kleistwahr // winter LP
kleistwahr // winter LP
¥2,890
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アメリカ・カリフォルニアの物音〜ドローン作家Jim Haynes主宰レーベルHelen Scarsdale Agencyが2021年7月にリリースする最新作を本邦初入荷しました。
本作は、後世に影響を与えたイギリスのパワーエレクトロニクス〜インダストリアル・レーベルBROKEN FLAG主宰Gary Mundyのソロプロジェクトkleistwahrが、2019年にリリースした10本組カセットに収録したトラックのヴァイナルカットです。荘厳なオルガンアンビエントドローンからギターノイズに発展する約20分の楽曲2曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Helen Scarsdale Agency releases available at Tobira.
---------------------------
"kleistwahr is the solo project of gary mundy, the legendary power electronic and noise-rock musician who is a founding member of ramleh and runs the highly influential broken flag label. solemn drones and elegiac long-form passages gird kleistwahr’s winter, which often chimes, glistens, and glows through a unhurried constructs for organ, synth, guitar, and electronics. yet mundy pivots throughout with triumphant explosions of shrill noise, redlined overload, and harrowingly anguished vocals from the great unknown. quintessential kleistwahr.
winter was originally published as part of the instantly out of print on corrosion - a 10 cassette anthology from 2019 that was housed in a handcrafted wooden box and featuring full albums from kleistwahr, neutral, pinkcourtesyphone, alice kemp, she spread sorrow, g*park, relay for death, francisco meirino, fossil aerosol mining project, and himukalt. the collection also stood as the 50th release for the helen scarsdale agency, an imprint founded in 2003 and dedicated to post-industrial research, recombinant noise, surrealist demolition, existential vacancy and then some."
artist : kleistwahr
アメリカ・カリフォルニアの物音〜ドローン作家Jim Haynes主宰レーベルHelen Scarsdale Agencyが2021年7月にリリースする最新作を本邦初入荷しました。
本作は、後世に影響を与えたイギリスのパワーエレクトロニクス〜インダストリアル・レーベルBROKEN FLAG主宰Gary Mundyのソロプロジェクトkleistwahrが、2019年にリリースした10本組カセットに収録したトラックのヴァイナルカットです。荘厳なオルガンアンビエントドローンからギターノイズに発展する約20分の楽曲2曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Helen Scarsdale Agency releases available at Tobira.
---------------------------
"kleistwahr is the solo project of gary mundy, the legendary power electronic and noise-rock musician who is a founding member of ramleh and runs the highly influential broken flag label. solemn drones and elegiac long-form passages gird kleistwahr’s winter, which often chimes, glistens, and glows through a unhurried constructs for organ, synth, guitar, and electronics. yet mundy pivots throughout with triumphant explosions of shrill noise, redlined overload, and harrowingly anguished vocals from the great unknown. quintessential kleistwahr.
winter was originally published as part of the instantly out of print on corrosion - a 10 cassette anthology from 2019 that was housed in a handcrafted wooden box and featuring full albums from kleistwahr, neutral, pinkcourtesyphone, alice kemp, she spread sorrow, g*park, relay for death, francisco meirino, fossil aerosol mining project, and himukalt. the collection also stood as the 50th release for the helen scarsdale agency, an imprint founded in 2003 and dedicated to post-industrial research, recombinant noise, surrealist demolition, existential vacancy and then some."
artist : kleistwahr
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Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. sonuna kadar 06:14\u003cbr\u003e2. stone cold 07:49\u003cbr\u003e3. reflection 06:06\u003cbr\u003e4. sleepwalkers 08:55\u003cbr\u003e5. gone gone 10:35\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ethe drone-pop consternations of ekin fil emerge through vaporous tone and forlorn, distant song, as if plucked from a dream. these exist on their own accord, moving with their own internal logic of an emotion heaviness that belies any the passing observation of this as mere shoegazing ambience. her songs, her compositions find themselves adjacent the fragmented etherealization of 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Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. sonuna kadar 06:14\u003cbr\u003e2. stone cold 07:49\u003cbr\u003e3. reflection 06:06\u003cbr\u003e4. sleepwalkers 08:55\u003cbr\u003e5. gone gone 10:35\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ethe drone-pop consternations of ekin fil emerge through vaporous tone and forlorn, distant song, as if plucked from a dream. these exist on their own accord, moving with their own internal logic of an emotion heaviness that belies any the passing observation of this as mere shoegazing ambience. her songs, her compositions find themselves adjacent the fragmented etherealization of elisabeth fraser's voice from a forgotten scene of a particular david lynch film, as a asmr trigger for proustian recollection. something profound. something hidden. something desolately sad.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe helen scarsdale agency has had the pleasure of witnessing ekin's continued development, maturation, and growth as a composer, having released now seven of her magnificent, under-the-radar gems. her slow burning, dejected ballads continue to draw from the deep well of sorrow, with varying frequencies and intensities of bitter light poking through. loves lost. a world broken. all is not hopeless, but there is a considerable amount of shit to wade through.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003esleepwalkers embraces a familiar set of metaphors in her work, that of narcolepsy and the unsettled state of existence between sleep and being awake. but she stretches herself with a set of compositions that run parallel to the work of tim hecker as in the gravitation soft-noise of \"stone cold\" or to a slow motion serialism that punctuates the ambient crawl of her ambitious \"gone gone.\" recommended for fans of grouper, rafael anton irisarri, a.c. marias, and carla dal forno.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : ekin fil\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003ehms074\u003c\/span\u003e\u003c\/p\u003e"}
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トルコ・イスタンブールのアンビエントドローン・ポップ作家Ekin Filが、2024年6月にアメリカの実験音楽家Jim Haynes主宰レーベルHelen Scarsdale Agencyからリリースしたレコードです。 濃霧を彷徨うかのような朧げなアンビエントドローン・ポップ5曲を収録。DLコード付属。 彼女の作品の中で最もアンビエント寄りの一枚です。 レーベルその他作品はこちら /// Click here to see more Helen Scarsdale Agency...
