Roland Bucher // Viaje LP

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スイスの実験音楽家Roland Bucherが、2019年に同国ドローンレーベルHallow Groundからリリースしたデビューレコードです。

Max/MSPによるコラージュ・ノイズ〜ドローン4曲を収録。180g重量盤です。DLコード付属。廃盤です。

レーベルその他作品はこちら /// Click here to see more Hallow Ground releases available at Tobira.

--------------------------------

"...Combining the reacTIVision software with Max/MSP programming, the noise table is both a controller and a granular synthesis sampler... Small musical instruments and everyday objects provide the input for the samples. Those samples are then connected to objects that Bucher moves around on a glass window inserted into the table which is being filmed from below, thus controlling the output. Starting from improvisations much like in his live sets, »VIAJE« slowly took form during Bucher’s 2018 visits to Chile and Brazil as part of a scholarship programme which also saw him perform several times to South American audiences."
- Hallow Ground

Artist : Roland Bucher

Label : Hallow Ground

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スイスの実験音楽家Roland Bucherが、2019年に同国ドローンレーベルHallow Groundからリリースしたデビューレコードです。

Max/MSPによるコラージュ・ノイズ〜ドローン4曲を収録。180g重量盤です。DLコード付属。廃盤です。

レーベルその他作品はこちら /// Click here to see more Hallow Ground releases available at Tobira.

Label : Hallow Ground

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クイックビュー {"id":9147526119674,"title":"Henning Christiansen \/\/ Op. 41 BADET \/ Kom Frem For Satan \/ Min Døde Hest \/ Op.72 Bondeføreren Knud Lavard LP","handle":"henning-christiansen-op-41-badet-kom-frem-for-satan-min-dode-hest-op-72-bondeforeren-knud-lavard-lp","description":"\u003cp data-mce-fragment=\"1\"\u003eデンマークのフルクサス作家Henning Christiansenの再発レコードです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1967年から1972年に制作した4曲を収録。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eマスタリングはGiuseppe Ielashiが担当しています。ポスターとポストカードが付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_3FMOQFc4gU\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eHenning Christiansen Archive:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThe second release on the Henning Christiansen Archive is a compilation of four works from 1967-1972 including a poem set in a bath, an unknown musical work, the musical backdrop to a horse sacrifice and a soundtrack to a school play. What binds these works together alongside the period when written is their basis in ‘song’ and some traditional ‘musical’ elements. What separates it from said tradition is that they were composed by Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOp.41 Badet is a simple work featuring 3 elements: Charlotte Strandgaard reading her poem Badet (The Bath), Henning playing melodica and the sound of water splashing in a bath. The result is an unusual and evocative lo-fi setting to the resigned nature of the reading.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eNot a lot is known about Kom Frem For Satan (Come Forward Satan). Possibly a soundtrack of sorts? It certainly carries that mood with it’ jazz inflicted interludes, melodic organ moments all interlaced with the diegetic sounds of cars, footsteps, gunshots, etc. The result comes across like a gangster tinged musique concrete radio play. 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What binds these works together alongside the period when written is their basis in ‘song’ and some traditional ‘musical’ elements. What separates it from said tradition is that they were composed by Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOp.41 Badet is a simple work featuring 3 elements: Charlotte Strandgaard reading her poem Badet (The Bath), Henning playing melodica and the sound of water splashing in a bath. The result is an unusual and evocative lo-fi setting to the resigned nature of the reading.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eNot a lot is known about Kom Frem For Satan (Come Forward Satan). Possibly a soundtrack of sorts? It certainly carries that mood with it’ jazz inflicted interludes, melodic organ moments all interlaced with the diegetic sounds of cars, footsteps, gunshots, etc. The result comes across like a gangster tinged musique concrete radio play. Kom Frem For Satan also shares musical motifs that appear in Op.72 on side two of the lp.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eMin Død Hest was previously released as a single sided 10” under the name Hesteofringen, here restored under it’s correct name. Min Død Hest (My Dead Horse) was written to accompany the Bjørn Nørgaard performance Hesteofringen (The Horse Sacrifice) on the 30th of Jan 1970, one of the most notorious performances in Danish art history. Featuring a poem written by Lene Adler Pedersen, this is a recording made after the performance with Lene Adler Pedersen singing, accompanied by Christiansen on piano (as opposed to the green violin he used in the performance), Min Død Horse is a beautiful haunting fragile song laden with metaphor, a sad lullaby is as simple and unusual as anything in Christiansen’s output.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eOp.72 Bondeføreren Knud Lavard is a the soundtrack to a school play performed on at the Fanefjord School on the island of Møn, Denmark, where he lived, in 1972. Another surprising work in Christiansen’s oeuvre the 6 pieces that make up this work shift between the sinister and sweet, often in the same track. Falling within the same period Henning made the soundtrack to The Executioner, Bondeføreren Knud Lavard mixes the melancholic romantic mood of that soundtrack whilst deep organ chords, military drumming and an acoustic guitar solo (played by Henning’s first son Esben Christiansen) all make an appearance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is an sublime collection from one the 20th Centuries most diverse composers at the bridge between his romantic and avant-garde phases.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Henning Christiansen\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : Henning Christiansen Archive\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e"}

