Mario Bertoncini // Arpe Eolie LP
Mario Bertoncini // Arpe Eolie LP
¥3,608
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即興団体Nuova Consonanzaや現音ピアニストとしての活動で知られている哲学者Mario Bertonciniが自身では初となるLPをイタリア発掘音源専門レーベルDIE SCHACHTELよりリリース。70年代初頭から制作を開始した音響彫刻・エオリアンハープの録音物を収録。作曲家や音楽家が介入できない自然の音を感じてみてください。4ページブックレット付属。
即興団体Nuova Consonanzaや現音ピアニストとしての活動で知られている哲学者Mario Bertonciniが自身では初となるLPをイタリア発掘音源専門レーベルDIE SCHACHTELよりリリース。70年代初頭から制作を開始した音響彫刻・エオリアンハープの録音物を収録。作曲家や音楽家が介入できない自然の音を感じてみてください。4ページブックレット付属。
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{"id":8679074005242,"title":"Untitled Noise \/\/ Decay Music n.8: I Hate All the Words LP","handle":"untitled-noise-decay-music-n-8-i-hate-all-the-words-lp","description":"\u003cp\u003eイタリアの実験音楽家Luca ScarabelliとMichele LombardelliによるデュオUntitled Noiseが、2024年11月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e声とエレクトロニクスによるディープリスニング系ドローン3曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1418498533\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3858220328\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1418498533\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" black vinyl. Edition of 250. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Misery 19:16\u003cbr\u003e2. The Time 15:10\u003cbr\u003e3. Heaven 05:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e“\u003cem\u003eI hate all the words” by Luca Scarabelli and Michele Lombardelli’s Untitled Noise, the eight instalments in the celebrated Die Schachtel’s “Decay music” series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche: Misery, the awareness; The Time, the suspension of disbelief; and Heaven, the existential atonement through detachment.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds and the voice proceed alternately, overlapping, where each, in its progression, asserts itself autonomously—entities unto themselves, presences in dialogue at the edge of possibility. At times primitive and obsessive, they emerge as reminiscences of the unconscious and emotions, which coincide with unconscious, altered, and unexpected lowness. Sound and voice in unison are a burst of a great energy. Noise-glitch sound patterns, distortions, and objects set into vibration in the \"soundscape\" are mainly performed by Michele Lombardelli.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe lyrics, interpreted by Erica Bazzeghini, were written by Luca Scarabelli, drawing inspiration from a personal experience as well as his art. In Luca’s reflection, “I hate all the words” is a path to test the truth, the mistery and the meaning of words.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Self-reflection has been an intimate journey, often\u003cspan class=\"bcTruncateMore\"\u003e conducted in the seclusion, away from the chaos of external reality. In the lyrics it is mirrored in three distinct stages: self-awareness marked by Misery, the suspension of disbelief symbolized by the passage of Time, a moment of misgiving, and finally, recovery through detachment, in the track Heaven. In my thoughts, I see the works of poets like T.S. Eliot, Georg Trakl, and Sylvia Plath, who explored personal pain and transformation.\u003cbr\u003e\u003cbr\u003eIn “I hate all the words” resonate the mysterious meaning of words as well as the poetry hidden in them. In Eliot's poem \"The Waste Land,\" he writes: \"This music crept by me upon the waters\" quoting “The Tempest” by Shakespeare, encapsulating melancholy and a sense of being lulled over one's own ruins.\u003cbr\u003e\u003cbr\u003eIn Georg Trakl's poem \"De Profundis,\" he captures this sense of apprehension through his vivid imagery: \"Es ist die Seele ein Fremdes auf Erden. \/ An Abenden, wenn die Glocke im Dorfe \/ Langsam der Frieden uns kündet, \/ Folgt uns die schwarze Verwesung. (\"The soul is a stranger on Earth. \/ In the evenings, when the bell in the village \/ Slowly announces peace to us, \/ The black decay follows us.\").The exploration of time's fluidity creates a mental space to be explored, much like the soul existing as a stranger on earth.\u003cbr\u003e\u003cbr\u003eIn Sylvia Plath's poem \"Mirror,\" she writes: \"Faces and darkness separate us over and over.\" The mirror doesn't reflect the self, but the lament of words.\u003cbr\u003e\u003cbr\u003eIn “I hate all the words” all the “colours” have become dull. Fragments of thoughts and a sonic exploration change the perception of the present reality, evoking the ghosts of the past, in a shattered time, with the weight of whispered words.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Untitled Noise\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDSDM08\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-12-11T07:09:23+09:00","created_at":"2024-12-10T16:05:29+09:00","vendor":"Tobira Records","type":"","tags":["Die Schachtel","drone","lp","new"],"price":414600,"price_min":414600,"price_max":414600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46939622703354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Untitled Noise \/\/ Decay Music n.8: I Hate All the Words LP","public_title":null,"options":["Default Title"],"price":414600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hate1.jpg?v=1733814190","\/\/tobirarecords.com\/cdn\/shop\/files\/hate2.jpg?v=1733814190"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hate1.jpg?v=1733814190","options":["Title"],"media":[{"alt":null,"id":35289105924346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hate1.jpg?v=1733814190"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hate1.jpg?v=1733814190","width":700},{"alt":null,"id":35289105957114,"position":2,"preview_image":{"aspect_ratio":1.014,"height":1184,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hate2.jpg?v=1733814190"},"aspect_ratio":1.014,"height":1184,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hate2.jpg?v=1733814190","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験音楽家Luca ScarabelliとMichele LombardelliによるデュオUntitled Noiseが、2024年11月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e声とエレクトロニクスによるディープリスニング系ドローン3曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1418498533\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3858220328\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1418498533\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" black vinyl. Edition of 250. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Misery 19:16\u003cbr\u003e2. The Time 15:10\u003cbr\u003e3. Heaven 05:55\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e“\u003cem\u003eI hate all the words” by Luca Scarabelli and Michele Lombardelli’s Untitled Noise, the eight instalments in the celebrated Die Schachtel’s “Decay music” series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche: Misery, the awareness; The Time, the suspension of disbelief; and Heaven, the existential atonement through detachment.