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{"id":8135690518778,"title":"Jim Haynes \/\/ inauspicious LP","handle":"jim-haynes-inauspicious-lp","description":"\u003cp\u003eアメリカ・CAのポストインダストリアルレーベルHelen Scarsdale主宰Jim Haynesが、2023年12月に200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eモーターやエレクトロニクス、短波ラジオなどを用いた終始低空飛行のドローンスケープ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bU_UntC_eXI?si=3lcnagmYxQGQAB6g\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/i7bN7MN0-JE?si=DwGdz0LRK99udQnq\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Helen Scarsdale Agency releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003evariant, number fourteen 20:03\u003c\/li\u003e\n\u003cli\u003evariant, number fifteen 20:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ein a recent interview, the california artist jim haynes was asked to name his top five noise albums. in quick fashion, he listed off kill the king, send, desnos, persona, and carcinosi. since then, he's equivocated on which albums to choose, but the artists behind such works remain as the adjacent signposts and landmarks to his own constructions of industrial noise. how those records connect to the output from haynes is found in their unique combination of smoldering dynamism and psychological inquest. for over twenty five years, haynes has been an autodidactic clinician into the processes of corrosion, decay, and rust, turning his attention away from visual practices and more to the metaphoric crucible of noise and sound. by now, it seems like a cliche that the pandemic changed everything; but since that viral encroachment, there is a noticeable shift in haynes' work post 2020. it's more aggressive and yet more controlled: a rarification and telescoping of the research into decay for more potent noise and more potent metaphor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe tools for haynes' work remain limited: motors, electronics, shortwave radio, found objects, all applied with considerable pressure. compositionally, inauspicious is a very rough moire pattern from overlapping elliptical structures that can\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e negate and obfuscate just as easily as they can compound and aggregate. the album surges and collapses upon the two twenty minute chunks of controlled noise that follow an internal logic that snakes from brooding power drones, spectral radio transmission, and an aktionist demolition cast upon metal, glass, and unfortunate wooden objects. rupture and release. purge and pulse.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : jim haynes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : H\u003cmeta charset=\"utf-8\"\u003eelen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-01-15T15:05:39+09:00","created_at":"2024-01-14T14:43:40+09:00","vendor":"Tobira Records","type":"","tags":["drone","Helen Scarsdale Agency","lp","new"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44993311932666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jim Haynes \/\/ inauspicious LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2df16cae-7308-4445-b6bd-e8c50508f62b.jpg?v=1705211022","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_981cf7bf-f8d7-454a-95a3-9cac76c2f0a4.jpg?v=1705211022"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2df16cae-7308-4445-b6bd-e8c50508f62b.jpg?v=1705211022","options":["Title"],"media":[{"alt":null,"id":32974300152058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2df16cae-7308-4445-b6bd-e8c50508f62b.jpg?v=1705211022"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_2df16cae-7308-4445-b6bd-e8c50508f62b.jpg?v=1705211022","width":700},{"alt":null,"id":32974300184826,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_981cf7bf-f8d7-454a-95a3-9cac76c2f0a4.jpg?v=1705211022"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_981cf7bf-f8d7-454a-95a3-9cac76c2f0a4.jpg?v=1705211022","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・CAのポストインダストリアルレーベルHelen Scarsdale主宰Jim Haynesが、2023年12月に200部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eモーターやエレクトロニクス、短波ラジオなどを用いた終始低空飛行のドローンスケープ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bU_UntC_eXI?si=3lcnagmYxQGQAB6g\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/i7bN7MN0-JE?si=DwGdz0LRK99udQnq\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Helen Scarsdale Agency releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003evariant, number fourteen 20:03\u003c\/li\u003e\n\u003cli\u003evariant, number fifteen 20:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003ein a recent interview, the california artist jim haynes was asked to name his top five noise