる視覚的解釈のような音楽的野心を誇る。長い間、この三部作は、Bernard Parmegianiの地獄とFrançois Bayleの煉獄が、\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMichel Hermon\u003c\/span\u003eの声によって聴き手の想像力を導きながら、互いに呼応し、拡張し合う二面的な作品として提示されてきた。というのも、共同作曲され、ライヴで演奏された混成曲『パラダイス』は、これまで一度もレコード化されたことがなかったからだ。実際、初演から50年を経て、パラダイスは私たちの耳に披露され、まさにDivine Comedyの最初の完全版が完成したのである。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2187468733\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x 12\" black vinyl. Includes a poster and DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Bernard Parmegiani - Enfer – La découverte de l'ombre 03:53\u003cbr\u003e2. Bernard Parmegiani - Enfer – Les portes (1e contrainte) I - La bête 01:51\u003cbr\u003e3. Bernard Parmegiani - Enfer – Les portes II - Le chemin difficile 01:25\u003cbr\u003e4. Bernard Parmegiani - Enfer – Les portes III - Les portes de l'enfer 02:22\u003cbr\u003e5. Bernard Parmegiani - Enfer – Les portes IV - L´étendard humain 02:27\u003cbr\u003e6. Bernard Parmegiani - Enfer – Les portes V - Passage de l'Achéron 01:51\u003cbr\u003e7. Bernard Parmegiani - Enfer – L'impouvoir (2e contrainte) I - Béatrice 02:08\u003cbr\u003e8. Bernard Parmegiani - Enfer – L'impouvoir II - Désir sans espérance 01:55\u003cbr\u003e9. Bernard Parmegiani - Enfer – L'impouvoir III - Les châteaux 00:33\u003cbr\u003e10. Bernard Parmegiani - Enfer – L'impouvoir IV - L'ouragan infernal 02:32\u003cbr\u003e11. Bernard Parmegiani - Enfer – Mal-mort (3e contrainte) I - Mal-mort 04:10\u003cbr\u003e12. Bernard Parmegiani - Enfer – Mal-mort II - Le messager céleste 01:03\u003cbr\u003e13. Bernard Parmegiani - Enfer – Les monstres (4e contrainte) I - Femmes de griffe 01:58\u003cbr\u003e14. Bernard Parmegiani - Enfer – Les monstres II - Hommes de ronces 02:15\u003cbr\u003e15. Bernard Parmegiani - Enfer – Les monstres III - Métamorphoses 02:06\u003cbr\u003e16. Bernard Parmegiani - Enfer – Les monstres IV - Cerbères 01:07\u003cbr\u003e17. Bernard Parmegiani - Enfer – Les abysses (5e contrainte) I - Les abysses 03:56\u003cbr\u003e18. Bernard Parmegiani - Enfer – Les abysses II - Le Styx 03:48\u003cbr\u003e19. Bernard Parmegiani - Enfer – Les abysses III - Le rêve du rêve 02:49\u003cbr\u003e20. Bernard Parmegiani - Enfer – Fond de bleu (6e contrainte) I - Le phénix 00:41\u003cbr\u003e21. Bernard Parmegiani - Enfer – Fond de bleu II - Fond de bleu 02:25\u003cbr\u003e22. Bernard Parmegiani - Enfer – Le nœud ardent (7e contrainte) I - Bataille des dragons 03:23\u003cbr\u003e23. Bernard Parmegiani - Enfer – Le nœud ardent II - Le nœud ardent 06:40\u003cbr\u003e24. Bernard Parmegiani - Enfer – Le crépuscule de l'aube 03:50\u003cbr\u003e25. François Bayle - Purgatoire – Danse des chiffres 03:01\u003cbr\u003e26. François Bayle - Purgatoire – Chiffre 1 L'Ange de Dieu - le roseau 05:19\u003cbr\u003e27. François Bayle - Purgatoire – Chiffre 1 - ils… 01:35\u003cbr\u003e28. François Bayle - Purgatoire – Chiffre 1 - la barque 02:07\u003cbr\u003e29. François Bayle - Purgatoire – Chiffre 1 - danse du tremblement initial 03:06\u003cbr\u003e30. François Bayle - Purgatoire – Chiffre 2 La vallée des princes - polyphonie 1 00:51\u003cbr\u003e31. François Bayle - Purgatoire – Chiffre 2 - polyphonie 2 00:50\u003cbr\u003e32. François Bayle - Purgatoire – Chiffre 2 - longue attente 01:50\u003cbr\u003e33. François Bayle - Purgatoire – Chiffre 2 - rêve de l'aigle 02:34\u003cbr\u003e34. François Bayle - Purgatoire – Chiffre 3 La porte ou Deuxième Ange 06:29\u003cbr\u003e35. François Bayle - Purgatoire – Chiffre 4 Les sculptures - épreuve de l'orgueil 04:43\u003cbr\u003e36. François Bayle - Purgatoire – Chiffre 4 - ô notre père 06:02\u003cbr\u003e37. François Bayle - Purgatoire – Chiffre 5 Extase - polyphonie 3 06:13\u003cbr\u003e38. François Bayle - Purgatoire – Chiffre 6 L'Ange-Feu - danse en six parties 07:21\u003cbr\u003e39. François Bayle - Purgatoire – Chiffre 7 Épreuve des flammes - fusion 04:04\u003cbr\u003e40. François Bayle - Purgatoire – Chiffre 7 - maître de toi-même 02:25\u003cbr\u003e41. François Bayle - Purgatoire – Chiffre 8 Paradis terrestre — Béatrice - danse des trois dames 02:10\u003cbr\u003e42. François Bayle - Purgatoire – Chiffre 8 - la forêt 02:32\u003cbr\u003e43. François Bayle - Purgatoire – Chiffre 8 - Béatrice 03:06\u003cbr\u003e44. François Bayle - Purgatoire – Chiffre 9 Transparence - le repentir 01:33\u003cbr\u003e45. François Bayle - Purgatoire – Chiffre 9 - la vérité révélée 02:26\u003cbr\u003e46. François Bayle - Purgatoire – Chiffre 10 Figure supérieure 01:02\u003cbr\u003e47. Bernard Parmegiani, François Bayle - Paradis 21:50 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Divine Comedy stands as a magnum opus crafted by two of the foremost composers of their era, boasting a musical ambition akin to Dante’s poem and its visual interpretation by Sandro Botticelli or Gustave Doré. For a long time, this triptych was presented as a two-sided work in which Bernard Parmegiani’s Hell and François Bayle’s Purgatory responded to and extended each other, guided by Michel Hermon’s voice through the listener’s imagination. Because Paradise, a mixed piece co-composed and performed live, had never been released on record before. Indeed, fifty years after its premiere, Paradise is unveiled to our ears, thereby rounding off the very first complete edition of the Divine Comedy.\"\u003cbr\u003e\u003cbr\u003e— \u003cbr\u003e\u003cbr\u003eSébastien ROUX '50 frequency and amplitude modulated sine waves describing a landscape' \u003cbr\u003eIn his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the\u003cspan class=\"bcTruncateMore\"\u003e electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani \u0026amp; François Bayle\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e\n\u003cp\u003eCat No : REGRM032\u003c\/p\u003e","published_at":"2024-11-04T13:31:24+09:00","created_at":"2024-11-04T13:19:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","new","recommended","shelter press"],"price":635000,"price_min":635000,"price_max":635000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46822779814138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bernard Parmegiani \u0026 François Bayle \/\/ Divine Comédie 4xLP","public_title":null,"options":["Default Title"],"price":635000,"weight":830,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411428","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106","\/\/tobirarecords.com\/cdn\/shop\/files\/0037182567_10.jpg?v=1730694107"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106","options":["Title"],"media":[{"alt":null,"id":35144903033082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0640647024_16.jpg?v=1730694106","width":700},{"alt":null,"id":35144903098618,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037182567_10.jpg?v=1730694107"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037182567_10.jpg?v=1730694107","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの大御所実験音楽家Bernard Parmegiani(1927-2013)とFrançois Bayleが、2024年11月に同国実験レーベルRecollection GRMからリリースした4枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの詩人ダンテの『神曲』を彼らなりのコンポジションに落とし込んだ47曲を収録。