VULPIX // Innocent Pleasures, Repeated Measures TAPE
VULPIX // Innocent Pleasures, Repeated Measures TAPE
¥2,148
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オーストラリアのドリームポップ作家VULPIXが、2023年7月にアメリカ・LAのインディーレーベルSpirit Gothから300本限定でリリースしたカセットです。
ベッドルーム・シューゲイズ〜ドリームポップ12曲を収録。
※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします
レーベルその他作品はこちら /// Click here to see more Spirit Goth releases available at Tobira.
----------------------------
Ask us for digital files. Cassette in norelco case. 1st edition of 300.
Tracklist:
- Vulpine 01:35
- Red Moon 03:36
- Lo-Life 03:38
- Weekend Off 04:06
- I Am Just a Shell 03:29
- Dream Sketch #1 (Wasting Away) 02:44
- Organ Chords//Bad Dreams 03:16
- Still Young 03:04
- Dream Sketch #3 (January 2nd) 02:52
- Losing Sleep 02:59
- Futon 02:14
- Feels Like Sunday 04:24
Artist : VULPIX
Label : Spirit Goth
オーストラリアのドリームポップ作家VULPIXが、2023年7月にアメリカ・LAのインディーレーベルSpirit Gothから300本限定でリリースしたカセットです。
ベッドルーム・シューゲイズ〜ドリームポップ12曲を収録。
※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします
レーベルその他作品はこちら /// Click here to see more Spirit Goth releases available at Tobira.
----------------------------
Ask us for digital files. Cassette in norelco case. 1st edition of 300.
Tracklist:
- Vulpine 01:35
- Red Moon 03:36
- Lo-Life 03:38
- Weekend Off 04:06
- I Am Just a Shell 03:29
- Dream Sketch #1 (Wasting Away) 02:44
- Organ Chords//Bad Dreams 03:16
- Still Young 03:04
- Dream Sketch #3 (January 2nd) 02:52
- Losing Sleep 02:59
- Futon 02:14
- Feels Like Sunday 04:24
Artist : VULPIX
Label : Spirit Goth
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{"id":8950999646458,"title":"Charmaine Lee \/\/ Tulpa LP","handle":"charmaine-lee-tulpa-lp","description":"\u003cp\u003eオーストラリア出身アメリカ在住の実験音楽家Charmaine Leeが、2025年10月に自身主宰レーベル\u003cspan class=\"title\"\u003eKou Records\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声とエレクトロニクスによるストレンジビーツ〜コラージュ・テクノ8曲を収録。180g重量盤、帯付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"NYを拠点とするボーカリスト/エレクトロニクスアーティストCharmaine Leeの最新作『Tulpa』は、高い評価を得たデビュー作『KNVF』(Erratum Musical, 2021)に続く、彼女の最も野心的なアルバムである。初期作品が彫刻的な繊細さを探求したのに対し、『Tulpa』は即時性と強烈さを帯びて登場し、生の声と加工を躊躇なく融合させ、有機的な音と合成音の境界を溶解させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e70年代ロックの身体性と未来志向、真空管増幅の秘儀的な領域に触発されたLeeは、そのエネルギーを緻密に層を成す触覚的なリスニング体験へと昇華。それは時代を超越したアナログ性と未来的なデジタル性を同時に宿す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eランドール・ダンがプロデュースし、ニューヨーク州ウッドストックのアップルヘッド・レコーディングで録音された『Tulpa』は、ヴィンテージ真空管アンプとダイレクト入力にLeeの信号を分割することで空間化されたサウンドを実現。その結果、フィードバック、色彩、次元の変化が織りなすスペクトルが生まれ、肉体的明瞭さを保ちつつ、微細なディテールから広大な複雑性へと流動的に移行する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eチベット神秘主義に由来するタイトルは、思考と想像によって呼び出される存在や物体を指す——音こそが物質であり幻影、具現化されつつも儚いものとなる彼女自身の実践を映し出す。瞑想的なデュオで幕を閉じる本作では、ネッド・ローゼンバーグがバスクラリネットを担当。能楽へのオマージュを込めつつ、Leeの芸術的進化の新たな地平を切り開く。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2025年に彼女が設立したNY拠点のレーベルKou Recordsにおける初のソロ作品として、『Tulpa』は技術と探求心に妥協のないアーティストたちに捧げるキュレーションのビジョンを始動させる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2471365406\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 31st October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black 180 vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComes with orange OBI. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Loading Zone\u003cbr\u003e2. HGT 01:57\u003cbr\u003e3. Little Rascals\u003cbr\u003e4. Overlevered\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Water Margin\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Live Long\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Moebius\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Noh Age (feat. Ned Rothenberg)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eKou Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTulpa is the most ambitious album yet from New York–based vocalist and electronics artist Charmaine Lee, following her acclaimed debut KNVF (Erratum Musical, 2021). Where earlier works explored sculptural delicacy, Tulpa arrives with immediacy and intensity, unflinching in its integration of raw human voice and processing, dissolving boundaries between organic and synthetic sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspired by the physicality and futurism of ’70s rock and the esoteric edges of tube amplification, Lee channels that energy into a densely layered and tactile listening experience—at once timelessly analog and futuristically digital.