albums. in quick fashion, he listed off kill the king, send, desnos, persona, and carcinosi. since then, he's equivocated on which albums to choose, but the artists behind such works remain as the adjacent signposts and landmarks to his own constructions of industrial noise. how those records connect to the output from haynes is found in their unique combination of smoldering dynamism and psychological inquest. for over twenty five years, haynes has been an autodidactic clinician into the processes of corrosion, decay, and rust, turning his attention away from visual practices and more to the metaphoric crucible of noise and sound. by now, it seems like a cliche that the pandemic changed everything; but since that viral encroachment, there is a noticeable shift in haynes' work post 2020. it's more aggressive and yet more controlled: a rarification and telescoping of the research into decay for more potent noise and more potent metaphor.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe tools for haynes' work remain limited: motors, electronics, shortwave radio, found objects, all applied with considerable pressure. compositionally, inauspicious is a very rough moire pattern from overlapping elliptical structures that can\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e negate and obfuscate just as easily as they can compound and aggregate. the album surges and collapses upon the two twenty minute chunks of controlled noise that follow an internal logic that snakes from brooding power drones, spectral radio transmission, and an aktionist demolition cast upon metal, glass, and unfortunate wooden objects. rupture and release. purge and pulse.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : jim haynes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : H\u003cmeta charset=\"utf-8\"\u003eelen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・CAのポストインダストリアルレーベルHelen Scarsdale主宰Jim Haynesが、2023年12月に200部限定でリリースしたレコードです。 モーターやエレクトロニクス、短波ラジオなどを用いた終始低空飛行のドローンスケープ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Helen Scarsdale Agency releases available at...
¥3,480
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{"id":8043313365242,"title":"she spread sorrow \/\/ orchid seeds LP","handle":"she-spread-sorrow-orchid-seeds-12","description":"\u003cp\u003eイタリアのポストインダストリアル作家she spread sorrowが、2023年10月にアメリカ・テキサスの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eHelen Scarsdale Agencyからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e不穏な空気に包まれたポストインダストリアル・ストレンジビーツ〜ダークアンビエント5曲を収録。DLコードとインサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4084615121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Helen Scarsdale Agency releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ethe solitude in the giant house 07:25\u003c\/li\u003e\n\u003cli\u003estar 07:49\u003c\/li\u003e\n\u003cli\u003eshe didn't care 05:49\u003c\/li\u003e\n\u003cli\u003equeen of guilt 07:36\u003c\/li\u003e\n\u003cli\u003ethe fortune of others 07:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eshe spread sorrow is the work of italian industrialist alice kundalini. in her sparse and grimly atmospheric applications of noise, tone, and electronic sequencing, she spread sorrow expresses a volatile emotional core that speaks to abuse and repression with an unblinking candidness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eorchid seeds was originally published as part of the instantly out of print on corrosion - a 10 cassette anthology from 2019 that was housed in a handcrafted wooden box and featuring full albums from kleistwahr, neutral, pinkcourtesyphone, alice kemp, she spread sorrow, g*park, relay for death, francisco meirino, fossil aerosol mining project, and himukalt. the collection also stood as the 50th release for the helen scarsdale agency, an imprint founded in 2003 and dedicated to post-industrial research, recombinant noise, surrealist demolition, existential vacancy and then some.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ekundalini’s signature whispered vocals once again beckons her audience closer on orchid seeds. kundalini states that the album, “is about 5 different women of my family. each track is about one of them with their difficult story and strengths. my family is totally destroyed now, no relation between anyone, but in the past there was a strong tradition of women with interesting personalities.” this sibilant allegorical history comes into focus amidst a claustrophobic and cinematic pall of dark ambient blight and death industrial torpor.