Free Dust // Archive: Ash | Wave / Climate | Ripple 2xCD
From the Patient Sounds press materials for this release:
Upon moving to Chicago in 2014, Matthew Sage started cataloguing and releasing recordings as Free Dust. A step away from his primary musical output as M. Sage, there focused more on composition and complex studio editing, Free Dust became an outlet centered less on craft and more on confessional sincerity. It was also constrained by a reduced studio space, which led to a forced limitation: electric guitar, pedals, and cassette 4-track were the only tools permitted here. It quickly became a public wordless journal. Romantic but shook.
Across 2015, five years ago, four albums, one a season, were released online. This archive collects all four parts of this year-long cycle in one digital document. Approx. 160 minutes of ambient and experimental 4-track electric guitar dedication on two compact discs; moving fluidly between shadows of humid melody and rippling flutter, Sage amassed a year long chronicle of contemplative melodic impressions. In hindsight, these songs and scraps capture the immense and reaching ripple of trying, and doing, and failing some too. Reflecting on and making large-scale changes and the following positive and negative consequences. Longing and finding, and also not finding. Losing a little but gaining a lot too. Accruing some actual dust. "
Free Dust // Archive: Ash | Wave / Climate | Ripple 2xCD
¥2,508
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m. sageのFree Dust名義での2枚組CD。30曲入り。100部限定、デジパック仕様。地下アンビエントの一助となったPatient Sounds最後の作品。
レーベルその他作品はこちら /// Click here to see more Cached Media / Patient Sounds releases available at Tobira.
---------------------------
"Free Dust is a pseudonym used by Matthew Sage to catalog and share minimal electric guitar and magnetic tape works. This double compact disc release, originally released on Patient Sounds in 2019, is available in a very limited quantity after a small stash was discovered in a box in the closet.
From the Patient Sounds press materials for this release:
Upon moving to Chicago in 2014, Matthew Sage started cataloguing and releasing recordings as Free Dust. A step away from his primary musical output as M. Sage, there focused more on composition and complex studio editing, Free Dust became an outlet centered less on craft and more on confessional sincerity. It was also constrained by a reduced studio space, which led to a forced limitation: electric guitar, pedals, and cassette 4-track were the only tools permitted here. It quickly became a public wordless journal. Romantic but shook.
Across 2015, five years ago, four albums, one a season, were released online. This archive collects all four parts of this year-long cycle in one digital document. Approx. 160 minutes of ambient and experimental 4-track electric guitar dedication on two compact discs; moving fluidly between shadows of humid melody and rippling flutter, Sage amassed a year long chronicle of contemplative melodic impressions. In hindsight, these songs and scraps capture the immense and reaching ripple of trying, and doing, and failing some too. Reflecting on and making large-scale changes and the following positive and negative consequences. Longing and finding, and also not finding. Losing a little but gaining a lot too. Accruing some actual dust. "
From the Patient Sounds press materials for this release:
Upon moving to Chicago in 2014, Matthew Sage started cataloguing and releasing recordings as Free Dust. A step away from his primary musical output as M. Sage, there focused more on composition and complex studio editing, Free Dust became an outlet centered less on craft and more on confessional sincerity. It was also constrained by a reduced studio space, which led to a forced limitation: electric guitar, pedals, and cassette 4-track were the only tools permitted here. It quickly became a public wordless journal. Romantic but shook.
Across 2015, five years ago, four albums, one a season, were released online. This archive collects all four parts of this year-long cycle in one digital document. Approx. 160 minutes of ambient and experimental 4-track electric guitar dedication on two compact discs; moving fluidly between shadows of humid melody and rippling flutter, Sage amassed a year long chronicle of contemplative melodic impressions. In hindsight, these songs and scraps capture the immense and reaching ripple of trying, and doing, and failing some too. Reflecting on and making large-scale changes and the following positive and negative consequences. Longing and finding, and also not finding. Losing a little but gaining a lot too. Accruing some actual dust. "
m. sageのFree Dust名義での2枚組CD。30曲入り。100部限定、デジパック仕様。地下アンビエントの一助となったPatient Sounds最後の作品。
レーベルその他作品はこちら /// Click here to see more Cached Media / Patient Sounds releases available at Tobira.