デンマークのフルクサス作家Henning Christiansenの再発レコードです。 1967年から1972年に制作した4曲を収録。マスタリングはGiuseppe Ielashiが担当しています。ポスターとポストカードが付属。レーベルその他作品はこちら /// Click here to see more Henning Christiansen Archive releases available...

¥3,995

クイックビュー {"id":9146756464890,"title":"Gilles Aubry \/\/ L'Makina LP","handle":"gilles-aubry-lmakina-lp","description":"\u003cp\u003eドイツ・ベルリンの実験音楽家Gilles Aubryが、2025年5月にベルリンの実験レーベルCorvo Recordsから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Gilles Aubryの音楽活動は、伝統音楽と人工知能の交差点に焦点を当てている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのLPのタイトルは、1930年代に最も著名なルワイス音楽家の一人であるル・ハジ・ベライド（1873-1945）が、蓄音機をテーマに作曲した曲『L’Makina（機械）』に由来している。この曲の歌詞には、自動車、建物、そして19世紀にモロッコに伝わった紅茶といった近代化の象徴や、その他の動力による移動手段への明確な言及が見られる。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e蓄音機を「忠実な音声記録機」と描写する彼の言葉には、皮肉が込められている。彼は、それが自分の仕事を奪うかもしれないと悟っていたのだ。「L’Makina」は、モロッコにおける人間と機械の関係性に対する知的関与の初期の事例であり、それは、至る所に存在するコンピューティング、人工知能、機械学習によって引き起こされる現代の不安と奇妙な共鳴を奏でている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作は、ルワイス楽器の録音データを入力として、音色分析用の機械学習アルゴリズム（RAVE）を用いて生成された音で構成されている。この作品は、共創プロセスにおける非人間的存在としての人工知能について問いを投げかけるものである。また、音楽の社会的機能や情報の倫理的な伝達といった、人間の表現の本質的な側面をまだ完全に理解しきれていない技術の限界を浮き彫りにしている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=480742106\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003ehere\u003c\/a\u003e to see more Corvo Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. L'Makina - Part 1 17:39\u003cbr\u003e2. L'Makina - Part 2 16:19\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGilles Aubry’s musical work focuses on the intersection of traditional music and Artificial Intelligence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title of the LP refers to L’Makina (The machine), a song about the phonograph composed in the 1930s by one of the most renowned rwais musicians L’Haj Belaid (1873-1945). The lyrics of his song make clear references to the symbols of modernity: car, buildings, and tea (which was introduced to Morocco in the 19th century), as well as other forms of motorized travel.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHis description of the phonograph as a faithful speech recording machine is not without irony; he realizes that it might well take his own job away from him. \"L’Makina\" provides an early example of intellectual engagement with humanmachine relationships in Morocco, which curiously resonates with current anxieties triggered by ubiquitous computation, artificial intelligence, and machine learning.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe composition features sounds created with a machine learning algorithm for timbral analysis (RAVE), using rwais instrument recordings as input data. The work prompts questions about artificial intelligence as a non-human entity in co-creative processes. It also underscores the limitations of a technology that has yet to fully comprehend essential aspects of human expression, such as the social function of music and ethical transmission of information.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gilles Aubry\u003c\/p\u003e\n\u003cp\u003eLabel : Corvo Records\u003c\/p\u003e\n\u003cp\u003ecat no : core 026\u003c\/p\u003e\n\u003cp\u003eRelease date : 15th May 2025\u003c\/p\u003e","published_at":"2026-03-21T14:45:05+09:00","created_at":"2026-03-21T09:33:26+09:00","vendor":"Tobira Records","type":"","tags":["corvo","drone","lp","monooto","new"],"price":394400,"price_min":394400,"price_max":394400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48508924920058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gilles Aubry \/\/ L'Makina LP","public_title":null,"options":["Default