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eProduced by Randall Dunn and recorded at Applehead Recording in Woodstock, NY, Tulpa embraces spatialized sound through the splitting of Lee’s signal across vintage tube amplifiers and direct input. The result is a spectrum of feedback, color, and dimensional shifts, moving fluidly from microscopic detail to expansive complexity while maintaining visceral clarity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title, drawn from Tibetan mysticism, refers to a being or object conjured through thought and imagination—mirroring Lee’s own practice, where sound becomes both material and illusion, embodied and ephemeral. Closing with a meditative duo\u003cspan class=\"bcTruncateMore\"\u003e featuring Ned Rothenberg on bass clarinet, Tulpa nods to Noh theatre while opening onto new horizons of Lee’s artistic evolution.\u003cbr\u003e\u003cbr\u003eAs her first solo release on Kou Records, the New York–based label she founded in 2025, Tulpa also inaugurates a curatorial vision dedicated to artists who are uncompromising in craft and curiosity.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Charmaine Lee\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Kou Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eKOU002lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T12:41:04+09:00","created_at":"2025-10-09T10:16:08+09:00","vendor":"Tobira Records","type":"","tags":["kou records","lp","monooto","new","strange beats","techno \/ house"],"price":449500,"price_min":449500,"price_max":449500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47805583622394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charmaine Lee \/\/ Tulpa LP","public_title":null,"options":["Default Title"],"price":449500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"850077743023","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lee1.jpg?v=1759972473","\/\/tobirarecords.com\/cdn\/shop\/files\/lee2.jpg?v=1759972473"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lee1.jpg?v=1759972473","options":["Title"],"media":[{"alt":null,"id":37042548146426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lee1.jpg?v=1759972473"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lee1.jpg?v=1759972473","width":700},{"alt":null,"id":37042548179194,"position":2,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lee2.jpg?v=1759972473"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lee2.jpg?v=1759972473","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア出身アメリカ在住の実験音楽家Charmaine Leeが、2025年10月に自身主宰レーベル\u003cspan class=\"title\"\u003eKou Records\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e声とエレクトロニクスによるストレンジビーツ〜コラージュ・テクノ8曲を収録。180g重量盤、帯付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"NYを拠点とするボーカリスト/エレクトロニクスアーティストCharmaine Leeの最新作『Tulpa』は、高い評価を得たデビュー作『KNVF』(Erratum Musical, 2021)に続く、彼女の最も野心的なアルバムである。初期作品が彫刻的な繊細さを探求したのに対し、『Tulpa』は即時性と強烈さを帯びて登場し、生の声と加工を躊躇なく融合させ、有機的な音と合成音の境界を溶解させる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e70年代ロックの身体性と未来志向、真空管増幅の秘儀的な領域に触発されたLeeは、そのエネルギーを緻密に層を成す触覚的なリスニング体験へと昇華。それは時代を超越したアナログ性と未来的なデジタル性を同時に宿す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eランドール・ダンがプロデュースし、ニューヨーク州ウッドストックのアップルヘッド・レコーディングで録音された『Tulpa』は、ヴィンテージ真空管アンプとダイレクト入力にLeeの信号を分割することで空間化されたサウンドを実現。その結果、フィードバック、色彩、次元の変化が織りなすスペクトルが生まれ、肉体的明瞭さを保ちつつ、微細なディテールから広大な複雑性へと流動的に移行する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eチベット神秘主義に由来するタイトルは、思考と想像によって呼び出される存在や物体を指す——音こそが物質であり幻影、具現化されつつも儚いものとなる彼女自身の実践を映し出す。