Macie Stewart // Mouth Full of Glass LP
![Advance Base // Wall of Tears & Other Songs I Didn't Write LP [COLOR]](//tobirarecords.com/cdn/shop/files/wall1_eefd6aeb-855a-431a-a4d5-ea26cbc518c7_medium.jpg?v=1764374987)
Macie Stewart // Mouth Full of Glass LP
¥3,480
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。
本作は、シカゴのシンガーソングライターMacie Stewartが、2021年にリリースしたアルバムです。
シネマティックなベッドルームフォーク8曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira.
----------------------------
Includes DL code.
Artist : Macie Stewart
Label : Orindal Records
アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。
本作は、シカゴのシンガーソングライターMacie Stewartが、2021年にリリースしたアルバムです。
シネマティックなベッドルームフォーク8曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira.
----------------------------
Includes DL code.
Artist : Macie Stewart
Label : Orindal Records
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{"id":9014166323450,"title":"Matt Bachmann \/\/ Compost Karaoke TAPE","handle":"matt-bachmann-compost-karaoke-tape","description":"\u003cp\u003eアメリカ・NYのマルチ奏者Matt Bachmannが、2025年9月にシカゴのインディーフォークレーベルOrindalから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・アンビエントジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/matt-bachmann-dream-logic-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003eMatt Bachmann - Synths\u003cbr\u003eDerek Baron - Flute\u003cbr\u003eJeff Tobias - Alto Saxophone\u003cbr\u003eKyle Boston - Guitar, Tuning Forks \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3413389500\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2659331773\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Summer's Last Gasp 00:33\u003cbr\u003e2. Autumnal Cycle 05:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Heavy Step 02:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Jazz Mateo 02:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. TIAGDTD 05:17\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Holy Holy Holy 00:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Compost Karaoke 03:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Out the Door 06:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Dark Flute Reprise 02:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Long Road 02:57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatt Bachmann has grown obsessed with listening to film scores–getting lost in their striking themes and the incidental pieces that bring the listener from point A to B. It’s no wonder his latest record, Compost Karaoke, sounds like a soundtrack to a film that has yet to be made, like some kind of imaginary documentary of natural decomposition. Weaving elements of propulsive jazz, bedroom chamber music, and 80s Japanese synthwork, Bachmann tells a story that’s as dramatic as it is intimate, beautiful as it is bombastic. Cinematic in sound and structure, Compost Karaoke unfolds like a journey through a honeycomb – each track a unique chamber connected by sonic fibers to the whole. Compact vignettes act as connective tissue, scaffolding the longer repetitive thematic pillars.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompost Karaoke is Bachmann’s fourth release with Orindal Records and his first release since becoming a licensed social worker in New York. For Bachmann, Compost Karaoke translates to “songs of change,” marking a transition from past years dominated by touring as the bassist of Mega Bog and his own music to rooting in new work. He explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“At the heart of this transition was a personal struggle between the ‘clouds’ (art) and the ‘earth’ (the systemic\u003cspan class=\"bcTruncateMore\"\u003e problems of New York\/US\/world). Doing this more earthly work and having less time for the clouds changed my relationship to music. I had been so inside the music world that I had become blind to its generosity– the way it brings us together and allows us to collectively feel, dream, and escape. Making this record was a lifeline– an opportunity to put my sometimes isolating earthly work aside, and dream a bit with friends.”\u003cbr\u003e\u003cbr\u003eRiding this renewed spirit of collaboration, Bachmann leaned heavier on his oldest creative confidants. He enlisted Derek Baron (Reading Group Records) to write woodwind arrangements for the skeletal piano sketches and recorded Baron on drums during an overnight session at the Bunker Studio in Brooklyn; Jeff Tobias (Modern Nature, Sunwatchers) expanded on Baron’s arrangements in moments of improvised rapture on alto saxophone and bass clarinet; and James Krichenia (Big Thief) gummed up the groove with hand drums and percussion. Decorated with synths, vibraphones, and guitar pedal sonic reimagining, Compost Karaoke is a musical habitat wholly unique, yet nodding to Bachmann’s guiding stars—Ryuichi Sakamoto, Natural Information Society, and RJ Miller, to name a few.