ポスターとDLコード付属。ゲートフォルド仕様です。\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"ダンテの詩と、サンドロ・ボッティチェリやギュスターヴ・ドレによる視覚的解釈のような音楽的野心を誇る。長い間、この三部作は、Bernard Parmegianiの地獄とFrançois Bayleの煉獄が、\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMichel Hermon\u003c\/span\u003eの声によって聴き手の想像力を導きながら、互いに呼応し、拡張し合う二面的な作品として提示されてきた。というのも、共同作曲され、ライヴで演奏された混成曲『パラダイス』は、これまで一度もレコード化されたことがなかったからだ。実際、初演から50年を経て、パラダイスは私たちの耳に披露され、まさにDivine Comedyの最初の完全版が完成したのである。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2187468733\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x 12\" black vinyl. Includes a poster and DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Bernard Parmegiani - Enfer – La découverte de l'ombre 03:53\u003cbr\u003e2. Bernard Parmegiani - Enfer – Les portes (1e contrainte) I - La bête 01:51\u003cbr\u003e3. Bernard Parmegiani - Enfer – Les portes II - Le chemin difficile 01:25\u003cbr\u003e4. Bernard Parmegiani - Enfer – Les portes III - Les portes de l'enfer 02:22\u003cbr\u003e5. Bernard Parmegiani - Enfer – Les portes IV - L´étendard humain 02:27\u003cbr\u003e6. Bernard Parmegiani - Enfer – Les portes V - Passage de l'Achéron 01:51\u003cbr\u003e7. Bernard Parmegiani - Enfer – L'impouvoir (2e contrainte) I - Béatrice 02:08\u003cbr\u003e8. Bernard Parmegiani - Enfer – L'impouvoir II - Désir sans espérance 01:55\u003cbr\u003e9. Bernard Parmegiani - Enfer – L'impouvoir III - Les châteaux 00:33\u003cbr\u003e10. Bernard Parmegiani - Enfer – L'impouvoir IV - L'ouragan infernal 02:32\u003cbr\u003e11. Bernard Parmegiani - Enfer – Mal-mort (3e contrainte) I - Mal-mort 04:10\u003cbr\u003e12. Bernard Parmegiani - Enfer – Mal-mort II - Le messager céleste 01:03\u003cbr\u003e13. Bernard Parmegiani - Enfer – Les monstres (4e contrainte) I - Femmes de griffe 01:58\u003cbr\u003e14. Bernard Parmegiani - Enfer – Les monstres II - Hommes de ronces 02:15\u003cbr\u003e15. Bernard Parmegiani - Enfer – Les monstres III - Métamorphoses 02:06\u003cbr\u003e16. Bernard Parmegiani - Enfer – Les monstres IV - Cerbères 01:07\u003cbr\u003e17. Bernard Parmegiani - Enfer – Les abysses (5e contrainte) I - Les abysses 03:56\u003cbr\u003e18. Bernard Parmegiani - Enfer – Les abysses II - Le Styx 03:48\u003cbr\u003e19. Bernard Parmegiani - Enfer – Les abysses III - Le rêve du rêve 02:49\u003cbr\u003e20. Bernard Parmegiani - Enfer – Fond de bleu (6e contrainte) I - Le phénix 00:41\u003cbr\u003e21. Bernard Parmegiani - Enfer – Fond de bleu II - Fond de bleu 02:25\u003cbr\u003e22. Bernard Parmegiani - Enfer – Le nœud ardent (7e contrainte) I - Bataille des dragons 03:23\u003cbr\u003e23. Bernard Parmegiani - Enfer – Le nœud ardent II - Le nœud ardent 06:40\u003cbr\u003e24. Bernard Parmegiani - Enfer – Le crépuscule de l'aube 03:50\u003cbr\u003e25. François Bayle - Purgatoire – Danse des chiffres 03:01\u003cbr\u003e26. François Bayle - Purgatoire – Chiffre 1 L'Ange de Dieu - le roseau 05:19\u003cbr\u003e27. François Bayle - Purgatoire – Chiffre 1 - ils… 01:35\u003cbr\u003e28. François Bayle - Purgatoire – Chiffre 1 - la barque 02:07\u003cbr\u003e29. François Bayle - Purgatoire – Chiffre 1 - danse du tremblement initial 03:06\u003cbr\u003e30. François Bayle - Purgatoire – Chiffre 2 La vallée des princes - polyphonie 1 00:51\u003cbr\u003e31. François Bayle - Purgatoire – Chiffre 2 - polyphonie 2 00:50\u003cbr\u003e32. François Bayle - Purgatoire – Chiffre 2 - longue attente 01:50\u003cbr\u003e33. François Bayle - Purgatoire – Chiffre 2 - rêve de l'aigle 02:34\u003cbr\u003e34. François Bayle - Purgatoire – Chiffre 3 La porte ou Deuxième Ange 06:29\u003cbr\u003e35. François Bayle - Purgatoire – Chiffre 4 Les sculptures - épreuve de l'orgueil 04:43\u003cbr\u003e36. François Bayle - Purgatoire – Chiffre 4 - ô notre père 06:02\u003cbr\u003e37. François Bayle - Purgatoire – Chiffre 5 Extase - polyphonie 3 06:13\u003cbr\u003e38. François Bayle - Purgatoire – Chiffre 6 L'Ange-Feu - danse en six parties 07:21\u003cbr\u003e39. François Bayle - Purgatoire – Chiffre 7 Épreuve des flammes - fusion 04:04\u003cbr\u003e40. François Bayle - Purgatoire – Chiffre 7 - maître de toi-même 02:25\u003cbr\u003e41. François Bayle - Purgatoire – Chiffre 8 Paradis terrestre — Béatrice - danse des trois dames 02:10\u003cbr\u003e42. François Bayle - Purgatoire – Chiffre 8 - la forêt 02:32\u003cbr\u003e43. François Bayle - Purgatoire – Chiffre 8 - Béatrice 03:06\u003cbr\u003e44. François Bayle - Purgatoire – Chiffre 9 Transparence - le repentir 01:33\u003cbr\u003e45. François Bayle - Purgatoire – Chiffre 9 - la vérité révélée 02:26\u003cbr\u003e46. François Bayle - Purgatoire – Chiffre 10 Figure supérieure 01:02\u003cbr\u003e47. Bernard Parmegiani, François Bayle - Paradis 21:50 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Divine Comedy stands as a magnum opus crafted by two of the foremost composers of their era, boasting a musical ambition akin to Dante’s poem and its visual interpretation by Sandro Botticelli or Gustave Doré. For a long time, this triptych was presented as a two-sided work in which Bernard Parmegiani’s Hell and François Bayle’s Purgatory responded to and extended each other, guided by Michel Hermon’s voice through the listener’s imagination. Because Paradise, a mixed piece co-composed and performed live, had never been released on record before. Indeed, fifty years after its premiere, Paradise is unveiled to our ears, thereby rounding off the very first complete edition of the Divine Comedy.\"\u003cbr\u003e\u003cbr\u003e— \u003cbr\u003e\u003cbr\u003eSébastien ROUX '50 frequency and amplitude modulated sine waves describing a landscape' \u003cbr\u003eIn his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the\u003cspan class=\"bcTruncateMore\"\u003e electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bernard Parmegiani \u0026amp; François Bayle\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e\n\u003cp\u003eCat No : REGRM032\u003c\/p\u003e"}
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フランスの大御所実験音楽家Bernard Parmegiani(1927-2013)とFrançois Bayleが、2024年11月に同国実験レーベルRecollection GRMからリリースした4枚組レコードです。 イタリアの詩人ダンテの『神曲』を彼らなりのコンポジションに落とし込んだ47曲を収録。ポスターとDLコード付属。ゲートフォルド仕様です。 以下、レーベルによる解説です。 "ダンテの詩と、サンドロ・ボッティチェリやギュスターヴ・ドレによる視覚的解釈のような音楽的野心を誇る。長い間、この三部作は、Bernard Parmegianiの地獄とFrançois Bayleの煉獄が、Michel Hermonの声によって聴き手の想像力を導きながら、互いに呼応し、拡張し合う二面的な作品として提示されてきた。というのも、共同作曲され、ライヴで演奏された混成曲『パラダイス』は、これまで一度もレコード化されたことがなかったからだ。実際、初演から50年を経て、パラダイスは私たちの耳に披露され、まさにDivine Comedyの最初の完全版が完成したのである。" レーベルその他作品はこちら /// Click here to see...
