Various Artists (Kompakt) // Pop Ambient 2026 LP

Various Artists (Kompakt) // Pop Ambient 2026 LP

¥4,480

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ドイツのエレクトロニックレーベルKompaktが、2025年12月にリリースしたコンピレーションレコードです。

ドリーミーなアンビエント〜ネオクラシカル・アンビエント11曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Kompakt releases available at Tobira.

-----------------------------------------------

RELEASE DATE: 5th December 2025

Includes DL code.
12" black vinyl.
NOTE: vinyl version contains tracks 1-11 from the digital album. Additional tracks are included in the download. More info below:

Vinyl Tracklist:

1. Micå - Echoes Of Blue
2. Segensklang - Schauer der Musen
3. Ümit Han - Eines Tages
4. Pass Into Silence - Pale Blue Dot
5. Würden & Schäfer - Analysis of Variance IV
6. Richard Ojijo - Verzettelung Live@Filmforum
7. Sebastian Mullaert / Hush Forever - Traces
8. Luis Reich - Distant Ort
9. Morgen Wurde - Wusste Längst feat. Tetsuroh Konishi
10. Dirk Leyers - Regolith
11. Thore Pfeiffer / Niko Tzoukmanis - Impuls

Kompakt:

"For the 26th time, the most consistent of all ambient compilations, in a constant flux of static change, is released on Kompakt. Joining good friends from the early days and reliable confidants are some new additions to the non-hierarchical charts of contemplative rapture culture.

Leading the way is Micå, a Japanese electronic musician whose finely chiseled, graceful musical style has made it onto the new collection with two pieces. Also making his debut is Richard Ojijo, a seasoned sound engineer known, among other things, for his long-standing collaboration with the artist Marcel Odenbach and the Cologne-based label Magazine. Oskø aka Max Hytrek, a multi-talented newcomer to Kompakt and the music scene, debuts with his rapturously ecstatic piece "Ar Vag." He's followed by Sebastian Mullaert, appearing for the second time—this time teamed up with Sebastian Lilja aka Hush Forever. After his surprise return last year after a 20 year hiatus, we are delighted that Tetsuo Sakae aka Pass Into Silence is back again this year with one of his distinctive sound gems. As are Dirk Leyers (Closer Musik) and Mikkel Metal. 18 tracks are featured on this CD. "Erlösung" (Redemption) is the title of Segensklang's closing track. A kind of ambient bolero into infinity. Or at least until next year...

And what would Pop Ambient be without the iconic, artistic cover design of Veronika Unland, who once again, in her unmistakable way, says through the digital flower: The eye always listens... "

Artist : Various Artists

Label : Kompakt

cat no : Kompakt 503

Quantity

+ -

ドイツのエレクトロニックレーベルKompaktが、2025年12月にリリースしたコンピレーションレコードです。

ドリーミーなアンビエント〜ネオクラシカル・アンビエント11曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Kompakt releases available at Tobira.

-----------------------------------------------

RELEASE DATE: 5th December 2025

Includes DL code.
12" black vinyl.
NOTE: vinyl version contains tracks 1-11 from the digital album. Additional tracks are included in the download. More info below:

Vinyl Tracklist:

Kompakt:

Artist : Various Artists

Label : Kompakt

cat no : Kompakt 503

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Pulse Trader 05:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Moisture (Treatment 3) 05:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Lustration Four (DaiKaiju) 06:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e8. Lustration Five (\u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\" lang=\"JA\"\u003e息\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e) 08:15\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Lustration Six (Megalith) 05:35\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Lustration Eight (Contours) 05:17\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Lustration Eleven (Sarychev) 05:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Lustration Twelve (Derecho) 06:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e13. Lustration One (Khonsu) 06:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. Lustration Two (Nor Easter) 05:35\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e15. Lustration Three (Atlantic) 06:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e16. Lustration Seven (Forms) 05:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e17. Lustration Nine (Drums) 05:50\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e18. Lustration Ten (Pressure Zone) 05:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e19. Cio's Underwater Track 08:57\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e20. Ringing Bass (Original Length) 08:59\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eField Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Following the reissue of his debut album Dispatches, Field Records is proud to return to the seminal work of Mike Parker with an overview of his releases on Prologue — a truly original strain of steely, hypnotic techno that has touched upon many different waves within the wider scene.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHaving pioneered a hard-edged, reductionist style via his Geophone label since the mid-90s, around 2010 Mike Parker found himself at the vanguard of an emergent sound alongside artists like Donato Dozzy and Cio D'or exploring the possibilities of immersive, profoundly transcendental club music. The Prologue label came to define this cult zeitgeist, where reduction and repetition took on a truly psychedelic quality and the subtle details made all the difference. It ran from 2008 to 2015, laying the foundations for the deep techno sound that remains a vital, evolving subculture in the present moment.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom Parker's first appearance on Prologue with the Subterranean Liquid EP in 2011 through to the Lustrations LP in 2013, he delivered some of the most incisive music of his accomplished career — teased-out rhythms carrying exquisitely engineered textures veering from the subliminal to the visceral, locked into endless, cyclical oblivion and maintaining a stern, machinist veneer. This\u003cspan class=\"bcTruncateMore\"\u003e collection on Field Records combs through Parker's Prologue output and makes a considered selection, gathering key pieces from the first two EPs alongside six of the album tracks on a triple vinyl pressing, alongside a further eight cuts on the expanded digital edition.\u003cbr\u003e\u003cbr\u003eNot just a straight-forward reissue, consider Epilogue a thoughtful reframing of a key point in Mike Parker's stellar career. In every exacting pulse, every inch of tacit spatial design, it's the work of an expert sculpting a sound which remains influential in the here and now.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Field Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eField 38 \u003c\/span\u003e\u003c\/p\u003e"}

アメリカのテクノ作家Mike Parkerが、2025年10月にField Recordsからリリースし3枚組レコードです。彼がPrologueからリリースした作品をまとめたコンピレーション盤です。 ---------------------------------------------------- 3 x 12" black vinyl. Tracklist: 1. Ringing Bass...

