international anthem
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{"id":8096619299066,"title":"Makaya McCraven \/\/ In the Moment 2xLP","handle":"makaya-mccraven-in-the-moment-2xlp-1","description":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発2枚組レコードです。（オリジナルは2015年リリース）\u003c\/p\u003e\n\u003cp\u003eジャズ・ヒップホップ19曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1579662125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2nd edition \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2xLP 140g Black Vinyl (pressed at Pallas in Germany) in a Heavyweight Gatefold Jacket, with IARC dome-pattern inner sleeve and OBI strip.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes extensive liner notes by Joe Darling \u0026amp; Scott McNiece, including personnel and recording dates for all tracks, with photos by Nathan Michael and Marcus Mader.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eNearly 48 hours of live improvised performance recorded at 1 venue over 12 months and 28 shows - culled, cut, rendered, and remixed into 19 potent pieces of organic beat music.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-11-28T19:02:39+09:00","created_at":"2023-11-28T19:02:19+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":571200,"price_min":571200,"price_max":571200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44821382529274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Makaya McCraven \/\/ In the Moment 2xLP","public_title":null,"options":["Default Title"],"price":571200,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993000","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_73b590bf-0df1-4132-aea3-de10db257540.jpg?v=1701165743","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_5dcda053-8774-494a-be40-5afa3fcceb91.jpg?v=1701165743"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_73b590bf-0df1-4132-aea3-de10db257540.jpg?v=1701165743","options":["Title"],"media":[{"alt":null,"id":32761594085626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_73b590bf-0df1-4132-aea3-de10db257540.jpg?v=1701165743"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_73b590bf-0df1-4132-aea3-de10db257540.jpg?v=1701165743","width":700},{"alt":null,"id":32761594118394,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_5dcda053-8774-494a-be40-5afa3fcceb91.jpg?v=1701165743"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_5dcda053-8774-494a-be40-5afa3fcceb91.jpg?v=1701165743","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発2枚組レコードです。（オリジナルは2015年リリース）\u003c\/p\u003e\n\u003cp\u003eジャズ・ヒップホップ19曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1579662125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2nd edition \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2xLP 140g Black Vinyl (pressed at Pallas in Germany) in a Heavyweight Gatefold Jacket, with IARC dome-pattern inner sleeve and OBI strip.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes extensive liner notes by Joe Darling \u0026amp; Scott McNiece, including personnel and recording dates for all tracks, with photos by Nathan Michael and Marcus Mader.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eNearly 48 hours of live improvised performance recorded at 1 venue over 12 months and 28 shows - culled, cut, rendered, and remixed into 19 potent pieces of organic beat music.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・シカゴのパーカッショニストMakaya McCravenが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発2枚組レコードです。（オリジナルは2015年リリース） ジャズ・ヒップホップ19曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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![Carlos Niño & Friends // EXTRA PRESENCE 2xLP [COLOR] / TAPE](http://tobirarecords.com/cdn/shop/files/a4286540031_16_medium.jpg?v=1701165226)
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{"id":8096614383866,"title":"Carlos Niño \u0026 Friends \/\/ EXTRA PRESENCE 2xLP [COLOR] \/ TAPE","handle":"carlos-nino-friends-extra-presence-2xlp-color-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのパーカッショニストCarlos Niñoが、2022年7月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e桃源郷スピリチュアル・アンビエントジャズ17曲、90分を収録。レコードは紫と緑盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=258248190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo limited edition color vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board single pocket jacket, two-sided insert sheet, and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eC90 Clear Shell Cassette, Real-Time Dubbed on RTM911 Premium Ferro Music Grade Tape from 24bit Masters, with 3-flap 2-sided J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"EXTRA PRESENCE is a 90 minute, 17-track collection showcasing Los Angeles modern music scene pioneer Carlos Niño’s unique, highly developed, self-described “Spiritual, Improvisational, Space Collage” sound, and featuring an incredible cast of collaborators (including Jamael Dean, Nate Mercereau, Shabazz Palaces, Deantoni Parks, Sam Gendel, Laraaji, Jamire Williams, Iasos, and more). It's an expanded edition of a 10-track suite called 'Actual Presence' that Niño self-released exclusively via his Bandcamp page in 2020.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEXTRA PRESENCE liner notes by Marty Sartini Garner (via International Anthem):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eWhen Carlos Niño is performing with his friends, he is embedded in the present. And from there, it seems like he can see anything: every possible place a song might go, how a sound might evolve, whether or not it will make his listeners and collaborators feel seen and appreciated. He is a maestro of arranging time and space into supportive containers, somehow completely in sync with the moment and beyond all chronology. And over the past couple of years, when the concepts of space and time have dilated and gone sideways for so many of us, Carlos’ attempts to crystallize the moments he and his friends produce and present us with songs ripe with possibility, chance, and the care that radiates naturally among\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e musicians who love and trust one another has felt like an act of profound kindness.\u003cbr\u003e\u003cbr\u003eIn 2020, when the world entered into lockdown, Carlos engaged in his studio in Woodland Hills, CA, where he pored over tapes from past improv sessions. One in particular stuck out, a February 2019 Just Jazz gig with Devin Daniels, Jamael Dean, Miguel Atwood-Ferguson, and Randy Gloss. On stage that night, he’d been confused and uncomfortable, he didn’t understand his relationship with an audience. “I had a revelation that night,” he says. “What I present in concert is sonic journeying—not a set of songs, or a program, or a performative energy.”\u003cbr\u003e\u003cbr\u003eUsing the Just Jazz tapes as a guide, he mixed and remixed, overdubbed synthesizer and pulled from his extensive battery of percussion instruments. He invited his collaborators—his friends, though we should all be so lucky to have friends as talented as these—to add their own overdubs, then, working the controls, he turned out a collection of songs that seem to have entire worlds encased within them. He worked with a sense of necessity. “The urgency was to share a message,” he says, “that we would get through this.”\u003cbr\u003e\u003cbr\u003eIt’s a feeling that was made manifest across Actual Presence, and is extended in this new version, entitled EXTRA PRESENCE. When I first heard these songs in 2020, I was astounded by how expertly Carlos was able to guide his listeners through a three-dimensional soundscape. It felt miraculous, as if we were getting a new view of free jazz and new age and hip-hop, being brought into the cells of the music to see how all its constituent parts fit together. The implication seemed to be that every moment of every song—not just these songs, but any song—was ripe with possibility, that decisions were being made at every moment, and that because of that, other decisions might be made. Free jazz and free improv are both predicated on this very idea, of course, but where that sense of freedom often yields dissonance and confusion, Actual Presence seemed to suggest that something like spiritual harmony could be reached on the fly, that it was hidden in everything if you were willing to try and find it.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear then, but hear now, is that this sense of harmony wasn’t just coming from Carlos’ remarkable studio skills. It was inherent in the playing itself, and in the way the players relate to one another. There is an emotional coherence to this music, a collective ache at its core that starts with the majesty of Jamael Dean’s piano and runs through even the smallest of instruments. No matter who’s playing on any given track—or when they were playing it—everyone is watching one another, patiently waiting, not moving forward until everyone is ready. That could feel ponderous, but here it feels generous. You expect “Youwillgetthroughthis” to move out its foyer, but the kalimba finds an interesting groove there, so they all gather around to explore it, which gives a deeply tender organ space to open the song in a completely new direction. It’s music as a series of cleansing exhales, as re-grounding, slowing down to move at a speed that allows it to examine itself.\u003cbr\u003e\u003cbr\u003eAs its title suggests, EXTRA PRESENCE gives us another hour of these explorations. The new tracks were all recorded around the time Carlos was working on Actual Presence and its followup, More Energy Fields, Current, and they show that the sense of possibility that first suggested itself in these songs wasn’t a mirage. Rather than simply remixing old tunes, Carlos opens new doors that reveal new rooms. “Youwillgetthroughthis with Koto” isn’t just augmented by a koto; it’s wound up in a new tension that was barely suggested in the original track. “Luis’ Special Shells,” an Actual Presence highlight, dips us into an subaquatic world painted in inky blues and forest greens, the shells themselves the only clear element that remains from the original.\u003cbr\u003e\u003cbr\u003eMost strikingly, it’s capped by the 23-minute ambient piece “Recurrent Reiki Dreams,” a dramatic extension of the album’s “Mushroomeclipse.” The track’s length, and the lightly undulating silkiness of its textures, makes it feel as though the entire album has been sliding into this primordial space, as if the whole of EXTRA PRESENCE is something like a symphony. Or maybe like all of those views Carlos and his friends have offered have all been different ways of saying this, variations on a way of articulating a feeling that exists here in its purest form. It’s like staring into the object with which this music has been abiding.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear in 2020 but hear now, as the world has changed and continues to, is that the sound of EXTRA PRESENCE is the sound of being ready to face yourself. Or, more precisely, it’s the sound of what happens when everyone pauses what they’re doing and rallies to support a wounded friend. Yes, these songs are technically dazzling, constantly surprising, and expertly constructed. But at its core, EXTRA PRESENCE is about sitting down, being with, trying to draw from a sensation or a mass that’s much bigger than we can understand. Yes, this is mystical language, but this is mystical music. “It is a way of describing the awareness of Eternal Now,” Carlos says.” “It is a way of expressing the consciousness of Being.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-11-28T18:57:03+09:00","created_at":"2023-11-28T18:49:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post 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TAPE","public_title":"TAPE","options":["TAPE"],"price":248900,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":32761580749050,"position":6,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226","\/\/tobirarecords.com\/cdn\/shop\/files\/0028727352_10.jpg?v=1701165229","\/\/tobirarecords.com\/cdn\/shop\/files\/0028762778_38.jpg?v=1701165231","\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234","\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10_a92b7462-55e1-435b-b529-3d3da8da18a6.jpg?v=1701165331","\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331","\/\/tobirarecords.com\/cdn\/shop\/files\/0029764999_10.jpg?v=1701165331"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226","options":["Format"],"media":[{"alt":null,"id":32761579602170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4286540031_16.jpg?v=1701165226","width":700},{"alt":null,"id":32761579798778,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028727352_10.jpg?v=1701165229"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028727352_10.jpg?v=1701165229","width":1200},{"alt":null,"id":32761579864314,"position":3,"preview_image":{"aspect_ratio":1.333,"height":108,"width":144,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762778_38.jpg?v=1701165231"},"aspect_ratio":1.333,"height":108,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762778_38.jpg?v=1701165231","width":144},{"alt":null,"id":32761579929850,"position":4,"preview_image":{"aspect_ratio":1.333,"height":108,"width":144,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234"},"aspect_ratio":1.333,"height":108,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028762780_38.jpg?v=1701165234","width":144},{"alt":null,"id":32761581928698,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10_a92b7462-55e1-435b-b529-3d3da8da18a6.jpg?v=1701165331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10_a92b7462-55e1-435b-b529-3d3da8da18a6.jpg?v=1701165331","width":1200},{"alt":null,"id":32761580749050,"position":6,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764992_10.jpg?v=1701165331","width":1200},{"alt":null,"id":32761581830394,"position":7,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764999_10.jpg?v=1701165331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029764999_10.jpg?v=1701165331","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのパーカッショニストCarlos Niñoが、2022年7月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e桃源郷スピリチュアル・アンビエントジャズ17曲、90分を収録。レコードは紫と緑盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=258248190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo limited edition color vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board single pocket jacket, two-sided insert sheet, and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eC90 Clear Shell Cassette, Real-Time Dubbed on RTM911 Premium Ferro Music Grade Tape from 24bit Masters, with 3-flap 2-sided J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"EXTRA PRESENCE is a 90 minute, 17-track collection showcasing Los Angeles modern music scene pioneer Carlos Niño’s unique, highly developed, self-described “Spiritual, Improvisational, Space Collage” sound, and featuring an incredible cast of collaborators (including Jamael Dean, Nate Mercereau, Shabazz Palaces, Deantoni Parks, Sam Gendel, Laraaji, Jamire Williams, Iasos, and more). It's an expanded edition of a 10-track suite called 'Actual Presence' that Niño self-released exclusively via his Bandcamp page in 2020.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEXTRA PRESENCE liner notes by Marty Sartini Garner (via International Anthem):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eWhen Carlos Niño is performing with his friends, he is embedded in the present. And from there, it seems like he can see anything: every possible place a song might go, how a sound might evolve, whether or not it will make his listeners and collaborators feel seen and appreciated. He is a maestro of arranging time and space into supportive containers, somehow completely in sync with the moment and beyond all chronology. And over the past couple of years, when the concepts of space and time have dilated and gone sideways for so many of us, Carlos’ attempts to crystallize the moments he and his friends produce and present us with songs ripe with possibility, chance, and the care that radiates naturally among\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e musicians who love and trust one another has felt like an act of profound kindness.\u003cbr\u003e\u003cbr\u003eIn 2020, when the world entered into lockdown, Carlos engaged in his studio in Woodland Hills, CA, where he pored over tapes from past improv sessions. One in particular stuck out, a February 2019 Just Jazz gig with Devin Daniels, Jamael Dean, Miguel Atwood-Ferguson, and Randy Gloss. On stage that night, he’d been confused and uncomfortable, he didn’t understand his relationship with an audience. “I had a revelation that night,” he says. “What I present in concert is sonic journeying—not a set of songs, or a program, or a performative energy.”\u003cbr\u003e\u003cbr\u003eUsing the Just Jazz tapes as a guide, he mixed and remixed, overdubbed synthesizer and pulled from his extensive battery of percussion instruments. He invited his collaborators—his friends, though we should all be so lucky to have friends as talented as these—to add their own overdubs, then, working the controls, he turned out a collection of songs that seem to have entire worlds encased within them. He worked with a sense of necessity. “The urgency was to share a message,” he says, “that we would get through this.”\u003cbr\u003e\u003cbr\u003eIt’s a feeling that was made manifest across Actual Presence, and is extended in this new version, entitled EXTRA PRESENCE. When I first heard these songs in 2020, I was astounded by how expertly Carlos was able to guide his listeners through a three-dimensional soundscape. It felt miraculous, as if we were getting a new view of free jazz and new age and hip-hop, being brought into the cells of the music to see how all its constituent parts fit together. The implication seemed to be that every moment of every song—not just these songs, but any song—was ripe with possibility, that decisions were being made at every moment, and that because of that, other decisions might be made. Free jazz and free improv are both predicated on this very idea, of course, but where that sense of freedom often yields dissonance and confusion, Actual Presence seemed to suggest that something like spiritual harmony could be reached on the fly, that it was hidden in everything if you were willing to try and find it.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear then, but hear now, is that this sense of harmony wasn’t just coming from Carlos’ remarkable studio skills. It was inherent in the playing itself, and in the way the players relate to one another. There is an emotional coherence to this music, a collective ache at its core that starts with the majesty of Jamael Dean’s piano and runs through even the smallest of instruments. No matter who’s playing on any given track—or when they were playing it—everyone is watching one another, patiently waiting, not moving forward until everyone is ready. That could feel ponderous, but here it feels generous. You expect “Youwillgetthroughthis” to move out its foyer, but the kalimba finds an interesting groove there, so they all gather around to explore it, which gives a deeply tender organ space to open the song in a completely new direction. It’s music as a series of cleansing exhales, as re-grounding, slowing down to move at a speed that allows it to examine itself.\u003cbr\u003e\u003cbr\u003eAs its title suggests, EXTRA PRESENCE gives us another hour of these explorations. The new tracks were all recorded around the time Carlos was working on Actual Presence and its followup, More Energy Fields, Current, and they show that the sense of possibility that first suggested itself in these songs wasn’t a mirage. Rather than simply remixing old tunes, Carlos opens new doors that reveal new rooms. “Youwillgetthroughthis with Koto” isn’t just augmented by a koto; it’s wound up in a new tension that was barely suggested in the original track. “Luis’ Special Shells,” an Actual Presence highlight, dips us into an subaquatic world painted in inky blues and forest greens, the shells themselves the only clear element that remains from the original.\u003cbr\u003e\u003cbr\u003eMost strikingly, it’s capped by the 23-minute ambient piece “Recurrent Reiki Dreams,” a dramatic extension of the album’s “Mushroomeclipse.” The track’s length, and the lightly undulating silkiness of its textures, makes it feel as though the entire album has been sliding into this primordial space, as if the whole of EXTRA PRESENCE is something like a symphony. Or maybe like all of those views Carlos and his friends have offered have all been different ways of saying this, variations on a way of articulating a feeling that exists here in its purest form. It’s like staring into the object with which this music has been abiding.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear in 2020 but hear now, as the world has changed and continues to, is that the sound of EXTRA PRESENCE is the sound of being ready to face yourself. Or, more precisely, it’s the sound of what happens when everyone pauses what they’re doing and rallies to support a wounded friend. Yes, these songs are technically dazzling, constantly surprising, and expertly constructed. But at its core, EXTRA PRESENCE is about sitting down, being with, trying to draw from a sensation or a mass that’s much bigger than we can understand. Yes, this is mystical language, but this is mystical music. “It is a way of describing the awareness of Eternal Now,” Carlos says.” “It is a way of expressing the consciousness of Being.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・LAのパーカッショニストCarlos Niñoが、2022年7月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 桃源郷スピリチュアル・アンビエントジャズ17曲、90分を収録。レコードは紫と緑盤です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":8096591544570,"title":"Ben Lumsdaine \/\/ Murmuration Without End TAPE","handle":"ben-lumsdaine-murmuration-without-end-tape","description":"\u003cp\u003eAnna ButtressやBex Burchのアルバムにも参加しているアメリカ・LAのパーカッショニストBen Lumsdaineが、2023年12月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003eパーカッシブなスピリチュアル・ジャズ5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Murmuration Without End \"は、プロデューサー、コンポーザー、パーカッショニスト、マルチインストゥルメンタリストのBen Lumsdaineによるリズムスタディ集である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e友人宅の地下スタジオにこもって録音した瞑想的なシンセのドローンから始まったトラックは、楽器レイヤーを重ねるごとに、シンセ固有の変調が意味するメーターやパルスを乱し、やがてマルチテクスチャーのポリリズムの音世界へと変化していった。また、サックス奏者の\u003cmeta charset=\"utf-8\"\u003eDustin Laurenzi (Bon Iver, Bill Callahan)、トランペット奏者の\u003cmeta charset=\"utf-8\"\u003eJohn Raymond (S. Carey, Sara Bareilles)、ギタリストの\u003cmeta charset=\"utf-8\"\u003eDrake Ritter (Durand Jones, Diane Coffee)など、ゲストミュージシャンも参加している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eキューバのベータ波の躍動感に触発されたBen Lumsdaineは、明確なパルスを持ちながらダウンビートがかなり不明瞭な音楽を構築することを自らに課し、最終的には未知の中に平和を見出すことを芸術的に明確に表現した。特に、現役ミュージシャンであるBen Lumsdaineの主な楽器が伝統的なドラムキット（\u003cmeta charset=\"utf-8\"\u003eDurand Jones、Chris Schlarb、\u003cmeta charset=\"utf-8\"\u003eAnna Butterss、Bex Burchのアルバムで彼のドラミングを聴くことができる）であることを考えると、この『Murmuration Without End』では、類まれなパレットでこれを達成している点が印象的だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1917028189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003ePro-dubbed C64 Cassette in Cactus Flower orange shell, housed in a transparent Norelco box with CMYK J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDallas\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMyopic\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRenormalizer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTough One\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHere's Your Next Clue\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMurmuration Without End is a collection of rhythmic studies by producer, composer, percussionist \u0026amp; multi-instrumentalist Ben Lumsdaine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhereas the tracks began as meditative synth drones recorded by Lumsdaine when quarantined in the basement studio of his friend’s home, over time they became multi-textural, poly-rhythmic sound worlds as he disrupted the meters and pulses implied by the synths’ inherent modulations with each instrumental layer added. He also enlisted guest musicians to help him achieve this, including saxophonist Dustin Laurenzi (Bon Iver, Bill Callahan), trumpeter John Raymond (S. Carey, Sara Bareilles), and guitarist Drake Ritter (Durand Jones, Diane Coffee).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInspired by the vibrance of Cuban bata rhythms, Lumsdaine set himself to construct music that has a clear pulse but a fairly indiscernible downbeat, and ultimately makes an articulate artistic expression about finding peace within the unknown. The way he achieves this with an uncommon palette is particularly impressive on Murmuration Without End, especially considering that, as a working musician, Lumsdaine’s primary instrument is a traditional drumkit (hear his drumming on albums by Durand Jones, Chris Schlarb, Anna Butterss, and Bex Burch); but in the context of this album, he challenged himself to completely refrain from playing his drums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Lumsdaine\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-11-28T17:31:48+09:00","created_at":"2023-11-28T17:08:08+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","new","recommended","tape"],"price":265700,"price_min":265700,"price_max":265700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44821200929018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ben Lumsdaine \/\/ Murmuration Without End TAPE","public_title":null,"options":["Default Title"],"price":265700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3963084246_16.jpg?v=1701159583","\/\/tobirarecords.com\/cdn\/shop\/files\/0034081323_10.jpg?v=1701159622","\/\/tobirarecords.com\/cdn\/shop\/files\/0034081326_10.jpg?v=1701159622","\/\/tobirarecords.com\/cdn\/shop\/files\/0034081324_10.jpg?v=1701159622","\/\/tobirarecords.com\/cdn\/shop\/files\/0034081329_10.jpg?v=1701159622"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3963084246_16.jpg?v=1701159583","options":["Title"],"media":[{"alt":null,"id":32761342886138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3963084246_16.jpg?v=1701159583"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3963084246_16.jpg?v=1701159583","width":700},{"alt":null,"id":32761344655610,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081323_10.jpg?v=1701159622"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081323_10.jpg?v=1701159622","width":1200},{"alt":null,"id":32761344721146,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081326_10.jpg?v=1701159622"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081326_10.jpg?v=1701159622","width":1200},{"alt":null,"id":32761343017210,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081324_10.jpg?v=1701159622"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081324_10.jpg?v=1701159622","width":1200},{"alt":null,"id":32761343049978,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081329_10.jpg?v=1701159622"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034081329_10.jpg?v=1701159622","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAnna ButtressやBex Burchのアルバムにも参加しているアメリカ・LAのパーカッショニストBen Lumsdaineが、2023年12月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003eパーカッシブなスピリチュアル・ジャズ5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Murmuration Without End \"は、プロデューサー、コンポーザー、パーカッショニスト、マルチインストゥルメンタリストのBen Lumsdaineによるリズムスタディ集である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e友人宅の地下スタジオにこもって録音した瞑想的なシンセのドローンから始まったトラックは、楽器レイヤーを重ねるごとに、シンセ固有の変調が意味するメーターやパルスを乱し、やがてマルチテクスチャーのポリリズムの音世界へと変化していった。また、サックス奏者の\u003cmeta charset=\"utf-8\"\u003eDustin Laurenzi (Bon Iver, Bill Callahan)、トランペット奏者の\u003cmeta charset=\"utf-8\"\u003eJohn Raymond (S. Carey, Sara Bareilles)、ギタリストの\u003cmeta charset=\"utf-8\"\u003eDrake Ritter (Durand Jones, Diane Coffee)など、ゲストミュージシャンも参加している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eキューバのベータ波の躍動感に触発されたBen Lumsdaineは、明確なパルスを持ちながらダウンビートがかなり不明瞭な音楽を構築することを自らに課し、最終的には未知の中に平和を見出すことを芸術的に明確に表現した。特に、現役ミュージシャンであるBen Lumsdaineの主な楽器が伝統的なドラムキット（\u003cmeta charset=\"utf-8\"\u003eDurand Jones、Chris Schlarb、\u003cmeta charset=\"utf-8\"\u003eAnna Butterss、Bex Burchのアルバムで彼のドラミングを聴くことができる）であることを考えると、この『Murmuration Without End』では、類まれなパレットでこれを達成している点が印象的だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1917028189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003ePro-dubbed C64 Cassette in Cactus Flower orange shell, housed in a transparent Norelco box with CMYK J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDallas\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMyopic\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRenormalizer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTough One\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHere's Your Next Clue\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMurmuration Without End is a collection of rhythmic studies by producer, composer, percussionist \u0026amp; multi-instrumentalist Ben Lumsdaine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhereas the tracks began as meditative synth drones recorded by Lumsdaine when quarantined in the basement studio of his friend’s home, over time they became multi-textural, poly-rhythmic sound worlds as he disrupted the meters and pulses implied by the synths’ inherent modulations with each instrumental layer added. He also enlisted guest musicians to help him achieve this, including saxophonist Dustin Laurenzi (Bon Iver, Bill Callahan), trumpeter John Raymond (S. Carey, Sara Bareilles), and guitarist Drake Ritter (Durand Jones, Diane Coffee).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInspired by the vibrance of Cuban bata rhythms, Lumsdaine set himself to construct music that has a clear pulse but a fairly indiscernible downbeat, and ultimately makes an articulate artistic expression about finding peace within the unknown. The way he achieves this with an uncommon palette is particularly impressive on Murmuration Without End, especially considering that, as a working musician, Lumsdaine’s primary instrument is a traditional drumkit (hear his drumming on albums by Durand Jones, Chris Schlarb, Anna Butterss, and Bex Burch); but in the context of this album, he challenged himself to completely refrain from playing his drums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Lumsdaine\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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Anna ButtressやBex Burchのアルバムにも参加しているアメリカ・LAのパーカッショニストBen Lumsdaineが、2023年12月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースするカセットです。 パーカッシブなスピリチュアル・ジャズ5曲を収録。DLコード付属。 以下、レーベルによる解説です。 "Murmuration Without End "は、プロデューサー、コンポーザー、パーカッショニスト、マルチインストゥルメンタリストのBen Lumsdaineによるリズムスタディ集である。友人宅の地下スタジオにこもって録音した瞑想的なシンセのドローンから始まったトラックは、楽器レイヤーを重ねるごとに、シンセ固有の変調が意味するメーターやパルスを乱し、やがてマルチテクスチャーのポリリズムの音世界へと変化していった。また、サックス奏者のDustin Laurenzi (Bon...