\u003cbr\u003e\u003cbr\u003eTo achieve a healthy compost, you need both greens (food scraps) and browns (dead leaves, cardboard, etc.). Compost Karaoke is Bachmann’s attempt to strike a balance; the score to his latest life transition. For the listener, the imaginative movies that play along in their heads are endless.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD87\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th September 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-29T13:58:06+09:00","created_at":"2025-11-29T09:23:03+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","new","orindal","tape"],"price":229000,"price_min":229000,"price_max":229000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025788842234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matt Bachmann \/\/ Compost Karaoke TAPE","public_title":null,"options":["Default Title"],"price":229000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675","\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8f8b1431-e864-4d55-b4bf-93de2c77da78.jpg?v=1764375675"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675","options":["Title"],"media":[{"alt":null,"id":37647036416250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_ed152414-40e3-466f-8548-7f64decea331.jpg?v=1764375675","width":700},{"alt":null,"id":37647036449018,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8f8b1431-e864-4d55-b4bf-93de2c77da78.jpg?v=1764375675"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8f8b1431-e864-4d55-b4bf-93de2c77da78.jpg?v=1764375675","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのマルチ奏者Matt Bachmannが、2025年9月にシカゴのインディーフォークレーベルOrindalから150本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・アンビエントジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/matt-bachmann-dream-logic-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003eMatt Bachmann - Synths\u003cbr\u003eDerek Baron - Flute\u003cbr\u003eJeff Tobias - Alto Saxophone\u003cbr\u003eKyle Boston - Guitar, Tuning Forks \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3413389500\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2539480991\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2659331773\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Summer's Last Gasp 00:33\u003cbr\u003e2. Autumnal Cycle 05:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Heavy Step 02:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Jazz Mateo 02:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. TIAGDTD 05:17\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Holy Holy Holy 00:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Compost Karaoke 03:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Out the Door 06:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Dark Flute Reprise 02:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Long Road 02:57\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatt Bachmann has grown obsessed with listening to film scores–getting lost in their striking themes and the incidental pieces that bring the listener from point A to B. It’s no wonder his latest record, Compost Karaoke, sounds like a soundtrack to a film that has yet to be made, like some kind of imaginary documentary of natural decomposition. Weaving elements of propulsive jazz, bedroom chamber music, and 80s Japanese synthwork, Bachmann tells a story that’s as dramatic as it is intimate, beautiful as it is bombastic. Cinematic in sound and structure, Compost Karaoke unfolds like a journey through a honeycomb – each track a unique chamber connected by sonic fibers to the whole. Compact vignettes act as connective tissue, scaffolding the longer repetitive thematic pillars.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCompost Karaoke is Bachmann’s fourth release with Orindal Records and his first release since becoming a licensed social worker in New York. For Bachmann, Compost Karaoke translates to “songs of change,” marking a transition from past years dominated by touring as the bassist of Mega Bog and his own music to rooting in new work. He explains:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“At the heart of this transition was a personal struggle between the ‘clouds’ (art) and the ‘earth’ (the systemic\u003cspan class=\"bcTruncateMore\"\u003e problems of New York\/US\/world). Doing this more earthly work and having less time for the clouds changed my relationship to music. I had been so inside the music world that I had become blind to its generosity– the way it brings us together and allows us to collectively feel, dream, and escape. Making this record was a lifeline– an opportunity to put my sometimes isolating earthly work aside, and dream a bit with friends.”