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds and the voice proceed alternately, overlapping, where each, in its progression, asserts itself autonomously—entities unto themselves, presences in dialogue at the edge of possibility. At times primitive and obsessive, they emerge as reminiscences of the unconscious and emotions, which coincide with unconscious, altered, and unexpected lowness. Sound and voice in unison are a burst of a great energy. Noise-glitch sound patterns, distortions, and objects set into vibration in the \"soundscape\" are mainly performed by Michele Lombardelli.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe lyrics, interpreted by Erica Bazzeghini, were written by Luca Scarabelli, drawing inspiration from a personal experience as well as his art. In Luca’s reflection, “I hate all the words” is a path to test the truth, the mistery and the meaning of words.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Self-reflection has been an intimate journey, often\u003cspan class=\"bcTruncateMore\"\u003e conducted in the seclusion, away from the chaos of external reality. In the lyrics it is mirrored in three distinct stages: self-awareness marked by Misery, the suspension of disbelief symbolized by the passage of Time, a moment of misgiving, and finally, recovery through detachment, in the track Heaven. In my thoughts, I see the works of poets like T.S. Eliot, Georg Trakl, and Sylvia Plath, who explored personal pain and transformation.\u003cbr\u003e\u003cbr\u003eIn “I hate all the words” resonate the mysterious meaning of words as well as the poetry hidden in them. In Eliot's poem \"The Waste Land,\" he writes: \"This music crept by me upon the waters\" quoting “The Tempest” by Shakespeare, encapsulating melancholy and a sense of being lulled over one's own ruins.\u003cbr\u003e\u003cbr\u003eIn Georg Trakl's poem \"De Profundis,\" he captures this sense of apprehension through his vivid imagery: \"Es ist die Seele ein Fremdes auf Erden. \/ An Abenden, wenn die Glocke im Dorfe \/ Langsam der Frieden uns kündet, \/ Folgt uns die schwarze Verwesung. (\"The soul is a stranger on Earth. \/ In the evenings, when the bell in the village \/ Slowly announces peace to us, \/ The black decay follows us.\").The exploration of time's fluidity creates a mental space to be explored, much like the soul existing as a stranger on earth.\u003cbr\u003e\u003cbr\u003eIn Sylvia Plath's poem \"Mirror,\" she writes: \"Faces and darkness separate us over and over.\" The mirror doesn't reflect the self, but the lament of words.\u003cbr\u003e\u003cbr\u003eIn “I hate all the words” all the “colours” have become dull. Fragments of thoughts and a sonic exploration change the perception of the present reality, evoking the ghosts of the past, in a shattered time, with the weight of whispered words.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Untitled Noise\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDSDM08\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験音楽家Luca ScarabelliとMichele LombardelliによるデュオUntitled Noiseが、2024年11月に同国実験レーベルDie Schachtelからリリースしたレコードです。 声とエレクトロニクスによるディープリスニング系ドローン3曲を収録。180g重量盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available...
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{"id":8679073710330,"title":"Paolo Spaccamonti \/\/ Decay Music n.7: Ifigenia\/Oreste LP","handle":"paolo-spaccamonti-decay-music-n-7-ifigenia-oreste-lp","description":"\u003cp\u003eイタリアの実験音楽家Paolo Spaccamontiが、2024年11月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなアンビエントドローン〜ドローン10曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4294392801\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" black vinyl. Edition of 250. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ermione 02:19\u003cbr\u003e2. Elena 01:55\u003cbr\u003e3. Menelao 02:33\u003cbr\u003e4. Tindaro 02:58\u003cbr\u003e5. Nuovo sposo 05:40\u003cbr\u003e6. Uccidere Elena 03:02\u003cbr\u003e7. Amata luce addio 02:54\u003cbr\u003e8. Pilade 03:43\u003cbr\u003e9. Niente di sacro 03:24\u003cbr\u003e10. Pugnali 02:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDie Schachtel Records is proud to present Ifigenia\/Oreste, a new vinyl LP by celebrated Italian composer Paolo Spaccamonti. This album marks the seventh installment in the label's renowned Decay Music series, which has become synonymous with deeply emotive, abstract, and electronic\/ambient music, which has so fare featured works of such names as Stefano Pilia, Giovanni di Domenico, Sandro Mussida, Vértice, Damavand and Claudio Rocchetti. Aim of the series is composing a fascinating scenario of the most interesting names of experimental musicians – mainly of Italian origins - working at the intersection of sound and music, abstract and visual, storytelling and abstract composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePaolo Spaccamonti has long been a significant figure in the contemporary music scene, known for his ability to bridge the worlds of instrumental, electronic, and experimental music. His most recent release, Nel Torbido (2023), is a testament to his ever-evolving artistry. With Nel Torbido, Spaccamonti delivered a haunting and immersive sonic experience that oscillates between tension and release, bringing together moody soundscapes, unsettling textures, and his signature understated guitar work. His exploration of silence, noise, and melodic tension has earned him recognition as one\u003cspan class=\"bcTruncateMore\"\u003e of the most unique voices in modern composition.\u003cbr\u003e\u003cbr\u003eComposed by Spaccamonti, Ifigenia\/Oreste is the original score for the theatrical production IFIGENIA \/ ORESTE, directed by Valerio Binasco and produced by Teatro Stabile di Torino. The music, both haunting and subtle, mirrors the play's minimalist and intense staging, immersing listeners in an evocative soundscape that blends ambient textures with guitar-driven melodies. The music was recorded and processed by Filippo Conti, with additional production and mixing by Stefano Pilia. The vinyl’s design has been crafted by Bruno Stucchi of Dinamomilano, making this release a fusion of sound, visual, staging and cultural reference.\u003cbr\u003e\u003cbr\u003eIn reflecting on his collaboration with director Valerio Binasco, Spaccamonti said: \"From the first meeting with Valerio, it was clear that we aimed to create a production stripped of any unnecessary stylistic embellishments. Ifigenia and Oreste had to be severe, devoid of visual distractions, simple yet extreme in its own way. I sought to follow the same path with the music. The foundation is always the guitar, but I wanted to avoid overloading it, either harmonically or sonically. Sometimes, I treated it like a fragmented background noise; other times, I ventured into more aggressive, melancholic, or even melodic terrains, but always in a very human way. The text demanded an atmosphere that lived in the alternation of silence and rarefaction, like in the films of Bresson and Lanthimos. Short scenes interrupted by moments of darkness. In a marked rhythm, a suspense constantly suggesting the advance toward death, announced from the very first scene. Hence, the emphasis I wanted to place on silence through the music, even within individual tracks. Long, granular tails, like the (few) lights on stage.