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{"id":8026760708346,"title":"Jeremiah Chiu \/\/ In Electric Time TAPE","handle":"jeremiah-chiu-in-electric-time-tape","description":"\u003cp\u003eアメリカ・LAのモジュラー奏者Jeremiah Chiuが、2023年9月に同国シカゴのジャズレーベルInternational Anthemからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eJeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e即興演奏のアプローチは、VSMのミキサーセットアップ（シンセサイザーのセクションがすべて1つのミキサー／パッチベイにルーティングされている）を採用し、スタジオの端から始めて、6つの異なるセクションを回るというものだった。私は、自分が最も慣れ親しんでいる、あるいは何年もかけて研究してきたシンセサイザーから始め、すぐに使いこなすことができると確信していた。ヴィンテージの機材で作業する場合、楽器がユニークに歌うスイートスポットが必ずある。フィルターや共鳴の仕方、鍵盤のアクション、トリガーやシーケンスに使用するコントロール・ボルテージ、搭載されているユニークな機能などだ。メロディやリズムが思いがけない形で現れる瞬間を見つけるのが好きで、彫刻というより考古学のように感じることもある。編集もかなり即興的で、生々しく自然な感じを維持するために、しばしば異なるセクションの断片を互いに対話させながら引っ張ってきた。ベンがテープを始めたり止めたりする瞬間を録音で聞くのが好きだったので、長くてその瞬間を超えたテイクは、新鮮なアイデアに直接ぶつかったりした。」\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5nzPIe9zDAc?si=en4snVPe3Amiihgq\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1183930485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 333. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElectroComp 101 01:44\u003c\/li\u003e\n\u003cli\u003eSeawater Swell 04:31\u003c\/li\u003e\n\u003cli\u003eFor Voices 01:09\u003c\/li\u003e\n\u003cli\u003eRococco Rondo 07:32\u003c\/li\u003e\n\u003cli\u003eA Cloud Song 02:18\u003c\/li\u003e\n\u003cli\u003eRhythm Bell 01:44\u003c\/li\u003e\n\u003cli\u003eBrush with Thin Air 03:55\u003c\/li\u003e\n\u003cli\u003eRhythm Serge 01:24\u003c\/li\u003e\n\u003cli\u003eStatic Stone Railway 02:27\u003c\/li\u003e\n\u003cli\u003eTransparent Spheres 05:17\u003c\/li\u003e\n\u003cli\u003eEcho Arp Hold 01:07\u003c\/li\u003e\n\u003cli\u003eIn Electric Time 04:23 video\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder\/curator Lance Hill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHill recalls: \"Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he started programming a sound and sequence into the Gleeman Pentaphonic. By the time the engineer showed up, Jeremiah had built several other parts around the Gleeman that weren't synced by any control method but sounded like they were just calling and responding to each other. They plugged the Tascam 388 into the patch bay, and hit record. Jeremiah played with it, and that was it. First piece written and recorded in under an hour. It felt natural, fun and free. And that's pretty much how the rest of the session went. Constant ecstatic motion. It was the funnest non-HipHop session I've ever worked on.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe resulting album – In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic music conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to paint a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott’s electronic studio recordings — with sharp cuts and room chatter — and, in others, it conjures the in-the-moment magic of Harmonia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbout the work, Chiu says: “The approach to the improvisations was to embrace the mixer setups at VSM — where a section of synthesizers are all routed to a single mixer\/patchbay — and to start at one end of the studio and work our way around the six different sections. I began with the synths I was most familiar with — or had spent years researching — and was fairly certain I could reign in quickly. When working with vintage gear, there's always a sweet spot where the instrument sings in a unique way. This may be the idiosyncrasies of its filter and how it resonates, the action of the keys, the ability to trigger and use control voltage to sequence, or the unique onboard features. I love finding the moments where a melody or rhythm appears in an unexpected way — at times feeling more like archaeology than sculpture. I was quite improvisatory with the editing as well, often pulling bits from distinctly different sections in dialogue with each other, in order to maintain the raw, spontaneous feeling. I loved hearing moments in the recordings when Ben started or stopped tape, so a take that was running long and beyond its moment would hit directly against a fresh idea.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-10-02T20:26:40+09:00","created_at":"2023-10-02T12:58:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","post newage","tape"],"price":264000,"price_min":264000,"price_max":264000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44597301707002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeremiah Chiu \/\/ In Electric Time TAPE","public_title":null,"options":["Default Title"],"price":264000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3c68cb7-41a5-4d50-9e5f-bba82a3db5ef.jpg?v=1696219134","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_89e3ddf6-7b48-46e1-b359-a720b75c7113.jpg?v=1696219134"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3c68cb7-41a5-4d50-9e5f-bba82a3db5ef.jpg?v=1696219134","options":["Title"],"media":[{"alt":null,"id":32516844781818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3c68cb7-41a5-4d50-9e5f-bba82a3db5ef.jpg?v=1696219134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_f3c68cb7-41a5-4d50-9e5f-bba82a3db5ef.jpg?v=1696219134","width":700},{"alt":null,"id":32516844814586,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_89e3ddf6-7b48-46e1-b359-a720b75c7113.jpg?v=1696219134"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_89e3ddf6-7b48-46e1-b359-a720b75c7113.jpg?v=1696219134","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのモジュラー奏者Jeremiah Chiuが、2023年9月に同国シカゴのジャズレーベルInternational Anthemからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eJeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e即興演奏のアプローチは、VSMのミキサーセットアップ（シンセサイザーのセクションがすべて1つのミキサー／パッチベイにルーティングされている）を採用し、スタジオの端から始めて、6つの異なるセクションを回るというものだった。私は、自分が最も慣れ親しんでいる、あるいは何年もかけて研究してきたシンセサイザーから始め、すぐに使いこなすことができると確信していた。ヴィンテージの機材で作業する場合、楽器がユニークに歌うスイートスポットが必ずある。フィルターや共鳴の仕方、鍵盤のアクション、トリガーやシーケンスに使用するコントロール・ボルテージ、搭載されているユニークな機能などだ。メロディやリズムが思いがけない形で現れる瞬間を見つけるのが好きで、彫刻というより考古学のように感じることもある。編集もかなり即興的で、生々しく自然な感じを維持するために、しばしば異なるセクションの断片を互いに対話させながら引っ張ってきた。ベンがテープを始めたり止めたりする瞬間を録音で聞くのが好きだったので、長くてその瞬間を超えたテイクは、新鮮なアイデアに直接ぶつかったりした。」\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5nzPIe9zDAc?si=en4snVPe3Amiihgq\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1183930485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 333. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElectroComp 101 01:44\u003c\/li\u003e\n\u003cli\u003eSeawater Swell 04:31\u003c\/li\u003e\n\u003cli\u003eFor Voices 01:09\u003c\/li\u003e\n\u003cli\u003eRococco Rondo 07:32\u003c\/li\u003e\n\u003cli\u003eA Cloud Song 02:18\u003c\/li\u003e\n\u003cli\u003eRhythm Bell 01:44\u003c\/li\u003e\n\u003cli\u003eBrush with Thin Air 03:55\u003c\/li\u003e\n\u003cli\u003eRhythm Serge 01:24\u003c\/li\u003e\n\u003cli\u003eStatic Stone Railway 02:27\u003c\/li\u003e\n\u003cli\u003eTransparent Spheres 05:17\u003c\/li\u003e\n\u003cli\u003eEcho Arp Hold 01:07\u003c\/li\u003e\n\u003cli\u003eIn Electric Time 04:23 video\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder\/curator Lance Hill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHill recalls: \"Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he started programming a sound and sequence into the Gleeman Pentaphonic. By the time the engineer showed up, Jeremiah had built several other parts around the Gleeman that weren't synced by any control method but sounded like they were just calling and responding to each other. They plugged the Tascam 388 into the patch bay, and hit record. Jeremiah played with it, and that was it. First piece written and recorded in under an hour. It felt natural, fun and free. And that's pretty much how the rest of the session went. Constant ecstatic motion. It was the funnest non-HipHop session I've ever worked on.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe resulting album – In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic music conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to paint a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott’s electronic studio recordings — with sharp cuts and room chatter — and, in others, it conjures the in-the-moment magic of Harmonia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbout the work, Chiu says: “The approach to the improvisations was to embrace the mixer setups at VSM — where a section of synthesizers are all routed to a single mixer\/patchbay — and to start at one end of the studio and work our way around the six different sections. I began with the synths I was most familiar with — or had spent years researching — and was fairly certain I could reign in quickly. When working with vintage gear, there's always a sweet spot where the instrument sings in a unique way. This may be the idiosyncrasies of its filter and how it resonates, the action of the keys, the ability to trigger and use control voltage to sequence, or the unique onboard features. I love finding the moments where a melody or rhythm appears in an unexpected way — at times feeling more like archaeology than sculpture. I was quite improvisatory with the editing as well, often pulling bits from distinctly different sections in dialogue with each other, in order to maintain the raw, spontaneous feeling. I loved hearing moments in the recordings when Ben started or stopped tape, so a take that was running long and beyond its moment would hit directly against a fresh idea.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・LAのモジュラー奏者Jeremiah Chiuが、2023年9月に同国シカゴのジャズレーベルInternational Anthemからリリースしたカセットです。 2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。DLコード付属。 以下、レーベルによる解説です。 "2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。ヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。 Jeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。 即興演奏のアプローチは、VSMのミキサーセットアップ（シンセサイザーのセクションがすべて1つのミキサー／パッチベイにルーティングされている）を採用し、スタジオの端から始めて、6つの異なるセクションを回るというものだった。私は、自分が最も慣れ親しんでいる、あるいは何年もかけて研究してきたシンセサイザーから始め、すぐに使いこなすことができると確信していた。ヴィンテージの機材で作業する場合、楽器がユニークに歌うスイートスポットが必ずある。フィルターや共鳴の仕方、鍵盤のアクション、トリガーやシーケンスに使用するコントロール・ボルテージ、搭載されているユニークな機能などだ。メロディやリズムが思いがけない形で現れる瞬間を見つけるのが好きで、彫刻というより考古学のように感じることもある。編集もかなり即興的で、生々しく自然な感じを維持するために、しばしば異なるセクションの断片を互いに対話させながら引っ張ってきた。ベンがテープを始めたり止めたりする瞬間を録音で聞くのが好きだったので、長くてその瞬間を超えたテイクは、新鮮なアイデアに直接ぶつかったりした。」"...
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{"id":8017060036858,"title":"International Anthem Catalog TOTE","handle":"international-anthem-catalog-tote","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズレーベルInternational AnthemのBIG TOTEです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフルカタログがプリントされています。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn everyday tote bag for your essential items. Cream ink screenprinted seafoam green cotton bag with our full catalog of releases (to date) on one side, neo-IARC art on the other side.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e- Extra long 26\" cotton handles with reinforced stress point stitching\u003cbr\u003e- 5\" square bottom gusset\u003cbr\u003e- 14.75\" h 19.5\"w x 5\" (expanded width)\u003cbr\u003e- 14.75\" h x 14.75\" w x 5\" d (not expanded width)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-09-13T08:06:32+09:00","created_at":"2023-09-12T12:41:27+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","international anthem"],"price":568000,"price_min":568000,"price_max":568000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44556404162810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"International Anthem Catalog TOTE","public_title":null,"options":["Default Title"],"price":568000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ca_17a0b948-14dd-4b63-b2d3-5c3f3630b72e.jpg?v=1694490089","\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_ad04c762-3946-4439-833d-bf0e9ecca555.jpg?v=1694490089","\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_4308bdc3-e62c-4814-94fc-80fadcf397c7.jpg?v=1694490089"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_17a0b948-14dd-4b63-b2d3-5c3f3630b72e.jpg?v=1694490089","options":["Title"],"media":[{"alt":null,"id":32436879360250,"position":1,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_17a0b948-14dd-4b63-b2d3-5c3f3630b72e.jpg?v=1694490089"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca_17a0b948-14dd-4b63-b2d3-5c3f3630b72e.jpg?v=1694490089","width":1200},{"alt":null,"id":32436879393018,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_ad04c762-3946-4439-833d-bf0e9ecca555.jpg?v=1694490089"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca2_ad04c762-3946-4439-833d-bf0e9ecca555.jpg?v=1694490089","width":1200},{"alt":null,"id":32436879425786,"position":3,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_4308bdc3-e62c-4814-94fc-80fadcf397c7.jpg?v=1694490089"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ca1_4308bdc3-e62c-4814-94fc-80fadcf397c7.jpg?v=1694490089","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズレーベルInternational AnthemのBIG TOTEです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフルカタログがプリントされています。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn everyday tote bag for your essential items. Cream ink screenprinted seafoam green cotton bag with our full catalog of releases (to date) on one side, neo-IARC art on the other side.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e- Extra long 26\" cotton handles with reinforced stress point stitching\u003cbr\u003e- 5\" square bottom gusset\u003cbr\u003e- 14.75\" h 19.5\"w x 5\" (expanded width)\u003cbr\u003e- 14.75\" h x 14.75\" w x 5\" d (not expanded width)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズレーベルInternational AnthemのBIG TOTEです。 フルカタログがプリントされています。 An everyday tote bag for your essential items. Cream ink...