Title"],"price":394400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gill1_0b9754cc-fe72-4dde-9214-004a2389efa1.jpg?v=1774053132","\/\/tobirarecords.com\/cdn\/shop\/files\/gill2_75fba79a-ff46-4fa0-ad34-6571446de16f.jpg?v=1774053132"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1_0b9754cc-fe72-4dde-9214-004a2389efa1.jpg?v=1774053132","options":["Title"],"media":[{"alt":null,"id":38799995666682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1_0b9754cc-fe72-4dde-9214-004a2389efa1.jpg?v=1774053132"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1_0b9754cc-fe72-4dde-9214-004a2389efa1.jpg?v=1774053132","width":350},{"alt":null,"id":38799995699450,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill2_75fba79a-ff46-4fa0-ad34-6571446de16f.jpg?v=1774053132"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill2_75fba79a-ff46-4fa0-ad34-6571446de16f.jpg?v=1774053132","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験音楽家Gilles Aubryが、2025年5月にベルリンの実験レーベルCorvo Recordsから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Gilles Aubryの音楽活動は、伝統音楽と人工知能の交差点に焦点を当てている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのLPのタイトルは、1930年代に最も著名なルワイス音楽家の一人であるル・ハジ・ベライド（1873-1945）が、蓄音機をテーマに作曲した曲『L’Makina（機械）』に由来している。この曲の歌詞には、自動車、建物、そして19世紀にモロッコに伝わった紅茶といった近代化の象徴や、その他の動力による移動手段への明確な言及が見られる。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e蓄音機を「忠実な音声記録機」と描写する彼の言葉には、皮肉が込められている。彼は、それが自分の仕事を奪うかもしれないと悟っていたのだ。「L’Makina」は、モロッコにおける人間と機械の関係性に対する知的関与の初期の事例であり、それは、至る所に存在するコンピューティング、人工知能、機械学習によって引き起こされる現代の不安と奇妙な共鳴を奏でている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作は、ルワイス楽器の録音データを入力として、音色分析用の機械学習アルゴリズム（RAVE）を用いて生成された音で構成されている。この作品は、共創プロセスにおける非人間的存在としての人工知能について問いを投げかけるものである。また、音楽の社会的機能や情報の倫理的な伝達といった、人間の表現の本質的な側面をまだ完全に理解しきれていない技術の限界を浮き彫りにしている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=480742106\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003ehere\u003c\/a\u003e to see more Corvo Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. L'Makina - Part 1 17:39\u003cbr\u003e2. L'Makina - Part 2 16:19\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGilles Aubry’s musical work focuses on the intersection of traditional music and Artificial Intelligence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title of the LP refers to L’Makina (The machine), a song about the phonograph composed in the 1930s by one of the most renowned rwais musicians L’Haj Belaid (1873-1945). The lyrics of his song make clear references to the symbols of modernity: car, buildings, and tea (which was introduced to Morocco in the 19th century), as well as other forms of motorized travel.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHis description of the phonograph as a faithful speech recording machine is not without irony; he realizes that it might well take his own job away from him. \"L’Makina\" provides an early example of intellectual engagement with humanmachine relationships in Morocco, which curiously resonates with current anxieties triggered by ubiquitous computation, artificial intelligence, and machine learning.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe composition features sounds created with a machine learning algorithm for timbral analysis (RAVE), using rwais instrument recordings as input data. The work prompts questions about artificial intelligence as a non-human entity in co-creative processes. It also underscores the limitations of a technology that has yet to fully comprehend essential aspects of human expression, such as the social function of music and ethical transmission of information.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gilles Aubry\u003c\/p\u003e\n\u003cp\u003eLabel : Corvo Records\u003c\/p\u003e\n\u003cp\u003ecat no : core 026\u003c\/p\u003e\n\u003cp\u003eRelease date : 15th May 2025\u003c\/p\u003e"}