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{"id":8648700297466,"title":"Pierre Henry \/\/ Labyrinthe ! 2xLP","handle":"pierre-henry-labyrinthe-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・パリの実験音楽家Pierre Henry(1927-2017)が、2024年11月に同国実験レーベルPortraits GRMからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン10曲を収録。ゲートフォルド仕様です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e『Labyrinthe!』は、Pierre Henryの卓越したレパートリーの中でも非常にユニークな作品であるだけでなく、彼の作曲技術と音楽的特異性を顕著に示すものでもある。実際、この曲のためにPierre Henryは、彼自身の、そうでなければ不可欠な音素材を奪われた。当時のGRMの共同制作者たちから提供された音は、それぞれ独自の物語、感性、特質を持っている。しかし、この食い違いにもかかわらず、Pierre Henryの声、彼自身の音楽の息づかいとダイナミクスがすぐに現れる。この音の迷路を通して、Pierre Henryが並外れた明晰さと決意をもって適用する、音、その発展、その使用に完全に焦点を絞った音楽が生まれる。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3436296910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in embossed gatefold sleeve. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Enfoncement 07:44\u003cbr\u003e2. Gouffre Circulaire\u003cbr\u003e3. Noyau Secret\u003cbr\u003e4. Apesanteur\u003cbr\u003e5. Entrailles\u003cbr\u003e6. Four Solaire\u003cbr\u003e7. Fissures\u003cbr\u003e8. Mer Intérieure\u003cbr\u003e9. Éruption\u003cbr\u003e10. Remontée\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAn expedition in sound in 10 sequences: Enfoncement [Deep Sink], Gouffre circulaire [Circular Abyss], Noyau secret [Secret Core], Apesanteur [Weightlessness], Entrailles [Entrails], Four solaire [Solar Furnace], Fissures [Cracks], Mer intérieure [Inner Sea], Éruption [Eruption], Remontée [Ascension].\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLabyrinthe ! is not only a very unique piece in Pierre Henry’s masterful repertoire, but also a remarkable demonstration of his compositional skills and musical singularity. Indeed, for this piece, Pierre Henry was deprived of his own, otherwise essential, sonic material. Here, the sounds, provided by GRM collaborators at the time, carry their own distinct stories, sensitivities and qualities. Yet, despite this discrepancy, Pierre Henry’s voice, the breath and dynamics of his own music, quickly appear. Through this sonic maze, a music arises, utterly focused on sounds, their development and their use, which Pierre Henry applies with extraordinary clarity and determination.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pierre Henry\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e\n\u003cp\u003eCAT No : REGRM031\u003c\/p\u003e","published_at":"2024-10-23T14:52:53+09:00","created_at":"2024-10-22T14:59:04+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","monooto","new","shelter press"],"price":467500,"price_min":467500,"price_max":467500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46774261022970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pierre Henry \/\/ Labyrinthe ! 2xLP","public_title":null,"options":["Default Title"],"price":467500,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411268","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hen1.jpg?v=1729576648","\/\/tobirarecords.com\/cdn\/shop\/files\/hen2.jpg?v=1729576647"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hen1.jpg?v=1729576648","options":["Title"],"media":[{"alt":null,"id":35093949120762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hen1.jpg?v=1729576648"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hen1.jpg?v=1729576648","width":700},{"alt":null,"id":35093949153530,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hen2.jpg?v=1729576647"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hen2.jpg?v=1729576647","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランス・パリの実験音楽家Pierre Henry(1927-2017)が、2024年11月に同国実験レーベルPortraits GRMからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン10曲を収録。ゲートフォルド仕様です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e『Labyrinthe!』は、Pierre Henryの卓越したレパートリーの中でも非常にユニークな作品であるだけでなく、彼の作曲技術と音楽的特異性を顕著に示すものでもある。実際、この曲のためにPierre Henryは、彼自身の、そうでなければ不可欠な音素材を奪われた。当時のGRMの共同制作者たちから提供された音は、それぞれ独自の物語、感性、特質を持っている。しかし、この食い違いにもかかわらず、Pierre Henryの声、彼自身の音楽の息づかいとダイナミクスがすぐに現れる。この音の迷路を通して、Pierre Henryが並外れた明晰さと決意をもって適用する、音、その発展、その使用に完全に焦点を絞った音楽が生まれる。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3436296910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl in embossed gatefold sleeve. Includes DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Enfoncement 07:44\u003cbr\u003e2. Gouffre Circulaire\u003cbr\u003e3. Noyau Secret\u003cbr\u003e4. Apesanteur\u003cbr\u003e5. Entrailles\u003cbr\u003e6. Four Solaire\u003cbr\u003e7. Fissures\u003cbr\u003e8. Mer Intérieure\u003cbr\u003e9. Éruption\u003cbr\u003e10. Remontée\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eRecollection GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eAn expedition in sound in 10 sequences: Enfoncement [Deep Sink], Gouffre circulaire [Circular Abyss], Noyau secret [Secret Core], Apesanteur [Weightlessness], Entrailles [Entrails], Four solaire [Solar Furnace], Fissures [Cracks], Mer intérieure [Inner Sea], Éruption [Eruption], Remontée [Ascension].\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLabyrinthe ! is not only a very unique piece in Pierre Henry’s masterful repertoire, but also a remarkable demonstration of his compositional skills and musical singularity. Indeed, for this piece, Pierre Henry was deprived of his own, otherwise essential, sonic material. Here, the sounds, provided by GRM collaborators at the time, carry their own distinct stories, sensitivities and qualities. Yet, despite this discrepancy, Pierre Henry’s voice, the breath and dynamics of his own music, quickly appear. Through this sonic maze, a music arises, utterly focused on sounds, their development and their use, which Pierre Henry applies with extraordinary clarity and determination.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pierre Henry\u003c\/p\u003e\n\u003cp\u003eLabel : Recollection GRM\u003c\/p\u003e\n\u003cp\u003eCAT No : REGRM031\u003c\/p\u003e"}
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フランス・パリの実験音楽家Pierre Henry(1927-2017)が、2024年11月に同国実験レーベルPortraits GRMからリリースした2枚組レコードです。 コラージュ・ドローン10曲を収録。ゲートフォルド仕様です。DLコード付属。 以下、レーベルによる解説です。 『Labyrinthe!』は、Pierre Henryの卓越したレパートリーの中でも非常にユニークな作品であるだけでなく、彼の作曲技術と音楽的特異性を顕著に示すものでもある。実際、この曲のためにPierre Henryは、彼自身の、そうでなければ不可欠な音素材を奪われた。当時のGRMの共同制作者たちから提供された音は、それぞれ独自の物語、感性、特質を持っている。しかし、この食い違いにもかかわらず、Pierre Henryの声、彼自身の音楽の息づかいとダイナミクスがすぐに現れる。この音の迷路を通して、Pierre Henryが並外れた明晰さと決意をもって適用する、音、その発展、その使用に完全に焦点を絞った音楽が生まれる。" レーベルその他作品はこちら /// Click here to see more...
