Die Schachtel / Blume / Oblio
クイックビュー
{"id":8638343315706,"title":"Blume Bundle \/\/ 3xLP + TOTE","handle":"blume-bundle","description":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eイタリアの実験レーベルBlumeの限定トートバッグ付きバンドルセットです。\u003c\/p\u003e\n\u003cp\u003e以下の3枚がセットになります。\u003c\/p\u003e\n\u003cp\u003eBen Vida \/\/ Vocal Trio LP [COLOR]\u003c\/p\u003e\n\u003cp\u003eVarious Artists (Blume) \/\/ New Music For Electronic And Recorded Media LP[COLOR]\u003c\/p\u003e\n\u003cp\u003eJames Tenney \/\/ Postal Pieces LP [COLOR]\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003c\/p\u003e\n\u003cp\u003e3 x LP bundle set + special Blume tote.\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists (Blume), Ben Vida, James Tenney\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e\n\u003cp\u003eCAT no : BLUME 22 BLUME 23 BLUME 24\u003cbr\u003e\u003c\/p\u003e","published_at":"2024-10-08T16:01:10+09:00","created_at":"2024-10-08T15:50:04+09:00","vendor":"Tobira Records","type":"","tags":["blume","contemporary \/ sound poetry","drone","lp","monooto","new","recommended"],"price":1455000,"price_min":1455000,"price_max":1455000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46726639517946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Blume Bundle \/\/ 3xLP + TOTE","public_title":null,"options":["Default Title"],"price":1455000,"weight":1290,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-0815.48.49.png?v=1728370827","\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_b9751651-a237-4d01-97ca-13365666ddda.jpg?v=1728370781","\/\/tobirarecords.com\/cdn\/shop\/files\/tenn1_8199bbcb-3e52-4ede-ad34-8598ba50b0ae.jpg?v=1728370783","\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f7ee343c-2a85-47a4-ab81-e34c901f18d9.jpg?v=1728370784"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-0815.48.49.png?v=1728370827","options":["Title"],"media":[{"alt":null,"id":35015373586682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1090,"width":1090,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-0815.48.49.png?v=1728370827"},"aspect_ratio":1.0,"height":1090,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/2024-10-0815.48.49.png?v=1728370827","width":1090},{"alt":null,"id":35015372341498,"position":2,"preview_image":{"aspect_ratio":1.01,"height":594,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_b9751651-a237-4d01-97ca-13365666ddda.jpg?v=1728370781"},"aspect_ratio":1.01,"height":594,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_b9751651-a237-4d01-97ca-13365666ddda.jpg?v=1728370781","width":600},{"alt":null,"id":35015372505338,"position":3,"preview_image":{"aspect_ratio":0.987,"height":599,"width":591,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tenn1_8199bbcb-3e52-4ede-ad34-8598ba50b0ae.jpg?v=1728370783"},"aspect_ratio":0.987,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tenn1_8199bbcb-3e52-4ede-ad34-8598ba50b0ae.jpg?v=1728370783","width":591},{"alt":null,"id":35015372603642,"position":4,"preview_image":{"aspect_ratio":0.995,"height":599,"width":596,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f7ee343c-2a85-47a4-ab81-e34c901f18d9.jpg?v=1728370784"},"aspect_ratio":0.995,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f7ee343c-2a85-47a4-ab81-e34c901f18d9.jpg?v=1728370784","width":596}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eイタリアの実験レーベルBlumeの限定トートバッグ付きバンドルセットです。\u003c\/p\u003e\n\u003cp\u003e以下の3枚がセットになります。\u003c\/p\u003e\n\u003cp\u003eBen Vida \/\/ Vocal Trio LP [COLOR]\u003c\/p\u003e\n\u003cp\u003eVarious Artists (Blume) \/\/ New Music For Electronic And Recorded Media LP[COLOR]\u003c\/p\u003e\n\u003cp\u003eJames Tenney \/\/ Postal Pieces LP [COLOR]\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003c\/p\u003e\n\u003cp\u003e3 x LP bundle set + special Blume tote.\u003c\/p\u003e\n\u003cp\u003eArtist : Various Artists (Blume), Ben Vida, James Tenney\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e\n\u003cp\u003eCAT no : BLUME 22 BLUME 23 BLUME 24\u003cbr\u003e\u003c\/p\u003e"}
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※当店限定販売です イタリアの実験レーベルBlumeの限定トートバッグ付きバンドルセットです。 以下の3枚がセットになります。 Ben Vida // Vocal Trio LP [COLOR] Various Artists (Blume) //...
¥14,550
![Ben Vida // Vocal Trio LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ben1_4dd67e46-18b3-4bb2-a213-5841c204cf7b_medium.jpg?v=1728306774)
クイックビュー
{"id":8637859528954,"title":"Ben Vida \/\/ Vocal Trio LP [COLOR]","handle":"ben-vida-vocal-trio-lp-color","description":"\u003cp\u003eアメリカの実験音楽家Ben Vidaが、2024年10月にイタリアの実験レーベルBlumeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声のみによるコンテンポラリー〜ドローン2曲を収録。クリーム盤です。\u003c\/p\u003e\n\u003cp\u003e非売品トートバッグ付きバンドルセットは\u003ca href=\"https:\/\/tobirarecords.com\/products\/blume-bundle\"\u003eこちら\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年の春、Vidaはドイツのブレーメンに滞在し、振付家のフェイ・ドリスコルとダンス作品の共同制作を行っていた。時間があり、自由に使えるスペースがあり、歌手でもある2人のダンサー、エイミー・ゲルヌクスとロッテ・ルドハルトと一緒にいることを知ったVidaは、喉頭をオーディオ・パス（マルチハーモニックまたはピュアハーモニック）として利用する一方、各人の口を与えられた音色の音色と響きを彫刻するフィルターとして概念化する、という作品のアイデアを思いついた。 Vidaは、タイポグラフィの楽譜を非言語的な社会的枠組みに発展させるにはどうしたらよいかを考え、1ページのテキストを下書きした。これが「Vocal Trio」の楽譜となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Vocal Trio」のデュレーションを抽象化する脈打つヴォーカル・ドローン（酔わせるような、ハーモニー豊かなロングトーン）の中核にあるのは、社会的空間としての音楽に対するVidaの敬意である。作曲という行為が認識される条件に挑戦し、コントロールを放棄することで、集団的な音楽制作という行為を通して解放を求める実験なのだ。 この作品のリハーサルは、3人のパフォーマーがただたむろし、互いを知り、自然なダイナミクスを楽譜の形に反映させた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVidaの『Vocal Trio』は、多くの点で創造的で画期的であるだけでなく、陶酔するほど美しく、聴きごたえのある作品である。ステファン・マシューによるマスタリング、ブラッドフォード・ベイリーによる特別依頼のライナーノーツ、そして作品のビジュアル・スコアを提供するレポレロ・インサート付きの200枚限定盤でBlumeからリリースされたこの作品は、2024年に我々が出会うであろう最も重要なコンテンポラリー・レコードのひとつである。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=240363741\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" cream vinyl. Includes original insert that functions as an OBI. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBremen Trio - Part One\u003cbr\u003eB\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBremen Trio - Part Two\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlume:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBen Vida first emerged during the mid 1990s within a loose constellation of experimental musicians, centred around a performance series of improvised workshops at the Myopic Bookstore in Chicago, alongside Jim O'Rourke, Kevin Drumm, Chad Taylor, and the other future members of Town and Country - Jim Dorling, Joshua Abrams, and Liz Payne - the band within which he would gain widespread recognition over the following years. Like many other members of that scene, Vida remains a restless product of a fleeting context - Chicago during the 1990s and early 2000s - continuously undermining concrete notions of idiom and signifier within a practice that witnessed him rendering bristling abstractions within Pillow, glacial melodies with Town and Country, the art-rock mayhem of Bird Show Band, and the angular, driving indie rock of Joan of Arc, before becoming immersed in a practice of systems based synthesis, beginning in the 2010s, that guided much of his first decade of output as a solo performer and composer.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs early as 2013, he began to incorporate acoustic sound sources - specifically the human voice - into his work. It was this shift, evolving and refining itself over the last decade, that underscores radically the leap in his practice represented by “Vocal\u003cspan class=\"bcTruncateMore\"\u003e Trio”, a work that encounters Vida composing for the human voice with the ideas that allow for synthesis - transferring the underlying concepts and structures of both subtractive and additive synthesis to the acoustic realm - without using a synthesiser.\u003cbr\u003e\u003cbr\u003eDuring the Spring of 2022 Vida was in Bremen, Germany, collaborating on a dance piece with the choreographer Fay Driscoll, when the production fell into delays. Finding himself with time on his hands, a space at his disposal, and the company of two dancers - Amy Gernux and Lotte Rudhart - who were also singers, the idea for the piece - to utilising the larynx as audio paths (multi-harmonic or harmonically pure) while conceptualising each person’s mouth as a filter to sculpt the timbre and resonance of a given tone - began to take shape in his mind. Considering how typographical scores might be developed into a non-linguistic social framework, Vida drafted a single page of text - what became the score for “Vocal Trio” - accompanied by a set of harmonic suggestion and loose parameters, seeking a core meaning from each word's phonic make-up by each of the three singers (Vida, Gernux and Rudhart) singing as slowly as possible.\u003cbr\u003e\u003cbr\u003eAt the core of the pulsing vocal drones - intoxicating, harmonically rich long-tones - that make up the duration abstraction of “Vocal Trio”, is Vida’s regard for music as a social space. It is an experiment that seeks liberation through the act of collective music making, by challenging the terms through which the act of composing is perceived and then relinquishing control. The piece’s rehearsals were simply the three performers hanging out, allowing their knowing each other and natural dynamics to contribute to its form as the score, before recording during a single afternoon at the end of a number of days sharing company and space.\u003cbr\u003e\u003cbr\u003eCreatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida’s “Vocal Trio” represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today. Issued by Blume in a highly limited vinyl edition of 200 copies mastered by Stephan Mathieu, featuring specially commissioned liner notes by Bradford Bailey and a leporello insert offering the piece visual score, this is hands down one of the most important contemporary records we’re likely to encounter in 2024.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida \u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e\n\u003cp\u003eCAT no : BLUME 24\u003c\/p\u003e","published_at":"2024-10-08T15:25:31+09:00","created_at":"2024-10-07T22:15:58+09:00","vendor":"Tobira Records","type":"","tags":["blume","contemporary \/ sound poetry","drone","lp","new","recommended"],"price":485000,"price_min":485000,"price_max":485000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46723797713146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Vida \/\/ Vocal Trio LP [COLOR]","public_title":null,"options":["Default Title"],"price":485000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_4dd67e46-18b3-4bb2-a213-5841c204cf7b.jpg?v=1728306774","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_4817120f-edc3-49af-9153-65783e82d8d4.jpg?v=1728306774"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_4dd67e46-18b3-4bb2-a213-5841c204cf7b.jpg?v=1728306774","options":["Title"],"media":[{"alt":null,"id":35009347322106,"position":1,"preview_image":{"aspect_ratio":1.01,"height":594,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_4dd67e46-18b3-4bb2-a213-5841c204cf7b.jpg?v=1728306774"},"aspect_ratio":1.01,"height":594,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_4dd67e46-18b3-4bb2-a213-5841c204cf7b.jpg?v=1728306774","width":600},{"alt":null,"id":35009347354874,"position":2,"preview_image":{"aspect_ratio":1.024,"height":585,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_4817120f-edc3-49af-9153-65783e82d8d4.jpg?v=1728306774"},"aspect_ratio":1.024,"height":585,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_4817120f-edc3-49af-9153-65783e82d8d4.jpg?v=1728306774","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Ben Vidaが、2024年10月にイタリアの実験レーベルBlumeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声のみによるコンテンポラリー〜ドローン2曲を収録。クリーム盤です。\u003c\/p\u003e\n\u003cp\u003e非売品トートバッグ付きバンドルセットは\u003ca href=\"https:\/\/tobirarecords.com\/products\/blume-bundle\"\u003eこちら\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年の春、Vidaはドイツのブレーメンに滞在し、振付家のフェイ・ドリスコルとダンス作品の共同制作を行っていた。時間があり、自由に使えるスペースがあり、歌手でもある2人のダンサー、エイミー・ゲルヌクスとロッテ・ルドハルトと一緒にいることを知ったVidaは、喉頭をオーディオ・パス（マルチハーモニックまたはピュアハーモニック）として利用する一方、各人の口を与えられた音色の音色と響きを彫刻するフィルターとして概念化する、という作品のアイデアを思いついた。 Vidaは、タイポグラフィの楽譜を非言語的な社会的枠組みに発展させるにはどうしたらよいかを考え、1ページのテキストを下書きした。これが「Vocal Trio」の楽譜となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Vocal Trio」のデュレーションを抽象化する脈打つヴォーカル・ドローン（酔わせるような、ハーモニー豊かなロングトーン）の中核にあるのは、社会的空間としての音楽に対するVidaの敬意である。作曲という行為が認識される条件に挑戦し、コントロールを放棄することで、集団的な音楽制作という行為を通して解放を求める実験なのだ。 この作品のリハーサルは、3人のパフォーマーがただたむろし、互いを知り、自然なダイナミクスを楽譜の形に反映させた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVidaの『Vocal Trio』は、多くの点で創造的で画期的であるだけでなく、陶酔するほど美しく、聴きごたえのある作品である。ステファン・マシューによるマスタリング、ブラッドフォード・ベイリーによる特別依頼のライナーノーツ、そして作品のビジュアル・スコアを提供するレポレロ・インサート付きの200枚限定盤でBlumeからリリースされたこの作品は、2024年に我々が出会うであろう最も重要なコンテンポラリー・レコードのひとつである。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=240363741\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" cream vinyl. Includes original insert that functions as an OBI. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBremen Trio - Part One\u003cbr\u003eB\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBremen Trio - Part Two\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlume:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBen Vida first emerged during the mid 1990s within a loose constellation of experimental musicians, centred around a performance series of improvised workshops at the Myopic Bookstore in Chicago, alongside Jim O'Rourke, Kevin Drumm, Chad Taylor, and the other future members of Town and Country - Jim Dorling, Joshua Abrams, and Liz Payne - the band within which he would gain widespread recognition over the following years. Like many other members of that scene, Vida remains a restless product of a fleeting context - Chicago during the 1990s and early 2000s - continuously undermining concrete notions of idiom and signifier within a practice that witnessed him rendering bristling abstractions within Pillow, glacial melodies with Town and Country, the art-rock mayhem of Bird Show Band, and the angular, driving indie rock of Joan of Arc, before becoming immersed in a practice of systems based synthesis, beginning in the 2010s, that guided much of his first decade of output as a solo performer and composer.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs early as 2013, he began to incorporate acoustic sound sources - specifically the human voice - into his work. It was this shift, evolving and refining itself over the last decade, that underscores radically the leap in his practice represented by “Vocal\u003cspan class=\"bcTruncateMore\"\u003e Trio”, a work that encounters Vida composing for the human voice with the ideas that allow for synthesis - transferring the underlying concepts and structures of both subtractive and additive synthesis to the acoustic realm - without using a synthesiser.\u003cbr\u003e\u003cbr\u003eDuring the Spring of 2022 Vida was in Bremen, Germany, collaborating on a dance piece with the choreographer Fay Driscoll, when the production fell into delays. Finding himself with time on his hands, a space at his disposal, and the company of two dancers - Amy Gernux and Lotte Rudhart - who were also singers, the idea for the piece - to utilising the larynx as audio paths (multi-harmonic or harmonically pure) while conceptualising each person’s mouth as a filter to sculpt the timbre and resonance of a given tone - began to take shape in his mind. Considering how typographical scores might be developed into a non-linguistic social framework, Vida drafted a single page of text - what became the score for “Vocal Trio” - accompanied by a set of harmonic suggestion and loose parameters, seeking a core meaning from each word's phonic make-up by each of the three singers (Vida, Gernux and Rudhart) singing as slowly as possible.\u003cbr\u003e\u003cbr\u003eAt the core of the pulsing vocal drones - intoxicating, harmonically rich long-tones - that make up the duration abstraction of “Vocal Trio”, is Vida’s regard for music as a social space. It is an experiment that seeks liberation through the act of collective music making, by challenging the terms through which the act of composing is perceived and then relinquishing control. The piece’s rehearsals were simply the three performers hanging out, allowing their knowing each other and natural dynamics to contribute to its form as the score, before recording during a single afternoon at the end of a number of days sharing company and space.\u003cbr\u003e\u003cbr\u003eCreatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida’s “Vocal Trio” represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today. Issued by Blume in a highly limited vinyl edition of 200 copies mastered by Stephan Mathieu, featuring specially commissioned liner notes by Bradford Bailey and a leporello insert offering the piece visual score, this is hands down one of the most important contemporary records we’re likely to encounter in 2024.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida \u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e\n\u003cp\u003eCAT no : BLUME 24\u003c\/p\u003e"}
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アメリカの実験音楽家Ben Vidaが、2024年10月にイタリアの実験レーベルBlumeからリリースしたレコードです。 声のみによるコンテンポラリー〜ドローン2曲を収録。クリーム盤です。 非売品トートバッグ付きバンドルセットはこちら ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "2022年の春、Vidaはドイツのブレーメンに滞在し、振付家のフェイ・ドリスコルとダンス作品の共同制作を行っていた。時間があり、自由に使えるスペースがあり、歌手でもある2人のダンサー、エイミー・ゲルヌクスとロッテ・ルドハルトと一緒にいることを知ったVidaは、喉頭をオーディオ・パス（マルチハーモニックまたはピュアハーモニック）として利用する一方、各人の口を与えられた音色の音色と響きを彫刻するフィルターとして概念化する、という作品のアイデアを思いついた。 Vidaは、タイポグラフィの楽譜を非言語的な社会的枠組みに発展させるにはどうしたらよいかを考え、1ページのテキストを下書きした。これが「Vocal Trio」の楽譜となった。 「Vocal Trio」のデュレーションを抽象化する脈打つヴォーカル・ドローン（酔わせるような、ハーモニー豊かなロングトーン）の中核にあるのは、社会的空間としての音楽に対するVidaの敬意である。作曲という行為が認識される条件に挑戦し、コントロールを放棄することで、集団的な音楽制作という行為を通して解放を求める実験なのだ。 この作品のリハーサルは、3人のパフォーマーがただたむろし、互いを知り、自然なダイナミクスを楽譜の形に反映させた。 Vidaの『Vocal Trio』は、多くの点で創造的で画期的であるだけでなく、陶酔するほど美しく、聴きごたえのある作品である。ステファン・マシューによるマスタリング、ブラッドフォード・ベイリーによる特別依頼のライナーノーツ、そして作品のビジュアル・スコアを提供するレポレロ・インサート付きの200枚限定盤でBlumeからリリースされたこの作品は、2024年に我々が出会うであろう最も重要なコンテンポラリー・レコードのひとつである。...