¥7,940

クイックビュー {"id":9002435182842,"title":"Ben Bennett \/\/ ANSWERS LP","handle":"ben-bennett-answers-lp","description":"\u003cp\u003eアメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜ドローン7曲を収録。帯付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2210925249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. What a normal day is like 06:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. How you sound when you’re criticizing me 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Me when I was incredibly small 06:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Toroid - like a bagel or a donut 05:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. How I walk when I’m downtown 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6. What my dog would sound like if I had one 05:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Me when I’m having some work done 03:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Pfeffer, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I often think about a video that Ben made in the mid-2000s, shot in profile with his shadow cast on a dimly lit Ohio punk house wall. In the video, Ben emits, intones, and then barks “yeah” relentlessly for an uninterrupted fifteen minutes. He pushes his reedy, anonymous voice—which in conversation conveys a kind of gentle bemusement—into guttural terrain that flirts with overtone singing (or screeching). The gesture feels raw and spontaneous, suspended in a vacuum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe video has echoes of late ’60s and early ’70s American performance art—Bruce Nauman’s Lip Sync, Paul McCarthy’s Ma Bell—but Ben is not building a persona or engaging in clever language games. He pushes straight into the realm of pure sound, teasing out subtle variations from a barebones fragment of reckless affirmation—or maybe sarcasm—using democratic tools: his voice and a single, quintessentially American interjection that barely qualifies as language. It is obvious how much pleasure Ben takes in the act of listening. He punctuates the performance with silences, burrowing into the room’s resonance, which seems to surprise and delight him. Distilled to its simplest form, Ben transforms the utterance into an act of destructive glee that carries no trace of angst. Over time, his unwavering commitment to a stupid and very human\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e endeavor becomes a devotional ritual that collides with the divine, without relying on a religious object.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ANSWERS (all-caps notwithstanding), Ben modestly continues to offer profound “answers” to questions about survival in the empty field. The actions it contains are not extreme; it operates at a relatively low dynamic, neither at the edge of inaudibility nor at the volume of inflammatory rage-bait. Microscopic but still visible, the sounds suggest the early stirrings of new, dumb lifeforms. ANSWERS is provocative in its lack of ornament—born of the post-industrial and natural worlds, hovering above quotidian realities. Ben continues to operate on the edge of not being aesthetic at all—subject dissolving into object—plumbing the nature of reality with his homespun spring-steel idiophone and coffee-can aerophone, until it verges on bathroom drainage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a percussionist, Ben has a lithe touch, moving seamlessly between sticks and his bare hands. Like Toshi Makihara and Sean Meehan, Ben is concerned with friction, yet his work is closer in spirit to Kieran Daly’s slowly unfolding monophonic MIDI investigations, which balance formal rigor, a cultivated openness to “dumbness,” and an abstract connection to the jazz tradition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy favorite moments on Answers are when the boundary between music and non-music becomes unstable, and when Ben abandons the drums and “music” entirely—\"How you sound when you’re criticizing me,” “Me when I’m having some work done,” and “Toroid – like a bagel or a donut”—where the album’s harsh plainness gives way to austere beauty, as if the vacuum momentarily ruptured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eANSWERS feels as though it unfolds in isolation, yet the faintest vapors of the detritus, dust, and rubble of recognizable worlds drift in, giving rise to sounds that evoke goose honks, rapier blades, and field recordings from a Home Depot loading dock. Ben displays extraordinary sensitivity to vibrations that bloom briefly, then vanish. The record closes with twenty seconds of silence, a quiet void where everything disappears. It simply ends, draining back into the big ol’ cosmic sewer from which we were all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003econjured.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA023\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-18T13:06:28+09:00","created_at":"2025-11-17T10:29:45+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lobby art","lp","new","strange beats"],"price":465000,"price_min":465000,"price_max":465000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47966605410554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Bennett \/\/ ANSWERS LP","public_title":null,"options":["Default Title"],"price":465000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","options":["Title"],"media":[{"alt":null,"id":37529691259130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_14b8b02c-fe95-4e15-98d9-26f869bfb5eb.jpg?v=1763342825","width":700},{"alt":null,"id":37529691291898,"position":2,"preview_image":{"aspect_ratio":1.506,"height":797,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825"},"aspect_ratio":1.506,"height":797,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_ea134d92-3d1f-40b6-97c0-d2e71d4ec2bd.jpg?v=1763342825","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜ドローン7曲を収録。帯付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2210925249\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. What a normal day is like 06:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e2. How you sound when you’re criticizing me 05:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Me when I was incredibly small 06:19\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Toroid - like a bagel or a donut 05:04\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. How I walk when I’m downtown 04:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e6. What my dog would sound like if I had one 05:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Me when I’m having some work done 03:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eJonathan Pfeffer, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I often think about a video that Ben made in the mid-2000s, shot in profile with his shadow cast on a dimly lit Ohio punk house wall. In the video, Ben emits, intones, and then barks “yeah” relentlessly for an uninterrupted fifteen minutes. He pushes his reedy, anonymous voice—which in conversation conveys a kind of gentle bemusement—into guttural terrain that flirts with overtone singing (or screeching). The gesture feels raw and spontaneous, suspended in a vacuum.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe video has echoes of late ’60s and early ’70s American performance art—Bruce Nauman’s Lip Sync, Paul McCarthy’s Ma Bell—but Ben is not building a persona or engaging in clever language games. He pushes straight into the realm of pure sound, teasing out subtle variations from a barebones fragment of reckless affirmation—or maybe sarcasm—using democratic tools: his voice and a single, quintessentially American interjection that barely qualifies as language. It is obvious how much pleasure Ben takes in the act of listening. He punctuates the performance with silences, burrowing into the room’s resonance, which seems to surprise and delight him. Distilled to its simplest form, Ben transforms the utterance into an act of destructive glee that carries no trace of angst. Over time, his unwavering commitment to a stupid and very human\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e endeavor becomes a devotional ritual that collides with the divine, without relying on a religious object.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn ANSWERS (all-caps notwithstanding), Ben modestly continues to offer profound “answers” to questions about survival in the empty field. The actions it contains are not extreme; it operates at a relatively low dynamic, neither at the edge of inaudibility nor at the volume of inflammatory rage-bait. Microscopic but still visible, the sounds suggest the early stirrings of new, dumb lifeforms. ANSWERS is provocative in its lack of ornament—born of the post-industrial and natural worlds, hovering above quotidian realities. Ben continues to operate on the edge of not being aesthetic at all—subject dissolving into object—plumbing the nature of reality with his homespun spring-steel idiophone and coffee-can aerophone, until it verges on bathroom drainage.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a percussionist, Ben has a lithe touch, moving seamlessly between sticks and his bare hands. Like Toshi Makihara and Sean Meehan, Ben is concerned with friction, yet his work is closer in spirit to Kieran Daly’s slowly unfolding monophonic MIDI investigations, which balance formal rigor, a cultivated openness to “dumbness,” and an abstract connection to the jazz tradition.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMy favorite moments on Answers are when the boundary between music and non-music becomes unstable, and when Ben abandons the drums and “music” entirely—\"How you sound when you’re criticizing me,” “Me when I’m having some work done,” and “Toroid – like a bagel or a donut”—where the album’s harsh plainness gives way to austere beauty, as if the vacuum momentarily ruptured.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eANSWERS feels as though it unfolds in isolation, yet the faintest vapors of the detritus, dust, and rubble of recognizable worlds drift in, giving rise to sounds that evoke goose honks, rapier blades, and field recordings from a Home Depot loading dock. Ben displays extraordinary sensitivity to vibrations that bloom briefly, then vanish. The record closes with twenty seconds of silence, a quiet void where everything disappears. It simply ends, draining back into the big ol’ cosmic sewer from which we were all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003econjured.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA023\u003c\/span\u003e\u003c\/p\u003e"}