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{"id":8647552696570,"title":"Flora Yin Wong \/ Sébastien Roux \/\/ Trigram for Earth \/ 50 Frequency and Amplitude Modulated Sine Waves Describing a Landscape LP","handle":"flora-yin-wong-sebastien-roux-trigram-for-earth-50-frequency-and-amplitude-modulated-sine-waves-describing-a-landscape-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンのFlora Yin Wongとフランス・パリのSébastien Rouxアンビエント作家2名が、2024年10月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Flora Yin Wongによる「Trigram for Earth」は、伝統的な8面のパクア鏡と、その各縁に刻まれた卦からインスピレーションを得ている。鏡の機能は、現実が互いに相反する力によって構成されていることを示し、それらを調整することである。ここでは、エネルギーが操作され、私たちの耳を導くようである。音の迷路に迷い込み、回折され、彼女の記憶、執着、彼女の中にある断片を通して、アーティスト自身の耳と融合する。Flora Yin Wongは、私たちを多面的な音の探求へと誘い、解放された音の力の蛇行、彼女自身の聴力の聴診、そして断片化された永遠に神秘的な内なる世界への扉への旅へと誘う。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eSébastien Roux「風景を描写する50の周波数と振幅変調されたサイン波」\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eは、アルゴリズミックな作曲のアプローチを自然界の観察に応用したもので、海の音と鳥のさえずりを電子的な領域に持ち込み、緩やかな変調のプロセスによって互いを変換する。Sébastien Rouxは、2つの自然主義的な絵画の間にある純粋な音の抽象的な空間を探求し、シンセシスの世界についての魅力的な瞑想を私たちに提供し、手段の経済性と偉大な形式的な優雅さをもって、音のシミュラクルの魔法と人工の奇妙な美しさを、音楽的であると同時に究極的には詩的なジェスチャーで明らかにする。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1067135172\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1067135172\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1823433704\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Flora Yin Wong - Trigram for Earth 18:34\u003cbr\u003e2. Sébastien Roux - 50 Frequency and Amplitude Modulated Sine Waves Describing a Landscape 16:59 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e\"Flora YIN WONG 'Trigram for Earth' \u003cbr\u003eTrigram for Earth, by Flora Yin Wong, is inspired by traditional eight-sided Pakua mirrors and the trigrams inscribed on each of their edges. The function of the mirrors is to show the nature of reality as being composed of mutually opposing forces and modulate them. Here, energies seem to be manipulated to guide and direct our listening, lost in a maze of sound, diffracted to the point of merging with the artist's own listening, through her memories, her obsessions, the fragments she carries within her. Flora Yin Wong invites us to embark on a multi-faceted investigation of sound, a journey through the meanders of liberated sonic forces, an auscultation of her own listening and a portal, at last, ajar to a fragmented and forever mysterious inner world. \u003cbr\u003e\u003cbr\u003e— \u003cbr\u003e\u003cbr\u003eSébastien ROUX '50 frequency and amplitude modulated sine waves describing a landscape' \u003cbr\u003eIn his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the\u003cspan class=\"bcTruncateMore\"\u003e electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Flora Yin Wong \/ Sébastien Roux\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e\n\u003cp\u003eCat No : SPGRM011lp\u003c\/p\u003e","published_at":"2024-10-20T17:33:30+09:00","created_at":"2024-10-20T17:17:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","monooto","new","shelter press"],"price":314000,"price_min":314000,"price_max":314000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46767956820218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Flora Yin Wong \/ Sébastien Roux \/\/ Trigram for Earth \/ 50 Frequency and Amplitude Modulated Sine Waves Describing a Landscape LP","public_title":null,"options":["Default Title"],"price":314000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411367","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2569847223_16.jpg?v=1729412392","\/\/tobirarecords.com\/cdn\/shop\/files\/0037046320_10.jpg?v=1729412390"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2569847223_16.jpg?v=1729412392","options":["Title"],"media":[{"alt":null,"id":35083123949818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2569847223_16.jpg?v=1729412392"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2569847223_16.jpg?v=1729412392","width":700},{"alt":null,"id":35083123818746,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037046320_10.jpg?v=1729412390"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037046320_10.jpg?v=1729412390","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンのFlora Yin Wongとフランス・パリのSébastien Rouxアンビエント作家2名が、2024年10月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Flora Yin Wongによる「Trigram for Earth」は、伝統的な8面のパクア鏡と、その各縁に刻まれた卦からインスピレーションを得ている。鏡の機能は、現実が互いに相反する力によって構成されていることを示し、それらを調整することである。ここでは、エネルギーが操作され、私たちの耳を導くようである。音の迷路に迷い込み、回折され、彼女の記憶、執着、彼女の中にある断片を通して、アーティスト自身の耳と融合する。Flora Yin Wongは、私たちを多面的な音の探求へと誘い、解放された音の力の蛇行、彼女自身の聴力の聴診、そして断片化された永遠に神秘的な内なる世界への扉への旅へと誘う。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eSébastien Roux「風景を描写する50の周波数と振幅変調されたサイン波」\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eは、アルゴリズミックな作曲のアプローチを自然界の観察に応用したもので、海の音と鳥のさえずりを電子的な領域に持ち込み、緩やかな変調のプロセスによって互いを変換する。Sébastien Rouxは、2つの自然主義的な絵画の間にある純粋な音の抽象的な空間を探求し、シンセシスの世界についての魅力的な瞑想を私たちに提供し、手段の経済性と偉大な形式的な優雅さをもって、音のシミュラクルの魔法と人工の奇妙な美しさを、音楽的であると同時に究極的には詩的なジェスチャーで明らかにする。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1067135172\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1067135172\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1823433704\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Flora Yin Wong - Trigram for Earth 18:34\u003cbr\u003e2. Sébastien Roux - 50 Frequency and Amplitude Modulated Sine Waves Describing a Landscape 16:59 \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e\"Flora YIN WONG 'Trigram for Earth' \u003cbr\u003eTrigram for Earth, by Flora Yin Wong, is inspired by traditional eight-sided Pakua mirrors and the trigrams inscribed on each of their edges. The function of the mirrors is to show the nature of reality as being composed of mutually opposing forces and modulate them. Here, energies seem to be manipulated to guide and direct our listening, lost in a maze of sound, diffracted to the point of merging with the artist's own listening, through her memories, her obsessions, the fragments she carries within her. Flora Yin Wong invites us to embark on a multi-faceted investigation of sound, a journey through the meanders of liberated sonic forces, an auscultation of her own listening and a portal, at last, ajar to a fragmented and forever mysterious inner world. \u003cbr\u003e\u003cbr\u003e— \u003cbr\u003e\u003cbr\u003eSébastien ROUX '50 frequency and amplitude modulated sine waves describing a landscape' \u003cbr\u003eIn his work '50 frequency and amplitude modulated sine waves describing a landscape,' Sébastien Roux applies his approach to algorithmic composition to the observation of the natural world, bringing the sound of the sea and the song of birds into the\u003cspan class=\"bcTruncateMore\"\u003e electronic domain, transmuting them into each other through a slow process of gradual modulation. Exploring the abstract space of pure sounds between two naturalistic tableaux, Sébastien Roux offers us a fascinating meditation on the world of synthesis, revealing, with an economy of means and great formal elegance, the magic of sonic simulacrum and the strange beauty of the artificial, in a gesture that is ultimately as poetic as it is musical. \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Flora Yin Wong \/ Sébastien Roux\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM (Recollection GRM)\u003c\/p\u003e\n\u003cp\u003eCat No : SPGRM011lp\u003c\/p\u003e"}
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イギリス・ロンドンのFlora Yin Wongとフランス・パリのSébastien Rouxアンビエント作家2名が、2024年10月にフランスの実験レーベルPortraits GRMからリリースしたスプリットレコードです。 ロングフォームなコラージュ・アンビエント〜ドローン2曲を収録。 マスタリングはGiuseppe Ielashiが担当しています。 以下、レーベルによる解説です。 "Flora Yin Wongによる「Trigram for Earth」は、伝統的な8面のパクア鏡と、その各縁に刻まれた卦からインスピレーションを得ている。鏡の機能は、現実が互いに相反する力によって構成されていることを示し、それらを調整することである。ここでは、エネルギーが操作され、私たちの耳を導くようである。音の迷路に迷い込み、回折され、彼女の記憶、執着、彼女の中にある断片を通して、アーティスト自身の耳と融合する。Flora...