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{"id":7920696033530,"title":"Photay with Carlos Niño \/\/ More Offerings TAPE","handle":"photay-with-carlos-nino-more-offerings-tape","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年12月に同国シカゴのジャズレーベルInternational Anthemから111本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e様々な作家とコラボレートしたリズミカルなジャズ〜ポストニューエイジ・ジャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3524683238\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3658590335\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNotes by Carlos Niño:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"As the title makes clear, the 'More Offerings'\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecassette and digital release is a direct extension of\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhotay with Carlos Niño - 'An Offering' (IARC0062).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen Scottie McNiece of International Anthem\u003c\/em\u003e\u003cbr\u003e\u003cem\u003elet me know that he wanted to release a vinyl edition,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ean updated tape, and the full digital distribution for\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e'An Offering' on the Fall Equinox of 2022, I immediately\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethought about putting together a second set of music\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand energy to share soon after that. Photay and I had\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ealready been discussing the making of Remixes, or having\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eothers Remix, releasing source material, full versions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eof pieces that were sampled for songs on 'An Offering',\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand pieces that were in the same flow as the first release,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhile we were finishing the original project. International Anthem\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eagreed to release 'More Offerings' as well and so we\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eproceeded to finish it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'An Offering' was originally released exclusively on the\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhotay Bandcamp page, Friday, October 1, 2021.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe self-made tape run of 111 sold out in a\u003cspan class=\"bcTruncateMore\"\u003e couple weeks\u003cbr\u003eand we were stoked that people were feeling the sound.\u003cbr\u003eThat rippled on greatly with the next phases by\u003cbr\u003eInternational Anthem in September 2022.\u003cbr\u003e\u003cbr\u003eIf you listen to both records, in either order, you will\u003cbr\u003ehear the connections. These are kindred spirits that\u003cbr\u003etwin flame, dance, twirl, entwine, form concentric, eccentric,\u003cbr\u003ehelixing around each other . . . The same guest collaborators\u003cbr\u003eare present, and this time there are a few more pulses,\u003cbr\u003erhythms, two special doses of the inspirational Iasos talk,\u003cbr\u003ethe sound of Laraaji's Voice, additions by Diego Gaeta\u003cbr\u003eaka Club Diego, a live excerpt of Photay with Carlos Niño\u003cbr\u003eand Randal Fisher playing in front of the Marina in Los Angeles\u003cbr\u003eas part of the floating series ( \u003ca rel=\"nofollow ugc\" href=\"https:\/\/www.feelslikefloating.com\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ewww.feelslikefloating.com\u003c\/a\u003e )\u003cbr\u003eand the premier of the new Carlos Niño \u0026amp; Photay\u003cbr\u003eProduction Project: Sagegreenfloors - that samples\u003cbr\u003ethe Carlos Niño \u0026amp; Friends Improvisation from 053021\u003cbr\u003efeaturing Nate Mercereau, Aaron Shaw, and Diego -\u003cbr\u003ethat was previously sampled for \"H O N O R\" on 'An Offering'.\u003cbr\u003eIt's like rippling waves, wind in the trees,\u003cbr\u003ebreathing . . .\u003cbr\u003e\u003cbr\u003eThe Single, \"Feeling, Now\" (with accompanying Video by Photay)\u003cbr\u003eis the first taste of the new Beat Project by Sagegreenfloors,\u003cbr\u003ereleased here in this Loving Moreness . . .\u003cbr\u003eHope You enjoy it!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Photay with Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-02-19T09:52:45+09:00","created_at":"2023-02-19T09:52:45+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","post newage","recommended","tape"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44004633411834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Photay with Carlos Niño \/\/ More Offerings TAPE","public_title":null,"options":["Default Title"],"price":238000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2494758490_16.jpg?v=1676768067","\/\/tobirarecords.com\/cdn\/shop\/products\/0030808212_10.jpg?v=1676768068"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2494758490_16.jpg?v=1676768067","options":["Title"],"media":[{"alt":null,"id":31549983064314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2494758490_16.jpg?v=1676768067"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2494758490_16.jpg?v=1676768067","width":700},{"alt":null,"id":31549983097082,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030808212_10.jpg?v=1676768068"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0030808212_10.jpg?v=1676768068","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年12月に同国シカゴのジャズレーベルInternational Anthemから111本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e様々な作家とコラボレートしたリズミカルなジャズ〜ポストニューエイジ・ジャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3524683238\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3658590335\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNotes by Carlos Niño:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"As the title makes clear, the 'More Offerings'\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecassette and digital release is a direct extension of\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhotay with Carlos Niño - 'An Offering' (IARC0062).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen Scottie McNiece of International Anthem\u003c\/em\u003e\u003cbr\u003e\u003cem\u003elet me know that he wanted to release a vinyl edition,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ean updated tape, and the full digital distribution for\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e'An Offering' on the Fall Equinox of 2022, I immediately\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethought about putting together a second set of music\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand energy to share soon after that. Photay and I had\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ealready been discussing the making of Remixes, or having\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eothers Remix, releasing source material, full versions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eof pieces that were sampled for songs on 'An Offering',\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand pieces that were in the same flow as the first release,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhile we were finishing the original project. International Anthem\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eagreed to release 'More Offerings' as well and so we\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eproceeded to finish it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'An Offering' was originally released exclusively on the\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhotay Bandcamp page, Friday, October 1, 2021.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe self-made tape run of 111 sold out in a\u003cspan class=\"bcTruncateMore\"\u003e couple weeks\u003cbr\u003eand we were stoked that people were feeling the sound.\u003cbr\u003eThat rippled on greatly with the next phases by\u003cbr\u003eInternational Anthem in September 2022.\u003cbr\u003e\u003cbr\u003eIf you listen to both records, in either order, you will\u003cbr\u003ehear the connections. These are kindred spirits that\u003cbr\u003etwin flame, dance, twirl, entwine, form concentric, eccentric,\u003cbr\u003ehelixing around each other . . . The same guest collaborators\u003cbr\u003eare present, and this time there are a few more pulses,\u003cbr\u003erhythms, two special doses of the inspirational Iasos talk,\u003cbr\u003ethe sound of Laraaji's Voice, additions by Diego Gaeta\u003cbr\u003eaka Club Diego, a live excerpt of Photay with Carlos Niño\u003cbr\u003eand Randal Fisher playing in front of the Marina in Los Angeles\u003cbr\u003eas part of the floating series ( \u003ca rel=\"nofollow ugc\" href=\"https:\/\/www.feelslikefloating.com\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ewww.feelslikefloating.com\u003c\/a\u003e )\u003cbr\u003eand the premier of the new Carlos Niño \u0026amp; Photay\u003cbr\u003eProduction Project: Sagegreenfloors - that samples\u003cbr\u003ethe Carlos Niño \u0026amp; Friends Improvisation from 053021\u003cbr\u003efeaturing Nate Mercereau, Aaron Shaw, and Diego -\u003cbr\u003ethat was previously sampled for \"H O N O R\" on 'An Offering'.\u003cbr\u003eIt's like rippling waves, wind in the trees,\u003cbr\u003ebreathing . . .\u003cbr\u003e\u003cbr\u003eThe Single, \"Feeling, Now\" (with accompanying Video by Photay)\u003cbr\u003eis the first taste of the new Beat Project by Sagegreenfloors,\u003cbr\u003ereleased here in this Loving Moreness . . .\u003cbr\u003eHope You enjoy it!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Photay with Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年12月に同国シカゴのジャズレーベルInternational Anthemから111本限定でリリースした共作カセットです。 様々な作家とコラボレートしたリズミカルなジャズ〜ポストニューエイジ・ジャズ9曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":7663050457338,"title":"Daniel Villarreal \/\/ Panamá 77 LP","handle":"daniel-villarreal-panama-77-lp","description":"\u003cp\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealが、2022年5月に同国International Anthemからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eジャズファンク12曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=781567185\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003ePanamá 77 – a vibrant and verdant suite of multi-textural, jazz-laced psychedelic instrumental folk-funk – is the debut album by Panamá-born, Chicago-based drummer and DJ Daniel Villarreal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough it’s a debut work in the eyes of the world, Villarreal has long been a widely known and beloved character on the Chicago music scene. On almost any night of the week, you’ll find him DJing at atleast one spot on bustling 18th Street in his home neighborhood of Pilsen. (The decadent track “18th \u0026amp; Morgan” is an homage to that strip, with its lowrider meets Roy Ayers vibe, vividly depicting Villarreal’s daily life driving to a gig in his classic baby-blue Mercedes sedan, wearing a beaver-skin Stetson and tinted aviators.) If he’s not there, he’s playing drums with Dos Santos, Valebol, The Los Sundowns or Ida y Vuelta (all bands he co-leads), or sitting in with Wild Belle or Rudy De Anda.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVillarreal may be most known for his big style and magnetic personality, but to musicians on the scene, it’s as much for his talents as a malleable and reliable drummer, with a deep pocket in many styles and sounds. Through Dos Santos and Ida y Vuelta, he’s demonstrated a range of knowledge and skill in various stripes of folkloric Latin music; but, ironically, he didn’t\u003cspan class=\"bcTruncateMore\"\u003e really play traditional Latin music until he moved to the States from his hometown Panamá City. His deepest roots in drumming are from the progressive punk and hardcore scenes of Central America, where his bands NOHAYDIA and 2 Huevos 1 Camino were active in the late 90s. Those formative experiences are the foundation of his career in music.\u003cbr\u003e\u003cbr\u003eAfter his teen years thrashing on the punk scene, Villarreal started a life-changing tutelage with Freddy Sobers, the drummer of El General and Nando Boom (both known for pioneering reggaeton music in Panamá). “He taught me how to play all kinds of rhythms and told me I didn’t have to just play punk music,” Villarreal told the Chicago Reader in 2021. “He played everything from Rush to reggaeton to Chick Corea to salsa music… He told me if I wanted to be a good drummer, I had to learn all the styles. He took me under his wing, and I learned a lot from him.”\u003cbr\u003e\u003cbr\u003eVillarreal evokes another Panamanian legend in “Patria,” a tribute to the organist and composer Avelino Muñoz. “My father, who also played the organ, used to listen to him growing up. I was always curious about its haunted sound. This recording is a total obeisance to Muñoz, my father and my country.”\u003cbr\u003e\u003cbr\u003eVillarreal migrated to the US in the early 2000s. His first decade was spent living on a farm near Woodstock, Illinois, where he was a social worker, connecting migrant laborers with community health clinics. He also spent that time raising his two daughters, Estelle and Fania. But all his spare time went to nurturing his passion for drums. As he found more collaborators, played more gigs and became more embedded in the music community, in the early 2010s he moved down the highway into the City of Chicago, determined to grind it out as a full-time musician.\u003cbr\u003e\u003cbr\u003eAfter another decade of non-stop sideman work, which included the growing national awareness and success of Dos Santos, Villarreal began to imagine what his own solo record could be. A handful of studio experiments in 2017 and 2018 got him close to the sound in his mind, but it wasn’t until he traveled to Los Angeles for a gig in 2019 that he caught a lasting spark. A simple stereo recording of Villarreal improvising with a first-time ensemble of friends – including Elliot Bergman, Jeff Parker, Kellen Harrison, and Bardo Martinez – inspired him to go into album-forming mode. The songs “Bella Vista” and “Activo” are excerpts from that first session, with added layers of auxiliary percussion, edited and shaped by Villarreal with engineer Dave Vettraino.\u003cbr\u003e\u003cbr\u003eAs Villarreal and Vettraino dove into post-production, the need for more material to fill out the album became clear, so more sessions were scheduled with players from Villareal’s and International Anthem’s shared circles. Guitarist Nathan Karagianis, who also plays with Dos Santos, joined them at Jamdek Studios in Chicago along with organist Cole DeGenova, and bassist Gordon Walters. In Los Angeles at Chicali Outpost (aka the garden behind International Anthem co-founder Scottie McNiece’s home), Villarreal recorded again with Bardo Martinez on bass and synths, Kyle Davis on keyboards, Anna Butterss on bass, and Jeff Parker, again, on guitar.\u003cbr\u003e\u003cbr\u003eThe Chicali Outpost session was recorded by engineer Ben Lumsdaine outdoors in open air, mainly because of safety precautions (it was in October 2020, and even the smallest of gatherings were still rare then), but also because the climate and context of the garden was ripe for music-making. One of the most electric tunes from that session is “Uncanny,” a psychedelic funk dub with spacey William Onyeabor-style synths. Villarreal recalls that “we were jamming in Bardo's little garage studio the night before we did the recording at Scottie’s house. I remember starting the main groove and Bardo jumping in with a wacky bass line. We celebrated how weird it was even though we weren't playing the same groove together, it came out in a strange, wonderful way that surprised us.”\u003cbr\u003e\u003cbr\u003eAnother highlight from those recordings is “In\/On.” The base track is built around an improvisation by Villarreal, Butterss, and Parker, which was one of the first bits of music the three of them made together. It was also one of the first times Parker had played in person with other musicians in the almost 6 months since the pandemic began, and the joy of collective improvisation can be felt emanating from every note he plays. As Villarreal describes it, “for me, the song is about how we are all IN and ON. As if we are about to start something so you walk in and turn an ON switch. No one knows what's going to happen after that but we are all into it. We are all IN. I also think it’s a fun reference because in Spanish there is only one word - ‘en’ - for both of those English words ‘in’ and ‘on’.”\u003cbr\u003e\u003cbr\u003eVillarreal spent much of 2021 adding layers of percussion, editing and piecing the music together with Vettraino at International Anthem studios in Chicago. Other additions made in the final stages included Aquiles Navarro (of Irreversible Entanglements), who recorded horns for “Uncanny” at his family’s home in Panamá. Marta Sofia Honer wrote string arrangements and recorded a Curtis Mayfield-style symphony of violins and violas for “Cali Colors” and “18th \u0026amp; Morgan.” And back in LA for a final overdub session at Martinez’s garage studio, Villarreal and Martinez added backing vocals and synths to “Uncanny,” and even more synths to “18th \u0026amp; Morgan” and “Parque En Seis.” As the album took its final form, Villarreal named the collection Panamá 77, an homage to his birth place and year.\u003cbr\u003e\u003cbr\u003eVillarreal says: 'This album is an affirmation of both my origin story and who I am today. I see my life and my music as a collaboration of improvisation and intention all in the spirit of community and joy.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Daniel Villarreal\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2022-07-07T10:58:08+09:00","created_at":"2022-06-30T16:05:04+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp"],"price":396000,"price_min":396000,"price_max":396000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42940179972346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Villarreal \/\/ Panamá 77 LP","public_title":null,"options":["Default Title"],"price":396000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_2f85eea3-6c44-4d04-b875-5e12a76507db.jpg?v=1656572705","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_3c05140d-183f-43e9-a5cc-7aaf4a582396.jpg?v=1656572705"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_2f85eea3-6c44-4d04-b875-5e12a76507db.jpg?v=1656572705","options":["Title"],"media":[{"alt":null,"id":30030077624570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_2f85eea3-6c44-4d04-b875-5e12a76507db.jpg?v=1656572705"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_2f85eea3-6c44-4d04-b875-5e12a76507db.jpg?v=1656572705","width":700},{"alt":null,"id":30030077657338,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_3c05140d-183f-43e9-a5cc-7aaf4a582396.jpg?v=1656572705"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_3c05140d-183f-43e9-a5cc-7aaf4a582396.jpg?v=1656572705","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealが、2022年5月に同国International Anthemからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eジャズファンク12曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=781567185\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003ePanamá 77 – a vibrant and verdant suite of multi-textural, jazz-laced psychedelic instrumental folk-funk – is the debut album by Panamá-born, Chicago-based drummer and DJ Daniel Villarreal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough it’s a debut work in the eyes of the world, Villarreal has long been a widely known and beloved character on the Chicago music scene. On almost any night of the week, you’ll find him DJing at atleast one spot on bustling 18th Street in his home neighborhood of Pilsen. (The decadent track “18th \u0026amp; Morgan” is an homage to that strip, with its lowrider meets Roy Ayers vibe, vividly depicting Villarreal’s daily life driving to a gig in his classic baby-blue Mercedes sedan, wearing a beaver-skin Stetson and tinted aviators.) If he’s not there, he’s playing drums with Dos Santos, Valebol, The Los Sundowns or Ida y Vuelta (all bands he co-leads), or sitting in with Wild Belle or Rudy De Anda.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVillarreal may be most known for his big style and magnetic personality, but to musicians on the scene, it’s as much for his talents as a malleable and reliable drummer, with a deep pocket in many styles and sounds. Through Dos Santos and Ida y Vuelta, he’s demonstrated a range of knowledge and skill in various stripes of folkloric Latin music; but, ironically, he didn’t\u003cspan class=\"bcTruncateMore\"\u003e really play traditional Latin music until he moved to the States from his hometown Panamá City. His deepest roots in drumming are from the progressive punk and hardcore scenes of Central America, where his bands NOHAYDIA and 2 Huevos 1 Camino were active in the late 90s. Those formative experiences are the foundation of his career in music.\u003cbr\u003e\u003cbr\u003eAfter his teen years thrashing on the punk scene, Villarreal started a life-changing tutelage with Freddy Sobers, the drummer of El General and Nando Boom (both known for pioneering reggaeton music in Panamá). “He taught me how to play all kinds of rhythms and told me I didn’t have to just play punk music,” Villarreal told the Chicago Reader in 2021. “He played everything from Rush to reggaeton to Chick Corea to salsa music… He told me if I wanted to be a good drummer, I had to learn all the styles. He took me under his wing, and I learned a lot from him.”\u003cbr\u003e\u003cbr\u003eVillarreal evokes another Panamanian legend in “Patria,” a tribute to the organist and composer Avelino Muñoz. “My father, who also played the organ, used to listen to him growing up. I was always curious about its haunted sound. This recording is a total obeisance to Muñoz, my father and my country.”\u003cbr\u003e\u003cbr\u003eVillarreal migrated to the US in the early 2000s. His first decade was spent living on a farm near Woodstock, Illinois, where he was a social worker, connecting migrant laborers with community health clinics. He also spent that time raising his two daughters, Estelle and Fania. But all his spare time went to nurturing his passion for drums. As he found more collaborators, played more gigs and became more embedded in the music community, in the early 2010s he moved down the highway into the City of Chicago, determined to grind it out as a full-time musician.\u003cbr\u003e\u003cbr\u003eAfter another decade of non-stop sideman work, which included the growing national awareness and success of Dos Santos, Villarreal began to imagine what his own solo record could be. A handful of studio experiments in 2017 and 2018 got him close to the sound in his mind, but it wasn’t until he traveled to Los Angeles for a gig in 2019 that he caught a lasting spark. A simple stereo recording of Villarreal improvising with a first-time ensemble of friends – including Elliot Bergman, Jeff Parker, Kellen Harrison, and Bardo Martinez – inspired him to go into album-forming mode. The songs “Bella Vista” and “Activo” are excerpts from that first session, with added layers of auxiliary percussion, edited and shaped by Villarreal with engineer Dave Vettraino.\u003cbr\u003e\u003cbr\u003eAs Villarreal and Vettraino dove into post-production, the need for more material to fill out the album became clear, so more sessions were scheduled with players from Villareal’s and International Anthem’s shared circles. Guitarist Nathan Karagianis, who also plays with Dos Santos, joined them at Jamdek Studios in Chicago along with organist Cole DeGenova, and bassist Gordon Walters. In Los Angeles at Chicali Outpost (aka the garden behind International Anthem co-founder Scottie McNiece’s home), Villarreal recorded again with Bardo Martinez on bass and synths, Kyle Davis on keyboards, Anna Butterss on bass, and Jeff Parker, again, on guitar.\u003cbr\u003e\u003cbr\u003eThe Chicali Outpost session was recorded by engineer Ben Lumsdaine outdoors in open air, mainly because of safety precautions (it was in October 2020, and even the smallest of gatherings were still rare then), but also because the climate and context of the garden was ripe for music-making. One of the most electric tunes from that session is “Uncanny,” a psychedelic funk dub with spacey William Onyeabor-style synths. Villarreal recalls that “we were jamming in Bardo's little garage studio the night before we did the recording at Scottie’s house. I remember starting the main groove and Bardo jumping in with a wacky bass line. We celebrated how weird it was even though we weren't playing the same groove together, it came out in a strange, wonderful way that surprised us.”\u003cbr\u003e\u003cbr\u003eAnother highlight from those recordings is “In\/On.” The base track is built around an improvisation by Villarreal, Butterss, and Parker, which was one of the first bits of music the three of them made together. It was also one of the first times Parker had played in person with other musicians in the almost 6 months since the pandemic began, and the joy of collective improvisation can be felt emanating from every note he plays. As Villarreal describes it, “for me, the song is about how we are all IN and ON. As if we are about to start something so you walk in and turn an ON switch. No one knows what's going to happen after that but we are all into it. We are all IN. I also think it’s a fun reference because in Spanish there is only one word - ‘en’ - for both of those English words ‘in’ and ‘on’.”\u003cbr\u003e\u003cbr\u003eVillarreal spent much of 2021 adding layers of percussion, editing and piecing the music together with Vettraino at International Anthem studios in Chicago. Other additions made in the final stages included Aquiles Navarro (of Irreversible Entanglements), who recorded horns for “Uncanny” at his family’s home in Panamá. Marta Sofia Honer wrote string arrangements and recorded a Curtis Mayfield-style symphony of violins and violas for “Cali Colors” and “18th \u0026amp; Morgan.” And back in LA for a final overdub session at Martinez’s garage studio, Villarreal and Martinez added backing vocals and synths to “Uncanny,” and even more synths to “18th \u0026amp; Morgan” and “Parque En Seis.” As the album took its final form, Villarreal named the collection Panamá 77, an homage to his birth place and year.\u003cbr\u003e\u003cbr\u003eVillarreal says: 'This album is an affirmation of both my origin story and who I am today. I see my life and my music as a collaboration of improvisation and intention all in the spirit of community and joy.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Daniel Villarreal\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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パナマ出身シカゴ在住のドラマーDaniel Villarrealが、2022年5月に同国International Anthemからリリースしたデビューレコードです。 ジャズファンク12曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7570091540730,"title":"Alabaster DePlume \/\/ GOLD 2xLP","handle":"alabaster-deplume-gold-2xlp","description":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2022年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e21名ものゲストミュージシャンが参加したアンビエントジャズ19曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rXE2WceZCsQ?start=30\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=926402842\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo classic black vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board gatefold jacket stamped with metallic gold foil (!!!) and flooded black inner pockets, two-sided insert sheet, IARC obi strip and dome-patterned inner-sleeves.\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eAlbum review by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eEmma Warren\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eThe lightning rod for Alabaster DePlume’s luminous follow up to the widely-acclaimed 2020 release To Cy \u0026amp; Lee: Instrumentals Vol. 1 was personal. “Someone was going through a thing,” says the Mancunian poet-performer. “I said, ‘go forward in the courage of your love’. And then I thought 'yeah, that's what I need to hear as well’.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold is a sonorous double album that celebrates the communal act of making music and the relationships that can be explored when you purposefully avoid the standard way of doing things.