ドイツ・ベルリンの実験音楽家Gilles Aubryが、2025年5月にベルリンの実験レーベルCorvo Recordsから100部限定でリリースしたレコードです。コラージュ・ドローン2曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ以下、レーベルによる解説です。 "Gilles Aubryの音楽活動は、伝統音楽と人工知能の交差点に焦点を当てている。このLPのタイトルは、1930年代に最も著名なルワイス音楽家の一人であるル・ハジ・ベライド（1873-1945）が、蓄音機をテーマに作曲した曲『L’Makina（機械）』に由来している。この曲の歌詞には、自動車、建物、そして19世紀にモロッコに伝わった紅茶といった近代化の象徴や、その他の動力による移動手段への明確な言及が見られる。蓄音機を「忠実な音声記録機」と描写する彼の言葉には、皮肉が込められている。彼は、それが自分の仕事を奪うかもしれないと悟っていたのだ。「L’Makina」は、モロッコにおける人間と機械の関係性に対する知的関与の初期の事例であり、それは、至る所に存在するコンピューティング、人工知能、機械学習によって引き起こされる現代の不安と奇妙な共鳴を奏でている。本作は、ルワイス楽器の録音データを入力として、音色分析用の機械学習アルゴリズム（RAVE）を用いて生成された音で構成されている。この作品は、共創プロセスにおける非人間的存在としての人工知能について問いを投げかけるものである。また、音楽の社会的機能や情報の倫理的な伝達といった、人間の表現の本質的な側面をまだ完全に理解しきれていない技術の限界を浮き彫りにしている。" レーベルその他作品はこちら /// Click here to see...