---------------------------
"Free Dust is a pseudonym used by Matthew Sage to catalog and share minimal electric guitar and magnetic tape works. This double compact disc release, originally released on Patient Sounds in 2019, is available in a very limited quantity after a small stash was discovered in a box in the closet.From the Patient Sounds press materials for this release:
Upon moving to Chicago in 2014, Matthew Sage started cataloguing and releasing recordings as Free Dust. A step away from his primary musical output as M. Sage, there focused more on composition and complex studio editing, Free Dust became an outlet centered less on craft and more on confessional sincerity. It was also constrained by a reduced studio space, which led to a forced limitation: electric guitar, pedals, and cassette 4-track were the only tools permitted here. It quickly became a public wordless journal. Romantic but shook.
Across 2015, five years ago, four albums, one a season, were released online. This archive collects all four parts of this year-long cycle in one digital document. Approx. 160 minutes of ambient and experimental 4-track electric guitar dedication on two compact discs; moving fluidly between shadows of humid melody and rippling flutter, Sage amassed a year long chronicle of contemplative melodic impressions. In hindsight, these songs and scraps capture the immense and reaching ripple of trying, and doing, and failing some too. Reflecting on and making large-scale changes and the following positive and negative consequences. Longing and finding, and also not finding. Losing a little but gaining a lot too. Accruing some actual dust. "
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Femme Solaire 03:58\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eISOHYET:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor his debut album, Gabriel Lavoie Viau captured carefully crafted improvisations and compositions made of thoughtful frequencies and honest emotions. An album that feels like receiving a postcard infused with the warmth of the Juno's circuits, written in ghost ink that slowly reveals itself under the sun. Like finding pressed petals from unknown flowers tucked inside a book… you might find yourself entranced in a loop, listening to it on repeat.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"In the summer of 2022, I reached a degree of anxiety I had never experienced before. I was trying to finish my master’s thesis on time, but a latent state of panic in the back of my mind made it very difficult. 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カナダ・モントリオールのアンビエント作家Gabriel Lavoie Viauが、2025年10月にモントリオールのアンビエントレーベルisohyetから50本限定でリリースしたデビューカセットです。 シンセ・アンビエント8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more isohyet releases available...
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{"id":9038222655738,"title":"JJJJJerome Ellis \/\/ Vesper Sparrow CD","handle":"jjjjjerome-ellis-vesper-sparrow-cd","description":"\u003cp\u003eグレネダ/ジャマイカ/アメリカのマルチ奏者JJJJJerome Ellisが、\u003cspan\u003e2025年11月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"JJJJJerome Ellisは、沈黙と可能性の狭間に心地よく居場所を見出す。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eグレナダ・ジャマイカ・アメリカ系の黒人障害者アーティストは、サックス、オルガン、ハンマードダルシマー、電子音、そして自らの声で雰囲気のある音響風景を創り出す。即興は彼らの芸術性の核心であり、しばしば録音の大塊を削り取り、大理石の彫刻家のように作品を顕現させる。この広範で学際的な実践により、JJJJJeromeは録音音楽、ライブ演劇・パフォーマンスアート、作曲、スポークンワードやストーリーテリング、音を取り入れたマルチメディア/ビジュアル作品など、あらゆる媒体や形式に適応できる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e吃音のある人間として生きる中で、口を使って自己表現することは成長過程で困難を伴った。パフォーマンス名「JJJJJerome」を綴る習慣は、最も頻繁に吃音する言葉が自身の名前であるという気づきに由来する。子供の頃に短期間言語療法を受けたものの、中学1年でサックスを手にした瞬間、全てがはまった。「今でもサックスを吹く時は吃るけど、それは違う種類の吃りなんだ」アーティストとしての創造的理念は、音楽を通じた吃りの探求と、それぞれが時間を形作る能力についての考察に集約される。彼らは芸術によって吃りを尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 近々リリースされるセカンドアルバム『Vesper Sparrow』(Shelter Press)は、黒人宗教の伝統と継承との結びつきから生まれた作品である。これは、時間というレンズを通して、音楽と音、吃音、そして黒人性の交差点をアーティストが継続的に探求する姿勢の延長線上にある。アルバムは二つの完結した思想で構成され、録音された吃音を軸としている。JJJJJeromeは4部構成の楽曲「Evensong」を、第2部で吃音をフェードアウトさせることで分割し、その間に第3部と第4部(「Vesper Sparrow」と「Black-Throated Sparrow」)を挟み込む。