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt contains filmic pieces that oscillate between the otherworldly and the trenchantly grounded, rendered maximally human through the recording process. There is laughter mid-track and studio chatter. There is the music of shouting and applause generated by a handful of people who were listening from the doorframe and the corridor. Complex vocal harmonies circle the songs like small birds and there’s an undercurrent of steely toughness, necessitated by the musician’s engagement with personal vulnerability and collective politics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn late summer 2020 Alabaster DePlume (real name Gus Fairbairn) booked two weeks of sessions at the influential Total Refreshment Centre in London, recording to tape with Kristian Craig Robinson (aka Capitol K). He invited a different set of musicians\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e each day, who would record the same tunes at the same speed so that DePlume – who produced the record – could cut them together later, like ingredients. “They didn’t have enough preparation to be able to hide behind this piece of material or skill,” he says. “They had to look up and respond to each other, and that’s what we've recorded.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were two rules that were essential to the process: that musicians wouldn’t be given enough time to rehearse and that they wouldn’t listen back to the music they recorded. “The method is part of the mission. It wasn’t like school. We had mayhem. We were having fun. That’s the story and the process – and I want to live that way,” he says.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe singer and percussionist Falle Nioke’s solo on “Again” is an example of the album’s unusual and liberating recording process. The tune was planned as an instrumental but Falle sang out spontaneously, and stilled the room with his arresting contribution. “He was just one voice in the choir but he suddenly sang lead because he felt it,” says DePlume. “It’s one example of what we were able to record,” he says, “because people felt genuinely personally welcome. Their own voices were made welcome. That is what this album is made of and it’s what the best things in our society are made of. We can either make people welcome or we can make them unwelcome; unseen.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter the recording, the artist made a map, because frankly he needed a map after recording more than 17 hours of music. The map dictated which bits of each session to pull into the orbit of the record and it was drawn on a long scroll of paper with lines drawn across it, each line representing one analog tape. The triangles, dots and colors – red for fire, pink for beauty and blue for breath – shaped what emerged. The map has since been requisitioned for a gallery exhibition, and a photograph appears on the Gold artwork.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music that emerged ranges from sparse understated bangers “Fucking Let Them” and the hypnotic pulse of “Visitors XT8B – Oak” to skilfully soothing instrumentals which will feel familiar to the many people who found To Cy \u0026amp; Lee a pandemic panacea (including Bon Iver, who sampled that album’s top track, “Visit Croatia”).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold opens with the Portuguese-titled “A Gente Acaba” which itself opens with the hum of voices, rich and human. There are gentle strings, gently strummed. The saxophone leaves vibrating trails in the air. “The Sound of My Feet On This Earth Is A Song To Your Spirit” is beauty and breath, generating the kind of deep warmth and connection that requires no lyrical explanation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is circularity. One piece of music arrives and leaves repeatedly, and a phrase is repeated:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have all I need for the glory of being. I recognise you and celebrate. I am brazen, like a baby, like the stupid sun and I go forward in the courage of my love.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I’m Good At Not Crying” is a self-accusatory lullaby that lists out the things he excels at (not eating much, not being the bad guy) whilst plaintive and harmonically-rich singers spill and spiral around the low tones of his voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn “People What’s The Difference” he unpicks the selective deafness that surrounds the refugee crisis within a gentle punk-funk frame and towards the end, there’s a lament for the broken earth marked out with plucked strings and harmonies that dip in and out like sharp bells. Softness, in the hands of this Mancunian poet-performer, can be a weapon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The reason for To Cy \u0026amp; Lee was to help people have peace,” he says. “The reason to make Gold is to give people courage and love by putting myself in a situation where I had to bring courage and love. It’s how I made it, it’s what it’s about. It’s what we need next.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the sound of an artist attempting full transparency and maximum relationship. It is also the sound of an artist who has achieved the sound he hoped for. This is the sound of soft power. It’s golden.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-03-20T13:46:03+09:00","created_at":"2022-03-20T11:57:19+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp"],"price":548000,"price_min":548000,"price_max":548000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42545095344378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alabaster DePlume \/\/ GOLD 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041","\/\/tobirarecords.com\/cdn\/shop\/products\/go2_26a2f45a-7e53-40f2-9b01-455b084cb92b.jpg?v=1647745041"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041","options":["Title"],"media":[{"alt":null,"id":29338514456826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041","width":700},{"alt":null,"id":29338514489594,"position":2,"preview_image":{"aspect_ratio":1.361,"height":882,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_26a2f45a-7e53-40f2-9b01-455b084cb92b.jpg?v=1647745041"},"aspect_ratio":1.361,"height":882,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go2_26a2f45a-7e53-40f2-9b01-455b084cb92b.jpg?v=1647745041","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2022年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e21名ものゲストミュージシャンが参加したアンビエントジャズ19曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rXE2WceZCsQ?start=30\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=926402842\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo classic black vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board gatefold jacket stamped with metallic gold foil (!!!) and flooded black inner pockets, two-sided insert sheet, IARC obi strip and dome-patterned inner-sleeves.\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eAlbum review by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eEmma Warren\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eThe lightning rod for Alabaster DePlume’s luminous follow up to the widely-acclaimed 2020 release To Cy \u0026amp; Lee: Instrumentals Vol. 1 was personal. “Someone was going through a thing,” says the Mancunian poet-performer. “I said, ‘go forward in the courage of your love’. And then I thought 'yeah, that's what I need to hear as well’.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold is a sonorous double album that celebrates the communal act of making music and the relationships that can be explored when you purposefully avoid the standard way of doing things.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt contains filmic pieces that oscillate between the otherworldly and the trenchantly grounded, rendered maximally human through the recording process. There is laughter mid-track and studio chatter. There is the music of shouting and applause generated by a handful of people who were listening from the doorframe and the corridor. Complex vocal harmonies circle the songs like small birds and there’s an undercurrent of steely toughness, necessitated by the musician’s engagement with personal vulnerability and collective politics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn late summer 2020 Alabaster DePlume (real name Gus Fairbairn) booked two weeks of sessions at the influential Total Refreshment Centre in London, recording to tape with Kristian Craig Robinson (aka Capitol K). He invited a different set of musicians\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e each day, who would record the same tunes at the same speed so that DePlume – who produced the record – could cut them together later, like ingredients. “They didn’t have enough preparation to be able to hide behind this piece of material or skill,” he says. “They had to look up and respond to each other, and that’s what we've recorded.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were two rules that were essential to the process: that musicians wouldn’t be given enough time to rehearse and that they wouldn’t listen back to the music they recorded. “The method is part of the mission. It wasn’t like school. We had mayhem. We were having fun. That’s the story and the process – and I want to live that way,” he says.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe singer and percussionist Falle Nioke’s solo on “Again” is an example of the album’s unusual and liberating recording process. The tune was planned as an instrumental but Falle sang out spontaneously, and stilled the room with his arresting contribution. “He was just one voice in the choir but he suddenly sang lead because he felt it,” says DePlume. “It’s one example of what we were able to record,” he says, “because people felt genuinely personally welcome. Their own voices were made welcome. That is what this album is made of and it’s what the best things in our society are made of. We can either make people welcome or we can make them unwelcome; unseen.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter the recording, the artist made a map, because frankly he needed a map after recording more than 17 hours of music. The map dictated which bits of each session to pull into the orbit of the record and it was drawn on a long scroll of paper with lines drawn across it, each line representing one analog tape. The triangles, dots and colors – red for fire, pink for beauty and blue for breath – shaped what emerged. The map has since been requisitioned for a gallery exhibition, and a photograph appears on the Gold artwork.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music that emerged ranges from sparse understated bangers “Fucking Let Them” and the hypnotic pulse of “Visitors XT8B – Oak” to skilfully soothing instrumentals which will feel familiar to the many people who found To Cy \u0026amp; Lee a pandemic panacea (including Bon Iver, who sampled that album’s top track, “Visit Croatia”).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold opens with the Portuguese-titled “A Gente Acaba” which itself opens with the hum of voices, rich and human. There are gentle strings, gently strummed. The saxophone leaves vibrating trails in the air. “The Sound of My Feet On This Earth Is A Song To Your Spirit” is beauty and breath, generating the kind of deep warmth and connection that requires no lyrical explanation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is circularity. One piece of music arrives and leaves repeatedly, and a phrase is repeated:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have all I need for the glory of being. I recognise you and celebrate. I am brazen, like a baby, like the stupid sun and I go forward in the courage of my love.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I’m Good At Not Crying” is a self-accusatory lullaby that lists out the things he excels at (not eating much, not being the bad guy) whilst plaintive and harmonically-rich singers spill and spiral around the low tones of his voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn “People What’s The Difference” he unpicks the selective deafness that surrounds the refugee crisis within a gentle punk-funk frame and towards the end, there’s a lament for the broken earth marked out with plucked strings and harmonies that dip in and out like sharp bells. Softness, in the hands of this Mancunian poet-performer, can be a weapon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The reason for To Cy \u0026amp; Lee was to help people have peace,” he says. “The reason to make Gold is to give people courage and love by putting myself in a situation where I had to bring courage and love. It’s how I made it, it’s what it’s about. It’s what we need next.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the sound of an artist attempting full transparency and maximum relationship. It is also the sound of an artist who has achieved the sound he hoped for. This is the sound of soft power. It’s golden.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2022年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。 21名ものゲストミュージシャンが参加したアンビエントジャズ19曲を収録。ゲートフォルド仕様です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7540855144698,"title":"Junius Paul \/\/ Ism 2xLP","handle":"junius-paul-ism-2xlp","description":"\u003cp\u003eアメリカ・シカゴのジャズベーシストJunius Paulが、2019年にリリースしたデビューCDの再発レコード盤です。17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1246905825\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePolychromatic low tone poems,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efree form funk flight\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u0026amp; Great Black Music\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eturn the page to a brand new chapter in the Chicago sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e********************\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiner Notes by Ayana Contreras:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Ism opens audaciously with the spiritual mic-check “You Are Free To Choose,” a track that features Junius Paul alongside Vincent Davis (drums), Justin Dillard (piano), and Corey Wilkes (horns).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is by no accident. In many ways, “You Are Free To Choose” captures the spirit of Junius Paul’s artistic roots. Corey, Justin, and Vincent were among the multigenerational cadre of Chicago musicians present when Junius chose to follow his own path of creative discovery at the storied Velvet Lounge on the South Side of the city back in October of 2002.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThough the origins of his craft go back to playing in church, his creative instrumental voice really developed during jam sessions at clubs like The Velvet alongside members of the AACM, or Association for the Advancement of Creative Musicians. It was iron sharpening iron, the most natural form of knowledge transfer. He explained Velvet’s vibe in 2018: “It’s like in Africa.... If you had\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this society of diviners or medicine people, or you know, sages… The Velvet stuff is not secret; but there are certain aspects of it… if you weren’t there, you weren’t there.” The Velvet Lounge closed in 2010.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It was very much like church. I had some unbelievable spiritual experiences there. You can feel this thing inside of you. There were moments at the Velvet Lounge that were so magical that I’d get scared. I remember a night with Vincent Davis. It was like, oh my God. He can play with that intensity for that long. The Velvet Lounge was the first time I experienced anything like that. I didn’t think that people could do that. And it scared me. You think you’ve heard [some things]… and then you hear something that completely destroys anything that you thought you knew.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBack in the sixties and seventies, Chess Records’s Ter-Mar Studios was just a few blocks away from where The Velvet sat beginning in 1983. Chess was where some of Junius’s idols (like guitarist Pete Cosey and producer Charles Stepney) recorded some of his favorite albums. He sees himself as a part of that lineage. “I come from that... It’s special to be a part of that magic.” Junius still drives back to the club’s former location. “Every time I pass there” he notes, “the memories flood back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Fred Anderson and a Half” and “Ma and Dad” were both were recorded at the first of two June 2016 sessions Junius led at Comfort Station (a historic trolley stop turned art gallery on Chicago's Northwest side). They both were also named in tribute to people who helped form him. “Fred Anderson and a Half” for the musician and proprietor of The Velvet, and “Ma and Dad” for his parents, who helped guide his musical journey from an early age. Both of his parents are musical, his father was at one time a DJ. Meanwhile, his stepfather was instrumental in introducing Junius to deep cuts by artists like Miles Davis and Jackie McLean, helping to shape his musical worldview. All of these influences are clear in the Comfort Station recordings. “For a while, I wanted [these sessions] to be the album,” Junius adds. “They are very unique,” and come “from the Velvet Lounge family,” featuring Junius alongside Tomeka Reid and Isaiah Spencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Spocky Chainsey Has Re-Emerged” was recorded live one summer evening in 2016 at the Polish Triangle (the busy Chicago intersection of Division, Ashland and Milwaukee Avenue). The cut takes up a whole side of the LP, but stays lean, slinking and swinging for its duration. Junius notes that “the familiarity [of the players] showed itself… from playing together all of those years,” relationships that trace back to the Velvet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Georgia,” a sexy, smoky bop featuring Junius’ casual slap bass technique and Justin Dillard’s lounge-bred organ is flipped digitally by drummer and friend Makaya McCraven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Baker’s Dozen,” featuring Isaiah Spencer on drums, Rajiv Halim on sax and Jim Baker on his outrageous ARP synthesizer, was recorded live at the second of the two Comfort Station sessions and flipped by Makaya McCraven, who highlighted the crunchy Funkadelic meets Water Babies funk of that session to great effect. Jim was a last-minute addition to the set, providing the backbone of what Junius calls an “unassuming headbanger.” Jim is also part of the Velvet Lounge Family.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut, of course, the spirit of the Velvet Lounge is not dead. “Tune No. 6,” recorded live at the Co-Prosperity Sphere in Chicago, is a sweet interlude here to remind us that jazz is alive and bristling with what’s yet to come.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Paris” is another stand out track. It was born at The Hideout in Chicago, but developed (or “chopped”) by Makaya in Paris. The pair were working on a different project during the day, would head to a bistro for a meal (Junius favors duck confit and wine), then would work on edits at night. Junius notes that “Paris” is one for the clubs: “I want a 12” [extended DJ] cut!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Junius pushes forward as a creative musician, he is careful to carry with him the spirit and the knowledge he’s gathered from those who have come before him. He is very literally a bridge between generations of the Chicago vanguard, currently playing in Makaya McCraven’s combo and in the Art Ensemble of Chicago, in addition to fronting his own band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne morning on tour with the Art Ensemble in Australia, Roscoe Mitchell called Junius’s hotel room and asked if he was coming to breakfast. He was. “That will never get old,” he shared with me on the other line. To play in the Art Ensemble of Chicago is the culmination of “a dream.” One that started at The Velvet Lounge nearly twenty years ago while watching his heroes. “What they taught me is that you can be yourself, as long as you’re badass at it.” Ism is a testament to Junius Paul’s journey towards himself. And he’s graciously invited us along for the ride.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Junius Paul\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-15T19:34:52+09:00","created_at":"2022-02-14T12:01:51+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":389000,"price_min":389000,"price_max":389000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42424809816314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Junius Paul \/\/ Ism 2xLP","public_title":null,"options":["Default Title"],"price":389000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712","\/\/tobirarecords.com\/cdn\/shop\/products\/is2_4f945d82-8a83-4d65-8399-907bb3be409c.jpg?v=1644807712"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712","options":["Title"],"media":[{"alt":null,"id":29149148315898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712","width":700},{"alt":null,"id":29149148348666,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/is2_4f945d82-8a83-4d65-8399-907bb3be409c.jpg?v=1644807712"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/is2_4f945d82-8a83-4d65-8399-907bb3be409c.jpg?v=1644807712","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズベーシストJunius Paulが、2019年にリリースしたデビューCDの再発レコード盤です。17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1246905825\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePolychromatic low tone poems,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efree form funk flight\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u0026amp; Great Black Music\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eturn the page to a brand new chapter in the Chicago sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e********************\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiner Notes by Ayana Contreras:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Ism opens audaciously with the spiritual mic-check “You Are Free To Choose,” a track that features Junius Paul alongside Vincent Davis (drums), Justin Dillard (piano), and Corey Wilkes (horns).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is by no accident. In many ways, “You Are Free To Choose” captures the spirit of Junius Paul’s artistic roots. Corey, Justin, and Vincent were among the multigenerational cadre of Chicago musicians present when Junius chose to follow his own path of creative discovery at the storied Velvet Lounge on the South Side of the city back in October of 2002.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThough the origins of his craft go back to playing in church, his creative instrumental voice really developed during jam sessions at clubs like The Velvet alongside members of the AACM, or Association for the Advancement of Creative Musicians. It was iron sharpening iron, the most natural form of knowledge transfer. He explained Velvet’s vibe in 2018: “It’s like in Africa.... If you had\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this society of diviners or medicine people, or you know, sages… The Velvet stuff is not secret; but there are certain aspects of it… if you weren’t there, you weren’t there.” The Velvet Lounge closed in 2010.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It was very much like church. I had some unbelievable spiritual experiences there. You can feel this thing inside of you. There were moments at the Velvet Lounge that were so magical that I’d get scared. I remember a night with Vincent Davis. It was like, oh my God. He can play with that intensity for that long. The Velvet Lounge was the first time I experienced anything like that. I didn’t think that people could do that. And it scared me. You think you’ve heard [some things]… and then you hear something that completely destroys anything that you thought you knew.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBack in the sixties and seventies, Chess Records’s Ter-Mar Studios was just a few blocks away from where The Velvet sat beginning in 1983. Chess was where some of Junius’s idols (like guitarist Pete Cosey and producer Charles Stepney) recorded some of his favorite albums. He sees himself as a part of that lineage. “I come from that... It’s special to be a part of that magic.” Junius still drives back to the club’s former location. “Every time I pass there” he notes, “the memories flood back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Fred Anderson and a Half” and “Ma and Dad” were both were recorded at the first of two June 2016 sessions Junius led at Comfort Station (a historic trolley stop turned art gallery on Chicago's Northwest side). They both were also named in tribute to people who helped form him. “Fred Anderson and a Half” for the musician and proprietor of The Velvet, and “Ma and Dad” for his parents, who helped guide his musical journey from an early age. Both of his parents are musical, his father was at one time a DJ. Meanwhile, his stepfather was instrumental in introducing Junius to deep cuts by artists like Miles Davis and Jackie McLean, helping to shape his musical worldview. All of these influences are clear in the Comfort Station recordings. “For a while, I wanted [these sessions] to be the album,” Junius adds. “They are very unique,” and come “from the Velvet Lounge family,” featuring Junius alongside Tomeka Reid and Isaiah Spencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Spocky Chainsey Has Re-Emerged” was recorded live one summer evening in 2016 at the Polish Triangle (the busy Chicago intersection of Division, Ashland and Milwaukee Avenue). The cut takes up a whole side of the LP, but stays lean, slinking and swinging for its duration. Junius notes that “the familiarity [of the players] showed itself… from playing together all of those years,” relationships that trace back to the Velvet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Georgia,” a sexy, smoky bop featuring Junius’ casual slap bass technique and Justin Dillard’s lounge-bred organ is flipped digitally by drummer and friend Makaya McCraven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Baker’s Dozen,” featuring Isaiah Spencer on drums, Rajiv Halim on sax and Jim Baker on his outrageous ARP synthesizer, was recorded live at the second of the two Comfort Station sessions and flipped by Makaya McCraven, who highlighted the crunchy Funkadelic meets Water Babies funk of that session to great effect. Jim was a last-minute addition to the set, providing the backbone of what Junius calls an “unassuming headbanger.” Jim is also part of the Velvet Lounge Family.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut, of course, the spirit of the Velvet Lounge is not dead. “Tune No. 6,” recorded live at the Co-Prosperity Sphere in Chicago, is a sweet interlude here to remind us that jazz is alive and bristling with what’s yet to come.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Paris” is another stand out track. It was born at The Hideout in Chicago, but developed (or “chopped”) by Makaya in Paris. The pair were working on a different project during the day, would head to a bistro for a meal (Junius favors duck confit and wine), then would work on edits at night. Junius notes that “Paris” is one for the clubs: “I want a 12” [extended DJ] cut!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Junius pushes forward as a creative musician, he is careful to carry with him the spirit and the knowledge he’s gathered from those who have come before him. He is very literally a bridge between generations of the Chicago vanguard, currently playing in Makaya McCraven’s combo and in the Art Ensemble of Chicago, in addition to fronting his own band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne morning on tour with the Art Ensemble in Australia, Roscoe Mitchell called Junius’s hotel room and asked if he was coming to breakfast. He was. “That will never get old,” he shared with me on the other line. To play in the Art Ensemble of Chicago is the culmination of “a dream.” One that started at The Velvet Lounge nearly twenty years ago while watching his heroes. “What they taught me is that you can be yourself, as long as you’re badass at it.” Ism is a testament to Junius Paul’s journey towards himself. And he’s graciously invited us along for the ride.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Junius Paul\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズベーシストJunius Paulが、2019年にリリースしたデビューCDの再発レコード盤です。17曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------ International...