アメリカ・ペンシルベニアのパーカッショニストBen Bennettが、2025年10月に同国NYのアンビエント作家Post Moves主宰レーベルLobby Artからリリースしたレコードです。インプロ〜ドローン7曲を収録。帯付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Lobby Art releases available...

¥4,650

クイックビュー {"id":9002432463098,"title":"Ryan Sawyer's Shaker Ensemble \/\/ For Those Who Wish to Sing Will Always Find a Song LP","handle":"ryan-sawyers-shaker-ensemble-for-those-who-wish-to-sing-will-always-find-a-song-lp","description":"\u003cp\u003eアメリカ・NYのパーカッショニストRyan Sawyer率いるShaker Ensembleが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマラカスやチェロ、トランペット、ヴィオラ、声を用いたインプロ作品です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177569146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. For Those Who Wish to Sing Will Always Find a Song 43:59\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMargaret Welsh, via \u003c\/span\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne night, not too long ago at Union Pool in Williamsburg, Brooklyn, Ryan Sawyer introduced his piece, “For Those Who Wish to Sing, Will Always Find a Song.” He invited the audience to sing along at any point they felt moved to, “just abstract ‘oohs’ and ‘aahs,’ or ‘oms,’ or whatever.” The small stage was crowded with musicians – The Shaker Ensemble – which that night included Jessica Pavone on viola, Nate Wooley on trumpet, Laura Cocks on flute, Stuart Bogie on clarinet, cellist Lester St. Louis, Henry Fraser on double bass, and Sawyer playing maracas.They’d all be singing, too.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first moments of the performance move like mist, solidifying gradually into more knowable sounds: A reedy hum becomes a human voice; another human’s voice morphs into a bright, breathy flutter of the flute. A low mechanical whirring strengthens into a warm trumpet’s strain; strings murmur and groan and blossom. Vocals and instruments blend with one another, twisting around the crisp rhythmic clatter of the maracas. There are stretches of soft menace – one imagines a rattlesnake stalking a chattering aviary, or a ritual performed in a storm – but ultimately the verdant, hallucinatory wilderness that flourishes across the runtime is a site of emotional\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e resuscitation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSawyer was given the pair of maracas – Columbian in origin, and mismatched – as a thank-you gift for helping a friend move. Each has a slightly different timbre and pitch. Played together, Sawyer found, they create a phasing effect, the shimmery swirling sound that happens when similar soundwaves are slightly out of sync. That’s interesting, he thought. “Every time I would look over at the maracas in my practice space,” he says, “I would think, oh I wonder if that’s still resonant,” and pick them up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs he built stamina and speed he began playing the maracas for friends and colleagues when they’d come by his space for casual practice sessions, many of them the same musicians who now populate the Shaker Ensemble. “Everyone was kind of extraordinarily intrigued by them, and wanted to know more, didn't want to play other music, just wanted to listen to that and play along with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaracas and other shaker instruments have long been used both ceremonially and therapeutically to clear energy, balance the body, and induce deep meditative states. Chanting, humming, singing: These things, of course, can have a similar effect.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a playfulness to abstract singing, but Sawyer also wanted to exploit the power of the voice as an instrument, as well as the vulnerability it can require. He’s not terribly comfortable with the hierarchy implied by the term “band leader,” and is more interested in the collective experience to which, in this case, the audience – at-home listener included - is invited to participate, to get lost in the communion of sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“There’s something really elemental about it, the closeness that you feel when you sing with somebody,” Sawyer says. “There’s also a sort of a trickster thing. [These musicians] all work so hard at their instruments but none of them are singers. So it might not be a comfortable place but we can all sit together in that uncomfortable place.” The byproduct of that discomfort, he hopes, is healing.