\"\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Paolo Spaccamonti\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDSDM07\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-12-11T07:12:35+09:00","created_at":"2024-12-10T16:01:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Die Schachtel","drone","lp","new"],"price":414600,"price_min":414600,"price_max":414600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46939618705658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Paolo Spaccamonti \/\/ Decay Music n.7: Ifigenia\/Oreste LP","public_title":null,"options":["Default Title"],"price":414600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pao1.jpg?v=1733813984","\/\/tobirarecords.com\/cdn\/shop\/files\/pao2.jpg?v=1733813984"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pao1.jpg?v=1733813984","options":["Title"],"media":[{"alt":null,"id":35289103270138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pao1.jpg?v=1733813984"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pao1.jpg?v=1733813984","width":700},{"alt":null,"id":35289103302906,"position":2,"preview_image":{"aspect_ratio":1.013,"height":1185,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pao2.jpg?v=1733813984"},"aspect_ratio":1.013,"height":1185,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pao2.jpg?v=1733813984","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験音楽家Paolo Spaccamontiが、2024年11月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなアンビエントドローン〜ドローン10曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4294392801\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" black vinyl. Edition of 250. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ermione 02:19\u003cbr\u003e2. Elena 01:55\u003cbr\u003e3. Menelao 02:33\u003cbr\u003e4. Tindaro 02:58\u003cbr\u003e5. Nuovo sposo 05:40\u003cbr\u003e6. Uccidere Elena 03:02\u003cbr\u003e7. Amata luce addio 02:54\u003cbr\u003e8. Pilade 03:43\u003cbr\u003e9. Niente di sacro 03:24\u003cbr\u003e10. Pugnali 02:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDie Schachtel Records is proud to present Ifigenia\/Oreste, a new vinyl LP by celebrated Italian composer Paolo Spaccamonti. This album marks the seventh installment in the label's renowned Decay Music series, which has become synonymous with deeply emotive, abstract, and electronic\/ambient music, which has so fare featured works of such names as Stefano Pilia, Giovanni di Domenico, Sandro Mussida, Vértice, Damavand and Claudio Rocchetti. Aim of the series is composing a fascinating scenario of the most interesting names of experimental musicians – mainly of Italian origins - working at the intersection of sound and music, abstract and visual, storytelling and abstract composition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePaolo Spaccamonti has long been a significant figure in the contemporary music scene, known for his ability to bridge the worlds of instrumental, electronic, and experimental music. His most recent release, Nel Torbido (2023), is a testament to his ever-evolving artistry. With Nel Torbido, Spaccamonti delivered a haunting and immersive sonic experience that oscillates between tension and release, bringing together moody soundscapes, unsettling textures, and his signature understated guitar work. His exploration of silence, noise, and melodic tension has earned him recognition as one\u003cspan class=\"bcTruncateMore\"\u003e of the most unique voices in modern composition.\u003cbr\u003e\u003cbr\u003eComposed by Spaccamonti, Ifigenia\/Oreste is the original score for the theatrical production IFIGENIA \/ ORESTE, directed by Valerio Binasco and produced by Teatro Stabile di Torino. The music, both haunting and subtle, mirrors the play's minimalist and intense staging, immersing listeners in an evocative soundscape that blends ambient textures with guitar-driven melodies. The music was recorded and processed by Filippo Conti, with additional production and mixing by Stefano Pilia. The vinyl’s design has been crafted by Bruno Stucchi of Dinamomilano, making this release a fusion of sound, visual, staging and cultural reference.\u003cbr\u003e\u003cbr\u003eIn reflecting on his collaboration with director Valerio Binasco, Spaccamonti said: \"From the first meeting with Valerio, it was clear that we aimed to create a production stripped of any unnecessary stylistic embellishments. Ifigenia and Oreste had to be severe, devoid of visual distractions, simple yet extreme in its own way. I sought to follow the same path with the music. The foundation is always the guitar, but I wanted to avoid overloading it, either harmonically or sonically. Sometimes, I treated it like a fragmented background noise; other times, I ventured into more aggressive, melancholic, or even melodic terrains, but always in a very human way. The text demanded an atmosphere that lived in the alternation of silence and rarefaction, like in the films of Bresson and Lanthimos. Short scenes interrupted by moments of darkness. In a marked rhythm, a suspense constantly suggesting the advance toward death, announced from the very first scene. Hence, the emphasis I wanted to place on silence through the music, even within individual tracks. Long, granular tails, like the (few) lights on stage.\"\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Paolo Spaccamonti\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDSDM07\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験音楽家Paolo Spaccamontiが、2024年11月に同国実験レーベルDie Schachtelからリリースしたレコードです。 ミニマルなアンビエントドローン〜ドローン10曲を収録。180g重量盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available at Tobira....
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{"id":8679073022202,"title":"Hanne Lippard \/\/ Talk Shop LP","handle":"hanne-lippard-talk-shop-lp","description":"\u003cp\u003eイギリスの音響詩人Hanne Lippardが、2024年11月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003eDischi Fantom\u003c\/span\u003eからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e声のみによるサウンドポエトリー13曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Lippardの作品は、話し言葉と書き言葉の接点に位置する実践の中で、公共の場から流用したコンテンツ（ファウンド・テキスト）と彼女自身の言葉を絡ませながら、デジタルコミュニケーションと媒介の台頭が、私たちの言語との関係をどのようにプログラムし直すかを調査し、言語のもろさ（その欠陥、奇妙さ、誤った解釈の可能性）と、意味や感覚を伝えようとする試みを提示している。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルリンを拠点に活動するマルチディシプリナリーアーティストは、過激で実験的なサウンドプラクティス、コンセプチュアルアート、サウンドポエトリーの間の魅力的な架け橋となるべく、ダダ的な感覚を駆使し、詩やテキストのスイートを発表する。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eデジタル経済の急先鋒として声の匿名性を取り上げたLippardの「Talk Shop」は、アーティストによれば「詩とテキストのコンピレーションであり、単発の単語や文章がループし、繰り返されることで、私たちの私生活や公的な生活で見られる効率性とストレスの感覚的な体験を生み出す」もので、人間の声の可能性を最大限に引き出すアプローチから引き出された意味の予期せぬレイヤーを通して、ほとんどダダのような感覚を呼び起こす、 最初の音から最後の音まで、聴く者を夢中にさせ、挑戦的にさせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e過激で実験的なサウンドプラクティス、コンセプチュアル・アート、サウンド・ポエトリーの間の魅力的な架け橋となるこの作品は、私たちが今年出会うであろう最も印象的で特異なクリエイティブ・ジェスチャーとして結実している。