開かれた時間を埋める機会について、彼らは「吃音が構造化の一瞬となる」と説明する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして「中断」はJJJJJeromeの音楽言語に不可欠となる。吃音もグラニュラー合成も時間を中断させ、「その瞬間を複数の方法で体験し、横断し、他者と繋がる道を開く」。アーティストはさらにポップ・プロダクションの要素——インディーロックに影響を受けた電子音の質感や歪み、カリブ音楽やアフリカ系アメリカン音楽に由来するスポークンワード、サンプリング、音響操作——も取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=225623914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve + OBI. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Evensong, part 1 (for and after June Kramer) 03:23\u003cbr\u003e2. Evensong, part 2 (for and after James Harrison Monaco) 03:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Vesper Sparrow (feat. Haruna Lee, James Harrison Monaco, Ronald Peet, and S T A RR (busby)) 08:43\u003cbr\u003e\u003c\/span\u003e4. Savannah Sparrow (for and after Kenita Miller) 16:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Evensong, part 3 (for and after Jessica Valoris) 02:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Evensong, part 4 (for and after okcandice) 02:38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe work of JJJJJerome Ellis lives comfortably in the gaps between silence and possibility.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Black disabled Grenadian-Jamaican-American artist creates atmospheric soundscapes with saxophone, organ, hammered dulcimer, electronics, and their voice. Improvisation is at the core of their artistry – often chipping away at large slabs of recordings to reveal the piece like a marble sculptor. It’s an expansive and interdisciplinary practice that allows JJJJJerome to adapt to any medium or form, including recorded music, live theatrical and performance art, scoring, spoken word and storytelling, and multimedia\/visual works that incorporate sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving as a person who stutters, using their mouth to express themselves proved difficult growing up. The practice of spelling their performance moniker “JJJJJerome” stems from the realization that the word they stutter most frequently is their own name. Despite a brief placement in speech therapy as a child – Everything clicked when they picked up the saxophone in seventh grade. “I still stutter on the saxophone, but it’s different.” As an artist, their creative ethos now revolves around the exploration of stuttering through music, expounding upon the ability of each to shape time. They\u003cspan class=\"bcTruncateMore\"\u003e honor the stutter through art.\u003cbr\u003e\u003cbr\u003eTheir career began when they started to improvise along with John Coltrane and Billie Holiday CDs on the horn. But as someone drawn to navigating limitations, JJJJJerome has since blossomed into an adept multi-instrumentalist, each instrument being a watershed in paving new avenues of potential sound worlds. Their voice is additionally guided by a reverence for the earth and ancestors – both human and otherwise. With maternal familial ties to the church, and memorable stories of their grandmother performing as a pianist and organist, JJJJJerome’s recent affinity for keyboards holds a meaningful weight.\u003cbr\u003e\u003cbr\u003eForthcoming sophomore record Vesper Sparrow (Shelter Press) is born out of this connection to Black religious tradition and inheritance. It is a continuation of the artist’s ongoing study of the intersections between music and sound, stuttering, and Blackness, through the lens of time. The album is comprised of two complete thoughts, and hinges on a recorded stutter. JJJJJerome splits the four-part composition “Evensong” by fading out the stutter in part two, and sandwiches tracks three and four (“Vesper Sparrow” and “Black-Throated Sparrow”) in-between. “The stutter becomes a structuring moment,” they explain, regarding the opportunity to fill the time opened up.\u003cbr\u003e\u003cbr\u003eSuspension, then, becomes integral to JJJJJerome’s musical language. Both stuttering and granular synthesis can suspend moments in time, and “invite multiple ways of inhabiting, traversing, and connecting with others in those moments.” The artist also pulls in elements of pop production – electronic textures and distortions inspired in part by indie-rock; and spoken word, sampling, and audio manipulation drawn from Caribbean and Black American musics. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JJJJJerome Ellis\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP165cd\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-23T16:19:06+09:00","created_at":"2025-12-23T11:05:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","folk \/ left-field pop","new","recommended","shelter press"],"price":244900,"price_min":244900,"price_max":244900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148948877562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"JJJJJerome Ellis \/\/ Vesper Sparrow CD","public_title":null,"options":["Default Title"],"price":244900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362412043","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647","\/\/tobirarecords.com\/cdn\/shop\/files\/je2_40145b30-6232-4b70-bde0-ff888628a147.jpg?v=1766455647"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647","options":["Title"],"media":[{"alt":null,"id":37877502148858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647","width":700},{"alt":null,"id":37877502181626,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_40145b30-6232-4b70-bde0-ff888628a147.jpg?v=1766455647"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_40145b30-6232-4b70-bde0-ff888628a147.jpg?v=1766455647","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eグレネダ/ジャマイカ/アメリカのマルチ奏者JJJJJerome Ellisが、\u003cspan\u003e2025年11月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"JJJJJerome Ellisは、沈黙と可能性の狭間に心地よく居場所を見出す。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eグレナダ・ジャマイカ・アメリカ系の黒人障害者アーティストは、サックス、オルガン、ハンマードダルシマー、電子音、そして自らの声で雰囲気のある音響風景を創り出す。即興は彼らの芸術性の核心であり、しばしば録音の大塊を削り取り、大理石の彫刻家のように作品を顕現させる。この広範で学際的な実践により、JJJJJeromeは録音音楽、ライブ演劇・パフォーマンスアート、作曲、スポークンワードやストーリーテリング、音を取り入れたマルチメディア/ビジュアル作品など、あらゆる媒体や形式に適応できる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e吃音のある人間として生きる中で、口を使って自己表現することは成長過程で困難を伴った。パフォーマンス名「JJJJJerome」を綴る習慣は、最も頻繁に吃音する言葉が自身の名前であるという気づきに由来する。子供の頃に短期間言語療法を受けたものの、中学1年でサックスを手にした瞬間、全てがはまった。「今でもサックスを吹く時は吃るけど、それは違う種類の吃りなんだ」アーティストとしての創造的理念は、音楽を通じた吃りの探求と、それぞれが時間を形作る能力についての考察に集約される。彼らは芸術によって吃りを尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 近々リリースされるセカンドアルバム『Vesper Sparrow』(Shelter Press)は、黒人宗教の伝統と継承との結びつきから生まれた作品である。これは、時間というレンズを通して、音楽と音、吃音、そして黒人性の交差点をアーティストが継続的に探求する姿勢の延長線上にある。アルバムは二つの完結した思想で構成され、録音された吃音を軸としている。JJJJJeromeは4部構成の楽曲「Evensong」を、第2部で吃音をフェードアウトさせることで分割し、その間に第3部と第4部(「Vesper Sparrow」と「Black-Throated Sparrow」)を挟み込む。開かれた時間を埋める機会について、彼らは「吃音が構造化の一瞬となる」と説明する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして「中断」はJJJJJeromeの音楽言語に不可欠となる。吃音もグラニュラー合成も時間を中断させ、「その瞬間を複数の方法で体験し、横断し、他者と繋がる道を開く」。アーティストはさらにポップ・プロダクションの要素——インディーロックに影響を受けた電子音の質感や歪み、カリブ音楽やアフリカ系アメリカン音楽に由来するスポークンワード、サンプリング、音響操作——も取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=225623914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve + OBI. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Evensong, part 1 (for and after June Kramer) 03:23\u003cbr\u003e2. Evensong, part 2 (for and after James Harrison Monaco) 03:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Vesper Sparrow (feat. Haruna Lee, James Harrison Monaco, Ronald Peet, and S T A RR (busby)) 08:43\u003cbr\u003e\u003c\/span\u003e4. Savannah Sparrow (for and after Kenita Miller) 16:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Evensong, part 3 (for and after Jessica Valoris) 02:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Evensong, part 4 (for and after okcandice) 02:38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe work of JJJJJerome Ellis lives comfortably in the gaps between silence and possibility.