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryan Sawyer's Shaker Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-18T13:10:31+09:00","created_at":"2025-11-17T10:14:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","jazz","lobby art","lp","new"],"price":465000,"price_min":465000,"price_max":465000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47966580375802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ryan Sawyer's Shaker Ensemble \/\/ For Those Who Wish to Sing Will Always Find a Song LP","public_title":null,"options":["Default Title"],"price":465000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843","\/\/tobirarecords.com\/cdn\/shop\/files\/who2.jpg?v=1763341843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843","options":["Title"],"media":[{"alt":null,"id":37529565266170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who1_fc3f718d-b880-41de-8b25-52942f436ec7.jpg?v=1763341843","width":700},{"alt":null,"id":37529565298938,"position":2,"preview_image":{"aspect_ratio":1.48,"height":811,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who2.jpg?v=1763341843"},"aspect_ratio":1.48,"height":811,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/who2.jpg?v=1763341843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのパーカッショニストRyan Sawyer率いるShaker Ensembleが、2025年10月に同国NYのアンビエント作家\u003ca href=\"https:\/\/tobirarecords.com\/products\/post-moves-heart-music-2xlp\"\u003ePost Moves\u003c\/a\u003e主宰レーベルLobby Artからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eマラカスやチェロ、トランペット、ヴィオラ、声を用いたインプロ作品です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2177569146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lobby-art\"\u003ehere\u003c\/a\u003e to see more Lobby Art releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;\"\u003e1. For Those Who Wish to Sing Will Always Find a Song 43:59\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eMargaret Welsh, via \u003c\/span\u003eLobby Art:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne night, not too long ago at Union Pool in Williamsburg, Brooklyn, Ryan Sawyer introduced his piece, “For Those Who Wish to Sing, Will Always Find a Song.” He invited the audience to sing along at any point they felt moved to, “just abstract ‘oohs’ and ‘aahs,’ or ‘oms,’ or whatever.” The small stage was crowded with musicians – The Shaker Ensemble – which that night included Jessica Pavone on viola, Nate Wooley on trumpet, Laura Cocks on flute, Stuart Bogie on clarinet, cellist Lester St. Louis, Henry Fraser on double bass, and Sawyer playing maracas.They’d all be singing, too.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first moments of the performance move like mist, solidifying gradually into more knowable sounds: A reedy hum becomes a human voice; another human’s voice morphs into a bright, breathy flutter of the flute. A low mechanical whirring strengthens into a warm trumpet’s strain; strings murmur and groan and blossom. Vocals and instruments blend with one another, twisting around the crisp rhythmic clatter of the maracas. There are stretches of soft menace – one imagines a rattlesnake stalking a chattering aviary, or a ritual performed in a storm – but ultimately the verdant, hallucinatory wilderness that flourishes across the runtime is a site of emotional\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e resuscitation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSawyer was given the pair of maracas – Columbian in origin, and mismatched – as a thank-you gift for helping a friend move. Each has a slightly different timbre and pitch. Played together, Sawyer found, they create a phasing effect, the shimmery swirling sound that happens when similar soundwaves are slightly out of sync. That’s interesting, he thought. “Every time I would look over at the maracas in my practice space,” he says, “I would think, oh I wonder if that’s still resonant,” and pick them up.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs he built stamina and speed he began playing the maracas for friends and colleagues when they’d come by his space for casual practice sessions, many of them the same musicians who now populate the Shaker Ensemble. “Everyone was kind of extraordinarily intrigued by them, and wanted to know more, didn't want to play other music, just wanted to listen to that and play along with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaracas and other shaker instruments have long been used both ceremonially and therapeutically to clear energy, balance the body, and induce deep meditative states. Chanting, humming, singing: These things, of course, can have a similar effect.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a playfulness to abstract singing, but Sawyer also wanted to exploit the power of the voice as an instrument, as well as the vulnerability it can require. He’s not terribly comfortable with the hierarchy implied by the term “band leader,” and is more interested in the collective experience to which, in this case, the audience – at-home listener included - is invited to participate, to get lost in the communion of sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“There’s something really elemental about it, the closeness that you feel when you sing with somebody,” Sawyer says. “There’s also a sort of a trickster thing. [These musicians] all work so hard at their instruments but none of them are singers. So it might not be a comfortable place but we can all sit together in that uncomfortable place.” The byproduct of that discomfort, he hopes, is healing.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryan Sawyer's Shaker Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Lobby Art\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLA024\u003c\/span\u003e\u003c\/p\u003e"}