\u003cbr\u003e\u003cbr\u003eRiding this renewed spirit of collaboration, Bachmann leaned heavier on his oldest creative confidants. He enlisted Derek Baron (Reading Group Records) to write woodwind arrangements for the skeletal piano sketches and recorded Baron on drums during an overnight session at the Bunker Studio in Brooklyn; Jeff Tobias (Modern Nature, Sunwatchers) expanded on Baron’s arrangements in moments of improvised rapture on alto saxophone and bass clarinet; and James Krichenia (Big Thief) gummed up the groove with hand drums and percussion. Decorated with synths, vibraphones, and guitar pedal sonic reimagining, Compost Karaoke is a musical habitat wholly unique, yet nodding to Bachmann’s guiding stars—Ryuichi Sakamoto, Natural Information Society, and RJ Miller, to name a few.\u003cbr\u003e\u003cbr\u003eTo achieve a healthy compost, you need both greens (food scraps) and browns (dead leaves, cardboard, etc.). Compost Karaoke is Bachmann’s attempt to strike a balance; the score to his latest life transition. For the listener, the imaginative movies that play along in their heads are endless.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD87\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th September 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのマルチ奏者Matt Bachmannが、2025年9月にシカゴのインディーフォークレーベルOrindalから150本限定でリリースしたカセットです。 ベッドルーム・アンビエントジャズ10曲を収録。DLコード付属。 前作もオススメです。 Matt Bachmann - SynthsDerek Baron - FluteJeff Tobias - Alto...
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クイックビュー
{"id":9014165668090,"title":"herbal tea \/\/ Hear as the Mirror Echoes TAPE","handle":"herbal-tea-hear-as-the-mirror-echoes-tape","description":"\u003cp\u003eイギリス・ブリストルのドリームポップ作家herbal teaが、2025年8月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜スローコア9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eレーベルメイトのGia Margaretが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2178386334\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1719856470\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3373290741\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=871850480\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Seventeen 06:31\u003cbr\u003e2. Grounded 06:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Kitchen Floor (4 A.M.) 03:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Submarine 03:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Driving Slow 04:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Garden 04:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Frank 04:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sundown 02:57\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Kara 05:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBritish artist herbal tea's debut album Hear as the Mirror Echoes drifts in and out like a half-remembered dream. Shaped slowly by songwriter\/producer Helena Walker from late-night demos that gradually bloomed into expansive arrangements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on dream pop, ambient folk, and lo-fi production, and citing influences from Sparklehorse to Sharon Van Etten, there's an otherworldly quality in the way it softly reimagines the familiar. From the ethereal slowcore of \"Seventeen\" to the 70s folk-inspired \"Driving Slow\", each track belongs to its own distinct world. The songs swell with ambient textures and bursts of distortion, building into cinematic crescendos before folding back into quiet moments of sparse piano and lo-fi dissonance. Helena's vocals, often recorded at the time of writing, are ghostly with an undercurrent of gravity, submerged within layers of rich harmonies. Themes of impermanence, dissociation, and emotional transience run throughout, with lyrics lifted from dreams, old diaries, and moments of stream-of-consciousness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCo-produced with longtime collaborator and childhood friend Henry C Sharpe, the record was mixed and mastered entirely DIY in makeshift setups in living rooms and bedrooms, though a few details were finalised in the basement studio of Bristol’s The\u003cspan class=\"bcTruncateMore\"\u003e Louisiana with entrusted friend Jonny Allan (of Happyness).\u003cbr\u003e\u003cbr\u003eOver time, herbal tea’s music has spread quietly, passed between artists and listeners without much promotion. She has been invited to open for musicians she deeply admires, including Gia Margaret and Elena Tonra, and her music continues to find an audience through word-of-mouth, admired for its emotional weight and rare sense of atmosphere. “I’ve always felt like a bit of an outsider, and making music is my escape.” Helena says. “I hope this album can be that escape for someone else.