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{"id":8638402134266,"title":"Félicia Atkinson \/\/ Space As An Instrument LP \/ CD","handle":"felicia-atkinson-space-as-an-instrument-lp-cd","description":"\u003cp\u003eフランスのアンビエント作家Felicia Atkinsonが、2024年10月に自身主宰レーベルShelter Pressからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eピアノやフィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"地球での生活で普遍的な体験のひとつは、首をかしげながら宇宙を見つめることだ。自分の内的生活の広大さと宇宙の広大さが出会い、その瞬間、それらの視点は驚きと好奇心の中で融合する。フランスのアーティストであり音楽家でもあるFélicia Atkinsonのニューアルバム『Space as an instrument』は、リスナーを、心が開放的で環境に対して受容的であるとき、そのような変容的な出会いの中で生まれる幻想的な風景へと誘う。夜空の広大さに吸い込まれるように、この音楽はイマジネーションを膨らませ、計り知れない神秘の中に心地よく身を置く手助けをしてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eエレクトロニクスのささくれや、発音された子音など、音楽の端々にある音と絡み合いながら、抑制された反復的なメロディーによって語られる。これらはAtkinsonの携帯電話で録音されたもので、鍵盤の横や背後に置かれ、部屋の音が滲んで、出会いの場所と時間を感じさせる。彼女はこれらのセッションを、彼女とピアノが交わり、渦巻くようなフレーズや茫漠とした不協和音を刻一刻と共創していく会議だと表現している。このダイナミズムを複雑にしているのは、ダイオードとLEDディスプレイという超現実的な空間に存在するデジタルピアノの存在である。デジタルピアノは、ダイオードとLEDディスプレイの超現実的な空間に存在し、3次元のピアノのアバターとして機能する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれでも、人、水、風の住む世界は、楽器として『Space』全体を通して聴くことができる。多くの場合、これらの録音はエレクトロニクスの背景と一体化し、あるいは物理的な形態が不明瞭な動きの音に還元される。『Sorry 』では力強い突風にマイクが緊張し、『Pensées Magiques 』では目に見えない地形を横切るリズミカルな足音。これらのフィールドレコーディングは、私たちを共感覚的体験の瀬戸際へと誘い、想像力の地形を耳で垣間見ることを可能にしてくれる。しかし、Atkinsonの音楽は、このシーンに対する特異な視点や明確な結論に抵抗する。「それは何も説明しない」と彼女は言う。しかし、それは私がそれを知覚する方法を、どうにかして翻訳する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xsUh-PasZQY?si=5Tipfngg8CgHOqby\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PAx9LTSZTpA?si=ohGmmhIlaxp_wV5u\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The healing 04:04\u003cbr\u003e2. This was her reply\u003cbr\u003e3. Thinking iceberg 12:50\u003cbr\u003e4. La pluie\u003cbr\u003e5. Sorry\u003cbr\u003e6. Shall I return to you\u003cbr\u003e7. Pensées magiques\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOne of the universal experiences of life on Earth is staring, neck craned, at the cosmos. The vastness of one’s internal life meets the vastness of space, and in that moment those perspectives fuse in a state of wonder and curiosity. Space as an instrument, the new album by French artist and musician Félicia Atkinson, invites listeners to explore the phantasmic landscapes created in such transformative encounters, when the mind is open and receptive to its environment. Like being absorbed by the immensity of the night sky, this music dilates the imagination and helps us to sit comfortably in the mystery of the ineffable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are guided through Space as an instrument by the piano, its alinear story told through restrained, iterative melodies that become entwined with the sounds at the music’s margins - a wisp of electronics, a pinprick of an enunciated consonant. They were recorded on Atkinson’s phone, which was placed next to the keys, or behind her, with the sound of the room bleeding through to give a sense of the place and time of the encounter. She describes these sessions as meetings where she and the piano commune to co-create these spiraling phrases and vaporous dissonances moment by moment. Complicating this dynamic is the presence of\u003cspan class=\"bcTruncateMore\"\u003e digital pianos, which exist in the surreal space of diodes and LED displays. They act as avatars of their three-dimensional counterparts: nowhere and everywhere simultaneously.\u003cbr\u003e\u003cbr\u003eStill, the inhabited world of people, water, and wind can be heard throughout Space as an instrument. Often these recordings are integrated into the backdrop of electronics, or reduced to the sound of movements whose physical forms are obscured: the microphone straining against a forceful gust on “Sorry,” arhythmic footsteps traversing an invisible terrain on “Pensées Magiques.” These field recordings take us to the brink of synesthetic experience, allowing us to glimpse with our ear the topography of the imagination. But Atkinson’s music resists any kind of singular perspective on the scene, or any distinct conclusion. “It doesn’t explain anything,” she says, “but it translates the way I perceive it, somehow.”...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP155\u003c\/p\u003e\n\u003cp\u003eBARCODE : 788362411343 \/ 788362411305\u003c\/p\u003e","published_at":"2024-10-08T18:32:23+09:00","created_at":"2024-10-08T16:46:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","lp","neo classical","new","shelter press"],"price":228000,"price_min":228000,"price_max":357000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46726884884730,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42415198503162,"product_id":8638402134266,"position":2,"created_at":"2024-10-08T16:43:47+09:00","updated_at":"2024-10-08T16:43:48+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428","variant_ids":[46726884884730]},"available":false,"name":"Félicia Atkinson \/\/ Space As An Instrument LP \/ CD - LP","public_title":"LP","options":["LP"],"price":357000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411305","featured_media":{"alt":null,"id":35015554892026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46726884917498,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42415198535930,"product_id":8638402134266,"position":3,"created_at":"2024-10-08T16:43:47+09:00","updated_at":"2024-10-08T16:43:48+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428","variant_ids":[46726884917498]},"available":false,"name":"Félicia Atkinson \/\/ Space As An Instrument LP \/ CD - CD","public_title":"CD","options":["CD"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411343","featured_media":{"alt":null,"id":35015554957562,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428","\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428","options":["Format"],"media":[{"alt":null,"id":35015554859258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_8d747cce-9456-4cdd-8e44-e354644a54c9.jpg?v=1728373428","width":700},{"alt":null,"id":35015554892026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_3eb76515-d440-4f9f-9bab-376308ecd98b.jpg?v=1728373428","width":1200},{"alt":null,"id":35015554957562,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in3_dc6363b6-48aa-4ddb-8d78-9de8fa33de9b.jpg?v=1728373428","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのアンビエント作家Felicia Atkinsonが、2024年10月に自身主宰レーベルShelter Pressからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eピアノやフィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"地球での生活で普遍的な体験のひとつは、首をかしげながら宇宙を見つめることだ。自分の内的生活の広大さと宇宙の広大さが出会い、その瞬間、それらの視点は驚きと好奇心の中で融合する。フランスのアーティストであり音楽家でもあるFélicia Atkinsonのニューアルバム『Space as an instrument』は、リスナーを、心が開放的で環境に対して受容的であるとき、そのような変容的な出会いの中で生まれる幻想的な風景へと誘う。夜空の広大さに吸い込まれるように、この音楽はイマジネーションを膨らませ、計り知れない神秘の中に心地よく身を置く手助けをしてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eエレクトロニクスのささくれや、発音された子音など、音楽の端々にある音と絡み合いながら、抑制された反復的なメロディーによって語られる。これらはAtkinsonの携帯電話で録音されたもので、鍵盤の横や背後に置かれ、部屋の音が滲んで、出会いの場所と時間を感じさせる。彼女はこれらのセッションを、彼女とピアノが交わり、渦巻くようなフレーズや茫漠とした不協和音を刻一刻と共創していく会議だと表現している。このダイナミズムを複雑にしているのは、ダイオードとLEDディスプレイという超現実的な空間に存在するデジタルピアノの存在である。