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist: she spread sorrow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-22T08:01:38+09:00","created_at":"2023-10-21T13:29:05+09:00","vendor":"Tobira Records","type":"","tags":["drone","Helen Scarsdale Agency","lp","new","strange beats"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44663120494842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"she spread sorrow \/\/ orchid seeds LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sh1_b013ec2d-7d61-4aff-b5d1-8c707d538325.jpg?v=1697862548","\/\/tobirarecords.com\/cdn\/shop\/files\/sh2_f46f2dbb-44f9-4890-b498-e804c89a2966.jpg?v=1697862548","\/\/tobirarecords.com\/cdn\/shop\/files\/she2_2b9c430a-7b57-473c-8c85-5556225da1d6.jpg?v=1697862547","\/\/tobirarecords.com\/cdn\/shop\/files\/0033579160_10.jpg?v=1697928815"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sh1_b013ec2d-7d61-4aff-b5d1-8c707d538325.jpg?v=1697862548","options":["Title"],"media":[{"alt":null,"id":32585092038906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sh1_b013ec2d-7d61-4aff-b5d1-8c707d538325.jpg?v=1697862548"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sh1_b013ec2d-7d61-4aff-b5d1-8c707d538325.jpg?v=1697862548","width":700},{"alt":null,"id":32585092071674,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sh2_f46f2dbb-44f9-4890-b498-e804c89a2966.jpg?v=1697862548"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sh2_f46f2dbb-44f9-4890-b498-e804c89a2966.jpg?v=1697862548","width":1200},{"alt":null,"id":32585092104442,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/she2_2b9c430a-7b57-473c-8c85-5556225da1d6.jpg?v=1697862547"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/she2_2b9c430a-7b57-473c-8c85-5556225da1d6.jpg?v=1697862547","width":1200},{"alt":null,"id":32588355043578,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033579160_10.jpg?v=1697928815"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033579160_10.jpg?v=1697928815","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのポストインダストリアル作家she spread sorrowが、2023年10月にアメリカ・テキサスの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eHelen Scarsdale Agencyからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e不穏な空気に包まれたポストインダストリアル・ストレンジビーツ〜ダークアンビエント5曲を収録。DLコードとインサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4084615121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Helen Scarsdale Agency releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ethe solitude in the giant house 07:25\u003c\/li\u003e\n\u003cli\u003estar 07:49\u003c\/li\u003e\n\u003cli\u003eshe didn't care 05:49\u003c\/li\u003e\n\u003cli\u003equeen of guilt 07:36\u003c\/li\u003e\n\u003cli\u003ethe fortune of others 07:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eshe spread sorrow is the work of italian industrialist alice kundalini. in her sparse and grimly atmospheric applications of noise, tone, and electronic sequencing, she spread sorrow expresses a volatile emotional core that speaks to abuse and repression with an unblinking candidness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eorchid seeds was originally published as part of the instantly out of print on corrosion - a 10 cassette anthology from 2019 that was housed in a handcrafted wooden box and featuring full albums from kleistwahr, neutral, pinkcourtesyphone, alice kemp, she spread sorrow, g*park, relay for death, francisco meirino, fossil aerosol mining project, and himukalt. the collection also stood as the 50th release for the helen scarsdale agency, an imprint founded in 2003 and dedicated to post-industrial research, recombinant noise, surrealist demolition, existential vacancy and then some.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ekundalini’s signature whispered vocals once again beckons her audience closer on orchid seeds. kundalini states that the album, “is about 5 different women of my family. each track is about one of them with their difficult story and strengths. my family is totally destroyed now, no relation between anyone, but in the past there was a strong tradition of women with interesting personalities.” this sibilant allegorical history comes into focus amidst a claustrophobic and cinematic pall of dark ambient blight and death industrial torpor.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist: she spread sorrow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアのポストインダストリアル作家she spread sorrowが、2023年10月にアメリカ・テキサスの実験／ノイズレーベルHelen Scarsdale Agencyからリリースしたレコードです。 不穏な空気に包まれたポストインダストリアル・ストレンジビーツ〜ダークアンビエント5曲を収録。DLコードとインサート付属。 レーベルその他作品はこちら /// Click here to see more Helen Scarsdale Agency releases...
¥3,680
クイックビュー