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Black disabled Grenadian-Jamaican-American artist creates atmospheric soundscapes with saxophone, organ, hammered dulcimer, electronics, and their voice. Improvisation is at the core of their artistry – often chipping away at large slabs of recordings to reveal the piece like a marble sculptor. It’s an expansive and interdisciplinary practice that allows JJJJJerome to adapt to any medium or form, including recorded music, live theatrical and performance art, scoring, spoken word and storytelling, and multimedia\/visual works that incorporate sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving as a person who stutters, using their mouth to express themselves proved difficult growing up. The practice of spelling their performance moniker “JJJJJerome” stems from the realization that the word they stutter most frequently is their own name. Despite a brief placement in speech therapy as a child – Everything clicked when they picked up the saxophone in seventh grade. “I still stutter on the saxophone, but it’s different.” As an artist, their creative ethos now revolves around the exploration of stuttering through music, expounding upon the ability of each to shape time. They\u003cspan class=\"bcTruncateMore\"\u003e honor the stutter through art.\u003cbr\u003e\u003cbr\u003eTheir career began when they started to improvise along with John Coltrane and Billie Holiday CDs on the horn. But as someone drawn to navigating limitations, JJJJJerome has since blossomed into an adept multi-instrumentalist, each instrument being a watershed in paving new avenues of potential sound worlds. Their voice is additionally guided by a reverence for the earth and ancestors – both human and otherwise. With maternal familial ties to the church, and memorable stories of their grandmother performing as a pianist and organist, JJJJJerome’s recent affinity for keyboards holds a meaningful weight.\u003cbr\u003e\u003cbr\u003eForthcoming sophomore record Vesper Sparrow (Shelter Press) is born out of this connection to Black religious tradition and inheritance. It is a continuation of the artist’s ongoing study of the intersections between music and sound, stuttering, and Blackness, through the lens of time. The album is comprised of two complete thoughts, and hinges on a recorded stutter. JJJJJerome splits the four-part composition “Evensong” by fading out the stutter in part two, and sandwiches tracks three and four (“Vesper Sparrow” and “Black-Throated Sparrow”) in-between. “The stutter becomes a structuring moment,” they explain, regarding the opportunity to fill the time opened up.\u003cbr\u003e\u003cbr\u003eSuspension, then, becomes integral to JJJJJerome’s musical language. Both stuttering and granular synthesis can suspend moments in time, and “invite multiple ways of inhabiting, traversing, and connecting with others in those moments.” The artist also pulls in elements of pop production – electronic textures and distortions inspired in part by indie-rock; and spoken word, sampling, and audio manipulation drawn from Caribbean and Black American musics. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JJJJJerome Ellis\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP165cd\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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グレネダ/ジャマイカ/アメリカのマルチ奏者JJJJJerome Ellisが、2025年11月にフランスの実験レーベルShelter PressからリリースしたCDです。 アンビエント・ジャズ6曲を収録。 以下、レーベルによる解説です。 "JJJJJerome Ellisは、沈黙と可能性の狭間に心地よく居場所を見出す。グレナダ・ジャマイカ・アメリカ系の黒人障害者アーティストは、サックス、オルガン、ハンマードダルシマー、電子音、そして自らの声で雰囲気のある音響風景を創り出す。即興は彼らの芸術性の核心であり、しばしば録音の大塊を削り取り、大理石の彫刻家のように作品を顕現させる。この広範で学際的な実践により、JJJJJeromeは録音音楽、ライブ演劇・パフォーマンスアート、作曲、スポークンワードやストーリーテリング、音を取り入れたマルチメディア/ビジュアル作品など、あらゆる媒体や形式に適応できる。 吃音のある人間として生きる中で、口を使って自己表現することは成長過程で困難を伴った。パフォーマンス名「JJJJJerome」を綴る習慣は、最も頻繁に吃音する言葉が自身の名前であるという気づきに由来する。子供の頃に短期間言語療法を受けたものの、中学1年でサックスを手にした瞬間、全てがはまった。「今でもサックスを吹く時は吃るけど、それは違う種類の吃りなんだ」アーティストとしての創造的理念は、音楽を通じた吃りの探求と、それぞれが時間を形作る能力についての考察に集約される。彼らは芸術によって吃りを尊ぶ。 近々リリースされるセカンドアルバム『Vesper Sparrow』(Shelter Press)は、黒人宗教の伝統と継承との結びつきから生まれた作品である。これは、時間というレンズを通して、音楽と音、吃音、そして黒人性の交差点をアーティストが継続的に探求する姿勢の延長線上にある。アルバムは二つの完結した思想で構成され、録音された吃音を軸としている。JJJJJeromeは4部構成の楽曲「Evensong」を、第2部で吃音をフェードアウトさせることで分割し、その間に第3部と第4部(「Vesper Sparrow」と「Black-Throated Sparrow」)を挟み込む。開かれた時間を埋める機会について、彼らは「吃音が構造化の一瞬となる」と説明する。 こうして「中断」はJJJJJeromeの音楽言語に不可欠となる。吃音もグラニュラー合成も時間を中断させ、「その瞬間を複数の方法で体験し、横断し、他者と繋がる道を開く」。アーティストはさらにポップ・プロダクションの要素——インディーロックに影響を受けた電子音の質感や歪み、カリブ音楽やアフリカ系アメリカン音楽に由来するスポークンワード、サンプリング、音響操作——も取り入れている。"...