¥3,944

クイックビュー {"id":9146755252474,"title":"Various Artists (Corvo Records) \/\/ 60 SECONDS EACH LP","handle":"various-artists-corvo-records-60-seconds-each-lp","description":"\u003cp\u003eドイツ・ベルリンの実験レーベルCorvo Recordsが、2023年にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003eコンセプチュアルな32曲を収録。12ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このLPは、あるデータ漏洩から生まれた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2022年、ドイツのある美術大学でサウンドアート教授のポストが公募されると、世界中から幅広いサウンドアーティストたちが応募した。採用が決まった後、大学側が誤って、他のすべての応募者への不採用通知メールを、CC欄を開放した状態で送信してしまった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e応募者の一人であるクリストフ・ゲオルゲンは、このハプニングをきっかけに、共同サウンドアート・プロジェクトの構想を練り、CCで送信されたリストに含まれていたアーティストたちに、60秒の音響作品を寄稿するよう呼びかけた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eレコードをグループ作品として捉えることに同意した32名のアーティストがこの呼びかけに応じ、その結果として『60 Seconds Each』が誕生した。パンデミック下で生じた、そして今日なお残る多くの音楽シーンの分断に対し、本作は一つの声明として立ち向かっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのヘテラルキーなアプローチにより、応募コンペは芸術的な協働へと変容し、最終的には非常に多様なコンピレーション、サウンドアート界における唯一無二の「サロン・デ・レフューゼ」となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLPという時間的制約と、60秒という制限的なコンセプトは、制御不能で無限に広がるデータ漏洩という特性に対する対極をなしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの本質への還元は、本作のビジュアルコンセプトをも決定づけている。参加アーティストのメールアドレスの一部を伏せた断片が、読めないデータの雲を形成し、カバーアートの背景へと溶け込んでいく様は、デザインにおいて不可欠な要素となっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eまた、60秒というグリッドは、レコードの溝を厳格な視覚的パターンへと構造化し、それは各参加アーティストの作品の小さな断片として読み取ることができる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3999627212\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003ehere\u003c\/a\u003e to see more Corvo Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes 12-page booklet \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eincluding an essay by art, design and music researcher, curator and DJ, Holger Lund.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Claudia Molitor - Excerpt Thousand Words for Weather 01:04\u003cbr\u003e2. Dani Gal - Sami Automatic Half Mechanical 01:01\u003cbr\u003e3. Timo Kahlen - Depth of Field - from Immaterials 01:02\u003cbr\u003e4. Jan Peter E.R. Sonntag - Sferic Card File 01:02\u003cbr\u003e5. Heimo Lattner - A donde vas 01:01\u003cbr\u003e6. Michael Trommer - Last Transit 01:02\u003cbr\u003e7. Anton Kats - if not now - when - excerpt 01:02\u003cbr\u003e8. Wolfgang Spyra - 60 Beats about Bush 01:02\u003cbr\u003e9. Kerstin Ergenzinger - Songlines Greenfield Duo - 60 seconds 01:02\u003cbr\u003e10. Luca Forcucci - Licking Leak 01:02\u003cbr\u003e11. David Helbich - dot komm 01:02\u003cbr\u003e12. Jorn Ebner - Kanalkugel1 01:02\u003cbr\u003e13. 13-Budhaditya Chattopadhyay - radiosyncrasy 01:03\u003cbr\u003e14. Kristof Georgen - Heavens Door - 80 Layers 01:02\u003cbr\u003e15. Melanie Windl - Wilson - Cycle 0222 01:02\u003cbr\u003e16. Richard Eigner - Snowflakes On A Guitar String 01:02\u003cbr\u003e17. Jasmine Guffond - Serge And Maxine Rehearsal Excerpt 01:02\u003cbr\u003e18. Erwin Stache - Kommen Sie bitte zurueck zur Gruppe 01:02\u003cbr\u003e19. Georg Klein - asphalt memory 01:02\u003cbr\u003e20. Yati Durant - Saundaryalahari 5 3c - fragment 01:02\u003cbr\u003e21. Zosia Holubowska - Klobuki - fragment 01:02\u003cbr\u003e22. Bewernitz Goldowski - Prismatic Perspectives 1 01:02\u003cbr\u003e23. Stefan Roigk - TRACES-OF - a splinter of fragmented memories 01:02\u003cbr\u003e24. Gilles Aubry - Quantized Sea 01:02\u003cbr\u003e25. Nik Nowak - 300 Glocken auf 1200 Maegen 01:02\u003cbr\u003e26. Charlotte Simon - dying is an art 01:02\u003cbr\u003e27. Julia Buennagel - Music in Noise 01:02\u003cbr\u003e28. Marek Brandt - counting birds lately 01:03\u003cbr\u003e29. Bojana S Knezevic - BOASZ_Notes on voice noise 01:02\u003cbr\u003e30. Phillip Sollmann - Aus dem letzten Loch 01:02\u003cbr\u003e31. Tina Tonagel - Vanja 01:02\u003cbr\u003e32. Mattin - A Fragment of A Life 01:00\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThis LP was born out of a data leak:\u003cbr\u003eIn 2022, the opening of the position of Professor for Sound Art at a German Art Academy attracted the applications of a broad, international panorama of sound artists. After the position was filled, the email rejection to all other applicants was sent by mistake by the university with an open distribution list (cc).