瞑想的なデュオで幕を閉じる本作では、ネッド・ローゼンバーグがバスクラリネットを担当。能楽へのオマージュを込めつつ、Leeの芸術的進化の新たな地平を切り開く。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2025年に彼女が設立したNY拠点のレーベルKou Recordsにおける初のソロ作品として、『Tulpa』は技術と探求心に妥協のないアーティストたちに捧げるキュレーションのビジョンを始動させる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2471365406\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 31st October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black 180 vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComes with orange OBI. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Loading Zone\u003cbr\u003e2. HGT 01:57\u003cbr\u003e3. Little Rascals\u003cbr\u003e4. Overlevered\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Water Margin\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Live Long\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Moebius\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Noh Age (feat. Ned Rothenberg)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eKou Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTulpa is the most ambitious album yet from New York–based vocalist and electronics artist Charmaine Lee, following her acclaimed debut KNVF (Erratum Musical, 2021). Where earlier works explored sculptural delicacy, Tulpa arrives with immediacy and intensity, unflinching in its integration of raw human voice and processing, dissolving boundaries between organic and synthetic sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInspired by the physicality and futurism of ’70s rock and the esoteric edges of tube amplification, Lee channels that energy into a densely layered and tactile listening experience—at once timelessly analog and futuristically digital.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eProduced by Randall Dunn and recorded at Applehead Recording in Woodstock, NY, Tulpa embraces spatialized sound through the splitting of Lee’s signal across vintage tube amplifiers and direct input. The result is a spectrum of feedback, color, and dimensional shifts, moving fluidly from microscopic detail to expansive complexity while maintaining visceral clarity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title, drawn from Tibetan mysticism, refers to a being or object conjured through thought and imagination—mirroring Lee’s own practice, where sound becomes both material and illusion, embodied and ephemeral. Closing with a meditative duo\u003cspan class=\"bcTruncateMore\"\u003e featuring Ned Rothenberg on bass clarinet, Tulpa nods to Noh theatre while opening onto new horizons of Lee’s artistic evolution.\u003cbr\u003e\u003cbr\u003eAs her first solo release on Kou Records, the New York–based label she founded in 2025, Tulpa also inaugurates a curatorial vision dedicated to artists who are uncompromising in craft and curiosity.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Charmaine Lee\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Kou Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eKOU002lp\u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリア出身アメリカ在住の実験音楽家Charmaine Leeが、2025年10月に自身主宰レーベルKou Recordsからリリースしたレコードです。 声とエレクトロニクスによるストレンジビーツ〜コラージュ・テクノ8曲を収録。180g重量盤、帯付属。 以下、レーベルによる解説です。 "NYを拠点とするボーカリスト/エレクトロニクスアーティストCharmaine Leeの最新作『Tulpa』は、高い評価を得たデビュー作『KNVF』(Erratum Musical, 2021)に続く、彼女の最も野心的なアルバムである。初期作品が彫刻的な繊細さを探求したのに対し、『Tulpa』は即時性と強烈さを帯びて登場し、生の声と加工を躊躇なく融合させ、有機的な音と合成音の境界を溶解させる。 70年代ロックの身体性と未来志向、真空管増幅の秘儀的な領域に触発されたLeeは、そのエネルギーを緻密に層を成す触覚的なリスニング体験へと昇華。それは時代を超越したアナログ性と未来的なデジタル性を同時に宿す。 ランドール・ダンがプロデュースし、ニューヨーク州ウッドストックのアップルヘッド・レコーディングで録音された『Tulpa』は、ヴィンテージ真空管アンプとダイレクト入力にLeeの信号を分割することで空間化されたサウンドを実現。その結果、フィードバック、色彩、次元の変化が織りなすスペクトルが生まれ、肉体的明瞭さを保ちつつ、微細なディテールから広大な複雑性へと流動的に移行する。 チベット神秘主義に由来するタイトルは、思考と想像によって呼び出される存在や物体を指す——音こそが物質であり幻影、具現化されつつも儚いものとなる彼女自身の実践を映し出す。瞑想的なデュオで幕を閉じる本作では、ネッド・ローゼンバーグがバスクラリネットを担当。能楽へのオマージュを込めつつ、Leeの芸術的進化の新たな地平を切り開く。 2025年に彼女が設立したNY拠点のレーベルKou Recordsにおける初のソロ作品として、『Tulpa』は技術と探求心に妥協のないアーティストたちに捧げるキュレーションのビジョンを始動させる。"...