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : herbal tea\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD78\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th August 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-29T10:29:44+09:00","created_at":"2025-11-29T09:17:43+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","orindal","recommended","tape"],"price":229000,"price_min":229000,"price_max":229000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025787433210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"herbal tea \/\/ Hear as the Mirror Echoes TAPE","public_title":null,"options":["Default Title"],"price":229000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/he1_bbf872d7-104e-46f2-bae0-78600f428c13.jpg?v=1764375527","\/\/tobirarecords.com\/cdn\/shop\/files\/he3_1ea6960b-92be-4826-95cd-6a2ba3cad5fa.jpg?v=1764375528"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_bbf872d7-104e-46f2-bae0-78600f428c13.jpg?v=1764375527","options":["Title"],"media":[{"alt":null,"id":37647025078522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_bbf872d7-104e-46f2-bae0-78600f428c13.jpg?v=1764375527"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_bbf872d7-104e-46f2-bae0-78600f428c13.jpg?v=1764375527","width":700},{"alt":null,"id":37647025111290,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he3_1ea6960b-92be-4826-95cd-6a2ba3cad5fa.jpg?v=1764375528"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he3_1ea6960b-92be-4826-95cd-6a2ba3cad5fa.jpg?v=1764375528","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ブリストルのドリームポップ作家herbal teaが、2025年8月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜スローコア9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eレーベルメイトのGia Margaretが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2178386334\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1719856470\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3373290741\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2679672606\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=871850480\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case. \u003cbr\u003eCassette edition of 50. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Seventeen 06:31\u003cbr\u003e2. Grounded 06:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Kitchen Floor (4 A.M.) 03:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Submarine 03:31\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Driving Slow 04:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Garden 04:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Frank 04:08\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Sundown 02:57\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Kara 05:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBritish artist herbal tea's debut album Hear as the Mirror Echoes drifts in and out like a half-remembered dream. Shaped slowly by songwriter\/producer Helena Walker from late-night demos that gradually bloomed into expansive arrangements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDrawing on dream pop, ambient folk, and lo-fi production, and citing influences from Sparklehorse to Sharon Van Etten, there's an otherworldly quality in the way it softly reimagines the familiar. From the ethereal slowcore of \"Seventeen\" to the 70s folk-inspired \"Driving Slow\", each track belongs to its own distinct world. The songs swell with ambient textures and bursts of distortion, building into cinematic crescendos before folding back into quiet moments of sparse piano and lo-fi dissonance. Helena's vocals, often recorded at the time of writing, are ghostly with an undercurrent of gravity, submerged within layers of rich harmonies. Themes of impermanence, dissociation, and emotional transience run throughout, with lyrics lifted from dreams, old diaries, and moments of stream-of-consciousness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCo-produced with longtime collaborator and childhood friend Henry C Sharpe, the record was mixed and mastered entirely DIY in makeshift setups in living rooms and bedrooms, though a few details were finalised in the basement studio of Bristol’s The\u003cspan class=\"bcTruncateMore\"\u003e Louisiana with entrusted friend Jonny Allan (of Happyness).\u003cbr\u003e\u003cbr\u003eOver time, herbal tea’s music has spread quietly, passed between artists and listeners without much promotion. She has been invited to open for musicians she deeply admires, including Gia Margaret and Elena Tonra, and her music continues to find an audience through word-of-mouth, admired for its emotional weight and rare sense of atmosphere. “I’ve always felt like a bit of an outsider, and making music is my escape.” Helena says. “I hope this album can be that escape for someone else.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : herbal tea\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD78\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 29th August 2025\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ブリストルのドリームポップ作家herbal teaが、2025年8月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。 ドリームポップ〜スローコア9曲を収録。DLコード付属。 レーベルメイトのGia Margaretが好きな方にオススメです。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available...