デジタルピアノは、ダイオードとLEDディスプレイの超現実的な空間に存在し、3次元のピアノのアバターとして機能する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれでも、人、水、風の住む世界は、楽器として『Space』全体を通して聴くことができる。多くの場合、これらの録音はエレクトロニクスの背景と一体化し、あるいは物理的な形態が不明瞭な動きの音に還元される。『Sorry 』では力強い突風にマイクが緊張し、『Pensées Magiques 』では目に見えない地形を横切るリズミカルな足音。これらのフィールドレコーディングは、私たちを共感覚的体験の瀬戸際へと誘い、想像力の地形を耳で垣間見ることを可能にしてくれる。しかし、Atkinsonの音楽は、このシーンに対する特異な視点や明確な結論に抵抗する。「それは何も説明しない」と彼女は言う。しかし、それは私がそれを知覚する方法を、どうにかして翻訳する。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/xsUh-PasZQY?si=5Tipfngg8CgHOqby\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PAx9LTSZTpA?si=ohGmmhIlaxp_wV5u\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The healing 04:04\u003cbr\u003e2. This was her reply\u003cbr\u003e3. Thinking iceberg 12:50\u003cbr\u003e4. La pluie\u003cbr\u003e5. Sorry\u003cbr\u003e6. Shall I return to you\u003cbr\u003e7. Pensées magiques\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOne of the universal experiences of life on Earth is staring, neck craned, at the cosmos. The vastness of one’s internal life meets the vastness of space, and in that moment those perspectives fuse in a state of wonder and curiosity. Space as an instrument, the new album by French artist and musician Félicia Atkinson, invites listeners to explore the phantasmic landscapes created in such transformative encounters, when the mind is open and receptive to its environment. Like being absorbed by the immensity of the night sky, this music dilates the imagination and helps us to sit comfortably in the mystery of the ineffable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe are guided through Space as an instrument by the piano, its alinear story told through restrained, iterative melodies that become entwined with the sounds at the music’s margins - a wisp of electronics, a pinprick of an enunciated consonant. They were recorded on Atkinson’s phone, which was placed next to the keys, or behind her, with the sound of the room bleeding through to give a sense of the place and time of the encounter. She describes these sessions as meetings where she and the piano commune to co-create these spiraling phrases and vaporous dissonances moment by moment. Complicating this dynamic is the presence of\u003cspan class=\"bcTruncateMore\"\u003e digital pianos, which exist in the surreal space of diodes and LED displays. They act as avatars of their three-dimensional counterparts: nowhere and everywhere simultaneously.\u003cbr\u003e\u003cbr\u003eStill, the inhabited world of people, water, and wind can be heard throughout Space as an instrument. Often these recordings are integrated into the backdrop of electronics, or reduced to the sound of movements whose physical forms are obscured: the microphone straining against a forceful gust on “Sorry,” arhythmic footsteps traversing an invisible terrain on “Pensées Magiques.” These field recordings take us to the brink of synesthetic experience, allowing us to glimpse with our ear the topography of the imagination. But Atkinson’s music resists any kind of singular perspective on the scene, or any distinct conclusion. “It doesn’t explain anything,” she says, “but it translates the way I perceive it, somehow.”...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Félicia Atkinson\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP155\u003c\/p\u003e\n\u003cp\u003eBARCODE : 788362411343 \/ 788362411305\u003c\/p\u003e"}
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フランスのアンビエント作家Felicia Atkinsonが、2024年10月に自身主宰レーベルShelter Pressからリリースしたアルバムです。 ピアノやフィールドレコーディング、スポークンワードを用いたネオクラシカル・アンビエント7曲を収録。 以下、レーベルによる解説です。 "地球での生活で普遍的な体験のひとつは、首をかしげながら宇宙を見つめることだ。自分の内的生活の広大さと宇宙の広大さが出会い、その瞬間、それらの視点は驚きと好奇心の中で融合する。フランスのアーティストであり音楽家でもあるFélicia Atkinsonのニューアルバム『Space as an instrument』は、リスナーを、心が開放的で環境に対して受容的であるとき、そのような変容的な出会いの中で生まれる幻想的な風景へと誘う。夜空の広大さに吸い込まれるように、この音楽はイマジネーションを膨らませ、計り知れない神秘の中に心地よく身を置く手助けをしてくれる。 エレクトロニクスのささくれや、発音された子音など、音楽の端々にある音と絡み合いながら、抑制された反復的なメロディーによって語られる。これらはAtkinsonの携帯電話で録音されたもので、鍵盤の横や背後に置かれ、部屋の音が滲んで、出会いの場所と時間を感じさせる。彼女はこれらのセッションを、彼女とピアノが交わり、渦巻くようなフレーズや茫漠とした不協和音を刻一刻と共創していく会議だと表現している。このダイナミズムを複雑にしているのは、ダイオードとLEDディスプレイという超現実的な空間に存在するデジタルピアノの存在である。デジタルピアノは、ダイオードとLEDディスプレイの超現実的な空間に存在し、3次元のピアノのアバターとして機能する。 それでも、人、水、風の住む世界は、楽器として『Space』全体を通して聴くことができる。多くの場合、これらの録音はエレクトロニクスの背景と一体化し、あるいは物理的な形態が不明瞭な動きの音に還元される。『Sorry 』では力強い突風にマイクが緊張し、『Pensées Magiques...
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{"id":8630744940794,"title":"Timothy Archambault \/\/ Onimikìg LP","handle":"timothy-archambault-onimikig-lp","description":"\u003cp\u003eネイティブアメリカンのフルート奏者Timothy Archambaultが、2024年9月にフランス・パリの実験/ドローンレーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e先住民族アルゴンキン族(オニミキグ)のブロントマンシー(雷による占い)インスパイアの無伴奏フルート楽曲11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Timothy Archambault の無伴奏フルート曲は、先住民のブロントマンシー(雷による占い)にインスパイアされている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e各作品は、クラップ、ピール、ロール、ゴロゴロ、反転、CG(Cloud to Ground-雲から地面へ-)など、雷の音の種類に比喩的に関連した、異なる拡張フルート奏法を強調している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの録音で使用されている先住民族のフルートは、キチェシピリーニやオタワ川とセントローレンス川沿いに住む他の部族が伝統的に使用してきた杉材で作られている。アルゴンキン族にとってフルート(ピビグワン)は、風を起こすもの、風のエッセンスである。他の部族が求愛のための楽器としてフルートを使用するのとは異なり、アルゴンキン族は自然の音を模倣するため、または紛争時の合図として、フルートをより瞑想的な用途に使用した。ラブソングが必要な場合は、悲しみや寂しさ、恋人との別れなどを表現する、より悲しげな性格のものが一般的だった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムのイントロは、アルゴンキンの長老アジャワジェシから贈られた、カワウソのペニスの骨、魚の背骨、熊の爪、ヘラジカの歯、鹿の皮のネックレスを揺らすところから始まる。フルートの曲が始まる前に、聴き手の注意を集中させるためのものだ。全曲に共通するワルブルやマルチフォニック・オシレーションは、伝統的にトニック・ノートの「喉を鳴らす」発声を表しており、メロディーが浮かび上がる地平線として知られることもある。マルチフォニック・オシレーションの繰り返しにより、演奏者は不規則な呼吸をし、伝統的な儀式に似た変容した状態を作り出す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3242780544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. * 01:30\u003cbr\u003e2. CG I 02:28\u003cbr\u003e3. CG II 03:47\u003cbr\u003e4. Claps 03:57\u003cbr\u003e5. Inversions 02:39\u003cbr\u003e6. Peals 04:35\u003cbr\u003e7. Rolls 03:46\u003cbr\u003e8. Rumbles I 04:53\u003cbr\u003e9. Rumbles II 04:04\u003cbr\u003e10. Rumbles III 03:40\u003cbr\u003e11. Din of Silence for The Indigenous Children 02:17\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTimothy Archambault’s unaccompanied flute pieces for this album have been inspired by Indigenous brontomancy (divination by thunder).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach piece highlights a different extended flute technique metaphorically related to types of thunder sounds: claps, peals, rolls, rumbles, inversions, and CG (cloud-to-ground).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Indigenous flute used in this recording is made of cedar respective to the traditional woods used by the Kichesipirini and other tribes who live along the Ottawa \u0026amp; Saint Lawrence Rivers. To the Algonquin the flute (Pibigwan) is the wind maker or essence of the wind. Unlike other tribal nations whom the majority used the flute as a courting instrument, the Algonquin generally utilized the flute for more contemplative singular usage to mimic the sounds of nature or as a signaling device during times of conflict. When love songs were required, they were usually more plaintive in character expressing sadness, loneliness, or concerning the departure of a lover.