¥4,495

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{"id":8952998428922,"title":"Bruno Bavota \/\/ I'm losing you LP","handle":"bruno-bavota-im-losing-you-lp","description":"\u003cp\u003eイタリアのネオクラシカル作家Bruno Bavotaが、2025年9月にドイツのネオクラシカルレーベルOscarsonからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノをメインソースにしたネオクラシカル・アンビエント12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3194368160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 170.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. night city lights 03:14\u003cbr\u003e2. when we collide 02:52\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. where are we now? 03:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. by the sea 02:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. the bells 03:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. anything could happen 03:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. everything now 02:20\u003cbr\u003e\u003c\/span\u003e8. I'm losing you 01:54\u003cbr\u003e9. not here 03:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. nostalgia 02:33\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. and i saw you walking away 03:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. the sky above us 02:25\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eOscarson:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHis new album, I'm Losing You, continues this evolution. Set for release on September 19, the \u003c\/em\u003e\u003cem\u003erecord showcases Bruno’s signature combination of acoustic piano and subtle electronics, now \u003c\/em\u003e\u003cem\u003eenriched with expressive string arrangements performed by violinist Laura Masotto. \u003c\/em\u003e\u003cem\u003eThe album is a meditation on loss in its many forms — from absence and nostalgia to quiet \u003c\/em\u003e\u003cem\u003eacceptance. Through looping piano motifs, gently pulsing electronics, and emotionally resonant \u003c\/em\u003e\u003cem\u003estrings, I'm Losing You invites listeners into a vulnerable, immersive world of sound and feeling.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruno Bavota\u003c\/p\u003e\n\u003cp\u003eLabel : Oscarson\u003c\/p\u003e\n\u003cp\u003ecat no : Osc59\u003c\/p\u003e","published_at":"2025-10-11T12:18:02+09:00","created_at":"2025-10-11T11:18:11+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","oscarson"],"price":469000,"price_min":469000,"price_max":469000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47811704750330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bruno Bavota \/\/ I'm losing you LP","public_title":null,"options":["Default Title"],"price":469000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bru1_d26c1eeb-848e-47d8-9ebf-5e3ef9d68aba.jpg?v=1760148993","\/\/tobirarecords.com\/cdn\/shop\/files\/bru2_91c9663e-2458-4002-b79e-4351195fce97.jpg?v=1760148993"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bru1_d26c1eeb-848e-47d8-9ebf-5e3ef9d68aba.jpg?v=1760148993","options":["Title"],"media":[{"alt":null,"id":37060595777786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bru1_d26c1eeb-848e-47d8-9ebf-5e3ef9d68aba.jpg?v=1760148993"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bru1_d26c1eeb-848e-47d8-9ebf-5e3ef9d68aba.jpg?v=1760148993","width":700},{"alt":null,"id":37060595810554,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bru2_91c9663e-2458-4002-b79e-4351195fce97.jpg?v=1760148993"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bru2_91c9663e-2458-4002-b79e-4351195fce97.jpg?v=1760148993","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのネオクラシカル作家Bruno Bavotaが、2025年9月にドイツのネオクラシカルレーベルOscarsonからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノをメインソースにしたネオクラシカル・アンビエント12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3194368160\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 170.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. night city lights 03:14\u003cbr\u003e2. when we collide 02:52\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. where are we now? 03:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. by the sea 02:16\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. the bells 03:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. anything could happen 03:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. everything now 02:20\u003cbr\u003e\u003c\/span\u003e8. I'm losing you 01:54\u003cbr\u003e9. not here 03:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. nostalgia 02:33\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. and i saw you walking away 03:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. the sky above us 02:25\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eOscarson:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHis new album, I'm Losing You, continues this evolution. Set for release on September 19, the \u003c\/em\u003e\u003cem\u003erecord showcases Bruno’s signature combination of acoustic piano and subtle electronics, now \u003c\/em\u003e\u003cem\u003eenriched with expressive string arrangements performed by violinist Laura Masotto. \u003c\/em\u003e\u003cem\u003eThe album is a meditation on loss in its many forms — from absence and nostalgia to quiet \u003c\/em\u003e\u003cem\u003eacceptance. Through looping piano motifs, gently pulsing electronics, and emotionally resonant \u003c\/em\u003e\u003cem\u003estrings, I'm Losing You invites listeners into a vulnerable, immersive world of sound and feeling.