¥2,449
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{"id":9038129234170,"title":"Goldmund \/\/ Layers of Afternoon LP","handle":"goldmund-layers-of-afternoon-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・ポートランドのネオクラシカル作家Goldmundが、2025年6月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eピアノとストリングスによるネオクラシカル・アンビエント14曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはStephan Mathieuが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2033681561\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The One Who Stands Still 02:36\u003cbr\u003e2. Our Times\u003cbr\u003e3. Darnley 02:48\u003cbr\u003e4. We Begin Anew 04:10\u003cbr\u003e5. Long Memories\u003cbr\u003e6. Before I Sleep 02:30\u003cbr\u003e7. Touch of Silver\u003cbr\u003e8. One of The Two\u003cbr\u003e9. The Broad Belt of The World\u003cbr\u003e10. Especially So\u003cbr\u003e11. Prosody\u003cbr\u003e12. All Nature\u003cbr\u003e13. Evident\u003cbr\u003e14. Sprig of The Pine\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLayers of Afternoon is meant to reflect a certain experience of time—something both tangible and vague, felt yet not easily described. These moments often emerge in patterns, sometimes brief, sometimes sustained, but always formative. We recognize their uniqueness, yet something subconscious in us yearns to identify and indulge in these patterns. Perhaps we avoid discussing them for fear of sounding mundane or inconsequential, yet they return to our memories often, offering collective comfort.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Keith Kenniff aka Goldmund, language does little to convey these experiences; only art and music seem to come close to capturing what makes them special. Kenniff explains, “My aim for the music in Layers of Afternoon was to find this in-between place and write from there, hoping to communicate my experience of the world as ideal—free from goals, musical training, or emotional complexity. I wanted to visit this space and let the moments float freely within the act of creation.” Working with violinist Scott Moore, Kenniff crafts a sonic landscape that lingers between nostalgia and fleeting presence, allowing listeners to drift through the blurred edges of memory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeyond his work as Goldmund, Keith Kenniff is a versatile multi-instrumentalist and composer from Maine. He\u003cspan class=\"bcTruncateMore\"\u003e graduated with honors from Berklee College of Music with a degree in percussion in 2006 and soon after began composing for advertising, film, and television. In 2011, he provided music for Apple’s iPhone 4S ad campaign directed by renowned filmmaker Mark Romanek, leading to high-profile collaborations with Google, Amazon, Instagram, Starbucks, and Facebook—including the iconic Facebook Look Back project and Dove’s Real Beauty Sketches, which became the most-viewed ad of all time, surpassing 200 million views and earning 19 Cannes Lions, including the Titanium Grand Prix in 2014. His compositions have also been featured in numerous HBO series, including The Runaway Bunny, The Number on Great-Grandpa’s Arm, and Song of Parkland, which won a Primetime Emmy in 2018 and 2020. Additionally, Kenniff has composed for acclaimed feature documentaries, such as Blood Brother (Grand Jury Prize at Sundance), the Emmy-nominated Blood Road, and, most recently, the award-winning Emanuel. Since 2004, he has released over 20 albums under the monikers Helios, Goldmund, and Mint Julep.