{"id":7978355622138,"title":"murmer \/\/ tether LP","handle":"murmer-tether-lp","description":"\u003cp\u003eアメリカ／エストニアの実験音楽家／フィールドレコーディング作家murmerが、2023年5月に同国テキサスの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eHelen Scarsdale Agencyから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングによるロングフォームなローエンド・ドローン〜物音ドローン2曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"2006年、エストニア南東部のムーステにある携帯電話電波塔で録音したコレクションを制作しました。高さ80メートルのガイディング・タワーで、3つの支点に重いケーブルで固定されています。このケーブルに自作のコンタクトマイクをポスタータックで取り付け、風や天候の変化（夏でした）、タワーやケーブルの上を通過したり定住したりする鳥たちを、数週間にわたって何時間もかけて記録しました。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eタワーにはフェンスもプロテクションもなく、田舎の未舗装道路沿いの背の高い草原の真ん中に、近くの数軒の家からは見えないように建っていました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e16年以上前から、私はこの場所と録音について考え続けてきました。何度かインスタレーションに使用したり、Aporee Soundmapsに短い編集をアップロードしたことはありますが、作曲した作品に使用することはできませんでした。単体で置いても、他の音と組み合わせても、私が提供できるどんな構造に対しても、それらはいつも大きすぎるように思えました。そして2019年、長年にわたって置いては拾い、置いては拾いを繰り返してきたそれらの素材は、私が提供できるものに満足するまでさらに数年かかったものの、私を受け入れてくれたようです。この作品のレイヤーサウンドの大部分は、これらのケーブル録音を様々に編集したものですが、私は他に2つの対照的な音を加えました。1つは、マイクを入れたプラスチックのケーキ箱に繊細に降り注ぐ雪、もう1つは、軽く暖まった秋の朝に解凍された草の霜のついた畑です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのケーブルの音を聴いていると、これまで一緒に過ごし、録音しながらも戻ってこなかった風の音がたくさん浮かんできて、それらを探してアーカイブを掘り起こすようになりました。その結果、ワイヤー、ケーブル、フェンス、ポール、ファン、通気口などの共鳴音を集め、それが今回の第2作のベースとなりました。1999年、北ロンドンで働いていたパブのビールクーラーのリズミカルなファンの音です。この作品には、2008年にフランスの北海岸で録音した別の電話塔、2010年にボジョレー地方で録音した電柱、2012年にスロベニアのテズノの工場で録音した換気扇のドローン、2013年にスコットランドの国境にある電気羊柵、2016年にフィンランドのロヴァニエミの倉庫にある吊りワイヤー、ケーブルや風とは全く関係ないが2019年にエストニアで電気ケトルの内部から洗浄中のカルシウム付着物が、その他の音として含まれています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの2つの新作を、2018年以来のソロ出版として提供します、 また、2016年以来、初めて物理的な媒体でリリースします。私は、自分の作品を「完成した」と考える前に、作品の周りに物理的な時間の空間を残す必要があるようです。おそらくそれは、自分がどのように何かをしたのか、あるいは何かをしたことを忘れるという単純な欲求なのでしょう。また、初めて聴く人のように作品を聴くことができなければ、そのような出会いの準備ができたとは思えないのです。心のどこかで、その作品を手放す前に忘れてしまわなければならないのです。ロンドンのビールクーラーも、ボジョレーを歩いたことも（今は亡き父と）、ボーダーズのキャンプ場の隣にあった羊の柵も、水漏れしているケトルも、もう忘れようとしています。だから、今がその時なのだと思います。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4142793949\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Helen Scarsdale Agency releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003emurmer is the long-standing project of american\/estonian field recordist and composer patrick mcginley, and with tether, the helen scarsdale agency welcomes murmer back to our roster, over a decade since he graced us with his last production for the agency. his field recordings often center upon the amplification and activation of resonance from a particular space, landscape, or object. such sounds emerge from a condition as being fleeting, inconsequential, or ephemeral and explode into that which is alien, sublime, and profound. here lies the tremendous prowess of the contact microphone, as wielded by an accomplished musician! the source material cited by mcginley includes cables, fences, wires, and vents.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethere is a heft to many of these sounds as heard throughout all of \"taevast\" with deep throbbing pulsations from arctic wind generating subharmonic patterns upon thick high-tension wires. elsewhere the subtle dissonance from a rasping cooling fan blooms into a brooding ambience that is sublimely rich in its metallic timbres and complex reverberations. mcginley has long been an exemplary artist in the field of phonography even as he is less prolific than others. on tether, he has produced a majestic if occasionally foreboding work on par with the mythic wire recordings of alan lamb, jacob kirkegaard's haunted resonance from chernobyl, and much of the touch catalogue for that matter!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePatrick McGinley :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In 2006, I made a collection of recordings at a mobile phone mast in Mooste, southeast Estonia. It is a guyed tower, 80 meters tall, affixed to 3 support points with heavy cables. I attached my self-made contact microphones to these cables with poster tack, and spent many hours over several weeks recording the various wind and weather variances (it was summer), and the birds that passed or settled on the tower or cables.\u003cbr\u003eThis was one of my first visits to Estonia, where I now live, and one of the things that marked me about that experience was the access: the tower had no fences or protections around it (I have not been back there recently to answer my own question of whether or not this is still the case); it stands in the middle of a field of tall grass along a dirt road in the countryside, just out of view of the few nearby houses, and during all the hours I spent there I was never disturbed or shooed away.