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruno Bavota\u003c\/p\u003e\n\u003cp\u003eLabel : Oscarson\u003c\/p\u003e\n\u003cp\u003ecat no : Osc59\u003c\/p\u003e"}
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イタリアのネオクラシカル作家Bruno Bavotaが、2025年9月にドイツのネオクラシカルレーベルOscarsonからリリースしたレコードです。 ピアノをメインソースにしたネオクラシカル・アンビエント12曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Oscarson releases available at Tobira. --------------------------------------- Includes...
¥4,690

クイックビュー
{"id":8951653466362,"title":"Bendik Giske s\/t LP","handle":"bendik-giske-s-t-lp","description":"\u003cp\u003eノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな実験ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBeatrice Dillonがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=214373335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Start 04:15\u003cbr\u003e2. Not Yet 06:54\u003cbr\u003e3. Rhizome 06:08\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Rise and Fall 04:23\u003cbr\u003e\u003c\/span\u003e5. Rush 05:35\u003cbr\u003e6. Slipping 06:36\u003cbr\u003e7. End 02:51\u003cbr\u003e8. Rise and Fall (Beatrice Dillon remix) 04:27\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNow on the cusp of his third solo album, Norwegian saxophonist Bendik Giske knows himself well. With his new, self-titled record, he is in his prime as an artist: confident in his voice and abilities, buoyed by critical acclaim from all corners – including two Norwegian Grammy nominations – and a surge in audiences everywhere. With the intriguing choice of Beatrice Dillon as album producer – clearly the British electronic musician is a fellow traveler in the practice of original aesthetic expression – her influence is immediate and keenly felt. Together, they strip away a layer of melodicism, honing in on pattern and rhythm to bring out a different dimension of his mesmerizing sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile again working with single-take recordings, no overdubs, only saxophone and his body, gone is the reverberant space and mellifluous glamor. Giske finds the result akin to musical full-frontal nudity – every detail, every huff and puff audible, no obscuring, no aestheticizing. People may look away when it’s not as pretty, but what’s left feels more present and potent. Confrontational, it demands greater attention, but through its physicality – you can hear and feel his body in the music – it takes you to a flow state, somewhere between ecstasy, elation, and spiritual\u003cspan class=\"bcTruncateMore\"\u003e awakening.\u003cbr\u003e\u003cbr\u003eIntensely human, there’s stark tension there, too – there always will be when fighting for existence and validity – elegantly illustrated by Florian Hetz’s striking photographs of the artist on the covers of the release. In part, Giske is inspired by Judith Halberstam’s The Queer Art of Failure. As much as he has benefitted from his training and participation in the environment of the jazz conservatory, his path took him far outside its confines. Working these new explorations with his instrument has been a ten-year process of peeling away what he knew ultimately didn’t fit, finding the sonic territory of his lived experience. What emerged were systems that allowed for studies of tempo and proportion, a starting point for an immersive improvisatory approach, mapping years of musical probing.\u003cbr\u003e\u003cbr\u003eIt’s the sound of social emancipation through the meditative pulse and velocity of circular breathing and the dance of the body, especially fingers, tongue, and lips. Giske knows that music can be a powerful tool in bringing people together to find ideas, and the longevity of his project is at its utmost a call for care, togetherness, storytelling, and the ability to gather for a shared cause. In all earnestness, Bendik Giske is a proposal for truthfulness and existence, a space for one to express their most profound self.