見逃す手はない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3520731542\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003eDischi Fantom\u003c\/span\u003e releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Includes booklet. Edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rejection Letter Sample 00:33\u003cbr\u003e2. No Network 01:00\u003cbr\u003e3. Contactless 03:18\u003cbr\u003e4. Gift Shop 00:48\u003cbr\u003e5. Every Elevator 02:30\u003cbr\u003e6. A4 00:22\u003cbr\u003e7. Bad Deal 01:08\u003cbr\u003e8. Ketchup 02:19\u003cbr\u003e9. Brain Fog 03:36\u003cbr\u003e10. Covfefe 01:19\u003cbr\u003e11. Homework 01:02\u003cbr\u003e12. Tennis 01:59\u003cbr\u003e13. Portal 00:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDischi Fantom:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDischi Fantom’s Sussurra Luce series, blurring the boundaries between \u003c\/em\u003e\u003cem\u003etext, music and voice, returns with their fifth instalment, an expanded \u003c\/em\u003e\u003cem\u003eversion of Hanne Lippard’s “Talk Shop”. Sculpting a fascinating bridge \u003c\/em\u003e\u003cem\u003ebetween radically experimental sound practice, conceptual art, and sound \u003c\/em\u003e\u003cem\u003epoetry, across its two sides the Berlin based multidisciplinary artist \u003c\/em\u003e\u003cem\u003etaps an almost dada sensibility, delivering a suite of poems and texts \u003c\/em\u003e\u003cem\u003ewhere singular words and sentences are looped and repeated creating a \u003c\/em\u003e\u003cem\u003esensory experience of the efficiency and stress found in our private as \u003c\/em\u003e\u003cem\u003ewell as public life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRoughly a year ago, we had the pleasure of exploring the first two \u003c\/em\u003e\u003cem\u003ereleases from Dischi Fantom’s emerging Sussurra Luce series, Ginevra \u003c\/em\u003e\u003cem\u003eBompiani, Caterina Barbieri, and Tomoko Sauvage’s “Il Calore Animale” \u003c\/em\u003e\u003cem\u003eand Francesco Cavaliere’s “Zoomachia Disc 1”. An extension of the Milan \u003c\/em\u003e\u003cem\u003ebased cultural platform Fantom’s broad and diverse activities\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e(exhibitions, installations, performances, etc.) across numerous \u003c\/em\u003e\u003cem\u003eartistic disciplines, the series, curated by Francesco Cavaliere and \u003c\/em\u003e\u003cem\u003eMassimo Torrigiani, delves into the “science of imagination”, working \u003c\/em\u003e\u003cem\u003ewith contemporary authors to explore and blur the boundaries between \u003c\/em\u003e\u003cem\u003etext, music and voice. Now the brilliant series returns with its latest \u003c\/em\u003e\u003cem\u003eentry, the Berlin based multidisciplinary artist Hanne Lippard’s “Talk \u003c\/em\u003e\u003cem\u003eShop”. Released in a limited edition of 200 copies and coming with an \u003c\/em\u003e\u003cem\u003eLP-sized booklet, it combines orality and textuality with the idea of \u003c\/em\u003e\u003cem\u003eloop and repetition to explore the notion of time, and it’s a stunning \u003c\/em\u003e\u003cem\u003egesture of performative poetics that plums a startling range of subjects \u003c\/em\u003e\u003cem\u003ethrough its sonorous forms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking across the fields of text, vocal performance, sound \u003c\/em\u003e\u003cem\u003einstallation, printed objects and sculpture, for more than a decade \u003c\/em\u003e\u003cem\u003eHanne Lippard has deployed language as the raw material for her work. \u003c\/em\u003e\u003cem\u003eWorking within a practice that rests at the juncture of the spoken and \u003c\/em\u003e\u003cem\u003ewritten word, drawing upon content appropriated from the public sphere \u003c\/em\u003e\u003cem\u003e(found text) intertwined with her own words, Lippard’s work investigates \u003c\/em\u003e\u003cem\u003ehow the rise in digital communication and mediation reprograms our \u003c\/em\u003e\u003cem\u003erelationship to language, presenting the subsequent fragility of \u003c\/em\u003e\u003cem\u003elanguage - its flaws, oddities, and potential for misinterpretation - \u003c\/em\u003e\u003cem\u003eand its attempts to convey meaning and sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Talk Shop”, the fifth instalment of Dischi Fantom’s Sussurra Luce \u003c\/em\u003e\u003cem\u003eseries and Lippard’s third recorded release - building upon the ground \u003c\/em\u003e\u003cem\u003eof 2020's “Work”, issued by Collapsing Market, and 2021's \u003c\/em\u003e\u003cem\u003e“PigeonPostParis”, released by Boomkat Editions - began as a live \u003c\/em\u003e\u003cem\u003eperformance. Combining orality and textuality with the idea of loop and \u003c\/em\u003e\u003cem\u003erepetition to explore the notion of time, its relationship with the \u003c\/em\u003e\u003cem\u003eworld of work today, and its personification through the experience of \u003c\/em\u003e\u003cem\u003ethe human body - anonymity as the spearhead of the digital economy - the \u003c\/em\u003e\u003cem\u003econceptual underpinnings of the piece depart from the notion that the \u003c\/em\u003e\u003cem\u003ehuman voice has become commodified by the ubiquitous nature of \u003c\/em\u003e\u003cem\u003econtemporary productivity, and intertwined with the mechanics of capital \u003c\/em\u003e\u003cem\u003e- the voices of satnavs, smart speakers and voicemail systems - while \u003c\/em\u003e\u003cem\u003ethe written word has become increasingly anonymous online.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAddressing vocal anonymity as a spearhead of the digital economy, \u003c\/em\u003e\u003cem\u003eLippard’s “Talk Shop” - regarded by the artist as “a compilation of \u003c\/em\u003e\u003cem\u003epoems and texts where singular words and sentences are looped and \u003c\/em\u003e\u003cem\u003erepeated creating a sensory experience of the efficiency and stress \u003c\/em\u003e\u003cem\u003efound in our private as well as public life” - taps an almost dada \u003c\/em\u003e\u003cem\u003esensibility through its unexpected layers of meanings drawn from a \u003c\/em\u003e\u003cem\u003emaximalized approach to the potential of the human voice, creating an \u003c\/em\u003e\u003cem\u003eengrossing and challenging listen from the first sounding to the last, \u003c\/em\u003e\u003cem\u003ethat continues to reveal itself and unfold with every return.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSculpting a fascinating bridge between radically experimental sound \u003c\/em\u003e\u003cem\u003epractice, conceptual art, and sound poetry, it culminates as one of the \u003c\/em\u003e\u003cem\u003emost strikingly singular creative gestures we’re likely to encounter \u003c\/em\u003e\u003cem\u003ethis year. Highly recommended and not to be missed.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist bio via the label : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eHanne Lippard (Milton Keynes, 1984) explores the social forms that govern discourse. Her artistic practice, which mainly takes the form of reading and sound installations, investigates the voice as an instrument of emancipation and alienation in times of hyper-connectivity. By mixing personal thoughts and appropriating texts from advertising, slogans and newspaper articles, the text becomes a mix of private and public that regains inventiveness and authorship through the use of the voice, becoming a body of its own. Her recent artistic research has focused on the use of the female body as a container of sounds, on the conscious and unconscious automation of speech and language.