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{"id":7540854096122,"title":"Anteloper \/\/ Kudu LP [COLOR]","handle":"anteloper-kudu-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eトランペット奏者Jaimie BranchとドラマーのJason NazaryによるデュオAnteloperが、2018年にリリースしていたカセットの再発レコード盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシンセを交えたレフトフィールド・ジャズ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=595674653\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Melted Highlighter* colour vinyl LP (pressed by Smashed Plastic in Chicago) inside a heavyweight jacket with insert sheet, IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eANTELOPER is the electric brain child of JAIMIE BRANCH (fly or die, high life) and JASON NAZARY (little women, helado negro, bear in heaven). Branch and Nazary have been playing together as trumpeter and drummer for years, since meeting at the New England Conservatory of Music in 2002, but in this duo both musicians include synthesizers to push further into the spectral space ship ether. With deep rhythmic passages, telepathic improvisations and effortless melodic negotiations, Anteloper pushes forward, swinging its horns all the while.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e****************************\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiner Notes by Rob Mazurek:\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Making audible what is silent, Branch and Nazary punch clouds into audible spacetime. Perspectives shift in weight and wander, sometimes distilled into perfect shots of mystic rum and sometimes left alone in an overgrown petrified aluminum forest, dripping and seething into utopian oblivion. Shifting sequences, sky ships arriving...Turn on the slow cruise and mess with slo deep sound for a time... let the frequency of who YOU are mingle with the mindfulness fullness that Anteloper IS. Multiple dimensions collide and caress like a wooly tiger, kissing suns and embracing the nothingness, cracking this nothingness into sheets of corrugated dreams. The Sometimes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e is the Always is the Now is the Forever. Backwards, Forwards and Everywhere. Psychotronics in Plus in Minus. The constant sounds hovering just above the peach tree, glistening silver against the dark blue sky evaporate into the orange trunk and feeds us all. Spring is here, and all the stars seem to know. Slow moves to fast... Faster... It feeds itself in a constant tumble and tightrope stagger and roll... and now a handstand... and now the perfect hypnotic pose and shift and wait and hear. Look straight into the eyes. Don’t look away. Listen with eyes closed and don’t move. Simple lines fear nothing. Sound fears nothing. Ecstatic... Electric past, present and future outposts, never in one place only. They build themselves after long years of finding... Always shifting, always still, always in motion whether it happened or not... a moving stillness writhing in its own glorious invisible frame\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anteloper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-15T19:27:59+09:00","created_at":"2022-02-14T11:57:38+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":438000,"price_min":438000,"price_max":438000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42424802214138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anteloper \/\/ Kudu LP [COLOR]","public_title":null,"options":["Default Title"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460","\/\/tobirarecords.com\/cdn\/shop\/products\/ku2_7917e8aa-09d6-4a44-84ae-cca74409317c.jpg?v=1644807460"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460","options":["Title"],"media":[{"alt":null,"id":29149142221050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460","width":700},{"alt":null,"id":29149142253818,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku2_7917e8aa-09d6-4a44-84ae-cca74409317c.jpg?v=1644807460"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ku2_7917e8aa-09d6-4a44-84ae-cca74409317c.jpg?v=1644807460","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eトランペット奏者Jaimie BranchとドラマーのJason NazaryによるデュオAnteloperが、2018年にリリースしていたカセットの再発レコード盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシンセを交えたレフトフィールド・ジャズ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=595674653\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Melted Highlighter* colour vinyl LP (pressed by Smashed Plastic in Chicago) inside a heavyweight jacket with insert sheet, IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eANTELOPER is the electric brain child of JAIMIE BRANCH (fly or die, high life) and JASON NAZARY (little women, helado negro, bear in heaven). Branch and Nazary have been playing together as trumpeter and drummer for years, since meeting at the New England Conservatory of Music in 2002, but in this duo both musicians include synthesizers to push further into the spectral space ship ether. With deep rhythmic passages, telepathic improvisations and effortless melodic negotiations, Anteloper pushes forward, swinging its horns all the while.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e****************************\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiner Notes by Rob Mazurek:\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Making audible what is silent, Branch and Nazary punch clouds into audible spacetime. Perspectives shift in weight and wander, sometimes distilled into perfect shots of mystic rum and sometimes left alone in an overgrown petrified aluminum forest, dripping and seething into utopian oblivion. Shifting sequences, sky ships arriving...Turn on the slow cruise and mess with slo deep sound for a time... let the frequency of who YOU are mingle with the mindfulness fullness that Anteloper IS. Multiple dimensions collide and caress like a wooly tiger, kissing suns and embracing the nothingness, cracking this nothingness into sheets of corrugated dreams. The Sometimes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e is the Always is the Now is the Forever. Backwards, Forwards and Everywhere. Psychotronics in Plus in Minus. The constant sounds hovering just above the peach tree, glistening silver against the dark blue sky evaporate into the orange trunk and feeds us all. Spring is here, and all the stars seem to know. Slow moves to fast... Faster... It feeds itself in a constant tumble and tightrope stagger and roll... and now a handstand... and now the perfect hypnotic pose and shift and wait and hear. Look straight into the eyes. Don’t look away. Listen with eyes closed and don’t move. Simple lines fear nothing. Sound fears nothing. Ecstatic... Electric past, present and future outposts, never in one place only. They build themselves after long years of finding... Always shifting, always still, always in motion whether it happened or not... a moving stillness writhing in its own glorious invisible frame\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anteloper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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トランペット奏者Jaimie BranchとドラマーのJason NazaryによるデュオAnteloperが、2018年にリリースしていたカセットの再発レコード盤です。 シンセを交えたレフトフィールド・ジャズ5曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7431358021882,"title":"Jeff Parker \/\/ Blackman 7\" FLEXI","handle":"jeff-parker-blackman-7-flexi","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストロックバンドT\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eortoiseのギタリストとしても有名な\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeff Parkerが、2018年にリリースしたソノシート。\u003c\/span\u003eGeorgia anne MuldrowのBlackmanを彼なりの解釈で制作したキラートラックを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=541219158\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 333.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-05T17:04:33+09:00","created_at":"2021-11-05T15:12:07+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41955471524090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ Blackman 7\" FLEXI","public_title":null,"options":["Default Title"],"price":158000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_f80c422e-a592-4a83-a95d-6429ecf8d5f1.jpg?v=1636092729","\/\/tobirarecords.com\/cdn\/shop\/products\/bl3.jpg?v=1636092729"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_f80c422e-a592-4a83-a95d-6429ecf8d5f1.jpg?v=1636092729","options":["Title"],"media":[{"alt":null,"id":26801234706682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_f80c422e-a592-4a83-a95d-6429ecf8d5f1.jpg?v=1636092729"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_f80c422e-a592-4a83-a95d-6429ecf8d5f1.jpg?v=1636092729","width":700},{"alt":null,"id":26801234739450,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl3.jpg?v=1636092729"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl3.jpg?v=1636092729","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストロックバンドT\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eortoiseのギタリストとしても有名な\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeff Parkerが、2018年にリリースしたソノシート。\u003c\/span\u003eGeorgia anne MuldrowのBlackmanを彼なりの解釈で制作したキラートラックを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=541219158\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 333.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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ポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerが、2018年にリリースしたソノシート。Georgia anne MuldrowのBlackmanを彼なりの解釈で制作したキラートラックを収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7431357333754,"title":"Dos Santos \/\/ City of Mirrors LP","handle":"dos-santos-city-of-mirrors-lp","description":"\u003cp\u003eアメリカ・シカゴのオルタナティブ・ラテンバンドDos Santosが、2021年10月にモダンジャズの代表格レーベルInternational Anthemからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eDos Santos節といわんばかりのサイケデリックな現代風ラテン13曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2480765693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP comes in heavyweight matte jacket with IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAccompanying text:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis album is an assemblage…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e…glimpses of tradition\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e…reflections on our collective present\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e…luminous echoes between love and solitude.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ehope and absurdity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eeuphoria and mourning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album grapples with and transgresses these binaries because we have\/and continue to cross borders. Yet, for us, the border is no metaphor—too much real staring back at us.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe embody the border.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe (our families) have crossed it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe (our stories) are coated with its residues.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd so… we cross the border of self through our art—out of necessity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album was imagined while touring the country as families were corralled in cages.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe then fled the wildfire of a nascent pandemic poised to (especially) ravage our communities as we recorded in Los Angeles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd our sonic journey concluded in Chicago while the country rebelled against the murderous consequences of policing in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the U.S.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough this cascade of tipping points and tragedy, we summoned melody and verse to sound out verdant technicolor dreams of freedom and desire, mirroring the vortex of our time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd borders were at the center of these struggles.\u003cbr data-mce-fragment=\"1\"\u003eBorders—of nation, of belonging—are the struggle.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd so, this album is a set of dispatches from that wondrous journey…\u003cbr data-mce-fragment=\"1\"\u003e…our journey across and into a sunburst surreal.\u003cbr data-mce-fragment=\"1\"\u003e…our astral meditations on loss and triumph.\u003cbr data-mce-fragment=\"1\"\u003e…our sonic trek across a landscape of trauma and effervescence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e…The border divides and defines places—yes. But it is equally a place unto itself—a borderland.\u003cbr data-mce-fragment=\"1\"\u003eIt is the forbidden place where we dwell.\u003cbr data-mce-fragment=\"1\"\u003eThe enchanting space where we are at home.\u003cbr data-mce-fragment=\"1\"\u003eThe bustling city where we reflect.\u003cbr data-mce-fragment=\"1\"\u003eLook into our mirror. See us in you.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Dos Santos\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-09T14:43:59+09:00","created_at":"2021-11-05T15:09:39+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","international anthem","jazz","lp"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41955459203322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dos Santos \/\/ City of Mirrors LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_ac35fb2d-b963-455b-847c-f00c1e5bdd4e.jpg?v=1636092580","\/\/tobirarecords.com\/cdn\/shop\/products\/mi3_a543670e-be94-4f90-baa9-b5bffa0cbec9.jpg?v=1685509983"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_ac35fb2d-b963-455b-847c-f00c1e5bdd4e.jpg?v=1636092580","options":["Title"],"media":[{"alt":null,"id":26801228513530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_ac35fb2d-b963-455b-847c-f00c1e5bdd4e.jpg?v=1636092580"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_ac35fb2d-b963-455b-847c-f00c1e5bdd4e.jpg?v=1636092580","width":700},{"alt":null,"id":26801228579066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi3_a543670e-be94-4f90-baa9-b5bffa0cbec9.jpg?v=1685509983"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi3_a543670e-be94-4f90-baa9-b5bffa0cbec9.jpg?v=1685509983","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのオルタナティブ・ラテンバンドDos Santosが、2021年10月にモダンジャズの代表格レーベルInternational Anthemからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eDos Santos節といわんばかりのサイケデリックな現代風ラテン13曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2480765693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP comes in heavyweight matte jacket with IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAccompanying text:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis album is an assemblage…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e…glimpses of tradition\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e…reflections on our collective present\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e…luminous echoes between love and solitude.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ehope and absurdity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eeuphoria and mourning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album grapples with and transgresses these binaries because we have\/and continue to cross borders. Yet, for us, the border is no metaphor—too much real staring back at us.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe embody the border.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe (our families) have crossed it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe (our stories) are coated with its residues.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd so… we cross the border of self through our art—out of necessity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album was imagined while touring the country as families were corralled in cages.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe then fled the wildfire of a nascent pandemic poised to (especially) ravage our communities as we recorded in Los Angeles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd our sonic journey concluded in Chicago while the country rebelled against the murderous consequences of policing in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the U.S.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough this cascade of tipping points and tragedy, we summoned melody and verse to sound out verdant technicolor dreams of freedom and desire, mirroring the vortex of our time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd borders were at the center of these struggles.\u003cbr data-mce-fragment=\"1\"\u003eBorders—of nation, of belonging—are the struggle.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd so, this album is a set of dispatches from that wondrous journey…\u003cbr data-mce-fragment=\"1\"\u003e…our journey across and into a sunburst surreal.\u003cbr data-mce-fragment=\"1\"\u003e…our astral meditations on loss and triumph.\u003cbr data-mce-fragment=\"1\"\u003e…our sonic trek across a landscape of trauma and effervescence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e…The border divides and defines places—yes. But it is equally a place unto itself—a borderland.\u003cbr data-mce-fragment=\"1\"\u003eIt is the forbidden place where we dwell.\u003cbr data-mce-fragment=\"1\"\u003eThe enchanting space where we are at home.\u003cbr data-mce-fragment=\"1\"\u003eThe bustling city where we reflect.\u003cbr data-mce-fragment=\"1\"\u003eLook into our mirror. See us in you.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Dos Santos\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのオルタナティブ・ラテンバンドDos Santosが、2021年10月にモダンジャズの代表格レーベルInternational Anthemからリリースした最新作です。 Dos Santos節といわんばかりのサイケデリックな現代風ラテン13曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":7431356317946,"title":"Ben LaMar Gay \/\/ Open Arms to Open Us LP","handle":"ben-lamar-gay-open-arms-to-open-us-lp","description":"\u003cp\u003eアメリカ・シカゴのコルネット奏者Ben LaMar Gayが、2021年11月に同国コンテンポラリージャズ巣窟International Anthemからリリースした2ndアルバムです。\u003c\/p\u003e\n\u003cp\u003e幼少期の記憶をテーマにしたトロピカルなモダンジャズ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311848049\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP comes in heavyweight matte jacket with IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrologue by Ben LaMar Gay:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Growing up, spending summers in Alabama, one of my favorite chores was feeding the pigs that were on my great Aunt Lola’s land. Sometimes while on the path to the feeding grounds, Aunt Lola and I would stand still and listen together. We would immediately become aware of winds approaching through wavering pines, quail songs and the chatter of distant cousins just up the road.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnce she told me that during a certain time of day she can hear her father hammering away in the field near the old house where she grew up. Even though her father was long deceased, she could clearly hear the rhythm and feel his presence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was my first conscious experience with thermodynamics and its first law that states energy can neither be created nor destroyed, just transferred. The moment, environment, memory, and open listening of my great Aunt allowed a sound from the past to resonate in the present for my 7 year old ears.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe awareness of a moment, environment, memory, and open listening are also the makings of a great improviser. With the idea of freedom being a “dangling carrot” for most, my now mature and “forever learning” ears have realized that improvisation\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e is the one freedom that we all have access to. I remember the clarity of my great grandfather’s hammer. The silence in between each strike was what drew Aunt Lola and me in, closer. From that moment on, I’ve carried my curiosity of the world inside my front pocket at all times.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experience is at the root of this bundle of sound, Open Arms to Open Us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI started visualizing this music during the Spring of 2020, in the global thickness of being faced with mortality in a different way. If not mortality, faced once again with the crumbling of societal facades. Things aren’t okay. Things have never been okay, at least in this brief period of the planet where man sells and kills for ownership of the earth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlong with brief feelings of dismay and desires of survival, I began to think about future ears and the continuation of magic with or without me. I often found myself wondering: What can I leave behind for the young people in my life? These young messengers, these young creatives, these young listeners who know me or have heard about me from their parents via stories, pictures, or sounds from the house\/car stereo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll I could think about was my nieces and nephews… blood and beyond. If they ever look back and wonder what their uncle\/their messenger was thinking about during this interesting time or rotation of the earth, I want them to know that I was thinking about them, the future of this circle, the future of this curiosity, the future of this exploration. I spent my time believing in them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpen Arms to Open Us deals with rhythm as an inheritance of information – sort of like DNA or RNA. Coping with the present-day bombardment of data and recycled ideologies from sources essentially fed by the creed “Destroy Them. Own the Earth” often leaves me with only one thing to look forward to: Rhythm. More than anything, I’d like my babies to always trust in rhythm. It’s the one trueness that travels great distances and constantly survives the crumbling of facades.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile living inside the interesting rotations of the earth, we are constantly dealing with man-made loops that often leave us with questions such as: Who constructed this loop? Who does this loop benefit? Who does this loop exploit? How can I survive in this loop? How can I destroy this loop? Maybe if we reach beyond the generic names and virtuosic execution of rhythms to better understand the dialogue between rhythms and our bodies we could release the message that has been carried for centuries inside of them. These messages sent from the ancient and future loved ones could possibly be the key to revamp, upgrade, tweak, quell, and pacify particular loops.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpen Arms to Open Us is full of rhythm or information that will assist my young folk in dealing with the repetition of things that aim to harm them or stunt their holistic progression. The title is a suggestion of a body movement that is used in many spiritual practices and is also a gesture that represents a type of understanding that leads to touch or a hug. The music is for dancing, reflecting, celebrating, bellowing, bawling, stimulation, focus and deciphering messages from loved ones here and beyond. It was the space in between the sound of my great grandfather’s hammer that made me understand that, no matter what, We Gon Win.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e– BLG, August 2021\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-30T18:53:09+09:00","created_at":"2021-11-05T15:07:08+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41955454681338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ben LaMar Gay \/\/ Open Arms to Open Us LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/op1_2ee1accd-d613-4399-814a-ad5e9bd71720.jpg?v=1636092430","\/\/tobirarecords.com\/cdn\/shop\/products\/op3.jpg?v=1636092430"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_2ee1accd-d613-4399-814a-ad5e9bd71720.jpg?v=1636092430","options":["Title"],"media":[{"alt":null,"id":26801223172346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_2ee1accd-d613-4399-814a-ad5e9bd71720.jpg?v=1636092430"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_2ee1accd-d613-4399-814a-ad5e9bd71720.jpg?v=1636092430","width":700},{"alt":null,"id":26801223237882,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op3.jpg?v=1636092430"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op3.jpg?v=1636092430","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのコルネット奏者Ben LaMar Gayが、2021年11月に同国コンテンポラリージャズ巣窟International Anthemからリリースした2ndアルバムです。\u003c\/p\u003e\n\u003cp\u003e幼少期の記憶をテーマにしたトロピカルなモダンジャズ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311848049\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP comes in heavyweight matte jacket with IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrologue by Ben LaMar Gay:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Growing up, spending summers in Alabama, one of my favorite chores was feeding the pigs that were on my great Aunt Lola’s land. Sometimes while on the path to the feeding grounds, Aunt Lola and I would stand still and listen together. We would immediately become aware of winds approaching through wavering pines, quail songs and the chatter of distant cousins just up the road.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnce she told me that during a certain time of day she can hear her father hammering away in the field near the old house where she grew up. Even though her father was long deceased, she could clearly hear the rhythm and feel his presence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was my first conscious experience with thermodynamics and its first law that states energy can neither be created nor destroyed, just transferred. The moment, environment, memory, and open listening of my great Aunt allowed a sound from the past to resonate in the present for my 7 year old ears.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe awareness of a moment, environment, memory, and open listening are also the makings of a great improviser. With the idea of freedom being a “dangling carrot” for most, my now mature and “forever learning” ears have realized that improvisation\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e is the one freedom that we all have access to. I remember the clarity of my great grandfather’s hammer. The silence in between each strike was what drew Aunt Lola and me in, closer. From that moment on, I’ve carried my curiosity of the world inside my front pocket at all times.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experience is at the root of this bundle of sound, Open Arms to Open Us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI started visualizing this music during the Spring of 2020, in the global thickness of being faced with mortality in a different way. If not mortality, faced once again with the crumbling of societal facades. Things aren’t okay. Things have never been okay, at least in this brief period of the planet where man sells and kills for ownership of the earth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlong with brief feelings of dismay and desires of survival, I began to think about future ears and the continuation of magic with or without me. I often found myself wondering: What can I leave behind for the young people in my life? These young messengers, these young creatives, these young listeners who know me or have heard about me from their parents via stories, pictures, or sounds from the house\/car stereo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll I could think about was my nieces and nephews… blood and beyond. If they ever look back and wonder what their uncle\/their messenger was thinking about during this interesting time or rotation of the earth, I want them to know that I was thinking about them, the future of this circle, the future of this curiosity, the future of this exploration. I spent my time believing in them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpen Arms to Open Us deals with rhythm as an inheritance of information – sort of like DNA or RNA. Coping with the present-day bombardment of data and recycled ideologies from sources essentially fed by the creed “Destroy Them. Own the Earth” often leaves me with only one thing to look forward to: Rhythm. More than anything, I’d like my babies to always trust in rhythm. It’s the one trueness that travels great distances and constantly survives the crumbling of facades.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile living inside the interesting rotations of the earth, we are constantly dealing with man-made loops that often leave us with questions such as: Who constructed this loop? Who does this loop benefit? Who does this loop exploit? How can I survive in this loop? How can I destroy this loop? Maybe if we reach beyond the generic names and virtuosic execution of rhythms to better understand the dialogue between rhythms and our bodies we could release the message that has been carried for centuries inside of them. These messages sent from the ancient and future loved ones could possibly be the key to revamp, upgrade, tweak, quell, and pacify particular loops.