Matthijs Kouw // The Great Image Has No Form CD
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Moving Furnitureなどから発表するオランダ人アンビエントドローン作家Matthijs Kouwが2019年にリリースしたCD。メランコリックなドローン5曲を収録。デジパック、シュリンク仕様です。
レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira.
-------------------------
Edition of 100.
Comes in a foldout grey cardboard sleeve, with printed artwork by Xia Gui.
Description by Esc.rec.:
“The structure being so large, in order for an impression leading towards a possible overview, the participant, of necessity must encounter the limits of what they are able to hold in front of themselves. In doing so, a sort of ’stretching’ must take place, and with it, a kind of ‘friction’, which provides the energy necessary for Work, on a small scale.” - Andrew McKenzie
On this album, Matthijs Kouw presents pensive and melancholic drone-driven music driven by his long-time interest in Daoism and inspired by his visit to the Wudang mountains in China in 2007, where he studied Chinese meditation and martial arts.
Much like the Chinese landscape painting that provides the artwork for this release, the drones on The Great Image Has No Form slowly coalesce, evolve, and morph into metastable structures that linger on, only to slowly evaporate and dissolve into the undifferentiated.
Daoism teaches us that the foundational cannot be named and identified, but rather has to be experienced firsthand. This album is an invitation to the listener to dwell in this space of the unnamable and the mysterious, and to embrace it wholeheartedly."
-------
Review by Peter van Cooten in Ambientblog:
"Esc.rec. is a Dutch boutique label and platform for ‘adventurous music’. Its output is diverse, often with a strong relation to art projects, and – indeed – the best way to describe it is ‘adventurous’. Though some of their releases could be defined as ambient music, most are more ‘adventurous’ (duh) than that – ‘experimental’ is a better description. Which is why you’ll only find a small fragment of their output mentioned here. Which obviously does nót mean the other releases are not worth checking out too!
Matthijs Kouw‘s The Great Image Has No Form may very well be their most minimal ambient release to date. Kouw is a Dutch experimental musician ‘exploring the relationship between movement and stasis – combining long-form drone with elements from acousmatic music, noise and microsound’. He does so on his solo work (often as MVK), but he also explores extreme minimalist drones in collaboration with Radboud Mens.
The Great Image Has No Form was inspired by Kouw‘s visit to the Wudang Mountains in China in 2007, where he studied Chinese meditation and martial arts as a result of his long-time interest in Daoism. “Daoism teaches us that the foundational cannot be named and identified, but rather has to be experienced firsthand”. This is perfectly captured by the five pieces on this album, ranging between 5 and 17 minutes, dwelling in the unnamed space of complex drones – the kind of sounds for which you need a certain detached state of mind to fully appreciate them.
It is ‘minimalist’ music, but these are nót minimalist drones: there’s a lot happening in the deceptively static sound field which is constantly moving and shifting. “The drones slowly coalesce, evolve, and morph into metastable structures that linger on, only to slowly evaporate and dissolve into the undifferentiated.”
The album comes in a stunningly beautiful foldout sleeve with artwork by Xia Gui, a Chinese landscape painter of the Song Dynasty who lived from 1195-1224. The beauty of this image is somewhat contradictory to the album title… The Tao that can be named is not the real Tao. Interesting enough to reflect upon while listening to Matthijs Kouw‘s sonification of the principles of Daoism."
Artist : Matthijs Kouw
Label : Esc.rec.
Moving Furnitureなどから発表するオランダ人アンビエントドローン作家Matthijs Kouwが2019年にリリースしたCD。メランコリックなドローン5曲を収録。デジパック、シュリンク仕様です。
レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira.
-------------------------
Edition of 100.
Comes in a foldout grey cardboard sleeve, with printed artwork by Xia Gui.
Description by Esc.rec.:
“The structure being so large, in order for an impression leading towards a possible overview, the participant, of necessity must encounter the limits of what they are able to hold in front of themselves. In doing so, a sort of ’stretching’ must take place, and with it, a kind of ‘friction’, which provides the energy necessary for Work, on a small scale.” - Andrew McKenzie
On this album, Matthijs Kouw presents pensive and melancholic drone-driven music driven by his long-time interest in Daoism and inspired by his visit to the Wudang mountains in China in 2007, where he studied Chinese meditation and martial arts.
Much like the Chinese landscape painting that provides the artwork for this release, the drones on The Great Image Has No Form slowly coalesce, evolve, and morph into metastable structures that linger on, only to slowly evaporate and dissolve into the undifferentiated.
Daoism teaches us that the foundational cannot be named and identified, but rather has to be experienced firsthand. This album is an invitation to the listener to dwell in this space of the unnamable and the mysterious, and to embrace it wholeheartedly."
-------
Review by Peter van Cooten in Ambientblog:
"Esc.rec. is a Dutch boutique label and platform for ‘adventurous music’. Its output is diverse, often with a strong relation to art projects, and – indeed – the best way to describe it is ‘adventurous’. Though some of their releases could be defined as ambient music, most are more ‘adventurous’ (duh) than that – ‘experimental’ is a better description. Which is why you’ll only find a small fragment of their output mentioned here. Which obviously does nót mean the other releases are not worth checking out too!
Matthijs Kouw‘s The Great Image Has No Form may very well be their most minimal ambient release to date. Kouw is a Dutch experimental musician ‘exploring the relationship between movement and stasis – combining long-form drone with elements from acousmatic music, noise and microsound’. He does so on his solo work (often as MVK), but he also explores extreme minimalist drones in collaboration with Radboud Mens.
The Great Image Has No Form was inspired by Kouw‘s visit to the Wudang Mountains in China in 2007, where he studied Chinese meditation and martial arts as a result of his long-time interest in Daoism. “Daoism teaches us that the foundational cannot be named and identified, but rather has to be experienced firsthand”. This is perfectly captured by the five pieces on this album, ranging between 5 and 17 minutes, dwelling in the unnamed space of complex drones – the kind of sounds for which you need a certain detached state of mind to fully appreciate them.
It is ‘minimalist’ music, but these are nót minimalist drones: there’s a lot happening in the deceptively static sound field which is constantly moving and shifting. “The drones slowly coalesce, evolve, and morph into metastable structures that linger on, only to slowly evaporate and dissolve into the undifferentiated.”
The album comes in a stunningly beautiful foldout sleeve with artwork by Xia Gui, a Chinese landscape painter of the Song Dynasty who lived from 1195-1224. The beauty of this image is somewhat contradictory to the album title… The Tao that can be named is not the real Tao. Interesting enough to reflect upon while listening to Matthijs Kouw‘s sonification of the principles of Daoism."
Artist : Matthijs Kouw
Label : Esc.rec.
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