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hanne Lippard\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDischi Fantom\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003eFantom 005\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-12-11T07:22:10+09:00","created_at":"2024-12-10T15:57:19+09:00","vendor":"Tobira Records","type":"","tags":["Die Schachtel","lp","new","sound poetry"],"price":442700,"price_min":442700,"price_max":442700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46939615166714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hanne Lippard \/\/ Talk Shop LP","public_title":null,"options":["Default Title"],"price":442700,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hanne1.jpg?v=1733813612","\/\/tobirarecords.com\/cdn\/shop\/files\/hanne2.jpg?v=1733813612"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hanne1.jpg?v=1733813612","options":["Title"],"media":[{"alt":null,"id":35289091309818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hanne1.jpg?v=1733813612"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hanne1.jpg?v=1733813612","width":700},{"alt":null,"id":35289091342586,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hanne2.jpg?v=1733813612"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hanne2.jpg?v=1733813612","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの音響詩人Hanne Lippardが、2024年11月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003eDischi Fantom\u003c\/span\u003eからリリースしたレコードです。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e声のみによるサウンドポエトリー13曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Lippardの作品は、話し言葉と書き言葉の接点に位置する実践の中で、公共の場から流用したコンテンツ（ファウンド・テキスト）と彼女自身の言葉を絡ませながら、デジタルコミュニケーションと媒介の台頭が、私たちの言語との関係をどのようにプログラムし直すかを調査し、言語のもろさ（その欠陥、奇妙さ、誤った解釈の可能性）と、意味や感覚を伝えようとする試みを提示している。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルリンを拠点に活動するマルチディシプリナリーアーティストは、過激で実験的なサウンドプラクティス、コンセプチュアルアート、サウンドポエトリーの間の魅力的な架け橋となるべく、ダダ的な感覚を駆使し、詩やテキストのスイートを発表する。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eデジタル経済の急先鋒として声の匿名性を取り上げたLippardの「Talk Shop」は、アーティストによれば「詩とテキストのコンピレーションであり、単発の単語や文章がループし、繰り返されることで、私たちの私生活や公的な生活で見られる効率性とストレスの感覚的な体験を生み出す」もので、人間の声の可能性を最大限に引き出すアプローチから引き出された意味の予期せぬレイヤーを通して、ほとんどダダのような感覚を呼び起こす、 最初の音から最後の音まで、聴く者を夢中にさせ、挑戦的にさせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e過激で実験的なサウンドプラクティス、コンセプチュアル・アート、サウンド・ポエトリーの間の魅力的な架け橋となるこの作品は、私たちが今年出会うであろう最も印象的で特異なクリエイティブ・ジェスチャーとして結実している。見逃す手はない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3520731542\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003eDischi Fantom\u003c\/span\u003e releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Includes booklet. Edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rejection Letter Sample 00:33\u003cbr\u003e2. No Network 01:00\u003cbr\u003e3. Contactless 03:18\u003cbr\u003e4. Gift Shop 00:48\u003cbr\u003e5. Every Elevator 02:30\u003cbr\u003e6. A4 00:22\u003cbr\u003e7. Bad Deal 01:08\u003cbr\u003e8. Ketchup 02:19\u003cbr\u003e9. Brain Fog 03:36\u003cbr\u003e10. Covfefe 01:19\u003cbr\u003e11. Homework 01:02\u003cbr\u003e12. Tennis 01:59\u003cbr\u003e13. Portal 00:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDischi Fantom:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDischi Fantom’s Sussurra Luce series, blurring the boundaries between \u003c\/em\u003e\u003cem\u003etext, music and voice, returns with their fifth instalment, an expanded \u003c\/em\u003e\u003cem\u003eversion of Hanne Lippard’s “Talk Shop”. Sculpting a fascinating bridge \u003c\/em\u003e\u003cem\u003ebetween radically experimental sound practice, conceptual art, and sound \u003c\/em\u003e\u003cem\u003epoetry, across its two sides the Berlin based multidisciplinary artist \u003c\/em\u003e\u003cem\u003etaps an almost dada sensibility, delivering a suite of poems and texts \u003c\/em\u003e\u003cem\u003ewhere singular words and sentences are looped and repeated creating a \u003c\/em\u003e\u003cem\u003esensory experience of the efficiency and stress found in our private as \u003c\/em\u003e\u003cem\u003ewell as public life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRoughly a year ago, we had the pleasure of exploring the first two \u003c\/em\u003e\u003cem\u003ereleases from Dischi Fantom’s emerging Sussurra Luce series, Ginevra \u003c\/em\u003e\u003cem\u003eBompiani, Caterina Barbieri, and Tomoko Sauvage’s “Il Calore Animale” \u003c\/em\u003e\u003cem\u003eand Francesco Cavaliere’s “Zoomachia Disc 1”. An extension of the Milan \u003c\/em\u003e\u003cem\u003ebased cultural platform Fantom’s broad and diverse activities\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e(exhibitions, installations, performances, etc.) across numerous \u003c\/em\u003e\u003cem\u003eartistic disciplines, the series, curated by Francesco Cavaliere and \u003c\/em\u003e\u003cem\u003eMassimo Torrigiani, delves into the “science of imagination”, working \u003c\/em\u003e\u003cem\u003ewith contemporary authors to explore and blur the boundaries between \u003c\/em\u003e\u003cem\u003etext, music and voice. Now the brilliant series returns with its latest \u003c\/em\u003e\u003cem\u003eentry, the Berlin based multidisciplinary artist Hanne Lippard’s “Talk \u003c\/em\u003e\u003cem\u003eShop”. Released in a limited edition of 200 copies and coming with an \u003c\/em\u003e\u003cem\u003eLP-sized booklet, it combines orality and textuality with the idea of \u003c\/em\u003e\u003cem\u003eloop and repetition to explore the notion of time, and it’s a stunning \u003c\/em\u003e\u003cem\u003egesture of performative poetics that plums a startling range of subjects \u003c\/em\u003e\u003cem\u003ethrough its sonorous forms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking across the fields of text, vocal performance, sound \u003c\/em\u003e\u003cem\u003einstallation, printed objects and sculpture, for more than a decade \u003c\/em\u003e\u003cem\u003eHanne Lippard has deployed language as the raw material for her work. \u003c\/em\u003e\u003cem\u003eWorking within a practice that rests at the juncture of the spoken and \u003c\/em\u003e\u003cem\u003ewritten word, drawing upon content appropriated from the public sphere \u003c\/em\u003e\u003cem\u003e(found text) intertwined with her own words, Lippard’s work investigates \u003c\/em\u003e\u003cem\u003ehow the rise in digital communication and mediation reprograms our \u003c\/em\u003e\u003cem\u003erelationship to language, presenting the subsequent fragility of \u003c\/em\u003e\u003cem\u003elanguage - its flaws, oddities, and potential for misinterpretation - \u003c\/em\u003e\u003cem\u003eand its attempts to convey meaning and sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Talk Shop”, the fifth instalment of Dischi Fantom’s Sussurra Luce \u003c\/em\u003e\u003cem\u003eseries and Lippard’s third recorded release - building upon the ground \u003c\/em\u003e\u003cem\u003eof 2020's “Work”, issued by Collapsing Market, and 2021's \u003c\/em\u003e\u003cem\u003e“PigeonPostParis”, released by Boomkat Editions - began as a live \u003c\/em\u003e\u003cem\u003eperformance. Combining orality and textuality with the idea of loop and \u003c\/em\u003e\u003cem\u003erepetition to explore the notion of time, its relationship with the \u003c\/em\u003e\u003cem\u003eworld of work today, and its personification through the experience of \u003c\/em\u003e\u003cem\u003ethe human body - anonymity as the spearhead of the digital economy - the \u003c\/em\u003e\u003cem\u003econceptual underpinnings of the piece depart from the notion that the \u003c\/em\u003e\u003cem\u003ehuman voice has become commodified by the ubiquitous nature of \u003c\/em\u003e\u003cem\u003econtemporary productivity, and intertwined with the mechanics of capital \u003c\/em\u003e\u003cem\u003e- the voices of satnavs, smart speakers and voicemail systems - while \u003c\/em\u003e\u003cem\u003ethe written word has become increasingly anonymous online.