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{"id":8637853532410,"title":"James Tenney \/\/ Postal Pieces LP [COLOR]","handle":"james-tenney-postal-pieces-lp-color","description":"\u003cp\u003eアメリカの実験音楽家James Tenney（1934-2006）が、2024年10月にイタリアの実験レーベルBlumeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー〜ドローン5曲を収録。オリーブカラー盤です。インサート、ライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e非売品トートバッグ付きバンドルセットは\u003ca href=\"https:\/\/tobirarecords.com\/products\/blume-bundle\"\u003eこちら\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"James Tenney（1934-2006）は、過去50年間で最も重要なアメリカ人作曲家・理論家の一人である。非常に長い間、彼の作品は主に他の音楽家にしか知られておらず、その多大な影響力はその無名さによって裏切られていた。 しかし、この20年間で、彼の音楽と著作がどんどん出版され、録音され、演奏され、研究されるようになり、アメリカ現代音楽の文脈における彼の位置づけは、はるかによく理解されるようになった。彼は、コンピューター・ミュージック、調律理論、音響学や音楽認知のアイデアの作品への統合など、多様な音楽分野を開拓してきた。テニーはまた、他の先鋭的なアメリカ人作曲家の教師、演奏家、研究者としても重要な存在である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTenneyは音の質と知覚に深く傾倒していた。1970年になると、彼はアコースティック楽器のための作曲（テープ・ディレイで処理することもあったが）に回帰し、ほとんどの場合、調律が整っていない楽器を用いてハーモニーの知覚を探求するようになった。 この進展は、1970年代の初めに、バレンシアに新設されたカリフォルニア芸術大学（カルアーツ）の音楽学部に招かれ、カリフォルニアに移り住んだこととほぼ一致する。ハープ奏者のスーザン・アレンやアーティストのアリソン・ノウルズと定期的に連絡を取るようになり、また多くの友人たちとも距離を置くようになった。1971年、彼はノウルズとマリー・マクロイの協力を得て、1965年に始めたプロジェクト「The Postal Pieces」を完成させた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e11曲からなる組曲「The Postal Pieces」は、Tenneyのよく知られた有名な作品のひとつであり、Tenneyが抱いた二面性、とりわけ、他者への意識を高めるための音の使用と、日常生活の要素や観察に基づく意欲を照らしている。その代わりに、ジョン・ベルガモ、アリソン・ノウルズ、ポーリン・オリヴェロス、ラ・モンテ・ヤング、ハロルド・バッド、フィリップ・コーナー、ジョエル・クロスニック、ビュエル・ニードリンガー、スーザン・アレン、マックス・ノイハウス、マルコム・ゴールドスタインといった友人たちに、葉書の裏に短い楽譜を送ることを思いついた。 この組曲は3つのテーマで構成されている： テニーのコンセプトであるうねり形（繰り返しを利用し、構造的に対称なアーチを描いて進行する）、イントネーション、そして「瞑想的知覚状態」を生み出すという願望である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ifFkz6g7wuE?si=lHHDrkjLbyDG633b\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/K3FcK2vJ5eA?si=ogxz1c5v1CKhnXZ0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/eLCdH2AqWa8?si=I7pdTX8gpWb9AX2D\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PLiCVFs2x-M?si=CE9HFtdjYcCOvRvI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zJUi8ReZnA8?si=WW39fWNps05mh6WB\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" green vinyl. Includes original insert that functions as an OBI. Edition of 300. \u003cbr\u003eFirst ever vinyl pressing of these 5 tracks from James Tenney's 'Postal Pieces', \u003cspan\u003edrawing upon recordings made in 2003 by \u003c\/span\u003eThe Barton Workshop\u003cspan\u003e, under the direction of \u003c\/span\u003eJames Fulkerson.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMaximusic (1965)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:18\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eHaving Never Written A Note For Percussion (1971)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e13:54\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFor Percussion Perhaps, Or... (Night) (1971)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e11:20\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCellogram (1971)\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5:08\u003cbr\u003e\u003c\/span\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBeast (1971)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : James Tenney, The Barton Workshop, James Fulkerson\u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e\n\u003cp\u003eCAT no : BLUME 22\u003c\/p\u003e","published_at":"2024-10-08T15:37:51+09:00","created_at":"2024-10-07T22:03:54+09:00","vendor":"Tobira Records","type":"","tags":["blume","contemporary \/ sound poetry","drone","lp","new","recommended"],"price":485000,"price_min":485000,"price_max":485000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46723766321402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"James Tenney \/\/ Postal Pieces LP [COLOR]","public_title":null,"options":["Default Title"],"price":485000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tenn1.jpg?v=1728306249","\/\/tobirarecords.com\/cdn\/shop\/files\/ten2_3d9405ad-f45e-4252-be41-413c54807df8.jpg?v=1728306249"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tenn1.jpg?v=1728306249","options":["Title"],"media":[{"alt":null,"id":35009303085306,"position":1,"preview_image":{"aspect_ratio":0.987,"height":599,"width":591,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tenn1.jpg?v=1728306249"},"aspect_ratio":0.987,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tenn1.jpg?v=1728306249","width":591},{"alt":null,"id":35009303052538,"position":2,"preview_image":{"aspect_ratio":1.007,"height":596,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ten2_3d9405ad-f45e-4252-be41-413c54807df8.jpg?v=1728306249"},"aspect_ratio":1.007,"height":596,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ten2_3d9405ad-f45e-4252-be41-413c54807df8.jpg?v=1728306249","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家James Tenney（1934-2006）が、2024年10月にイタリアの実験レーベルBlumeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー〜ドローン5曲を収録。オリーブカラー盤です。インサート、ライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e非売品トートバッグ付きバンドルセットは\u003ca href=\"https:\/\/tobirarecords.com\/products\/blume-bundle\"\u003eこちら\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"James Tenney（1934-2006）は、過去50年間で最も重要なアメリカ人作曲家・理論家の一人である。非常に長い間、彼の作品は主に他の音楽家にしか知られておらず、その多大な影響力はその無名さによって裏切られていた。 しかし、この20年間で、彼の音楽と著作がどんどん出版され、録音され、演奏され、研究されるようになり、アメリカ現代音楽の文脈における彼の位置づけは、はるかによく理解されるようになった。彼は、コンピューター・ミュージック、調律理論、音響学や音楽認知のアイデアの作品への統合など、多様な音楽分野を開拓してきた。テニーはまた、他の先鋭的なアメリカ人作曲家の教師、演奏家、研究者としても重要な存在である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTenneyは音の質と知覚に深く傾倒していた。1970年になると、彼はアコースティック楽器のための作曲（テープ・ディレイで処理することもあったが）に回帰し、ほとんどの場合、調律が整っていない楽器を用いてハーモニーの知覚を探求するようになった。 この進展は、1970年代の初めに、バレンシアに新設されたカリフォルニア芸術大学（カルアーツ）の音楽学部に招かれ、カリフォルニアに移り住んだこととほぼ一致する。ハープ奏者のスーザン・アレンやアーティストのアリソン・ノウルズと定期的に連絡を取るようになり、また多くの友人たちとも距離を置くようになった。1971年、彼はノウルズとマリー・マクロイの協力を得て、1965年に始めたプロジェクト「The Postal Pieces」を完成させた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e11曲からなる組曲「The Postal Pieces」は、Tenneyのよく知られた有名な作品のひとつであり、Tenneyが抱いた二面性、とりわけ、他者への意識を高めるための音の使用と、日常生活の要素や観察に基づく意欲を照らしている。その代わりに、ジョン・ベルガモ、アリソン・ノウルズ、ポーリン・オリヴェロス、ラ・モンテ・ヤング、ハロルド・バッド、フィリップ・コーナー、ジョエル・クロスニック、ビュエル・ニードリンガー、スーザン・アレン、マックス・ノイハウス、マルコム・ゴールドスタインといった友人たちに、葉書の裏に短い楽譜を送ることを思いついた。 この組曲は3つのテーマで構成されている： テニーのコンセプトであるうねり形（繰り返しを利用し、構造的に対称なアーチを描いて進行する）、イントネーション、そして「瞑想的知覚状態」を生み出すという願望である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ifFkz6g7wuE?si=lHHDrkjLbyDG633b\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/K3FcK2vJ5eA?si=ogxz1c5v1CKhnXZ0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/eLCdH2AqWa8?si=I7pdTX8gpWb9AX2D\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PLiCVFs2x-M?si=CE9HFtdjYcCOvRvI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/zJUi8ReZnA8?si=WW39fWNps05mh6WB\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" green vinyl. Includes original insert that functions as an OBI. Edition of 300. \u003cbr\u003eFirst ever vinyl pressing of these 5 tracks from James Tenney's 'Postal Pieces', \u003cspan\u003edrawing upon recordings made in 2003 by \u003c\/span\u003eThe Barton Workshop\u003cspan\u003e, under the direction of \u003c\/span\u003eJames Fulkerson.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMaximusic (1965)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:18\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eHaving Never Written A Note For Percussion (1971)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e13:54\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFor Percussion Perhaps, Or... (Night) (1971)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e11:20\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCellogram (1971)\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5:08\u003cbr\u003e\u003c\/span\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eBeast (1971)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : James Tenney, The Barton Workshop, James Fulkerson\u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e\n\u003cp\u003eCAT no : BLUME 22\u003c\/p\u003e"}
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アメリカの実験音楽家James Tenney（1934-2006）が、2024年10月にイタリアの実験レーベルBlumeからリリースしたレコードです。 コンテンポラリー〜ドローン5曲を収録。オリーブカラー盤です。インサート、ライナーノーツ付属。 非売品トートバッグ付きバンドルセットはこちら ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "James Tenney（1934-2006）は、過去50年間で最も重要なアメリカ人作曲家・理論家の一人である。非常に長い間、彼の作品は主に他の音楽家にしか知られておらず、その多大な影響力はその無名さによって裏切られていた。 しかし、この20年間で、彼の音楽と著作がどんどん出版され、録音され、演奏され、研究されるようになり、アメリカ現代音楽の文脈における彼の位置づけは、はるかによく理解されるようになった。彼は、コンピューター・ミュージック、調律理論、音響学や音楽認知のアイデアの作品への統合など、多様な音楽分野を開拓してきた。テニーはまた、他の先鋭的なアメリカ人作曲家の教師、演奏家、研究者としても重要な存在である。 Tenneyは音の質と知覚に深く傾倒していた。1970年になると、彼はアコースティック楽器のための作曲（テープ・ディレイで処理することもあったが）に回帰し、ほとんどの場合、調律が整っていない楽器を用いてハーモニーの知覚を探求するようになった。 この進展は、1970年代の初めに、バレンシアに新設されたカリフォルニア芸術大学（カルアーツ）の音楽学部に招かれ、カリフォルニアに移り住んだこととほぼ一致する。ハープ奏者のスーザン・アレンやアーティストのアリソン・ノウルズと定期的に連絡を取るようになり、また多くの友人たちとも距離を置くようになった。1971年、彼はノウルズとマリー・マクロイの協力を得て、1965年に始めたプロジェクト「The Postal Pieces」を完成させた。 11曲からなる組曲「The...
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{"id":8637851074810,"title":"Various Artists (Blume) \/\/ New Music For Electronic And Recorded Media LP [COLOR]","handle":"various-artists-new-music-for-electronic-and-recorded-media-lp-color","description":"\u003cp\u003eイタリアの実験レーベルBlumeが、2024年10月にリリースした再発コンピレーションレコードです。（オリジナルは1977年リリース）\u003c\/p\u003e\n\u003cp\u003e女性アーティストのみによるコンテンポラリー〜ドローン〜コラージュ8曲を収録。赤盤です。ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e非売品トートバッグ付きバンドルセットは\u003ca href=\"https:\/\/tobirarecords.com\/products\/blume-bundle\"\u003eこちら\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/N5vrJ0DvjmU?si=vSE19szWdjFUqsxm\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2Y_TyjMMbpc?si=IMRde6pDHBF7a1uG\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/52f1ElmTy4o?si=iNhRTd2S4djIAh35\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IeMFCjV9gNg?si=pwzfXNTHsPtYIDUN\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/whKJXcgr6rA?si=ZTgeojTOGJzp6tsS\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BqE-8AAjMds?si=DWgbY95GVPPFE4xp\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" red vinyl. 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autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2Y_TyjMMbpc?si=IMRde6pDHBF7a1uG\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/52f1ElmTy4o?si=iNhRTd2S4djIAh35\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IeMFCjV9gNg?si=pwzfXNTHsPtYIDUN\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; 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イタリアの実験レーベルBlumeが、2024年10月にリリースした再発コンピレーションレコードです。（オリジナルは1977年リリース） 女性アーティストのみによるコンテンポラリー〜ドローン〜コラージュ8曲を収録。赤盤です。ブックレット付属。 非売品トートバッグ付きバンドルセットはこちら ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available at Tobira. --------------------------------------------...
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![Alessandra Novaga // The Artistic Image is Always a Miracle LP [COLOR]](http://tobirarecords.com/cdn/shop/files/im1_73f7ea64-66ad-4e7e-821d-9ea88542f10a_medium.jpg?v=1723617038)
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{"id":8595452330234,"title":"Alessandra Novaga \/\/ The Artistic Image is Always a Miracle LP [COLOR]","handle":"alessandra-novaga-the-artistic-image-is-always-a-miracle-lp-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリア・ミラノのギタリストAlessandra Novagaが、2024年7月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie Schachtel\u003c\/span\u003eからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギターによる実験アンビエント2曲を収録。180g重量ダークターコイズ盤です。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eひとりの時間のお供にオススメします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3647127063\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3398304579\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3647127063\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4156648155\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3647127063\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" dark turquoise vinyl. Includes 8-page insert. Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Erbarme dich 08:29\u003cbr\u003e2. And Your Speech Was Filled To Overflowing with Sonorous Power 02:47\u003cbr\u003e3. Nostalghia 04:56\u003cbr\u003e4. Mein Gott 02:09\u003cbr\u003e5. Elegy for Andrej Tarkovskij 09:31\u003cbr\u003e6. The Artistic Image Is Always a Miracle 11:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Alessandra Novaga\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDie Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003eDSZEIT18\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-08-14T17:59:25+09:00","created_at":"2024-08-14T15:30:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Die Schachtel","lp","new","recommended"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46552484872442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alessandra Novaga \/\/ The Artistic Image is Always a Miracle LP [COLOR]","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/im1_73f7ea64-66ad-4e7e-821d-9ea88542f10a.jpg?v=1723617038","\/\/tobirarecords.com\/cdn\/shop\/files\/im2_82e7e742-f76e-49e0-a997-c658fe269b58.jpg?v=1723617038","\/\/tobirarecords.com\/cdn\/shop\/files\/0036408023_10.jpg?v=1723625700","\/\/tobirarecords.com\/cdn\/shop\/files\/0036408025_10_50ee32a1-4424-48fa-a331-c6c0b094faa6.jpg?v=1723626020","\/\/tobirarecords.com\/cdn\/shop\/files\/im3.jpg?v=1723617038"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/im1_73f7ea64-66ad-4e7e-821d-9ea88542f10a.jpg?v=1723617038","options":["Title"],"media":[{"alt":null,"id":34705515118842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im1_73f7ea64-66ad-4e7e-821d-9ea88542f10a.jpg?v=1723617038"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im1_73f7ea64-66ad-4e7e-821d-9ea88542f10a.jpg?v=1723617038","width":700},{"alt":null,"id":34705515151610,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im2_82e7e742-f76e-49e0-a997-c658fe269b58.jpg?v=1723617038"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im2_82e7e742-f76e-49e0-a997-c658fe269b58.jpg?v=1723617038","width":1200},{"alt":null,"id":34706021351674,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036408023_10.jpg?v=1723625700"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036408023_10.jpg?v=1723625700","width":1200},{"alt":null,"id":34706038161658,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036408025_10_50ee32a1-4424-48fa-a331-c6c0b094faa6.jpg?v=1723626020"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036408025_10_50ee32a1-4424-48fa-a331-c6c0b094faa6.jpg?v=1723626020","width":1200},{"alt":null,"id":34705515184378,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im3.jpg?v=1723617038"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/im3.jpg?v=1723617038","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリア・ミラノのギタリストAlessandra Novagaが、2024年7月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie Schachtel\u003c\/span\u003eからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギターによる実験アンビエント2曲を収録。180g重量ダークターコイズ盤です。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eひとりの時間のお供にオススメします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3647127063\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3398304579\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3647127063\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4156648155\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3647127063\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" dark turquoise vinyl. Includes 8-page insert. Edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Erbarme dich 08:29\u003cbr\u003e2. And Your Speech Was Filled To Overflowing with Sonorous Power 02:47\u003cbr\u003e3. Nostalghia 04:56\u003cbr\u003e4. Mein Gott 02:09\u003cbr\u003e5. Elegy for Andrej Tarkovskij 09:31\u003cbr\u003e6. The Artistic Image Is Always a Miracle 11:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Alessandra Novaga\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDie Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003eDSZEIT18\u003c\/span\u003e\u003c\/p\u003e"}
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イタリア・ミラノのギタリストAlessandra Novagaが、2024年7月に同国実験レーベルDie Schachtelからリリースしたレコードです。 ギターによる実験アンビエント2曲を収録。180g重量ダークターコイズ盤です。ブックレット付属。 ひとりの時間のお供にオススメします。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available at...
¥4,480
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{"id":8489049456890,"title":"Maurizio Bianchi (M.B.) \/\/ Regel LP","handle":"maurizio-bianchi-m-b-regel-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアのインダストリアル作家Maurizio Bianchi (M.B.) が、2024年5月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eOblioからリリースした再発レコードです。（オリジナルは1982年リリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなインダストリアル・ドローン〜ドローン2曲を収録。インサートとステッカー付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4270267947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\" black vinyl. Edition of 280. Fully remastered for the first time since its initial release in 1982. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Regel - Part One 23:32\u003cbr\u003e2. Regel - Part Two 23:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOblio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Launching into the early, wintering months of the new year, the brand new imprint Oblio - the latest adventure in the Die Schachtel \/ Blume family - delivers their debut LP, the first ever fully remastered vinyl reissue of Maurizio Bianchi's seminal 1982 album “Regel”. A startling bridge between 1950s and '60s avant-garde electronic music and the legacies of punk, originally released on Bianchi's own Mectpyo Sounds imprint under the moniker M.B., for decades it has been hotly pursued as one of the great cornerstones of early '80s Italian experimentalism and Industrial music. Fully remastered by Andrea Marutti and issued in collaboration with the artist in a very limited edition of 280 copies on black vinyl, the album is housed in a sleeve that fully replicates the original, and contains two inserts and a sticker. It is a rare chance to immerse yourself in one of the remarkable artefacts of its era and Bianchi's singular sound world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHaving begun his career as music journalist attending to the more ambitious trajectories of Kosmische, experimentalism, and early industrial music, in 1979 Maurizio Bianchi turned his focus to making music of his own, initially self-releasing four cassettes under the moniker Sacher-Pelz, before beginning to work under his own name or the abbreviation M.B. in 1980. Regarded as a\u003cspan class=\"bcTruncateMore\"\u003e foundational project in the movements of Italian industrial music and noise, as well as a crucial link between the Milan scene and similar artists working in other parts of the world - Bianchi was in regular correspondence with Merzbow, SPK, Nigel Ayers of Nocturnal Emissions and William Bennett of Whitehouse - between 1980 and 1984, when Bianchi left the music world behind, beginning a decade and a half hiatus, he was caught in one of the most prolific flurries of production to emerge from the noise \/ Industrial scene, releasing roughly three dozen full-lengths of dazzling dark and bristling music in the short period of time. Of these, M.B.’s 1982 album “Regel”, originally released in a tiny edition of 280 copies by Bianchi's own Mectpyo Sounds imprint, remains one of the most celebrated and sought after.\u003cbr\u003e\u003cbr\u003eComprising two, untitled, side-long compositions, M.B.’s “Regel” stands among the best illuminations of the tangible links between the early electronic avant-garde and certain forms of music that blossomed from the cultural revolution of punk. The first piece draws upon manipulated sound sources, threaded with synthesizer or theremin, which collectively gather an almost post-apocalyptic sensibility. Using a similar sound palette, the album's second side delves toward a more markedly tonal realm, utilising deconstructed melodic elements, striking harmonic collisions and pulses, placed within a cavernous sense of space and texture that achieves thrilling seductiveness.\u003cbr\u003e\u003cbr\u003eRemarkably cohesive over the entirety of its length - resembling an expansive and evolving sonorous journey through the darkened depths of visionary creative mind - “Regel” is made up of two sprawling, long-form sides standing in stark contrast to M.B.'s more aggressive, industrial-oriented works. Instead, what unfolds is a classic of austere musical hypnotism, helping add to the spiritual nature of the album as it ebbs and flows, culminating as an unprecedented form of meditation music, pitch perfect for the moment it emerged.\u003cbr\u003e\u003cbr\u003eAn unquestionable high-water mark in early '80s Italian experimentalism, as well as within the broader movements of Industrial music and noise, Maurizio Bianchi's seminal LP “Regel” remains as fresh, engrossing, and exciting as the day it first appeared in 1982. Issued by Oblio in full collaboration with the artist in a very limited edition of 280 fully remastered copies on black vinyl, housed in a sleeve that fully replicates the original and contains a sticker and two inserts, don’t miss your chance to grab a copy of a truly singular and towering piece of work.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Maurizio Bianchi\/M.B.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Oblio (Die Schachtel) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT No : OB1\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-06-04T15:14:43+09:00","created_at":"2024-06-04T11:51:47+09:00","vendor":"Tobira Records","type":"","tags":["blume","Die Schachtel","drone","lp","new","noise","recommended"],"price":418000,"price_min":418000,"price_max":418000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46173791125754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Maurizio Bianchi (M.B.) \/\/ Regel LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/reg1_0cb91e14-9176-4246-8cbe-713598b9eee0.jpg?v=1717469331","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6606.jpg?v=1717542464","\/\/tobirarecords.com\/cdn\/shop\/files\/reg2_2409ea27-5b30-427d-b257-f14f808dfdac.jpg?v=1717469331"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/reg1_0cb91e14-9176-4246-8cbe-713598b9eee0.jpg?v=1717469331","options":["Title"],"media":[{"alt":null,"id":34238473863418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/reg1_0cb91e14-9176-4246-8cbe-713598b9eee0.jpg?v=1717469331"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/reg1_0cb91e14-9176-4246-8cbe-713598b9eee0.jpg?v=1717469331","width":700},{"alt":null,"id":34246139347194,"position":2,"preview_image":{"aspect_ratio":1.0,"height":3024,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6606.jpg?v=1717542464"},"aspect_ratio":1.0,"height":3024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_6606.jpg?v=1717542464","width":3024},{"alt":null,"id":34238473896186,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/reg2_2409ea27-5b30-427d-b257-f14f808dfdac.jpg?v=1717469331"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/reg2_2409ea27-5b30-427d-b257-f14f808dfdac.jpg?v=1717469331","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアのインダストリアル作家Maurizio Bianchi (M.B.) が、2024年5月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eOblioからリリースした再発レコードです。（オリジナルは1982年リリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eロングフォームなインダストリアル・ドローン〜ドローン2曲を収録。インサートとステッカー付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4270267947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e--------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\" black vinyl. Edition of 280. Fully remastered for the first time since its initial release in 1982. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Regel - Part One 23:32\u003cbr\u003e2. Regel - Part Two 23:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOblio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Launching into the early, wintering months of the new year, the brand new imprint Oblio - the latest adventure in the Die Schachtel \/ Blume family - delivers their debut LP, the first ever fully remastered vinyl reissue of Maurizio Bianchi's seminal 1982 album “Regel”. A startling bridge between 1950s and '60s avant-garde electronic music and the legacies of punk, originally released on Bianchi's own Mectpyo Sounds imprint under the moniker M.B., for decades it has been hotly pursued as one of the great cornerstones of early '80s Italian experimentalism and Industrial music. Fully remastered by Andrea Marutti and issued in collaboration with the artist in a very limited edition of 280 copies on black vinyl, the album is housed in a sleeve that fully replicates the original, and contains two inserts and a sticker. It is a rare chance to immerse yourself in one of the remarkable artefacts of its era and Bianchi's singular sound world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHaving begun his career as music journalist attending to the more ambitious trajectories of Kosmische, experimentalism, and early industrial music, in 1979 Maurizio Bianchi turned his focus to making music of his own, initially self-releasing four cassettes under the moniker Sacher-Pelz, before beginning to work under his own name or the abbreviation M.B. in 1980. Regarded as a\u003cspan class=\"bcTruncateMore\"\u003e foundational project in the movements of Italian industrial music and noise, as well as a crucial link between the Milan scene and similar artists working in other parts of the world - Bianchi was in regular correspondence with Merzbow, SPK, Nigel Ayers of Nocturnal Emissions and William Bennett of Whitehouse - between 1980 and 1984, when Bianchi left the music world behind, beginning a decade and a half hiatus, he was caught in one of the most prolific flurries of production to emerge from the noise \/ Industrial scene, releasing roughly three dozen full-lengths of dazzling dark and bristling music in the short period of time. Of these, M.B.’s 1982 album “Regel”, originally released in a tiny edition of 280 copies by Bianchi's own Mectpyo Sounds imprint, remains one of the most celebrated and sought after.\u003cbr\u003e\u003cbr\u003eComprising two, untitled, side-long compositions, M.B.’s “Regel” stands among the best illuminations of the tangible links between the early electronic avant-garde and certain forms of music that blossomed from the cultural revolution of punk. The first piece draws upon manipulated sound sources, threaded with synthesizer or theremin, which collectively gather an almost post-apocalyptic sensibility. Using a similar sound palette, the album's second side delves toward a more markedly tonal realm, utilising deconstructed melodic elements, striking harmonic collisions and pulses, placed within a cavernous sense of space and texture that achieves thrilling seductiveness.\u003cbr\u003e\u003cbr\u003eRemarkably cohesive over the entirety of its length - resembling an expansive and evolving sonorous journey through the darkened depths of visionary creative mind - “Regel” is made up of two sprawling, long-form sides standing in stark contrast to M.B.'s more aggressive, industrial-oriented works. Instead, what unfolds is a classic of austere musical hypnotism, helping add to the spiritual nature of the album as it ebbs and flows, culminating as an unprecedented form of meditation music, pitch perfect for the moment it emerged.\u003cbr\u003e\u003cbr\u003eAn unquestionable high-water mark in early '80s Italian experimentalism, as well as within the broader movements of Industrial music and noise, Maurizio Bianchi's seminal LP “Regel” remains as fresh, engrossing, and exciting as the day it first appeared in 1982. Issued by Oblio in full collaboration with the artist in a very limited edition of 280 fully remastered copies on black vinyl, housed in a sleeve that fully replicates the original and contains a sticker and two inserts, don’t miss your chance to grab a copy of a truly singular and towering piece of work.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Maurizio Bianchi\/M.B.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Oblio (Die Schachtel) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT No : OB1\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアのインダストリアル作家Maurizio Bianchi (M.B.) が、2024年5月に同国実験レーベルOblioからリリースした再発レコードです。（オリジナルは1982年リリース） ロングフォームなインダストリアル・ドローン〜ドローン2曲を収録。インサートとステッカー付属。 レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available at Tobira....
