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クイックビュー {"id":8124534194426,"title":"Eric Chenaux \/\/ Hello Eyes TAPE","handle":"eric-chenaux-hello-eyes-tape-1","description":"\u003cp\u003eフランスのギタリストEric Chenauxが、2022年8月にアメリカの実験／ポップレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eULYSSA\u003c\/span\u003eから100本限定でリリースした最新カセットです。\u003c\/p\u003e\n\u003cp\u003e絶妙なサイケ感を持つアヴァンフォーク〜トージャズ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3409193545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003ehere\u003c\/a\u003e to see more ULYSSA releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHello Eyes 08:26\u003c\/li\u003e\n\u003cli\u003eFilthy Swing 04:18\u003c\/li\u003e\n\u003cli\u003eCourtyard Tropics 1 08:56\u003c\/li\u003e\n\u003cli\u003eCourtyard Tropics 2 04:34\u003c\/li\u003e\n\u003cli\u003eBetting Lady 03:52\u003c\/li\u003e\n\u003cli\u003e5 Intros and Spring 06:30\u003c\/li\u003e\n\u003cli\u003eThe Last Fuzz 06:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eULYSSA:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEric Chenaux calls the music he makes “filthy swing,” which is also the title of a song in this new collection, ‘Hello Eyes.’ “And by filthy, I mean that the notes, phrases and melodies have a lot of noise, or extra bits, within them — noise that acts as kind of an ornament,” Chenaux wrote to us in a letter earlier this summer. “Filthy because it is not cleaned up.” In over a decade of listening to his music, we have never described it as “filthy.” We’ve called his jazz adjacent pieces “uncertain,” “woozy” and “wobbly.” On one of the many slow and drifting winter holidays spent listening to his 2015 album ‘Skullsplitter,’ we described the title track as “winelogged.” Usually these songs come accompanied with his high and breathy croon, as if Nick Drake had dedicated his career to inhabiting ‘Chet Baker Sings.’ That glorious voice is mostly absent on the musical travelogue that is ‘Hello Eyes,’ giving us more time to focus on this so-called “filthy swing.” The track “Filthy Swing” is a field recording of a band playing swing music in the square in Tarni, Italy over which Chenaux has offered just the ghost of his off-kilter guitar, one’s ear grasping at what is there and wondering what is not there at all. It is a haunting. The head-nodding title track is an homage to the artist Erykah Badu by way of Palace’s ‘Arise, Therefore,’ a curious and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e unsteady lead substituting for Badu’s voice. It’s a fittingly cheeky and playful tribute to one of the finest artists of the last 30 years. ‘Hello Eyes’ is not smooth, immediately lovable music. It resists our desire to smash that like button. It is craggy, pockmarked jazz. It sounds at odds with the modern aesthetic. It sounds like The Ghost of Christmas Past, warts and all, clamoring after us, showing us a type beauty we have sadly forgotten.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eric Chenaux\u003c\/p\u003e\n\u003cp\u003eLabel : ULYSSA\u003c\/p\u003e","published_at":"2024-01-03T13:22:53+09:00","created_at":"2024-01-01T18:22:28+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","jazz","new","tape","ulyssa"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44947319423226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Eric Chenaux \/\/ Hello Eyes TAPE","public_title":null,"options":["Default Title"],"price":238000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/he1_fe020f10-7adb-4378-8675-5f68b2152d4c.jpg?v=1704100950","\/\/tobirarecords.com\/cdn\/shop\/files\/he2_6a8d6019-bef5-48e3-8684-0d9e51f64ccf.jpg?v=1704100950"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_fe020f10-7adb-4378-8675-5f68b2152d4c.jpg?v=1704100950","options":["Title"],"media":[{"alt":null,"id":32910758281466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_fe020f10-7adb-4378-8675-5f68b2152d4c.jpg?v=1704100950"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he1_fe020f10-7adb-4378-8675-5f68b2152d4c.jpg?v=1704100950","width":700},{"alt":null,"id":32910758314234,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_6a8d6019-bef5-48e3-8684-0d9e51f64ccf.jpg?v=1704100950"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/he2_6a8d6019-bef5-48e3-8684-0d9e51f64ccf.jpg?v=1704100950","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのギタリストEric Chenauxが、2022年8月にアメリカの実験／ポップレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eULYSSA\u003c\/span\u003eから100本限定でリリースした最新カセットです。\u003c\/p\u003e\n\u003cp\u003e絶妙なサイケ感を持つアヴァンフォーク〜トージャズ7曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3409193545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003ehere\u003c\/a\u003e to see more ULYSSA releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 100.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHello Eyes 08:26\u003c\/li\u003e\n\u003cli\u003eFilthy Swing 04:18\u003c\/li\u003e\n\u003cli\u003eCourtyard Tropics 1 08:56\u003c\/li\u003e\n\u003cli\u003eCourtyard Tropics 2 04:34\u003c\/li\u003e\n\u003cli\u003eBetting Lady 03:52\u003c\/li\u003e\n\u003cli\u003e5 Intros and Spring 06:30\u003c\/li\u003e\n\u003cli\u003eThe Last Fuzz 06:02\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eULYSSA:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEric Chenaux calls the music he makes “filthy swing,” which is also the title of a song in this new collection, ‘Hello Eyes.’ “And by filthy, I mean that the notes, phrases and melodies have a lot of noise, or extra bits, within them — noise that acts as kind of an ornament,” Chenaux wrote to us in a letter earlier this summer. “Filthy because it is not cleaned up.” In over a decade of listening to his music, we have never described it as “filthy.” We’ve called his jazz adjacent pieces “uncertain,” “woozy” and “wobbly.” On one of the many slow and drifting winter holidays spent listening to his 2015 album ‘Skullsplitter,’ we described the title track as “winelogged.” Usually these songs come accompanied with his high and breathy croon, as if Nick Drake had dedicated his career to inhabiting ‘Chet Baker Sings.’ That glorious voice is mostly absent on the musical travelogue that is ‘Hello Eyes,’ giving us more time to focus on this so-called “filthy swing.” The track “Filthy Swing” is a field recording of a band playing swing music in the square in Tarni, Italy over which Chenaux has offered just the ghost of his off-kilter guitar, one’s ear grasping at what is there and wondering what is not there at all. It is a haunting. The head-nodding title track is an homage to the artist Erykah Badu by way of Palace’s ‘Arise, Therefore,’ a curious and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e unsteady lead substituting for Badu’s voice. It’s a fittingly cheeky and playful tribute to one of the finest artists of the last 30 years. ‘Hello Eyes’ is not smooth, immediately lovable music. It resists our desire to smash that like button. It is craggy, pockmarked jazz. It sounds at odds with the modern aesthetic. It sounds like The Ghost of Christmas Past, warts and all, clamoring after us, showing us a type beauty we have sadly forgotten.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eric Chenaux\u003c\/p\u003e\n\u003cp\u003eLabel : ULYSSA\u003c\/p\u003e"}