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Goldmund\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : WV283lp\u003c\/p\u003e","published_at":"2025-12-23T08:39:57+09:00","created_at":"2025-12-23T08:39:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","western vinyl"],"price":372800,"price_min":372800,"price_max":372800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148730609914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Goldmund \/\/ Layers of Afternoon LP","public_title":null,"options":["Default Title"],"price":372800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563182703","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/la1_4c27e4c2-7345-4289-b902-d87ac105b3b5.jpg?v=1749174523","\/\/tobirarecords.com\/cdn\/shop\/files\/la2_dd67c440-ddcb-477f-9cad-707ec7e88bd6.jpg?v=1749174523"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_4c27e4c2-7345-4289-b902-d87ac105b3b5.jpg?v=1749174523","options":["Title"],"media":[{"alt":null,"id":36137649012986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_4c27e4c2-7345-4289-b902-d87ac105b3b5.jpg?v=1749174523"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la1_4c27e4c2-7345-4289-b902-d87ac105b3b5.jpg?v=1749174523","width":700},{"alt":null,"id":36137649045754,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_dd67c440-ddcb-477f-9cad-707ec7e88bd6.jpg?v=1749174523"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/la2_dd67c440-ddcb-477f-9cad-707ec7e88bd6.jpg?v=1749174523","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・ポートランドのネオクラシカル作家Goldmundが、2025年6月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eピアノとストリングスによるネオクラシカル・アンビエント14曲を収録。\u003c\/p\u003e\n\u003cp\u003eマスタリングはStephan Mathieuが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2033681561\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The One Who Stands Still 02:36\u003cbr\u003e2. Our Times\u003cbr\u003e3. Darnley 02:48\u003cbr\u003e4. We Begin Anew 04:10\u003cbr\u003e5. Long Memories\u003cbr\u003e6. Before I Sleep 02:30\u003cbr\u003e7. Touch of Silver\u003cbr\u003e8. One of The Two\u003cbr\u003e9. The Broad Belt of The World\u003cbr\u003e10. Especially So\u003cbr\u003e11. Prosody\u003cbr\u003e12. All Nature\u003cbr\u003e13. Evident\u003cbr\u003e14. Sprig of The Pine\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLayers of Afternoon is meant to reflect a certain experience of time—something both tangible and vague, felt yet not easily described. These moments often emerge in patterns, sometimes brief, sometimes sustained, but always formative. We recognize their uniqueness, yet something subconscious in us yearns to identify and indulge in these patterns. Perhaps we avoid discussing them for fear of sounding mundane or inconsequential, yet they return to our memories often, offering collective comfort.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Keith Kenniff aka Goldmund, language does little to convey these experiences; only art and music seem to come close to capturing what makes them special. Kenniff explains, “My aim for the music in Layers of Afternoon was to find this in-between place and write from there, hoping to communicate my experience of the world as ideal—free from goals, musical training, or emotional complexity. I wanted to visit this space and let the moments float freely within the act of creation.” Working with violinist Scott Moore, Kenniff crafts a sonic landscape that lingers between nostalgia and fleeting presence, allowing listeners to drift through the blurred edges of memory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBeyond his work as Goldmund, Keith Kenniff is a versatile multi-instrumentalist and composer from Maine. He\u003cspan class=\"bcTruncateMore\"\u003e graduated with honors from Berklee College of Music with a degree in percussion in 2006 and soon after began composing for advertising, film, and television. In 2011, he provided music for Apple’s iPhone 4S ad campaign directed by renowned filmmaker Mark Romanek, leading to high-profile collaborations with Google, Amazon, Instagram, Starbucks, and Facebook—including the iconic Facebook Look Back project and Dove’s Real Beauty Sketches, which became the most-viewed ad of all time, surpassing 200 million views and earning 19 Cannes Lions, including the Titanium Grand Prix in 2014. His compositions have also been featured in numerous HBO series, including The Runaway Bunny, The Number on Great-Grandpa’s Arm, and Song of Parkland, which won a Primetime Emmy in 2018 and 2020. Additionally, Kenniff has composed for acclaimed feature documentaries, such as Blood Brother (Grand Jury Prize at Sundance), the Emmy-nominated Blood Road, and, most recently, the award-winning Emanuel. Since 2004, he has released over 20 albums under the monikers Helios, Goldmund, and Mint Julep.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Goldmund\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : WV283lp\u003c\/p\u003e"}