\u003cbr\u003e\u003cbr\u003eFor more than 16 years, I have been thinking about this location and these recordings, and have made several attempts to work with them. I have used the sounds in installations a handful of times, and uploaded one short edit to the Aporee Soundmaps, but have never managed to use them in any composed work. They always seemed too big for any structure I could provide them, whether I left them on their own, or partnered them with other sounds. Finally, in 2019, after putting them down and picking them up again repeatedly over so many years, they seemed to allow me in, although it took me another few years before they were happy with what I could offer. They stand now not quite alone - the majority of the layered sounds in the piece come from various edits of those cable recordings, but I added two other contrasting sounds, related to one another: one is snowflakes landing delicately on a plastic cakebox with microphones inside it, and the other is a frosted field of grass thawing on a lightly warming autumn morning (both these recordings can also be heard on their own on Aporee).\u003cbr\u003e\u003cbr\u003eComing back to those cables brought to mind so many other wind-driven sounds that I had spent time with and recorded, but never returned to, that I began digging through my archives looking for them. I ended up with a pool of sounds from resonant wires, cables, fences, poles, fans, and vents, which became the basis for the 2nd work on this release. One of these sounds is among the first sounds I ever recorded, possibly within a month or so of buying my first microphone and minidisc recorder: the rhythmic fan of a beer cooler in a pub where I worked in North London in 1999. Other sounds in the piece include another phone tower, recorded on the northern coast of France in 2008, a telephone pole recorded in the Beaujolais region in 2010, the drone of ventilator fans at a factory in Tezno, Slovenia in 2012, an electric sheep fence in the Scottish Borders in 2013, a hanging wire in a storage space in Rovaniemi, Finland in 2016, and, with no relation to cables or wind at all, calcium deposits being cleaned from the inside of an electric kettle here in Estonia in 2019.\u003cbr\u003e\u003cbr\u003eI offer these two new pieces as my first solo publication since 2018, the first release on a physical medium since 2016. No one has ever accused me of working too fast, or being too prolific. I have a need, it seems, to leave a physical space of time around my work, before I can consider it 'finished'. Perhaps it is a simple need to forget how I did something, or *that* I did something; perhaps I have a need to be able to hear a work as a first-time listener would, before I can consider it ready for such an encounter. In some part of my mind I have to forget it before I can let it go. Well, I've just about forgotten that London beer cooler now, and that walk in the Beaujolais (with my father, who has since passed away), and that sheep fence next to our campsite in the Borders, and that kettle that is now leaky. So I guess it's time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : murmer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-24T15:48:50+09:00","created_at":"2023-05-24T15:24:57+09:00","vendor":"Tobira Records","type":"","tags":["drone","field recording","Helen Scarsdale Agency","lp","monooto"],"price":335000,"price_min":335000,"price_max":335000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44250545684730,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"murmer \/\/ tether LP","public_title":null,"options":["Default Title"],"price":335000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499","\/\/tobirarecords.com\/cdn\/shop\/files\/te2_6e176f8a-0ec5-4c03-a88a-34c99053efdf.jpg?v=1684909499"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499","options":["Title"],"media":[{"alt":null,"id":32011517952250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te1_3edaae9a-1a26-463f-893a-46ff4a02b27e.jpg?v=1684909499","width":700},{"alt":null,"id":32011518017786,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te2_6e176f8a-0ec5-4c03-a88a-34c99053efdf.jpg?v=1684909499"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/te2_6e176f8a-0ec5-4c03-a88a-34c99053efdf.jpg?v=1684909499","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ／エストニアの実験音楽家／フィールドレコーディング作家murmerが、2023年5月に同国テキサスの実験／ノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eHelen Scarsdale Agencyから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングによるロングフォームなローエンド・ドローン〜物音ドローン2曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cem\u003e\"2006年、エストニア南東部のムーステにある携帯電話電波塔で録音したコレクションを制作しました。高さ80メートルのガイディング・タワーで、3つの支点に重いケーブルで固定されています。このケーブルに自作のコンタクトマイクをポスタータックで取り付け、風や天候の変化（夏でした）、タワーやケーブルの上を通過したり定住したりする鳥たちを、数週間にわたって何時間もかけて記録しました。