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album intro begins with the shaking of a necklace of otter penis bone, fish spine, bear claw, elk teeth and deer hide\u003cspan class=\"bcTruncateMore\"\u003e, gifted from Algonquin Elder Ajawajawesi. It is meant to focus the listener’s attention before the flute pieces begin. The warble or multi-phonic oscillation prevalent in all the pieces traditionally represented the “throat rattling” vocalization of the tonic note, sometimes known as the horizon of which the melody floats from. Due to the repetition of multi-phonic oscillation the performer will breathe erratically creating an altered state correlating with similar traditional ceremonial practices.\u003cbr\u003e\u003cbr\u003eAn important document of new music meets contemporary musicological research via Stephen O’Malley of SUNN O)))’s Ideologic Organ.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Timothy Archambault\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No : SOMA057lp\u003c\/p\u003e","published_at":"2024-09-29T14:15:57+09:00","created_at":"2024-09-27T19:51:25+09:00","vendor":"Tobira Records","type":"","tags":["field recording","lp","new","shelter press"],"price":369000,"price_min":369000,"price_max":369000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46695094223098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Timothy Archambault \/\/ Onimikìg LP","public_title":null,"options":["Default Title"],"price":369000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_63ec004f-444b-40e3-b6d5-99d81a496cf5.jpg?v=1727434199","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_c5ca76e2-8298-4683-873a-1fda083d23eb.jpg?v=1727434200"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_63ec004f-444b-40e3-b6d5-99d81a496cf5.jpg?v=1727434199","options":["Title"],"media":[{"alt":null,"id":34947341549818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_63ec004f-444b-40e3-b6d5-99d81a496cf5.jpg?v=1727434199"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_63ec004f-444b-40e3-b6d5-99d81a496cf5.jpg?v=1727434199","width":700},{"alt":null,"id":34947341582586,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_c5ca76e2-8298-4683-873a-1fda083d23eb.jpg?v=1727434200"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_c5ca76e2-8298-4683-873a-1fda083d23eb.jpg?v=1727434200","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eネイティブアメリカンのフルート奏者Timothy Archambaultが、2024年9月にフランス・パリの実験/ドローンレーベルIdeologic Organからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e先住民族アルゴンキン族(オニミキグ)のブロントマンシー(雷による占い)インスパイアの無伴奏フルート楽曲11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Timothy Archambault の無伴奏フルート曲は、先住民のブロントマンシー(雷による占い)にインスパイアされている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e各作品は、クラップ、ピール、ロール、ゴロゴロ、反転、CG(Cloud to Ground-雲から地面へ-)など、雷の音の種類に比喩的に関連した、異なる拡張フルート奏法を強調している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの録音で使用されている先住民族のフルートは、キチェシピリーニやオタワ川とセントローレンス川沿いに住む他の部族が伝統的に使用してきた杉材で作られている。アルゴンキン族にとってフルート(ピビグワン)は、風を起こすもの、風のエッセンスである。他の部族が求愛のための楽器としてフルートを使用するのとは異なり、アルゴンキン族は自然の音を模倣するため、または紛争時の合図として、フルートをより瞑想的な用途に使用した。ラブソングが必要な場合は、悲しみや寂しさ、恋人との別れなどを表現する、より悲しげな性格のものが一般的だった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムのイントロは、アルゴンキンの長老アジャワジェシから贈られた、カワウソのペニスの骨、魚の背骨、熊の爪、ヘラジカの歯、鹿の皮のネックレスを揺らすところから始まる。フルートの曲が始まる前に、聴き手の注意を集中させるためのものだ。全曲に共通するワルブルやマルチフォニック・オシレーションは、伝統的にトニック・ノートの「喉を鳴らす」発声を表しており、メロディーが浮かび上がる地平線として知られることもある。マルチフォニック・オシレーションの繰り返しにより、演奏者は不規則な呼吸をし、伝統的な儀式に似た変容した状態を作り出す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3242780544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ \u003cmeta charset=\"utf-8\"\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. * 01:30\u003cbr\u003e2. CG I 02:28\u003cbr\u003e3. CG II 03:47\u003cbr\u003e4. Claps 03:57\u003cbr\u003e5. Inversions 02:39\u003cbr\u003e6. Peals 04:35\u003cbr\u003e7. Rolls 03:46\u003cbr\u003e8. Rumbles I 04:53\u003cbr\u003e9. Rumbles II 04:04\u003cbr\u003e10. Rumbles III 03:40\u003cbr\u003e11. Din of Silence for The Indigenous Children 02:17\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTimothy Archambault’s unaccompanied flute pieces for this album have been inspired by Indigenous brontomancy (divination by thunder).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach piece highlights a different extended flute technique metaphorically related to types of thunder sounds: claps, peals, rolls, rumbles, inversions, and CG (cloud-to-ground).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Indigenous flute used in this recording is made of cedar respective to the traditional woods used by the Kichesipirini and other tribes who live along the Ottawa \u0026amp; Saint Lawrence Rivers. To the Algonquin the flute (Pibigwan) is the wind maker or essence of the wind. Unlike other tribal nations whom the majority used the flute as a courting instrument, the Algonquin generally utilized the flute for more contemplative singular usage to mimic the sounds of nature or as a signaling device during times of conflict. When love songs were required, they were usually more plaintive in character expressing sadness, loneliness, or concerning the departure of a lover.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album intro begins with the shaking of a necklace of otter penis bone, fish spine, bear claw, elk teeth and deer hide\u003cspan class=\"bcTruncateMore\"\u003e, gifted from Algonquin Elder Ajawajawesi. It is meant to focus the listener’s attention before the flute pieces begin. The warble or multi-phonic oscillation prevalent in all the pieces traditionally represented the “throat rattling” vocalization of the tonic note, sometimes known as the horizon of which the melody floats from. Due to the repetition of multi-phonic oscillation the performer will breathe erratically creating an altered state correlating with similar traditional ceremonial practices.\u003cbr\u003e\u003cbr\u003eAn important document of new music meets contemporary musicological research via Stephen O’Malley of SUNN O)))’s Ideologic Organ.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Timothy Archambault\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003eCAT No : SOMA057lp\u003c\/p\u003e"}
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ネイティブアメリカンのフルート奏者Timothy Archambaultが、2024年9月にフランス・パリの実験/ドローンレーベルIdeologic Organからリリースしたレコードです。 先住民族アルゴンキン族(オニミキグ)のブロントマンシー(雷による占い)インスパイアの無伴奏フルート楽曲11曲を収録。 以下、レーベルによる解説です。 "Timothy Archambault の無伴奏フルート曲は、先住民のブロントマンシー(雷による占い)にインスパイアされている。各作品は、クラップ、ピール、ロール、ゴロゴロ、反転、CG(Cloud to Ground-雲から地面へ-)など、雷の音の種類に比喩的に関連した、異なる拡張フルート奏法を強調している。 この録音で使用されている先住民族のフルートは、キチェシピリーニやオタワ川とセントローレンス川沿いに住む他の部族が伝統的に使用してきた杉材で作られている。アルゴンキン族にとってフルート(ピビグワン)は、風を起こすもの、風のエッセンスである。他の部族が求愛のための楽器としてフルートを使用するのとは異なり、アルゴンキン族は自然の音を模倣するため、または紛争時の合図として、フルートをより瞑想的な用途に使用した。ラブソングが必要な場合は、悲しみや寂しさ、恋人との別れなどを表現する、より悲しげな性格のものが一般的だった。 アルバムのイントロは、アルゴンキンの長老アジャワジェシから贈られた、カワウソのペニスの骨、魚の背骨、熊の爪、ヘラジカの歯、鹿の皮のネックレスを揺らすところから始まる。フルートの曲が始まる前に、聴き手の注意を集中させるためのものだ。全曲に共通するワルブルやマルチフォニック・オシレーションは、伝統的にトニック・ノートの「喉を鳴らす」発声を表しており、メロディーが浮かび上がる地平線として知られることもある。マルチフォニック・オシレーションの繰り返しにより、演奏者は不規則な呼吸をし、伝統的な儀式に似た変容した状態を作り出す。" レーベルその他作品はこちら /// Click here to...