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpen Arms to Open Us is full of rhythm or information that will assist my young folk in dealing with the repetition of things that aim to harm them or stunt their holistic progression. The title is a suggestion of a body movement that is used in many spiritual practices and is also a gesture that represents a type of understanding that leads to touch or a hug. The music is for dancing, reflecting, celebrating, bellowing, bawling, stimulation, focus and deciphering messages from loved ones here and beyond. It was the space in between the sound of my great grandfather’s hammer that made me understand that, no matter what, We Gon Win.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e– BLG, August 2021\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのコルネット奏者Ben LaMar Gayが、2021年11月に同国コンテンポラリージャズ巣窟International Anthemからリリースした2ndアルバムです。 幼少期の記憶をテーマにしたトロピカルなモダンジャズ16曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":7097547620517,"title":"jaimie branch \/\/ FLY or DIE LIVE 2xLP","handle":"jaimie-branch-fly-or-die-live-2xlp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branchが、2021年10月に同国シカゴのジャズ巣窟International Anthemからリリースした2枚組ライブ盤です。\u003c\/p\u003e\n\u003cp\u003e2017年と2019年にリリースしたアルバムのほぼ全曲を収録。ライブに重きを置く彼女の真の演奏力が堪能できる特大ボリュームのライブアルバムです。インサートと帯が付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=526897601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP comes in old-style tip-on jacket with IARC obi strip and dome pattern innersleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFull flight capture of the full Fly or Die suite, parts 1 \u0026amp; 2 compounded \u0026amp; flawlessly communicated in a singular epic of raw cosmic brilliance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003efull story in the words of Piotr Orlov here:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a moment near the top of jaimie branch’s FLY or DIE LIVE, the new album recorded by the trumpeter’s quartet in Zurich, Switzerland on January 23rd, 2020, which feels like it bears the weight of both that specific pocket of time, and a prophecy for all that was soon to come. branch and her Fly or Die crew — cellist Lester St. Louis, double bassist Jason Ajemian, and drummer\/percussionist\/mbira player Chad Taylor — had just kicked off the concert at Moods, with the opening tracks off their then-new studio album FLY or DIE II: Bird Dogs of Paradise, the second of which, “Prayer for Amerikkka” is among the best political songs written during the Tr*mp Era, and when the moment in question pops off.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe multi-part “Prayer” begins as a goth-blues stomp, its moaning ghosts flying around the room. A week into a European tour and after three months of constant live performance, Fly or Die is at home in this new song’s contours, messing with its internal machinery while guiding its meaning. By now, “Prayer” had gained a tough\u003cspan class=\"bcTruncateMore\"\u003e spoken-word intro, bringing the context as it slowly gearshifts the intensity: “It’s a song about America,” off-the-cuffs branch while the band seethes behind her, “but it’s about a whole lotta places — ‘cause it’s not just America where shit’s fucked up...” Then arrives the climax, at once site-specific and far-reaching: “...and it’s not always time to be neutral, do you know what I mean?” The gathered Swiss crowd knows, understands, and responds vocally, as Taylor’s backbeats cue branch to bring the trumpet to her lips, and let out a high-pitched wail. Her horn doesn’t know what’s about to happen to our world, and yet, somehow, it does — with only the catastrophic details needing to be worked out. For the next 12 minutes, “Prayer” careens through its twists of wide-eyed racism and family separation, Ajemian and Taylor driving branch’s punk-jazz Morricone horn line. “This is a warning, honey…” cries the song, and over the ensuing 70 minutes, the band echoes its sentiment, filled with glee and terror.\u003cbr\u003e\u003cbr\u003eWhere were you in January of 2020, those last moments of the Before Times? Where was your mind, your body, your soul? Did you have plans, hopes and aspirations for the oncoming calendar trip around the sun just starting its initial turn? Were you embroiled in the turmoil continuing to roil the feeds and the headlines, or steeling yourself for the ones that we all knew were incoming during an especially contentious American election year? Maybe both. Or maybe you felt there was some hope blowing in the air.\u003cbr\u003e\u003cbr\u003e“There was so much promise for the year,” remembers branch. A world of possibilities was certainly pending for Fly or Die leading into 2020 and that Zurich gig. The group was in their favored environment, the stage, where their individual relationships had been molded. branch and Ajemian had been playing together since the mid-’00s in Chicago, and admiring Taylor’s work with the Chicago Underground and at the city’s legendary Velvet Lounge jam-session for just as long. When Fly or Die made its debut at Brooklyn’s Manhattan Inn in 2016, they made up three-quarters of the band. branch and St. Louis met in 2015 after jaimie first moved to New York, while St. Louis was working at the Spectrum club where branch played on occasion. (Soon St. Louis replaced original Fly or Die cellist Tomeka Reid, who departed the band to concentrate on her own myriad of commitments.) In the years since, this quartet had grown into a powerful unit, adept at conjuring musical environments that could be forceful and rhythmic one moment, and fragile the next.\u003cbr\u003e\u003cbr\u003e“So much of what the band is about is the trust between the players and the rapport on stage,” says branch. “The trust means no one's going to drop the ball. The band is all improvisers, that's a really key thing. (A lot of people improvise, but not everybody's an improviser.) And I feel like this band especially is made up of them. So much of the music is led with the ears first.”\u003cbr\u003e\u003cbr\u003eOn Fly or Die’s sophomore album Bird Dogs of Paradise, which dropped in October 2019, branch had composed and recorded a batch of songs that showcased a political perspective and cutting sense of humor, balancing experimentalism and accessibility, party and erudition, “jazz” and the next thing. They were now headed out on the road to show off these songs — “the most touring this band would have ever done,” according to branch — integrating them in suite-like fashion with music from branch’s critically acclaimed 2017 debut. High on the work they were presenting, ready to lock into, and have some fun with it.\u003cbr\u003e\u003cbr\u003eThe late fall saw a month-long tour of Europe; December featured record release shows in LA, Brooklyn and Chicago; then in January, it was back to the EU for a two-week (no days off) sprint, of which the Thursday night at Zurich fell almost directly in the middle. The night before, January 22nd, at Oslo’s Victoria Nasjonal Jazzscene was an upbeat one — St. Louis’ partner had surprised him by flying in from the States; and branch, who earlier thought she’d lost a bag with her passport, documents and cash, had it returned by their van driver after the gig. (No reason for anyone to notice that the Coronavirus had made its debut on the front-page of the New York Times that day.) The positive energy carried over to Switzerland. Soundcheck at Moods, “a big, nice theater in the middle of Zurich,” went well. branch had to talk the venue into the band doing one long set instead of two, but she also agreed to them making a multi-track recording of the set. “The vibe in the band was pretty high,” says branch.\u003cbr\u003e\u003cbr\u003eFrom the offset, it sounds like that’s the case on both sides of the stage. The calm before the “Prayer” storm finds Taylor’s mbira and branch’s muted horn in a gentle duet, interweaving textures and melodies. The storm’s aftermath, “Lesterlude,” is a St. Louis-bowed solo feature turn, moving the strings towards the noise. Each individual song connects to the next, performed in a continuous, no-stop style, a part of the group’s DNA on record as well as stage. By “Twenty-Three N Me,” they are beginning to stretch into free spaces, and the crowd’s timely enunciations betray the fact that the audience too is up on every note. “Whales,” an Ajemian-led interlude, brings the sound palette to the bottom of the ocean, before Taylor’s intricate, rim-heavy beat returns us to the surface and gets the debut album’s “Theme 001” rolling into a full-on dance number. Approving screams pile up. The quiet-loud\/fast-slow alteration continues: Taylor solos softly (“Meanwhile”), before exploding alongside Ajemian to push branch on a supple, double-time swing (“Theme 002,” with branch in Cootie Williams mode). Later Ajemian’s bass is joined by Taylor’s thumb-piano and St. Louis’ arco, before going on a solo stroll, upping the tempo and ending in the funky second-line swagger of “Simple Silver Surfer” (with great melodic counterpoint by St. Louis). It’s crisp and fun, the laughter in the audience answered on-stage. By the forever set-ending, self-indicting new-bar-standard, “Love Song (For Assholes and Clowns),” branch is conducting the sing-along. Then, soon, it is over.\u003cbr\u003e\u003cbr\u003eSo, how was it? At the time, Moods was just another stop on a never-ending tour. Italy next, we gotta go. The following month and a half was a blur too, amidst the increasingly dire headlines: the February Pacific Northwest dates found Fly or Die slaying PDX Jazz, but “we keep hearing whispers of this COVID stuff,” and less than 10 days after playing in Seattle, the city finds itself as the first American virus hotspot. In early March, before a gig at DC’s Kennedy Center, there’s a cancellation or two (“a little bit of gloom”). The following night at Brooklyn’s Roulette — the last gig many in attendance would see before quarantine — the bottom drops out (“six cancellations in an hour”). The tour ends, and everything stops. Forever — or what increasingly feels like it. Though a tape arrived from Zurich in early May, branch didn’t actually listen to it until the Fall. “I didn't want to be disappointed,” she says. Such was the headspace.\u003cbr\u003e\u003cbr\u003e“I didn't have a memory of the show being an amazing show,” branch says. “But sometimes when you have zero memory of it being good or bad, those are the best shows. Because when you're in the zone, in those moments of channeling creativity, there isn't time for judgment. So oftentimes a memory is not created around that judgment, and that's actually a good indication.” When branch did pop the tape in, she was unequivocal: “I think this is like the best that we've ever played.”\u003cbr\u003e\u003cbr\u003ebranch’s personal highlight of FLY or DIE LIVE also comes on “Prayer,” and it too speaks of something greater than what you’ll hear on the recordings, or that the audience at Moods is likely to have picked up on: “There’s a moment in Part Two of the song when Jason flips the bassline and there's this moment of weirdness, but nobody even stops—this is what I'm talking about with trust. So I just added half a bar more of a vocal, because I heard Jason got wonky. And then Chad added a [verbalizes a fill]. It's my favorite part of the whole record because I hear the mistake and I hear us bulldoze through it, turn the mistake into a dance — because that's really what it is at the core of all of this, music as dance.” No neutrality there either.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : jaimie branch\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-10-12T15:35:18+09:00","created_at":"2021-10-12T15:35:18+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":578000,"price_min":578000,"price_max":578000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40975409512613,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"jaimie branch \/\/ FLY or DIE LIVE 2xLP","public_title":null,"options":["Default Title"],"price":578000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0259433205_16.jpg?v=1712739376","\/\/tobirarecords.com\/cdn\/shop\/products\/0024638718_10.jpg?v=1712739376","\/\/tobirarecords.com\/cdn\/shop\/products\/0024640199_10.jpg?v=1712739376","\/\/tobirarecords.com\/cdn\/shop\/products\/0024640196_10.jpg?v=1712739376"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0259433205_16.jpg?v=1712739376","options":["Title"],"media":[{"alt":null,"id":33660535570682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0259433205_16.jpg?v=1712739376"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0259433205_16.jpg?v=1712739376","width":700},{"alt":null,"id":24023832297637,"position":2,"preview_image":{"aspect_ratio":1.442,"height":832,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024638718_10.jpg?v=1712739376"},"aspect_ratio":1.442,"height":832,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024638718_10.jpg?v=1712739376","width":1200},{"alt":null,"id":24023834525861,"position":3,"preview_image":{"aspect_ratio":1.542,"height":778,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024640199_10.jpg?v=1712739376"},"aspect_ratio":1.542,"height":778,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024640199_10.jpg?v=1712739376","width":1200},{"alt":null,"id":24023834689701,"position":4,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024640196_10.jpg?v=1712739376"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024640196_10.jpg?v=1712739376","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branchが、2021年10月に同国シカゴのジャズ巣窟International Anthemからリリースした2枚組ライブ盤です。\u003c\/p\u003e\n\u003cp\u003e2017年と2019年にリリースしたアルバムのほぼ全曲を収録。ライブに重きを置く彼女の真の演奏力が堪能できる特大ボリュームのライブアルバムです。インサートと帯が付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=526897601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP comes in old-style tip-on jacket with IARC obi strip and dome pattern innersleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFull flight capture of the full Fly or Die suite, parts 1 \u0026amp; 2 compounded \u0026amp; flawlessly communicated in a singular epic of raw cosmic brilliance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003efull story in the words of Piotr Orlov here:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a moment near the top of jaimie branch’s FLY or DIE LIVE, the new album recorded by the trumpeter’s quartet in Zurich, Switzerland on January 23rd, 2020, which feels like it bears the weight of both that specific pocket of time, and a prophecy for all that was soon to come. branch and her Fly or Die crew — cellist Lester St. Louis, double bassist Jason Ajemian, and drummer\/percussionist\/mbira player Chad Taylor — had just kicked off the concert at Moods, with the opening tracks off their then-new studio album FLY or DIE II: Bird Dogs of Paradise, the second of which, “Prayer for Amerikkka” is among the best political songs written during the Tr*mp Era, and when the moment in question pops off.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe multi-part “Prayer” begins as a goth-blues stomp, its moaning ghosts flying around the room. A week into a European tour and after three months of constant live performance, Fly or Die is at home in this new song’s contours, messing with its internal machinery while guiding its meaning. By now, “Prayer” had gained a tough\u003cspan class=\"bcTruncateMore\"\u003e spoken-word intro, bringing the context as it slowly gearshifts the intensity: “It’s a song about America,” off-the-cuffs branch while the band seethes behind her, “but it’s about a whole lotta places — ‘cause it’s not just America where shit’s fucked up...” Then arrives the climax, at once site-specific and far-reaching: “...and it’s not always time to be neutral, do you know what I mean?” The gathered Swiss crowd knows, understands, and responds vocally, as Taylor’s backbeats cue branch to bring the trumpet to her lips, and let out a high-pitched wail. Her horn doesn’t know what’s about to happen to our world, and yet, somehow, it does — with only the catastrophic details needing to be worked out. For the next 12 minutes, “Prayer” careens through its twists of wide-eyed racism and family separation, Ajemian and Taylor driving branch’s punk-jazz Morricone horn line. “This is a warning, honey…” cries the song, and over the ensuing 70 minutes, the band echoes its sentiment, filled with glee and terror.\u003cbr\u003e\u003cbr\u003eWhere were you in January of 2020, those last moments of the Before Times? Where was your mind, your body, your soul? Did you have plans, hopes and aspirations for the oncoming calendar trip around the sun just starting its initial turn? Were you embroiled in the turmoil continuing to roil the feeds and the headlines, or steeling yourself for the ones that we all knew were incoming during an especially contentious American election year? Maybe both. Or maybe you felt there was some hope blowing in the air.\u003cbr\u003e\u003cbr\u003e“There was so much promise for the year,” remembers branch. A world of possibilities was certainly pending for Fly or Die leading into 2020 and that Zurich gig. The group was in their favored environment, the stage, where their individual relationships had been molded. branch and Ajemian had been playing together since the mid-’00s in Chicago, and admiring Taylor’s work with the Chicago Underground and at the city’s legendary Velvet Lounge jam-session for just as long. When Fly or Die made its debut at Brooklyn’s Manhattan Inn in 2016, they made up three-quarters of the band. branch and St. Louis met in 2015 after jaimie first moved to New York, while St. Louis was working at the Spectrum club where branch played on occasion. (Soon St. Louis replaced original Fly or Die cellist Tomeka Reid, who departed the band to concentrate on her own myriad of commitments.) In the years since, this quartet had grown into a powerful unit, adept at conjuring musical environments that could be forceful and rhythmic one moment, and fragile the next.\u003cbr\u003e\u003cbr\u003e“So much of what the band is about is the trust between the players and the rapport on stage,” says branch. “The trust means no one's going to drop the ball. The band is all improvisers, that's a really key thing. (A lot of people improvise, but not everybody's an improviser.) And I feel like this band especially is made up of them. So much of the music is led with the ears first.”\u003cbr\u003e\u003cbr\u003eOn Fly or Die’s sophomore album Bird Dogs of Paradise, which dropped in October 2019, branch had composed and recorded a batch of songs that showcased a political perspective and cutting sense of humor, balancing experimentalism and accessibility, party and erudition, “jazz” and the next thing. They were now headed out on the road to show off these songs — “the most touring this band would have ever done,” according to branch — integrating them in suite-like fashion with music from branch’s critically acclaimed 2017 debut. High on the work they were presenting, ready to lock into, and have some fun with it.\u003cbr\u003e\u003cbr\u003eThe late fall saw a month-long tour of Europe; December featured record release shows in LA, Brooklyn and Chicago; then in January, it was back to the EU for a two-week (no days off) sprint, of which the Thursday night at Zurich fell almost directly in the middle. The night before, January 22nd, at Oslo’s Victoria Nasjonal Jazzscene was an upbeat one — St. Louis’ partner had surprised him by flying in from the States; and branch, who earlier thought she’d lost a bag with her passport, documents and cash, had it returned by their van driver after the gig. (No reason for anyone to notice that the Coronavirus had made its debut on the front-page of the New York Times that day.) The positive energy carried over to Switzerland. Soundcheck at Moods, “a big, nice theater in the middle of Zurich,” went well. branch had to talk the venue into the band doing one long set instead of two, but she also agreed to them making a multi-track recording of the set. “The vibe in the band was pretty high,” says branch.\u003cbr\u003e\u003cbr\u003eFrom the offset, it sounds like that’s the case on both sides of the stage. The calm before the “Prayer” storm finds Taylor’s mbira and branch’s muted horn in a gentle duet, interweaving textures and melodies. The storm’s aftermath, “Lesterlude,” is a St. Louis-bowed solo feature turn, moving the strings towards the noise. Each individual song connects to the next, performed in a continuous, no-stop style, a part of the group’s DNA on record as well as stage. By “Twenty-Three N Me,” they are beginning to stretch into free spaces, and the crowd’s timely enunciations betray the fact that the audience too is up on every note. “Whales,” an Ajemian-led interlude, brings the sound palette to the bottom of the ocean, before Taylor’s intricate, rim-heavy beat returns us to the surface and gets the debut album’s “Theme 001” rolling into a full-on dance number. Approving screams pile up. The quiet-loud\/fast-slow alteration continues: Taylor solos softly (“Meanwhile”), before exploding alongside Ajemian to push branch on a supple, double-time swing (“Theme 002,” with branch in Cootie Williams mode). Later Ajemian’s bass is joined by Taylor’s thumb-piano and St. Louis’ arco, before going on a solo stroll, upping the tempo and ending in the funky second-line swagger of “Simple Silver Surfer” (with great melodic counterpoint by St. Louis). It’s crisp and fun, the laughter in the audience answered on-stage. By the forever set-ending, self-indicting new-bar-standard, “Love Song (For Assholes and Clowns),” branch is conducting the sing-along. Then, soon, it is over.\u003cbr\u003e\u003cbr\u003eSo, how was it? At the time, Moods was just another stop on a never-ending tour. Italy next, we gotta go. The following month and a half was a blur too, amidst the increasingly dire headlines: the February Pacific Northwest dates found Fly or Die slaying PDX Jazz, but “we keep hearing whispers of this COVID stuff,” and less than 10 days after playing in Seattle, the city finds itself as the first American virus hotspot. In early March, before a gig at DC’s Kennedy Center, there’s a cancellation or two (“a little bit of gloom”). The following night at Brooklyn’s Roulette — the last gig many in attendance would see before quarantine — the bottom drops out (“six cancellations in an hour”). The tour ends, and everything stops. Forever — or what increasingly feels like it. Though a tape arrived from Zurich in early May, branch didn’t actually listen to it until the Fall. “I didn't want to be disappointed,” she says. Such was the headspace.\u003cbr\u003e\u003cbr\u003e“I didn't have a memory of the show being an amazing show,” branch says. “But sometimes when you have zero memory of it being good or bad, those are the best shows. Because when you're in the zone, in those moments of channeling creativity, there isn't time for judgment. So oftentimes a memory is not created around that judgment, and that's actually a good indication.” When branch did pop the tape in, she was unequivocal: “I think this is like the best that we've ever played.”\u003cbr\u003e\u003cbr\u003ebranch’s personal highlight of FLY or DIE LIVE also comes on “Prayer,” and it too speaks of something greater than what you’ll hear on the recordings, or that the audience at Moods is likely to have picked up on: “There’s a moment in Part Two of the song when Jason flips the bassline and there's this moment of weirdness, but nobody even stops—this is what I'm talking about with trust. So I just added half a bar more of a vocal, because I heard Jason got wonky. And then Chad added a [verbalizes a fill]. It's my favorite part of the whole record because I hear the mistake and I hear us bulldoze through it, turn the mistake into a dance — because that's really what it is at the core of all of this, music as dance.” No neutrality there either.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : jaimie branch\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ロングアイランドのトランペット奏者jaimie branchが、2021年10月に同国シカゴのジャズ巣窟International Anthemからリリースした2枚組ライブ盤です。 2017年と2019年にリリースしたアルバムのほぼ全曲を収録。ライブに重きを置く彼女の真の演奏力が堪能できる特大ボリュームのライブアルバムです。インサートと帯が付属。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7028883980453,"title":"Jeff Parker \/\/ The New Breed LP","handle":"jeff-parker-the-new-breed-lp","description":"\u003cp\u003eTortoiseのギタリストとしてもおなじみアメリカ・シカゴのジャズ作家Jeff Parkerの2016年リリース作品。 ジャズ meets ビートミュージックなレイドバックトラック8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1307492242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP comes in old-style tip-on jacket with IARC obi strip and dome pattern innersleeve. Album insert includes production credits and vintage portraits of Jeff's father Ernie Parker.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBest known as a multi-instrumental member of Tortoise and a pillar of the Chicago jazz and experimental music scene, Jeff Parker has been incomparably prolific over the last 20+ years while merely producing 5 albums as a “lead artist” (just 2 since 2005, including 2016’s duo recording with Rob Mazurek on Rogue Art). “Lead artist” is in quotes here, because though his name is seldom seen in marquees, his distinctive guitar sound has been essential to every project he’s been part of. It was in that sense that we at International Anthem came to work with Parker during the production of Makaya McCraven’s In The Moment, an album which ultimately showcased said essentialness (of Parker’s “side man” sound) on 9 of its 19 tracks.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the course of the In The Moment sessions in 2013 and 2014, Parker was slowly transitioning his personal belongings from Chicago to a new home in Los Angeles. It was when finally settled that he found opportunity to re-open some home recordings and beat projects that had been dormant on his hard drive for years (early versions of some could have been heard in the late ‘00s on his Myspace page). Parker had long been in silent study of vinyl sampling and beat conduction, but perhaps it’s no coincidence that new residence in a city aflame with experimental R\u0026amp;B, jazz and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e electronic fusers (i.e. L.A., e.g. Brainfeeder, Leaving Records, Low End Theory) spurred him to dig back in to the practice and produce with more purpose.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy early 2015 Parker had refined several compositional ideas around his samples, and enlisted local friend Paul Bryan (Aimee Mann, Meshell Ndegeocello) to engineer and play bass guitar in sessions with Chicago ex-pat saxophonist, Thelonious Monk Institute protégé Josh Johnson (Miguel Atwood-Ferguson, Esperanza Spaulding)and drummer Jamire Williams (Robert Glasper, Carlos Niño. The recordings were conducted to capture composed passages as well as free playing that used Parker’s beats and sample suites as improvisational criterion. After completing 7 songs with the band, the last of which with vocals from his daughter Ruby Parker recorded in Chicago by John McEntire, Parker named the project The New Breed (after a clothing store his late father Ernie owned and operated in the ‘70s)and finished the album by stitching the band tracks together with intermittent pieces of beat memories from his archive.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe final presentation is a retrospective tapestry that explores Parker’s past both musically – as a potent compositional tribute to his influences (J Dilla, Thelonious Monk, Charles Stepney)held together by literal fragments of his life’s work – and patrilineally – as a collaboration with his kin held together by clippings from the family photo album. The New Breed is Jeff Parker’s most vibrant and comprehensively personal work yet, appropriately the first in 11 years with only his name in the “lead artist” column.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-08T12:10:31+09:00","created_at":"2021-09-07T14:34:39+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp"],"price":335000,"price_min":335000,"price_max":335000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40745550577829,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ The New Breed LP","public_title":null,"options":["Default Title"],"price":335000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_85d82f97-8883-4640-8591-6ab9e87aed40.jpg?v=1630992880","\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_9ab542b1-3c8d-4da5-b496-475a805389ee.jpg?v=1630992880"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_85d82f97-8883-4640-8591-6ab9e87aed40.jpg?v=1630992880","options":["Title"],"media":[{"alt":null,"id":23632538271909,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_85d82f97-8883-4640-8591-6ab9e87aed40.jpg?v=1630992880"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_85d82f97-8883-4640-8591-6ab9e87aed40.jpg?v=1630992880","width":700},{"alt":null,"id":23632538304677,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_9ab542b1-3c8d-4da5-b496-475a805389ee.jpg?v=1630992880"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_9ab542b1-3c8d-4da5-b496-475a805389ee.jpg?v=1630992880","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTortoiseのギタリストとしてもおなじみアメリカ・シカゴのジャズ作家Jeff Parkerの2016年リリース作品。 ジャズ meets ビートミュージックなレイドバックトラック8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1307492242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP comes in old-style tip-on jacket with IARC obi strip and dome pattern innersleeve. Album insert includes production credits and vintage portraits of Jeff's father Ernie Parker.