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bendik Giske\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTS417lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T12:21:02+09:00","created_at":"2025-10-10T09:23:46+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","smalltown supersound"],"price":297500,"price_min":297500,"price_max":297500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47808164299002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bendik Giske s\/t LP","public_title":null,"options":["Default Title"],"price":297500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"7072822417109","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","options":["Title"],"media":[{"alt":null,"id":32092892627194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_70b8e380-d45a-47a0-994c-868328ea6a0f.jpg?v=1686228389","width":700},{"alt":null,"id":32092892659962,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_e55e13f2-b56f-4159-8de8-e104c08855fb.jpg?v=1686228389","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマルな実験ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBeatrice Dillonがリミックスで参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=214373335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stss\"\u003ehere\u003c\/a\u003e to see more Smalltown Supersound releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Start 04:15\u003cbr\u003e2. Not Yet 06:54\u003cbr\u003e3. Rhizome 06:08\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Rise and Fall 04:23\u003cbr\u003e\u003c\/span\u003e5. Rush 05:35\u003cbr\u003e6. Slipping 06:36\u003cbr\u003e7. End 02:51\u003cbr\u003e8. Rise and Fall (Beatrice Dillon remix) 04:27\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSmalltown Supersound:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNow on the cusp of his third solo album, Norwegian saxophonist Bendik Giske knows himself well. With his new, self-titled record, he is in his prime as an artist: confident in his voice and abilities, buoyed by critical acclaim from all corners – including two Norwegian Grammy nominations – and a surge in audiences everywhere. With the intriguing choice of Beatrice Dillon as album producer – clearly the British electronic musician is a fellow traveler in the practice of original aesthetic expression – her influence is immediate and keenly felt. Together, they strip away a layer of melodicism, honing in on pattern and rhythm to bring out a different dimension of his mesmerizing sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile again working with single-take recordings, no overdubs, only saxophone and his body, gone is the reverberant space and mellifluous glamor. Giske finds the result akin to musical full-frontal nudity – every detail, every huff and puff audible, no obscuring, no aestheticizing. People may look away when it’s not as pretty, but what’s left feels more present and potent. Confrontational, it demands greater attention, but through its physicality – you can hear and feel his body in the music – it takes you to a flow state, somewhere between ecstasy, elation, and spiritual\u003cspan class=\"bcTruncateMore\"\u003e awakening.\u003cbr\u003e\u003cbr\u003eIntensely human, there’s stark tension there, too – there always will be when fighting for existence and validity – elegantly illustrated by Florian Hetz’s striking photographs of the artist on the covers of the release. In part, Giske is inspired by Judith Halberstam’s The Queer Art of Failure. As much as he has benefitted from his training and participation in the environment of the jazz conservatory, his path took him far outside its confines. Working these new explorations with his instrument has been a ten-year process of peeling away what he knew ultimately didn’t fit, finding the sonic territory of his lived experience. What emerged were systems that allowed for studies of tempo and proportion, a starting point for an immersive improvisatory approach, mapping years of musical probing.\u003cbr\u003e\u003cbr\u003eIt’s the sound of social emancipation through the meditative pulse and velocity of circular breathing and the dance of the body, especially fingers, tongue, and lips. Giske knows that music can be a powerful tool in bringing people together to find ideas, and the longevity of his project is at its utmost a call for care, togetherness, storytelling, and the ability to gather for a shared cause. In all earnestness, Bendik Giske is a proposal for truthfulness and existence, a space for one to express their most profound self.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bendik Giske\u003c\/p\u003e\n\u003cp\u003eLabel : Smalltown Supersound\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTS417lp\u003c\/span\u003e\u003c\/p\u003e"}
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ノルウェーのサックス奏者Bendik Giskeが、2023年6月に同国Smalltown Supersoundからリリースしたレコードです。 ミニマルな実験ジャズ8曲を収録。 Beatrice Dillonがリミックスで参加しています。 レーベルその他作品はこちら /// Click here to see more Smalltown Supersound releases available...