¥4,180
クイックビュー
{"id":7983597879546,"title":"Stefano Pilia \/\/ Spiralis Aurea 2xLP","handle":"stefano-pilia-spiralis-aurea-2xlp","description":"\u003cp\u003eイタリアのアンビエント作家Stefano Piliaが、2022年同国実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eネオクラシカル・アンビエント〜アンビエントドローン13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1331221135\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black 180gram vinyl presented in 6-panel gatefold sleeve. Includes booklet. Edition of 190.\u003c\/p\u003e\n\u003cp\u003eDie Schachtel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eVenturing into untapped realms of creative exploration, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, returns to Die Schachtel with a double LP of material that intertwines traces of sacred geometry, collective experience and elusive connections between nature and human kind. “Spiralis Aurea” encounters the composer venturing into unchartered waters, exploring notions of spirituality via a body of twelve compositions, recorded in various combinations with a cast of all-star instrumentalist; Alessandra Novaga, iosonouncane, Silvia Tarozzi, Mattia Cipolli, Ensemble Concordanze, Elisa Bognetti, Enrico Gabrielli, Valeria Sturba, Giuseppe Franchellucci, Adrian Utley, and Cecilia Stacchiotti.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe roots of “Spiralis Aurea” rest within Pilia’s longstanding, personal engagement with the spiritual and an epiphany had during a visit to the Futa Pass cemetery, the resting place for German soldiers killed in Italy during the Second World War. Deeply moved, he reflected on the profound meanings laying below geometry of its design; “a place\"crossed\" by thoughts about the landscape, history, symbols, rituals. A work offering a reflection on life and death. A prayer for the living and the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e dead.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawing its title from the Golden Spiral - also known as the golden ratio, golden section, golden mean, or divine proportion - a mathematical formula and geometric form that has maintained both mystical and creative significance for millennia, each of the 12 works that comprise “Spiralis Aurea” began with a figure or process that is both geometric and symbolic, drawn by Pilia, that slowly translated into tangible organizations of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDisplaying a deep resonance with works by La Monte Young, Arvo Pärt, Pauline Oliveros, Eliane Radigue, Krzysztof Penderecki, and Terry Riley, that have witnessed trajectories of experimental music delving toward the spiritual, divine, and metaphysical, Pilia’s “Spiralis Aurea” culminates as a series of sonic meditations, leaving room within their spacious forms to encourage active listening. Calling up echoes of ancient musics within their optimistic, forward thinking tones, across various arrangements of instrumentation - double cello quartet and bass, horns quartet and bass organ, string quartet, string quartet and organ, cello quartet, solo organ, cello solo and synthesizer, electric guitar quartet, guitar quartet and synthesizer, piano and violin - Pilia sculpts a striking intersection between acoustic and electroacoustic process, drone, and chamber music, harnessing the literal and abstract in search of order and higher meaning within a chaotic and uncertain world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOverwhelmingly beautiful, conceptually rich, and marked by a profound sense of emotive tension, Stefano Pilia’s “Spiralis Aurea” is issued as a pure gold double vinyl LP in a limited deluxe edition of 250 copies, housed in a beautiful sleeve designed by Bruno Stucchi-Dinamomilano, painstakingly letterpress printed with a 1915 German press machine with a hand-painted and applied gold foil shining on a rust-coloured materic paper of Franciscan inspiration.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stefano Pilia\u003c\/p\u003e\n\u003cp\u003eLabel : Die Schachtel\u003c\/p\u003e","published_at":"2023-06-12T18:59:26+09:00","created_at":"2023-06-10T13:51:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Die Schachtel","lp","neo classical"],"price":648000,"price_min":648000,"price_max":648000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44274689999098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Stefano Pilia \/\/ Spiralis Aurea 2xLP","public_title":null,"options":["Default Title"],"price":648000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/au1_ae417907-2394-48d6-9007-bb201be9afe6.jpg?v=1686372721","\/\/tobirarecords.com\/cdn\/shop\/files\/au2_1c1ddad4-2042-4874-be04-46eb1965c775.jpg?v=1686372721"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_ae417907-2394-48d6-9007-bb201be9afe6.jpg?v=1686372721","options":["Title"],"media":[{"alt":null,"id":32100309008634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_ae417907-2394-48d6-9007-bb201be9afe6.jpg?v=1686372721"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au1_ae417907-2394-48d6-9007-bb201be9afe6.jpg?v=1686372721","width":700},{"alt":null,"id":32100309041402,"position":2,"preview_image":{"aspect_ratio":1.89,"height":635,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au2_1c1ddad4-2042-4874-be04-46eb1965c775.jpg?v=1686372721"},"aspect_ratio":1.89,"height":635,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/au2_1c1ddad4-2042-4874-be04-46eb1965c775.jpg?v=1686372721","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのアンビエント作家Stefano Piliaが、2022年同国実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eネオクラシカル・アンビエント〜アンビエントドローン13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1331221135\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black 180gram vinyl presented in 6-panel gatefold sleeve. Includes booklet. Edition of 190.\u003c\/p\u003e\n\u003cp\u003eDie Schachtel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eVenturing into untapped realms of creative exploration, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, returns to Die Schachtel with a double LP of material that intertwines traces of sacred geometry, collective experience and elusive connections between nature and human kind. “Spiralis Aurea” encounters the composer venturing into unchartered waters, exploring notions of spirituality via a body of twelve compositions, recorded in various combinations with a cast of all-star instrumentalist; Alessandra Novaga, iosonouncane, Silvia Tarozzi, Mattia Cipolli, Ensemble Concordanze, Elisa Bognetti, Enrico Gabrielli, Valeria Sturba, Giuseppe Franchellucci, Adrian Utley, and Cecilia Stacchiotti.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe roots of “Spiralis Aurea” rest within Pilia’s longstanding, personal engagement with the spiritual and an epiphany had during a visit to the Futa Pass cemetery, the resting place for German soldiers killed in Italy during the Second World War. Deeply moved, he reflected on the profound meanings laying below geometry of its design; “a place\"crossed\" by thoughts about the landscape, history, symbols, rituals. A work offering a reflection on life and death. A prayer for the living and the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e dead.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawing its title from the Golden Spiral - also known as the golden ratio, golden section, golden mean, or divine proportion - a mathematical formula and geometric form that has maintained both mystical and creative significance for millennia, each of the 12 works that comprise “Spiralis Aurea” began with a figure or process that is both geometric and symbolic, drawn by Pilia, that slowly translated into tangible organizations of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDisplaying a deep resonance with works by La Monte Young, Arvo Pärt, Pauline Oliveros, Eliane Radigue, Krzysztof Penderecki, and Terry Riley, that have witnessed trajectories of experimental music delving toward the spiritual, divine, and metaphysical, Pilia’s “Spiralis Aurea” culminates as a series of sonic meditations, leaving room within their spacious forms to encourage active listening. Calling up echoes of ancient musics within their optimistic, forward thinking tones, across various arrangements of instrumentation - double cello quartet and bass, horns quartet and bass organ, string quartet, string quartet and organ, cello quartet, solo organ, cello solo and synthesizer, electric guitar quartet, guitar quartet and synthesizer, piano and violin - Pilia sculpts a striking intersection between acoustic and electroacoustic process, drone, and chamber music, harnessing the literal and abstract in search of order and higher meaning within a chaotic and uncertain world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOverwhelmingly beautiful, conceptually rich, and marked by a profound sense of emotive tension, Stefano Pilia’s “Spiralis Aurea” is issued as a pure gold double vinyl LP in a limited deluxe edition of 250 copies, housed in a beautiful sleeve designed by Bruno Stucchi-Dinamomilano, painstakingly letterpress printed with a 1915 German press machine with a hand-painted and applied gold foil shining on a rust-coloured materic paper of Franciscan inspiration.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stefano Pilia\u003c\/p\u003e\n\u003cp\u003eLabel : Die Schachtel\u003c\/p\u003e"}
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イタリアのアンビエント作家Stefano Piliaが、2022年同国実験レーベルDie Schachtelからリリースした2枚組レコードです。 ネオクラシカル・アンビエント〜アンビエントドローン13曲を収録。 レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available at Tobira. -----------------------------------------...
¥6,480
クイックビュー
{"id":7983597781242,"title":"Claudio Rocchetti \/\/ Decay Music n.5: Labirinto verticale LP","handle":"claudio-rocchetti-decay-music-n-5-labirinto-verticale-12","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にsecond sleepなどから発表しているイタリアの実験音楽家Claudio Rocchettiが、2023年4月に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003eDie Schachtelからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eディープリスニング系ミニマル・ドローン6曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=6347612\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 12\" black 180gram vinyl. \u003c\/p\u003e\n\u003cp\u003eDie Schachtel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe latest work, after six years of silence, from Italian berlin-based composer, performer and publisher (Black Letter Press) Claudio Rocchetti, and a welcomed return on the Die Schachtel imprint after the brilliant Another Piece of teenage wildlife (2008), Labirinto verticale (Vertical Maze) takes its origin from the four years long collaboration of Rocchetti with the Parma-based Fondazione Lenz, a contemporary theatre research collective\/organization.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImmersed in this very fertile milieu, inspired by the writings of Hölderlin and Calderon de la Barca, and orbiting around the concepts of Memory, Sedimentation, Presence\/Absence, Rocchetti produced several hours of music, a selection of which is collected in this album, that marks the n.5 in the internationally acclaimed Die Schachtel’s series “Decay Music”, perfectly fitting its mission, which is to explore the more “intangible”, “decomposing” (in a re-generative sense of the term) borders between experimental sound and “proper” music with a special focus on the more interesting experiences of the contemporary Italian scene.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor sure the series of delicate, eerie pieces that composes Rocchetti’s Vertical Maze are of an intangible, almost “phantasmic” quality (in Rocchetti’s words), a sort of alchemic “opera al nero”\u003cspan class=\"bcTruncateMore\"\u003e characterized by a ghostly use of fragments of the human voice, that surfaces in a subtle maelstrom of otherworldly sounds, created, manipulated and decomposed with the use of cassette tapes, re-recording sessions reminiscent of Alvin Lucier’s I am Sitting in a Room masterpiece of sonic refractions, feedbacks, sounds either found or collected during the rehearsals or the theatrical workshops and shows, and – as a finishing touch – Rocchetti’s own voice used to imitate artificial sounds or instruments and further re-mixed in a game of sonic mirrors that transports the listener in a completely new concept of melancholia, hauntology and at times on the verge of discomfort, managing anyway to remain in the space of a gratifying and accessible listening experience.\u003cbr\u003e\u003cbr\u003eHosted in the usual silver-silkscreened deep black cardboard with a crux-shaped maze (the image is the 16th Century Labirinto figurato by Francesco Segala) as the main image, on which the silkscreened clear plastic sleeve (another signature of the series) superimposes the “alchemic” custom lettering designed by Bruno Stucchi - dinamomilano, Labirinto verticale is pressed on high quality heavy black vinyl in 300 copies, and presents itself as one of the diamond heads of the series as well as of the entire Italian musical production of the year.\u003cbr\u003e\u003cbr\u003eClaudio Rocchetti is one of the most active European avant musicians of the last decade. His work is mainly focused on concrete pastiches as the result of hardware live manipulation, turntable feedbacks and various recorded sources and objects.\u003cbr\u003e\u003cbr\u003eFondazione Lenz is a contemporary theatre research collective\/organization whose aim is to create complex performative and visual contemporary projects, alongside musical and theatrical co-productions to be completed in collaboration with regional, national, and international institutions. Their work also includes integrated workshops for people with mental, intellectual, or sensorial disabilities. Their recent projects of contemporary creative performance are the result of an in-depth artistic research into visual, filmic, spatial, dramaturgical and sonic arts. In a convergent aesthetic between interpretative loyalty to the script, visual radicality in filmic creation, and originality in conceptual extremism with artistic installations, Lenz’s work rewrites the philosophical tensions and aesthetic unease of the contemporary into a visionary language.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Claudio Rocchetti\u003c\/p\u003e\n\u003cp\u003eLabel : Die Schachtel\u003c\/p\u003e","published_at":"2023-07-18T08:02:56+09:00","created_at":"2023-06-10T13:45:38+09:00","vendor":"Tobira Records","type":"","tags":["Die Schachtel","drone","lp"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44274688524538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Claudio Rocchetti \/\/ Decay Music n.5: Labirinto verticale LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/de1_32919008-d6b2-450c-82c3-75507f57f35b.jpg?v=1686372340"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_32919008-d6b2-450c-82c3-75507f57f35b.jpg?v=1686372340","options":["Title"],"media":[{"alt":null,"id":32100304519418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_32919008-d6b2-450c-82c3-75507f57f35b.jpg?v=1686372340"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_32919008-d6b2-450c-82c3-75507f57f35b.jpg?v=1686372340","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にsecond sleepなどから発表しているイタリアの実験音楽家Claudio Rocchettiが、2023年4月に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003eDie Schachtelからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eディープリスニング系ミニマル・ドローン6曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=6347612\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 12\" black 180gram vinyl. \u003c\/p\u003e\n\u003cp\u003eDie Schachtel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe latest work, after six years of silence, from Italian berlin-based composer, performer and publisher (Black Letter Press) Claudio Rocchetti, and a welcomed return on the Die Schachtel imprint after the brilliant Another Piece of teenage wildlife (2008), Labirinto verticale (Vertical Maze) takes its origin from the four years long collaboration of Rocchetti with the Parma-based Fondazione Lenz, a contemporary theatre research collective\/organization.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImmersed in this very fertile milieu, inspired by the writings of Hölderlin and Calderon de la Barca, and orbiting around the concepts of Memory, Sedimentation, Presence\/Absence, Rocchetti produced several hours of music, a selection of which is collected in this album, that marks the n.5 in the internationally acclaimed Die Schachtel’s series “Decay Music”, perfectly fitting its mission, which is to explore the more “intangible”, “decomposing” (in a re-generative sense of the term) borders between experimental sound and “proper” music with a special focus on the more interesting experiences of the contemporary Italian scene.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor sure the series of delicate, eerie pieces that composes Rocchetti’s Vertical Maze are of an intangible, almost “phantasmic” quality (in Rocchetti’s words), a sort of alchemic “opera al nero”\u003cspan class=\"bcTruncateMore\"\u003e characterized by a ghostly use of fragments of the human voice, that surfaces in a subtle maelstrom of otherworldly sounds, created, manipulated and decomposed with the use of cassette tapes, re-recording sessions reminiscent of Alvin Lucier’s I am Sitting in a Room masterpiece of sonic refractions, feedbacks, sounds either found or collected during the rehearsals or the theatrical workshops and shows, and – as a finishing touch – Rocchetti’s own voice used to imitate artificial sounds or instruments and further re-mixed in a game of sonic mirrors that transports the listener in a completely new concept of melancholia, hauntology and at times on the verge of discomfort, managing anyway to remain in the space of a gratifying and accessible listening experience.\u003cbr\u003e\u003cbr\u003eHosted in the usual silver-silkscreened deep black cardboard with a crux-shaped maze (the image is the 16th Century Labirinto figurato by Francesco Segala) as the main image, on which the silkscreened clear plastic sleeve (another signature of the series) superimposes the “alchemic” custom lettering designed by Bruno Stucchi - dinamomilano, Labirinto verticale is pressed on high quality heavy black vinyl in 300 copies, and presents itself as one of the diamond heads of the series as well as of the entire Italian musical production of the year.\u003cbr\u003e\u003cbr\u003eClaudio Rocchetti is one of the most active European avant musicians of the last decade. His work is mainly focused on concrete pastiches as the result of hardware live manipulation, turntable feedbacks and various recorded sources and objects.\u003cbr\u003e\u003cbr\u003eFondazione Lenz is a contemporary theatre research collective\/organization whose aim is to create complex performative and visual contemporary projects, alongside musical and theatrical co-productions to be completed in collaboration with regional, national, and international institutions. Their work also includes integrated workshops for people with mental, intellectual, or sensorial disabilities. Their recent projects of contemporary creative performance are the result of an in-depth artistic research into visual, filmic, spatial, dramaturgical and sonic arts. In a convergent aesthetic between interpretative loyalty to the script, visual radicality in filmic creation, and originality in conceptual extremism with artistic installations, Lenz’s work rewrites the philosophical tensions and aesthetic unease of the contemporary into a visionary language.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Claudio Rocchetti\u003c\/p\u003e\n\u003cp\u003eLabel : Die Schachtel\u003c\/p\u003e"}
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過去にsecond sleepなどから発表しているイタリアの実験音楽家Claudio Rocchettiが、2023年4月に同国実験レーベルDie Schachtelからリリースしたレコードです。 ディープリスニング系ミニマル・ドローン6曲を収録。180g重量盤です。 レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available at Tobira....