\u003cbr\u003e\u003cbr\u003eKristof Georgen, one of the applicants used this mishap to develop a concept for a collective sound art project, inviting the artists included in the open cc to send a 60-second sound piece.\u003cbr\u003e\u003cbr\u003eA group of 32 artist who were prepared to understand a record as a group work, followed the invitation - the result is „60 Seconds Each“. The fragmentation of many music scenes during the pandemic, which still lingers today, is countered here with a statement.\u003cbr\u003e\u003cbr\u003eThis heterarchical approach transformed the application competition into an artistic cooperation which ultimately became a very diverse compilation, a one of a kind „Salon des Refusés“ of sound art.\u003cbr\u003eThe time limitation of an LP and the restricting concept of 60 seconds stands as an antithesis to the unmanageable and boundless characteristic of the data leak.\u003cbr\u003e\u003cbr\u003eThis reduction to the essential determines also the visual concept of the release. Fragments of redacted email addresses of the participating artists, forming a cloud of unreadable data which merges into the background of the cover art are an essential part of the design.\u003cbr\u003eThe 60-second grid also structures the vinyl groove into a strict visual pattern, which can be read as small chunks of each participating artist’s work.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Corvo Records\u003c\/p\u003e\n\u003cp\u003ecat no : core 024\u003c\/p\u003e\n\u003cp\u003eRelease date : 15th October 2023\u003c\/p\u003e","published_at":"2026-03-22T13:52:52+09:00","created_at":"2026-03-21T09:27:49+09:00","vendor":"Tobira Records","type":"","tags":["corvo","drone","lp","monooto","new","noise"],"price":435300,"price_min":435300,"price_max":435300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48508914106618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Corvo Records) \/\/ 60 SECONDS EACH LP","public_title":null,"options":["Default Title"],"price":435300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_5f61cead-0c63-4a88-85b1-5098ca2fbab3.jpg?v=1774052705","\/\/tobirarecords.com\/cdn\/shop\/files\/sec2_b6823725-0ea6-4f00-baf1-76f63450cd3f.jpg?v=1774052706"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_5f61cead-0c63-4a88-85b1-5098ca2fbab3.jpg?v=1774052705","options":["Title"],"media":[{"alt":null,"id":38799984591098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_5f61cead-0c63-4a88-85b1-5098ca2fbab3.jpg?v=1774052705"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec1_5f61cead-0c63-4a88-85b1-5098ca2fbab3.jpg?v=1774052705","width":350},{"alt":null,"id":38799984623866,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec2_b6823725-0ea6-4f00-baf1-76f63450cd3f.jpg?v=1774052706"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sec2_b6823725-0ea6-4f00-baf1-76f63450cd3f.jpg?v=1774052706","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験レーベルCorvo Recordsが、2023年にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003eコンセプチュアルな32曲を収録。12ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このLPは、あるデータ漏洩から生まれた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2022年、ドイツのある美術大学でサウンドアート教授のポストが公募されると、世界中から幅広いサウンドアーティストたちが応募した。採用が決まった後、大学側が誤って、他のすべての応募者への不採用通知メールを、CC欄を開放した状態で送信してしまった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e応募者の一人であるクリストフ・ゲオルゲンは、このハプニングをきっかけに、共同サウンドアート・プロジェクトの構想を練り、CCで送信されたリストに含まれていたアーティストたちに、60秒の音響作品を寄稿するよう呼びかけた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eレコードをグループ作品として捉えることに同意した32名のアーティストがこの呼びかけに応じ、その結果として『60 Seconds Each』が誕生した。パンデミック下で生じた、そして今日なお残る多くの音楽シーンの分断に対し、本作は一つの声明として立ち向かっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのヘテラルキーなアプローチにより、応募コンペは芸術的な協働へと変容し、最終的には非常に多様なコンピレーション、サウンドアート界における唯一無二の「サロン・デ・レフューゼ」となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLPという時間的制約と、60秒という制限的なコンセプトは、制御不能で無限に広がるデータ漏洩という特性に対する対極をなしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの本質への還元は、本作のビジュアルコンセプトをも決定づけている。参加アーティストのメールアドレスの一部を伏せた断片が、読めないデータの雲を形成し、カバーアートの背景へと溶け込んでいく様は、デザインにおいて不可欠な要素となっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eまた、60秒というグリッドは、レコードの溝を厳格な視覚的パターンへと構造化し、それは各参加アーティストの作品の小さな断片として読み取ることができる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3999627212\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/corvo\"\u003ehere\u003c\/a\u003e to see more Corvo Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes 12-page booklet \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eincluding an essay by art, design and music researcher, curator and DJ, Holger Lund.