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBest known as a multi-instrumental member of Tortoise and a pillar of the Chicago jazz and experimental music scene, Jeff Parker has been incomparably prolific over the last 20+ years while merely producing 5 albums as a “lead artist” (just 2 since 2005, including 2016’s duo recording with Rob Mazurek on Rogue Art). “Lead artist” is in quotes here, because though his name is seldom seen in marquees, his distinctive guitar sound has been essential to every project he’s been part of. It was in that sense that we at International Anthem came to work with Parker during the production of Makaya McCraven’s In The Moment, an album which ultimately showcased said essentialness (of Parker’s “side man” sound) on 9 of its 19 tracks.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the course of the In The Moment sessions in 2013 and 2014, Parker was slowly transitioning his personal belongings from Chicago to a new home in Los Angeles. It was when finally settled that he found opportunity to re-open some home recordings and beat projects that had been dormant on his hard drive for years (early versions of some could have been heard in the late ‘00s on his Myspace page). Parker had long been in silent study of vinyl sampling and beat conduction, but perhaps it’s no coincidence that new residence in a city aflame with experimental R\u0026amp;B, jazz and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e electronic fusers (i.e. L.A., e.g. Brainfeeder, Leaving Records, Low End Theory) spurred him to dig back in to the practice and produce with more purpose.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy early 2015 Parker had refined several compositional ideas around his samples, and enlisted local friend Paul Bryan (Aimee Mann, Meshell Ndegeocello) to engineer and play bass guitar in sessions with Chicago ex-pat saxophonist, Thelonious Monk Institute protégé Josh Johnson (Miguel Atwood-Ferguson, Esperanza Spaulding)and drummer Jamire Williams (Robert Glasper, Carlos Niño. The recordings were conducted to capture composed passages as well as free playing that used Parker’s beats and sample suites as improvisational criterion. After completing 7 songs with the band, the last of which with vocals from his daughter Ruby Parker recorded in Chicago by John McEntire, Parker named the project The New Breed (after a clothing store his late father Ernie owned and operated in the ‘70s)and finished the album by stitching the band tracks together with intermittent pieces of beat memories from his archive.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe final presentation is a retrospective tapestry that explores Parker’s past both musically – as a potent compositional tribute to his influences (J Dilla, Thelonious Monk, Charles Stepney)held together by literal fragments of his life’s work – and patrilineally – as a collaboration with his kin held together by clippings from the family photo album. The New Breed is Jeff Parker’s most vibrant and comprehensively personal work yet, appropriately the first in 11 years with only his name in the “lead artist” column.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseのギタリストとしてもおなじみアメリカ・シカゴのジャズ作家Jeff Parkerの2016年リリース作品。 ジャズ meets ビートミュージックなレイドバックトラック8曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":7028875722917,"title":"Rob Mazurek – Exploding Star Orchestra \/\/ Dimensional Stardust LP","handle":"rob-mazurek-exploding-star-orchestra-dimensional-stardust-lp","description":"\u003cp\u003eアメリカ・シカゴのジャズ作家Rob Mazurekが2020年12月にリリースしたレコード。Sun Raのスペースジャズマインドを継承するスピリチュアルジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNicole Mitchell、Jeff Parker、Jaimie Branch、Joel Ross、Mikel Patrick Avery、Tomeeka Reid、Chad Taylor、Ingebrigt Håker Flaten、Macie Stewart、Angelica Sanchez、John Herndonが参加。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3684001125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP sleeve features original artwork by Rob Mazurek, plus IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMarfa TX-based multidisciplinary abstractivist Rob Mazurek has made an indelible impact on creative music over the past 30 years. Emerging from the musical nexus of the 1990s Chicago scene, he’s written more than 400 compositions and is featured on more than 70 recordings (including International Anthem’s very first, IARC0001, \"Alternate Moon Cycles\"). He’s led or co-led many ensembles – including the Chicago Underground (Duo, Trio, Quartet \u0026amp; Orchestra), Isotope 217 (alongside members of Tortoise), Pharoah and the Underground (feat. Pharoah Sanders), Alien Flower Sutra (with Emmett Kelly), São Paulo Underground (his primary working group across his time in Brazil), and a duo with Jeff Parker – each of which possesses its own distinct musical personality.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile Mazurek’s solo work as a musician expands from cornet, piano, and piccolo trumpet studies to embody musique concrete and electronic experimentation, his composition for large ensemble reveals an intuitive sense of scale. Commissioned by the Chicago Cultural Center and the Jazz Institute of Chicago in 2005 to assemble a group representing the diversity of the city’s contemporary avant-garde, Mazurek amassed a 14-piece ensemble and began composing music for what became his Exploding Star Orchestra (ESO)\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Including musicians from the often-segregated communities of Chicago’s North, South, and West sides – from his long-time collaborators in Tortoise’s expansive orbit, to Great Black Music luminaries from the hallowed AACM, to free jazz revivalists from the Umbrella Music group – ESO debuted in the urban epicenter of Chicago’s Millennium Park and, shortly after, went into John McEntire’s Soma Studios to record \"We Are All From Somewhere Else\" (Thrill Jockey, 2007). By the time of \"Galactic Parables Vol. 1,\" ESO’s 2015 triple LP release on Cuneiform Records, Mazurek reflected to Pop Matters that \"Exploding Star Orchestra is the conceptual, compositional and philosophical center of all my work... a life star of musical, visual and conceptual ideas.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 2018, JazzFest Berlin curator Nadin Deventer invited Mazurek to present a new iteration of ESO with musicians based in Berlin as well as Chicago. Meeting the commission with the boundless ambition characteristic of his artistic approach, he imagined a jubilee of fifteen musicians and improvisers, true to ESO’s ethos in their widely diverse backgrounds and voices, but more tightly arranged around his intricate compositions than ever before. Summoning an array of symphonic studies – from Béla Bartók to Morton Feldman to Gil Evans to Sun Ra to Pedro Santos to Bill Dixon to The Art Ensemble of Chicago – in an ecstatic and wholly original program, Mazurek’s November 2018 debut at Berliner Festspiele marked a new pinnacle in his distinction as a composer and conductor of Contemporary Music. “Mazurek’s arrangements burst in colors, making synesthetes of us all,” wrote Paul Acquaro in a review of the concert for Free Jazz Collective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen Mazurek returned to Chicago in Summer 2019, International Anthem took the opportunity to capture his new ESO compositions with a cast of collaborators from their collective constellation of artists. Over a handful of studio dates between August 2019 and March 2020, Mazurek channeled his arrangements through 11 musicians – Nicole Mitchell, Jeff Parker, Jaimie Branch, Joel Ross, Mikel Patrick Avery, Tomeka Reid, Chad Taylor, Ingebrigt Håker Flaten, Macie Stewart, Angelica Sanchez, and John Herndon – and commissioned his long-time lyrical collaborator Damon Locks to draft original texts for each of the titles and record vocal tracks. After three months of rigorous post-production, editing and assembly work, in June 2020 Mazurek completed his culminating new collection of ESO recordings: \"Dimensional Stardust.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Dimensional Stardust\" showcases the intricacy and complexity of Mazurek’s compositions but in their most potent, most compacted forms. Opting to focus on tight ensemble orchestration over passages of open improvisation, Mazurek distills a maximal orchestra of explosive improvisers into a beautifully restrained, graceful group exercise in melodic minimalism. The album features almost no “soloist” moments, excepting Jeff Parker’s other-worldy guitar meltdown on “The Careening Prism Within,” and when Nicole Mitchell’s flute floats to the front of the barrage on “Sun Core Tet.” Mazurek himself is sparsely present as instrumentalist, only occasionally joining the ensemble with his piccolo trumpet (notably on “Parable 3000,” where he shares leads with Mitchell’s flute and Joel Ross’s vibraphone, and his trills and textures haunt ghostly around Jaimie Branch’s trumpet counterpoint). Even Damon Locks’s voice is employed more like an ensemble instrument than a lead vocalist. Locks’ distinctively dry, abstract narrative flow beams in intermittently – sounding almost like fragments of Deltron 3030 through an Orson Wells-style radio transmission – climaxing in the album-closing poetry of “Autumn Pleiades.” And all the way through, the electro-acoustic poly-rhythmic percussion section (Chad Taylor, Mikel Patrick Avery, and John Herndon) churns, thrusting the music forward as the harmonic instruments collectively bow between frenzied, futurist chromaticism and soaring, pan-humanist pentatonic anthems.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSomehow swirling the most adventurous elements of avant-garde jazz and contemporary classical into the most universal attractors of pop music, the cosmic opera of \"Dimensional Stardust\" is a pure spiritual extension of Exploding Star Orchestra’s unifying ethos, and a new peak in the prolific creative career of Rob Mazurek.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rob Mazurek – Exploding Star Orchestra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-08T12:21:58+09:00","created_at":"2021-09-07T14:30:52+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":326000,"price_min":326000,"price_max":326000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40745534292133,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rob Mazurek – Exploding Star Orchestra \/\/ Dimensional Stardust LP","public_title":null,"options":["Default Title"],"price":326000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/di1_fa199d8b-5fe0-4498-8467-053c1cbcd5a9.jpg?v=1630992653","\/\/tobirarecords.com\/cdn\/shop\/products\/di2_b0ec2148-ced5-47c3-92bd-433dacbe4309.jpg?v=1630992654"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_fa199d8b-5fe0-4498-8467-053c1cbcd5a9.jpg?v=1630992653","options":["Title"],"media":[{"alt":null,"id":23632500981925,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_fa199d8b-5fe0-4498-8467-053c1cbcd5a9.jpg?v=1630992653"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_fa199d8b-5fe0-4498-8467-053c1cbcd5a9.jpg?v=1630992653","width":700},{"alt":null,"id":23632501047461,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_b0ec2148-ced5-47c3-92bd-433dacbe4309.jpg?v=1630992654"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_b0ec2148-ced5-47c3-92bd-433dacbe4309.jpg?v=1630992654","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズ作家Rob Mazurekが2020年12月にリリースしたレコード。Sun Raのスペースジャズマインドを継承するスピリチュアルジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNicole Mitchell、Jeff Parker、Jaimie Branch、Joel Ross、Mikel Patrick Avery、Tomeeka Reid、Chad Taylor、Ingebrigt Håker Flaten、Macie Stewart、Angelica Sanchez、John Herndonが参加。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3684001125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP sleeve features original artwork by Rob Mazurek, plus IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMarfa TX-based multidisciplinary abstractivist Rob Mazurek has made an indelible impact on creative music over the past 30 years. Emerging from the musical nexus of the 1990s Chicago scene, he’s written more than 400 compositions and is featured on more than 70 recordings (including International Anthem’s very first, IARC0001, \"Alternate Moon Cycles\"). He’s led or co-led many ensembles – including the Chicago Underground (Duo, Trio, Quartet \u0026amp; Orchestra), Isotope 217 (alongside members of Tortoise), Pharoah and the Underground (feat. Pharoah Sanders), Alien Flower Sutra (with Emmett Kelly), São Paulo Underground (his primary working group across his time in Brazil), and a duo with Jeff Parker – each of which possesses its own distinct musical personality.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile Mazurek’s solo work as a musician expands from cornet, piano, and piccolo trumpet studies to embody musique concrete and electronic experimentation, his composition for large ensemble reveals an intuitive sense of scale. Commissioned by the Chicago Cultural Center and the Jazz Institute of Chicago in 2005 to assemble a group representing the diversity of the city’s contemporary avant-garde, Mazurek amassed a 14-piece ensemble and began composing music for what became his Exploding Star Orchestra (ESO)\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Including musicians from the often-segregated communities of Chicago’s North, South, and West sides – from his long-time collaborators in Tortoise’s expansive orbit, to Great Black Music luminaries from the hallowed AACM, to free jazz revivalists from the Umbrella Music group – ESO debuted in the urban epicenter of Chicago’s Millennium Park and, shortly after, went into John McEntire’s Soma Studios to record \"We Are All From Somewhere Else\" (Thrill Jockey, 2007). By the time of \"Galactic Parables Vol. 1,\" ESO’s 2015 triple LP release on Cuneiform Records, Mazurek reflected to Pop Matters that \"Exploding Star Orchestra is the conceptual, compositional and philosophical center of all my work... a life star of musical, visual and conceptual ideas.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 2018, JazzFest Berlin curator Nadin Deventer invited Mazurek to present a new iteration of ESO with musicians based in Berlin as well as Chicago. Meeting the commission with the boundless ambition characteristic of his artistic approach, he imagined a jubilee of fifteen musicians and improvisers, true to ESO’s ethos in their widely diverse backgrounds and voices, but more tightly arranged around his intricate compositions than ever before. Summoning an array of symphonic studies – from Béla Bartók to Morton Feldman to Gil Evans to Sun Ra to Pedro Santos to Bill Dixon to The Art Ensemble of Chicago – in an ecstatic and wholly original program, Mazurek’s November 2018 debut at Berliner Festspiele marked a new pinnacle in his distinction as a composer and conductor of Contemporary Music. “Mazurek’s arrangements burst in colors, making synesthetes of us all,” wrote Paul Acquaro in a review of the concert for Free Jazz Collective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen Mazurek returned to Chicago in Summer 2019, International Anthem took the opportunity to capture his new ESO compositions with a cast of collaborators from their collective constellation of artists. Over a handful of studio dates between August 2019 and March 2020, Mazurek channeled his arrangements through 11 musicians – Nicole Mitchell, Jeff Parker, Jaimie Branch, Joel Ross, Mikel Patrick Avery, Tomeka Reid, Chad Taylor, Ingebrigt Håker Flaten, Macie Stewart, Angelica Sanchez, and John Herndon – and commissioned his long-time lyrical collaborator Damon Locks to draft original texts for each of the titles and record vocal tracks. After three months of rigorous post-production, editing and assembly work, in June 2020 Mazurek completed his culminating new collection of ESO recordings: \"Dimensional Stardust.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Dimensional Stardust\" showcases the intricacy and complexity of Mazurek’s compositions but in their most potent, most compacted forms. Opting to focus on tight ensemble orchestration over passages of open improvisation, Mazurek distills a maximal orchestra of explosive improvisers into a beautifully restrained, graceful group exercise in melodic minimalism. The album features almost no “soloist” moments, excepting Jeff Parker’s other-worldy guitar meltdown on “The Careening Prism Within,” and when Nicole Mitchell’s flute floats to the front of the barrage on “Sun Core Tet.” Mazurek himself is sparsely present as instrumentalist, only occasionally joining the ensemble with his piccolo trumpet (notably on “Parable 3000,” where he shares leads with Mitchell’s flute and Joel Ross’s vibraphone, and his trills and textures haunt ghostly around Jaimie Branch’s trumpet counterpoint). Even Damon Locks’s voice is employed more like an ensemble instrument than a lead vocalist. Locks’ distinctively dry, abstract narrative flow beams in intermittently – sounding almost like fragments of Deltron 3030 through an Orson Wells-style radio transmission – climaxing in the album-closing poetry of “Autumn Pleiades.” And all the way through, the electro-acoustic poly-rhythmic percussion section (Chad Taylor, Mikel Patrick Avery, and John Herndon) churns, thrusting the music forward as the harmonic instruments collectively bow between frenzied, futurist chromaticism and soaring, pan-humanist pentatonic anthems.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSomehow swirling the most adventurous elements of avant-garde jazz and contemporary classical into the most universal attractors of pop music, the cosmic opera of \"Dimensional Stardust\" is a pure spiritual extension of Exploding Star Orchestra’s unifying ethos, and a new peak in the prolific creative career of Rob Mazurek.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rob Mazurek – Exploding Star Orchestra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズ作家Rob Mazurekが2020年12月にリリースしたレコード。Sun Raのスペースジャズマインドを継承するスピリチュアルジャズ10曲を収録。 Nicole Mitchell、Jeff Parker、Jaimie Branch、Joel Ross、Mikel Patrick Avery、Tomeeka Reid、Chad Taylor、Ingebrigt Håker Flaten、Macie...
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{"id":6976176717989,"title":"Jeff Parker \/\/ JP's Myspace Beats 2x12\"","handle":"international-anthem-jps-myspace-beats-2xlp","description":"\u003cp\u003eTortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2000年初期に制作し本人のMyspaceで公開していたビート音源が2枚組レコードで2021年9月にリリース。ジャジーでファンキーなインストヒップホップ24曲を収録。Myspaceだけに（？）デジタル販売はしないそうです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1105726168\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs2\" href=\"https:\/\/soundcloud.com\/user-102607145\" target=\"_blank\"\u003etobirarecs2\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"myspace_preview\" href=\"https:\/\/soundcloud.com\/user-102607145\/my-movie-3\" target=\"_blank\"\u003emyspace_preview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 777. \u003cbr\u003e2 x black 12\" vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eVinyl only! Limited edition!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo digital, no represses.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : International Anthem\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-08-14T12:27:41+09:00","created_at":"2021-08-14T12:01:04+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp"],"price":428000,"price_min":428000,"price_max":428000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40581268734117,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ JP's Myspace Beats 2x12\"","public_title":null,"options":["Default Title"],"price":428000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jp1.jpg?v=1628910067","\/\/tobirarecords.com\/cdn\/shop\/products\/jp2.jpg?v=1628910067","\/\/tobirarecords.com\/cdn\/shop\/products\/jp3.jpg?v=1628910067"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp1.jpg?v=1628910067","options":["Title"],"media":[{"alt":null,"id":23352009785509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp1.jpg?v=1628910067"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp1.jpg?v=1628910067","width":700},{"alt":null,"id":23352009818277,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp2.jpg?v=1628910067"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp2.jpg?v=1628910067","width":1200},{"alt":null,"id":23352009851045,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp3.jpg?v=1628910067"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jp3.jpg?v=1628910067","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2000年初期に制作し本人のMyspaceで公開していたビート音源が2枚組レコードで2021年9月にリリース。ジャジーでファンキーなインストヒップホップ24曲を収録。Myspaceだけに（？）デジタル販売はしないそうです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1105726168\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs2\" href=\"https:\/\/soundcloud.com\/user-102607145\" target=\"_blank\"\u003etobirarecs2\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"myspace_preview\" href=\"https:\/\/soundcloud.com\/user-102607145\/my-movie-3\" target=\"_blank\"\u003emyspace_preview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 777. \u003cbr\u003e2 x black 12\" vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eVinyl only! Limited edition!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo digital, no represses.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : International Anthem\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2000年初期に制作し本人のMyspaceで公開していたビート音源が2枚組レコードで2021年9月にリリース。ジャジーでファンキーなインストヒップホップ24曲を収録。Myspaceだけに（？）デジタル販売はしないそうです。 tobirarecs2 · myspace_preview レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":6578600476837,"title":"Irreversible Entanglements \/\/ Who Sent You? LP","handle":"irreversible-entanglements-who-sent-you-lp","description":"\u003cp\u003eシカゴのフリージャズバンドIrreversible Entanglementsの2020年新作アルバムが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemよりリリース。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスリリングな演奏と反比例するかのようなポエトリーリーディング調のボイスが渋いです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2277550019\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDig it: Who Sent You? is the punk-rocking of jazz and the mystification of the avant-garde, a sci-fi sound from that out-soul-fire jazz quintet Irreversible Entanglements. Who Sent You? they asked and tried to lock us in their distress chambers, and yet\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e here it is: an album that functions as a heat-sealed care package for the modern Afrofuturist’s pre-flight machinations. This record weaves kinetic soul fusion, dreamy yet harrowing spectral poetry, and intricate force-field-tight rhythms into wild, warmth-giving tapestries that comfort and conceal, confront and coerce all at once, with the dark matter of the deep, black all-consuming universe as its thread.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003eWhere the band’s self-titled debut was all explosive noisy anthems and glorious cosmic bluster, Who Sent You? is a focused and patient ritual. Irreversible Entanglements take their time in between these grooves, stalking the war-torn streets of the Deep South and post-Columbian apocalypses—taking their time to add our DNA to the centrifuge, to dream up an alchemical amalgamation that sounds truly euphoric, drenched in the epic star-flung fallout of a nova only they can conjure. More than the sum of its parts—Luke Stewart’s war-like basslines, Keir Neuringer’s haunting saxophone, Aquiles Navarro’s cyberpunk brass, the unwieldy storm of Tcheser Holmes’ drums, and the oracular phyletic incantations of Camae Ayewa—Who Sent You? is an entire holistic jam of “infinite possibilities coming back around,” a sprawling meditation for afro-cosmonauts, a reminder of the forms and traumas of the past, and the shape and vision of Afrotopian sounds to come.\"\u003c\/em\u003e\u003cbr\u003e- \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-03-16T11:46:30+09:00","created_at":"2021-03-16T09:42:09+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39389570531493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Irreversible Entanglements \/\/ Who Sent You? LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wh1_11c54f41-0327-4f49-a391-3bbad4a8fc21.jpg?v=1615855331","\/\/tobirarecords.com\/cdn\/shop\/products\/wh2_532122c6-b58e-445b-b5f0-81942c379c33.jpg?v=1615855331"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wh1_11c54f41-0327-4f49-a391-3bbad4a8fc21.jpg?v=1615855331","options":["Title"],"media":[{"alt":null,"id":20774666076325,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wh1_11c54f41-0327-4f49-a391-3bbad4a8fc21.jpg?v=1615855331"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wh1_11c54f41-0327-4f49-a391-3bbad4a8fc21.jpg?v=1615855331","width":700},{"alt":null,"id":20774666109093,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wh2_532122c6-b58e-445b-b5f0-81942c379c33.jpg?v=1615855331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wh2_532122c6-b58e-445b-b5f0-81942c379c33.jpg?v=1615855331","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eシカゴのフリージャズバンドIrreversible Entanglementsの2020年新作アルバムが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemよりリリース。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスリリングな演奏と反比例するかのようなポエトリーリーディング調のボイスが渋いです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2277550019\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDig it: Who Sent You? is the punk-rocking of jazz and the mystification of the avant-garde, a sci-fi sound from that out-soul-fire jazz quintet Irreversible Entanglements. Who Sent You? they asked and tried to lock us in their distress chambers, and yet\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e here it is: an album that functions as a heat-sealed care package for the modern Afrofuturist’s pre-flight machinations. This record weaves kinetic soul fusion, dreamy yet harrowing spectral poetry, and intricate force-field-tight rhythms into wild, warmth-giving tapestries that comfort and conceal, confront and coerce all at once, with the dark matter of the deep, black all-consuming universe as its thread.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003eWhere the band’s self-titled debut was all explosive noisy anthems and glorious cosmic bluster, Who Sent You? is a focused and patient ritual. Irreversible Entanglements take their time in between these grooves, stalking the war-torn streets of the Deep South and post-Columbian apocalypses—taking their time to add our DNA to the centrifuge, to dream up an alchemical amalgamation that sounds truly euphoric, drenched in the epic star-flung fallout of a nova only they can conjure. More than the sum of its parts—Luke Stewart’s war-like basslines, Keir Neuringer’s haunting saxophone, Aquiles Navarro’s cyberpunk brass, the unwieldy storm of Tcheser Holmes’ drums, and the oracular phyletic incantations of Camae Ayewa—Who Sent You? is an entire holistic jam of “infinite possibilities coming back around,” a sprawling meditation for afro-cosmonauts, a reminder of the forms and traumas of the past, and the shape and vision of Afrotopian sounds to come.\"\u003c\/em\u003e\u003cbr\u003e- \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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シカゴのフリージャズバンドIrreversible Entanglementsの2020年新作アルバムがInternational Anthemよりリリース。 スリリングな演奏と反比例するかのようなポエトリーリーディング調のボイスが渋いです。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":6578548998309,"title":"Jeff Parker \/\/ Max Brown - Part One 7\"","handle":"jeff-parker-max-brown-part-one-7lp","description":"\u003cp\u003eポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerの7\"。コンテンポラリージャズ2曲を収録。300枚限定です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=187719075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e'\u003cspan data-mce-fragment=\"1\"\u003eMax Brown' is the first single from Jeff Parker's full length album, 'Suite For Max Brown'.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-03-16T11:31:34+09:00","created_at":"2021-03-16T09:23:04+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39389449486501,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ Max Brown - Part One 7\"","public_title":null,"options":["Default Title"],"price":178000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_6c4376c9-1197-4f62-9976-b199dec1164d.jpg?v=1615854186","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_d262241d-d8c5-4e41-9cbd-75824caf09a4.jpg?v=1615854187"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_6c4376c9-1197-4f62-9976-b199dec1164d.jpg?v=1615854186","options":["Title"],"media":[{"alt":null,"id":20774454165669,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_6c4376c9-1197-4f62-9976-b199dec1164d.jpg?v=1615854186"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_6c4376c9-1197-4f62-9976-b199dec1164d.jpg?v=1615854186","width":700},{"alt":null,"id":20774454198437,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_d262241d-d8c5-4e41-9cbd-75824caf09a4.jpg?v=1615854187"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_d262241d-d8c5-4e41-9cbd-75824caf09a4.jpg?v=1615854187","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerの7\"。コンテンポラリージャズ2曲を収録。300枚限定です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=187719075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e'\u003cspan data-mce-fragment=\"1\"\u003eMax Brown' is the first single from Jeff Parker's full length album, 'Suite For Max Brown'.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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ポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerの7"。コンテンポラリージャズ2曲を収録。300枚限定です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------ Edition...