¥2,290
![Advance Base // Wall of Tears & Other Songs I Didn't Write LP [COLOR]](http://tobirarecords.com/cdn/shop/files/wall1_eefd6aeb-855a-431a-a4d5-ea26cbc518c7_medium.jpg?v=1764374987)
クイックビュー
{"id":9014163931386,"title":"Advance Base \/\/ Wall of Tears \u0026 Other Songs I Didn't Write LP [COLOR]","handle":"advance-base-wall-of-tears-other-songs-i-didnt-write-lp-color","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records主宰Advance Baseが、2025年8月にリリースした再発レコードです。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003eベッドルーム・インディーフォーク10曲を収録。DLコード付属。ピンク盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2146934131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3108139758\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2146934131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" pink vinyl.\u003cbr\u003ePink vinyl edition of 250. \u003cbr\u003e2025 reissue - originally released in 2021. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wall of Tears 03:27\u003cbr\u003e2. Sweet Old World 04:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Love at the Five \u0026amp; Dime 04:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. How Can You Live If You Can't Love How Can You If You Do 02:49\u003cbr\u003e\u003c\/span\u003e5. Easy's Gettin' Harder Every Day 04:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. One Red Rose 02:15\u003cbr\u003e\u003c\/span\u003e7. Unwed Fathers 03:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Come Back To Us Barbara Lewis Hare Krishna Beauregard 03:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Mr. Chill 03:35\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Solid Heart 03:44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAside from playing Advance Base shows, the form of musical expression I’ve most desperately missed during our current era of social isolation is singing karaoke. I have a great affection for the tiny communities that come together in any dive bar or pizzeria willing to invest in a modest PA \u0026amp; karaoke license, united by a common compulsion to earnestly sing their favorite pop songs in front of friends \u0026amp; strangers, accompanied by the artifice of prerecorded electronic instrumental arrangement. Wall of Tears \u0026amp; Other Songs I Didn’t Write is my ode to karaoke bars \u0026amp; karaoke singers. Consider it an album-length karaoke performance by me, Owen Ashworth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe ten songs on this album were written by some of my very favorite songwriters, including a few I’m lucky enough to call friends. The original recordings of these songs have been constant companions in recent years, accompanying me on late night walks \u0026amp; aimless drives around Chicago \u0026amp; its suburbs. They have all made me cry at various points as I imagined how good it would feel to sing them at karaoke.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe instrumental arrangements were performed \u0026amp; recorded in my Oak Park, IL basement using electronic keyboards, samplers \u0026amp; drum machines with the single exception of the pedal steel solo on “Love at the Five \u0026amp; Dime,” which was performed \u0026amp; recorded by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Xandy Chelmis from the Asheville, NC band Wednesday. Nicholas Krgovich sang \u0026amp; recorded the backing vocals for that same song, \u0026amp; the backing vocals on “Wall of Tears” were provided by Rebecca Clay Cole, two dear friends who share my love for these songs’ original recordings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guitar-like tones on “Wall of Tears,” “How Can You Live…,” “Solid Heart” \u0026amp; “Love at the Five \u0026amp; Dime” (other than Xandy’s pedal steel solo) were performed on a little Korg sampling keyboard loaded with single-note recordings I made by plucking the strings of an Oscar Schmidt autoharp, run through a chain of guitar effect pedals. I call this instrument an “Oscartron.” As much as I love guitar music, I have never been a guitar player, but I have come to love the sound of the Oscartron’s eerie approximation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Advance Base\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD64\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st August 