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Claudia Molitor - Excerpt Thousand Words for Weather 01:04\u003cbr\u003e2. Dani Gal - Sami Automatic Half Mechanical 01:01\u003cbr\u003e3. Timo Kahlen - Depth of Field - from Immaterials 01:02\u003cbr\u003e4. Jan Peter E.R. Sonntag - Sferic Card File 01:02\u003cbr\u003e5. Heimo Lattner - A donde vas 01:01\u003cbr\u003e6. Michael Trommer - Last Transit 01:02\u003cbr\u003e7. Anton Kats - if not now - when - excerpt 01:02\u003cbr\u003e8. Wolfgang Spyra - 60 Beats about Bush 01:02\u003cbr\u003e9. Kerstin Ergenzinger - Songlines Greenfield Duo - 60 seconds 01:02\u003cbr\u003e10. Luca Forcucci - Licking Leak 01:02\u003cbr\u003e11. David Helbich - dot komm 01:02\u003cbr\u003e12. Jorn Ebner - Kanalkugel1 01:02\u003cbr\u003e13. 13-Budhaditya Chattopadhyay - radiosyncrasy 01:03\u003cbr\u003e14. Kristof Georgen - Heavens Door - 80 Layers 01:02\u003cbr\u003e15. Melanie Windl - Wilson - Cycle 0222 01:02\u003cbr\u003e16. Richard Eigner - Snowflakes On A Guitar String 01:02\u003cbr\u003e17. Jasmine Guffond - Serge And Maxine Rehearsal Excerpt 01:02\u003cbr\u003e18. Erwin Stache - Kommen Sie bitte zurueck zur Gruppe 01:02\u003cbr\u003e19. Georg Klein - asphalt memory 01:02\u003cbr\u003e20. Yati Durant - Saundaryalahari 5 3c - fragment 01:02\u003cbr\u003e21. Zosia Holubowska - Klobuki - fragment 01:02\u003cbr\u003e22. Bewernitz Goldowski - Prismatic Perspectives 1 01:02\u003cbr\u003e23. Stefan Roigk - TRACES-OF - a splinter of fragmented memories 01:02\u003cbr\u003e24. Gilles Aubry - Quantized Sea 01:02\u003cbr\u003e25. Nik Nowak - 300 Glocken auf 1200 Maegen 01:02\u003cbr\u003e26. Charlotte Simon - dying is an art 01:02\u003cbr\u003e27. Julia Buennagel - Music in Noise 01:02\u003cbr\u003e28. Marek Brandt - counting birds lately 01:03\u003cbr\u003e29. Bojana S Knezevic - BOASZ_Notes on voice noise 01:02\u003cbr\u003e30. Phillip Sollmann - Aus dem letzten Loch 01:02\u003cbr\u003e31. Tina Tonagel - Vanja 01:02\u003cbr\u003e32. Mattin - A Fragment of A Life 01:00\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThis LP was born out of a data leak:\u003cbr\u003eIn 2022, the opening of the position of Professor for Sound Art at a German Art Academy attracted the applications of a broad, international panorama of sound artists. After the position was filled, the email rejection to all other applicants was sent by mistake by the university with an open distribution list (cc).\u003cbr\u003e\u003cbr\u003eKristof Georgen, one of the applicants used this mishap to develop a concept for a collective sound art project, inviting the artists included in the open cc to send a 60-second sound piece.\u003cbr\u003e\u003cbr\u003eA group of 32 artist who were prepared to understand a record as a group work, followed the invitation - the result is „60 Seconds Each“. The fragmentation of many music scenes during the pandemic, which still lingers today, is countered here with a statement.\u003cbr\u003e\u003cbr\u003eThis heterarchical approach transformed the application competition into an artistic cooperation which ultimately became a very diverse compilation, a one of a kind „Salon des Refusés“ of sound art.\u003cbr\u003eThe time limitation of an LP and the restricting concept of 60 seconds stands as an antithesis to the unmanageable and boundless characteristic of the data leak.\u003cbr\u003e\u003cbr\u003eThis reduction to the essential determines also the visual concept of the release. Fragments of redacted email addresses of the participating artists, forming a cloud of unreadable data which merges into the background of the cover art are an essential part of the design.\u003cbr\u003eThe 60-second grid also structures the vinyl groove into a strict visual pattern, which can be read as small chunks of each participating artist’s work.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : Corvo Records\u003c\/p\u003e\n\u003cp\u003ecat no : core 024\u003c\/p\u003e\n\u003cp\u003eRelease date : 15th October 2023\u003c\/p\u003e"}