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アメリカ・ポートランドのネオクラシカル作家Goldmundが、2025年6月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 ピアノとストリングスによるネオクラシカル・アンビエント14曲を収録。 マスタリングはStephan Mathieuが担当しています。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at...
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{"id":9038128775418,"title":"Jim O'Rourke \/\/ Shutting Down Here CD","handle":"jim-orourke-shutting-down-here-cd","description":"\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeが、\u003cspan\u003e2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発CDです。(オリジナルは2020年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン作品です。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4004532621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve. \u003cbr\u003e2025 repress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Shutting Down Here 34:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures and cybernetic becomings, dynamic spaces, harmonic spaces, silent spans . This variety of approach, strangely, does not in any way weaken the coherence of the whole and this is the talent of Jim O'Rourke, a talent, properly speaking, of composition, where all the sound elements compete and participate to stakes that exceed them and of a common destiny, that is to say of an apparition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM x Editions Mego\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM001cd\u003c\/p\u003e","published_at":"2025-12-23T08:36:58+09:00","created_at":"2025-12-23T08:36:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","new","shelter press"],"price":249800,"price_min":249800,"price_max":249800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148728840442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jim O'Rourke \/\/ Shutting Down Here CD","public_title":null,"options":["Default Title"],"price":249800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411787","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984","\/\/tobirarecords.com\/cdn\/shop\/files\/do3.jpg?v=1749090984"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984","options":["Title"],"media":[{"alt":null,"id":36133529059578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984","width":700},{"alt":null,"id":36133529092346,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do3.jpg?v=1749090984"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do3.jpg?v=1749090984","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeが、\u003cspan\u003e2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発CDです。(オリジナルは2020年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン作品です。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4004532621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve. \u003cbr\u003e2025 repress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Shutting Down Here 34:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures and cybernetic becomings, dynamic spaces, harmonic spaces, silent spans . This variety of approach, strangely, does not in any way weaken the coherence of the whole and this is the talent of Jim O'Rourke, a talent, properly speaking, of composition, where all the sound elements compete and participate to stakes that exceed them and of a common destiny, that is to say of an apparition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM x Editions Mego\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM001cd\u003c\/p\u003e"}
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アメリカ出身日本在住の実験音楽家Jim O'Rourkeが、2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発CDです。(オリジナルは2020年リリース) ロングフォームなコラージュ・アンビエント〜ドローン作品です。6面デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
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