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-01T10:13:05+09:00","created_at":"2025-11-29T09:11:48+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":394000,"price_min":394000,"price_max":394000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48025784680698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Advance Base \/\/ Wall of Tears \u0026 Other Songs I Didn't Write LP [COLOR]","public_title":null,"options":["Default Title"],"price":394000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wall1_eefd6aeb-855a-431a-a4d5-ea26cbc518c7.jpg?v=1764374987","\/\/tobirarecords.com\/cdn\/shop\/files\/wall2_bbb276a2-cf3d-4e84-9163-e5db0c36531c.jpg?v=1764374987"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wall1_eefd6aeb-855a-431a-a4d5-ea26cbc518c7.jpg?v=1764374987","options":["Title"],"media":[{"alt":null,"id":37646959739130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wall1_eefd6aeb-855a-431a-a4d5-ea26cbc518c7.jpg?v=1764374987"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wall1_eefd6aeb-855a-431a-a4d5-ea26cbc518c7.jpg?v=1764374987","width":700},{"alt":null,"id":37646959771898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wall2_bbb276a2-cf3d-4e84-9163-e5db0c36531c.jpg?v=1764374987"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wall2_bbb276a2-cf3d-4e84-9163-e5db0c36531c.jpg?v=1764374987","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records主宰Advance Baseが、2025年8月にリリースした再発レコードです。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003eベッドルーム・インディーフォーク10曲を収録。DLコード付属。ピンク盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2146934131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3108139758\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2146934131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" pink vinyl.\u003cbr\u003ePink vinyl edition of 250. \u003cbr\u003e2025 reissue - originally released in 2021. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wall of Tears 03:27\u003cbr\u003e2. Sweet Old World 04:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Love at the Five \u0026amp; Dime 04:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. How Can You Live If You Can't Love How Can You If You Do 02:49\u003cbr\u003e\u003c\/span\u003e5. Easy's Gettin' Harder Every Day 04:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. One Red Rose 02:15\u003cbr\u003e\u003c\/span\u003e7. Unwed Fathers 03:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Come Back To Us Barbara Lewis Hare Krishna Beauregard 03:49\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Mr. Chill 03:35\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Solid Heart 03:44\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAside from playing Advance Base shows, the form of musical expression I’ve most desperately missed during our current era of social isolation is singing karaoke. I have a great affection for the tiny communities that come together in any dive bar or pizzeria willing to invest in a modest PA \u0026amp; karaoke license, united by a common compulsion to earnestly sing their favorite pop songs in front of friends \u0026amp; strangers, accompanied by the artifice of prerecorded electronic instrumental arrangement. Wall of Tears \u0026amp; Other Songs I Didn’t Write is my ode to karaoke bars \u0026amp; karaoke singers. Consider it an album-length karaoke performance by me, Owen Ashworth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe ten songs on this album were written by some of my very favorite songwriters, including a few I’m lucky enough to call friends. The original recordings of these songs have been constant companions in recent years, accompanying me on late night walks \u0026amp; aimless drives around Chicago \u0026amp; its suburbs. They have all made me cry at various points as I imagined how good it would feel to sing them at karaoke.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe instrumental arrangements were performed \u0026amp; recorded in my Oak Park, IL basement using electronic keyboards, samplers \u0026amp; drum machines with the single exception of the pedal steel solo on “Love at the Five \u0026amp; Dime,” which was performed \u0026amp; recorded by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Xandy Chelmis from the Asheville, NC band Wednesday. Nicholas Krgovich sang \u0026amp; recorded the backing vocals for that same song, \u0026amp; the backing vocals on “Wall of Tears” were provided by Rebecca Clay Cole, two dear friends who share my love for these songs’ original recordings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guitar-like tones on “Wall of Tears,” “How Can You Live…,” “Solid Heart” \u0026amp; “Love at the Five \u0026amp; Dime” (other than Xandy’s pedal steel solo) were performed on a little Korg sampling keyboard loaded with single-note recordings I made by plucking the strings of an Oscar Schmidt autoharp, run through a chain of guitar effect pedals. I call this instrument an “Oscartron.” As much as I love guitar music, I have never been a guitar player, but I have come to love the sound of the Oscartron’s eerie approximation.