¥4,480
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{"id":5811494584485,"title":"Marino Zuccheri \/\/ Parete 67 LP","handle":"marino-zuccheri-parete-67-lp","description":"\u003cp\u003eエレクトロニック・ミュージックの誕生と発展に多大な貢献をしたMarino Zuccheriが1967年モントリオール万博のイタリア館のために制作したインスタレーション音源。2005年にリリースされましたが、この度イタリア発掘専門レーベルDie Schachtel再プレス。ライナーノート\u003cspan data-mce-fragment=\"1\"\u003eインサート付属の限定300枚。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/916880132\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Marino Zuccheri \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDie Schachtel\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-24T12:56:21+09:00","created_at":"2020-10-21T07:51:34+09:00","vendor":"Tobira Records","type":"","tags":["Die Schachtel","drone","lp","noise"],"price":360800,"price_min":360800,"price_max":360800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36813805846693,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marino Zuccheri \/\/ Parete 67 LP","public_title":null,"options":["Default Title"],"price":360800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R-12203282-1530402354-2268_jpeg.jpg?v=1603511794"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-12203282-1530402354-2268_jpeg.jpg?v=1603511794","options":["Title"],"media":[{"alt":null,"id":12725607923877,"position":1,"preview_image":{"aspect_ratio":1.007,"height":571,"width":575,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-12203282-1530402354-2268_jpeg.jpg?v=1603511794"},"aspect_ratio":1.007,"height":571,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-12203282-1530402354-2268_jpeg.jpg?v=1603511794","width":575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eエレクトロニック・ミュージックの誕生と発展に多大な貢献をしたMarino Zuccheriが1967年モントリオール万博のイタリア館のために制作したインスタレーション音源。2005年にリリースされましたが、この度イタリア発掘専門レーベルDie Schachtel再プレス。ライナーノート\u003cspan data-mce-fragment=\"1\"\u003eインサート付属の限定300枚。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/916880132\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Marino Zuccheri \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eDie Schachtel\u003c\/span\u003e\u003c\/p\u003e"}
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¥3,608
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{"id":8489033957626,"title":"SMET Studio Di Musica Elettronica Di Torino \/\/ Musica Elettronica \/ Computer Music 1966-1972 LP","handle":"smet-studio-di-musica-elettronica-di-torino-musica-elettronica-computer-music-1966-1972-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの実験音楽家Enore Zaffiri率いるSMET Studio Di Musica Elettronica Di Torinoが、2024年5月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースした再発レコードです。（オリジナルは1971年リリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e未発表音源3曲含む計9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SMET - Studio di Musica Elettronicaは1964年、Enore Zaffiriのアイデアからトリノで誕生した。当初、スタジオは初歩的な機材を使用し、会議やオーディションを通じてこの前衛的な音楽分野の知識を広めると同時に、独自のサウンド体験を開発することを目的としていた。新しい機器へのアプローチは、構造主義的アプローチによる厳格な研究手法に従ったもので、「スタジオ・ディ・インフォルマツィオーネ・エステティカ」（美的情報スタジオ）を中心とした視覚的オペレーターとの密接な関係があった。1966年、音楽実験に興味を持つ若い音楽家や大学生のために、実験的な電子音楽コースが開設された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1968年、イタリア教育省は、トリノの \"G.ヴェルディ \"音楽院に電子音楽の実験的コースを設立することを承認した。1970\/71年、シンセサイザーの登場とともに、方法論的、思想的に急激な変化が起こった。シンセサイザーは、電子音楽と過去の音楽芸術との理想的な架け橋となる楽器となった。エレン・カッペルの協力のもと、電子的に処理されない声が、最も古い楽器と最も現代的な楽器の融合を促進した。その活動は、コンサート、ミュージカル劇場、バレエ、映画、ビデオテープなど、さまざまな分野で展開された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの（今では超レアな）レコードが出版された年は、イタリアにおけるエレクトロニックミュージックの進化のターニングポイントだった。1972年、アルマンド・ジェンティルッチによる『電子音楽入門』が、有名な出版社フェルトリネッリから出版されたのである。この時期、ピエトロ・グロッシ、エノーレ・ザフィリ、テレサ・ランパッツィは、最も重要な作曲経験を積む機会を得た。彼らは、作品の交換、互いのコラボレーション、巡回展への参加、旅行、執筆、放送の企画など、さまざまな活動に従事し、このレコード盤のリリースは、イタリアにおける電子音楽の進化の転機となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eZaffiriとSMETが共有したイデオロギーは、『Musica Elettronica \/ Computer Music 1966-1972』に明確に集約されている。音と形式を緻密にコントロールする電子音楽は、伝統的な作曲法や楽器の熟練という制約から解放される唯一の方法である。それは、探究心と共同作業によってのみ達成できる実験的な試みである。1972年に発表された『Musica Elettronica \/ Computer Music』は、象徴的なEMS VCS3シンセサイザーの紛れもないサウンドと、IBM 360コンピューターで生成された音色をフィーチャーしたもので、フォニット・セトラ・スタジオで数枚だけプライベートプレスされた。この見事な作品は、やがて当時のイタリアン・アヴァンギャルド・エレクトロニックLPの中で最も希少で人気の高い作品のひとつとなった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1148260328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\" black vinyl. Edition of 210. Comes in d\u003cspan\u003eeluxe cover with handmade silver foil printed on 450g paper. Includes 3 bonus tracks and a 30x30cm double-sided insert with detailed notes and a SMET \/ Enore Zaffiri exhaustive chronology.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. EL.25 02:48\u003cbr\u003e2. C12 01:10\u003cbr\u003e3. SP\/Z 14 a.b 03:00\u003cbr\u003e4. Immigrati 06:27\u003cbr\u003e5. Fawn 07:54\u003cbr\u003e6. Ex Tempore Cantus 03:47\u003cbr\u003e7. Living Synthi n.7 05:33\u003cbr\u003e8. Wake in Progress 10:22\u003cbr\u003e9. Ordinali Ordinati 04:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Die Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe SMET - Studio di Musica Elettronica was born in Turin in 1964, from an idea by Enore Zaffiri. In the beginning the Studio worked with rudimentary equipment, aiming to disseminate knowledge of this avant-garde musical sector through conferences and auditions and, at the same time , developing its own sound experiences. The approach to the new equipment followed a rigorous research method with a structuralist approach, in close relationship with visual operators orbiting around the “Studio di Informazione Estetica” (Aesthetic Information Studio). In 1966 an experimental Electronic Music course was opened for young musicians and university students interested in musical experimentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 1968 the Italian Ministry of Education approved the establishment of an experimental course in Electronic Music at the “G. Verdi” Conservatory in Turin. In 1970\/71, with the advent of the synthesizer, a radical methodological and ideological change occurred. After rigorous structuralism, the live concert was introduced: the synthesizer became the instrument with which to build an ideal bridge between electronic music and the musical art of the past. With the collaboration of Ellen Kappel, the voice, not treated electronically, favoured the union between the oldest instrument and\u003cspan class=\"bcTruncateMore\"\u003e the most modern one. The activity developed in various sectors: concerts, musical theatre, ballet, films, video tapes.\u003cbr\u003e\u003cbr\u003eThe year of this (nowadays super rare) vinyl's publication was a turning point in the evolution of electronic music in Italy. 1972 saw the publication of “Introduction to Electronic Music” by Armando Gentilucci, the first volume written by an Italian, in Italian, to examine technological advancements, by the renowned publishing house Feltrinelli. During this period, Pietro Grossi, Enore Zaffiri, and Teresa Rampazzi had the opportunity to develop their most significant compositional experiences. They engaged in a variety of activities, and this vinyl release marked a turning point in the evolution of electronic music in Italy, such as exchanging works, collaborating with each other, participating in itinerant exhibitions, traveling, writing, and organizing broadcasts.\u003cbr\u003e\u003cbr\u003eZaffiri and SMET's shared ideology is clearly summed up on “Musica Elettronica \/ Computer Music 1966-1972”: electronic music, with its meticulous control over sound and form, is the only way to break free from the constraints of traditional compositional methods and instrumental mastery. It is an experimental endeavor that can only be achieved through a spirit of exploration and collaboration. Originally issued in 1972, and featuring the unmistakeable sound of the iconic EMS VCS3 synthesizer along with tones generated on a IBM 360 computer, “Musica Elettronica \/ Computer Music” was privately pressed in a handful of copies at the Fonit Cetra studios. This stunning artefact soon turned into one of the most rare and sought after Italian avant-garde electronic LPs of its era.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : SMET Studio Di Musica Elettronica Di Torino\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT No : DS45\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-06-04T15:24:43+09:00","created_at":"2024-06-04T11:46:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Die Schachtel","drone","lp","monooto","new","recommended"],"price":448800,"price_min":448800,"price_max":448800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46173768384762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"SMET Studio Di Musica Elettronica Di Torino \/\/ Musica Elettronica \/ Computer Music 1966-1972 LP","public_title":null,"options":["Default Title"],"price":448800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/el1_53d7104a-d507-40a8-9aa2-2c58b499c2c8.jpg?v=1717468928","\/\/tobirarecords.com\/cdn\/shop\/files\/el2.jpg?v=1717468928"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_53d7104a-d507-40a8-9aa2-2c58b499c2c8.jpg?v=1717468928","options":["Title"],"media":[{"alt":null,"id":34238423466234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_53d7104a-d507-40a8-9aa2-2c58b499c2c8.jpg?v=1717468928"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_53d7104a-d507-40a8-9aa2-2c58b499c2c8.jpg?v=1717468928","width":700},{"alt":null,"id":34238423499002,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2.jpg?v=1717468928"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el2.jpg?v=1717468928","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eイタリアの実験音楽家Enore Zaffiri率いるSMET Studio Di Musica Elettronica Di Torinoが、2024年5月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースした再発レコードです。（オリジナルは1971年リリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e未発表音源3曲含む計9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SMET - Studio di Musica Elettronicaは1964年、Enore Zaffiriのアイデアからトリノで誕生した。当初、スタジオは初歩的な機材を使用し、会議やオーディションを通じてこの前衛的な音楽分野の知識を広めると同時に、独自のサウンド体験を開発することを目的としていた。新しい機器へのアプローチは、構造主義的アプローチによる厳格な研究手法に従ったもので、「スタジオ・ディ・インフォルマツィオーネ・エステティカ」（美的情報スタジオ）を中心とした視覚的オペレーターとの密接な関係があった。1966年、音楽実験に興味を持つ若い音楽家や大学生のために、実験的な電子音楽コースが開設された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1968年、イタリア教育省は、トリノの \"G.ヴェルディ \"音楽院に電子音楽の実験的コースを設立することを承認した。1970\/71年、シンセサイザーの登場とともに、方法論的、思想的に急激な変化が起こった。シンセサイザーは、電子音楽と過去の音楽芸術との理想的な架け橋となる楽器となった。エレン・カッペルの協力のもと、電子的に処理されない声が、最も古い楽器と最も現代的な楽器の融合を促進した。その活動は、コンサート、ミュージカル劇場、バレエ、映画、ビデオテープなど、さまざまな分野で展開された。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの（今では超レアな）レコードが出版された年は、イタリアにおけるエレクトロニックミュージックの進化のターニングポイントだった。1972年、アルマンド・ジェンティルッチによる『電子音楽入門』が、有名な出版社フェルトリネッリから出版されたのである。この時期、ピエトロ・グロッシ、エノーレ・ザフィリ、テレサ・ランパッツィは、最も重要な作曲経験を積む機会を得た。彼らは、作品の交換、互いのコラボレーション、巡回展への参加、旅行、執筆、放送の企画など、さまざまな活動に従事し、このレコード盤のリリースは、イタリアにおける電子音楽の進化の転機となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eZaffiriとSMETが共有したイデオロギーは、『Musica Elettronica \/ Computer Music 1966-1972』に明確に集約されている。音と形式を緻密にコントロールする電子音楽は、伝統的な作曲法や楽器の熟練という制約から解放される唯一の方法である。それは、探究心と共同作業によってのみ達成できる実験的な試みである。1972年に発表された『Musica Elettronica \/ Computer Music』は、象徴的なEMS VCS3シンセサイザーの紛れもないサウンドと、IBM 360コンピューターで生成された音色をフィーチャーしたもので、フォニット・セトラ・スタジオで数枚だけプライベートプレスされた。この見事な作品は、やがて当時のイタリアン・アヴァンギャルド・エレクトロニックLPの中で最も希少で人気の高い作品のひとつとなった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1148260328\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e12\" black vinyl. Edition of 210. Comes in d\u003cspan\u003eeluxe cover with handmade silver foil printed on 450g paper. Includes 3 bonus tracks and a 30x30cm double-sided insert with detailed notes and a SMET \/ Enore Zaffiri exhaustive chronology.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. EL.25 02:48\u003cbr\u003e2. C12 01:10\u003cbr\u003e3. SP\/Z 14 a.b 03:00\u003cbr\u003e4. Immigrati 06:27\u003cbr\u003e5. Fawn 07:54\u003cbr\u003e6. Ex Tempore Cantus 03:47\u003cbr\u003e7. Living Synthi n.7 05:33\u003cbr\u003e8. Wake in Progress 10:22\u003cbr\u003e9. Ordinali Ordinati 04:57\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Die Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe SMET - Studio di Musica Elettronica was born in Turin in 1964, from an idea by Enore Zaffiri. In the beginning the Studio worked with rudimentary equipment, aiming to disseminate knowledge of this avant-garde musical sector through conferences and auditions and, at the same time , developing its own sound experiences. The approach to the new equipment followed a rigorous research method with a structuralist approach, in close relationship with visual operators orbiting around the “Studio di Informazione Estetica” (Aesthetic Information Studio). In 1966 an experimental Electronic Music course was opened for young musicians and university students interested in musical experimentation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 1968 the Italian Ministry of Education approved the establishment of an experimental course in Electronic Music at the “G. Verdi” Conservatory in Turin. In 1970\/71, with the advent of the synthesizer, a radical methodological and ideological change occurred. After rigorous structuralism, the live concert was introduced: the synthesizer became the instrument with which to build an ideal bridge between electronic music and the musical art of the past. With the collaboration of Ellen Kappel, the voice, not treated electronically, favoured the union between the oldest instrument and\u003cspan class=\"bcTruncateMore\"\u003e the most modern one. The activity developed in various sectors: concerts, musical theatre, ballet, films, video tapes.\u003cbr\u003e\u003cbr\u003eThe year of this (nowadays super rare) vinyl's publication was a turning point in the evolution of electronic music in Italy. 1972 saw the publication of “Introduction to Electronic Music” by Armando Gentilucci, the first volume written by an Italian, in Italian, to examine technological advancements, by the renowned publishing house Feltrinelli. During this period, Pietro Grossi, Enore Zaffiri, and Teresa Rampazzi had the opportunity to develop their most significant compositional experiences. They engaged in a variety of activities, and this vinyl release marked a turning point in the evolution of electronic music in Italy, such as exchanging works, collaborating with each other, participating in itinerant exhibitions, traveling, writing, and organizing broadcasts.\u003cbr\u003e\u003cbr\u003eZaffiri and SMET's shared ideology is clearly summed up on “Musica Elettronica \/ Computer Music 1966-1972”: electronic music, with its meticulous control over sound and form, is the only way to break free from the constraints of traditional compositional methods and instrumental mastery. It is an experimental endeavor that can only be achieved through a spirit of exploration and collaboration. Originally issued in 1972, and featuring the unmistakeable sound of the iconic EMS VCS3 synthesizer along with tones generated on a IBM 360 computer, “Musica Elettronica \/ Computer Music” was privately pressed in a handful of copies at the Fonit Cetra studios. This stunning artefact soon turned into one of the most rare and sought after Italian avant-garde electronic LPs of its era.\"\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : SMET Studio Di Musica Elettronica Di Torino\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT No : DS45\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験音楽家Enore Zaffiri率いるSMET Studio Di Musica Elettronica Di Torinoが、2024年5月に同国実験レーベルDie Schachtelからリリースした再発レコードです。（オリジナルは1971年リリース） 未発表音源3曲含む計9曲を収録。 以下、レーベルによる解説です。 "SMET - Studio...
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{"id":7990167994618,"title":"Julius Eastman \/\/ The N****r Series 2xLP WOODEN BOX [COLOR]","handle":"julius-eastman-the-n-r-series-2xlp-box-color","description":"\u003cp\u003eアメリカのポストミニマルミュージック先駆者Julius Eastmanの木箱スリーブ入り再発2枚組レコードです。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003eピアノ4台を用いた連弾ミニマリズム4曲を収録。未公開写真やインタビューを掲載した12ページのブックレットとポスター付属。紫盤です。\u003c\/p\u003e\n\u003cp\u003e既に廃盤ですのでこの機会をお見逃しなく。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"この10年半の間、作曲家Julius Eastmanの出世作を目の当たりにするのは信じられないことだった。1970年代から80年代にかけて、ニューヨークの実験音楽シーンで名を馳せたJulius Eastmanだが、1990年に早すぎる死を遂げてから数年間は、彼の作品とともに、罪深いほど無視された存在となっていた。New World Recordsの『Unjust Malaise』と『The Zürich Concert』、Frozen Reedsの『Femenine』、Week-End Recordsの『Stay On It』、そしてApartment House、Wild Up、So Percussion、Kukuruz Quartet、そして多くのアンサンブルによる一連の新しいリリースのおかげで、彼の作品はようやく注目を集め、新しい世代のリスナーの意識の中心に位置づけられるようになった。2018年、Blume Editionsは\u003cmeta charset=\"utf-8\"\u003eEastmanの \"N*****r Series \"をリリースし、彼の代表作である \"Evil N*****r\"（1979年）、\"Gay Guerilla\"（1980年）、\"Crazy N*****r\"（1980年）の作曲家自身のリアリゼーションから構成され、2枚のLPで構成された。あれから5年、\u003cmeta charset=\"utf-8\"\u003eEastmanのレガシーを取り巻く世界とその周辺に様々な出来事が起こった今、Blumeは長らく絶版となっていたこの作品のデラックス・エディションを新たにリリースする。メアリー・ジェーン・リーチとブラッドフォード・ベイリーによるオリジナル・ライナーノーツ、ベイリーによる2500語の書き下ろしエッセイ、ロベルト・ラネリの提供による未公開写真、ポスターが掲載された12ページのブックレットが付属する。新旧の\u003cmeta charset=\"utf-8\"\u003eEastmanファンに、初回を聴き逃したかもしれないこれらの作品を提供できることを嬉しく思う。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e悲劇的に短い生涯の間、\u003cmeta charset=\"utf-8\"\u003eEastmanは野火のように燃え上がった。アーサー・ラッセル、アーノルド・ドレイブラット、エレン・フルマン、リース・チャサム、グレン・ブランカ、その他数多くの同時代のアーティストとともに、ポスト・ミニマル・ミュージックの先駆者となった才気あふれる作曲家、ピアニスト、ヴォーカリストであり、1970年代から80年代にかけてニューヨークの実験音楽シーンの中心にいた数少ないアフリカ系アメリカ人アーティストのひとりである。論争的で、対立的で、生意気な彼はまた、エスニシティとクィア・アイデンティティをシーンのコンセプチュアルな領域に引き込んだ最初のアーティストのひとりでもあった。悲しいことに、このことがジョン・ケージのような著名な作曲家たちによる彼への攻撃につながり、彼の遺産を長期にわたって劣化させる一因となった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e人種とセクシュアリティという主題を扱った作品の中で最も露骨だったのは、\u003cmeta charset=\"utf-8\"\u003eEastmanが1980年1月にシカゴ郊外のノースウェスタン大学で初演した「N*****rシリーズ」である。邪悪なN*****r』、『ゲイ・ゲリラ』、『狂ったN*****r』の3本が、2018年に発売されたBlumeの『N*****rシリーズ』の全体を構成している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eN****rシリーズは、\u003cmeta charset=\"utf-8\"\u003eEastmanが「同様の楽器のために」作曲したもので、ピアノでなければならないと明記された作品はないが、1980年に作曲者がピアノでデビューして以来、ほぼ常に同じ楽器編成で演奏されてきた。今回紹介する録音は、1980年前後の最も古いもので、作曲者が存命中に実現した唯一のものである。その最初の作品 \"Crazy N***r \"は、およそ1時間に及ぶ長さで、この作品集の最初のLPの全体を占めており、驚くべき密度とミニマルな抑制の効いた広大な音の研究で、素晴らしいハーモニーとリズムの範囲を横断している。曲目の \"Evil N*****r \"は、狂おしいほどテンポの速い調性で前進し、複数の調性のパッセージを難なく移動し、美しい抑制とまばらに配置された音符の終結に至る。作曲者メアリー・ジェーン・リーチの言葉を借りれば、\"聖俗両面のクィアな呼びかけ \"である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eEastmanの全作品の中でも最も政治的、創造的に先鋭的な作品であることは疑いない。この3つの作品は、断固として再定義されたパターンと連動する規範によって、広大なサウンドスケープを生み出し、断片化することなく、緊急の真実を説いている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3928455352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 300. Deluxe wooden box with velvet lining. Double LP on 12\" VIOLET COLOR VINYL, audiophile pressing, housed in Nagaoka anti-static record sleeves. Also includes an original 12-pages LP-sized extensive booklet and a 60x90cm iconic poster designed by Bruno Stucchi\/Dinamomilano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlume:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOver the last decade and a half, it’s been incredible to witness the ascending star of the composer Julius Eastman. A celebrated figure within the New York experimental music scene during the 1970s and '80s, over the years following his untimely death in 1990 he and his work drifted into sinful neglect. Largely thanks to a series of archival releases attending to his work - New World Records' “Unjust Malaise” and “The Zürich Concert”, Frozen Reeds' “Femenine”, and Week-End Records’ “Stay On It” - and a handful of new renderings by Apartment House, Wild Up, So Percussion, Kukuruz Quartet, and number of ensembles, attention has finally come his way, placing him at the centre of the consciousness of a new generation of listeners. Back in 2018, Blume Editions delivered the release of Eastman’s “N****r Series”, comprising the composer’s own realisations of his seminal works “Evil N****r” (1979) “Gay Guerilla” (1980) and “Crazy N****r” (1980), across two LPs, marking the first time his work had ever been pressed on vinyl. Five years on, with a lot having happened since in both the world and surrounding Eastman’s legacy, Blume returns with a brand new, deluxe edition of this long out of print release. Containing the original three works, now housed in a beautiful, handmade wooden box, it also includes a 12-page\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e booklet with the original liner notes by Mary Jane Leach and Bradford Bailey, a brand new 2500 word essay by Bailey, as well as new unseen pictures courtesy of Roberto Laneri, and a poster. A beautiful object inside and out, we’re thrilled to be able to offer these works to fans of Eastman, new and old, who might have missed them the first time around.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his tragically brief life, Julius Eastman burned like a wild fire. A brilliant composer, pianist, and vocalist who, with contemporaries like Arthur Russell, Arnold Dreyblatt, Ellen Fullman, Rhys Chatham, Glenn Branca, and numerous others, pioneered the development of post-minimal music, he was among only a handful African American artists at the centre of New York’s experimental music scene during the 1970s and '80s. Contentious, confrontational, and brash, he was also among the first artists to draw the subjects of ethnicity and queer identity into the conceptual sphere of that scene; interventions that rarely went down well within a context that was dominantly middle-class, heteronormative, and white. Sadly, this led to attacks upon him by prominent composers like John Cage, a factor that contributed to the long lasting degradation of his legacy that has only just begun to be repaired.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the most explicit of the works attending to these subjects - race and sexuality - were those falling under the heading of the “N****r Series”, premiered by Eastman in January of 1980 at Northwestern University, just outside of Chicago. Three of these - “Evil N****r”, “Gay Guerilla”, and “Crazy N****r” - make up the totality of Blume Editon’s “The N****r Series”, originally released in 2018 and now repressed in a beautiful new boxed edition after remaining out of print for almost the entirety of the time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile none of the works within the “N****r Series” explicitly state they must be executed on piano - being composed by Eastman “for any number of similar instruments” - since their debut by the composer on piano in 1980, they have almost always featured the same instrumentation. The recordings featured within are the earliest known - dating from around 1980 - and are the only to have been realised during the composer’s lifetime. The first of these, “Crazy N***r”, extending to roughly an hour in length, takes up the entirety of the first LP in the collection, and is a sprawling sonic study of startling density and minimalist restraint that traverses a wonderful harmonic and rhythmic range, with it’s final section using the same process as James Tenney’s “Spectral Canon for Conlan Nancarrow”, but notated in a more intuitive way. The second piece, “Evil N****r”, launches forward with franticly paced tonality, moving effortlessly through passages of multi-tonality, before reaching a conclusion of beautiful restraint and sparsely placed notes. The third work in the collection is “Gay Guerrilla”, easily the most dramatic of the three, which rises, in the words of the composer Mary Jane Leach, as «a queer call to arms, both sacred and secular.»\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCollectively, these three works - unquestionably among the most politically and creatively radical in Eastman’s entire body of work - generate sprawling soundscapes through adamantly restated patterns and interlocking canons, not fragmenting, but preaching urgent truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo quote brilliant Mary Jane Leach liner notes: «He wrote what can be categorized as minimal music, but also wrote “post-minimal” music before minimal music was fully established. His pieces straddle the two main styles of minimal music - rhythmic\/pulse driven music (Steve Reich and Philip Glass) and spectral drone music (La Monte Young and Phill Niblock). While using process and rhythmic patterns, there is a flexibility that lends a breathing, organic feel to his music, a muscularity missing in a lot of other music from that time. With the re-emergence of his powerful music, a missing gap in the history of contemporary music has been filled.»