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eタワーにはフェンスもプロテクションもなく、田舎の未舗装道路沿いの背の高い草原の真ん中に、近くの数軒の家からは見えないように建っていました。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e16年以上前から、私はこの場所と録音について考え続けてきました。何度かインスタレーションに使用したり、Aporee Soundmapsに短い編集をアップロードしたことはありますが、作曲した作品に使用することはできませんでした。単体で置いても、他の音と組み合わせても、私が提供できるどんな構造に対しても、それらはいつも大きすぎるように思えました。そして2019年、長年にわたって置いては拾い、置いては拾いを繰り返してきたそれらの素材は、私が提供できるものに満足するまでさらに数年かかったものの、私を受け入れてくれたようです。この作品のレイヤーサウンドの大部分は、これらのケーブル録音を様々に編集したものですが、私は他に2つの対照的な音を加えました。1つは、マイクを入れたプラスチックのケーキ箱に繊細に降り注ぐ雪、もう1つは、軽く暖まった秋の朝に解凍された草の霜のついた畑です。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのケーブルの音を聴いていると、これまで一緒に過ごし、録音しながらも戻ってこなかった風の音がたくさん浮かんできて、それらを探してアーカイブを掘り起こすようになりました。その結果、ワイヤー、ケーブル、フェンス、ポール、ファン、通気口などの共鳴音を集め、それが今回の第2作のベースとなりました。1999年、北ロンドンで働いていたパブのビールクーラーのリズミカルなファンの音です。この作品には、2008年にフランスの北海岸で録音した別の電話塔、2010年にボジョレー地方で録音した電柱、2012年にスロベニアのテズノの工場で録音した換気扇のドローン、2013年にスコットランドの国境にある電気羊柵、2016年にフィンランドのロヴァニエミの倉庫にある吊りワイヤー、ケーブルや風とは全く関係ないが2019年にエストニアで電気ケトルの内部から洗浄中のカルシウム付着物が、その他の音として含まれています。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e私はこの2つの新作を、2018年以来のソロ出版として提供します、 また、2016年以来、初めて物理的な媒体でリリースします。私は、自分の作品を「完成した」と考える前に、作品の周りに物理的な時間の空間を残す必要があるようです。おそらくそれは、自分がどのように何かをしたのか、あるいは何かをしたことを忘れるという単純な欲求なのでしょう。また、初めて聴く人のように作品を聴くことができなければ、そのような出会いの準備ができたとは思えないのです。心のどこかで、その作品を手放す前に忘れてしまわなければならないのです。ロンドンのビールクーラーも、ボジョレーを歩いたことも（今は亡き父と）、ボーダーズのキャンプ場の隣にあった羊の柵も、水漏れしているケトルも、もう忘れようとしています。だから、今がその時なのだと思います。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4142793949\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hsa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hsa\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Helen Scarsdale Agency releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 12\" black vinyl. Edition of 200.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHelen Scarsdale Agency:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003emurmer is the long-standing project of american\/estonian field recordist and composer patrick mcginley, and with tether, the helen scarsdale agency welcomes murmer back to our roster, over a decade since he graced us with his last production for the agency. his field recordings often center upon the amplification and activation of resonance from a particular space, landscape, or object. such sounds emerge from a condition as being fleeting, inconsequential, or ephemeral and explode into that which is alien, sublime, and profound. here lies the tremendous prowess of the contact microphone, as wielded by an accomplished musician! the source material cited by mcginley includes cables, fences, wires, and vents.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethere is a heft to many of these sounds as heard throughout all of \"taevast\" with deep throbbing pulsations from arctic wind generating subharmonic patterns upon thick high-tension wires. elsewhere the subtle dissonance from a rasping cooling fan blooms into a brooding ambience that is sublimely rich in its metallic timbres and complex reverberations. mcginley has long been an exemplary artist in the field of phonography even as he is less prolific than others. on tether, he has produced a majestic if occasionally foreboding work on par with the mythic wire recordings of alan lamb, jacob kirkegaard's haunted resonance from chernobyl, and much of the touch catalogue for that matter!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePatrick McGinley :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In 2006, I made a collection of recordings at a mobile phone mast in Mooste, southeast Estonia. It is a guyed tower, 80 meters tall, affixed to 3 support points with heavy cables. I attached my self-made contact microphones to these cables with poster tack, and spent many hours over several weeks recording the various wind and weather variances (it was summer), and the birds that passed or settled on the tower or cables.\u003cbr\u003eThis was one of my first visits to Estonia, where I now live, and one of the things that marked me about that experience was the access: the tower had no fences or protections around it (I have not been back there recently to answer my own question of whether or not this is still the case); it stands in the middle of a field of tall grass along a dirt road in the countryside, just out of view of the few nearby houses, and during all the hours I spent there I was never disturbed or shooed away.