¥2,975
![Joyer // On the Other End of the Line... LP [COLOR]](http://tobirarecords.com/cdn/shop/files/on1_fea0a49a-e93f-42a4-9bca-c2ed98f2fb84_medium.jpg?v=1759972044)
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{"id":8950991192314,"title":"Joyer \/\/ On the Other End of the Line... LP [COLOR]","handle":"joyer-on-the-other-end-of-the-line-lp-color","description":"\u003cp\u003eアメリカのインディーデュオJoyerが、2025年10月に同国インディーレーベルJulia's Warからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーポップ10曲を収録。エレクトリックスモークカラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4040286871\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003ehere\u003c\/a\u003e to see more Julia's War releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 24th October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" 'electric smoke' vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Know Your Secret\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Cure 03:23\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Creases\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Glare of the Beer Can \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Spell \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Something to Prove\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Favorite\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. At the Movies \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Test\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Tell Me\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Julia's War:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSince their previous full-length, Night Songs, arrived in 2024, both Nick and Shane relocated to different cities—Nick from Brooklyn to Philadelphia, and Shane from Boston to Brooklyn—and were tasked with settling into new versions of themselves. Plus, they were dealing with Joyer’s increasingly hectic tour schedule, traveling across the country with Horse Jumper of Love, Wishy, and villagerrr, to name a few. Nick was seeking healthier approaches to his on-the-road life and home life, navigating simultaneous feelings\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eof guilt and anticipation. Meanwhile, Shane was grappling with a nagging loneliness in Boston, especially when he returned from tour, which prompted a move to be closer to friends and family. But through all the ups and downs, being on tour was life-affirming for Joyer—they met kindred spirits and grew closer as a band, and it sparked a desire for new material.\u003cbr\u003e\u003cbr\u003eEager to push the pop melodicism of Night Songs even further, Joyer began writing a new album, and they booked eight days in a Chicago studio with Henry Stoehr, having been fans of his catchy, detailed production style and guitar work in Slow Pulp. Feeling somewhat misunderstood by the response to Night Songs, they were also itching to dial back their shoegaze leanings in favor of folkier touches and less conventional, more ambitious arrangements. “Cure” and “Glare of the Beer Can” glisten with pastoral twang, while spidery rock rippers like “Favorite” and “Test” throb with fickle, explosive rhythms. This time around, Nick set out to compose more interesting drum parts, often skirting typical 4\/4 beats and setting songs tastefully askew, and the band’s guitars have a richer, more intentional sound, thanks to plenty of time spent layering in acoustic guitar textures, blending tones, and re-tracking parts dozens of times. For reference points, they looked to noisy guitar pop groups like Velocity Girl and Helvetia who, like Joyer, live and die by coarse guitar thrums and front-and-center pop hooks. Perhaps the best encapsulation of this ugly-pretty dichotomy is “Spell,” where staticky, muscular guitar solos punctuate delicate vocal melodies. [...]\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joyer\u003c\/p\u003e\n\u003cp\u003eLabel : Julia's War\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJWR088lp-C1 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T12:29:02+09:00","created_at":"2025-10-09T10:09:31+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","julia's war","lp","new"],"price":349400,"price_min":349400,"price_max":349400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47805572088058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joyer \/\/ On the Other End of the Line... LP [COLOR]","public_title":null,"options":["Default