\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTranscendent and engrossing across its four sides, Blume’s brand new edition of Eastman’s seminal “N****r Series” is a beautiful thing to behold. Containing the original three works, now housed in a beautiful, handmade wooden box, it also includes a 12-page booklet with the original liner notes by Mary Jane Leach and Bradford Bailey, as well as a brand new 2500 word essay by Bailey, new unseen pictures courtesy of Roberto Laneri, and a poster. Incredibly essential on every count.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Julius Eastman\u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e","published_at":"2023-06-29T14:35:00+09:00","created_at":"2023-06-29T13:34:21+09:00","vendor":"Tobira Records","type":"","tags":["blume","contemporary \/ sound poetry","lp","new","recommended"],"price":898000,"price_min":898000,"price_max":898000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44303760425210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Julius Eastman \/\/ The N****r Series 2xLP WOODEN BOX [COLOR]","public_title":null,"options":["Default Title"],"price":898000,"weight":1650,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_c016e797-8283-438a-a442-2dc6abce7401.jpg?v=1688013263","\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_f4e288dc-1860-469f-b314-7234aaf69dcc.jpg?v=1688013263"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_c016e797-8283-438a-a442-2dc6abce7401.jpg?v=1688013263","options":["Title"],"media":[{"alt":null,"id":32166474580218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_c016e797-8283-438a-a442-2dc6abce7401.jpg?v=1688013263"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni1_c016e797-8283-438a-a442-2dc6abce7401.jpg?v=1688013263","width":700},{"alt":null,"id":32166474612986,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_f4e288dc-1860-469f-b314-7234aaf69dcc.jpg?v=1688013263"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ni2_f4e288dc-1860-469f-b314-7234aaf69dcc.jpg?v=1688013263","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのポストミニマルミュージック先駆者Julius Eastmanの木箱スリーブ入り再発2枚組レコードです。（オリジナルは2018年リリース）\u003c\/p\u003e\n\u003cp\u003eピアノ4台を用いた連弾ミニマリズム4曲を収録。未公開写真やインタビューを掲載した12ページのブックレットとポスター付属。紫盤です。\u003c\/p\u003e\n\u003cp\u003e既に廃盤ですのでこの機会をお見逃しなく。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"この10年半の間、作曲家Julius Eastmanの出世作を目の当たりにするのは信じられないことだった。1970年代から80年代にかけて、ニューヨークの実験音楽シーンで名を馳せたJulius Eastmanだが、1990年に早すぎる死を遂げてから数年間は、彼の作品とともに、罪深いほど無視された存在となっていた。New World Recordsの『Unjust Malaise』と『The Zürich Concert』、Frozen Reedsの『Femenine』、Week-End Recordsの『Stay On It』、そしてApartment House、Wild Up、So Percussion、Kukuruz Quartet、そして多くのアンサンブルによる一連の新しいリリースのおかげで、彼の作品はようやく注目を集め、新しい世代のリスナーの意識の中心に位置づけられるようになった。2018年、Blume Editionsは\u003cmeta charset=\"utf-8\"\u003eEastmanの \"N*****r Series \"をリリースし、彼の代表作である \"Evil N*****r\"（1979年）、\"Gay Guerilla\"（1980年）、\"Crazy N*****r\"（1980年）の作曲家自身のリアリゼーションから構成され、2枚のLPで構成された。あれから5年、\u003cmeta charset=\"utf-8\"\u003eEastmanのレガシーを取り巻く世界とその周辺に様々な出来事が起こった今、Blumeは長らく絶版となっていたこの作品のデラックス・エディションを新たにリリースする。メアリー・ジェーン・リーチとブラッドフォード・ベイリーによるオリジナル・ライナーノーツ、ベイリーによる2500語の書き下ろしエッセイ、ロベルト・ラネリの提供による未公開写真、ポスターが掲載された12ページのブックレットが付属する。新旧の\u003cmeta charset=\"utf-8\"\u003eEastmanファンに、初回を聴き逃したかもしれないこれらの作品を提供できることを嬉しく思う。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e悲劇的に短い生涯の間、\u003cmeta charset=\"utf-8\"\u003eEastmanは野火のように燃え上がった。アーサー・ラッセル、アーノルド・ドレイブラット、エレン・フルマン、リース・チャサム、グレン・ブランカ、その他数多くの同時代のアーティストとともに、ポスト・ミニマル・ミュージックの先駆者となった才気あふれる作曲家、ピアニスト、ヴォーカリストであり、1970年代から80年代にかけてニューヨークの実験音楽シーンの中心にいた数少ないアフリカ系アメリカ人アーティストのひとりである。論争的で、対立的で、生意気な彼はまた、エスニシティとクィア・アイデンティティをシーンのコンセプチュアルな領域に引き込んだ最初のアーティストのひとりでもあった。悲しいことに、このことがジョン・ケージのような著名な作曲家たちによる彼への攻撃につながり、彼の遺産を長期にわたって劣化させる一因となった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e人種とセクシュアリティという主題を扱った作品の中で最も露骨だったのは、\u003cmeta charset=\"utf-8\"\u003eEastmanが1980年1月にシカゴ郊外のノースウェスタン大学で初演した「N*****rシリーズ」である。邪悪なN*****r』、『ゲイ・ゲリラ』、『狂ったN*****r』の3本が、2018年に発売されたBlumeの『N*****rシリーズ』の全体を構成している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eN****rシリーズは、\u003cmeta charset=\"utf-8\"\u003eEastmanが「同様の楽器のために」作曲したもので、ピアノでなければならないと明記された作品はないが、1980年に作曲者がピアノでデビューして以来、ほぼ常に同じ楽器編成で演奏されてきた。今回紹介する録音は、1980年前後の最も古いもので、作曲者が存命中に実現した唯一のものである。その最初の作品 \"Crazy N***r \"は、およそ1時間に及ぶ長さで、この作品集の最初のLPの全体を占めており、驚くべき密度とミニマルな抑制の効いた広大な音の研究で、素晴らしいハーモニーとリズムの範囲を横断している。曲目の \"Evil N*****r \"は、狂おしいほどテンポの速い調性で前進し、複数の調性のパッセージを難なく移動し、美しい抑制とまばらに配置された音符の終結に至る。作曲者メアリー・ジェーン・リーチの言葉を借りれば、\"聖俗両面のクィアな呼びかけ \"である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eEastmanの全作品の中でも最も政治的、創造的に先鋭的な作品であることは疑いない。この3つの作品は、断固として再定義されたパターンと連動する規範によって、広大なサウンドスケープを生み出し、断片化することなく、緊急の真実を説いている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3928455352\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 300. Deluxe wooden box with velvet lining. Double LP on 12\" VIOLET COLOR VINYL, audiophile pressing, housed in Nagaoka anti-static record sleeves. Also includes an original 12-pages LP-sized extensive booklet and a 60x90cm iconic poster designed by Bruno Stucchi\/Dinamomilano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlume:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eOver the last decade and a half, it’s been incredible to witness the ascending star of the composer Julius Eastman. A celebrated figure within the New York experimental music scene during the 1970s and '80s, over the years following his untimely death in 1990 he and his work drifted into sinful neglect. Largely thanks to a series of archival releases attending to his work - New World Records' “Unjust Malaise” and “The Zürich Concert”, Frozen Reeds' “Femenine”, and Week-End Records’ “Stay On It” - and a handful of new renderings by Apartment House, Wild Up, So Percussion, Kukuruz Quartet, and number of ensembles, attention has finally come his way, placing him at the centre of the consciousness of a new generation of listeners. Back in 2018, Blume Editions delivered the release of Eastman’s “N****r Series”, comprising the composer’s own realisations of his seminal works “Evil N****r” (1979) “Gay Guerilla” (1980) and “Crazy N****r” (1980), across two LPs, marking the first time his work had ever been pressed on vinyl. Five years on, with a lot having happened since in both the world and surrounding Eastman’s legacy, Blume returns with a brand new, deluxe edition of this long out of print release. Containing the original three works, now housed in a beautiful, handmade wooden box, it also includes a 12-page\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e booklet with the original liner notes by Mary Jane Leach and Bradford Bailey, a brand new 2500 word essay by Bailey, as well as new unseen pictures courtesy of Roberto Laneri, and a poster. A beautiful object inside and out, we’re thrilled to be able to offer these works to fans of Eastman, new and old, who might have missed them the first time around.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDuring his tragically brief life, Julius Eastman burned like a wild fire. A brilliant composer, pianist, and vocalist who, with contemporaries like Arthur Russell, Arnold Dreyblatt, Ellen Fullman, Rhys Chatham, Glenn Branca, and numerous others, pioneered the development of post-minimal music, he was among only a handful African American artists at the centre of New York’s experimental music scene during the 1970s and '80s. Contentious, confrontational, and brash, he was also among the first artists to draw the subjects of ethnicity and queer identity into the conceptual sphere of that scene; interventions that rarely went down well within a context that was dominantly middle-class, heteronormative, and white. Sadly, this led to attacks upon him by prominent composers like John Cage, a factor that contributed to the long lasting degradation of his legacy that has only just begun to be repaired.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the most explicit of the works attending to these subjects - race and sexuality - were those falling under the heading of the “N****r Series”, premiered by Eastman in January of 1980 at Northwestern University, just outside of Chicago. Three of these - “Evil N****r”, “Gay Guerilla”, and “Crazy N****r” - make up the totality of Blume Editon’s “The N****r Series”, originally released in 2018 and now repressed in a beautiful new boxed edition after remaining out of print for almost the entirety of the time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile none of the works within the “N****r Series” explicitly state they must be executed on piano - being composed by Eastman “for any number of similar instruments” - since their debut by the composer on piano in 1980, they have almost always featured the same instrumentation. The recordings featured within are the earliest known - dating from around 1980 - and are the only to have been realised during the composer’s lifetime. The first of these, “Crazy N***r”, extending to roughly an hour in length, takes up the entirety of the first LP in the collection, and is a sprawling sonic study of startling density and minimalist restraint that traverses a wonderful harmonic and rhythmic range, with it’s final section using the same process as James Tenney’s “Spectral Canon for Conlan Nancarrow”, but notated in a more intuitive way. The second piece, “Evil N****r”, launches forward with franticly paced tonality, moving effortlessly through passages of multi-tonality, before reaching a conclusion of beautiful restraint and sparsely placed notes. The third work in the collection is “Gay Guerrilla”, easily the most dramatic of the three, which rises, in the words of the composer Mary Jane Leach, as «a queer call to arms, both sacred and secular.»\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCollectively, these three works - unquestionably among the most politically and creatively radical in Eastman’s entire body of work - generate sprawling soundscapes through adamantly restated patterns and interlocking canons, not fragmenting, but preaching urgent truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo quote brilliant Mary Jane Leach liner notes: «He wrote what can be categorized as minimal music, but also wrote “post-minimal” music before minimal music was fully established. His pieces straddle the two main styles of minimal music - rhythmic\/pulse driven music (Steve Reich and Philip Glass) and spectral drone music (La Monte Young and Phill Niblock). While using process and rhythmic patterns, there is a flexibility that lends a breathing, organic feel to his music, a muscularity missing in a lot of other music from that time. With the re-emergence of his powerful music, a missing gap in the history of contemporary music has been filled.»\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTranscendent and engrossing across its four sides, Blume’s brand new edition of Eastman’s seminal “N****r Series” is a beautiful thing to behold. Containing the original three works, now housed in a beautiful, handmade wooden box, it also includes a 12-page booklet with the original liner notes by Mary Jane Leach and Bradford Bailey, as well as a brand new 2500 word essay by Bailey, new unseen pictures courtesy of Roberto Laneri, and a poster. Incredibly essential on every count.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Julius Eastman\u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e"}
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アメリカのポストミニマルミュージック先駆者Julius Eastmanの木箱スリーブ入り再発2枚組レコードです。（オリジナルは2018年リリース） ピアノ4台を用いた連弾ミニマリズム4曲を収録。未公開写真やインタビューを掲載した12ページのブックレットとポスター付属。紫盤です。 既に廃盤ですのでこの機会をお見逃しなく。 以下、レーベルによる解説です。 "この10年半の間、作曲家Julius Eastmanの出世作を目の当たりにするのは信じられないことだった。1970年代から80年代にかけて、ニューヨークの実験音楽シーンで名を馳せたJulius Eastmanだが、1990年に早すぎる死を遂げてから数年間は、彼の作品とともに、罪深いほど無視された存在となっていた。New World Recordsの『Unjust Malaise』と『The Zürich Concert』、Frozen Reedsの『Femenine』、Week-End...
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{"id":7983597814010,"title":"Damāvand \/\/ Decay Music n.6: As long as you come to my garden LP","handle":"damavand-decay-music-n-6-as-long-as-you-come-to-my-garden-12","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアの実験音楽家\u003cmeta charset=\"utf-8\"\u003eGianluca CeccariniとAlessandro CiccarelliによるデュオDamāvandが、2023年6月に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003eDie Schachtelからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eソ連の映画監督Sergei Parajanovの代表作「ざくろの色」にインスパイアされた、ディープリスニング系コラージュ・ドローン6曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この作品は、アルメニアの詩人サヤト・ノヴァへのオマージュであり、彼の生涯を描いたセルゲイ・パラジャーノフ監督のカルト映画『ザクロの色』（Nřan guynə、1968年、ソ連）にインスパイアされたものである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの長編映画は、17世紀に生きた詩人の生涯を、王宮での幼少期から引退してハグパトの修道院で亡くなるまで、一連のエピソードを通して描いたもので、絵画のように静的で、語るのではなく、見せ、喚起し、隠喩や類推、超現実主義的なセンス、夢のような風景、典礼的なポーズを通して暗示する。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアンビエントからノイズ、中東の音楽的伝統への言及まで、さまざまな音のテクスチャーを織り交ぜながら、6つのトラックは映画に含まれる夢のようなイメージにインスパイアされている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eジャンルカ・チェッカリーニとアレッサンドロ・チッカレッリは、アナログ・シンセ、ドローン、増幅された一般的なオブジェ、ジェネレイティヴ・ミュージック、映画からのオーディオ・サンプル、ペルシャ発祥の弦楽器であるタール、トロンボーン、コルネットなどのアコースティック楽器を、固定された役割なしに交互に演奏している。さらに、このアルバムに収録されている2曲には、ナヒド・レザシャテリがペルシャ語で朗読したサヤト・ノヴァの詩が含まれている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音素材はエピソードのように徐々に明らかになり、映画でパラジャーノフが演出した視覚的暗示を想起させる。「あなたが私の庭に来る限り」は、遠い空間と不定形の古風な時代への想像の旅を意図している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのシリーズを象徴する表紙は、シルバーシルクスクリーンの深みのある黒の厚紙で、神秘的な半円形の構造物の写真（著者による）がメインイメージとして使われている、 As long as you come to my garden』は、高品質のヘヴィ・ブラック・ヴァイナルで300枚プレスされ、ディ・シャハテル・レーベルのみならず、新しい創造的なイタリア音楽全体において、最もエキサイティングなデビュー作のひとつとなるだろう。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3402443545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 12\" black 180gram vinyl. \u003c\/p\u003e\n\u003cp\u003eDie Schachtel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs long as you come to my garden, the sixth release in the cherished Die Schachtel’s series “Decay Music” as well as the debut of the duo Damāvand (Gianluca Ceccarini and Alessandro Ciccarelli) on our label, is a tribute to the Armenian troubadour Sayat Nova, through his lyrics and freely inspired by the cult movie about his life The Color of the Pomegranates (Nřan guynə, 1968, USSR) directed by Sergei Parajanov.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe feature film tells the life of the poet, who lived in the 17th Century, from childhood in the royal court, to retirement until his death in the monastery of Haghpat, through a series of episodes, static like paintings that do not tell but show, evoke, they suggest through metaphors, analogies, surrealist flair, dreamlike landscapes, liturgical pauses.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe six tracks are inspired by the dreamlike imagery contained in the movie, weaving sound textures ranging from ambient to noise, to references to the musical tradition of the Middle East.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGianluca Ceccarini and Alessandro Ciccarelli alternate, without fixed roles, with analog synths, drones, amplified common objects, generative music, audio samples from the film and acoustic instruments such as the tar - a stringed instrument of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Persian origin, the trombone and the cornet. In addition, two of the songs on the album contain Sayat Nova’s poems recited in Persian by Nahid Rezashateri.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sound materials are revealed gradually like episodes, evoking the visual suggestions staged by Parajanov in the movie. As long as you come to my garden is intended as an imaginative journey to distant spaces and indefinite archaic times.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHosted in the series signature cover, a silver-silkscreened deep black cardboard with an evocative photo (by the authors) of a mysterious semi-circular structure as the main image, on which the silkscreened clear plastic sleeve (another signature of the series) superimposes the “alchemic” custom lettering designed by Bruno Stucchi - dinamomilano, As long as you come to my garden is pressed on high quality heavy black vinyl in 300 copies, and may easily be one of the most exciting debuts not only on the Die Schachtel label, but on the entire landscape of the new creative Italian music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDAMĀVAND is a musical project by Gianluca Ceccarini (electronics, electroacoustic objects, tar) and Alessandro Ciccarelli (electronics, electroacoustic objects, trombone, cornet)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGianluca Ceccarini, guitarist, electroacoustic experimenter, luthier specialized in the restoration and construction of plucked musical instruments for early music. In 2021 his first album Starving Night was released for the netlabel Laverna and in 2022 the Sarab Label published a CD version. He also works in photographic research, video-art, graphics and independent publishing with the Sarab collective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlessandro Ciccarelli is an author who ranges between different languages: photography, video, sound. He is involved in several collective research projects in the musical and theatrical fields. His solo records are released under the nom de plume Elnath Project.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Damāvand\u003c\/p\u003e\n\u003cp\u003eLabel : Die Schachtel\u003c\/p\u003e","published_at":"2023-07-18T07:59:57+09:00","created_at":"2023-06-10T13:48:15+09:00","vendor":"Tobira Records","type":"","tags":["Die Schachtel","drone","lp","monooto"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44274688950522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Damāvand \/\/ Decay Music n.6: As long as you come to my garden LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dec1_0316823c-9f7b-4cbe-bd81-6e93d373dcfa.jpg?v=1686372497"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dec1_0316823c-9f7b-4cbe-bd81-6e93d373dcfa.jpg?v=1686372497","options":["Title"],"media":[{"alt":null,"id":32100306354426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dec1_0316823c-9f7b-4cbe-bd81-6e93d373dcfa.jpg?v=1686372497"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dec1_0316823c-9f7b-4cbe-bd81-6e93d373dcfa.jpg?v=1686372497","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイタリアの実験音楽家\u003cmeta charset=\"utf-8\"\u003eGianluca CeccariniとAlessandro CiccarelliによるデュオDamāvandが、2023年6月に同国実験レーベル\u003cmeta charset=\"utf-8\"\u003eDie Schachtelからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eソ連の映画監督Sergei Parajanovの代表作「ざくろの色」にインスパイアされた、ディープリスニング系コラージュ・ドローン6曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この作品は、アルメニアの詩人サヤト・ノヴァへのオマージュであり、彼の生涯を描いたセルゲイ・パラジャーノフ監督のカルト映画『ザクロの色』（Nřan guynə、1968年、ソ連）にインスパイアされたものである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの長編映画は、17世紀に生きた詩人の生涯を、王宮での幼少期から引退してハグパトの修道院で亡くなるまで、一連のエピソードを通して描いたもので、絵画のように静的で、語るのではなく、見せ、喚起し、隠喩や類推、超現実主義的なセンス、夢のような風景、典礼的なポーズを通して暗示する。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eアンビエントからノイズ、中東の音楽的伝統への言及まで、さまざまな音のテクスチャーを織り交ぜながら、6つのトラックは映画に含まれる夢のようなイメージにインスパイアされている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eジャンルカ・チェッカリーニとアレッサンドロ・チッカレッリは、アナログ・シンセ、ドローン、増幅された一般的なオブジェ、ジェネレイティヴ・ミュージック、映画からのオーディオ・サンプル、ペルシャ発祥の弦楽器であるタール、トロンボーン、コルネットなどのアコースティック楽器を、固定された役割なしに交互に演奏している。さらに、このアルバムに収録されている2曲には、ナヒド・レザシャテリがペルシャ語で朗読したサヤト・ノヴァの詩が含まれている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音素材はエピソードのように徐々に明らかになり、映画でパラジャーノフが演出した視覚的暗示を想起させる。「あなたが私の庭に来る限り」は、遠い空間と不定形の古風な時代への想像の旅を意図している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのシリーズを象徴する表紙は、シルバーシルクスクリーンの深みのある黒の厚紙で、神秘的な半円形の構造物の写真（著者による）がメインイメージとして使われている、 As long as you come to my garden』は、高品質のヘヴィ・ブラック・ヴァイナルで300枚プレスされ、ディ・シャハテル・レーベルのみならず、新しい創造的なイタリア音楽全体において、最もエキサイティングなデビュー作のひとつとなるだろう。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3402443545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 12\" black 180gram vinyl. \u003c\/p\u003e\n\u003cp\u003eDie Schachtel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAs long as you come to my garden, the sixth release in the cherished Die Schachtel’s series “Decay Music” as well as the debut of the duo Damāvand (Gianluca Ceccarini and Alessandro Ciccarelli) on our label, is a tribute to the Armenian troubadour Sayat Nova, through his lyrics and freely inspired by the cult movie about his life The Color of the Pomegranates (Nřan guynə, 1968, USSR) directed by Sergei Parajanov.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe feature film tells the life of the poet, who lived in the 17th Century, from childhood in the royal court, to retirement until his death in the monastery of Haghpat, through a series of episodes, static like paintings that do not tell but show, evoke, they suggest through metaphors, analogies, surrealist flair, dreamlike landscapes, liturgical pauses.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe six tracks are inspired by the dreamlike imagery contained in the movie, weaving sound textures ranging from ambient to noise, to references to the musical tradition of the Middle East.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGianluca Ceccarini and Alessandro Ciccarelli alternate, without fixed roles, with analog synths, drones, amplified common objects, generative music, audio samples from the film and acoustic instruments such as the tar - a stringed instrument of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Persian origin, the trombone and the cornet. In addition, two of the songs on the album contain Sayat Nova’s poems recited in Persian by Nahid Rezashateri.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sound materials are revealed gradually like episodes, evoking the visual suggestions staged by Parajanov in the movie. As long as you come to my garden is intended as an imaginative journey to distant spaces and indefinite archaic times.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHosted in the series signature cover, a silver-silkscreened deep black cardboard with an evocative photo (by the authors) of a mysterious semi-circular structure as the main image, on which the silkscreened clear plastic sleeve (another signature of the series) superimposes the “alchemic” custom lettering designed by Bruno Stucchi - dinamomilano, As long as you come to my garden is pressed on high quality heavy black vinyl in 300 copies, and may easily be one of the most exciting debuts not only on the Die Schachtel label, but on the entire landscape of the new creative Italian music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDAMĀVAND is a musical project by Gianluca Ceccarini (electronics, electroacoustic objects, tar) and Alessandro Ciccarelli (electronics, electroacoustic objects, trombone, cornet)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGianluca Ceccarini, guitarist, electroacoustic experimenter, luthier specialized in the restoration and construction of plucked musical instruments for early music. In 2021 his first album Starving Night was released for the netlabel Laverna and in 2022 the Sarab Label published a CD version. He also works in photographic research, video-art, graphics and independent publishing with the Sarab collective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlessandro Ciccarelli is an author who ranges between different languages: photography, video, sound. He is involved in several collective research projects in the musical and theatrical fields. His solo records are released under the nom de plume Elnath Project.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Damāvand\u003c\/p\u003e\n\u003cp\u003eLabel : Die Schachtel\u003c\/p\u003e"}
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イタリアの実験音楽家Gianluca CeccariniとAlessandro CiccarelliによるデュオDamāvandが、2023年6月に同国実験レーベルDie Schachtelからリリースしたデビューレコードです。 ソ連の映画監督Sergei Parajanovの代表作「ざくろの色」にインスパイアされた、ディープリスニング系コラージュ・ドローン6曲を収録。180g重量盤です。 以下、レーベルによる解説です。 "この作品は、アルメニアの詩人サヤト・ノヴァへのオマージュであり、彼の生涯を描いたセルゲイ・パラジャーノフ監督のカルト映画『ザクロの色』（Nřan guynə、1968年、ソ連）にインスパイアされたものである。この長編映画は、17世紀に生きた詩人の生涯を、王宮での幼少期から引退してハグパトの修道院で亡くなるまで、一連のエピソードを通して描いたもので、絵画のように静的で、語るのではなく、見せ、喚起し、隠喩や類推、超現実主義的なセンス、夢のような風景、典礼的なポーズを通して暗示する。アンビエントからノイズ、中東の音楽的伝統への言及まで、さまざまな音のテクスチャーを織り交ぜながら、6つのトラックは映画に含まれる夢のようなイメージにインスパイアされている。ジャンルカ・チェッカリーニとアレッサンドロ・チッカレッリは、アナログ・シンセ、ドローン、増幅された一般的なオブジェ、ジェネレイティヴ・ミュージック、映画からのオーディオ・サンプル、ペルシャ発祥の弦楽器であるタール、トロンボーン、コルネットなどのアコースティック楽器を、固定された役割なしに交互に演奏している。さらに、このアルバムに収録されている2曲には、ナヒド・レザシャテリがペルシャ語で朗読したサヤト・ノヴァの詩が含まれている。音素材はエピソードのように徐々に明らかになり、映画でパラジャーノフが演出した視覚的暗示を想起させる。「あなたが私の庭に来る限り」は、遠い空間と不定形の古風な時代への想像の旅を意図している。このシリーズを象徴する表紙は、シルバーシルクスクリーンの深みのある黒の厚紙で、神秘的な半円形の構造物の写真（著者による）がメインイメージとして使われている、 As long as you come...