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{"id":6578545819813,"title":"Angel Bat Dawid \/\/ Transition East 7\"","handle":"angel-bat-dawid-transition-east-7lp","description":"\u003cp\u003eシカゴのクラリネット奏者Angel Bat Dawidが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした\u003c\/span\u003e7\"。アートワークのSUN RAとチャネリングしたかのようなスピリチュアルジャズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=136095045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTransition East' features two new pieces of music created by Angel Bat Dawid in response to Emma Warren's 2019 book \"Make Some Space\" – i.e. the book that chronicles the history of London DIY music institution Total Refreshment Centre.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAngel Bat Dawid, who first met Emma Warren at Total Refreshment Centre in 2017, composed \u0026amp; recorded \"Transition East\" alone in her space on the Southside of Chicago, originally to be accompaniment for the audiobook version of \"Make Some Space.\" Angel conceptualized \u0026amp; named the song in commemoration of the storied Chicago community center that was a hub for the AACM and icons from the Black Arts Movement in the 1960s, and was recently revived by one of her mentors, Eliel Sherman Storey.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"No Space Fo Us\" was composed \u0026amp; recorded at a space in Salvador, Bahia, Brazil, where Angel travelled with a crew of Chicago artists (including IARC label mates Ben LaMar Gay \u0026amp; Damon Locks) on a collaborative mission organzied by Comfort Station, called Close to There (Perto de Lá). The track features Angel with Ben LaMar Gay and new Brazilian friends Edbrass Brasil, Romulo Alexis, Tadeu Mascarenhas, Nancy Viégas \u0026amp; Germano Estacio.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInternational Anthem is proud to present these two\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e beautiful pieces of music on deluxe 45rpm 7\" vinyl inside a picture sleeve designed by Jeremiah Chiu. Available as a standalone item or as part of the MAKE SOME SPACE FOR US bundle – alongside Emma Warren's \"Make Some Space\" paperback and a new \"foreward\" in the form of a screed written by Piotr Orlov (connecting the book \u0026amp; the music into the current context of our spaceless\/timeless struggle) printed on a 17\" x 22\" broadsheet (also designed by Jeremiah Chiu).\"\u003c\/em\u003e\u003cbr\u003e- \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e International Anthem\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-03-16T11:27:25+09:00","created_at":"2021-03-16T09:20:26+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39389441982629,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Angel Bat Dawid \/\/ Transition East 7\"","public_title":null,"options":["Default Title"],"price":178000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/tr1_b044ce35-9026-4ea2-bcb2-36e72796a4c6.jpg?v=1615854027","\/\/tobirarecords.com\/cdn\/shop\/products\/tr2_451080d3-217c-4459-8776-a03efcaacf7d.jpg?v=1615854027"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1_b044ce35-9026-4ea2-bcb2-36e72796a4c6.jpg?v=1615854027","options":["Title"],"media":[{"alt":null,"id":20774433489061,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1_b044ce35-9026-4ea2-bcb2-36e72796a4c6.jpg?v=1615854027"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr1_b044ce35-9026-4ea2-bcb2-36e72796a4c6.jpg?v=1615854027","width":700},{"alt":null,"id":20774433521829,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr2_451080d3-217c-4459-8776-a03efcaacf7d.jpg?v=1615854027"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/tr2_451080d3-217c-4459-8776-a03efcaacf7d.jpg?v=1615854027","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eシカゴのクラリネット奏者Angel Bat Dawidが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした\u003c\/span\u003e7\"。アートワークのSUN RAとチャネリングしたかのようなスピリチュアルジャズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=136095045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTransition East' features two new pieces of music created by Angel Bat Dawid in response to Emma Warren's 2019 book \"Make Some Space\" – i.e. the book that chronicles the history of London DIY music institution Total Refreshment Centre.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAngel Bat Dawid, who first met Emma Warren at Total Refreshment Centre in 2017, composed \u0026amp; recorded \"Transition East\" alone in her space on the Southside of Chicago, originally to be accompaniment for the audiobook version of \"Make Some Space.\" Angel conceptualized \u0026amp; named the song in commemoration of the storied Chicago community center that was a hub for the AACM and icons from the Black Arts Movement in the 1960s, and was recently revived by one of her mentors, Eliel Sherman Storey.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"No Space Fo Us\" was composed \u0026amp; recorded at a space in Salvador, Bahia, Brazil, where Angel travelled with a crew of Chicago artists (including IARC label mates Ben LaMar Gay \u0026amp; Damon Locks) on a collaborative mission organzied by Comfort Station, called Close to There (Perto de Lá). The track features Angel with Ben LaMar Gay and new Brazilian friends Edbrass Brasil, Romulo Alexis, Tadeu Mascarenhas, Nancy Viégas \u0026amp; Germano Estacio.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInternational Anthem is proud to present these two\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e beautiful pieces of music on deluxe 45rpm 7\" vinyl inside a picture sleeve designed by Jeremiah Chiu. Available as a standalone item or as part of the MAKE SOME SPACE FOR US bundle – alongside Emma Warren's \"Make Some Space\" paperback and a new \"foreward\" in the form of a screed written by Piotr Orlov (connecting the book \u0026amp; the music into the current context of our spaceless\/timeless struggle) printed on a 17\" x 22\" broadsheet (also designed by Jeremiah Chiu).\"\u003c\/em\u003e\u003cbr\u003e- \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e International Anthem\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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シカゴのクラリネット奏者Angel Bat DawidがInternational Anthemからリリースした7"。アートワークのSUN RAとチャネリングしたかのようなスピリチュアルジャズ2曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":6578541527205,"title":"Anteloper \/\/ Tour Beats Vol. 1 LP","handle":"anteloper-tour-beats-vol-1-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eトランペット奏者Jaimie Branchとパーカッショニスト\u003cmeta charset=\"utf-8\"\u003eJason Nazaryによるコラボ名義Anteloperが、輸送コンテナをスタジオ化して制作したアルバム。ジャズというジャンルからはみ出た4曲を収録。インサート付属。45回転です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4199328212\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eIn May 2018, Jaimie Branch took up a month-long residency in the shipping container-turned-recording studio at Pioneer Works, an arts center down the street from her home in Red Hook, Brooklyn. She called up Jason Nazary, and he rolled by the studio loaded with acoustic drums, electronic triggers, modular FX unit, synths, sequencers, and a myriad of processors. Branch engineered the sessions, and brought her rig to the table: trumpet, synths, delay\/looper pedal, auxiliary percussion, and a Roland TR08 drum machine. They did what they always do — rolled tape and started from nothing.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the Fall of 2019, they set out for the “Ante-Myths Sonic Projections Tour” that took them across the US alongside DC duo Blacks’ Myths. For the journey, they self-produced a super limited-edition tour tape, Tour Beats Vol. 1, which features recordings from those Pioneer Works sessions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor Summer 2020, International Anthem is proud to re-present Anteloper’s Tour Beats Vol. 1 on 45RPM 12” vinyl in a package featuring artwork by Branch, photos by Richard Ross, and liner notes as poem, again, by Rob Mazurek...\"\u003cbr\u003e- \u003c\/em\u003eInternational Anthem\u003c\/p\u003e\n\u003cp\u003eArtist : Anteloper\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-03-16T11:23:08+09:00","created_at":"2021-03-16T09:18:03+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","strange beats"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39389431824549,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anteloper \/\/ Tour Beats Vol. 1 LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/to1_dc1416fc-71ab-42a7-bc8a-a4b5f55e2215.jpg?v=1615853884","\/\/tobirarecords.com\/cdn\/shop\/products\/to2_a5d705aa-77fe-464f-b628-499cc01b4b11.jpg?v=1615853884","\/\/tobirarecords.com\/cdn\/shop\/products\/0021843216_10.jpg?v=1615860613"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_dc1416fc-71ab-42a7-bc8a-a4b5f55e2215.jpg?v=1615853884","options":["Title"],"media":[{"alt":null,"id":20774414975141,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_dc1416fc-71ab-42a7-bc8a-a4b5f55e2215.jpg?v=1615853884"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_dc1416fc-71ab-42a7-bc8a-a4b5f55e2215.jpg?v=1615853884","width":700},{"alt":null,"id":20774415007909,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to2_a5d705aa-77fe-464f-b628-499cc01b4b11.jpg?v=1615853884"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to2_a5d705aa-77fe-464f-b628-499cc01b4b11.jpg?v=1615853884","width":1200},{"alt":null,"id":20775237714085,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021843216_10.jpg?v=1615860613"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021843216_10.jpg?v=1615860613","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eトランペット奏者Jaimie Branchとパーカッショニスト\u003cmeta charset=\"utf-8\"\u003eJason Nazaryによるコラボ名義Anteloperが、輸送コンテナをスタジオ化して制作したアルバム。ジャズというジャンルからはみ出た4曲を収録。インサート付属。45回転です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4199328212\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eIn May 2018, Jaimie Branch took up a month-long residency in the shipping container-turned-recording studio at Pioneer Works, an arts center down the street from her home in Red Hook, Brooklyn. She called up Jason Nazary, and he rolled by the studio loaded with acoustic drums, electronic triggers, modular FX unit, synths, sequencers, and a myriad of processors. Branch engineered the sessions, and brought her rig to the table: trumpet, synths, delay\/looper pedal, auxiliary percussion, and a Roland TR08 drum machine. They did what they always do — rolled tape and started from nothing.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the Fall of 2019, they set out for the “Ante-Myths Sonic Projections Tour” that took them across the US alongside DC duo Blacks’ Myths. For the journey, they self-produced a super limited-edition tour tape, Tour Beats Vol. 1, which features recordings from those Pioneer Works sessions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor Summer 2020, International Anthem is proud to re-present Anteloper’s Tour Beats Vol. 1 on 45RPM 12” vinyl in a package featuring artwork by Branch, photos by Richard Ross, and liner notes as poem, again, by Rob Mazurek...\"\u003cbr\u003e- \u003c\/em\u003eInternational Anthem\u003c\/p\u003e\n\u003cp\u003eArtist : Anteloper\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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トランペット奏者Jaimie BranchとパーカッショニストJason Nazaryによるコラボ名義Anteloperが、輸送コンテナをスタジオ化して制作したアルバム。ジャズというジャンルからはみ出た4曲を収録。インサート付属。45回転です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------...
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{"id":6578537300133,"title":"Aquiles Navarro \u0026 Tcheser Holmes \/\/ Heritage of the Invisible II LP","handle":"aquiles-navarro-tcheser-holmes-heritage-of-the-invisible-ii-lp","description":"\u003cp\u003eNYのフリージャズ界隈で活躍してきたトランペット奏者Aquiles NavarroとパーカッショニストTcheser Holmesの共作が\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemよりリリース。スリリングなインプロ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3362165413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1138630142\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3362165413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1089230426\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3362165413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe tracks flash by in a rapturous onslaught, crystalizing in incantations by Spanish poet Marcos de la Fuente (an apocalyptic fever dream on “Initial Meditation”), vocalist Brigitte Zozula (the bliss of bustling nightlife on “A Night in NY”), Navarro’s mentor and collaborator Carlos Garnett (the banality of economics on “$$$ \/\/\/ billete”) and their own musings on friendship and community (the stoned soul picnic of “Plantains”). Of the album’s de facto anthem “Pueblo,” Navarro says “it’s a celebration of life, the coming together of the people, el pueblo, a celebration of who we are, where we come from, it’s our pueblo, our people, a feeling of openness, hope, and a future of unity from el pueblo, the people.” Identifying as active listeners and audience members as well, Navarro and Holmes step back on “M.O.N.K (Most Only Never Knew)” to shine a light on the solo improvisation of pianist\/composer Nick Sanders. On the 8-minute duet “NAVARROHOLMES,” the two players reach a summit as they face off in spirited alliance, conjuring visions of legendary free jazz telepathics – Braxton and Roach, Coltrane and Ali, Cherry and Blackwell.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eNavarro and Holmes never idle on \"Heritage of the Invisible II,\" choosing instead to ponder their origins in a devout charge of ecstatic cooperation. Meditating on the unseen constructive forces of culture and rhythm as a cadence encoded in one’s heritage, with \"Heritage of the Invisible II\" they share a volume of their story in rich color – a brilliantly imagined testament to generations of memory, creation and existential joy.\"\u003c\/em\u003e\u003cbr\u003e- Joe Darling, International Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aquiles Navarro \u0026amp; Tcheser Holmes\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-03-16T11:03:10+09:00","created_at":"2021-03-16T09:15:25+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39389420945573,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aquiles Navarro \u0026 Tcheser Holmes \/\/ Heritage of the Invisible II LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/he1_2e091887-bb9f-4b43-819e-4f47fd0c3f13.jpg?v=1615853727","\/\/tobirarecords.com\/cdn\/shop\/products\/he2.jpg?v=1615853727"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_2e091887-bb9f-4b43-819e-4f47fd0c3f13.jpg?v=1615853727","options":["Title"],"media":[{"alt":null,"id":20774396362917,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_2e091887-bb9f-4b43-819e-4f47fd0c3f13.jpg?v=1615853727"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_2e091887-bb9f-4b43-819e-4f47fd0c3f13.jpg?v=1615853727","width":700},{"alt":null,"id":20774396395685,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he2.jpg?v=1615853727"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he2.jpg?v=1615853727","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eNYのフリージャズ界隈で活躍してきたトランペット奏者Aquiles NavarroとパーカッショニストTcheser Holmesの共作が\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemよりリリース。スリリングなインプロ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3362165413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1138630142\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3362165413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1089230426\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3362165413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe tracks flash by in a rapturous onslaught, crystalizing in incantations by Spanish poet Marcos de la Fuente (an apocalyptic fever dream on “Initial Meditation”), vocalist Brigitte Zozula (the bliss of bustling nightlife on “A Night in NY”), Navarro’s mentor and collaborator Carlos Garnett (the banality of economics on “$$$ \/\/\/ billete”) and their own musings on friendship and community (the stoned soul picnic of “Plantains”). Of the album’s de facto anthem “Pueblo,” Navarro says “it’s a celebration of life, the coming together of the people, el pueblo, a celebration of who we are, where we come from, it’s our pueblo, our people, a feeling of openness, hope, and a future of unity from el pueblo, the people.” Identifying as active listeners and audience members as well, Navarro and Holmes step back on “M.O.N.K (Most Only Never Knew)” to shine a light on the solo improvisation of pianist\/composer Nick Sanders. On the 8-minute duet “NAVARROHOLMES,” the two players reach a summit as they face off in spirited alliance, conjuring visions of legendary free jazz telepathics – Braxton and Roach, Coltrane and Ali, Cherry and Blackwell.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eNavarro and Holmes never idle on \"Heritage of the Invisible II,\" choosing instead to ponder their origins in a devout charge of ecstatic cooperation. Meditating on the unseen constructive forces of culture and rhythm as a cadence encoded in one’s heritage, with \"Heritage of the Invisible II\" they share a volume of their story in rich color – a brilliantly imagined testament to generations of memory, creation and existential joy.\"\u003c\/em\u003e\u003cbr\u003e- Joe Darling, International Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aquiles Navarro \u0026amp; Tcheser Holmes\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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NYのフリージャズ界隈で活躍してきたトランペット奏者Aquiles NavarroとパーカッショニストTcheser Holmesの共作がInternational Anthemよりリリース。スリリングなインプロ10曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":6578534056101,"title":"Dezron Douglas \u0026 Brandee Younger \/\/ Force Majeure LP","handle":"dezron-douglas-brandee-younger-force-majeure-lp","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eダブルベース奏者Dezron Douglasとハープ奏者\u003c\/span\u003e\u003cspan\u003eBrandee Youngerが\u003c\/span\u003e\u003cspan\u003eロックダウン中のNYで行ったリビングルームセッションの記録音源。マイク一本で録音した生々しく美しいスピリチュアルジャズカバー15曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4234383405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3140503179\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4234383405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=716170619\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4234383405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eForce Majeure is an uplifting suite of real, soulful comfort music – an album that cathartically encapsulates an all-too-familiar human experience of 2020. Featuring 11 pieces performed by bassist Dezron Douglas \u0026amp; harpist Brandee Younger across a series of live-streamed shows from their living room in Harlem, NY, the album was self-recorded by the duo using just a single microphone.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe same day Governor Andrew Cuomo shut down “non-essential” businesses throughout the state of New York, Douglas \u0026amp; Younger set up a window to the world that would prevail as a weekly musical reprieve over the devastating weeks and months to come. As the early effects of covid-19 plagued the citizens of New York City, Douglas \u0026amp; Younger did as we were all ordered to do — shelter-in-place. From their apartment in Harlem, their reflex as players and community-builders was immediate. Broadcasting via social media and spreading the word to friends and family, the duo hosted “Force Majeure: Brunch in the Crib with Brandee \u0026amp; Dezron,” a Friday morning live stream where they performed songs, said “hi” to friends tuning in, and passed a digital tip jar. The name “force majeure” — known to diligent contract-readers as a seldom-invoked bit of legalese that voids commitments in event of “extraordinary circumstances”\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e — was, for Douglas \u0026amp; Younger, a reference to the sudden loss of livelihood that they and their musician peers suffered in the wake of covid-19.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“We vowed to become a part of the resiliency of this city,” says Douglas. “You can take the work away, but you can’t stop musicians from being creative. Live streaming is just a part of it. The world as a whole saw that arts \u0026amp; entertainment is an integral and vital part of this ‘service’ city. We, musicians and creatives, are as essential to this city as the MTA is. The NYC community responded with love and honesty on a high level. Expression became vital for people to make it through the day and, at the same time, listening and watching expression became vital.”\"\u003c\/em\u003e\u003cbr\u003e- \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eJoe Darling \u0026amp; Scott McNiece, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dezron Douglas \u0026amp; Brandee Younger\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-03-16T10:54:04+09:00","created_at":"2021-03-16T09:11:51+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","international anthem","jazz","lp"],"price":332700,"price_min":332700,"price_max":332700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39389410164901,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dezron Douglas \u0026 Brandee Younger \/\/ Force Majeure LP","public_title":null,"options":["Default Title"],"price":332700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_c02a32ac-11a4-4ab6-93d8-023f08ff89ac.jpg?v=1615853513","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_9b209faf-9714-4439-b63c-ec13d63cbae8.jpg?v=1615853513"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_c02a32ac-11a4-4ab6-93d8-023f08ff89ac.jpg?v=1615853513","options":["Title"],"media":[{"alt":null,"id":20774372835493,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_c02a32ac-11a4-4ab6-93d8-023f08ff89ac.jpg?v=1615853513"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_c02a32ac-11a4-4ab6-93d8-023f08ff89ac.jpg?v=1615853513","width":700},{"alt":null,"id":20774372868261,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_9b209faf-9714-4439-b63c-ec13d63cbae8.jpg?v=1615853513"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_9b209faf-9714-4439-b63c-ec13d63cbae8.jpg?v=1615853513","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eダブルベース奏者Dezron Douglasとハープ奏者\u003c\/span\u003e\u003cspan\u003eBrandee Youngerが\u003c\/span\u003e\u003cspan\u003eロックダウン中のNYで行ったリビングルームセッションの記録音源。マイク一本で録音した生々しく美しいスピリチュアルジャズカバー15曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4234383405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3140503179\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4234383405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=716170619\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4234383405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eForce Majeure is an uplifting suite of real, soulful comfort music – an album that cathartically encapsulates an all-too-familiar human experience of 2020. Featuring 11 pieces performed by bassist Dezron Douglas \u0026amp; harpist Brandee Younger across a series of live-streamed shows from their living room in Harlem, NY, the album was self-recorded by the duo using just a single microphone.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe same day Governor Andrew Cuomo shut down “non-essential” businesses throughout the state of New York, Douglas \u0026amp; Younger set up a window to the world that would prevail as a weekly musical reprieve over the devastating weeks and months to come. As the early effects of covid-19 plagued the citizens of New York City, Douglas \u0026amp; Younger did as we were all ordered to do — shelter-in-place. From their apartment in Harlem, their reflex as players and community-builders was immediate. Broadcasting via social media and spreading the word to friends and family, the duo hosted “Force Majeure: Brunch in the Crib with Brandee \u0026amp; Dezron,” a Friday morning live stream where they performed songs, said “hi” to friends tuning in, and passed a digital tip jar. The name “force majeure” — known to diligent contract-readers as a seldom-invoked bit of legalese that voids commitments in event of “extraordinary circumstances”\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e — was, for Douglas \u0026amp; Younger, a reference to the sudden loss of livelihood that they and their musician peers suffered in the wake of covid-19.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“We vowed to become a part of the resiliency of this city,” says Douglas. “You can take the work away, but you can’t stop musicians from being creative. Live streaming is just a part of it. The world as a whole saw that arts \u0026amp; entertainment is an integral and vital part of this ‘service’ city. We, musicians and creatives, are as essential to this city as the MTA is. The NYC community responded with love and honesty on a high level. Expression became vital for people to make it through the day and, at the same time, listening and watching expression became vital.”\"\u003c\/em\u003e\u003cbr\u003e- \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eJoe Darling \u0026amp; Scott McNiece, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dezron Douglas \u0026amp; Brandee Younger\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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ダブルベース奏者Dezron Douglasとハープ奏者Brandee Youngerがロックダウン中のNYで行ったリビングルームセッションの記録音源。マイク一本で録音した生々しく美しいスピリチュアルジャズカバー15曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------...
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