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAddressing vocal anonymity as a spearhead of the digital economy, \u003c\/em\u003e\u003cem\u003eLippard’s “Talk Shop” - regarded by the artist as “a compilation of \u003c\/em\u003e\u003cem\u003epoems and texts where singular words and sentences are looped and \u003c\/em\u003e\u003cem\u003erepeated creating a sensory experience of the efficiency and stress \u003c\/em\u003e\u003cem\u003efound in our private as well as public life” - taps an almost dada \u003c\/em\u003e\u003cem\u003esensibility through its unexpected layers of meanings drawn from a \u003c\/em\u003e\u003cem\u003emaximalized approach to the potential of the human voice, creating an \u003c\/em\u003e\u003cem\u003eengrossing and challenging listen from the first sounding to the last, \u003c\/em\u003e\u003cem\u003ethat continues to reveal itself and unfold with every return.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSculpting a fascinating bridge between radically experimental sound \u003c\/em\u003e\u003cem\u003epractice, conceptual art, and sound poetry, it culminates as one of the \u003c\/em\u003e\u003cem\u003emost strikingly singular creative gestures we’re likely to encounter \u003c\/em\u003e\u003cem\u003ethis year. Highly recommended and not to be missed.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist bio via the label : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eHanne Lippard (Milton Keynes, 1984) explores the social forms that govern discourse. Her artistic practice, which mainly takes the form of reading and sound installations, investigates the voice as an instrument of emancipation and alienation in times of hyper-connectivity. By mixing personal thoughts and appropriating texts from advertising, slogans and newspaper articles, the text becomes a mix of private and public that regains inventiveness and authorship through the use of the voice, becoming a body of its own. Her recent artistic research has focused on the use of the female body as a container of sounds, on the conscious and unconscious automation of speech and language.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hanne Lippard\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDischi Fantom\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003eFantom 005\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスの音響詩人Hanne Lippardが、2024年11月に同国実験レーベルDischi Fantomからリリースしたレコードです。 声のみによるサウンドポエトリー13曲を収録。ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Lippardの作品は、話し言葉と書き言葉の接点に位置する実践の中で、公共の場から流用したコンテンツ（ファウンド・テキスト）と彼女自身の言葉を絡ませながら、デジタルコミュニケーションと媒介の台頭が、私たちの言語との関係をどのようにプログラムし直すかを調査し、言語のもろさ（その欠陥、奇妙さ、誤った解釈の可能性）と、意味や感覚を伝えようとする試みを提示している。 ベルリンを拠点に活動するマルチディシプリナリーアーティストは、過激で実験的なサウンドプラクティス、コンセプチュアルアート、サウンドポエトリーの間の魅力的な架け橋となるべく、ダダ的な感覚を駆使し、詩やテキストのスイートを発表する。 デジタル経済の急先鋒として声の匿名性を取り上げたLippardの「Talk Shop」は、アーティストによれば「詩とテキストのコンピレーションであり、単発の単語や文章がループし、繰り返されることで、私たちの私生活や公的な生活で見られる効率性とストレスの感覚的な体験を生み出す」もので、人間の声の可能性を最大限に引き出すアプローチから引き出された意味の予期せぬレイヤーを通して、ほとんどダダのような感覚を呼び起こす、 最初の音から最後の音まで、聴く者を夢中にさせ、挑戦的にさせる。 過激で実験的なサウンドプラクティス、コンセプチュアル・アート、サウンド・ポエトリーの間の魅力的な架け橋となるこの作品は、私たちが今年出会うであろう最も印象的で特異なクリエイティブ・ジェスチャーとして結実している。見逃す手はない。" レーベルその他作品はこちら /// Click here to...
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{"id":8679071973626,"title":"Roland Kayn \/\/ Simultan 3xCD BOX","handle":"roland-kayn-simultan-3xcd-box","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※2月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eドイツの実験音楽家Roland Kayn(1933-2011)が、2024年12月にイタリアの実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースした再発3枚組CD BOXです。（オリジナルは1977年リリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eプログラミングを主軸とした音楽制作スタイル「サイバネティックミュージック」を生み出した天才による最重要作品のひとつです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e和声、旋律、リズムといった作曲ひいては芸術の概念を取っ払った6曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCDのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8pVUeEVeUSI?si=tnOgK3CwxpafVuzV\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sXqje3jp1vI?si=ms9FHh2LSmqKwzTH\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PGusMmbppII?si=kDE1EK0MpDraQyds\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OtTl5AAN8ZY?si=mc3FlNVLtOQY-VI6\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nwpJ1bIiBlM?si=tX5DuaBsZ76rVM4F\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 x CD box set. Edition of 300. Includes illustrated booklet. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCD 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Monostabile 27:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Invarianten 20:18\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD 2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Sources Ergodiques Teil 1 15:12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Matrix 29:07\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD 3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Sources Ergodiques Teil 2 22:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Logatome 20:40\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDie Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA stunning journey in sound and a work of profound and intoxicating \u003c\/em\u003e\u003cem\u003epower, Roland Kayn's “Simultan” stands among the best of all avant-garde \u003c\/em\u003e\u003cem\u003eelectronic works of its era. Die Schachtel, in collaboration with SZ \u003c\/em\u003e\u003cem\u003eSugar, is finally able to make available in CD format - after the \u003c\/em\u003e\u003cem\u003elegendary vinyl-only edition released in 2017 - the first volume in a \u003c\/em\u003e\u003cem\u003eseries of works named “K - Kybernetische Musik”, that documents the \u003c\/em\u003e\u003cem\u003ebirth of Kayn's Cybernetic Music, remastered from the original analog \u003c\/em\u003e\u003cem\u003emaster tapes. The re-emergence of “Simultan” has been long awaited by \u003c\/em\u003e\u003cem\u003emany, and should be celebrated by everyone with the faintest interest in \u003c\/em\u003e\u003cem\u003eelectronic music. This is a blinder. Totally essential and not to be \u003c\/em\u003e\u003cem\u003emissed. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne of the great pioneers of electronic, \u003c\/em\u003e\u003cem\u003ecomputer, and instrumental avant-garde music, for most of his life, the \u003c\/em\u003e\u003cem\u003eGerman composer Roland Kayn (1933 - 2011) remained almost entirely \u003c\/em\u003e\u003cem\u003eunknown, a founding member of the legendary ensemble, Gruppo di \u003c\/em\u003e\u003cem\u003eImprovvisazione Nuova Consonanza, heralded as a singular genius by a \u003c\/em\u003e\u003cem\u003esmall number of figures like Jim O’Rourke, who is currently curating the \u003c\/em\u003e\u003cem\u003earchive of the artist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Kayn might be easily described as a composer of electronic, \u003c\/em\u003e\u003cem\u003eelectro-acoustic, or computer music, the majority of his career was in \u003c\/em\u003e\u003cem\u003efact largely dedicated to the revolutionary sculpting of an entirely new \u003c\/em\u003e\u003cem\u003eterritory of sound: Cybernetic Music, a generative process of \u003c\/em\u003e\u003cem\u003ecomposition through programming. “Simultan” was among the first of the \u003c\/em\u003e\u003cem\u003ecomposer’s works to emerge from this process. Cybernetic Music grew from\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eKayn’s longstanding engagement and fascination with data processing \u003c\/em\u003e\u003cem\u003etheory, which far outweighed his interest in the work of other composers \u003c\/em\u003e\u003cem\u003eand the zeitgeists of the day - a fact which contributed to his being \u003c\/em\u003e\u003cem\u003edeclared persona non grata by the avant-garde establishment, and \u003c\/em\u003e\u003cem\u003eultimately his lasting obscurity. This territory of creativity was the \u003c\/em\u003e\u003cem\u003ecomposer’s attempt to allow sound to be self-sufficient, stripping away \u003c\/em\u003e\u003cem\u003enotions of harmony, melody and rhythm, as much as those of the composer \u003c\/em\u003e\u003cem\u003eand art, deploying complex networks of electronic devices - early \u003c\/em\u003e\u003cem\u003ecomputers, to follow his instructions, taking form through a system of \u003c\/em\u003e\u003cem\u003esignals and commands.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreated during the period in which Kayn was living in the Netherlands, \u003c\/em\u003e\u003cem\u003eand recorded with the assistance of electronic music legends Jaap Vink \u003c\/em\u003e\u003cem\u003eand Leo Küpper, “Simultan” is a work of astounding beauty - filled with \u003c\/em\u003e\u003cem\u003ea remarkable sense of humanity and touch - a strange incongruity \u003c\/em\u003e\u003cem\u003econsidering the system through which it was made, doubling as an \u003c\/em\u003e\u003cem\u003eindication of the inherent power of sound which Kayn spent his life \u003c\/em\u003e\u003cem\u003efighting to reveal. For fans of avant-garde electronic music, \u003c\/em\u003e\u003cem\u003eparticularly those drawn to the work coming out of Utrecht and Groupe de \u003c\/em\u003e\u003cem\u003eRecherches Musicales (GRM), but who have not yet encountered “Simultan”, \u003c\/em\u003e\u003cem\u003ethe work is likely to represent a towering revolution. It stands among \u003c\/em\u003e\u003cem\u003ethe most striking works from the world of sound. Ranging from seductive \u003c\/em\u003e\u003cem\u003eambiences, grinding swells of atonally and pure textures, to buried tone \u003c\/em\u003e\u003cem\u003eclusters, it does everything Kayn set forth in his ambitious project. It \u003c\/em\u003e\u003cem\u003eis an immersive image of what might be when sound organizes itself, and \u003c\/em\u003e\u003cem\u003ea metaphor for a way of being - the wonders which happen when we \u003c\/em\u003e\u003cem\u003erelinquish ego and control.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA stunning journey in sound and a work of profound and intoxicating \u003c\/em\u003e\u003cem\u003epower, “Simultan” stands among the best of all avant-garde electronic \u003c\/em\u003e\u003cem\u003eworks of its era. Die Schachtel’s lovingly produced boxed edition, which \u003c\/em\u003e\u003cem\u003eincludes a booklet exploring the composer’s work and ideas at length, \u003c\/em\u003e\u003cem\u003ebrings this seminal work back to the public in CD format for the very \u003c\/em\u003e\u003cem\u003efirst time. Its re-emergence has been long awaited by many, and should \u003c\/em\u003e\u003cem\u003ebe celebrated by everyone with the faintest interest in electronic \u003c\/em\u003e\u003cem\u003emusic. Totally essential and not to be missed.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Roland Kayn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDS36\/1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-12-11T06:43:07+09:00","created_at":"2024-12-10T15:51:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Die Schachtel","drone","monooto","new"],"price":638000,"price_min":638000,"price_max":638000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46939604680954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Roland Kayn \/\/ Simultan 3xCD BOX","public_title":null,"options":["Default Title"],"price":638000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rol.jpg?v=1733813410","\/\/tobirarecords.com\/cdn\/shop\/files\/rol1.jpg?v=1733813410","\/\/tobirarecords.com\/cdn\/shop\/files\/rol2.jpg?v=1733813410","\/\/tobirarecords.com\/cdn\/shop\/files\/rol3.jpg?v=1733813410","\/\/tobirarecords.com\/cdn\/shop\/files\/rol4.jpg?v=1733813410"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol.jpg?v=1733813410","options":["Title"],"media":[{"alt":null,"id":35289088098554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol.jpg?v=1733813410"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol.jpg?v=1733813410","width":700},{"alt":null,"id":35289088131322,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol1.jpg?v=1733813410"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol1.jpg?v=1733813410","width":1200},{"alt":null,"id":35289088164090,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol2.jpg?v=1733813410"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol2.jpg?v=1733813410","width":1200},{"alt":null,"id":35289088196858,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol3.jpg?v=1733813410"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol3.jpg?v=1733813410","width":1200},{"alt":null,"id":35289088229626,"position":5,"preview_image":{"aspect_ratio":1.111,"height":1080,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol4.jpg?v=1733813410"},"aspect_ratio":1.111,"height":1080,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol4.jpg?v=1733813410","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※2月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eドイツの実験音楽家Roland Kayn(1933-2011)が、2024年12月にイタリアの実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースした再発3枚組CD BOXです。（オリジナルは1977年リリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eプログラミングを主軸とした音楽制作スタイル「サイバネティックミュージック」を生み出した天才による最重要作品のひとつです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e和声、旋律、リズムといった作曲ひいては芸術の概念を取っ払った6曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCDのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8pVUeEVeUSI?si=tnOgK3CwxpafVuzV\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sXqje3jp1vI?si=ms9FHh2LSmqKwzTH\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PGusMmbppII?si=kDE1EK0MpDraQyds\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OtTl5AAN8ZY?si=mc3FlNVLtOQY-VI6\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nwpJ1bIiBlM?si=tX5DuaBsZ76rVM4F\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 x CD box set. Edition of 300. Includes illustrated booklet. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCD 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Monostabile 27:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Invarianten 20:18\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD 2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Sources Ergodiques Teil 1 15:12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Matrix 29:07\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD 3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Sources Ergodiques Teil 2 22:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Logatome 20:40\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDie Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA stunning journey in sound and a work of profound and intoxicating \u003c\/em\u003e\u003cem\u003epower, Roland Kayn's “Simultan” stands among the best of all avant-garde \u003c\/em\u003e\u003cem\u003eelectronic works of its era. Die Schachtel, in collaboration with SZ \u003c\/em\u003e\u003cem\u003eSugar, is finally able to make available in CD format - after the \u003c\/em\u003e\u003cem\u003elegendary vinyl-only edition released in 2017 - the first volume in a \u003c\/em\u003e\u003cem\u003eseries of works named “K - Kybernetische Musik”, that documents the \u003c\/em\u003e\u003cem\u003ebirth of Kayn's Cybernetic Music, remastered from the original analog \u003c\/em\u003e\u003cem\u003emaster tapes. The re-emergence of “Simultan” has been long awaited by \u003c\/em\u003e\u003cem\u003emany, and should be celebrated by everyone with the faintest interest in \u003c\/em\u003e\u003cem\u003eelectronic music. This is a blinder. Totally essential and not to be \u003c\/em\u003e\u003cem\u003emissed. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne of the great pioneers of electronic, \u003c\/em\u003e\u003cem\u003ecomputer, and instrumental avant-garde music, for most of his life, the \u003c\/em\u003e\u003cem\u003eGerman composer Roland Kayn (1933 - 2011) remained almost entirely \u003c\/em\u003e\u003cem\u003eunknown, a founding member of the legendary ensemble, Gruppo di \u003c\/em\u003e\u003cem\u003eImprovvisazione Nuova Consonanza, heralded as a singular genius by a \u003c\/em\u003e\u003cem\u003esmall number of figures like Jim O’Rourke, who is currently curating the \u003c\/em\u003e\u003cem\u003earchive of the artist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Kayn might be easily described as a composer of electronic, \u003c\/em\u003e\u003cem\u003eelectro-acoustic, or computer music, the majority of his career was in \u003c\/em\u003e\u003cem\u003efact largely dedicated to the revolutionary sculpting of an entirely new \u003c\/em\u003e\u003cem\u003eterritory of sound: Cybernetic Music, a generative process of \u003c\/em\u003e\u003cem\u003ecomposition through programming. “Simultan” was among the first of the \u003c\/em\u003e\u003cem\u003ecomposer’s works to emerge from this process. Cybernetic Music grew from\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eKayn’s longstanding engagement and fascination with data processing \u003c\/em\u003e\u003cem\u003etheory, which far outweighed his interest in the work of other composers \u003c\/em\u003e\u003cem\u003eand the zeitgeists of the day - a fact which contributed to his being \u003c\/em\u003e\u003cem\u003edeclared persona non grata by the avant-garde establishment, and \u003c\/em\u003e\u003cem\u003eultimately his lasting obscurity. This territory of creativity was the \u003c\/em\u003e\u003cem\u003ecomposer’s attempt to allow sound to be self-sufficient, stripping away \u003c\/em\u003e\u003cem\u003enotions of harmony, melody and rhythm, as much as those of the composer \u003c\/em\u003e\u003cem\u003eand art, deploying complex networks of electronic devices - early \u003c\/em\u003e\u003cem\u003ecomputers, to follow his instructions, taking form through a system of \u003c\/em\u003e\u003cem\u003esignals and commands.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreated during the period in which Kayn was living in the Netherlands, \u003c\/em\u003e\u003cem\u003eand recorded with the assistance of electronic music legends Jaap Vink \u003c\/em\u003e\u003cem\u003eand Leo Küpper, “Simultan” is a work of astounding beauty - filled with \u003c\/em\u003e\u003cem\u003ea remarkable sense of humanity and touch - a strange incongruity \u003c\/em\u003e\u003cem\u003econsidering the system through which it was made, doubling as an \u003c\/em\u003e\u003cem\u003eindication of the inherent power of sound which Kayn spent his life \u003c\/em\u003e\u003cem\u003efighting to reveal. For fans of avant-garde electronic music, \u003c\/em\u003e\u003cem\u003eparticularly those drawn to the work coming out of Utrecht and Groupe de \u003c\/em\u003e\u003cem\u003eRecherches Musicales (GRM), but who have not yet encountered “Simultan”, \u003c\/em\u003e\u003cem\u003ethe work is likely to represent a towering revolution. It stands among \u003c\/em\u003e\u003cem\u003ethe most striking works from the world of sound. Ranging from seductive \u003c\/em\u003e\u003cem\u003eambiences, grinding swells of atonally and pure textures, to buried tone \u003c\/em\u003e\u003cem\u003eclusters, it does everything Kayn set forth in his ambitious project. It \u003c\/em\u003e\u003cem\u003eis an immersive image of what might be when sound organizes itself, and \u003c\/em\u003e\u003cem\u003ea metaphor for a way of being - the wonders which happen when we \u003c\/em\u003e\u003cem\u003erelinquish ego and control.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA stunning journey in sound and a work of profound and intoxicating \u003c\/em\u003e\u003cem\u003epower, “Simultan” stands among the best of all avant-garde electronic \u003c\/em\u003e\u003cem\u003eworks of its era. Die Schachtel’s lovingly produced boxed edition, which \u003c\/em\u003e\u003cem\u003eincludes a booklet exploring the composer’s work and ideas at length, \u003c\/em\u003e\u003cem\u003ebrings this seminal work back to the public in CD format for the very \u003c\/em\u003e\u003cem\u003efirst time. Its re-emergence has been long awaited by many, and should \u003c\/em\u003e\u003cem\u003ebe celebrated by everyone with the faintest interest in electronic \u003c\/em\u003e\u003cem\u003emusic. Totally essential and not to be missed.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Roland Kayn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDS36\/1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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※2月上旬再入荷後発送します ドイツの実験音楽家Roland Kayn(1933-2011)が、2024年12月にイタリアの実験レーベルDie Schachtelからリリースした再発3枚組CD BOXです。（オリジナルは1977年リリース） プログラミングを主軸とした音楽制作スタイル「サイバネティックミュージック」を生み出した天才による最重要作品のひとつです。 和声、旋律、リズムといった作曲ひいては芸術の概念を取っ払った6曲を収録。ブックレット付属。 CDのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Die Schachtel releases...
¥6,380