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{"id":7916204818682,"title":"Sarah Hennies \/\/ Embedded Environments LP [COLOR]","handle":"sarah-hennies-embedded-environments-lp-color","description":"\u003cp\u003eアメリカ・NYのパーカッショニストSarah Henniesが、2018年にイタリアの実験レーベルBlumeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eパーカッショニストJason BauersとTim Feeney、Bob Fullexの4人編成で、NYバッファローにある工場跡地でエアー録音した作品です。オリーブ盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2330602246\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePressed on 12\" olive green vinyl and presented inside a Nagaoka anti-static record sleeve. Includes original insert that also functions as Obi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlume:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThrough a remarkable and singular body of work, over the course of the last decade, like storm beginning as whisper on the horizon, the composer and percussionist Sarah Hennies has slowly emerged as one of the definitive voices of her generation. Initially coming to focus as a member of Austin’s experimental music scene during the early 2000’s, before relocating to upstate New York, with a delicate, clattering grace, she has continuously offered vision, conceptual armature, crucial understanding for the contemporary proximity of avant-garde and experimental practice. Entirely of her moment, she defies what we know and expect, owing allegiance to none. Hennies has been darting around the edges of modern composition for years, but that world has never been an entirely comfortable fit, nor is it the best framework and context within which to approach her work. She is better understood in the proximity of figures like Jim O’Rourke, a creator of a countercultural music, which incorporates everything, while owing loyalty to none. Though not for aesthetics, Hennies could equally be framed with composers like Steve Reich, Arthur Russell, Julius Eastman, and Mary Jane Leach, all of whom struggled to create more inclusive musical hybrids, attacking the institutions as they stood. As these figures once were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Hennies’ position within the contemporary landscape is challenging, bristles, and requires work to understand. Her music isn’t always what it seems. What is unquestionable, is that it is entirely of this moment, and not a product of appropriation or pastiche. What she has to say, has never been said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComprised of two site specific compositions - Foragers, and Embedded Environments, recorded in a silo in Buffalo, NY, these recordings are a crowing moment within the long arc of Hennies’ practice. Each work is composed for a quartet of percussionists - Jason Bauers, Tim Feeney, and Bob Fullex, with Hennies contributing on vibraphone and percussion. While Foragers, and Embedded Environments are products of Hennies’ quest for elemental meaning and relationships within sound - those which lay beyond traditional understandings of structure, beat, and tone, here there is a third and unfamiliar actor in play, the space itself. Activated by the silo for which they were composed, Hennies’ broken, staggering rhythms and resonances are offered new freedom through a seductive Trojan horse, pushing them toward even more complex and jarring depths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eForagers, and Embedded Environments delves into a realm of ideas, proximity, and place, offering a new vision for our sonic present, and what may be to come. Visionary, challenging, bristling, pared to only the essential beats or tones, this music, while beautiful and elemental, is a product of a rigorous form of conceptualism, often unfamiliar within the world of organised sound.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah Hennies\u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e","published_at":"2023-02-13T07:06:23+09:00","created_at":"2023-02-12T13:27:47+09:00","vendor":"Tobira Records","type":"","tags":["blume","drone","lp","strange beats"],"price":358000,"price_min":358000,"price_max":358000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43981943275770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sarah Hennies \/\/ Embedded Environments LP [COLOR]","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/em1_1f315f21-f0d8-4eaa-88c3-6a8bef086bb8.jpg?v=1676176069","\/\/tobirarecords.com\/cdn\/shop\/products\/em2_7d703180-bd32-4e2e-a7d5-8781da1f5de4.jpg?v=1676176069"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_1f315f21-f0d8-4eaa-88c3-6a8bef086bb8.jpg?v=1676176069","options":["Title"],"media":[{"alt":null,"id":31513974767866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_1f315f21-f0d8-4eaa-88c3-6a8bef086bb8.jpg?v=1676176069"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em1_1f315f21-f0d8-4eaa-88c3-6a8bef086bb8.jpg?v=1676176069","width":700},{"alt":null,"id":31513974800634,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em2_7d703180-bd32-4e2e-a7d5-8781da1f5de4.jpg?v=1676176069"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/em2_7d703180-bd32-4e2e-a7d5-8781da1f5de4.jpg?v=1676176069","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのパーカッショニストSarah Henniesが、2018年にイタリアの実験レーベルBlumeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eパーカッショニストJason BauersとTim Feeney、Bob Fullexの4人編成で、NYバッファローにある工場跡地でエアー録音した作品です。オリーブ盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2330602246\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePressed on 12\" olive green vinyl and presented inside a Nagaoka anti-static record sleeve. Includes original insert that also functions as Obi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlume:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThrough a remarkable and singular body of work, over the course of the last decade, like storm beginning as whisper on the horizon, the composer and percussionist Sarah Hennies has slowly emerged as one of the definitive voices of her generation. Initially coming to focus as a member of Austin’s experimental music scene during the early 2000’s, before relocating to upstate New York, with a delicate, clattering grace, she has continuously offered vision, conceptual armature, crucial understanding for the contemporary proximity of avant-garde and experimental practice. Entirely of her moment, she defies what we know and expect, owing allegiance to none. Hennies has been darting around the edges of modern composition for years, but that world has never been an entirely comfortable fit, nor is it the best framework and context within which to approach her work. She is better understood in the proximity of figures like Jim O’Rourke, a creator of a countercultural music, which incorporates everything, while owing loyalty to none. Though not for aesthetics, Hennies could equally be framed with composers like Steve Reich, Arthur Russell, Julius Eastman, and Mary Jane Leach, all of whom struggled to create more inclusive musical hybrids, attacking the institutions as they stood. As these figures once were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Hennies’ position within the contemporary landscape is challenging, bristles, and requires work to understand. Her music isn’t always what it seems. What is unquestionable, is that it is entirely of this moment, and not a product of appropriation or pastiche. What she has to say, has never been said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComprised of two site specific compositions - Foragers, and Embedded Environments, recorded in a silo in Buffalo, NY, these recordings are a crowing moment within the long arc of Hennies’ practice. Each work is composed for a quartet of percussionists - Jason Bauers, Tim Feeney, and Bob Fullex, with Hennies contributing on vibraphone and percussion. While Foragers, and Embedded Environments are products of Hennies’ quest for elemental meaning and relationships within sound - those which lay beyond traditional understandings of structure, beat, and tone, here there is a third and unfamiliar actor in play, the space itself. Activated by the silo for which they were composed, Hennies’ broken, staggering rhythms and resonances are offered new freedom through a seductive Trojan horse, pushing them toward even more complex and jarring depths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eForagers, and Embedded Environments delves into a realm of ideas, proximity, and place, offering a new vision for our sonic present, and what may be to come. Visionary, challenging, bristling, pared to only the essential beats or tones, this music, while beautiful and elemental, is a product of a rigorous form of conceptualism, often unfamiliar within the world of organised sound.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah Hennies\u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e"}
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アメリカ・NYのパーカッショニストSarah Henniesが、2018年にイタリアの実験レーベルBlumeからリリースしたレコードです。 パーカッショニストJason BauersとTim Feeney、Bob Fullexの4人編成で、NYバッファローにある工場跡地でエアー録音した作品です。オリーブ盤です。 -------------------------------------- Pressed on 12" olive green vinyl and...
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![Phill Niblock // Four Full Flutes 2xLP WOODEN BOX [COLOR]](http://tobirarecords.com/cdn/shop/products/fo2_820dff99-fef5-4f83-a511-904b7902db80_medium.jpg?v=1676175896)
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{"id":7916204622074,"title":"Phill Niblock \/\/ Four Full Flutes 2xLP WOODEN BOX [COLOR]","handle":"phnif","description":"\u003cp\u003eアメリカ・NYのミニマル巨匠Phil Niblockが、2022年12月にイタリアの実験レーベルBlumeから300部限定でリリースした木箱スリーブ入り再発2枚組レコードです。（オリジナルは1990年リリース）\u003c\/p\u003e\n\u003cp\u003eフルート奏者Petr KotikとSusan Stenger、Eberhard Blumと共同で制作したミニマル・アコースティックドローン4曲を収録。ブックレットとポスター付属。赤盤です。\u003c\/p\u003e\n\u003cp\u003e既に廃盤ですのでこの機会をお見逃しなく。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4RsbAlFOXfw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 300. Pressed on 2x12\" red vinyl and presented in deluxe wooden box with velvet lining, with Nagaoka anti-static record sleeves. Comes with \u003c\/span\u003e\u003cspan\u003ean original LP-sized booklet and a 60x90cm poster designed by Bruno Stucchi \/ Dinamomilano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlume:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJoining their broad efforts in building networks of context and understanding, spanning historical and contemporary territories of adventurous sound, Blume Editions is thrilled to announce the long-awaited first-time vinyl pressing of the New York based composer Phill Niblock’s seminal “Four Full Flutes”, restoring the album to the format for which it was originally conceived. Created in collaboration with the flutists Petr Kotik, Susan Stenger, and Eberhard Blum toward the end of the 1970s, the album’s four compositions - “P K”, “S L S”, “P K \u0026amp; S L S”, and “Winterbloom Too” - belong to Niblock’s radical rethinking of the possibilities and terms of tape music and microtonalism, the effects of which continue to ripple across the field of experimental to this day. Created in full collaboration with the composer with newly commissioned liner notes by Bradford Bailey, David First, few artefacts of minimalism’s second wave have proven to have had such an enduring effect.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phill Niblock\u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e","published_at":"2023-02-12T13:51:27+09:00","created_at":"2023-02-12T13:24:53+09:00","vendor":"Tobira Records","type":"","tags":["blume","drone","lp","new","recommended"],"price":898000,"price_min":898000,"price_max":898000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43981939900666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Phill Niblock \/\/ Four Full Flutes 2xLP WOODEN BOX [COLOR]","public_title":null,"options":["Default Title"],"price":898000,"weight":1650,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_820dff99-fef5-4f83-a511-904b7902db80.jpg?v=1676175896","\/\/tobirarecords.com\/cdn\/shop\/products\/fo3_d121a52b-656c-463c-9455-9332582a5d50.jpg?v=1676175896","\/\/tobirarecords.com\/cdn\/shop\/products\/fo4.jpg?v=1676175896","\/\/tobirarecords.com\/cdn\/shop\/products\/fo5.jpg?v=1676175897"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_820dff99-fef5-4f83-a511-904b7902db80.jpg?v=1676175896","options":["Title"],"media":[{"alt":null,"id":31513968345338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_820dff99-fef5-4f83-a511-904b7902db80.jpg?v=1676175896"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_820dff99-fef5-4f83-a511-904b7902db80.jpg?v=1676175896","width":600},{"alt":null,"id":31513968378106,"position":2,"preview_image":{"aspect_ratio":0.992,"height":600,"width":595,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo3_d121a52b-656c-463c-9455-9332582a5d50.jpg?v=1676175896"},"aspect_ratio":0.992,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo3_d121a52b-656c-463c-9455-9332582a5d50.jpg?v=1676175896","width":595},{"alt":null,"id":31513968410874,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo4.jpg?v=1676175896"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo4.jpg?v=1676175896","width":600},{"alt":null,"id":31513968443642,"position":4,"preview_image":{"aspect_ratio":1.305,"height":617,"width":805,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo5.jpg?v=1676175897"},"aspect_ratio":1.305,"height":617,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo5.jpg?v=1676175897","width":805}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのミニマル巨匠Phil Niblockが、2022年12月にイタリアの実験レーベルBlumeから300部限定でリリースした木箱スリーブ入り再発2枚組レコードです。（オリジナルは1990年リリース）\u003c\/p\u003e\n\u003cp\u003eフルート奏者Petr KotikとSusan Stenger、Eberhard Blumと共同で制作したミニマル・アコースティックドローン4曲を収録。ブックレットとポスター付属。赤盤です。\u003c\/p\u003e\n\u003cp\u003e既に廃盤ですのでこの機会をお見逃しなく。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4RsbAlFOXfw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 300. Pressed on 2x12\" red vinyl and presented in deluxe wooden box with velvet lining, with Nagaoka anti-static record sleeves. Comes with \u003c\/span\u003e\u003cspan\u003ean original LP-sized booklet and a 60x90cm poster designed by Bruno Stucchi \/ Dinamomilano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlume:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJoining their broad efforts in building networks of context and understanding, spanning historical and contemporary territories of adventurous sound, Blume Editions is thrilled to announce the long-awaited first-time vinyl pressing of the New York based composer Phill Niblock’s seminal “Four Full Flutes”, restoring the album to the format for which it was originally conceived. Created in collaboration with the flutists Petr Kotik, Susan Stenger, and Eberhard Blum toward the end of the 1970s, the album’s four compositions - “P K”, “S L S”, “P K \u0026amp; S L S”, and “Winterbloom Too” - belong to Niblock’s radical rethinking of the possibilities and terms of tape music and microtonalism, the effects of which continue to ripple across the field of experimental to this day. Created in full collaboration with the composer with newly commissioned liner notes by Bradford Bailey, David First, few artefacts of minimalism’s second wave have proven to have had such an enduring effect.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Phill Niblock\u003c\/p\u003e\n\u003cp\u003eLabel : Blume\u003c\/p\u003e"}
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アメリカ・NYのミニマル巨匠Phil Niblockが、2022年12月にイタリアの実験レーベルBlumeから300部限定でリリースした木箱スリーブ入り再発2枚組レコードです。（オリジナルは1990年リリース） フルート奏者Petr KotikとSusan Stenger、Eberhard Blumと共同で制作したミニマル・アコースティックドローン4曲を収録。ブックレットとポスター付属。赤盤です。 既に廃盤ですのでこの機会をお見逃しなく。 ----------------------------------------- Edition of 300. Pressed on 2x12"...
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{"id":7830392537338,"title":"Jim O'Rourke, Giovanni Di Domenico \/\/ Immanent in Nervous Activity LP","handle":"jim-orourke-giovanni-di-domenico-immanent-in-nervous-activity-lp","description":"\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeと当店おなじみイタリアのピアニストGiovanni Di Domenicoが、2022年9月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelから400部限定でリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなネオクラシカル・アンビエント〜アンビエントドローン長尺2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEiko IshibashiとTatsuhisa Yamamotoも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=692582215\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400. I\u003cspan data-mce-fragment=\"1\"\u003encludes 90x30cm art poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDie Schachtel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDelivering the long overdue follow up to their brilliant 2015 outing, Arco, the duo of Giovanni Di Domenico and Jim O’Rourke return to Die Schachtel with Immanent in Nervous Activity. Understated and elegant – enlisting the contributions of Eiko Ishibashi and Tatsuhisa Yamamoto – across the album’s two sides Di Domenico and O’Rourke slow time, deftly weaving tension into restrained sheets of tonality, texture, and harmonic dissonance, producing a startlingly beautiful intervention with the temperaments of experimental sound practice that shifts the borders of electroacoustic music and high minimalism. Issued on vinyl in a limited deluxe edition of 400 copies, housed in a sleeve with an original artwork by Bruno Stucchi\/dinamomilano and complete with a large format poster, Die Schachtel is thrilled to deliver another defining statement by one of the most exciting partnerships in the contemporary landscape of adventurous sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile less than a decade apart in age and equally diverse in the range of practices they have embraced over the course of their respective careers, Giovanni Di Domenico and Jim O’Rourke each represent the creative high points and ambitions of two very different generations. Initially emerging in Chicago during the late ‘80s and based in Japan since the mid-2000s, for more than three decades\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e O'Rourke has carved a relentless path through the field of experimental sound, creating a body of work - hundreds of albums deep - that refuses any form of stasis and obligation to genre or idiom. He is an artist driven by a singular quest, his endless curiosity driving him to constantly forge into uncharted, visionary realms. Italian born and Brussels based, since his appearance on the scene during late ‘90s and early 2000s, Giovanni Di Domenico has constructed a striking solo practice that bridges numerous forms of improvised and electroacoustic music, all the while rigorously working within various ensembles - Abschattungen, AufHeben, Bonjintan, Cement Shoes, etc. - and intimate collaborations with Akira Sakata, Tatsuhisa Yamamoto, Chris Corsano, Joe Talia, and others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDi Domenico and O’Rourke have retained a regular and fruitful working partnership over the last decade, collaborating within the groups Bonjintan and Delivery Health, as well as a handful of jointly billed ensembles, but their 2015 LP, Arco - an investigation into waiting and patience as means toward musical form - was the first to encounter them as a duo, and marked an unquestionable high point within this collaborative body of work. Seven years on, their latest outing, Immanent in Nervous Activity, picks up where its predecessor left off; a second chapter informed by the territories of creative exploration that each has traversed since.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImmanent in Nervous Activity rides the razor’s edge between bristling electroacoustic wizardry and the constrained structures and harmonic interplay most often encountered within musical minimalism. Begun in a studio not far from O’Rourke’s home in Japan with Di Domenico simultaneously playing piano and Rhodes organ, as the sessions gathered steam - O’Rourke’s deft hand processing and delivering electric interventions - the duo was joined intermittently by Eiko Ishibashi on flute and Tatsuhisa Yamamoto on snare drum, radically expanding the pallet of sound sources at their disposal. In its final form, produced via a rigorous and lengthy process of mixing, Immanent in Nervous Activity operates in two movements. The first rests largely in acoustic realm, with Di Domenico’s fluidly percussive piano and organ lines offering structure and harmony to the delicate textural interventions of Ishibashi, Yamamoto, and O’Rourke. Together they collectively weave a hypnotic tapestry of tonality and texture that inexplicably bridges the challenges of avant-gardism with the pure pleasure of pop.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second movement - constructed by O’Rourke from the material generated by the sessions - shatters form to an elemental and sprawling state, slowly distilling the remnants into an otherworldly, sonorous ooze that fully departs the earthy zones for pure, electroacoustic abstraction. Over the glacial evolution of its side-long duration, tension builds as material sources and the presence of each artist’s hands draw in and out of focus, droning and abrading within a vast expanse of pointillistic nature that renders itself subservient to the sweeping force of the whole, seemingly rethinking the terms and possibilities of electroacoustic music in real time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoining the conversant vision of two of the most striking voices within the field of contemporary sound, Immanent in Nervous Activity is issued by Die Schachtel in a very limited edition of 400 copies on high quality black vinyl, sleeve printed in Italy in deep black and metallic silver on extra matt white heavy cardboard, including a black\/silver limited \"zepelin\" 30x90cm poster, original artwork + design by Bruno Stucchi\/dinamomilano.\u003c\/span\u003e \u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke, Giovanni Di Domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Die Schachtel\u003c\/p\u003e","published_at":"2022-11-07T15:36:18+09:00","created_at":"2022-11-07T12:00:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Die Schachtel","lp","neo classical"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622715162874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jim O'Rourke, Giovanni Di Domenico \/\/ Immanent in Nervous Activity LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/im1_6f3fa2ac-6065-4f65-8bce-f9c7081daa70.jpg?v=1667790058","\/\/tobirarecords.com\/cdn\/shop\/products\/im2_dd7243b9-5dae-4bd0-bcda-e5c2aa217d66.jpg?v=1667790057"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_6f3fa2ac-6065-4f65-8bce-f9c7081daa70.jpg?v=1667790058","options":["Title"],"media":[{"alt":null,"id":30937541443834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_6f3fa2ac-6065-4f65-8bce-f9c7081daa70.jpg?v=1667790058"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_6f3fa2ac-6065-4f65-8bce-f9c7081daa70.jpg?v=1667790058","width":700},{"alt":null,"id":30937541476602,"position":2,"preview_image":{"aspect_ratio":1.014,"height":1184,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_dd7243b9-5dae-4bd0-bcda-e5c2aa217d66.jpg?v=1667790057"},"aspect_ratio":1.014,"height":1184,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_dd7243b9-5dae-4bd0-bcda-e5c2aa217d66.jpg?v=1667790057","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeと当店おなじみイタリアのピアニストGiovanni Di Domenicoが、2022年9月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelから400部限定でリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなネオクラシカル・アンビエント〜アンビエントドローン長尺2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEiko IshibashiとTatsuhisa Yamamotoも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=692582215\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 400. I\u003cspan data-mce-fragment=\"1\"\u003encludes 90x30cm art poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDie Schachtel:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDelivering the long overdue follow up to their brilliant 2015 outing, Arco, the duo of Giovanni Di Domenico and Jim O’Rourke return to Die Schachtel with Immanent in Nervous Activity. Understated and elegant – enlisting the contributions of Eiko Ishibashi and Tatsuhisa Yamamoto – across the album’s two sides Di Domenico and O’Rourke slow time, deftly weaving tension into restrained sheets of tonality, texture, and harmonic dissonance, producing a startlingly beautiful intervention with the temperaments of experimental sound practice that shifts the borders of electroacoustic music and high minimalism. Issued on vinyl in a limited deluxe edition of 400 copies, housed in a sleeve with an original artwork by Bruno Stucchi\/dinamomilano and complete with a large format poster, Die Schachtel is thrilled to deliver another defining statement by one of the most exciting partnerships in the contemporary landscape of adventurous sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile less than a decade apart in age and equally diverse in the range of practices they have embraced over the course of their respective careers, Giovanni Di Domenico and Jim O’Rourke each represent the creative high points and ambitions of two very different generations. Initially emerging in Chicago during the late ‘80s and based in Japan since the mid-2000s, for more than three decades\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e O'Rourke has carved a relentless path through the field of experimental sound, creating a body of work - hundreds of albums deep - that refuses any form of stasis and obligation to genre or idiom. He is an artist driven by a singular quest, his endless curiosity driving him to constantly forge into uncharted, visionary realms. Italian born and Brussels based, since his appearance on the scene during late ‘90s and early 2000s, Giovanni Di Domenico has constructed a striking solo practice that bridges numerous forms of improvised and electroacoustic music, all the while rigorously working within various ensembles - Abschattungen, AufHeben, Bonjintan, Cement Shoes, etc. - and intimate collaborations with Akira Sakata, Tatsuhisa Yamamoto, Chris Corsano, Joe Talia, and others.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDi Domenico and O’Rourke have retained a regular and fruitful working partnership over the last decade, collaborating within the groups Bonjintan and Delivery Health, as well as a handful of jointly billed ensembles, but their 2015 LP, Arco - an investigation into waiting and patience as means toward musical form - was the first to encounter them as a duo, and marked an unquestionable high point within this collaborative body of work. Seven years on, their latest outing, Immanent in Nervous Activity, picks up where its predecessor left off; a second chapter informed by the territories of creative exploration that each has traversed since.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImmanent in Nervous Activity rides the razor’s edge between bristling electroacoustic wizardry and the constrained structures and harmonic interplay most often encountered within musical minimalism. Begun in a studio not far from O’Rourke’s home in Japan with Di Domenico simultaneously playing piano and Rhodes organ, as the sessions gathered steam - O’Rourke’s deft hand processing and delivering electric interventions - the duo was joined intermittently by Eiko Ishibashi on flute and Tatsuhisa Yamamoto on snare drum, radically expanding the pallet of sound sources at their disposal. In its final form, produced via a rigorous and lengthy process of mixing, Immanent in Nervous Activity operates in two movements. The first rests largely in acoustic realm, with Di Domenico’s fluidly percussive piano and organ lines offering structure and harmony to the delicate textural interventions of Ishibashi, Yamamoto, and O’Rourke. Together they collectively weave a hypnotic tapestry of tonality and texture that inexplicably bridges the challenges of avant-gardism with the pure pleasure of pop.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second movement - constructed by O’Rourke from the material generated by the sessions - shatters form to an elemental and sprawling state, slowly distilling the remnants into an otherworldly, sonorous ooze that fully departs the earthy zones for pure, electroacoustic abstraction. Over the glacial evolution of its side-long duration, tension builds as material sources and the presence of each artist’s hands draw in and out of focus, droning and abrading within a vast expanse of pointillistic nature that renders itself subservient to the sweeping force of the whole, seemingly rethinking the terms and possibilities of electroacoustic music in real time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoining the conversant vision of two of the most striking voices within the field of contemporary sound, Immanent in Nervous Activity is issued by Die Schachtel in a very limited edition of 400 copies on high quality black vinyl, sleeve printed in Italy in deep black and metallic silver on extra matt white heavy cardboard, including a black\/silver limited \"zepelin\" 30x90cm poster, original artwork + design by Bruno Stucchi\/dinamomilano.\u003c\/span\u003e \u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke, Giovanni Di Domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Die Schachtel\u003c\/p\u003e"}
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アメリカ出身日本在住の実験音楽家Jim O'Rourkeと当店おなじみイタリアのピアニストGiovanni Di Domenicoが、2022年9月にイタリアの実験レーベルDie Schachtelから400部限定でリリースした共作レコードです。 ミニマルなネオクラシカル・アンビエント〜アンビエントドローン長尺2曲を収録。 Eiko IshibashiとTatsuhisa Yamamotoも参加しています。 -------------------------------------- Edition of 400. Includes...