Title"],"price":349400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"716892697869","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/on1_fea0a49a-e93f-42a4-9bca-c2ed98f2fb84.jpg?v=1759972044","\/\/tobirarecords.com\/cdn\/shop\/files\/on2_2fdef699-309b-4fa8-950f-c627f244e73b.jpg?v=1759972045"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_fea0a49a-e93f-42a4-9bca-c2ed98f2fb84.jpg?v=1759972044","options":["Title"],"media":[{"alt":null,"id":37042523472122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_fea0a49a-e93f-42a4-9bca-c2ed98f2fb84.jpg?v=1759972044"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on1_fea0a49a-e93f-42a4-9bca-c2ed98f2fb84.jpg?v=1759972044","width":700},{"alt":null,"id":37042523504890,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_2fdef699-309b-4fa8-950f-c627f244e73b.jpg?v=1759972045"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/on2_2fdef699-309b-4fa8-950f-c627f244e73b.jpg?v=1759972045","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのインディーデュオJoyerが、2025年10月に同国インディーレーベルJulia's Warからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーポップ10曲を収録。エレクトリックスモークカラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4040286871\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003ehere\u003c\/a\u003e to see more Julia's War releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 24th October 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" 'electric smoke' vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Know Your Secret\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Cure 03:23\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Creases\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Glare of the Beer Can \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Spell \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Something to Prove\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Favorite\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. At the Movies \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Test\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Tell Me\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Julia's War:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSince their previous full-length, Night Songs, arrived in 2024, both Nick and Shane relocated to different cities—Nick from Brooklyn to Philadelphia, and Shane from Boston to Brooklyn—and were tasked with settling into new versions of themselves. Plus, they were dealing with Joyer’s increasingly hectic tour schedule, traveling across the country with Horse Jumper of Love, Wishy, and villagerrr, to name a few. Nick was seeking healthier approaches to his on-the-road life and home life, navigating simultaneous feelings\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eof guilt and anticipation. Meanwhile, Shane was grappling with a nagging loneliness in Boston, especially when he returned from tour, which prompted a move to be closer to friends and family. But through all the ups and downs, being on tour was life-affirming for Joyer—they met kindred spirits and grew closer as a band, and it sparked a desire for new material.\u003cbr\u003e\u003cbr\u003eEager to push the pop melodicism of Night Songs even further, Joyer began writing a new album, and they booked eight days in a Chicago studio with Henry Stoehr, having been fans of his catchy, detailed production style and guitar work in Slow Pulp. Feeling somewhat misunderstood by the response to Night Songs, they were also itching to dial back their shoegaze leanings in favor of folkier touches and less conventional, more ambitious arrangements. “Cure” and “Glare of the Beer Can” glisten with pastoral twang, while spidery rock rippers like “Favorite” and “Test” throb with fickle, explosive rhythms. This time around, Nick set out to compose more interesting drum parts, often skirting typical 4\/4 beats and setting songs tastefully askew, and the band’s guitars have a richer, more intentional sound, thanks to plenty of time spent layering in acoustic guitar textures, blending tones, and re-tracking parts dozens of times. For reference points, they looked to noisy guitar pop groups like Velocity Girl and Helvetia who, like Joyer, live and die by coarse guitar thrums and front-and-center pop hooks. Perhaps the best encapsulation of this ugly-pretty dichotomy is “Spell,” where staticky, muscular guitar solos punctuate delicate vocal melodies. [...]\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joyer\u003c\/p\u003e\n\u003cp\u003eLabel : Julia's War\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJWR088lp-C1 \u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのインディーデュオJoyerが、2025年10月に同国インディーレーベルJulia's Warからリリースしたレコードです。 インディーポップ10曲を収録。エレクトリックスモークカラー盤です。 レーベルその他作品はこちら /// Click here to see more Julia's War releases available...
¥3,494