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{"id":8584521974010,"title":"Zelienople \/\/ Everything Is Simple LP","handle":"zelienople-everything-is-simple-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのロックバンドZelienopleが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eスペース・アンビエントロック8曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1619382200\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1899414832\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Holy Rollers 06:29\u003cbr\u003e2. Hold In My Hands 04:18\u003cbr\u003e3. In This Town Again 05:01\u003cbr\u003e4. Wishing Wells 05:32\u003cbr\u003e5. Santa Chiara 02:58\u003cbr\u003e6. Orange Capsule 06:38\u003cbr\u003e7. Everything Is Simple 06:13\u003cbr\u003e8. Make The Whole Town Decay 05:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eSinger-guitarist Matt Christensen, multi-instrumentalist Brian Harding, and drummer Mike Weis had all been in other bands before they united to become Zelienople in 1998 (the band’s name references a town in Pennsylvania where Harding and Christensen were once stranded while waiting for parts necessary to fix a broken-down car). All of them have all played other music since then. Harding records long-form instrumental music under the guise Ill Professor. Weis has explored ambient sound, studied Korean rhythmic practices, and improvised with Kwaidan and Slow Bell Trio. Christensen is torrentially productive on his own; at the end of April 2024 he had 212 digital releases on Bandcamp, and by the time you read this, there’ll be more. If Christensen is driven by compulsive necessity, Zelienople’s rate of production must be a\u003cspan class=\"bcTruncateMore\"\u003e spoiler, not an enhancer. But the three musicians need each other to make the convergence of ceremonial cadences, echo-laden instrumentation, and mournfully resigned singing that constitutes Zelienople’s music. \u003cbr\u003e \u003cbr\u003eStill, the making of Everything Is Simple took Zelienople out of its comfort zone. In 2020, Weis left Chicago for Kalamazoo, Michigan, which meant that the band no longer had access to its usual recording refuge in his basement. They turned loss into an opportunity to change their approach. Instead of layering tracks incrementally, they recorded mostly live with two extra musicians, Eric Eleazer (synthesizer, Fender Rhodes piano) and PM Tummala (synthesizer, Fender Rhodes piano, vibraphones). Keyboards and metallophones broaden the sound field around Weis’ patiently perambulating percussion. And instead of clinging, Harding’s basses and clarinets swirl and wreath around Christensen’s apprehensive articulations of the experience of being a quiet person in a menacingly loud cultural moment. Tummala also contributed his engineering skills, which enabled Christensen to step back from recording duties to concentrate on singing and playing, and his studio, which is much more spacious than Weis’ old basement. While the basic tracks went down quickly, a lengthy period of mixing and fixing ensued, followed by the spatially conscious mastering of Slowdive’s Simon Scott, all of which further magnified the effect of being a bigger band in a bigger space. Still, Zelienople wears its expansiveness lightly; Everything Is Simple may loom sonically, but it doesn’t overwhelm the listener so much as give them the space to inhabit a singular realm.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zelienople\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP153\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-08-05T11:39:35+09:00","created_at":"2024-08-03T08:53:03+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","shelter press"],"price":442400,"price_min":442400,"price_max":442400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46509935460602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Zelienople \/\/ Everything Is Simple LP","public_title":null,"options":["Default Title"],"price":442400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sim1.jpg?v=1722642637","\/\/tobirarecords.com\/cdn\/shop\/files\/sim2.jpg?v=1722642637"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1.jpg?v=1722642637","options":["Title"],"media":[{"alt":null,"id":34651733262586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1.jpg?v=1722642637"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim1.jpg?v=1722642637","width":700},{"alt":null,"id":34651733295354,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim2.jpg?v=1722642637"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sim2.jpg?v=1722642637","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのロックバンドZelienopleが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eスペース・アンビエントロック8曲\u003cspan data-mce-fragment=\"1\"\u003eを収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1619382200\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086592408\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1899414832\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Holy Rollers 06:29\u003cbr\u003e2. Hold In My Hands 04:18\u003cbr\u003e3. In This Town Again 05:01\u003cbr\u003e4. Wishing Wells 05:32\u003cbr\u003e5. Santa Chiara 02:58\u003cbr\u003e6. Orange Capsule 06:38\u003cbr\u003e7. Everything Is Simple 06:13\u003cbr\u003e8. Make The Whole Town Decay 05:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eSinger-guitarist Matt Christensen, multi-instrumentalist Brian Harding, and drummer Mike Weis had all been in other bands before they united to become Zelienople in 1998 (the band’s name references a town in Pennsylvania where Harding and Christensen were once stranded while waiting for parts necessary to fix a broken-down car). All of them have all played other music since then. Harding records long-form instrumental music under the guise Ill Professor. Weis has explored ambient sound, studied Korean rhythmic practices, and improvised with Kwaidan and Slow Bell Trio. Christensen is torrentially productive on his own; at the end of April 2024 he had 212 digital releases on Bandcamp, and by the time you read this, there’ll be more. If Christensen is driven by compulsive necessity, Zelienople’s rate of production must be a\u003cspan class=\"bcTruncateMore\"\u003e spoiler, not an enhancer. But the three musicians need each other to make the convergence of ceremonial cadences, echo-laden instrumentation, and mournfully resigned singing that constitutes Zelienople’s music. \u003cbr\u003e \u003cbr\u003eStill, the making of Everything Is Simple took Zelienople out of its comfort zone. In 2020, Weis left Chicago for Kalamazoo, Michigan, which meant that the band no longer had access to its usual recording refuge in his basement. They turned loss into an opportunity to change their approach. Instead of layering tracks incrementally, they recorded mostly live with two extra musicians, Eric Eleazer (synthesizer, Fender Rhodes piano) and PM Tummala (synthesizer, Fender Rhodes piano, vibraphones). Keyboards and metallophones broaden the sound field around Weis’ patiently perambulating percussion. And instead of clinging, Harding’s basses and clarinets swirl and wreath around Christensen’s apprehensive articulations of the experience of being a quiet person in a menacingly loud cultural moment. Tummala also contributed his engineering skills, which enabled Christensen to step back from recording duties to concentrate on singing and playing, and his studio, which is much more spacious than Weis’ old basement. While the basic tracks went down quickly, a lengthy period of mixing and fixing ensued, followed by the spatially conscious mastering of Slowdive’s Simon Scott, all of which further magnified the effect of being a bigger band in a bigger space. Still, Zelienople wears its expansiveness lightly; Everything Is Simple may loom sonically, but it doesn’t overwhelm the listener so much as give them the space to inhabit a singular realm.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zelienople\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP153\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのロックバンドZelienopleが、2024年4月にフランスの実験レーベルIdeologic Organからリリースしたレコードです。 スペース・アンビエントロック8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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