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![Valentina Magaletti // ROTTA LP [COLOR]](http://tobirarecords.com/cdn/shop/products/va1_f1f6dd39-52b4-4b8f-ba24-4733e94c54d9_medium.jpg?v=1667788918)
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{"id":7830382805242,"title":"Valentina Magaletti \/\/ ROTTA LP [COLOR]","handle":"vamaro","description":"\u003cp\u003e当店おなじみイギリス・ロンドンのパーカッショニストValentina Magalettiが、2022年10月にイタリア・ミラノの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlume Editionsから300枚限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e呪術的なパーカッション2曲を収録。カラー盤です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4234589011\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Pressed on 'Coral Pink' color vinyl. \u003c\/p\u003e\n\u003cp\u003eBlume Editions:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eRotta', a work for percussion and electronics, draws upon Magaletti’s enduring, exploratory pursuit of ecstatic ritualism through sound and joins her growing body of efforts, begun with 2020’s “A Queer Anthology of Drums”, that encounters her working as a solo performer, among most challenging creative positions for an improvisor. Recorded in a single take within the nearly empty void of Cafe Oto in London, during late October of 2020 - one of a handful of months between the UK’s first and second lockdowns - “Rotta” encounters Magaletti’s occupying an explicitly experimental realm, weaving a remarkable tapestry of polyrhythms from behind the kit into the ambience of the room and further electronic interventions.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeeply emotive and cathartic, drawing upon its title’s double meaning in Italian - “broken” and “route” - the double side long piece displays intense virtuosity and direct, real-time immediacy, balanced against the unmistakable presence of vulnerability and risk; profoundly human and expressive cries sent through Magaletti’s hands, amplified by skin, wood, and spun brass. Played against bristling textures of electronics, complex rhythms allude to the utterances of vocal language and speech, staggering and dancing toward deeper meanings that only the beat can\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e express.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBelonging to the sinfully underrepresented discipline of solo percussion within recordings of experimental music - contemporary or otherwise - Blume Editions is thrilled to present Valentina Magaletti’s “Rotta”, an immersive expanse of sonorous texture, ambience, and rhythm, cohesively bound at the borders of freely improvised noise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIssued in a limited edition of 300 copies on 'coral pink' vinyl (Pantone170 C), with liner notes by Bradford Bailey, its deeply intimate sense of space, tension, and dynamics focus the lens on one of the most dynamic artists working today\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Valentina Magaletti\u003c\/p\u003e\n\u003cp\u003eLabel : Blume Editions\u003c\/p\u003e","published_at":"2022-11-07T13:47:19+09:00","created_at":"2022-11-07T11:41:56+09:00","vendor":"Tobira Records","type":"","tags":["blume","drone","lp","recommended","strange beats"],"price":428000,"price_min":428000,"price_max":428000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43622675808506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Valentina Magaletti \/\/ ROTTA LP [COLOR]","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/va1_f1f6dd39-52b4-4b8f-ba24-4733e94c54d9.jpg?v=1667788918","\/\/tobirarecords.com\/cdn\/shop\/products\/va2_d5d1d3ab-7ea6-4eae-b8bd-c0de8f0efbcd.jpg?v=1667788917"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_f1f6dd39-52b4-4b8f-ba24-4733e94c54d9.jpg?v=1667788918","options":["Title"],"media":[{"alt":null,"id":30937440944378,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_f1f6dd39-52b4-4b8f-ba24-4733e94c54d9.jpg?v=1667788918"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_f1f6dd39-52b4-4b8f-ba24-4733e94c54d9.jpg?v=1667788918","width":700},{"alt":null,"id":30937440977146,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va2_d5d1d3ab-7ea6-4eae-b8bd-c0de8f0efbcd.jpg?v=1667788917"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va2_d5d1d3ab-7ea6-4eae-b8bd-c0de8f0efbcd.jpg?v=1667788917","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店おなじみイギリス・ロンドンのパーカッショニストValentina Magalettiが、2022年10月にイタリア・ミラノの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlume Editionsから300枚限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e呪術的なパーカッション2曲を収録。カラー盤です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4234589011\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Pressed on 'Coral Pink' color vinyl. \u003c\/p\u003e\n\u003cp\u003eBlume Editions:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eRotta', a work for percussion and electronics, draws upon Magaletti’s enduring, exploratory pursuit of ecstatic ritualism through sound and joins her growing body of efforts, begun with 2020’s “A Queer Anthology of Drums”, that encounters her working as a solo performer, among most challenging creative positions for an improvisor. Recorded in a single take within the nearly empty void of Cafe Oto in London, during late October of 2020 - one of a handful of months between the UK’s first and second lockdowns - “Rotta” encounters Magaletti’s occupying an explicitly experimental realm, weaving a remarkable tapestry of polyrhythms from behind the kit into the ambience of the room and further electronic interventions.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDeeply emotive and cathartic, drawing upon its title’s double meaning in Italian - “broken” and “route” - the double side long piece displays intense virtuosity and direct, real-time immediacy, balanced against the unmistakable presence of vulnerability and risk; profoundly human and expressive cries sent through Magaletti’s hands, amplified by skin, wood, and spun brass. Played against bristling textures of electronics, complex rhythms allude to the utterances of vocal language and speech, staggering and dancing toward deeper meanings that only the beat can\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e express.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBelonging to the sinfully underrepresented discipline of solo percussion within recordings of experimental music - contemporary or otherwise - Blume Editions is thrilled to present Valentina Magaletti’s “Rotta”, an immersive expanse of sonorous texture, ambience, and rhythm, cohesively bound at the borders of freely improvised noise.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIssued in a limited edition of 300 copies on 'coral pink' vinyl (Pantone170 C), with liner notes by Bradford Bailey, its deeply intimate sense of space, tension, and dynamics focus the lens on one of the most dynamic artists working today\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Valentina Magaletti\u003c\/p\u003e\n\u003cp\u003eLabel : Blume Editions\u003c\/p\u003e"}
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当店おなじみイギリス・ロンドンのパーカッショニストValentina Magalettiが、2022年10月にイタリア・ミラノの実験レーベルBlume Editionsから300枚限定でリリースしたレコードです。 呪術的なパーカッション2曲を収録。カラー盤です。廃盤です。 -------------------------------------- Edition of 300. Pressed on 'Coral Pink' color vinyl. ...
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{"id":5826545811621,"title":"Mario Bertoncini \/\/ Arpe Eolie LP ","handle":"mario-bertoncini-arpe-eolie-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e即興団体Nuova Consonanzaや現音ピアニストとしての活動で知られている哲学者\u003c\/span\u003eMario Bertonciniが自身では初となるLPをイ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eタリア発掘音源専門レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDIE SCHACHTELよりリリース\u003c\/span\u003e。70年代初頭から制作を開始した音響彫刻・エオリアンハープの録音物を収録。作曲家や音楽家が介入できない自然の音を感じてみてください。4ページブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/QhYwi6RKb8s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2020-10-24T04:45:56+09:00","created_at":"2020-10-24T04:45:53+09:00","vendor":"Tobira Records","type":"","tags":["Die Schachtel","drone","lp","monooto"],"price":360800,"price_min":360800,"price_max":360800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36866559639717,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mario Bertoncini \/\/ Arpe Eolie LP ","public_title":null,"options":["Default Title"],"price":360800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R-8805639-1521542592-3219_jpeg.jpg?v=1603482355","\/\/tobirarecords.com\/cdn\/shop\/products\/bertoncini_arpe3.jpg?v=1603482355"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-8805639-1521542592-3219_jpeg.jpg?v=1603482355","options":["Title"],"media":[{"alt":null,"id":12699188330661,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-8805639-1521542592-3219_jpeg.jpg?v=1603482355"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-8805639-1521542592-3219_jpeg.jpg?v=1603482355","width":600},{"alt":null,"id":12699188363429,"position":2,"preview_image":{"aspect_ratio":3.39,"height":146,"width":495,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bertoncini_arpe3.jpg?v=1603482355"},"aspect_ratio":3.39,"height":146,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bertoncini_arpe3.jpg?v=1603482355","width":495}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e即興団体Nuova Consonanzaや現音ピアニストとしての活動で知られている哲学者\u003c\/span\u003eMario Bertonciniが自身では初となるLPをイ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eタリア発掘音源専門レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDIE SCHACHTELよりリリース\u003c\/span\u003e。70年代初頭から制作を開始した音響彫刻・エオリアンハープの録音物を収録。作曲家や音楽家が介入できない自然の音を感じてみてください。4ページブックレット付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube-nocookie.com\/embed\/QhYwi6RKb8s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}
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{"id":5826483716261,"title":"Teresa Rampazzi \/\/ Immagini Per Diana Baylon LP ","handle":"teresa-rampazzi-immagini-per-diana-baylon-lp","description":"\u003cp\u003eJohn Cageの影響下、電子音楽とコンピュータ音楽の先駆者の一人として地位を確率したイタリア人作家Teresa Rampazzi が、1972年にフィレンツェの現代美術ギャラリー「Il Fiore」で開催されたDiana Baylon展覧会のために作曲した楽曲を同国Die Schachtelが発掘プレス化しました。15分前後の楽曲2曲を収録。Giuseppe Ielashiマスタリング。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/264531693\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; 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{"id":5817541918885,"title":"Alvin Lucier \/\/ Vespers LP","handle":"alvin-lucier-vespers-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e演奏者とその空間という2つの対等な存在によって生み出された作品で、\u003cmeta charset=\"utf-8\"\u003e短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eイタリア\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eDie Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。\u003c\/span\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2132599228\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/editionsblume.bandcamp.com\/album\/vespers\"\u003eVespers by Alvin Lucier\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eSince its advent within the broader of movement of modernism during the early years of the 20th century, avant-garde music has almost always struggled to reach the audience for which it was conceived. It is a diverse creative territory, forward thinking and radical by nature, that pursues the unknown, attempting to create new forms of organized sound that are more democratic, accessible, and open than those of the past. Emerging during the late 1950s and across the 1960s, the second generation of the post-war avant-garde can be regarded as a representational return to the ideologies that define the practice. As a result, they collectively created what is arguably the most revolutionary body of thought and action within 20th century music. Despite the persistence of the definitions and perceptions cemented by their predecessors, these artists and their work —Éliane Radigue, Pauline Oliveros, Alvin Curran, Takehisa Kosugi, Frederic Rzewski, David Behrman, Terry Riley, Robert Ashley, Steve Reich, La Monte Young, Tony Conrad, Gordon Mumma, and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecountless others have yielded unparalleled influence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the most important, influential, and radical of this generation is Alvin Lucier, a towering figure in the field. Already active on the scene for a number of years, Lucier’s entrance into the public and creative consciousness occurred in 1966 at the now legendary ONCE Festival, in Ann Arbor, Michigan, where, as a member of the newly formed Sonic Arts Union, a collective founded with fellow composers, David Behrman, Gordon Mumma, and Robert Ashley, he performed his groundbreaking work, Music for a Solo Performer, composed the year before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Vespers\" (1969) and \"Chambers\" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn. First released as Lucier's contribution to the Sonic Arts Union's lone LP, Electronic Sound, in 1972, \"Vespers\" is a work generated by two equal actors —the performers and the space that they occupy. Conceived following a chance encounter with hand-held echolocation technology —the Sondol™, a pulse oscillator that emits short, sharp pulses at variable repetition speeds, producing echoes from the reflecting walls of a space to register relative location and orientation— it stands as one of the first works in history within which the decisions made during the performance are solely based on acoustics, allowing sound to be equally the content and structural determiner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten as a poetic \"prose score\", for the realization of \"Vespers\", each performer is equipped with a Sondol™ and asked to move blindfolded within a defined space, moving from one point to the next using only echolocation, taking what Lucier describes as \"sound photographs\" that reveal discrete details of the given area. As the recording unfolds, the aptitude of this image becomes increasingly clear. While an aesthetic relationship to the movement of musical minimalism, embarked upon by a number of his peers, has often presented itself within Lucier's work, of all of them this is arguably most present within \"Vespers\". Despite the radical leap it presented within the history of the sonic arts, \"Vespers\" was not the first of Lucier's works that began to specifically address the relation between sound, perception, and space. Notably \"Chambers\", composed the year before in 1968 and embedded with the wry humor which lingers below much of the composer’s output, explored the theme on a brilliantly miniature scale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a total work, \"Chambers\" contends with the relationship between the knowing and understanding of what we hear, our perception of the source of a sound, and its relation to space. When viewed in the immediate context of \"Vespers\", as it is here, it presents as an unexpected inversion of what was to come. While it plays on the relation of sight and the sonic actor, here what is seen and unseen takes on a dynamically different role. Equally, there is not one space to perceive, but many. For the realization of \"Chambers\", battery-operated radios, tape recorders, and various kinds of electric toys are hidden in paper bags, shoes, kettles, a suitcase, and other small resonant spaces, which not only limit the perception of these object to their sounds alone, but take on the role of acoustic actors on the sounds within, each space becoming as individual and distinct as the object it contains. Taking it one step further, rather than being static, these \"\"Chambers\"\" are carried by performers into larger ones —those in which the work is performed— further altering the sounds which occupy them, drawing the ear, once again, to the action of that which contains a body of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBecause the works of Alvin Lucier have occupied a seminal place in the landscape of avant-garde sound for more than half a century, their materiality forming the bedrock on which so many have subsequently built, there can be a natural tendency to focus on their immediate forms, each springing from a radical and forward thinking approach to the generation of sound —what the sounds are and what makes them, rather than how they operate and why they were made. This, at least in some part, underscores the importance of this reissue of the two works before us now. Like most of Lucier's efforts from the 1960s, there is a purity to discover them in recorded form that draws the ear toward the remarkable territories of conceptualism and ideology that lay at their core. Not only are they a crucial window into Lucier's early years and less acknowledged efforts, but they activate a more dynamic awareness, philosophically, of the broad creative paradigm and context in which he has continuously worked. These are works which belong to a movement which sought to rejoin the avant-garde with the society it was conceived to serve. A human music of expanded consciousness, to be occupied, tapping the fundamental need to communicate and understand through sound.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Lucier\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : \u003c\/span\u003e\u003c\/div\u003e","published_at":"2020-10-22T11:12:21+09:00","created_at":"2020-10-22T11:12:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Die Schachtel","lp","monooto","strange beats"],"price":327800,"price_min":327800,"price_max":327800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36834620539045,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Lucier \/\/ Vespers LP","public_title":null,"options":["Default Title"],"price":327800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734","options":["Title"],"media":[{"alt":null,"id":12562984599717,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e演奏者とその空間という2つの対等な存在によって生み出された作品で、\u003cmeta charset=\"utf-8\"\u003e短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eイタリア\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eDie Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。\u003c\/span\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2132599228\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/editionsblume.bandcamp.com\/album\/vespers\"\u003eVespers by Alvin Lucier\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eSince its advent within the broader of movement of modernism during the early years of the 20th century, avant-garde music has almost always struggled to reach the audience for which it was conceived. It is a diverse creative territory, forward thinking and radical by nature, that pursues the unknown, attempting to create new forms of organized sound that are more democratic, accessible, and open than those of the past. Emerging during the late 1950s and across the 1960s, the second generation of the post-war avant-garde can be regarded as a representational return to the ideologies that define the practice. As a result, they collectively created what is arguably the most revolutionary body of thought and action within 20th century music. Despite the persistence of the definitions and perceptions cemented by their predecessors, these artists and their work —Éliane Radigue, Pauline Oliveros, Alvin Curran, Takehisa Kosugi, Frederic Rzewski, David Behrman, Terry Riley, Robert Ashley, Steve Reich, La Monte Young, Tony Conrad, Gordon Mumma, and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecountless others have yielded unparalleled influence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the most important, influential, and radical of this generation is Alvin Lucier, a towering figure in the field. Already active on the scene for a number of years, Lucier’s entrance into the public and creative consciousness occurred in 1966 at the now legendary ONCE Festival, in Ann Arbor, Michigan, where, as a member of the newly formed Sonic Arts Union, a collective founded with fellow composers, David Behrman, Gordon Mumma, and Robert Ashley, he performed his groundbreaking work, Music for a Solo Performer, composed the year before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Vespers\" (1969) and \"Chambers\" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn. First released as Lucier's contribution to the Sonic Arts Union's lone LP, Electronic Sound, in 1972, \"Vespers\" is a work generated by two equal actors —the performers and the space that they occupy. Conceived following a chance encounter with hand-held echolocation technology —the Sondol™, a pulse oscillator that emits short, sharp pulses at variable repetition speeds, producing echoes from the reflecting walls of a space to register relative location and orientation— it stands as one of the first works in history within which the decisions made during the performance are solely based on acoustics, allowing sound to be equally the content and structural determiner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten as a poetic \"prose score\", for the realization of \"Vespers\", each performer is equipped with a Sondol™ and asked to move blindfolded within a defined space, moving from one point to the next using only echolocation, taking what Lucier describes as \"sound photographs\" that reveal discrete details of the given area. As the recording unfolds, the aptitude of this image becomes increasingly clear. While an aesthetic relationship to the movement of musical minimalism, embarked upon by a number of his peers, has often presented itself within Lucier's work, of all of them this is arguably most present within \"Vespers\". Despite the radical leap it presented within the history of the sonic arts, \"Vespers\" was not the first of Lucier's works that began to specifically address the relation between sound, perception, and space. Notably \"Chambers\", composed the year before in 1968 and embedded with the wry humor which lingers below much of the composer’s output, explored the theme on a brilliantly miniature scale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a total work, \"Chambers\" contends with the relationship between the knowing and understanding of what we hear, our perception of the source of a sound, and its relation to space. When viewed in the immediate context of \"Vespers\", as it is here, it presents as an unexpected inversion of what was to come. While it plays on the relation of sight and the sonic actor, here what is seen and unseen takes on a dynamically different role. Equally, there is not one space to perceive, but many. For the realization of \"Chambers\", battery-operated radios, tape recorders, and various kinds of electric toys are hidden in paper bags, shoes, kettles, a suitcase, and other small resonant spaces, which not only limit the perception of these object to their sounds alone, but take on the role of acoustic actors on the sounds within, each space becoming as individual and distinct as the object it contains. Taking it one step further, rather than being static, these \"\"Chambers\"\" are carried by performers into larger ones —those in which the work is performed— further altering the sounds which occupy them, drawing the ear, once again, to the action of that which contains a body of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBecause the works of Alvin Lucier have occupied a seminal place in the landscape of avant-garde sound for more than half a century, their materiality forming the bedrock on which so many have subsequently built, there can be a natural tendency to focus on their immediate forms, each springing from a radical and forward thinking approach to the generation of sound —what the sounds are and what makes them, rather than how they operate and why they were made. This, at least in some part, underscores the importance of this reissue of the two works before us now. Like most of Lucier's efforts from the 1960s, there is a purity to discover them in recorded form that draws the ear toward the remarkable territories of conceptualism and ideology that lay at their core. Not only are they a crucial window into Lucier's early years and less acknowledged efforts, but they activate a more dynamic awareness, philosophically, of the broad creative paradigm and context in which he has continuously worked. These are works which belong to a movement which sought to rejoin the avant-garde with the society it was conceived to serve. A human music of expanded consciousness, to be occupied, tapping the fundamental need to communicate and understand through sound.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Lucier\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : \u003c\/span\u003e\u003c\/div\u003e"}
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1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、 演奏者とその空間という2つの対等な存在によって生み出された作品で、短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。 イタリア Die Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。Vespers by Alvin Lucier Since its advent within the...