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Advance Base\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD64\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st August 2025\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Records主宰Advance Baseが、2025年8月にリリースした再発レコードです。（オリジナルは2021年リリース） ベッドルーム・インディーフォーク10曲を収録。DLコード付属。ピンク盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
¥3,940
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{"id":9008455647482,"title":"Little Kid \/\/ A Million Easy Payments TAPE","handle":"little-kid-a-million-easy-payments-tape","description":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る： 救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd now your engine burns remains of ancient birds \u003cbr data-mce-fragment=\"1\"\u003eGo into town to drive around and then leave \u003cbr data-mce-fragment=\"1\"\u003eYou tore a gash right clear through the atmosphere \u003cbr data-mce-fragment=\"1\"\u003eAnd now there’s nothing that can buffer the heat \u003cbr data-mce-fragment=\"1\"\u003eBut the sun is shining and your love is smiling \u003cbr data-mce-fragment=\"1\"\u003eIn a moment getting warmed by a beam \u003cbr data-mce-fragment=\"1\"\u003eOf bad energy \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-11-21T09:41:57+09:00","created_at":"2025-11-21T09:40:48+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","orindal","tape"],"price":224200,"price_min":224200,"price_max":224200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47992867782906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Little Kid \/\/ A Million Easy Payments TAPE","public_title":null,"options":["Default Title"],"price":224200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841","\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","options":["Title"],"media":[{"alt":null,"id":33779423150330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3211041672_16.jpg?v=1713430850","width":700},{"alt":null,"id":33779430228218,"position":2,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268151_10.jpg?v=1713430841","width":1200},{"alt":null,"id":33779430654202,"position":3,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035268155_10.jpg?v=1713430843","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eミニマリズムの作曲、エミリー・ディキンソンの詩、フランケンサーラーの絵画、初期のスフジャン・スティーヴンス、あるいはLittle Kidの新しいレーベルメイトであるOrindalの曲のように、『A Million Easy Payments』は、シンプルという外見的なイメージの下に、質感と意味がちりばめられている点で素晴らしい。羊の皮をかぶった孔雀だ。その叙情的で音楽的な密度は、決して明瞭さや印象的なメロディーを犠牲にしていない。お気に入りの映画や小説のように、『A Million Easy Payments』を何度も読み返すのは、その美しさを楽しむためであると同時に、毎回新たな発見があるからだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoothbyの文章は、愛、不在、停滞、そして変化に満ちており、しばしばキリスト教思想のレンズを通して屈折し、友人、元恋人、日常の人々、そして聖書の登場人物たちによって経験される。Bad Energyの後半では、Boothbyが「12人の男と仲良くしていても、頬にキスされただけで殺されるかもしれない」と冗談を言う。Eggshell（卵の殻）」では、幽霊が未亡人に自分の死を振り返る： 救急車がやってきて／ハイウェイを鳴り響くサイレンを鳴らしながら／君の人生に微笑みの沈黙を残していったよ、ベイビー。下降するメロディーに織り込まれた \"I \"の音。Boothbyの軽やかなテナー。ギターの2車線。\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e『A Million Easy Payments』全体を通して、Boothbyの器用さ、リズム、内韻の巧みさ、詩的な響きを聴き取る耳は、彼の物語のペーソスに匹敵する。熟練を誇示するためではなく、苦労して得た発見を分かち合うために、言葉は意図的に作られている。自己を文脈の中で、間近で見ようとすること、そしてその探求が無駄であり重要であることを証明すること。神を探し求める。プールは濁っている。期待したほどには反映されていない。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SROle0DiiAQ?si=DRgS6oRkRtQFICbF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9w4lYrKBug8?si=rH7x7JpWCRi7OKcX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Something to Say 04:07\u003cbr\u003e2. Bad Energy 07:29\u003cbr\u003e3. Beside Myself 04:43\u003cbr\u003e4. Always Change 05:57\u003cbr\u003e5. Eggshell 03:03\u003cbr\u003e6. Somewhere In Between 04:31\u003cbr\u003e7. Nothing at All 04:21\u003cbr\u003e8. What Qualifies as Silence 09:49\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eDan Wriggins\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A camera zooms in without crowding its subject. A song about someone else’s damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little Kid’s new album and Orindal Records debut A Million Easy Payments, the urgency in Kenny Boothby’s voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band’s lilting folk rock arrangements carry Boothby’s stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It’s a record of depression and frustration that doesn’t stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It’s a record with blood in its veins. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom’s work renders a portrait of\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Little Kid’s twin musical strengths — as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza Niemi’s cello, Anh Phung’s flute, Seth Engel’s percussion, Peter Gill’s pedal steel, and Aaron Powell’s voice. Every so often, the boundaries fray. Chaotic flute layers transport the outro to “Beside Myself.” Banjo careens off the edge of “Something to Say.” The kick drum in “Bad Energy” is more than a heartbeat. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike a minimalist composition, an Emily Dickinson poem, a Frankenthaler painting, early Sufjan Stevens, or the songs of many of Little Kid’s new labelmates at Orindal, A Million Easy Payments is brilliant insofar as it teems with texture and meaning under an outward image of simplicity. A peacock in sheep’s clothing. Its lyrical and musical density never comes at the expense of clarity or striking melodies. Like your favorite movie or novel, you come back to A Million Easy Payments again and again for the pleasure of its beauty, but also because it reveals something new every time. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLittle Kid has always centered around Boothby’s songwriting, and A Million Easy Payments proves his enormous skill many times over. He tackles the extended ballad tradition, zooming in and out with mind-bending control on “Bad Energy”: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd now your engine burns remains of ancient birds \u003cbr data-mce-fragment=\"1\"\u003eGo into town to drive around and then leave \u003cbr data-mce-fragment=\"1\"\u003eYou tore a gash right clear through the atmosphere \u003cbr data-mce-fragment=\"1\"\u003eAnd now there’s nothing that can buffer the heat \u003cbr data-mce-fragment=\"1\"\u003eBut the sun is shining and your love is smiling \u003cbr data-mce-fragment=\"1\"\u003eIn a moment getting warmed by a beam \u003cbr data-mce-fragment=\"1\"\u003eOf bad energy \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoothby’s writing is charged with love, absence, stagnation and change, often refracted through the lens of Christian thought, experienced by friends, exes, everyday people and Biblical characters. Later on in “Bad Energy,” Boothby jokes “if you’re only friendly with a dozen men\/ one might still kill you with a kiss on the cheek.” In “Eggshell,” a ghost reflects on his own death to his widow, a story based on the death of Boothby’s father: “ambulances came\/ weaving a whining siren down the highway\/ leaving a smiling silence in your life, babe.” The “I” sound woven in descending melodies. Two lanes of Boothby’s airy tenor. Two lanes of guitar. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross A Million Easy Payments, Boothby’s dexterity, rhythm, internal rhyming prowess, and ear for poetic sound are matched only by the pathos of his stories. The words are crafted deliberately, not to show off mastery, but to share hard-earned findings. To try and see the self in context and up close, and to prove the inquiry to be both futile and crucial. To dig around for God. The pool is murky. Not as reflective as we’d hoped. \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Little Kid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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カナダ・トロントのシンガーソングライターKenny Boothby率いるフォーク・ロックバンドLittle Kidが、2024年2月にアメリカ・シカゴのインディーレーベルOrindal Recordsからリリースしたアルバムです。 ギターやバンジョー、フルート、チェロ、ペダルスティールとクレバーな歌詞によるインディー・フォークロック8曲を収録。DLコード付属。 以下、Rosie Stocktonによる解説です。 "カメラは被写体に群がることなくズームインする。他人のダメージを歌った歌は、自分のダメージを理解する助けとなり、新たな謎へと導いてくれる。星は砂粒のように見える。Little Kidのニューアルバムであり、Orindalでのデビュー作である『A Million Easy Payments』では、Kenny Boothbyの声の切迫感が、あらゆる角度や露出から人生に迫ってくる壮大なバラードや回想、自己反省の限界に突き進み、それを少し超えるような歌詞の賭けとマッチしている。バンドの軽快なフォーク・ロック・アレンジがKenny Boothbyの物語を支え、時折、チェロのサンプル、ペダルスティール、フルート、エレクトリックピアノが飛び交い、物語を空高く持ち上げる。信心深さに煮詰まることもなく、痛みを美化することもない、鬱屈とフラストレーションのレコードである。壊れやすく、豊かで、血の通ったレコードだ。...
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