\u003cbr\u003e\u003cbr\u003eFor more than 16 years, I have been thinking about this location and these recordings, and have made several attempts to work with them. I have used the sounds in installations a handful of times, and uploaded one short edit to the Aporee Soundmaps, but have never managed to use them in any composed work. They always seemed too big for any structure I could provide them, whether I left them on their own, or partnered them with other sounds. Finally, in 2019, after putting them down and picking them up again repeatedly over so many years, they seemed to allow me in, although it took me another few years before they were happy with what I could offer. They stand now not quite alone - the majority of the layered sounds in the piece come from various edits of those cable recordings, but I added two other contrasting sounds, related to one another: one is snowflakes landing delicately on a plastic cakebox with microphones inside it, and the other is a frosted field of grass thawing on a lightly warming autumn morning (both these recordings can also be heard on their own on Aporee).\u003cbr\u003e\u003cbr\u003eComing back to those cables brought to mind so many other wind-driven sounds that I had spent time with and recorded, but never returned to, that I began digging through my archives looking for them. I ended up with a pool of sounds from resonant wires, cables, fences, poles, fans, and vents, which became the basis for the 2nd work on this release. One of these sounds is among the first sounds I ever recorded, possibly within a month or so of buying my first microphone and minidisc recorder: the rhythmic fan of a beer cooler in a pub where I worked in North London in 1999. Other sounds in the piece include another phone tower, recorded on the northern coast of France in 2008, a telephone pole recorded in the Beaujolais region in 2010, the drone of ventilator fans at a factory in Tezno, Slovenia in 2012, an electric sheep fence in the Scottish Borders in 2013, a hanging wire in a storage space in Rovaniemi, Finland in 2016, and, with no relation to cables or wind at all, calcium deposits being cleaned from the inside of an electric kettle here in Estonia in 2019.\u003cbr\u003e\u003cbr\u003eI offer these two new pieces as my first solo publication since 2018, the first release on a physical medium since 2016. No one has ever accused me of working too fast, or being too prolific. I have a need, it seems, to leave a physical space of time around my work, before I can consider it 'finished'. Perhaps it is a simple need to forget how I did something, or *that* I did something; perhaps I have a need to be able to hear a work as a first-time listener would, before I can consider it ready for such an encounter. In some part of my mind I have to forget it before I can let it go. Well, I've just about forgotten that London beer cooler now, and that walk in the Beaujolais (with my father, who has since passed away), and that sheep fence next to our campsite in the Borders, and that kettle that is now leaky. So I guess it's time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : murmer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helen Scarsdale Agency\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ／エストニアの実験音楽家／フィールドレコーディング作家murmerが、2023年5月に同国テキサスの実験／ノイズレーベルHelen Scarsdale Agencyから200部限定でリリースしたレコードです。 フィールドレコーディングによるロングフォームなローエンド・ドローン〜物音ドローン2曲を収録。DLコード付属。 以下、作家本人による解説です。 "2006年、エストニア南東部のムーステにある携帯電話電波塔で録音したコレクションを制作しました。高さ80メートルのガイディング・タワーで、3つの支点に重いケーブルで固定されています。このケーブルに自作のコンタクトマイクをポスタータックで取り付け、風や天候の変化（夏でした）、タワーやケーブルの上を通過したり定住したりする鳥たちを、数週間にわたって何時間もかけて記録しました。タワーにはフェンスもプロテクションもなく、田舎の未舗装道路沿いの背の高い草原の真ん中に、近くの数軒の家からは見えないように建っていました。16年以上前から、私はこの場所と録音について考え続けてきました。何度かインスタレーションに使用したり、Aporee Soundmapsに短い編集をアップロードしたことはありますが、作曲した作品に使用することはできませんでした。単体で置いても、他の音と組み合わせても、私が提供できるどんな構造に対しても、それらはいつも大きすぎるように思えました。そして2019年、長年にわたって置いては拾い、置いては拾いを繰り返してきたそれらの素材は、私が提供できるものに満足するまでさらに数年かかったものの、私を受け入れてくれたようです。この作品のレイヤーサウンドの大部分は、これらのケーブル録音を様々に編集したものですが、私は他に2つの対照的な音を加えました。1つは、マイクを入れたプラスチックのケーキ箱に繊細に降り注ぐ雪、もう1つは、軽く暖まった秋の朝に解凍された草の霜のついた畑です。このケーブルの音を聴いていると、これまで一緒に過ごし、録音しながらも戻ってこなかった風の音がたくさん浮かんできて、それらを探してアーカイブを掘り起こすようになりました。その結果、ワイヤー、ケーブル、フェンス、ポール、ファン、通気口などの共鳴音を集め、それが今回の第2作のベースとなりました。1999年、北ロンドンで働いていたパブのビールクーラーのリズミカルなファンの音です。この作品には、2008年にフランスの北海岸で録音した別の電話塔、2010年にボジョレー地方で録音した電柱、2012年にスロベニアのテズノの工場で録音した換気扇のドローン、2013年にスコットランドの国境にある電気羊柵、2016年にフィンランドのロヴァニエミの倉庫にある吊りワイヤー、ケーブルや風とは全く関係ないが2019年にエストニアで電気ケトルの内部から洗浄中のカルシウム付着物が、その他の音として含まれています。私はこの2つの新作を、2018年以来のソロ出版として提供します、 また、2016年以来、初めて物理的な媒体でリリースします。私は、自分の作品を「完成した」と考える前に、作品の周りに物理的な時間の空間を残す必要があるようです。おそらくそれは、自分がどのように何かをしたのか、あるいは何かをしたことを忘れるという単純な欲求なのでしょう。また、初めて聴く人のように作品を聴くことができなければ、そのような出会いの準備ができたとは思えないのです。心のどこかで、その作品を手放す前に忘れてしまわなければならないのです。ロンドンのビールクーラーも、ボジョレーを歩いたことも（今は亡き父と）、ボーダーズのキャンプ場の隣にあった羊の柵も、水漏れしているケトルも、もう忘れようとしています。だから、今がその時なのだと思います。" レーベルその他作品はこちら /// Click here to see more Helen Scarsdale...
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