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{"id":5817500729509,"title":"Alvin Curran \/\/ Canti Illuminati LP","handle":"alvin-curran-canti-illuminati-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eイタリア\u003cmeta charset=\"utf-8\"\u003eDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。\u003c\/span\u003eGiuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eAn occupant of the present and thread to the past - a rare juncture between diverse polarities of experimental practice, from free improvisation and modern classical composition, to primitivism, electronic music, and extended techniques, for more than half a century Alvin Curran has stood as beacon in the landscape of organized sound. From his efforts within Musica Elettronica Viva, the collective which he helped found in 1966 with Frederic Rzewski and Richard Teitelbaum, to those as a solo-performer and composer, his sounds and ideas have effected immeasurable change. Canti Illuminati, composed and recorded between 1973 and 1977, stands as one of the great documents from the golden era of Curran's singular brand of creative radicalism - combining a deep sense of social and political consciousness, with creative humanism and visionary compositional ideas. Blume Editions is proud to present the first ever vinyl reissue of this seminal master-stoke by one of the most important composers working today.\u003cbr data-mce-fragment=\"1\"\u003eA bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. Necessity stripped to the elemental, while challenging, endlessly surprising, and complex. A crucial component in Curran's life long musical quest for something deeply human and fundamentally representative - that elusive thing which connects us all. Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Curran\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Blume\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2196746030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/andrewweathers.bandcamp.com\/album\/under-the-tree\"\u003eUnder the Tree by Andrew Weathers\u003c\/a\u003e\u003c\/iframe\u003e","published_at":"2020-10-22T10:58:53+09:00","created_at":"2020-10-22T10:58:44+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Die Schachtel","drone","lp"],"price":327800,"price_min":327800,"price_max":327800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36834473607333,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Curran \/\/ Canti Illuminati LP","public_title":null,"options":["Default Title"],"price":327800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925","options":["Title"],"media":[{"alt":null,"id":12562188468389,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eイタリア\u003cmeta charset=\"utf-8\"\u003eDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。\u003c\/span\u003eGiuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eAn occupant of the present and thread to the past - a rare juncture between diverse polarities of experimental practice, from free improvisation and modern classical composition, to primitivism, electronic music, and extended techniques, for more than half a century Alvin Curran has stood as beacon in the landscape of organized sound. From his efforts within Musica Elettronica Viva, the collective which he helped found in 1966 with Frederic Rzewski and Richard Teitelbaum, to those as a solo-performer and composer, his sounds and ideas have effected immeasurable change. Canti Illuminati, composed and recorded between 1973 and 1977, stands as one of the great documents from the golden era of Curran's singular brand of creative radicalism - combining a deep sense of social and political consciousness, with creative humanism and visionary compositional ideas. Blume Editions is proud to present the first ever vinyl reissue of this seminal master-stoke by one of the most important composers working today.\u003cbr data-mce-fragment=\"1\"\u003eA bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. Necessity stripped to the elemental, while challenging, endlessly surprising, and complex. A crucial component in Curran's life long musical quest for something deeply human and fundamentally representative - that elusive thing which connects us all. Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Curran\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Blume\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2196746030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/andrewweathers.bandcamp.com\/album\/under-the-tree\"\u003eUnder the Tree by Andrew Weathers\u003c\/a\u003e\u003c\/iframe\u003e"}
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イタリアDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。Giuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。 An occupant of the present and thread to the...
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{"id":5808477536421,"title":"Alessandra Novaga \/\/ I Should Have Been a Gardener LP","handle":"alessandra-novaga-i-should-have-been-a-gardener-lp","description":"\u003cp\u003e イタリア人女性ギタリストAlessandra Novagaによる2020年7月リリースの新作。題が示す通り、本作は映像作家兼園芸家Derek Jarmanに捧げるギターアンビエント作品となっています。Loren Connors諸作がお好きな方にもおすすめします。180g重量イエローヴァイナル仕様。200部限定です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2651973502\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/dieschachtelrecords.bandcamp.com\/album\/i-should-have-been-a-gardener\"\u003eI Should Have Been a Gardener by Alessandra Novaga\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eOffering a visionary approach to the solo guitar, Milanese experimentalist Alessandra Novaga, delivers an expansive meditation on the late filmmaker, Derek Jarman, with \"I Should Have Been a Gardener\", proudly presented by Die Schachtel.\u003cbr\u003e\u003cbr\u003eAlessandra Novaga is among the leading figures within Italy’s thriving new, experimental, and improvised music scene, consistently rendering striking solo efforts, as well as equally noteworthy collaborating with Stefano Pilia, Paula Matthusen, Elliott Sharp, Sandro Mussida, Travis Just, and others. 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Emerging as an ethereal aural portrait of the man, sound - interventions of tonality with non-instrumental sources - and silence join in a single, unified body that seeks redemption and purification at the boundaries of life; an imprint that, like Jarman’s garden at Prospect Cottage, is magical - flowers blooming between the stones - hovering in the stark space between an endless sea and post-modern shadow of a nuclear power plant.\u003cbr\u003e\u003cbr\u003eAs remarkably listenable as it is challenging and pregnant with ideas, Novaga’s \"I Should Have Been a Gardener\" represents a strikingly at ease step forward in the potentialities of experimental music. Bravely taking on the ubiquitous expectations of the guitar, Novaga refused to relinquish the clarity of source and sound, forcing the ear to rethink what is accepted and known at every turn. An immersive journey from one of Italy's most important contemporary voices, available from Die Schachtel in a very limited Edition of 200 copied on 180 gr. heavyweight, yellow vinyl, accompanied by an extensive, exploratory booklet.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003eartist : Alessandra Novaga\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003elabel : Die Schachtel\u003c\/span\u003e\u003c\/div\u003e","published_at":"2020-10-20T12:04:14+09:00","created_at":"2020-10-20T12:04:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Die Schachtel","lp"],"price":316800,"price_min":316800,"price_max":316800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36800889421989,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alessandra Novaga \/\/ I Should Have Been a Gardener LP","public_title":null,"options":["Default Title"],"price":316800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3124067952_16.jpg?v=1603163054","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15605107-1594464729-4884_jpeg.jpg?v=1603163055","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15605107-1594466280-9258_jpeg.jpg?v=1603163055","\/\/tobirarecords.com\/cdn\/shop\/products\/A-4436754-1464265664-4539_jpeg.jpg?v=1603163055"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3124067952_16.jpg?v=1603163054","options":["Title"],"media":[{"alt":null,"id":12444170551461,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3124067952_16.jpg?v=1603163054"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3124067952_16.jpg?v=1603163054","width":700},{"alt":null,"id":12444170584229,"position":2,"preview_image":{"aspect_ratio":0.997,"height":601,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15605107-1594464729-4884_jpeg.jpg?v=1603163055"},"aspect_ratio":0.997,"height":601,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15605107-1594464729-4884_jpeg.jpg?v=1603163055","width":599},{"alt":null,"id":12444170616997,"position":3,"preview_image":{"aspect_ratio":0.977,"height":300,"width":293,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15605107-1594466280-9258_jpeg.jpg?v=1603163055"},"aspect_ratio":0.977,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15605107-1594466280-9258_jpeg.jpg?v=1603163055","width":293},{"alt":null,"id":12444170649765,"position":4,"preview_image":{"aspect_ratio":0.667,"height":900,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/A-4436754-1464265664-4539_jpeg.jpg?v=1603163055"},"aspect_ratio":0.667,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/A-4436754-1464265664-4539_jpeg.jpg?v=1603163055","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e イタリア人女性ギタリストAlessandra Novagaによる2020年7月リリースの新作。題が示す通り、本作は映像作家兼園芸家Derek Jarmanに捧げるギターアンビエント作品となっています。Loren Connors諸作がお好きな方にもおすすめします。180g重量イエローヴァイナル仕様。200部限定です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2651973502\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/dieschachtelrecords.bandcamp.com\/album\/i-should-have-been-a-gardener\"\u003eI Should Have Been a Gardener by Alessandra Novaga\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eOffering a visionary approach to the solo guitar, Milanese experimentalist Alessandra Novaga, delivers an expansive meditation on the late filmmaker, Derek Jarman, with \"I Should Have Been a Gardener\", proudly presented by Die Schachtel.\u003cbr\u003e\u003cbr\u003eAlessandra Novaga is among the leading figures within Italy’s thriving new, experimental, and improvised music scene, consistently rendering striking solo efforts, as well as equally noteworthy collaborating with Stefano Pilia, Paula Matthusen, Elliott Sharp, Sandro Mussida, Travis Just, and others. 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{"id":5808430842021,"title":"Raven Chacon \/\/ An Anthology of Chants Operations LP ","handle":"raven-chacon-ouidah","description":"\u003cp\u003eイタリア実験レーベルDie Schachtel傘下Ouidahからの2作目は、ニューメキシコ州を拠点に活動するパフォーマー、即興演奏家、作曲家、サウンドアーティストのRaven Chaconの最新LP『An Anthology of Chants Operations』です。本作は、彼が過去10年間で制作したライブパフォーマンス、インスタレーション、作曲を収録した9つの楽曲から構成されています。国立公園で行ったインスタレーションでは、彼自身で作った太陽光で動くウインドハープなど使用しており、それぞれの歴史や場所、環境への深い好奇心が表現されています。三角形の特殊ジャケットに収納されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/914124514\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Raven Chacon An Anthology Of Chants Operations\" href=\"https:\/\/soundcloud.com\/user-198195096\/raven-chacon-an-anthology-of-chants-operations\" target=\"_blank\"\u003eRaven Chacon An Anthology Of Chants Operations\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e**Edition of 200. Triangular cover**\u003cspan\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eWhile often laying unobserved below a landscape of the seemingly unfamiliar, experimental music is the imagining of the future, embedded in a quest for fundamental truth. It is a music that attempts to speak of who we are, fueled by curiosity and formed into creative languages that seek new relationships to meaning and communication through organizations of sound. New Mexico based performer, improvisor, composer, and sound artist\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eRaven Chacon\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e’s latest LP,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, the second outing from\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eOuidah\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003e- a new imprint in the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eBlume Editions\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003efamily, dedicated to ambitious artists working in often overlooked geographies - is a shimmering window into the rigour, hope, and beauty of these pursuits; a body of recordings drawn from across the last decade of his output, that weaves the elemental and topical into startling abstract forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eRaised in Fort Defiance, Navajo Nation, Arizona, and a student of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eJames Tenney\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMorton Subotnick\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMichael Pisaro\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eWadada Leo Smith\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eat CalArts, for the last 20 years Raven Chacon has bridged the creative realms of chamber music, noise, site specific installation, and performance, building a body of singular solo efforts, as well as critically heralded collaborative works within the collective\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003ePostcommodity\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eDeeply introspective, Chacon’s work rests at the root meaning and intention of experimental practice. It is the outcome of an action that, at its inception, responds to a question for which\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003ethe answer is unknown. In his hands, sound is a raw, democratic material, with a near infinite number of possibilities and sources - sometimes found and encountered, others self-generated - reformed into an image that refract the notions of humanity and being outside of themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003ecomprises a body of 9 recordings created by Chacon between 2010 and 2020, capturing live performance, installation, and composition. Offering an expansive cross-section of the cohesive diversity that defines his practice, each is a free-standing encounter, drawing on the artist’s deep sense of curiosity about the meaning that develops through a relation to history, happening, place, and environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eSinging Toward the Wind Now \/ Singing Toward the Sun Now\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eis a work that documents an installation staged at Canyon de Chelly National Monument in Chinle, Arizona in 2012, for which Chacon created 4 metal sculptures that function as musical instruments - 2 wind harps and 2 solar-powered oscillators - played by the natural elements. Encountered here as a tapestry of drone, subtle electronic beating, and environmental sound, the work forms part of a multidimensional image, alluding to their unseen forms and countless experiences and phenomena, across the millennia, of the land where it was staged.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eThis navigation of the experiential manifestations of history’s contemporary life, carries into\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eMVHS\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a work constructed from recordings of Navajo high-school students learning to play a 5-hole \"Indian\" flute in their music class. Forced upon them by their teacher as a \"classical\" instrument, despite lacking precedent in their own culture, Chacon unveils an unfolding simulacrum of Native American identity and heritage that amounts to garish cliché, reappropriating it as a raw material to indicate the complex alignment of meaning – both internal and external - connected to a people, place, and the nurture of their truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eChacon’s work is bound by the cohesion of his ideas, explorations, and the nature of his responses, rather a tangible loyalty to aesthetic appearance or form. The immersion into the dynamics of this approach, relating to action, place, and meaning that develops at their meeting, continuous to expand as his “Anthology” unfolds, blurring the line between the performative, chance encounter, and the composed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eThe wondrously beautiful and aptly named\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eStudy for Human-made Bird Calls and Microphone out a Moving Car Window\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eTyuonyi\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a sound work deploying field recordings at the ruins of Tyuonyi, delve toward radically different depictions of the abstractions that develop between object and the occupation of place, weaving ambience and intervention into unexpected forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eChant\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, one of a larger body of performances for voice;\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAntler\/Glass\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, capturing a live performance with amplified deer antler and a sheet of glass; and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003ePinefire Song\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a piece made from shaken and processed shells from Zuni Pueblo, and a tape loop of a bonfire of pine needles, shift their materiality and actions toward signifier and sign, with Chacon’s body channeling the historical and cultural potency that rests at the conjunction of sound and action.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eMSRC\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a microtonal, collaborative improvisation with\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMarc Sabat\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eon viola and Chacon on custom-tuned organ, and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eOperation\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a chance-composition, through their own distinct notions of musicality, sculpt transient spaces of imagistic sonority, pointing to the depth at their source, given new life in the present by Chacon’s deep sensitively to the effect of the place, and the contained elements and happenings that move him to act, respond, and explore.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eFilled with life, vitality, and the curiosity that follows, Raven Chacon’s\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003epresents a wildly expanded and revitalized notion of experimental practice that stretches far beyond the potentialities within which it is normatively conformed. A deeply human music, asking after the effects of place on who we are. Issued by\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eOuidah\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e in a beautiful edition of 200 copies on black vinyl, packaged in the label’s signature monochrome triangular sleeve, a Nagaoka anti-static sleeve, and complete with two informative inserts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eartist : Raven Chacon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003elabel : Die Schachtel\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\" data-mce-style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2020-10-20T11:23:57+09:00","created_at":"2020-10-20T11:23:54+09:00","vendor":"Tobira Records","type":"","tags":["blume","Die Schachtel","drone","lp","monooto"],"price":293700,"price_min":293700,"price_max":293700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36800596377765,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Raven Chacon \/\/ An Anthology of Chants Operations LP ","public_title":null,"options":["Default Title"],"price":293700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-2011.12.49.png?v=1603160636","\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-2011.13.06.png?v=1603160636","\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-2011.13.16.png?v=1603160636"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-2011.12.49.png?v=1603160636","options":["Title"],"media":[{"alt":null,"id":12443865612453,"position":1,"preview_image":{"aspect_ratio":1.136,"height":826,"width":938,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-2011.12.49.png?v=1603160636"},"aspect_ratio":1.136,"height":826,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-2011.12.49.png?v=1603160636","width":938},{"alt":null,"id":12443865645221,"position":2,"preview_image":{"aspect_ratio":1.105,"height":898,"width":992,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-2011.13.06.png?v=1603160636"},"aspect_ratio":1.105,"height":898,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-2011.13.06.png?v=1603160636","width":992},{"alt":null,"id":12443865677989,"position":3,"preview_image":{"aspect_ratio":1.16,"height":836,"width":970,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-2011.13.16.png?v=1603160636"},"aspect_ratio":1.16,"height":836,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-2011.13.16.png?v=1603160636","width":970}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア実験レーベルDie Schachtel傘下Ouidahからの2作目は、ニューメキシコ州を拠点に活動するパフォーマー、即興演奏家、作曲家、サウンドアーティストのRaven Chaconの最新LP『An Anthology of Chants Operations』です。本作は、彼が過去10年間で制作したライブパフォーマンス、インスタレーション、作曲を収録した9つの楽曲から構成されています。国立公園で行ったインスタレーションでは、彼自身で作った太陽光で動くウインドハープなど使用しており、それぞれの歴史や場所、環境への深い好奇心が表現されています。三角形の特殊ジャケットに収納されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/914124514\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Raven Chacon An Anthology Of Chants Operations\" href=\"https:\/\/soundcloud.com\/user-198195096\/raven-chacon-an-anthology-of-chants-operations\" target=\"_blank\"\u003eRaven Chacon An Anthology Of Chants Operations\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e**Edition of 200. Triangular cover**\u003cspan\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eWhile often laying unobserved below a landscape of the seemingly unfamiliar, experimental music is the imagining of the future, embedded in a quest for fundamental truth. It is a music that attempts to speak of who we are, fueled by curiosity and formed into creative languages that seek new relationships to meaning and communication through organizations of sound. New Mexico based performer, improvisor, composer, and sound artist\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eRaven Chacon\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e’s latest LP,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, the second outing from\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eOuidah\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003e- a new imprint in the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eBlume Editions\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003efamily, dedicated to ambitious artists working in often overlooked geographies - is a shimmering window into the rigour, hope, and beauty of these pursuits; a body of recordings drawn from across the last decade of his output, that weaves the elemental and topical into startling abstract forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eRaised in Fort Defiance, Navajo Nation, Arizona, and a student of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eJames Tenney\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMorton Subotnick\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMichael Pisaro\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eWadada Leo Smith\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eat CalArts, for the last 20 years Raven Chacon has bridged the creative realms of chamber music, noise, site specific installation, and performance, building a body of singular solo efforts, as well as critically heralded collaborative works within the collective\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003ePostcommodity\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eDeeply introspective, Chacon’s work rests at the root meaning and intention of experimental practice. It is the outcome of an action that, at its inception, responds to a question for which\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan lang=\"en-US\"\u003ethe answer is unknown. In his hands, sound is a raw, democratic material, with a near infinite number of possibilities and sources - sometimes found and encountered, others self-generated - reformed into an image that refract the notions of humanity and being outside of themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003ecomprises a body of 9 recordings created by Chacon between 2010 and 2020, capturing live performance, installation, and composition. Offering an expansive cross-section of the cohesive diversity that defines his practice, each is a free-standing encounter, drawing on the artist’s deep sense of curiosity about the meaning that develops through a relation to history, happening, place, and environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eSinging Toward the Wind Now \/ Singing Toward the Sun Now\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eis a work that documents an installation staged at Canyon de Chelly National Monument in Chinle, Arizona in 2012, for which Chacon created 4 metal sculptures that function as musical instruments - 2 wind harps and 2 solar-powered oscillators - played by the natural elements. Encountered here as a tapestry of drone, subtle electronic beating, and environmental sound, the work forms part of a multidimensional image, alluding to their unseen forms and countless experiences and phenomena, across the millennia, of the land where it was staged.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eThis navigation of the experiential manifestations of history’s contemporary life, carries into\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eMVHS\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a work constructed from recordings of Navajo high-school students learning to play a 5-hole \"Indian\" flute in their music class. Forced upon them by their teacher as a \"classical\" instrument, despite lacking precedent in their own culture, Chacon unveils an unfolding simulacrum of Native American identity and heritage that amounts to garish cliché, reappropriating it as a raw material to indicate the complex alignment of meaning – both internal and external - connected to a people, place, and the nurture of their truth.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eChacon’s work is bound by the cohesion of his ideas, explorations, and the nature of his responses, rather a tangible loyalty to aesthetic appearance or form. The immersion into the dynamics of this approach, relating to action, place, and meaning that develops at their meeting, continuous to expand as his “Anthology” unfolds, blurring the line between the performative, chance encounter, and the composed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eThe wondrously beautiful and aptly named\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eStudy for Human-made Bird Calls and Microphone out a Moving Car Window\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eTyuonyi\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a sound work deploying field recordings at the ruins of Tyuonyi, delve toward radically different depictions of the abstractions that develop between object and the occupation of place, weaving ambience and intervention into unexpected forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eChant\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, one of a larger body of performances for voice;\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAntler\/Glass\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, capturing a live performance with amplified deer antler and a sheet of glass; and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003ePinefire Song\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a piece made from shaken and processed shells from Zuni Pueblo, and a tape loop of a bonfire of pine needles, shift their materiality and actions toward signifier and sign, with Chacon’s body channeling the historical and cultural potency that rests at the conjunction of sound and action.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eMSRC\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a microtonal, collaborative improvisation with\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cstrong\u003eMarc Sabat\u003c\/strong\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003eon viola and Chacon on custom-tuned organ, and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eOperation\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e, a chance-composition, through their own distinct notions of musicality, sculpt transient spaces of imagistic sonority, pointing to the depth at their source, given new life in the present by Chacon’s deep sensitively to the effect of the place, and the contained elements and happenings that move him to act, respond, and explore.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eFilled with life, vitality, and the curiosity that follows, Raven Chacon’s\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cem\u003eAn Anthology of Chants Operations\u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e\u003cspan\u003e \u003c\/span\u003epresents a wildly expanded and revitalized notion of experimental practice that stretches far beyond the potentialities within which it is normatively conformed. A deeply human music, asking after the effects of place on who we are. Issued by\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003eOuidah\u003c\/span\u003e\u003cspan lang=\"en-US\"\u003e in a beautiful edition of 200 copies on black vinyl, packaged in the label’s signature monochrome triangular sleeve, a Nagaoka anti-static sleeve, and complete with two informative inserts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"en-US\"\u003eartist : Raven Chacon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003elabel : Die Schachtel\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\" data-mce-style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e"}
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イタリア実験レーベルDie Schachtel傘下Ouidahからの2作目は、ニューメキシコ州を拠点に活動するパフォーマー、即興演奏家、作曲家、サウンドアーティストのRaven Chaconの最新LP『An Anthology of Chants Operations』です。本作は、彼が過去10年間で制作したライブパフォーマンス、インスタレーション、作曲を収録した9つの楽曲から構成されています。国立公園で行ったインスタレーションでは、彼自身で作った太陽光で動くウインドハープなど使用しており、それぞれの歴史や場所、環境への深い好奇心が表現されています。三角形の特殊ジャケットに収納されています。 tobirarecs · Raven Chacon An Anthology Of...
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